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Christopher Williams is the powerhouse drummer for the legendary metal band Accept. Join Rich and Jim as they explore Williams' incredible musical journey from small-town South Carolina to sharing stages with rock icons like Gene Simmons and Ace Frehley. Hear hilarious tour stories, learn about his woodworking side hustle, and discover the dedication behind becoming a world-class drummer. From heavy metal to Nashville's rock scene, this episode is a must-listen for music lovers and aspiring musicians. Timed Highlights: [0:10:39] - Christopher Williams moves to Nashville in 2008, getting his first opportunities through networking and connections [0:53:50] - Hilarious story about last-minute preparation for a Lee Greenwood gig, learning 22 songs in just 11 hours [1:07:14] - Funny interaction between Ace Frehley and Gene Simmons, with Ace signing a vault box and making a joke about not giving Gene more money [1:15:11] - Discussion of Accept's recording history, with Christopher joining midway through the Blind Rage tour [1:18:45] - Incredible story about performing at Wacken Festival with a 60-piece Czech National Symphony Orchestra, playing to 85,000 people and over a million livestream viewers [1:20:02] - Introduction of Ainsley's Essential Blends, Christopher's wife's product line, including a "Rock See" leather-scented cologne [1:27:47] - Christopher's top five drummer influences: Tommy Lee, Randy Castillo, Jerry Shirley, John Bonham, and Vinnie Paul [1:43:13] - Childhood horror movie memories, particularly being scared by Pet Sematary as a young kid The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits! Follow Rich: @richredmond www.richredmond.com Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim: @jimmccarthy www.jmvos.com The Rich Redmond Show is produced by It's Your Show dot Co www.itsyourshow.co
THIS VOYAGE, the Decksperts MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture), ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) and STEVEN MELCHING (The Clone Wars, Rebels) are joined by one of their favorite guests, DENISE CROSBY, to discuss her long career in horror films from PET SEMATARY to MIRACLE MILE, THE WALKING DEAD to SKIN OF EVIL. Don't miss this in-depth look at another side of Denise Crosby, only on Deck 78.**Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: https://discord.gg/7kgmJSExeh SUBSCRIBE TO TREKSPERTS PLUS TODAY... and get every episode of INGLORIOUS TREKSPERTS commercial free and one-week early along with our new podcast, INGLORIOUS TREKSPERTS presents DECK 78 along with additional bonus content and surprises all season long. For more details, visit trekkspertsplus.com. Learn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press. Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed.
Sometimes....Dead is Better This week, we are joined by returning guest, Anastasia Elfman to dig up the horror of Pet Sematary (1989), the unsettling Stephen King adaptation directed by Mary Lambert and starring Dale Midkiff, Denise Crosby, Fred Gwynne, and a murderous toddler you'll never forget. They unpack what makes this film so brutally effective—especially for parents—while roasting Louis Creed for being the world's worst doctor, husband, and homeowner. From zombie cats to Wendigo lore and that unforgettable Zelda nightmare fuel, we're diving deep into grief, guilt, and gore. Plus, a few rants about embalming logistics, 80s parenting fails, and the movie's weirdly psychic side characters. Learn more about Anastasia Elfman Instagram- https://www.instagram.com/dahliadimont/ Bloody Bridget- https://bloodybridget.com/ RETURN OF THE LIVING DEAD 3 w/ BRIAN YUZNA & ANASTASIA ELFMAN! | Shock-A-Go-Go Film Festival JUNE 7th / Lumiere Cinema / Beverly Hills / 9:45PM! With Special Guest, Director Brian Yuzna and a Special Burlesque Performance by Anastasia Elfman! Part of The Shockagogo Film Festival! Purchase Tickets Here- https://lumieretickets.com/purchase?showId=65557 NEWSLETTER and UNCUT REELS!!!!! We are adding a weekly companion newsletter for the podcast that will feature EXCLUSIVE BONUS CONTENT, our raw discussions on movies, tv, and life that don't fit the podcast! We're calling it "UNCUT REELS!" SIGN UP HERE TO GET THE BONUS CONTENT!! https://mailchi.mp/41902cbf6549/exclusive-newsletter Follow The Cinema Psychos Show on Socials ❤️
“Clyde is like child Hitler.”This week's most unhinged horror movie is… Pet Sematary 2. This film has everything: A stepdad who swings between “respect your mother” and “shoot the family dog” energy, a cat lover who will go full Liam Neeson on anyone who touches her pet, and Anthony Edwards navigating a love scene that takes a hard left into beastial nightmare territory. If you love dead pets, unhinged dads, and movies that make you scream “WAIT, IS HE HAVING SEX WITH A DOG?!,” this episode's for you!What did you all think of our episode on Pet Sematary II?Tell us on our Socials @HorrorVirgin on Facebook, BlueSky, and InstagramHelp Support our HV Family: www.Patreon.com/HorrorVirginUp Next: Heart Eyes (2025)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We're staying Down Under this week as we cover the career of Jason Clarke, one of Hollywood's great journeyman character actors. From supporting parts in Zero Dark Thirty and Oppenheimer to his leading roles in Everest, Pet Sematary and The Caine Mutiny Court Martial, we talk about his ability to play lawyers both good and bad, fishing simulators and Earth's highest mountain. Andrew Twitter: @Andrew_Carroll0 Stephen Twitter: @StephenPorzio I Know That Face Twitter: @IKnowThatFaceP1 / Instagram: @iknowthatface / Facebook: @iknowthatfacepod Edited by Andrew Carroll and Stephen Porzio Intro and Outro Music: No Boundaries (motorik groove) by Keshco. Licence Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we speak with Rebecca Harvey, aka girlpuppy about the 80s staple that was Pet Sematary, the Stephen King film that could and then did, spawning several sequels and remakes in its wake. We speak about girlpuppy's latest album and what exactly attracts Rebecca to the depths of the macabre. girlpuppy SPOTIFY // INSTA // BANDCAMP
"I Found Her Like That": Jailhouse Calls Expose Stephan Sterns' Shifting Story In Soto Case STEPHAN STERNS: “I wish I had run downstairs and shaken her awake and called 911 and all that.” That line—staggering in its simplicity—is one of the first real cracks in the story Stephan Sterns has told from the very beginning. It came during a jailhouse call with his parents, and it was a total deviation from what he's claimed all along: that he dropped off 13-year-old Madeline Soto at school the morning of February 26, 2024, and never saw her again. But now, months after his arrest, locked in the Osceola County jail and speaking a little too freely, Sterns admitted something huge—he found Madeline's body. He was there. He saw her face, her blue lips. Her ice-cold skin. His words were calm, almost rehearsed. Like he was recounting a scene in a book he'd read, not describing the death of a child he'd allegedly assaulted and murdered. “She had gone to be with me earlier in the night,” he told his father. “But I'd left her alone for quite a while... By the time I realized it was far too late... she was past the point of no return.” That's the first time Sterns has publicly acknowledged being in the same house with Madeline at the time of her death. It's also the first time he's stopped pretending he wasn't. In these four hours of recorded jail calls—recently obtained by Court TV—we hear Sterns move from denial to vague admissions, surrounded by justifications, sidesteps, and increasingly disturbing commentary. It's like eavesdropping on a man who can't quite decide whether he wants to clear his name or just shift the blame somewhere more convenient. The calls, made about three months after his arrest, are with his parents—Debra and Chris Sterns. And while they start off as the kind of supportive, if awkward, chats you'd expect from shell-shocked parents trying to hold it together, they quickly devolve into something else: uncomfortable reminders of what Stephan Sterns is accused of. When they bring up the digital evidence—the sexually explicit images of Madeline found on his phone—his response isn't what you'd expect from someone who claims innocence. When asked directly if he's attracted to minors, he doesn't say no. He says he isn't “generally” attracted to them. He adds that he can't say more without incriminating himself. Then he makes this chilling remark: that Madeline had “feelings” for him. And that her mother, Jenn Soto, used to joke: “You better not leave me for my daughter when she's older.” Jenn Soto hasn't been charged with anything related to Madeline's abuse or death. She says she didn't know it was happening. But she did allow her daughter to sleep in the same bed as Sterns, something she's admitted. Sterns' calls are full of odd priorities. While facing over 60 counts of sexual abuse, capital murder, and possession of child sexual abuse material, he spends a surprising amount of time venting about itchy blankets, bad coffee, and jailhouse ants. He's worried about the effects of jail on his skin. He complains about anxiety meds, wants better lotion for his worry lines, and he misses his collectible purple dragon popcorn bucket. He's genuinely concerned about the whereabouts of his “mouse droid”—a Star Wars-themed toy—and gets so irritated trying to explain what it is that he tells his parents to just “Google it.” Then there's the coffee. Coffee is crucial. “Coffee is very comforting,” he says. “Every time I drink a cup of coffee it releases all types of happy chemicals in my brain.” He asks for Michael Crichton novels, toiletries, hard candies. His mother draws the line at “Pet Sematary” because she didn't like the story. The emotional whiplash in these calls is constant—one minute, Sterns is waxing poetic about the joys of instant coffee, and the next, he's defending himself from the kind of charges that can end in a needle. His parents plead with him to read the Bible. He tells them he's not a monster. He cries at movies. He's a good person, he insists. “I know I'm not bad, evil or a monster,” he says. “I couldn't have done it.” But then, he admits: “Murder one is about as bad as it can get. And the death penalty is about as extreme as it can go.” And a moment later: “I guess that's not so bad, right? You go to sleep, and then you go to heaven.” It's the kind of thing you say when you've already accepted what's coming. Sterns' legal journey is far from over. His first trial—for the sex abuse charges—is scheduled for May. The murder trial is set for September. Earlier this week, his defense team tried to get the judge to bar media and the public from pre-trial hearings, claiming that the coverage is prejudicial. The judge says a decision is coming within 10 days. But with jailhouse calls like these—where the defendant admits to finding the victim's body, where he dances around horrifying evidence, and where his biggest concern is coffee and collectibles—it may not be the press that paints the clearest picture of Stephan Sterns. #MadelineSoto #StephanSterns #TrueCrimePodcast #JailhouseTapes Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
Hidden Killers With Tony Brueski | True Crime News & Commentary
STEPHAN STERNS: “I wish I had run downstairs and shaken her awake and called 911 and all that.” That line—staggering in its simplicity—is one of the first real cracks in the story Stephan Sterns has told from the very beginning. It came during a jailhouse call with his parents, and it was a total deviation from what he's claimed all along: that he dropped off 13-year-old Madeline Soto at school the morning of February 26, 2024, and never saw her again. But now, months after his arrest, locked in the Osceola County jail and speaking a little too freely, Sterns admitted something huge—he found Madeline's body. He was there. He saw her face, her blue lips. Her ice-cold skin. His words were calm, almost rehearsed. Like he was recounting a scene in a book he'd read, not describing the death of a child he'd allegedly assaulted and murdered. “She had gone to be with me earlier in the night,” he told his father. “But I'd left her alone for quite a while... By the time I realized it was far too late... she was past the point of no return.” That's the first time Sterns has publicly acknowledged being in the same house with Madeline at the time of her death. It's also the first time he's stopped pretending he wasn't. In these four hours of recorded jail calls—recently obtained by Court TV—we hear Sterns move from denial to vague admissions, surrounded by justifications, sidesteps, and increasingly disturbing commentary. It's like eavesdropping on a man who can't quite decide whether he wants to clear his name or just shift the blame somewhere more convenient. The calls, made about three months after his arrest, are with his parents—Debra and Chris Sterns. And while they start off as the kind of supportive, if awkward, chats you'd expect from shell-shocked parents trying to hold it together, they quickly devolve into something else: uncomfortable reminders of what Stephan Sterns is accused of. When they bring up the digital evidence—the sexually explicit images of Madeline found on his phone—his response isn't what you'd expect from someone who claims innocence. When asked directly if he's attracted to minors, he doesn't say no. He says he isn't “generally” attracted to them. He adds that he can't say more without incriminating himself. Then he makes this chilling remark: that Madeline had “feelings” for him. And that her mother, Jenn Soto, used to joke: “You better not leave me for my daughter when she's older.” Jenn Soto hasn't been charged with anything related to Madeline's abuse or death. She says she didn't know it was happening. But she did allow her daughter to sleep in the same bed as Sterns, something she's admitted. Sterns' calls are full of odd priorities. While facing over 60 counts of sexual abuse, capital murder, and possession of child sexual abuse material, he spends a surprising amount of time venting about itchy blankets, bad coffee, and jailhouse ants. He's worried about the effects of jail on his skin. He complains about anxiety meds, wants better lotion for his worry lines, and he misses his collectible purple dragon popcorn bucket. He's genuinely concerned about the whereabouts of his “mouse droid”—a Star Wars-themed toy—and gets so irritated trying to explain what it is that he tells his parents to just “Google it.” Then there's the coffee. Coffee is crucial. “Coffee is very comforting,” he says. “Every time I drink a cup of coffee it releases all types of happy chemicals in my brain.” He asks for Michael Crichton novels, toiletries, hard candies. His mother draws the line at “Pet Sematary” because she didn't like the story. The emotional whiplash in these calls is constant—one minute, Sterns is waxing poetic about the joys of instant coffee, and the next, he's defending himself from the kind of charges that can end in a needle. His parents plead with him to read the Bible. He tells them he's not a monster. He cries at movies. He's a good person, he insists. “I know I'm not bad, evil or a monster,” he says. “I couldn't have done it.” But then, he admits: “Murder one is about as bad as it can get. And the death penalty is about as extreme as it can go.” And a moment later: “I guess that's not so bad, right? You go to sleep, and then you go to heaven.” It's the kind of thing you say when you've already accepted what's coming. Sterns' legal journey is far from over. His first trial—for the sex abuse charges—is scheduled for May. The murder trial is set for September. Earlier this week, his defense team tried to get the judge to bar media and the public from pre-trial hearings, claiming that the coverage is prejudicial. The judge says a decision is coming within 10 days. But with jailhouse calls like these—where the defendant admits to finding the victim's body, where he dances around horrifying evidence, and where his biggest concern is coffee and collectibles—it may not be the press that paints the clearest picture of Stephan Sterns. #MadelineSoto #StephanSterns #TrueCrimePodcast #JailhouseTapes Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
"I Found Her Like That": Jailhouse Calls Expose Stephan Sterns' Shifting Story In Soto Case STEPHAN STERNS: “I wish I had run downstairs and shaken her awake and called 911 and all that.” That line—staggering in its simplicity—is one of the first real cracks in the story Stephan Sterns has told from the very beginning. It came during a jailhouse call with his parents, and it was a total deviation from what he's claimed all along: that he dropped off 13-year-old Madeline Soto at school the morning of February 26, 2024, and never saw her again. But now, months after his arrest, locked in the Osceola County jail and speaking a little too freely, Sterns admitted something huge—he found Madeline's body. He was there. He saw her face, her blue lips. Her ice-cold skin. His words were calm, almost rehearsed. Like he was recounting a scene in a book he'd read, not describing the death of a child he'd allegedly assaulted and murdered. “She had gone to be with me earlier in the night,” he told his father. “But I'd left her alone for quite a while... By the time I realized it was far too late... she was past the point of no return.” That's the first time Sterns has publicly acknowledged being in the same house with Madeline at the time of her death. It's also the first time he's stopped pretending he wasn't. In these four hours of recorded jail calls—recently obtained by Court TV—we hear Sterns move from denial to vague admissions, surrounded by justifications, sidesteps, and increasingly disturbing commentary. It's like eavesdropping on a man who can't quite decide whether he wants to clear his name or just shift the blame somewhere more convenient. The calls, made about three months after his arrest, are with his parents—Debra and Chris Sterns. And while they start off as the kind of supportive, if awkward, chats you'd expect from shell-shocked parents trying to hold it together, they quickly devolve into something else: uncomfortable reminders of what Stephan Sterns is accused of. When they bring up the digital evidence—the sexually explicit images of Madeline found on his phone—his response isn't what you'd expect from someone who claims innocence. When asked directly if he's attracted to minors, he doesn't say no. He says he isn't “generally” attracted to them. He adds that he can't say more without incriminating himself. Then he makes this chilling remark: that Madeline had “feelings” for him. And that her mother, Jenn Soto, used to joke: “You better not leave me for my daughter when she's older.” Jenn Soto hasn't been charged with anything related to Madeline's abuse or death. She says she didn't know it was happening. But she did allow her daughter to sleep in the same bed as Sterns, something she's admitted. Sterns' calls are full of odd priorities. While facing over 60 counts of sexual abuse, capital murder, and possession of child sexual abuse material, he spends a surprising amount of time venting about itchy blankets, bad coffee, and jailhouse ants. He's worried about the effects of jail on his skin. He complains about anxiety meds, wants better lotion for his worry lines, and he misses his collectible purple dragon popcorn bucket. He's genuinely concerned about the whereabouts of his “mouse droid”—a Star Wars-themed toy—and gets so irritated trying to explain what it is that he tells his parents to just “Google it.” Then there's the coffee. Coffee is crucial. “Coffee is very comforting,” he says. “Every time I drink a cup of coffee it releases all types of happy chemicals in my brain.” He asks for Michael Crichton novels, toiletries, hard candies. His mother draws the line at “Pet Sematary” because she didn't like the story. The emotional whiplash in these calls is constant—one minute, Sterns is waxing poetic about the joys of instant coffee, and the next, he's defending himself from the kind of charges that can end in a needle. His parents plead with him to read the Bible. He tells them he's not a monster. He cries at movies. He's a good person, he insists. “I know I'm not bad, evil or a monster,” he says. “I couldn't have done it.” But then, he admits: “Murder one is about as bad as it can get. And the death penalty is about as extreme as it can go.” And a moment later: “I guess that's not so bad, right? You go to sleep, and then you go to heaven.” It's the kind of thing you say when you've already accepted what's coming. Sterns' legal journey is far from over. His first trial—for the sex abuse charges—is scheduled for May. The murder trial is set for September. Earlier this week, his defense team tried to get the judge to bar media and the public from pre-trial hearings, claiming that the coverage is prejudicial. The judge says a decision is coming within 10 days. But with jailhouse calls like these—where the defendant admits to finding the victim's body, where he dances around horrifying evidence, and where his biggest concern is coffee and collectibles—it may not be the press that paints the clearest picture of Stephan Sterns. #MadelineSoto #StephanSterns #TrueCrimePodcast #JailhouseTapes Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com
It's time for one of those huge episodes. Well, it's a four parter anyways. 1989 was an okay year for horror movies but for me it felt like the beginning of the end of a certain style of horror that really came to prominence in the early 80s. But, what do I think was the very greatest horror movie that came out during 1989? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several pints of beer and a 6+ hour running time split over 4 episodes. This is 1989, A Year In Horror.It's a pretty long journey this one, part 4 of 4 in fact. I am going to give you the time codes below so if you don't want spoilers then, please, avert your eyes.You can now support A Year in Horror via the Patreon.Theme Music by Max Newton& Lucy Foster.Email the podcast at ayearinhorror@gmail.comDon't bother following the podcast on Facebook. But feel free to...Follow me on Twitter.Follow me on Instagram.Follow me on Letterboxd.Below are the timecodes for all the different segments and my guest links. Feel free to let me know where you think I got it wrong or right and of course stay safe out there & I'll see you next month.0.36 - Dead Calm7.47 - Pet Sematary (w/ Father Malone)1.17.15 - Outro
We are kicking off "Remakes Month" with the 2019 adaptation of Stephen Kings Pet Sematary. Starring John Lithgow this reimagining took all the key points of the original movie and the book as flipped them on their head to offer audiences some new surprises and scares. The question is were those changes good or did they simply ruin a story we all know love and fear?On this episode we answer that question as we give our review of the movie, we also share your thoughts and bring back from the dead an old feature (quite fitting for this episode I think)Be sure to drop us a comment or send us a voicemail with your thoughts and don't forget "Sometimes dead is better"!
MISERY IS ALIVE!! Misery Full Reaction Watch Along: https://www.patreon.com/thereelrejects Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@thereelrejects?lang=en Twitter: https://x.com/thereelrejects Facebook: https://www.facebook.com/TheReelRejects/ Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects With The Monkey horror movie releasing, it's time for Misery (1990) Reaction, Recap, Commentary, Analysis, & Spoiler Review! Tara Erickson & Andrew Gordon (Cinepals) dive into one of the most intense psychological thrillers ever—Rob Reiner's Misery, based on the legendary Stephen King novel! This chilling classic follows Paul Sheldon (James Caan, The Godfather, Elf), a best-selling author who finds himself at the mercy of his number-one fan, Annie Wilkes (Kathy Bates, Titanic, American Horror Story), after a brutal car crash leaves him stranded in her remote home. As Annie's obsession spirals into madness, Paul must fight for his survival in a game of manipulation and terror. The film also stars Richard Farnsworth (The Straight Story, The Grey Fox) as Sheriff Buster and Frances Sternhagen (The Mist, Sex and the City) as his wife, Virginia. We react to all of Misery's most infamous moments, including The Car Crash, Annie's "I'm Your Number One Fan" Introduction, The Typewriter Scene, Paul Sneaking Out of His Room, The Dinner Poisoning Attempt, The Hobbling Scene, The Final Fight, and The Chilling Ending! Stephen King's Misery remains one of the most terrifying horror thrillers ever put to screen, and in honor of the horror master himself, here are some of his most famous film adaptations: The Shining (1980), Carrie (1976), It (2017), Pet Sematary (1989), The Green Mile (1999), Stand by Me (1986), The Mist (2007), Doctor Sleep (2019), Gerald's Game (2017), and 1408 (2007). Buckle up—this one is a masterclass in suspense! Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
This next guest is a character actor from Falls Church, VA that went on to earn his BFA from Virginia Commonwealth University & began performing in the Off-Off-Broadway theater circuit, however he is probably best known for his portrayal of Victor Pascow in the 1989 classic “Pet Sematary”. Let's welcome Actor Brad Greenquist.*Executive brought up was Lindsay Doran-Producer/Studio Executive*Brad GreenquistWebsite: https://bradgreenquist.com/Crazy Train RadioFacebook: facebook.com/realctradioInstagram: @crazytrainradioX/Twitter: @realctradioBlueSky: @crazytrainradio.bsky.socialWebsite: crazytrainradio.usYouTube: youtube.com/crazytrainradio
Midnight Terrors is back with another episode with a new guest co-host! Today, Midnight Terrors is joined by a long time friend of the show, as well as a cast mate of Kevin's from Charleston's Absent Friends, for a long awaited episode! Today, Kevin's friend Claudia makes her MTP debut using her guest spot prize from a past live event of MTP! For this episode, the movie chosen by Claudia is none other than 1989's Pet Sematary! What did your co-hosts think of this movie? Find out now on episode 114 of The Midnight Terrors Podcast!
Miko Hughes, aka Aaron Bailey, is joining us on the podcast today! At just 4 years old, Miko made his Full House debut, and he was an unforgettable character from the start. From pinching Michelle, to admitting he had a crush on her, Aaron undoubtedly played a large part in the Full House universe! And, let's not forget that Miko's credits span past Full House! From his roles in Pet Sematary to Kindergarten Cop... You're bound to recognize him from one of the many projects he's been a part of! This interview is definitely one you do not want to miss, and it's all right here on How Rude, Tanneritos! See omnystudio.com/listener for privacy information.
Break The Boom Meter: Big AJ and Big Justice drop a new joint featuring the Rizzler. Are these songs giving us diminishing returns? Chicken Pig Attack: Jessica goes out on a limb and submits something to the show without it being screened. How does it turn out? Nautica Malone: Bikini Barista creep goes viral and then unalives himself in embarrassment and more creeps and weirdos. FUCK YOU WATCH THIS!, THE BEAR!, OUR LADY PEACE!, SUPERMAN'S DEAD!, CANADA!, THE COSTCO GUYS!, AJ AND BIG JUSTICE!, THE RIZZLER!, BREAKING THE BOOM METER!, DIMINISHING RETURNS!, AMH BAND!, JACK BLACK!, TIKTOK!, VIRAL!, ADAM AND THE METAL HAWKS!, FAKE BAND!, JOE BERRY!, WHOLESOME VIBES!, PRECONCEIVED NOTIONS!, BEASTIE BOYS!, RAP ROCK!, CRAB RAVE!, JESSICA!, CHICKEN PIG ATTACK!, RETURN OF TAKEO!, GREGORY BROTHERS!, JAPANESE YODEL!, FIGHT!, COCK!, INNUENDO!, SERIES!, RABBIT HOLE!, TEACHABLE MOMENT!, ICE BUCKET CHALLENGE!, NEVER UNDERESTIMATE A COW!, BIKINI BARISTA!, SUICIDE!, NO PANTS!, VIRAL!, CLOWNED!, BULLIED!, DR PEPPER!, LAUNDRY DAY!, BIKINI BEANS!, NAUTICA MALONE!, WOMAN MASTURBATES ON BEACH!, EXPOSED!, DEATH!, BODY CAM FOOTAGE!, ARREST!, DRUNK!, BEACH JERK!, ROY!, WALMART!, CREEPS!, DARKNESS!, YOR!, MONSTER!, I'M 14!, LENGTH!, PET SEMATARY!, SOMETIMES 14 IS BETTER!, PALISADES FIRES!, WHEELCHAIR!, SON!, BURNED ALIVE!, I AM LEGEND!, CRASH OUT!, BURT!, TOM SEGURA!, TWO BEARS ONE CAVE! You can find the videos from this episode at our Discord RIGHT HERE!
Join Tony and Chris as they discuss the 1989 Stephen King classic about a cemetery—or is it a sematary?—that can bring the dead back to life. But what returns isn't quite the same. Sometimes dead is better. Dive into the chilling story, the unforgettable scares, and the lingering question: would you dare use the Pet Sematary? We post a new podcast every other Sunday. Follow so you don't miss anything! Thank you for listening!!!#movie #horrorpodcast #movie #horror #podcast #moviereview https://www.youtube.com/@BloodandDonutspodcast https://blood--donuts-merch.myspreadshop.com
Celebrate the new year! Celebrate Final Femme's return! Celebrate Sidney and Jack talking Pet Sematary! Gather all your loved ones, hike up the hilltops and bury your ears into our discussion of the problems that arise from living mere feet from a major highway! And like the new year song goes... Should old acquaintance be forgot and never brought back to life? That's how the song goes, right?
On this episode of Pre-Views! The people in Hell are starving while the people in Heaven feast in Lizzie Lazarus. Drawing comparisons to Stephen King's Pet Sematary, the twisted psychological horror film will be resurrected January 14 exclusively on SCREAMBOX.
Penny invites some old friends - Erin Haas, Rachel Freitas, Jed O'Berry, and Adam P. Cray - onto the podcast to explore the topic of “What Makes a Cult Television Show?” in this spirited New Year's episode! We discuss various topics, including: What are the characteristics of a cult show? Should there be a new Dark Shadows if the tone is changed? Should a new DS be a remake or a continuation? If a show or movie goes fully mainstream, is it still considered a cult show or cult film? A Dan Curtis Shared Universe? While the focus is on Dark Shadows, we also discuss and/or mention: The Twilight Zone, Batman, Being Human, Interview with the Vampire, Kindred: The Embraced, Manimal, Lost in Space, Buffy the Vampire Slayer, Hexed, The Wild Wild West, Bordertown, Star Trek, Doctor Who, Planet of the Apes, In Search of…, The Monkees, Star Trek: The Next Generation, The Brady Bunch, The Golden Girls, Cobra Kai, The Partridge Family, The X-Files, The IT Crowd, Twin Peaks, Blake's 7, Freaks and Geeks, The Tomorrow People, MST3K, Monty Python's Flying Circus, Kolchak: The Night Stalker, The Mandalorian, What We Do in the Shadows, Star Wars, The Rocky Horror Picture Show, The Room, Pet Sematary, The Lord of the Rings, H.R. Pufnstuf, The Young Ones, Three's Company, The Office, Garth Marenghi's Darkplace, superheroes, and more!Terror at Collinwood and Shilling Shockers shirts and merch at TeePublic: https://www.teepublic.com/user/pennydreadfulxiiiHelp support the podcast by donating at Buy Me a Coffin: https://buymeacoffee.com/terroratcollinwoodDS Paper Dolls Book Hermes Press Pre-Order here: https://hermespress.com/products/dark-shadows-paper-doll-book?_pos=16&_sid=42e39b7e7&_ss=r&goal=0_c9020b2692-992e1d2fc4-278129105&mc_cid=992e1d2fc4&mc_eid=00bdde4287Hallowed Haunts on YouTube: https://www.youtube.com/@HallowedHauntsHallowed Haunts on Facebook: https://www.facebook.com/profile.php?id=61567629813207Hallowed Groundling podcast: https://www.youtube.com/@hallowedgroundling6767Adam P. Cray on IMDB: https://www.imdb.com/name/nm2026183/Spirits and Stars Crystals: https://www.facebook.com/SpiritsandStarsCrystalsKing Richard's Faire website: https://www.kingrichardsfaire.netDark Shadows: The Complete Original Series coffin set on sale at MPI Home Video: https://www.mpihomevideo.com/products/dark-shadows-the-complete-original-series-deluxe-edition-dvd?_pos=2&_sid=4b5896927&_ss=r&utm_source=Dark+Shadows&utm_campaign=0cdf8f4d9e-EMAIL_CAMPAIGN_2024_07_26_04_40_COPY_01&utm_medium=email&utm_term=0_-794bbd5684-806455186&mc_cid=0cdf8f4d9e&mc_eid=04c9067987Ghastly Phantasms issue 17 - Dark Shadows Mega Issue on Amazon: https://www.amazon.com/Ghastly-Phantasms-No-17-Shadows/dp/B0DP9HZBH6/ref=sr_1_fkmr1_1?crid=1UFBJO4TTAJBX&dib=eyJ2IjoiMSJ9.pViSAZLe3xPalZt33VOK2hsZkYxp2nUOAjKXN3sK-2E.QeljAGl4WUQrcRNxFddvOE9HYqOQUQkX7fxhvKN_g6E&dib_tag=se&keywords=ghastle+phantasms+dark+shadows&qid=1735185144&sprefix=ghastle+phantasms+dark+shadow%2Caps%2C134&sr=8-1-fkmr1Dark Shadows Event Diary on Amazon: https://www.amazon.com/Dark-Shadows-Event-Diary-Screenings/dp/B0DDWHY71H/ref=sr_1_1?crid=24BRMTQ1YYEMX&dib=eyJ2IjoiMSJ9.DdTmneCXiI3BvAoLe17-ee10ID_EHsJyv8sLcR0WqziJ-bEbHr1B6ddZdcYPB-fBGg7YqTEXBmDxgwuMahaF9k-uRHq_bQ2ArFeqdOm-icvgbbbiuZhuYUK-hQfODv3bPPh8lHzvdZYqySA1MlhblFIOURDbDzPm-9MlBf_a_MX94QKzzriMDQHw_uqZC-NojSX_X5NfGI21ns_W04Z_E05jlX_mm-M1lXTdn2GvMQg.Ql6T5mCazREQfgRthtAIa4KlWQ9MCT1SPT_tI1Lvh4s&dib_tag=se&keywords=The+Dark+Shadows+Event+Diary&qid=1735248791&sprefix=the+dark+shadows+event+diary%2Caps%2C143&sr=8-1‘Captain Samouflage and the Frankensam Scam!' by Sam Irvin on Amazon: https://www.amazon.com/CAPTAIN-SAMOUFLAGE-FRANKENSAM-SCAM-Superhero/dp/B0DPHX5HXS/ref=sr_1_1?crid=3PMCCGLKFRQS7&dib=eyJ2IjoiMSJ9.Zip-1Hf4wIbanP-u4-lGR69BWN4DxLUk5Lyz_IOjdEyTnDYvpp05J_cCeWA4jcawdWlkWSKDzkp7BKF0VbHnVK2MxWgYzSaKRYFQyoWjlHcqCEta1J3tRPjvEkv2ye2v.qJlIydVEtyxdDlxb1ycUaWcuqrp7C-A5Jw70shn7xE0&dib_tag=se&keywords=Captain+Samouflage&qid=1734726665&sprefix=captain+samouflage%2Caps%2C134&sr=8-1Dark Shadows Appreciation Society Link: https://www.facebook.com/groups/1659238900971971Between the Shadows link: https://www.youtube.com/@betweentheshadows-adarksha407/videosCollinsport After Dark link: https://www.youtube.com/@petofi97Dark Shad-Bros link: https://www.youtube.com/@MacAndChatResident of Collinwood link: https://www.youtube.com/@ResidentofCollinwoodLiterary License Link: https://www.youtube.com/@literarylicensepodcast3896Collinsport Historical Society Podcast link: https://open.spotify.com/show/5GDQzz6C6tPSI9NU6EfKRyDark Paradise link: https://www.youtube.com/@ShadowsofthePastTheaterSurfing the Shadows surf rock cover of Bob Cobert's Dark Shadows theme by Johnny D & The Moonlighters: https://www.facebook.com/profile.php?id=61552762765082TaC logos by Eric Marshall
Send us a textWelcome to our Christmas Special. Our review episodes focus on layered discussion and we leave the numerical ratings to our Christmas Special and now Rotten Tomatoes. Splooshes to all our friends and lovers for your support. Grab a snack and a beverage! We love yas!Full video available on Patreon.Highlights include: Last Stop in Yuma County, How to Have Sex, Pet Sematary, The Wiz & Anatomy of a Fall.Website | Rotten Tomatoes | Linktree | Youtube | Twitter | Instagram
Hello Horror Heads! In this special Christmas Eve episode of 'The Horror Show,' hosts Sean and Joe dive into the discussion of the film 'Christmas Bloody Christmas.' They dissect the movie's plot, dialogue, lighting, and memorable scenes, providing an in-depth critique. The episode is filled with humorous banter, as the hosts explore the film's quirky elements and the iconic killer robot Santa. They also share their thoughts on potential remakes by Rob Zombie and reminisce about nostalgic TV Christmas commercials. Despite some critical views, the episode wraps up with entertaining insights into this unique horror film. 00:00 Welcome to the Horror Show 01:30 Familiar Faces and First Impressions 02:54 Insufferable Dialogue and Realizations 04:34 Profanity Overload and Rob Zombie Comparisons 10:47 Independent Movie Critique 13:20 Character Analysis and Cast Discussion 21:39 Commercials and Christmas Memories 28:21 Toy Store Shenanigans and Robot Santa 45:11 Santa Killer POV and Fluid Movements 45:47 Graphic Dialogue and Uncomfortable Conversations 47:46 Porn Trends and World Records 50:59 Lighting and Cinematic Techniques 53:25 Debating Movie Sequels 55:04 Pet Sematary and Wendigo Discussions 59:54 Santa's Killing Spree 01:06:46 Final Confrontation with Robo Santa 01:22:47 Game Grinding and Tedious Tasks 01:27:58 Japanuary and Future Plans Learn more about your ad choices. Visit megaphone.fm/adchoices
What is this Movie? A musical, set in an apocalyptic world covered in snow and ice, where a small collective has been surviving very well off in a luxurious bunker. While attempting to live out the rest of their days with silver-spoon syndrome an outsider separated from her family stumbles into their home and begs them to let her stay. They reluctantly allow her to stay where-in she and their only son develop a romantic relationship. But for everyone else, this outsider is a living reflection of their own shame and the atrocities they've committed and buried deep down in hopes to never resurface. What is this Film? It's an apocalyptic musical. It's whimsical Silo. It's Blast from the Past if Adam never actually went back to the surface but instead contracted a strong case of jungle fever. And then finds out his pompous parents are cowards and liars. The End is a story about a group of people who delusionally parade about their aristocracy to distract themselves from the fact that the world has ended, and they might be responsible for it. And this they were fine with, this disgrace all their own they had come to accept even maybe forgotten until one of the offspring of the last living survivors they abandoned decades ago forces them to wake up and remember who they really are and the horrible things they did for their own self-preservation. Billions of people died, and these people all just buried their guilt and survivor's remorse in walls of snow and ice surrounding themselves with meaningless privilege. In a world with no poor, how can there be any rich. What is power if there is nothing left to rule? If you leave humanity to die, are you still human? I couldn't get enough of Moses Ingram as Girl, yes that's her name, in this movie. I had no idea the woman could sing. Her duet “Catch Fire” with romantic co-star George MacKay has been living rent free in my head for days now. Her conviction on screen is palpable as she struggles with her own survivor's remorse after growing up in the cold is heart-wrenching. Every time she sings I think I started melting away into a big ball of man tears. Your boy is not a big musical fan but in an interview, George MacKay said something to the tune of “this was made for the big screen” and I have to agree. This film deserves your full attention from the moment MacKay as Boy reveals his desire to experience anything of the world he never got to know. He longs for the outside, longs to feel the sun, longs to express his emotions and talk about his feelings with his family, in hopes they reciprocate. But this is just not to be. Dad, played by Michael Shannon, has an established order. He treats Boy as if he's preparing him for the world, a world where you work on manifestos and read them aloud in your study, because this bunker has a damn study. Mom, Tilda Swinton, floats about from room to room nitpicking in the name of perfection. You never know when guest might be coming over. We must make sure there's enough soup spoons for everyone. And yet, you can see she's unstable and full of contempt. Everyone else in the house is just playing the role that keeps them sheltered. A Doctor, a Butler, a Friend, and Mary in addition to are all that makes up of what's left of humanity in this world. They even put on performances for entertainment where you can clearly see these people used to be people. They used to have real worth but now have been reduced to props. Beautifully, the real story here is told through the music. All of the emotions come out through song, which took me a while to pick up on. At first I thought they would just randomly sing short snippets of songs depending on where they were standing in the house. These aren't long ballads but instead short melodies, where the vocalist through subtle metaphors reveal their internal conflicts. They don't really sing and then cut to the next season as a way of transitioning through the plot poin...
What is this Movie? A musical, set in an apocalyptic world covered in snow and ice, where a small collective has been surviving very well off in a luxurious bunker. While attempting to live out the rest of their days with silver-spoon syndrome an outsider separated from her family stumbles into their home and begs them to let her stay. They reluctantly allow her to stay where-in she and their only son develop a romantic relationship. But for everyone else, this outsider is a living reflection of their own shame and the atrocities they've committed and buried deep down in hopes to never resurface. What is this Film? It's an apocalyptic musical. It's whimsical Silo. It's Blast from the Past if Adam never actually went back to the surface but instead contracted a strong case of jungle fever. And then finds out his pompous parents are cowards and liars. The End is a story about a group of people who delusionally parade about their aristocracy to distract themselves from the fact that the world has ended, and they might be responsible for it. And this they were fine with, this disgrace all their own they had come to accept even maybe forgotten until one of the offspring of the last living survivors they abandoned decades ago forces them to wake up and remember who they really are and the horrible things they did for their own self-preservation. Billions of people died, and these people all just buried their guilt and survivor's remorse in walls of snow and ice surrounding themselves with meaningless privilege. In a world with no poor, how can there be any rich. What is power if there is nothing left to rule? If you leave humanity to die, are you still human? I couldn't get enough of Moses Ingram as Girl, yes that's her name, in this movie. I had no idea the woman could sing. Her duet “Catch Fire” with romantic co-star George MacKay has been living rent free in my head for days now. Her conviction on screen is palpable as she struggles with her own survivor's remorse after growing up in the cold is heart-wrenching. Every time she sings I think I started melting away into a big ball of man tears. Your boy is not a big musical fan but in an interview, George MacKay said something to the tune of “this was made for the big screen” and I have to agree. This film deserves your full attention from the moment MacKay as Boy reveals his desire to experience anything of the world he never got to know. He longs for the outside, longs to feel the sun, longs to express his emotions and talk about his feelings with his family, in hopes they reciprocate. But this is just not to be. Dad, played by Michael Shannon, has an established order. He treats Boy as if he's preparing him for the world, a world where you work on manifestos and read them aloud in your study, because this bunker has a damn study. Mom, Tilda Swinton, floats about from room to room nitpicking in the name of perfection. You never know when guest might be coming over. We must make sure there's enough soup spoons for everyone. And yet, you can see she's unstable and full of contempt. Everyone else in the house is just playing the role that keeps them sheltered. A Doctor, a Butler, a Friend, and Mary in addition to are all that makes up of what's left of humanity in this world. They even put on performances for entertainment where you can clearly see these people used to be people. They used to have real worth but now have been reduced to props. Beautifully, the real story here is told through the music. All of the emotions come out through song, which took me a while to pick up on. At first I thought they would just randomly sing short snippets of songs depending on where they were standing in the house. These aren't long ballads but instead short melodies, where the vocalist through subtle metaphors reveal their internal conflicts. They don't really sing and then cut to the next season as a way of transitioning through the plot poin...
What is this Movie? After the death of her mother, 17-year-old Gretchen moves from America to the German Alps with her father Luis, stepmother Beth, and mute half-sister Alma. Gretchen isn't very thrilled at her current situation feeling like the 3rd wheel in her new family, butting heads with her stepmother, harboring jealousy towards her younger half-sister, and feeling ignored and resented by her own father. She's offered a job by the local hotel manager Herr Konig, where things start to get a bit loopy. Half-dressed women randomly showing up in the hotel lobby drinking sprite and vomiting, a beady, red-eyed hooded woman chasing her through the night dressed like she fell out of a Hitchcock film, and Alma randomly having seizures all give Gretchen the impression that Herr Konig isn't just a hotel manager, and she might need to get the hell out of town before it literally kills her. What is this Film? Cuckoo is absolutely cuckoo. From the moment this family shows up in the Bavarian Alps, you get why Gretchen looks like she's being dragged here against her will. Hunter Schafer pretty much carries this film until Dan Stevens fully shows up in the 3rd act, outside of a few creepy moments shared between he and Hunter earlier in the film. You have this young girl who's now forced to live in this foreign land, where one minute people are speaking German, and the next they're speaking French. The hotel she works at closes at 10PM for reasons no one wants to explain. She's constantly passing out in one place, then waking up in a totally different place. This part could just be the editing and not necessarily indicative of her circumstance. Aside from hotel guests, nobody in this town feels trustworthy. Then there's the old woman from Birds in a raincoat with the hood up and not a drop of rain in site that keeps chasing Gretchen all over town. Multiple times she's nearly killed, and her father could careless, even going as far as telling her go on ahead and get if she's not happy there and wants to leave so damn bad. Then the late-night screeching starts. Is that a banshee? There's a damn banshee in this movie! This wild feral sound causes the audience to experience déjà vu in reverberation hell. I thought my screener was fried or bootlegged. It took 3 of these scenes before I realized the editing was done this way on purpose to disassociate the audience from time and reality. The beauty here is while you're experiencing these loops along with the characters on screen, you see them start to realize the déjà vu around the same time you've realized it and some of them know what this means. Others aren't so lucky. The monster here is so menacing you just can't turn your eyes away from the screen. Add to that this was shot in 35mm film giving you that nostalgic late 70's horror cinema where creepy things are way creepier and loud noises feel way louder, and you've got one of those horror films you start to resent watching alone. This is definitely some bring a friend horror. The story isn't overbearing or too complex once you get deep into the 3rd act and Herr Konig is given more exposition. But That still won't keep you from either needing to watch this multiple times or at best rewinding it over and over again creating your own loops to help put the dark pieces together. Not being able to figure out what the hell was going on is what made this movie so good to me. I found myself at the climax of this film stumbling over the sense I couldn't make of any of it and asking things like, “Wait that creature thing is a what?”, “These scientists are trying to do what with it?”, and my favorite “So is that person dead now?? Another film about women being sacrificed in the name of science and experimentation, I'm kind of starting to hate being a man. And this one has a such a weird twist. I finished it and started thinking we just might need to ban men from doing science stuff.
What is this Movie? After the death of her mother, 17-year-old Gretchen moves from America to the German Alps with her father Luis, stepmother Beth, and mute half-sister Alma. Gretchen isn't very thrilled at her current situation feeling like the 3rd wheel in her new family, butting heads with her stepmother, harboring jealousy towards her younger half-sister, and feeling ignored and resented by her own father. She's offered a job by the local hotel manager Herr Konig, where things start to get a bit loopy. Half-dressed women randomly showing up in the hotel lobby drinking sprite and vomiting, a beady, red-eyed hooded woman chasing her through the night dressed like she fell out of a Hitchcock film, and Alma randomly having seizures all give Gretchen the impression that Herr Konig isn't just a hotel manager, and she might need to get the hell out of town before it literally kills her. What is this Film? Cuckoo is absolutely cuckoo. From the moment this family shows up in the Bavarian Alps, you get why Gretchen looks like she's being dragged here against her will. Hunter Schafer pretty much carries this film until Dan Stevens fully shows up in the 3rd act, outside of a few creepy moments shared between he and Hunter earlier in the film. You have this young girl who's now forced to live in this foreign land, where one minute people are speaking German, and the next they're speaking French. The hotel she works at closes at 10PM for reasons no one wants to explain. She's constantly passing out in one place, then waking up in a totally different place. This part could just be the editing and not necessarily indicative of her circumstance. Aside from hotel guests, nobody in this town feels trustworthy. Then there's the old woman from Birds in a raincoat with the hood up and not a drop of rain in site that keeps chasing Gretchen all over town. Multiple times she's nearly killed, and her father could careless, even going as far as telling her go on ahead and get if she's not happy there and wants to leave so damn bad. Then the late-night screeching starts. Is that a banshee? There's a damn banshee in this movie! This wild feral sound causes the audience to experience déjà vu in reverberation hell. I thought my screener was fried or bootlegged. It took 3 of these scenes before I realized the editing was done this way on purpose to disassociate the audience from time and reality. The beauty here is while you're experiencing these loops along with the characters on screen, you see them start to realize the déjà vu around the same time you've realized it and some of them know what this means. Others aren't so lucky. The monster here is so menacing you just can't turn your eyes away from the screen. Add to that this was shot in 35mm film giving you that nostalgic late 70's horror cinema where creepy things are way creepier and loud noises feel way louder, and you've got one of those horror films you start to resent watching alone. This is definitely some bring a friend horror. The story isn't overbearing or too complex once you get deep into the 3rd act and Herr Konig is given more exposition. But That still won't keep you from either needing to watch this multiple times or at best rewinding it over and over again creating your own loops to help put the dark pieces together. Not being able to figure out what the hell was going on is what made this movie so good to me. I found myself at the climax of this film stumbling over the sense I couldn't make of any of it and asking things like, “Wait that creature thing is a what?”, “These scientists are trying to do what with it?”, and my favorite “So is that person dead now?? Another film about women being sacrificed in the name of science and experimentation, I'm kind of starting to hate being a man. And this one has a such a weird twist. I finished it and started thinking we just might need to ban men from doing science stuff.
"Have yourself a scary little Christmas..." & a GORY ONE, too! For our final episode of the year, we thought we'd slash up and bleed out the gift that keeps on giving — "Santa Isn't Real” (2023) -- So, join us as we discuss uninvested performances / interesting acting choices from almost everyone (but in return a solid Scarlett Sperduto, and, by golly, a weirdly enough creepy Santa Claus villain — that VOICE !!! ) — and of course we blab about the chaotic plethora of other events that have taken place as of late, like randomly meeting Mike Hughes at the park the other day! (Merry Xmas indeed! We all know how Stanley feels about "Pet Sematary "!) Here's to another year, gory little bb's! Happiest to all and don't forget how grateful and blessed we are for all of you! - Alex & Stanley (TGG)www.thegorygays.comInstagram/Threads/YouTube: @thegorygaysE-mail: thegorygays@gmail.comSupport the show
The Wild Robot is a master class in blending ground breaking technology with animation to give us a gorgeously, heartwarming film that understood the assignment. Lupita (Roz) and Pedro Pascal (Fink) are a sensationally addictive duo surrounded by an amazing ensemble of voice actors who bring to life a wild tale of finding strength in family, protecting the things you love, and embracing heroism. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: Chris Sanders Writers: Starring: Lupita Nyong'o, Pedro Pascal, Kit Connor, Stephanie Hsu, Ving Rhames, Mark Hamill, Bill Nighy, Runtime: 1 Hour 42 Minutes Synopsis: A Robot abandoned on earth who is initially treated like an outcast until she adopts a duckling who mistakes her for it's mother, fights to protect her forrest family when her makers return and wage war in an attempt to retrieve her. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
If Disney is going to take a made for streaming series project and whip it up into a last minute theatrical release, they could at least give us Return of Jafar instead of Bambi 2. Moana does a poor job of catching the audience up on what some of our favorite characters have been up too since we last saw them through an adventure in such a superficial way. And once the film reveals itself to actually not be one-dimensional we're sailing midway through the 3rd act of a story that hopefully James Cameron won't feel the need to be inspired by since he's already made a billion dollars doing it with less heart. The songs aren't really memorable. The new characters aside from one we only get in the 2nd act aren't very memorable. The story we now know is actually part of a trilogy that might actually be going back to streaming after these box office numbers drop is also not memorable. And the Rock sings. There's still a lot of people's favorite things about Moana here, but this film deserved to be better and just doesn't feel like it was treated as such by the House of Mouse. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: Dana Ledoux Miller, Jason Hand, David Derrick Jr. Writers: Jared Bush, Dana Ledoux Mille Starring: Auliʻi Cravalho,Dwayne Johnson, Awhimai Fraser, David Fane, Rose Matafe, Hualālai Chung Runtime: 1 Hour 40 Minutes Synopsis: Moana returns as a young adult encouraged by the water spirits to set sail on a new adventure to find the other lost tribes of the sea beyond her side of the reef. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
Alien Romulus is proof that anything with a Xenomorph in it should only allow Ridley Scott on set as a Producer. It's a much needed return to the Xenomorph-verse that gives the audience nonstop nerve-wrecking action, just enough sci to fi, nostalgic easter eggs, and fun elements adapted directly from the more recent Aliens videos game like Alien: Isolation. This film does an amazing job if amping up the anticipation for the upcoming FX TV Series, Alien: Earth. Cailee Spaeny fills the shoes of Ripley very well and David Jonsson deserves all the praise for his performance as Andy, an android who gets an upgrade in autonomy. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: Fede Alvarez Writers: Fede Alvarez, Rado Sayagues Starring: Cailee Spaeny, David Jonsson, Aileen Wu, Archie Renaux Runtime: 1 Hour 59 Minutes Synopsis: Rain and her android Andy join a group of young workers and attempt to escape their indefinite indentured servitude by boarding an abandoned Weyland-Yutani space station only to discover the station is the home of a Xenomorph with some new toys to impregnate. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
Sebastian Stan gives us a complex and riveting performance in this psychological, dark comedy character study, A Different Man, directed by Aaron Schimberg and also staring an arguably Best Supporting Actor performance from Adam Pearson. A Different Man is the Uglies we deserve. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: Aaron Schimberg Writers: Aaron Schimberg Starring: Sebastian Stan, Adam Pearson, Renate Reinsve, Michael Shannon Runtime: 1 Hour 52 Minutes Synopsis: A disfigured, struggling actor goes through an experimental procedure that gives him a Hollywood face and with it the attention he always wanted. Or so he thought. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
MaXXXine is the ending to a trilogoy we welcomed but didn't ask for, and it almost took the director from Ti West to You Tried West. Luckily, Pearl and X are just so strong that it pretty much makes MaXXXine the 3rd Back to the Future film. A film that's just as far from worthless as it is from worth it, mainly due to a nothing new here story, an unearned reveal, but still somehow a variety of perfectly casted supporting role performances. MaXXXine gets so many things right yet still does nothing to push the genre forward. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: Ti West Writers: Ti West Starring: Mia Goth, Kevin Bacon, Sophie Thatcher, Moses Sumney Runtime: 1 Hour 44 Minutes Synopsis: A porn star lands her first big Hollywood break while being black mailed by a dirtbag PI who knows her dark X past, and stalked by an L.A. serial killer murdering everyone close to her. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
Francis Ford Coppola has definitively proven that no amount of wine country monies can be thrown at a 30 year passion project to justify wasting two extra long hours of your life aging away in an IMAX theater struggling to watch it. Megalopolis is so bad it couldn't make it's money back in a game of tic tac toe against a blind man. A Megalodon of a mess, Coppola beats his audience over the head with his shallow progressive messaging literally carved in stone connecting some beautiful cinematography and provocative performances with some of the ugliest CGI and convoluted story progression I've ever experieneced. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: Francis Ford Coppola Writers: Francis Ford Coppola Starring: Adam Driver, Nathalie Emmanuel, Laurence Fishburne, Shia LeBeouf, Aubrey Plaza, Jon Voight, Giancarlo Esposito, Dustin Hoffman Runtime: 2 Hours 18 Minutes Synopsis: Set in New New Rome, an idealistically driven, widowed scientific genius with the power to control time pushes back against the regressive regime in an attempt to create a golden utopia causing a violent social and political uproar. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
Rachel Morrison and Barry Jenkins come together beautifully here to craft a big screen polished adaptation of the 2016 PBS Documentary, "T-Rex: Her Fight For gold". The chemistry between Ryan Destiny and Brian Tyree Henry portraying Claressa Shields and Coach Jason Crutchfield is so palpable. A lot of heart and care went into this project. So, while it may feel like the film doesn't tell enough of Claressa's story, which continued far beyond her Olympic years, the gritty biographical story of a naturally gifted boxing phenom we do get here is unapologetically as inspirational as the real life boxing champion herself. This is the story of T-Rex. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: Rachel Morrison Writers: Barry Jenkins Starring: Ryan Destiny, Brian Tyree Henry Runtime: 1 Hour 49 Minutes Synopsis: Based on the PBS Documentary "T-Rex: Her Fight For Gold", The Fire Inside tells the story of Claressa Shields, a young black female boxer from Flint, Michigan who's will and determination take her all the way to the Olympics yet somehow not far enough away from the dangers of her home life. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
A film that lives and dies by it's leading cast made up of a Mother, her daughter, and a magic Macaw, Tuesday is a dark fantastical tale about how people cope with terminal illness and impending Death. Lola Petticrew really gives an amazing performance here that will charm the audience audience even more than Tuesday is able to charm Death. Arinze Kene voices Death and does some very captivating motion capture with his portrayal of the stuttering Macaw. The film really hits the ground running especially when you toss in the unhinged performance from Julia Louis-Dreyfus switching gears and turning this into a dark comedy. But ultimately the film falls flat when it doesn't fully capitalize on the real world ramifications of Zora's actions, and instead lulls it's audience to very anticlimactic ending. It's almost like the director knew exactly where he was going but didn't fully grasp where things were headed. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: Daina O. Pusić Writers: Daina O. Pusić Starring: Julia Louis-Dreyfus, Lola Petticrew, Arinze Kene, Leah Harvey Runtime: 1 Hour 50 Minutes Synopsis: When Death comes knocking at the door of a terminally ill teenager named Tuesday, she uses her quick wit and insatiable charm to befriend the creature. But when her Mother discovers the Macaw, she takes matters into her own hands and makes an unhinged decision that puts the entire world in dire straits. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
Send us a textIn episode 102, Lauren and Jared get in their early aughts bag and discuss Jim Gillespie's lesser known film Venom. We don't have a newsletter anymore but...! You can find us on Instagram @ScaryCritPodTimestamps12:35 - Negronomicon32:55 - Crit1:37:57 - Final CurlsGems from E102Oddity (2024)Home Alone 2: Lost in New York (1992)Hoarders (reality show) (2009)South Park (animated series) (1997)Ed, Edd n' Eddy (animated series) (1999)Dexter's Laboratory (animated series) (1995)The Powerpuff Girls (animated series) (1998)Courage the Cowardly Dog (animated series) (1999)28 Years Later (2025)Killing Eve (television series) (2018)Kraven the Hunter (2024)28 Weeks Later (2007)28 Days Later (2002)As Above, So Below (2014)The Last of Us (2023)28 Years Later Part 2: The Bone Temple (upcoming)Conclave (2024)Sing Sing (2024)Final Destination: Bloodlines (2025)Pet Sematary: Bloodlines (2023)Wrong Turn 5: Bloodlines (2012)Paranormal Activity: Next of Kin (2021)Wrong Turn (remake) (2021)Wrong Turn (2003)Wrong Turn 2: Dead End (2007)Wrong Turn 3: Left for Dead (2009)Pet Sematary (1986)Pet Sematary (remake) (2019)Final Destination 5 (2011)Smile 3 (upcoming)Final Destination (2000)Final Destination 2 (2003)Final Destination 3 (2006)The Final Destination (2009)Venom (2005)Saw V (2007)Eve's Bayou (1997)The Haunting (1999)Friday the 13th (1980)Left 4 Dead (video game) (2008)The Mortuary Assistant (video game) (2022)Doom (video game) (1993)Stay Alive (2006)The Skeleton Key (2005)Spell (2020)Jumanji (1995)Night of the Living Dead (1968)Scooby-Doo, Where Are You? (animated series) (1969)Ghost (1990)The Shining (1980)Freddy vs. Jason (2003)Austin Powers in Goldmember (2003)Shazam (2019)Shazam: Fury of the Gods (2023)Interstellar (2014) Support the show
Aaron & Riverman watch the SUPERIOR Pet Sematary film! Full video version on our YOUTUBE channel! Throw us a sub and a kind review on podcast services! https://www.youtube.com/@RevivalHouse
Just in time to celebrate the 42nd anniversary of the release of Michael Jackson's Thriller, Rish talks to Marshal and Big about movies that scared them. What scared you?Flicks mentioned include:THE SHINING (1980)CREEPSHOW (1982)PET SEMATARY (1989)A NIGHTMARE ON ELM STREET (1984)FRIDAY THE 13TH (1980)JAWS (1975)PHANTASM II (1988)THE RING (2002)AN AMERICAN WEREWOLF IN LONDON (1981)STAR TREK II: THE WRATH OF KHAN (1982)If you want to download the episode, Right-Click HERE.If you want to support me on Patreon, click HERE.If you wanna see something really scary, click HERE.Logo by Gino "Something Really Hairy" Moretto.
Pet Sematary panel with Andrew Hubatsek, Denise Crosby, Miko Hughes and Brad Greenquist at Days of the Dead Las VegasMarch 17, 2024 --- Support this podcast: https://podcasters.spotify.com/pod/show/thedollsofhorror/support
In this episode, Charles (@charlesrockhill), Reed (@reedblackcomics) & Christopher (@chrisopotamia) discuss Pet Sematary (1989), Hot Pockets, home hair cuts and cat personalities. Follow us: Socials & Email dirtylittlehorrorpodcast@gmail.com Please leave a rating/review if you have a moment. It's a free way to help the show grow! Dirty Little Horror is an LGBT Horror podcast where we try to find the gay subtext and make spooky dick jokes! Opening instrumental: Karl Casey @ White Bat Audio
Halloween Films: Part 2 (3 of 7). Henry gets reincarnated by the 2019 reboot of Stephen King's Pet Sematary (currently available via Paramount+). Get the full show now @ FilmBuds.Bandcamp.com!Subscribe / Buy Bonus Shows / Contact
This week Derry Public Radio revisits the world of "Pet Sematary" with a dive into the recent adaptation, "Pet Sematary: Bloodlines". Join CM, Josh, and Eve as they dissect this prequel to the 2019 remake. Listen in as they explore the film's attempt to expand on Jud Crandall's backstory, the missed opportunities in storytelling, the strange motivations behind the characters, and the film's struggle to capture the essence of King's work. They also discuss the film's lack of emotional depth compared to the original source material and its failure to deliver on the promise of a compelling prequel. Amidst the critique, the hosts share their own creative pitches for stories within the "Pet Sematary" universe. Our dad is keeping us out of Vietnam for Episode 169, "Micmac Paddy Whack". Join our Discord community: https://discord.gg/ZNJvTgShkk For more Derry Public Radio, head over to www.patreon.com/derrypublicradio for exclusive episodes, early releases, and more bonus content! For everything else: https://linktr.ee/derrypublicradio
It's our lucky day! We've gained unique access to a cemetery where if you bury something it comes back wrong! While we struggle to find the bit Zammit comes up with a hairbrained scheme involving cheap meats and a sack, JD has a longwinded plan involving a certain gorilla and Jackson wants to get back at poachers by encouraging poaching. Sometimes dead is better and sometimes the best laid plans often go awry.Links to everything in our linktr.ee including our terrible merch, social media garbage and where to become a subscriber to Bad Brain Boys+ Hosted on Acast. See acast.com/privacy for more information.
We want to play with yooouuuu! Well, we at least want you to listen to our latest episode, Pet Sematary (1989). This is an interesting movie to watch because viewers run the gamut of emotions, from laughing out loud to covering their eyes in terror (for about 10 min in Marie's case). There are also some pretty solid takeaways, like keep your cats indoors, don't let toddlers play next to busy roads, and never let your significant other single-handedly pick your house. So stop your shilly-shallying, grab a Zelda cocktail and listen up! You know the Zelda cocktail we paired with this movie is good since we were all too willing to have 3. Rate! Review! Follow! Follow us on Instagram and Letterboxd @toastyhorror Email us at toasttoromcoms@gmail.com Check out our website toasttoromcoms.com
The Boo Boys are here! Nate Fernald and Zach Broussard have never seen Pet Sematary, but they rewrote it and we read their script! They SPECIFICALLY have not seen the remake, but they wrote what they figure the changes probably are. Are they close? Then we get into some games and BONUS: there's turtlenecks. Check out The Boo Boys new book: Scary Stories to Make You Scared of Stories, wherever you get books! Purchase it from bookshop.org to help out local bookshops! https://bookshop.org/p/books/scary-stories-to-make-you-scared-of-stories-the-boo-boys/21843970 Find us on patreon for our Never Seen It Movie Club! patreon.com/neverseenit Learn more about your ad choices. Visit megaphone.fm/adchoices
This week DPR launches the debut of “DPR Revisited”! Thank you to Toni Horstman for the Patreon selection of “Pet Sematary”. Join in as we discuss how the book has changed for us in the 5 years since we first read it, how hard Eve and Josh were on Louis the first time, parental panic becoming relatable, our hate for Rachel's dad, digging deeper into the Wendigo, Louis' burden of knowledge, Norma's secrets, and some goofs to lighten the mood. We're digging up some old takes on Episode 168, “Wendigo Tabs”. If you'd like us to Revisit your favorite book, sign up at www.patreon.com/derrypublicradio to find out how! Join our Discord community: https://discord.gg/ZNJvTgShkk For more Derry Public Radio, head over to www.patreon.com/derrypublicradio for exclusive episodes, early releases, and more bonus content! For everything else: https://linktr.ee/derrypublicradio
This review is for people who think they might want to give Platform 2 a chance after seeing the first film, or even if they have never seen the first film. Listen as Ro and Phenom discuss The Platform 2 and somehow manage to keep it spoiler-free The Platform 2 streaming now on Netflix. ♦♦ Director: Galder Gaztelu-Urrutia Writers: David Desola, Pedro Rivero, Galder Gaztelu-Urrutia Starring: Hovik Keuchkerian, Milena Smit Runtime: 1 Hour 41Minutes Synopsis: In a dystopian vertical prison with 333 floors, a women voluntarily commits herself after a tragic accident. Insanity corrupts as a group of zionist enforcers called Loyalists descend through the prison holding court and enacting brutal, inhumane justice on Barbarian who violate the food rules. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
This review is for people who think they might want to give Platform 2 a chance after seeing the first film, or even if they have never seen the first film. Listen as Ro and Phenom discuss The Platform 2 and somehow manage to keep it spoiler-free The Platform 2 streaming now on Netflix. ♦♦ Director: Galder Gaztelu-Urrutia Writers: David Desola, Pedro Rivero, Galder Gaztelu-Urrutia Starring: Hovik Keuchkerian, Milena Smit Runtime: 1 Hour 41Minutes Synopsis: In a dystopian vertical prison with 333 floors, a women voluntarily commits herself after a tragic accident. Insanity corrupts as a group of zionist enforcers called Loyalists descend through the prison holding court and enacting brutal, inhumane justice on Barbarian who violate the food rules. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic. https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!
The boys kick off spooky season with a Stephen King classic on this week's Movie Remake Showdown! Pet Sematary 1989 vs 2019. Thirty years separate the two movies, but only one can reign supreme. Whatever you do, just make sure to say out of the road!Support the showCatch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.