Podcasts about horror noire blacks

This episode is about Master (2022) by Mariama Diallo. It's like Get Out, but for PWIs.Trigger Warning: Suicide, Self-HarmRecommendations:Jay - Grand Army (2020)Morgan - Horror Noire: A History of Black Horror (2019), Horror Noire: Blacks in American Horror Films from the 1890s to Present (2011) Emily- The Black Mage (series, 2017) and Born a Crime (2016)Jeremy - Multi-Facial (1995) and Glass Onion: A Knives Out Mystery (2022)Where to Find Us:Jay: Twitter: @cynicalangstMorgan: Twitter: @DiversityHorror, and at Diversity in Horror on Blogspot Emily: Twitter @megamoth, and at Megamoth.netBen: Twitter @benthekahn, and at benkahncomics.comJeremy: Twitter @jrome58, and at JeremyWhitley.com ★ Support this podcast on Patreon ★

 On this episode we look at a genre and a sub-genre within that - Blaxploitation horror films! Blaxploitation was a genre that existed for only a short time in the 70s, but had a major impact. Together with our guest, Lord Blood-Rah, we'll discuss the origins of the genre and then take a look at several horror films that spun out of it.Blacula (1972) is probably the best-known of these films, and it's a well-done vampire story. William Marshall plays Prince Mamuwalde, who is turned into a vampire by Dracula himself. He awakens in modern day (1970s) Los Angeles and discovers what he believes to be his reincarnated wife. Of course, carnage ensues! It's a terrific, even scary film and you should see it if you haven't.It was followed up the next year by Scream Blacula Scream, which saw Blacula brought back to unlife by means of voodoo. Blacula once again stalks LA, but he tires of being a vampire and seeks a cure via voodoo priestess Pam Grier. Definitely the most unusual of the films we cover is Ganja and Hess (1973), which has been described as an experimental horror film or an art film. Whatever you want to call it, it is in a category all its own. The creation of writer/director Bill Gunn (who also acts in it), it tells the story of Dr. Hess Green, who is an expert on the ancient Myrthian people of Africa, who drank blood. He gets a new assistant who is completely insane and attacks him with a Myrthian artifact, which turns Hess into a vampire himself. Eventually Hess begins a relationship with Ganja, the wife of his former assistant, and she too becomes a vampire. The film is extremely moody and stark. Duane Jones, best known for his role as Ben in Night of the Living Dead, plays Hess.We follow these up by looking at Abby (1974), a take on The Exorcist, Sugar Hill (1974), a zombie revenge flick, and last but certainly not least, Rudy Ray Moore's Petey Wheatstraw, The Devil's Son-in-Law (1977), where the Dolemite actor takes on Satan himself. Certainly a variety of films to choose from!For our Sensor Sweep, Commander Larry shares a very appropriate book: Horror Noire: Blacks in American Horror Films from the 1890s to present by Robin R. Means-Coleman. This tome takes a deep look at the history of African Americans in horror films, and how their roles changed over time. There's also a documentary of the same name. Check it out!Don't forget, you can catch Lord Blood-Rah on LordBloodRah.com. There you can find links to his long-running series, Lord Blood-Rah's Nerve Wrackin' Theater, as well as his podcast, his Patreon series, and more. If you're in the San Francisco Bay Area, he will be hosting live sci fi and horror movies at the Orinda Theater every 3rd Saturday night of the month at 9:30 -there's a full bar too!  Creature Features day is a daylong celebration of  the original Bay Area Creature Features hosted by Bob Wilkins and later John Stanley, and will be held on April 24th at the Orinda Theater. More info can be found at LordBloodRah.com.That's all for now folks. We hope you enjoyed this extra-long episode! Send us your thoughts, suggestions, coupons...Twitter: https://twitter.com/Planet8CastFacebook: www.Facebook.com/Planet8PodcastYouTube: https://youtube.com/Planet8podcastThanks for listening!

It's October and the INAPC sisters are back to pay homage to a history of black horror. This time we reference the 2019 documentary Horror Noire: A History of Black Horror based on the 2011 non-fiction book Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman, PhD. From the 1915 film The Birth of a Nation to the present, the relationship between black Americans and the horror genre has been a roller coaster. So strap in for a ride! You don't want to miss it. Music: Moon Apple Logo: Midnight Peony Sources: https://wearyourvoicemag.com/entertainment-culture/white-gaze-black-witches-in-film https://www.theatlantic.com/culture/archive/2021/04/black-horror-racism-them/618632/ Bonus: https://collider.com/get-out-inspired-black-trauma-films/ Monstrum: Zombies - https://www.youtube.com/watch?v=KIGmsxBMnjA --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/notapeachcrayon/support

Justin on Twitter:https://twitter.com/ghostmoan?lang=enThe Horror is Us:http://masonjarpress.com/chapbooks-1/the-horror-is-usMarcus Burke:https://authorsunbound.com/marcus-burkePeriplushttps://www.publishersweekly.com/pw/newsbrief/index.html?record=3098Lambda Literary 2021 finalists:https://www.lambdaliterary.org/awards/current-finalists/Issa Rae Inks Warner Media: dealhttps://variety.com/2021/tv/news/issa-rae-hbo-max-warnermedia-film-television-deal-1234935944/Chrissy Teigen leaves Twitter:https://www.theguardian.com/culture/2021/mar/25/chrissy-teigen-leaves-twitter-citing-abuse-hateWrestlemania 37:https://www.wwe.com/shows/wrestlemaniaHulk Hogan v. Gawker:https://www.nytimes.com/2016/11/03/business/media/gawker-hulk-hogan-settlement.htmlWhy Hogan Sucks:https://www.thedailybeast.com/why-racist-hulk-hogan-hasnt-earned-our-forgivenessExploding Barbed Wire Death Match:https://deadspin.com/the-exploding-barbed-wire-death-match-was-the-worst-thi-1846431304McMahon involved in money that funded the Jan 6 events:https://www.cnbc.com/2021/01/09/pro-trump-dark-money-groups-organized-the-rally-that-led-to-deadly-capitol-hill-riot.htmlWilly Wonka boat scene:https://www.youtube.com/watch?v=XB401RfGMlMCandyman (1992):https://www.imdb.com/title/tt0103919/Candyman (2021):https://variety.com/2020/film/news/candyman-release-date-jordan-peele-1234812189/Horror Noire:https://www.routledge.com/Horror-Noire-Blacks-in-American-Horror-Films-from-the-1890s-to-Present/Coleman/p/book/9780415880206Poltergeist:https://www.imdb.com/title/tt0084516/American Short Fiction issue 66:https://americanshortfiction.org/issue-66/

Little House on the Scary Podcast.  Just your garden variety horror movie podcast. Nothing more!  Hosts: Nigel Rudolph, Cheyenne Rudolph, Mariana Baquero Email us at littlehouseonthescary@gmail.com Find us on Facebook at @LittleHouseontheScaryPodcast Episode 6: Eighth Wonder of the World! Check out our film Youtube Channel… Vitameatavegateam Films https://www.youtube.com/channel/UCxEIeAmReltijaFVorBizWA Robin R Means Coleman. Horror Noire: Blacks in American Horror Films from the 1890s to Present. Chapter 2, p. 41-43. Routledge, 2011. Mike Mayo. Videohound’s Horror Show: 999 Hair-Raising, Hellish, and Humorous Movies. Introduction, p.xii. Visible Ink Press, 1998. Watch King Kong 1933 on YouTube https://youtu.be/c3vuz-OMF2g Email us at littlehouseonthescary@gmail.com  

In this episode, hosts Katherine Troyer and Anthony Tresca discuss the  2020 film Antebellum.Episode Highlights: We explore what we see as the film's biggest issue: structural problems that created not only a disconnect between the film's three acts but also prevented the film from being able to clearly articulate its true source of horror. Looking at the film's attempt to be a social horror piece à la Jordan Peele, we argue that Antebellum ultimately played it too safe and simple and, in the process, failed to fully speak to the systematic and systemic evils of racism, inequality, and injustice at its core.A Dose of Scholarship: We have said it before, but we'll say it again...check out Robin Means Coleman's excellent book Horror Noire: Blacks in American Horror Films from the 1890s to Present! Twitter/Instagram: @NightmarePod1; Email: suchanightmare.pod@gmail.com

In this episode, hosts Katherine Troyer and Anthony Tresca discuss the 1992 film Candyman.Episode Highlights: We discuss the reasons that we like this film almost despite itself and how the film rises above (and fails to rise above) being a product of its times. Looking at the character of Helen as proof of Robin Means Coleman's claim that this is a film celebrating white womanhood, we talk about Helen as an entirely unlikeable but fascinating character. And we explore the ways that this film uses boundaries to articulate ideas about intersectionality, race, and socio-economic status.  A Dose of Scholarship: We cannot recommend highly enough Robin Means Coleman's excellent book Horror Noire: Blacks in American Horror Films from the 1890s to Present. In this episode, we also discuss the intriguing essay by Adam Ochonicky, which looks at adaptive issues between "The Forbidden" and Candyman.Twitter/Instagram: @NightmarePod1; Email: suchanightmare.pod@gmail.com

Dr Alison Peirse is a film professor and writer of "After Dracula", "Korean Horror Cinema", and "Women Make Horror: Filmmaking, Feminism, Genre". In this episode, we talk all about the history of women in horror and women creating horror, as well as advice for new filmmakers and horror movie recommendations to watch on Halloween! Join our community of women filmmakers over on Instagram @MakingItWomenInFilm Follow Alison on Instagram @AlisonPeirse, and purchase "Women Make Horror" here. Follow Shania on Instagram @ShaniaBethune and @ShaniaFilm Follow Evita on Instagram @MalinEvita Alison's book list recommendations: Horror Noire: Blacks in American Horror Films from the 1890's to Present, by Robin R. Means Coleman Men, Women, and Chainsaws: Gender in Modern Horror Film, Carol J. Glover The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meary 1000 Women in Horror: 1896-2018, by Alexandra Heller-Nicholas House of Psychotic Women: Autobiographical Topography of Female Neurosis in Horror and Exploitation Films, by Kier-La Janisse This episode was hosted by Malin Evita and Shania Bethune, guest-starring Alison Peirse, and edited by Malin Evita. For more, go to malinevita.com/podcast or contact us at makingitwomeninfilm@gmail.com --- Send in a voice message: https://anchor.fm/makingitwomeninfilm/message

Watch Horror Noire: A History of Black Horror directed by Xavier Neal-Burgin. Featuring actors Keith David, Tony Todd, and Rachel True, director Jordan Peele, and author Tananarive Due. The film is inspired by the astounding film critic Dr. Robin R. Means Coleman who wrote a history book on black horror called Horror Noire. Listen as Amber and Ben breakdown the six phases of Black representation in horror films: Phase 1: Black People as Monsters Phase 2: Black People as Slapstick Comedy Phase 3: The Atomic Age Phase 4: Blaxploitation and Hood Heroes Phase 5: The Sacrificial and Magical Negro Phase 6: Renaissance and Black Horror Also! Watch Blacula directed by William Craine starring William Marshall.Other References: -Nnedi Okorafor article “Stephen King's Super-Duper Magical Negroes” -Nightlight Podcast Interview with Tananarive Due -Women & Children First Presents: N.K. Jemisin's THE CITY WE BECAME By Orbit LIVE! -Horror Noire: Blacks in American Horror Films from the 1890s to Present by Dr. Robin R. Means Coleman

Hear from Dr. Robin Means Coleman, the author of Horror Noire: Blacks in American Horror Films from the 1890s to Present, a book that was made into an award-winning documentary film in 2019.

The excellent new documentary, HORROR NOIRE: A HISTORY OF BLACK HORROR, is a love letter to the rich, powerful history of Black American artists in horror cinema. The story is told by the artists who made the movies, and they give their unflinching perspectives on the past, present, and future of black horror. Join me as I speak with Executive Producers Dr. Robin Means Coleman and Tananarive Due about their documentary, Black horror, and their "First Kisses" with horror! Dr. Coleman is currently the Vice President and Associate Provost for Diversity, and a Professor in the Department of Communication at Texas A&M University. She has also written many books about media and the cultural politics of Blackness, including the book that is the source material for this documentary. Tananarive Due is a filmmaker, author of 12 novels and educator steeped in black horror and Afrofuturism. Since 2017, she has been teaching a class at UCLA called “The Sunken Place.” Inspired by the movie Get Out, the class delves into the century-spanning history of black horror. I hope you enjoy the show! Watch Horror Noire on Shudder (free 7-day trial): https://www.shudder.com/  Read the book that inspired the documentary, written by Dr. Robin Means Coleman, "Horror Noire: Blacks in American Horror Films from the 1890s to Present": https://www.amazon.com/Horror-Noire-Blacks-American-Present-ebook-dp-B006WDDL0U/dp/B006WDDL0U/ref=mt_kindle?_encoding=UTF8&me=&qid=1551309483  Join Tananarive Due's "Sunken Place" Workshop! http://hipshot9.clickfunnels.com/sales-page25582446 Read Tananarive Due's horror fiction. Get hooked with "My Soul To Keep" (African Immortals series Book 1): https://www.amazon.com/gp/product/B005DB7UKO/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0  Movies Covered: The Birth of a Nation (1915) Night of the Living Dead (1968) Dawn of the Dead (1978) The Fly (1958) The Mole People (1956) A Son of Satan (1924) Son of Ingagi (1940) Blackula (1972) Crazy as Hell (2002) Ganja and Hess (1973) Tales from the Hood (1995) JD’s Revenge (1976) The Transfiguration (2016) Get Out (2017)   My book, Screaming for Pleasure: How Horror Makes You Happy and Healthy on sale NOW! https://hellbentforhorror.com/book/ Want to read a chapter for free? Subscribe to my newsletter here: http://bit.ly/2x8cdds   Join the Hellbent for Horror Horde! help support the show here! http://bit.ly/2G6CpIJ If you like the show, please consider writing a review on iTunes or Google Play.  It really helps.    You can keep up with Hellbent for Horror on iTunes @iTunesPodcasts   iTunes link: https://itunes.apple.com/us/podcast/hellbent-for-horror/id1090978706 Google Play link:https://play.google.com/music/listen#/ps/Ibsk2i4bbprrplyvs37c6aqv2ny Stitcher link: http://www.stitcher.com/podcast/hellbent-for-horror?refid=stpr

Welcome to another episode of Carolyn Talks!Based on the book Horror Noire: Blacks in American Horror Films from the 1890s to Present, by Dr. Robin R. Means Coleman, directed by Xavier Burgin, co-written by Ashlee Blackwell, and executive produced by Tananarive Due, Horror Noire: A History of Black Horror is a documentary that looks at the depiction of Black people in over a century of horror movies.The film is essential viewing for everyone who loves film, and not just the horror genre, because it gives the perspective of actors and directors about their experiences, and how film impacts the lives of Black people. Black actors and directors have always had to struggle with finding roles, and support for projects that centered the voice and experiences of Black people in film. Even in the 70s when films like Blacula was gaining attention in the Blaxploitation era, they still had to contend with racial and gender stereotyping. See acast.com/privacy for privacy and opt-out information.

We're being consumed by John Carpenter's The Thing (1982)! We discuss the upcoming Child's Play and Pet Sematary remakes, spilling imaginary tea with Lupita Nyong'o, and the state of our social media pages thanks to our latest student (ie unpaid) intern Brian! Joe gets very personal with Gus Kenworthy. Joshua goes on a rant about adaptations. We try to figure out if The Thing is about homoeroticism, the "devouring woman," or Cold War trust issues. This episode is a sequel/reimaginaning/remake/reboot? of Fright School episode 3 GAYLIENSRecommended reading for this episode: Underneath the Skin: John Carpenter’s “The Thing” and You written by Matthew PridhamWE'RE GOING TO MONSTER MANIA!!-Child's Play (2019) Trailer-Infection at Outpost 31 The Thing game-The Thing Art Book-Horror Noire: Blacks in American Horror Films-Get the book too! Horror Noire: Blacks in American Horror Films from the 1890s to Present-Jordan Peel's US trailer (the SUPER BOWL cut! Look at us, so Masc4Masc) -Queen of KatweFOLLOW US! Facebook Twitter InstagramSupport FRIGHT SCHOOL by donating to their Tip Jar: https://tips.pinecast.com/jar/fright-schoolFind out more at https://fright-school.pinecast.coThis podcast is powered by Pinecast.

It's the last full length episode of season 4! This week your favorite ghouls discuss the 1942 classic, Cat People! Topics of discussion include but aren't limited to: American women during WWII, female sexuality, and the origin of jump scares! ------ Thanks to Lily LeBlanc for our theme song: www.lilythecomposer.com Get some delicious coffee from our sponsors! www.recesscoffee.com ---- Resources: Books & Scholarly Journals: Mccutcheon, Camille. “Horror Noir: Where Cinemas Dark Sisters Meet. PaulMeehan. Jefferson, NC: McFarland & Company, 2011.” The Journal of American Culture, vol. 36, no. 1, 2013, pp. 67–68., doi:10.1111/jacc.12013_15. Means Coleman, Robin R. Horror Noire: Blacks in American Horror Films from the 1890s to Present. Routledge, 2011. Palumbo, Donald. Eros in the Mind's Eye: Sexuality and the Fantastic in Art and Film. Greenwood Press, 1986. Snelson, Tim. Phantom Ladies: Hollywood Horror and the Home Front. Rutgers U.P., 2016. Wilcox, Jason. “Cat People and Its Two Worlds.” CineAction, vol. 52, 2000. Questia.com, Cat People (1942). Online Articles: http://www.tcm.com/tcmdb/title/70479/Cat-People/articles.html http://www.innsmouthfreepress.com/blog/article-cat-people-1942-vs-cat-people-1982/ https://www.loc.gov/programs/static/national-film-preservation-board/documents/cat_people.pdf https://www.rogerebert.com/reviews/great-movie-cat-people-1942 https://www.nytimes.com/2016/10/30/movies/cat-people-and-a-gallery-of-horror-predators.html http://www.audienceseverywhere.net/cat-people-1942/ https://www.criterion.com/films/28696-cat-people https://en.wikipedia.org/wiki/Cat_People_(1942_film) http://www.kimt.com/content/news/Cat-People-1942-vs-Cat-People-1942-470269023.html

It was always you! This week Gracie & Abbey will be discussing one of their absolute favorites: Candyman! Theme song by Lily LeBlanc www.lilythecomposer.com Resources: https://www.youtube.com/watch?v=48CRCAm46gY (Top 10 Things You Didn’t Know About Candyman) https://www.youtube.com/watch?v=GMHQxMUk_Yk (Why Does Candyman Kill?) https://en.wikipedia.org/wiki/Candyman_(film) http://www.aintitcool.com/node/72689 https://www.independent.co.uk/arts-entertainment/interview-the-sweet-smell-of-excess-bernard-rose-has-an-oral-fixation-kevin-jackson-talked-to-him-1497390.html Kydd, Elspeth. “Guess Who Else Is Coming to Dinner: Racial/Sexual Hysteria in Candyman.” CineAction , Sept. 1996. Questia, Candyman, Horror. Means Coleman, Robin R. Horror Noire: Blacks in American Horror Films from the 1890s to Present. Routledge, 2011. (https://www.amazon.com/Horror-Noire-Blacks-American-Present/dp/0415880203/ref=sr_1_1?ie=UTF8&qid=1529173803&sr=8-1&keywords=horror+noire+blacks+in+american+horror+films) Modleski, Tania. Feminism without Women: Culture and Criticism in a Postfeminist Age. Routledge, Taylor & Francis Group, 2016. (https://www.amazon.com/Feminism-Without-Women-Criticism-Postfeminist/dp/041590417X/ref=sr_1_2?s=books&ie=UTF8&qid=1529173835&sr=1-2&keywords=Feminism+without+women)

Hannah Neurotica and Ashlee usher in Women in Horror Month 2013 by discussing what they plan to do for Women in Horror Month: Ashlee's bringing WiHM to Philadelphia, and Hannah is taking the Ax Wound Film Festival online. Ashlee opens the floor for the fusion of Black History & Women in Horror Month by highlighting the work of scholar Dr. Robin R. Means Coleman and her book, Horror Noire: Blacks in American Horror Films from 1890's to Present as well as Kristina Leath-Malin's MFA project, My Final Girl: Black Women of Blaxploitation Horror currently in post production. Here's the link to the video clip: http://www.productionchick.com/html/mfg.html Guests include some of this year's WiHM sponsors and ambassadors and where to find them online: Rebekah McKendry - Award-winning filmmaker, Director of Marketing at Fangoria Magazine www.fanogoria.com Rebekah Herzberg - Actress, horror enthusiast www.wickedchannel.com http://yourneighborhoodjewishgirl.blogspot.com Tonjia Atomic - Filmmaker, Jewelry Maker, Musician/Composer www.tonjiaatomic.com www.hotchickphysics.com Hold tight for Part 2 with more interviews...