Podcast appearances and mentions of Greta Gerwig

Hi Barbies, hi Kens!Podcast Barbie hosts this very special pink, plastic fantastic episode on the history and legacy of Barbie - the doll and the movie!From her humble beginnings in the late 50s, through various controversies along the way, Barbie has been symbolic of girlhood, and of embracing the idea that girls can be whatever they want to be through play, not just as mothers with babydolls.As Barbie is based on the body of an actual young woman, the idea of a live action Barbie movie made sense. The first attempt was in 1986, and throughout the years, various studios have tried to make a live action Barbie film, while in the background, Barbie has been a staple in animation.It wasn't until real life Producer Barbie, Margot Robbie, contacted Mattel, with her ideas for a meta take on Barbie that Warner Bros started to take notice. Producer Barbie contacted Director Barbie, Greta Gerwig, and together they assembled the brightest and best Barbies in Hollywood to join them to celebrate Barbieland and all their achievements by having Barbie and Ken going to the real world and discovering that Barbieland's version of matriarchy isn't quite the experience of the real world.The Kens, well, they're just Ken.I would love to hear your thoughts on Barbie !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and brand-new patron Conner! This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

Peacemaker is back and Season 2 viewership is climbing—could this mean the DC brand is finally on the rise? On today's episode of The Kristian Harloff Show, Kristian is joined by Mike Kalinowski and Roxy Striar to break it all down. From Superman's influence on DC's momentum to the latest updates from Warner Bros., we've got a lot to cover. Topics include: Has SUPERMAN Saved The DC Brand? PEACEMAKER Season 2 Viewership Rises Significantly From Season 1 → Read more AQUAMAN Director James Wan and Patrick Wilson Reveal If They've Met With James Gunn → Read more Chris Columbus Staying Out of HBO's Harry Potter → Read more Greta Gerwig's Narnia Set Video Reveals The Witch → Read more New Street Fighter Set Photos Surface → Read more Join the conversation as we discuss whether DC is finally bouncing back, what's next for Aquaman and James Wan, updates on Harry Potter and Narnia, plus the buzz around the Street Fighter movie. Don't forget to like, comment, and subscribe for more from The Kristian Harloff Show! #Peacemaker #DCU #Superman #JamesGunn #Aquaman #HarryPotter #Narnia #StreetFighter #DCComics #TheKristianHarloffShow SPONSORS:  CAR GURUS: Buy or sell your next car today with Car Gurus at http://www.cargurus.com RUGIET: Head to http://www.rugiet.com/KRISTIAN and use code KRISTIAN to get 15% off today.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!This week on Bad Dads Film Review, we double up on trouble (and laughs) with our Top 5 Twins before diving headfirst into Greta Gerwig's billion-dollar juggernaut Barbie.

Frank and Squeaks cover Paramount's massive week of moves after the Skydance merger, including a new UFC deal, a bigger theatrical slate, a push for family adventure movies, and fresh Star Trek film plans. They react to Greta Gerwig's Narnia set photos, talk through the young Rambo prequel casting, and share practical steps for Roblox safety that parents can use right now. Reviews land for Alien Earth and King of the Hill. Plus, Frank chats with Alex Austin about building a social platform out of a podcast app and what moderation and growth look like in 2025. Convention plans and network updates round it out. Timestamps and topics 00:00 Introduction and announcements 00:41 LA Comic Con plans September 26 to 28 and Crocker Con preview 02:13 Paramount and Skydance overview and why it matters 03:28 UFC rights to Paramount Plus with select cards on CBS and the TKO wrinkle 06:19 Theatrical strategy shift to more movies per year and why mid range films matter 07:24 Family adventure focus with Goonies vibes and what that could mean 08:48 Duffer Brothers heading to Paramount and hopes for new franchises 12:36 Two Star Trek films in development and creative teams 15:29 Narnia first look from Greta Gerwig and why starting with The Magician's Nephew works 19:23 Rambo prequel casting and the case for original action stories 27:28 Roblox safety concerns and simple parent safeguards that actually help 39:31 Reviews segment setup 40:03 Alien Earth first impressions, tone craft, and that practical suit 45:00 Why it feels like Fargo in space, pacing structure and synth lore 54:53 Scores for Alien Earth 55:05 King of the Hill revival thoughts and why it feels like a real continuation 01:01:49 Interview with Alex Austin on building a social platform for podcasters 01:02:24 Network news Challenge Accepted Outlast Distance Nerding Fandom Portals Anime Plus 01:03:08 Frank joins the Sacramento Developer Collective board, and what that means 01:03:58 Weekly recommendations: Red Sonja reading and Peacemaker podcast 01:07:01 Ninja Turtles anniversary note and wrap up Key takeaways Paramount is shifting from eight theatrical releases this year to a target of 15 to 20 per year, which can revive mid-budget comedies and adventures and help theaters thrive. Family adventure is a priority which fills a gap left by pure superhero focus and could broaden audience reach. Two Star Trek films are on deck, one tied to the Kelvin crew and one new project from Toby Haynes. Narnia starts with The Magician's Nephew, which makes the world feel fresh while connecting to classic imagery. The Rambo prequel raises a bigger question about when to create new action icons instead of reviving old ones. Roblox needs stronger safety guardrails, while parents can act now with private servers, whitelists, spending locks, and no random chats. Alien Earth blends practical effects with slow-burning world-building and earns a nine out of ten from both hosts. King of the Hill nails a modern continuation that honors the original and lands a perfect ten out of ten from Frank. Memorable quotes Squeaks on Paramount. Right now, they are not messing around Frank Family adventure feels like the missing lane, and it is a smart way to reach everyone Frank Alien Earth plays like Fargo in space, and I mean that as a compliment Frank, this new King of the Hill does not feel like a reboot, it feels like the next season Squeaks if you are not doing enough to protect kids other people will try, and that should be a wake-up call Call to action If you enjoy the show tap Follow or Subscribe in your podcast app. Leave a quick rating and review to help more geeks find us. Share this episode with a friend and tag us with the hashtag GeekFreaks. Links and resources GeekFreaksPodcast.com is our source for all news discussed on the show See us at LA Comic Con, September 26 to 28, and at Crocker Con the week before Join us on BitCade today! Available in the AppStore and Google Play Store! Follow us Facebook: https://www.facebook.com/thegeekfreakspodcast Threads: https://www.threads.net/@geekfreakspodcast Twitter: https://twitter.com/geekfreakspod Instagram: https://www.instagram.com/geekfreakspodcast Patreon: https://www.patreon.com/GeekFreakspodcast Listener questions Send your questions and hot takes for our next Headlines episode. What do you want from Paramount's next wave of movies What child safety tools work for your family Thoughts on Alien Earth and the new King of the Hill Email or DM us on any of the socials above and we will feature your notes in a future episode. Apple Podcast tags Geek Freaks, Geek Freaks Headlines, Paramount, Skydance, UFC, CBS, Star Trek, Duffer Brothers, Greta Gerwig, Narnia, The Magician's Nephew, Rambo prequel, Noah Centineo, Roblox safety, Alien Earth review, King of the Hill revival, Alex Austin interview, LA Comic Con, Crocker Con, Sacramento Developer Collective, podcast news

Could Ryan Reynolds be confirming that Deadpool will join the Avengers in Avengers: Doomsday? Kristian Harloff, Roxy Striar, and Mike Kalinowski break down the buzz around Reynolds teasing Deadpool in Avengers, possible team-up with Wolverine, and how this could set the stage for Avengers Secret Wars. We also dive into a huge week in movie news: Greta Gerwig's The Chronicles of Narnia movie has officially begun filming — we discuss the cast, filming location, and how Gerwig's unique style could reshape this fantasy franchise. Shrek 5 delayed until June 2027 — what this means for DreamWorks' animated slate, the voice cast return, and the long gap between Shrek films. Ewan McGregor and Hayden Christensen talk about their Star Wars future — could Obi-Wan Kenobi and Anakin Skywalker return for more Disney+ series or big-screen appearances? Noah Centineo eyed to play a young John Rambo — we explore how this potential prequel could work, Stallone's possible involvement, and whether fans even want it. It's all here in today's episode of The Kristian Harloff Show — packed with MCU news, Deadpool speculation, and the biggest updates in movies and TV. #Deadpool #AvengersDoomsday #MCU #AvengersSecretWars #MarvelNews #Shrek5 #Narnia #StarWars #JohnRambo #TheKristianHarloffShow SPONSORS: CAR GURUS: Buy or sell your next car today with Car Gurus at https://www.cargurus.com to make sure your big deal is the best deal! CASH-APP: For a limited time only, new Cash App customers can use our exclusive code to earn some additional cash. For real. Just download Cash App, use our exclusive referral code KRISTIAN in your profile, send $5 to a friend within 14 days, and you'll get $10 dropped right into your account. Terms apply. That's Money. That's Cash App. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Instant Discounts provided by Cash App, a Block, Inc. brand. Visit https://www.cash.app/legal/podcast for full disclosures Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Instant Discounts provided by Cash App, a Block, Inc. brand. Visit https://www.cash.app/legal/podcast for full disclosures

Vor zwei Jahren kam Greta Gerwigs Barbie Film in die Kinos und wurde zum Sommer Blockbuster. Seither wird der Film oftmals entweder als Meilenstein des feministischen Kinos gefeiert, oder als "woker Männerhass" angefeindet. Wir haben uns "Barbie" zusammen mit Nina angesehen und quatschen zu dritt darüber, wie uns Plot, Umsetzung und alles drumherum so gefallen haben.

This week on The Watchers, Andrea and Jodie bundle up for a double dose of March family goodness with Little Women, starting with the beloved 1994 version and bringing in Greta Gerwig's more meta 2019 adaptation. We talk about what makes this story so enduring, why every generation gets the Jo it needs, and how both films handle what's really at the heart of Louisa May Alcott's classic. We also get into 1994's all-star 90s cast, the importance of women-led movie sets, and what Alcott really thought about the men in her novel. Plus, significant haircuts, compulsory heterosexuality, Freudian analysis, and other Watchers classics.Next week, we're sticking with girlhood, nostalgia, and formative trauma but trading bonnets for bikes with 1995's coming-of-age drama, Now and Then.Recommended Viewing:“Why The Costumes of Little Women did NOT deserve an Oscar” - Micarah TewersIf you're reading this, that means you've probably got your podcatcher of choice open right now. It would be SO helpful if you gave our little show a follow. If you like what you hear, you could even leave us a review.Follow:The Watchers on Instagram (@WatchersPodNJ)Andrea on Instagram (@AQAndreaQ)Jodie on Instagram (@jodie_mim)Thanks to Kitzy (@heykitzy) for the use of our theme song, "No Book Club."

Comienza la semana con un repaso por la actualidad cultural de los últimos días: Robert Wilson, diseñador de la escenografía de la actuación de 'Applause' de Lady Gaga en los MTV Video Music Awards, entre otras cosas, fallece a los 83 años. Un hombre fallece al precipitarse al vacío durante el cuarto concierto de Oasis en el estadio de Wembley. Michael Kiwanuka cancela todos los conciertos que tenía previstos este año por "enfermedad persistente". Y Justin Timberlake anuncia que padece la enfermedad de Lyme. Después de este repaso, el turista musical vuelve de visitar la profesión de técnico de laboratorio tras desatar el caos con unas ratas adictas a TikTok. A continuación, nuestro compañero David Laso abre su espacio de 'Perras en Reserva' con la directora Greta Gerwig. A las ocho conocemos la actualidad y una nueva palabra desde la Toscana: 'babbo'. Y, por último, abrimos el after con la música seleccionada para la ocasión por Sara Socas.Escuchar audio

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! Colton and Andrew reckon that they're finally ready to talk Tom Cruise's possible final appearance as Ethan Hunt in 'Mission: Impossible - The Final Reckoning'! 00:00:00 - Intro 00:02:32 - Andrew's Totally Embarrassing Dad Joke of the Episode! 00:04:47 - Colton's Fun Fact About 'Mission: Impossible - The Final Reckoning' 00:07:41 - Daniel Craig, Meryl Streep, Emma Mackey, and Carey Mulligan Join Cast of Greta Gerwig's 'Narnia' Film 00:13:47 - Luca Guadagnino's 'Sgt. Rock' Film Not Moving Forward at DC Studios 00:18:06 - Marvel Studios Delays 'Avengers: Doomsday' and 'Avengers: Secret Wars' 00:22:04 - Alex Garland to Direct Live-Action 'Elden Ring' Film for A24 00:30:12 - 'The Smashing Machine' Official Trailer 00:37:00 - 'The Life of Chuck' Official Trailer 00:41:06 - 'It: Welcome to Derry' Official Teaser 00:44:20 - 'Wake Up Dead Man: A Knives Out Mystery' Date Announcement 00:49:36 - 'Stranger Things 5' Date Announcement 00:57:12 - 'Frankenstein' Official Teaser 01:07:19 - 'Mission: Impossible - The Final Reckoning' (Non-Spoilers and Recommendation) 01:42:38 - 'Mission: Impossible - The Final Reckoning' (Spoilers) 02:15:20 - Catching Up With Andrew (2025 Toyota Sienna Platinum, Baby Nolan Due Date, Baby Bennett's 2nd Birthday!, Ghost of Tsushima, Final Fantasy VII Remake Intergrade, 'Andor' Season 1, 'The Pitt', 'The Wonderful World of Mickey Mouse', ) 02:31:50 - Catching Up With Colton ('The Empire Strikes Back', 'Andor' Season 2, 'Abbott Elementary' Season 4, 'Reacher' Season 1,  Metallica M72 World Tour with Suicidal Tendencies and Pantera, Nintendo Switch 2 Midnight Launch) 02:39:47 - Conclusion/Outro Visit our website! Support us on Patreon! Thank you for listening, and please send any feedback to watchreviewrepeat@gmail.com! Intro/Outro Credit: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

This episode of the Fully-Booked: Literary Podcast kicked off, as always, with what's on our nightstands. Shirin had her hands on Phantasma, a book that had been hyped all over, but halfway through, she was feeling let down. The Southern Gothic mood is solid, but the story lacks that punch. The tasks and trials within it are underwhelming, and she doesn't really care much about the characters. It's supposed to have demons, ghouls, and Hunger Games-style drama, but right now, it's all feeling kind of flat.Meaghan tried to make her feel better and pointed out that hype can do that. Sometimes a book gets treated like it's the second coming, and when we finally read it, it's just... fine. Nothing wrong with it, but nothing revolutionary either. Not all weird, sexy, haunted house books with blood dripping from the ceiling are for everyone.On the upside, Meaghan read Home Fires Burn by Canadian author Anthony Bidulka. It's the third book in a mystery series starring Mary Bell, a trans private investigator who returns to rural Saskatchewan after years away.Meaghan loved the local setting and the fact that it wasn't just another Toronto-centric story. The mystery held up, the character work was sharp, and it made her want to read the first two books in the series. Big points for regional Canadian representation and thoughtful, layered characters.Adaptations Galore: What's Coming to Screen (and Fast)The main theme of this episode was all about book-to-screen adaptations. what's coming soon, what's in production, and what we're dying to see. We decided to trade picks one by one and see who could out-excite the other.Shirin went first with My Oxford Year, a romance novel about an American woman at Oxford who gets swept up in an English romance. She loves the academia + England combo, so this one's basically catnip for her. Sofia Carson and Corey Mylchreest (from Queen Charlotte) are starring, and it drops August 1, just in time for her birthday. Perfect.Meaghan followed with the upcoming Carrie TV series. It's being produced by Mike Flanagan, and we are both expecting big things. The hope is that turning it into a series will really let the Carrie-and-mother dynamic breathe and make the emotional breakdowns all the more brutal. Whether it's set in the 70s or modernized, we don't care, we're watching.Then came The Long Walk by Stephen King, which has Shereen's husband buzzing. It's about boys forced to walk endlessly under dystopian conditions, and it's being directed by someone from the Hunger Games world. Sounds like an anxiety attack in movie form, which is exactly the vibe it's going for.Next up was People We Meet on Vacation by Emily Henry, due January 9 on Amazon. Meaghan has a thing for Henry's style. Her romances toe the line between heartfelt and funny, and while Meaghan usually likes her romance a bit darker or weirder, she makes an exception here. Shereen, meanwhile, owns three Henry books and has read none of them. We've all been there.Colleen Hoover Chaos, Creepy Thrillers, and Twisted CruisesThen came the Colleen Hoover dump. Shirin bundled three upcoming adaptations into one shoutout: Regretting You, Reminders of Him, and Verity. The last of which stars Anne Hathaway. Meaghan and Shirin are mostly excited because they love making fun of Hoover's chaotic plots and characters. Verity, they agree, is actually pretty decent. It veers into thriller territory and avoids some of Hoover's more problematic tropes. Bring on the drama.Meaghan had another creepy pick: The Whisper Man by Alex North, featuring Robert De Niro. It's about a serial killer whose crimes are mimicked years later in a small town. There's whispering through windows, eerie disappearances, and maybe even supernatural twists. Definitely on her watch list.Shirin's next thrill was The Housemaid, which she's converted her whole family into reading. It drops on Christmas Day 2025 in theaters and stars Sydney Sweeney and Amanda Seyfried. She's planning a full-on family book club around it. And yes, we'll be going to the theater over the holidays.The Woman in Cabin 10 by Ruth Ware is also getting adapted, with Keira Knightley set to star. Another thriller on a boat, another possible murder that no one believes actually happened. Meaghan's all in. She loves Ruth Ware and thinks this one, dropping on Netflix in the fall, will be a great popcorn thriller.Classics, Hunger Games, and Guillermo's ReturnOne adaptation that has us raising eyebrows is Wuthering Heights with Margot Robbie and Jacob Elordi. It's being directed by Emerald Fennell (Promising Young Woman, Saltburn), which adds some intrigue. We're not sure about the casting, but we're hoping for a bold, stylized approach.Speaking of big franchises, Sunrise on the Reaping, the new Hunger Games film, is set for release on November 20, 2026. Shirin thought the book was just okay, but still wants to see how it plays out on screen. The movies have been consistently stronger for her.The adaptation Meaghan is most pumped for? Frankenstein by Guillermo del Toro, coming in December. She's obsessed with his visual style and monster-love storytelling. We both agree that this needs a theatrical release. If Netflix keeps it streaming-only, it'll be a crime against cinema. Between Oscar Isaac, Jacob Elordi, and the gorgeous design we expect from Guillermo, this could be a showstopper.Narnia, Dragons, and So Many MoreShirin ended her list with The Magician's Nephew, the first (chronologically) in the Chronicles of Narnia series, which Greta Gerwig is adapting. It hits theaters November 26 and drops on Netflix Christmas Day. The casting so far includes Daniel Craig and Emma Mackey, and we're just plain curious how Greta will spin this origin story with no wardrobe in sight.And finally, we both agreed: even though there's no release date, trailer, or cast announcement, we're putting Fourth Wing on the list. It's happening. Michael B. Jordan's studio owns the rights, and we're already imagining which actors will ride which dragons. Shereen joked about dressing her cats up as dragon characters, because obviously she would.Wrapping It Up: Why We Care (And You Probably Do Too)In the end, what made this episode fun wasn't just listing off every adaptation under the sun; it was talking about what these projects mean to us. We all love books. We all get burned by them sometimes. But when a book we adore gets picked up for a screen version, the anticipation is unmatched. And the potential for disappointment? Sky high. We live for it.We get excited about who's cast. We argue about whether the setting is true to the book. We dream about what could be, and sometimes we cringe at what we get. But that's part of the joy. These adaptations connect us to stories in new ways and give us reasons to revisit the books, or finally read the ones we've been avoiding.So here's to the next three years of adaptation madness. Keep building those watchlists, plan some book-to-movie nights, and maybe even read the book before the movie drops. It just makes everything better. See you next week for one last episode in this month-long adaptation celebration.

On this week's slot of Inside Hollywood, we are looking at Directors sharing their experience on what it is like to work with legendary actors. From Stephen Spielberg and Tom Hanks and Greta Gerwig and Meryl Streep. We take a look at the greats with Lisa Cannon TV Host and Head of Studio at DMG Media.

Welcome to Greta Gerwig season! Lady Bird is currently streaming on Hulu.Follow us on Instagram for more content! @moviesandmixologyIntro and outro music credit:"Sweeter Vermouth", "The Curtain Rises"Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/

In this episode we zoom out and talk about all the books we covered over the past few months, discussing favorites and least favorites, as well as highlighting some themes that emerged, including strong settings and ‘the madwoman' in literature. We then get into adaptation theory – some background on adaptations, and what we think makes a good adaptation (with a few tangents into the upcoming Harry Potter series and Greta Gerwig's Narnia). Links:On the Art of Adaptation by Linda Hutcheon [Jstor]Context in Film Adaptations [Jstor]If you would like to get additional behind-the-scenes content related to this and all of our episodes, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.

Film critic Megan Loucks, better known as Wonder Meg, comes on THE MOVIES to share who she is using only four films. The Lansing, Michigan native and I chat about an encyclopedia of topics: motherhood, growing up in a tight-knit family, the Snyder Cut fandom (Meg co-founded Justice Con, an virtual charity convention that brought together Snyder Cut, DCEU, and comic book fans to raise money for the American Foundation for Suicide Prevention), a lifelong devotion to fantasy stories, pillow fort architecture, the art of physical media collecting and so, so much more.---Meg's four films:LA BELLE ET LA BETE (1946) dir. Jean Cocteau (watch on Max or YouTube)DO THE RIGHT THING (1989) dir. Spike Lee (watch on Netflix)EXCALIBUR (1981) dir. John Boorman (watch on Internet Archive)LADY BIRD (2017) dir. Greta Gerwig (watch on Max)---Follow Meg on Instagram, YouTube. Read her interview with THE PENGUIN production designer Kalina Ivanov on Wonder Watchlist & other reviews on InSession Film. ---Please rate, review and subscribe to THE MOVIES wherever you listen to podcasts!Follow THE MOVIES on Instagram, Letterboxd.

Molly Yeh is the Emmy- and James Beard Award-nominated star of Girl Meets Farm on the Food Network; owner of Bernie’s, a bakery and cafe in East Grand Forks, Minnesota; and a bestselling cookbook author. Her new cookbook is Sweet Farm, 100 dessert recipes that feature oh-so-Molly flavors like tahini, marzipan, hawaij and halva, plus a whole chapter devoted to Midwestern cookie salads! Molly tells host Rachel Belle how her relationship to sprinkles has changed as she’s gotten older; how she, a Juilliard graduate with a degree in percussion, ended up living on a sugar-beet farm on the Minnesota/North Dakota border; what a cookie salad is; and her secret to being an excellent baker. Molly bakes beautiful, buttery, super-moist cakes, sometimes testing a recipe more than 30 times to get it right. All that cake talk got Rachel thinking about Cake Picnic, an event in March that went super-viral, where home bakers brought and devoured nearly 1,400 cakes in a San Francisco park! Rachel welcomes Cake Picnic founder Elisa Sunga to the show to talk about how the event was born and how she keeps the cake chaos to a minimum. Listen to Molly Yeh on the Greta Gerwig episode of YLM, talking about her homemade Funfetti cake! Watch Rachel’s Cascade PBS TV show The Nosh with Rachel Belle! Season 2 out now! Sign up for Rachel’s new (free!) Cascade PBS newsletter for more food musings!Follow along on Instagram! Order Rachel’s cookbook Open Sesame. Support the show: http://rachelbelle.substack.com/See omnystudio.com/listener for privacy information.

Merriam-Webster's Word of the Day for June 17, 2025 is: apologia • ap-uh-LOH-jee-uh • noun An apologia is a defense especially of one's opinions, position, or actions. // The opinion piece reads like an apologia for the industry's reckless behavior. See the entry > Examples: "Yes, Barbie is a polarizing toy ... but [Greta] Gerwig leaped right to what else Barbie is: a potent, complicated, contradictory symbol that stands near the center of a decades-long and still-running argument about how to be a woman. ... The movie is a celebration of Barbie and a subterranean apologia for Barbie." — Willa Paskin, The New York Times, 11 July 2023 Did you know? As you might expect, apologia is a close relative of apology. Both words come from Late Latin; apologia came to English as a direct borrowing while apology traveled through Middle French. The Latin apologia can be traced back to the Greek verb apologeîsthai, meaning "to speak in defense; defend oneself." In their earliest English uses, apologia and apology meant basically the same thing: a formal defense or justification of one's actions or opinions. Nowadays, however, the two are distinct. The modern apology generally involves an admission of wrongdoing and an expression of regret for past actions, while an apologia typically focuses on explaining, justifying, or making clear the grounds for some course of action, belief, or position.

Netflix' verfilmt C.S. Lewis' Fantasy-Klassiker Die Chroniken von Narnia neu und will mit Regisseurin Greta Gerwig gleich mehrere Blockbuster erschaffen. Wir stellen euch das Großprojekt des Streamers näher vor, das etwas ganz Besonderes für den Streamer werden soll. Außerdem blicken wir in die Fantasy-Zukunft im Streaming-Bereich, welche großen magischen Erzählungen sonst noch auf uns zukommen. Timecodes: 00:04:34 – Narnia: Die berühmte Fantasy-Vorlage erklärt 00:10:26 – Vorige Narnia-Adaptionen 00:14:37 – Netflix' Narnia im Detail vorgestellt 00:38:51 – Weitere geplante Fantasy-Projekte im Stream *** Dieser Podcast wird gesponsert von MagentaTV – dem TV- und Streaming-Angebot der Telekom. Abonniere und bewerte Streamgestöber bei der Podcast-App deines Vertrauens! Wenn du mit deiner Meinung im Podcast landen willst, schick uns eine Sprachnachricht oder einen Kommentar per Mail an podcast@moviepilot.de.

Brian and Shelly discuss the films of Greta Gerwig including Frances Ha, Barbie and Little Women

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Max Foizey interviews Selena Fragassi about her book "Greta: The Work, Life, and Style of Greta Gerwig," chats about the best 'guy' movies of all time, and reviews the films "Fight or Flight" and "Mogwai: If the Stars Had a Sound."

This week we are blessed to have Josh Sharp BACK on the pod. We come up with an amazing new tracklist of Kim Petras songs, explain what it means to "be philly", and unpack the band Phish with a LIVE fact checker in the room (because facts matter, y'all). Plus, Josh promotes his new off-broadway show "ta-da!" in a way that is so non-linear that even Greta Gerwig's ass will be sat. Speaking of, get tickets to Josh's show NOW at joshsharptada.com. STRAIGHTIOLAB MERCH: cottonbureau.com/people/straightiolab SUBSCRIBE TO OUR PATREON at patreon.com/straightiolab for bonus episodes twice a month and don't forget to rate and review us on Apple Podcasts!See omnystudio.com/listener for privacy information.

This week, actor Keeya King – currently starring in the new thriller Guess Who, on Hollywood Suite in Canada and Tubi in the US – shares her love for Greta Gerwig's solo directorial debut Lady Bird, which found comedy and pathos in the everyday drama of Saoirse Ronan's Sacramento teenager. Your genial host Norm Wilner knows a thing or two about being an obnoxious teen, so this should be fun.

Greta Gerwig's modern masterpiece Little Women (2019) is on the agenda today, and Joe & Adam dive into the history of the books, the reimagining of the third of four edition (depending on who you ask), why Florence Pugh is so good, why the German professor is barely in the film and why there are still three bad things in this movie despite it being so great. 

Jen and Sarah dive into the awkward dinner scene in ‘Frances Ha.' They discuss the awkwardness of the scene, the effective cinematography, and Greta Gerwig's captivating and endearing performance. Click here to watch the scene. Remember to leave a rating and review of this episode. Connect with Movies & Us on Instagram, Threads, and Bluesky @moviesanduspod or by email at moviesanduspod@gmail.com. 

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including Luca Guadagnino's Sgt Rock project with Colin Farrell is cancelled or delayed by DC, Guy Ritchie tapped to direct Road House 2, AVENGERS: DOOMSDAY updates, more fallout from Oscars new rules, WEAPONS and THE SMASHING MACHINE trailers, Thunderbolts* review,  Natasha Lyonne is filming a film using AI, a new Miami Vice movie is in the works, Emma Mackey is cast as the White Witch in Greta Gerwig's Chornicles of Narnia project, Chris Hemsworth cast in a new film titled Subversion and more!#DC #MARVEL #Oscars #Netflix #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown1:55 DC Cancels SGT ROCK, Orders Page 1 Rewrite for CLAYFACE24:33 AVENGERS: DOOMSDAY Updates32:26 New Rumored AVENGERS: DOOMSDAY Cast List37:45 Joseph Kosinski and Dan Gilroy for MIAMI VICE Film, Who Should Be Cast?47:22 Guy Ritchie Tapped to Direct ROAD HOUSE 252:08 WEAPONS and THE SMASHING MACHINE Trailers1:00:00 MICHAEL Update - Michael Jackson Biopic1:01:08 Natasha Lyonne's New Movie on AI Causes Controversy1:04:28 Valnet Buys Polygon and Lays Off A Number of Staff1:07:50 ROSARIO movies is Releasing This Weekend1:09:10 Emma Mackay Confirmed as White Witch for Greta Gerwig's NARNIA Movie1:11:55 Streamlabs and Superchat Questions1:34:57 THUINDERBOLTS REVIEW and Talk1:36:05 MORE Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  PATREON: https://patreon.com/JohnRocha Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

GET YOUR MULTIVERSE NEWS MERCH HERE:https://multiverse-news-shop.fourthwall.com/Welcome to Multiverse News, Your source for Information about all your favorite fictional universesMarvel Studios is returning to its roots and the source of its inspiration – the comics! For the first time in the Marvel Cinematic Universe's history, the studio and the comic publishing arm of the company are collaborating to create a tie-in comic for The Fantastic Four: First Steps. While there have been official tie-in comics to the films before, it was a case of the comics working within the confines of what was already planned and established for the films, not a true collaboration from the ground up. To that end, Marvel has pulled out all the stops by bringing talent the likes of writer Matt Fraction, who was allowed to visit the films set along with other creators working on the comic. The comic, a one-shot that releases July 2, ahead of the film's July 25 release, is said to be designed to act as media that exists within the film's continuity.20th Century Studios released the teaser trailer for Predator: Badlands, the highly anticipated sequel to Dan Trachtenberg's Prey. The trailer, while brief at just over a minute, is jampacked with footage that includes vistas, locales, creatures and technology never seen within the franchise, including two mysterious characters: one being what seems to a Predator protagonist and Elle Fanning in an enigmatic, humanoid role who begs more questions than answers.A couple weeks ago we discussed the casting of several key figures in HBO's upcoming Harry Potter series, including John Lithgow as Hogwarts Headmaster, Albus Dumbledore. Now, while speaking the London Times last week, the actor revealed that he was not prepared for the resulting public outcries and backlash in response to his participation - given series creator J.K. Rowling's involvement; as Rowling's public transphobic stance and comments in recent years have been the subject of controversy. Elsewhere, David Tennant, who played Barty Crouch in the films, offered his appropriately timed insights on the author while receiving an allyship award at the British LGBT Awards, saying, “We shouldn't live in a world where that is worth remarking on — I don't wish ill of her, I just wish her to shut up.” The lines between the worlds of make believe and our real one are often blurry and the decision to separate art from a problematic artist is a complicated and personal one. The review embargo has lifted on Thunderbolts* and from 107 total reviews, the film currently has a certified fresh rating of 88% on Rotten Tomatoes.The upcoming prequel Hunger Games: Sunrise on the Reaping has cast Joseph Zada as Haymitch Abernathy and Whitney Peak as his girlfriend, Lenore Dove Baird. Mckenna Grace will play District 12 tribute Maysilee Donner, Jesse Plemons will portray a young Plutarch Heavensbee, and the film is set for release on November 20, 2026.Netflix has released the first teaser trailer for the upcoming Jenna Ortega-led series Wednesday. The series will follow a split release schedule with part 1 dropping on August 6, and part 2 to follow on September 3.Sydney Sweeney is set to star in a film adaptation of hit video game “Split Fiction” with Jon M. Chu directing, Variety has learned. The script for the movie is being written by “Deadpool & Wolverine” screenwriters Rhett Reese and Paul Wernick.Emma Mackey has been cast as the White Witch in Narnia, Greta Gerwig's adaptation of C.S. Lewis' The Chronicles of Narnia fantasy novels.Over the weekend, “Minecraft” collected $37.8 million overseas and $60.5 million worldwide in its fourth weekend of release. Meanwhile, “Sinners” added $13.5 million internationally and $58.5 million globally in its second week. For the second consecutive weekend, Warner has nabbed the No. 1 and 2 spots on international, domestic and global box office charts.

TODAY: Alex vents about Teamsters president Sean O'Brien's most recent Prager U Grandpa arc and we try to figure out why a labor leader would spend this opportune moment podcasting with celebrities and criticizing pro-labor dems. ALSO: Trump's approval numbers sink--even among young men--as people are reminded once again what a Trump presidency looks like. MAGA voters somehow see this as an opportunity for a third term. FINALLY: Despicable feminist Greta Gerwig weighs casting an iconic actor to play Aslan is her Lion, the Witch, and The Wardrobe reboot, and a jewish conservative AM radio host bursts a blood vessel thinking about how the Christ he doesn't believe in has been defiled. Get a bonus episode every week by signing up at http://patreon.com/miniondeathcult for only $5/month  Music: Iron Lung - Perfect Ending

On the show today, Greta Gerwig has cast the lead actress in her highly anticipated new movie franchise, and we have some very extreme thoughts about it. Plus, the world watched as former Dance Moms' star turned musician and social media personality JoJo Siwa fell in love with Australian advocate, actor, and podcast host Kath Ebbs. Then JoJo entered the Celebrity Big Brother UK house and everything changed. Now we have to talk through the fallout from this event, from JoJo’s alleged new relationship with fellow Big Brother star Chris Hughes, to Kath’s now deleted video announcing the break-up, the stories that have come to light from their friends and co-stars now that they are out of the house and what will happen next. Em Vernem is co-hosting a new Mamamia podcast. BIZ is rewriting the rules of work with no zero generic advice - just real strategies from women who've actually been there. Listen here.GET IN TOUCH:Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! THE END BITSThe Spill podcast is on Instagram here.Read all the latest entertainment news on Mamamia... here. Subscribe to MamamiaCREDITSHosts: Laura Brodnik & Em VernemExecutive Producer: Amy Kimball Audio Producer: Scott Stronach Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Grace Na is the founder of Pistola, a Los Angeles–based womenswear and denim brand. Since its creation in 2013, Pistola has become a go-to destination for reasonably priced, trendy, high-quality denim styles—including a few viral hits, like the pink denim jumpsuit Greta Gerwig wore while directing the Barbie movie. This week, Grace joins Who What Wear Shopping Director Bobby Schuessler to discuss how she uses data to guide her design process, her best styling tips for different denim silhouettes, and her thoughts on modern skinny jeans.Shop our editor's picks here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Grace Na is the founder of Pistola, a Los Angeles–based womenswear and denim brand. Since its creation in 2013, Pistola has become a go-to destination for reasonably priced, trendy, high-quality denim styles—including a few viral hits, like the pink denim jumpsuit Greta Gerwig wore while directing the Barbie movie. This week, Grace joins Who What Wear Shopping Director Bobby Schuessler to discuss how she uses data to guide her design process, her best styling tips for different denim silhouettes, and her thoughts on modern skinny jeans.Shop our editor's picks here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our exit today has us conning some wealthy men out of their money. This week, we are talking about Heartbreakers, written by Robert Dunn, Paul Guay, and Stephen Mazur and directed by David Mirkin. And to discuss it, we brought along the biggest Gene Hackman fan we know, three-time guest Mitchell Beaupre.Along the way, we spend a lot of time discussing the career of the late Gene Hackman. But we also dive into Sigourney Weaver, Barbra Stanwyck, costume design credits, con-artist films, Ray Liotta, frequent ATTC co-star Sarah Silverman, Greta Gerwig, Death and the Maiden, and Michael Hitchcock.Vulture Interview with Jennifer Love Hewitt.Mitchell's Gene Hackman 2001 overview for Paste magazine.Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

It's so confusing sometimes to be a girl. And few filmmakers' work embodies that idea more than Greta Gerwig. This week, the Rats decide if they have any power over the films they love as they rank her movies. Hopefully the poets don't disagree with our ranking.00:00 Start01:29 Lady Bird08:59 Little Women17:48 Barbie

Brian springs an awful Aslan casting surprise on Nate, and the results are delightful. The SASF discussion of Greta Gerwig's new Netflix Narnia series ranges far afield. Planet Narnia, which book of the series is Nate's favorite, Lewis's repeated character archetypes, adaptation of books to film... this one has all things Lewis. Including Nate's claim that Edmund / Eustace / Digory all behave the way they do because CSL had thumbs that couldn't bend.

Where did Aly sleep last night? Also, what is the top chain restaurant in America? We talk about Meryl Streep potentially being cast as Aslan in Netflix's adaptation of The Chronicles of Narnia, Alex Ovechkin breaking Gretzky's goal record, and lots more!

Sam Levy's body of work has helped define contemporary American independent cinema. In this episode, Levy pulls back the curtain on his methodical, deeply personal approach to cinematography, revealing how scripts, performances, and even sleep all shape his lens. Levy revisits career-defining moments with Greta Gerwig, Noah Baumbach, and Kelly Reichardt, and speaks on how technical mastery is often best used in service of disappearing. If you are enjoying the podcast, please consider supporting our efforts on Patreon.Sam Levy's Instagram | WebsitePeter Pascucci's Instagram | WebsiteAva Benjamin Shorr's Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

Multiple simultaneous home projects have rendered our home noisily unrecordable for the present so let's have some fun and harken back to the very first "Reconcilable" several years back. We focus on a couple of films from the time that you might revisit themselves,and other litte curiosities. Check our evoluation LOL!

It is March, and we are sisters, and that technically makes us March sisters. So this time the "March sisters" pulled in an extra honorary sister to finally fall into the warm embrace of Greta Gerwig's Little Women (2019). Joining us is Shannon Campe of Little Women: A Modern Audio Drama, whose expertise and contagious fanaticism have helped us realize we were no longer little girls.   Check out Shannon's own fabulous Little Women adaptation at www.littlewomenpodcast.com.

It's all led to this. Over a hundred episodes of action movies, science fiction movies, crime lesbian movies, and Gerwig movies has to our apotheosis: LADY BIRD. Why did Kev redefine their life about this movie? Why was Rowan terrified about how close to home it would hit? Why was special guest/new co-host (kinda) Christy Admiraal excited to join us? How astonishing is this cast? How great are the core performances? How did Greta Gerwig manage to make "liking Crash by the Dave Matthews Band" into the emotional climax of an all-time great film? All these questions and more -- including what the fourth season of TOTAL MASSACRE will entail -- on this massive sweeps week episode! 

Have you ever had an idea that tugged at you, asking to be brought to life? In this episode, I share why I believe so strongly that you are the exact messenger for your idea and your audience. Not someone else. You. Yes, your topic may be similar to what others are talking about. But ,your idea, your lens, your story, and your experiences are what make it yours. And your audience? They're waiting for you to say it in the way only you can. We dig into: The difference between having a topic versus having an idea (this is a game-changer for standing out!) Why thought leadership is more than just expertise—it's about the courage to show up with your unique take The two ways ideas tend to come to us (and what stops us from activating them) Why fear and perfectionism are such sneaky dream stealers (and how to move through them) What Lin-Manuel Miranda, Elizabeth Gilbert, and Greta Gerwig can teach us about being the messenger for your idea   I even share a behind-the-scenes moment from preparing my 2016 TEDx talk when I realized I needed something more than a “good” talk - I needed to say something only I could say. If you're feeling that nudge that there's an idea stirring inside you - or one that's been sitting dormant - it's time to give it voice. Remmber: Your audience is waiting for you. (This episide originally aired as episode 343 on August 21, 2023.)   Links: Show notes at https://www.speakingyourbrand.com/343/ Discover your Speaker Archetype by taking our free quiz at https://www.speakingyourbrand.com/quiz/ Enroll in our Thought Leader Academy: https://www.speakingyourbrand.com/academy/  Connect on LinkedIn: https://www.linkedin.com/in/carolcox Mentioned: Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert Elizabeth Gilbert on the On Being podcast KLF: Chaos Magic Music Money by JMR Higgs “Who says big ideas are rare?” by Malcom Gladwell   Related Podcast Episodes: Episode 341: Unearthing Your Unique Message: Discovering What Makes You Stand Out with Judy Carlson Episode 337: Sharing Your Story as a Catalyst for Transformation with Karen Keene Episode 262: The Four Layers of Thought Leadership with Carol Cox Episode 92: Deconstructing My TEDx Talk: Why We're Uncomfortable with Women in Power with Carol Cox  

80 episodes?? Already? And yet there's still so much to talk about. This week we talk about Mother Monster's new album Mayhem. I saw not 1 but 2 celebs at Disneyland when I went last week. Who were they?? Apparently people are over the "Hollywood Veneers". I saw a Tik Tok saying that Dua Lipa is not a pop star but an influencer. I have things to say about that. Millie Bobby Brown can't catch a break no matter what she does. She has thoughts about what journalists keep writing about her. She even goes as far to call them out by name. Steve Carell teamed up with a charity organization to help students of the LA wildfires get to prom. On the Kardashians Kendall has the nerve to get mad at her family for not messaging her directly about an event they were attending. Apparently she doesn't have the time to read group chats. I have thoughts about this as well. A cover of Joni Mitchell is going viral on Tik Tok, sang by none other than Amanda Seyfried. New Narnia movie is in the work with Greta Gerwig directing and supposedly Charli XCX is signed on to play the White Witch?? Chelsea Handler has scored her 6th #1 New York Times Best Selling book. The Black Eyed Peas are celebrating 30 years of making music. And last but certainly not least, Eternal Sunshine has had its first birthday and Miss Ariana has teased a deluxe album coming soon.Thanks for listening!

Welcome back to the show. Shawn Levy will be doing a Star Wars movie and it will probably be the next one after The Mandalorian and Grogu. Word is that Ryan Gosling is now up for a main role in the film. Is this a good move for Gosling? For Star Wars? What would he play? There is a Narnia IMAX release plan after the public battle between Netflix and Greta Gerwig. Netflix raising prices again, Uma Thurman on Dexter?! This and more on The Kristian Harloff Show with Kristian and special guest Clarke Wolfe! #starwars #ovie #directing #marvel #mcu #dcu #dc #tv #dexter #netflix OUR SPONSORS:  PROLON: Prolon is offering The Big Thing listeners FIFTEEN PERCENT off their 5-day nutrition program for your post-holiday glow-up when you go to http://www.ProlonLife.com/BIGTHING THIS EPISODE IS SPONSORED BY BETTERHELP: Visit http://www.BetterHelp.com/BIGTHING today to get 10% off your first month.

In 2019 Greta Gerwig directed a remake of the classic story Little Women, featuring top actors Laura Dern, Emma Watson, Florence Pugh, Timothee Chalamet, and Saoirse Ronan. What is it about the relationships in this story that make it so timeless and relatable?? Watch The Storytellers Podcast: https://youtu.be/H9rH1_ml6C8?si=JiKTK12sENyot0mn Keep up with Andy: https://www.instagram.com/andrewerwinofficial/ Keep up with Candace: Candace's Website: https://candacecbure.com/ The Podcast Website: https://ccbpodcast.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Irish actor Saoirse Ronan returns to Fresh Air to talk with contributor Ann Marie Baldonado about her two new films (The Outrun and Blitz) as well as her experience as a child actor and her collaboration with Lady Bird and Little Women director Greta Gerwig. Also, Carolina Miranda reviews the Netflix film Pedro Páramo.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy