Podcasts about james joyce's the dead

This week, 2019 Tony winner Stephanie J. Block joins Ilana for a conversation. Block has established herself as one of the most relevant and versatile voices in contemporary musical theatre. She most recently won the Outer Critics Circle Award for Outstanding Leading Actress in a Musical portraying Star in THE CHER SHOW and also garnered a Drama League, Drama Desk and TONY Award nomination(s) for her current role of Star. Ms. Block also received the Outer Critics Circle, Drama Desk & TONY nomination(s) for Best Featured Actress in a Musical in 2017 for her star turn as Trina in Lincoln Center Theatre’s highly acclaimed revival of FALSETTOS. In 2013 she was recognized with both the Drama Desk and TONY Award nomination(s) for Best Leading Actress in a Musical for her portrayal of Alice Nutting/ Edwin DROOD in The Roundabout Theater’s production of THE MYSTERY OF EDWIN DROOD. That marks 3 TONY Award nominations in the last 6 years, a feat very few Broadway actors have attained. Other Broadway credits include Reno Sweeney in the 2011 TONY Award winning revival of ANYTHING GOES, 9 TO 5:THE MUSICAL playing the role of Judy Bernly for which she earned a Drama Desk nomination for Best Actress in a Musical. She created the roles of Grace O'Malley in THE PIRATE QUEEN and Liza Minnelli In THE BOY FROM OZ (opposite Hugh Jackman). Ms. Block is best known for her portrayal as Elphaba in the Broadway company of WICKED as well as originating the role in the First National Tour for which she won numerous awards including the prestigious Helen Hayes Award for Outstanding Actress in a Musical. Ms. Block has sung with numerous symphony orchestras including the NY Pops at Carnegie Hall, Boston Pops, National Symphony Orchestra (under the baton of Marvin Hamlisch), Dallas Symphony, Indianapolis Symphony Orchestra, Utah Symphony, Columbus Symphony, Charlotte Symphony and the Cleveland Pops among many others. Her solo concert has been critically acclaimed and continues to sell out throughout the US and in London. Some of her Off-Broadway and regional theatrical credits include LITTLE MISS SUNSHINE (Drama Desk nomination for Outstanding Featured Actress in a Musical), BY THE WAY, MEET VERA STARK(Drama Desk nomination for Outstanding Featured Actress in a Play), THEY'RE PLAYING OUR SONG(starring opposite Jason Alexander), CATS (St Louis' Kevin Kline Award Nominee- Best Actress),FUNNY GIRL, CRAZY FOR YOU (L.A. Ovation Award Nominee), OLIVER (Critics Award-Best Actress), James Joyce's THE DEAD, TRIUMPH OF LOVE, THE GRASS HARP, SOUTH PACIFIC, WILL ROGERS FOLLIES and the World Premiere of WICKED. Stephanie's solo album, THIS PLACE I KNOW has been received with great praise, lauded by critics as "One of the best debut recordings to come out of the Broadway community in quite some time... 6 out of 5 stars". An array of award-winning songwriters assembled to help interpret their music on Stephanie's album. Composers such as Stephen Schwartz, Marvin Hamlisch and the legendary Dolly Parton join forces with Ms. Block to create a thrilling musical experience. Stephanie's voice can be heard on multiple cast recordings, including THE BOY FROM OZ, THE PIRATE QUEEN, WICKED's 5th Anniversary Album and 9 TO 5: THE MUSICAL (GrammyNomination).  Television credits include: RISE (upcoming: NBC), MADAME SECRETARY (CBS), ORANGE IS THE NEW BLACK (Netflix), HOMELAND (Showtime), IT COULD BE WORSE (HULU). 

OBIE and Drama Desk winner Donna Lynne Champlin graduated with high honors from Carnegie Mellon University in 1993. A Princess Grace Foundation award winner and a Presidential Scholar in the Arts, she also received intensive training in Shakespeare and Chekhov at Oxford University on the Advanced Acting Scholarship and The Vira I. Heinz Grant to study abroad. While still in college, she received her Equity card starring as "Dorothy" in The Wizard of Oz with the celebrated Pittsburgh Civic Light Opera. Champlin made her New York Debut in 1994 at Carnegie Hall starring as "May" in a concert version of Very Warm for May under the direction of acclaimed conductor John McGlinn. Her Broadway debut in 2000 as "Mary Jane" in James Joyce's The Dead was quickly followed by another Broadway turn as "Honoria Glossop" in the Alan Ayckbourn/Andrew Lloyd Webber musical By Jeeves in 2001. In 2002, came the opportunity to work with Carol Burnett and Hal Prince in Broadway's Hollywood Arms - the dramatization of Carol's biography One More Time, in which Champlin played the iconic comedienne. Critics across the country proclaimed Champlin a "show-stopping star in the making" and described her performance as "brilliant", "a triumph", and "a tour de force." Next on Broadway, Champlin played "Pirelli" (and the accordion, flute and piano) in the groundbreaking 2005 revival of Sweeney Todd where the press called her both "hilarious" and "superb". She then joined the Broadway company of Billy Elliot as "Lesley" in 2009 and simultaneously self-produced her solo debut CD "Old Friends" which was voted "One of the Best Ten Albums of 2009" and was hailed by critics as "brilliant", "a masterpiece" and "breath taking". She can also be heard on numerous cast albums including See Rock City, Sweeney Todd, By Jeeves, three and My Life With Albertine as well as many voice-overs. Her film credits include Birdman, A Secret Promise, The Audition, The Dark Half, By Jeeves, and Sweet Surrender. And while her TV credits include The Good Wife, Law And Order, Mother's Day, Crazy Ex-Girlfriend, The Annual Tony Awards on CBS, The View (guest star), The Rosie O'Donnell Show, Regis and Kelly and Emily Dickinson of the PBS Voices and Visions series, she is perhaps most well known for her work as the caustic "Kim Gifford' on the hit web-series Submissions Only. Off Broadway, her performance as "Cora Flood" in the 2009 production of The Dark At The Top of the Stairs at The Transport Group (hailed by the NY press as "perfection", "brilliant" and "a privilege to watch"), earned her the prestigious OBIE award. DL went on to win the 2013 Drama Desk Award for her performance as "Woman #3" in Working, The Musical at the Prospect Theatre and the NYMF Award for "Outstanding Performance" for not one but three separate productions including as "Jane Austen" in Jane Austen's Pride and Prejudice. Other favorite Off-Broadway credits include "Audrey" opposite Oliver Platt's "Touchstone" in Shakespeare In The Park's As You Like It and "Sophie" in Master Class opposite Edie Falco at the Broadhurst produced by the Metropolitan Opera. Champlin also continues to perform her critically acclaimed one-woman show Finishing The Hat in NYC (SRO at Birdland, Ars Nova and The Laurie Beechman Theatres) and across the country while teaching master classes in acting at many prestigious colleges such as CMU, Hartt and NYU. Also of particular importance to Champlin is her fundraising for three of her favorite charitable organizations, BC-EFA, the ALSA and The Actors' Fund. In addition to being an actress, Donna Lynne also works as a director, writer, stand-up comedienne, pianist, composer, musical director and choreographer. A free-lance writer for Comedy Central, she is currently working on two books; a humorous non-fiction book inspired by her (mis)adventures in the theatre and the other a 'how-to of comedy'. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support

In which the Musical Man drains Killarney's lakes and brushes the goldenhair of three jolly pigeons. Donate today via Patreon: patreon.com/musicalmanpod / Twitter: @musicalmanpod / Podbean: musicalmanpod.podbean.com / Email: musicalmanpod@gmail.com

The Dead is regarded by many as the greatest short story of the twentieth century. The closing story of Dubliners, first published in 1914, it begins with a party in Ushers Island on January 6th, the feast of the Epiphany and the last night of Christmas. Hear the full story read by renowned actor Barry McGovern.

With two shows running on Broadway, Glenn Slater is excited that the sequel to Phantom of the Opera, Love Never Dies is finally hitting America on a national tour. The current go-to lyricist for two heavy-hitting composers stops by to tell us all about it. Aedin Moloney is in The Irish Rep's production of James Joyce's The Dead 1904. She stops by to talk about the show, her company Fallen Angel, and why Irish playwrights are so popular. This One's for the Girls, a reworking of Respect, is a hit running off-Broadway. Creater and bookwriter Dr. Dorothy Marcic talks about how this musical emerged from a sociology project about how women have been represented in popular music.

We're OBSESSED with Emily Skinner and we FINALLY get to meet her!! Emily made her Broadway debut in 1997 in the original Broadway cast of "Jeckyll & Hyde." Less than a year later she originated the role of Daisy Hilton in "Side Show." She was next seen in "James Joyce's The Dead" before originating the role of Vicki Nichols in "The Full Monty." She was most recently seen on Broadway in "Billy Ellliot: The Musical" where she was hand picked by director Stephen Daldry to play the role of Mrs. Wikinson. She's amazing and we love her to pieces.

The youngest female Tony Award winner is back! For this episode we catch up with Daisy who has just relocated from LA to NYC where she is living the theater auditioner life for the first time in nearly 12 years. She shares stories we didn't get the first time--including working with Christopher Walken on the Broadway production of James Joyce's The Dead. She also tells all about her upcoming show 'Daisy and Jordan: Rejected Bond Girls' which premieres Sunday, November 15 at 54 Below.

Actors Morgan Crowley, Muiris Crowley and Aileen Mythen star in our festive production of James Joyce's The Dead. They took some time out after opening night to chat about the play. Hear about how they brought the Joycean characters to life, what it's like to make an Abbey Theatre debut and the musical side of this dramatisation. The Dead, by James Joyce, in a dramatisation by Frank McGuinness, runs on the Abbey stage from 5 December to 19 January. Tickets are available at www.abbeytheatre.ie/whats_on/event/the-dead

Alice Ripley, star of the new musical "Next To Normal" at New York's Second Stage Theatre, talks about the challenge of playing the emotionally disturbed mother of a "typical" American family and describes how the show's music drives both the character and her performance. She also talks about her parallel career as a rock singer and songwriter, her Broadway debut in "The Who's Tommy", the remarkable experience of appearing as one-half of the conjoined Hilton Sisters in "Side Show", the unique style of "James Joyce's The Dead", and the difficulty of playing a role while being doused by audience-wielded water guns in "The Rocky Horror Show". Original air date - February 29, 2008.

Alice Ripley, star of the musical Next To Normal--for which she won a Tony Award in 2009--talks about the challenge of playing the emotionally disturbed mother of a "typical" American family and describes how the show's music drives both the character and her performance. She also talks about her parallel career as a rock singer and songwriter, her Broadway debut in The Who's Tommy, the remarkable experience of appearing as one-half of the conjoined Hilton Sisters in Side Show, the unique style of James Joyce's The Dead, and the difficulty of playing a role while being doused by audience-wielded water guns in The Rocky Horror Show.

Alice Ripley, star of the new musical "Next To Normal" at New York's Second Stage Theatre, talks about the challenge of playing the emotionally disturbed mother of a "typical" American family and describes how the show's music drives both the character and her performance. She also talks about her parallel career as a rock singer and songwriter, her Broadway debut in "The Who's Tommy", the remarkable experience of appearing as one-half of the conjoined Hilton Sisters in "Side Show", the unique style of "James Joyce's The Dead", and the difficulty of playing a role while being doused by audience-wielded water guns in "The Rocky Horror Show". Original air date - February 29, 2008.

In "Finding the Needle in Noise," I read from James Joyce's "The Dead" and talk about how important it is to find underlying truth below the noise of social gatherings.