Podcasts about invent

Da Venezia al Mediterraneo, il Lazzaretto Nuovo racconta la nascita della quarantena, l'evoluzione della sanità pubblica e la vita quotidiana di un micromondo sospeso tra isolamento e commercio. Lazzaretto Nuovo, l'isola che inventò la quarantena Quando si parla di isolamento sanitario, il pensiero corre inevitabilmente agli anni della pandemia. Eppure il concetto di quarantena affonda le sue radici in un passato molto più lontano. Al centro di questa storia c'è il Lazzaretto Nuovo, un luogo simbolo della Venezia medievale che ha cambiato per sempre il modo di affrontare le malattie contagiose. Durante un'intervista ai microfoni di Unica Radio, le studiose Giorgia Fazzini e Lara Meneghini hanno raccontato il valore storico e culturale di questo straordinario sito, definito uno dei luoghi più importanti nella storia della salute pubblica del Mediterraneo. Dove nasce la quarantena Il Lazzaretto Nuovo sorge nell'arcipelago veneziano e venne istituito nel 1468 dalla Repubblica di Venezia. La sua funzione era chiara: prevenire la diffusione delle epidemie attraverso l'isolamento temporaneo di persone e merci provenienti da aree considerate a rischio. L'esperienza maturata con il precedente Lazzaretto Vecchio aveva già portato Venezia a comprendere un principio fondamentale: le malattie contagiose potevano essere contenute separando i soggetti infetti dal resto della popolazione. Con il nuovo insediamento, però, si passò dalla cura alla prevenzione. La quarantena moderna nacque proprio qui, attraverso procedure che ricordano da vicino quelle adottate secoli dopo durante l'emergenza Covid-19. Il Lazzaretto Nuovo e la nascita della sanità pubblica L'importanza del Lazzaretto Nuovo non riguarda soltanto la medicina. Secondo gli studiosi, Venezia trasformò la gestione delle epidemie in una vera politica di Stato. La Serenissima comprese che la salute pubblica era strettamente legata alla prosperità economica. Proteggere la popolazione significava anche tutelare i commerci che rendevano la città uno dei principali snodi tra Oriente e Occidente. Da questa intuizione nacque un sistema organizzato di controlli, regolamenti e coordinamento internazionale. Un modello innovativo per l'epoca che contribuì allo sviluppo delle prime forme di sanità pubblica moderna. Un crocevia di culture nel Mediterraneo Contrariamente a quanto si potrebbe immaginare, il Lazzaretto Nuovo non era soltanto un luogo di isolamento. Era anche un punto d'incontro tra persone provenienti da diverse parti del mondo. Gli scavi archeologici hanno restituito numerosi reperti che raccontano questa realtà multiculturale. Ceramiche veneziane convivono con manufatti dell'Italia meridionale e del Mediterraneo orientale. Sono emersi persino oggetti provenienti dall'area ottomana, testimonianza degli intensi rapporti commerciali dell'epoca. Anche gli oggetti personali, come le pipe ritrovate sull'isola, mostrano una sorprendente varietà di provenienze. Ogni reperto racconta una storia fatta di viaggi, incontri e scambi culturali. Le testimonianze lasciate sulle mura Tra le scoperte più affascinanti spiccano le iscrizioni conservate sulle pareti degli antichi edifici destinati allo stoccaggio delle merci. Una delle più suggestive raffigura una nave accompagnata da una breve dedica. Due uomini, Antonio Roy e Zeno Planta, decisero di lasciare il proprio segno nella storia: il primo realizzò il disegno dell'imbarcazione, il secondo scrisse il testo che ancora oggi accompagna quella rappresentazione. Si tratta di una testimonianza preziosa, capace di restituire voce e identità a persone che altrimenti sarebbero rimaste anonime. Un micromondo dentro altri micromondi Il tema del micromondo emerge con forza osservando la struttura del Lazzaretto Nuovo. L'isola funzionava infatti come una comunità separata, regolata da norme specifiche e molto rigorose. Al suo interno esistevano ulteriori suddivisioni. Equipaggi diversi venivano separati in base alla provenienza e al livello di rischio sanitario. Nascevano così piccole comunità autonome che condividevano spazi, regole e quotidianità. Questo sistema rende il Lazzaretto Nuovo un esempio perfetto di micromondo storico: uno spazio limitato ma capace di riflettere dinamiche sociali, economiche e culturali molto più ampie. Un'eredità ancora attuale Oggi il Lazzaretto Nuovo continua a trasmettere un messaggio sorprendentemente moderno. La sua storia insegna il valore della prevenzione, dell'innovazione e della collaborazione tra istituzioni. Le sfide affrontate dalla Venezia del Quattrocento non sono poi così lontane da quelle che il mondo contemporaneo ha vissuto negli ultimi anni. Per questo motivo l'isola resta un luogo di memoria, ricerca e divulgazione, capace di raccontare come una delle più grandi emergenze della storia abbia contribuito a costruire strumenti ancora fondamentali per la tutela della salute collettiva.

durée : 00:03:28 - Les P'tits Bateaux - par : Camille Crosnier - C'est la question posée par Orlando, neuf ans, qui habite à... Oxford ! C'est le professeur d'histoire contemporaine à l'université Lyon, Didier Nourrisson qui lui répond. - équipe : Stéphanie Texier, Marjorie Devoucoux Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Ready to bee inspired? Jana Kinsman joins Mary in this classic ep to share the incredible story of how she traded a corporate graphic design career for one filled with creativity, entrepreneurship, and more than 65 honeybee colonies. From launching successful ventures like Bike-a-Bee and Doodlebooth through Kickstarter to building multiple income streams around her passions, Jana proves that there's no single path to success.Learn more about Jana's businesses by visiting Bike-a-Bee at www.bikeabee.com and Doodlebooth at www.doodlebooth.meFollow her IGs: @bikeabee and @doodlebooth Have a question or thought for Mary? Leave us a voicemail for your chance to be featured on the show: https://www.allupinmyladybusiness.com/voicemail/Don't forget to subscribe so you never miss an episode, then come hang with us on Instagram (instagram.com/allupinmyladybusiness) & Threads (threads.com/@allupinmyladybusiness)!Learn more about A Mary Nisi Production: www.amarynisiproduction.comFind your next DJ at Toast & Jam: toastandjamdjs.comLaunch your DJ business with the Toast & Jam Lab: lab.toastandjamdjs.comSupport the show

Quand l'histoire éclaire notre actualité. Chaque matin à 7h20, l'historien d'Apolline Matin, Arthur Chevallier, rebondit sur un thème d'actualité pour nous raconter les histoires qui ont marqué l'histoire.

Jenny Greenteeth — Beneath the still, duckweed-choked surface of Britain's ponds and canals lurks Jenny Green Teeth, an ancient water hag from English folklore with elongated grasping arms, needle-sharp teeth, and a centuries-old hunger for children who wander too close to the water's edge. When a drainage project disturbs the old binding that has held her captive for generations, two young siblings discover that some legends were never just stories meant to frighten. Listener discretion advised.   freakyfolklore.com   #JennyGreenTeeth #EnglishFolklore #WaterHag #FreakyFolklore #BritishHorror #Cryptids #FolkHorror #DrowningLegends #Lancashire #ScaryStories #PodcastHorror #Ginnygreenteeth #Horror #Creepy #Folklore #Mythology #Monsters #WaterSpirits and #Rusalka   EXPLORE MORE SPINE-CHILLING CONTENT: Freaky Folklore: https://www.eeriecast.com/podcasts/freaky-folklore Carman's Crypt (Original Horror): https://www.carman-carrion.com/ Deadly Intent (True Crime): https://www.carman-carrion.com/ Destination Terror: https://www.eeriecast.com/podcasts/destination-terror ________________________________________ SUPPORT THE SHOW: Buy Me a Coffee: https://buymeacoffee.com/carmancarrion ________________________________________ CONNECT WITH CARMAN: Website: https://www.carman-carrion.com/ YouTube: https://www.youtube.com/@CarmanCarrion https://www.youtube.com/@FreakyFolklore Twitter/X: https://x.com/CarmanCarrion Instagram: https://www.instagram.com/carmancarrion/ ________________________________________ SUBSCRIBE & REVIEW: Spotify: https://open.spotify.com/show/0uiX155WEJnN7QVRfo3aQY iTunes: https://podcasts.apple.com/us/podcast/freaky-folklore/id1550361184 Your support helps bring you more terrifying tales. ________________________________________ DISCOVER MORE HORROR: http://eeriecast.com/ https://www.carman-carrion.com/ ________________________________________ MUSIC CREDITS: Music and sound effects provided by: ElevenLabs Learn more about your ad choices. Visit podcastchoices.com/adchoices

Esta mañana en #Noticias7AM entrevistamos a Dr. Luis Carlos López Ulloa, historiador, escritor y profesor universitario. Divulgador de la historia pública y analista de los procesos sociales y políticas. Sección: Cuadrante Norte. Tema: Tijuana: ¿Una ciudad que se fundó o que se inventó?#Uniradioinforma #tijuana #zaragoza #historia #centrohistorico

Une petite histoire qui montre encore à quel point des pans entiers de l'industrie ont été révolutionnés par la tech.WorkMachine : https://www.workmachine.io

“La Raza: la pandilla que el régimen de Bukele inventó” es una serie de tres episodios que reconstruyen cómo una histórica rivalidad entre estudiantes de institutos públicos terminó siendo considerada por el Gobierno de Nayib Bukele como una nueva pandilla, comparable a la MS-13 y Barrio 18. En el capítulo tres analizamos la resolución del juez sin rostro quien decretó detención provisional en contra de los 34 acusados.Reportería y producción: Gabriela Cáceres y Victoria DelgadoEdición: Carlos MartínezSonido y música: Omnionn

Bande-annonce, pop-corn, ticket, émotions. Le cinéma, tout un univers. Inventé en 1895 par les Frères Lumières, le cinéma est plébiscité aujourd'hui par plusieurs millions de français, qui se rendent régulièrement dans les salles obscures.  Selon le CNC, le Centre national du cinéma et de l'image animée, on compte plus de 150 millions d'entrées au cinéma en France en 2022. Du petit cinéma art & essai de province au grand multiplexe citadin proposant de la 3D, le choix est très large en France. Mais vous attendiez-vous à ce que le cinéma le plus fréquenté au monde soit français ? C'est donc en France qu'on va le plus au cinéma ? C'est quoi sa recette pour attirer les spectateurs ? C'est quoi le “9h des Halles” ? Écoutez la suite de cet épisode de "Maintenant, vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : février 2023 A écouter aussi : ⁠Quel est ce château qui a inspiré le logo de Disney ?⁠ ⁠Comment les aventures d'Astérix ont-elles traversé le temps ?⁠ ⁠Quelles sont les 3 astuces pour acheter des vinyles sans se ruiner ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Western politics is mostly just empire managers making up fake problems to fight so they don't have to address the real problems. Can't stop waging wars or the western empire will collapse. So they make up fake threats from dictators and tyrants and take action to stop them. Can't stop inflating the military budget and circling the planet with more and more war machinery or the military-industrial complex will stop reaping profits. So they tell you to be afraid of Muslims and "terrorists" and Russia and China and take action to protect you from them. Can't stop polluting the world and destroying the biosphere or capitalism will perish. So they split us into two mainstream warring factions arguing about culture war wedge issues and promise to protect each faction from the other side. Reading by Tim Foley.

It took 65 years for that message to completely reverse itself in the Democratic Party and on the Left. Out is personal achievement. In is victimhood. Out is reaching for the stars. In is ushering in oppressed people from all over the world to ensure a steady supply. Out is the right of American citizens with their vote. In are people who don't respect that vote.As Trump gives his speech at Mount Rushmore later this evening, Zohran Mamdani, who is supposedly just the Mayor of New York City, has positioned himself as Trump's equal, the Mirror President for the other America. Thirsty as ever, in love with his own image, thinking who the hell he is, he has the audacity to sit in George Washington's chair to make a speech about a new America he hopes to invent, one without borders, without Capitalism, without billionaires.His speech paints the American government as oppressive, while demonizing them for policing immigration:"We see it just as clearly in every American who still believes this country belongs to we, the people. We see America each time neighbors link arms with neighbors without asking how long they've lived here or what papers they have as ICE invades our neighborhoods. We see America each time working people demand more, not just for themselves, but for their fellow Americans."The irony is that he demonizes the rich, the very people who pad his risks in New York City and help him present a fake-pretend utopian fantasy that only works because of the rich people in the city, because they won't let it fail. It's absolution, after all, and there is no price high enough for that. It took America 250 years to arrive at a place where the country might finally, at long last, “be like Europe.” How many times did I hear that throughout my life? Why can't we be like Europe? We were raised to hate our country, to see it as a Capitalist hellhole of the haves and the have-nots, a lesser nation than France or the UK or Italy. No wonder Mamdani thinks he speaks for everyone. But we didn't have a bloody revolution just to copy England.Mamdani is like a cult leader who can now exploit whole generations who have been indoctrinated to believe that there is something rotting at the core of America's heart, a disease of “white supremacy” and a history of exploitation, colonization, slavery, trauma, abuse, and poverty. Their only answer for this is to “be more like Europe.” At best, that is where they land. Really, it's probably closer to “be more like China.”They're already halfway there. Cancel culture has silenced all dissent. The DSA is rising, and the Democrats have kissed Mamdani's ring.Not because it is easy…It's not easy making it in America. It's not easy making enough money for a decent home, to raise a family, and to take a vacation once in a while. No one ever said it would be easy, least of all, JFK:We choose to go to the moon in this decade and do the other things not because they are easy, but because they are hard. Because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we're willing to accept.”JFK was assassinated before I was born. The Democrats were haunted by him for my entire life, until Barack Obama came along and was the first to erase the ghosts of the past and redefine what it meant to be both a Democrat and a person of the Left. That meant fundamental things would change. One of the biggest changes was going from believing in personal achievement to believing in victimhood. Obama took the obstruction of his policies personally. It was those racist Republicans. So they set about changing the hearts and minds of the young and teaching them that the only reason they couldn't succeed was their victim status, and before long, that became the only thing that mattered about them. But for that movement to succeed, it required a sick country, not a healthy one. The Democrats were split in 2016 between the “white working class” in Bernie's Democratic Socialism and the identity politics of Hillary Clinton or Barack Obama. Now, what we're seeing is a marriage between the two. Now, it's not what Vivek Ramaswamy called Woke Capitalism, but rather, Woke Socialism. Isn't it just another way to sell to Gen-Z?They are the most privileged generation ever to walk the face of the earth. Capitalism gave them social media, email, a computer in the palm of their hand, DoorDash, Google, Uber, TikTok, YouTube, streaming music, television shows, fast food, fast fashion, Instacart, Airbnb, influencer culture, and movies. And it's not enough. Why can't they be a Kardashian and have birthday parties with ten thousand balloons? Why can't they travel to Europe? Why can't they own a house? Why can't they live on Manhattan's Upper West Side? Why is Elon Musk a trillionaire with so many homeless people on the streets? Why are they so miserable, so full of anxiety, so full of hate? How can a life of convenience be so hard?They want an easy life as they have in Sweden, Italy, or France. They want to Free Palestine. They want their happy ending for all oppressed people all over the world, especially those crossing the border. They were told this was America's problem, so why can't they change America to fix it?And if they can't have it, well…They were raised to believe it should all be easy. If you have anxiety, take a pill. If movies and books trigger you, they'll have trigger warnings. Bullies at school will be eradicated. Self-esteem is what matters most. Words are violence. If masculinity is too toxic, we'll feminize society to make it easier.Mothers of my generation coddled the American mind. We helicoptered our children. We kept them from every imaginable harm, and we tried to clear a path to success. We taught them that you should only do things if they're easy, not if they are hard. Because if they are too hard, that might lead to failure, and our kids could never fail.But we forgot to teach them the value of hard work and failure because we never wanted them to feel any discomfort. If their lives were easy, we felt like we'd accomplished something because they'd be happy. But happiness comes from service, from building something, achieving something, doing something hard. This country has always been “move fast and break things” but also “move fast and build things.” Invent things, envision things, start a business. I could never have started a business as a single mother in Italy as I did in America in 1999. America is the only country where anyone can build anything. The downside of that is that it's hard. There is a price to pay for freedom. Unless you've felt freedom, real freedom, in your mind and heart, you'll never love this country the way I do. I love feeling free and always have. I had to escape the Left and the Democratic Party because I no longer felt free, as they no longer believe in freedom. They believe in forced compliance and conformity.But freedom also means this:And this:They're just too dumb by now to realize that they live in a free country where they can say and do anything they please without being shot on the spot or thrown in jail. They're free to call Trump a fascist dictator because he isn't one. They're free to protest “No Kings” because Trump isn't one. Mamdani wants to fundamentally transform America and turn it into a Communist utopia, and the Democrats are letting him. That is not the way to lead America 250 years in. No, we have to fight for what America is. It is not a failure, not yet. It is worth fighting for. Younger generations should be taught that they can do anything with their lives, no matter their skin color, and that they can make money right now on YouTube, Substack, and TikTok. They can start a business. They can go to trade school. They can use AI to get them where they need to go because it can make any ordinary person well-skilled and productive. And it's free. It's all there for the taking, but it will never be enough for a movement fueled by victimhood.A Nation built on strengthObviously, Donald Trump is not perfect. Every day, someone throws out another immoral or unethical thing they believe disqualifies him from leading. Ya, we got that. Your job was to beat him by making a better case to the American people, and you never did.Trump was called to this moment in history to hold fast and true to America's founding principles. I've never seen a more patriotic American, let alone a president, in my entire life. He's celebrating every part of it. He's reviving our history. He's making us proud of our country. Trump's White House YouTube channel has videos like this:Endless amounts of them, trying to fill the cup back up to halfway full for future generations. Later tonight, Trump will once again be at Mount Rushmore to give a speech for America at 250. I already know what he will say because I know him, and I know no president in my lifetime has loved this country more. He'll remind us what America is and what threatens us now. And seething in the background will be bitter, angry, jealous people who have to root for America's failure, not because they hate him that much, but because they refuse to relinquish their power back to the people. They could have won the election, but instead, they went to war.They will have to hold on to that hate for years to come so they can pass it on to their children and make them understand why they could not celebrate a country that, to paraphrase U2, gave them everything they ever wanted … it wasn't what they wanted. I live in a town that is full of wealthy white liberals, and almost no one has a flag out front. I put two up by my fence to show my gratitude and my love for this glorious, young, imperfect, beautiful country. I can only hope no one steals it in a rage. On the other hand, people in my town have a long tradition of putting out chairs for the 4th of July parade a month in advance. The chairs stretch out for miles, and no one ever takes them. To be an American means self-governance, but it also means being part of that fragile, invisible thread that ties us together, like chairs that line the main highway, all different but somehow the same because we're all in it together and celebrating the nation's birthday, not because it is easy — but because it is hard. This isn't my love letter to America. That will come tomorrow. But it is my way of saying that no one should lead this country who wants it to be anything other than what it was born to be: free. /// This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Backstage at their support slot for I Prevail, Sam and Max sit down with Brody from Invent/Animate. They chat through how Brody is taking inspiration from some  crazier EDM sounds, why a screamed chorus feels like it changes the game, and whether there's much new material on the horizon.Connect with Invent Animate on Instagram and TikTok, and listen back to "Fall Like Rain", their latest single, on Spotify and Apple Music.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.Watch episodes on our YouTube channel and don't forget to like and subscribe.

welcome dans l'ASTRO SUMMER SCHOOL, la série d'été du podcast de J'AIME TROP TON SIGNE, 2 épisodes par semaine, les mardis et jeudis, pour apprendre l'astro de façon fun ET profondedans l'épisode 1 on plonge dans les origines de l'astro, d'où elle vient, comment elle a évolué sur 4000 ans, et pourquoi l'astro qu'on connaît aujourd'hui c'est une version très édulcorée d'un système beaucoup plus riche. On parle aussi de comment ça fonctionne vraiment : pourquoi le ciel au moment de ta naissance peut en dire autant sur toi, et ce que ça veut dire concrètement d'avoir un thème astral.⭐️ télécharge ton cahier d'exercice ici : https://aminasutter.systeme.io/astrosummerschool

Retour sur la genèse d'un musée des arts premiers rêvé par un tandem improbable : Jacques Chirac, président de la République anti-élite et Jacques Kerchache, marchand d'art africain. 20 ans plus tard, Emmanuel Kasarhérou revendique un dialogue des cultures renouvelé, après avoir procédé aux premières restitutions d'objets pillés par la colonisation aux États africains demandeurs. Nous sommes en 2006, très exactement le 20 juin, lors de l'inauguration du Musée du Quai Branly consacré aux Arts et civilisations d'Afrique, d'Asie, d'Océanie et des Amériques. Le président Jacques Chirac prend longuement la parole pour rendre un hommage vibrant à la culture des peuples premiers « aucun peuple ni civilisation n'épuise le génie humain ». Dans la lignée de ses prédécesseurs à l'Élysée, le président français imprime sa marque dans l'espace public parisien. Après Charles de Gaulle et la Maison de la Radio, Georges Pompidou et le Centre Beaubourg, Valéry Giscard-d'Estaing et le musée d'Orsay, François Mitterrand et la pyramide du Louvre, Jacques Chirac a choisi : ce sera le Musée du Quai Branly dont la mission originelle est de conserver, restaurer, enrichir et valoriser une collection exceptionnelle de 360 000 œuvres et 710 00 photographies. Ce 20 juin 2006, l'inauguration se déroule en présence de la prix Nobel de la paix guatémaltèque Rigoberta Menchu et du secrétaire général des Nations unies Kofi Annan qui se félicite d'« une institution extraordinaire et unique » dont l'architecture est signée Jean Nouvel. Juché sur pilotis, arrimé aux bords de Seine, le Musée s'élève sur 5 niveaux et pour le visiter, il faut traverser un jardin vallonné conçu par Gilles Clément. À l'intérieur, le plateau des collections issues des quatre continents : Afrique, Asie, Océanie et Amériques est ouvert sur 10 000 m2. Le grand projet du président Jacques Chirac se réalise enfin car « aucun peuple ni civilisation n'épuise le génie humain » … autrement dit pas de discrimination dans l'art. Mais c'est aussi le mantra d'un autre Jacques, le collectionneur Jacques Kerchache, grand spécialiste de l'Afrique et grand absent de l'inauguration… emporté quelques années plus tôt par un cancer de la gorge. La vidéo Pour fêter ses 20 ans, le Quai Branly Jacques Chirac s'est transformé en une immense scène musicale le week-end du 20 juin 2026, après avoir longuement réfléchi au sens de sa destinée lors d'un colloque consacré aux dialogues des cultures… du mot d'ordre à la pratique. Et pour revenir sur sa genèse et la controverse de sa jeune histoire, je reçois son président Emmanuel Kasarhérou nommé par Emmanuel Macron en 2023. Historien et archéologue de formation, ancien conservateur du Musée de la Nouvelle-Calédonie, Jean-Marie Kasarhérou devenait directeur général de l'Agence de développement de la Culture Kanak en 2006, l'année de l'inauguration du Quai Branly… Comment a-t-il vécu cet avènement du Musée depuis la Nouvelle-Calédonie où il est né et grandi, en tant que fils, petit-fils et arrière petit-fils de sa grande maison Kanak ? ⇒ Le Musée du Quai Branly.    ► Pour aller plus loin À écouter les émissions La Marche du monde sur RFI :  - Mission Dakar-Djibouti, une contre-enquête avec les Africains - Paul Robeson, 1ère star noire américaine.

A Note from James:Mark Pincus is one of the true OGs of the internet. You probably know him as the founder of Zynga, the company behind FarmVille, Zynga Poker, and Words With Friends. Zynga was eventually acquired by Take-Two in a transaction valued at approximately $12.7 billion. Before Zynga, Mark started Tribe, one of the first social networks—before MySpace and Facebook. He has spent more than 25 years building, failing, and studying what gets millions of people to click, play, share, and come back. His new book, Life at the Speed of Play, inspired me to start coming up with new business ideas while we were still recording.What I really love is how Mark teaches people to copy like a master without looking like a copycat. He has a framework called “Proven–Better–New.” Start with something that has already been proven. Make it obviously better. Then isolate the new idea you want to test. It's one of the best systems I've heard for creating products people actually want.We talk about the early days of Facebook and MySpace, the failure of Tribe, the gaming industry, consumer psychology, AI coding, and how agents could eventually network and work for us while we're doing something else.I loved talking with Mark. I was still thinking about this conversation afterward—and I'm literally building businesses based on what I learned. His new book is called Life at the Speed of Play. Listen to this episode, and then read the book.Episode Description:Most founders begin with an idea and then spend months—or years—trying to prove that people want it. Mark Pincus thinks that process is backward.At Zynga, Mark's teams built “failure machines”: simple systems that allowed them to test hundreds of concepts before writing the code. They put unfinished ideas in front of real users, watched what people clicked, and refused to build anything until the demand was obvious. The objective wasn't to avoid failure. It was to make failure fast, cheap, and useful.Mark explains the framework behind that process: Proven–Better–New. First, study an existing success down to every screen, click, and design decision. Then identify one improvement that current users would immediately recognize as better. Only after that should a team add the unproven idea—the part most likely to fail.James and Mark also examine the problems facing today's consumer entrepreneurs. AI has made software easier to build, but distribution has become harder. People aren't searching for new apps, established platforms restrict organic growth, and algorithmic reach isn't the same as users actively sharing something with friends.Mark uses the failure of his early social network, Tribe, to explain why virality is not enough. Tribe grew quickly but lacked retention and trust. He ignored the communities users loved because they didn't match the business model he had already chosen. That painful mistake became the foundation for much of his later product philosophy.The conversation ends with Mark's current experiments: personal AI agents modeled after members of his family, a proposed work network built specifically for agents, an enterprise AI company called Hivemind, and the difficult decision to end a four-year passion project without abandoning the instinct behind it.This is a practical conversation about testing ideas, separating instinct from ego, learning from the past, and killing the wrong product before it consumes the right opportunity.What You'll Learn:How to build a failure machine: Test headlines, offers, videos, and fake doors before investing in a finished product.How to apply Proven–Better–New: Begin with a proven behavior, make one unmistakable improvement, and isolate the risky innovation.Why distribution is now harder than development: AI can generate a prototype quickly, but it cannot guarantee attention, trust, or adoption.Why Tribe failed despite rapid growth: Virality without retention, safety, and alignment with user behavior does not create a lasting network.How to copy without becoming a copycat: Study successful products at the pixel level, preserve what works, and innovate only where it matters.When to abandon an idea: Preserve the underlying instinct, but stop funding the particular expression of it when the evidence turns against you.How AI agents may change networking: Agents could eventually search for opportunities, exchange work, build reputations, and bring useful leads back to their users.Timestamped Chapters: [02:00] Finding the “OMFG” Moment [02:58] A Note from James [05:00] Build a Failure Machine Before Building a Product [06:25] Testing Demand With Fake Doors and Broken Links [08:08] Writing Copy That People Actually Notice [10:52] Test More Ideas in a Week Than the Industry Tests in a Year [11:53] Why Neglected Products Become Innovation Labs [13:26] How Mobile Apps Slowed Product Experimentation [15:09] Can AI Bring Rapid Testing Back? [17:08] Why Consumer Technology Feels Uninvestable [18:38] The 90/10 Rule for Investable Platforms [20:08] Why Nobody Downloads New Apps Anymore [21:20] Franchises, “Spicy New,” and Healthy Platforms [23:21] The Internet's Lost Cocktail Party [27:58] Why Tribe Failed While Facebook Won [30:26] Virality Without Trust or Retention [31:31] Ignoring What Tribe's Users Actually Wanted [33:22] Facebook, Raya, and Designing for Trust [35:03] Social Networks as Lead-Generation Engines [37:12] Facebook, Instagram, and the App Nobody Knew It Wanted [37:51] Net Promoter Scores and the Feeling of Quitting a Drug [40:25] Algorithmic Virality vs. People Sharing With Friends [42:00] Building Products That Help People Create [43:47] What Entrepreneurs Should Build With AI [44:54] The Proven–Better–New Framework [47:12] What “Obviously Better” Actually Means [48:25] Why “All New Fails” [50:23] Zynga Poker and the Power of Removing One Click [52:00] What AI Does Well—and Where Humans Still Matter [54:25] Picasso, Slack, and Copying the Past [55:11] Adding Fun to Boring Enterprise Products [57:39] The Moral Arbitrage of Killing Your Ego [57:58] How to Copy Without Looking Like a Copy [59:10] Why Old Internet Mechanics Keep Returning [01:00:16] Anonymous Social Apps With an AI Twist [01:01:17] Don't Invent a New Business—Reinvent a Big One [01:02:00] Test 20 Variants Before Building One [01:02:58] Mark's Frustrating Experiments With AI Coding [01:05:29] Creating a Personal Team of AI Agents [01:07:57] Killing a Four-Year Passion Project [01:09:29] The “Social Membrane” of the Agentic Internet [01:09:57] Building a Work Network for AI Agents [01:12:16] Hivemind and the Human Side of Enterprise AI [01:13:52] Missing Twitch—and Knowing Your Zone [01:15:06] Why the Gaming Industry Still Isn't Social Enough [01:16:30] Chess Ratings, Competition, and Mark's Daughter [01:19:19] Writing Life at the Speed of Play [01:21:18] Don't Chase Every New Technology Race [01:22:05] Final ThoughtsAdditional Resources:Mark Pincus and the BookLife at the Speed of Play — official websiteLife at the Speed of Play — HarperCollins — published June 23, 2026. Mark Pincus on X — the account Mark recommends for updates on his agent-network experiments. Mark Pincus on LinkedIn Mark's interview about open-sourcing Stem Studio Zynga, Games, and Product ExamplesZynga's company history — covers its launch as a Facebook poker project and the development of FarmVille, CityVille, and Words With Friends. Words With Friends FarmVille Take-Two and Zynga acquisition announcement — the transaction carried an enterprise value of approximately $12.7 billion. Tribe.net history — the early social network Mark analyzes as a major product failure. Raya — the private community Mark discusses as an example of building trust through curation. Grow a Garden on Roblox See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Claire Lasne Darcueil et Feroz Sahoulamide mettent en scène « Chez Samy », un spectacle collectif gratuit  pour et avec les habitants qui raconte l'histoire d'une famille élargie, d'un café et d'un quartier de Bobigny, ville très métissée de la Seine-Saint-Denis.   Le spectacle, une commande d'Hortense Archambault, directrice de la MC 93 a pour but de faire une vraie création avec les habitants.  Ils sont une cinquantaine sur scène à raconter l'histoire d'un café disparu à Bobigny, c'est une histoire inventée mais basée sur de faits réels : la MC 93 a été construite sur un ancien quartier.  La pièce raconte l'histoire fictive d'un couple, tout aussi fictif, Samir et Samy, qui a eu dix enfants ! Aucun ne se ressemble, aucun ne parle la même langue... viennent s'ajouter les oncles, les tantes et puis... les amis ! On retrouve des amateurs, mais aussi des professionnelles comme ces trois chanteuses lyriques qui chantent aussi bien « La Traviata » que les chansons des Demoiselles de Rochefort. « Le principe est de sortir des stéréotypes et de plaider la diversité », plaide Claire Lasne.  Les cinquante comédiens couvrent tous les âges, cultures, choix de vie, couleur de peau... !  La pièce raconte également par les « petites histoires », l'histoire des immigrés de la première génération.  Dans le spectacle, sont parlées une quantité de langues, les langues des locuteurs/acteurs sur scène.  Le spectacle, fait avec peu de moyens : quelques tables, quelques chaises, un vidéaste qui filme quelques scènes projetées sur grand écran.  À voir jusqu'au 28 juin 2026 à la MC 93.  Invitée : Claire Lasne Darcueil, ancienne directrice du Conservatoire national supérieur d'art dramatique. Autrice et metteuse en scène de la pièce Chez Samy à la MC 93.    Programmation musicale : L'artiste Sarahmée avec le titre « Ratata ». 

Claire Lasne Darcueil et Feroz Sahoulamide mettent en scène « Chez Samy », un spectacle collectif gratuit  pour et avec les habitants qui raconte l'histoire d'une famille élargie, d'un café et d'un quartier de Bobigny, ville très métissée de la Seine-Saint-Denis.   Le spectacle, une commande d'Hortense Archambault, directrice de la MC 93 a pour but de faire une vraie création avec les habitants.  Ils sont une cinquantaine sur scène à raconter l'histoire d'un café disparu à Bobigny, c'est une histoire inventée mais basée sur de faits réels : la MC 93 a été construite sur un ancien quartier.  La pièce raconte l'histoire fictive d'un couple, tout aussi fictif, Samir et Samy, qui a eu dix enfants ! Aucun ne se ressemble, aucun ne parle la même langue... viennent s'ajouter les oncles, les tantes et puis... les amis ! On retrouve des amateurs, mais aussi des professionnelles comme ces trois chanteuses lyriques qui chantent aussi bien « La Traviata » que les chansons des Demoiselles de Rochefort. « Le principe est de sortir des stéréotypes et de plaider la diversité », plaide Claire Lasne.  Les cinquante comédiens couvrent tous les âges, cultures, choix de vie, couleur de peau... !  La pièce raconte également par les « petites histoires », l'histoire des immigrés de la première génération.  Dans le spectacle, sont parlées une quantité de langues, les langues des locuteurs/acteurs sur scène.  Le spectacle, fait avec peu de moyens : quelques tables, quelques chaises, un vidéaste qui filme quelques scènes projetées sur grand écran.  À voir jusqu'au 28 juin 2026 à la MC 93.  Invitée : Claire Lasne Darcueil, ancienne directrice du Conservatoire national supérieur d'art dramatique. Autrice et metteuse en scène de la pièce Chez Samy à la MC 93.    Programmation musicale : L'artiste Sarahmée avec le titre « Ratata ». 

“La Raza: la pandilla que el régimen de Bukele inventó” es una serie de tres episodios que reconstruyen cómo una histórica rivalidad entre estudiantes de institutos públicos terminó siendo considerada por el Gobierno de Nayib Bukele como una nueva pandilla, comparable a la MS-13 y Barrio 18. En el episodio 2 mostramos las pruebas con las que la Policía y la Fiscalía sostienen que La Raza era una pandilla: Testimonios protegidos de personas que no eran víctimas de los acusados, un dibujo del Guasón, cuadernos con letras góticas, pines escolares, laptops entregadas por el Gobierno y otros objetos decomisados forman parte del expediente utilizado para acusar a 34 estudiantes y exestudiantes de agrupaciones ilícitas bajo el régimen de excepción.Reportería y producción: Victoria Delgado y Gabriela Cáceres.Datos: Daniel ReyesEdición: Carlos Dada Sonido y música: Omnionn

Matt is joined by Keach Hagey, a journalist at The Wall Street Journal and author of 'The Optimist: Sam Altman, OpenAI, and the Race to Invent the Future,' to discuss Amazon abandoning Luca Guadagnino's movie ‘Artificial' and looking to sell it to another studio to distribute. They talk about why Amazon made this movie in the first place, its relationship with OpenAI, their thoughts on the script and how it portrays Altman, whether any major studio will buy this movie, and how big tech has influenced Hollywood's decision-making strategy (00:00). Matt finishes the show with a prediction about the legendary Clive Davis pre-Grammys party (27:17). Host: Matt Belloni Guest: Keach Hagey Producers: Craig Horlbeck, Jessie Lopez, and Jon Jones Theme Song: Devon Renaldo After false reports of Deborah's death, she and Ava return to Vegas. Watch now. Alan Cumming hosts the hit series THE TRAITORS. Streaming on Peacock. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Le 2 avril 1974, une édition spéciale interrompt les programmes télévisés. Le président de la République, Georges Pompidou, vient de s'éteindre, emporté par une maladie longtemps tenue secrète. Symbole de modernité, il laisse à la France une empreinte durable, le centre d'art et de culture qui porte aujourd'hui son nom et le souvenir des années heureuses. Découvrez le parcours atypique de ce président passionné de poésie et d'art contemporain. Crédits : Lorànt Deutsch, Bruno Calvès.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

One group sees a guy who helped revolutionize electric vehicles, private space flight, satellite communications, artificial intelligence, robotics, and who knows what he'll tackle next.The other sees a tax form that hasn't been filled out aggressively enough.That's the divide.Conservatives tend to look at extraordinary achievement and ask, "What can we learn from it?"Leftists look at extraordinary achievement and ask, "Who allowed this?"And nobody illustrated that better than Elizabeth Warren.The moment Musk crossed the trillion-dollar threshold, Warren responded exactly the way your neighborhood HOA president responds when somebody paints their house a color she didn't approve.Not curiosity.Not admiration.Not even skepticism.Immediate regulatory panic."We need a wealth tax."Of course.Because in Washington, every accomplishment eventually gets translated into government revenue.Build a company? Tax it.Create jobs? Tax them.Invent something revolutionary? Tax that too.At some point they'll propose taxing ambition itself.The Left treats wealth the way medieval villagers treated comets.They don't understand where it came from, but they're convinced it means something terrible.And what fascinates me isn't Warren.She's doing what Warren does.What fascinates me is how many people share the same mindset.They see Elon Musk and think he somehow won capitalism's lottery.As if Tesla, SpaceX, Starlink, Neuralink, X, and AI were all purchased at a gas station with a lucky scratch-off ticket.As if a trillion dollars simply appeared one morning in his checking account.No process.No risk.No sacrifice.No years of being told he'd fail.Just poof.A trillion dollars.The reality is far less magical and far more irritating to his critics.Musk spent years being mocked by people who have never built anything larger than a political mailing list.Tesla was supposed to fail.SpaceX was supposed to fail.Starlink was supposed to fail.His purchase of Twitter, now X, was supposed to be the business equivalent of driving a Ferrari into a lake.The experts assured us.The analysts assured us.The journalists assured us.The politicians assured us.At one point, the only thing growing faster than Musk's companies was the list of people predicting their collapse.And here's the remarkable thing.Every prediction failed.Every obituary was premature.Every declaration that Musk had finally overplayed his hand turned into another example of why the people making the predictions should never be trusted with lottery numbers.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 01:27:57 - par : Laurent Valière - Pour cette deuxième émission à New York, Laurent Valière rencontre les metteurs en scène Bill Rauch et Diane Paulus qui ont réinventé de façon audacieuse deux classiques de Andrew Lloyd Webber : "Cats" et "Le Fantôme de l'Opéra" - équipe : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Esta semana nos salimos de los márgenes de Derroteros para adentrarnos en otro. En un recorrido, un itinerario.  Nuestra compañera Kelu Robles ha estrenado podcast con La República Independiente de la Radio y queremos que no te lo pierdas. Te va a servir como guía de viajes y a la vez te surte de frikismo y memes. ¿Qué no te lo crees? Suscríbete a su canal aquí: ⁠https://larepublicaindependiente.s.gy/KELUGARES En este episodio te cuenta cómo lidiar con los taxistas napolitanos, pero también dónde alojarte, qué ver y dónde comer. Además, este es un podcast que también se lee. Cada episodio cuenta con toda la información detallada aquí ⁠www.eldiario.es/viajes/kelugares⁠

Le 20 juin 1936, le gouvernement du Front populaire promulgue la loi sur les congés payés : 15 jours de vacances, chaque année, pour tous les salariés. Une idée qui, pourtant, ne faisait pas partie du programme de la coalition de gauche dirigée par Léon Blum. Chaque week-end en podcast exclusivement, Lorànt Deutsch revient désormais sur les grands moments qui ont façonné notre monde.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Nobody has ever filmed a real alien, so why do they all look the same? The grey skin, the black almond eyes, sixty years running. This week Laura Gommans is joined by historian Alexander Bartels, who curated LAB111's We Are Not Alone season, for a conversation about the gap between the aliens cinema gives us and the things people actually report seeing. On screen: greys, flying saucers, humanoid visitors. From the real records that Bartels studies: declassified military footage, radar data, government files from around the world there are mostly orbs and lights, unspectacular and almost impossible to film. So where did the grey come from? They follow the loop back to one telling case: The Bellero Shield, an episode of The Outer Limits that aired in February 1964, twelve days before Barney Hill, under hypnosis, drew the wrap-around-eyed alien that matched it almost exactly. Screen and sighting have been copying each other ever since, right up to a 2024 Pentagon report that blames film and television for what people believe they've seen. Has cinema ever shown us something genuinely other, or only ever redrawn ourselves?Get tickets to ⁠Disclosure Day⁠ @ LAB111Get tickets to ⁠We Are Not Alone⁠ @ LAB111 A LAB111 production. Edited and produced by Elliot Bloom, co-produced by Laura Gommans. Music by Hugo Emmerzael. Artwork by Studio FFF.

Aujourd'hui, Mourad Boudjellal, éditeur de BD, Joëlle Dago-Serry, coach de vie, et Charles Consigny, avocat, débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

In this week's HARD-HITTING and GENRE-DEFINING podcast, Liam & Ben must:

FRECUENCIA AL DÍA -

durée : 01:01:33 - Les Nuits de France Culture - par : Albane Penaranda - Quel fut l'impact de la série télévisée "La caméra explore le temps" consacrée aux Cathares ? Emmanuel Laurentin proposait à des historiens et des chercheurs de revenir sur les enjeux culturels, politiques et mémoriels de cette série historique, diffusée au mitan des années 1960. - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

How do startups actually beat established incumbents? In this episode of the BRAVE Southeast Asia Tech Podcast, Jeremy Au reframes the classic David vs Goliath story to explain why startups are not underdogs. They are operators who choose the right weapon, then go for the kill shot of category creation. Break down the David vs Goliath Reframe, where the slingshot was equivalent to a pistol and David won not by luck but by choosing speed over armor. Walk through Startup Case Studies including Oatly building a billion-dollar oat milk category from nothing in 1994, and Hon Lik inventing the vape in Shenzhen for himself, as examples of how startups experiment where incumbents cannot. Wrap up with Jeffrey Bussgang's Jungle, Dirt Road, Highway framework, using Jeff Bezos's transition from finance to Amazon as the canonical startup lifecycle example. Tune in to find out why category creation comes from experimentation, not optimization, and why startups should invent rather than compete. Watch, listen or read the full insight at https://www.bravesea.com/blog/invent-the-category  WhatsApp: https://whatsapp.com/channel/0029VakR55X6BIElUEvkN02e TikTok: https://www.tiktok.com/@jeremyau Instagram: https://www.instagram.com/jeremyauz Twitter X : https://x.com/jeremyau LinkedIn: https://www.linkedin.com/company/bravesea English: Spotify | YouTube | Apple Podcasts Bahasa Indonesia: Spotify | YouTube | Apple Podcasts Chinese: Spotify | YouTube | Apple Podcasts

Hubo en España un señor que revolucionó el panorama literario de la ciencia ficción. En plena dictadura franquista, con España practicamente aislada del mundo, en los kioskos se vendían novelas de 'a duro' que hablaban de pistolas láser, de la teletransportaciones, de sociedades donde no existía el dinero y las mujeres eran poderosas. "La saga de los Aznar" esta compuesta por un total de 56 novelas publicadas entre 1953 y 1970 por George H. White, el pseudónimo que utilizaba el valenciano Pascual Enguidanos. En este 'Viaje de ida' Pepe Rubio viaja al espacio que imaginó Enguidanos en un mundo gris, escondido tras un pseudónimo, y que revolucionó la forma en la que entendíamos la ciencia ficción en España. Este viaje ha sido posible gracias a la generosidad y participación de Mariano Sánchez, director de la editorial Altolibros; Francesc Rozalén, historiador; Mariano Villareal, autor de 'Historia de la ciencia ficción española. La era de los pioneros'; Pedro García Bilbao, sociólogo, profesor y editor de 'La saga de los Aznar' en Silente, Juan Miguel Aguilera, diseñador y escritor de ciencia ficción y novelas historicas, y Sergio Mars, escritor.Con la producción de Teresa Truchado.

Luis Herrero entrevista a Blas Pardo, hijo del fundador.

Join us as Dale Orders (AWS Community Builder, four-time All Builders Welcome participant from Australia) walks through everything you need to know about getting to AWS re:Invent completely free - flights, hotel, conference pass, and more. Dale shares her personal journey from being rejected the first time to attending four AWS conferences through the All Builders Welcome grant program, including two as a mentor. You'll learn the exact eligibility criteria, what the grant actually covers (flights, accommodation, Uber vouchers, a prepaid Visa card, and a free AWS exam voucher), how to write an application that stands out, and the one thing that will get yours rejected immediately. Dale also covers what happens after you're accepted, how to handle the visa process if you're outside the US, and a full list of other tech conference grant programs beyond AWS. Applications typically open in late June - this episode is your head start. Timestamps 0:00 Welcome & Introduction 4:11 What is the All Builders Welcome Program? 8:03 Dale's Journey: Rejected Once, Accepted Four Times 11:07 Eligibility Criteria & Who Should Apply 15:49 The #1 Thing That Will Get Your Application Rejected 16:03 Everything the Grant Actually Covers 17:42 How to Apply & Timeline 18:41 Writing a Winning Application 35:18 Visa Process Warning: Don't Ignore This 38:41 Other Tech Conference Grant Programs & Wrap-up How to find Dale: https://www.linkedin.com/in/dale-orders/ Links from the show:

Join us as Dale Orders (AWS Community Builder, four-time All Builders Welcome participant from Australia) walks through everything you need to know about getting to AWS re:Invent completely free - flights, hotel, conference pass, and more. Dale shares her personal journey from being rejected the first time to attending four AWS conferences through the All Builders Welcome grant program, including two as a mentor. You'll learn the exact eligibility criteria, what the grant actually covers (flights, accommodation, Uber vouchers, a prepaid Visa card, and a free AWS exam voucher), how to write an application that stands out, and the one thing that will get yours rejected immediately. Dale also covers what happens after you're accepted, how to handle the visa process if you're outside the US, and a full list of other tech conference grant programs beyond AWS. Applications typically open in late June - this episode is your head start. Timestamps 0:00 Welcome & Introduction 4:11 What is the All Builders Welcome Program? 8:03 Dale's Journey: Rejected Once, Accepted Four Times 11:07 Eligibility Criteria & Who Should Apply 15:49 The #1 Thing That Will Get Your Application Rejected 16:03 Everything the Grant Actually Covers 17:42 How to Apply & Timeline 18:41 Writing a Winning Application 35:18 Visa Process Warning: Don't Ignore This 38:41 Other Tech Conference Grant Programs & Wrap-up How to find Dale: https://www.linkedin.com/in/dale-orders/ Links from the show:

The Advantage of Rapid Prototyping in Wearable MedTech DevelopmentModern cancer treatments are getting better at targeting specific forms of cancer. However, this improved effectiveness often introduces lethal side effects. Skribe Medical is developing wearable technologies to help oncologists monitor and manage these side effects and ultimately improve cancer survivability.In Episode 45 of the MedTech Speed to Data podcast, Key Tech's Andy Rogers has a conversation with Ryan Neely, Skribe Medical's CEO and co-founder, about the startup's approach to rapid prototyping, clinical trials, and wearable technology.Need to knowCancer treatment can be lethal — The most effective drugs often come with black box warnings of harmful and lethal side effects.600,000 US patients are at risk of cardiotoxicity — Toxic drugs damage the heart, leading to complications like arrhythmia and heart failure.Managing cardiotoxicity can delay cancer treatments — Oncologists must now schedule patients for third-party ECG testing, which takes time and delays treatment.The nitty-grittySkribe Medical is developing a wearable ultrasound sensor that detects cardiotoxicity signals for use in oncology clinics. “We have a patch that can be worn to detect cardiotoxicity and really streamline monitoring of heart health,” Neely says. “Rather than an oncologist sending a patient to get a cardiac ultrasound, which could take weeks, the patch can just be placed above the heart for about five minutes. We record a bunch of different signals, pass them through an AI model, and then we can give them either a thumbs up or a thumbs down.”Neely goes on to explain how the in-clinic wearable approach delivers benefits beyond better patient outcomes. “The first device that we're building is intended to be used in the clinic by a nurse or a medical assistant. By the time the doctor is there, you've got your answer.”Designing a wearable device rather than an implant created several advantages for Skribe Medical during its early development. “In a regulated industry like medical devices,” Neely explains, “it's like a little bit of a chicken and egg where people say, ‘we'd like to see some clinical validation' and you're thinking, ‘Well, I don't have a million dollars to fund that.' In a non-invasive device, any opportunity that you can have to test, even if it's this big, bulky thing, you can get some data.”Skribe Medical's technology can extend to other aspects of oncology, including peripartum cardiomyopathy, a rare form of heart failure arising towards the end of a pregnancy. Long-term, Neely envisions building the longitudinal training data needed for predictive monitoring. “What we'd like to do is be able to say, ‘two weeks from now there might be an issue' so you can do something today that prevents any drop [in injection fraction] at all.”Data that made the difference:Skribe Medical's three founders built first prototype at home. They used their home electronics and 3D printing labs to rapidly prototype the first functional sensors.Rapid wearable development delivered data quickly, first by testing themselves and then through clinical testing.Skribe Medical conducted the first clinical tests at an ECG lab where, with consent, the wearable collected patient data for comparison with the patient's ECG results.Having clinical data so early in the process encouraged investors. Last year's pre-seed round raised $1.6 million from angels and VCs to support the next phase of device development and trials.Listen to Andy's conversation with Neely to hear more about Skribe Medical's journey, development process, and the advantages of wearable medical technology.

Si te gusta lo que escuchas y quieres apoyar esta empresita, ven a ver el programa en directo de lunes a jueves a las 18:00h en Twitch.tv/chiclanafriends

En este episodio de De Todo Un Mucho, Martha Higareda y Yordi Rosado leen algunas de las confesiones más impactantes que les enviaron los Muchólogos sobre mentiras que comenzaron siendo pequeñas… y terminaron convirtiéndose en algo mucho más grande.   Desde alguien que fingió un embarazo para evitar que su pareja la dejara, hasta una persona que sostuvo durante años una mentira que cambió por completo su vida. También escuchamos historias de títulos falsos, enfermedades inventadas, bodas canceladas y secretos que nunca debieron crecer tanto.   Algunas de estas historias son divertidas, otras incómodas y otras simplemente difíciles de creer. Pero todas tienen algo en común: comenzaron con una mentira que parecía fácil de controlar.   Un episodio lleno de confesiones, culpa, decisiones impulsivas y momentos donde una sola mentira terminó cambiándolo todo.  

durée : 00:03:39 - Les P'tits Bateaux - par : Camille Crosnier - Quel est le premier jeu Mario inventé et par qui ? C'est la question posée par le jeune Célestin pour "Les P'tits Bateaux", à laquelle répond le journaliste spécialiste de la pop culture Romain Nigita. Une interrogation qui replonge aux origines du plus célèbre plombier du jeu vidéo. - réalisation : Stéphanie Texier, Marjorie Devoucoux Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Chaque année au printemps c'est la fête des mères en France ! N'oubliez pas la date ! Elle est fixée par le Code de l'action sociale et des familles… à l'article D215-2, on peut lire : “La fête des mères est fixée au dernier dimanche de mai. Si cette date coïncide avec celle de la Pentecôte, la fête des mères a lieu le premier dimanche de juin.” “Mais la fête des mères…C'est le maréchal Pétain qui l'a inventé !” Alors non, on vous arrête tout de suite, la fête des mères existait avant le régime de Vichy et non ce n'est pas le Maréchal Pétain qui l'a inventé ! Pourquoi pense-t-on que la fête des mères a été inventée par le régime de Vichy ? D'où vient vraiment la fête des mères ? Pourquoi le maréchal Pétain a-t-il valorisé cette fête ? Écoutez la suite de cet épisode de Maintenant vous savez ! Un podcast Bababam Originals écrit et réalisé par Hugo de l'Estrac. Première diffusion : mai 2025 À écouter ensuite : ⁠Pourquoi le service militaire obligatoire a-t-il disparu en France ?⁠ ⁠D'où vient la fête des pères ?⁠ ⁠Qu'est-ce que le comité du 9 mai, ce collectif néofasciste ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez".⁠ Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

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For a quick stop at Johnny's House... Do you have a summer Bucket List? What would you un-invent if you could? See omnystudio.com/listener for privacy information.

For a quick stop at Johnny's House... Do you have a summer Bucket List? What would you un-invent if you could? See omnystudio.com/listener for privacy information.

Bonus Smarting! Trusty answers questions sent in by SmartyPants! Email your SmartyQs to - Whosmarted@whosmarted.com

Adam Angst of TidBITS reflects on Apple's 50 years through the lens of early tech idealism, arguing that what mattered most wasn't Apple itself but the community around it, which was weakened by shifts like the end of Macworld keynotes, Apple's vertical integration, and the decline of user groups and independent resellers. He contrasts the Mac's early "create" ethos (e.g., HyperCard) with later emphasis on communication and content consumption via iPod, iPhone, and social media, while noting growing societal harms from tech giants. Angst describes renewed excitement in creation via AI tools, citing apps he built for track training and race pacing. He recounts how his 1993 Internet Starter Kit for Macintosh bundled software (including MacTCP) and a flat-rate ISP account, prompting an Apple Legal scare resolved by the MacTCP product manager, and closes by urging people to ditch social media and "go outside."   00:00 Part Two Kickoff 00:37 TidBITS Anniversary 00:52 Apple 50 Reflections 01:59 Pre Web News Era 04:33 Early Internet Optimism 05:20 Flame Wars Then 07:31 Apple Idealism Fades 10:20 Community Was The Magic 11:45 Macworld And User Groups 14:00 Vertical Integration Shift 17:25 Apple Turning Points 22:20 Creators To Consumers 25:43 From Consumption to Creation 26:01 Bicycle for the Mind 27:27 AI as Research Assistant 28:26 Building Runner Tools 29:40 Pacing Math Problem 33:25 AI MVP to Real Code 36:04 Internet Starter Kit Origins 40:56 Apple Legal Scare 43:09 Invent a Better Future 46:04 Go Outside Finale     ——————————————————————————__—

durée : 00:04:02 - Les P'tits Bateaux - par : Camille Crosnier - Amalia, 5 ans, se demande qui a inventé la sieste. Une interrogation à laquelle répond la neurologue et spécialiste du sommeil Isabelle Arnulf, en revenant sur une pratique naturelle aux effets bien réels sur le cerveau. - réalisation : Stéphanie Texier, Marjorie Devoucoux - invités : Isabelle Arnulf Neurologue et directrice du service des Pathologies du Sommeil de l'hôpital Pitié-Salpêtrière à Paris, elle codirige l'équipe Dream Team à l'Institut du Cerveau Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

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In this episode, Brad Onishi is joined by world-renowned New Testament scholar Dr. Bart Ehrman to explore the origins of the Western moral conscience through his latest book, Love Thy Stranger. The conversation challenges the common assumption that altruism is a "natural" human impulse, revealing instead how the ancient Greco-Roman world operated on a logic of social dominance and power. Ehrman traces the evolution of ethics from the specific tribal obligations found in Leviticus to the radical, apocalyptic vision of Jesus, who demanded care for the "stranger" as a universal requirement. By examining how this revolutionary Jewish framework was later institutionalized by the early church and the Roman Empire, they uncover why modern Westerners—regardless of their personal faith—still view charity and humanitarianism as a moral imperative. The discussion also dives into the practical friction between Jesus' universalism and Paul's communal ethics, providing a fascinating historical roadmap of how Christian morality became the baseline for Western civilization. From the communal sharing models in the book of Acts to modern-day secular institutions like Doctors Without Borders, Ehrman argues that our contemporary "moral software" is deeply rooted in 1st-century radicalism. To ground these lofty concepts, Ehrman shares a poignant personal reflection on the community response to Hurricane Helene near his home in Asheville, NC, illustrating how these ancient ethical seeds continue to bear fruit in times of modern catastrophe. Subscribe for $3.65: ⁠https://axismundi.supercast.com/⁠ Subscribe to our free newsletter: ⁠https://swaj.substack.com/⁠ Order American Caesar by Brad Onishi: ⁠https://static.macmillan.com/static/essentials/american-caesar-9781250427922/⁠ Donate to SWAJ: https://axismundi.supercast.com/donations/new Learn more about your ad choices. Visit megaphone.fm/adchoices