Podcasts about best cinematography

"Sinners" is an American horror film produced, written, and directed by Ryan Coogler. Set in 1932 in the Mississippi Delta, the film stars Michael B. Jordan in dual roles as identical twin criminal brothers who return to their hometown in the Jim Crow South, where they are confronted by a supernatural evil. It co-stars Hailee Steinfeld, Miles Caton (in his film debut), Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Benson Miller, and Delroy Lindo. The film has received critical acclaim and was a commercial success, grossing $369 million worldwide on a $90–100 million budget. In addition, the National Board of Review and the American Film Institute listed it among the top 10 films of 2025. The film garnered several awards and nominations, including a record 16 nominations at the 98th Academy Awards and 13 at the 79th British Academy Film Awards, with Coogler winning the award for Best Original Screenplay at the latter. The film also earned record-breaking nominations and wins at the 57th NAACP Image Awards, scoring 18 nominations and 13 wins, including the NAACP Image Award for Outstanding Motion Picture. It also earned four wins at the 31st Critics' Choice Awards, two wins at the 83rd Golden Globe Awards (including Cinematic and Box Office Achievement), and two wins at the 32nd Actor Awards (including Outstanding Performance by a Cast in a Motion Picture). Delroy Lindo and the film's visual effects team (VFX Producer James Alexander and VFX Supervisor Michael Ralla) were kind enough to spend some time speaking with Will Mavity, while Nadia Dalimonte got the chance to speak with Wunmi Mosaku, Giovanni Lago spoke with Miles Caton, and Next Best Picture Owner & Editor In Chief Matt Neglia had the opportunity to speak with cinematographer Autumn Durald Arkapaw and the film's sound team (Production Sound Mixer Chris Welcker, Supervising Sound Editor Benny Burtt, and Re-Recording Mixers Brandon Proctor & Steve Boedderker). You can listen to all of the interviews below. Please be sure to check out the film, which is now available to watch at home from Warner Bros. Pictures and is up for your consideration for the 98th Academy Awards for Best Picture, Best Director (Coogler), Best Actor (Michael B. Jordan), Best Supporting Actor (Lindo), Best Supporting Actress (Mosaku), Best Original Screenplay, Best Casting, Best Cinematography, Best Costume Design, Best Film Editing, Best Makeup & Hairstyling, Best Production Design, Best Original Score, Best Original Song ("I Lied To You"), Best Sound and Best Visual Effects. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Cinematography is where intention meets execution — in the choice of lens, the placement of light, and the movement of the camera. For Episode 9 of Below the Line's 2026 Oscar series, we turn to the nominees for the Academy Award for Best Cinematography at the 98th Academy Awards. Skid is joined by cinematographers Patrick Cady and David Tuttman, who return to examine this year's field from the inside — balancing technical precision, aesthetic philosophy, and the lived reality of production. As with the rest of this year's Oscar series, the conversation is available both as an audio podcast and as a full video episode on YouTube. In this episode, the conversation explores: • The “military operation of joy” behind Frankenstein — and how large-format photography, depth of field, and camera movement supported a unified creative vision • The disciplined exposure control and 1970s-influenced grit of Marty Supreme, shot largely on film with exacting precision • The ambitious VistaVision approach of One Battle After Another, and why certain sequences demand to be seen on the biggest screen possible • The bold format shifts and musical visual language of Sinners, including the challenge of blending IMAX, 70mm, and intimate close-ups • The natural-light philosophy of Train Dreams, and why “lighting with fire” is anything but simple • Patrick's case for five additional films he believes deserved recognition — and what that reveals about how deep this year's cinematography field really is Along the way, Patrick and David reflect on film versus digital workflows, lens design, aspect ratios, shutter angle choices, and the subtle collaboration between cinematography, production design, and performance. The discussion moves easily between the granular (film stocks, lenses, exposure latitude) and the philosophical (joy in the process, trust between departments, and how cinematography shapes story without announcing itself).

Jessica Dimmock's work focusses on humanistic and intimate storytelling. She is the recipient of numerous international awards for her photography and video work, including a Guggenheim Fellowship, three World Press Photo Awards for short films, The Inge Morath Award from Magnum, the F Award for Concerned Photography from Forma and Fabrica, The Infinity Award for Photojournalist of the Year from the International Center of Photography, and The Kodak Award for Best Cinematography at the Hamptons International Film Festival. She is a Sundance Edit and Story Lab Fellow, and her first feature film The Pearl was awarded the Grand Jury Prize at the Dallas International Film Festival and was executive produced by Impact Partners. Her clients include HBO, The New Yorker, The New York Times Magazine, Microsoft, The UNFPA, Aperture, Showtime and PBS. She is the co-director of the Netflix series Flint Town as and directed on the reboot of Unsolved Mysteries and AppleTV's Home. In 2007 Jessica produced a photobook entitled The Ninth Floor (Contrasto).  Her most recent film, co-directed with her partner Zackery Canepari, is Thoughts & Prayers: How to Survive an Active Shooter in America, focussing on the USA's $3 billion active shooter preparadness industry and its effects on teachers and students, released in 2025. In episode 277, Jessica Discusses, among other things: Current projects Her attraction to dark subject matter Her TV mini series Captive Audience Forming close relationships with her subject The random coffee shop interaction that changed her direction forever The chance encounter that led to her first big photography project and subsequent book, The Ninth Floor How the musician Moby played a part in her journey Serendipity and her project The Pearl The challenge of landing lucrative commercial work The Netflix series she co-directed, Flint Town Her most recent film Thoughts & Prayers: How to Survive an Active Shooter in America Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following week! How did 2025 stack up in terms of film and television? Find out on this episode, in which Colton and Andrew discuss the most watched films and shows of 2025 and hand out their annual awards for the year! On Part Two, they get right into things with technical awards for 2025 films, name their favorite acting performances of the year, and announce their top 5 five films of 2025! 00:00:00 - Episode Teaser/Intro Music/Opening 00:05:20 - Best Original Score of 2025 00:10:36 - Best Soundtrack of 2025 00:13:22 - Best Original Screenplay of 2025 00:19:21 - Best Adapted Screenplay of 2025 00:25:52 - Best Sound Design of 2025 00:29:17 - Best Editing of 2025 00:33:54 - Best Visual Effects of 2025 00:35:17 - Best Production Design of 2025 00:39:04 - Best Cinematography of 2025 00:44:50 - Best Director of 2025 00:51:58 - Best Supporting Actor of 2025 00:55:56 - Best Supporting Actress of 2025 01:01:48 - Best Actor of 2025 01:09:00 - Best Actress of 2025 01:16:19 - 2025 Film Honorable Mentions 01:28:24 - Top 5 Films of 2025 02:09:33 - Listener's Corner (2025: A Year In Review Edition with Henrique Jaime and Anna Mattis) 02:17:32 - Conclusion/Outro Visit our website! Support us on Patreon! Thank you for listening, and please send any feedback to watchreviewrepeat@gmail.com! Produced by: Anna Mattis Intro/Outro Credit: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

As we continue revisiting past Oscar winners, this week we're spotlighting a former Best Cinematography winner with Michael Powell and Emeric Pressburger's Black Narcissus.A masterclass in color, atmosphere, and visual storytelling, Black Narcissus remains one of the most stunning films ever put to screen. Shot almost entirely on soundstages yet feeling vast and untamed, the film's cinematography transformed painted backdrops and controlled lighting into something mythic and haunting.We break down how the visuals shape the psychological tension, why its use of Technicolor still feels revolutionary, and whether modern audiences fully appreciate just how groundbreaking this film was.Lush, hypnotic, and visually unforgettable — this is Oscar-winning craftsmanship at its finest.#WatchTowerFilmPodcast #OscarSeason #BlackNarcissus #BestCinematography #PowellAndPressburger #ClassicCinema #Technicolor #FilmPodcast #AcademyAwards #Cinematography

This week, Hanna speaks to SINNERS's Autumn Durald Arkapaw (06:12), who this year became the first woman of color nominated for the Academy Award for Best Cinematography. Plus, we review Emerald Fennell's take on a literary classic, WUTHERING HEIGHTS (29:02), and Hasan Hadi's Iraqi drama THE PRESIDENT'S CAKE (1:05:11). Plus, in our HOT TAKE (1:18:13), we discuss whether male directors should be doing more to support female creatives behind the scenes.If you would like to donate directly towards humanitarian aid in Gaza, please visit: ⁠MAP⁠Buy Clarisse's Wes Anderson book⁠ ⁠here⁠⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! The Fade To Black Podcast is part of the Stripped Media Network.AMON:⁠ ⁠@Amonwarmann ⁠⁠CLARISSE: ⁠ ⁠@clarisseloughrey⁠⁠HANNA:⁠ ⁠@hannainesflint⁠⁠Music by ⁠The Last Skeptik⁠. We are a Stripped Media podcast.  

"Train Dreams" has gone on to become the most celebrated film from the 2025 Sundance Film Festival, with praise going to Bentley's direction, Edgerton's performance, and the cinematography. Among its accolades, the film was named as one of the top ten films of 2025 by both the National Board of Review and the American Film Institute. For his performance, Edgerton was nominated for a Golden Globe Award. It received four nominations at the 98th Academy Awards, including Best Picture, Best Adapted Screenplay, Best Original Song, and Best Cinematography. Brazilian cinematographer Adolpho Veloso has won the Critics' Choice Award for Best Cinematography and has been nominated for the ASC, BAFTA, Spirit Award, and Oscar for Best Cinematography, becoming the first Brazilian to achieve the latter. Veloso was kind enough to spend some time speaking with us about his work on the film, the experience of awards season, his Brazilian roots, and more, which you can listen to below. Please be sure to check out the film, which is now available to stream on Netflix and is up for your consideration for this year's Academy Awards in all eligible categories, including Best Cinematography. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The Cinematography Podcast Episode 346: Adolpho Veloso, ABC, AIP The film Train Dreams tells a story that feels less like a narrative and more like a memory. It began as an independent project that premiered at Sundance to critical acclaim before getting acquired by Netflix. Director Clint Bentley and cinematographer Adolpho Veloso, ABC, AIP, chose to shoot in the rugged landscapes of the Pacific Northwest. Veloso's radical commitment to naturalism in the film meant relying almost entirely on firelight, candlelight and natural light. The gorgeous result has earned him an Academy Award nomination for Best Cinematography. After their successful collaboration on the low-budget indie movie Jockey, Veloso and director Clint Bentley knew a tiny crew and small group of actors could lead to good, intimate storytelling. They developed a specific visual shorthand designed to make Train Dreams feel like a discovered artifact. They chose a 3:2 aspect ratio, a deliberate nod to still photography, intended to evoke the sensation of looking through a dusty box of old family photos. “We wanted the movie to feel like memories, like finding a box of pictures,” explains Veloso. “The whole visual motif came from still images and still photography in a way.” Using a single, handheld ARRI ALEXA 35 camera operated by Veloso allowed the actors freedom to improvise and move naturally, often capturing moments that a more rigid, multi-camera setup would have missed. To maintain a clear narrative thread through Robert's (Joel Edgerton) life, Veloso established visual rules using specific lighting shifts to distinguish between the warmth of Robert's good memories and the starker, haunting quality of his loss. Grounding the film in nature was extremely important. The team scoured Washington state, looking for woods that appeared untouched by time, yet remained accessible enough for a film crew. They shot around the Spokane area, where the drier weather and specific light quality offered the perfect backdrop for the film's mid-century setting. Working in national forests meant strict regulations with a small footprint, and timber cutting and axe work was carefully planned. Using almost entirely firelight, candlelight and natural light is very nontraditional filmmaking, and required a great deal of planning from all departments. For the two sets, the cabin and fire tower, Veloso spent weeks tracking solar orientation. The crew carefully built the cabin to exact specifications to allow plenty of light into the space. “You have the privilege to build it the way you want,” Veloso explains. “It's a lot of studies of what the sun is doing from week one to week seven. You have to decide where to place the windows so the light continuity holds as the seasons shift.” The most interesting technical choice was the total ban on LED lighting for period scenes. Veloso wanted the authentic flicker and color temperature of the era, but candles alone often create harsh, distracting shadows. To solve this, the team engineered a “1920s Sky Panel.” This custom rig used large reflective surfaces combined with candles and diffusion to create a soft, glowing light source that felt period-accurate yet flattering on the actors' faces. This required a constant dance between the camera and the art department. Candles, oil lamps, firelight, and campfires had to be good quality light to expose the image properly. For campfire scenes, the gaffer measured light levels in real-time, signaling the fire safety monitor to add wood precisely when the "exposure" needed a boost. A devastating forest fire at the film's climax required a shift from the naturalistic to the surreal. To capture the flames and feeling of a real forest fire, the production moved to an LED volume stage. Robert is dreaming about what happened in the fire, so the fire scene had to be strange and surreal. Veloso shot at a low frame rate with a wide shutter to create a blurred, fever dream aesthetic. The crew also shot in previously burned forests, capturing the aftermath of a real fire. Through Veloso's lens, Train Dreams is a tactile, flickering meditation on time itself. Find Adolpho Veloso: https://www.adolphoveloso.com/ Instagram: @adolphoveloso Watch Train Dreams on Netflix Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Send us a textToday's episode is my conversation about the 1930 film With Byrd at the South Pole. I'm joined by Kevin Pettit who writes the See You At the Movies newsletter, and we talk about how the film is essentially a silent film in a world that has fully transitioned to talkies, how the editing of the film made a huge difference on the feel of what we see on screen, and the spectacular images that the cinematographers brought back that led to the film winning Best Cinematography. You can watch With Byrd at the South Pole on YouTube or grab a copy of the film on DVD for yourself, and be sure to check out Kevin's newsletter.Other films mentioned in this episode include:The Notebook directed by Nick CassavetesA Woman Under the Influence directed by John CassavetesFerris Bueller's Day Off directed by John HughesThe Thing directed by John CarpenterThe Empire Strikes Back directed by Irvin KershnerThe Lighthouse directed by Robert EggersThere Will Be Blood directed by Paul Thomas AndersonKing Kong (1933) directed by Merian C. Cooper and Ernest B. SchoedsackWings directed by William A. WellmanMarty Supreme directed by Josh SafdieKing Kong (1976) directed by John GuillerminCitizen Kane directed by Orson WellesBowling for Columbine directed by Michael MooreThe Broadway Melody directed by Harry BeaumontAll Quiet on the Western Front directed by Lewis MilestoneOther referenced topics:The Terror (series)Movie scrapbook at the oDartmouth College archivesSupport the show

Forrest, Conan Neutron, and Kristina Oakes talk to Jacobin and FilmSuck Film Critic Eileen Jones about Paul Thomas Anderson's One Battle After Another!! It's our Oscars Month, we got a bunch of 2025's biggest movies (that we haven't covered already) up on deck, culminating with our Oscars LIVE Coverage in March. Starring Leonardo DiCaprio, Chase Infiniti, Sean Penn, Benicio Del Toro, Teyana Taylor, Regina Hall, JunglePussy, Tony Goldwyn, and Alana Haim One Battle After Another is up for 13 Oscars including Best Picture, Best Actor, Best Supporting Actor twice, Best Supporting Actress, Best Director, Best Adapted Screenplay, Best Sound, Best Casting, Best Original Score, Best Editing, Best Cinematography #onebattleafteranother #bestactor #bestdirector #bestpicture #bestediting #bestsound #seanpenn #leonardodicaprio #vineland #paulthomasanderson #chaseinfiniti #filmpodcast #moviepodcast #obaa #oscars2026 #oscars #teyanataylor #reginahall #pta This Space is doing a subscriber drive, we are not live on there because it's a different day, but throw them a follow. They are a working class media collective and can only survive with our support https://www.youtube.com/@thisspacetvEileen Jones is the co-host of FilmSuck ⁨@Filmsuck-t9u⁩ become a patron patreon.com/filmsuckWe are also streaming on ⁨@thisspacetv⁩ throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

The Cinematography Podcast Episode 344: Russell Carpenter When cinematographer Russell Carpenter began working on Avatar: The Way of Water and Avatar: Fire and Ash concurrently, he knew stepping into the world of Pandora would be a much different production environment. Carpenter and director Jim Cameron had previously collaborated on True Lies and Titanic, which won him the Academy Award for Best Cinematography. As the cinematographer, Carpenter's primary concern was ensuring the lighting on live, motion-captured actors blended seamlessly with a CGI-generated universe. Audiences instinctively understand the physics of sunlight filtering through a forest or the way light refracts underwater. To maintain an emotional connection to the story, Cameron insisted that every frame feel like it was in the real world of Pandora. The Avatar sequels were built in layers, with digital artists building the environment based on the script. Rough versions of the scenes and the blocking for the actors were plotted out, and then they were ready for the motion capture with the actors. Carpenter worked closely with production designers to determine how light should "feel" in these virtual spaces. Because the background was digital, the camera movement and lighting could be tested with instant feedback. If a virtual camera moved through a forest, the real-world lighting on the actor could be tested to react to every digital leaf and shadow in real-time. For over a year, Carpenter lived in two worlds: the virtual and the physical. "I had to keep lighting consistent in the CGI world while translating what Jim was doing on the capture stage," Carpenter says. "In the world of motion capture, things have to match to the half-second. If the camera travels a specific distance at a specific speed, the actor has to be exactly there. It's painstaking." A major breakthrough for the sequels was the use of programmable LED systems. Working with computer programmers and moving lights, Carpenter's team devised a way to shift intricate lighting setups instantly. This allowed for more complex visual storytelling, such as backlit sequences and the dappled, moving light of the Pandoran jungles. For Avatar: Fire and Ash, Cameron pushed for a more "organic" look, requesting the digital world mimic the flaws of physical film cameras. “Certain artifacts were introduced into Fire and Ash that we didn't quite have on Way of Water,” Carpenter explains, “such as lens flares and the appearance of water running off the front plate of a camera lens.” The team tested shooting lens flares, and a Weta programmer built it into the CGI world. To simulate the "Ash People" shooting flaming arrows, Carpenter's team used a grid of overhead LEDs programmed to "zip" past the actors' heads at arrow-speed, creating a realistic flicker of firelight on their faces Despite the technical hurdles, Carpenter found that the core of his craft—sculpting light—remained the same, even if the toolkit had changed. He admits the transition isn't for everyone. “I would say to any cinematographer who ventures into this territory, there's a learning curve where you definitely feel like a stranger in a strange land,” he says. “You realize that, especially in terms of live action, your percentage of the pie is less—but your impact on the final vision remains vital.” You can see Avatar: Fire and Ash in a variety of formats in theaters everywhere. Hear our previous interviews with Russell Carpenter: https://www.camnoir.com/ep40/ https://www.camnoir.com/ep200/ Find Russell Carpenter: Instagram @russellcarpenterasc Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Send us a textToday's episode is my conversation about the 1930 film Hell's Angels. I'm joined by Vicki Lesley who writes the Vicki Lesley is...Documental newsletter, and we talk about the beautiful cinematographic moments that earned the film a Best Cinematography nomination, the realities of being called home from abroad to fight for your country in wartime, and an incredible scene of self-sacrifice that came as quite a surprise when we watched the film. You can watch Hell's Angels on YouTube, Amazon Prime, or Tubi or grab a copy of the brand new Criterion 4K release from last November, and be sure to check out Vicki's newsletter.Other films mentioned in this episode include:All Quiet on the Western Front directed by Lewis Milestone Top Gun: Maverick directed by Joseph KosinskiThe Jazz Singer directed by Alan CroslandWings directed by William A. WellmanThe Aviator directed by Martin ScorseseIron Man directed by Jon FavreauDark Knight Trilogy directed by Christopher NolanThe Dawn Patrol directed by Howard HawksThe Love Parade directed by Ernst LubitschCity Lights directed by Charlie ChaplinThe Public Enemy directed by William A. WellmanScarface (1932) directed by Howard HawksOther referenced topics:Hell's Angels (1930) on TCM by Rob NixonOuttakes from the recent Criterion release of the filmToday is Tonight (novel) by Jean HarlowReview on The Tinseltown TwinsSupport the show

The Cinematography Podcast Episode 342: Michael Bauman Cinematographer Michael Bauman recently earned an Academy Award nomination for Best Cinematography for his work on One Battle After Another. Before becoming a cinematographer, Bauman spent years as a gaffer, working under legends like Robert Elswit, Janusz Kaminski, and the late Harris Savides. This mentorship gave him a masterclass in diverse visual languages and on-set problem-solving. After serving as a gaffer for director Paul Thomas Anderson on several projects, Bauman stepped into the DP role for the features Phantom Thread and Licorice Pizza. The decision to shoot One Battle After Another in VistaVision was Anderson's idea. Known for his commitment to celluloid, Anderson prefers old-school techniques: watching dailies on developed negative and editing with physical film. VistaVision offered a larger negative and higher resolution than standard 35mm without the massive footprint of IMAX. The challenge, however, was mobility. Historically used for stationary visual effects shots, the VistaVision camera is notoriously bulky. Anderson wanted the opposite: a dynamic, handheld, and Steadicam-heavy aesthetic. "The language of this entire movie is camera movement," says Bauman. "How do you take this format—with a viewing system that comes off the top at 45 degrees—and turn it into something that can capture the story the way he wants?" Putting an experienced team together was key for the endeavor. They had to be capable of troubleshooting in remote locations far from the safety of LA or New York hubs. Their goal wasn't perfection, but character. "In the digital world we soak in now, it's all about a pristine image," Bauman notes. "Blacks are super rich, whites are super crisp. We wanted to take this 'Kobe beef' format and turn it into a McDonald's hamburger—in the best way possible." The visual identity was further refined by referencing 1970s cinema, specifically The French Connection. Bauman studied the texture and color palettes of that era to emulate its "loose and rough" style. True to form, Anderson pushed to avoid modern LED lighting, preferring tungsten sources whenever space allowed. As a former gaffer, Bauman was happy to accommodate. Perhaps the greatest hurdle was the improvisational nature of the production. Anderson enjoys letting the actors improvise or even reshoot later. He doesn't use storyboards or do pre-vis, so even complex scenes had to be worked out in pre-production or on the day. “Every day was just like, you had to get comfortable with the uncomfortable,” comments Bauman. “I knew we were doing stuff in a good spot when I was really questioning all of it. We had to embrace all these happy accidents. It's free jazz all day long. It's exciting now, but at the time I was stressed as hell!” This spontaneity extended to the film's climax. The spectacular car chase wasn't fully scripted until the location manager discovered a road with rolling hills on the Arizona border. After a week of testing the VistaVision rigs on pursuit vehicles, the crew spent seven days capturing the sequence. Although it was in the wide-open desert, the characters chased each other over the undulating terrain, which allowed enough suspense to build before the spectacular conclusion. See One Battle After Another in theaters and streaming on HBO Max Find Michael Bauman: Instagram @baumanlights Check out Michael's lighting companies, LiteGear and Lux Lighting. Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

SOME SPOILERS. Kenny and Mike discuss the multiple Oscar nominated film by director Clint Bentley and starring Joel Edgerton, Felicity Jones, Kelly Condon, and William H Macy. Set in the early through mid 20th century, Train Dreams documents the story of Robert Grainer (Edgerton) a common man who life knows  simplicity, peace and joy and as well as tragedy and loss. Clint Bentley and production partner Greg Kwedar are nominated for an Oscar for best Adapted Screenplay.  The film is also nominated for Best Song, "Train Dreams" as well as Best Cinematography and Best Picture.  The film is currently on NETFLIX Faith Spotted: While Train Dreams is not considered a faith film, or faith based film, it is a film of faith lived out, both as individuals as well as communities of faith.  The film addresses, the joy of living a simple, contented life as well as working through grief and loss. Train Dreams also demonstrates the place of community and how persons of faith are called to notice and care for those in the midst of loss and grief and offer the ministry of presence, their presence and also the presence of God.  Not mentioned in the podcast, the film also presents guilt and how one's action or inaction an follow one throughout one's life.   

Let's talk about those Oscar Nominees!   In 2025, movies began with an incredibly slow start, indicating a worrisome year.   The Summer was met with real blockbusters and quickly fueled trust in moviegoers again.   The Fall and Winter brought upon some of the best quality films, with a variety of unique stories, perspectives, and innovative filmmaking from directors, actors, composers, and crews.   2025 reminded us that the film industry can thrive not only on sequels, and why we need both financially and culturally.   With the official Oscar Nominees upon us, join Popcorn for Breakfast as we anticipate the best, worst, and forgotten nominees in the most prestigious categories.   Show Open [00:00:00] Best Supporting Actress [00:03:05] Best Supporting Actor [00:05:08] Best Actress [00:09:10] Best Actor [00:14:39] Best Casting [00:19:40] Best Original Score [00:23:20] Best Production Design [00:26:20] Best Cinematography [00:28:40] Best Film Editing [00:32:16] Best Animated Feature [00:34:56] Best International Feature [00:38:11] Best Original Screenplay [00:43:43] Best Adapted Screenplay [00:47:18] Best Director [00:49:47] Best Picture [00:53:33] Show Close [01:00:21]   Thanks for listening!   Please rate, review, and subscribe if you liked this episode!   For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast   Check out our website: https://www.popcorn4breakfast.com Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? Email us: contact@popcorn4breakfast.com   Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1

Award-winning underwater cinematographer Roger Horrocks joins host Candice Bloch to discuss what it takes to capture the amazing underwater scenes we see in epic nature documentaries. Roger has worked on some of the most ambitious and acclaimed documentaries ever created, including My Octopus Teacher, Our Planet, Blue Planet 2, and Our Oceans. These projects have taken him all over the world, and earned numerous awards, including an Oscar for Best Documentary Feature, The Critics Choice Award for Best Cinematography, and a BAFTA for Best Cinematography. Roger shares about his journey into the world of underwater filmmaking and the unique challenges and techniques involved in capturing the beauty of life below the surface. He emphasizes the importance of safety, the specialized equipment used, and the patience required during long shoots. Roger also reflects on the lessons learned from the underwater world and the significance of crew dynamics in filmmaking. You'll come away with an even greater respect and appreciation of the skill and commitment it takes to bring audiences these incredible glimpses into our oceans and their inhabitants.You can learn more about Roger Horrocks, his work, and his Ocean Footage Mastery mentorship program here:www.rogerhorrocks.comwww.oceanfootagemastery.comwww.linkedin.com/in/rogerhorrockswww.instagram.com/rogerhorrocksSupport the show---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

Siobhan and Marcelo pick their best lenses of the year as they discuss the best cinematography in film in the year 2025! You can vote in the 13th Annual Talk Film Society Awards now! Help select the best of film of 2025: TalkFilmSoc.com/Vote. Follow the TFSPod for awards season updates: TalkFilmSoc.com/TFSAwards.

"Sound Of Falling" is a German drama film co-written and directed by Mascha Schilinski. Starring Hanna Heckt, Lena Urzendowsky, Laeni Geiseler, Susanne Wuest, Luise Heyer, and Lea Drinda, it follows four generations of girls connected by a farm in the Altmark region of Germany. The film premiered in competition at the 2025 Cannes Film Festival, where it won the Jury Prize. It has been selected as the German entry for Best International Feature Film at the upcoming 98th Academy Awards, making the Oscar shortlist for that category, as well as for Best Cinematography by Fabian Gamper. Mascha Schilinski was kind enough to spend some time talking with us about her work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from MUBI and is up for your consideration for the 98th Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The meditative drama "Train Dreams" follows a logger in the Northwest at the turn of the century dealing with loss and a quickly changing industrial landscape. It won a Critic's Choice for Best Cinematography and is garnering Oscar buzz for actor Joel Edgerton, who plays the protagonist. It was directed by Clint Bentley who also wrote and directed the acclaimed film "Sing Sing." Both join to discuss.

This week on the InSession Film Podcast, we feature our 13th annual InSession Film Awards! We discuss the very best that 2025 had to offer in terms of surprises, overlooked movies, the best acting performances, and so much more when it comes to the film year.  - Individual Awards (7:28) - Best Movie Discovery (49:14) - Best Surprise Actor/Actress (56:29) - Best Surprise Movie (1:09:16) - Best Overlooked Movie (1:23:41) - Best Opening/ Closing Scene (1:35:36) - Best Use of Song (1:50:35) - Best Original Score (1:59:13) - Best Animated Movie (2:07:07) - Best International Film (2:14:33) - Best Documentary (2:20:50) - Best Cinematography (2:29:02) - Best Adapted Screenplay (2:38:33) - Best Original Screenplay (2:48:31) - Best Director (2:53:48) - Best Supporting Actress (3:08:00) - Best Supporting Actor (3:16:44) - Best Actress (3:27:08) - Best Actor (3:38:20) Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF25 Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

I like to start off the new year with these adaptations by "The Lux Radio Theater."  We're going to get a little spooky this year.  "Rebecca" was first a great psychological thriller novel by Daphne de Maurier in 1938, then a great film directed by Alfred Hitchcock in 1940, and eventually this great, though a little shorter, radio adaptation for "Lux."  Though the Hitchcock film is visually stunning – it won two Oscars, one for Best Picture and another for Best Cinematography – this adaptation has the benefit of two of the best actors in Hollywood – actually in England, with Sir Laurence Olivier reprising his role as Maxim de Winter from the film and his real-life wife, Vivian Leigh, as the otherwise un-named new Mrs. de Winter. Episode The Lux Radio Theater November 6, 1950 "Rebecca" 2:11

Linzy Attenborough is a multiple-award-winning film and television producer, director and creative leader who has built a distinguished career spanning more than two decades. Her work encompasses feature films (including British independent cinema and Bollywood), commercials, TV programmes, short films and music videos—demonstrating both scale and versatility.⸻Founding Thought Juice Films & GrowthIn 2005 Linzy founded her own production company, Thought Juice Films (later operating as Thought Juice Films Ltd), which allowed her to move from corporate/multimedia videos into increasingly ambitious creative production. From 2006 to 2008, the company produced hundreds of corporate videos for major clients such as Aviva Plc, Rank Plc, SJ Berwin and TfL. In 2008 Linzy transitioned to film-set roles, line-producing her first feature film (shot on a London Routemaster bus) and continuing to expand into commercials, music videos and film. ⸻Feature Films, Commercials & Short FilmsLinzy has served in key roles on major commercial campaigns—for example as Unit Production Manager on the Star Wars/Disney UK Toy Advertising Campaign produced by Lucasfilm UK. Her company has produced and directed numerous award-winning short films: • Don't Cry: 11 awards including Best Social Concern Film at the Global Short Film Awards Cannes. • Re‑Birth: Featured on Amazon Prime; 8 awards including Best Cinematography, Best Ensemble Cast & Best Director. • Cinnamon: 52 festival selections and 11 wins. • A Certain Night: 4 awards including Best Short Film at Love Wins. • Finding the Light: Best Documentary at the Universal Film Festival and Best Cinematography at the Political Film Festival.⸻Selected Highlights & Achievements • Founded Thought Juice Films (2005) and steered it into film, television and multimedia production. • More than two decades of experience in production roles across independent cinema, Bollywood, commercials, music videos and TV. • Produced/Directed short films with significant festival recognition (e.g., Don't Cry; Re-Birth; Cinnamon). • Managed major commercial campaigns (Star Wars/Lucasfilm/Disney UK Toy campaign). • Worked on feature films as 1st Assistant Director, Production Manager and line producer (including On The Line, Exodus). • Trained initially as an actor at UK drama institutions, then shifted to filmmaking—giving her a “both sides of the camera” perspective. • Company profile: Thought Juice Films: “From 2006-2008 Linzy wrote, directed and edited hundreds of corporate videos… In 2008 she line-produced her first feature film shooting on a route master bus around London.” • IMDb profile lists 17 wins & 8 nominations for Linzy's work. ⸻Major Projects & Portfolio • Thought Juice Films Ltd – production company delivering corporate, commercial, short and feature‐length content. • Short film Don't Cry, Re-Birth, Cinnamon, A Certain Night, Finding the Light – festival-winning narratives with social themes and creative vision. • Commercial campaign: Unit Production Manager for Star Wars/Disney Toy Advertising Campaign (UK). • Feature film contributions: On The Line, Exodus (Assistant Director roles) and other British independent and Bollywood productions. ⸻Why She MattersLinzy Attenborough stands out in the film & media industry because she moves fluidly across formats (corporate video → short film → feature film → commercials → TV), always with an artistic core and production rigour.Her leadership and work streamline the production process for creatives and organisations, enabling impactful storytelling with professional standards and broad ambition. Her desire to challenge perceptions through “fantasy realism” situates her as a creative visionary with social conscience.⸻Connect with Linzy Attenborough • IMDb: Linzy Attenborough • LinkedIn: Linzy Attenborough Profile • Company: Thought Juice Films – About Us https://www.LetitiaAntoinette.world

In this special episode of Our Creative Commune, we're swapping things around! Pete and Laura are hijacking the podcast with their co-founders of the British Wedding Film Festival, Joce Boissin and Jeff Wood, to dive deep into everything you need to know about this brand-new event for the wedding film industry.We start off sharing some stories from the end of the wedding season, including Jeff's travel nightmare of losing all his kit right before a huge destination wedding and how he was forced to adapt.Then, we get into the heart of the festival. We share the vision behind creating an awards ceremony dedicated solely to celebrating the incredible craft within our industry. We discuss why we felt it was so important to have categories that recognise specific skills like sound design, storytelling, and cinematography, and how we hope it will inspire a new wave of creativity.Thinking of entering? We cover all the crucial details: the surprisingly hefty trophies you could win, the incredible panel of judges (including a James Bond sound designer and a Netflix producer!), the submission process, and what makes a film stand out. Plus, we give you all the info on the awards night itself—a chance for us all to get glammed up, connect, and feel inspired at the Manchester Art Gallery.This is more than just an awards show; it's a celebration of our community and the art we create. Whether you're considering submitting a film or just want to join the party, this episode has all the inspiration and information you need.Timestamps00:00 - Intro & Welcome to the BWFF Team 00:55 - Catching Up: How Was the End of the Season? 01:03 - Jeff's Destination Wedding Nightmare: The Airline Lost All My Gear! 04:50 - The Creative Benefit of Being Forced to Adapt 08:31 - Joce's Adventure with an Anamorphic Lens in Morocco 11:23 - Introducing the British Wedding Film Festival 11:51 - The Reason We Started These Awards 13:10 - Celebrating Individual Skills 14:30 - Using the Awards as a Creative Motivator for the Season 16:17 - It's Scary Entering Awards 17:45 - Let's Talk About the Trophies 18:21 - The Incredible Judging Panel 22:05 - How the Judging Process Will Work 23:20 - The Awards Night 24:25 - The Venue 25:04 - Submission Deadline: 1st December! 26:07 - The Categories & Submission Rules 28:14 - Best Cinematography & Best Sound Design 32:02 - Best Storytelling 32:31 - Best Cinematic Language: Using Match Cuts & Parallel Action 36:55 - Best Use of Music & Best Colour Grading 38:39 - Best Elopement: Telling a Story with Just Two People 39:36 - Film Length & Password Protection 44:41 - Jeff's Story: The OG of Cinematic Wedding Films 46:57 - Jeff's Thoughts on Shooting with Phones 52:39 - Joce's Story: From iPhone Clips to Full-Time Pro in 2 Years 58:46 - Highs & Lows of the WeekThe British Wedding Film Festivalhttps://www.britishweddingfilmfestival.com/ Pete & Lauralawsonfilms.co.ukJoce Boissinhttps://www.lunedemielstudio.com/Jeff Woodhttps://www.jeffwoodvisuals.com/ Hosted on Acast. See acast.com/privacy for more information.

Mirella Muroni is filmmaker, schrijver en adviseur. Haar films worden vaak verteld vanuit het perspectief van een zwarte vrouw. In 1995 maakte zij haar eindexamenfilm ‘Tijd van Gaan', over een vrouw die zichzelf van het leven wil beroven en haar dochters om hulp vraagt. Meer dan 20 jaar later verscheen haar korte film 'Ik ben', die werd geselecteerd voor nationale en internationale filmfestivals. In Nederland was de film geselecteerd voor het Nederlands Film Festival (NFF) in Utrecht, en in Amerika voor ‘Imagine This Women'sInternational Film Festival', in New York, waar de film in de prijzen viel voor ‘Best Cinematography'. Tijdens het Nederlands Film Festival (NFF) gaat haar nieuwe film ‘Forget All You Know(About Aliens)' in première. De film gaat over een ontmoeting met buitenaards leven. De 12-jarige Ella raakt er daardoor van overtuigd dat ze eerder leefde, als vier andere vrouwen uit Ghana, Suriname, Curaçao en als dubbelbloed.   Femke van der Laan gaat met Mirella Muroni in gesprek.

Last year, director Robert Eggers, who burst onto the horror filmmaking scene with The Witch and The Lighthouse, premiered his remake of the classic 1922 silent German Expressionist vampire film. Starring Lily-Rose Depp, Nicholas Hoult, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, and Willem Dafoe, the film sees Bill Skarsgård step into the iconic Max Schreck role of Count Orlock. This is adaptation of Bram Stoker's Dracula bewitched audiences, becoming Egger's highest-grossing film to date, and earned four Academy Awards nominations for Best Cinematography, Best Costume Design, Best Production Design, and Best Makeup and Hairstyling. But as we kick off our month of spooky movies, are our hosts seduced by this symphony of horror. Or, like a bad cover version, is Eggers' take ultimately toothless? Join us as we venture into the castle of… Nosferatu! This is Legends of Halloween!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

"Son of Assyria" is the latest feature film by Frank Gilbert, portraying the modern history of the Assyrian people. In this episode, we discuss the film's recent achievement — winning the award for Best Cinematography at the Baghdad International Film Festival.

We're 3 months late to the BEST OF (SO FAR) party because, well, just.The format we've been using for the past two years is as follows: rather than simply listing our favorite films of the year, we categorize them in the same way [insert any Award show name] categorizes them.Because we like to ramble a lot, Part 1 of the Best of 2025 (So Far) focuses on our in-depth discussions of film technique ("Best Editing," "Best Cinematography," etc), performance ("Best Lead Performance," "Best Supporting Performance"), and "Best Scene."Part 2, which was meant to be an hour long but also ended up being over 2 hours, will include discussions on our choices for "Best Director," "Best Film," "WTF (Affectionate) Film of the Year," and "Best Screenplay."Do listen and let us know -- amicably, of course -- how much you (dis)agree with us!TIME CODESIntroduction - [00:00:00 - 00:03:42]Best Editing - [00:03:42 - 00:41:37]Best Cinematography - [00:41:37 - 01:26:56]Best Song/Music - [01:26:56 - 02:16:26]Best Scene - [02:16:26 - 02:38:20]Best Supporting Performance - [02:38:20 - 02:56:08]Best Performance - [02:56:08 - 03:19:08] Impromptu Outro - [03:19:08 - 03:22:31]Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast.QID LINKTREE: ⁠⁠https://linktr.ee/queenisdead⁠⁠.Follow us on Instagram at:Adithiyan:⁠ https://www.instagram.com/curioseradithiyan/.⁠Amartya:⁠ https://www.instagram.com/amartya25/.⁠Dhruv: ⁠⁠⁠https://www.instagram.com/terminalcinema/⁠⁠⁠Aryan: ⁠⁠⁠https://www.instagram.com/aryantalksfilm/⁠⁠⁠Cris: ⁠⁠⁠https://www.instagram.com/prdscris/⁠⁠⁠Follow us on Letterboxd at:Adithiyan: ⁠https://letterboxd.com/curioseradi/⁠.Amartya: ⁠https://letterboxd.com/amartya/⁠.Dhruv: ⁠⁠⁠https://letterboxd.com/aterminalcinema/⁠⁠⁠Aryan: ⁠⁠⁠https://letterboxd.com/aryantalksfilms/⁠⁠⁠Cris: ⁠⁠⁠https://letterboxd.com/crislim/⁠⁠All Audio Excerpts may not have been used under the “Fair Use Provisions” of the Indian Copyright Act because Cris loves "Badass Ravi Kumar" that much.

Shervin Kermani is an award winning Iranian-Canadian filmmaker whose films have been recognized at dozens of international festivals. His previous short films include Sofia which won Best Short at the Rome and Ojai film festivals. His short Eros was nominated for four Golden Sheaf Awards, and won Best Cinematography at the Future of Film Showcase. His short, Bibi's Dog is Dead, played at five Oscar Qualifying film festivals was nominated for Best Live Action Short Drama and won Best Performance in a Live Action Short Drama at the 2025 Canadian Screen Awards. Ramón Who Speaks to Ghosts, a haunting, poetic and warmly humorous meditation on loss, made it's world premiere at the 2025 Toronto International Film Festival. Directed by Shervin under the mentorship of legendary director Werner Herzog, the evocative and deeply lyrical short was made during La Selva's third film accelerator on the island of La Palma, Spain. The accelerator paired 25 directors with 25 cinematographers to create short films responding to the aftermath of the 2021 Cumbre Vieja volcanic eruption.  Ramón Who Speaks to Ghosts follows a quirky, endearing man wandering the island with his microphone, listening for ghosts. As he walks through scorched landscapes, the film paints a tender portrait of the quiet grief behind his strange obsession.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

"The Knife" is an American psychological drama film produced and directed by Nnamdi Asomugha (in his directorial debut) and co-written by Asomugha and Mark Duplass. The film stars Asomugha, Melissa Leo, Aja Naomi King, and Manny Jacinto as it follows a family throughout one night after an intruder breaks into their home, leading to a tense, mind-twisting investigation. The film premiered in competition at the 2024 Tribeca Film Festival, where it won awards for Best New Narrative Director and Best Cinematography and was nominated for the Founders Award for Best U.S. Narrative Feature. Asomugha & Leo were kind enough to speak with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on August 15th from Relativity Media and Inaugural Entertainment. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Author and documentary-maker, Manchán Magan, is starring in the two-episode documentary Listen to the Land Speak. This progamme sees Manchán Magan reveal the profound knowledge and wisdom contained in our landscape and myths and explore how they have shaped the way we look at the world. The first episode is set to air today on RTÉ One. Manchán joins us on the show today to discuss the award-winning programme, which just won the Best Cinematography in an Irish Film award at the Galway Film Fleadh over the weekend.

Stephen Murphy is a cinematographer known for his work on MR. & MRS. SMITH, ATLANTA, and HEART EYES. In 2025, Murphy received a BAFTA TV Craft nomination for Photography & Lighting in Fiction for the mini-series SAY NOTHING, as well as a nomination for Best Cinematography from the Irish Film and Television Awards for the same project. He currently presides on the Board of Governors for the British Society of Cinematographers and is the former president of the Irish Society of Cinematographers. In this interview, we talk about prep vs. spontaneity in cinematography, how he got involved in ATLANTA and MR. & MRS. SMITH, changes in the industry, and much more! Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Stop the Bleeding! is celebrating 14 seasons of using comedy and entertainment to raise awareness and educate about hemophilia and other bleeding disorders. Join creator, director, and star, Patrick James Lynch, in a retrospective with director and writer Jim Fagan as they reminisce about the show's characters and conflicts, and how entertainment & digital media was used to engage, educate, and inspire people with chronic conditions.   Presenting Sponsor: Takeda, visit bleedingdisorders.com to learn more. Watch the trailer for the latest season! AWARDS & HONORS   2018 LA Web Fest - Best Premise for a Comedy Series (Winner); Best Cinematography, Best Editing (Nomination) 2017 Imagen Awards - Best Web Series (Nomination) 2017 Brooklyn Web Fest - Best Ensemble (Nomination) 2014 National Hemophilia Foundation - Meritorious Service Award (Winner) 2013 Hemophilia Federation of America - Health & Wellness Award (Winner)   It's a Whole New World Gene Therapy Segment brought to you by CSL Behring, which now has a first-of-its-kind hemophilia B treatment. Visit BeyondHemB.com or download B SUPPORT wherever you get your apps for more information.   Segment is brought to you by Genentech: Visit www.hemashort.com to watch the short film. Show Notes: Subscribe: The BloodStream Podcast   Connect with BloodStream Media: BloodStreamMedia.com BloodStream on Facebook  BloodStream on X/Twitter  BloodStream on Instagram BloodStream on LinkedIn BloodStream on TikTok  

Send us a textToday's episode is my conversation about the 1928 film White Shadows in the South Seas. My friend Matthew Brady from the Warren Peace newsletter joins me to discuss the film and we talk about why this film was almost a shoe in for winning Best Cinematography at the 2nd Academy Awards, how interesting it was to be able to see some aspects of indigenous life on the South Pacific islands of around 100 years ago, and the cautionary tale that is this film. You can watch White Shadows in the South Seas on YouTube or purchase a copy for your collection and be sure to check out Matthew's newsletter.Other films mentioned in this episode include:Nanook of the North directed by Robert J. FlahertyMoana directed by Frances H. Flaherty, Robert J. Flaherty, and Monica Flaherty FrassettoThe Birth of a Nation directed by D. W. GriffithIntolerance directed by D. W. GriffithSadie Thompson directed by Raoul WalshOther referenced topics:White Shadows in the South Seas (novel) by Frederick O'Brien (also available on Project Gutenberg)"Rain" (short story) by W. Somerset MaughamLos Angeles Times article about Raquel Torres performing a voice testMotion Picture Magazine reviewThe Film Spectator review

ion to our humanity. At twelve years of age, Darwin won the award for Best Film by a Child Producer, Best Cinematography, and Best Editing at the KidzFlicks awards for his short film Red Panda Man. He had previously made a claymation short film called My Eco Friendly House. Darwin then also was a Tropfest Jr finalist for his short Milk. Again, he was only twelve years old at the time.https://www.youtube.com/watch?v=CIZDIpQoomYFlash forward a decade and Darwin's creative streak continues with his latest short film Bluebird, a brilliantly realised short that pays homage to the classic swashbuckling films from the early 1900s. That sense of exploring and amplifying our relationship with the environment continues with Darwin's work as a cinematographer on the short film The Overthrow, and underpins the visual style of Bluebird. Bluebird features musical sequences, fighting, and romance, all with a backdrop of a glorious green environment that elevates the adventure of the story of a Princess seeking revenge in delightfully entertaining ways.There's a level of vision and scope at work within Bluebird that is a rarity for Australian films, and it's that vision that underpins the following conversation with Darwin, recorded ahead of Bluebird's Australian Premiere at the upcoming Fantastic Film Festival Australia. Bluebird will be screening in the Sydney Shorts package alongside a smorgasbord of great local talent, including Chris Elena's latest film Passion Pop.Bluebird is a film that's designed for an audience to appreciate and enjoy on the big screen. There's an understanding and appreciation of cinematic language and the possibilities of creative storytelling that makes the work of Darwin Schulze a delight to watch. In the following conversation, Darwin talks about how his journey into filmmaking began, what it means to have supportive parents who encouraged his creative journey, and how he managed to create the distinct and expansive look of Bluebird on a microbudget.Bluebird screens as part of the Sydney Shorts package at Fantastic Film Festival Australia on 27 April 2025.the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following week! 2024 is in the books, so you know what that means... it's time for Colton and Andrew to look back at all the films and television shows the year brought us all. On Part Two, they give out their technical awards for films from 2024 and reveal their top five films of the year! 00:00:00 - Intro 00:08:41 - 2024: A Year In Review (Cont.) 00:12:11 - Best Film Title Card of 2024 00:23:16 - Best Stunts of 2024 00:29:48 - Best Original Score of 2024 00:40:35 - Best Soundtrack of 2024 00:46:09 - Best Original Screenplay of 2024 01:01:49 - Best Adapted Screenplay of 2024 01:12:17 - Best Sound Design of 2024 01:21:53 - Best Editing of 2024 01:28:35 - Best Visual Effects of 2024 01:37:33 - Best Production Design of 2024 01:44:40 - Best Cinematography of 2024 01:50:10 - Best Director of 2024 02:03:08 - Best Supporting Actor of 2024 02:14:56 - Best Supporting Actress of 2024 02:21:34 - Best Actor of 2024 02:29:34 - Best Actress of 2024 02:34:40 - Best Foreign Language Film of 2024 (you know, if we had actually watched any...) 02:36:30 - 2024 Film Honorable Mentions 02:48:40 - Top 5 Films of 2024 03:22:27 - Listener's Corner (2024: A Year In Review Edition with Anna Mattis and Henrique Jaime) 03:30:29 - Conclusion/Outro Visit our website! Support us on Patreon! Thank you for listening, and please send any feedback to watchreviewrepeat@gmail.com! Intro/Outro Credit: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

TGIF! Ty Clancey is a returning champion! Ty was on episode 366 to talk about his short film “Thank You For Staying,” an Official Selection at Sherman Oaks Film Festival in 2021.                                                     After the podcast, he sent me his hilarious human-puppet hybrid comedy “Support.com and You!” and I loved it so much that we instantly threw it onto The Indie Channel. Ty came back to the podcast because in 2023 his beautiful, stylistic horror short “Drawn” was an Official Selection in Sherman Oaks Film Festival.                                                                                                 In In classic Ty fashion, he didn't realize that “Drawn” won the Grand Jury Award for Best Featurette, Horror and Best Cinematography for Stephen Tringali until I told him on the podcast! (If memory serves, he didn't know about the awards “Thank You For Staying” won until he came onto the podcast. Not gonna lie. I enjoy my conversations with Ty so much that I may have to think of an excuse to bring him on again even before he makes another film.                                                                                        He was on episode 366 in March 2023 and here he is, back on episode 504 in March 2025. Maybe I should that he come back for a March 2027 episode? You can more about Ty's work at victorhousefilms.com and tyclancey.com , or hit Ty's instagram at @tyclancey _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – BlueSky The INDIE Channel The INDIE Channel Website – Instagram – Facebook – TikTok

Tricia Collins is a versatile and acclaimed actress, director, and writer from Vancouver, Canada. As a filmmaker, Tricia's work has earned significant recognition. Her short film Clinch premiered at the Richard Harris International Film Festival in Ireland, where it was nominated for Best Cinematography, and won her the Best Actress award at the Vancouver International Women in Film Festival. Her directorial debut, REACH, inspired by her late father's receding memories, screened at numerous festivals, including the Vancouver Asian Film Festival, the WIFTI Showcase, and the Female Eye Film Festival. Tricia also directed the dystopian short film Infect Me Not and the web series Occupy My Life. Showcasing her range as a filmmaker, she has developed TV pilots, web series' and feature film scripts. As an actress, Tricia has delivered powerful performances on stage in productions such as As You Like It, Smart People, News of the World, and The Unnatural & Accidental Women. Her voice has also been featured in numerous CBC Radio plays, including Swimming to China and Red Pole Rising. On screen, she has appeared in Supergirl, The 100, The Good Mistress, Luna: Spirit of the Whale, and more. Tricia is also the owner of Perseverance Pictures, a film production company.   Want to watch: YouTube Meisterkhan Pod (Please subscribe)

This is our review for the 97th Annual Academy Awards. Conan O'Brien killed it as host, and Sean Baker absolutely cleaned up! Join us as we break down all the highlights, surprises, winners and losers; including for our annual Geekcentric predictions competition. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

It's that time of year where our favorite actors, directors, cinematographers, composers and industry professionals get together and celebrate the art of filmmaking. Making a movie is an incredible feat. Making a great film is even more difficult. In this episode, Arron and Andrew talk about their favorite nominees and snubs of the 2025 Oscars.Who do you think should win an Oscar?Video Chapters:0:00 - Intro2:05 - I don't like the Oscars5:13 - What are the Oscars7:35 - How the votes for Best Picture work13:13 - Biggest Snubs of the 2025 Oscars19:00 - Best Actor23:28 - Best Actor in a supporting role26:15 - Best Actress33:15 - Best Actress in a supporting role27:00 - Best Animated Feature40:55 - Best Cinematography 45:45 - Best Costume Design47:16 - Best Director | Snub 51:47 - Best Editing54:30 - Best Score58:10 - Best Soundtrack59:16 - Best Production Design1:02:20 - Best Sound1:04:07 - Best Special Effects1:08:04 - Best Adapted Screen Play1:10:30 - Best Screen Play1:12:23 - Best Picture#2025oscars #oscars #movie THE BODY short Film: https://www.youtube.com/watch?v=a2ABree1YzU

Long-time friend and colleague Jenelle Riley of Variety magazine chats with Ben and Illya for our SIXTH annual Oscar nominations special. With a focus on cinematography, they discuss what they liked, what will win, what should win, and their favorite movies of the year that may not have been recognized. They discuss this year's nominations, the BAFTAs as a predictor for this year's Oscars, the ASC Awards nominees, and a little about last year's nominee and winner, Hoyte Van Hoytema, for Oppenheimer. Both Alice Brooks for Wicked and Stéphane Fontaine for Conclave were not nominated this awards season, but were nominated for ASC Awards. Ed Lachman, cinematographer of Maria, won the ASC Award this year. Ben, Jenelle and Illya agree that Drew Daniels for Anora and Benjamin Kracun for The Substance were also cinematographers who deserve recognition for their work. Academy Award nominees for Best Cinematography this year are: Lol Crawley, The Brutalist Greig Fraser, Dune Part 2 Paul Guilhaume, Emilia Pérez Ed Lachman, Maria Jarin Blaschke, Nosferatu Find Jenelle Riley on Facebook, Instagram, Blue Sky, X: @jenelleriley and Variety: https://variety.com/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Many now agree that the NASA acronym (National Aeronautics and Space Administration) should instead connote Never A Straight Answer.  The historic "Moon Landing" has become a central issue amongst the growing number of NASA skeptics for good reason.  Modernized technology reveal so many incongruities in existing video footage & documentation that the government may, indeed. have "a lot of splainin to do".   Bart Sibrel, award winning filmmaker, writer, and investigative journalist, joins this special Thursday 5 PM Alfacast to set the record straight!  Bart has been producing television programs, documentaries, music videos, TV commercials, and stage plays for over forty years. Sibrel has owned five video production companies, been employed by two of the three major networks, worked as a television news reporter, and produced videos shown on ABC, NBC, CBS, CNN, TLC, USA, and BET. He has also appeared as a seasoned actor on the stage and screen over five hundred times. Articles featuring Sibrel's films have been published in Time Magazine, The New York Times, The Washington Post, and USA Today. His awards from the American Motion Picture Society include Best Cinematography, Best Editing, and Top Ten Director. Sibrel grew up as the biggest fan of the purported "moon landings", yet gradually began to recognize their unfortunate falsification, largely because of his professional familiarity with their studio lighting. In Sibrel's mind, as well as many others, the claim that NASA walked on the moon on the very first attempt with 1960's technology, which only had one-millionth the computing power of a cell phone, when today with five decades of better technology NASA can only send astronauts one-thousandth the distance to the moon, simply defies logic. Sibrel believes that a religious attachment to the emotional event is what prevents people from waking up to the deplorable reality. Bart has appeared as guest commentator about the moon landing fraud on The Joe Rogan Experience, Geraldo, the Abrams Report, NBC, CNN, FOX, HBO, Tech TV, Coast to Coast, Candace Owens, Patrick Bet-David, and InfoWars. In his memoir Moon Man Bart Sibrel reveals, for the very first time, the official CIA code name for the real Apollo project, the military base where the first staged "moon landing" was filmed, and the names of fifteen United States government scientists and officials who were in attendance for the first moon landing falsification, some of whom are still alive today. This information was given to Sibrel by the Chief of Security of this secretive military base, who confessed his regrettable participation in this despicable government fraud on his deathbed. Moon Man also reveals Bart Sibrel's real-life espionage adventures investigating the CIA's greatest secret, including his discovery of privately recorded audio of an astronaut plotting Sibrel's assassination by the CIA, which would not be necessary if they really went to the moon.  Bart Sibrel is convinced that until the moon landing fraud is exposed, all the governments of the world will continue to rob the people under their care of not only the truth, yet also of their hard earned money, which continues to this day to finance their own deception. Buckle up for this one folks!!! Show links: https://www.sibrel.com/ Join Mike at Anarchapulco Feb 17 - 21 https://anarchapulco.com Use code alfavedic for 10% off! Learn The True Nature Of Dis-Ease & How Our Bodies Actually Work: https://alfavedic.com/themyth/ Join Our Private Community And Join In The Discussion: https://alfavedic.com/join-us/ Follow our new YT channel: / @offgridelegance Get our favorite blue blocker glasses! https://alfavedic.com/raoptics Learn how to express your law and uphold your rights as one of mankind. https://alfavedic.com/lawformankind Alfa Vedic is an off-grid agriculture & health co-op focused on developing products, media & educational platforms for the betterment of our world. By using advanced scientific methods, cutting-edge technologies and tools derived from the knowledge of the world's greatest minds, the AV community aims to be a model for the future we all want to see. Our comprehensive line of health products and nutrition is available on our website. Most products are hand mixed and formulated right on our off grid farm including our Immortality Teas which we grow on site. Find them all at https://alfavedic.com​​​​​​​​​​​​​​ Follow Alfa Vedic: https://linktr.ee/alfavedic Follow Mike Winner: https://linktr.ee/djmikewinner

What are the 4Qs? (1) Three favorite films. (2) An underrated film. (3) An overrated film. (4) A lesser-known film people should seek out. Brazilian filmmaker Tôka wrote and directed the film “Nauru,” a remarkable film that took home the Grand Jury Award for Best Featurette, Sci-Fi at Film Invasion Los Angeles 2024 as well as Best Screenplay, Best Cinematography, Best Production Design, and Best Supporting Performer. We have to love technology because I was able to have a fantastic chat with Tôka all the way from London via Zoom that aired on Monday. Here's our trusty follow-up with his 4 Questions! Learn more about Tôka at https://www.instagram.com/toka.filmes/ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – X/Twitter The INDIE Channel The INDIE Channel Website – Instagram – Facebook – X/Twitter – TikTok

Happy Monday, Film Friends! That's right, we are trying on a Mon-Wed-Fri schedule because we have so many exciting talks to share with you all! Brazilian filmmaker Tôka wrote and directed the film “Nauru,” a remarkable film that took home the Grand Jury Award for Best Featurette, Sci-Fi at Film Invasion Los Angeles 2024. In fact, the film took home five awards, including Best Screenplay, Best Cinematography, Best Production Design, and Best Supporting Performer. “Nauru” is a proof of concept for a feature script that Tôka wrote, which is good news because the world he created in “Nauru” deserves to be explored much further. Tôka lives in London today and hopped onto Zoom to have this conversation with me. After seeing a film as well-written and visually stunning as “Nauru,” I had been looking forward to this talk for most of 2024. We managed to get on Zoom together in December and now you get to listen to it in 2025! Learn more about Tôka at https://www.instagram.com/toka.filmes/ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – X/Twitter The INDIE Channel The INDIE Channel Website – Instagram – Facebook – X/Twitter – TikTok

On this new season of AART our first guest is the cinematographer Sarah Thomas Moffat. Sarah's work has spanned across all genres from docs, factual and commercial with a focus now on scripted. Her productions have aired worldwide, including on CBC, History Channel, CTV, Hulu and Netflix. Sarah was the first woman to run as a Racer-Cam Operator on the Canadian reality competition show Amazing Race Canada. She has won multiple awards across genres including film festival awards for Best Cinematography. along with three CSC nominations.  Sarah's parents emigrated from Scotland to Canada shortly before Sarah was born in Toronto. As a child she developed an interest in still photography through artistic parents which led to Sarah studying Film, Radio, TV Broadcasting at Centennial College, Ontario. She describes herself, at that time, as focused and determined when she realized that this was her calling and she could make a career as a cinematographer. Sarah is a dual citizen of Canada and the UK. She is a member of IATSE, a CSC Associate Member, an ASC Vision Mentee Alumni, and Illuminatrix DOP based in London.  Sarah's links:https://sarahthomasmoffat.com/https://www.imdb.com/name/nm3511986/https://www.instagram.com/sthomasmoffat Some of Sarah's favorite female artists:Mandy WalkerEva DuVernay Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week on the InSession Film Podcast, we feature our 12th annual InSession Film Awards! We discuss the very best that 2024 had to offer in terms of surprises, overlooked movies, the best acting performances, and so much more when it comes to the film year.  - Individual Awards (5:50) - Best Movie Discovery (45:24) - Best Surprise Actor/Actress (56:57) - Best Surprise Movie (1:07:53) - Best Overlooked Movie (1:15:07) - Best Opening/ Closing Scene (1:28:47) - Best Use of Soundtrack Music (1:36:04) - Best Original Score (1:45:27) - Best Animated Movie (1:54:49) - Best International Film (2:13:15) - Best Documentary (2:22:26) - Best Cinematography (2:35:52) - Best Adapted Screenplay (2:42:45) - Best Original Screenplay (2:51:26) - Best Director (3:02:51) - Best Supporting Actress (3:07:23) - Best Supporting Actor (3:17:39) - Best Actress (3:27:45) - Best Actor (3:36:04) *Times may vary slightly depending on ads Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF24 Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

"Dune: Part Two" was one of 2024's biggest films critically, financially, and now, awards-wise, as it's on a similar run as the first film was in 2021 through early 2022. "Dune" went on to receive 10 Oscar nominations and six wins: Best Cinematography, Best Film Editing, Best Production Design, Best Original Score, Best Sound, and Best Visual Effects. The second film impressively ups the scale, delivering one of the grandest big-screen achievements audiences have experienced in their lifetimes, and we're proud to have many members of the crew here to dive back into the sands of Arrakis with us as Oscar voting gets underway for the 97th Academy Awards. First, we have my interview with Academy Award-nominated Director, Co-Writer and Producer Denis Villeneuve, followed by Brendan Hodges's conversation with Academy Award-winning Cinematographer Greig Fraser, then we have Giovanni Lago's interview with Academy Award-winning Costume Designer Jacqueline West, then we have Dan Bayer's interview with Academy Award-winning Production Designer Patrice Vermette and Set Decorator Shane Vieau, followed by my interviews with Academy Award-winning Film Editor Joe Walker, Academy-Award winning sound team consisting of Supervising Sound Editor & Sound Designer Richard King, and Re-Recording Mixers Ron Bartlett and Doug Hemphill, and then we end on my conversation with Academy Award-winning Visual Effects Supervisor Paul Lambert. Please be sure to check out the film, which is now available to rent digitally from Warner Bros. Pictures or stream on HBO Max and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Maria" had its world premiere at the 2024 Venice International Film Festival, where it received positive reviews for Angelina Jolie's breathtaking performance as Maria Callas, one of the world's most renowned Opera singers, Pablo Larraín's gorgeous direction, Ed Lachman's sumptuous cinematography and the detailed production design from Guy Hendrix Dyas. The Next Best Picture team was lucky enough to speak with Larraín, Lachman, and Dyas to get an insightful look into the making of the Netflix film. First up, we have Ema Sasic's interview with director Pablo Larraín. Then we have Giovanni Lago's interview with cinematographer Ed Lachman, and then we end with Cody Dericks'sinterview with production designer Guy Hendrix Dyas. Please be sure to check out the film, which is now available to stream on Netflix and is up for your consideration at this year's Academy Awards in all eligible categories, including Best Actress (Angelina Jolie), Best Director, Best Cinematography, Best Costume Design, Best Makeup & Hairstyling and Best Production Design. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Nickel Boys" had its world premiere at the 2024 Telluride Film Festival, where it received enthusiastic reviews from critics who praised writer and director RaMell Ross's adaptation of Colson Whitehead's Pulitzer Prize-winning novel, the cinematography by Jomo Fray, the score by Alex Somers and Scott Alario and the performances from the entire cast. The film has gone on to be nominated for the Independent Spirit Award, Gotham Award, Golden Globe, and Critics Choice Award for Best Picture. The Next Best Picture team was lucky enough to speak with some people involved in the making of the film. First up, we have Dan Bayer's interview with director and writer RaMell Ross, followed by my conversation with stars Ethan Herisse and Brandon Wilson, followed by Giovanni Lago's interview with cinematographer Jomo Fray and then ending with my talk with the film's composers Alex Somers and Scott Alario. Please be sure to check out the film, which is now playing in select theaters from Amazon MGM Studios and is up for your consideration at this year's Academy Awards in all eligible categories, including Best Picture, Best Director, Best Adapted Screenplay, and Best Cinematography. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Girl With The Needle" had its world premiere at the 2024 Cannes Film Festival, where it competed for the Palme d'Or and received strong reviews for its dark true story, striking black and white cinematography, and haunting performances from Vic Carmen Sonne and Trine Dyrholm. The film has been chosen as the Danish entry for Best International Feature Film at the 97th Academy Awards and has been nominated for the Golden Globe for Best Motion Picture – Non-English Language. Director and co-writer Magnus von Horn was kind enough to spend some time talking with us about his work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in select theaters from MUBI and is up for your consideration for this year's Academy Awards in all eligible categories, including Best International Feature Film and Best Cinematography. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Bassist, composer, educator and actor John Brown teaches at Duke University and currently serves as Vice Provost for the Arts, Director of the Jazz Program and Professor of the Practice of Music. He has performed internationally with artists like Wynton Marsalis, Ellis Marsalis, Delfeayo Marsalis, Elvin Jones, Nnenna Freelon, Cyrus Chestnut, Diahann Carroll, Rosemary Clooney, Nell Carter, Lou Donaldson, Slide Hampton, Nicholas Payton, Frank Foster, Larry Coryell, Cedar Walton, Fred Wesley, Bernard Purdie and Mark Whitfield, as well as giving regular performances as a substitute with the North Carolina Symphony since 1992. He has performed for President Barack Obama, and at major national and international venues and festivals in Asia, Europe and across North and South America. John has a Grammy nomination for his performance and co-writing on Nnenna Freelon's 1996 Concord release, Shaking Free, and he has an Emmy nomination for producing the first Duke Student Arts Showcase. He has also produced and performed on recordings for Nnenna Freelon and Linda Lavin. The film One Night in Kernersville (documenting the first recording session of John's Big Band) won “Best Short Film” at the Full Frame Film Festival, “Best Cinematography” at the Charlotte Film Festival and was featured on the Documentary Channel. John has also served multiple times as a juror and as Chair for the Pulitzer Prize in Music and for various engagements with the National Endowment for the Arts.