Podcast appearances and mentions of Greta Gerwig

Molly Yeh is the Emmy- and James Beard Award-nominated star of Girl Meets Farm on the Food Network; owner of Bernie’s, a bakery and cafe in East Grand Forks, Minnesota; and a bestselling cookbook author. Her new cookbook is Sweet Farm, 100 dessert recipes that feature oh-so-Molly flavors like tahini, marzipan, hawaij and halva, plus a whole chapter devoted to Midwestern cookie salads! Molly tells host Rachel Belle how her relationship to sprinkles has changed as she’s gotten older; how she, a Juilliard graduate with a degree in percussion, ended up living on a sugar-beet farm on the Minnesota/North Dakota border; what a cookie salad is; and her secret to being an excellent baker. Molly bakes beautiful, buttery, super-moist cakes, sometimes testing a recipe more than 30 times to get it right. All that cake talk got Rachel thinking about Cake Picnic, an event in March that went super-viral, where home bakers brought and devoured nearly 1,400 cakes in a San Francisco park! Rachel welcomes Cake Picnic founder Elisa Sunga to the show to talk about how the event was born and how she keeps the cake chaos to a minimum. Listen to Molly Yeh on the Greta Gerwig episode of YLM, talking about her homemade Funfetti cake! Watch Rachel’s Cascade PBS TV show The Nosh with Rachel Belle! Season 2 out now! Sign up for Rachel’s new (free!) Cascade PBS newsletter for more food musings!Follow along on Instagram! Order Rachel’s cookbook Open Sesame. Support the show: http://rachelbelle.substack.com/See omnystudio.com/listener for privacy information.

Merriam-Webster's Word of the Day for June 17, 2025 is: apologia • ap-uh-LOH-jee-uh • noun An apologia is a defense especially of one's opinions, position, or actions. // The opinion piece reads like an apologia for the industry's reckless behavior. See the entry > Examples: "Yes, Barbie is a polarizing toy ... but [Greta] Gerwig leaped right to what else Barbie is: a potent, complicated, contradictory symbol that stands near the center of a decades-long and still-running argument about how to be a woman. ... The movie is a celebration of Barbie and a subterranean apologia for Barbie." — Willa Paskin, The New York Times, 11 July 2023 Did you know? As you might expect, apologia is a close relative of apology. Both words come from Late Latin; apologia came to English as a direct borrowing while apology traveled through Middle French. The Latin apologia can be traced back to the Greek verb apologeîsthai, meaning "to speak in defense; defend oneself." In their earliest English uses, apologia and apology meant basically the same thing: a formal defense or justification of one's actions or opinions. Nowadays, however, the two are distinct. The modern apology generally involves an admission of wrongdoing and an expression of regret for past actions, while an apologia typically focuses on explaining, justifying, or making clear the grounds for some course of action, belief, or position.

Netflix' verfilmt C.S. Lewis' Fantasy-Klassiker Die Chroniken von Narnia neu und will mit Regisseurin Greta Gerwig gleich mehrere Blockbuster erschaffen. Wir stellen euch das Großprojekt des Streamers näher vor, das etwas ganz Besonderes für den Streamer werden soll. Außerdem blicken wir in die Fantasy-Zukunft im Streaming-Bereich, welche großen magischen Erzählungen sonst noch auf uns zukommen. Timecodes: 00:04:34 – Narnia: Die berühmte Fantasy-Vorlage erklärt 00:10:26 – Vorige Narnia-Adaptionen 00:14:37 – Netflix' Narnia im Detail vorgestellt 00:38:51 – Weitere geplante Fantasy-Projekte im Stream *** Dieser Podcast wird gesponsert von MagentaTV – dem TV- und Streaming-Angebot der Telekom. Abonniere und bewerte Streamgestöber bei der Podcast-App deines Vertrauens! Wenn du mit deiner Meinung im Podcast landen willst, schick uns eine Sprachnachricht oder einen Kommentar per Mail an podcast@moviepilot.de.

Brian and Shelly discuss the films of Greta Gerwig including Frances Ha, Barbie and Little Women

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Max Foizey interviews Selena Fragassi about her book "Greta: The Work, Life, and Style of Greta Gerwig," chats about the best 'guy' movies of all time, and reviews the films "Fight or Flight" and "Mogwai: If the Stars Had a Sound."

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This week we are blessed to have Josh Sharp BACK on the pod. We come up with an amazing new tracklist of Kim Petras songs, explain what it means to "be philly", and unpack the band Phish with a LIVE fact checker in the room (because facts matter, y'all). Plus, Josh promotes his new off-broadway show "ta-da!" in a way that is so non-linear that even Greta Gerwig's ass will be sat. Speaking of, get tickets to Josh's show NOW at joshsharptada.com. STRAIGHTIOLAB MERCH: cottonbureau.com/people/straightiolab SUBSCRIBE TO OUR PATREON at patreon.com/straightiolab for bonus episodes twice a month and don't forget to rate and review us on Apple Podcasts!See omnystudio.com/listener for privacy information.

This week, actor Keeya King – currently starring in the new thriller Guess Who, on Hollywood Suite in Canada and Tubi in the US – shares her love for Greta Gerwig's solo directorial debut Lady Bird, which found comedy and pathos in the everyday drama of Saoirse Ronan's Sacramento teenager. Your genial host Norm Wilner knows a thing or two about being an obnoxious teen, so this should be fun.

Greta Gerwig's modern masterpiece Little Women (2019) is on the agenda today, and Joe & Adam dive into the history of the books, the reimagining of the third of four edition (depending on who you ask), why Florence Pugh is so good, why the German professor is barely in the film and why there are still three bad things in this movie despite it being so great. 

Jen and Sarah dive into the awkward dinner scene in ‘Frances Ha.' They discuss the awkwardness of the scene, the effective cinematography, and Greta Gerwig's captivating and endearing performance. Click here to watch the scene. Remember to leave a rating and review of this episode. Connect with Movies & Us on Instagram, Threads, and Bluesky @moviesanduspod or by email at moviesanduspod@gmail.com. 

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including Luca Guadagnino's Sgt Rock project with Colin Farrell is cancelled or delayed by DC, Guy Ritchie tapped to direct Road House 2, AVENGERS: DOOMSDAY updates, more fallout from Oscars new rules, WEAPONS and THE SMASHING MACHINE trailers, Thunderbolts* review,  Natasha Lyonne is filming a film using AI, a new Miami Vice movie is in the works, Emma Mackey is cast as the White Witch in Greta Gerwig's Chornicles of Narnia project, Chris Hemsworth cast in a new film titled Subversion and more!#DC #MARVEL #Oscars #Netflix #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown1:55 DC Cancels SGT ROCK, Orders Page 1 Rewrite for CLAYFACE24:33 AVENGERS: DOOMSDAY Updates32:26 New Rumored AVENGERS: DOOMSDAY Cast List37:45 Joseph Kosinski and Dan Gilroy for MIAMI VICE Film, Who Should Be Cast?47:22 Guy Ritchie Tapped to Direct ROAD HOUSE 252:08 WEAPONS and THE SMASHING MACHINE Trailers1:00:00 MICHAEL Update - Michael Jackson Biopic1:01:08 Natasha Lyonne's New Movie on AI Causes Controversy1:04:28 Valnet Buys Polygon and Lays Off A Number of Staff1:07:50 ROSARIO movies is Releasing This Weekend1:09:10 Emma Mackay Confirmed as White Witch for Greta Gerwig's NARNIA Movie1:11:55 Streamlabs and Superchat Questions1:34:57 THUINDERBOLTS REVIEW and Talk1:36:05 MORE Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  PATREON: https://patreon.com/JohnRocha Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

GET YOUR MULTIVERSE NEWS MERCH HERE:https://multiverse-news-shop.fourthwall.com/Welcome to Multiverse News, Your source for Information about all your favorite fictional universesMarvel Studios is returning to its roots and the source of its inspiration – the comics! For the first time in the Marvel Cinematic Universe's history, the studio and the comic publishing arm of the company are collaborating to create a tie-in comic for The Fantastic Four: First Steps. While there have been official tie-in comics to the films before, it was a case of the comics working within the confines of what was already planned and established for the films, not a true collaboration from the ground up. To that end, Marvel has pulled out all the stops by bringing talent the likes of writer Matt Fraction, who was allowed to visit the films set along with other creators working on the comic. The comic, a one-shot that releases July 2, ahead of the film's July 25 release, is said to be designed to act as media that exists within the film's continuity.20th Century Studios released the teaser trailer for Predator: Badlands, the highly anticipated sequel to Dan Trachtenberg's Prey. The trailer, while brief at just over a minute, is jampacked with footage that includes vistas, locales, creatures and technology never seen within the franchise, including two mysterious characters: one being what seems to a Predator protagonist and Elle Fanning in an enigmatic, humanoid role who begs more questions than answers.A couple weeks ago we discussed the casting of several key figures in HBO's upcoming Harry Potter series, including John Lithgow as Hogwarts Headmaster, Albus Dumbledore. Now, while speaking the London Times last week, the actor revealed that he was not prepared for the resulting public outcries and backlash in response to his participation - given series creator J.K. Rowling's involvement; as Rowling's public transphobic stance and comments in recent years have been the subject of controversy. Elsewhere, David Tennant, who played Barty Crouch in the films, offered his appropriately timed insights on the author while receiving an allyship award at the British LGBT Awards, saying, “We shouldn't live in a world where that is worth remarking on — I don't wish ill of her, I just wish her to shut up.” The lines between the worlds of make believe and our real one are often blurry and the decision to separate art from a problematic artist is a complicated and personal one. The review embargo has lifted on Thunderbolts* and from 107 total reviews, the film currently has a certified fresh rating of 88% on Rotten Tomatoes.The upcoming prequel Hunger Games: Sunrise on the Reaping has cast Joseph Zada as Haymitch Abernathy and Whitney Peak as his girlfriend, Lenore Dove Baird. Mckenna Grace will play District 12 tribute Maysilee Donner, Jesse Plemons will portray a young Plutarch Heavensbee, and the film is set for release on November 20, 2026.Netflix has released the first teaser trailer for the upcoming Jenna Ortega-led series Wednesday. The series will follow a split release schedule with part 1 dropping on August 6, and part 2 to follow on September 3.Sydney Sweeney is set to star in a film adaptation of hit video game “Split Fiction” with Jon M. Chu directing, Variety has learned. The script for the movie is being written by “Deadpool & Wolverine” screenwriters Rhett Reese and Paul Wernick.Emma Mackey has been cast as the White Witch in Narnia, Greta Gerwig's adaptation of C.S. Lewis' The Chronicles of Narnia fantasy novels.Over the weekend, “Minecraft” collected $37.8 million overseas and $60.5 million worldwide in its fourth weekend of release. Meanwhile, “Sinners” added $13.5 million internationally and $58.5 million globally in its second week. For the second consecutive weekend, Warner has nabbed the No. 1 and 2 spots on international, domestic and global box office charts.

TODAY: Alex vents about Teamsters president Sean O'Brien's most recent Prager U Grandpa arc and we try to figure out why a labor leader would spend this opportune moment podcasting with celebrities and criticizing pro-labor dems. ALSO: Trump's approval numbers sink--even among young men--as people are reminded once again what a Trump presidency looks like. MAGA voters somehow see this as an opportunity for a third term. FINALLY: Despicable feminist Greta Gerwig weighs casting an iconic actor to play Aslan is her Lion, the Witch, and The Wardrobe reboot, and a jewish conservative AM radio host bursts a blood vessel thinking about how the Christ he doesn't believe in has been defiled. Get a bonus episode every week by signing up at http://patreon.com/miniondeathcult for only $5/month  Music: Iron Lung - Perfect Ending

On the show today, Greta Gerwig has cast the lead actress in her highly anticipated new movie franchise, and we have some very extreme thoughts about it. Plus, the world watched as former Dance Moms' star turned musician and social media personality JoJo Siwa fell in love with Australian advocate, actor, and podcast host Kath Ebbs. Then JoJo entered the Celebrity Big Brother UK house and everything changed. Now we have to talk through the fallout from this event, from JoJo’s alleged new relationship with fellow Big Brother star Chris Hughes, to Kath’s now deleted video announcing the break-up, the stories that have come to light from their friends and co-stars now that they are out of the house and what will happen next. Em Vernem is co-hosting a new Mamamia podcast. BIZ is rewriting the rules of work with no zero generic advice - just real strategies from women who've actually been there. Listen here.GET IN TOUCH:Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! THE END BITSThe Spill podcast is on Instagram here.Read all the latest entertainment news on Mamamia... here. Subscribe to MamamiaCREDITSHosts: Laura Brodnik & Em VernemExecutive Producer: Amy Kimball Audio Producer: Scott Stronach Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Tom Hanks is back with the sequel to Greyhound, the new Greta Gerwig directed Narnia project and a Miami Vice reboot!

Grace Na is the founder of Pistola, a Los Angeles–based womenswear and denim brand. Since its creation in 2013, Pistola has become a go-to destination for reasonably priced, trendy, high-quality denim styles—including a few viral hits, like the pink denim jumpsuit Greta Gerwig wore while directing the Barbie movie. This week, Grace joins Who What Wear Shopping Director Bobby Schuessler to discuss how she uses data to guide her design process, her best styling tips for different denim silhouettes, and her thoughts on modern skinny jeans.Shop our editor's picks here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Grace Na is the founder of Pistola, a Los Angeles–based womenswear and denim brand. Since its creation in 2013, Pistola has become a go-to destination for reasonably priced, trendy, high-quality denim styles—including a few viral hits, like the pink denim jumpsuit Greta Gerwig wore while directing the Barbie movie. This week, Grace joins Who What Wear Shopping Director Bobby Schuessler to discuss how she uses data to guide her design process, her best styling tips for different denim silhouettes, and her thoughts on modern skinny jeans.Shop our editor's picks here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our exit today has us conning some wealthy men out of their money. This week, we are talking about Heartbreakers, written by Robert Dunn, Paul Guay, and Stephen Mazur and directed by David Mirkin. And to discuss it, we brought along the biggest Gene Hackman fan we know, three-time guest Mitchell Beaupre.Along the way, we spend a lot of time discussing the career of the late Gene Hackman. But we also dive into Sigourney Weaver, Barbra Stanwyck, costume design credits, con-artist films, Ray Liotta, frequent ATTC co-star Sarah Silverman, Greta Gerwig, Death and the Maiden, and Michael Hitchcock.Vulture Interview with Jennifer Love Hewitt.Mitchell's Gene Hackman 2001 overview for Paste magazine.Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Welcome to Season 04 Episode 12 - the "Homeward Bound" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Ms. Anna Gagliano, director of Little Women for Main Street Studios; Mr. Tim Newell, director of Agnes of God for the Lakeshore Center for the Arts; and Prof. Dan Lendzian, director of the One Act Festival for SUNY Fredonia Dept. of Theatre and Dance. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from deJohn's Spaghetti House and 2 tickets to the Cinema Series! Entries must be received by Friday April 25th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 02:18  Anna Gagliano/Little Women 19:30  Tim Newell/Agnes of God 36:51  Arts Calendar 39:37  Dan Lendzian/One Act Festival TADA Media "King of the Road," written and performed by Roger Miller, from the Album The Return of Roger Miller, January 1965, Smash Records scene from the motion picture Little Women; Greta Gerwig, director; featuring Saoirse Ronan as Jo March and Emma Watson as Meg March; Columbia Pictures, December 2019 scene from the motion picture Agnes of God; Norman Jewison, director; featuring Jane Fonda as Dr. Martha Livingstone and Anne Bancroft as Mother Miriam Ruth; Columbia Pictures 1985 "Avalanche", from the album Will the Circle Be Unbroken, produced by the Nitty Gritty Dirt Band, November 1972, United Artists Records. "Ramblin' Man", from the Allman Brothers album Brothers and Sisters, composed and performed by Dickey Betts, August 1973, Capricorn Records Artist Links Main Street Studios Lakeshore Center for the Arts Dan Lendzian Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown Register Here for the 1891 Run/Walk for the Opera House BECOME AN OPERA HOUSE MEMBER!          

It's so confusing sometimes to be a girl. And few filmmakers' work embodies that idea more than Greta Gerwig. This week, the Rats decide if they have any power over the films they love as they rank her movies. Hopefully the poets don't disagree with our ranking.00:00 Start01:29 Lady Bird08:59 Little Women17:48 Barbie

Welcome to TV Break, where Pop Break's Podcasts Editor Alex Marcus is joined by editor-in-chief Bill Bodkin, and TV Columnist Josh Sarnecky to talk about the happenings in television.Here's the format of the show:The Best Thing I Saw on TV Last Month – Alex, Bill, & Josh talk about a show/episode/event they liked from the last month including Max's The Pitt, HBO's White Lotus, Disney Plus's Daredevil: Born Again and Win or Lose, and Hulu's Paradise.Newsbreak – This month, they discuss ⁠the surprising streaming success of Gunsmoke⁠, a series that went off the air fifty years ago, and what it says about what people are really watching on streaming these days.Streaming Wars – Alex, Bill, & Josh pick a streamer they think “won the month” based on new shows airing/upcoming shows announced etc. Josh and Alex both went with Netflix on the back of their buzzy hits dominating the conversation, for good or for ill, such as Adolescence; With Love, Meghan; Everybody's Live with John Mulaney; Love Is Blind; The Electric State; and Miss Rachel, plus recent news regarding Greta Gerwig's Narnia and the NFL's Christmas games, and trailers for Black Mirror and You.Meanwhile, Bill capes up for Max, following a successful rebrand, thanks to their huge streaming hits of White Lotus and The Pitt, their March Madness coverage, and, once again, AEW.New Series Spotlight – This month, instead of a new series, the guys make Alex pay penance for last month's Suits: LA debacle by making him watch ⁠Collection 12 Episode 7 of The Great British Baking Show⁠, streaming now on Netflix. Find out what Alex makes of the show's hosts, judges, contestants, and outdoor set, while everyone tries to wrap their minds around moist sponges and spotted dicks.

Brian springs an awful Aslan casting surprise on Nate, and the results are delightful. The SASF discussion of Greta Gerwig's new Netflix Narnia series ranges far afield. Planet Narnia, which book of the series is Nate's favorite, Lewis's repeated character archetypes, adaptation of books to film... this one has all things Lewis. Including Nate's claim that Edmund / Eustace / Digory all behave the way they do because CSL had thumbs that couldn't bend.

Where did Aly sleep last night? Also, what is the top chain restaurant in America? We talk about Meryl Streep potentially being cast as Aslan in Netflix's adaptation of The Chronicles of Narnia, Alex Ovechkin breaking Gretzky's goal record, and lots more!

Sam Levy's body of work has helped define contemporary American independent cinema. In this episode, Levy pulls back the curtain on his methodical, deeply personal approach to cinematography, revealing how scripts, performances, and even sleep all shape his lens. Levy revisits career-defining moments with Greta Gerwig, Noah Baumbach, and Kelly Reichardt, and speaks on how technical mastery is often best used in service of disappearing. If you are enjoying the podcast, please consider supporting our efforts on Patreon.Sam Levy's Instagram | WebsitePeter Pascucci's Instagram | WebsiteAva Benjamin Shorr's Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

Multiple simultaneous home projects have rendered our home noisily unrecordable for the present so let's have some fun and harken back to the very first "Reconcilable" several years back. We focus on a couple of films from the time that you might revisit themselves,and other litte curiosities. Check our evoluation LOL!

Cinefile เทปนี้เป็นเทปสบายๆ ที่พวกเราคุยกันแล้วว่า จะใส่คำว่า พูดนอกเรื่องไปเรื่อยๆ ในชื่อคลิปไปเลย เพราะตอนอัดรู้สึกว่า พวกเราคุยนอกเรื่องมากจริงๆ (555555)  วันนี้นายจัสพาแขกรับเชิญหน้าคุ้น 2 คน อย่างชมพู Salmon Podcast และ วอร์ม โฮสต์รายการ 20 ยังจอย จากทีม The MATTER มาร่วมเมาท์กันถึงหนัง 3 เรื่องของผู้กำกับหญิงคลื่นลูกใหม่ ลูกใหญ่ ลูกแรง อย่าง Greta Gerwig กัน ว่าตั้งแต่ Ladybird (2017) / Little Women (2019) จนถึง Barbie (2023) ประเด็นที่ผู้กำกับสื่อในหนังแต่ละเรื่องมันเกี่ยวข้องยังไงกับชีวิตพวกเรา ชอบ-ไม่ชอบอะไรตรงไหนบ้าง ไปจนถึงการแบ่งปัน fun facts ของชีวิตส่วนตัวพวกเรา (จัส-วอร์ม-ชมพู) ที่นึกถึงขณะดูหนังของเกอร์วิก ซึ่งแน่นอนว่าคุณอาจไม่ต้องรู้ก็ได้ แต่ถ้าใครรีเลทเหมือนเรา หรือคิดเห็นยังไง ก็มาแชร์ให้ฟังกันบ้างนะ https://linktr.ee/cinefile #SalmonPodcast #Cinefile #CinefilePodcast #พอดแคสต์หนัง #รีวิวหนัง #ทุกประเด็นภาพยนตร์กับคนรักหนัง —-- ติดต่อโฆษณาได้ที่ podcast.salmon@gmail.com Follow Cinefile on Instagram Salmon Podcast https://www.instagram.com/salmon_podcast/ จัส https://www.instagram.com/teeraphanny/ มาร่วมรีวิว บอกรักหนังที่ชอบไปด้วยกันกับชาว Cinefile ได้ที่กรุ๊ป Cinefile Archive https://www.facebook.com/groups/340582525457844 Learn more about your ad choices. Visit megaphone.fm/adchoices

It is March, and we are sisters, and that technically makes us March sisters. So this time the "March sisters" pulled in an extra honorary sister to finally fall into the warm embrace of Greta Gerwig's Little Women (2019). Joining us is Shannon Campe of Little Women: A Modern Audio Drama, whose expertise and contagious fanaticism have helped us realize we were no longer little girls.   Check out Shannon's own fabulous Little Women adaptation at www.littlewomenpodcast.com.

It's all led to this. Over a hundred episodes of action movies, science fiction movies, crime lesbian movies, and Gerwig movies has to our apotheosis: LADY BIRD. Why did Kev redefine their life about this movie? Why was Rowan terrified about how close to home it would hit? Why was special guest/new co-host (kinda) Christy Admiraal excited to join us? How astonishing is this cast? How great are the core performances? How did Greta Gerwig manage to make "liking Crash by the Dave Matthews Band" into the emotional climax of an all-time great film? All these questions and more -- including what the fourth season of TOTAL MASSACRE will entail -- on this massive sweeps week episode! 

Have you ever had an idea that tugged at you, asking to be brought to life? In this episode, I share why I believe so strongly that you are the exact messenger for your idea and your audience. Not someone else. You. Yes, your topic may be similar to what others are talking about. But ,your idea, your lens, your story, and your experiences are what make it yours. And your audience? They're waiting for you to say it in the way only you can. We dig into: The difference between having a topic versus having an idea (this is a game-changer for standing out!) Why thought leadership is more than just expertise—it's about the courage to show up with your unique take The two ways ideas tend to come to us (and what stops us from activating them) Why fear and perfectionism are such sneaky dream stealers (and how to move through them) What Lin-Manuel Miranda, Elizabeth Gilbert, and Greta Gerwig can teach us about being the messenger for your idea   I even share a behind-the-scenes moment from preparing my 2016 TEDx talk when I realized I needed something more than a “good” talk - I needed to say something only I could say. If you're feeling that nudge that there's an idea stirring inside you - or one that's been sitting dormant - it's time to give it voice. Remmber: Your audience is waiting for you. (This episide originally aired as episode 343 on August 21, 2023.)   Links: Show notes at https://www.speakingyourbrand.com/343/ Discover your Speaker Archetype by taking our free quiz at https://www.speakingyourbrand.com/quiz/ Enroll in our Thought Leader Academy: https://www.speakingyourbrand.com/academy/  Connect on LinkedIn: https://www.linkedin.com/in/carolcox Mentioned: Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert Elizabeth Gilbert on the On Being podcast KLF: Chaos Magic Music Money by JMR Higgs “Who says big ideas are rare?” by Malcom Gladwell   Related Podcast Episodes: Episode 341: Unearthing Your Unique Message: Discovering What Makes You Stand Out with Judy Carlson Episode 337: Sharing Your Story as a Catalyst for Transformation with Karen Keene Episode 262: The Four Layers of Thought Leadership with Carol Cox Episode 92: Deconstructing My TEDx Talk: Why We're Uncomfortable with Women in Power with Carol Cox  

Emilio, Madeline, and Julian are joined again by freshly-minted New Yorker Maggie Hill, who helps them kick off a new episode cycle focusing on New York City movies. They begin with a "View-nanimous" entry on “Frances Ha”, Noah Baumbach's 2012 film co-written by him and the film's star, Greta Gerwig. The four New York residents praise the many accuracies of the film and share their own NYC-specific stories about living as artists, navigating complex social situations, and searching for an ATM with no fee. They also discuss the other “coming-of-age in NYC” media from the zeitgeist of the 2010s, and consider what has changed in the 13 years since this film was released.If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow Maggie Hill on IG, TikTok, YouTube, and more @themaggiehillFollow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats.

80 episodes?? Already? And yet there's still so much to talk about. This week we talk about Mother Monster's new album Mayhem. I saw not 1 but 2 celebs at Disneyland when I went last week. Who were they?? Apparently people are over the "Hollywood Veneers". I saw a Tik Tok saying that Dua Lipa is not a pop star but an influencer. I have things to say about that. Millie Bobby Brown can't catch a break no matter what she does. She has thoughts about what journalists keep writing about her. She even goes as far to call them out by name. Steve Carell teamed up with a charity organization to help students of the LA wildfires get to prom. On the Kardashians Kendall has the nerve to get mad at her family for not messaging her directly about an event they were attending. Apparently she doesn't have the time to read group chats. I have thoughts about this as well. A cover of Joni Mitchell is going viral on Tik Tok, sang by none other than Amanda Seyfried. New Narnia movie is in the work with Greta Gerwig directing and supposedly Charli XCX is signed on to play the White Witch?? Chelsea Handler has scored her 6th #1 New York Times Best Selling book. The Black Eyed Peas are celebrating 30 years of making music. And last but certainly not least, Eternal Sunshine has had its first birthday and Miss Ariana has teased a deluxe album coming soon.Thanks for listening!

'AnotherLook' goes to the big apple with Corey's pick for the week - Frances Ha. This millennial escapade into mid-20s ennui and fractured friendships is also a glimpse inside the minds of creators Noah Baumbach and Greta Gerwig. Corey and Will talk about their distinct filmographies, Frances Ha's cinematic influences, all while riffing on this particular era of NYC independent film.

Roll film! In Episode 23, DDSWTNP continue our White Noise residency by heading to the movies (or the TV screen) and examining Noah Baumbach's 2022 film adaptation of the novel. We discuss the drive over the years to adapt the supposedly “unadaptable” DeLillo for the screen, the 2020s context of this film, and our varied reactions to successive viewings of it over the two-plus years since its release. Other topics include the central performances (especially Adam Driver as an unexpectedly good Jack Gladney and Don Cheadle as a refashioned Murray Siskind); Baumbach's successes and failures at re-ordering DeLillo's dialogue and visually distilling certain themes; and his shaping of the narrative as a “meta-cinematic” journey through his personal film history and a mixture of genres. Reviews by Tom LeClair, Marco Roth, and Jesse Kavadlo figure in our analysis, and we close by considering whether we do in fact “need a new body” in the film's concluding supermarket song and dance number, which in our view captures some of the novel's themes and distorts others. We'd love to hear on Instagram or email what you think of the film and our reactions, too! We also take a little time to correct a historical error in our Episode 19 on Rachel Kushner's Creation Lake. Texts and sources for this episode: White Noise (dir. Noah Baumbach, 2022) (Netflix). Film adaptation pages at “Don DeLillo's America”:http://www.perival.com/delillo/whitenoise_film_2022.htmlhttp://perival.com/delillo/ddoddsends.html Patrick Brzeski, Alex Ritman, “Noah Baumbach on Getting LCD Soundsystem to Create New Track for ‘White Noise,'” The Hollywood Reporter, August 31, 2022.https://www.hollywoodreporter.com/movies/movie-news/venice-noah-baumbach-white-noise-lcd-soundsystem-1235209318/ Jesse Kavadlo, “Don DeLillo's ‘White Noise' Remains Unfilmable,” Pop Matters, January 11, 2023.https://www.popmatters.com/white-noise-noah-baumbach-unfilmable Tom LeClair, “The Maladaptation of White Noise,” Full Stop, December 29, 2022.https://www.full-stop.net/2022/12/29/features/tomleclair/the-maladaptation-of-white-noise/ Jon Mooallem, “How Noah Baumbach Made ‘White Noise' a Disaster Movie for Our Moment,” New York Times Magazine, November 23, 2022.https://www.nytimes.com/2022/11/23/magazine/white-noise-noah-baumbach.html Marco Roth, “Don DeLillo on Xanax,” Tablet, November 3, 2022.https://www.tabletmag.com/sections/arts-letters/articles/don-delillo-xanax-white-noise-noah-baumbach

Hello everyone and welcome to an all new episode of Some Like It Scott! This episode rounds out the last movie review before the two Scotts finalize their Top 10 lists for 2024, and it is a review of the Spanish auteur, Pedro Almodovar's, first feature film in the English language: THE ROOM NEXT DOOR. After discussing Tilda Swinton's and Julianne Moore's performances, whether Almodovar's writing and style translate seamlessly to the English languages, and the rather dour themes of the film, the co-hosts turn their attention to give another outdated awards update regarding this year's guild nominees, as well as discuss the news that Greta Gerwig's upcoming Narnia film with Netflix will be receiving a theatrical release in IMAX theaters. See time codes below:   4:21 - THE ROOM NEXT DOOR review 50:53 - Awards update 1:06:49 - Greta Gerwig's Narnia movie to get an IMAX theatrical release   Next time: Top 10 Movies of 2024   Patreon: www.patreon.com/MediaPlugPods

Caveh Zahedi is one of the most influential independent filmmakers of our time. Jay Duplass, Lena Dunham, Richard Linklater, Greta Gerwig, are all big fans of his 30+ years worth of ultra-autobiographical work (five features, “I am A Sex Addict” perhaps being the most popular). His magnum opus, “The Show About The Show,” started out as a “self-reflexive TV show about its own making” for BRIC TV and has continued despite lawsuits, loss of distribution, re-castings, and many more obstacles, thanks to Zahedi's dogged determination to simply tell the story, mostly through re-enactments using the actual people in his orbit playing themselves, of what happened in his life. He gets a small, but passionate amount of support from his loyal fanbase who want him to see this now decade long journey come to an end in the final season, which is about to be released. Zahedi has done a lot of interviews about his filmmaking, but rarely any, like this one, that focuses on his work as an actor for other filmmakers and in front of his own camera, where he plays a version of himself. He talks about the tonal fine line he has to walk when addressing the camera, nudity (his and others'), actors who work well with his directorial approach (like Emmy Harrington and Jim Fletcher), the rigors of auditioning to play a pedophile rabbi, striving for “non-acting,” and much more. Creative Nonfiction Film Weekend is bringing Zahedi's work (and the man himself) on a UK tour in March 2025. Check here for more info Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

A lot of people were pretty pissed when Greta Gerwig and Margot Robbie didn't receive nominations for Best Director and Best Actress, respectively, so Spro & Lee ask the question, "Were they snubbed?"  

Episode SummaryMatt Stillo is an audio producer, engineer and sound designer. In this episode he talks about his path from NYU arts student to podcast production, how AI is changing the audio industry, and why he wanted to focus on detailed sound design when he created his own podcast, No F*cking Way. Guest BioMatt Stillo is a story-oriented editor, sound designer, engineer, and audio producer based in Brooklyn. He currently produces podcasts for Ruby, iHeart Radio's branded creative studio. He previously worked on audio projects with Wes Anderson, Greta Gerwig, A24, Spotify, CBS, A&E, Discovery, and more. He's also the host and creator of the podcast No Fucking Way. Social Media Find Matt on LinkedInAdditional ResourcesAtomic Habits (book) AuphonicListen to the No F*cking Way episodes Missing in Mexico Part 1 and Part 2Rate and SubscribeBe sure to subscribe to The Rough Draft on Spotify, Apple, or anywhere you get your podcasts in order to stay up to date with the latest episodes.Follow Rev and The Rough Draft on Instagram, LinkedIn and XThe Rough Draft is produced by Rev, and releases a new episode every Tuesday & Thursday.Mentioned in this episode:Rev.com

We are excited to welcome Alissa Wilkinson back to the show. Alissa is an author and staff film critic for the New York Times. It has been a few years since we had her on the show to talk about the 2019 Greta Gerwig adaptation of Little Women and since then she's written two wonderful books, the most recent being We Tell Ourselves Stories: Joan Didion and the American Dream Machine. We talk Joan Didion, John Wayne, old Hollywood, growing up in fundamentalism, the subversive spirituality of Martin Scorsese, what Jackass has to say (or show) about male friendship, and much more! If you enjoy the episode, please be sure to share it with a friend or two! Jackass Article Pre-Order We Tell Ourselves Stories *Pre-order from your local bookseller if possible! Shoutouts: Frederick Wiseman films (Available on Kanopy) How to Do Nothing A Different Man The Apprentice Follow Alissa Website Instagram BlueSky Follow Us ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ ⁠⁠⁠⁠Philip's Letterboxd⁠⁠⁠⁠ Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod

Welcome back to the show. Shawn Levy will be doing a Star Wars movie and it will probably be the next one after The Mandalorian and Grogu. Word is that Ryan Gosling is now up for a main role in the film. Is this a good move for Gosling? For Star Wars? What would he play? There is a Narnia IMAX release plan after the public battle between Netflix and Greta Gerwig. Netflix raising prices again, Uma Thurman on Dexter?! This and more on The Kristian Harloff Show with Kristian and special guest Clarke Wolfe! #starwars #ovie #directing #marvel #mcu #dcu #dc #tv #dexter #netflix OUR SPONSORS:  PROLON: Prolon is offering The Big Thing listeners FIFTEEN PERCENT off their 5-day nutrition program for your post-holiday glow-up when you go to http://www.ProlonLife.com/BIGTHING THIS EPISODE IS SPONSORED BY BETTERHELP: Visit http://www.BetterHelp.com/BIGTHING today to get 10% off your first month.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes Last Wednesday morning, Marvel Television treated fans to the long awaited first official teaser trailer for Daredevil: Born Again. The trailer was met with universal praise for its dark tone and brutal depictions of violence, elements that it shares with the beloved Netflix series. The nine-episode first season premieres March 4 on Disney Plus. In some Captain America news, it was confirmed that Brave New World will have a total runtime of one hour and 58 minutes, which ties it with Ant-Man & The Wasp as the seventh shortest MCU flick to date. It will also be the first Captain America film under two hours long. It's brand new news today, Ryan Gosling is in negotiations to star in Shawn Levy's future Star Wars film. Levy's film has been in development with Lucasfilm since 2022, and getting Gosling seems like it could be a major step in getting the film truly off the ground and into the galaxy far, far away. Last we knew, the film was not to be set within the Skywalker saga The use of AI has been a frequent hot topic for Hollywood in recent years, reaching a seeming fever pitch during the 2023 WGA and SAG AFTRA strikes as a major point of negotiation. While the dust seemed to have settled a bit with the resolution of those strikes, new controversies plaguing high profile films and filmmakers have brought the discussion back to the forefront. First, Taxi Driver writer and First Reformed director, Paul Schrader, opined, in a since much lambasted Facebook post, the benefits of using a platform like ChatGPT for film ideas, in contrast to waiting the months it can take writers to ideate. Elsewhere, awards season favorite and Oscar hopeful, The Brutalist, has come under fire after an editor revealed generative A.I. was used to enhance the authenticity of the lead performers Hungarian accents. Emily Beecham and David Krumholtz have signed on to Supergirl: Woman of Tomorrow, portraying the parents of Kara Zor-El. Production on the DC Studios film commenced last week. Sony Pictures has released the first trailer for “Until Dawn,” the live-action adaptation of the popular 2015 PlayStation horror game. The film is currently set to be released on April 25th. After nearly 15 years of shaping Spider-Man's adventures at Marvel Comics, Eisner Award winner Dan Slott is making the move to DC. The acclaimed writer will make his DC debut on Superman Unlimited, a new monthly series featuring art by American Vampire co-creator Rafael Albuquerque. Westworld star Thandiwe Newton and Silo's Steve Zahn have joined Paul Rudd and Jack Black in Columbia's comedy reboot of Anaconda. Nintendo has revealed its Switch 2 console with first look images and a teaser trailer, confirming a 2025 release. Uma Thurman has joined the cast of Dexter series Dexter: Resurrection and will star alongside Michael C. Hall. Filmmaker David Lynch, who created celebrated counterculture classics like Blue Velvet, Mulholland Drive, and co-created Twin Peaks, has died at 78. A24 and Picturestart are teaming with director Charlie Polinger for a revisionist and darkly comedic take on The Masque of The Red Death, based on the short story of the same name by Edgar Allen Poe. Sydney Sweeney is currently in negotiations to star. After extensive negotiations, IMAX has secured a deal to exclusively screen Greta Gerwig's Netflix adaptation of "Narnia" in theaters worldwide for two weeks, beginning Thanksgiving 2026, before its streaming debut that Christmas. Joel McHale has joined the cast of Scream 7 and will play Mark Evans, the husband to Neve Campbell's Sidney Prescott. A24 has released the first trailer for upcoming horror film Opus, which hits theaters on March 14th. The film stars Ayo Edebiri, John Malkovich, Murray Bartlett, Juliette Lewis, and Amber Midthunder.

In 2019 Greta Gerwig directed a remake of the classic story Little Women, featuring top actors Laura Dern, Emma Watson, Florence Pugh, Timothee Chalamet, and Saoirse Ronan. What is it about the relationships in this story that make it so timeless and relatable?? Watch The Storytellers Podcast: https://youtu.be/H9rH1_ml6C8?si=JiKTK12sENyot0mn Keep up with Andy: https://www.instagram.com/andrewerwinofficial/ Keep up with Candace: Candace's Website: https://candacecbure.com/ The Podcast Website: https://ccbpodcast.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Irish actor Saoirse Ronan returns to Fresh Air to talk with contributor Ann Marie Baldonado about her two new films (The Outrun and Blitz) as well as her experience as a child actor and her collaboration with Lady Bird and Little Women director Greta Gerwig. Also, Carolina Miranda reviews the Netflix film Pedro Páramo.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy