Podcasts about Pet Sematary

This post contains affiliate links, which means I may earn a small commission at no extra cost to you.What happens when a beloved actress becomes a storyteller of forgotten Black history? Karyn Parsons — yes, the Hilary Banks from Fresh Prince of Bel-Air — joins us to talk about her powerful historical fiction for young readers, her nonprofit Sweet Blackberry, and why books like hers matter more in 2026 than ever.In this episode, we dig into Blue Beach, a YA murder mystery set on a segregated Black beach in 1929 that is equal parts page-turning thriller and gut-punch history lesson. We also talk about Clouds Over California, Karyn's middle grade novel set in the 1970s that reframes the story of the Black Panthers. Whether you're a longtime reader of YA or someone who thinks "that's not for me" — this conversation will change your mind. Adults: these books are absolutely for you.Plus: Karyn shares what she's been reading lately, including a deeply unsettling thriller about smell, murder, and obsession, a darkly funny book that involves... cannibalism (?!), and why Kindred by Octavia Butler is a required read for every human.

My guest is Caroline Bicks, whose new book Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026) became a bestseller shortly after release. After she was named the University of Maine's inaugural Stephen E. King Chair in Literature, Caroline Bicks became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. --------- Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-­ author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-­ host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column  of the New York Times, McSweeney's Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

My guest is Caroline Bicks, whose new book Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026) became a bestseller shortly after release. After she was named the University of Maine's inaugural Stephen E. King Chair in Literature, Caroline Bicks became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. --------- Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-­ author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-­ host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column  of the New York Times, McSweeney's Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Trad wives are taking over horror in 2026 – but I predict none will be more frightening and more gorgeously WEIRD than Sarah Langan's novel.   It's the tale of a young woman in the dying era of journalism and the YouTube influencer who offers her hope, and much worse things…. I absolutely loved it.   Sarah and I talk about the trad wife phenomenon, where it comes from, what it means, and how it's all really based in cold hard capitalism. We talk about literary influences, about sustaining extreme weirdness in fiction, and why establishing character properly is so important.   And we even recall the time we bonded over the gift of a mutant duck!   Enjoy!   Other books mentioned: Pet Sematary (1983), by Stephen King Trad Wife (2026), by Saratoga Schafer Yesteryear (2026), by Caro Claire Burke “The Yellow Wallpaper” (1892), by Charlotte Perkins Gilman The King in Yellow (1985), Robert W. Chambers Rosemary's Baby (1967), by Ira Levin The Ceremonies (1984), by T. E. D. Klein Room (2010), by Emma Donaghue Station Eleven (2014), by Hilary St. John Mandel   Support Talking Scared on Patreon   Check out the Talking Scared Merch line – at VoidMerch   Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Frodo the cat serves as the ultimate horror witness in A Quiet Place: Day One (with Lupita Nyong’o) Crypticon Seattle, the great Pacific Northwest horror convention, has once again come and gone, but the memories linger. The panels are what make the convention feel like a class reunion. The panels are produced entirely by volunteer experts from across the region and are the ultimate in fan interaction. This is what it feels like to create a horror community, sharing our ideas and experiences with each other. This year, I decided to record some of the panels I participated in and attended to give you a sense of what happens at these events. This Pets in Horror panel was hosted by Brien Gorham, and I participated in it along with Kathy Fennesy and Todd Johnstson. If you are a long-time reader of our website or a listener of our podcast, you will know that I have a big ol’ soft spot for pets in horror. Whether they are the MacGuffins, the heroes, or the villains of the story, pets provide strong emotional connective tissue within horror constructs. The use of pets also sparks some great debates regarding the narrative use of animals. Because we have such a natural affinity for critters, horror movies tend to exploit those feelings by putting the animals in peril. Fair, or not? We will talk about that in this discussion. Brien was inspired by the success of last year’s remarkable film Good Boy which we have been a huge proponent for. You can use that link to listen to an interview with director Ben Leonberg, who discusses how he coaxed an award-winning performance from his pet dog, Indy. That movie, however, is just the tip of a very big trope iceberg. Thank you to Jason and Jasen for putting me on this panel, as it is something near and dear to me, and to many attending Crypticon. Brien Gorham outlined his panel discussion topics for this panel: “Indy the Dog from Good Boy has become the latest in a line of cinematic pets to steal our hearts, but domestic animals have a long history in horror movies. Whether that be as a witness, antagonist, or, as in the case of Indy, a protagonist. Let’s discuss how our collective best friends have been represented in horror films.” Introductions Opening question: If you could choose one pet from a horror movie to have in your home, who would you choose and why? Some larger questions that can be applied to any category: How do our personal relationships with pets affect how we see them in stories? (Please feel free to include personal stories where appropriate) How does the motivation of a pet differ from human motivation? Altruism? How do we recognize animal performances? (Indy's acting win) What resources are available for those who are sensitive to animal violence?  Part 1: Pets as Witnesses Possible Movies: Cat's Eye, Poltergeist, The Hills Have Eyes I and II Let's start with movies where a family pet serves as a witness or bystander to an individual or family crisis. In these cases, what purpose does the inclusion of the pet serve? How much do we hate it when pets are introduced just to be killed off for sympathy? Part 2: Pets as Heroes Possible Movies: Good Boy, Cat's Eye, Phenomena, The Hills Have Eyes Next, let's explore pets that go above and beyond, playing an active role in saving the day. Which movie pets do you most admire? How do certain traits of specific animals play into this heroism? How much do we hate it when animals sacrifice themselves for humans? Part 3: Pets as Antagonists  Possible Movies: Cujo, Lake Placid, The Uncanny, Uninvited, Pet Sematary, The Black Cat (any version) What happens when man's best friend turns violent, and our furry friends rebel against us? The most terrifying pets in horror? The most heartbreaking transformations? Closing What beloved pets have we not seen represented in horror movies? PET HORROR RESOURCES You can check out our Favorite Horror Movie Dogs Dead List for our updated list of horror hounds for your reference. Kathy Fennessy is a former president of the Seattle Film Critics Society and runs the Seattle Film Blog. She has a blog post titled “Good Boy and Other House Pets in Horror: Purrs, barks, Growls, and Deadly Attacks.“ I find that Kathy is the unofficial research librarian for Crypticon Seattle and has a deep and thorough knowledge of the genre. For those of you who get triggered by animal harm or death in movies, please visit “Does the Dog Die?“ It’s a great resource for people who need to filter their movies for moments that will trigger anxiety, with the primary trope being that of harm to dogs. It also covers things like harm to children and rape, which are non-starter elements for many people. A Recording of Brien Gohram’s Good Boy: Pets in Horror Panel Panelists:Brien Gorham – HostKathy Fennesy Eric LiTodd Johnston Please note: I was using a compressor microphone on the table, so the audio isn’t as clean as it would be with our dynamic podcasting microphones. Todd Johnston, in particular, is a bit faint, though I did boost the audio when he is speaking. Don’t over-adjust your volume, though, because when the conversation turns back to the rest of the panelists, it picks up. A fan and her pet chihuahua attend the Crypticon Seattle Pets in Horror Panel: Note – The dog makes it! Our Discussed Films:Plus… a couple more Indy: Good Boy (2025) Chewie: Critters (1986) General: Cat’s Eye (1985) Dickie: The Beyond (1981) Thor: Bad Moon (1996) Sarii: Prey (2022) Frodo: A Quiet Place Day One (2024) Ben (1972) Lake Placid (1999) Ella: Monkey Shines (1988) Pluto: The Rule of Jenny Pen (2025) The Uninvited (1987) Willard (1971) Inga: Phenomena (1985) Jed: The Thing (1982) When Evil Lurks (2023) Baxter (1989) Frankenweenie (2012) Boy: Love and Monsters (2020) Jones: Alien (1979) Cujo (1983) Green Room (2015) Roar (1981) Max: Man’s Best Friend (1993) Clovis (and gang): Sleepwalkers (1992) Black Sheep (2006) Precious: The Silence of the Lambs (1992) Church: Pet Sematary (2019) Zoltan: The Hound of Dracula (1977) Pippet: Jaws (1975) The Legend of Hell House (1973) Sugar: Crawl (2019) Beast: The Hills Have Eyes (2006) The Black Cat (1934)

University of Maine Professor (and the Stephen E. King Chair in Literature, by the way) Caroline Bicks spent a year combing through King's original manuscripts at his own personal archive and that resulted in an essential book for King obsessives: Monsters In The Archives that gives us new insights into King's process and illuminates paths not taken on some of his most iconic stories, like The Shining, Pet Sematary, Carrie, Night Shift, and 'Salem's Lot.These bonus episodes are usually exclusive to The Kingcast Patreon, so if you want more of this make sure to sign up over at www.patreon.com/thekingcast.Also make sure to order your copy of Monsters in the Archives at your local bookstore or at www.carolinebicks.com. 

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we are joined by author and Shakespeare scholar, Caroline Bicks, to discuss her latest book, Monsters in the Archive: My Year of Fear with Stephen King. Caroline will share with us how Shakespeare some of Stephen King's most famous works, and the surprising similarities she discovered between Shakespeare's writing and King's.  Monsters in the Archive: My Year of Fear with Stephen King is out now.  About Caroline Bicks Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column of the New York Times, McSweeney's Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family. About Monsters in the Archives: My Year of Fear with Stephen King After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree.  

Following up on the hero principal from last weeks episodes and kayleezy joins me for our book review on Pet Sematary. Good Stuffers: The Cornerstone Sweets on Facebook/InstagramAnd of course, for more good stuff go to https://linktr.ee/leezyentertainment

 Normal & The Mummy: A Double Feature Worth Your Time (Spoiler-Free) | WatchSkip+Cupcake and Mike are doing something a little different this week — a genuine double feature review, clocking in under 30 minutes. First, they dig into Normal (2025), the new Ben Wheatley action-comedy written by Derek Kolstad and Bob Odenkirk. Is it just Nobody again? Not even close — and the guys break down why this deeply weird, gory, surprisingly soulful film deserves your attention in theaters right now. Then they turn to Lee Cronin's The Mummy (2025), the Blumhouse/Atomic Monster horror that has the internet divided. Jack Reynor leads a cast through something that plays less like a classic mummy tale and more like a psychological body horror spiral in the vein of Evil Dead Rise and Pet Sematary. Both hosts have verdicts. Neither one will spoil a thing — that's what Sunday's SPOILER'D episode is for.- - - - - - - - - -WE ARE WATCH SKIP PLUS!FOLLOW/LIKE/SUBSCRIBE/REVIEW/LOVEEmail us: WatchSkipPlus@gmail.comBe kind. Be open. Be vulnerable. That's where the art is.SOCIAL MEDIA: FB: https://www.facebook.com/watchskippluspodIG: https://www.instagram.com/watchskipplus/X: https://twitter.com/watchskipplus 

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Episode 258! In a first for Book Cougars Author Spotlights, we welcome back an author not to discuss their next book, but to learn about why and how their first novel is being published for a second time – with a new publisher and a new ending! We enjoyed Heather Harper Ellett's debut novel, AIN'T NOBODY NOBODY, and were thrilled to invite her back to talk about the new life being breathed into her fantastic literary mystery, which also now has an audiobook version. Don't miss our conversation, which follows our regular segments. We finished/DNF'd some good/okay reads since last time: – PET SEMATARY by Stephen King – THE GOLDEN BOY by Patricia Finn – TRUE CRIME: A Memoir by Patricia Cornwell – RAISING HARE by Chloe Dalton – SHOELESS JOE JACKSON COMES TO IOWA: Stories by W.P. Kinsella In Biblio Adventures, we visited some fabulous independent and used bookstores: –CT: River Bend Bookshop's new location in West Hartford; Grey Matter Books, the Book Trader Cafe, and Atticus Bookstore Cafe in New Haven –MA: Papercuts Bookshop in Jamaica Plain, Boston –NYC: Pickle Books and P&T Knitwear Books on the Lower East Side And check out Emily's conversation with author Rebecca Kauffman about her novel THE RESERVATION over on Ingredient One. As always, we talk about more books and #biblioadventures than we list here. We hope you enjoy the episode and check out the show notes for links to all/most of the books, movies, and places that we mention. Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2026/episode258

Stay away AI, some Russian wisdom, a change is going to come (hopefully), the endearingly weird Krofft Brothers, Trump is a hater, Morrissey is sleepy, cow butt, an enjoyable new horror movie, another reason to mention Logan, an overlooked Bruce Willis action thriller, a girl with yellow eyes, butt cheeks, and hemming and hawing over a Hyundai. Stuff mentioned: Love Connection (1983-1994), The Bugaloos (1970-1971), Land of the Lost (1974-1976), Dr. Shrinker (1976), Wonderbug (1976), Pryor's Place (1984), Ray Parker Jr. "Pryor's Place" (1984), Morrissey "I'm Throwing My Arms Around Paris" (2009), Morrissey Years of Refusal (2009), Whistle (2025), Final Destination (2000), Logan (2017), Mercury Rising (1998), Pet Sematary (1989) Kindergarten Cop (1990), and Wes Craven's New Nightmare (1994).

This week we are joined by Matt Stewart from Prime Mates to ponder the question what if Harambe was buried in Stephen King's Pet Sematary? From guesting on Joe Rogan to the etymology of tossing salad, this is an episode where we all learn things. Some are even ape related! Happy APEril! Get tickets to see Matt live in Melbourne (use code GOBANANAS): https://www.comedyfestival.com.au/browse-shows/matt-stewart-and-suren-jayemanne/ Hosted on Acast. See acast.com/privacy for more information.

This Week in Horror History is your weekly horror movie and horror game release-date roundup, with where to watch or play (U.S.), a deep-cut spotlight, and a weekly recommendation for fans of body horror, supernatural horror, Stephen King, cult horror, survival horror, and horror documentaries.This week brings Slither, Cat People, Cursed Films, Pet Sematary, and Resident Evil 3—a lineup packed with alien parasites, erotic transformation, cursed-production mythology, grief-driven resurrection horror, and full-speed Raccoon City panic. Inside this episode✅ Horror releases from Mar 30–Apr 5Mar 31, 2006 — SlitherJames Gunn's slimy body-horror cult favorite turns alien parasites, mutant flesh, and small-town terror into one of the nastiest and funniest creature features of the 2000s.Where to watch: Rent or buy on Prime Video, Apple TV, and Fandango at Home.  Apr 2, 1982 — Cat PeopleA stylish, dreamlike erotic horror remake where sex, transformation, and predatory danger blur together in a feverish New Orleans nightmare.Where to watch: Rent or buy on Prime Video, Apple TV, and Fandango at Home.  Apr 2, 2020 — Cursed Filmshis eerie Shudder horror docuseries explores cursed movie legends, horror fandom, and real tragedy, asking why the genre keeps turning productions into myths.Where to watch: Streaming on Shudder; also available through AMC+ and Philo.  Apr 5, 2019 — Pet SemataryA modern Stephen King horror remake built on grief, resurrection, and the terrible idea that death might be reversible.Where to watch: Streaming on Paramount+; also available via the Paramount+ Roku Channel; rent or buy on Apple TV and Fandango at Home. 

Send us Fan MailThis week on The Horrific Podcast, we're joined by horror icon Miko Hughes, known for his unforgettable performance as Gage Creed in Pet Sematary.Miko became part of horror history at a young age with one of the most chilling roles in a Stephen King adaptation, and he continued to build a career with appearances in other genre-defining films like Wes Craven's New Nightmare.In this episode, we talk about his early experiences working in horror, what it was like on set for some of these iconic films, and how those performances have stayed with fans over the years. Miko also shares insights into the horror community, conventions, and what it means to be part of such a lasting legacy in the genre.It's a great conversation for fans of classic horror and one of the most memorable child performances in horror history.Ghost ExecutionersMerchandise!https://www.teepublic.com/user/thehorrificnetwork?utm_source=designer&utm_medium=social&utm_campaign=horrificnetworkFollow All Things Horrific Network Herehttps://linktr.ee/thehorrificnetworkGet Your Sinister Creature Con Tickets Herehttps://www.sinistercreaturecon.com/thecon

Horror films are a unique genre because they can have a profound effect on the viewer. They can literally change lives, leaving such a strong impression that something shifts in the psyche. Whether it makes someone afraid to go in the water, uneasy around bugs, frightened by Frankenstein's creature, or just generally on edge, these films can have a lasting impact. They are meant to scare us, but for some, they remain harmless entertainment. For others, certain films reach much deeper, lingering in the mind long after the credits roll. And yet, we keep coming back for more. Do these films help us confront our fears? Do they help us overcome them? Can they serve as a way to process real-world trauma, something made easier to face when it exists within the safe boundaries of a movie? Join us for this episode as we explore the films that have had a lasting impact on us, along with others that have left a powerful mark on audiences. Movies mentioned in this episode: The Blob (1958), Bring Her Back (2025), Cannibal Ferox (1981), Cannibal Holocaust (1980), Day of the Dead (1985), The Deep House (2021), The Exorcist (1973), Faces of Death (1978), Frankenstein (1931), Friday the 13th (1980), Guinea Pig (1981), Gravity (2013), Halloween (1978), Henry: Portrait of a Serial Killer (1986), Hereditary (2018), Infested (2023), Irreversible (2002), Jaws (1977), King Kong (2005), Last House on the Left (1972), Marathon Man (1976), Mondo Magic (1975), Nekromantik (1988), Night of the Lepus (1972), Night of the Living Dead (1968), Old Boy (2003), The Omen (1976), Open Water (2003), The Orphanage (2007), Paranormal Activity (2007), Pet Sematary 91989), Piranha (1978), Psycho (1960), Relic (2020), Requiem for a Dream (2000), Ringu (1998), Scream (1996), A Serbian Film (2010), Texas Chain Saw Massacre (1974), Trouble Every Day (2001)

Stephen King is one of the best selling authors in history and over 100 of his stories have been adapted for the screen. It, Carrie, Cujo, The Green Mile, Pet Sematary, The Shawshank Redemption, Salem's Lot, Stand By Me, Misery, The Mist, The Shining... King's work is intrinsic to popular culture. On this episode we look at the man dubbed "The King of Horror" and try to find out what makes him tick.This is a comedy/history podcast, the report begins at approximately 10:16 (though as always, we go off on tangents throughout the report).For all our important links: https://linktr.ee/dogoonpod Check out our other podcasts:Book Cheat: https://play.acast.com/s/book-cheatPrime Mates: https://play.acast.com/s/prime-mates/Listen Now: https://play.acast.com/s/listen-now/Who Knew It with Matt Stewart: https://play.acast.com/s/who-knew-it-with-matt-stewart/Jess Writes A Rom-Com: https://shows.acast.com/jess-writes-a-rom-comOur awesome theme song by Evan Munro-Smith and logo by Peader ThomasDo Go On acknowledges the traditional owners of the land we record on, the Wurundjeri people, in the Kulin nation. We pay our respects to elders, past and present. REFERENCES AND FURTHER READING:https://www.biography.com/authors-writers/stephen-king#car-accident Stephen King: A Necessary Evilhttps://www.youtube.com/watch?v=Jeg8RhlA5m8 https://www.britannica.com/biography/Stephen-King https://en.wikipedia.org/wiki/Stephen_King# https://en.wikipedia.org/wiki/Stephen_King_bibliography# https://www.theguardian.com/books/2012/may/01/stephen-king-tax-the-rich https://huntingthemuse.net/library/stephen-kings-writing-routine https://abcnews.com/GMA/Culture/tabitha-king-calling-calls-stephen-kings-wife/story?id=61409581 https://www.mentalfloss.com/article/502166/how-stephen-king-was-outed-richard-bachman https://www.theguardian.com/books/2000/sep/17/stephenking.fiction https://screenrant.com/stephen-king-shining-movie-stanley-kubrick-opinion/ Hosted on Acast. See acast.com/privacy for more information.

Bart Mixon was Born in Houston, Texas, Mixon began his special make-up effects career working on local independent productions, including the 1984 thriller Courage, starring, co-written and produced by Ronny Cox. He eventually became a make-up lab technician and on-set makeup artist on more high profile productions, including A Nightmare on Elm Street 2: Freddy's Revenge (1985), The Supernaturals (1986) and The Texas Chainsaw Massacre 2 (1986). Perhaps more notably, he worked on The Terminator (1984) and was part of the "Robot Team" on RoboCop (1987). In 1987, Mixon moved to Los Angeles, California, where he supervised special make-up and creature effects for such projects as Fright Night Part 2 (1988), Pet Sematary (1989), Gremlins 2: The New Batch (1990), Predator 2 (1990) and Terminator 2: Judgment Day (1992). He was also the creature effects supervisor on Stephen King's It (1990); as such, he was responsible for designing, sculpting and applying the make-up for the Pennywise character.  After working on the Klownzilla hands on Killer Klowns from Outer Space (1988), Bart worked with the Chiodo Bros. once again as the Shop Foreman during the production of Ernest Scared Stupid (1991) where he supervised the creation of the trolls! He returned to do makeup FX work on Pet Sematary Two (1992). In 1994, Mixon entered into a partnership with fellow Star Trek make-up artist Earl Ellis to create the make-up effects studio Mixon & Ellis FX (or ME FX). Over the next four years, the studio created make-up and prosthetics for such films as Fargo (1996), Men in Black (1997) and Rushmore (1998). Mixon closed down the studio in 1998 and has since worked as a freelance artist on films such as How the Grinch Stole Christmas (2000), Planet of the Apes (2001), Men in Black II (2002), The Ring (2002), Hellboy (2004) and Collateral (2004).  Mixon also was the prosthetic make-up artist for The Thing on Fantastic Four (2005) and Fantastic Four: The Rise of the Silver Surfer (2007). He was also a key prosthetic artist on X-Men: The Last Stand (2006) and was a make-up artist on Pirates of the Caribbean: Dead Man's Chest (2006). In addition, he worked on the Academy Award-nominated prosthetic make-up for Norbit (2007). Co-Hosted by Jeremy Morehead @jt_pumpkin_gutz of the Epic Film Guys podcast @epicfilmguys Be sure to follow Bart @bartmixon and rate the show wherever you're listening!  #KellensPettyTalkShow #BartMixon #IT #Pennywise #ErnestScaredStupid #ElmStreet2 #RoboCop #TexasChainsawMassacre2 #BillMoseley #Choptop #MakeupFX #SpecialFX #TommyLeeWallace 

PET SEMATARY II (1992) haunts The Blind Rage Podcast this second week of Sequels Month, bringing a story where the past refuses to stay buried, and the living discover that some things are better left alone. With moments that are unsettling, absurd, and darkly funny, it's a ride that keeps your nerves on edge and your eyebrows raised.

As we continue our look at a century of women-directed movies, "Yentl" and "Pet Sematary" take center stage. We look at Barbra Streisand's directorial debut has us enjoying the performances and the politics and being confused by the music. Mary Lambert's adaptation of the Stephen King book has us scratching our heads entirely. Soap opera acting, dangling plot points, too many themes (or are there no themes at all?) make this fun to talk about after being tough to watch. Hosted by Brad Garoon & Jake Ziegler, with guest Danielle Segel0:00 Introduction; 0:30 Yentl; 17:32 Pet Sematary#classicmovies #horrormovies #jewishmovies

It's been a minute. The boys are back in town and pick up where they left off with a deep dive into the adaptations of King's darkest work. They share their fears of crazed cats, how this story hits differently if you're a parent or not and discuss the darkness on the screen.And also they ask - who the hell is Missie?

Resources to help fight against ICE:Digital Security Guidelines for Protests - https://afsc.org/newsroom/digital-security-guidelines-protestsGet Involved - https://www.nilc.org/action/Know Your Rights - https://immigrantjustice.org/for-immigrants/know-your-rights/ice-encounter/Community Resources - https://www.icirr.org/resourcesNext No Kings Protest Set for March 28, 2026 - https://www.nokings.org/Please check out our other episodes and don't forget to like and subscribe to keep supporting us.

In this episode of The Filmumentaries Podcast, I'm joined by filmmaker John Campopiano and producer Jim Beller to talk about their new documentary, The Farmer and the Shark. The film centres on Craig Kingsbury, a farmer from Martha's Vineyard who appeared in Jaws (1975), playing Ben Gardner, the local fisherman whose abandoned boat is discovered by Chief Brody early in the film. From that small but unforgettable role, the documentary explores Craig's life, his connection to the island, and how his story intersects with the legacy of Jaws. John Campopiano is the director of the film and is known for documentaries including Unearthed & Untold: The Path to Pet Sematary and Pennywise: The Story of IT. Jim Beller is one of the producers of The Farmer and the Shark - former producer of my Inside Jaws - A Filmumentary and all round Jaws expert.I should note that I haven't seen the finished film yet, so this conversation focuses on the making of the documentary, how the project came together, why Craig Kingsbury's story stood out, earning trust, and shaping a film around a real person whose life briefly intersected with a cinematic landmark. If you're looking for a calm, thoughtful conversation about film history, storytelling, and the people behind the scenes, I hope this episode provides a welcome distraction. GuestsJohn Campopiano — DirectorJim Beller — ProducerFilms DiscussedThe Farmer and the SharkJaws (1975)Support the Podcast - If you enjoy The Filmumentaries Podcast, you can support the show on Patreon. Your support helps cover the time, research, travel, and production costs involved in making these episodes. Thanks for listening.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

Please check out our other episodes and don't forget to like and subscribe to keep supporting us.

Send us a textA group of friends join a game show in which contestants, allowed to flee anywhere in the world, are pursued by "podcasters" hired to kill them with their brand of off-beat humor. On Episode 703 of Trick or Treat Radio our feature film discussion is The Running Man (2025) from director Edgar Wright! We also revisit MZ's hatred of Stephen Spielberg, our coming attractions segment has us reacting to the trailers for the films; Undertone, and The Dreadful, and we get a horrifying glimpse into our very near socio-political future. So grab as many costume changes as you can fit in your bag, bury all your new dollars in your backyard, and strap on for the world's most dangerous podcast!Stuff we talk about: Remembering Heather O'Rourke, Poltergeist, She Was Here, you can learn from Spielberg without becoming Spielberg, Disclosure Day, Duel, Sugarland Express, E.T., Brian Paulin, Amistad, Treejumpers, Catch Me If You Can, Bela Tarr, The Fatal Hour, Return of the Living Dead II, In Dreams, Virus, Jesus Christ Vampire Hunter, Rats, Vampire Boulevard, Asylum, Butcher House, Ghost Hunters, Army of the Dead, The Book of Eli, Intruders, Ari Aster, Robert Zemeckis, Hostel, Chad Lowe, The Others, Mario Van Peebles, Cape Fear, The Accident, George “Funky” Brown, Andrea Martin, Black Christmas, Cannibal Girls, Richard Franklin, Pet Sematary 2, The Devil's Daughter, Jaws 2, Dube dube doo he did Jaws 2, Billy the Kid vs. Dracula, The Old Dark House, The Bride of Frankenstein, London After Midnight, Dr. Jekyll and Mr. Hyde, Beau is Afraid, Joaquim the African Dream, RIP T.K. Carter, The Thing, Punky Brewster, RIP Marcus Gilbert, Grateful Dead, RIP Bob Weir, Barry Sobel, The Milwaukee Dream, Slick, Pontypool, Stanley Kubrick, The Dreadful, Onibaba, Undertone, A24, Orson Swells, Katy O'Brian, The Running Man, Arnold Schwarzenegger, Yaphet Kotto, Edgar Wright, Last Night in Soho, sidekick prepper, Baby Driver, Ant-Man, The Cornetto Trilogy, Katy O'Brian, Martin Herlihy, Please Don't Destroy, William H. Macy, FreeVee, Stephen King, Richard Bachman, Shock Treatment, The Long Walk, Michael Cera, Scott Pilgrim vs. The World, Sinners, Series 7: The Contenders, Dust Bunny, Mockingbird Lane, American Gods, Hannibal, Bryan Fuller, David Dastmalchian, Late Night With the Devil, Flay or Filet, BMX Bandits, Controlling the Orswellian Narrative, Edgar Played it Wright, Even Satan Has a Podcast.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

In this episode Justin gets a mysterious phone call.... Is it a prank call? Is it his ex wife calling to reconcile? Is it his father calling to repair their fractured relationship? Or is it a kidnapper calling for ransom money????? Listen and find out!

Emily (they/them) and Pace (they/them) are joined again by Brandon Grafius as he talks about his new book Scared by the Bible: The Roots of Horror in Fiction. We then dissect the film Pet Sematary. Will you come over and play with me? First I play with Jud. Then mommy came, and I played with mommy. Will you play with us? CW: Discussion of racism, toxic masculinities, ableism, queerphobia related to the filmBrandon Grafius' Lurking Under the Surface and Scared by the Bible: The Roots of Horror in Fiction-Stephen King's Pet Sematary Support us on Patreon! Buy some merch! Subscribe to our newsletter! Follow us on Instagram, Facebook, and Twitter for all the latest updates about upcoming films, news, and other announcements. If you would like to submit your own real life church horror story for a future minisode, follow this link (https://bit.ly/HNACMinisodes) or email us at horrornerdsatchurch@gmail.com And don't forget to comment, rate, and subscribe to us on your favorite podcast provider!

Happy Thanksgiving, Spookies! This week, we're thankful for Herman Munster, chest hair, and cuddly cats, because we're celebrating the holiday with Stephen King's Pet Sematary (1989). One of the few adaptations of his books that the prolific author actually got to write the screenplay for himself, this flick is interesting in the ways it both stuck to and veered away from the original story. On our latest episode of Spooky Tuesday, we're diving into those differences and dodging 18 wheelers as we talk about the merits of playing god and slaying a cunty little funeral fit. References:https://www.slashfilm.com/1546643/stephen-king-pet-sematary-creepy-painting-meaning/https://pshares.org/blog/death-as-the-villain-in-pet-sematary/https://www.theguardian.com/books/booksblog/2013/feb/21/rereading-stephen-king-pet-semataryhttps://www.strangeharbors.com/blog/2019/4/3/revisiting-1989s-pet-semataryhttps://newrepublic.com/article/153546/pet-sematary-refuses-diehttps://www.brightwalldarkroom.com/2018/08/10/pet-sematary-these-corruptible-vessels/https://screenrant.com/pet-sematary-movie-george-romero-not-director-stephen-king/https://stephenking.com/xf/index.php?threads/the-real-question-about-the-ending-spoilers.19690/

Now I know what you're thinkin' now. Don't you even think about it. You wanna click this here GBGB episode and try to hear the review of Pet Sematary (1989). I know you wanna listen to more of the Cat Season but it aint right. The episode's gone sour you see? You'll think it's a GBGBs episode but it won't be right. One of the cohosts will have listened to the episode in a different language he doesn't speak (without subtitles??) and the other two will complain about how there wasn't enough of the cat the whole time. But now I've gone and told you and you're thinkin about it alright. Don't say I didn't warn you....   Thanks for stopping by!

Welcome to Episode 120: PET SEMATARY, where we have a very LIVELY chat about being dead, and staying dead. We discuss many topics including: “Where did Gage get that top hat? The first thing we think about when we hear the word Zelda is definitely NOT a video game. Also, how Jud is ultimately to blame for the whole damn mess!! So crank up the Ramones and meet us down where the ground is sour…Consider supporting on Patreon

In this week's 'Scream If You've Seen This' we discuss the first film that Stephen King wrote the screenplay for that was based on one of his own books, "Pet Sematary" (1989). It's also the only story that Stephen King wrote that he says actually scares him. Does the movie adaptation live up to this? Let's discuss!Join our FREE Discord server! https://discord.gg/tXPUEKEnConnect with us on:Website: https://inlovewithhorror.com/Letterboxd: https://letterboxd.com/nlovewithhorror/TikTok: https://www.tiktok.com/@inlovewithhorrorInstagram: https://www.instagram.com/inlovewithhorror/Twitter: https://twitter.com/nlovewithhorrorFacebook: https://www.facebook.com/inlovewithhorrorBecome a A24 Member and get one month for FREEhttps://aaa24.a24films.com/?referral=ANTHONY4C9 

¡Feliz Halloween a todos! Durante el mes de octubre hicimos un programa diario dedicado al mejor género de todos y lo terminamos con el regreso de Katy Becker al esudio de grabación. Si extraña LAS CLAVES DEL ÉXITO y/o EL PODCAST SIN NOMBRE (EPSN), este será un regalo para usted. Nos juntamos a conversar durante todo THE SHINING así que déle play cuando nosotros le decimos y vea esta fundamental película con nosotros. ¡Ojalá les guste y vayan al Patreon por los otros programas! Aquí les dejo lo que hicimos: OCTUBRE TERROROSO Día 1: KWAIDAN (1964) Día 2: UNTIL DAWN (2025) Día 3: THE UNKNOWN (1927) Día 4: THE SADNESS (KU BEI, 2021) Día 5: THE INNOCENTS (1961) Día 6: TALES FROM THE CRYPT (1972) Día 7: THE WORLD'S END (2013) Día 8: CORPSE BRIDE (2005) Dïa 9: PET SEMATARY (1989) Dïa 10: CHARLIE BROWN Y LA GRAN CALABAZA (1966) Día 11: WHAT LIES BENEATH (2000) Día 12: CORALINE (2009) Dïa 13: WAR OF THE WORLDS (2025) Día 14: THE VVITCH (2015) Día 15: HAXAN (1922) Día 16: DEAD OF NIGHT (1945) Día 17: MARROWBONE (2017) Día 18: BLACULA (1972) Día 19: THE UGLY STEPSISTER (2025) Día 20: V/H/S HALLOWEEN (2025) Dïa 21: POSSUM (2018), con la Fer. Día 22: DARK SHADOWS (2012) Día 23: SEGMENTOS FAVORITOS DE LA CASITA DEL TERROR DE LOS SIMPSONS, con la Fer. Día 24: WELCOME TO DERRY (2025) Día 25: THE LONG WALK (2025) Dïa 26: GOOD BOY (2025) Dïa 27: THE THING (1982), con Valeria. Día 28: SLAUGHTER HIGH (1985), con Alejandro. Día 29: WHATEVER HAPPENED TO BABY JANE (1962) + FEUD (2017). Dïa 30: THE LOTTERY (1948) de Shirley Jackson. Dïa 31: THE SHINING (1980), audiocomentario con Katy Becker. Si quiere escuchar el resto, lo esperamos en www.patreon.com/hermeselsabio Si no, gracias igual y ¡Feliz Halloween!

Happy almost Halloween, Fear listeners! Welcome, welcome, welcome to TICKLED TO DEATH! The horror movie game show where the screams are fake, but the laughs are real. In this episode, Roz Hernandez takes us deep into the chilling world of Stephen King. From the haunted halls of The Shining to Carrie's bloody prom, IT's sewer-dwelling Pennywise, and the cursed ground of Pet Sematary, our guests battle through trivia and ridiculous games to see who will survive as the Final Ghoul. Joining the madness are critic BJ Colangelo (This Ends at Prom), filmmaker Michael Varrati (Midnight Mass), and actor Sarah Seeds, ready to test their King knowledge and their nerves. It's a mix of spooky trivia, unhinged improv, and a whole lot of laughs. Don't get tickled to death. Hosted by comedian and horror fanatic Roz Hernandez (Ghosted!, Hulu's Living for the Dead), Tickled to Death is the comedy game show that mixes scary movie trivia with off-the-wall improv and ridiculous challenges. Each week, Roz and a rotating cast of actors, comedians, and horror experts dive into iconic horror movies and cult classics, competing to see who will survive as the Final Ghoul. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Halloween week, Jim dives head-first into the dark! In this solo episode of Fantasy for the Ages, we count down the 30 most horrifying novels published since 1975—books that critics, readers, and terrified fans agree are the absolute worst thing to read before bedtime.From Stephen King's legendary nightmares (Pet Sematary, The Shining, It) to modern literary terrors like The Only Good Indians, House of Leaves, and Mexican Gothic, this list spans decades of dread and brilliance. I'll explain how these rankings were determined using critical consensus, fan polls, and community horror rankings, and I'll share what makes each of these tales so bone-deep unsettling—all without spoilers.Join me for this Halloween special filled with wit, chills, and maybe a few nervous laughs along the way. Because who doesn't love a book that makes you regret turning off the lights?

Happy almost Halloween, Epic listeners! Welcome, welcome, welcome to TICKLED TO DEATH! The horror movie game show where the screams are fake, but the laughs are real. In this episode, Roz Hernandez takes us deep into the chilling world of Stephen King. From the haunted halls of The Shining to Carrie's bloody prom, IT's sewer-dwelling Pennywise, and the cursed ground of Pet Sematary, our guests battle through trivia and ridiculous games to see who will survive as the Final Ghoul. Joining the madness are critic BJ Colangelo (This Ends at Prom), filmmaker Michael Varrati (Midnight Mass), and actor Sarah Seeds, ready to test their King knowledge and their nerves. It's a mix of spooky trivia, unhinged improv, and a whole lot of laughs. Don't get tickled to death. Hosted by comedian and horror fanatic Roz Hernandez (Ghosted!, Hulu's Living for the Dead), Tickled to Death is the comedy game show that mixes scary movie trivia with off-the-wall improv and ridiculous challenges. Each week, Roz and a rotating cast of actors, comedians, and horror experts dive into iconic horror movies and cult classics, competing to see who will survive as the Final Ghoul. Listen wherever you get your podcasts: https://lnk.to/TickledToDeath Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy almost Halloween, Adrenaline listeners! Welcome, welcome, welcome to TICKLED TO DEATH! The horror movie game show where the screams are fake, but the laughs are real. In this episode, Roz Hernandez takes us deep into the chilling world of Stephen King. From the haunted halls of The Shining to Carrie's bloody prom, IT's sewer-dwelling Pennywise, and the cursed ground of Pet Sematary, our guests battle through trivia and ridiculous games to see who will survive as the Final Ghoul. Joining the madness are critic BJ Colangelo (This Ends at Prom), filmmaker Michael Varrati (Midnight Mass), and actor Sarah Seeds, ready to test their King knowledge and their nerves. It's a mix of spooky trivia, unhinged improv, and a whole lot of laughs. Don't get tickled to death. Hosted by comedian and horror fanatic Roz Hernandez (Ghosted!, Hulu's Living for the Dead), Tickled to Death is the comedy game show that mixes scary movie trivia with off-the-wall improv and ridiculous challenges. Each week, Roz and a rotating cast of actors, comedians, and horror experts dive into iconic horror movies and cult classics, competing to see who will survive as the Final Ghoul. Listen wherever you get your podcasts: https://lnk.to/TickledToDeath Learn more about your ad choices. Visit megaphone.fm/adchoices

It is Stephen King week, as we watched Pet Sematary (1989) and The Monkey (2025), both inspired by King's work. The prolific author has influenced many in the horror genre, with his works of suspense and sometimes gore. Let us know what your favorite King book or adaptation is, in the comments.Also Play:Cinema Chain Game--------------------------------------------Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersYouTube: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter / X: @ourfilmfathersEmail: ourfilmfathers@gmail.com

Watch With Jen is releasing two Halloween episodes this year for your listening pleasure & we're starting with an appreciation of a man who is synonymous with spooky season! New York Times bestselling author S.A. Cosby (All the Sinners Bleed, King of Ashes) & award-winning novelist William Boyle (City of Margins, Saint of the Narrows Street) return to the podcast to discuss their decades long affection for the written & filmed work of prolific horror master Stephen King.A fast-paced conversation filled with nostalgia, confessions, & stories of a few screenings gone wrong, while we touch on a wide variety of titles including THE SHAWSHANK REDEMPTION, THE DARK HALF, & THE MIST & offer enough insights for you to need to listen with a notebook & pen, the main films we wanted to cover were SILVER BULLET, MISERY, PET SEMATARY, & SECRET WINDOW. Be sure to share this with any King fans in your life!Originally Posted (10/20/25) on Patreon here: https://www.patreon.com/posts/141675016Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Welcome, welcome, welcome to TICKLED TO DEATH! The horror movie game show where the screams are fake, but the laughs are real. Roz Hernandez takes us deep into the chilling world of Stephen King. From the haunted halls of The Shining to Carrie's bloody prom, IT's sewer-dwelling Pennywise, and the cursed ground of Pet Sematary, our guests battle through trivia and ridiculous games to see who will survive as the Final Ghoul. Joining the madness are critic BJ Colangelo (This Ends at Prom), filmmaker Michael Varrati (Midnight Mass), and actor Sarah Seeds, ready to test their King knowledge and their nerves. It's a mix of spooky trivia, unhinged improv, and a whole lot of laughs. Don't get tickled to death. Hosted by comedian and horror fanatic Roz Hernandez (Ghosted!, Hulu's Living for the Dead), Tickled to Death is the comedy game show that mixes scary movie trivia with off-the-wall improv and ridiculous challenges. Each week, Roz and a rotating cast of actors, comedians, and horror experts dive into iconic horror movies and cult classics, competing to see who will survive as the Final Ghoul. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of ClassHorrorCast, we go deep into the dark and fascinating world of horror storytelling with writer and director Jeff Buhler — the creative force behind The Midnight Meat Train, The Prodigy, Pet Sematary (2019), and The Grudge (2020).Jeff has built a reputation as one of the few modern writers who can take classic horror themes and twist them into something raw, emotional, and deeply unsettling.From the claustrophobic terror of Nightflyers to the brutal beauty of The Midnight Meat Train, his work explores the space between fear and fascination — where the human mind becomes the real monster.We talk about how he first discovered horror, his journey from independent filmmaker to Hollywood screenwriter, and what it really takes to write stories that crawl under your skin.Jeff shares insights on creative process, adaptation, collaboration, and how to find authenticity in a genre often ruled by formulas. Whether you're a filmmaker, horror fan, or simply fascinated by the psychology of fear, this episode offers an honest, thoughtful look at how nightmares are built — one word at a time.Press play, dim the lights, and join us for a masterclass in modern horror storytelling.Check out more of my content - HEREBecome a supporter of this podcast: https://www.spreaker.com/podcast/class-horror-cast--4295531/support.

Hosts Josh and Jamie and special returning guest Mike Thorn kick off SPOOKTOBER by discussing two different eras of largely faithful Stephen King adaptations: Mary Lambert's playful, colorful and yet still effectively upsetting and morbid realization of PET SEMATARY (1989) and Lawrence Kasdan's attempt at keeping a straight (expensive Hollywood production) face while King bizarrely remixes many of his career-long obsessions in the painkiller induced fever dream of DREAMCATCHER (2003). Next week's episode is a patron-exclusive bonus episode on two Italian legends: Dario Argento's DEEP RED (1975) and Lucio Fulci's THE PSYCHIC (1977), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-12:22 PET SEMATARY // 12:22-1:20:30 DREAMCATCHER // 1:20:30-2:31:40 Outro // 2:31:40-2:35:38 All things Mike can be found at: https://mikethornwrites.com/ NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

You know him as young Ben Hanscom in the recent It films and now Jeremy Ray Taylor is all growed up. He's a married man and works with cars, but he still acts and has a new project out in theaters, an action comedy by the name of London Calling where he co-stars with Josh Duhamel as a nerdy kid forced to tag along with a lousy hitman by his mobster father in order to toughen him up some. We talk about that movie as well as his experiences working on It: Chapters 1 and 2, before we dive into his chosen topic: 2019's Pet Sematary remake. Why this one? Turns out, Jeremy is a bit of a horror scaredy cat and this is the movie that helped get him into the genre.

In this episode, Sidney breaks down the original Pet Sematary and how it compares with the remake Pet Sematary (2019), and how both compare with Stephen King's self-proclaimed scariest novel he's ever written.

In this episode, the hosts kick off 'Stephen King September' with a discussion marked by rants about Hollywood. They engage in a draft where they select their favorite Stephen King adaptations, debating the merits of classics like 'Stand By Me' and 'Pet Sematary,' and more obscure picks like 'The Dark Half.' The episode also dives into some personal Hollywood gossip, interactions with friends, and the quirks of Stephen King's storytelling. 00:00 Introduction and Frustrations 01:09 Hot Goss Section 03:40 Stephen King September Plans 15:51 Stephen King Movie Draft 46:37 Kathy Bates and Stephen King Movies 48:22 The Firestarter Remake Debate 50:00 Sleepwalkers and Other Stephen King Picks 51:18 Dr. Sleep and The Shining 56:39 Salem's Lot and Other Stephen King Adaptations 01:01:11 The Running Man and Other Picks 01:07:24 Stephen King's Legacy and Adaptations 01:31:03 Stephen King's Personal Life and Writing 01:33:16 Final Thoughts and Thank Yous Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, the hosts kick off 'Stephen King September' with a discussion marked by rants about Hollywood. They engage in a draft where they select their favorite Stephen King adaptations, debating the merits of classics like 'Stand By Me' and 'Pet Sematary,' and more obscure picks like 'The Dark Half.' The episode also dives into some personal Hollywood gossip, interactions with friends, and the quirks of Stephen King's storytelling. 00:00 Introduction and Frustrations 01:09 Hot Goss Section 03:40 Stephen King September Plans 15:51 Stephen King Movie Draft 46:37 Kathy Bates and Stephen King Movies 48:22 The Firestarter Remake Debate 50:00 Sleepwalkers and Other Stephen King Picks 51:18 Dr. Sleep and The Shining 56:39 Salem's Lot and Other Stephen King Adaptations 01:01:11 The Running Man and Other Picks 01:07:24 Stephen King's Legacy and Adaptations 01:31:03 Stephen King's Personal Life and Writing 01:33:16 Final Thoughts and Thank Yous Learn more about your ad choices. Visit megaphone.fm/adchoices