POPULARITY
This week, it's a mini reunion of the documentary Horror Noire: A History of Black Horror as Steve and Tananarive welcome horror scholars Dr. Robin R. Means Coleman (who wrote Horror Noire) and Mark H. Harris, who have teamed up to write THE BLACK GUY DIES FIRST: Black Horror Cinema from Fodder to Oscar. A Black Horror roundtable on some of the worst tropes (including the Black character dying first), how times are changing, and why we love horror! LEAVE US A VOICEMAIL at https://www.speakpipe.com/LifewritingPodcast (We might play your message!) Learn more about your ad choices. Visit megaphone.fm/adchoices
Pace (they/them) and Emily (they/them) are joined by Dr. Robin R. Means Coleman (she/her) and Mark Harris (he/him), co-authors of the book The Black Guy Dies First! We talk about horror tropes, race and horror cinema, and whether or not we can say Candyman 5 times. Listen to all of this and more on this episode of Horror Nerds at Church! Media Referenced: -Horror Noire by Robin R. Means Coleman -The Black Guy Dies First by Robin R. Means Coleman and Mark Harris Support us on Patreon! Buy some merch! Follow us on Instagram, Facebook, and Twitter for all the latest updates about upcoming films, news, and other announcements. If you would like to submit your own real life church horror story for a future minisode, follow this link (https://bit.ly/HNACMinisodes) or email us at horrornerdsatchurch@gmail.com And don't forget to comment, rate, and subscribe to us on your favorite podcast provider! --- Support this podcast: https://podcasters.spotify.com/pod/show/hnacpod/support
Welcome to The Square Round Table Podcast Halloween Special Pt. 2 with Special Guest: Dr. Robin R. Means Coleman !!!!!! First we examined Horror through a Black lens. Now we are taking a look at how popular culture has portrayed Black Characters in Horror throughout the inception of this divisive genre! After all, “We've always loved horror, it's just that horror, unfortunately, hasn't always loved us.” -Tananarive Due
It's October and the INAPC sisters are back to pay homage to a history of black horror. This time we reference the 2019 documentary Horror Noire: A History of Black Horror based on the 2011 non-fiction book Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman, PhD. From the 1915 film The Birth of a Nation to the present, the relationship between black Americans and the horror genre has been a roller coaster. So strap in for a ride! You don't want to miss it. Music: Moon Apple Logo: Midnight Peony Sources: https://wearyourvoicemag.com/entertainment-culture/white-gaze-black-witches-in-film https://www.theatlantic.com/culture/archive/2021/04/black-horror-racism-them/618632/ Bonus: https://collider.com/get-out-inspired-black-trauma-films/ Monstrum: Zombies - https://www.youtube.com/watch?v=KIGmsxBMnjA --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/notapeachcrayon/support
E aí, chefia. Sejam todos, todes e todas bem-vindas ao Boteco dos Versados! Hoje, dando sequência a nossa série sobre obras escritas por pessoas negras, a Paty Souza, o André Felipe e a Carissa Vieira, fazem indicações de mais de nove obras escritas por pessoas negras, dos mais diversos estilos! Indicados no episódio: Apropriação Cultural de Rodney William Homens pretos (não) choram do Stefano Volp Horror Noire de Robin R. Means Coleman Jinga de Angola: A Rainha Guerreira da África de Linda M. Heywood Na Corda Bamba de Kiley Reid Orgulho de Ibi Zoboi Quando Me Descobri Negra de Bianca Santana Tudo nela brilha e queima de Ryane Leão Um defeito de cor de Ana Maria Gonçalves O Negro na Biblioteca de Francilene do Carmo Cardoso Avisos: Apoie a Noveletter Apoie o Clube da Caixa Preta!! Aproveitem para conhecer os outros projetos dos nossos participantes! Conheça o canal do Youtube da Carissa! E aquele recadinho de sempre, se gostou do episódio, então venha falar conosco! Portanto, assine o nosso FEED e siga as redes sociais do Leitor Cabuloso para ficar sabendo de mais notícias do mundo dos leitores. Apoie o Catarse do LC e ajude a gente a pagar as contas da nossa casa. Primordialmente, não se esqueça de seguir o Boteco nas redes sociais: @botecoversados Créditos: Pauta: Paty Souza Identidade visual: Paty Souza Identidade sonora: Samuel Muca Limpeza e edição de áudio: Ace Barros Trilhas e mixagem: Samuel Muca
Content Warnings: abortion, death, homophobia, racismHappy Black History month continued! Today, we are talking about Giovanni's Room by James Baldwin, some of the themes of the book, and how Baldwin's life paralleled the fiction he created!Books Mentioned:Giovanni's Room, James Baldwin Comics for Choice: Whit Taylor, Hazel Newlevant, Ø.K. FoxBurgers in Blackface: Anti-Black Restaurants Then and Now (2019)Marbles, Ellen ForneyOutlaw Marriages, Rodger StreitmatterHorror Noire: Blacks in American Horror Films from 1890's to Present (2011), Robin R. Means ColemanThe Ballad of Black Tom, Victor LaValleThrough the Woods, Emily CarrollMouthful of Birds, Samanta SchweblinBones of the Coast, Cloudscape AnthologyPeek at Next Week: The Deep by Rivers SolomonComics for Choice (link: [http://comicsforchoice.com/](http://comicsforchoice.com/))Victor LaValle's website: [http://www.victorlavalle.com](http://www.victorlavalle.com/)You can reach us at:River Instagram: @huckleberry.comicsWake Instagram: @notaclevernamerShow email: littlequeerlibrarypod@gmail.com
Whew! We're back to normal-sized Little Cuts and talking our normal-sized films! This week, Mary Beth covered Final Girls Berlin and managed to see two films she missed at earlier festivals. First, she discusses the Argentinian horror film The Returned (Los Que Vuelven) and then the German horror film Time of Moulting (Fellwechselzeit). Terry is trying to fill his blind spots in Black cinema and is using the Horror Noire syllabus by Ashlee Blackwell, Dr. Robin R. Means Coleman and Tananarive Due. Up first its Tales from the Hood (1995). Then we take our fifth Wrong Turn and...listeners it's a doozy. Finally we dig into The Bird with the Crystal Plumage, Dario Argento's directorial debut!
If you’re a fan of the podcast please follow me on twitter @winemovienerd or send me an email at milkshakesandmimosas@gmail.com. Sources included bibliography will be available in the show notes. The Battle for King Kong by Andrew Tobias New York Magazine February 23rd 1976 Tracking King Kong: A Hollywood Icon in World Culture by Cynthia Erb Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman King Kong Cometh edited by Paul Woods King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson by Ray Morton Kong Unmade: The Lost Films of Skull Island by John LeMay Universal City Studios, Inc. v. Nintendo Co. Ltd., 615 F. Supp. 838 (S.D.N.Y. 1985) https://law.justia.com/cases/federal/district-courts/FSupp/615/838/1515073/
Dr Alison Peirse is a film professor and writer of "After Dracula", "Korean Horror Cinema", and "Women Make Horror: Filmmaking, Feminism, Genre". In this episode, we talk all about the history of women in horror and women creating horror, as well as advice for new filmmakers and horror movie recommendations to watch on Halloween! Join our community of women filmmakers over on Instagram @MakingItWomenInFilm Follow Alison on Instagram @AlisonPeirse, and purchase "Women Make Horror" here. Follow Shania on Instagram @ShaniaBethune and @ShaniaFilm Follow Evita on Instagram @MalinEvita Alison's book list recommendations: Horror Noire: Blacks in American Horror Films from the 1890's to Present, by Robin R. Means Coleman Men, Women, and Chainsaws: Gender in Modern Horror Film, Carol J. Glover The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meary 1000 Women in Horror: 1896-2018, by Alexandra Heller-Nicholas House of Psychotic Women: Autobiographical Topography of Female Neurosis in Horror and Exploitation Films, by Kier-La Janisse This episode was hosted by Malin Evita and Shania Bethune, guest-starring Alison Peirse, and edited by Malin Evita. For more, go to malinevita.com/podcast or contact us at makingitwomeninfilm@gmail.com --- Send in a voice message: https://anchor.fm/makingitwomeninfilm/message
Keeping in the Halloween spirit, Brandon and Lorin review Horror Noire: A History of Black Horror directed by Xavier Burgin. Based on Robin R. Means Coleman's book, Horror Noire explores African American's complex role in the horror genre. Elsewhere we both began the twisted journey of HBO's newest limited series The Undoing, and recap some uneven reviews for Binge Me Not. --- Send in a voice message: https://anchor.fm/astreamablelife/message
In the spirit of Spooky season, Skye and Amanda sit down to discuss the Black Horror genre and its depictions of the biggest terrors we face day-to-day. The ladies talk about the thrilling novel, When No One is Watching by Alyssa Cole and the movie, Vampires vs. The Bronx, both horror stories about a true life fear; gentrification. They gush about the genius of Lovecraft Country and the realities that Black people face when uncovering who the real monsters are in their lives. Hear about Skye's experience rewatching classic Black horror movies and how her perspectives have changed, and why Amanda is loving the resurgence of Black Horror stories being told today, both in literature and film. Books mentioned in this week's episode are linked to the Black Owned Bookstore: Eso Won BooksHorror Noire: Blacks in American Horror Films from the 1890s to Present, Reviews by Robin R. Means ColemanWhen No One Is Watching by Alyssa ColeLovecraft Country by Matt RuffThis week's ‘Bout That Action! highlight is Kyyah AbdulCheck out Kyyah's infographics on S.A.R.S on Instagram at: @kyyahabduBook EP: Be sure to stream the songs mentioned in this week's Book EP playlist on Long Story Short's Spotify page: https://open.spotify.com/user/rz5hp2nppkhd82xmhhoo2euqc?si=olIngYNWSTmbhGqnyK6zggWord of the Week: ForfendFollow us online:Instagram: @LongStoryShortPodTwitter: @LSSpodcastFacebook: @LongStoryShortPodEmail: info.longstoryshortpod@gmail.com
Watch Horror Noire: A History of Black Horror directed by Xavier Neal-Burgin. Featuring actors Keith David, Tony Todd, and Rachel True, director Jordan Peele, and author Tananarive Due. The film is inspired by the astounding film critic Dr. Robin R. Means Coleman who wrote a history book on black horror called Horror Noire. Listen as Amber and Ben breakdown the six phases of Black representation in horror films: Phase 1: Black People as Monsters Phase 2: Black People as Slapstick Comedy Phase 3: The Atomic Age Phase 4: Blaxploitation and Hood Heroes Phase 5: The Sacrificial and Magical Negro Phase 6: Renaissance and Black Horror Also! Watch Blacula directed by William Craine starring William Marshall.Other References: -Nnedi Okorafor article “Stephen King's Super-Duper Magical Negroes” -Nightlight Podcast Interview with Tananarive Due -Women & Children First Presents: N.K. Jemisin's THE CITY WE BECAME By Orbit LIVE! -Horror Noire: Blacks in American Horror Films from the 1890s to Present by Dr. Robin R. Means Coleman
"The horror is history..." This week your favorite ghouls discuss Oprah Winfrey and Jonathan Demme's film version of Toni Morrison's prize winning novel, Beloved (1998). Topics include but are not limited to The horrors of the past: slavery, trauma and ghosts, Southern Gothic horror, mothers and daughters, and sisterhood. --- Thanks to Lily LeBlanc for our theme song: www.lilyleblanc.com --- Resources: Beloved (1998 Film) Wikipedia https://en.wikipedia.org/wiki/Beloved_(1998_film) Beloved: The Best Horror Novel the Horror Genre Has Never Claimed by Grady Hendrix https://www.tor.com/2016/02/18/beloved-the-best-horror-novel-the-horror-genre-has-never-claimed/ Black Horror Rising BY TANANARIVE DUE https://uncannymagazine.com/article/black-horror-rising/?fbclid=IwAR2_acNtT-tCRsQ30f17jrzuTVmYpCsio-wGvAIkX2Nm5mHQyI55UaviH7E Toni Morrison’s ‘Beloved’: A Gothic Classic of Black Horror Media by Donyae Coles https://bloody-disgusting.com/editorials/3578911/toni-morrisons-beloved-gothic-classic-black-horror-media/ “Should ‘Beloved’ Be in the Black Horror Film Canon?: An interview with two Black women horror creators, Tananarive Due and Robin R. Means Coleman” by Juliana Ukiomogbe https://zora.medium.com/should-beloved-be-in-the-black-horror-film-canon-7e523a419c90 AFRICAN AMERICAN FOLKLORE, MAGICAL REALISM AND HORROR IN TONI MORRISON NOVELS by Sumiko Saulson https://mochamemoirspress.com/uncategorized/african-american-folklore-magical-realism-and-horror-in-toni-morrison-novels/ Horror in the 90s: The Southern Gothic by Ashlee Blackwell https://www.graveyardshiftsisters.com/2014/01/horror-in-90s-southern-gothic.html The Horrors of Remembrance: The Altered Visual Aesthetic of Horror in Jonathan Demme’s Beloved by Ellen Scott https://www.colorado.edu/gendersarchive1998-2013/2004/09/01/horrors-remembrance-altered-visual-aesthetic-horror-jonathan-demmes-beloved Slavery, Human Cruelty, Survival, Horror, Maternity and Rememory : Translating “Beloved” to the Screen by Matty Stanfield https://mattystanfield.com/2015/07/25/slavery-human-cruelty-survival-horror-maternity-and-rememory-translating-beloved-to-the-screen/ African American Gothic: Screams from Shadowed Places by Maisha L. Wester https://books.google.com/books?id=wmKKOzK422QC&q=Beloved#v=snippet&q=Beloved&f=false Searching for Sycorax: Black Women's Hauntings of Contemporary Horror by Kinitra D. Brooks https://books.google.com/books/about/Searching_for_Sycorax.html?id=F3BADwAAQBAJ Mother/Daughter Relationship: Psychological Implication of Love in Toni Morrison’s Beloved https://www.ajol.info/index.php/lwati/article/view/46583 “Analyzing Relationship of Sethe and Denver as Mother and Daughter Relationship in the Novel Beloved Written By Toni Morrison” by Debora Tambun https://www.google.com/amp/s/deboratambun.wordpress.com/2012/11/09/analyzing-relationship-of-sethe-and-denver-as-mother-and-daughter-relationship-in-the-novel-beloved-written-by-toni-morrison/amp/ ''Motherlove was a Killer:'' Mother-Daughter Relationships in A Mercy and Beloved by Chrysa Titi https://www.academia.edu/11978901/Motherlove_was_a_Killer_Mother-Daughter_Relationships_in_A_Mercy_and_Beloved Mothering Violence: Ferocious Female Resistance in Toni Morrison's The Bluest Eye, Sula, Beloved, and A Mercy by Amanda Putnam https://www.jstor.org/stable/pdf/10.5406/blacwomegendfami.5.2.0025.pdf?ab_segments=0%252Fbasic_SYC-5187_SYC-5188%252Fcontrol THE RETURN OF THE SISTER: SISTERHOOD AND BLACK FEMALE SUBJECTIVITY IN TONI MORRISON'S "BELOVED" by Su-lin Yu https://www.jstor.org/stable/44325441?read-now=1&seq=1#page_scan_tab_contents Among Women: Toni Morrison's Mothers, Sisters, and Daughters. By Hazel Ruth reames Caillouet https://digitalcommons.lsu.edu/cgi/viewcontent.cgi?article=7469&context=gradschool_disstheses
Bill speaks to writer, producer/screenwriter and professor Ashlee Blackwell about her various endeavors, from organizing events like Philly Loves Women In Horror and developing the Graveyard Shift Sisters website to teaching film at St. Joseph’s University and co-writing, co-producing and appearing in the documentary HORROR NOIRE: A HISTORY OF BLACK HORROR. Topics include: James Bond III, the value in narrowing one’s focus, R. Shanea Williams, THE EXORCIST, Dr. Robin R. Means Coleman, unwinding to stand-up comedy and having one’s feminist sensibilities awakened by A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER. Follow Ashlee Blackwell on Twitter: https://twitter.com/AshleeTakesNote Read Graveyard Shift Sisters: https://www.graveyardshiftsisters.com Watch HORROR NOIRE: A HISTORY OF BLACK HORROR: https://www.shudder.com/movies/watch/horror-noire-a-history-of-black-horror/4548652 Listen to Ashlee Blackwell and Diandra Lazor interview actress Toy Newkirk on Elm Street Radio: https://www.youtube.com/watch?v=YeWEUoYmqek Read "Why We Exist: A Call For Community": https://www.graveyardshiftsisters.com/2013/10/why-we-exist-call-for-community.html Watch the films of R. Shanea Williams: https://vimeo.com/user3681349
Brian & Marion dive into the surprisingly rich and complicated history of Black representation in horror movies, starting with The Birth of a Nation and ending (for now) with Us. Marion has a LOT to say about Dr. Robin R. Means Coleman's new Shudder documentary Horror Noire, and Brian surprises everyone by giving a world-class history lesson. They also answer that eternal question - what's your favorite scary movie? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/at-the-intersection/support
Dr Racquel Gates is assistant professor of Cinema and Media Studies at the College of Staten Island. She is the author of Double Negative: The Black Image and Popular Culture (Duke, 2018). For the latest episode, Racquel talked to Neil about her book and a number of other topics including contemporary black screen art and criticism, Eddie Murphy, Halle Berry, Whoopi Goldberg, Black cultural scholarship and the Academy, Empire, Reality TV, Sorry To Bother You and lots more. Racquel was very tolerant of Neil’s rambling enthusiasm for her work and the ideas and thoughts it spawned in him. Her book is incisive and entertaining and as a thinker Racquel expertly discusses texts while understanding the fluidity of ideas and issues around flaws, problems, virtues and areas of scholarly note. This conversation is one of our favourites. It gets into some really fascinating areas and touches on black film history and the wider contexts of the contemporary moment. We hope you enjoy it. Here’s a link to the book Racquel mentions whose title gets lost on the episode due to a drop in the Skype signal - Horror Noire by Robin R. Means Coleman. A link to Wesley Morris on the Longform Podcast and his NYT essay, and the Harper’s Podcast Like This Or Die, all of which are referenced in Neil and Dario’s chat around the central conversation on this episode. Listen on: iTunes: https://itunes.apple.com/gb/podcast/the-cinematologists-podcast/id981479854?mt=2 Website: www.cinematologists.com PlayerFM: https://player.fm/series/series-2416725 Spotify: https://open.spotify.com/show/0RjNz8XDkLdbKZuj9Pktyh Patreon: https://www.patreon.com/cinematologists
Nolan is joined by Emily von Seele — as well as special guests Stephanie Crawford from The ScreamCast & Dread Central and Michele Eggen from Wicked Horror & Ghastly Grinning — to discuss Mary Lambert's PET SEMATARY (1989) and David Keating's WAKE WOOD (2011). The crew catch up on recent horror releases, new discoveries, and rewatches before a monkey's paw grants them the power to bring their loved ones back from the dead, as well as bringing about their own demise. Other movies discussed on this episode: HORROR NOIRE: A HISTORY OF BLACK HORROR (2019), GANJA & HESS (1973), I, MADMAN (1989), MAXIMUM OVERDRIVE (1986), STARMAN (1984), HAPPY DEATH DAY 2U (2019), UNEARTHED & UNTOLD: THE PATH TO PET SEMATARY (2017). As will always be the case with this show, be aware that our discussion contains spoilers. If you want to watch the movies before listening to the show, there are a couple of ways you can do so. PET SEMATARY and WAKE WOOD are available to stream on Amazon Prime, and PET SEMATARY is also available on Hulu. Both are available to rent via video-on-demand as well. Links of interest and/or sources cited for research on this episode: Exhuming TALES FROM THE CRYPT: The First Three Came Home by Stephanie Crawford (Dread Central) Exhuming TALES FROM THE CRYPT: Sowing Death… Forever by Stephanie Crawford (Dread Central) [COMING TO SHUDDER] HORROR NOIRE: A HISTORY OF BLACK HORROR (2019) by Stephanie Crawford (Daily Grindhouse) The Horror Noire Syllabus by Ashlee Blackwell, Dr. Robin R. Means Coleman, and Tananarive Due (Graveyard Shift Sisters) Catalog From The Beyond: GANJA & HESS (1973) by Bryan Christopher (Daily Dead) Celebrating 10 Years of MY BLOODY VALENTINE 3D by Emily von Seele (Daily Dead) BLACK SNAKE MOAN and the Chains of Love by Michele Eggen (F This Movie!) Dead Is Better: Mary Lambert’s PET SEMATARY (1989) by Emily von Seele (Dead Ringers) Kingology 21 - Pet Sematary (The Good The Bad And The Odd) (podcast) Pet Sematary (Horror Homeroom) (collection of articles) Episode 8: Sometimes Dead is Better (Spinsters of Horror) (podcast)
What's good yall!? This week on my mind is some Black joy, and unfortunately a little bit of Black face. I'm thinking about the debacle in Virginia, as well as the return of the Boondocks and the very dope documentary Horror Noire. Also on my mind is my first podcast feature with the homie Rhayne (aka the Carefree Black Nerd) on his "A Deadly Class Act" Podcast. I got to chop it up with him about episode 4 of SyFy's new show Deadly Class, which I've linked below. Check out the show and listen to what we have to say. Even you don't watch the show, just check it out and support the homie! Thanks! Carefree Black Nerd's "A Deadly Class Act Pod" episode featuring yours truly Follow the Homie Rhayne on Twitter @CarefreeBlerd CNN State of the Union featuring Nina Turner Horror Noire Documentary Trailer Horror Noire Book by Dr. Robin R. Means Coleman Article in Complex featuring new Boondocks comic strips As always, you can follow me on Twitter @ThoughtsandEyes Follow the blog at www.MeMyThoughtsandEyes.wordpress.com Email: MeMyThoughtsandEyes@gmail.com
Nolan is joined by Kat Adams, Ben McBride, Paul Farrell, and Thomas Foster to discuss Ti West's THE HOUSE OF THE DEVIL (2009) and Karyn Kusama's THE INVITATION (2016). The crew share their thoughts on recent horror releases, new discoveries, and rewatches before being summoned by a sinister cult to spend a single night in an unsettling house under false pretenses. Other movies discussed on this episode: ESCAPE ROOM (2019), THOROUGHBREDS (2018), SUSPIRIA (2018), THE MANGLER (1995), NIGHTMARE BEACH (1990), RITUALS (1977), HORROR NOIRE: A HISTORY OF BLACK HORROR (2019), THE AUTOPSY OF JANE DOE (2016), WHAT WE DO IN THE SHADOWS (2014), VELVET BUZZSAW (2019), THE GIFT (2015), ENTER THE VOID (2010). As will always be the case with this show, be aware that our discussion contains spoilers. If you want to watch the movies before listening to the show, there are a couple of ways you can do so. THE HOUSE OF THE DEVIL is available to stream on Shudder and THE INVITATION is available to stream on Netflix. Links of interest and/or sources cited for research on this episode: The Horror Noire Syllabus by Ashlee Blackwell, Dr. Robin R. Means Coleman, and Tananarive Due (Graveyard Shift Sisters) Kat’s Top 10 Horror Movies of 2018 by Kat Adams (Dead Ringers) Thomas’ Top 10 Horror Movies of 2018 by Thomas Foster (Dead Ringers) Paul’s Top 10 Horror Movies of 2018 by Paul Farrell (Dead Ringers) Zombie VS Shark, What Else Needs to be Said? by Paul Farrell (Scriptophobic)
Welcome to another episode of Carolyn Talks!Based on the book Horror Noire: Blacks in American Horror Films from the 1890s to Present, by Dr. Robin R. Means Coleman, directed by Xavier Burgin, co-written by Ashlee Blackwell, and executive produced by Tananarive Due, Horror Noire: A History of Black Horror is a documentary that looks at the depiction of Black people in over a century of horror movies.The film is essential viewing for everyone who loves film, and not just the horror genre, because it gives the perspective of actors and directors about their experiences, and how film impacts the lives of Black people. Black actors and directors have always had to struggle with finding roles, and support for projects that centered the voice and experiences of Black people in film. Even in the 70s when films like Blacula was gaining attention in the Blaxploitation era, they still had to contend with racial and gender stereotyping. See acast.com/privacy for privacy and opt-out information.
Charlton McIlwain (@cmcilwain) - As a researcher, writer and teacher, Dr. McIlwain's primary interests focus broadly on issues of race and media, particularly within the social and political arena. His previous work centered on how political candidates construct, mobilize, benefit or suffer damage from race-based appeals. In 2011 Dr. McIlwain co-authored the book Race Appeal: How Candidates Invoke Race in U.S. Political Campaigns (Temple University Press). In 2012, the book won the prestigious Ralph Bunche Award, given by the American Political Science Association for the best book addressing ethnic pluralism. The same year, the American Library Association recognized the book as one of the Best of the Best books among academic publishers. In addition to authoring/coauthoring four additional books and close to thirty scholarly journal articles and chapter in edited volumes, and regularly providing expert commentary for local, state, national and international media, Dr. McIlwain continues to pursue research about racial appeals through collaborative work focused on analyses of individuals' real-time perceptions of race-based appeals in political advertising, as well as a variety of cognitive/physiological responses to racialized communication. You can stay informed about his ongoing work in that area at the RaceProject. Dr. McIlwain's recent interests, however, have turned to the intersections of race and digital media, principally as they relate to three primary questions: to what degree can/has the internet and other forms of digital media use lead to increased political participation, voice and influence for people of color?; in what ways might internet use provide greater access to social, professional and economic mobility for people of color?; and in what tangible ways do forms of racial discrimination, disparate treatment and denial of opportunity take place in online environments? He is currently working on a number of projects in this area, including: An article titled, Racial Formation Online: Representation, Inequality & the Political Economy of the Web. A book project titled Digital Movement: Black Politics, Organizing & Activism on the Web, which traces the roots and charts the development of racial justice networks online since the 1990s. A related project analyzing the Black Lives Matter movement on Twitter. The project is in collaboration with lead investigator Deen Freelon, and Meredith Clark, and is funded by the Spencer Foundation. Dr. McIlwain is also working on the following with other collaborators: A book project titled, Good Feelings: The Story of Race & Barbecue in America with Kathleen McElroy. A final book project with Stephen Maynard Caliendo titled Nigger 2.0: The Turbulent Transformation of a Still Troublesome Word. In addition to these projects, Robin R. Means Coleman and I edit the Routledge Transformations in Race & Media book series for Routledge. In this Episode we Discussed The history of race and racism on the Internet in the context of the civil rights and the post-civil rights eras How algorithms can both intentionally and unintentionally create real-world discriminatory harm Why scholars should continue to study race and racism at the intersection of technology and the Internet. Resources The Project on Race in Political Communication Obfuscation: A User's Guide for Privacy and Protest by Fin Brunton and Hellen Nissenbaum (MIT Press, 2015)
Hannah Neurotica and Ashlee usher in Women in Horror Month 2013 by discussing what they plan to do for Women in Horror Month: Ashlee's bringing WiHM to Philadelphia, and Hannah is taking the Ax Wound Film Festival online. Ashlee opens the floor for the fusion of Black History & Women in Horror Month by highlighting the work of scholar Dr. Robin R. Means Coleman and her book, Horror Noire: Blacks in American Horror Films from 1890's to Present as well as Kristina Leath-Malin's MFA project, My Final Girl: Black Women of Blaxploitation Horror currently in post production. Here's the link to the video clip: http://www.productionchick.com/html/mfg.html Guests include some of this year's WiHM sponsors and ambassadors and where to find them online: Rebekah McKendry - Award-winning filmmaker, Director of Marketing at Fangoria Magazine www.fanogoria.com Rebekah Herzberg - Actress, horror enthusiast www.wickedchannel.com http://yourneighborhoodjewishgirl.blogspot.com Tonjia Atomic - Filmmaker, Jewelry Maker, Musician/Composer www.tonjiaatomic.com www.hotchickphysics.com Hold tight for Part 2 with more interviews...