Podcast appearances and mentions of Javier Bardem

¿Es realmente Max Cady el villano de la historia o estamos asistiendo al mayor error judicial de Cape Fear? En este programa analizamos con spoilers el episodio 3 de Cape Fear, la nueva serie de Apple TV+ protagonizada por Javier Bardem. Repasamos todas las claves del capítulo: la millonaria indemnización recibida por Max, los nuevos misterios sobre su pasado, la aparición de la inquietante mujer que parece seguirle, las dudas sobre su culpabilidad y los secretos que Anna y Tom siguen ocultando. Además, comentamos nuestras teorías sobre el verdadero papel de la joven que se está infiltrando en el entorno de la familia, el significado de los flashbacks de la infancia de Max y las pistas que la serie sigue dejando sobre el crimen que desencadenó toda la historia. ¿Estamos viendo a una víctima destruida por diecisiete años de prisión o a un hombre extremadamente peligroso ocultando su verdadera naturaleza?

Cape Fear is back, Apple TV's new 10-episode Cape Fear series stars Javier Bardem as Max Cady, and we're breaking down the first two episodes. Meaghan is joined by Arthur (filling in for Shirin) to dig into the new Cape Fear adaptation on Apple TV, starring Javier Bardem, Amy Adams, and Patrick Wilson. We trace it back to John D. MacDonald's 1957 novel The Executioners and compare this version to the 1962 film (Gregory Peck, Robert Mitchum) and the famous 1991 remake (Robert De Niro, Nick Nolte, Jessica Lange, Juliette Lewis). Cape Fear's long road from novel to Apple TV Cape Fear started life as The Executioners, a 1957 novel by John D. MacDonald (also known for the Travis McGee series). It's been adapted three times now: the 1962 film with Gregory Peck and Robert Mitchum, the 1991 remake with Robert De Niro and Nick Nolte, and now this 10-episode Apple TV series. At just over 200 pages, the source novel is short, meaning the new miniseries has a lot of room to expand the story. Javier Bardem's Max Cady, how he compares Bardem takes over a role previously played by Robert Mitchum (1962) and Robert De Niro (1991), both iconic, very different takes on the character. We talk about how unsettling his stillness is, and how the show keeps us guessing about whether Max Cady is actually guilty of the murder for which he was convicted. In this version, Max Cady's conviction (for the murder of his wife and unborn child) gets overturned after a confession surfaces, setting up a very different starting point than previous adaptations. Amy Adams and Patrick Wilson as the Bowdens Amy Adams plays Anna Bowden, the defense attorney from Max Cady's original trial, a gender-swapped twist on the classic "Sam Bowden" role. Patrick Wilson plays Tom Bowden, the prosecutor in that same case, now Anna's husband. We dig into the implication that Anna and Tom may have colluded during the original trial, and what that could mean once the truth comes out. The Bowden kids: Natalie and Zack Natalie Bowden, played by Lily Collias, is Anna's daughter from a previous relationship, and seemingly the "responsible" sibling. Zack Bowden, played by Joe Anders, is dealing with a troubling backstory and increasingly disturbing behavior, including a deeply unsettling moment involving self-harm. We talk about whether Max Cady is somehow connected to what's happening with Zack, or whether it's something else entirely. The SJLP subplot and our early theories Anna works for the Savannah Justice League Project (SJLP), an organization focused on freeing the wrongfully convicted — alongside her business partner, Noa Toussaint. A separate wrongful-conviction case tied to the SJLP takes a dark and suspicious turn almost immediately after Max Cady is released. We share our early predictions for where the rest of the season is headed, including whether Max Cady is guilty, innocent, or something murkier. What's next Cape Fear airs new episodes weekly on Apple TV, with the finale on July 31. We'll be back with a full Cape Fear season recap once it wraps. Subscribe on your favorite platform!SpotifyApple PodcastAmazon MusiciHeart RadioPodchaserYoutubeDon't forget to follow us on socials too!InstagramThreadsTikTokBlueSkyFacebook Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, Les and Nick take a trip down south to Georgia and the Carolinas for Apple's new thriller series, CAPE FEAR! It's based on an awesome novel and two great movies, so let's see how the new adaptation holds up! Amy Adams, Patrick Wilson, Javier Bardem and a slew of narrative changes await us. Let's go! Plus, Les checks out the spooky-Cocoon vibe of The Boroughs, while Nick catches up on the new eps of Vox Machina and the old eps of Homicide: Life on the Streets! And you know we gots to talk FROM... 1:20-42:20 TV Diaries 7:42-11:25 Vox Machina 11:25-16:14 The Boroughs 16:25-30:08 Homicide  30:08-42:20 From 44:15- Cape Fear

PAM PAM PAM PAM, PAM PAM PAM PAM!!! Reflix está de volta para analisar uma das estreias mais comentadas do ano. Em seu episódio 174, Brunão e Baconzitos debatem os dois primeiros capítulos de Cabo do Medo, nova adaptação do romance The Executioners, que já havia dado origem aos filmes clássicos de 1962 e 1991. A série da Apple TV+ atualiza a história para os dias atuais e coloca Amy Adams no centro da trama como Anna Bowden, advogada que ajudou a condenar Max Cady, personagem interpretado por Javier Bardem. Após passar 17 anos preso, Cady é libertado e inicia uma campanha de perseguição e terror psicológico contra a família Bowden. No programa, discutimos as mudanças em relação às versões anteriores, a construção do suspense, a atuação de Javier Bardem, os temas de culpa e justiça que permeiam a narrativa e os elementos modernos incorporados à história. Também avaliamos se a expansão para uma série de dez episódios fortalece ou enfraquece a premissa clássica. Será que Cabo do Medo tem potencial para se tornar mais um sucesso da Apple TV+? Ou estamos diante de uma releitura desnecessária de um clássico absoluto? Aperte o play e descubra.

W tym tygodniu jeden serial porywa nas wyjątkowo - "Cape Fear" na Apple TV. Produkcja, w której główne role grają Javier Bardem, Amy Adams i Patrick Wilson, od pierwszych minut wciąga swoim niezwykle mrocznym klimatem. Czy twórcom uda się utrzymać poziom przez cały sezon? O tym, a także m.in. o finale "Znajomych i sąsiadów", filmie "Masters of the Universe" i "Pełna przyjemność gwarantowana", dyskutujemy w nowym odcinku podcastu "O serialach".

Wenn in dieser Woche die Fußball-WM startet, hofft England erneut darauf, nach 1966 endlich mal wieder den WM-Titel heimzubringen. Da passt es gut, dass das ZDF mit „Dear England“ (37:00) eine Miniserie über das nationale Trauma zeigt. Die Theaterverfilmung mit Joseph Fiennes als Trainer Gareth Southgate deckt vier große Turniere ab und hätte eigentlich ganz nach dem Gusto von Holger und Rüdiger sein müssen – doch ist sie das auch? Oder teilen sie nach dem Vierteiler, der eigentlich „Die Angst des Engländers beim Elfmeter“ heißen müsste, Michaels Meinung und verabschieden sich vom Fußball? Britische Geschichten werden auch in zwei weiteren Serien der heutigen Folge erzählt. Der Netflix-Hit „The Witness“ (1:17:17) erzählt von den Folgen des Mordes an Rachel Nickell im Jahr 1992, „The Hack“ (58:00) vom Abhörskandal des Boulevardblatts „News of the World“ zu Beginn des 21. Jahrhunderts. Dabei ist die Zeitungsserie mit David Tennant eigentlich gleich zwei Serien auf einmal. Ob Spannung und Spaß darunter ist oder man Schokolade zum Trost braucht, bleibt zu diskutieren. Der größte Name in dieser Woche ist allerdings die einzige US-Serie, denn Apple TV verfilmt mit „Cape Fear“ (4:39) zum dritten Mal eine klassische Gut-gegen-Böse-Geschichte. Kann der Zehnteiler mit Javier Bardem und Amy Adams an die Filme mit Gregory Peck und Robert Mitchum bzw. Robert De Niro und Nick Nolte heranreichen?Cold-Open-Frage: „Von welchem Filmcast würden wir gerne eine Serien-Reunion sehen?“

PAM PAM PAM PAM, PAM PAM PAM PAM!!! Reflix está de volta para analisar uma das estreias mais comentadas do ano. Em seu episódio 174, Brunão e Baconzitos debatem os dois primeiros capítulos de Cabo do Medo, nova adaptação do romance The Executioners, que já havia dado origem aos filmes clássicos de 1962 e 1991. A série da Apple TV+ atualiza a história para os dias atuais e coloca Amy Adams no centro da trama como Anna Bowden, advogada que ajudou a condenar Max Cady, personagem interpretado por Javier Bardem. Após passar 17 anos preso, Cady é libertado e inicia uma campanha de perseguição e terror psicológico contra a família Bowden. No programa, discutimos as mudanças em relação às versões anteriores, a construção do suspense, a atuação de Javier Bardem, os temas de culpa e justiça que permeiam a narrativa e os elementos modernos incorporados à história. Também avaliamos se a expansão para uma série de dez episódios fortalece ou enfraquece a premissa clássica. Será que Cabo do Medo tem potencial para se tornar mais um sucesso da Apple TV+? Ou estamos diante de uma releitura desnecessária de um clássico absoluto? Aperte o play e descubra.

Film producer Jason Solomons and Guardian columnist Zoe Williams join Tom Sutcliffe to discuss Steven Spielberg's Disclosure Day – a film which looks at whether aliens are really out there. John D. MacDonald's psychological thriller The Executioners has inspired two Cape Fear films and now there's a 10-part TV series starring Amy Adams and Javier Bardem. Jason and Zoe give their verdicts. They also talk about M. C. Escher's major exhibition at Somerset House. Famous for drawing optical illusions, impossible buildings, and endless patterns, the Dutch artist's work has inspired film scenes in Labyrinth and Christopher Nolan's Inception. Plus we will be revealing the winners of the Women's Prize for Fiction and Non-Fiction.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Send us Fan MailWe're two episodes into Apple TV+'s new adaptation of Cape Fear, and we have some thoughts. The series, which dropped its first two episodes on June 5th, stars Javier Bardem as Max Cady, Amy Adams as attorney Anna Bowden, and Patrick Wilson as her husband Tom — a family now living under the shadow of a man they may have wronged. Scorsese and Spielberg are both on board as executive producers, which raises the bar considerably.We came in with full knowledge of the source material. Mike read John D. McDonald's original novel, and both films — the 1962 version with Robert Mitchum and Gregory Peck, and Scorsese's 1991 remake with Robert De Niro and Nick Nolte — are part of the conversation throughout. What we were hoping to see is a reimagining that earns its place alongside those films. What we got, at least in these first two episodes, is something we're still trying to make sense of.The issues start early. Javier Bardem's portrayal of Max Cady lacks the menace that both Mitchum and De Niro brought to the role in very different ways. His introduction at the fundraiser gala — rambling speech, handed the microphone without hesitation, no security in sight — was hard to take seriously. The violence skews gratuitous in a way that feels less like intensity and more like a substitute for it. There are subplots involving the teenage son, an online chat that's clearly not what it seems, and a mysterious masked figure in a green trench coat that we couldn't make heads or tails of. The series also appears to be steering toward a version of events where Max Cady may actually be innocent — which, if true, is a significant departure from everything that makes this story work.We also noticed an Easter egg worth mentioning: Wesley Strick, who wrote the screenplay for the '91 film, shows up in a cameo as an ER doctor.We're essentially split after two episodes — one of us is out, the other is holding on to see what episode three brings. We'll check in again if the series turns things around — and if you don't see another Cape Fear episode on the channel, that's probably your answer.If you've seen the films, read the book, or are watching the series yourself, we want to hear from you — especially if you're a Javier Bardem fan and think he's bringing something to the role we're not seeing yet.Support the showOh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

KT reviews the first episode of the new Apple tv show Cape Fear, starring Amy Adams and Javier Bardem. 

Actors #LilyCollias & #JoeAnders chat about their new #AppleTV series "Cape Fear." The series stars #AmyAdams #PatrickWilson and #JavierBardem 

Nick welcomes The Hollywood Reporter TV critic Dan Fienberg back to the podcast to talk about the latest television news, recap the Tony Awards, and catch up on Top Chef. They also discuss a couple of reality shows they believe are broken, along with some ideas on how to fix them. Dan reviews two new documentaries, one about the legendary Earth, Wind & Fire and another about Mario Cuomo, and shares his thoughts on the new Cape Fear miniseries starring Amy Adams and Javier Bardem. Later, Esmeralda Leon joins Nick to recap the weekend, talk about some great tribute bands, and take a quiz on weird and memorable kids’ TV shows. From Kim Possible to Dexter’s Laboratory and beyond, it’s a fun trip down memory lane with plenty of laughs along the way. [Ep 462]

Únete a nuestro canal y apoya a FUERA DE SERIES: https://www.youtube.com/channel/UCFNyyACx7XbgZ4-S4jzNnGQ/join

If you don't know Cape Fear, every generation seems to get its own version. A dangerous man strolls into town looking for revenge. In 1962, it was Robert Mitchum. In 1991, it was Robert De Niro. And in 2026, Robert Pattinson... jk, Javier Bardem takes the reins as the next grim reaper.With Martin Scorsese and Steven Spielberg executive producing, this version takes the classic story, fleshes it out, blows it up, while also filtering it through a modern thermal lens. Warning, if you're not a horror junkie some of these scenes are a bit hard to stomach... On the podcast, we break down the first two episodes, make our comparisons, talk pros, cons, stray thoughts, and give our rating. Welcome to Today's Episode!

TV critic Wenlei Ma and Jason Di Rosso press play on what's lighting up streaming this week...Cape Fear and Not Suitable For Work.

TV critic Wenlei Ma and Jason Di Rosso press play on what's lighting up streaming this week...Cape Fear and Not Suitable For Work.

Victor kicks off a week-to-week deep dive into Cape Fear, the new Apple TV+ adaptation from producer Nick Antosca (executive produced by Scorsese and Spielberg). Before bringing in co-host Sona, Victor walks through the full history of the source material — from the 1957 novel and the 1962 Hitchcock-adjacent adaptation, through Scorsese's celebrated 1991 film, all the way to this new ten-episode series. The conversation covers what makes this version distinct: a new crime at the center of Max Cady's imprisonment, a defense attorney protagonist played by Amy Adams who may have a far more complicated history with Cady than anyone knows, and a modern-day anxiety layer involving home security systems, online manipulation, and the very real fear that someone is already inside your house. Javier Bardem's magnetic, unsettling performance as Max Cady is a major topic, as is whether the show's relentless, uncut dread — and its considerable gore — will sustain itself over a full ten-episode run. Sona joins to share her firsthand perspective on the accuracy of the innocence project storyline, weigh in on the performances, discuss the show's overwhelming sense of dread, and debate the many dangling mysteries of episodes one and two — including who (or what) is living in the Bowden house, what really happened between Anna and Max during the trial, and just how many secrets this family is hiding. The episode closes with a recommendation for Maximum Pleasure Guaranteed, a new Tatiana Maslany thriller that may be airing in parallel. Join our Patreon for more Content https://www.patreon.com/cw/NeedsSomeIntroduction Mailto:needssomeintroduction@gmail.com 00:00 Welcome and Introduction 00:58 Cape Fear Adaptation History 01:50 Scorsese's 1991 Version 04:51 Nick Antosca's New Adaptation 07:18 Modern Anxieties and Themes 10:36 Episode One Recap Begins 11:36 The Bowden Family Introduction 13:03 Max Cady's Girlfriend Suicide 16:12 Max Cady's Release 20:11 Family Tensions and Secrets 23:49 Technology and Home Invasion 26:03 The Gala Event 28:55 Javier Bardem's Entrance 34:19 Max Confronts the Family 38:01 Episode Two Flashback 39:55 Discovery in the House 40:30 Natalie's Classmate Encounter 41:05 The Toe Revelation 41:27 Family Tensions Rise 42:48 Max's Prison Visit 43:35 Katie's Traumatic Past 45:15 Anna's Phone Trick 45:42 The Interview Performance 47:06 Episode Two Ending 47:59 Max Rents a House 48:34 Series Length Concerns 49:10 Innocence Project Realism 53:12 Show's Disturbing Tone 53:41 Bardem's Grounding Performance 55:32 Horror Elements Discussion 56:36 New York Apartment Detour 57:47 Sustaining the Tension 58:26 The Toe Scene Reaction 59:50 Bardem's Magnetic Performance 01:00:41 Katie's Villainous Nature 01:02:03 Cape Fear Comparisons 01:03:31 The Son's Mental State 01:04:52 Male Loneliness Themes 01:05:22 Husband's Secrets 01:08:13 Patrick Wilson's Performance 01:09:14 Physical Threat Balance 01:11:46 Amy Adams Discussion 01:13:37 Gore Level Debate 01:15:43 Husband's Affair Mystery 01:16:00 Affair Speculation and Comparisons 01:16:53 Parentage Mystery Discussion 01:19:11 The Son's Strange Behavior 01:21:53 Missing Toe Investigation 01:22:54 Mystery Woman and Acolytes 01:24:16 Too Many Mysteries 01:25:56 Dosing Theory Speculation 01:27:52 Animal Symbolism Analysis 01:29:27 Plot Potential and Concerns 01:31:52 Southern Setting Atmosphere 01:34:23 Unreliable Narration Hints 01:36:59 Maximum Pleasure Guaranteed Introduction 01:38:33 Cam Boy Mystery Plot 01:40:08 Bathtub Scene Reveal 01:43:32 Corporate Blackmail Theory 01:45:24 Final Thoughts and Wrap-Up Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Scott Bryan, Ali Plumb and Naga Munchetty review the week's biggest new TV and streaming releases.First up this week, the BBC holiday drama Two Weeks in August. It follows Zoe who goes on holiday with her friends and family in the Mediterranean, only to find herself trapped on a Greek Island.Next, there's a new Netflix documentary following the life and career of Rafa Nadal. The former world number one opens up on his influences and journey to the very top of international tennis and eventually becoming the greatest Spanish tennis player of all time.Finally, Apple TV+ has brought us a remake of the psychological thriller Cape Fear, starring Javier Bardem as the sinister Max Cady and Amy Adams and Patrick Wilson as the pair of unfortunate lawyers caught in his path.Remember you can email mustwatch@bbc.co.uk to have your say.

Euphoria 3 finale, Spider-Noir con Nicolas Cage e Cape Fear su Apple TV+: in questa puntata di Spin-Off 5x41 parliamo di tre serie molto diverse, ma tutte parecchio discutibili nel senso migliore, o peggiore, del termine. Si parte dal finale della terza stagione di Euphoria, ormai ufficialmente conclusa. Sam Levinson chiude la storia di Rue con una puntata tecnicamente potentissima ma narrativamente piena di scelte molto discutibili: Ali, Alamo, Cassie, Maddy, Jules, Lexi, il tema del fentanyl, la religione, il duello western nello strip club e una seconda metà di finale che ci ha lasciati con parecchie domande. Poi si passa a Cape Fear, la nuova miniserie Apple TV+ con Javier Bardem, Amy Adams e Patrick Wilson. I primi due episodi promettono una guerra psicologica tesissima, con un Max Cady manipolatore, inquietante e già abbastanza clamoroso. In chiusura parliamo di Spider-Noir, la serie Prime Video con Nicolas Cage nei panni di Ben Reilly / The Spider. Una sorpresa Marvel/Sony molto più riuscita del previsto: noir anni '30, bianco e nero, femme fatale, villain rivisitati e un modo diverso di raccontare l'universo di Spider-Man. ATTENZIONE SPOILER: nella puntata si parla apertamente del finale di Euphoria 3 e, nella parte dedicata a Spider-Noir, anche di alcuni spoiler sulla stagione. Scriveteci nei commenti: il finale di Euphoria vi ha convinti o Sam Levinson ha perso completamente il controllo? (00:00) Cold opening e saluti (02:38) Presentazioni argomenti dell'episodio: si parte con Cape Fear (08:24) Euphoria: cosa resta dopo questo finale di serie? (17:18) Euphoria: analisi del finale con spoiler (40:16) Spider Noir (59:05) Chiusura della puntata Learn more about your ad choices. Visit megaphone.fm/adchoices

Jen and Sarah dive into the coin toss scene in ‘No Country for Old Men.' They discuss Javier Bardem's Oscar-winning performance, the impactful cinematography, and the use of silence in this iconic scene. Click here to watch this scene. Remember to leave a rating and review of this episode. Connect with Movies & Us on Instagram, Threads, and Bluesky @moviesanduspod or by email at moviesanduspod@gmail.com. Check out andusmedia.co for the latest on Movies & Us and TV & Us. And subscribe to Movies & Us on YouTube for full video episodes and more. Join the & Us Living Room for early access to ad-free episodes, exclusive bonus content, and more! Movies & Us is part of the Movie Archer Podcast Network. Learn more at moviearcher.com. 

'Euphoria' ha acabado para siempre y no íbamos desencaminados cuando dijimos que esta temporada final no pintaba bien. En este episodio analizamos esta despedida y, sobre todo, comentamos la versión televisiva de 'El cabo del miedo' de la mano de Javier Bardem. El actor español da vida a ese ex convicto que en su día interpretó Robert de Niro en la nueva serie de Apple TV.

En el nuevo capítulo de Estamos de Cine Edición Series nos proponemos contagiarte de lo que han provocado en la misma semana tres de los títulso llamados a colarse en lo más importante del año en el mundo de las plataformas. El intenso y controvertido final de "Euphoria", el estreno en Apple de la miniserie "Cape Fear" con un estelar Javier Bardem y el impacto de "Spider Noir" en Prime Video, que se convierte en un poderoso y genuino homenaje al mejor cine negro. Activamos el Filtro Rachel para ponderar el revuelo provocado por el desenlace de Euphoria y las novedade de una semana en la que, además del subidón de "EL cabo del miedo", se han estrenado títulos como "El testigo", un true crime de Netlix que remueve un caso real en Reino Unido desde un plano más emocional que amarillista. Y en clave musical, con la Maldición de Widow's Bay acariciando su desenlace en Apple, hemos convencido a Ángel Luque para adentrarse en los entresijos misteriosos y tenebrosos de este pequeño pueblo costero para descubrir por qué la banda sonora de David Flemiing, discípulo de Zimmer, funciona tan bien al mezclar el terror folk, el clasicismo del género y un modernismo atmosférica que multiplican el poder sugestivo de la serie que protagoniza Mathew Rhys.

Sergio Pérez y Alma Espinosa hablan de Scary Movie, He-Man, entrevistan al equipo de Cada día nace un listo. Además, Lo que viene y Do-Re-Film.

Nella scorsa puntata si parlava di Zerocalcare, qui a No Spoiler, e della sua nuova serie tv Netflix "Due spicci": la settimana è stata caratterizzata dalla polemica sulle retribuzioni di chi ha lavorato alla produzione della serie animata… Passando a tutt'altro argomento, vediamo insieme la classifica dei film tratti da videogiochi che hanno incassato di più nella storia: da "Angry Birds" (ve lo ricordate?), alla saga di Sonic, dai "Pokémon" sino ai vari "Resident Evil”, passando per "Uncharted”, "Warcraft" e l'epopea di Lara Croft... Ma quali saranno i titoli che hanno conquistato la vetta della classifica? Rimanendo in tema giochi (ma non elettronici, in questo caso!) in occasione dell'uscita al cinema del film "Masters of the Universe" con Nicholas Galitzine nei panni di He-Man, la rubrica "5 cose che non potete non sapere" è dedicata proprio alla saga del regno di Eternia. A proposito di novità, tra le altre, è in arrivo su Sky la serie "The Miniature Wife: Un piccolo problema", la cui trama rimanda in qualche modo al noto film di fine anni '80 "Tesoro, mi si sono ristretti i ragazzi", sebbene con un tono e un target ben diversi; su Apple Tv è uscita invece "Cape Fear" (in origine libro, poi due volte film), serie thriller con Amy Adams e Javier Bardem. Per chi ha voglia di andare al cinema, infine, è uscito "Smart Working", il nuovo film di Maccio Capatonda, mentre la prossima settimana arriva il nuovo film di Steven Spielberg, l'attesissimo "Disclosure Day" con Emily Blunt.See omnystudio.com/listener for privacy information.

Joanna Robinson and Rob Mahoney use a complex string of emoji to recap the two-episode premiere of 'Cape Fear,' an Apple TV crime thriller starring Amy Adams and Javier Bardem. (0:00) Intro (4:24) Source Material (11:40) Should This Be a TV Show? (25:44) Max Cady (29:26) Anna Bowden (33:56) Tom Bowden (36:18) Zack Bowden (43:14) Natalie Bowden (47:50) Loose Ends Email us! prestigetv@spotify.com Follow us on IG and TikTok! Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast' and so much more! Hosts: Joanna Robinson and Rob Mahoney Producers: Kai Grady, Devon Renaldo, and Cameron Dinwiddie Additional Production Support: Justin Sayles and Jacob Cornett Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode, Sona and I break down the season finale of Season 2 of Your Friends & Neighbors and react to where the show lands heading into Season 3. We also talk Knicks playoff excitement and Ticketmaster frustrations, then preview our next weekly series, Apple TV's Cape Fear. Victor and Sona open with Knicks fandom, ticketing issues, and how broken live-event pricing has become. Victor then gives spoiler-free impressions of Apple TV's Cape Fear adaptation, highlighting Nick Antosca, producers Scorsese and Spielberg, and a cast led by Javier Bardem, Amy Adams, and Patrick Wilson, plus the show's tense horror staging and intriguing “innocence project” irony. They move into Your Friends & Neighbors' finale, praising the cold open and some character moments while criticizing contrivances around the cover-up, cameras, the lake sequence, and unresolved plot threads, yet noting stronger thematic focus and confirming Season 3 is in production. Join our Patreon for more Content https://www.patreon.com/cw/NeedsSomeIntroduction Mailto:needssomeintroduction@gmail.com 00:00 Podcast Welcome 00:26 Knicks Ticket Chaos 03:39 Broken Ticketing System 05:42 Next Show Cape Fear 08:06 Cape Fear Premise Cast 09:32 Bardem Steals Scenes 12:37 Horror Tension Moments 13:13 Finale First Impressions 15:00 Cold Open Cleanup Hijinks 16:27 Coverup Logic Problems 19:57 Cameras And Contrivances 25:21 Lake Crash And Logistics 31:51 Coop and Mel Truths 34:08 Ego and Lifestyle Motives 36:48 Season Three Casting Talk 38:35 Sister Reunion Scene 40:21 Affair Advice Debate 44:13 Elena Robbery Fallout 49:24 Barney Marriage Breaking 49:36 Money Math and Loose Ends 53:01 Cricket Puppet Master Theory 54:59 Season Three Hopes and Wrap Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Los viernes son de Mikel Lejarza, de series y de Laura Martínez con cine y muchos estrenos. En esta ocasión hablamos de actores españoles a raíz de la nueva serie de Javier Bardem, 'el cabo del miedo'. 

Semana interesante en la cartelera con el estreno de 'Backrooms', la película de terror de un youtuber veinteañero que ha puesto patas arriba Hollywood. En este episodio analizamos este fenómeno (y comentamos si es para tanto) y además os recomendamos otros títulos, como 'La luz', la nueva película de Fernando Franco con Alberto San Juan como un cura pederasta arrepentido. A los cines llegan también otras propuestas, como 'Rebuilding' con Josh O'Connor, la nueva comedia de Arantxa Echevarría o el documental de Carolina Yuste y Afioco Gnecco. En televisión, acabó la tortura de 'Euphoria' y llega uno de los grandes estrenos del año, la serie de 'El cabo del miedo' con Javier Bardem.

Plataformas como HBO, Disney+ y Apple TV+ renuevan sus catálogos estivales con el regreso de aclamadas ficciones y esperados thrillers.

Ian and Hannah review the biggest new films and bingeable shows on UK streaming services for the week beginning Friday 5th June 2026, including:A happily married couple faces a growing threat when a notorious killer from their past is released from prison and seeks revenge. Javier Bardem and Amy Adams star in Cape Fear on Apple TV.The unstoppable Vardys are back! With Wagatha Christie in the rear-view mirror, Jamie's new football team lures them abroad, but drama is never far away for this family. The Vardys is on ITVX.Not Suitable for Work follows five work-obsessed twenty-somethings who strive for professional success and, if they have time, personal happiness, in Manhattan. Created by Mindy Kaling, and available on Disney+Jeremy Clarkson and his team continue running Diddly Squat farm, in the return of CLarkon's Farm on Amazon Prime Video.Follow Bingewatch on all major podcast players for your weekly rundown of the best binge-worthy shows across Netflix, Prime Video, Disney+ and more.Remember to leave a 5 star review on Apple Podcasts, Podchaser and Goodpods AND you can now show your support and leave a tip for Ian and Hannah.You can also stay in touch with the team via Twitter AND if you like Bingewatch but you're looking for a specific review, check out BITESIZE BINGEWATCH, our sister show making it easier to get the bits you want!Discover your next favourite restaurant with NeoTaste, the exclusive membership unlocking huge discounts at hundreds of restaurants. Get 2 MONTHS FREE on us! Simply use the code BINGE at checkout. Sign up here: https://bingewatch.captivate.fm/neotaste For ad and sponsorship enquiries, email liam@mercurypodcasts.com now!

Kap der Angst (Apple TV) | Neue Thriller-Serie mit Starbesetzung und Nervenkitzel-Potenzial Bei Apple TV startet am 05. Juni die Thriller-Serie „Kap der Angst“ (OT: "Cape Fear"). Als ausführende Produzenten wirken die Oscar-Preisträger Martin Scorsese und Steven Spielberg mit, ebenso der ebenfalls Oscar-prämierte Javier Bardem, der zugleich die Rolle des Max Cady übernimmt. Im Zentrum stehen die Anwälte Amanda und Steve Bowden (Amy Adams und Patrick Wilson), deren Leben aus den Fugen gerät, als der gefährliche Ex-Häftling Max Cady aus ihrer Vergangenheit entlassen wird. Die Vorlage basiert auf dem Roman „The Executioners“ von John D. MacDonald, der bereits als Grundlage für den Film von 1962 („Ein Köder für die Bestie“) sowie für Scorseses Remake von 1991 diente. Die zehnteilige Serie wird als Hitchcock-inspirierter Thriller beschrieben. Ob die Vorschusslorbeeren gerechtfertigt sind und ob sich „Kap der Angst“ wirklich lohnt, diskutieren Sven und Timo im Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen. Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Va comen

SerieSelektor #253 Aplaudim l'arrencada de "Cape fear" (Apple TV), protagonitzada per un inquietant Javier Bardem, dirigida per Nick Antosca i amb Martin Scorsese i Steven Spielberg com a productors executius. Comentem el tancament d'"Euphoria" (HBO Max) sense esp

Film and TV reviewer James Croot joins Kathryn to discuss new film Tuner (cinemas), which is a crime thriller about a piano tuner whose skills also lend themselves to safe cracking and stars Leo Woodall and Dustin Hoffman. Cape Fear (Apple) updates the 1962 and 1991 adaptations and stars Javier Bardem and Amy Adams. And Dear England (TVNZ+) is a four-part drama series with Joseph Fiennes portraying England football manager Gareth Southgate. James Croot is a TV Guide and The Press film and television reviewer

durée : 00:08:58 - Le masque et la plume - par : Rebecca Manzoni - Avec "L'Être aimé", Rodrigo Sorogoyen explore la relation entre un metteur en scène exigeant et sa fille. Porté par Javier Bardem et Victoria Luengo, le récit interroge les rapports de pouvoir au sein de l'industrie cinématographique. Le Masque a été globalement conquis. - réalisation : Stéphane Le Guennec, Ilinca Negulesco Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Wir werden 100 Folgen alt, haben Gratulanten und richten einen UnterstützerInnen-Aufruf an euch (siehe Shownotes). Danach starten wir mit zwei amerikanischen Familienserien, die unterschiedlicher nicht sein könnten: "Kap der Angst“ (Apple TV) mit Amy Adams und Javier Bardem ist bereits die dritte Adaption des uramerikanischen Horrorstoffes "Ein Köder für die Bestie": Eine Familie wird von einem bedrohlichen Fremden heimgesucht. Die letzte Verfilmung des literarischen Stoffen aus den frühen 90-ern stammt von Martin Scorsese, der nun die Serie mit Steven Spielberg produzierte. Weiter geht es mit einer Familienserie, die ebenfalls sehr amerikanisch ist, sich aber maximal warmherziger anfühlt: "So ist das nicht" heißt unser Geheimtipp bei Prime Video. Danach zwei Dokus: "BRAVO - Headlines, Hypes und Herzschmerz“ (ARD Mediathek) erzählt zum 70. Geburtstag des einst größten Jugendmagazins der Welt dessen Geschichte in drei Serienfolgen. "Die Toten Hosen" sind zwar noch nicht ganz 70, aber die Alt-Punks aus Düsseldorf um Campino haben ihr letztes Album aufgenommen. Und sich dabei von Eric Friedler, einem der besten Dokumentarfilmer Deutschlands, für "Die Toten Hosen - Das letzte Album" (ARD-Mediathek) begleiten lassen. John Travolta hat mit 72 Jahren seinen ersten Film geschrieben und Regie geführt: "Nachtflug nach L.A." heißt er und ist bei Apple zu sehen. Mit einem Q&A zu zwei Serien machen wir den Abbinder: Eric hat sich die amerikanische Gen Z-Comedy "Not Suitable For Work“ bei Disney angeschaut und Jan beschäftigt sich bei Apple mit "Star City", der Spin-Off-Serie einer von Erics Lieblingsserien der letzten Jahre: der alternativen Sci-Fi-History-Erzählung "For All Mankind" bei Apple TV.

La jefa de Cultura de la SER, Pepa Blanes, narra en Coordenada 25 el histórico paso del cine español por el Festival de Cannes, que ha proporcionado reconocimiento internacional y un nuevo fenómeno cultural alrededor de 'Los Javis'

Iron Maiden has earned their spot as one of the biggest touring acts of the new millenium through an unwavering work ethic and delivering quality in every way to their legion of dedicated fans. As they prepare to come to North and South American to wrap up their Run For Your Lives Tour, they released a career spanning documentary, Burning Ambition, for a limited theater run before the inevitable release on DVD/streaming. As the boys have reviewed most of Maiden's 80's output and a few live reviews on their favorite heavy metal band, you knew they were going to check this out and tell you what they thought. But Maiden have offered up many documentaries over the decades (12 Wasted Years, The Early Years Part 1, 2, 3 and Flight 666) so they were curious as to how this one would be different and how many new tidbits they'd be able to glean from this one-night doc. The movie spans their whole career starting in 1975 and talks about the vision and work ethic of one Steve Harris, the founder and leader of Maiden since its inception. Because of the huge amount of time to cover, the film didn't dive deep into the making of albums, chart success or tours but gave everyone a voice (off-screen) using footage from the 50 years of the band's career. The hardcore fans may not have learned too much but to hear the stories of famous fans like Brian Slagel (a guest of UAWIL), Javier Bardem and Tom Morello of Rage Against The Machine was a nice touch. Plus, they included past members, crew members and fans from around the world sharing their stories of why they are so loyal to Iron Maiden. For the most part, they highlighted how bringing new members into the band change the music for the better (and sometimes worse), how that affected their popularity and draw as a life act and how (and why) they're still going today. They hit the highest of highs in the 1980s but burned themselves out in the process. Thanks to grunge and significant lineup changes in the 90s, they went backwards a bit, especially in America where they sometimes found themselves playing to 500 people. But the reunification with Bruce Dickinson and Adrian Smith on Brave New World and beyond propelled them back to the top - a place they haven't left in 25 years. And of course, there's lots of Eddie in his many incarnations - perhaps the greatest marketing image in the history of heavy metal or even recorded music. While the hardcore fans may lament a lack of details or stories about the albums, it's a cool journey to see where they came from, how they rose to the top, fell down near the bottom and rose again to be the biggest (and in our opinion best) heavy metal band in the world. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Iron Maiden has earned their spot as one of the biggest touring acts of the new millenium through an unwavering work ethic and delivering quality in every way to their legion of dedicated fans. As they prepare to come to North and South American to wrap up their Run For Your Lives Tour, they released a career spanning documentary, Burning Ambition, for a limited theater run before the inevitable release on DVD/streaming. As the boys have reviewed most of Maiden's 80's output and a few live reviews on their favorite heavy metal band, you knew they were going to check this out and tell you what they thought. But Maiden have offered up many documentaries over the decades (12 Wasted Years, The Early Years Part 1, 2, 3 and Flight 666) so they were curious as to how this one would be different and how many new tidbits they'd be able to glean from this one-night doc. The movie spans their whole career starting in 1975 and talks about the vision and work ethic of one Steve Harris, the founder and leader of Maiden since its inception. Because of the huge amount of time to cover, the film didn't dive deep into the making of albums, chart success or tours but gave everyone a voice (off-screen) using footage from the 50 years of the band's career. The hardcore fans may not have learned too much but to hear the stories of famous fans like Brian Slagel (a guest of UAWIL), Javier Bardem and Tom Morello of Rage Against The Machine was a nice touch. Plus, they included past members, crew members and fans from around the world sharing their stories of why they are so loyal to Iron Maiden. For the most part, they highlighted how bringing new members into the band change the music for the better (and sometimes worse), how that affected their popularity and draw as a life act and how (and why) they're still going today. They hit the highest of highs in the 1980s but burned themselves out in the process. Thanks to grunge and significant lineup changes in the 90s, they went backwards a bit, especially in America where they sometimes found themselves playing to 500 people. But the reunification with Bruce Dickinson and Adrian Smith on Brave New World and beyond propelled them back to the top - a place they haven't left in 25 years. And of course, there's lots of Eddie in his many incarnations - perhaps the greatest marketing image in the history of heavy metal or even recorded music. While the hardcore fans may lament a lack of details or stories about the albums, it's a cool journey to see where they came from, how they rose to the top, fell down near the bottom and rose again to be the biggest (and in our opinion best) heavy metal band in the world. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ukraine is winning, and a botox-bloated Putin looks like a dead-man walking. While the spineless MAGA right still tries to block aid, Ukrainian innovation has turned Russia's imperialist delusion into an embarrassing nightmare, as predicted on Gaslit Nation at the start of the full-scale invasion. Award-winning war reporter James Verini, author of The Theater: Courage and Survival in the Defining Atrocity of the Ukraine War, joins Gaslit Nation to discuss the desperation rattling Moscow. Putin wanted a grand Cold War rematch, but instead, he's trapped in a catastrophic, modern-day Afghanistan with a staggering one million Russian casualties. The reality the MAGA death cult and isolationists ignore? Ukraine is the true vanguard of global democracy. They are out-innovating Goliath with world-leading drone technology and defending the open society while MAGA lackeys play craven partisan games. Putin's radical, Dugin-fueled imperial ego has officially broken Russia, much like Trump's is breaking the U.S. To beat Big Tech censorship, subscribe to Gaslit Nation's Patreon at the Truth-Teller level or higher today. Thank you to everyone who supports the show and joins our lively Monday salons–recordngs are available, only on Patreon. EVENTS AT GASLIT NATION: Gaslit Nation Salons take place Mondays 4pm ET over Zoom and are recorded and shared on Patreon.com/Gaslit for our community New! There's now a California Signal Group for Gaslit Nation listeners to find each other and connect in that state. Join on Patreon.  The Gaslit Nation Outreach Committee discusses how to talk to the MAGA cult. Join on Patreon.  Minnesota Signal group for Gaslit Nation listeners in the state to find each other. Join on Patreon.  Vermont Signal group for Gaslit Nation listeners in the state to find each other. Join on Patreon.  Arizona-based listeners launched a Signal group for others in the state to connect. Join on Patreon.  Indiana-based listeners launched a Signal group for others in the state to join. Join in Patreon.  Florida-based listeners are going strong meeting in person. Be sure to join their Signal group, join on Patreon.  As always, keep it kind in our chat groups, extend grace and assume good faith. A culture of care is how we build a better world. Join our community of listeners and get bonus shows, ad free listening, group chats with other listeners, ways to shape the show, invites to exclusive events like our Monday political salons at 4pm ET over Zoom, and more! Discounted annual memberships are available. Become a Democracy Defender at Patreon.com/Gaslit Show Notes: Opening clip: Spanish actor Javier Bardem at the Cannes Film Festival, saying what needs to be said: https://bsky.app/profile/hannibal.bsky.social/post/3mm4eomatbk2t The Theater Courage and Survival in the Defining Atrocity of the Ukraine War By James Verini https://www.simonandschuster.com/books/The-Theater/James-Verini/9781668062203 Russia in No Mood for Celebration on Kremlin's Biggest Day of the Year: As the country heads into Victory Day, the economy is stalling, internet restrictions are growing and the Kremlin is fearing Ukrainian attacks. https://www.nytimes.com/2026/05/08/world/europe/russia-mood-victory-day.html?unlocked_article_code=1.jlA.mQvz.bsjmfvh1AxHe&smid=url-share Ukraine is forging the future of war: https://www.nytimes.com/2026/05/17/world/killer-robots-ukraine-ebola-qatar.html?unlocked_article_code=1.jlA.Tkdm.TaPFOgd0QcG8&smid=url-share Kyivan Rus, then and now: How has Russia distorted the history of Kyivan Rus? https://kyivindependent.com/kyivan-rus-then-and-now/ The men who could succeed Vladimir Putin https://theweek.com/feature/briefing/1024619/putins-potential-successors Democrats bypass Mike Johnson on Ukraine aid with GOP help https://www.axios.com/2026/05/13/ukraine-aid-discharge-petition-mike-johnson-kiley Putin health fears as Russian president appears at victory parade with 'swollen' face https://www.msn.com/en-us/health/other/putin-health-fears-as-russian-president-appears-at-victory-parade-with-swollen-face/ar-AA22ZIE7

Ep. 396: Eric Hynes on Cannes 2026: Club Kid, The Beloved (El Ser Querido), Clarissa, Propeller One-Way Night Coach Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. With the 2026 Cannes Film Festival in full effect, I sat down again with Eric Hynes, critic and director of film curation and programming at the Jacob Burns Film Center. First we discussed two very different Competition titles about parent-child entanglements: Club Kid (directed, written by, and starring Jordan Firstman) and The Beloved (aka El Ser Querido, directed by Rodrigo Sorogoyen, starring Javier Bardem and Victoria Luengo). Then we exchanged films that only one of us had seen: Clarissa, from Directors' Fortnight, a Mrs. Dalloway adaptation directed by Arie & Chuko Esiri; and then John Travolta's directorial debut, Propeller One-Way Night Coach. Subscribe/follow for more on the latest movies premiering at Cannes! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

A cannes-i gonzó podcast új adásában elmerülünk a fesztivál nagy legendáiban és legőrültebb pillanataiban. Másfél órán át hallgattuk Cate Blanchettet nosztalgiázni a Carolról, a Tárról és a 2018-as cannes-i zsűrizésről, miközben a magyar közönségnek is üzen az autokráciák kulturális örökségéről. Nemes Jeles László grandiózus visszatérése Jean Moulin-filmjével azt bizonyítja, hogy két kikosarazás után Cannes újra kíváncsi a magyar rendező különleges vizuális világára.Szó esik James Gray Oscar-esélyesnek tűnő új filmjéről Adam Driverrel és Scarlett Johanssonnal, Javier Bardem fájdalmas apafigurájáról, Quentin Dupieux abszurd apaság-szatírájáról Woody Harrelsonnal és Kristen Stewarttal, valamint a fesztivál legnagyobb WTF-élményéről, egy koreai földönkívülis akcióőrületéről Alicia Vikanderrel és Michael Fassbenderrel — de a legnagyobb lelkesedést végül egy apró francia elsőfilm, a La Gradiva váltja ki belőlünk, amely egyszerre vicces, szívszorító és tele van jövőbeli sztárokkal.Filmek, amikről szó esik az adásban:Moulin (Nemes Jeles László)Paper Tiger (James Gray)The Beloved (Rodrigo Sorogoyen)Garance (Jeanne Herry)Full Phil (Quentin Dupieux)Hope (Na Hong-jin)La Gradiva (Marine Atlan)⁠⁠⁠Itt tudjátok bekövetni a playlistünket⁠⁠⁠⁠, amin azokat a szuper számokat gyűjtjük, amiket az idei cannes-i filmekben hallunk. Rajta van az a német hiphopszám is, amit a rendőrnő mindig hallgat a kocsiban a Gentle Monsterben!Készítette: Varga Ferenc és Onozó RóbertZene: Hegyi OlivérJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

Eve Jackson brings us an update from the mid-point of the 79th Cannes Film Festival as Adam Driver joins Miles Teller and director James Grey on the red carpet for "Paper Tiger", a film that explores corruption and moral downfall in the United States of the 1980s.

Ağar, Volkan www.deutschlandfunkkultur.de, Studio 9

durée : 00:10:20 - Les interviews d'Inter - par : Ali Baddou, Marion L'Hour - Avec Javier Bardem, acteur, pour le film "L'être aimé" de Rodrigo Sorogoyen en compétition au Festival de Cannes 2026. L'acteur espagnol évoque son rôle dans le film "L'être aimé" de Rodrigo Sorogoyen et partage sa vision sur la paternité, l'héritage, la transmission et la "masculinité toxique". - invités : Javier Bardem Acteur espagnol Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Cannes afronta su gran fin de semana con la esperada película de Rodrigo Sorogoyen. Hoy se presenta 'El ser querido', el drama ambientado en un rodaje con Javier Bardem y Victoria Luengo. Además, ya han pasado por aquí Aina Clotet para presentar 'Viva' en la Semana de la Crítica o Diego Luna con su adaptación de 'Ceniza en la boca'. En este episodio os ponemos al día de todo lo que hemos visto y también comentamos los estrenos de la semana, con 'Hokum', 'Pizza Movies' y 'Hugo 24' entre los títulos que destacamos. 

El director madrileño ha sido entrevistado por Aimar Bretos en 'Hora 25' a propósito de 'El ser querido', su nueva película y con la que compite en el Festival de cine de Cannes.Pase lo que pase, esta edición del festival ya va a ser histórica para el cine español. Por primera vez, tres películas españolas compiten por la Palma de Oro: Amarga Navidad, de Almodóvar; La Bola Negra, de Javier Ambrossi y Javier Calvo; y El ser querido, del propio Rodrigo Sorogoyen.

Do you believe in the concept of “right person, wrong time”? Well, Penelope Cruz and Javier Bardem may be one of our greatest examples of that phenomenon. This week, we're chronicling their decades-long relationship that begins further back than you might think — way back in 1991. Today we know Penelope and Javier as glittering stars on the red carpet, both award-winning actors from Spain. But who are they really? That's what we're trying to find out — and we discover a lot of PDA pictures on the way. Plus, we count how many of our Hall of Flames couples, like Javier and Penelope, are still together today. P.S. Kell apologizes for repeatedly pronouncing the ‘j' in “jamon” the Scandinavian/German way. Oops! About Significant LoversSignificant Lovers is a true-love podcast exploring couples throughout history and pop culture, hosted by cousins Kelly Anderson, Melissa Duffy, and Kaitlyn Anderson. Follow us on Instagram and TikTok @significantlovers, listen on YouTube, and contact us at significantlovers@gmail.com.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for ‘fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Nights' screen critic Dan Slevin reviews Iron Maiden: Burning Ambition, tracing the band's rise from East End pubs to stadiums; The Young Pope, the timely Jude Law papal drama; and Battletruck, a Kiwi post-apocalyptic cult classic.On this week's edition of Short-Cuts, Nights' resident screen critic Dan Slevin reviews:IN CINEMASIron Maiden: Burning Ambition — A documentary tracing the band's journey from East End pubs to global stadiums, blending their story with fans, including Javier Bardem.PAID STREAMING — NeonThe Young Pope — Not new, but back on Neon. A timely drama about a brash American pope, starring Jude Law and Diane Keaton.FREE STREAMING — YouTubeBattletruck — A classic New Zealand post-apocalyptic film where rival clans battle over diesel in a broken future world.Go to this episode on rnz.co.nz for more details

Chris Paul and Burning Bright tackle the 2007 Coen Brothers masterpiece No Country for Old Men, adapted from Cormac McCarthy's novel and starring Tommy Lee Jones, Javier Bardem, Josh Brolin, and Woody Harrelson. The guys agree it's a modern American classic, and dig into why a film with such a stripped-down setting and plot manages to carry such enormous philosophical weight. The conversation moves through Sheriff Ed Tom Bell's opening monologue about not wanting to "put his soul at hazard" against an evil he doesn't understand, the nature of psychopathy and whether inherent evil exists, and Anton Chigurh's coin-flipping determinism versus Carla Jean's stark refusal to play his game. They unpack Carson Wells as a coward who depends on the rules of the system, the off-screen death of Llewelyn Moss as a deliberate breaking of storytelling rules, and why Chigurh, not Bell or Moss, is arguably the true protagonist whose arc actually changes. From there they zoom out to the dark night of the soul, systemic evil, why the enemy lost its mandate after World War II, the gas pump sticker meme, and how moral relativism quietly leads good people into advocating for monsters.