Podcasts about Little House

Producer and Joy Coalition founder Joy Gorman Wettels joins GG Hawkins to discuss the long, uncertain path of building a producing career, from developing Next to Normal and spending 17 years at Anonymous Content to betting on herself as an independent producer. She explains why she staffed Little House on the Prairie before it received a green light, how she develops projects designed to create cultural conversations, and why the industry's shrinking infrastructure threatens the next generation of producers. Gorman Wettels also shares lessons from 13 Reasons Why, Home Before Dark, and The Bell Jar, emphasizing empathy, creative conviction, audience-building, and the importance of finding collaborators who will grow alongside you. In this episode, No Film School's GG Hawkins and guest Joy Gorman Wettels discuss... The challenge of balancing production schedules with family life How growing up around theater and the arts shaped Joy's career Developing Next to Normal over the course of a decade Learning the creative and logistical sides of producing at Anonymous Content Launching Joy Coalition just before the industry strikes The financial risks independent producers take while developing and staffing projects Why Joy staffed Little House on the Prairie before the series was greenlit How the industry's broken career pipeline limits mentorship and upward mobility The goals of Producers United and the need to compensate career producers fairly How instability affects studio executives as well as independent producers Choosing projects that can bridge cultural and generational divides The research, psychiatric support, and sensitivity practices behind 13 Reasons Why Creating stories that give young audiences “something to reach up to” Why emerging filmmakers should build their own audiences and distribution channels Finding long-term collaborators, remaining loyal, and celebrating friends' successes Memorable Quotes: “All you could do is bank on the things that you believe in and love.” “Some of the best of us producers no longer have the infrastructure to bring up the next generation.” “Everything that I make pretty much comes down to taking young people more seriously than I feel we have historically.” “Hollywood's a very, very, very long high school and college, and you find your people and you succeed together.” Guests: Joy Gorman Wettels Resources: Joy Coalition Joy Gorman Wettels on Instagram Producers United Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Jason, Maddy, and Kirk pull out their spyglasses and zoom in on Assassin's Creed Black Flag Resynced, the remake of the 2013 classic for modern platforms. They talk about the sea battles, the game's gruff hero, and what works (and doesn't work) about this new reimagining. One More Thing: Kirk: Denshattack!  Maddy: Little House on the Prairie (2026) Jason: The Mermaid Mask LINKS: Kirk's 2013 review of AC IV: https://kotaku.com/assassins-creed-iv-black-flag-the-kotaku-review-1453735783 Stephen's newsletter on Resynced's take on the modern day stuff: https://www.gamefile.news/p/assassins-creed-black-flag-resynced-review Background article about the Little House reboot: https://redpopnews.com/netflixs-little-house-on-the-prairie-proves-the-story-was-always-big-enough-for-the-truth-and-authenticity/ Tee Lopes - “There's A Trick To It,” Andrew One - “Coastline Funk,” Sean Bialo - “Passing Ariake Breeze” - from the Denshattack OST Help support this show and unlock bonus content! Become a member at https://maximumfun.org/jointripleclick

On this, our 335th Evolutionary Lens livestream, we discuss the time-traveling money printer in its newest instantiation: Trump's monetization of Truth Social, wherein you pay to get a microsecond advantage in the market. Like so many before him, he's becoming wealthy without generating wealth. But a president should be working to generate wealth for his country, and its citizens. Then: discussion of risk, exploration and frontiers in the context of Pa Ingalls and the Little House on the Prairie series, the fearful response to such things by many women, and the motorcycle accident that our son Toby was just in. (He will be okay.)*****Our sponsors:Masa Chips: Delicious chips made with corn, salt, and beef tallow—nothing else—in loads of great flavors. Ready to give MASA a try? Get 25% off your first order by going to https://www.masachips.com/DARKHORSE and using code DARKHORSEAmerican Financing: NMLS #182334 nmlsconsumeraccess.org. APR for rates in the 5s start at 6.327% for well qualified borrowers. Call 866-886-5350 for details about credit, costs and terms. Visit http://AmericanFinancing.net/DarkHorse. Average savings based on borrowers who save over $199.99.SaunaSpace: deep radiant heat from red and infrared incandescence—detox and decrease pain, reverse screen fatigue and improve your mood. http://Sauna.Space/DarkHorse for 10% off sitewide.  *****Join us on Locals! Get access to our Discord server, exclusive live streams, live chats for all streams, and early access to many podcasts: https://darkhorse.locals.comHeather's newsletter, Natural Selections (subscribe to get free weekly essays in your inbox): https://naturalselections.substack.comOur book, A Hunter-Gatherer's Guide to the 21st Century, is available everywhere books are sold, including from Amazon: https://amzn.to/3AGANGg (commission earned)Check out our store! Epic tabby, digital book burning, saddle up the dire wolves, and more: https://darkhorsestore.orgMusic: "Marble Machine" by WintergatanThis track can be downloaded for free at www.wintergatan.netFree License to use this track in your video can be downloaded at www.wintergatan.net*****Mentioned in this episode:Truth Social announcement: https://www.globenewswire.com/news-release/2026/07/16/3328489/0/en/Trump-Media-and-Technology-Group-Launches-Truth-API-a-New-Licensed-Data-Service-for-Financial-Services-Partners-That-Provides-the-Fastest-Access-to-Truth-Social-s-Most-Influential-.htmlTai Pan: https://amzn.to/44JG4bu (comission earned)Pa Ingalls and risk at Natural Selections: https://naturalselections.substack.com/p/scared-rabbitsSupport the show

Join Federalist Editor-In-Chief Mollie Hemingway and Washington Examiner Senior Writer David Harsanyi as they recap their Independence Day celebrations, discuss Sen. Lindsey Graham's legacy, weigh in on the scandal that broke Graham Platner's Senate campaign, and rant about the communism resurgence fostered by Democrats. Mollie and David also review Little House on the Prairie, Midwinter Break, The Intern, Eternity, and Past Lives, and Mollie shares her favorite moments from her trip to Europe.Order and review Mollie's book Alito: The Justice Who Reshaped the Supreme Court and Restored the Constitution here.The Federalist Foundation is a nonprofit, and we depend entirely on our listeners and readers — not corporations. If you value fearless, independent journalism, please consider a tax-deductible gift today at TheFederalist.com/donate. Your support keeps us going.

Join Federalist Editor-In-Chief Mollie Hemingway and Washington Examiner Senior Writer David Harsanyi as they recap their Independence Day celebrations, discuss Sen. Lindsey Graham's legacy, weigh in on the scandal that broke Graham Platner's Senate campaign, and rant about the communism resurgence fostered by Democrats. Mollie and David also review Little House on the Prairie, Midwinter Break, The Intern, Eternity, […]

Jason pays tribute to legendary late night producer Peter Lassally, Colleen took a trip to "The Five-Star Weekend" on Peacock, Holly is still on the wild ride that is "Cape Fear," and Jason watched more "Little House on the Prairie" and is in a research rabbit hole. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Colleen is in Chicago and she thinks train travel is the best! Jason's travel tips for your next cruise adventure, HOT TRAILERS: "Other Mommy" looks deliciously creepy and "Spider-Man: Brand New Day" looks like it could be the best in the series, and Colleen's Chicago itinerary. Colleen got a very large and complicated couch delivered, and some assembly was required... "Zara Death Pants" are making people face plant around the world, AITA: For telling my girlfriend to change her outfit? And our hot takes on new Minnesota State Fair foods! SCREEN QUEENS: Jason pays tribute to legendary late night producer Peter Lassally, "The Five-Star Weekend," "Cape Fear," and "Little House on the Prairie." Jason vacation story: 18-year-old at the bar and living in the surveillance cruise state. Plus, there's a difference between Pokémon and Pokémoan and it's important to understand this... See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Serene Allison shares her son’s story of glyphosate exposure, cancer and his seven-year battle with cancer. She cofounded Trim Healthy Mama with her sister Pearl Barrett. Together they join Trending with Timmerie Episode Guide A Mother’s Warning: What Glyphosate Did to Her Son (0:50) Wednesday on Trending (24:17) A Healthier Home Without Fear, Perfectionism, or Fad Diets (27:03) Why homesteading and Little House on the Prairie have become an ideal (41:00) Resources mentioned: Trim Healthy Mama https://trimhealthymama.com/ Book: The 7 Skills To Lasting Health https://amzn.to/4vE21nh Evie Magazine Article https://www.eviemagazine.com/post/what-glyphosate-did-to-my-son-and-why-i-wont-stay-quiet

Actor, director, and producer Jocko Sims joins Tavis in studio to discuss his diverse career and his latest role portraying pioneering Black physician Dr. George A. Tann in Netflix's reimagined Little House on the Prairie.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

This week, Mitch dives right into a chaotic sequel to last week's episode, pitching a dystopian game show where you gamble your actual lifespan for wishes. Then, we take it a step further and imagine a world where McDonald's runs a lethal survival show. Naturally, all this dark talk reminds us of our own glory days and a brutal Cap'n Crunch eating contest that absolutely destroyed the roofs of our mouths. We also get into some fascinating science and cultural deep dives, unpacking how neuroplasticity proves our brains are way more resilient than our high school health teachers claimed. We question whether the government is intentionally fueling the Gen X vs. Millennial feud to keep us from teaming up against the system, and look at how the new Little House on the Prairie remake is casually exposing massive historical corporate corruption. Finally, we wrap things up with a look at California politics and Gavin Newsom's move to return coastal land to local tribes for a major casino and tourism boost.

Hour 1: In conclusion, The World Cup ruled. Congratulations, Spain. Vinnie has mild thoughts on the halftime show. How much money do the teams make for winning? Sarah thinks the game could use lions. Vinnie passed his big test! Plus, he's doing hard-hitting journalism this morning with two contradicting stories: Santa Fe is the best, but New Mexico is the worst. Hour 2: Let's catch up on TV! Sarah and Matty are loving House of the Dragon, but Bob is over it. Big Brother has kicked off. Anya Taylor Joy's new show isn't horrible. Matty is watching ‘Little House on the Prarie'… lol. Sarah got totally scammed by AI. Can you guess the most watched seasons of Netflix in the last 4 years? Speaking of Tucker, Sarah is playing matchmakers with Marci. Plus, the biggest story of last week has been solved - supposedly. Hour 3: The first ‘Avengers: Doomsday' trailer is here. Robert Downey Jr is back, but Iron Man isn't. ‘The Odyssey' had a tremendous opening weekend. ‘Moana' is disappointing after its second weekend. Sorry, The Rock. Is he joining this list of celebrities whose careers are hanging on by a thread? Messi crying is in the news. Vinnie reopens the lettuce controversy. More to come. What would you do for a Mountain Dew? Not much. America's taste in ice cream is vanilla. BTW, Vinnie is afraid of sharks. Hour 4: Evanescence is in town today! Will they ever be able to top that big hit? It's Hello Kitty night at The Valkyries. Flock of Seagulls are at the Castro Theatre. Speaking of music, Apple is raising their prices. Jelly Roll and Bunnie Xo already finalized their divorce. Willy Nelson in a turtleneck? Cigarettes are cool - Sarah is quitting. World cup travelers are sharing what they liked about America. Grab a taco, it's not so bad here! Plus, the great return of How Old Is That Guy?!

Let's catch up on TV! Sarah and Matty are loving House of the Dragon, but Bob is over it. Big Brother has kicked off. Anya Taylor Joy's new show isn't horrible. Matty is watching ‘Little House on the Prairie'… lol. Sarah got totally scammed by AI. Can you guess the most watched seasons of Netflix in the last 4 years? Speaking of Tucker, Sarah is playing matchmakers with Marci. Plus, the biggest story of last week has been solved - supposedly.

We all checked out "Little House on the Prairie" on Netflix, Jason and Holly dipped into Season 22 of "Project Runway," and Jason and Colleen watched the Netflix documentary, "Shipwrecked: Nightmare at Sea" -- and Jason watched this WHILE ON A CRUISE SHIP! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The gang is back together after our summer break. And Jason's out of power! Colleen moved her son in a heat wave and Jason tells us about The Discover Card twins in Grand Cayman -- always bring a few forms of payment on a cruise!Colleen is taking a trip to Chicago and she can't wait to see the play, "Iceboy! The Musical". More Jason vacation stories: His shopping spree at a Mexican pharmacy, and BIG FAT MOVIE REVIEW: Colleen and Holly both saw "The Odyssey." SCREEN QUEENS: We all checked out "Little House on the Prairie" on Netflix, Jason and Holly dipped into Season 22 of "Project Runway," and Jason and Colleen watched the Netflix documentary, "Shipwrecked: Nightmare at Sea". We talk to Dale Stark from Hennepin Arts about their sensory-friendly "Wicked" production, and Animal News: Jimothy the racoon is the Internet's new viral animal sensation and a new dinosaur discovery! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mini: Let's review Jesus's childhood with the songs: "Jesus Lived in a Little House", "Shall we Go For a Walk Today", and "We are His Hands" with our memory verse Prov. 20:11 "Even a child is known by his deeds."Recorded and produced by: Ashley B. LarsonDon't forget to check out the coloring pages that go along with each lesson! https://startingwithjesus.com/spb-cp/If you have enjoyed this program and would like to know more, go to our website: www.startingwithjesus.comThe Bible and nature story material used in today's devotional podcast has been used with permission from My Bible First. If you would like your own copy, please visit their website-or call 1-877-242-5317.If you would like to purchase your own Memory Verse CD or Songbook, go to Ouachita Hills Store (https://www.ouachitahillsacademy.org/store?page=1&store_category_id=0&sort_by=title&is_ascending=1&search=).Songs from: Little Voices Praise Him, SDA Hymnal, Sabbath Songs For Tiny Tots, New Sabbath Songs For Tiny Tots, Memory Verse Verse Songs for Cradle Roll, Children's Songs For Jesus, and Scripture Songs and Little LessonsAll Bible verses are from the NKJV.Singers for this Quarter: Tory, Caleb, and Enoch Hall, Hudson Reeves, Michael and Amy NelsonEditing assist: Dillon Austin and Josh LarsonMusic Recording and Editing: Rachel Nelson and Kristy HallColoring Pages: Rachel Lamming, Lily Canada, and Evie RodriguezTheme Music: Lindsey Mills- www.lindseymillsmusic.com God: who gives talents for us to use for Him 

Because we skipped last week, the Ugs have some catching up to do from the 4th of July holiday weekend. Plus, Taco Bell is going through it right now - and apparently going through others as well - but nothing beats a Crunch Wrap late at night. And last but not least, we're watching the updfated version of Little House on the Prairie and we have thoughts. Thanks for listening and supporting the show by sticking around through the commercials!

This week, it's back to the prairie as we watch and discuss "The Raccoon" (or is it "The Racoon"? ), which is the 10th episode of season 1. Mary gives Laura a baby raccoon to take care of, since she accidentally broke her beloved porcelain doll Janet. Somehow the whole town thinks this is a great idea! Steve is joined by his frequent cohost James McCollum on this episode. Steve Barnes is guitarist for stoner metal band Introvoid, and also plays guitar for the cover band Electric Fist. He has been hosting Sweet Child Of Time since 2011.James McCollum is a podcast producer, hosting his own shows along side his Chicago cohosts at Marsh Land Media, with weekly podcasts such as Magical Meatball Girls, Deth To Squids, and Sweaty Time Pro Wresting. Their other Patreon podcasts are also available, for members only- go to https://patreon.com/mlmpod.com⁠⁠⁠⁠ to become a member.Check out our main website for all info, videos, and episodes:⁠⁠⁠https://www.sweetchildoftime.com⁠⁠⁠Please support the show at⁠⁠⁠https://patreon.com/mlmpod.com⁠⁠⁠Join us at our Marsh Land Media Discord channel:⁠⁠⁠https://discord.gg/aRdKmv9Ybc⁠⁠⁠Our podcast is brought to you by Zencastr! Use "sweetchildoftime" as your promo code for 30% off if you join:⁠⁠⁠https://zen.ai/34YswfAyb8Tg_68Rugun28BAv0U3EeXAvPbnN9FTzpOU9gDo6uemPt2NxY_ET4N0⁠⁠

Afternoons critic Ruwani Perera joins Jesse now to share what she's been watching - 'The Five-Star Wedding' (Hayu) 'Little House on the Prairie' (Netflix).

Alex and Ben discuss the news of Claudia Winkleman quitting her chat show. They talk about The Housemaid movie and compare it to the book, and also explain why they watched Netflix new version of Little House on the Prairie, so you don't have to. Find us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://linktr.ee/faithfulto⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠ ⁠⁠ If you'd like to support the podcast, please got to: ⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/faithful⁠⁠⁠⁠⁠⁠⁠ Thank you to our sponsor Quince: ⁠⁠quince.com/faithfulto⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Sacred Earth beneath my feet,draw my scattered attention down and in.Let my senses be roots,sight, sound, scent, taste, touch,and the knowing beneath words,reaching deep into your living heart.Remind me that life is not a race,but a gentle returning to what always holds me.As I change, may I stay rooted.As I root, may I be free to change.Happy July and welcome to this week's Rituals of Returning newsletter! This month we are steeping in the Cauldron of Change. We also have August's ritual kit ready for you in the shop. This week's magic:13 minute mini ritual video: allies for Julyimpromptu “witch at work” studio altar tourpart two house altar tourI'm happy to report that I won third place in the Deane Wagner Poetry Contest for my poem: “Do Poets Eat at Taco Bell?”My 100 word story, “Warm-blooded” (shortlisted in the Tadpole Press 100 word story contest last month), has now been published in the 10th volume of “How to Save the World” from Compassiviste Press. 100% of the proceeds from the anthology goes to the Zaatari Desert Garden project, helping Syrian refugees develop hydroponic food production in the Zaatari refugee camp in Jordan. The digital book is available from:Compassiviste websiteAmazonBarnes and NobleKoboEvent notice for upcoming free event (not-affiliated, just passing the word along): On July 21st at 11am PT/ 2pm ET/ 8pm CET, there is a free online gathering with Pat McCabe (Weyakpa Najin Win, Woman Stands Shining): Seeding a New Future. Pat is a Diné elder, ceremonial leader and voice for global peace and will be in conversation with Rachel Duffy and Michael Denmeade. Together we'll explore the wisdom of these times. And the work of coming back into right relationship with the Earth, with each other, and with our own true nature, such that together we can seed a thriving future for all. It's free, donation-based, and open to all. The registration link is here. Replay from our 2000 Days of Goddess live celebration including free printable booklets!Back to the Roots collection with so many free resources from June!The Cauldron of ChangeI've been making space to steep in the Cauldron of Change this month, even with just a few morning minutes to reflect and integrate. I made this little prompts booklet for my community and it has been such a helpful resource—I've also been dropping my Womanrunes draw of the day into the Cauldron rune and seeing how the two work together. I'd love to invite you to join us as well—we're doing live community practices each Monday!Back to the Roots!Back to the Roots has drawn to a close after celebrating our 2000th day of #30DaysofGoddess! Make sure to check out the collection where all of the free posts are available.And, you can still grab your welcome kit with beautiful journals and customizable covers.Life's Bits and Pieces:Even when life is busy even when there is too much to do,even when everythingand everyone needs something from you,you know a one word spell of power:Return,a practice,a process,a prayer, an invitation to settle and re-settle into your own wise center,to root downand reach outand reclaim.reading: (to self) How to Save the World—referenced above from Compassiviste. This is an interesting anthology with poems, short stories, and book excerpts from speculative fiction. It has made me highlight several book titles to get separately because I was hooked in by the extracts included.(to kids) The Violet Keystone, the sixth and final book in the Seventh Tower series (why there aren't seven gets on all of our nerves, but we're also ready for the series to be over). listening to:by self: Caroline—this is an adult retelling of the Little House on the Prairie saga through Ma's eyes. It WAY overuses simile and is a little more navel-gazing than I expect Ma would actually have had time for, but I'm finding it very engaging and interesting. Listening to this for me is completely independent of the new Netflix series that is currently ALL over the news and social media. I didn't even know there was going to be a new series until just this week and I have been on the waiting list for Caroline for several months now. I also feel like I need a disclaimer that despite my deep childhood fondness for this series, as an adult, I've definitely come to see what a sanitized, idealized, and whitewashed picture it paints of the westward expansion, colonialism, and the indigenous nightmare of forced removal.with Tanner and Mark: Daughter of the Deep—a lengthy revisiting of 20,000 Leagues Under the Sea by Rick Riordan. Shades of Percy Jackson and a bit of Harry Potter abound therein. I do enjoy the diverse cast and the female heroine. This made for good listening on our recent drive to Ohio and Kentucky.Note: I am on Fable if you want to follow along with what I read there!Resource Reminders:Intro audio about the Goddess Magic Mystery SchoolI've started to add our monthly activation replay videos for this year's #30DaysofGoddess practice to the homepage! Scroll past the “2026 Practice Updates” section to access the videos. Note: Live monthly activations are available to any member of the Goddess Magic Mystery School Patreon community free and paid both!FREE class:forty week Intro to Goddess Studies class!Gift a Goddess Magic membership to a friend!Rituals of Returning for Midyear Reflection & IntegrationHappy July!Rooster call, cicada buzz, fly dance, wind rustle, spiderweb shimmer, ironweed in bloom. Wise weeds and wild ones, show me the holiness hidden in what I overlook. There is plenty right here, a cocoon for the metamorphosis of now.Inviting you to step into the Cauldron of Change in our Rituals of Returning video for July. This month is a gently powerful invitation into midyear reflection and integration—a sacred pause to let your experiences steep, so you can carry forward what truly nourishes you.Reminder: I do create monthly handbooks for members of our Goddess Magic Mystery School community and July's handbook is available here.Expanded post available here.Questions to consider:What from the first half of this year needs to be:Scooped out and released?Left to steep longer?More fully savored and integrated?What needs to be reconsidered, redefined, or re‑explored at this midpoint of the year?Where do you need spikier boundaries around your time, your days, and your energy?What needs to be lovingly cut away so you can choose transformation?Where are you being invited to savor the sweetness of your life more fully?How can you create sanctuary in your everyday life, right where you are?How can you create what you seek right now, in the middle of everything?What might become clear if you grant yourself a sacred pause this month to integrate, reflect, deepen, and steep?AffirmationsI tumble with the turning.I allow myself to choose and to change.I take my life to the cauldron and listen.I am on the lookout for the presence of wonder.I am awake to the miracle.I tend to the secret garden in my soul.I am at home in myself.I create a sanctuary in my everyday.I savor this sweet and wild life.A Blessing of BelongingWe close our weekly live community practice each week with our familiar blessing of belonging:Breathing in, we arrive in our bodies,breathing out we soften.We remember we belong to the earth and the sky,to ourselves and one another.May our small, steady flamesjoin countless othersin a great weaving of repair.Here, in the Cauldron of Change of summer, we remember: we do not change alone.We change in circles, in conversations, in the solidarity of knowing that other people, other places, are lighting their candles too, placing their own experiences into the cauldron, asking their own questions, and trusting that together, across distance and in all our imperfect humanity, we are part of a great weaving of repair.So as July unfurls, I invite you to steep in some practices/ideas that we've recently been exploring in circle:Let July be July.Let yourself be yourself.Release what is too heavy.Let what is still becoming have time to steep.Savor what is already sweet and true.And remember, every time you pause to remember you belong: you are a small, steady flame in a wide, wild, shimmering cauldron of change in which we can brew a new world to share. Our Inner Pace…My inner pace in Julymoves in resonancewith the languorous,liquid,luminous,lazy rhythm of desire,of longing,of curiosity and wonder. It is the pace of discovery,of creative renewaland energetic re-setand review,the pace of life's own unfolding,on its own time,in its own ways.Sending love to all of you.Keep living your magic, Molly, Mark, + Family This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit goddessmagic.substack.com/subscribe

Society is collapsing, the moon is full, and Madonna, Cher, and Nadya Ginsburg have all escaped from their cages. Comedian, writer, and woman of a thousand voices, Nadya Ginsburg, is back with her new musical comedy cabaret Feral Fatale, featuring stand-up, songs, AI critiques, shapeshifting into pop icons, and a dramatic reading of Cher's most legendary tweets.Today Nadya joins us to sink our teeth into Madonna's brand new album, Confessions II, which just like World War II uses Roman numerals to determine the version number.  Is it her best album in decades or is it a reboot? Has the Queen of Pop finally stopped chasing trends and started reflecting on her legacy with vaginal green space lasers? Check Out Nadya Ginsburg's New Show "Feral Fatale"July 17 @cavern_cabaretJuly 22 @thefoundrywsJuly 23 @cuttingroomnycPlus:• Madonna teams up with daughter Lourdes on a new dance track.• Why the New York Times misses the mark on rejecting the word "queer."• Jackie Beat's Final Destination moment.• Little House on the Prairie gets a Netflix reboot.Follow Us on Instagram: ★ instagram.com/nadyaginsburg★ instagram.com/faustofernos ★ instagram.com/marcfelion

On the #amwriting podcast's Margin Notes, host Jennie Nash talks with Caroline Bicks, Stephen E. King Chair in Literature at the University of Maine and co-host of the Everyday Shakespeare podcast, about her book Monsters in the Archives: A Year of Fear with Stephen King. Bicks describes how she became the first invited into King's Bangor archives after King called to meet her, and how her sabbatical became a year of researching five formative works (including Carrie, Night Shift, The Shining, Salem's Lot, and Pet Sematary) to understand how horror language creates lasting fear. She explains choosing a first-person narrative that blends literary criticism, archival discovery, and her own anxiety, including eerie moments in the archive and insights into King's word-level edits, literary influences, and Shakespearean foundations, especially The Shining's ties to Hamlet.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Read the Book* Monsters in the Archives by Caroline BicksTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Welcome, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work and creative lives.I'm here today with a super special guest. I'm so excited to speak with Caroline Bicks. She is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. And she's the author of all kinds of very cool books ... about Shakespeare, including one on cocktails.Um, and, uh, is the co-host of the Everyday Shakespeare podcast, and we are here today to talk with her about her new book called [00:01:00] Monsters in the Archives: A Year of Fear with Stephen King. Welcome.Caroline: Thank you. Thanks for having me.Jennie: So this is gonna be the strangest interview you've probably ever done. ICaroline: don't know.Because- I've talked to a lot of people around the world about this Stephen King book.Jennie: I couldn't read your book. I, I couldn't read it. I can't read horror. Yeah. Which listeners of this podcast are gonna laugh about, ‘cause I'm actually coaching someone live and they're writing gothic horror, and they're probably like, “All you talk about is horror, Jennie.”But, um, it's actually the reason why I wanted to talk to you, because you made a decision in the writing of this book that I thought was super cool. Mm. Which was you put yourself in it.Caroline: Yeah.Jennie: And you're a scholar.Caroline: Yeah.Jennie: And you've written scholarly books, and you approach this with a scholarly perspective, but you, you really put yourself in it.And, and so [00:02:00] I was reading it for that part of the story and I had to skip over huge chunks of, of the, of the work. Because what you're doing in this book is you're getting at this question of- W- what, what is scary in writing? Like, how does it actually work? How does it act- what is the magic or the function that makes us feel this thing?And you actually feel it yourself while you're going through it, and I found it quite terrifying actually. So, um, that's kinda what I wanted to talk about is how did you make the decision? Well, first of all, you were the first person, I wanna make sure I get this right, ‘cause this is very cool. Yeah. You were the first person who was invited to the archives, the Stephen King archives.Caroline: Yeah. I mean, it's, it's a bit of a story, so I won't spend too much time on it, but just the mo- Oh, no, do. It's good ... when I ch- when I took this position... So I've been a Shakespeare professor my whole adult life, ba- as soon as I graduated from grad school in the late ‘90s, [00:03:00] and I was at Boston College for 15 years.I took this position at University of Maine nine years ago as a Shakespearean. Um, so it is an endowed chair in Stephen King's name because he's our most famous alum. So when I took the position, I, it was because I'm a Shakespearean, not because I'm a horror specialist. Um, I had always been a Stephen King fan since I read him when I was 12, and he scared the beje- Jesus out of me, um, with The Boogeyman story.Jennie: Right.Caroline: Um, so when I took this position though I was told, “You're never gonna meet Stephen King. Don't even make contact with him.” I'm like, “Fine, you know, this is still a great job. I'm excited.” Um- ThanksJennie: for the money. Yeah.Caroline: Thanks for... You know, no, it's a wonderful fund. It was funded by the Harold Alfond Foundation, and it's to support the public humanities, which is an incredible mission.So, um, I get to give money away to people. You know, it's a great, great position, but I was not a horror specialist. And particu- a- and as an adult, I actually wasn't reading horror because it scares me too much. You know? Yeah, yeah. Um, but it had grabbed me when I was a teenager. So it was about four years into the [00:04:00] job when I got a call at home from Stephen King, which just, uh, uh, my jaw hit the floor.And he said, “You know, I think it's time we meet.” I'm like, you know, I, I really fan-girled because I really, I have so much admiration for him and respect. Um, I invited him to come talk to our students. He was brilliant, generous, funny, kind, and I felt so at ease that I felt like I could ask... You know, and I got to know him professionally.We had a good professional relationship that developed from there. When I had a sabbatical year coming up the next year- I could have written another Shakespeare book. I had another one in my head. I've written a bunch of them but I knew that he and Tabitha had just collected all of his manuscripts and put them in a climate-controlled space attached to their home in Bangor, and I thought, “You know, this is an incredible opportunity.I would love to dig in there and be the first one in there, and just read those early drafts of the books that scared me so much when I was a teenager, and try to just explore why. Why were they sticking in my head still?” Um, again, I am not a specialist in... I'm not a cognitive scientist. I'm not a [00:05:00] specialist in horror literature, but I'm obviously highly trained in how to do literary analysis and how to do archival work, not Shakespeare, because we don't have any of his works, but, you know, I, I understand what that process is.So back to your question about why I wanted to bring myself into it, which was, you know, I had been experimenting with first-person storytelling after I got tenure. You know, ‘cause it's a long process, Kate. Right. And most of my writing had been academic writing, but I really had always loved storytelling And I got a piece into the Modern Love column.I started to have some success with publishing my first-person stories, and I was like, “You know, I love this.” So when I had this opportunity to go into his archives, they generously said yes, was amazing. I thought, “You know, I really wanna tell this story. I don't wanna write an academic book. I want this to be the story of a literature scholar, but really the story about a scared kid.”Jennie: Yeah.Caroline: You know, you, you never lose that scare, you know, I don't... This is the thing. Fear has stuck with me with those stories [00:06:00] for 40 years. So I was fascinated, and I just wanted to understand how he had crafted the language so that it was sticking in my head still. Because when I was talking to people around, you know, whenever you mention Stephen King to people, you know, if they've read him, they remember specific lines and specific words, and I was like, “That's an extraordinary, um, 50 years on to have that power.”So, um- Well- Anyway. Yeah. Go ahead. I, I could talk about this forever, so you tell me- Oh, no, it's- ... where you wanted to pick up from this.Jennie: It's so good. Well, I have to tell you this funny anecdote, which is that my college roommate was from Bangor, Maine, and babysat his kids in that house.Caroline: Oh, that's insane.Jennie: So when I went to visit her, she drove me by that house.There you go. And I was like, “Oh, hell no- Yeah ... would I ever babysit in that house.” Like, it's-Caroline: It's ‘cause it's like a gothic, it's like straight out of Haunting of Hill House ...Jennie: actually, and like these spiderweb gates that, and you describe that in the [00:07:00] book and, and the- Yeah ... archives are in that house. They'reCaroline: in the house.They're attached to the back. I know. And it, it was so, it was, it was insane. It was like a full-on 360 experience writing this book. Um, and I, I knew, like, so I did the research for a year. I didn't even know if this would be a book. I just knew I wanted to have the opportunity to be in there because it, I knew it was a great opportunity, and I was so curious, you know?Yeah. So I, I came out of the year with just tons of notes and observations, but I didn't have a book, you know? Yeah. And then I started experimenting with writing a chapter, and I just, the storytelling just came forward and then when I got an agent and she, you know, s- I, I, I was able to get a contract based on a proposal and that one chapter I had written and I was really fortunate to have a fabulous editor, David Ebershoff, at Hogarth, who is just such a wonderful writer himself, and he really encouraged me to bring my voice in and bring my story in even [00:08:00] more.Um, so that's- And- ... that's the story of that.Jennie: Was it hard for you as a scholar to do that?Caroline: You know what? It was so freeing and so fun that it actually wasn't, you know? Because I, I knew this wasn't going to be an academic book, so once I let go of that- Yeah ... um, I was like, wow, I have the, and yet I have this skill set I can bring forward, and I knew that's what would make this unique.Um, but I can combine my two favorite ways of writing, ‘cause I do actually love writing literary criticism. Like it's, I get a thrill out of it. I wouldn't be doing it this long if I didn't get a thrill out of it, but I also love telling my own stories and drawing a reader in. And so for me it was like just a circus carnival.Like it was so fun to be able to do it. Once I had the permission and I had a contract, I was like, fine, you know? I, I, who am I writing this book for? I'm writing it for me, you know? Like this is just something I wanna do because I'm so passionate [00:09:00] about it and I, and I love Stephen King. And, um, once I got into it that way and wasn't thinking about who's gonna criticize me for this, like how will academics view this, I was like, I don't care.I just don't care. I know I've got a great story to tell that people are gonna love to read because there's so many people that love not just Stephen King, but people who love reading about how great books get written, you know? Yeah. And so that was the audience I had in my mind when I, when I was crafting it.It was really, in my mind, anybody who cares about books and writing. It doesn't have to be... So when you say, you're not the first person who's said to me, “I can't read your book,” or, “I can't read-” Oh, I'm so glad. “... Stephen King books,” you know, and I'm like, “That's okay. You can skip, you know, the parts that really scare you,” because there's plenty about just like that first chapter I wrote about Pet Sematary, just his sticky notes back and forth with his copy editor, which is so fun I think.You know, it's just like, wow.Jennie: Totally. Yeah. But the thing that you do is you- Allow yourself to confront that fear-Caroline: Yeah ...Jennie: [00:10:00] that, that I feel that the people can't, that can't read horror feel. You know, anybody that even allows themselves to be scared feels. And-Caroline: Yeah ...Jennie: and you, you do some very specific things, um, which I, I found fascinating, including tracking down on eBay the original copy of that book you read as a- Yeah, I wanted-as a teenager.Caroline: Yeah, that was part of the process for me, was I wanted to make sure I was reading... So before I would go into the archives for each work, and I'd spent like two... I only picked five, because I wanted to... First of all, I knew I wanted to make this personal. Um, and those were the five that scared me the most when I was a teenager.So I grew up in the ‘70s and the ‘80s as a teenager, so for me, it was in real time when the books were coming out practically. So it was- Yeah ... Carrie, Night Shift, The Shining, Salem's Lot, Pet Sematary. Um, I'm forgetting one of course. Uh, but I went -Jennie: The other one.Caroline: The other one. Had a huge impact on me. [00:11:00] So it was those five, and I, I knew those were the ones I was gonna do a deep dive into, and that I wanted to really re-engage with, and bring my whole self to.So I wanted to find the copies that I had read in the ‘70s and the early ‘80s. And fortunately, it's pretty easy to find them. Uh, so yeah, but eBay sometimes I had to go on, or go into a used bookstore and, you know, find the like actual 1979 paperback, you know.Jennie: Um- I mean, that- Um ... I just, there's some, there's so much to say about that because-Caroline: YeahJennie: like, I just, um- We, we just had a new bookcase built, um, which is something I've wanted to do well for eight years in this house. But it's a thing I've always wanted to have, which is like a grand bookcase, and it just was finished last week, and we had all the books packed up in storage, and we brought all the books back.Then we went through this discernment process of what goes [00:12:00] on those shelves. And I, you know, I had all those books from when I was a kid, even when I was a kid-kid, and they're yellow, and moldy and falling apart, and the covers aren't on, and they're taped and-Caroline: Yeah ...Jennie: eh, but I cannot let them go-Caroline: Yeah ...Jennie: because those...that was the object.Caroline: That's the object. This is what I feel sad for kids now, because they're not gonna have those same memories, um, of books. Yes. You know? And I don't think they stick in your head the same way if you don't have the full sensory embodied experience with a book.Jennie: Right. You know? Even when you open...I read on Kindle, which I love for so many reasons. Yeah. But you don't even see the cover.Caroline: You don't see the cover, right. And for me, it's so much. Like, I remember going to the Scholastic Book Fair and being like- Yes ... “I'm getting Summer of My German S- Soldier because Christy McNichol's on the cover,” you know?Yes. Yes. So yeah, that was part of the journey for me was I did wanna just [00:13:00] reconnect with those books again, try to h- and as much as you can, you know, reexperience the feelings of f- like The Shining, I actually... the only one I still have from 1977 is the actual Shining that I read. Um, and that's, for me, that woman in room 217.Well, I know you haven't read it ‘cause you're probably... What? But, um, it, that particular one I still have from, from when I was growing up. Um, and I love that I still have it, and it still has the photo... You know, it's the version that has the photo inserts that includes the Kubrick film photos. Oh, okay.Jennie: Okay.Yeah, yeah.Caroline: And I read it before I saw the film, so I remember being- 15 reading it and then seeing the pictures and being like you know? And that's part of the experience, but it wasn't, it's different than seeing the film, you know? And I really, I wanted to write this book as a love letter to language and to books, and not to film.Like, there's, that's a whole other category I think that enters people's brains in totally different ways. It's a very different experience. For me it's about, like going back to your original question [00:14:00] about like why, why, why do stories cause fear, and like what's the value perhaps in that? Yeah. That was something I came to after this long journey really, and talking to people and thinking about why.And also by understanding and reading more about Stephen King's books and talking to him about them, and realizing for him how much these stories are rooted in personal experiences or fears of grief and loss. And- Yes ... that was really profound for me. And like The Night Shift, which is the ur-text that I start with, ‘cause that's the one I read when I was 12, and that's his first collection of short stories.It came out in 1978. It's 20 short stories. But he ends it with a story about his mother dying, and it's, I mean, it's thinly veiled autobiography. It's about a man who's watching his mother die in the hospital. Um, but it's clearly a mirror of his own experience losing his mother when he was 26. And I'm like, wow, what's that doing in a collection of horror stories?[00:15:00] And it's like, what? ‘Cause that is of course, at least for me and I think for a lot of people, that's the core fear we first have, is that where's mommy, right? Yeah. Right? You lose the person who's in charge of taking care of you, and if you're lucky, does it well and with care. Um, but even if it's not, like Carrie, you know, the more I was looking through the Carrie drafts, I was like, right, he's really homing in on Carrie calling out for her mother even though her mother's terrible and abusive to her, right?So it's, there's just this, I don't know. It's a long way around to say I think horror, and he writes about this really eloquently, is a way for us to metabolize our deepest fears. Um, and to look at trauma not head-on but sideways. Um, and he writes about that, um, a number of different places in a really powerful way.He's just such an extraordinary human. You know, he's been thinking about this and for so long.Jennie: Yeah. Yeah. So, so your willingness to [00:16:00] confront that, those particular fear, fears in your own self and on behalf of the reader, really puts you in it. I mean, like you, there's a really lovely moment where you are reading I think it's, I think it's Pet Sematary, reading the actual book, and you have to turn it over so you- Yeahdon't see, like on your nightstand so you don't see the cover. I'mCaroline: scared, I'm scared of the cover, right, still.Jennie: Yeah.Caroline: Yeah.Jennie: And then there's moments, se- several where you're driving And you're sort of holding your breath while you drive past a place that he writes about or, or- Mm-hmm ... you know, um, well you have to tell the story, I'm sure every interviewer asks you about the, um, the doorknob in the archive.You have to, like, I was-Caroline: Yeah, not too many people have asked me about that, but I'm like, that to me was the scary moment-Jennie: Wait, shut up ... the most, theCaroline: most sturdy. I'm like, wh- uh, why did that happen? But of course, I mean, there's a reason why it happened. It's, it's, it [00:17:00] automatically locks if, you know, the, if you- Okaydon't lock it So let's, let's play- So but it just happened that we were inside the archive room. It was me and, and Julie Ugli, who is their assistant, who was helping me through this whole process. And I know, and I was, like, literally holding the first page of the first draft of The Boogeyman, the story that had scared me so badly when I was 12, about a monster that comes out of closets, and we're like in this room.And the, the archive room, it actually, it almost feels like a closet. It's not huge at all. You know, it's just-Jennie: Yeah ...Caroline: top to bottom, ceiling to floor stacked shelving with, you know, boxes of materials. And yeah, and we were in there, and I'm holding the first page, and the lock closes on its own. It just goes...And I'm like, I'm looking at Julie, I'm like, “What is, what's happening?” We don't have our cell phones with us. I'm like, “Are we stuck in here? Like, what's gonna happen?”Jennie: In the scary archive- In this, I was terrified ... in the back of the scary house. Like-Caroline: I know, I know. It was like, you can't make this stuff up.That's why I was like, I [00:18:00] couldn't wait, when I finally got a chance to write the book and sit down and write, I was like, I can't wait to tell these stories, because they just... I, I'm not a fiction writer. Like, I, I have such mad respect for- I don't know about that ... well, I've m- We'll see I don't know. I have mad respect for people who can write fiction.For me, I only can write what I know and exper- So I'm like, ah. But these stories were just so amazing. Or like when I was reading The Shining, like the first draft of The Shining, which is crazy. I mean, it's so different from the published version. And like getting to the woman in room 217, and like reading th- and literally my head w- like I thought I was having a stroke.Like it was like, like... And it's like, and then I find an interview where Stephen King writes about how he was scared to go back to that scene when he was revising it, the book, because he was dreading it. And I was like, oh, my God, have I just like had some kind of telepathic experience with Stephen King?Like- Right ... across time, space, and yeah, it was amazing.Jennie: Well, yeah. I mean, [00:19:00] it's just, um, uh, I actually made myself go through the whole book skipping giant chunks.Caroline: I feel so badly I put you through this.Jennie: I know. I, I feel like why, I kept saying, “Why? Why did I think this was a good idea?” Um, and it- I mean, even just tangentially, I, I don't know.It's interesting. I have, I'm sure you have this too, anybody who reads a lot or spends a lot of time with words, you have a capacity to sort of pay half attention, if that makes sense.Caroline: Mm-hmm.Jennie: Um, like you c- could sort of look at it without letting it all the way in. Yeah. But I, I just was, I just was riveted by the thread of, of your story and your putting yourself through that as a scholar and a human.But, but then some really cool things happen, and I, and I have flagged, um... Do you, [00:20:00] w- would you mind reading a tiny piece? It's- No, not at all ... it's on page 82, and it's the p- the paragraph that starts, “These manuscripts.”Caroline: Yeah.Jennie: That would be amazing.Caroline: Absolutely. So this is actually the moment I just described to you, where my head was like, I got...Oh, actually, I had just discovered the last 150 pages of the original Shining manuscript in a random folder in the archives, and I was like, “What is this doing here?” And I was getting obsessive about the manuscripts at this point, clearly- Yeah. Yeah ... just like the main character in The Shining, Jack Torrance, who gets obsessed with the manu- with the papers in the basement of the Overlook Hotel.But here we go. “These manuscripts are definitely getting into my head, and not just its rational part. In his memoir, when King describes books as being a uniquely portable magic, he doesn't specify what kind of magic. What if manuscripts can absorb and store more than just ink and words? [00:21:00] What if their pages can pass on dark energy along with dark stories?Ghosts have more than one way of making sure their stories are heard, of ensuring that the past is not forgotten, but rather pressed into our minds, even if we wrench our heads off the pillow and refuse to listen.” And that last is a reference to my, I used to see a ghost when I was five, and I write about that in the book too.Jennie: I mean, when I read that, I was like, “That's, that's me.” Like, these ghosts and horrors are pressing themselves into my mind, and I'm refusing to listen, and they still, they still do. And, um, King's stories in particular are so iconic, you can't really escape them. Like, you, you know the scenarios, you know the characters, you know-Caroline: YeahJennie: you know. And, and so it was interesting for me reading this book that that described my [00:22:00] experience where I was both repelled and magnetized at the same time.Caroline: That's beautiful the way you just put that. I mean, I think that is exactly our relationship also, of course, to our own fears. You know, again, what makes these stories endure, and I didn't go into this book thinking like, “This is a book about promoting Stephen King,” and, you know- Rightlike, I don't work for Stephen King. I just want to put that out there. Right. He, you know, he graciously agreed to let me go into the archives. He's been very generous about answering all my questions I had about the manuscripts, but he never at any point was like, “You can't say this,” or, “This is how you're supposed to say this.”So, but what I came away with after this process was exactly what you're describing, why we need these stories, why they endure, actually, is because they tap into our very real human fears. It's not about the monsters. It's about the grief and loss that's coming for all of us if we live long enough, you know?So you, and you have to at some point confront that, you know? So if it's- Yeah ... you can [00:23:00] try to run away from it, but it's coming, and that's part of being human. That's the human experience, obviously. Not to be glib, but it's like-Jennie: Yeah ...Caroline: you will experience loss. You will experience grief. And if these stories help you metabolize that or have a cathartic experience with that feeling without having to actually experience your worst fear, right?Um, like Aristotle says, it's cathartic, right? It's you watch a play, a, a tragedy because you experience a catharsis.Jennie: And did you, did you get to that in your own process?Caroline: That's a really good question. Um- You know, I, I think I became more aware of it. You know, I am, you know, and I write about this very openly in the book, that I was an extremely anxious little kid, um, which is part of why I think the boogeyman triggered me in the particular way it did, you know.Um, and that I grew into a pretty [00:24:00] anxious adult, you know? Yeah. I think anxiety is one of those things that, you know, I... Again, I was born in the ‘60s, so we didn't have this language for this back then. Like, my parents wouldn't have known to call me an anxious child, you know? Right. They probably would've said, “Oh, she's shy,” or, “She's whatever.”Um, so I think I, you know, like, and I as an adult, I think I've, I've found ways to manage it pretty well, but I am definitely a control freak. Like, that's part of how I manage it. I shouldn't use that language, but you know, it's like I, I like to just control what I can control, and that makes me feel that I can put the anxiety at bay.So I will say I think it's been interesting for me, Nick, now when I have those moments that are my worst fear moments that sometimes still will creep up on me just even though when I think I've figured it out, like doom s- doom scenarios. I tend to go to doom scenarios. So, like, if I can't reach... Uh, I will say Life360 has been, like, the best invention on the planet for me-with my two kids [00:25:00] and my husband. I'm like, “I know exactly where everyone is.” Yeah. It has saved me a lot of worry. Sometimes Life360 doesn't work, or sometimes a person still doesn't answer the phone, and then I have to manage my anxie- And then it's like... So I will say it's been interesting going through this process and having to confront or revisit the core of what scares me and, like, why that impacts, you know, why certain moments come forward for me still.So I think, yeah, I think it has helped me to a degree. Like, I can recognize it more clearly now. I'm like, “Oh, right, that's why I'm scared of that,” you know? Um-Jennie: That's so cool.Caroline: Yeah.Jennie: And it feels like that's the, the, um, the transformation in the book is you're exploring how that actually works and the language and the stories.Mm-hmm. But you're, you're also exploring how it works in your own self, how it did when you were young, how it does now- Yeah ... these moments when you're scared. So it- Mm-hmm ... there's such [00:26:00] a depth to it and, I mean, I just, uh, even in my half reading of it, I just loved it. Thank you. And, um, there's something that happens That's kind of crazy, which is, so you're a Shakespeare scholarCaroline: Mm-hmmJennie: And I ha- I, I know from reading Steve, a- about Stephen King, from reading his book On Writing, of course, and, um, interviews and such that, uh, I'm, I'm probably gonna say this in a disrespectful way, and I don't mean it to be so, but the, the easiest way I can describe it is that he's always had sort of a chip on his shoulder that he's just a popular writer and not taken seriously in a literary way.Mm. I don't know if that's, if that is fair to say, but that's how I'm saying it. Uh,Caroline: yeah.Jennie: And, um, what, what I found incredible was that [00:27:00] here comes this Shakespeare scholar into his archives doing proper scholarly archiver, arch- archival work, and there's this moment when you begin to see Shakespearean themes in his, in his work, and you can't ignore it, and particularly in, in Carrie and- Yeahparticularly around exactly the thing you were wrestling with, which is like a young girl's- I don't know, sense of, of not being fitting in the world or, um-Caroline: Yeah ...Jennie: right? And so that, um, there's, on page, since you have the book in your hand, um, I think it's pageCaroline: 202. Mm-hmm.Jennie: And it refers back to that passage you just read about portable magic.It's the one that's I remembered.Caroline: [00:28:00] Right. Okay. So this is going back to when I first was, um, I was in the final round of the job for the Stephen E. King Chair in Literature, and I was working on a book about Shakespeare's, the girls in Shakespeare's plays and world and teenage girls and their cognition.Like, the how were people during Shakespeare's day thinking about girls' brains? Yeah. So I'd been working on this for 10 years. Um, and then I was getting ready to give my job talk. This was the first time Stephen King and Shakespeare came together for me, and it was getting ready, and this, again, this is an authentic story, like write what you know.So I was getting ready for the job talk. I remembered that King's 1974 novel, Carrie, featured a 16-year-old girl whose telekinetic powers are unleashed when she gets her first period in the school shower. I started rereading it, and within a few pages came across an uncanny phrase. When she's walking home after being dismissed early, Carrie feels her brain flexing in a new way, [00:29:00] as if her powers have been waiting below the surface for her to reach, quote, “mental puberty.”I couldn't have wordsmithed this dynamic cognitive change better myself. In the last part of my job talk, I used the phrase to connect the brain work of Juliet Capulet, who's described as being two weeks away from seeing the change of 14 years, to Carrie's newly activated adolescent mind. It felt like a moment of pure portable magic between Stephen King, Shakespeare, and me.Jennie: Ugh, so beautiful.Caroline: Oh, thank you. Yeah. I mean, that was just so gobsmacking. Like, when that happened, I was like, I ca- I can't believe it, but yeah.Jennie: And then, now I may be getting some of the things wrong here, but then you- You realize, is it Carrie that, that you realize he was, you thought he was emulating a play, a Shakespeare play?Caroline: I think you're thinking of Shining. I mean, definitely at the end of the Carrie [00:30:00] chapter I return to, I did notice echoes of Macbeth, and I was convinced that that must have been what he was thinking about. And, and what's funny is, so one of the conversations I got to have with him, I mean, he's so generous with his time, one of my last conversations with him was about the end of Carrie, and that's a book that he actually doesn't like very much.You know, it was his first published novel, he was 26, and he's like, “I think that was written by a young man who thought he knew more than he did.” So he's, it's not a book that he goes back to. He recognizes it's important, and it's important to him, but, ‘cause it started his whole career, his whole trajectory.Um, but he didn't particularly, he hasn't returned to it. Yeah. So that was a fun chance for me to sort of talk to him and say, “Hey, you know what? I think you should maybe go back,” ‘cause it's it's, there's a lot of Shakespeare in there. Anyway, but the Shining chapter, what was fascinating, so there's this first draft, which I, I write a lot about, called The Shine, that's in the archives, with a totally different ending.Um, and when I looked at it, [00:31:00] he'd also divided it into acts and scenes, like Roman numeral acts and little- Mm ... Roman numeral scenes. And I was like, “This, what is this? This is like a Shakespeare play.” Like, that's what it looked like. And then sure enough, I found out he was imagining, he was thinking of a Shakespeare tragedy when he wrote The Shining.And that was the first moment where I was like, “What? This is insane.” Like, this- Yeah ... like, ob- obviously that became, for me, the story I wanted to tell about that particular set of manuscripts, was sort of uncovering, like, what's the Shakespeare play? Like, what's the tragedy? And I didn't wanna ask him because I didn't want- I wanted to go in with my mind clear, like, of any outside influence.I just wanted to see what my Shakespeare brain, because I'm so embedded in Shakespeare. I also have a Shakespeare podcast I do with my best friend. Like, we're, I'm always thinking about Shakespeare and how it relates to everyday life. You know, and so I'm like, “Well, how does it relate to The Shining?” Which is, like, an ur-American text.Like, this, like, say what you want about horror, [00:32:00] like- I'd be shocked if people don't know what The Shining's about, even if they haven't read it even if they haven't seen the film. Like, you probably know something about The Shining, right? Right. So I was like, if there's a Shakespeare tragedy at the foundation of this, you know.And here's the thing about Stephen King that I came to learn, again, reading all of his notes and finding these edits, and I did find traces of Macbeth in the first draft of The Shine, um, that he ended up taking out. So I was like, “Oh, is it Macbeth? It feels like it could be Macbeth.” There's so many things it has in common with it, with hallucinations and with baby bashing.And, you know, all of these horrible things that are in Macbeth are certainly in that book. Um, but I really wanted to go in, like, just on an adventure, like, see what I saw. So I didn't ask him which chi- tragedy until I was fully done with all my research and I felt like I had it all done. And that's when he drops that he was thinking of Hamlet.And once he said that, of course, it became so ... I mean, I [00:33:00] had seen traces, there were references to Ophelia that also didn't make it into the final published draft. So you wouldn't know this. This is the beauty of archival work, like you're gonna see things that other people will never know about unless you tell the story.That's why I felt so passionate about this. Like, “I need to tell people-” Yeah ... “that Ophelia was in the first draft, that he was thinking of Ophelia.” ‘Cause of course, you know, again, even if you don't know The Shining, the woman in the tub, the woman in the bathtub, like a drowned woman in a tub, like ah, Ophelia.Yeah. Like Ophelia's another one of those ur, like she's so, she's such a part of our cultural air, right? I mean, like no matter what country you're in. Right. There's a reason Taylor Swift has a whole, you know, song The Fate of Ophelia. Like people know what that means. Um, so I was like, “Oh my gosh, this is, this is incredible.This is even deeper than I thought it was gonna be.” Um, but also it made me appreciate how much that book is about intergenerational trauma. Um, and it's not ... So he doesn't like the Kubrick film [00:34:00] for reasons that, you know, a couple different reasons. One is that it flattens out the character of Jack Torrance, and Jack Torrance is an abused child himself, and he passes on that abuse to his son, Danny, right?Um, but you wouldn't know that from Kubrick's film. While Hamlet, of course, is about a father's ghost coming forward. Like, “The past is a ghost,” King writes, which is so f- powerful, right? Um, here's this ghost saying, “You need to kill for me.”Jennie: Yeah.Caroline: Yeah. And that's what happens to Jack. Yeah, so anyway, that's a long way to say that wasEach chapter was my favorite in different ways, but that one I loved being able to do the deep Shakespeare dive.Jennie: And was that ... You know, so I started that question by saying I, I had heard or understood or maybe inferred that, um, you know, King himself had this sort of desire- Okay ... to be taken more seriously.Was that, that must have been, I don't know, powerful for both you and him, uh, to [00:35:00] come to that? Not like, “Oh, you're the only person that's ever made him feel that way” or-Caroline: Yeah,Jennie: no,Caroline: I agree ... or agree with that, but. Like I, yeah. And, um, I mean, I will say I think part of the reason he was always really ... I mean, first of all, he's just so generous, and any writer who's ever worked with him has the same experience.Like he just gives his time. He just loves writing and writers so much that he will just, he'll just t- like any email I would send him, he'd write back in like an hour with a response. The part about how he feels about academia, you know, and I never directly asked him that because I didn't wanna ... You know, if he wanted to bring it up, great.But I think- Yeah ... my, after going on this journey with him, he clearly loves talking about- literature. He's the most well-read person I've ever met. I'm just gonna say that hands down. Like, the guy reads- Really? ... cons- constantly and if you read his early works, like even when he was 17, he wrote The Long Walk, okay, which just came out as a film, [00:36:00] and in that, he's citing T.S.Eliot, he's cit- he's citing Poe at 17. Okay? So he's, he, he, this, he comes by this honestly. He's not just trying to seem smart. Like, he literally is constantly reading and it's clear when you read his manuscripts or when you read his published books, he's making references to all, whether it's Shirley Jackson or Wallace Stevens or, you know, uh, he's so capacious in his knowledge of literature.And, like, just a couple months ago, he sent me an email, I don't, I can't remember, we were talking about something about Salem's Lot, and he was like, “Yeah, when I was writing Salem's Lot,” which again, this is 1975 when he's writing Salem's Lot, so that's a long time ago. He's like, “I was really into James Dickey's poetry.”Jennie: Whoa.Caroline: You know, who was an American no, you know, poet laureate. Uh, he's like, “And I was reading everything I could read of, of his and then I read Deliverance, and then I went back to his poetry, and that really impacted how I wrote the chapters [00:37:00] about the Lot,” which if you've read Salem's Lot, has some very lyrical, poetic chapters about the town, like, “The town knew about darkness.The town had its secrets and knew how to kept it.” And then he, like, sends me the entire poem that he was thinking about that James Dickey wrote. So I mean, it's, he's, and it's not performative. He's not, like, he has nothing. He doesn't need to prove anything to me, you know?Jennie: Right, to anyone, yeah.Caroline: He just literally loves, he loves literature.Like, this guy, he loves poetry. I mean, he actually writes poetry. He wrote poetry as an undergraduate. Uh, it was actually the core start for him of The Stand, was a poem he wrote called The Dark Man one day when he was, like, hungover in the school, like, cafeteria. Like, so it's like he, he's been thinking about literature and living with literature and, uh, since he was a teenager, if not earlier.His mom brought him, uh, Bram Stoker out of the public library when he was nine, so I mean, the guy- Whoa ... ‘cause he asked for it. He asked for Dracula. [00:38:00] I wasn't reading Dracula when I was nine. Were you? I mean-Jennie: No,Caroline: no. I was reading Little House on the Prairie. I mean-Jennie: Yeah. Yeah, exactly. Wow. Wow. So- I mean, this book, again, it's called Monsters in the Archives: My Year of Fear with Stephen King by Carolyn Bicks.It's just incredible, whether you're a King fan, whether you're a horror fan, um, but for sure for all writers, which are all our listeners. If you can, if you can bear it.It's very specific, um, a very specific- specific exploration of, of how good writing works really. Yeah. Right. And, and how you... You know, there's always that perennial question of how do you get emotion on the page? How do you make your reader feel something? And you, you show it very specifically, and I wanted so badly [00:39:00] to, to get into the details, and I, and I, I just, I just couldn't.Um, maybe someday, but, um, I just, I just can't recommend it enough for, for, um, this audience and, um, you know, anyone who's interested in any of these things we've talked about.Caroline: Thank you so much. I really appreciate that. And I will say, like, the Pet Sematary chapter, which is the first one, that was the first day I was in the archives.One of the things I discovered about him day one was how much attention he pays to word sounds. So I think for any writer interested in sort of doing a deep dive into, like, how one word change, right- Yeah ... can make a difference, you know? Yeah. And I didn't appreciate that about his writing until I went in there and saw his notes to the copy editor where he's like, “Nope, the word's clitter, not clatter.This is why.” You know? Like,Jennie: he's- There's a, um- Yeah ... yeah, there's a book I love, it's probably right behind me, um, called The Artful Edit by Susan Bell, in which she [00:40:00] shows examples of that kind of very careful change in, um, The Gre- The Great Gatsby and The English Patient and various works of, of literature, and your, your whole book is like that.It's, it's just amazing. Um- Thank you ... so is the next book gonna be the Shakespeare one you had thought of before? Or are you gonna- ... go in the, in the personal direction?Caroline: You know, it's such a good question. I think right now I'm just taking a break, you know, because I'm the kind... Like, I immerse myself in a project, and this has been so all-consuming.Um, and I'm back to doing my Everyday Shakespeare podcast, which I love and I missed. Um, so I'm doing that. And I, I really don't like to think too far ahead about what I'm going to write. I like to have it come organically.Jennie: Yeah.Caroline: Um, so I could go back into the archives. I could write another one of these kinds of books, but I don't know if that's the [00:41:00] right thing for me right now.Jennie: Yeah.Caroline: Um, I want to make sure whatever I write next- You know, I loved writing this book so much. It's my favorite... I mean, it's, it was such a powerful experience for me, um, because I could bring my personal experiences into it and my scholarly self into it. I don't... You know, it's gonna be hard to recreate that.Yeah. I think it can be done, but I don't wanna force it. Yeah. So I'm gonna wait and see what the next, what the next oneJennie: is. Don't you, don't you love the interviewer who's like, “Hey, congratulations. You wrote a book. What, what's your nextCaroline: one?” What are you working on now? What are you doing now? I know. And I get that.I'm like-Jennie: So mean ...Caroline: I'm just, I'm just reading books I wanna read. I'm doing my laundry. I'm getting to know my dog again. You know?Jennie: Oh, wow. Well, thankCaroline: you. But, you know, it's a fair question. Yeah.Jennie: Yeah, yeah. Thank you for coming and chatting about this, and for writing such a cool book. And- Thank you ... um, I'm looking forward to seeing what you do next.Caroline: Thank you, Jennie. It was a [00:42:00] pleasure.Jennie: Well, for our listeners, until next time, stop playing small and write like it matters.The #amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Everybody's talking about The Odyssey — Christopher Nolan's sweeping epic starring Matt Damon as Odysseus — and Adam Holtz from Plugged In joins Brian From to give the full breakdown. The film generated significant pre-release controversy over casting choices including a Black actress as Helen of Troy and Elliot Page as a warrior, plus concerns about a more progressive interpretation of Homer's source material. But the early numbers tell a different story: 96% from critics and 97% from audiences on Rotten Tomatoes. Adam notes something worth acknowledging: the movie's version of Odysseus is actually more redemptive than the original — a faithful family man trying to get home to his wife and son after 20 years, not the arrogant womanizer of Homer's text. The R rating is the real curveball: the violence is intense but not gory, and Adam traces the rating almost entirely to three F-words — one over the PG-13 threshold — in what he reads as a very deliberate creative decision. His bottom line: know your family's convictions, because this R-rated film is less problematic than a lot of movies that carry that same rating. And teaser: Little House on the Prairie is coming up next week. Full review at pluggedin.com.See omnystudio.com/listener for privacy information.

We start off with Frank Crist presents, They're Fine, Just Fine and Kerry has the latest Geek News for us. Then we award the Boner of the Day and Victoria joins us with her Reality TV Recap. After that, we talk about the new Little House on the Prairie and challenge a listener to Beat Gina, just before Robert Gehrke joins us for our Salt Lake Update. And as always, we finish with Boner Recap and news!

For nearly a year, Alison Arngrim managed to do the impossible: keep a secret. And not just any secret—she appears in a surprise cameo in Episode 2 of Netflix's brand-new Little House on the Prairie! On the very day the series premiered, we sat down with everyone's favorite Nellie Oleson to finally spill the beans. How did it happen? What was it like stepping back into the world of Little House? And perhaps most impressively... how on earth did Alison keep this from the fans for an entire year?Join us as Alison takes us behind the scenes of her unforgettable cameo, shares what it was like visiting the new Little House, meeting the cast, and passing the prairie torch to a new generation. It's a heartfelt, hilarious, and history-making conversation filled with laughs, surprises, and just enough behind-the-scenes gossip to make even Mrs. Oleson lean in a little closer. If you've already spotted Alison in Episode 2, you'll love hearing how it all came together. And if you haven't... well, what are you waiting for? We'll still be here when you get back.Then join us on Patreon, where Alison shares exclusive, never-before-seen behind-the-scenes photos from her time on the set of Netflix's new Little House on the Prairie. It's an incredible peek behind the prairie curtain that fans won't want to miss!Links and Resources:Haven't signed up for Patreon yet? Get more behind-the-scenes info and fun conversation we can't do on the podcast...PATREON: https://www.patreon.com/LittleHousePodcastwww.LittleHouse50Podcast.com to connect with our hosts and link to their websites.www.LivinOnaPrairieTV.com  Check out the award-winning series created by Pamela Bob, with special guest stars Alison Arngrim and Charlotte Stewart.Prairie Legacy Productions - the place to go for info about all new Little House events!IPLP's Nashville event: Sept 11-13LittleHouseonthePrairieCastReunions.comTo learn more about Little House on the Prairie, Visit www.littlehouseontheprairie.comFacebook/Instagram/TikTok:Dean Butler @officialdeanbutlerAlison Arngrim @alisonarngrimPamela Bob @thepamelabob, @prairietvSocial Media Team: Joy Correa and Christine Nunez https://www.paclanticcreative.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/little-house-on-the-prairie-50th-anniversary-podcast--6055242/support.

¿Merece la pena ver Little House on the Prairie en Netflix? En esta crítica SIN SPOILERS analizamos la nueva adaptación de las novelas de Laura Ingalls Wilder y os contamos por qué puede convertirse en una de las grandes sorpresas del año. En este episodio de Razones para Ver Express, Juan Francisco Bellón analiza la nueva serie de Netflix creada por Rebecca Sonnenshine, comparándola con la adaptación clásica de los años 70 y explicando qué aporta esta nueva versión. Hablamos de su reparto encabezado por Alice Halsey, Luke Bracey y Crosby Fitzgerald, de su magnífica ambientación, de su tratamiento de la historia del Oeste y de por qué consigue actualizar el material original sin perder su esencia.

In this episode of Diverse Voices Book Review, host Hopeton Hay welcomes contributor Amanda Moore for a lively conversation with bestselling author May Cobb about her novel All the Little Houses. Cobb discusses how the book blends Southern suspense, family drama, and small-town secrets in a 1980s Longview, Texas setting, where social status, jealousy, and hidden resentments collide. The conversation also explores Cobb's inspiration from Little House on the Prairie, her return to East Texas as a literary landscape, and the ways her characters reveal what can lurk beneath polished surfaces.May Cobb grew up in the piney woods of East Texas where her thrillers A LIKEABLE WOMAN, MY SUMMER DARLINGS, THE HUNTING WIVES and BIG WOODS are set.Follow May Cobb on Social Media:Instagram: @may_cobbFollow Diverse Voices Book Review on Social Media:Facebook - @diversevoicesbookreviewInstagram - @diverse_voices_book_review Bluesky - @diversevoicesbooks.bsky.social

On this week's Mean Age Daydream, eleven state governments, led by the industry-killing idiots of CA, sue to stop the Paramount / Warner Bros. Discovery merger. Also: Mamdani's rent freeze skyrockets NYC rents to new highs, Lindsey Graham is dead and his sister gets the seat, and a female head writer ruins the Little House on the Prairie reboot instantly. Buy my new card game: WOKE WORD WARS - ⁠https://www.amazon.com/Woke-Word-Wars-Ridiculously-Players/dp/B0FLF8Y16S⁠

The new Netflix "Little House on the Prairie" series has arrived, and Christian parents are asking whether it's a good fit for their families. In this episode, Elizabeth Urbanowicz rereads the original Laura Ingalls Wilder book and watches all eight episodes to walk you through where the series follows the story and where it veers off. She highlights the positive elements, the content cautions worth knowing ahead of time (including darker themes the book never explores), and the way the series views 19th century pioneers through a modern lens. Most importantly, she offers four biblically grounded worldview questions you can use after any episode to help your children think critically and biblically about the stories they take in.

What if the coziest story of your childhood was only cozy because someone decided what to leave out?This week Brett is back for a book club chat on Little House on the Prairie and the real manuscript behind it, Pioneer Girl. We get into how Laura Ingalls Wilder's actual life story got rewritten by her daughter Rose into something sellable for Depression-era kids, what got cut along the way (a dead baby brother, a murdered family friend, an entire year of their lives), and the Osage history the books erase almost entirely, land that was never actually free, a removal that happened right past their door.We also talk about Pa, who gets remembered as the moral center of the whole series and maybe doesn't deserve it, and about Yesteryear, this year's buzziest book club pick, where a trad-wife influencer wakes up living the 1855 life she's been selling on Instagram.This is a conversation about which parts of our history get to be cozy and which parts get quietly left out, and who decides. If it resonates, subscribe, leave a review, and send it to a friend who loved these books as a kid too.Books & Sources MentionedPioneer Girl: The Annotated AutobiographyThe full Little House series (Laura Ingalls Wilder)The Rose Years series (Roger Lee MacBride)The Caroline Years series (Maria D. Wilkes & Celia Wilkins)Yesteryear by Caro Claire BurkeKillers of the Flower Moon by David GrannPrairie Fires by Caroline FraserFrances Kaye, "Little Squatter on the Osage Diminished Reserve," Great Plains Quarterly (2000)Osage Nation historical documentation (referenced re: 1869–70 removal)PBS American Masters piece on Laura Ingalls WilderComing Up Next Week!Author chat with Gaelynn Lea on her memoir It Wasn't Meant to Be Perfect — a folk musician, Broadway composer, and disability advocate on embracing every kind of body.Thank you!xx, Alex Hosted on Acast. See acast.com/privacy for more information.

On this week's Mean Age Daydream, eleven state governments, led by the industry-killing idiots of CA, sue to stop the Paramount / Warner Bros. Discovery merger. Also: Mamdani's rent freeze skyrockets NYC rents to new highs, Lindsey Graham is dead and his sister gets the seat, and a female head writer ruins the Little House on the Prairie reboot instantly. Buy my new card game: WOKE WORD WARS - ⁠https://www.amazon.com/Woke-Word-Wars-Ridiculously-Players/dp/B0FLF8Y16S⁠

Nominations for the 78th Primetime Emmy Awards delivered both expected and unexpected results. “The Pitt” led the way with 25 nominations, with “Hacks” one behind at 24. Shows like “Widow’s Bay” (19), “Pluribus” (18), “Beef” (16) and “DTF St. Louis” (13) were among other big winners. But popular shows like “The Bear” (8 nominations), often criticized for entering comedy categories, and “Stranger Things” (7 nominations in technical categories), were left out of most of the big categories. In this episode, co-hosts Bruce Miller and Terry Lipshetz discuss the nominations that were released earlier in the month. The awards ceremony will be held on Sept. 14 at the Peacock Theater in Los Angeles. The hosts also chat about some new programming, like the Netflix adaptation of “Little House on the Prairie” and the latest “Big Bang Theory” spinoff: “Stuart Fails to Save the Universe.” And "House of the Dragon" is back, with its third season perhaps its best so far. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, managing editor of the National Newsroom for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

In this week’s episode, Keith, Terry, and Jill catch up on everything from family updates to classic TV trivia and essential veteran services. Jill shared that her grandson had left for the Marine Corps in San Diego and mentioned a new Little House on the Prairie series on Netflix. Terry discussed attending an ACB convention and participating in an auction where items like Victor Readers were sold for high prices. Keith mentioned his family’s experience with summer camps and his activities with AI, including creating recap songs and blog content. check out, Heltsley Home Page. to see what Keith is doing there. While we don't have a link to the new series we discussed, you can enjoy all nine seasons of the original Little House on the Prairie episodes by clicking through on our Amazon affiliate link. News of the Week The team then shared unusual news stories, including space debris washing up on a New Zealand beach, a 94-year-old man setting a world record for water skiing, an ancient oak tree linked to Robin Hood that died, a bull interrupting a cricket match in England, and a World War II grenade being turned in at an Ontario police station. Jill's Trivia Quiz Jill hosted a trivia quiz about the TV show Green Acres, testing the group’s knowledge of various show details including character names, plot points, and specific information about the fictional town of Hooterville. The participants, including Keith and Terry, answered questions about topics ranging from cow names to anniversary celebrations, with some questions proving more challenging than others. The quiz concluded with questions about Oliver’s unusual collections and pet names, with participants taking turns guessing answers throughout the session. Terry's Top 10 List Terry shared a top 10 list of funny things a blind person cannot do at home, including winning staring contests, playing hide and seek with cats, judging wall colors, and finding Legos. The group discussed various challenges blind people face, such as not being able to spot spiders, wave to neighbors, or detect smoke before a fire alarm. Anchor Topic Our main focus this week centers on VIST (Visual Impairment Services Team) services for newly blind individuals. We dive into VIST services for newly blind individuals, and Keith suggested listening to the ACB convention on ACB Media 1 through Amazon devices. The group discussed several topics including a 2-minute lag in the ACB call and changes to VA training policies where veterans now have to pay their own travel costs to travel to training sessions. Terry suggests it may be due to the expense of requiring veterans to travel for short term training sessions that may only last a week. Keith suggested that the VA should instead provide extended training for those who need it while handling gadget training locally at VA hospitals. Email and Final Thoughts Keith shared an email about some dimwitted building contractors. He followed it with one sharing a letter written home from Marine Corps Boot Camp, encouraging listeners to get in on the action before it's too late. A listener sent in a voicemail about an awkward conversation in a bathroom. The Final voicemail was from our old Salty Marine buddy about his experience in a confessional booth. Embarrassing conversation. The final word from our AI companion The conversation ended with participants sharing jokes and funny stories, including emails and voicemails about various humorous situations and dad jokes. Show notes written by AI, edited as needed by Keith. Sponsored by: Retro Radio Podcast. Bringing you family-friendly entertainment through classic, old-time radio. Episodes are posted daily. Keith and his Retrobots share everything in his collection from the days of vintage radio. Adventure, comedy, detective, westerns, and lots in between. If you don't hear your favorite show, just ask Visit the web page today, https://retro-otr.com

Lori shares her shocking review of seeing Keith Urban live at the Prior Lakes Music Festival! Plus, we dive into the latest Wimbledon celebrity sightings, J.Lo's fabulous birthday era, and why Hudson Williams completely lost it on an autograph hound.From Mick Jagger chatting with Conan to Madonna's album hitting #1, we've got your music news covered. We also break down our current "Must-Watch TV" watchlist (featuring The Five-Star Weekend, The Agency, The Westies, and more!), discuss why everyone is obsessed with Erling Haaland, and react to the star-studded World Cup halftime lineup.00:00 – Intro03:35 – Lori's Shocking Keith Urban Review (Prior Lakes Music Festival) 14:57 – The Erling Haaland Fan Club (feat. Tom Holland) 18:50 – Wimbledon Celebrity Gossip: Who Was Spotted? 20:52 – J.Lo's Birthday Era & Loving Life 22:28 – Hudson Williams Flips Out on an Autograph Hound 24:01 – Mick Jagger on Conan O'Brien's Podcast 25:38 – Madonna's New Album Hits #1! 28:54 – Bethenny Frankel Signs with dpHUE 31:19 – Must-Watch Summer TV: The Five-Star Weekend, The Agency, The Westies, Little House on the Prairie, Project Runway, & Enola Holmes 3 42:20 – World Cup Final Halftime Show: Star-Studded Lineup Revealed 46:23 – Julia's Wedding Preparation & Updates 49:02 – Remembering the Legendary Sam Neill 54:03 – The Surprising TV Show with the Best "Family Values" 55:48 – Fashion Danger: Zara's Wide-Legged Pants Are Getting People Hurt 57:33 – The Newest Status Symbol: Bare Nails 1:04:16 – Why Lori Said "NO" to Skims THANK YOU TO OUR SPONSORS:InVision Distinctive Eyewear: invision-optical.comBorton Overseas: bortonoverseas.com/loriandjulia/Twin Cities Closet Company: tcclosets.comLAK MedSpa: lakmedspa.com CONNECT WITH USInstagram: @loriandjuliaTikTok: @loriandjuliaWebsite: loriandjulia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Meet my friends, Clay Travis and Buck Sexton! If you love Verdict, the Clay Travis and Buck Sexton Show might also be in your audio wheelhouse. Politics, news analysis, and some pop culture and comedy thrown in too. Here’s a sample episode recapping four takeaways. Give the guys a listen and then follow and subscribe wherever you get your podcasts. Clay Travis and Buck Sexton discuss the rise of political violence and its impact on American institutions. Clay and Buck discussed threats against conservative politicians, judges, and public figures, including recent references to Charlie Kirk, the assassination attempts against President Donald Trump, past attacks on members of Congress, and threats directed at Supreme Court justices. The hosts examined the phenomenon of swatting, explaining how false emergency reports can create dangerous situations for both law enforcement and targeted individuals. They argued for stronger penalties against swatting incidents and emphasized the importance of expanded security protections for individuals serving in high-profile government positions. They pointed to the growing influence of independent creators and YouTube-based content, arguing that digital platforms are increasingly producing successful entertainment outside traditional Hollywood systems. According to the discussion, younger creators are finding cultural relevance and commercial success through online platforms while major studios continue to struggle with costly projects that fail to attract audiences. Clay and Buck suggested that audience demand is shifting toward more authentic storytelling and away from heavily marketed corporate entertainment products. Clay and Buck analyzed President Trump’s latest announcement regarding maritime security, sanctions, and shipping restrictions tied to Iranian cargo. The discussion explored how the administration is balancing pressure on Iran with broader efforts to keep global energy markets stable. The hosts examined Trump’s proposal to replace direct fees on shipping with increased investment commitments from Gulf nations including Saudi Arabia, the UAE, Qatar, Bahrain, and Kuwait. They argued that Iran’s leverage over global oil markets may gradually diminish as new pipeline and infrastructure projects reduce dependence on the Strait of Hormuz, potentially reshaping Middle East energy security and global oil transportation in the years ahead. Another significant topic during Hour 2 was the reported remake of Little House on the Prairie. The hosts examined early reactions to the new adaptation and contrasted it with the original series. Their discussion focused on family dynamics, parenting portrayals, and the role of fathers in popular culture. Clay and Buck argued that modern entertainment often minimizes or sidelines father figures, while many classic television programs emphasized strong family relationships and positive paternal role models. They contended that the portrayal of family structures in television and film can influence broader cultural attitudes toward parenting, masculinity, and social responsibility. Make sure you never miss a second of the show by subscribing to the Clay Travis & Buck Sexton show podcast wherever you get your podcasts! ihr.fm/3InlkL8 For the latest updates from Clay and Buck: https://www.clayandbuck.com/ Connect with Clay Travis and Buck Sexton on Social Media: X - https://x.com/clayandbuck FB - https://www.facebook.com/ClayandBuck/ IG - https://www.instagram.com/clayandbuck/ YouTube - https://www.youtube.com/c/clayandbuck Rumble - https://rumble.com/c/ClayandBuck TikTok - https://www.tiktok.com/@clayandbuck YouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.

You may be familiar with the world of Little House on the Prairie, either through Laura Ingalls Wilder's beloved books, or the 1970s TV adaptation. Now, Netflix is once again bringing the Ingalls family to life with a new series. It focuses on earlier in Laura's life in Kansas, where the promise of available land for the family comes at the expense of a local Osage population that's being pushed out. During this time, the Ingalls family must make friends in their local community and deal with the harsh realities of pioneer life.Here are some recommendations both kids and adults will enjoy:‘Zootopia 2' brings back your favorite fun animals — and some pointed commentary In 'Toy Story 5,' playtime's over and screentime's inConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Nick welcomes The Hollywood Reporter TV critic Dan Fienberg back to the podcast to review the new Little House on the Prairie reboot and Life, Larry and the Pursuit of Unhappiness starring Larry David. They also break down the 2026 Emmy nominations, discussing the biggest surprises, the most obvious picks, and a few notable snubs. Plus, Nick and Dan kick off their bi-weekly coverage of Big Brother. Later, Esmeralda Leon joins Nick to recap their weekends, talk about the upcoming Flashback Weekend Horror Convention, and revisit some of the movies and TV shows that traumatized them growing up. That includes a spirited discussion about just how terrifying Dumbo really is. Seriously. [Ep 472]

Donna & Steve open the show with some terrible "How hot is it???" joke, Shia LaBeouf saying his dad was a creep on his movie sets and Donna watched some of the new Little House on the Prairie on Netflix.In hour two, we play the Rosie O'Donnell edition of the College of Pop Culture Knowledge, why you shouldn't sit cross-legged too much and has clothing ever injured you?Finally, a new trailer dropped for Tom Cruise's new movie Digger, why people are replacing meals with snacks and we find out the Soup of the Day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

British director Christopher Nolan discusses his biggest cinematic blockbuster yet: The Odyssey, which stars Matt Damon, Anne Hathaway, Tom Holland and more, in his retelling of Homer's epic poem about the warrior Odysseus's battles with ancient Greek monsters like the Cyclops, Circe and the Sirens on his quest to return to his family after the Trojan War.We talk with Tom Kiehl, CEO of the industry body UK Music, about the government's recent announcement of plans ‘to turn up the music business,' with new powers and investment. Is it something new or a rehash of old ideas? A new adaptation of Little House on the Prairie by Laura Ingalls Wilder has just been released on Netflix. Samira is joined by author Tracy Chevalier and Laura Ingalls Wilder's biographer Pamela Smith-Hill to discuss the series and the enduring appeal of the stories.Candice Carty-Williams' breakthrough 2019 novel Queenie became a bestseller, made the publishing industry sit up and was adapted into series for Channel 4. Now she is back with her trademark blend of comedy and politics with Queenie is Working on It, a sequel which explores topics of fertility, sex and body image for a young black woman in contemporary Britain. Presenter: Samira Ahmed Producer: Andrea Kidd

In today's Cloud Wars Minute, I compare Microsoft's and AWS's dramatically different branding strategies for AI deployment services. Highlights 00:01 — We see here, in the unfolding AI Deployment Wars, some interesting naming conventions from Microsoft and AWS. And if you look at the comparison of these two, I wonder what they were hoping to achieve by this. I mean, I'm sure they wanted to have these names resonate clearly with people, but they picked wildly different names. 00:48 — AWS calls it Forward Deployed Engineering. Now, that is wildly unimaginative, but it's very clear. This is what you're going to get: forward-deployed engineers. That's the heart of it. It'll be both AWS's own FDEs and also some partners. They have three different tiers of services that customers can tap into. 01:22 — Microsoft is calling its company Microsoft Frontier Company, and I think, in a way, that's a little bit of a cross between Star Trek and Little House on the Prairie. Microsoft is sort of positioning this like companies really want to be the first in their field, out on the frontier. 03:13 — I think what business leaders are looking for isn't so much about frontier. What they want is: let's make this stuff work. Let's make it work clearly. Let's show quantifiable results. Let's get our culture right. Let's get our processes optimized. Let's get not only costs taken out of the company, but let's get new revenue streams building here. 04:07 — So I guess, of the two, if I had to pick one that I think was better, I'd have to give the nod to AWS. They're not going to try to impress anybody. They're not going to try to confuse anybody. You want this? This is what it is. So we'll see how this all plays out. But wild times are coming along here. Visit Cloud Wars for more.

Over the weekend, Madonna tops the charts with her new album and Bradley is loving it! Britney's Spears responds to hanging out of her sunroof, and the show within the show, Blinded by the Item rounds out the first hour!Dawn has two rattlesnake stories, Harry, Meghan and kids visit the King after no contact with the grandkids for 4 years! Bradley watched the first episode of Little House on the Prairie and Dua Lipa's travel blog is inspiring us all.Stories about a serious Diarrhea virus outbreak this summer, Tori Spelling and Hayden Panetierre both cancel last minute for a horror convention, but Tori was spotted in LA. Priscilla Presley's son Navarrone Girabaldi started a GoFundMe to start a business, One star reviews and the five second rule!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bradley gives his review on the new Little House on the Prairie season that just debuted on Netflix. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Stratford Upon Avon, where William Shakespeare was born, there is a house that was built in 1530, while King Henry VIII was ruling England. This house was there when Shakespeare was living in the town, and the owners have direct connections to Shakespeare himself. Today, the house is known as Wisson House and the thoughtfully preserved historical property has been updated with modern amenities and is offered as a holiday property for anyone visiting the area, or that loves Shakespeare. Of course, when I heard about the property, I wanted to share the history with you. Which is why, today, we are delighted to welcome Amanda Billingsley, the owner of Wisson House, to the show to share the backstory of this property and what it was doing when Shakespeare was alive. 

Today Rachel and Michelle are here to talk about the pilot for the Little House on the Prairie reboot Romance lovers join the LUV TV VIP Screening table Email info@luvtv.tv or Comment ‘VIP' and your official invite will be on its way! LUVTV is also casting for their latest show Big Bridal Giveaway. Recently engaged or know a bride to be deserving of a rom-com worthy makeover? Email info@luvtv.tv or comment ‘BRIDAL' and your official invite will be on its way! Big Bridal Giveaway premieres May 4th https://www.youtube.com/watch?v=z5sSexcTK2M For all our interviews https://www.youtube.com/playlist?list=PLXv4sBF3mPUA_0JZ2r5fxhTRE_-RChCj5 https://twitter.com/HallmarkiesPod on twitter @HallmarkiesPodcast on Instagram HallmarkiesPodcast.com Check out lots of Hearties inspired merch https://www.teepublic.com/stores/hallmarkies?utm_campaign=Hallmarkies&utm_medium=8581&utm_source=affiliate Please support the podcast on patreon at https://www.patreon.com/hallmarkies1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Record producer and manager Peter Asher discovered James Taylor and launched Carole King's career. Paul McCartney and John Lennon wrote “I Want to Hold Your Hand” in his family's basement. He spoke with Terry Gross about having a front-row seat to some of the biggest moments in recording history.Also, romance novelist Kennedy Ryan talks about how she fell for the genre in middle school, even though her mother, a preacher, didn't approve. Ryan's best-selling books center on people who are usually at the margins – Black women, queer women, and women with chronic illnesses and disabilities. TV critic David Bianculli has a review of the ‘Little House on the Prairie' remake.Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

This episode is brought to you by CoreyWritesForYou.com and the new Southern Murder Mystery Here We Rest! Lord Corey and Lady Kirby discuss the latest installment in the Game of Thrones Universe and things sure are getting tense in Westeros!

Kimball, who died July 2, was artistic advisor to Ira Gershwin. He wrote books about the Gershwins, Cole Porter and Irving Berlin, and helped unearth unknown songs and manuscripts by them and other early 20th-century songwriters. Kimball also rescued and rediscovered the music of the Black Broadway team of Noble Sissle and Eubie Blake. He spoke with Terry Gross in 1994. David Bianculli reviews the remake of ‘Little House on the Prairie,' and John Powers reviews the second season of ‘Sugar,' starring Colin Farrell.  See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Culture Friday on Charlie Kirk's assassination, the new Little House on the Prairie, and George Grant talks with Jonathan Master. Plus, the Friday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Harbinger Tours, featuring CS Lewis' England and Ireland, Imperial Christmas in Budapest, Vienna and Prague. HarbingerTours.netFrom The Amplified Bible, from The Lockman Foundation, designed to bring out the full depth of meaning in Scripture by expanding key words and phrases from the original languages. Its unique amplifications and definitions add clarity for reading and study.New TwoTone editions use soft gray typography to distinguish amplified words from the main text, creating a cleaner page and a smoother reading experience.Learn more at amplifiedbible.comAnd from Ambassadors Impact Network, where members bring pattern recognition from building and scaling companies, and they apply that wisdom collaboratively to evaluate faith-driven investment opportunities. The network hosts quarterly meetings for education, deal review, and fellowship, with hybrid options enabling connection across geographies. Membership information is available at ambassadorsimpact.com

Garry the Turkey Call Maker stops by the studio with a surprise guest. We discuss the new "Little House on the Prairie" show on Netflix. Greg admits he will watch it. As the preliminary hearings continue, we hear from the "partner" of the accused assassin of Charlie Kirk. More conspiracy theories surrounding the case are debunked. A large seal wreaks havoc on Australian citizens. The war in Iran goes to another level. Speedy draws a picture of a tree that traumatizes the live studio audience.See omnystudio.com/listener for privacy information.

Kevinless, Little House was a wild show, and squatters!- h1 full 2177 Thu, 09 Jul 2026 19:18:07 +0000 crsalYtHeUgsi5LQufLeXiQiw79DyNYk comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government Kevinless, Little House was a wild show, and squatters!- h1 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government https://player.amperwavepodcasting.