Podcast appearances and mentions of dallas symphony

Rachel Potter, an acclaimed Broadway star and accomplished Nashville Recording artist, has been recognized by US Weekly as "One to Watch" and praised by the Hollywood Reporter for her "crystalline vocals." With a successful career in both musical theater and country music, Rachel has showcased her talent on stages of all sizes. Rachel's impressive resume includes her turn as the ever “popular” Glinda u/s on the National Tour of Wicked. Next, she made her Broadway debut as Wednesday Addams in The Addams Family, where she shared the stage with Bebe Neuwirth and Brooke Shields as Morticia. She then went on to originate the role of the Mistress in the Tony Nominated revival of Evita, alongside Ricky Martin and Michael Cerveris. Her standout performance on the Original Broadway Cast Recording of the production, singing the poignant song "Another Suitcase in Another Hall," further solidified her place in the Broadway community. Hailing from St. Petersburg, Florida, Rachel's journey in the entertainment industry began on at Walt Disney World, where she portrayed iconic characters such as Ariel, Belle, and Nemo. She later gained national attention as a top 15 finalist on MTV's Legally Blonde: The Search for Elle Woods.Transitioning from Broadway to Nashville, Rachel pursued her passion for country music and achieved success as a Top 12 finalist on season 3 of FOX's The X Factor. Her audition with her version of Queen's "Somebody to Love" earned international praise, and continues to amass millions of views since the season aired 10 years ago. The song is featured on her solo album, "Not So Black and White," which showcases her unique artistry, songwriting, and musical style. Her music videos have been featured on CMT and Entertainment Tonight, and she has garnered attention from publications such as Billboard, Rolling Stone, and Huffington Post.Most recently, Rachel was the featured soloist on "Journey to Fantasy Springs," the theme song for Tokyo Disney Sea's new land "Fantasy Springs," further expanding her global reach and musical accomplishments.In addition to her solo career, Rachel has collaborated with renowned Acapella groups VoicePlay and Voctave, showcasing her versatility as a performer. With many of their videos achieving viral status, most notably, her “Moana Medley" collaboration with VoicePlay remains an internet favorite. Rachel has been featured as a guest soloist with many symphony orchestras all over the world, in concerts spanning everything from Country to Broadway and Holiday to Patriotic, with orchestras including the Dallas Symphony, St. Louis Symphony, Utah Symphony, among many others. She and fellow country artist, Patrick Thomas, have been celebrating the past icons of country music in their Pops symphony show, “Country Legends,” for the past 10 years.  Residing in Nashville, TN, Rachel remains focused on recording and writing music, as well as enjoying a successful career in real estate. Balancing her professional endeavors with her most important role as “mommy” to Jude, Elliot, and Myla, Rachel's passion for music and family shines through in all aspects of her life. Stay connected with Rachel on social media @therachelpotter. Memorable Moments"It was just this dream that guided me in each different move and change in my life."“Taking my art away from the place in my life that required making music to make money, for my art to no longer be pressured and to now have the freedom to just do whatever I wanted to with music because I love it.  That changed everything for me.”  "I feel great about it, I feel proud of it, and I feel like, you know, I only have one life.  What's most important is that I feel great about me.""I am such a huge proponent of not having regret, and that's been a big thread through my entire life.""I'm hoping that my joy in creating this will also give other people joy. But if it doesn't that's fine, I'm not looking for this to be validating in any other way, other than my own personal journey." Connect with RachelInstagram @rachelpotterTikTok @rachelpotterFacebook: Facebook.com/rachelpottermusiclinktree: https://linktr.ee/therachelpotter  Abundant Success Bundle - Black Friday Special!https://www.allisonwalshconsulting.com/abundantsuccessbundle Thinkific Black Friday Offer!Click here to Claim Thinkific's Black Friday offer before it expiresThese three packages offer everything you need to launch a thriving digital learning business and start earning more, all at their lowest price of the year.   Connect with AllisonInterested in working together? Fill out this form.www.instagram.com/allisonwalshwww.shebelievedbook.comwww.allisonwalshconsulting.comwww.abundantsuccesss.co

In the season 2 finale of Longtones, we had the pleasure of sitting down with the remarkable Sasha Romero to delve into her inspiring musical career! We explored Sasha's beginning influences and journey through the Texas band program, her audition experiences, philosophy on musical education, thoughts on the current industry, strategies for balancing a busy schedule of teaching and performing, sources of artistic inspiration, and much more. This episode is a must-listen for anyone seeking insight into how a professional musician navigates a thriving career filled with demanding performances and teaching! Don't know much about Sasha? Let's catch you up: Hailing from Longview, Texas, Sasha grew up within the acclaimed and robust Texas band system and achieved great musical success at a young age. She went on to earn her Bachelor of Music degree at Baylor University, where she studied with Brent Phillips; and her Master of Music degree at Rice University, studying with Allen Barnhill. Currently Sasha serves on the trombone faculties at Rutgers University, Mannes School of Music, The Manhattan School of Music, and Bard College Conservatory of Music. A highly sought-after teacher, soloist, and clinician, she has presented solo recitals and masterclasses at numerous colleges, universities, music conservatories, and industry conventions across the United States. Sasha has also been invited to perform as a guest trombonist with the world's major orchestras, including: The New York Philharmonic, London Philharmonic, Dallas Symphony, Houston Symphony, and others. She can be heard on Weezer's OK Human album, as well as the film soundtracks to The Good Liar (2019) and Joker (2019). In 2018 Sasha Romero was appointed principal trombone of the Metropolitan Opera Orchestra. Prior to her appointment at The MET, she held the position of principal trombone with the Fort Worth Symphony Orchestra from 2016-2018. For more insights and updates, be sure to follow us on Instagram: Sasha's Instagram ⁠⁠⁠⁠⁠⁠⁠Virtuosity Musical Instruments' Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠J. Landress Brass' Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also explore more about our businesses on our websites: Sasha's Website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠J. Landress Brass' Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Virtuosity Musical Instruments' Website⁠⁠⁠⁠⁠⁠⁠

brassmastery.com/bergmanWhen I first approached Jason Bergman about appearing on the Brass Mastery™ podcast, the first thing I asked him was, "What do you want to talk about?"It's always best to play to the strengths of your guests when one is doing a creative endeavor such as this.Jason replied he'd like to delve into the realm of self-care as it pertains to teaching brass instrumentalists.As professor of trumpet at the prestigious Jacobs School of Music at Indiana University, Jason has learned a thing or two on this topic (or one would assume), so I agreed to discuss this on the show, eager to hear what he has to say on the topic.The thing we ended up talking about the most is how shame affects our self-perception as musicians, hindering our musical output and progression - to the point some even get discouraged and leave music as a serious pursuit altogether.What is the root cause of this shame and deleterious effects it has on us? Jason opens up on some of his own setbacks as a performer and teacher, and shares some of the innovative teaching techniques he employs at IU to confront the many barriers we put up that inhibit our progress as musicians and play to the best of our ability. Episode highlights:-Brief rundown of Jason's academic career...03:00-Giving credit to impactful figures who don't seek the spotlight...05:15-One seemingly insignificant thing we say today may make a massive impact in the future...07:45-Jason's founding origins on trumpet and music...11:20-The students became the mentor...17:35-Self-awareness, and the need to care for one's self in order to best help those charged to our care...22:50-An examination of shame and how it affects our mindset and overall wellbeing as musicians...29:00-We get ourselves tied up in knots when we're thinking about the notes vs. the musical product...36:00-When you're "okay with being unokay" the mistakes magically dissipate...38:40-"A rising tide lifts all ships" i.e. when one succeeds, all succeed...41:40-Meat therapy, and how Jason decompresses during down time...46:10Resources mentioned:Brene Brown videosAbout the Guest:American trumpeter Jason Bergman was appointed Associate Professor of Music in Trumpet at the Indiana University Jacobs School of Music in 2022. He has performed throughout the United States, South America, Europe, and China. In 2008, Bergman was named Associate Principal Trumpet of the Santiago Philharmonic in Chile and more recently has been Principal Trumpet of the Mobile Symphony Orchestra and Mobile Opera. He has also performed with the Utah Symphony, Indianapolis Chamber Orchestra, Dallas Symphony, Dallas Opera, Fort Worth Symphony, and the Dallas Winds, including on their Grammy-nominated album featuring the music of John Williams. Additionally, Bergman has performed in concert with the Canadian Brass, Rhythm & Brass and with conductor David Robertson at Carnegie Hall as part of the Weill Music Institute. He also performed as a fellow at the Music Academy of the West. Bergman has given recitals and master classes at numerous institutions worldwide and has performed and presented at the Midwest Band and Orchestra Clinic, College Music Society, International Tuba and Euphonium Conference, Mississippi Bandmasters Association, Mississippi Music Teachers Association, Utah Music Educators Conference, International Trumpet Guild, and the Texas Music Educators Association Annual Convention. As a soloist, he has performed with the Royal Belgian Air Force Band, Garland Symphony Orchestra, Timpanogos Symphony, and the Beijing Central Conservatory of Music Wind Ensemble

SynopsisIn recounting the life story of many composers, it's a familiar and perhaps romantic cliché that their work will be — as a matter of course — not appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences.In reality, we're happy to report, that isn't always the case.Consider, for example, American composer Lowell Liebermann, who was born in New York on today's date in 1961. When he was 16, his Piano Sonata No. 1 premiered at Carnegie Hall, resulting in a number of prizes and awards. By his 30s, Liebermann was being commissioned and championed by some of the leading performers of our time.For James Galway, Liebermann composed a flute concerto, and Liebermann's two-act opera The Picture of Dorian Gray was the first work the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February 2000, and, in a symbolic millennium gesture, simulcast their performance on the new-fangled worldwide web.Music Played in Today's ProgramLowell Liebermann (b. 1961) Flute Concerto; James Galway, flute; London Mozart Players; Lowell Liebermann, cond. BMG 63235Symphony No. 2; Dallas Symphony and Chorus; Andrew Litton, cond. Delos 3256

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview John Sebastian Vera and Nick Schwartz, trombonists and podcast hosts of The Trombone Retreat.  After you listen to this episode, head on over to The Trombone Retreat feed for the second half of this episode.  You can come see us at Booth #271 at the TMEA Convention, February 8th thru 10th, 2024 in San Antonio Texas.   About John Sebastian Vera John Sebastian Vera, a native of Texas, became the principal trombonist of the Pittsburgh Opera in 2010 and also joined the River City Brass as principal Trombone in 2015. He is also professor of trombone at Duquesne University and faculty member at the Cleveland Institute of Music where he teaches a course on Music Entrepreneurship and Digital Media as well as coach chamber music. In addition to the Pittsburgh Opera, Mr. Vera has played with the symphonies of Dallas, Detroit, Pittsburgh, Cleveland, the St. Paul Chamber Orchestra, Buffalo, Kennedy Center Opera House, Malaysian Philharmonic, New York City Ballet, Vermont, Harrisburg, Charleston, American Ballet Theatre, and Orquesta Sinaloa de las Artes in Mexico amongst others.  He began his studies with Jon Bohls in Texas and continued his education at Southern Methodist University where he studied with John Kitzman of the Dallas Symphony. He then spent a year studying with Ed Zadrozny as a graduate assistant at the University of Akron, and finished his graduate work in New York City at the Mannes College of Music studying with David Finlayson and James Markey of the New York Philharmonic.     In 2011, he spent the summer in Haiti volunteer teaching and performing in the Orchestre Philharmonique Sainte Trinite as well as the Ecole de Musique Dessaix Baptiste which became one of the more profound experiences of his life.   A dedicated chamber musician, he also was a founding member of the critically acclaimed Guidonian Hand Trombone Quartet in which he played from 2008-2014. With the quartet, John performed over 100 concerts and gave master classes all over the country. Heralded by the New York Times for their "expertly played performances" they have been recipients of numerous national grants which have enabled them to commission countless composers to create new and innovative works for four trombones.  In 2014 was the premiere of River of Fundament, a movie by film artist Matthew Barney, in which John recorded for and acted in along with the quartet.  Mr. Vera can also be heard on the HBO documentary The Words that Built America as well as on euphonium in the PBS documentary Abraham and Mary Lincoln, A House Divided as well as many commercial and video game soundtracks as well as James Markey's solo release, “On Base”. John is an Artist for Edwards Instruments and resides in Pittsburgh.  His favorite musicians include Sigur Ros, Radiohead, the Books, and Efterklang. When he can get away from the trombone he most enjoys basketball, traveling and reading about psychology and social science.  Check out his podcast he hosts with Nick Schwartz called the Trombone Retreat available everywhere you download your podcasts. Follow him on Instagram @js.vera.   About Nicholas Schwartz Nicholas Schwartz has a diverse career performing across North America, Europe, and Asia. After studying at The Juilliard School with then New York Philharmonic bass trombonist Don Harwood, he moved to San Francisco where he began freelancing throughout the Bay Area.  Since 2010, he has been the principal bass trombonist of the New York City Ballet Orchestra. He has also performed with the Pittsburgh Symphony, the New York Philharmonic, The Metropolitan Opera, The Philadelphia Orchestra, San Francisco Symphony, San Francisco Ballet, Orpheus Chamber Orchestra, St. Lukes Chamber Orchestra, the New York City Opera,  Atlanta Symphony, Minnesota Orchestra, The Malaysia Philharmonic, Mostly Mozart Festival, and Classical Tahoe.  Follow him on instagram @basstrombone444   About Third Coast Retreat The Third Coast Trombone Retreat is an 7-day trombone immersion welcoming talented college, high school, and amateur trombonists from across the country to the beautiful shores of Lake Michigan.   The Retreat takes place in the charming small town of Montague, MI. Truly an escape from the distractions of everyday life, the festival is nestled in a dense forest along the coast where happening across roaming deer is a common occurrence. The Retreat utilizes facilities all over the town from churches to coffee houses to historic barns to the beach.  We will perform not only for ourselves, but for the community. A fulfilling life of being a musician does not simply begin and end with winning an orchestral or teaching position. Mastering the instrument is only the first step.  Being an artist in the 21st century requires discovering one's unique voice and finding new ways to present the art-form to communicate and contribute to society.   Core to the retreat will be guest artist and faculty recitals, topical master classes including personal finance, performance anxiety and wellness as well as private lessons, orchestral section seminar, ensemble coachings, a trombone choir, a mock orchestral audition, and much more. In addition to the performance elements, the curriculum is expanded to include a talks about career-building, faculty bonfire Q&A, discussions on the mental approach to auditions and performances, wellness, meditation, and more.    

John Bryant, a versatile drummer, percussionist, music producer, and educator stops by to visit with host John Bryant about how he got started with drums and the years he spent with Ray Charles and the remarkably unique communication style he and Ray had to keep the band playing on the same tempo.  Based in Dallas Texas, John Bryant boasts a remarkable career spanning collaborations with iconic artists like Ray Charles, Joe Walsh, and Delbert McClinton. With a rich portfolio encompassing major motion pictures, PBS and National Geographic documentaries, and symphony orchestras, Bryant serves as Adjunct Assistant Professor of Drumset Studies and Music Production at Southern Methodist University. A founding member of D'Drum, he has also produced groundbreaking works like "Gamelan D'Drum" in collaboration with Stewart Copeland and the Dallas Symphony. From his early days with the Paul Winter Consort to leading Pyramyd/Phyrework, Bryant's influence resonates through his extensive studio work and performances across renowned recording studios nationwide.   

Trumpeter Dave Bilger has had a stellar career as both a performer and also as an educator. He was principal trumpet with the Dallas Symphony, and following that, principal trumpet with the Philadelphia Orchestra for many years. In addition to the 27 years he's taught at the Curtis Institute of Music, he's also Professor of Trumpet at the Northwestern University Bienen School of Music and has given master classes around the world.As an example of how music can have a profound influence on a person's, and even a family's, life, we begin our conversation with my asking Dave about how he was able raise funds in order to bring Baset Azizi from Afghanistan to the United States and how that impacted not only Baset, but his family as well. Dave continues by talking about his two main teachers and their different approaches to teaching, David Hickman and Mark Gould... in addition to his week of study with Tom Stevens. As a student, Dave was a member of the summer student orchestra, the Colorado Philharmonic, and talks about what it was like to have Michael Sachs (principal trumpet, Cleveland Orchestra) and Doug Prosser (principal trumpet, Rochester Philharmonic) as room-mates during his second year. We end part one with an extended discussion of auditions, including musical preparation, mental approaches, and some current issues with the orchestral audition process.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

SynopsisThe short career of Charles Tomlinson Griffes is one of the more tragic “might-have-beens” of American music history. Griffes died at 35 in 1920 just as his music was being taken up by the major American orchestras of his day.As most American composers of his time, Griffes studied in Germany, and his early works were, not surprisingly, rather Germanic in tone. But beginning around 1911, he began composing works inspired by French impressionism and the art of Asia.The Boston Symphony, under Pierre Monteux, premiered his tone poem The Pleasure Dome of Kubla-Khan and the New York Symphony, under Walter Damrosch, his Poeme for flute and orchestra. On today's date in 1919, the Philadelphia Orchestra, under Leopold Stokowski, premiered four orchestral pieces: Nocturne, Bacchanale, Clouds and one of his best works, The White Peacock. The Philadelphia newspaper reviews of the premieres called Griffes' work “one of the hopeful intimations for the future of American music.”A severe bout of influenza left Griffes too weak to attend these Philadelphia premieres under Stokowski, and he died of a lung infection the following spring.Music Played in Today's ProgramCharles Tomlinson Griffes (1884-1920) The White Peacock; Dallas Symphony; Andrew Litton, cond. Dorian 90224

Welcome to Episode #112 of "The Other Side of the Bell", a podcast brought to you by Bob Reeves Brass. In this episode, John talks with Wayne Bergeron and Jeff Bunnell about their recently released album called "Homage" by the Los Angeles Trumpet Ensemble.  We hope you'll enjoy their conversation as well as the album. Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment! About the Los Angeles Trumpet Ensemble Album "Homage"  The recording scene in Los Angeles has a long history of great and highly versatile trumpet playing. For the most part, though, these trumpet players rarely get a chance to be featured. In 1957, Tutti Camarata arranged and produced a record called Tutti's Trumpets that featured some of the top session trumpet players in Los Angeles at that time. That was over 60 years ago. Wayne Bergeron and Jeff Bunnell started talking about doing another recording that would feature some of the current session trumpet players here in Los Angeles. Wayne suggested recording a trumpet ensemble CD to Jeff and they loved the idea and thought a choir of trumpets would work well. With that, the Los Angeles Trumpet Ensemble came into being. In choosing the music Jeff arranged for this CD, he wanted to pay tribute to some of the film composers who are part of the Los Angeles recording scene (and who write so well for the trumpet), and also pay tribute to some of the great trumpet players of the past and present.  Jerry Hey graciously wrote the arrangment for the last track, the iconic Al Jarreau tune "Roof Garden". Los Angeles Trumpet Ensemble Members Jeff Bunnell Wayne Bergeron Jon Lewis Dan Fornero Marissa Benedict Dan Rosenboom Rob Schaer Larry Hall Dan Savant About Wayne Bergeron Wayne Bergeron is enjoying a career as one of the most sought-after musicians in the world. Studio sessions, film dates, international touring, jazz concerts, guest appearances, and clinics keep him busy not only in his hometown of Los Angeles but worldwide. Born in Hartford, Connecticut in 1958, Bergeron came to California at age one. He originally started on French horn but switched to trumpet in seventh grade where he found a natural upper register ability. Bergeron credits his junior high and high school teachers, Ron Savitt and Bob Smith, for molding his talent into practical working skills. Bergeron first caught the ear of many when he landed the lead trumpet chair with Maynard Ferguson's band in 1986. Bergeron can be heard on Maynard's recordings of Body and Soul, Big Bop Nouveau, Brass Attitude, and The One and Only Maynard Ferguson.  Bergeron demonstrates daily why Maynard remarked, “Wayne is the most musical lead trumpet player I've had on my band.” As a sideman, Bergeron's list of recording credits reads like a “who's who” in contemporary jazz and pop, running the stylistic gamut from Ray Charles to Green Day. Other names include Katy Perry, Beyoncé, Barbra Streisand, Michael Buble, Indina Menzel, Leslie Oden Jr., Herb Alpert, The Jonas Brothers, Burt Bacharach, The Dirty Loops, Seth MacFarlane, Natalie Cole, Celine Dion, Seal, Diana Krall, Tito Puente, Christina Aguilera, Dianne Reeves, Michael Bolton, Earth Wind & Fire, The Pussy Cat Dolls, My Chemical Romance, The Mars Volta, Chicago, Rosemary Cloony, Diane Schuur, Barry Manilow, Lee Ann Womack, Lou Rawls, Eric Marienthal, Kenny G., and David Benoit. Bergeron has worked on over 500 TV & motion picture soundtracks. A partial list of film credits includes Red Notice, Turning Red, Soul, Bob's Burgers, Ford vs. Ferrari, Toy Story 4, Frozen 1 & 2, The Lion King (2019), The Secret Life of Pets, Wreck it Ralph 2, Crazy Rich Asians, Sing 1&2, Moana, Frozen 1 & 2, Get On Up, Toy Story 3, Monsters University, High School Musical 3, Get Smart, Superman Returns, The Simpson's Movie, Dreamgirls, Hairspray, Mission Impossible 3, Ice Age 2, Spiderman 1 & 2, Team America and South Park. Bergeron's featured trumpet solos can be heard on the motion pictures West Side Story (2021 Steven Spielberg), La La Land, Sing, The Incredibles 1 & 2, Rocky Balboa, The Secret Life of Pets 2, Rough Night, Jazzman's Blues, Vacation Friends, Ted 2, Minions, Minions 2:The Rise of Gru, Spies in Disguise, Jersey Boys, The Green Hornet, The Interview, Despicable Me 1, 2 & 3, Duplicity, Princess & the Frog, The Perfect Game,, Hey Arnold (the movie), The Rat Pack, Child Star, Aladdin King of Thieves and High Crimes and  many others. Numerous TV credits include Academy Awards, Golden Globe Awards, SAG Awards, NBC, ESPN & TNT sports themes, American Idol (2001-02), Emmy Awards, Grammy Awards, Animaniacs Reboot, Family Guy, American Dad, Simpson's, Wonderful World of Mickey Mouse, The Cleveland Show, Green Eggs and Ham,  Jeopardy, America's Funniest Home Videos, Will and Grace, Phineas & Ferb, Emperor's New School, Mouse Works, Have a Laugh, House of Mouse, King of the Hill, Futurama, Buzz Lightyear, Hercules, and Hey Arnold. Bergeron's greatest love is playing lead in big bands. He has recorded and played with some of Los Angeles' most respected bands including Gordon Goodwin, Arturo Sandoval, Pat Williams, Sammy Nestico, Jack Sheldon, Chris Walden, Tom Kubis, John La Barbara, Bob Florence, Joey Sellers, Ray Anthony, Bill Watrous, Bob Curnow, and Quincy Jones. After being behind the scene for so many years, Bergeron stepped out on his own with his first solo effort, You Call This a Living?  This debut project earned him a Grammy nomination in 2004 for Best Large Jazz Ensemble, as well as rave reviews from fans and press worldwide. Bergeron's second CD, Plays Well With Others, released on the Concord Jazz label in 2007, was met with the same acclaim. Bergeron's most current (and personal favorite) CD, Full Circle, was released in January of 2016.  Bergeron performs various events for the Hollywood Bowl summer season. He has done guest appearances with the L.A. Philharmonic, The New York Philharmonic, Cleveland Orchestra, Dallas Symphony, Taiwan Symphony, and Tokyo Philharmonic. Bergeron is a National Artist for the Yamaha Corporation of America and is co-designer of the YTR-8335LA trumpet and YFH-8315G Flugelhorn. Bergeron also designed a series of trumpet mouthpieces with Gary Radtke of GR Technologies that are available through Bergeron's website. Bergeron was mentored by legends Uan Rasey, Bobby Shew, Warren Luening, Gary Grant, Rick Baptist, and George Graham. Bergeron hopes to inspire a new generation of young players and enjoys his work as a clinician and educator. “Nothing makes me feel more accomplished than hearing a young musician say that I inspired them or had a positive influence on their life. For me, that's the real payday.” Bergeron is currently on faculty at California State University Northridge. Perhaps Grammy winning composer and bandleader, Gordon Goodwin said it best, “Wayne is a once in a lifetime lead trumpet player.” About Jeff Bunnell Trumpeter Jeff Bunnell has enjoyed a successful career in many musically diverse settings. He is an active member of the Los Angeles freelance performing and recording community, and has been for over four decades. The many artists Jeff has worked and recorded with include Mel Torme, Ray Charles, Bob Dylan, Natalie Cole, Michel Legrand, Johnny Mathis, Tony Bennett, Robbie Williams, Paul McCartney, Seth MacFarlane, Rosemary Clooney, Paul Anka, Lou Rawls, Barry Manilow, Dianna Krall, Frank Sinatra Jr., David Sanborn, Diane Schuur, Brian Wilson, Tom Harrell, Steve Lawrence, Maroon 5, Michael Feinstein, Debby Boone, Andy Williams, Patti Austin, Brian Setzer, Jack Sheldon, Steve Allen, Marilyn McCoo, Engelbert Humperdink and Shirley Bassey. Jeff has toured with Ray Charles, Horace Silver and Poncho Sanchez. He has performed with many of the top big bands in Los Angeles including Tom Kubis, Bill Watrous, Alf Clausen, Johnny Mandel, Bill Holman, Arturo Sandoval, Gordon Goodwin's Phat Band, Les Hooper, Pete Christlieb, Pat Williams, Wayne Bergeron, Steve Spiegl, Carl Saunders and Bernie Dresel. He has recorded with many of these big bands including Ray Charles, Tom Kubis, Bill Watrous, Les Hooper, Pete Christlieb, Jack Sheldon, Brian Setzer, Wayne Bergeron, Steve Spiegl and Bernie Dresel. Jeff played the lead trumpet chair with the Carl Saunders Big Band, the Pete Christlieb Tall and Smail Band, and the Steve Spiegl Big Band. Currently Jeff plays one of the solo chairs with both The Tom Kubis Big Band and Bernie Dresel's BBB. Jeff has worked with many of the orchestras in Southern California including The Hollywood Symphony Orchestra, The Hollywood Bowl Orchestra, The Long Beach Symphony, The New West Symphony, The Pacific Symphony and The Pasadena Pops Orchestra. As a session player Jeff has played on hundreds of feature film and television soundtracks. His film credits of note include “Star Trek Beyond”, “Jurassic World”, “The Incredibles”, UP (Oscar winner for Best Soundtrack), and “O.J. Simpson: Made in America” – where Jeff is a featured soloist throughout the film (Oscar winner for Best Documentary Feature). His television credits include “Pennyworth”, “The Simpsons”, “Family Guy”, “Why Women Kill”, “American Dad”, “Parks and Recreation”, “Alias”, and “The Clone Wars” animated series. He has also played on hundreds of television and radio commercials, as well as the Academy Awards and the SAG Awards. As a musical theater pit musician, Jeff has played on more than 60 Broadway shows including “West Side Story”, “Phantom Of The Opera”, “Dream Girls”, “Into the Woods”, “Sophisticated Ladies”, “Jesus Christ Superstar” and “Titanic”. He has studied trumpet privately with Joe Alessi Sr., Boyde Hood, Bobby Shew, Claude Gordon and Uan Rasey. Jeff is currently a faculty trumpet and jazz instructor at The Master's University. Jeff is also a Bach Artist & Clinician. In addition to playing the trumpet, Jeff also works as an arranger, orchestrator, and conductor. He has orchestrated for film and television, as well as other areas of music such as Broadway Shows, cruise ship music and theme park music. His original big band charts can be found in the books of Arturo Sandoval, Bill Watrous, Jack Sheldon, Ron Jones, Emil Richards, Steve Spiegl and Bernie Dresel. He has published three transcribed jazz trumpet solo books through Aebersold Jazz. Links Listen to this episode online: https://bobreeves.com/blog/la-trumpet-ensemble/ Watch the video of this episode on YouTube: https://youtu.be/H2-vc5QQLpk    

It's time for us to begin the second half of season 4 and today for our guest, we have the amazing Myles Blakemore! Myles serves as trombonist in the US Navy Band and is also the Professor of Trombone at Howard University. Prior to those positions he has held a position with New World Symphony, was the inaugural Minnesota Orchestra fellow, and participated in National Repertory Orchestra, Aspen Music Festival and Brevard Music Center. Performing on international stages such as Baltimore Symphony, Dallas Symphony, Malaysian Philharmonic, International Trombone Festival, American Trombone Workshop and many more, he has an incredibly rich story for us today, and its nowhere near the end! We naturally talk about his beginnings as a trombonist, exploring his earliest starts to being a fellow at New World Symphony, and his current life in the US Navy Band. We even discuss his process of making his album that is out now and is entitled "Bach-Ish," we highly recommend checking out after this interview to show your love for this terrific musician! -- Transition Music #1: The Gift of Little G for Trombone and Piano, featuring Myles Blakemore Transition Music #2: Hommage a Bach pour Trombone et Piano, featuring Myles Blakemore Instagram: @8thposition @dbaldwin903 @_mehurst_

I'm always curious how many frequent flier miles composers rack up in a year. That's because, to hear a new work performed live, they need to travel to where the concerts are happening. And often times that's major cultural hubs like New York City, London, Berlin, or Tokyo. But an inventive project from harpist Emily Levin is bringing composers much closer to their home turf. GroundWork(s), which Levin founded in 2022, is commissioning 52 composers — one from each of the 50 states, plus Washington, DC, and Puerto Rico — to write new works for the harp. But what makes GroundWork(s) unique is that each piece receives its premiere in the composer's hometown, showcasing the artistry of the composers in the cities that first inspired and supported them. For the third GroundWork(s) commission, Levin tapped Puerto Rico–born composer Angélica Negrón, currently the composer-in-residence with the Dallas Symphony, where Levin is also the principal harp. Negrón's new work for violin, cello, harp, and electronics, Ave del paraíso, takes its inspiration from the Bird of Paradise and even includes field recordings of birds native to Puerto Rico.  For Negrón, the GroundWork(s) project represents the first time she's received a premiere in her hometown of San Juan. In addition to having family and friends be among the first to hear a work of hers performed, Negrón also saw the premiere earlier this year as a unique opportunity to dissolve the borders often placed between musicians and the audience. In this episode, I talk more with Levin and Negrón about how the San Juan premiere came together and what's next for GroundWork(s) in the coming months. Plus, Levin shares her fascinating strategy for engaging audiences with new music by putting the focus not on the music — but on the people involved in the creative process. Classical Post® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by Gold Sound Media® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

Hip-Bone Music is back and kicks off our 2023 season with an energizing sit down featuring one of today's true virtuoso trombonists, Mr. Peter Steiner. Peter touches on growing up in Bolzano, Italy, studying in Austria and eventually at the Juilliard School, performing with the Vienna Philharmonic, NY Philharmonic, Dallas Symphony, Munich Philharmonic, and becoming the premier trombone soloist in world today. Enjoy!

James Miller is the Associate Principal Trombone with the Los Angeles Philharmonic, a position he has held since 1999. His duties include performing on alto, tenor, and bass trombone; tenor tuba; and bass trumpet. His previous orchestral experience includes the North Carolina Symphony, the Long Island Philharmonic, the New York Philharmonic, and the Dallas Symphony. Miller earned his Bachelor of Music Education degree from the University of Northern Iowa and his Master of Music degree from The Juilliard School, where he was a scholarship student of Per Brevig. His playing experience includes performances with the Silk Road Ensemble, the Paragon Ragtime Orchestra, Ensemble ST-X, the Michael Bublé Big Band, and a variety of jazz, rock, ska, and Latin ensembles. He has been a participant in the Mainly Mozart Festival, the Aspen Music Festival, and the Ojai Music Festival as well as performing as a soloist with the Los Angeles Philharmonic and on the Los Angeles Philharmonic's Green Umbrella series. His solo career spans performing with orchestras and wind enssembles in the United States and Mexico. As a composer, he has had world premieres at New York's Lincoln Center and continues to perform his own works in solo performances throughout the country. He serves on the faculty of the University of California Los Angeles (UCLA) and the Aspen Music Festival. Miller is a Conn/Selmer and a Denis Wick clinician and has released three CDs on All Barks Dog records: From Coast to Coast, Trio for Voice, Trombone and Cello and Delays, delays.

PETER BOYER is one of the most frequently performed American orchestral composers of his generation, joins Devin Patrick Hughes on One Symphony. He's conducted and been commissioned by ensembles around the world including the London Symphony Orchestra, the Philharmonia Orchestra, the London Philharmonic Orchestra, the Kennedy Center for the National Symphony Orchestra, the Boston Pops, Cincinnati Pops, and “The President's Own” United States Marine Band, along with the Philadelphia Orchestra, Cleveland Orchestra, Pittsburgh Symphony, Houston Symphony, Dallas Symphony, Nashville Symphony, and Hollywood Bowl Orchestra. Boyer's Grammy-nominated work Ellis Island: The Dream of America, has become one of the most performed American orchestral works of the last 15 years and was featured on PBS' Great Performances in 2018. In 2019, Boyer received the Ellis Island Medal of Honor, which is officially recognized by both Houses of Congress as one of the most prestigious American awards. Peter Boyer is active in the film and television music industry. He has contributed to more than 35 feature film scores from all the major movie studios and has composed scores for The History Channel and even arranged for the Academy Awards!   Thank you for joining us for on One Symphony. Thanks to Peter Boyer for sharing his music and insights, you can get more info at https://propulsivemusic.com. Works of his heard today include Fanfare, Hymn and Finale; Elegy, Balance of Power, and Ellis Island - the Dream of America. Thank you to all amazing performers featured on today's show including: Peter Boyer, the London Symphony Orchestra, Philharmonia Orchestra, the Staatskapelle Dresden, Rundfunkchor Leipzig, & Peter Schreier.  Thanks to the record labels Naxos and Universal International Music for making this episode possible. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show.  Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

We're excited to have Kelly Hall Tompkins on the show!! http://www.kellyhall-tompkins.com/ind... Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany and Italy. For more information on the show, visit our website: www.counterpartsshow.com . . . . #Violinist #musician #broadway #fiddlerontheroof #johnhenrysoto #counterpartsshow #motivational #inspire #georgebatista #ascap #leaders

We're excited to have Kelly Hall Tompkins on the show!! http://www.kellyhall-tompkins.com/ind... Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany and Italy. For more information on the show, visit our website: www.counterpartsshow.com . . . . #Violinist #musician #broadway #fiddlerontheroof #johnhenrysoto #counterpartsshow #motivational #inspire #georgebatista #ascap #leaders

About the Episode: The nature of this topic may not be suitable for children, so please take note of your environment prior to listening out loud! Join us for a series on sexuality, God's design and vision for sex for both married couples and single people, and the richness of experiencing oneness with God. Sex is one of God's special gifts for how we can really know and understand God's love for us. In this episode, Elliott and Ethan discuss the ministry of PCPC's Men's Integrity Group and the intimacy in fellowship that has blessed their lives. Through different struggles within sexuality, hope and healing can be found in the empowerment of sharing your journey with someone who cares and can offer grace. About Our Guests: Elliott Farris is 29 and the oldest of 7 children. He lives in Richardson with one of his sisters and works as a retail manager. Elliott has attended PCPC for over two years and is involved in the Sunday morning Ambassadors class, as well as the Men's Integrity Groups. Ethan Leong has attended PCPC since 2015 and is involved with Young Adults, High School, and Men's Integrity Groups. He grew up in St. Louis and moved to Dallas to attend SMU. Ethan currently works as a mechanical engineer and enjoys cooking, baseball, and going to the Dallas Symphony. About Our Host: A graduate of Covenant Theological Seminary in St. Louis, Mark Davis came to PCPC as our Youth Pastor in 2003 and became our Senior Pastor in 2009. He and his bride, Kristina, met at a Young Life Camp in 1988 and have five amazing kids, Kara (and husband, Drew), Madalyn (and husband, Jack), Cayden, Esther Kate, & Samuel. Resources: PCPC Men's Integrity Group: Sign up for one of our Sexual Sanity Groups, which assists men in their journey to experience deepening integrity and healing in areas of sexual brokenness. Weekly group sessions are closed. The program is completed in 15 weeks, and a 15-week commitment is required to participate. The curriculum utilized is "Sexual Sanity for Men" by David White published by Harvest USA. Groups are led and facilitated by previous program graduates and focus on the range of sexual brokenness that crosses all of our lives. Contact: mensintegrity@pcpc.org (music license ASLC-14EAD3E0-84F34F4276)

Maurice Cohn is one of the rising stars in the USA. This week on And Other Duties we talk about his role as Assistant Conductor with Dallas Symphony; working with youth orchestras, getting more youth into the symphony hall and building communities, as well as pre concert talks and how valuable they are! We also talk about building our own community, connecting and rooting for each other throughout!

The Spanish pianist Javier Perianes is racking up quite a lot of frequent flyer miles these days. This season alone, his concert schedule has him zigzagging the globe to perform with the Los Angeles Philharmonic and Dallas Symphony here in the States, Europe's Budapest Festival Orchestra and the Oslo Philharmonic, and a whirlwind trip to Australia for concerts with the Melbourne and Sydney Symphony Orchestras, among many other engagements. And while the thrill of making music with friends and colleagues around the world is a key driver for Perianes's career, his extensive travels also provide a key element that fuels his creativity: new life experiences. "When you're with a piece, you have big emotional landscapes — death, pain, suffering, hope, joy," Perianes shares on the latest episode of the Classical Post podcast. "Where can you get all those feelings to convey? You can't get that from others' lives. You can't imitate them. You have to have them deep inside you." That authentic approach to performance has served Perianes well. A prolific recording artist, he's released 20 critically acclaimed albums on the Harmonia Mundi label — and he's performed with many of today's leading conductors, including Gustavo Dudamel, Klaus Mäkelä, Daniel Barenboim, and Vladimir Jurowski. Next up for Perianes are three performances of Saint-Saëns's Fifth Piano Concerto — also known as "The Egyptian" — with the LA Phil and conductor Gustavo Gimeno. In this episode, we talk more about how he's preparing the Saint-Saëns concerto and what he hopes audiences in Los Angeles will enjoy about this seldom-heard work. Plus, Perianes shares how short siestas and long walks to work are part of his wellness routine, the Manhattan restaurants he seeks out whenever he's performing in New York, and how defining success for him is simply to "Do what you love." — Classical Post uncovers the creativity behind exceptional music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

Composer and guitarist Douglas Lora moves with versatility between classical and popular music, and has been established as one of the most prominent artists of his generation. A member of the Brasil Guitar Duo (with Joao Luiz) for more than fifteen years, and seven-string guitarist of the choro and samba band Caraivana, Douglas Lora has a full touring schedule worldwide, and has collaborated with artists including Paquito d'Rivera, Marco Pereira, Jovino Santos Neto, Ney Rosauro, Marina Piccinini, and many others. In 2011 he joined his brother, percussionist Alexandre Lora, and mandolin virtuoso, Dudu Maia, to form an ensemble dedicated to Brazilian traditional music, Trio Brasileiro.Lora has performed as a soloist with the Dallas Symphony, Houston Symphony, Dayton Philharmonic, Orquesta Metropolitana of Sao Paolo, and the Orchestra of the Americas. Critics and audiences around the world have praised his recordings with the Brasil Guitar Duo, and distinguished artists and chamber ensembles have recorded his compositions.Douglas Lora studied composition and classical guitar at Faculdade de Artes Alcantara Machado in Sao Paolo and received a Master's Degree in Performance from the University of Miami. Lora was a winner of the Concerts Artists Guild Award in 2006 with the Brasil Guitar Duo, and has eight recordings and five original film soundtracks to his credit.

Why is it important for everyone to engage with art? Why Meet Professor Carol Reynolds, professor of music history and global art educator with the Dallas Symphony and the Van Cliburn Foundation! And today she's going to brawl over art, more specifically why art belongs as a foundational element of a classical education. Art is a reflection of what our culture values. And the study of playing music, art and craft, and even folk dance are ways we engage with and absorb art into our everyday lives. Join Shane, Martin, Paul and Carol as they dive into art's place in the classical world and how a homeschool education can thrive from learning in the space of classical art. Memoria Press is here to help homeschool families with tips, choices, and simple planning strategies to make classical Christian education available to all! 

Conductor Lidiya Yankovskaya joins me and speaks about her experience preparing for, conducting, and navigating a career thriving between concert halls and opera pits.Russian-American conductor Lidiya Yankovskaya is a fiercely committed advocate for Russianmasterpieces, operatic rarities, and contemporary works on the leading edge of classical music. She has conducted more than 40 world premieres, including 16 operas, and her strength as a visionary collaborator has guided new perspectives on staged and symphonic repertoire from Carmen and Queen of Spades to Price and Prokofiev. Yankovskaya has recently made major debuts with Chicago Symphony Orchestra and Dallas Symphony, and conducted the symphony orchestras of Omaha, Pasadena, and Fort Worth. As Music Director of Chicago Opera Theater, she has led the Chicago premieres of Jake Heggie's Moby-Dick, Rachmaninov's Aleko, Joby Talbot's Everest, Tchaikovsky's Iolanta, and Adamo's Becoming Santa Claus. Elsewhere, she has recently conducted Carmen at Houston Grand Opera, Don Giovanni at Seattle Opera, Pia de' Tolomei at Spoleto Festival USA, Il barbiere di Siviglia at Wolf Trap Opera, Ellen West at New York's Prototype Festival, and the world premiere of Taking Up Serpents at Washington National Opera.

We're excited to have Kelly Hall Tompkins on the show!! http://www.kellyhall-tompkins.com/index.html Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as a soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany, and Italy. For more information on the show, visit our website: www.counterpartsshow.com . . . . #Violinist #musician #broadway #fiddlerontheroof #johnhenrysoto #counterpartsshow #motivational #inspire www.counterpartsshow.com

About the guestAn artistic force in the broadest and most creative sense of the word, Darin Atwater's career has encompassed the roles of composer, conductor, pianist, record producer, artist, arranger, film composer, vocalist, entrepreneur, educator, and arts advocate. As a master inventor of musical hybrids, he has blended American pop, soul, Hip Hop, jazz, classical, and gospel music into many dazzling fusions, traversing virtually every medium, including records, live performance, radio, and television--literally reinventing the symphony orchestra in America.Born in Washington, D.C., Atwater made his orchestral debut as both composer and pianist in May 1995 with the National Symphony Orchestra performing his own Piano Concerto. The following year the National Symphony and the National Cathedral Choral Arts Society premiered his Proclamations. In 1997 he accompanied Kathleen Battle and the NSO for the re-opening of the Kennedy Center Concert Hall along with a performance that summer with Jennifer Holiday and the NSO for the PBS national broadcast of A Capitol Fourth. engagements with major orchestras, In Performance at The White House, European tour, and world premieres of his numerous compositions followed. As a guest conductor he has appeared with the Baltimore Symphony, the Dallas Symphony, M phis Brass, and the Columbus Symphony. Atwater appears regularly with the Jazz at Lincoln Center Orchestra with Wynton Marsalis as both guest conductor and composer. From 20042007 Atwater served as Composer-in-Residence with the Baltimore Symphony. This collaboration produced many evening length works that have become staples in the repertoire. Among th are Song in a Strange Land, Evolution of a People, Paint Factory, Southern Folk Sketches, God's Trombones, and a ballet, Ghetto Safari. As solo artist, Atwater presented annually for the Steinway Series presented by the Smithsonian Museum of American Art. He was vocalist, pianist, and arranger with the U.S. Air Force Band for America's Veterans; A Musical Salute on PBS. Most recently, Atwater performed a solo piano recital for the grand opening of the Smithsonian National Museum of African American History and Culture, the first artist to perform in the Oprah Winfrey Theatre.In 2000, Atwater founded Soulful Symphony, an 85 member orchestra with vocals made up of mostly African American and Latino musicians. After 10 wildly successful seasons of sell-outemperformances in a joint venture with the Baltimore Symphony, Soulful Symphony entered into a historic partnership with Broadway Across America. Soulful Symphony delivered another three seasons of sold outemperformances at the Hippodrome Theatre before a triumphant return to the Joseph Meyerhoff Symphony Hall to celebrate 15 yearstaking an entire culture and setting it to music. The 2009 my Award(r)winning Soulful Symphony with Darin Atwater is one of the longest running pledge specials, airing currently nationwide on PBS/APT.Atwater r ains a strong advocate for Arts, Culture, and Music Education. He served on the board of Maryland Citizens for the Arts, testifying before the House and Senate for state and national funding. Through his work with Soulful Symphony, Atwater has lectured and spoken to countless schools along with hosting open rehearsals that has accompanied every concert since the inception of the organization.The critics' praise has been unanimous: The New York Times described him as composer with a muscular imagination. The Baltimore Sun wrote, Atwater has an uncommon ear for instrumental coloring and the urban beat. The Philadelphia Inquirer writes, Atwater has created a musical antidote for the malaise gripping classical music and is a unifying vessel for a dozen or so genres of music in the commercial and art realms The Washington Post adds, From the first few chords, his music sets itself apart, otional and riveting. Among his many honors and recognitions, NBC named him in The Grio 100: History Makers in the Making. Ebony magazine dubbed him one of the 30 Leaders of the Future, and the Baltimore Business Journal placed him on their exclusive 40 under 40 list. Atwater received The Prestige Award by the State of Maryland foremindividuals who bring prominence to the region along with Legends and Pioneers Award by The Afro American Newspaper and The Vision Award from Maryland Public Television. He was profiled on an ABC special for Entertainment Studios We are the Dream following President Obama, Oprah Winfrey, and the late Ted Kennedy.Along withemexpanding the cultural footprint of Soulful Symphony, He is scoring two feature films along with recording his debut album with a label releaseemscheduled for the summer of 2017. 2016-2017 seasonThe Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture.Mentioned in this episodeDarin Atwater - Kennedy CenterTo find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode★ Support this podcast ★

Our guest today is composer Angélica Negrón. Her works range from traditional orchestral and chamber pieces to compositions for accordion, toys, and electronics, and have been performed by such prestigious ensembles as the Dallas Symphony, the National Symphony, and the Kronos Quartet, among many others. She was an artist in residence at National Sawdust in Brooklyn and is currently a teaching artist for the New York Philharmonic's Very Young Composers program. Originally from Puerto Rico, she grew up playing piano and violin before coming to New York City for studies at New York University and the CUNY Graduate Center. Orchestrating Change is available wherever you get your podcasts. We also have a new website! Go to www.orchestratingchange.com to sign-up for email reminders, view past episodes, and see the various channels where you can view our content. For more information about everything else we are offering at this time, please visit www.cantonsymphony.org.

Today's guest on Celebrations Chatter is Ashley Hunter,  the Founding Partner of A. Hunter & Company, an international advisory firm focused on risk management, insurance, and alternative risk transfer. Through her business, Ashley works with sovereign wealth funds, family offices, and corporations to address their complex risk management needs.    Ashley has spent most of her career in the reinsurance industry, working at State Farm, AIG, and the Hartford Insurance Group before founding her own company, HM Risk Group. Risk management isn't her only passion, however. Ashley is also an accomplished concert violinist, having performed with the New York Philharmonic, the London Philharmonic, and the Dallas Symphony. She studied Music Theory and Composition at Centenary College of Louisiana, before completing an MBA in Finance from Texas A&M University.    Ashley frequently contributes to many global publications on the topics of risk and the implications on emerging markets, as well as doing so as a speaker and panelist.  She has been a lecturer at the University of Texas at Austin School of Information since 2015, where she is teaching the next generation of leaders in risk management and cyber liability.    Let's learn how Ashley shares it forward on this episode of Celebrations Chatter.   New podcast episodes released weekly on Thursday. Follow along with the links below: Sign up for the Celebrations Chatter Newsletter: https://celebrationschatter.beehiiv.com/    Subscribe to Celebrations Chatter on YouTube: https://www.youtube.com/@celebrationschatter  Follow @CelebrationsChatter on Instagram: https://www.instagram.com/celebrationschatter/    Follow @CelebrationsChatter on Threads: https://www.threads.net/@celebrationschatter  Listen to more episodes of Celebrations Chatter on Apple Podcasts:  https://podcasts.apple.com/us/podcast/celebrations-chatter-with-jim-mccann/id1616689192    Listen to more episodes of Celebrations Chatter on Spotify: https://open.spotify.com/episode/5Yxfvb4qHGCwR5IgAmgCQX?si=ipuQC3-ATbKyqIk6RtPb-A    Listen to more episodes of Celebrations Chatter on Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5saWJzeW4uY29tLzQwMzU0MS9yc3M?sa=X&ved=0CAMQ4aUDahcKEwio9KT_xJuBAxUAAAAAHQAAAAAQNg  Visit 1-800-Flowers.com: https://www.1800flowers.com/    Visit the 1-800-Flowers.com YouTube Channel: https://www.youtube.com/@1800flowers  Follow Jim McCann on LinkedIn: https://www.linkedin.com/in/jim1800flowers/  Follow Jim McCann on X / Twitter: https://twitter.com/jim1800flowers (@Jim1800Flowers)

Sebastian talks to the legendary John Kitzman, former principal trombonist of the Dallas Symphony of over 40 years and professor of trombone at Southern Methodist University for just short of half a century! On the brink of retiring from teaching, John looks back at his career in this incredibly honest and moving talk. So much wisdom, joy for music and love for his students is shared and we can't wait to share this with you!Also introducing special features with Patreon: www.patreon.com/tromboneretreat Hosted by Sebastian Vera - @js.vera (instagram) and Nick Schwartz - @basstrombone444 (instagram) Produced and edited by Sebastian Vera Music: Firehorse: Mvt 1 - Trot by Steven Verhelst performed live by Brian Santero, Sebastian Vera and Nick SchwartzLearn more about the Trombone Retreat and upcoming festival here: linktr.ee/tromboneretreat Dallas Love Field sounds: https://freesound.org/people/BoilingSand/sounds/49599/

Synopsis In Bucharest on today's date in the year 1903, a 21-year-old Romanian composer named Georges Enescu conducted the premiere of two “Romanian Rhapsodies” he had written. These flashy orchestra showpieces quickly became his most popular works – a little to the composer's later chagrin. He came to feel – and quite rightly – that the huge success of these toe-tappers had come to overshadow all his other compositions and accomplishments. Enescu had good reason to be proud: In addition to being a fine composer and conductor, he was one of the great virtuoso violinists of his day. As both a conductor and violinist he appeared with most of the great orchestras of Europe and America. Enescu wrote impressive symphonies, chamber music, and even an opera based on the Greek legend of Oedipus. As a teacher and general musical mentor, Enescu could count the great violinist Yehudi Menuhin as one of his star pupils and most devoted admirers. Enescu died in Paris in 1955. Even though he had severed relations with his now Communist homeland, the Romanian government revered him as their great national composer: His native village, a street in Bucharest, and the State Philharmonic were all renamed in his honor. Music Played in Today's Program Georges Enescu (1881 - 1955) — Romanian Rhapsody No 1 (Dallas Symphony; Eduardo Mata, cond.) RCA/BMG 63586

Synopsis Today's date marks the birthday of a 20th century Czech composer you perhaps have never heard of. Viktor Kalabis was born in 1923 and by age 6, was giving public piano performances. All the signs pointed to a brilliant career. But first Kalabis had to face – and surmount–two major political hurdles. First, his formal musical studies were delayed by the Nazi occupation of his country in 1938, when he was forced into factory work; then, after the war, Kalabis met and married a young harpsichordist named Zuzana Ruzickova, who was a concentration camp survivor. Victor was a Gentile, but in Stalinist Czechoslovakia, anti-Semitism was rampant and marrying a Jew was frowned upon. To make matters worse, both Victor and Zuzana refused to join the Communist Party, hardly what one would call “a smart career move” in those years. Even so, Kalabis began to attract commissions and performances of his music at home and abroad, and following the 1989 Velvet Revolution, Kalabis assumed a more prominent position in his country's musical life. His symphonies, concertos, and chamber works are now regarded as some of the most important contributions to Czech music in the late 20th century. Music Played in Today's Program Viktor Kalabis (1923 – 2006) — Piano Concerto No. 1 (Zuzana Ruzickova, p; Czech Philharmonic; Karel Sejna, cond.) MRS Classics MS-1350 On This Day Births 1848 - English composer (Sir) Hubert Parry, in Bournemouth; Deaths 1887 - Russian composer Alexander Borodin, age 53, at a fancy dress ball in St. Petersburg (Julian date: Feb. 15); Premieres 1729 - Bach: Sacred Cantata No. 159 ("Sehet, wie gehn hinauf gen Jerusalem") probably performed in Leipzig on Estomihi Sunday as part of Bach's fourth annual Sacred Cantata cycle (to texts by Christian Friedrich Henrici, a.k.a. "Picander") during 1728/29; 1737 - Handel: opera “Giustino,” in London (Julian date: Feb. 16); 1740 - Handel: oratorio “L'Allegro, il Penseroso, ed il Moderato,” in London at Lincoln's Inn Field, with the premiere of Handel's Organ Concerto in Bb, Op. 7, no. 1 (Gregorian date: Mar. 9); 1814 - Beethoven: Symphony No. 8, in Vienna, with composer conducting; 1908 - Amy Beach: Piano Quintet, at Boston's Potter Hall, with the Hoffmann Quartet and the composer at the piano; 1913 - Walter Damrosch: opera, "Cyrano de Bergerac," at the Metropolitan Opera in New York City; 1915 - Miaskovsky: Symphony No. 3, in Moscow (Julian date: Feb. 14); 1940 - William Schuman: String Quartet No. 3, at Town Hall in New York City, by the Coolidge Quartet; 1945 - Amy Beach: opera "Cabildo," by the Opera Workshop at the University of Georgia in Athens, directed by Hugh Hodgson; The first professional production occurred on May 13, 1995, at Alice Tully Hall in New York City as a "Great Performances" telecast conducted by Ransom Wilson; 1947 - Hindemith: Piano Concerto, by the Cleveland Orchestra, George Szell conducting, with Jesús Maria Sanromá the soloist; 1947 - Peter Mennin: Symphony No. 3, by the New York Philharmonic, Walter Hendel conducting; 1949 - Elliott Carter: Woodwind Quintet, at Times Hall in New York City, at a new music concert of the National Association for American Composers and Conductors, sharing a program with Henry Cowell's Suite for Wind Quintet, Vincent Perischetti's "Pastorale," Richard Franko Goldman's Duo for Tubas, Ingolf Dahl's "Music for Five Brass Instruments," and a revised version of Carl Ruggles; "Angles" for seven brass instruments; 1949 - Wm. Schuman: Symphony No. 6, by the Dallas Symphony, Antal Dorati conducting; 1950 - Elliott Carter: Cello Sonata, at Town Hall in New York, by cellist Bernard Greenhouse and pianist Anthony Markas; 1958 - Peter Mennin: Piano Concerto, by the Cleveland Orchesttra conducted by George Szell, with Eunice Podis the soloist; 1984 - Libby Larsen: "Parachute Dancing" for orchestra, by the American Composers Orchestra, Tom Nee conducting; 1986 - U. Zimmermann: opera "Weisse Rose" (White Rose), in Hamburg by the Opera stabile; 1999 - Peter Lieberson: Horn Concerto, at Carnegie Hall, with soloist William Purvis and the Orpheus Chamber Orchestra. Others 1885 - First documented American performance of Handel's Concerto Grosso in B Minor (op. 6, no.12), by the Boston Symphony, William Gericke conducting. Links and Resources On Viktor Kalabis Kalabis tribute (PDF)

Synopsis Today's date marks the birthday of Abraham Lincoln, the 16th President of the United States. It is also the birthday of the famous American symphonist Roy Harris, who stated he was born in Lincoln County near Chandler, Oklahoma, on February 12th in 1898. Some have challenged the accuracy of the date, as a land deed associated with his family suggests his birth year might have been 1901, and Harris himself was the main source of information regarding the actual day of his birth. There's also some confusion about exactly how many symphonies Harris wrote, since he didn't assign numbers to some of the works he labeled “symphonies” or “symphonic” – and in 1976 deliberately misnumbered his Symphony No. 13 as being his Symphony No. 14, because he considered 13 an unlucky number. Despite all this, Harris's Third Symphony from 1938 is regularly cited as one of the best American symphonies of the 20th century. As the most recent Grove Dictionary of Music and Musicians puts it, “the musicality, breadth of vision, and generosity of impulse that form his best music assure him long-term recognition.” So, whether or not it was in 1898 or 1901, or even on February 12 – Happy Birthday, Mr. Harris! Music Played in Today's Program Roy Harris (1898 — 1979) — Symphony No. 3 (Dallas Symphony; Eduardo Mata, cond.) Dorian 90170

We sat down for a talk with conductor Paul McCreesh. First established as the Artistic Director of Gabrieli Consort & Players, he now guest-conducts some of the world's finest orchestras including the Leipzig Gewandhaus, Bergen Philharmonic, Hong Kong Philharmonic, Sydney Symphony, Saint Paul Chamber Orchestra, Montreal Symphony, New Japan Philharmonic, Verbier Festival Orchestra, Minnesota Orchestra and Dallas Symphony. He is a former Principal Conductor and Artistic Director at the Gulbenkian Orchestra, Lisbon, and served for six seasons as Artistic Director of the Wratislavia Cantans festival in Wrocław, Poland.

I can't wait for you to hear this week's conversation with the inspiring  Jennifer Montone. Jennifer is the Grammy-Award-Winning Principal Horn of the Philadelphia Orchestra, and a world acclaimed soloist, chamber musician and teacher. She's been on the faculty at the Curtis Institute of Music and the Juilliard School since joining the orchestra in 2006.      She regularly performs as a soloist with orchestras such as the Philadelphia Orchestra, the Saint Louis Symphony, the Dallas Symphony, the National Symphony, the Polish National Radio Symphony, the Warsaw National Philharmonic, among others.  She's an active recording artist with several albums under her belt and she performs as a chamber musician in festivals and on stages across the world.  In May 2006 Jennifer was awarded the prestigious Avery Fisher Career Grant. She is also the winner of the 1996 Paxman Young Horn Player of the Year Award in London, England.    Jennifer shares fantastic insight in our conversation, including: How Jennifer's artistic path has unfolded throughout her career (4:10) The importance of music in conjunction with education, and the education that can be taken from attending orchestral concerts (7:42) What her life looks like as a musician in a professional orchestra, and how it differs from her early expectations (11:07) How negative mindsets and nerves prevent us from improving, how to find a balance with your own mindset, and how she settles into her own (14:26) Particular steps Jennifer takes when she knows she will be in a potentially stressful situation or performance to help tap into a “flow state” (21:35) Why preparation for major repertoire (especially for the first time) should include learning the history and context surrounding its composition as well as studying the score  (29:16) The balance Jennifer has found between her work and personal lives and how she achieved it (33:26) What surprises her the most about professional orchestra life (spoiler alert: it's the camaraderie of fellow musicians!) (39:45) And finally Jennifer answers some rapid-fire questions, sharing the resistance she's faced along her journey, advice for young musicians, her favorite warm-ups, advice she'd like to pass on to all the listeners, and an actionable tip you can try today (44:30) LINKS: Website: https://www.jenmontone.com/ PRACTICING FOR PEAK PERFORMANCE: I'm excited to tell you that Practicing for Peak Performance, my transformative workshop, is now available for download! Go to MindOverFinger.com for access to all the tools that will help you transform your practice, gain confidence in your process, and start performing at your best.  With the purchase of PPP, you gain: Access to all recorded content - over 7 hours of instruction Guidance in effective high-performance systems Detailed handouts For a limited time only, a free 30-minute consultation with me. MIND OVER FINGER: As we head into this new season, I encourage you to visit MindOverFinger.com for a plethora of resources on mindful practice and information on how to work with me. Sign up for my newsletter and receive your free guide to a highly productive mindful practice using a metronome! www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/   THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme.  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to pianist-singer-song-writer Louise Kelly for the introduction!  You can find out more about Kelly and her creative work by visiting louisekelly.com.   

"A Merry Olde Christmas" - 1:24 "God Rest Ye Merry, Gentlemen" - 5:45 "Away in a Manger" - 8:47 "Merry Christmas, Merry Christmas (Home Alone)" - 12:00 "Let it Snow" - 17:12 "Frosty the Snowman" - 18:15 "Rudolf the Red-Nosed Reindeer" - 19:47 "Santa Claus is Coming To Town" - 21:04 "Mary, Did You Know" - 22:07 "Christmas Children (Scrooge)" - 27:09 "Hark! The Herald Angle Sing" - 29:59 "Bring a Torch Jeanette, Isabella" - 32:58 "Angels We Have Heard on High" - 35:10 "Believe (Polar Express)" - 38:58 "Silent Night / God bless Us Everyone" - 43:05 "We Wish You a Merry Christmas" - 48:58 Merry Christmas from Team UNPLUGGED. 

David Cooper is hosting the Late Showgram for Jim Richards who is away this week. An inspiring story from  David Cooper, Principal Horn for the Chicago Symphony. Prior to his appointment to the CSO by Zell Music Director Riccardo Muti in 2019, Cooper served as principal horn of the Dallas Symphony, a position he held since May 2013 after joining the symphony as third horn in 2011. He also served as principal horn of the Berlin Philharmonic from 2017–18; acting principal horn with the Victoria Symphony in Victoria, British Columbia, from 2006–08; and co-associate principal horn of the Fort Worth Symphony from 2008–11. He has been guest principal horn of the Philadelphia Orchestra, New York Philharmonic, Los Angeles Philharmonic, London Symphony Orchestra, Hong Kong Philharmonic, Saint Paul Chamber Orchestra and Liceu Opera in Barcelona, Spain. Cooper is an avid chamber musician and performs as soloist all over the world. He has also served as music director of the Avant Chamber Ballet in Dallas. Orchestra.

Puerto Rican composer/performer/educator Angélica Negrón, who writes tiny and big sounds for chamber ensembles, orchestras, films, plants, robots and drag queens, joins us for the Soundcheck Podcast. She is also The Greene Space Artist-In-Residence who hosted/curated El Living Room, a funhouse variety show involving plant and robot instruments, comedy, and mixed-media sets.  Angélica takes us into her sensory world, and explains how her overlapping creative adventures feed into each other – say writing for the Dallas Symphony or for drag queens, or for the dreambow band, Balún. She offers a live performance - triggering sounds via plant art, programmed surface poppers, and hidden computers into a sonic dreamscape.  Set list: “Sembrar,” “Pasajero”: Hang out in the sonic playground of El Living Room, with the first episode out Oct. 14 from The Greene Space: 

In this episode, I am honored to welcome composer Peter Boyer to the Anachronism podcast.  Peter and I recorded this interview shortly before the highly successful premiere of his newest work, Balance of Power, upon which we touched in our discussion: https://www.washingtonpost.com/entertainment/music/lang-lang-kennedy-center-nso-concert/2021/09/19/5e146496-1945-11ec-8380-5fbadbc43ef8_story.html   Peter and I crossed paths in conservatory at the Hartt School in Connecticut when we were students. He has gone from there to become one of the most frequently performed American orchestral composers of his generation. His works have received over 500 public performances by nearly 200 orchestras, and thousands of broadcasts by classical radio stations around the United States and abroad. He has conducted recordings of his music with three of the world's finest orchestras: the London Symphony Orchestra, the Philharmonia Orchestra, and the London Philharmonic Orchestra. He has received commissions from several of the most esteemed American institutions and ensembles, including the Kennedy Center for the National Symphony Orchestra, the Boston Pops, Cincinnati Pops, and “The President's Own” United States Marine Band. Other orchestras which have performed his music include the Philadelphia Orchestra, Cleveland Orchestra, Pittsburgh Symphony, Houston Symphony, Dallas Symphony, Nashville Symphony, and Hollywood Bowl Orchestra. We talk about how he got started writing 'classical' music and he shares some of the human side of his journey with orchestral music.  I know you'll be enriched by our discussion. You can learn more about him and his work at https://propulsivemusic.com  - Photo of Peter Boyer courtesy of Danika Singfield.    

John Holt is Professor of Trumpet at the University of North Texas. Holt is also principal trumpet with the Dallas Opera Orchestra, a position he has held since 1989. Holt was the recipient of the 2016 UNT Creative Impact Award. This award highlights “a full-time University faculty member whose publications, performances, or exhibitions in the literary or creative arts have had the greatest societal impact”. The consummate musical artist, Holt has appeared as a soloist with orchestras throughout the United States and Europe. He has two opera excerpt books published by Harold Gore Publishing, “Trumpet Excerpts From Italian Operas” in 2018 and “Trumpet Excerpts From European Operas”  in 2020.  His CD recording “Facets 4” released by the International Trumpet Guild in 2016, was Holt's eighth solo CD recording. His seven previous solo recordings, all on the Crystal Records label, have received unanimous critical acclaim by industry publications Fanfare, American Record Guide, Instrumentalist, Gramophone and the International Trumpet Guild.  Born in Dallas, TX, Holt began studying trumpet at the age of 12 with Richard Giangiulio, former Principal Trumpet of the Dallas Symphony. He continued his studies at the University of Miami with Gilbert D. Johnson, former Principal Trumpet of the Philadelphia Orchestra. At age 22, Holt performed as Co-Principal Trumpet of the Philharmonic Orchestra of Ft. Lauderdale, under the direction of Emerson Buckley. At age 24, Holt became Principal Trumpet of the Orchestra del Maggio Musicale Fiorentino in Florence, Italy, Zubin Mehta, music director. While in Italy, Holt had the great privilege of playing under some of the world's most renowned conductors including Luciano Berio, Georges Prétre, James Conlon, Gerd Albrecht, Carlos Kleiber, Krzysztof Penderecki, Riccordo Chailly and Carlo Maria Giulini. At the invitation of artistic director and conductor Nicola Rescigno, Holt became Principal Trumpet of the Dallas Opera Orchestra in 1989. He received distinguished opera service awards in 1999, 2004, 2009, 2014 and 2019. Holt's orchestral discography includes numerous recordings with the Dallas Symphony Orchestra, Fort Worth Symphony Orchestra, The Dallas Opera Orchestra and The Voices of Change. In this interview with Prof. Holt, you'll discover: -How freak diving injury led to greater awareness as a trumpeter...01:15 -What opportunities for trumpeters exist now that didn't exist in the 70's...07:20 -The higher you go up the pyramid, the less competition there will be...11:45 -How trumpet is like a turtle...15:55 -How to know a student is ready to progress to the next level...19:30 -How Gil Johnson transformed American orchestral playing...28:20 Credits: Trumpet Dynamics: The Story of the Trumpet, In the Words of Those Who Play It Host: James Newcomb Guest: John Holt Opening music: "Folklore" by https://bigbigtrain.com (Big Big Train) Closing music: "Creepin' With Clark" written and performed by Mike Vax Audio editing by: Show notes prepared by:

Since his Carnegie Hall debut with Skitch Henderson and the New York Pops, Trumpeter and Conductor Byron Stripling has become a Pops orchestra favorite, soloing with Boston Pops, National Symphony, Pittsburgh Symphony, Cincinnati Pops, Seattle Symphony, Baltimore Symphony, Dallas Symphony, to name a few. He has been a featured soloist at the Hollywood Bowl and on the PBS television special, "Evening at Pops," with conductors John Williams and Keith Lockhart. Currently, he serves as artistic director and conductor of the highly acclaimed Columbus Jazz Orchestra. On Saturday afternoon, July 17 at 2:30 p.m. he will be conducting the Tanglewood Family Concert - "American Melodies" - with members of the Boston Symphony Orchestra. It is a family-friendly journey through the early songs that defined America, from folk songs to spirituals, gospel to jazz.

On this 2-part special edition of Life in The Grooves, I talk with GRAMMY Award-winning conductor, composer, arranger and trumpeter, Jeff Tyzik. As one of America's most innovative and sought-after pops orchestra conductors, Tyzik is recognized for his brilliant arrangements, original programming, and engaging rapport with audiences of all ages.  Jeff has led the Rochester Philharmonic Orchestra as its principal pops conductor for more than 27 years. He is also the principal pops conductor for the Dallas Symphony, the Detroit Symphony, and the Oregon Symphony. Tyzik studied both classical and jazz at the prestigious Eastman School of Music where he earned both his bachelor's and master's degrees. He has also produced and composed theme music for many of the major television networks and released six of his own albums on Capitol, Polygram, and Amherst Records. In Part 1 of my conversation, Jeff talks about how he had to adapt and create new programming for orchestras during the Covid- 19 pandemic. Tyzik also looks back on some of his earliest musical experiences and the impact they had on his career. You'll also learn about the years Jeff spent touring, recording, and producing with GRAMMY Award-winning jazz trumpeter and flugelhornist, Chuck Mangione.  Committed to performing music of all genres, Jeff Tyzik has collaborated with such diverse artists as Megan Hilty, Chris Botti, Matthew Morrison, Wynonna Judd, Tony Bennett, Art Garfunkel, Marilyn Horne, and the great Doc Severinsen.

For you today: an insight-packed gem of a conversation with LA Phil trumpet player and Honesty Pill founder, Christopher Still! This summer on the Mind Over Finger Podcast, I promise you fantastic time with wonderful guests! Every month I'm having a live Q&A with amazing musicians in my Facebook group, the Mind Over Finger Tribe and, as to be expected, much wisdom is being shared! We start with pianist Konstantin Soukhovetski, we continue in May with violinist Callum Smart, in June you'll hear from trumpet player Christopher Still from Honesty Pill, July will bring violinist Esther Abrami, and we'll spend time with guitarist Brandon Jack Acker in August. I hope you can join us live for the upcoming sessions. All of the details are in the Mind Over Finger Tribe at facebook.com/groups/mindoverfingertribe.  If you're enjoying today's content, take a screenshot as you're listening, share on social and tag me and my guest so we can thank you for tuning in!   MORE ABOUT CHRISTOPHER STILL AND HONESTY PILL: Website: https://honestypill.com LinkedIn: https://www.linkedin.com/in/christopher-still-056423108/ YouTube channel: https://www.youtube.com/channel/UCd0_NS1GmKSc0viEcbyoQSQ?view_as=subscriber Facebook: https://www.facebook.com/honestypill/ Instagram: https://www.instagram.com/honestypill/ Twitter: https://twitter.com/HonestyPill   CHRISTOPHER STILL joined the Los Angeles Philharmonic in 2007. Before coming to California, he was the Principal Trumpet of the Colorado Symphony Orchestra. He has also held the positions of Associate Principal Trumpet of the Dallas Symphony and Principal Trumpet of the Charleston (SC) Symphony. Additionally, Christopher has served as Assistant Principal Trumpet with the Grant Park Festival Orchestra in Chicago's Millennium Park and Guest Principal with the St. Louis Symphony. He has performed with numerous other orchestras including the Boston Symphony, the Boston Pops, and the Orquesta Sinfónica de Galicia in La Coruña, Spain. He has appeared as a soloist with the Chamber Orchestra of Northern New York and the Colorado and the Littleton (CO) symphonies. He can be heard on recordings with the Los Angeles Philharmonic, Grant Park, Dallas, and Albany (NY) symphony orchestras. A Yamaha Artist, Christopher is a dedicated educator and an active clinician. Having grown up in a musical household, Christopher originally intended to become a band director and earned a Bachelor of Music Education degree from the Crane School of Music (SUNY – Potsdam). Switching to performance, he received his Master of Music Performance degree from the New England Conservatory in Boston. He was a Tanglewood Music Center Fellow in 1995 and 1996. Christopher's favorite aspect of his job is the orchestra's frequent performance of contemporary music, especially the Green Umbrella concert series. Christopher lives in Altadena with his wife, clarinetist Amanda McIntosh, and two children. He enjoys distance running, skiing, brewing beer, and hiking in the trails behind his house.   HONESTY PILL Honesty Pill is the project of Christopher Still, a trumpet player with the Los Angeles Philharmonic. Chris creates focused, actionable plans that help musicians and other creatives address the issues standing between them and their goals. Intermediate through professional instrumentalists and singers can benefit from Honesty Pill coaching. This includes motivated high school students, college students, serious hobbyists, and professionals of all ages and levels of accomplishment. Honesty Pill is for anyone who wants to master their art. Even if you've already achieved some level of success, Honesty Pill has information and tools that will help you take your musical life to the next level.   Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights.   If you enjoy the show, leave a review on Apple Podcast or your favorite podcast provider.  I genuinely appreciate your support.     THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme.  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction.  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home.   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

This episode of MOTR I am joined by the Associate Principal Trumpet of the Philadelphia Orchestra, Jeffrey Curnow!  Jeff is a former member of the Empire Brass, former principal trumpet of the Dallas Symphony and is currently on faculty at both the Curtis Institute and Temple University.  Jeff is also a weekly contributing cartoonist for NPR!Grab a cold one and join us as we talk about his love for cartooning, his touring days with Empire, the differences between playing in a chamber group and being Principal Trumpet of a ajor Symphony Orchestra and of course ... gin!  

For our Season 1 finale, we interview Mr. Brian Hecht! As the (former) bass trombonist of the Atlanta Symphony, brand new utility trombonist for the Dallas Symphony, and a world-renown soloist, he had some excellent insight and advice to share with us about how to know when it's time to take your career in a new direction. We also had some more lighthearted conversations about his non-music hobbies, and talked about his nearly-one-year-old teaching service Slide School. We hope you enjoy this final interview of the season! Fun fact: friend of the podcast Evan Williams was also featured in the transition music for this episode! Worlds collide! -- Transition music: Concert Allegro, Alexei Lebedev, Brian Hecht & UT Trombone Choir 2016 Intro/Outro music: I Will Go Sailing No More, Randy Newman, Lawson Gardner Instagram: @8thposition @dabaldwin903 @lawson.does.trombone

The Cello Sherpa Podcast host, Joel Dallow, interviews St. Louis Symphony  Orchestra cellist, Jennifer Humphreys on her journey to successfully winning positions in the Charlotte Symphony, the Atlanta Symphony, the Dallas Symphony, and the St. Louis Symphony. If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on twitter @theCello Sherpa

JT and Matt speak with Alex Kerr, Concertmaster of the Dallas Symphony.

In this episode I share a conversation with Anne Mileski on her music teacher journey. Anne Mileski is an elementary music specialist in Eastern Washington. She is certified in Orff-Schulwerk, Kodály, Smithsonian Folkways World Music Pedagogy, Music Learning Theory Elementary General Level I, and has completed coursework in Dalcroze Eurythmics. She is a regular clinician at local chapter workshops, state music conferences, and has presented at both the American Orff-Schulwerk Association and Organization of American Kodály Educators national conferences. In the summers, she has served as a pedagogy instructor for Kodály teacher education programs at both the American Kodály Institute at Loyola Maryland, and the Plano ISD/SMU Kodaly Certification Program in Dallas Texas. Anne holds a Bachelor of Music degree in Trumpet Performance from the University of Michigan where she studied with Bill Campbell and a Master of Music degree in Trumpet Performance from Southern Methodist University where she studied with Tom Booth of the Dallas Symphony. She has performed on trumpet with prestigious groups such as the Detroit Symphony Orchestra and the Dallas Wind Symphony. In addition to her applied music studies, Anne holds a Master of Music degree in Music Education from Southern Methodist University. Prior to relocating to the pacific northwest, she completed coursework toward a doctorate in music education at Indiana University, Jacobs School of Music. She served as an associate instructor for the music education department, both as a supervisor for student teachers and as a teaching assistant for choral and elementary music methods courses. Also while at IU, she conducted second and third grade singers in the IU Children's Choir. Anne currently serves as a conductor for the Spokane Area Youth Choruses, and founded the ABC early childhood program for young singers through SAYC. She presents regularly at local, state, and national workshops and conferences, on topics including purposeful movement and curricular sequencing in the elementary classroom. She is the founder of anacrusic.com and The Anacrusic Podcast, where she helps music teachers get more intentional with their teaching through trainings, custom curriculum, and weekly podcasts. Links and Resources: Follow Anne on Instagram AnneMileski.com

In this episode I share a conversation with Anne Mileski on her music teacher journey. Anne Mileski is an elementary music specialist in Eastern Washington. She is certified in Orff-Schulwerk, Kodály, Smithsonian Folkways World Music Pedagogy, Music Learning Theory Elementary General Level I, and has completed coursework in Dalcroze Eurythmics. She is a regular clinician at local chapter workshops, state music conferences, and has presented at both the American Orff-Schulwerk Association and Organization of American Kodály Educators national conferences. In the summers, she has served as a pedagogy instructor for Kodály teacher education programs at both the American Kodály Institute at Loyola Maryland, and the Plano ISD/SMU Kodaly Certification Program in Dallas Texas. Anne holds a Bachelor of Music degree in Trumpet Performance from the University of Michigan where she studied with Bill Campbell and a Master of Music degree in Trumpet Performance from Southern Methodist University where she studied with Tom Booth of the Dallas Symphony. She has performed on trumpet with prestigious groups such as the Detroit Symphony Orchestra and the Dallas Wind Symphony. In addition to her applied music studies, Anne holds a Master of Music degree in Music Education from Southern Methodist University. Prior to relocating to the pacific northwest, she completed coursework toward a doctorate in music education at Indiana University, Jacobs School of Music. She served as an associate instructor for the music education department, both as a supervisor for student teachers and as a teaching assistant for choral and elementary music methods courses. Also while at IU, she conducted second and third grade singers in the IU Children’s Choir. Anne currently serves as a conductor for the Spokane Area Youth Choruses, and founded the ABC early childhood program for young singers through SAYC. She presents regularly at local, state, and national workshops and conferences, on topics including purposeful movement and curricular sequencing in the elementary classroom. She is the founder of anacrusic.com and The Anacrusic Podcast, where she helps music teachers get more intentional with their teaching through trainings, custom curriculum, and weekly podcasts. Links and Resources: Follow Anne on Instagram AnneMileski.com --- Support this podcast: https://anchor.fm/thatmusicpodcast/support

Alan Brunton, is native to Texas, born in Dallas, raised in Amarillo, is a visionary and developer of software platform aimed at enhancing optimal performance and human potential through targeted frequencies in digital audio which results in healthier body, mind, spirit and environment. Sound Software for Sound Lifestyles.Audio engineer and musician, Alan’s life has been always included a great awareness to sound. His dedication to bring influencing technology to the world is shown by great enthusiasm and compassion.Alan’s leadership and entrepreneur skills have previously been documented in successfully opening 33 different restaurants, writing policy, procedure and operation manuals, training staffs and crews from Texas all the way to the East coast of the United States. His successful airing (18 month) of the artsy cooking show, made for television, Food for Love, was groundbreaking entertainment and included several published cookbooks to follow the series.Alan’s audio engineering studio, Allegro Data Systems, Entrée Nous, Inc., a Texas S Corp., was focused on archiving magnetic tape (reel-to-reels and cassettes) to secure one of a kind recordings from Scripps Institute of Oceanography, including never before released conversations with Jacques Cousteau, the Dallas Symphony, Southern Methodist University and private libraries of Morris Beechy (Chorus Master, University of Texas, Austin, TX) and Dr. Lloyd Pfautsch,(Composer-Chorus Master Emeritus, SMU).Alan’s formal education has included studies at Amarillo Jr. College (Amarillo, TX), East Texas A&M (Commerce, TX), University of Oklahoma (Norman, OK), Catholic University of America (Washington, D.C.) and the Florida Institute of Technology (Melbourne, FL).About Cymatrax, Inc.:Cymatrax, an SaaS company with patented technology based on digital audio frequency application, accelerating signaling to the brain from any digital audio, is currently being used by hundreds of clients from all over the world.“With over 5B people listening to digital audio each day, Cymatrax is poised to propel a market application unlike anything seen in many years,” says the Cymatrax founder.Digital audio applications will not be limited to music, podcasts, corporate training, books on audio, streaming media (plug ins) and online education, but is also currently being applied to filter audio to deliver an optimized signal to the brain for neurological disorders, such as stroke.With two highly recognized neurologists asking to oversee the use of the Cymatrax technology in clinical trials for autism, then other neurological disorders, the healthcare applications are an additional target for global markets.Learn More: www.cymatrax.comInfluential Influencers with Mike Saundershttps://businessinnovatorsradio.com/influential-entrepreneurs-with-mike-saunders/Source: https://businessinnovatorsradio.com/interview-with-alan-brunton-founder-president-ceo-cymatrax

Alan Brunton, is native to Texas, born in Dallas, raised in Amarillo, is a visionary and developer of software platform aimed at enhancing optimal performance and human potential through targeted frequencies in digital audio which results in healthier body, mind, spirit and environment. Sound Software for Sound Lifestyles.Audio engineer and musician, Alan’s life has been always included a great awareness to sound. His dedication to bring influencing technology to the world is shown by great enthusiasm and compassion.Alan’s leadership and entrepreneur skills have previously been documented in successfully opening 33 different restaurants, writing policy, procedure and operation manuals, training staffs and crews from Texas all the way to the East coast of the United States. His successful airing (18 month) of the artsy cooking show, made for television, Food for Love, was groundbreaking entertainment and included several published cookbooks to follow the series.Alan’s audio engineering studio, Allegro Data Systems, Entrée Nous, Inc., a Texas S Corp., was focused on archiving magnetic tape (reel-to-reels and cassettes) to secure one of a kind recordings from Scripps Institute of Oceanography, including never before released conversations with Jacques Cousteau, the Dallas Symphony, Southern Methodist University and private libraries of Morris Beechy (Chorus Master, University of Texas, Austin, TX) and Dr. Lloyd Pfautsch,(Composer-Chorus Master Emeritus, SMU).Alan’s formal education has included studies at Amarillo Jr. College (Amarillo, TX), East Texas A&M (Commerce, TX), University of Oklahoma (Norman, OK), Catholic University of America (Washington, D.C.) and the Florida Institute of Technology (Melbourne, FL).About Cymatrax, Inc.:Cymatrax, an SaaS company with patented technology based on digital audio frequency application, accelerating signaling to the brain from any digital audio, is currently being used by hundreds of clients from all over the world.“With over 5B people listening to digital audio each day, Cymatrax is poised to propel a market application unlike anything seen in many years,” says the Cymatrax founder.Digital audio applications will not be limited to music, podcasts, corporate training, books on audio, streaming media (plug ins) and online education, but is also currently being applied to filter audio to deliver an optimized signal to the brain for neurological disorders, such as stroke.With two highly recognized neurologists asking to oversee the use of the Cymatrax technology in clinical trials for autism, then other neurological disorders, the healthcare applications are an additional target for global markets.Learn More: www.cymatrax.comInfluential Influencers with Mike Saundershttps://businessinnovatorsradio.com/influential-entrepreneurs-with-mike-saunders/Source: https://businessinnovatorsradio.com/interview-with-alan-brunton-founder-president-ceo-cymatrax

In recounting the life story of many composers, it’s a familiar and perhaps Romantic cliché that their work will be—as a matter of course—NOT appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences. In reality, we’re happy to report, that isn’t always the case. Consider, for example, the American composer Lowell Liebermann, who was born in New York on today’s date in 1961. At the age of sixteen, the premiere of his Piano Sonata No. 1 at Carnegie Hall resulted in a number of prizes and awards. By his thirties, Liebermann was being commissioned and championed by some of the leading performers of our time. For James Galway, Liebermann composed a Flute Concerto and Liebermann’s two-act opera “The Picture of Dorian Gray” was the first work that the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February of the year 2000, and, in a symbolic Millennium gesture, simulcast their performance new-fangled World Wide Web.

In recounting the life story of many composers, it’s a familiar and perhaps Romantic cliché that their work will be—as a matter of course—NOT appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences. In reality, we’re happy to report, that isn’t always the case. Consider, for example, the American composer Lowell Liebermann, who was born in New York on today’s date in 1961. At the age of sixteen, the premiere of his Piano Sonata No. 1 at Carnegie Hall resulted in a number of prizes and awards. By his thirties, Liebermann was being commissioned and championed by some of the leading performers of our time. For James Galway, Liebermann composed a Flute Concerto and Liebermann’s two-act opera “The Picture of Dorian Gray” was the first work that the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February of the year 2000, and, in a symbolic Millennium gesture, simulcast their performance new-fangled World Wide Web.

Soprano Jennifer Youngs began her 2019-2020 season with an appearance as Armida in Handel’s Rinaldo with The American Baroque Opera Company. Jennifer made her main stage Dallas Opera debut as Olimpia in Argento’s The Aspern Papers and was seen in the role of Laurette in the Dallas Opera Outreach production of Bizet’s Dr. Miracle. Opera roles include Lucia in Lucia di Lammermoor, Donna Anna in Don Giovanni, Birdie in Regina, Vitellia in La clemenza di Tito, Casilda in The Gondoliers, and Clorinda in La Cenerentola. She has been a featured soloist for Mahler’s 4th Symphony, Carmina Burana, Beethoven’s 9th Symphony, Handel’s Messiah, Haydn’s Creation, Bach’s Cantata #110, Brahms Requiem, Mozart’s Exsulate, jubilate, and Mozart Requiem. She has been a featured soloist with The Dallas Symphony, The Dallas Opera Orchestra, Abilene Philharmonic, Winston-Salam Symphony, Richardson Symphony, and University of North Texas Symphony orchestras. Jennifer is a champion for living composers and has been featured on recitals with composers Jake Heggie, Tom Cipullo, Dominick Argento, S. Andrew Lloyd, Paul David Thomas, Lisa Despain,, and Dave Brubeck. Jennifer also is a member of the GRAMMY-nominated ensemble, The South Dakota Chorale. Jennifer has been nominated for a Richard Tucker Foundation Career Grant in NYC. She is the winner of the Lois Alba Aria Competition, winner of the Kansas City District of the Metropolitan Opera Council Auditions, winner of the concerto competition at The University of North Texas, and a semi-finalist in the Loren Zachary Vocal Competition. In the fall of 2020, Dr. Youngs joined the faculty of Brigham Young University, in Provo, Utah. Previously, Jennifer was an Assistant Professor and Coordinator of Vocal Studies at Texas Woman’s University, in Denton, Texas. She earned a Doctor of Musical Arts degree in Performance and Pedagogy as well as a Master of Music degree in Performance and Opera from the University of North Texas and a Bachelor of Music degree in Performance from the Conservatory of Music at University of the Pacific. “The standout in the Rinaldo cast was Jennifer Youngs, who vividly portrayed Armida’s vulnerability as well as ferocity. Her substantive soprano alternately raged, flickered and delicately touched in high notes.” -The Dallas Morning News

Rod Gilfry is a two-time Grammy nominee, singer and actor, and has performed in all the world's music capitals, and appears on over 30 commercial recordings. He was born and raised in Southern California, and earned degrees from California State University Fullerton, and the University of Southern California. From 1987 to 1989 he was a member of the Frankfurt Opera ensemble, and from 1989 to 1994 he was a member of the Zurich Opera ensemble. Rod is acclaimed world-wide in opera, musicals, recitals and cabaret. An important part of his 75-role repertoire are the 12 leading roles he has created in new operas. Recent performances include the Los Angeles Opera productions of David Lang's solo opera the loser, Matthew Aucoin's Crossing, and Eurydice; and Jake Heggie's It's a Wonderful Life at the San Francisco Opera. He was recently Claudius in Brett Dean's Hamlet at the Glyndebourne and Adelaide Festivals, a role he will reprise at the Metropolitan Opera next year. His tour with Renée Fleming in Kevin Puts’s The Brightness of Light began with concerts at the Tanglewood Festival, Colorado Symphony and the Kennedy Center, and will resume with the Dallas Symphony, Los Angeles Opera and Chicago Lyric Opera. Mr. Gilfry is in his 12th year as a Professor of Vocal Arts at the University of Southern California Thornton School of Music in Los Angeles.

Pittsburgh Symphony Principal Pops Conductor Byron Stripling appears in a new edition of Front Row, the online virtual initiative of the Pittsburgh Symphony Friday night at 7:30 December 4 with  Finding Your Song. Byron describes the places he visits including the Hill District, August Wilson house and Manchester Craftsmen’s Guild.  He talks Pittsburgh jazz greats and his most recent listening suggesting essential tracks by saxophone legend Sonny Rollins and much more. Byron recently appeared with  the Dallas Symphony, the Toledo Symphony and more in one occasion wearing a mask while singing.

My guest this week is flautist, Demarre McGill! Mr. McGill is the Principal Flute of the Seattle Symphony and has previously served as Principal Flute or acting principal of the Dallas Symphony, Metropolitan Opera Orchestra, Pittsburgh Symphony, San Diego Symphony, Florida Orchestra, and Santa Fe Opera Orchestra. In addition to his orchestral career, Mr. McGill has gained international recognition as a soloist and chamber musician. He has appeared as a soloist with prestigious ensembles like Philadelphia Orchestra, Chicago Symphony Orchestra, Pittsburgh Symphony Orchestra, Dallas Symphony Orchestra, and Baltimore Symphony Orchestra. He has participated as a chamber musician at festivals like Santa Fe, Marlboro, Seattle, and Stellenbosch chamber music festivals and is the co-founder of the McGill/McHale Trio alongside clarinetist, Anthony McGill, and pianist Michael McHale. Dedicated to training the next generation of classical musicians, Mr. McGill has appeared as a performer and educator in countries like South Africa, South Korea, Japan, Quebec, and throughout the United States. He is currently Associate Professor of Flute at Cincinnati College-Conservatory of Music and is an artist-faculty member of Aspen Music Festival.Mr. McGill and I discuss the question, "What are elements of strong leadership in classical music?" We discuss what makes a leader, dealing with musicians as people, how to successfully lead a section, in what ways music education has evolved, and what he would like to see from leadership in classical music as they tackle issues of diversity and inclusion. You can find out more about Demarre McGill at his website, www.demarremcgill.com, and on his Instagram @demarremcgill.

In this chat, host Adam Wolf is joined by 2nd horn of Dallas Symphony, Haley Hoops. We discuss her winning IHCA, Covid videos, etudes, triathlons, auditions, and all things her career up to this point.

In this chat, host Adam Wolf is joined by 2nd horn of Dallas Symphony, Haley Hoops. We discuss her winning IHCA, Covid videos, etudes, triathlons, auditions, and all things her career up to this point.

Musician 1st Class Myles Blakemore is a native of Dallas, TX. He received a Bachelor’s degree in Trombone Performance from Southern Methodist University and a Master’s degree in Orchestral Performance from Manhattan School of Music. His teachers include Per Brevig, John Kitzman, and James McNair.Prior to entering the Navy, Blakemore held fellowships with the Minnesota Orchestra, New World Symphony in FL, and Symphony in C in NJ. Professionally, he has performed with the Charleston Symphony, Dallas Symphony, and Malaysian Philharmonic. In addition to his education, he has been a member of the Aspen Music Festival, Brevard Music Center, Lake George Music Festival, National Repertory Orchestra, and Spoleto Music Festival USA.In 2018, Blakemore auditioned and was selected for assignment to the U.S. Naval Academy Band. Following recruit training at RTC Great Lakes, he reported for duty as trombonist with the brass ensemble, marching band, and ceremonial units.In this episode, Ben and Michael discuss audition success and hear what Myles' story is as a musician, and also discuss how to integrate more minority communities into classical music.

TBJ138: Julie Landsman on being the first woman in the brass section of The Met, the teaching of Carmine Caruso and JFL. Legendary is a term that gets thrown around a lot. Sometimes, it is deserved. This is one of those times. We're playing around with the show notes organization. Let us know your thoughts! In this fun and lively discussion, we cover: Julie being on our initial “wish list” of guests Working with both Sam and Mark Gould in a quintet Trio with Dave Taylor and Gould Played Principal horn for the Met for 25 years Andrew Balio (née Anil) and the sheep Getting into The Met in 1985 Working with a bunch of dudes First woman in the brass section at The Met Only a few of them welcomed her, most did not Her only defense was to outplay them Leading by example Challenges growing up that helped shape her abilities, drive, and approach Working to be heard and developing her own voice Disaster at the banjo Joe Greco was her band director and led her to the horn Carmine Caruso was brought in to help out her band program which continued to cement her approach and drive Howard Howard from The Met as another major influence Hearing Denis Brain recordings Caruso method, no-nonsense approach Paralysis through analysis The precision timing of movement A platform for your musicality The importance of repetition JFL Warburton Mouthpiece, JFL model is on the way Missing playing with The Met (she left in 2010) Taking a leave of absence when she turned 50 The Rule of 80 The experience of watching students succeed and perform with them Pilkington playing injured  Starting to teach at the University of Houston and Rice when she played with the Houston Symphony Giving and getting with and from teaching Asking for help and giving help when it is needed Deciding at 13 to become Principal at The Met Moving to California to teach at USC Teaching on both coasts for two years before moving to Southern California permanently Take a chance, follow a dream Meeting Jens for the first time LINKS: Julie's website Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm. Julie's bio: Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She received a bachelor of music degree from The Juilliard School in 1975 under the tutelage of James Chambers and Ranier De Intinis, and has served as a member of the Juilliard faculty since 1989. A native of Brooklyn, New York, Landsman achieved her dream of becoming principal of the MET in 1985 and held that position until 2010. She has also shared her talent to many other ensembles within the city as a current member of the Orpheus Chamber Orchestra and having performed and recorded with the New York Philharmonic. Additionally, she has performed with numerous groups outside the city, including her co-principal position with the Houston Symphony, substitute principal position with the St. Paul Chamber Orchestra, and recent performances with The Philadelphia Orchestra as Associate principal horn, and the Los Angeles Chamber Orchestra, principal horn. She has recorded for RCA, Deutsche Gramophone, CRI, Nonesuch and Vanguard labels, and is most famous for her performance of Wagner’s “Ring” cycle as solo horn with the MET Opera under the direction of James Levine. Landsman has performed as chamber musician at many festivals and concert series, including the Marlboro Music Festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, Sarasota Music Festival, La Jolla Summerfest, the Chamber Music Society of Lincoln Center,  Orcas Island Chamber Music  Festival,  and the Metropolitan Museum of Art, where she appeared as a guest artist with the Guarneri Quartet. In the summers she performs and teaches at the Music Academy of the West , the Sarasota Music  Festival, and the Aspen Music Festival. World renowned as a master teacher, Julie Landsman holds faculty positions at The Juilliard School and Bard College Conservatory, and teaches frequently as a guest at the Curtis Institute. She has presented master classes at such distinguished institutions as The Colburn School, Curtis Institute, Eastman School of Music, Mannes College of Music, Manhattan School of Music, USC Thornton School of Music, Cal State Long Beach, Rowan University, University of Oklahoma, and University of Southern Mississippi, to name a few. She is also a visiting master teacher at the New World Symphony in Miami. Her international presence includes master classes in Norway, Sweden, and Israel.  In 2016 Landsman was an honored jury member at the ARD horn competition in Munich, Germany. Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women’s Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today’s generation of horn players. Landsman currently resides in Nyack, New York.

Honesty Pill founder Christopher Still joined the Los Angeles Philharmonic as Second Trumpet in 2007.  Before coming to California, he was the Principal Trumpet of the Colorado Symphony. He has also held the positions of Associate Principal Trumpet of the Dallas Symphony and Principal Trumpet of the Charleston (SC) Symphony. Christopher has recorded extensively with the Los Angeles Philharmonic, Grant Park, Dallas, and Albany symphony orchestras. Active in the Hollywood recording studios, he can be heard on major motion picture and television soundtracks. He is a Yamaha Artist, a dedicated educator, and an active clinician.  Honesty Pill is a project where Chris creates focused, actionable plans that help musicians and other creatives address the issues standing between them and their goals. Intermediate through professional instrumentalists and singers can benefit from Honesty Pill coaching. This includes motivated high school students, college students, serious hobbyists, and professionals of all ages and levels of accomplishment.

The first female CEO of the Dallas Symphony, Kim Noltemy has embraced Dallas. Hear how she’s equipping over 400 students in South Dallas with instruments and music lessons - and becoming a student herself.

Thomas Rolfs, Principal Trumpet of the Boston Symphony Orchestra and the Boston Pops, began his career with the BSO in 1991 under Seiji Ozawa. He served first as 4th trumpet, and was later promoted by Ozawa to Associate Principal Trumpet. He was promoted to Principal Trumpet by James Levine. As a student, Mr. Rolfs was a Tanglewood Music Center Fellow in 1978, earned his bachelor of music degree from the University of Minnesota, and received his master of music degree from Northwestern University. He returned to Minnesota for a five-year tenure with the Saint Paul Chamber Orchestra. As a soloist, Rolfs has performed with the Boston Symphony and Boston Pops orchestras and the Saint Paul Chamber Orchestra, as well as performing the posthorn solo in Mahler's Symphony No. 3 with the Dallas Symphony. At the request of John Williams, he was a featured soloist on the composer's Grammy-nominated soundtrack for the Academy Award-winning film Saving Private Ryan. He was also soloist in Williams's Summon the Heroes for the nationally televised Boston Pops concert on the Esplanade on July 4, 2001, under Keith Lockhart's direction. His varied performance background also includes appearances withthe National Brass Ensemble, Minnesota Orchestra, Vienna Philharmonic, Empire Brass, Saint Petersburg Philharmonic, Chicago Symphony, Lyric Opera of Chicago, and the American Ballet Orchestra. Rolfs is a founding member of the Boston Symphony Orchestra Brass Quintet, which is in residence at Boston University. As an educator, Rolfs has presented masterclasses throughout the world, including North America, South America, Asia, and Europe. He has served on the faculty of the Tanglewood Music Center since 1998, regularly coaches the New World Symphony, and teaches at both the New England Conservatory and Boston University.Support the show (https://thatsnotspit.com/support/)

In this chat, host Adam Wolf chats with David Cooper, principal horn of Chicago Symphony! They discuss his life and career up through his time as principal horn of Dallas Symphony. This episode is sponsored by Lukas Horns and Balu Musik.

In this chat, host Adam Wolf chats with David Cooper, principal horn of Chicago Symphony! They discuss his life and career up through his time as principal horn of Dallas Symphony. This episode is sponsored by Lukas Horns and Balu Musik.

In this week's episode, Demarre McGill, principal flute with the Seattle Symphony, discusses the building blocks of efficient and mental practice: having discipline, nurturing energy, focusing on beauty, and applying patience in our approach. Demarre also elaborates on the importance of: The “starter teachers” and the diverse support system a young musician needs to blossom Combining discipline, spirit, and energy Being an excellent colleague Patience in slow practice, and how it helps us learn faster Finding the soul of the music & focusing on beauty Providing musical context to fix technical issues Focusing on the music to get in the right headspace for a performance Confronting the things we are not comfortable with in preparation for performances Contributing to your community Not giving up in the face of rejection Staying hungry in order to grow   The Mind Over Finger Podcast on YouTube: https://www.youtube.com/channel/UCtQSB1IVNJ4a2afT1iUtSfA/videos   Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!!     MORE ABOUT DEMARRE: Website: https://www.demarremcgill.com/ YouTube channel: https://www.youtube.com/channel/UCVTwhPRg3lnSTSWxTROWz2w Facebook: https://www.facebook.com/demarremcgillflute/ Instagram: https://www.instagram.com/demarremcgill/   The Chamber Music Society of Fort Worth - Learning with the Masters featuring DSO flutist Demarre McGill: https://www.youtube.com/watch?v=DK_dsbJsw0o   Demarre McGill has gained international recognition as a soloist, recitalist, chamber and orchestral musician. Winner of an Avery Fisher Career Grant and the Sphinx Medal of Excellence, he has appeared as soloist with the Philadelphia Orchestra, the Seattle, Pittsburgh, Dallas, Grant Park, San Diego and Baltimore symphony orchestras and, at age 15, the Chicago Symphony. Now principal flute of the Seattle Symphony, he previously served as principal flute of the Dallas Symphony, San Diego Symphony, Florida Orchestra, and Santa Fe Opera Orchestra. He recently served as acting principal flute of the Metropolitan Opera Orchestra and earlier with the Pittsburgh Symphony Orchestra. As an educator, Demarre has performed, coached and presented master classes in South Africa, Korea, Japan, Quebec and throughout the United States. With his brother Anthony, he was a speaker and performer at the 2018 League of American Orchestras Conference. He has also served on the faculties of the National Youth Orchestra of the United States, the National Orchestral Institute (NOI) at the University of Maryland, the Orford Music Festival, and participated in Summerfests at the Curtis Institute of Music. In August of 2019, he was named Associate Professor of Flute at Cincinnati College-Conservatory of Music and is an artist-faculty member of the Aspen Music Festival and School. A founding member of The Myriad Trio, and former member of Chamber Music Society Two, Demarre has participated in the Santa Fe, Marlboro, Seattle and Stellenbosch chamber music festivals, to name a few.  He is the co-founder of The Art of Élan and, along with clarinetist Anthony McGill and pianist Michael McHale, founded the McGill/McHale Trio in 2014. Their first CD, "Portraits," released in August 2017, has received rave reviews, as has "Winged Creatures," his recording with Anthony McGill and the Chicago Youth Symphony Orchestra. In 2019-20 the McGill/McHale Trio performs at New York City's 92nd Street Y, as well as in Washington D.C. and on chamber music series throughout the Midwest. Media credits include appearances on PBS's Live from Lincoln Center, A & E Network's The Gifted Ones, NBC's Today Show, NBC Nightly News, and, with his brother Anthony when they were teenagers, on Mr. Rogers' Neighborhood. A native of Chicago, Demarre McGill began studying the flute at age 7 and attended the Merit School of Music. In the years that followed, until he left Chicago, he studied with Susan Levitin. Demarre received his bachelor's degree from The Curtis Institute of Music and a Master's degree at The Juilliard School.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

I'm so excited about today's episode where Anne Mileski talks about how you can be a more purposeful, sequential, and joyful music teacher. Anne Mileski is an elementary music specialist in Eastern Washington. She has taught elementary general music in both public and private school settings, and piloted an early childhood program for the Spokane Area Youth Choruses. She is certified in Orff-Schulwerk, Kodály Pedagogy, Smithsonian Folkways World Music Pedagogy, Music Learning Theory Elementary General Level I, and has completed coursework in Dalcroze Eurythmics. She is a regular clinician at local chapter workshops, state music conferences, and has presented at both the American Orff-Schulwerk Association and Organization of American Kodály Educators national conferences. In the summers, she serves as a pedagogy instructor for Kodály teacher education programs. Anne holds a Bachelor of Music degree in Trumpet Performance from the University of Michigan where she studied with Bill Campbell and a Master of Music degree in Trumpet Performance from Southern Methodist University where she studied with Tom Booth of the Dallas Symphony. She has performed on trumpet with prestigious groups such as the Detroit Symphony Orchestra and the Dallas Wind Symphony. In addition to her applied music studies, Anne holds a Master of Music degree in Music Education from Southern Methodist University. Prior to relocating to the pacific northwest, she completed coursework toward a doctorate in music education at Indiana University, Jacobs School of Music. She served as an associate instructor for the music education department, both as a supervisor for student teachers and as a teaching assistant for choral and elementary music methods courses. Also while at IU, she conducted second and third grade singers in the IU Children's Choir. Currently, Anne serves as the director of the early childhood program for the Spokane Area Youth Choruses. She is the founder of The Anacrusic Podcast and Anacrusic.com, where she works to inspire other music teachers to be more intentional with their teaching through purposeful, sequential, and joyful resources. She created her signature program, The Sequencing Solution, to help other teachers discover the plug + play formula for intentional music teaching. You can follow and connect with Anne here: Instagram: instagram.com/annemileski Facebook: facebook.com/anacrusic FREE Podcast Community: facebook.com/groups/TAPinsiders/ Subscribe to the FREE Anacrusic Newsletter: anacrusic.com/newsletter Join the waitlist for The Sequencing Solution: anacrusic.com/tss I'd love for you to leave a rating and a review of the podcast on I-tunes, be sure to share the podcast with any music teacher friends who would find it helpful and be sure to tag me on Instagram or Facebook.

For over 30 years, Levi Davis has been active in the North Texas community and economic development landscape as a business leader, nonprofit board member, municipal administrator, and educator. After completing his military service, he began his civilian career at the City of Dallas and was later appointed to the position of Assistant City Manager. At the City of Dallas, his responsibilities included Convention and Event Services, Water Utilities, Housing, Police and Fire, and Emergency Preparedness. During his tenure as Assistant City Manager, he participated in the expansion of the Convention Center, development of the Reunion Arena, and oversaw the City’s housing and community development initiatives.Mr. Davis has held senior level positions in the financial services industry at several investment banking firms, with a focus on public finance. Presently, he is the Senior Vice President of McCarley Backstrom Berry & Co. LLC serving as an investment banker and consultant responsible for overseeing the firm’s client engagements and business development in the Texas market. Mr. Davis was also the founder of the Hamilton Financial Group, one of the first minority-owned municipal financial advisory firms in the State of Texas. While at Hamilton Financial Group, he developed the first comprehensive long-range financial plan for the City of Houston.Previously, he served as the Western Region Public Finance Director for the 12th ranked investment banking firm in the nation. As the Regional Director, Mr. Davis oversaw bankers working in Los Angeles, Oakland, Seattle, Dallas, Fort Worth, Houston, and Baton Rouge. The firm specialized in providing bond underwriting services to local governments, hospitals, school districts, and other public agencies. During his tenure, Mr. Davis participated in over $7 billion in financing as a banker and his client list included: DFW Airport, Dallas Area Rapid Transit (DART), City of Dallas, North Texas Tollway Authority (NTTA), financing for the Dallas Omni Hotel, Dallas Cowboys Stadium, and the Dallas Performing Arts Center’s. He also served as the firm’s co-financial advisor to the State of Louisiana Housing Authority.Throughout his career, Mr. Davis has served on numerous boards in leadership positions, including Board Chairman of the Dallas Methodist Health System, Board Chairman of the Texas Hospital Trustee Association, Board Chairman of Community Council of Greater Dallas, and Vice Chair of KERA North Texas Public Broadcasting. Additionally, he has served as a board member for the State Fair of Texas, Dallas Symphony, Trustee for Dallas Boys & Girls Club, and is a member of the Salesmanship Club. Mr. Davis completed his undergraduate degree at Texas Christian University in 1971 and received his Master’s Degree in Urban Affairs from the University of Texas at Arlington in 1973.For more information visit:https://siebertcisnerosshank.com/

We had a blast listening to the Dallas Symphony perform the ENTIRE soundtrack of Empire Strikes Back while we got to watch the film and can’t wait to share the...

David Mancini, director of SMU Meadows School of the Arts Division of Music and associate professor of Music Theory interviews the Wilfred Roberts, internationally renown bassoonist and adjunct professor, Bassoon. Wilfred Roberts is one of today's premier bassoonists. Internationally recognized for his consummate artistry, Roberts became principal bassoon of the Dallas Symphony Orchestra in 1965, and retired from this position in October 2015. His 50-year tenure as principal bassoon is the longest on record for any major orchestra. He graduated with highest honors from Oberlin Conservatory and also studied at the Mozarteum Academy in Salzburg, Austria. Before beginning his career in the United States, he served as principal bassoon of the Camerata Academica Orchestra of Salzburg, touring throughout Europe and recording on the Deutsche Grammophone label. Examples of his extremely lyrical yet strong style and exceptional control of the instrument can be heard on extensive recordings with the Dallas Symphony on the RCA, Telarc, Angel, Pro Arte, Dorian and Delos labels. Throughout his career, in national and international tours, his playing has been described as that which represents the top of his profession. “Will Roberts is one of the orchestra members that has been with us the longest, yet he still plays like a young man,” says Jaap van Zweden, music director of the Dallas Symphony Orchestra. “He is as a father for the orchestra and his musicianship is an inspiration to us all.” Roberts is on the faculty of Southern Methodist University and has served on the faculties of the University of North Texas, University of Indiana and University of Michigan. He has performed in various leading summer festivals of music throughout his career. In addition to his long tenure as principal bassoon, he also served for over 40 years as personnel manager and contractor of musicians of the Dallas Symphony.

On this episode we discuss experiencing Erykah Badu live at the Dallas Symphony and the do’s and don’ts when going to the symphony (always wear a suit or at least a sport coat). We also get into all the music that dropped for the first two hours, who’s got the song of the summer so far? The remaining hour and latter part of the podcast we unpack tons of n!gga news (old topics, current and things that we predict to happen in future n!gga news) *Putting People On Game does not own any rights to this music or images*  Last but not least…… Please support the podcast by becoming a Patreon by clicking here. Please support the podcast by becoming a Patreon by clicking here. Please support the podcast by becoming a Patreon by clicking here. Please support the podcast by becoming a Patreon by clicking here. Please support the podcast by becoming a Patreon by clicking here. CLICK HERE TO SUBSCRIBE!  Putting People On Game Podcast (Audio Links Below) Available on iTunes, Spotify ,Stitcher  and all other streaming services! Also, Alexa to play Putting People On Game podcast! --- Send in a voice message: https://anchor.fm/puttingpeopleongame/message

This week, 2019 Tony winner Stephanie J. Block joins Ilana for a conversation. Block has established herself as one of the most relevant and versatile voices in contemporary musical theatre. She most recently won the Outer Critics Circle Award for Outstanding Leading Actress in a Musical portraying Star in THE CHER SHOW and also garnered a Drama League, Drama Desk and TONY Award nomination(s) for her current role of Star. Ms. Block also received the Outer Critics Circle, Drama Desk & TONY nomination(s) for Best Featured Actress in a Musical in 2017 for her star turn as Trina in Lincoln Center Theatre’s highly acclaimed revival of FALSETTOS. In 2013 she was recognized with both the Drama Desk and TONY Award nomination(s) for Best Leading Actress in a Musical for her portrayal of Alice Nutting/ Edwin DROOD in The Roundabout Theater’s production of THE MYSTERY OF EDWIN DROOD. That marks 3 TONY Award nominations in the last 6 years, a feat very few Broadway actors have attained. Other Broadway credits include Reno Sweeney in the 2011 TONY Award winning revival of ANYTHING GOES, 9 TO 5:THE MUSICAL playing the role of Judy Bernly for which she earned a Drama Desk nomination for Best Actress in a Musical. She created the roles of Grace O'Malley in THE PIRATE QUEEN and Liza Minnelli In THE BOY FROM OZ (opposite Hugh Jackman). Ms. Block is best known for her portrayal as Elphaba in the Broadway company of WICKED as well as originating the role in the First National Tour for which she won numerous awards including the prestigious Helen Hayes Award for Outstanding Actress in a Musical. Ms. Block has sung with numerous symphony orchestras including the NY Pops at Carnegie Hall, Boston Pops, National Symphony Orchestra (under the baton of Marvin Hamlisch), Dallas Symphony, Indianapolis Symphony Orchestra, Utah Symphony, Columbus Symphony, Charlotte Symphony and the Cleveland Pops among many others. Her solo concert has been critically acclaimed and continues to sell out throughout the US and in London. Some of her Off-Broadway and regional theatrical credits include LITTLE MISS SUNSHINE (Drama Desk nomination for Outstanding Featured Actress in a Musical), BY THE WAY, MEET VERA STARK(Drama Desk nomination for Outstanding Featured Actress in a Play), THEY'RE PLAYING OUR SONG(starring opposite Jason Alexander), CATS (St Louis' Kevin Kline Award Nominee- Best Actress),FUNNY GIRL, CRAZY FOR YOU (L.A. Ovation Award Nominee), OLIVER (Critics Award-Best Actress), James Joyce's THE DEAD, TRIUMPH OF LOVE, THE GRASS HARP, SOUTH PACIFIC, WILL ROGERS FOLLIES and the World Premiere of WICKED. Stephanie's solo album, THIS PLACE I KNOW has been received with great praise, lauded by critics as "One of the best debut recordings to come out of the Broadway community in quite some time... 6 out of 5 stars". An array of award-winning songwriters assembled to help interpret their music on Stephanie's album. Composers such as Stephen Schwartz, Marvin Hamlisch and the legendary Dolly Parton join forces with Ms. Block to create a thrilling musical experience. Stephanie's voice can be heard on multiple cast recordings, including THE BOY FROM OZ, THE PIRATE QUEEN, WICKED's 5th Anniversary Album and 9 TO 5: THE MUSICAL (GrammyNomination).  Television credits include: RISE (upcoming: NBC), MADAME SECRETARY (CBS), ORANGE IS THE NEW BLACK (Netflix), HOMELAND (Showtime), IT COULD BE WORSE (HULU). 

I'm so excited to start 2019 with a wonderful guest, violinist Chloe Trevor! Chloe and I discuss practicing and performing from several perspectives.  We talk about dealing with injuries, practicing mindfully, how making practice videos can really help us progress faster, how to prepare for performances, and many other things! She has many wonderful tips and tricks in store for you, and I know you will enjoy this episode! We elaborate on: Her musical journey, from childhood to professional life Dealing with debilitating injuries and why having open discussions on this topic is important The Chloé Trevor Music Academy What mindful practice is to her Her ideal practice session vs a more realistic one Getting reacquainted with performing comfortably How recording videos and posting them on social media can really help us progress faster (because it's another form of performing and it helps us get more focused) How to practice efficiently Have a plan – know what you want to accomplish   Keep a journal Warm up properly How she finds fun in practicing Performance preparation Why it's important to be a good person/colleague   ALL ABOUT CHLOÉ: Website: http://www.chloetrevor.com/ YouTube: https://www.youtube.com/channel/UCV331I5OiYv6n4W72k1C9fQ Facebook page: https://www.facebook.com/chloetrevorviolin/ Instagram: https://www.instagram.com/chloetrevor_violin/   Chloé Trevor Music Academy: Website: http://www.chloetrevormusicacademy.org/ Facebook page: https://www.facebook.com/chloetrevormusicacademy/ Instagram : https://www.instagram.com/chloetrevor_musicacademy/   Favorite books: The Talent Code: Greatness Isn't Born. It's Grown. Here's How. by Daniel Coyle   Talent is Overrated: What Really Separates World-Class Performers from Everybody Else by Geoff Colvin   Biography Quickly becoming one of the most talked about and sought after musical ambassadors to Generation Z, violinist Chloé Trevor has combined her technical brilliance, spirit for classical music and her passion for mentoring the youth of today to connect with audiences in exciting and innovative ways. Silver medalist of the Ima Hogg Competition, critics have acclaimed Chloé for her “dazzling technique”, “excellent musicianship”, “huge tone”, “poise and professional grace”, and “bold personality unafraid to exult in music and ability”. She has appeared as a soloist with orchestras worldwide, including the Hong Kong Sinfonietta, Latvian Chamber Orchestra, Slovak State Philharmonic, Plano Symphony, and the Knoxville Symphony. She made her New York concerto debut in 2013 and Avery Fisher Hall debut in 2014. Chloé was the Grand Prize winner at the 2006 Lynn Harrell Competition and the 2005 Lennox Competition. She has been a featured soloist with the Dallas Symphony at the Meyerson Symphony Center, and with the Missouri Symphony on tour throughout the state. At age thirteen she appeared on the nationally syndicated radio program From the Top.   More recent performances included Tchaikovsky's Violin Concerto with the Dallas Symphony and Prokofiev's 2nd Concerto both at Sala São Paulo in Brazil and with the Cleveland Institute of Music Orchestra as a result of winning the Cleveland Institute of Music's Concerto Competition. Having recently concluded her first tours of Australia, Singapore, Spain, and Mexico, Chloé's upcoming engagements include multiple recitals in North America and appearances with Filarmonia Xalapa, the Bangor Symphony Orchestra, the Midland Symphony Orchestra, the Boulder Chamber Orchestra, and the El Paso Symphony Orchestra. Dedicated to music education and outreach, Chloé regularly connects with students and teachers through interactive performances, masterclasses, and lectures, both in person and online. With an extensive and ever-growing following via social media, Chloé enjoys spreading her message of positivity and encouragement to hundreds of thousands of people on a daily basis in order to influence present and future generations of classical musicians. Summer 2018 marks the inaugural year of the Chloé Trevor Music Academy, an intensive two-week program for string players and pianists offering one-on-one instruction, chamber music coaching, masterclasses, orchestral training, and career guidance by the world's premier soloists, teachers, and conductors. Chloé was introduced to the violin at age 2 by her mother, Heidi Trevor Itashiki, Dallas Symphony violinist. She later studied with Arkady Fomin, Dallas Symphony violinist and Artistic Director of the New Conservatory of Dallas. Chloé has made numerous appearances on the concert stage with her father, internationally recognized conductor and teacher, Kirk Trevor. She completed her undergraduate degree at the Cleveland Institute of Music studying with David and Linda Cerone, and her graduate degree as a scholarship student at Rice University studying with Kenneth Goldsmith. Chloé plays on a Carlo Landolfi violin made in Italy in 1771 and bows by Etienne Pajeot and Émile-Auguste Ouchard.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Welcome to episode 69 of Starships, Sabers, and Scoundrels: The Force Begins. On this episode, Dennis, Jay, and Darth Taxus look back to their initial impressions of the Force after the release of A New Hope.  Before they get to the news, the Scoundrels discuss the potential for the Russos to direct a movie and Dennis reports on the John Williams Christmas concert at the Dallas Symphony. Star Wars in the News It was a busy week for Star Wars news. The Scoundrels discussing casting and production news for the live action Star Wars television series. Also, they discuss additional guest announcements for Star Wars Celebration Chicago. In addition, the news includes discussion of a new Darth Vader comic and a new Thrawn novel. Finally, the news concludes with a discussion of Star Wars Galaxy of Adventures. The Force Begins An episode of Galaxy of Adventures features Luke receiving Anakin's lightsaber. However, the animation of that scene is far different than the scene presented in A New Hope. This got the Scoundrels thinking, "what were our early impressions of the Force 40 years ago?" In this week's "Hyperthetical," they look back on the presentation and introduction of the Force to movie audiences from A New Hope. Silence Fools! As with every episode, episode 69 ends with another edition of "Silence Fools!" For listeners new to Starships, Sabers, and Scoundrels, "Silence Fools!" is the feedback and listener participation segment of this show. On this week's show, they Scoundrels answer a listener email and discuss whether Obi-Wan should have done more to counter Palpatine's influence of Anakin. Thanks for tuning into episode 69 of Starships, Sabers, and Scoundrels: The Force Begins. We hope you enjoyed this our discussion of the the introduction of the Force. Social Media, Email, and More Starships, Sabers, and Scoundrels is a bi-weekly show that features three first-generation Star Wars fans. Each episode, RetroZappers Dennis Keithly, Jay Krebs, and Darth Taxus offer their thoughts and reactions on Star Wars news. Then, they engage in Star Wars discussion in the "Hyperthetical" segment. Top ten lists, book reviews, Resistance and television discussion, and interviews are all on the table. After the Hyperthetical, each episode features listener feedback with Silence Fools! The Scoundrels on Twitter: Dennis Keithly can be followed @DJKver2, Darth Taxus is @DarthTaxus, and Jay Krebs is @JoyceKrebs. SCubedPod thrives on listener feedback. Therefore, Dennis, Taxus, and Jay would love to read your email on the show. To reach them, email the show at SCubedPod@RetroZap.com. For instance, have an opinion on Star Wars comics, Rebels, or the novels? We want to hear it. Also, have a question about some Star Wars detail? Send it to us! It doesn't have to be Star Wars to make it on our show. Starships, Sabers, and Scoundrels T-Shirts can be purchased here.   Finally, Dennis, Taxus, and Jay would appreciate an iTunes review for the show. Thank you.