Podcasts about best cinematography

Send us a textToday's episode is my conversation about the 1928 film White Shadows in the South Seas. My friend Matthew Brady from the Warren Peace newsletter joins me to discuss the film and we talk about why this film was almost a shoe in for winning Best Cinematography at the 2nd Academy Awards, how interesting it was to be able to see some aspects of indigenous life on the South Pacific islands of around 100 years ago, and the cautionary tale that is this film. You can watch White Shadows in the South Seas on YouTube or purchase a copy for your collection and be sure to check out Matthew's newsletter.Other films mentioned in this episode include:Nanook of the North directed by Robert J. FlahertyMoana directed by Frances H. Flaherty, Robert J. Flaherty, and Monica Flaherty FrassettoThe Birth of a Nation directed by D. W. GriffithIntolerance directed by D. W. GriffithSadie Thompson directed by Raoul WalshOther referenced topics:White Shadows in the South Seas (novel) by Frederick O'Brien (also available on Project Gutenberg)"Rain" (short story) by W. Somerset MaughamLos Angeles Times article about Raquel Torres performing a voice testMotion Picture Magazine reviewThe Film Spectator review

ion to our humanity. At twelve years of age, Darwin won the award for Best Film by a Child Producer, Best Cinematography, and Best Editing at the KidzFlicks awards for his short film Red Panda Man. He had previously made a claymation short film called My Eco Friendly House. Darwin then also was a Tropfest Jr finalist for his short Milk. Again, he was only twelve years old at the time.https://www.youtube.com/watch?v=CIZDIpQoomYFlash forward a decade and Darwin's creative streak continues with his latest short film Bluebird, a brilliantly realised short that pays homage to the classic swashbuckling films from the early 1900s. That sense of exploring and amplifying our relationship with the environment continues with Darwin's work as a cinematographer on the short film The Overthrow, and underpins the visual style of Bluebird. Bluebird features musical sequences, fighting, and romance, all with a backdrop of a glorious green environment that elevates the adventure of the story of a Princess seeking revenge in delightfully entertaining ways.There's a level of vision and scope at work within Bluebird that is a rarity for Australian films, and it's that vision that underpins the following conversation with Darwin, recorded ahead of Bluebird's Australian Premiere at the upcoming Fantastic Film Festival Australia. Bluebird will be screening in the Sydney Shorts package alongside a smorgasbord of great local talent, including Chris Elena's latest film Passion Pop.Bluebird is a film that's designed for an audience to appreciate and enjoy on the big screen. There's an understanding and appreciation of cinematic language and the possibilities of creative storytelling that makes the work of Darwin Schulze a delight to watch. In the following conversation, Darwin talks about how his journey into filmmaking began, what it means to have supportive parents who encouraged his creative journey, and how he managed to create the distinct and expansive look of Bluebird on a microbudget.Bluebird screens as part of the Sydney Shorts package at Fantastic Film Festival Australia on 27 April 2025.the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

ion to our humanity. At twelve years of age, Darwin won the award for Best Film by a Child Producer, Best Cinematography, and Best Editing at the KidzFlicks awards for his short film Red Panda Man. He had previously made a claymation short film called My Eco Friendly House. Darwin then also was a Tropfest Jr finalist for his short Milk. Again, he was only twelve years old at the time.https://www.youtube.com/watch?v=CIZDIpQoomYFlash forward a decade and Darwin's creative streak continues with his latest short film Bluebird, a brilliantly realised short that pays homage to the classic swashbuckling films from the early 1900s. That sense of exploring and amplifying our relationship with the environment continues with Darwin's work as a cinematographer on the short film The Overthrow, and underpins the visual style of Bluebird. Bluebird features musical sequences, fighting, and romance, all with a backdrop of a glorious green environment that elevates the adventure of the story of a Princess seeking revenge in delightfully entertaining ways.There's a level of vision and scope at work within Bluebird that is a rarity for Australian films, and it's that vision that underpins the following conversation with Darwin, recorded ahead of Bluebird's Australian Premiere at the upcoming Fantastic Film Festival Australia. Bluebird will be screening in the Sydney Shorts package alongside a smorgasbord of great local talent, including Chris Elena's latest film Passion Pop.Bluebird is a film that's designed for an audience to appreciate and enjoy on the big screen. There's an understanding and appreciation of cinematic language and the possibilities of creative storytelling that makes the work of Darwin Schulze a delight to watch. In the following conversation, Darwin talks about how his journey into filmmaking began, what it means to have supportive parents who encouraged his creative journey, and how he managed to create the distinct and expansive look of Bluebird on a microbudget.Bluebird screens as part of the Sydney Shorts package at Fantastic Film Festival Australia on 27 April 2025.the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following week! 2024 is in the books, so you know what that means... it's time for Colton and Andrew to look back at all the films and television shows the year brought us all. On Part Two, they give out their technical awards for films from 2024 and reveal their top five films of the year! 00:00:00 - Intro 00:08:41 - 2024: A Year In Review (Cont.) 00:12:11 - Best Film Title Card of 2024 00:23:16 - Best Stunts of 2024 00:29:48 - Best Original Score of 2024 00:40:35 - Best Soundtrack of 2024 00:46:09 - Best Original Screenplay of 2024 01:01:49 - Best Adapted Screenplay of 2024 01:12:17 - Best Sound Design of 2024 01:21:53 - Best Editing of 2024 01:28:35 - Best Visual Effects of 2024 01:37:33 - Best Production Design of 2024 01:44:40 - Best Cinematography of 2024 01:50:10 - Best Director of 2024 02:03:08 - Best Supporting Actor of 2024 02:14:56 - Best Supporting Actress of 2024 02:21:34 - Best Actor of 2024 02:29:34 - Best Actress of 2024 02:34:40 - Best Foreign Language Film of 2024 (you know, if we had actually watched any...) 02:36:30 - 2024 Film Honorable Mentions 02:48:40 - Top 5 Films of 2024 03:22:27 - Listener's Corner (2024: A Year In Review Edition with Anna Mattis and Henrique Jaime) 03:30:29 - Conclusion/Outro Visit our website! Support us on Patreon! Thank you for listening, and please send any feedback to watchreviewrepeat@gmail.com! Intro/Outro Credit: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

TGIF! Ty Clancey is a returning champion! Ty was on episode 366 to talk about his short film “Thank You For Staying,” an Official Selection at Sherman Oaks Film Festival in 2021.                                                     After the podcast, he sent me his hilarious human-puppet hybrid comedy “Support.com and You!” and I loved it so much that we instantly threw it onto The Indie Channel. Ty came back to the podcast because in 2023 his beautiful, stylistic horror short “Drawn” was an Official Selection in Sherman Oaks Film Festival.                                                                                                 In In classic Ty fashion, he didn't realize that “Drawn” won the Grand Jury Award for Best Featurette, Horror and Best Cinematography for Stephen Tringali until I told him on the podcast! (If memory serves, he didn't know about the awards “Thank You For Staying” won until he came onto the podcast. Not gonna lie. I enjoy my conversations with Ty so much that I may have to think of an excuse to bring him on again even before he makes another film.                                                                                        He was on episode 366 in March 2023 and here he is, back on episode 504 in March 2025. Maybe I should that he come back for a March 2027 episode? You can more about Ty's work at victorhousefilms.com and tyclancey.com , or hit Ty's instagram at @tyclancey _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – BlueSky The INDIE Channel The INDIE Channel Website – Instagram – Facebook – TikTok

Tricia Collins is a versatile and acclaimed actress, director, and writer from Vancouver, Canada. As a filmmaker, Tricia's work has earned significant recognition. Her short film Clinch premiered at the Richard Harris International Film Festival in Ireland, where it was nominated for Best Cinematography, and won her the Best Actress award at the Vancouver International Women in Film Festival. Her directorial debut, REACH, inspired by her late father's receding memories, screened at numerous festivals, including the Vancouver Asian Film Festival, the WIFTI Showcase, and the Female Eye Film Festival. Tricia also directed the dystopian short film Infect Me Not and the web series Occupy My Life. Showcasing her range as a filmmaker, she has developed TV pilots, web series' and feature film scripts. As an actress, Tricia has delivered powerful performances on stage in productions such as As You Like It, Smart People, News of the World, and The Unnatural & Accidental Women. Her voice has also been featured in numerous CBC Radio plays, including Swimming to China and Red Pole Rising. On screen, she has appeared in Supergirl, The 100, The Good Mistress, Luna: Spirit of the Whale, and more. Tricia is also the owner of Perseverance Pictures, a film production company.   Want to watch: YouTube Meisterkhan Pod (Please subscribe)

This is our review for the 97th Annual Academy Awards. Conan O'Brien killed it as host, and Sean Baker absolutely cleaned up! Join us as we break down all the highlights, surprises, winners and losers; including for our annual Geekcentric predictions competition. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

In honor of the Oscars Kody and Korbin break down all their favorites from 2024 (18:00) at length after a short discussion on Best Picture winner "Anora" (1:30)Best Underrated Feature Film (20:55)Best Supporting Actor (49:30)Best Supporting Actress (1:10:25)Best Actor (1:29:45)Best Actress (1:51:15)Best Animated Feature (2:07:10)Best VFX (2:21:45)Best Scoring (2:34:30)Best Cinematography (2:47:20)Best Editing (3:08:55)Best Direction (3:25:25)Best Writing (3:44:15)Best Feature Film (4:02:05)KHAP's Up and Coming Person of the Year (4:08:30)KHAP's Person of the Year (4:18:40)Best TV Show (4:28:35)More and Less of That (4:36:35)Best KHAP Episode (4:55:45)Hosts: Korbin Zvokel and Kody Webb⁠⁠https://linktr.ee/khapodcast⁠⁠ Leave us a voice message:⁠⁠ ⁠⁠⁠https://podcasters.spotify.com/pod/show/khapodcast/message⁠⁠

It's that time of year where our favorite actors, directors, cinematographers, composers and industry professionals get together and celebrate the art of filmmaking. Making a movie is an incredible feat. Making a great film is even more difficult. In this episode, Arron and Andrew talk about their favorite nominees and snubs of the 2025 Oscars.Who do you think should win an Oscar?Video Chapters:0:00 - Intro2:05 - I don't like the Oscars5:13 - What are the Oscars7:35 - How the votes for Best Picture work13:13 - Biggest Snubs of the 2025 Oscars19:00 - Best Actor23:28 - Best Actor in a supporting role26:15 - Best Actress33:15 - Best Actress in a supporting role27:00 - Best Animated Feature40:55 - Best Cinematography 45:45 - Best Costume Design47:16 - Best Director | Snub 51:47 - Best Editing54:30 - Best Score58:10 - Best Soundtrack59:16 - Best Production Design1:02:20 - Best Sound1:04:07 - Best Special Effects1:08:04 - Best Adapted Screen Play1:10:30 - Best Screen Play1:12:23 - Best Picture#2025oscars #oscars #movie THE BODY short Film: https://www.youtube.com/watch?v=a2ABree1YzU

Long-time friend and colleague Jenelle Riley of Variety magazine chats with Ben and Illya for our SIXTH annual Oscar nominations special. With a focus on cinematography, they discuss what they liked, what will win, what should win, and their favorite movies of the year that may not have been recognized. They discuss this year's nominations, the BAFTAs as a predictor for this year's Oscars, the ASC Awards nominees, and a little about last year's nominee and winner, Hoyte Van Hoytema, for Oppenheimer. Both Alice Brooks for Wicked and Stéphane Fontaine for Conclave were not nominated this awards season, but were nominated for ASC Awards. Ed Lachman, cinematographer of Maria, won the ASC Award this year. Ben, Jenelle and Illya agree that Drew Daniels for Anora and Benjamin Kracun for The Substance were also cinematographers who deserve recognition for their work. Academy Award nominees for Best Cinematography this year are: Lol Crawley, The Brutalist Greig Fraser, Dune Part 2 Paul Guilhaume, Emilia Pérez Ed Lachman, Maria Jarin Blaschke, Nosferatu Find Jenelle Riley on Facebook, Instagram, Blue Sky, X: @jenelleriley and Variety: https://variety.com/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

It's that time of year again... time for our Defender Awards! We celebrate the best in movies in 2024 and give out our own awards, Shields, to our picks just like the Oscars. Ours are just more fun. It's a long one so listen in chunks if you must and don't forget we have chapter headings to skip to your favs! Lots of clips, scenes, trailers, you name it. So strap in... let's head to the blue Movie Defenders carpet... and let's do The Defender Awards! Click here to listen and connect anywhere: https://linktr.ee/moviedefenders 00:15:34 Top 10 Favorite Movies of 2024 00:58:00 Most Unfairly Criticized Movie 01:03:05 Best Trailer 01:14:37 Best Picture Nominee: Alien - Romulus 01:22:48 Best Scene 01:35:47 Best Music 01:47:26 Best Picture Nominee: Anora 01:57:40 Best Supporting Actress 02:11:51 Best Supporting Actor 02:20:39 Best Picture Nominee: Deadpool & Wolverine 02:26:51 In Memorium 02:47:01 Best Picture Nominee: Dune - Part 2 02:52:00 Best Actress 03:10:03 Best Actor 03:22:59 Best Picture Nominee: Furiosa - A Mad Max Saga 03:26:49 Best Cinematography 03:30:59 Best Quote or Monologue 03:39:09 Best Picture Nominee: Smile 2 03:43:39 Best Screenplay 03:49:30 Best Opening Scene or Credits 03:56:57 Best Picture Nominee: The Substance 04:04:52 Biggest Surprise Movie 04:11:39 Best Genre (Sci-Fi) Movie 04:16:16 Best Picture Nominee: Wicked 04:24:00 Best Ending 04:39:47 Best Director 04:49:11 Best Picture Nominee: The Wild Robot 04:56:39 Best Picture of 2024 Special thanks to our amazing Patreon supporters! Alex Kirkby  Alexis Helman Barrett Young Bart German Brett Bowen Daryl Ewry Doug Robertson Ena Haynes Eric Blattberg Jason Chastain Josh Evans Joshua Loy Katherine Boulware Kevin Athey Mark Nattress Mark Martin Megan Bush Michael Puckett Nick Nagher Randal Silver Sean Masters Stephanie Ewry Attack of the Killer Podcast

Table of Contents: CINEMATOGRAPHY01:38 - “The Brutalist” - Lol Crawley02:52 - “Dune: Part Two” - Greig Fraser04:36 - “Emilia Pérez” - Paul Guilhaume06:48 - “Maria” - Ed Lachman09:08 - “Nosferatu” - Jarin BlaschkeORIGINAL SCORE10:29 - “The Brutalist” - Daniel Blumberg11:18 - “Conclave” - Volker Bertelmann13:04 - “Emilia Pérez” - Clément Ducol and Camille14:20 - “Wicked” - John Powell and Stephen Schwartz15:39 - “The Wild Robot” - Kris BowersSOUND18:06 - “A Complete Unknown” - Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco19:41 - “Dune: Part Two” - Gareth John, Richard King, Ron Bartlett and Doug Hemphill20:57 - “Emilia Pérez” - Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta22:59 - “Wicked” - Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis24:26 - “The Wild Robot” - Randy Thom, Brian Chumney, Gary A. Rizzo and Leff LeffertsThis past year featured some of the most stunning, innovative, and groundbreaking work in the categories of Cinematography, Original Score, and Sound. And since we've been diligently interviewing the artists and teams who have received Academy Award® nominations in those categories, we offer you this special round-up episode — to help give some greater insight into how to cast your final votes. The soundbites in this episode are mere snippets from the discussions we've been conducting through the past several months. If you'd like to take a deeper dive:FULL EPISODES, BY CATEGORY:= CINEMATOGRAPHY =“The Brutalist”237 - Lol Crawley and the Cinematography of The Brutalist - Feb 10th, 2025YouTube: https://youtu.be/d342-st5dvgSpotify: https://open.spotify.com/episode/0Txxk3xNAcmItPwsm9GquPApple Podcasts: https://podcasts.apple.com/us/podcast/237-lol-crawley-and-the-cinematography-of-the-brutalist/id1549901182?i=1000690773442“Dune: Part Two”189 - Greig Fraser and the Cinematography of Dune: Part Two - March 5th, 2024YouTube: https://youtu.be/39p8wPkhmtMSpotify: https://open.spotify.com/episode/5WMtD1WbGGVBgrlQtSFzONApple Podcasts: https://podcasts.apple.com/us/podcast/189-greig-fraser-and-the-cinematography-of-dune-part-two/id1549901182?i=1000648108720“Emilia Pérez”220 - The Making of Emilia Pérez - Dec 4th, 2024YouTube: https://youtu.be/VZruPNqHv3wSpotify: https://open.spotify.com/episode/1YHHeGMGzBwdTIXlHKAgz2Apple Podcasts: https://podcasts.apple.com/us/podcast/220-the-making-of-emilia-p%C3%A9rez/id1549901182?i=1000679018480“Maria”236 - Ed Lachman and the Cinematography of Maria - Feb 7th, 2025YouTube:

Many now agree that the NASA acronym (National Aeronautics and Space Administration) should instead connote Never A Straight Answer.  The historic "Moon Landing" has become a central issue amongst the growing number of NASA skeptics for good reason.  Modernized technology reveal so many incongruities in existing video footage & documentation that the government may, indeed. have "a lot of splainin to do".   Bart Sibrel, award winning filmmaker, writer, and investigative journalist, joins this special Thursday 5 PM Alfacast to set the record straight!  Bart has been producing television programs, documentaries, music videos, TV commercials, and stage plays for over forty years. Sibrel has owned five video production companies, been employed by two of the three major networks, worked as a television news reporter, and produced videos shown on ABC, NBC, CBS, CNN, TLC, USA, and BET. He has also appeared as a seasoned actor on the stage and screen over five hundred times. Articles featuring Sibrel's films have been published in Time Magazine, The New York Times, The Washington Post, and USA Today. His awards from the American Motion Picture Society include Best Cinematography, Best Editing, and Top Ten Director. Sibrel grew up as the biggest fan of the purported "moon landings", yet gradually began to recognize their unfortunate falsification, largely because of his professional familiarity with their studio lighting. In Sibrel's mind, as well as many others, the claim that NASA walked on the moon on the very first attempt with 1960's technology, which only had one-millionth the computing power of a cell phone, when today with five decades of better technology NASA can only send astronauts one-thousandth the distance to the moon, simply defies logic. Sibrel believes that a religious attachment to the emotional event is what prevents people from waking up to the deplorable reality. Bart has appeared as guest commentator about the moon landing fraud on The Joe Rogan Experience, Geraldo, the Abrams Report, NBC, CNN, FOX, HBO, Tech TV, Coast to Coast, Candace Owens, Patrick Bet-David, and InfoWars. In his memoir Moon Man Bart Sibrel reveals, for the very first time, the official CIA code name for the real Apollo project, the military base where the first staged "moon landing" was filmed, and the names of fifteen United States government scientists and officials who were in attendance for the first moon landing falsification, some of whom are still alive today. This information was given to Sibrel by the Chief of Security of this secretive military base, who confessed his regrettable participation in this despicable government fraud on his deathbed. Moon Man also reveals Bart Sibrel's real-life espionage adventures investigating the CIA's greatest secret, including his discovery of privately recorded audio of an astronaut plotting Sibrel's assassination by the CIA, which would not be necessary if they really went to the moon.  Bart Sibrel is convinced that until the moon landing fraud is exposed, all the governments of the world will continue to rob the people under their care of not only the truth, yet also of their hard earned money, which continues to this day to finance their own deception. Buckle up for this one folks!!! Show links: https://www.sibrel.com/ Join Mike at Anarchapulco Feb 17 - 21 https://anarchapulco.com Use code alfavedic for 10% off! Learn The True Nature Of Dis-Ease & How Our Bodies Actually Work: https://alfavedic.com/themyth/ Join Our Private Community And Join In The Discussion: https://alfavedic.com/join-us/ Follow our new YT channel: / @offgridelegance Get our favorite blue blocker glasses! https://alfavedic.com/raoptics Learn how to express your law and uphold your rights as one of mankind. https://alfavedic.com/lawformankind Alfa Vedic is an off-grid agriculture & health co-op focused on developing products, media & educational platforms for the betterment of our world. By using advanced scientific methods, cutting-edge technologies and tools derived from the knowledge of the world's greatest minds, the AV community aims to be a model for the future we all want to see. Our comprehensive line of health products and nutrition is available on our website. Most products are hand mixed and formulated right on our off grid farm including our Immortality Teas which we grow on site. Find them all at https://alfavedic.com​​​​​​​​​​​​​​ Follow Alfa Vedic: https://linktr.ee/alfavedic Follow Mike Winner: https://linktr.ee/djmikewinner

In this episode, Dhruv and Amartya invite Devi (@film.trance) and Adithiyan (@curioseradithiyan) to discuss their favorite Indian films of the year in the same format in which they discussed their Best of 2024 (So Far)! Each of them selects not only their favorite Indian film but also their favorite director, cinematographer, composer/sound designer, script writer, editor, supporting, and lead performers of the year! Listen to the episode, note down titles that interest you, and share your favorite Indian films of 2024! TIME CODES Introduction & Discussion Format - [00:00 - 12:40] Best Supporting Actor - [12:40 - 28:57] Best Supporting Actress - [28:57 - 48:46] Best Editing - [48:46 - 01:09:59] Best Sound/Music - [01:09:59 - 01:27:44] Best Cinematography - [01:27:44 - 01:40:38] Best Screenplay - [01:40:38 - 01:55:55] Best Actor - [01:55:55 - 02:15:03] Best Actress - [02:15:03 - 02:33:15] Best Director - [02:33:15 - 02:52:37] Best Film - [02:52:37 - 03:22:00] Obligatory Industry Slander - [03:22:00 - 03:30:08] Onto 2025 & Outro - [03:30:08 - 03:33:57] Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast. You can also follow us on Instagram at: Adithiyan: https://www.instagram.com/curioseradithiyan/. Devi: https://www.instagram.com/film.trance/. Dhruv: https://www.instagram.com/terminalcinema/. Amartya: https://www.instagram.com/amartya25/. Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow us on Letterboxd at: Adithiyan: https://letterboxd.com/curioseradi/. Devi: https://letterboxd.com/cinemamadhuram/. Dhruv: https://letterboxd.com/aterminalcinema/. Amartya: https://letterboxd.com/amartya/. All Audio Excerpts are used under the “Fair Use Provisions” of the Indian Copyright Act.

From the sands of Arrakis, to the secret turmoil of the lives of the most powerful men in the Catholic Church. Conclave served us some of the best actors of their generation throwing shade at each other while being lit and framed in some of the most beautiful shots of the year. Although somehow, this film is missing an Oscar nomination for Best Cinematography. Truly blasphemous. What did you think of Conclave? Let us know on Twitter, Instagram or Threads! Listen to the score, track played Overture of Conclave Read the script Listen to our other episodes we talked about - All Quiet on the Western Front, Milk, Lady Bird Theme music by RomanBelov    #Conclave #BestPicture #BestActor #BestSupportingActress #BestAdaptedScreenplay #BestFilmEditing #BestProductionDesign #BestCostumeDesign #BestOriginalScore #RalphFiennes #IsabellaRossellini #Oscars2025 #2025Oscars #AcademyAwards #Oscars 

What are the 4Qs? (1) Three favorite films. (2) An underrated film. (3) An overrated film. (4) A lesser-known film people should seek out. Brazilian filmmaker Tôka wrote and directed the film “Nauru,” a remarkable film that took home the Grand Jury Award for Best Featurette, Sci-Fi at Film Invasion Los Angeles 2024 as well as Best Screenplay, Best Cinematography, Best Production Design, and Best Supporting Performer. We have to love technology because I was able to have a fantastic chat with Tôka all the way from London via Zoom that aired on Monday. Here's our trusty follow-up with his 4 Questions! Learn more about Tôka at https://www.instagram.com/toka.filmes/ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – X/Twitter The INDIE Channel The INDIE Channel Website – Instagram – Facebook – X/Twitter – TikTok

Happy Monday, Film Friends! That's right, we are trying on a Mon-Wed-Fri schedule because we have so many exciting talks to share with you all! Brazilian filmmaker Tôka wrote and directed the film “Nauru,” a remarkable film that took home the Grand Jury Award for Best Featurette, Sci-Fi at Film Invasion Los Angeles 2024. In fact, the film took home five awards, including Best Screenplay, Best Cinematography, Best Production Design, and Best Supporting Performer. “Nauru” is a proof of concept for a feature script that Tôka wrote, which is good news because the world he created in “Nauru” deserves to be explored much further. Tôka lives in London today and hopped onto Zoom to have this conversation with me. After seeing a film as well-written and visually stunning as “Nauru,” I had been looking forward to this talk for most of 2024. We managed to get on Zoom together in December and now you get to listen to it in 2025! Learn more about Tôka at https://www.instagram.com/toka.filmes/ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Website – Instagram – Facebook – X/Twitter The INDIE Channel The INDIE Channel Website – Instagram – Facebook – X/Twitter – TikTok

Dean Redman is an actor known for his work on War for the Planet of the Apes, Warcraft, Virgin River, Godzilla, Tron:Legacy, Smallville, Iron Man Armored Avenger, and Stargate SG1. Head Judge actor Dean Redman are pleased to announce the Hollywood North International Film Festival (HNIFF) will take place online from January 11 to February 8, 2025, with the Grand Award Gala on January 25, 2025, at the H. R. McMillan Space Centre in Vancouver. HNIFF will honour a diverse, emerging collective of artists from an international stage while encouraging the growth of our global network within this vast community and making the industry feel accessible both inside the film world and out. The festival goes beyond merely showcasing international cinema. It is a vibrant community built on values of inclusivity, empowerment, collaboration, and inspiration.   The prestigious 4-week film festival offers an immersive experience. Feature films submitted by filmmakers worldwide are available for online screening from January 11 to February 8. Each in-person event day will also be live-streamed, allowing filmmakers worldwide to participate in interactive Q&A sessions with esteemed judges and network with industry professionals, fostering valuable connections and discussions, nominee announcements, and the Grand Award ceremony.   The festival reaches its pinnacle on the seventh day with a Grand Awards Gala on January 25, 2025, hosted by MC and Head Judge Dean Redman at the H.R. McMillan Space Centre. This elegant evening will include a glamorous red carpet before the award ceremony, honouring our filmmakers' exceptional work and creativity, a screening of the award-winning feature film, and an exclusive afterparty. The HNIFF Awards will be presented to Best Actor, Best Animation, Best Cinematography, Best Documentary, Best Student Film, Best Director, and Peoples' Choice Award Presented by the Event Partner.          Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

On this new season of AART our first guest is the cinematographer Sarah Thomas Moffat. Sarah's work has spanned across all genres from docs, factual and commercial with a focus now on scripted. Her productions have aired worldwide, including on CBC, History Channel, CTV, Hulu and Netflix. Sarah was the first woman to run as a Racer-Cam Operator on the Canadian reality competition show Amazing Race Canada. She has won multiple awards across genres including film festival awards for Best Cinematography. along with three CSC nominations.  Sarah's parents emigrated from Scotland to Canada shortly before Sarah was born in Toronto. As a child she developed an interest in still photography through artistic parents which led to Sarah studying Film, Radio, TV Broadcasting at Centennial College, Ontario. She describes herself, at that time, as focused and determined when she realized that this was her calling and she could make a career as a cinematographer. Sarah is a dual citizen of Canada and the UK. She is a member of IATSE, a CSC Associate Member, an ASC Vision Mentee Alumni, and Illuminatrix DOP based in London.  Sarah's links:https://sarahthomasmoffat.com/https://www.imdb.com/name/nm3511986/https://www.instagram.com/sthomasmoffat Some of Sarah's favorite female artists:Mandy WalkerEva DuVernay Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

On this new season of AART our first guest is the cinematographer Sarah Thomas Moffat. Sarah's work has spanned across all genres from docs, factual and commercial with a focus now on scripted. Her productions have aired worldwide, including on CBC, History Channel, CTV, Hulu and Netflix. Sarah was the first woman to run as a Racer-Cam Operator on the Canadian reality competition show Amazing Race Canada. She has won multiple awards across genres including film festival awards for Best Cinematography. along with three CSC nominations.  Sarah's parents emigrated from Scotland to Canada shortly before Sarah was born in Toronto. As a child she developed an interest in still photography through artistic parents which led to Sarah studying Film, Radio, TV Broadcasting at Centennial College, Ontario. She describes herself, at that time, as focused and determined when she realized that this was her calling and she could make a career as a cinematographer. Sarah is a dual citizen of Canada and the UK. She is a member of IATSE, a CSC Associate Member, an ASC Vision Mentee Alumni, and Illuminatrix DOP based in London.  Sarah's links:https://sarahthomasmoffat.com/https://www.imdb.com/name/nm3511986/https://www.instagram.com/sthomasmoffat Some of Sarah's favorite female artists:Mandy WalkerEva DuVernay Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

This week on the InSession Film Podcast, we feature our 12th annual InSession Film Awards! We discuss the very best that 2024 had to offer in terms of surprises, overlooked movies, the best acting performances, and so much more when it comes to the film year.  - Individual Awards (5:50) - Best Movie Discovery (45:24) - Best Surprise Actor/Actress (56:57) - Best Surprise Movie (1:07:53) - Best Overlooked Movie (1:15:07) - Best Opening/ Closing Scene (1:28:47) - Best Use of Soundtrack Music (1:36:04) - Best Original Score (1:45:27) - Best Animated Movie (1:54:49) - Best International Film (2:13:15) - Best Documentary (2:22:26) - Best Cinematography (2:35:52) - Best Adapted Screenplay (2:42:45) - Best Original Screenplay (2:51:26) - Best Director (3:02:51) - Best Supporting Actress (3:07:23) - Best Supporting Actor (3:17:39) - Best Actress (3:27:45) - Best Actor (3:36:04) *Times may vary slightly depending on ads Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF24 Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

"Dune: Part Two" was one of 2024's biggest films critically, financially, and now, awards-wise, as it's on a similar run as the first film was in 2021 through early 2022. "Dune" went on to receive 10 Oscar nominations and six wins: Best Cinematography, Best Film Editing, Best Production Design, Best Original Score, Best Sound, and Best Visual Effects. The second film impressively ups the scale, delivering one of the grandest big-screen achievements audiences have experienced in their lifetimes, and we're proud to have many members of the crew here to dive back into the sands of Arrakis with us as Oscar voting gets underway for the 97th Academy Awards. First, we have my interview with Academy Award-nominated Director, Co-Writer and Producer Denis Villeneuve, followed by Brendan Hodges's conversation with Academy Award-winning Cinematographer Greig Fraser, then we have Giovanni Lago's interview with Academy Award-winning Costume Designer Jacqueline West, then we have Dan Bayer's interview with Academy Award-winning Production Designer Patrice Vermette and Set Decorator Shane Vieau, followed by my interviews with Academy Award-winning Film Editor Joe Walker, Academy-Award winning sound team consisting of Supervising Sound Editor & Sound Designer Richard King, and Re-Recording Mixers Ron Bartlett and Doug Hemphill, and then we end on my conversation with Academy Award-winning Visual Effects Supervisor Paul Lambert. Please be sure to check out the film, which is now available to rent digitally from Warner Bros. Pictures or stream on HBO Max and is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy New Year!! Film Roundtable is thrilled to welcome Cinematographer, Jomo Fray (The Nickel Boys, All Dirt Roads Taste of Salt). Jomo's latest film, The Nickel Boys, directed by RaMell Ross, is an adaptation of Colson Whitehead's Pulitzer Prize-winning novel and recently won the New York Film Critics Award for Best Cinematography. He is also nominated for an Independent Spirit Award for Best Cinematography for his work on this film.The conversation is thoughtfully moderated by Cinematographer and Visual Artist, Shawn Peters.Jomo shares his journey from his early love of filmmaking, shaped by a Caribbean immigrant upbringing, to his transition from entertainment law back to cinematography. He and Shawn discuss the visual language of The Nickel Boys, the film's striking first-person POV approach, and the deep intentionality behind every frame. They also explore the power of images to evoke emotion, foster empathy, and reshape cinematic storytelling.Tune in to hear Jomo's insights into his craft and the artistry behind The Nickel Boys. This episode offers a glimpse into the mind of a visionary cinematographer and the dedication it takes to bring such powerful stories to life.Enjoy!!Your Friends at Film RoundtableCheck out this conversation wherever you listen to podcasts and also available to watch on our YouTube channel.

"Maria" had its world premiere at the 2024 Venice International Film Festival, where it received positive reviews for Angelina Jolie's breathtaking performance as Maria Callas, one of the world's most renowned Opera singers, Pablo Larraín's gorgeous direction, Ed Lachman's sumptuous cinematography and the detailed production design from Guy Hendrix Dyas. The Next Best Picture team was lucky enough to speak with Larraín, Lachman, and Dyas to get an insightful look into the making of the Netflix film. First up, we have Ema Sasic's interview with director Pablo Larraín. Then we have Giovanni Lago's interview with cinematographer Ed Lachman, and then we end with Cody Dericks'sinterview with production designer Guy Hendrix Dyas. Please be sure to check out the film, which is now available to stream on Netflix and is up for your consideration at this year's Academy Awards in all eligible categories, including Best Actress (Angelina Jolie), Best Director, Best Cinematography, Best Costume Design, Best Makeup & Hairstyling and Best Production Design. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Page Our guest for this episode is the filmmaker and artist, Maja K. Mikkelsen. And the occasion of our conversation is her latest film - ‘The Last Observers' - which comes out December 18 in the United States and has already been out in Europe.  It's a brilliant portrayal of a Swedish couple's 36 year commitment to record the weather, every three hours, every day for 36 years. And for you bird nerds listening, they are based in Falsterbo one of the top destinations for observing the autumn bird migration in Europe, where they initially started their life together ringing birds. And the couple - Karin and Lennart - also happen to be Maja's parents.  I really love this film because it is shows another way. The way I see Karin and Lennart is as a different sort of activist. They have a deep contentment and gratitude for what they have in a Western society where the prevailing attitude is for faster, more and better. They also show deep commitment - to each other and to the more-than-human world. Every day, every third hour for 36 years they recorded the weather. And before they took over the weather station, they worked so they could volunteer to ring birds in Falsterbo.  Yes, we need the Greta's of the world and Extinction Rebellion. But we also need people like Karin and Lennart who push against harmful cultural norms in a much more quiet fashion. Not everyone can or wants to lead a march or get arrested through civil disobedience or free solo El Capitan in Yosemite. They show through Maja's film that there is more than one way to live and have a relationship with nature and the more than human world.  We've talked to some amazing artists this year and I'm glad we are ending the year with one of the most thoughtful. Maja's film is top notch in my book and many other seem to agree as it earned Best Short Film at Mounatainfilm and Best Cinematography and Best Director at the Ulsan Ulju Mountain Film Festival in South Korea, apologies for what I am sure is not the correct pronunciation. If you go to patagonia.com/stories, you can find the film or visit majakmikkelsen.com. I'd love to hear your thoughts, so feel free to post a comment to this episode if you're watching on YouTube or Spotify.  Links Maja K Mikkelsen Website Patagonia “The Last Observers”

"Nickel Boys" had its world premiere at the 2024 Telluride Film Festival, where it received enthusiastic reviews from critics who praised writer and director RaMell Ross's adaptation of Colson Whitehead's Pulitzer Prize-winning novel, the cinematography by Jomo Fray, the score by Alex Somers and Scott Alario and the performances from the entire cast. The film has gone on to be nominated for the Independent Spirit Award, Gotham Award, Golden Globe, and Critics Choice Award for Best Picture. The Next Best Picture team was lucky enough to speak with some people involved in the making of the film. First up, we have Dan Bayer's interview with director and writer RaMell Ross, followed by my conversation with stars Ethan Herisse and Brandon Wilson, followed by Giovanni Lago's interview with cinematographer Jomo Fray and then ending with my talk with the film's composers Alex Somers and Scott Alario. Please be sure to check out the film, which is now playing in select theaters from Amazon MGM Studios and is up for your consideration at this year's Academy Awards in all eligible categories, including Best Picture, Best Director, Best Adapted Screenplay, and Best Cinematography. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Girl With The Needle" had its world premiere at the 2024 Cannes Film Festival, where it competed for the Palme d'Or and received strong reviews for its dark true story, striking black and white cinematography, and haunting performances from Vic Carmen Sonne and Trine Dyrholm. The film has been chosen as the Danish entry for Best International Feature Film at the 97th Academy Awards and has been nominated for the Golden Globe for Best Motion Picture – Non-English Language. Director and co-writer Magnus von Horn was kind enough to spend some time talking with us about his work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in select theaters from MUBI and is up for your consideration for this year's Academy Awards in all eligible categories, including Best International Feature Film and Best Cinematography. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Tell us what you though of the episodeGet an exclusive behind-the-scenes look at the groundbreaking de-aging technology used to transform Tom Hanks and Robin Wright in real-time on set. Cinematographer Don Burgess reveals the innovative techniques and challenges behind filming "Here" with Robert Zemeckis, sharing unprecedented details about how they achieved seamless age transformations throughout different time periods.Don Burgess is an acclaimed American cinematographer best known for his visually stunning and emotionally resonant work in Hollywood. A frequent collaborator with director Robert Zemeckis, Burgess gained widespread recognition for his work on Forrest Gump (1994), which earned him an Academy Award nomination for Best Cinematography. His extensive filmography includes visually dynamic films like Cast Away (2000), Spider-Man (2002), and Aquaman (2018).Burgess is celebrated for his ability to seamlessly blend technical expertise with storytelling, crafting visuals that enhance the narrative. His career spans multiple genres, from action blockbusters to heartfelt dramas, consistently showcasing his versatility and mastery of light, composition, and camera movement.#cinematiclighting #visualstorytelling #videoessay #directorofphotography #practicallighting http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com

From RPGs to fan films!!!! Get ready to be wowed with a behind-the-scenes look at "Farragut Forward," Kaotica Studios 2024 Star Trek fan film release! Jump in as we travel with Johnny K into the heart of imagination and fan love! Kaotica Studios journeyed to the Final Frontier in partnership with Farragut Films with “Farragut Forward” the continuation of the long-running Star Trek fan series Starship Farragut. One of the most ambitious Star Trek fan films in history, the Farragut Forward prologue premiered in 2022 with festival wins for Best Cinematography, Best Editing, and more. Favoring real set construction over a green screen, as well as the use of practical ship models, the full episode of Farragut Forward was released in October 2024. https://linktr.ee/studiotembo

With his feature documentary debut In the Trenches: The Making of Before Dawn, Benjamin Scotford has made a rare achievement within the Australian film industry: a behind the scenes documentary which follows the muddy and tough production of Before Dawn, Jordan Prince Wright's equally rare achievement, an indie war flick shot in the remote West Aussie landscape. Benjamin dives into the ditches of this WW1 epic, taking audiences behind the scenes for the highs, the lows, and the difficulties that the production faces with pulling off the impossible on a micro-budget.Benjamin is given unparalleled access to the production, capturing honest and open discussions from cast and crew that shows off the strength that it took to bring Before Dawn to life. From freezing cold rain to escaping sheep to earthquake level explosions, In the Trenches captures it all.In the following discussion, Benjamin talks about his entry point into documentary filmmaking, how working as a wedding videographer and on corporate gigs with local legends like Tony Galati aka the Spud King informed his guerilla style filmmaking, and the kinds of behind the scenes docos that inspired his work.In the Trenches is currently available on Bluray and DVD via CaptureBehindTheScenes.com.au.For those who are also keen to check out Before Dawn, head over to Umbrella Entertainment where you can buy it on physical media, or to Netflix where it's available to stream. Before Dawn recently took home the award for Best Sound at the WA Screen Culture Awards, where the film also received nominations for Narrative Feature Film with budget over $1m, Best Cinematography or Visualisation, Best Performance for Myles Pollard, and Best Original Music. Hosted on Acast. See acast.com/privacy for more information.

With his feature documentary debut In the Trenches: The Making of Before Dawn, Benjamin Scotford has made a rare achievement within the Australian film industry: a behind the scenes documentary which follows the muddy and tough production of Before Dawn, Jordan Prince Wright's equally rare achievement, an indie war flick shot in the remote West Aussie landscape. Benjamin dives into the ditches of this WW1 epic, taking audiences behind the scenes for the highs, the lows, and the difficulties that the production faces with pulling off the impossible on a micro-budget.Benjamin is given unparalleled access to the production, capturing honest and open discussions from cast and crew that shows off the strength that it took to bring Before Dawn to life. From freezing cold rain to escaping sheep to earthquake level explosions, In the Trenches captures it all.In the following discussion, Benjamin talks about his entry point into documentary filmmaking, how working as a wedding videographer and on corporate gigs with local legends like Tony Galati aka the Spud King informed his guerilla style filmmaking, and the kinds of behind the scenes docos that inspired his work.In the Trenches is currently available on Bluray and DVD via CaptureBehindTheScenes.com.au.For those who are also keen to check out Before Dawn, head over to Umbrella Entertainment where you can buy it on physical media, or to Netflix where it's available to stream. Before Dawn recently took home the award for Best Sound at the WA Screen Culture Awards, where the film also received nominations for Narrative Feature Film with budget over $1m, Best Cinematography or Visualisation, Best Performance for Myles Pollard, and Best Original Music. Hosted on Acast. See acast.com/privacy for more information.

Cinematographer John Mathieson, BSC began his career shooting music videos for bands like Nirvana and Hole, moving into documentaries and commercials before working in feature films. Rather than going to film school, he joined friends who formed a film collective and everyone learned from each other. Director Ridley Scott saw his work on the movie, Plunkett & Macleane, and approached him to shoot Gladiator. “I never thought I'd be the sword and sandals guy,” says John. “I was doing grunge videos!” John was nominated for an Academy Award for Best Cinematography for Gladiator. For Gladiator II, John embraced the advancements in visual effects technology, which allowed for more efficient and creative storytelling. While the film was shot digitally, his approach to cinematography remained similar to the first film. “We didn't do much different with the cameras or the language of the story,” he says, “but parts of the filmmaking process have gotten faster and easier. We shot on digital in about half the time it took to shoot Gladiator.” John focused on creating a visually striking world in Gladiator II, inspired by historical paintings and the contrasting environments of Rome and the desert. He wanted high contrast lighting, especially in the desert scenes at the beginning of the film and in the gladiator arena so that it looked dusty, hot, and overexposed. In contrast, the light inside the Roman homes is warmer and richer. John describes it as, “Everything's got dust and then Rome is colorful, opulent- grapes, wine, peacock greens, paisleys, fabrics, all that kind of decadence-it's camp, it's vulgar, it's Vegas 1970.” When choosing projects, John prioritizes scripts that resonate with him and directors who can effectively guide the filmmaking process. He enjoys exploring and working in different film genres. “I like to think I don't have a style, you know, that I can adapt to what is on the page or what is important,” he says. Gladiator II is currently in theaters. Interested in more Gladiator? Hear our past interview with Adam Somner, Gladiator 2nd AD and frequent Ridley Scott collaborator: https://www.camnoir.com/ep125/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Bassist, composer, educator and actor John Brown teaches at Duke University and currently serves as Vice Provost for the Arts, Director of the Jazz Program and Professor of the Practice of Music. He has performed internationally with artists like Wynton Marsalis, Ellis Marsalis, Delfeayo Marsalis, Elvin Jones, Nnenna Freelon, Cyrus Chestnut, Diahann Carroll, Rosemary Clooney, Nell Carter, Lou Donaldson, Slide Hampton, Nicholas Payton, Frank Foster, Larry Coryell, Cedar Walton, Fred Wesley, Bernard Purdie and Mark Whitfield, as well as giving regular performances as a substitute with the North Carolina Symphony since 1992. He has performed for President Barack Obama, and at major national and international venues and festivals in Asia, Europe and across North and South America. John has a Grammy nomination for his performance and co-writing on Nnenna Freelon's 1996 Concord release, Shaking Free, and he has an Emmy nomination for producing the first Duke Student Arts Showcase. He has also produced and performed on recordings for Nnenna Freelon and Linda Lavin. The film One Night in Kernersville (documenting the first recording session of John's Big Band) won “Best Short Film” at the Full Frame Film Festival, “Best Cinematography” at the Charlotte Film Festival and was featured on the Documentary Channel. John has also served multiple times as a juror and as Chair for the Pulitzer Prize in Music and for various engagements with the National Endowment for the Arts. 

Award-winning director of photography Erik Messerschmidt, ASC has a natural eye for arresting and spellbinding images, thriving in a role that allows him to combine his love of art, craft and science. Recently, he lensed Devotion for director J.D. Dillard, based on the real-life story of a Black naval officer who befriends a white naval officer during the Korean War, with both becoming heroes for their selfless acts of bravery.He also is currently shooting Michael Mann's biographical film Ferrari, starring Adam Driver, Shailene Woodley, and Penélope Cruz, and recently completed shooting David Fincher's The Killer, starring Michael Fassbender and Tilda Swinton.Previously, Messerschmidt shot Fincher's passion project Mank, chronicling the screenwriter Herman Mankiewicz's turbulent journey to write Citizen Kane alongside Orson Welles. Messerschmidt's meticulous and striking black and white recreation of the period's aesthetic earned him the Academy Award for Best Cinematography, an ASC Award for Outstanding Cinematography in a Feature Film, a BSC Award for Best Cinematography in a Theatrical Feature Release, a BAFTA Award nomination for Best Cinematography, as well as Best Cinematography award nominations from the San Francisco Bay Area Film Critics Circle, the Broadcast Film Critics Association Critics Choice, and the Alliance of Women Film Journalists.In addition, Messerschmidt co-lensed several episodes of the HBO Max original series Raised by Wolves from producer Ridley Scott. He also shot the first and second seasons of Fincher's hit thriller series Mindhunter for Netflix, earning a 2020 Emmy Award nomination for Outstanding Cinematography for a Single-Camera Series (one-hour) for episode 206.With a background in the fine arts world, Messerschmidt honed his skills while working with such renowned cinematographers such as Dariusz Wolski, ASC, Jeff Cronenweth, ASC, Phedon Papamichael, ASC, Claudio Miranda, ASC, and Greig Fraser, ASC. Messerschmidt now lives in Los Angeles and is a member of IATSE Local 600. He is represented by DDA.Enjoy my conversation with Erik Messerschmidt.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Music licensed from Lickd. The biggest mainstream and stock music platform for content creators.Living In A Daydream by Matt Goodman, Matthew Bento, https://lickd.lnk.to/98tm6eID!++++NIGHT+DREAMS+TALK+RADIO+ License ID: 8XDQ2a9q3lnBart Sibrel is an award winning filmmaker, writer, and investigative journalist, who has been producing television programs, documentaries, music videos, TV commercials, and stage plays for over forty years, starting at the age of eighteen, hosting his own television talk show. Sibrel has owned five video production companies, been employed by two of the three major networks, worked as a television news reporter, and produced videos shown on ABC, NBC, CBS, CNN, TLC, USA, and BET. Sibrel has also appeared as a seasoned actor on the stage and screen over five hundred times. Articles featuring Sibrel's films have been published in Time Magazine, The New York Times, The Washington Post, and USA Today. His awards from the American Motion Picture Society include Best Cinematography, Best Editing, and Top Ten Director.“I was making movies when this competition started way back in 1930. I do not ever recall anyone entering three motion pictures and winning a Top Award on All Three! But you have!”( Also Youngest Winner - Age 26 )Jack Ruddell AMPS Director - October 6, 1991Sibrel grew up as the biggest fan of the purported "moon landings", yet gradually began to recognize their unfortunate falsification, largely because of his professional familiarity with their studio lighting. In Sibrel's mind, as well as many others, the claim that NASA walked on the moon on the very first attempt with 1960's technology, which only had one-millionth the computing power of a cell phone, when today with five decades of better technology NASA can only send astronauts one-thousandth the distance to the moon, simply defies logic. Sibrel believes that a religious attachment to the emotional event is what prevents people from waking up to the deplorable reality.Bart Sibrel has appeared as guest commentator about the moon landing fraud on The Joe Rogan Experience, The Daily Show, Geraldo, the Abrams Report, NBC, CNN, FOX, HBO, Tech TV, Coast to Coast, and InfoWars. In his memoir Moon Man Bart Sibrel reveals, for the very first time, the official CIA code name for the real Apollo project, the military base where the first staged "moon landing" was filmed, and the names of fifteen United States government scientists and officials who were in attendance for the first moon landing falsification, some of whom are still alive today. This information was given to Sibrel by the Chief of Security of this secretive military base, who confessed his regrettable participation in this despicable government fraud on his deathbed.Become a supporter of this podcast: https://www.spreaker.com/podcast/gary-s-night-dreams-talk-radio--2788432/support.

Over the span of eleven minutes, the impressive short film Yeah the Boys sways and swerves through a boozy night with the lads in nondescript backyard Australia. Drinking culture, Aussie larrikinism, and the masculinity that finds fertile ground in these areas is brought to life with a pulsing score by The Avalanches. Oh, and all of this is presented with an the organic dance movements choreographed by Vanessa Marin. Yeah the Boys is written by Vanessa, with her partner Stefan Hunt taking directing duties. The titular boys are Neven Connolly, Kieran Crowe, Hadley Davidson, Jackson Garcia, Jordan Hill, Rob McLean, with Bailey Spalding appearing at the shorts start. It is, quite simply, one of the most unique and invigorating slices of Aussie cinema you'll see this year, and after winning the Best Australian Short award at the Oscar qualifying Flickerfest in 2024, and winning the Innovation Award at the St Kilda Film Festival, where it was also nominated for Best Cinematography, and receiving nominations for Best International Short at the Palm Springs Short Fest, Yeah the Boys will be available to view online from 15 October. Ahead of the films launch on Vimeo, YouTube and Instagram, I caught up with Stefan and Vanessa to talk about the process of planning and creating Yeah the Boys, I also ask Vanessa about how she managed to flow organic, natural movements in with the boys dancing, before I close the chat with asking Stefan about how Yeah the Boys plays into his relationship with death. This really is an interview that goes everywhere. For those interested in Stefan's work, including delving into his views on death, head over to StefanHunt.com.Yeah the Boys is a fantastic realisation of creativity let loose, embracing Australiana, warts and all. It stands as a reminder why Aussie films of all lengths need to be recognised and celebrated - short films are films. If you want to find out more about the work we do on The Curb, then head over to TheCurb.com.au. We are a completely independent website that lives on the support of listeners and readers just like you. If you can and want to support us, please visit Patreon.com/thecurbau to keep our lights on from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

Over the span of eleven minutes, the impressive short film Yeah the Boys sways and swerves through a boozy night with the lads in nondescript backyard Australia. Drinking culture, Aussie larrikinism, and the masculinity that finds fertile ground in these areas is brought to life with a pulsing score by The Avalanches. Oh, and all of this is presented with an the organic dance movements choreographed by Vanessa Marin. Yeah the Boys is written by Vanessa, with her partner Stefan Hunt taking directing duties. The titular boys are Neven Connolly, Kieran Crowe, Hadley Davidson, Jackson Garcia, Jordan Hill, Rob McLean, with Bailey Spalding appearing at the shorts start. It is, quite simply, one of the most unique and invigorating slices of Aussie cinema you'll see this year, and after winning the Best Australian Short award at the Oscar qualifying Flickerfest in 2024, and winning the Innovation Award at the St Kilda Film Festival, where it was also nominated for Best Cinematography, and receiving nominations for Best International Short at the Palm Springs Short Fest, Yeah the Boys will be available to view online from 15 October. Ahead of the films launch on Vimeo, YouTube and Instagram, I caught up with Stefan and Vanessa to talk about the process of planning and creating Yeah the Boys, I also ask Vanessa about how she managed to flow organic, natural movements in with the boys dancing, before I close the chat with asking Stefan about how Yeah the Boys plays into his relationship with death. This really is an interview that goes everywhere. For those interested in Stefan's work, including delving into his views on death, head over to StefanHunt.com.Yeah the Boys is a fantastic realisation of creativity let loose, embracing Australiana, warts and all. It stands as a reminder why Aussie films of all lengths need to be recognised and celebrated - short films are films. If you want to find out more about the work we do on The Curb, then head over to TheCurb.com.au. We are a completely independent website that lives on the support of listeners and readers just like you. If you can and want to support us, please visit Patreon.com/thecurbau to keep our lights on from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

On this episode of the Gold Derby Show, editors and experts Joyce Eng and Christopher Rosen finally provide their thoughts on Steve McQueen's "Blitz" and its overall Oscar chances. Will this Apple release make it in for Best Picture and can Saoirse Ronan crash the Best Supporting Actress race? (00:10). Then, Joyce and Chris make their first 2025 Oscar predictions in the crafts categories, including Best Cinematography, Best Score, Best Song, and more (28:52). Email Joyce and Chris at slugfests@goldderby.com. Make your predictions at https://www.goldderby.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arianne Phillips is an American costume designer. Phillips was recognized for her work on the Broadway musical Hedwig and the Angry Inch, starring Neil Patrick Harris, earning her a Tony award nomination for Best Costume Design. Phillips has a long-standing relationship with Madonna, with collaborations including photo shoots, music videos and designing tour costumes for six world tours over the past two decades. She has been nominated for the Academy Award for Best Costume Design three times, for James Mangold's Walk the Line (2005), Madonna's directorial debut, W.E. (2011), and for Quentin Tarantino's Once Upon a Time in Hollywood (2019). Phillips has also received a two BAFTA Award nominations for Tom Ford's A Single Man (2009) and Quentin Tarantino's Once Upon a Time in Hollywood. Her film career also includes Tom Ford's Nocturnal Animals (2016), Matthew Vaughn's Kingsman: The Secret Service (2014) and Kingsman: The Golden Circle (2017), James Mangold's Girl, Interrupted (1999) and 3:10 to Yuma (2007), John Cameron Mitchell's Hedwig And the Angry Inch (2001), Mark Romanek's One Hour Photo(2002), and Milos Forman's The People Vs. Larry Flynt (1996). In between film and music projects, Phillips works as a freelance fashion editor and stylist, collaborating with photographers for publications such as Italian Vogue, V Magazine, Harper's Bazaar, German & Spanish Vogueand W Magazine. She continuously challenges herself by taking on projects that explore new expressions of her creativity. In 2018, she made her New York City Metropolitan opera debut, designing Nico Muhly's opera, Marnie. Miuccia Prada selected Phillips for her Iconoclasts project; to curate installations for the brands flagship stores in London and Beijing which included a short fashion film for the brand, which Phillips wrote and directed, called Passages. Her friend Alessandro Michele, Creative Director of GUCCI commissioned her to create content for a special issue of A Magazine he guest edited and to style a brand film directed by Gia Coppola. She has also collaborated on special projects with Van Cleef and Arpels, Cartier, Valentino and Swarovski. Phillips was an inaugural member of the TIMES UP coalition and was asked by Reese Witherspoon to design its logo. Lawrence Sher, ASC,is an American cinematographer and film director, best known for comedy films such as Garden State, The Dictator, and The Hangover series, frequently collaborating with directors Todd Phillips and Zach Braff.[ He made his directorial debut with Father Figures, which began a wide theatrical release on December 22, 2017, by Warner Bros. Pictures. He was nominated for an Academy Award and BAFTA Award for Best Cinematography for the 2019 film Joker, directed by Phillips. As cinematographer of the 2009 film The Hangover, Sher described how a scene early in the movie shows the main characters on the roof of their hotel overlooking a stereotypical shot of the Las Vegas Strip; Sher indicated that he had tried to evoke the behind-the-scenes Vegas—after the characters wake up the following morning—by shooting a scene behind the hotels where the real action takes place. Actor Bradley Cooper credited Sher's visual style with enhancing the film's comedy, noting how Sher has "a great eye, a lot of energy and he just knows what's funny" and that "Some guys just can't shoot comedies, but Larry knows exactly what he's doing." With the success of Zach Braff's Kickstarter, Sher worked on Braff's 2014 feature, Wish I Was Here. In January 2020, Sher was nominated for the Academy Award for Best Cinematography for his work on the movie Joker, but lost to Roger Deakins for 1917.

We hope you enjoy this podcast brought to you by Nick Conner and Danny Motta! We hope to cover all your favorite anime as well as any current noteworthy news! New episodes will be releasing each week, hope to see you at the next one! Danny Motta's Youtube Channel: https://www.youtube.com/@DannyMotta Nick aka Nchammer23's Youtube Channel: https://www.youtube.com/@NCHammer23 Otakus Anonymous Highlights Page: https://www.youtube.com/@otakusanonymoushighlights1698 Become a Patreon/YT Member and get access to the Discord and livestreams! https://patreon.com/user?u=103227750 https://www.youtube.com/channel/UCs4Dg52oybuJy2-eLkWe1YA/join Buy OtakusAnonymous, NCHammer23, or Danny Motta merch: https://otakusanonymous.net/ Edited with love by: Stanktheanimedude #weeb #otaku #dannymotta #dmott #dmotta3 #nchammer23 #kikisdeliveryservice #elusivesamurai #olympics

Welcome to The Wild Life! On today's episode, we have a fascinating guest: wildlife cinematographer Jake Davis.Jake's career began by focusing on the wildlife of the Greater Yellowstone Ecosystem. Growing up, he spent his summers in Jackson Hole, Wyoming, where the Teton Range's jagged peaks and abundant wildlife fostered a deep love for nature and a desire to share and preserve it. Today, while Jake travels the globe to film the stories of vulnerable wildlife, the Greater Yellowstone Ecosystem remains his home.As a cinematographer, Jake works on natural history productions for renowned platforms like BBC, National Geographic, Disney, Netflix, and Apple. Most recently, he spent five months filming snow leopards in Mongolia for the third installment of BBC's famous series "Planet Earth.” His recent work has been part of a series nominated for a 2023 Emmy and for Best Cinematography at the prestigious Jackson Wild Film Festival.Jake's work incorporates diverse filming techniques, including long lens, drone, and gimbals, but he is best known for his novel approach to filming wildlife with high-tech camera traps. He also created the world's first collection of wildlife Ambrotypes, featuring images on glass plates. Among his accolades, Jake was a 2019 finalist in the renowned Wildlife Photographer of the Year competition held by the London Natural History Museum, and his work has been displayed at the Smithsonian in the Exhibition of Nature's Best Photography. His nature greeting card line is sold in stores across the western United States, including REIs and the Yellowstone stores.In this episode, we discuss the importance of understanding animal behavior and ecology to capture the perfect shot and effectively tell their stories. We explore the future and potential of artificial intelligence in wildlife filmmaking, the "chicken or the egg" question of wildlife cinematography, and the challenges of working off-grid. Jake shares his experiences with camera traps, the heart-wrenching decisions of the footage chopping block, and how to craft compelling narratives without words.Join us for an in-depth conversation that highlights the blend of artistry and science required to bring the wild to our screens. Check out his website and order some printsCheck out his galleryFollow Jake on InstagramHave questions, topic suggestions, or want to be on the show? Email me at devonlbowker@gmail.com or dm me on Instagram or TikTok @devonthenatureguySupport The Wild Life for as little as $1 per month at www.patreon.com/thewildlife

Send us a Text Message.The One With The Dream Stuff Inside Oppenheimer INCEPTIONThis week TGTPTU reaches the timey-wimey center of Season 12 as the Nolan Void temporal pincer pairing movement ends with INCEPTION (2010), Sir Chris's studio-backed super-successful non-supes cinema experience and his first Oscar nom for Best Picture--and finally winning pod-fav Wally Pfister his Best Cinematography trophy after being nominated for his previous three Nolan flicks. Inception tells the story of blah-blah-blah, some (too many?) rules, not really all that dreamy, but hella cool. And to tell that story, Nolan brought in no one. Just himself, his first (and his second Oscar-nominated) solo screenplay since Memento and, since guerilla shooting on the mean (and friendly) streets of London for Following, his first property that's entirely original (not based on another's idea, unless the late-80s, two-season TV series Freddy's Nightmares counts).   Fall asleep with cohosts Ken and Ryan as Thomas's synopsis goes too long, wake up with their proposed needle-drops, trace when DiCaprio's Dom isn't wearing a wedding band, and wonder at the terror posed by the children's song with the eternal question of Row-Row-Row-Your-Boat: What if life is but a dream?  Just like Dom's ageless kids, we'll be lurking around for a dramatic conclusion next week, which we welcome you to join us for discussion of Paprika as we wrap Season 12 like we did Season 11.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias

Episode 470Cinematographer.M. David Mullen.Three time Emmy winning Cinematographer David Mullen stops by ‪@mondaymorningcritic‬ to talk about his career, projects and his journey.M. DAVID MULLEN, ASC studied filmmaking and cinematography at the California Institute of the Arts (CalArts), where he received his Master's Degree. Since then, he has photographed almost forty independent feature films, plus several television series and pilots.He was nominated for the IFP Independent Spirit Award for Best Cinematography in 2000 for Twin Falls Idaho and again in 2004 for Northfork, both films by Michael and Mark Polish. He won the Dublin Film Critics Circle Award for Best Feature Cinematography in 2017 for The Love Witch.In 2000, he photographed Jackpot, the first 24P HD feature to be released theatrically in North America.In 2004, he became a member of the American Society of Cinematographers; in 2007, he joined the Academy of Motion Picture Arts and Sciences.Projects released theatrically in the past few years include The Love Witch (2016) and 90 Minutes in Heaven (2015). Recent television work includes The Marvelous Mrs. Maisel, Get Shorty, and the pilot episode of Designated Survivor.Many of his features have played at major film festivals over the years. Twin Falls Idaho, Northfork, Two Brothers & A Bride, Assassination of a High School President, Manure, and Big Sur were shown at the Sundance Film Festival. Stay Cool played at the Tribeca Film Festival and Jennifer's Body at the Toronto International Film Festival. The Love Witch was shown in many festivals worldwide in 2016.He also updated the classic textbook Cinematography with original author Kris Malkiewicz, and has written a number of articles about his own work for various filmmaking magazines.#themarvelousmrsmaisel #cinematography #cinematographer #moviemaking #podcast #interview https://linktr.ee/mondaymorningcritic

Episode 469"Sugar"Cinematographer: Richard Rutkowski.An active cinematographer whose work encompasses indie features, documentary, commercials, and major streaming productions, Richard is based in New York and also works extensively overseas. His photography on the first seasons of FX's Cold War spy drama The Americans drew widespread critical acclaim. Likewise his camerawork on the wartime drama Manhattan, set in Los Alamos during the top secret creation of the atom bomb, earned glowing mentions and two ASC Award Nominations for Best Cinematography. Recent projects include Apple's Sugar, starring Colin Farrell and James Cromwell, and the WW II epic Masters of the Air, produced by Gary Goetzman, Tom Hanks and Steven Spielberg. Additional credits include the pilot and three seasons of Amazon's international action hit Jack Ryan, USA Network's surrealist drama Falling Water, produced by Gale Ann Hurd, and Hulu's Castle Rock for producers Sam Shaw and Dustin Thomason. Most recently Richard filmed the pilot block of The Hunting Wives, a new series produced by Lionsgate for the Starz Network.Growing up in Provincetown, Massachusetts; Fort Smith, Arkansas; and Water Mill, New York - disparate locations that traced the career of his late father, landscape painter Casimir Rutkowski - Richard developed an appreciation of context, diversity, and the examined details of individual environments. His early ambition was to become an architect.While attending Harvard College, Richard began making 16mm short films mixing live action, stop animation, and electronic sound composition. One such project was Sunshine Superman, created with the artist Christopher Knowles and screened in festivals and in art gallery exhibition ever since. While working as first assistant to extraordinary cinematographers such as Ed Lachman ASC; Eric Edwards; David Stockton ASC; and the late Freddie Francis BSC, Rutkowski continued lensing short films and indie features for emerging directors. After earning a Grand Jury Prize at Slamdance for Kevin Asher Green's minimalist mini-DV film Homework, Rutkowski shot director Neil Burger's debut feature, Interview with the Assassin, nominated for Independent Spirit Awards in Best First Feature and Best Cinematography categories.Working with a legendary mentor, theater maestro Robert Wilson, over 20 years led to Richard filming the artist's initial HD Video Portraits. Meticulously staged, slow-moving images of Mikhail Baryshnikov, Winona Ryder, Brad Pitt, Steve Buscemi, and Robert Downey Jr. sparked a growing collection that has been exhibited internationally ever since. Over a three year period Rutkowski produced, shot and directed The Space in Back of You in homage to Japanese dancer Suzushi Hanayagi, a mesmerizing, eclectic talent whose approach to stage movement deeply influenced Wilson and other avant-guard luminaries. This film premiered at New York's Lincoln Center and has screened on Arte Channel, the Baryshnikov Center for Dance, and at the Pompidou Center in Paris. Filming groups of workers and individual laborers in painterly long takes, Richard collaborated with artist Sharon Lockhart on Double Tide, Lunchbreak and Exit, projects since screened at MoMA in New York, LA's Hammer Museum and other major gallery and museum installations over the last twelve years.https://linktr.ee/mondaymorningcritic

Recorded - 6/9/2024 On Episode 274 of the Almost Sideways Movie Podcast, we review the hit Netflix film, Hit Man, starring Glen Powell and directed by Richard Linklater. Then, we review Linklater's filmography the only way we know how: by doing a Mt. Rushmore draft! Our power rankings this week counts down the greatest cooking / baking / food prep scenes in movies and TV. Finally, trivia looks when the Oscars have honored black & white films for Best Cinematography. Here are the highlights: What We've Been Watching (11:00) Zach Review: In a Violent Nature (15:40) Terry Reviews: A Very Long Engagement (Oscar watch) & The Dead Don't Hurt (22:40) Todd TallaBoogie Review: Stars at Noon (27:30) Featured Review: Hit Man (47:30) Spotlight: Best of Richard Linklater Draft (1:06:10) Power Rankings: Best Cooking/Baking/Food Prep Scenes in Movies & TV (1:39:50) Honorable Mentions & Guessing Adam's List Trivia! (1:50:10) Todd Trivia Review: The Sweet East (1:56:30) Terry Trivia Review: Take Care of Maya (2:02:30) Trivia: B&W Best Cinematography Nominees (2:10:20) Quote of the Day Find AlmostSideways everywhere! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @pro_zach36 Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stitcher⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.stitcher.com/podcast/almost-sideways-movie-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber

'Oppenheimer' (written and directed by Christopher Nolan) stars Cillian Murphy, Emily Blunt, Robert Downey Jr. and many more Hollywood stars. It is the heavy favorite to win Best Picture at the Oscars and is nominated for a total of 13 academy awards: Best Picture, Best Director, Best Actor - Cillian Murphy, Best Supporting Actor - Robert Downey Jr., Best Supporting Actress - Emily Blunt, Best Adapted Screenplay, Best Cinematography, Best Costume Design, Best Film Editing, Best Makeup and Hairstyling, Best Original Score - Ludwig Göransson, Best Production Design and Best Sound.

“Maestro,” from director Bradley Cooper, is a biopic of Leonard Bernstein. It stars Bradley Cooper and Carey Mulligan and is the first time a movie has ever been about the life of a musician. With a 79, it has the lowest Rotten Tomatoes score of any of the Best Picture noms and also carries an audience score of 59. “Maestro” runs two hours and nine minutes.  It is nominated for seven Academy Awards: Best Picture, Best Actor - Bradley Cooper, Best Actress - Carey Mulligan, Best Original Screenplay - Bradley Cooper and Josh Singer, Best Cinematography, Best Makeup and Hairstyling and Best Sound.

'Killers of the Flower Moon', from director Martin Scorcese, is a Western crime drama based on the nonfiction book of the same name. It is nominated for 10 Academy Awards: Best Picture, Best Director, Best Actress - Lily Gladstone, Best Supporting Actor - Robert De Niro, Best Costume Design, Best Original Song, Best Original Score - Robbie Robertson, Best Production Design, Best Editing and Best Cinematography. 

Up on the podcast this week we are chatting with veteran cinematographer Pat Scola about his latest work on the feature film We Grown Now. His work on the film was nominated for a 2024 Independent Spirit Award for Best Cinematography and he takes us through his approach.   Enjoy!Mastering Exposure - Latest Course is LIVECourse Link: […] The post The Wandering DP Podcast: Episode #423 – Cinematographer Pat Scola appeared first on Cinematography Podcast & Tutorials.

EPISODE #1007 BART SIBREL AND THE LUNAR LANDING HOAX Richard welcomes a filmmaker/journalist who presents new evidence that the Apollo Missions to the Moon were all faked. GUEST: Bart Sibrel is an award winning filmmaker, writer, and investigative journalist, who has been producing television programs, documentaries, music videos, TV commercials, and stage plays for over forty years, starting at the age of eighteen, hosting his own television talk show. Sibrel has owned five video production companies, been employed by two of the three major networks, worked as a television news reporter, and produced videos shown on ABC, NBC, CBS, CNN, TLC, USA, and BET. Sibrel has also appeared as a seasoned actor on the stage and screen over five hundred times. Articles featuring Sibrel's films have been published in Time Magazine, The New York Times, The Washington Post, and USA Today. His awards from the American Motion Picture Society include Best Cinematography, Best Editing, and Top Ten Director. WEBSITE: https://www.sibrel.com BOOK: Moon Man: The True Story of a Filmmaker on the CIA Hit List VIDEOS: A Funny Thing Happened on the Way to the Moon Astronauts Gone Wild BECOME A PREMIUM SUBSCRIBER!!! https://strangeplanet.supportingcast.fm Three monthly subscriptions to choose from. Commercial Free Listening, Bonus Episodes and a Subscription to my monthly newsletter, InnerSanctum. Visit https://strangeplanet.supportingcast.fm Use the discount code "Planet" to receive one month off the first subscription. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/