Podcasts about Utah Symphony

Classical music is rooted in rich history, formality, and tradition - but does the musicians' concert attire still have to be? Blackstrad founder and professional flutist Mercedes Smith thinks it is time for a change of pace in performance wardrobes. In episode 110, hear how she is designing new concert black attire that resonates with the individuality of modern musicians while keeping the harmony of a unified ensemble. Mercedes Smith has served as the Principal Flutist of the Utah Symphony since 2012, having previously held the same position with the Houston Grand Opera and Houston Ballet Orchestras. She has performed in Carnegie Hall, throughout Europe and Asia, and at renowned music festivals including the Grand Teton Music Festival, Tanglewood, Music Academy of the West, Verbier Festival Orchestra, and Marlboro. Never one to idle, Mercedes turned the pandemic into an opportunity, obtaining a real estate license and earning an M.B.A. from the University of Utah. Her latest endeavor is the creation of Blackstrad, a line of concert attire designed for the modern musician. She resides in Salt Lake City with her husband and three very silly dogs. In this episode, you'll learn: The role fashion plays in music performance The challenges musicians face in finding concert attire The gender inequality of concert dress codes (it's not what you think) How Mercedes got started on her brand How to know when a design is done and get over perfectionism What surprised Mercedes by how difficult it was  Why Mercedes wishes she had trusted her patternmaker more Why Mercedes doesn't like the term “sustainability” The unique business model of Blackstrad Mercedes' plans for Blackstrad and her own future People and resources mentioned in this episode: Blackstrad website Blackstrad Instagram Blackstrad email Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits your customer, lifestyle, and values.

Rachel Potter, an acclaimed Broadway star and accomplished Nashville Recording artist, has been recognized by US Weekly as "One to Watch" and praised by the Hollywood Reporter for her "crystalline vocals." With a successful career in both musical theater and country music, Rachel has showcased her talent on stages of all sizes. Rachel's impressive resume includes her turn as the ever “popular” Glinda u/s on the National Tour of Wicked. Next, she made her Broadway debut as Wednesday Addams in The Addams Family, where she shared the stage with Bebe Neuwirth and Brooke Shields as Morticia. She then went on to originate the role of the Mistress in the Tony Nominated revival of Evita, alongside Ricky Martin and Michael Cerveris. Her standout performance on the Original Broadway Cast Recording of the production, singing the poignant song "Another Suitcase in Another Hall," further solidified her place in the Broadway community. Hailing from St. Petersburg, Florida, Rachel's journey in the entertainment industry began on at Walt Disney World, where she portrayed iconic characters such as Ariel, Belle, and Nemo. She later gained national attention as a top 15 finalist on MTV's Legally Blonde: The Search for Elle Woods.Transitioning from Broadway to Nashville, Rachel pursued her passion for country music and achieved success as a Top 12 finalist on season 3 of FOX's The X Factor. Her audition with her version of Queen's "Somebody to Love" earned international praise, and continues to amass millions of views since the season aired 10 years ago. The song is featured on her solo album, "Not So Black and White," which showcases her unique artistry, songwriting, and musical style. Her music videos have been featured on CMT and Entertainment Tonight, and she has garnered attention from publications such as Billboard, Rolling Stone, and Huffington Post.Most recently, Rachel was the featured soloist on "Journey to Fantasy Springs," the theme song for Tokyo Disney Sea's new land "Fantasy Springs," further expanding her global reach and musical accomplishments.In addition to her solo career, Rachel has collaborated with renowned Acapella groups VoicePlay and Voctave, showcasing her versatility as a performer. With many of their videos achieving viral status, most notably, her “Moana Medley" collaboration with VoicePlay remains an internet favorite. Rachel has been featured as a guest soloist with many symphony orchestras all over the world, in concerts spanning everything from Country to Broadway and Holiday to Patriotic, with orchestras including the Dallas Symphony, St. Louis Symphony, Utah Symphony, among many others. She and fellow country artist, Patrick Thomas, have been celebrating the past icons of country music in their Pops symphony show, “Country Legends,” for the past 10 years.  Residing in Nashville, TN, Rachel remains focused on recording and writing music, as well as enjoying a successful career in real estate. Balancing her professional endeavors with her most important role as “mommy” to Jude, Elliot, and Myla, Rachel's passion for music and family shines through in all aspects of her life. Stay connected with Rachel on social media @therachelpotter. Memorable Moments"It was just this dream that guided me in each different move and change in my life."“Taking my art away from the place in my life that required making music to make money, for my art to no longer be pressured and to now have the freedom to just do whatever I wanted to with music because I love it.  That changed everything for me.”  "I feel great about it, I feel proud of it, and I feel like, you know, I only have one life.  What's most important is that I feel great about me.""I am such a huge proponent of not having regret, and that's been a big thread through my entire life.""I'm hoping that my joy in creating this will also give other people joy. But if it doesn't that's fine, I'm not looking for this to be validating in any other way, other than my own personal journey." Connect with RachelInstagram @rachelpotterTikTok @rachelpotterFacebook: Facebook.com/rachelpottermusiclinktree: https://linktr.ee/therachelpotter  Abundant Success Bundle - Black Friday Special!https://www.allisonwalshconsulting.com/abundantsuccessbundle Thinkific Black Friday Offer!Click here to Claim Thinkific's Black Friday offer before it expiresThese three packages offer everything you need to launch a thriving digital learning business and start earning more, all at their lowest price of the year.   Connect with AllisonInterested in working together? Fill out this form.www.instagram.com/allisonwalshwww.shebelievedbook.comwww.allisonwalshconsulting.comwww.abundantsuccesss.co

The Great Salt Lake water has shrunk again. Will water get more expensive!? Executive producer Emily Means and host Ali Vallarta discuss the state's next steps. Plus, the housing-to-food crisis, a hot new maestro, and your birthday party invite.  Resources and references: Great Salt Lake drops back down to 2021 levels [FOX 13] Utah's food banks still see high demand. Housing costs are a contributing factor [KUER] Donate to the Utah Food Bank. Volunteer with Meals on Wheels. Fill a Salt Lake community fridge. [Hey Salt Lake] 'The Soundtrack of Tomorrow': Utah Symphony announces new music director [KSL] Buy tickets to KRCL's 45th Anniversary Party. Become a member of City Cast Salt Lake today! It's the best way to support our work and help make sure we're around for years to come. Get all the details and sign up at membership.citycast.fm. Subscribe to Hey Salt Lake, our daily morning newsletter. You can also find us on Instagram @CityCastSLC.  Today's Gift Guide sponsor is Cozy Earth. If you enjoyed the interview with McKoy Molyneaux, the head of strategic partnerships for Cozy Earth, check out cozyearth.com to learn more and use the code CE-City Cast at checkout Looking to advertise on City Cast Salt Lake? Check out our options for podcast and newsletter ads. Learn more about the sponsors of this episode:  Sugar House Chamber of Commerce Embodied Patience= Live Crude - Get $25 off your facial by mentioning this ad. Learn more about your ad choices. Visit megaphone.fm/adchoices

Abravanel Hall is staring down either a remodel or a complete rebuild as it's wrangled into the new downtown sports and entertainment district. But if it ain't broke, why fix it? David Porter, violinist and spokesperson for the Musicians of the Utah Symphony, joins host Ali Vallarta to discuss why the math isn't adding up and what the future holds for the symphony if they lose their home.  Resources and references: Abravanel Hell, Another Mysterious Fire, and Midtowners Unite [City Cast Salt Lake]  Consider becoming a founding member of City Cast Salt Lake today! It's the best way to support our work and help make sure we're around for years to come. Get all the details and sign up at membership.citycast.fm. Subscribe to our daily morning newsletter. You can also find us on Instagram @CityCastSLC. Looking to advertise on City Cast Salt Lake? Check out our options for podcast and newsletter ads. Learn more about the sponsors of this episode:  Salt Lake Sewciety Utah Department of Health and Human Services Learn more about your ad choices. Visit megaphone.fm/adchoices

Author Adam Pearson talks about his new book, "Finding Fortunato," a story of entrepreneurship, adventure and chocolate. Then, Steve Brosvik, president and CEO of the Utah Symphony, discusses challenges facing the orchestra. And Devin Johnson, co-owner of the reimagined Hub Restaurant in Heber City, highlights their business.

The Salt Lake City Council plans to take its first big vote on the downtown sports and entertainment district Tuesday. Executive producer Emily Means and producer Ivana Martinez examine the proposal and how residents could still get involved in the process. Plus, alternative venues for the Utah Symphony, a heatwave volunteer opportunity, and a fun (if you can believe it) government Instagram account to follow.  Resources and references: We Finally Know What's in the Downtown Sports District Deal [City Cast Salt Lake] SLC Council is on the cusp of approving a major sales tax increase. Is the council's vote the final say? [Salt Lake Tribune] If Abravanel Hall is unavailable, where might Utah Symphony go? [Salt Lake Tribune] Get tickets to our 801 Day event on Thursday, Aug. 1. Consider becoming a founding member of City Cast Salt Lake today! It's the best way to support our work and help make sure we're around for years to come. Get all the details and sign up at membership.citycast.fm. Subscribe to our daily morning newsletter. You can find us on Instagram @CityCastSLC. Looking to advertise on City Cast Salt Lake? Check out our options for podcast and newsletter ads. Learn more about the sponsors of this episode:  Babbel Salt Lake Sewciety Stein Eriksen Lodge Embodied Patience Live Crude Learn more about your ad choices. Visit megaphone.fm/adchoices

Water and sewer replacement work to resume in downtown Heber; start date pending, New Salt Lake Bees stadium in Daybreak has new renderings, and a new name, Lisa Verzella Observations Program Leader at SLC National Weather Service branch is looking for new team members in PC, Park City School District receives $400,000 in federal funds for electric school buses, Utah Symphony spokesperson, David Porter, discusses the future of Abravanel Hall in downtown Salt Lake City, Fifth man charged after shooting injured two at large Peoa party, Former city councilmember appointed to Park City Chamber position (36:05), Main Street water line replacement to end for season before July and Salt Lake Tribune's Lauren Gustus talks about the top stories they are covering.

A few years ago I had the opportunity to see the great Jerry Lee Lewis in concert.  As fun as it was, he was pretty old...he could barely make it on stage, let alone jump on the bench while playing the piano As fate would have it, however my wife and I had season tickets to the Utah Symphony where today's guest was performing a "Jerry Lee Lewis" type tribute Dave Bennett's show was the exact opposite of Jerry Lee's show Dave jumped on the bench while pounding on the piano The energy was infectious! And, through a photo we posted on social media of Dave doing his thing we got connected Dave and I found we had a mutual love for jazz, rock and roll and classic bodybuilding Join me for an engaging conversation with this dynamic performer about his life, his career and how taking control of his health has helped him perform and have more energy at his 40th birthday than ever before!

brassmastery.com/bergmanWhen I first approached Jason Bergman about appearing on the Brass Mastery™ podcast, the first thing I asked him was, "What do you want to talk about?"It's always best to play to the strengths of your guests when one is doing a creative endeavor such as this.Jason replied he'd like to delve into the realm of self-care as it pertains to teaching brass instrumentalists.As professor of trumpet at the prestigious Jacobs School of Music at Indiana University, Jason has learned a thing or two on this topic (or one would assume), so I agreed to discuss this on the show, eager to hear what he has to say on the topic.The thing we ended up talking about the most is how shame affects our self-perception as musicians, hindering our musical output and progression - to the point some even get discouraged and leave music as a serious pursuit altogether.What is the root cause of this shame and deleterious effects it has on us? Jason opens up on some of his own setbacks as a performer and teacher, and shares some of the innovative teaching techniques he employs at IU to confront the many barriers we put up that inhibit our progress as musicians and play to the best of our ability. Episode highlights:-Brief rundown of Jason's academic career...03:00-Giving credit to impactful figures who don't seek the spotlight...05:15-One seemingly insignificant thing we say today may make a massive impact in the future...07:45-Jason's founding origins on trumpet and music...11:20-The students became the mentor...17:35-Self-awareness, and the need to care for one's self in order to best help those charged to our care...22:50-An examination of shame and how it affects our mindset and overall wellbeing as musicians...29:00-We get ourselves tied up in knots when we're thinking about the notes vs. the musical product...36:00-When you're "okay with being unokay" the mistakes magically dissipate...38:40-"A rising tide lifts all ships" i.e. when one succeeds, all succeed...41:40-Meat therapy, and how Jason decompresses during down time...46:10Resources mentioned:Brene Brown videosAbout the Guest:American trumpeter Jason Bergman was appointed Associate Professor of Music in Trumpet at the Indiana University Jacobs School of Music in 2022. He has performed throughout the United States, South America, Europe, and China. In 2008, Bergman was named Associate Principal Trumpet of the Santiago Philharmonic in Chile and more recently has been Principal Trumpet of the Mobile Symphony Orchestra and Mobile Opera. He has also performed with the Utah Symphony, Indianapolis Chamber Orchestra, Dallas Symphony, Dallas Opera, Fort Worth Symphony, and the Dallas Winds, including on their Grammy-nominated album featuring the music of John Williams. Additionally, Bergman has performed in concert with the Canadian Brass, Rhythm & Brass and with conductor David Robertson at Carnegie Hall as part of the Weill Music Institute. He also performed as a fellow at the Music Academy of the West. Bergman has given recitals and master classes at numerous institutions worldwide and has performed and presented at the Midwest Band and Orchestra Clinic, College Music Society, International Tuba and Euphonium Conference, Mississippi Bandmasters Association, Mississippi Music Teachers Association, Utah Music Educators Conference, International Trumpet Guild, and the Texas Music Educators Association Annual Convention. As a soloist, he has performed with the Royal Belgian Air Force Band, Garland Symphony Orchestra, Timpanogos Symphony, and the Beijing Central Conservatory of Music Wind Ensemble

Season 6 Episode 12: In this episode, Pete Codella, managing director of Business Services at the Governor's Office of Economic Opportunity, talks with Steve Brosvik, president and CEO of the Utah Symphony | Utah Opera (USUO).  Brosvik shares his recent move to Utah and details his journey from the vice president and general manager of the Houston Symphony in Texas and chief operating officer of the Nashville Symphony in Tennessee to his current role as the president and CEO of the USUO. The conversation explores Brosvik's professional journey and the unique allure of USUO. Brosvik highlights the organization's distinctive nature, being a combined full-time professional orchestra and opera company, which sets it apart from other cultural institutions across the country. He outlines the breadth of the organization's work, from its extensive educational programs reaching over 130,000 students and teachers annually to its artistic production. Brosvik also sheds light on the composition of the Utah Symphony and Utah Opera, which consists of 87 full-time musicians and five opera resident artists from around the globe, underscoring the competitive nature of securing a position within this prestigious ensemble. He elaborates on the unique features of the USUO organization, such as being a significant combined professional orchestra and opera company with a vast educational outreach and hosting the Deer Valley Music Festival. 

Season 6 Episode 12: In this episode, Pete Codella, managing director of Business Services at the Governor's Office of Economic Opportunity, talks with Steve Brosvik, president and CEO of the Utah Symphony | Utah Opera (USUO).  Brosvik shares his recent move to Utah and details his journey from the vice president and general manager of the Houston Symphony in Texas and chief operating officer of the Nashville Symphony in Tennessee to his current role as the president and CEO of the USUO. The conversation explores Brosvik's professional journey and the unique allure of USUO. Brosvik highlights the organization's distinctive nature, being a combined full-time professional orchestra and opera company, which sets it apart from other cultural institutions across the country. He outlines the breadth of the organization's work, from its extensive educational programs reaching over 130,000 students and teachers annually to its artistic production. Brosvik also sheds light on the composition of the Utah Symphony and Utah Opera, which consists of 87 full-time musicians and five opera resident artists from around the globe, underscoring the competitive nature of securing a position within this prestigious ensemble. He elaborates on the unique features of the USUO organization, such as being a significant combined professional orchestra and opera company with a vast educational outreach and hosting the Deer Valley Music Festival. 

‘This is Sundance's home': Park City braces for potential departure of iconic indie fest, Utah Symphony and Opera Marketing Director Meredith Laing has details on this summer's Deer Valley Music Festival, Elite runner, women's sports advocate, and author Lauren Fleshman, Women's Giving Fund member Rebecca Blanchette and Adult Services Librarian Kate Mapp talk about next Monday's presentation at PC Library, Park City Chamber Bureau Sustainability Director Morgan Mingle and VP of Marketing and Communications Dan Howard have an update on the sustainability grants and winter lodging numbers and KB Richins makes it to American Idol top 12.

Utah Avalanche Center forecast, Summit County Councilmember Roger Armstrong recaps Wednesday's meeting, Park City Sailing Junior Program Director and Head Coach Christian Koules discusses their Florida trip and upcoming season, Public arts board delays vote on roundabout structures to reconsider project height, Co-founder and President of Operation Smile Kathy Magee has details about this weekend's 12th annual Ski and Smile Challenge, No one injured after loud explosion at Lee's Marketplace in Heber, Park City athletes stack Red Bull Cascade podium and Utah Symphony at Deer Valley announces festival lineup.

From Anna's Obituary: Mary Annaleen Mooy, beloved sister, aunt, teacher, and devoted friend to many, age 65, peacefully passed away on January 15, 2024, due to complications of a brain tumor. I'm so grateful I have this conversation with Anna to remember and cherish, along with some truly impactful memories from my time as her student. It feels right to honor her by sharing this interview a second time. Rest in peace, beautiful Anna. Anna's Bio: Mezzo-soprano Anna Mooy received Bachelor's and Master's degrees in voice from BYU, Provo, and did doctoral study at the University of Minnesota in Minneapolis, where she studied with Glenda Maurice. She has received many honors, including Regional Finalist for the Metropolitan Opera Auditions on two occasions. She has also performed with many of the world's finest choral organizations including the Dale Warland Singers, VocalEsssence and the Mormon Tabernacle Choir; both as choral member and soloist. Performances with other organizations include the Minnesota Orchestra, the St. Paul Chamber Orchestra, and the Utah Symphony, among many others. She has also been a judge for the the Metropolitan Opera District auditions in Utah and North Dakota. Active as a recitalist, she has performed widely through the Midwestern United States, as well as the Rocky Mountain West and Hawaii. She has been on the voice faculties of St. Olaf College, Bemidji State University, Brigham Young University, Provo, and BYU Hawaii.

During the series of conversations I've had with people in the music business over the past 3 1/2 year, I've spoken with guests representing many aspects of music. But I haven't spoken with anybody about the give and take between orchestra management and musicians. So, who better to have on the podcast than Lynn Larsen? Lynn has been Personnel Manager (since 1988) and Orchestra Manager (since 2017) of the Boston Symphony Orchestra. Formerly, he was a fellow in the American Symphony Orchestra League management program and worked for a year with the Denver, Albuquerque, and St. Louis Symphonies. But he began his career as a horn player with the Utah Symphony, was the head of the orchestra committee, and later was also president of ICSOM (International Conference of Symphony and Opera Musicians) for two years, representing over 4,000 players across the United States. Lynn has a huge amount of insight into both sides of the management/player relationship, and so this is a conversation that I think will be interesting to many players (and hopefully people in management as well!)Lynn began his life as a musician by playing second horn with the Utah Symphony for 17 years. During his time with the orchestra, he was head of the orchestra committee, so he takes us behind the scenes to show us what happens during a strike, and some potential ways of resolving one. I then ask Lynn about his time as a fellow in the American Symphony Orchestra League program, and what he learned from working with the orchestras of Denver, Albuquerque, and St. Louis. We end Part 1 with Lynn talking about his two years with ICSOM.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

This is Derek Miller, Speaking on Business. Downtown Salt Lake City has a lot to offer this holiday season. The Gallivan Center is particularly festive this year, with the 2023 GLOW at Gallivan art experience now in full swing. Program Director of The Blocks Britney Helmers joins us with more. Britney Helmers: The Downtown Alliance and The Blocks Arts District are adding a layer of luminous magic to the Gallivan Plaza this year with the fourth and largest season of GLOW at Gallivan! This season's art experience is the most magical yet, with more than two dozen larger than life sculptures designed by interior collective celebrating Utah's diverse natural, cultural and social landscapes. This family friendly attraction is open every evening and completely free! In the middle of this whimsical experience, Gallivan's famous ice-skating rink is open until 10 pm every night, and skates can be rented for just 10 dollars. The Gallivan Center isn't the only place to celebrate the holidays downtown, either — pay a visit for Ballet West's The Nutcracker, special performances at Temple Square and the Utah Symphony, and holiday concerts at the Eccles Theater. You will also find more than 170 bars and restaurants offering seasonal menu options and special holiday events. Derek Miller: Join us downtown to celebrate the most magical time of the year. To stay up to date on more winter events, visit The Blocks SLC website. I'm Derek Miller with the Salt Lake Chamber, Speaking on Business. Originally aired: December 15, 2024

In his thirty-eight years with the Utah Symphony, Nick Norton experienced all aspects of what it means to be an orchestral trumpet player. He began his career with the orchestra as second trumpet and after nine years auditioned for, and won, the newly vacated position of principal trumpet. Towards the end of his tenure with the orchestra, he moved to become a sort of roving section player. But in addition to his life as a trumpet player, Nick has also had a very full life outside of music which, among other things, involved preserving Emigration Canyon in Salt Lake City in its pristine state for the future. He is not only a good friend of mine, he is also a hero to me, a person with great integrity and honor (and also a great sense of humor... I can't recall a phone conversation with him where I didn't laugh.)We begin our conversation with Nick talking about his audition for second trumpet in the Utah Symphony, his experience in that position, and then his audition for principal trumpet nine years later. Nick did about nine mock auditions for friends beforehand, and he speaks about how his poor showing in his last mock audition, and what he learned from it, helped him win the position with the Utah Symphony. Since he has played all positions in the trumpet section, I asked him about the different roles or goals of each trumpet seat in the orchestra and how to work well with a section. Nick also played principal trumpet with the Malmö Symphony in Sweden for a short period of time, so we talk about the differences in brass playing between an American and Swedish orchestra.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

SynopsisUtah came to the stage of Avery Fisher Hall in New York City, musically speaking, on this date in 1989, when the Orchestra of St. Luke's premiered Utah Symphony, by American composer John Duffy. His Symphony No. 1 was commissioned by Gibbs Smith, the president of the Utah chapter of the Sierra Club to draw attention to the endangered and pristine wilderness lands of that state.Duffy knew this region firsthand. “I began sketching the symphony while hiking through southeastern Utah in the spring of 1988,” he said. “The landscape astounded me: Dramatic contrasts of light and shadow ... violent changes in weather ... expansive vistas. Here in the ancient Indian ruins, canyons, cathedral-like Mesas and fantastical slabs of rock is a spiritual presence and aesthetic wonder of pure, majestic, humbling wilderness.”Duffy is perhaps best known for writing the score to the 9-hour PBS documentary series Heritage: Civilization and the Jews. He was born in the Bronx and studied with Aaron Copland and Henry Cowell.In addition to composing over 300 works, in 1974, Duffy founded Meet the Composer, an organization dedicated to the creation, performance and recording of music by American composers.Music Played in Today's ProgramJohn Duffy (1926-2015) Symphony No. 1 (Utah); Milwaukee Symphony; Zdenek Macal, cond. Koss 1022

Another podcast featuring historic recordings on the VOX label, this one explores the recordings of Tchaikovsky's music by the Utah Symphony Orchestra under Maurice Abravanel, who was the ensemble's music director for more than 30 years. From the performances, to the production team of Marc Aubort and Joanna Nickrenz, the liner notes by Richard Freed, and of course Tchaikovsky's music itself, there are many reasons why these  from the 1970s are still so popular. 

Rod Arquette Show Daily Rundown – Friday, July 14, 20234:20 pm: Evita Duffy Alfonso, Staff Writer at The Federalist, joins Rod for a conversation about her recent piece giving 13 reasons why Joe Biden is not the “ethical” President that Time Magazine says he is.4:38 pm: Mike Love, lead singer and founding member of The Beach Boys joins Rod to discuss the group's history and their concerts in Deer Valley this weekend with the Utah Symphony.6:05 pm: Mark P. Mills, a Senior Fellow at the Manhattan Institute, joins the show for a conversation about how it is an impossible dream for everyone to own electric vehicles.6:20 pm: Jon Schweppe, Director of Policy and Government Affairs at the American Principles Project joins Rod to discuss why teachers are leaving the profession, and why parents should be concerned.6:38 pm: We'll listen back to Rod's conversations this week with Josh Van Jura, Project Manager for the Little Cottonwood Canyon Environmental Impact Statement at the Utah Department of Transportation about the decision to move forward with building a gondola in the canyon, and (at 6:50 pm) with Deseret News reporter Jennifer Graham on her piece about the GOP Presidential candidate forum Tucker Carlson will host on Glenn Beck's Blaze Media network.

Sarah Sun is Utah's brand new Miss Utah who will represent them in the Miss America competition this upcoming year. She's from Cedar City, Utah, and is a junior at Brigham Young University majoring in music and political science. Previously, she served a mission for the Church of Jesus Christ Latter-day Saints in Southern California, and studied applied economics and management at Cornell University. She's also an accomplished concert pianist and has soloed with professional symphonies including the Utah Symphony and performed across the US and China and as a piano soloist at Carnegie Hall. Sarah was crowned Miss Utah 2023 on June 10, 2023 in Salt Lake City. She received over ten thousand dollars in scholarships, and will spend the upcoming year serving the state and preparing for the Miss America competition. Sarah has a goal to introduce arts education into the Utah State Correctional Facility and assist formerly incarcerated individuals with their transition back to society, and we got to talk all about this initiative and some of the ways she suggests people get involved in breaking down the stigma of incarcerated individuals and helping them have a better future after prison. We also get to talk about her conversion story to the Church of Jesus Christ as the first member in her family with immigrant parents who came from China and their introduction there to Christianity. We talk about her experience in the Miss Utah pageant and why it was so important to her to choose a dress that fit her modesty standards and how she was the very first and only Miss Utah to ever win both the Spirit of Miss Utah (miss congeniality) AND the Miss Utah crown the same year. Sarah is one incredibly remarkable girl and I cannot wait for you to get to know her. Time Stamps: [01:51] - Sarah Sun talks about growing up with music and coming from a musical family. [04:58] - What inspired Sarah to compete in the Miss Utah pageant? [11:40] - Sarah aims to change misconceptions around the criminal justice system. What can everyone do to help create change? [19:45] - Sarah shares her perspective on “modesty” and her approach in the Miss Utah competition. [23:22] - What impact did Sarah want to have in the Miss Utah competition? [27:51] - What are Sarah's plans for Miss America? [33:27] - “I was constantly searching for truth and light anywhere that I could find it.” [43:47] - Sarah encourages you to know who you are and what you stand for. Supporting Resources: Equal Justice Initiative Sarah's Instagram  Miss America Utah Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Gfaller joined Metro Theater Company as Managing Director in the summer of 2019. In partnership with Artistic Director Julia Flood, since his arrival MTC has seen record growth in donor and audience households and developed innovative new programs responding to the COVID-19 pandemic from The COVID-19 Memory Project to an all-St. Louis virtual reading of A Christmas Carol featuring Ellie Kemper, Sterling K. Brown, first responders, and many others. ----- Prior to joining MTC, Joe served for 8+ years as Director of Marketing and Public Relations for Opera Theater of Saint Louis, where he received national recognition for his work in building young, diverse, and national travel audiences for the company and in expanding OTSL's civic footprint as producer of the company's Opera Tastings initiative, through artist community tours, and through the creation and growth of the company's Engagement + Inclusion Task Force and Young Friends Steering Committee. He has also served in marketing and/or development roles the Alliance Theater, the American Repertory Theater, and 7 Stages. As a consultant, he has worked with the National Blues Museum, the documentary Flint: The Poisoning of an American City, and the Utah Symphony, among others and served on a wide range of boards. As a professional stage director, he has directed over two dozen productions, including regional premieres by Caryl Churchill, David Mamet, Peter Sinn Nachtreib, and Addae Moon. He serves as adjunct faculty at Webster University in their Arts Management and Leadership MFA program, is a member of the Leadership St. Louis Class of 2013, the LEAD Atlanta Class of 2006, and graduated with honors from Harvard University. ------

Double bassist P.J. Cinque joined the San Diego Symphony in 2015, having previously been a member of the Dayton Philharmonic Orchestra. In addition, P.J. serves as Assistant Principal Bass of the Chautauqua Symphony Orchestra and has performed with the Cincinnati Symphony Orchestra, the Los Angeles Philharmonic, the Utah Symphony, and the City of Birmingham Symphony Orchestra. As an educator, P.J. served as the double bass professor at Capital University in Columbus, Ohio, and has given masterclasses at Northern Arizona University and SooChow University in Taiwan. A native of Long Island, he received his bachelor and master's degrees from The Juilliard School with further study at the University of Cincinnati College-Conservatory of Music. His principal teachers include Homer Mensch, Timothy Cobb, Albert Laszlo, and Owen Lee. During his studies, P.J. participated in the Pacific Music Festival and spent three summers at the Aspen Music Festival and School as an orchestral fellowship recipient. P.J. is proud to be a part of the robust bass community in San Diego and enjoys coaching at local high schools, maintaining a private teaching studio, and connecting with fellow bassists at San Diego Bass Fest. San Diego Bass Fest WebsiteSan Diego Bass Fest Facebook PageInstagram / Twitter / Youtube / Website / BSA/ View More Episodes

Support from TRILLOQUY comes from Salastina: https://www.salastina.org/INTRODUCTION (00:00): “Forget” by Pogo (https://music.youtube.com/watch?v=QRMwa7WVb3k); “The Diva” from ‘The Fifth Element' (https://www.youtube.com/watch?v=XnTE2h0ZY74); MOVEMENT ONE (18:10): A Fresh Approach to Classical Music Engages Live Audiences (https://www.seattletimes.com/sponsored/a-fresh-approach-to-classical-music-engages-live-audiences/); “Hello Gold Mountain” by Wu Fei, perf. Lehigh University Philharmonic (https://www.youtube.com/watch?v=EVO62cgC10Q); The Jerusalem Quartet Believes in the Power of the Standard Repertoire (https://cso.org/experience/article/13216/the-jerusalem-quartet-believes-in-the-power-o?fbclid=IwAR2vOD3brb5R3CODH8T-S8Hz50EGOhCih_NNEdiIFwPpi0jVvl3wNYLl6PQ); String Quartet No. 4, mov. V, arr. Cristián Tamblay (https://www.youtube.com/watch?v=97ygszrm1vI); MOVEMENT TWO (46:10): “Prickly Pear” by Portico Quartet (https://music.youtube.com/watch?v=sNmWCHoWGZk); Concerto for Two Guitars by Paulo Bellinati, perf. Brasil Guitar Duo with the Sphinx Symphony Orchestra (https://www.youtube.com/watch?v=i0-6KjHo9QA); MOVEMENT THREE (58:10): Garrett Interviews Terence Blanchard (https://www.metopera.org/season/2022-23-season/champion/); “Going to Mecca” by Terence Blanchard (https://www.youtube.com/watch?v=yDt5_aKFJdM); “Fight Scene” from ‘Champion' by Terence Blanchard, perf. Opera Parallèle (https://www.youtube.com/watch?v=G553VZIpqeI) THE TRILLOQUY (01:33:40): The Mestizo Waltz by Gabriela Lena Frank, perf. Utah Symphony (https://www.youtube.com/watch?v=nbxmWy7rjI4); “A Tale of Two Sudden Cable News Exits” (https://time.com/6274088/tucker-carlson-don-lemon-firing/) ★ Support this podcast ★

Synopsis For the 1958-59 season of the New York Philharmonic, Leonard Bernstein, the orchestra's newly-appointed music director, was eager to program as much new American music as he dared. As luck would have it, early in 1958, the 35-year old American composer Ned Rorem had just returned from Europe with a new symphonic score. “I wrote most of my Third Symphony in France,” recalled Rorem. “It's a big piece but not a commission—I was still writing for the love of it in those days… So I showed it to Lenny and he said ‘OK, I'll do it, but I wish you would re-orchestrate the slow movement entirely for strings.' I replied ‘Sure,' but didn't, because Bernstein was always saying things like that and then would forget all about it.” The premiere of Rorem's Third Symphony—as written—occurred at Carnegie Hall on today's date in 1959, but for its composer, the thrill was tempered by some harsher realities. Rorem recalled, “I came late to the first rehearsal because in those days I was living off unemployment insurance … and I had to go down and stand in line to pick up my check. I guess they managed without me because Lenny conducted four wonderful performances.” Music Played in Today's Program Ned Rorem (b. 1923) Symphony No. 3 Utah Symphony; Maurice Abravanel, conductor. Vox Box 5092

In this week's episode, Garrett Clark sits down with Mark Campbell, Librettist, and Christopher McBeth, Artistic Director at Utah Opera, to discuss their upcoming event: The R(e)volution of Steve Jobs, the Grammy-Award-winning, “totally user-friendly” take on the complicated entrepreneur who changed our modern world forever. In partnership with the Utah Opera, Silicon Slopes is hosting an exclusive rooftop networking after-party with the cast and creators on May 12. Use code REVOLUTION at checkout for 20 percent off and to receive a ticket to the after-party; space for the after-party is limited, so act fast. We'll see you at the opera on May 12! Outline of the conversation: 0:00 Steve Jobs and the Opera 4:00 Opening night 6:15 Artistic art director 10:30 A new generation for the Opera 14:00 Key dates and places 14:40 Contemporary 18:50 Mark's background 20:00 Christopher's background 21:15 Steve Jobs 23:40 Fun at the Opera 26:30 Closing remarks Show links: https://utahopera.org Social: Twitter - https://twitter.com/siliconslopes Instagram - https://www.instagram.com/siliconslopes/ LinkedIn - https://www.linkedin.com/company/silicon-slopes/ YouTube - https://www.youtube.com/channel/UC8aEtQ1KJrWhJ3C2JnzXysw    

In this week's episode, Garrett Clark sits down with Mark Campbell, Librettist, and Christopher McBeth, Artistic Director at Utah Opera, to discuss their upcoming event: The R(e)volution of Steve Jobs, the Grammy-Award-winning, “totally user-friendly” take on the complicated entrepreneur who changed our modern world forever. In partnership with the Utah Opera, Silicon Slopes is hosting an exclusive rooftop networking after-party with the cast and creators on May 12. Use code REVOLUTION at checkout for 20 percent off and to receive a ticket to the after-party; space for the after-party is limited, so act fast. We'll see you at the opera on May 12! Outline of the conversation: 0:00 Steve Jobs and the Opera 4:00 Opening night 6:15 Artistic art director 10:30 A new generation for the Opera 14:00 Key dates and places 14:40 Contemporary 18:50 Mark's background 20:00 Christopher's background 21:15 Steve Jobs 23:40 Fun at the Opera 26:30 Closing remarks Show links: https://utahopera.org Social: Twitter - https://twitter.com/siliconslopes Instagram - https://www.instagram.com/siliconslopes/ LinkedIn - https://www.linkedin.com/company/silicon-slopes/ YouTube - https://www.youtube.com/channel/UC8aEtQ1KJrWhJ3C2JnzXysw    

You would think the NBA leaving town cooled things off in the city, but nope! There's still plenty of news to go around. Lead producer Emily Means and host Ali Vallarta discuss legislation on doulas, break down three big lawsuits, and reminisce about the spring of 1983. Also –– text us at 801-203-013 or email us at saltlake@citycast.fm to share the Salt Lake natural events your parents talk about constantly. Listen to “Was Zhifan Dong's Death Preventable?” by City Cast Salt Lake. Donate to the Silverado Fire Relief Fund. The very first dating app photo with a fish. Looking for something to do this weekend? Shovel your sidewalk, watch Utah Women's Basketball take on Stanford, or see An American in Paris at the Utah Symphony. Subscribe to our daily morning newsletter. You can find us on Instagram @CityCastSLC and Twitter @CityCastSLC. Looking to advertise on City Cast Salt Lake? Check out our options for podcast and newsletter ads. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first of two episodes featuring Metro Theater Company in St Louis, host Luisa Lyons chats with Joe Gfaller, MTC's Managing Director. Tune in to this fun and informative chat to discover:Joe's fascinating journey from high school theatre to working for theatre and opera companies across the United States, How MTC fast forwarded their plans for streaming during the pandemic,Why and how MTC have worked to make productions more accessible to young audiences, and,MTC's upcoming world premier of new musical Spells of the Sea which will be available to stream Feb 16 - March 5, 2023. Purchase tickets to Spells of the Sea here. Joe Gfaller joined the Metro Theater Company team in 2019. During his tenure to date, Metro Theater Company has seen dramatic growth in both its audience base and its donor base. In partnership with Artistic Director Julia Flood, he has co-led the company through its recent evolutions during the COVID-19 pandemic, from its virtual programming to its safe return to live performances. Prior to joining the MTC team, Joe received national recognition for his work in building young, diverse, and national audiences for Opera Theatre of Saint Louis during his tenure as director of marketing and public relations – and for expanding OTSL's civic footprint as the producer of the company's Opera Tastings series, through artist community tours, and the creation and growth of its Engagement + Inclusion Task Force. His career has also included roles with the American Repertory Theater, the Alliance Theater, and 7 Stages, and consulting projects for the National Blues Museum, the Utah Symphony, and the documentary film Flint: The Poisoning of an American City. He has directed over two dozen professional or university productions, including regional premieres by David Mamet, Caryl Churchill, and others. A graduate of Harvard University, he also serves as adjunct faculty at Webster University in the Arts Management and Leadership MFA program. Links: Metro Theater CompanyTwitter FacebookSupport the showFilmed Live Musicals is where musicals come home. Use the searchable database to find musicals filmed on stage to watch from the comfort of your living room! Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook, Instagram, Twitter, and YouTube. You can also support the site at Patreon. Patrons get early access to content, bonus content in the weekly newsletter, and exclusive access to the streaming calendar, no matter how much you pledge. Become a Patron today! Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.

Many people believe Gene Porkorny is the greatest orchestral tubist of his generation. A member of the Chicago Symphony Orchestra since 1989, he has also been a member of the Israel Philharmonic, the Utah Symphony, the St. Louis Symphony, and the Los Angeles Philharmonic. But in addition to his orchestral playing, Gene is an exceptional solo artist and chamber musician.As a young man Gene studied with many of the great brass players of our time. In Part 1 of our discussion, he talks about what he learned from each of his teachers (Jeff Reynolds, Roger Bobo, Larry Johanson, Tommy Johnson, and Arnold Jacobs and what made each of those teachers so special. He also talks about a concert in May of 1973 that changed the course of his life.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!

From Here Comes Santa Claus and a Soulful Holiday to Disney's Nightmare Before Christmas, there are special symphonic performances for children and Utahns of every age this December. In this episode of Utah Weekly Forum, FM100.3 Host Rebecca Cressman is joined by Utah Symphony Utah Opera's Meredith Kimball Liang who explains more about the symphony's educational outreach, it's holiday programming, and what to learn from Music Director Theirry Fischer's final season in Utah.See omnystudio.com/listener for privacy information.

Hosts John Devlin and Enrico Lopez-Yañez reveal the favorite parts of their 22-23 season and how they relate to their overall artistic goals in the 4/4. Then, UpBeat welcomes Utah Symphony Concertmaster Madeline Adkins who shares her dos/don'ts list for young conductors, the special role of the concertmaster/conductor relationship, and some insights into her new project, "The Maze," a concerto for violin and orchestra by composer Nathan Lincoln de Cusatis.  

Synopsis “In an ideal musical world,” says composer Joan Tower, “a composer should have a friendly, creative, and ongoing working relationship with performers for whom she writes.” For Tower, who has emerged as one of the most successful American composers of her generation, a friendly, creative, and ongoing relationship with chamber ensembles, symphony orchestras, and soloists has resulted in a number of musical works. Tower's Violin Concerto, for example, was written for the American violin virtuoso Elmar Oliveira, who gave its premiere performance on today's date in 1992, at a Utah Symphony concert. Tower wrote the piece with Oliveria in mind: “A lot of violinists are speed freaks,” she wrote, “but Elmar can play both virtuosically and with an innate singing ability.” The more lyrical and emotional heart of the work was written as memorial to Olivera's older brother, also a violinist, who died of cancer during work on the new concerto. That's not to say Tower didn't supply some flashy, pyrotechnical passages for her star soloist, however. As Oliviera put it: “It's the kind of flashiness an audience can relate to. Joan doesn't need avant-garde gimmicks, because now she's completely comfortable speaking her own language, one that is expressive and natural to her.” Or, as Tower herself put it: “Sometimes it's a struggle to find out what you're good at. It took me a number of years to decide how I wanted to write with my own voice.” Music Played in Today's Program Joan Tower (b. 1938) — Violin Concerto (Elmar Oliveira, violin; Louisville Orchestra; Joseph Silverstein, cond.) D'Note 1016

Synopsis On today's date in 2004, the Utah Symphony and conductor Keith Lockhart premiered “Three Latin-American Dances” by the American composer Gabriela Lena Frank. Just a few days later, the same forces recorded Frank's music for a release, to be sandwiched between Bernstein's Symphonic Dances from “West Side Story” and Rachmaninoff's “Symphonic Dances.” Frank's first dance, entitled “Jungle Jaunt” opens with what she calls “an unabashed tribute” to the URBAN jungle evoked in Bernstein's “West Side Story.” Her second dance, “Highland Harawi,” is more melancholy, perhaps a nod to that strain in Rachmaninoff's music, and evokes the sounds of the bamboo quena flute of the Andes. Her third dance is titled “The Mestizo Waltz,” a pun on the famous “Mephisto Waltz” by Franz Liszt. As Frank explains: “This final [dance] is a lighthearted tribute to the mestizo or mixed-race music of the South American Pacific coast. It evokes the romancero tradition of popular songs and dances that mix influences from indigenous Indian cultures, African slave cultures, and western brass bands.” Frank herself is of mixed Peruvian and Jewish background. When asked about how her heritage affects her music, she replied: “Sometimes the Latin influences are quite evident, and sometimes they are quite subtle. And of course, ‘Latin' can mean so many different things. There is no one single Latin identity, as any Latino/Latinoamericano would tell you.” Music Played in Today's Program Gabriela Lena Frank (b. 1972) — Three Latin American Dances (Utah Symphony; Keith Lockhart, cond.) Reference Recording 105

I ask Larry about his career as a trombonist, beginning with the marvelous teachers he had, his many years as principal trombone with the Utah Symphony, and then his current teaching position at the Eastman School of Music where he is Professor of Trombone.

Composer Arlene Sierra recently sat down with the Ghost Light Podcast to discuss her residency with the symphony upcoming artist in residency with the Utah Symphony in April 2022. Arlene discusses her roots in electronic music and the journey back to composing acoustical music. Arlene studied electronic music composition at Oberlin, and found that the electronic music classes fascinating for her composition sensitivities. But although she loved the experience she looked forward to opportunities to get back in collaboration with live musicians. In April, Arlene will spend a few weeks in Utah working with the Utah Symphony in an American debut of Nature Symphony and a world premiere of Bird Symphony, a piece the Utah Symphony commissioned. She will also work with the Utah Youth Symphony in preparing a paired down version of Nature Symphony. Arlene was also asked about her perspective, as an American composer living and working abroad, about the representation shift in both living and female composers. You may know that Arlene and her husband are both composers. What's their secret to keeping their personal and professional lives in balance? Find out on Episode 6 of the Ghost Light Podcast.

Where are our young aspiring musicians at? This one is for you! This week we got so lucky because we got to sit down with the amazing Sara Bauman on the show! A native of Salt Lake City, Sara Noel Bauman Staples graduated from The Juilliard School in New York City with a master's degree in violin performance. She received her Bachelor's Degree from Brigham Young University while serving as concertmaster of both the BYU Philharmonic and Chamber Orchestras. Most recently she can be found playing with both the Utah Symphony and Seattle Symphony. On this episode, Sara and Sarah peel back the curtain on the Juilliard experience, everything from the audition process to the practice hours to the class load and what it truly takes. Sara gives us insight into how she plans to approach a music education with her own kids as well as the most important life lessons and experiences that she has taken away from her music career to this point. Sara graciously opens up about one of the most tender experiences music has afforded her as she describes her very most memorable performance. Sara describes the special relationship she shares with her go-to accompanist and how that person has helped her master her craft from a very young age. You won't want to miss this, it's a good one! Find Sara's and her music on her website here, youtube here, or Apple Music here!

On a road trip out west, I stopped in Salt Lake City and stayed with my Cousin, Travis Peterson who plays Trumpet professionally in the Utah Symphony. We talked about a lot, but mostly our love for music and movie soundtracks.

What does Mr. Rogers, the flute, music education, passing out on stage, and the Utah Symphony have in common? Guest soloist DeMarre McGill. While a guest soloist with the Utah Symphony in May 2021, Seattle Symphony principal flutist DeMarre McGill joined co-hosts Jeff Counts and Carol Anderson. They discuss the state of the classical music world, what it's like growing up in a musical family (his brother is the principal clarinet for the New York Philharmonic Orchestra), his advice to young musicians, and a story of a time when he fainted on stage DURING a performance. Hear their conversation on the first episode of season six of the Ghost Light Podcast.

Just prior to the recording of the upcoming USUO: On Demand performance with the Utah Symphony, guitarist Pablo Sainz-Villegas joined the Ghost Light Podcast. In Pablo's mind the guitar is an instrument that transcends borders. It's “an expression of diversity.” From the Troubadour tradition to flamenco, blues, jazz, and bluegrass, and so many other genres, the guitar is a unifying instrument because of its versatility. School and community outreach are an important element of Pablo's career and mission. “I do what I do because I believe and have experienced a better world through music in our lives. Music is a perfect vehicle to tell stories, transmit values, erase borders, celebrate diversity, and bring people together by sharing our emotions.” As a child of parents who were teachers, the concept of changing the world around in you in whatever way you can was a major theme in his youth. As a young guitarist he found joy in playing in venues such as nursing homes. “We have the opportunities as musicians to humanize settings that would ordinarily be harsh.” In 2006 Pablo Sáinz Villegas founded the philanthropic project “The legacy of music without borders.” Whose mission is to bring music to people as a mean to humanize their environment and promote understanding between different cultures. Thanks to this project he has shared his music with more than 32,000 children and youth in Spain, Mexico, and United States. “When I play in Tijuana or any other place in the world I share music the same way I would share it in a place like Carnegie Hall. To me there is no difference. Only the wrapping on the building.” Pablo brings his excitement about life to the musical stage, making him an audience favorite here in Utah and around the world. Listen to his interview here, and look for his performance with the Utah Symphony at USUO: On Demand.

Get to know the new President and CEO of Utah Symphony | Utah Opera of Jeff Counts and Carol Anderson introduce Steven Brosvik.

One of the interviews from the 80th Birthday Celebration featured Nick and Claudia Norton. The, now retired, couple share their memories of Maurice Abravanel, the 2002 Olympics, National and European tours, the opening of Abravanel Hall, and the Utah Symphony as a match-making organization.

In this episode of the Ghost Light podcast, Hosts Jeff Counts and Carol Anderson interview Concert Master Madeline Adkins and Principal Trumpet Travis Peterson about the the behind the scenes planning and execution of creating the Utah Symphony's 80th Birthday Celebration video. Watch the celebration here: https://youtu.be/pK_zWvJjMJc

Utah Symphony principal percussionist Keith Carrick joins the Ghost Light podcast to discuss his experiences as a symphonic percussionist.

Music Industry in a Post COVID-19 World with Multi-Platinum Record Producer Jeffrey WeberFlorentino interviews 40-year music industry veteran and Grammy wining producer and a Leading music business professional, Jeffrey Weber, (See NAMM Bio Below. Jeffrey will be sharing insights from his books about the music industry and what he feels the music professionals need to prepare for, what to expect and some ideas on what to do for a profession in music post Covid 19 lock down. Please share your comments and thoughts below! About Jeffrey Weber ( From NAMM Bio -https://www.namm.org/nammu/contributors/jeffrey-weber-0 )Founder/CEO Stark Raving Group / Weberworks Entertainment GroupJeffrey Weber has been a widely-recognized music industry professional for forty years. He has produced over 200 CDs with releases on just about every major label as well as a host of independent labels. Along the way, his projects have yielded two Grammys, seven Grammy nominations, at least seventeen top ten albums, two number one albums and an assortment of other honors.His books, "You've Got A Deal! The Biggest Lies of the Music Business" and “We'll Get Back To You! Even Bigger Lies Of The Music Business” are both published by Headline Books. His new book, "You Sound Amazing! Every Single Lie of the Music Business" will be published in January, 2020.During his forty-year career in the music industry, he has founded, ran or participated in various label capacities from A&R, Music Supervision for film and TV, Production, Interactive Programming, Marketing, Sales, International Relations, Business Affairs and Art Director for dozens of independent labels as well as his own labels, Weberworks Entertainment Group and Stark Raving Records.His productions have also appeared on every major label including MCA, Warner Bros., Atlantic, BMG, Columbia, A&M, Elektra as well as such labels as GRP, Hip-O, Sheffield, Concord, Bainbridge, Silver Eagle, Zebra, among countless others.Among the many artists that have fallen under the banner of “Produced by...” include: Nancy Wilson, David Benoit, Steve Lukather, the Utah Symphony, Jackson Browne, Marcus Miller, Michael McDonald, Bill Champlin, Gerald Albright, Tom Scott, Chick Corea, Stanley Clark, Etta James, Linda Hopkins, Kenny Burrell, McCoy Tyner, Jackie McLean, Billy Sheehan (Mr. Big), Cozzy Powell, the Count Basie Orchestra, Cindy Blackman Santana, Buster Williams, John Sebastian, Ronnie Dio, Ritchie Blackmore, Pat Boone, Buddy Miles, Billy Preston, MC Lyte, Kenny Rankin, Diane Reeves, Diane Schuur, Rita Coolidge, Luther Vandross, David Crosby, Simon Phillips, Jeff Porcaro, Patrice Rushen, Toni Tennille, among many others.Jeff has been a concert and event producer for over ten years with extensive experience in concert management and production, staging, lighting, video and audio from the smallest of venues to large stadium shows. He has produced shows for the Los Angeles Soul Music Festival, Habitat For Humanity, Atlantis Resort, NASCAR, the Breeder's Cup, Chicago White Sox, Cystic Fibrosis, Fallsview Casino and Resort, Ford, Harry Caray's, KTLA, Loehmann's Department Store, Lupus L.A., National Association of Music Merchants, National Cable and Telecommunications Association, Netflix, Orange County Flyers, Pebble Beach Pro-Am, AT&T, Dockers, Shore Club-South Beach, Taste Of Chicago, USAA, American Idol and The Tonight Show among many others.Jeff is in high demand as a consultant to the financial industry on a multitude of music industry related matters. To date, he has consulted with such companies as Canyon Capital Advisors, Samlyn Capital LLC, Fleishman-Hillard, Inc., Morgan Stanley, MSD Capital (UK) Limited, BlackRock, Fidelity Investments, Apollo Investment Corp., Goldman Sachs, Putnam Investments, KPMG LLP and Scopia Capital, LLC.Recently, Weber finalized his, from the ground up, re-definition of the business model for a record label that he firmly believes will be the architecture for all labels in the future. Weber's model has embraced a complete slate of innovative concepts and procedures, ranging from the manner in which artist contracts are conceived and implemented to recording procedures, to innovations in sales, marketing and promotion. Designed to re-invent and re-energize the relationships between the artist and the label and the artist and the consumer, the model establishes format-breaking levels of transparency and unique partnerships in all label/artist/fan relationships.His innovative concepts were the operational foundations for two independent labels distributed by Fontana (Universal). At the time, he was named President of both labels.Jeff is well known for his involvement in high technology recording techniques, especially live two track recording, live multi-track and digital recording. Because of their sonic excellence, his recordings have been repeatedly selected by major hardware manufacturers to demonstrate their product lines.Jeff is very active as a music supervisor for film, television and cable. He specializes in cost effective synchronization and master use license acquisition strategies as well as production based music options.Jeff co-founded and programmed Studio M, a nationwide broadcast television network that utilized their growing 28,000 music video library to broadcast multiple genre based music video shows. It was on the air seven days a week, for five hours a day to an estimated audience of thirty million homes.Well versed in video production, Jeff has written, produced and directed over two-dozen music based concerts and videos. For one project, he produced a 12 camera, High Definition, robotic, five-channel surround sound DVD/CD for a rock and roll cover band comprised of famous television actors who traveled the country raising money for their selected charities. He traveled with the band, producing all their live concerts for over five years.He has been a music journalist with articles in major industry publications nationwide. He has received numerous awards as an art director and many of his album cover designs have been published in ”Best of...” annual publications. As an educator, he has taught courses on the music industry at universities and law schools (he has a law degree as well) across the country.Jeff is a lifetime member of the National Academy of Recording Arts and Sciences (NARAS) as well as a former Governor, National Trustee and Chapter Vice President.Jeff can be contacted at jeffreyweber@me.com.

Co-Hosts Jeff Counts and Carol Anderson interview Jason Hardink, Utah Symphony Principal Pianist. They discuss the Utah Symphony's performance of Olivier Messiaen's Des Canyons aux Étoiles. The twelve-movement work musically describes the southwest Utah scenery from the red rock country to the birds that inhabit the region. Does Jason have a Ghost Light experience?

Host Carol Anderson interviews Getro Joseph, a Haitian cellist that traveled to Salt Lake City with musicians from the Utah Symphony.

Mr. McBeth joined Utah Opera as Artistic Administrator in the fall of 2000, he was promoted to Opera Artistic Director in the spring of 2003 following the historic merger of Utah Symphony and Utah Opera in July 2002. During his time with Utah Opera, Mr. McBeth has overseen more than 70 productions and co-productions. Christopher joins Ghost Light Podcast host, Carol Anderson, for an interview that covered McBeth's personal music journey, and how he came to be the Artistic Director for Utah Opera, he explains what an Artistic Director does, and shares his Ghost Light experience. The Utah Opera's next performance is Silent Night. January 18-26, 2020 at the Janet Quinney Lawson Capitol Theater. This contemporary work depicts the Christmas Truce during World War I. Tickets available at UtahOpera.org.

Conner Gray Covington–Season 3, Ep. 6 – Associate Conductor Conner Gray Covington talks about the variety of works that a conductor must be prepared for, his current favorite composers, and his extensive work in the education program with Utah Symphony.