Podcasts about Joycean

David Gray went through the roof with his White Ladder album in 2000 and he's toured and recorded ever since, ending this summer's loop at Latitude. He talks to us here about the rigours of seeing bands when you lived in rural Wales and the hilarious, hard-won lessons of the first gigs he played himself and every possible shade of crowd reaction. It's an absolute whirlwind from start to finish and features ... ... playing weddings, clubs, festivals and a Welsh village regatta … the role of music in the construction of your character … the turning point: “I arrived onstage to more applause than I'd ever had when leaving” … the time gave Morrissey his string of beads … the emotional architecture of live performance and how Elvis programmed his shows … vivid memories of seeing the Cult (“bloody nose”), the Mission (“headbutted”) and the Stranglers (“we left terrified”) … running from stage to stage at Glastonbury in ‘86 and the insular genius of the Cure … his Liverpool punk band in their perishing “Joycean” flat … the unbeatable sound of a crowd singing one of your songs … Nick Drake's frail sensibility and the value of growing a hard skin. David Gray tickets here: davidgray.comHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

David Gray went through the roof with his White Ladder album in 2000 and he's toured and recorded ever since, ending this summer's loop at Latitude. He talks to us here about the rigours of seeing bands when you lived in rural Wales and the hilarious, hard-won lessons of the first gigs he played himself and every possible shade of crowd reaction. It's an absolute whirlwind from start to finish and features ... ... playing weddings, clubs, festivals and a Welsh village regatta … the role of music in the construction of your character … the turning point: “I arrived onstage to more applause than I'd ever had when leaving” … the time gave Morrissey his string of beads … the emotional architecture of live performance and how Elvis programmed his shows … vivid memories of seeing the Cult (“bloody nose”), the Mission (“headbutted”) and the Stranglers (“we left terrified”) … running from stage to stage at Glastonbury in ‘86 and the insular genius of the Cure … his Liverpool punk band in their perishing “Joycean” flat … the unbeatable sound of a crowd singing one of your songs … Nick Drake's frail sensibility and the value of growing a hard skin. David Gray tickets here: davidgray.comDavid Gray's new album Nightjar, a companion to his 2005 No.1 record Life in Slow Motion, is out now via Bella Figura.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

David Gray went through the roof with his White Ladder album in 2000 and he's toured and recorded ever since, ending this summer's loop at Latitude. He talks to us here about the rigours of seeing bands when you lived in rural Wales and the hilarious, hard-won lessons of the first gigs he played himself and every possible shade of crowd reaction. It's an absolute whirlwind from start to finish and features ... ... playing weddings, clubs, festivals and a Welsh village regatta … the role of music in the construction of your character … the turning point: “I arrived onstage to more applause than I'd ever had when leaving” … the time gave Morrissey his string of beads … the emotional architecture of live performance and how Elvis programmed his shows … vivid memories of seeing the Cult (“bloody nose”), the Mission (“headbutted”) and the Stranglers (“we left terrified”) … running from stage to stage at Glastonbury in ‘86 and the insular genius of the Cure … his Liverpool punk band in their perishing “Joycean” flat … the unbeatable sound of a crowd singing one of your songs … Nick Drake's frail sensibility and the value of growing a hard skin. David Gray tickets here: davidgray.comDavid Gray's new album Nightjar, a companion to his 2005 No.1 record Life in Slow Motion, is out now via Bella Figura.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Brenda Donohue reports live from Dublin City to celebrate a Joycean Bloomsday.

Bloomsday Special: The secret political life of James Joyce — and Frank Callanan's final masterpieceWas James Joyce really apolitical?For decades, many scholars claimed Ireland's greatest writer stood apart from politics.Frank Callanan disagreed.Before his untimely death, the renowned barrister, historian and Parnell scholar spent 25 years researching what became his final work: James Joyce: A Political Life.In this special Bloomsday episode of The Fifth Court, Bridget Hourican joins Peter Leonard and Mark Tottenham to discuss Frank's extraordinary final book, his lifelong fascination with Joyce, Parnell, Irish nationalism, exile, censorship and the political forces that shaped modern Ireland.The conversation also becomes a moving tribute to Frank himself — one of the most beloved and intellectually gifted members of the Law Library.Among the topics discussed:Why Frank spent 25 years researching JoyceThe political meaning hidden inside Ulysses and DublinersJoyce's obsession with ParnellWhy Dublin publishers burned copies of DublinersJoyce, censorship and Irish respectabilityWhy Joyce left Ireland and never truly returnedFrank Callanan's remarkable legal and academic careerThe challenge of completing a 900-page masterpiece after his deathFor anyone interested in law, literature, Irish history or Bloomsday, this is a fascinating conversation.Book recommendation:James Joyce: A Political Life by Frank CallananDecisis casebook section sponsored by Charlton Solicitors & Collaborative Practitioners.1. The runaway truck caseDuggan v Logan (Mr Justice Oisín Quinn)A driver was seriously injured when a truck rolled out of a filling station and into traffic with nobody behind the wheel after the driver failed to apply the handbrake.Why it matters:The High Court awarded damages of approximately €128,000 and provides a reminder that leaving a vehicle unsecured can create liability even when the driver is physically absent from the vehicle.2. Turkish worker wins immigration rights challengeOzek v Minister for Justice (Mr Justice Simons)A Turkish migrant worker successfully challenged the Minister's refusal to properly backdate an immigration permission.Why it matters:The Court found that EU-derived worker protections had not been correctly applied, reinforcing the importance of protecting migrant workers' rights under European law.3. Mother and Baby Institutions Redress SchemeKiernan (otherwise John Duncan Morris) v Minister for Children (Mr Justice Owens)A claimant challenged a decision that certain institutions were not covered by the Mother and Baby Institutions Payment Scheme.Why it matters:The Court held that the legislation should be interpreted more broadly and that the applicant was entitled to seek redress under the scheme. The decision may affect how eligibility is assessed in future claims. Hosted on Acast. See acast.com/privacy for more information.

This year, Bloomsday Film Festival will present a special screening of Ulysses, New York - an ambitious 24-part adaptation of Ulysses introduced by director, Caveh Zahedi and hosted by Irish filmmaker Dean Kavanagh.Caveh is an American autobiographical filmmaker celebrated for his experimental, self-reflexive and adventurous work across film, web series, and podcasting. In this podcast, we catch up with Caveh to chat about his art, craft, and plans for the festival.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts or watch the original recording here.https://www.filmireland.net/podcast-filmmaker-caveh-zahedi-ulysses-new-york-at-bloomsday-film-festivalThis screening and talk will be taken place on 12th June 2026 7pm to 8:30pm in Belvedere College. Get your tickets here.The Bloomsday Festival runs from 11th–16th June, with screenings hosted at the historic James Joyce Centre and the Irish Film Institute (IFI).About Ulysses, New York An Introduction with Director Caveh Zahedi Ulysses, New York is an ambitious 24-part adaptation of James Joyce's Ulysses by Caveh Zahedi, an American autobiographical filmmaker known for his self-reflexive and formally adventurous approach to cinema. His feature films include Autobiographical Filmmaker Seeks Camera-Friendly Companion (2025), The Sheik and I (2012), I Am a Sex Addict (2005), In the Bathtub of the World (2001), I Don't Hate Las Vegas Anymore (1994), and A Little Stiff (1991). He is also the creator of the web series The Show About the Show and the writer/host of the podcast 365 Stories I Want To Tell You Before We Both Die.With Ulysses, New York, Zahedi attempts to do to Joyce's Ulysses what Joyce did to Homer's The Odyssey: transpose a canonical work into a new time, place and form. The events of 16 June 1904 in Dublin are reimagined as taking place on 16 June 2022 in New York City, on the centenary of the novel's publication. Following eight actors performing in a Bloomsday stage production of Ulysses, the film moves between Joyce's chapters onstage and the corresponding hours of the actors' real day. This special presentation features a work-in-progress version of the introductory episode, followed by a discussion with Zahedi on the challenges of adapting Joyce.Bloomsday Film FestivalIreland's most literary film festival was established as a celebration of cinema, literature, and artistic innovation, inspired by the far-reaching influence of Ireland's father of modernism, James Joyce. The festival is presented in partnership with the Bloomsday Festival and the James Joyce Centre, and runs from 11–16 June, with screenings hosted at the historic James Joyce Centre and the Irish Film Institute (IFI). Continuing its annual traditions, the festival marks the birthday of W.B. Yeats on 13 June with a curated programme of poetry and literature-inspired short films. On 14 June, in keeping with Joyce's radical and experimental spirit, the programme showcases a selection of innovative experimental films. The following day, 15 June, celebrates the anniversary of the publication of Dubliners with screenings of Joycean short films and adaptations of Dublin-based stories.Alongside its cinematic programme, the Bloomsday Film Festival presents a diverse range of events, including director Q&As, workshops, musical performances, and poetry readings. At its core, the festival is committed to fostering artistic innovation - championing filmmakers who forge their own paths and create work that pushes the boundaries of the medium, in the same pioneering spirit that defined Joyce's literary legacy.Check out the programme & get tickets at www.bloomsdayfestival.ie.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Grendel VVept is a bizarre book that I can kind of describe as Joycean cosmic horror, but that doesn't cover everything. Traveling through time and prose styles, from today to Renaissance Italy to Sumer to ages even more distant, it's disorienting in a fascinating way. Playing God, the other book of Serret's that I read for this episode, is a tight novella set in 1969 America, with a lot of teenage lesbianism. CP Serret has range.Early on in recording (within the first five or six minutes), Serret's microphone started acting up. I ended up cutting a few minutes out, because the audio quality was so grating. Apologies to those desperate for every possible minute of Serret.Get CP Serret's books here: tempestandgayle.comCP Serret on X: @LeProjetSerretVERY IMPORTANT INFORMATIONJack has published a novel called Tower!Amazon: https://www.amazon.com/Tower-Jack-BC-ebook/dp/B0CM5P9N9M/ref=monarch_sidesheetThe first nine chapters of Tower are available for free here: jackbc.substack.comOur Patreon: www.patreon.com/TheBookClubfromHellJack's Substack: jackbc.substack.comLevi's website: www.levioutloud.comwww.thebookclubfromhell.comJoin our Discord (the best place to interact with us): https://discord.gg/nbRkVeztEQWatch us on YouTube: https://www.youtube.com/channel/UC0n7r1ZTpsUw5exoYxb4aKA/featuredX: @bookclubhell666Jack on X: @supersquat1Levi on X: @optimismlevi

The Cru returns for Season 5 of Radio FreeWrite! In this episode, we set fresh writing goals, reflect on unions and collective action, and laugh about Monty Python as we take on the Scots phrase ca' canny: a call to ease up, work slow, and resist.Stories this week begin at the 16:30 mark and explore resistance in many forms: a poetic plea for freedom from work and a greening earth, a Joycean sketch of paralysis on the farm, a futuristic Uber ride tinged with climate anxiety, a fantasy where unchecked power threatens destruction, and a Labor Day reflection on the risks and strength of workers.Prompt: Ca' canny — Scots expression meaning go easy, don't exert yourself, go slow; also in trade union parlance: work to rule or restrict output so as to exert pressure on employers.Like this weeks episode and wish you could read as well as listen? Subscribe to our Substack for a summary of our opening discussion, a story from the episode, and a writing prompt! Be sure to follow us on Instagram (if that's your sort of thing). Please do send us an email with your story if you write along, which we hope you will do. Episodes of Radio FreeWrite are protected by a Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) license. All Stories remain the property of their respective authors.

All Future Plunges to the Past: James Joyce in Russian Literature (Cornell UP, 2021) explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses. The creative reworkings, or translations, of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history. All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment. José Vergara is Assistant Professor of Russian at Bryn Mawr College.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

All Future Plunges to the Past: James Joyce in Russian Literature (Cornell UP, 2021) explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses. The creative reworkings, or translations, of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history. All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment. José Vergara is Assistant Professor of Russian at Bryn Mawr College.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

All Future Plunges to the Past: James Joyce in Russian Literature (Cornell UP, 2021) explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses. The creative reworkings, or translations, of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history. All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment. José Vergara is Assistant Professor of Russian at Bryn Mawr College.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

All Future Plunges to the Past: James Joyce in Russian Literature (Cornell UP, 2021) explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses. The creative reworkings, or translations, of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history. All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment. José Vergara is Assistant Professor of Russian at Bryn Mawr College.  Learn more about your ad choices. Visit megaphone.fm/adchoices

All Future Plunges to the Past: James Joyce in Russian Literature (Cornell UP, 2021) explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses. The creative reworkings, or translations, of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history. All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment. José Vergara is Assistant Professor of Russian at Bryn Mawr College.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Why does the huge country India have an interest in tiny Gibraltar? The High Commissioner of India to the UK is on the Rock. Vikram Doraiswami has been speaking at an event at the Finance Centre Boardroom with The Financial Services Minister Nigel Feetham and industry professionals.OTWO were the winners of the Gibtelecom Business Innovation Awards. The company organises a magazine, the Eco Festival and Green Week. We spoke to Vanessa Byrne and Margherita Haiduk.Jose Mari Ruiz brought us up to speed with local sports, as the women's squad prepare for their last nations league matches, the latest in the badminton nationals, a visit from Taekwondo Grand Master Neil Guest, and a 8 ball pool tournament for GBC Open Day.Beauty with a purpose: Miss Gibraltar Shania Ballester is one of 108 contestants from around the globe who will compete for the Crown of Miss World 2025. Tomorrow's grand finale in Hyderabad, India will be broadcast live on GBC. So, how will Shania be feeling ahead of the occasion? Who better to ask than someone who's, not only lived it, but worn the crown too - Kaiane Lopez. The Muga Sports Complex is the place to be tonight for Back to the Classics! After the roaring success of last year's show, this time they're going bigger and better! It's a collaboration of the best local musicians covering classic hits from the ???? to the noughties! We asked organiser Dion Mifsud whether the stage is set for tonight.And, Bloomsday, a day to celebrate the works of James Joyce, is just around the corner! His most famous work Ulysees has strong ties with the Rock, with the character Molly Bloom being a llanita! Patrick Sacarello, known for his love of art, has brought PJ Murphy to Gibraltar to help develop Bloomsday locally in the future. PJ runs one of the Joycean centres in Dublin at Sweny's (the chemist that appears in Ulysses) and is heavily involved in the Bloomsday festival in Dublin. Hosted on Acast. See acast.com/privacy for more information.

Peter O'Brien is an artist, a visionary, and a life-long Joycean, with the energy to not only dream up one major Finnegans Wake-centric artistic offshoot, but is busy scheming about how to top it. We first became aware of Peter as a brilliant artist, using “letterism” to artistically annotate the pages of Finnegans Wake. Exhibited around the world and widely published, most would be satisfied with that: but not Peter, who is now pouring his unmatched attention into a new opera despite (by his own admission) knowing little about music. Join us on this fascinatingly palimpsestuous discussion that touches on the nature of genius, memorisation, Glenn Gould, Virgil, nudity, and Wagner, and shows us that you may think you can be finished with the Wake, but it's never really finished with you. This week's chatters: Peter O'Brien, Toby Malone, TJ Young Contextual Notes Peter's Wake-inspired art: https://www.peterobrienart.com/about.html Limited edition Wake prints: https://www.peterobrienart.com/store/c2/LOFWFW_-_LIMITED_EDITION.html  Peter's Globe and Mail article on his art: https://tpob.me/wp-content/uploads/2019/04/obrien-on-lofwfw-in-globe-and-mail-5.pdf  O'Brien, P. (2018). Drawing Upon Finnegans Wake. Art/Research/International:/A/Transdisciplinary/Journal, 3(2), 196–215. https://doi.org/10.18432/ari29381  Pitch deck for Plurabelle: https://tpob.me/wp-content/uploads/2023/11/p-l-u-r-a-b-e-l-l-e-pitch-27-oct-2023.pdf  For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠⁠⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

Break out Mr. Tunney the grocer's Christmas almanac, clear your schedule for Edwin Hamilton's Christmas pantaloonade and the Christmas pantomime Sinbad the Sailor, it's time for a twelfth night feast dance with the Morkan Sisters, with the chrism for the christmass: in other words, it's the WAKE Christmas episode! As we take a break on the reading for the holiday period, Toby spends a little bit of time considering how James Joyce approached Christmas in all four of his major works, through the eyes of wistful schoolboys, red-faced drunken uncles, dreamers and roamers, with quaintly underwhelming gifts, half-hearted sobriety pledges, and epiphanies on mortality. Happy holidays from everyone at WAKE: we hope you get your holly and ivy for him and for Christmas! This week's chatters: Toby Malone References Peter Chrisp: https://peterchrisp.blogspot.com/2022/12/james-joyces-christmas-eve-1904.html  Mark Wallace: https://thevictoriansage.wordpress.com/2023/12/21/james-joyce-at-christmas-the-dead-1913/ For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at ⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

Under a full moon and with a pint of Guinness in hand, WAKE welcomes our very first Dublin-based reader, as correctly-accented Sarah Kane joins Toby and TJ to kick off Chapter 3.3. Sarah tells us all about participating in Bloomsday as a neophyte Joycean (“a lifeguard that can't swim”), slips into a Joyce fugue state regardless of best laid plans, and reminds us that a cold read is really just what the kids nowadays call Rawdogging. With the glorious Irishness of it all to bring us through, we discuss Joyce reading groups, Sweny's Pharmacy, Anthony Burgess, and, in a bombshell twist none of you saw coming, TJ's authentic Irish heritage. This week's readers: Sarah Kane, Toby Malone, TJ Young Progress: 496 pages complete, 132 pages to go; 78.98% read. For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at ⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

This week we break things down to the quark level to bring you mythical love stories (featuring a king named Mark), ghost-written historical romances, interminable sentences, and Joycean numerology. Jackie Mahoney joins the team and expertly weaves their way through questions of whether chapter 2.4 is about Tristan and Isolde, or if it's more about about the four perverts leering at them from the dock, and we finish up with a rousing consideration of Joyce as Beyoncé, the author as God, squelchy onomatopoeia, and, inevitably, the music of Evanescence. Trigger warning: descriptions of bodily noises. (Apologies for the sound quality on Toby's mic, it's an ongoing problem that will be fixed) This week's readers: Jackie Mahoney, TJ Young, Toby Malone Progress: 399 pages complete, 229 pages to go; 63.54% read. For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at ⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

Notes and Links to Chris Knapp's Work      For Episode 255, Pete welcomes Chris Knapp, and the two discuss, among other topics, a fascination with Elena Ferrante, James Joyce, and other dynamic writers, the interplay between journalism and fiction writing, seeds for his debut novel, the significance of its title, the drawbacks and benefits of writing about such recent times, and salient themes and issues in his novel like colonialism, marital alienation and connection, ennui, and the creep of dystopian mores.      Christopher Knapp's work has appeared in print in the Paris Review and the New England Review, and online at Granta and n+1, among others. He's been a work-study scholar at the Bread Loaf Writers' Conference, and earned an MFA in Creative Writing at the University of Virginia. His novel, States of Emergency, was published on September 3 by Unnamed Press. He lives in Paris with my wife, and teaches in the journalism program at the Sorbonne.     Buy States of Emergency   Chris Knapp's Website   At about 2:50, Chris talks about what it's been like in the run-up to publication  At about 4:00, Chris describes his early literary life and battles with spoilers At about 7:10, Pete and Chris discuss and cite the greatness of Faulkner and Joyce's work At about 9:30, Pete highlights a wonderfully Joycean sentence (one of many) from Chris' novel At about 10:25, Chris shouts out inspiring and thrilling writers, including Rachel Cusk, Don DeLillo, and Sebald, and Elena Ferrante At about 14:10, The two discuss Paris and Naples and prices and experiences At about 16:30, Chris responds to Pete's questions about the interplay between his journalistic background and his fiction writing At about 19:45, Pete and Chris reflect on the interesting ways in which the book's narrator functions in the book and connects to  At about 21:15, Chris speaks about seeds for his novel  At about 22:20, The two discuss Chris deciding to start the book with a heat wave and political and cultural  At about 24;45, Chris talks about the fertility procedures that run throughout much of the book and the way waiting relates At about 27:00, Chris delineates between hope and optimism and how these two qualities characterize the narrator and his wife Ella At about 29:20, The two discuss ideas of sympathy and empathy and comfort and shared pain At about 31:50, Chris responds to Pete's questions about the narrator's writing and charting his and Ella's experiences  At about 32:45, Chris reflects on the narrator's writing and the way that Ella sees him and his writing; he references Raven Leilani and writing on grief At about 34:45, The two discuss the ways in which French colonialism and racism is seen (or not) in the book and in the world At about 36:40, Pete highlights the dark humor of the book, and Chris expands on some of the humor and how it flows for him At about 39:35, The two discuss the “carnality” of a climatic scene in Ella and the narrator's relationship  At about 42:20, Chris charts the importance of a getaway for Ella in Skopje At about 44:20, Pete cites a period of separation between the two main characters and asks Chris about the significance of the book's title At about 49:00, Chris responds to Pete's questions about the drawbacks and benefits and vagaries of perspective in the novel At about 55:25, Chris reflects on narrative and its connections to history and to the novel At about 57:00, Pete compliments two anecdotes/scenes from the book, compares Ella's story of the French and Algerians to Wolff's “In the Garden of the North American Martyrs,” and Chris expands on the views of the narrator's family At about 1:02:50, Chris gives contact information, book purchasing info, and social media info At about 1:04:20, Chris talks about what he's working on and wants to write about in the future          You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.       I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 256 with Andrew Maraniss, a New York Times-bestselling author of narrative nonfiction. His first book, Strong Inside, about Perry Wallace, the first African-American basketball player in the SEC, won the 2015 Lillian Smith Book Award. Andrew recently launched a series of early chapter books for young readers, BEYOND THE GAME: Athletes Change the World, which highlights athletes who have done meaningful work outside of sports to help other people.    The episode will air on October 1.    Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

1) The maths of culture / the culture of maths Where math meshes with literature and the theories of Gödel mesh with the imaginings of Joyce 2) Good and Bad at Maths Italian mathematical philosopher and Joycean, Piergiorgio Odifreddi on why numbers never click for some people 17/06/16

Reflections on fatherhood, and literary Dublin's first Joycean jaunt, with Patricia Joyce Oliver, Rory Gleeson, Donal Fallon, Ann Breslin and Oliver Sears

I say a fond farewell to French pop star Françoise Hardy, who died this week at age 80. She was such a beautiful woman and was one of the main cover girls in Europe in the early 1960s. It's also Bloomsday on Sunday, so I've added a couple of Joycean references. Also featured new music from the July issue of Songlines magazine, and there were a load of new releases from all over the world on top of that. I added as many as possible! Also concert previews (Teddy Thompson on Sunday at The Rogue Folk Club, Missy Raines on Monday at the Anza Club, plus festival previews and a few tracks from Shooglenifty, too.) Oh, and a couple of tunes from Cape Breton fiddler Ashley MacIsaac, who performs in Coquitlam today at Scotfest.

“Speaking about me. What did he say? What did he say? What did he say about me? Don't ask.”Topics in this episode include a rumor about Stephen, Professor Magennis, Æ the mastermystic, drama within Dublin's occult circles, how Æ helped James Joyce get published, the opal hush poets, Joycean tarot cards, D.P. Moran and The Leader, the horror of a truly clever nickname, mocking bad poetry, the Opal Hush cocktail, Pamela Colman Smith, Helena Blavatsky's old bag of tricks, theosophy, an American professor's visit to Dublin, Joyce's debut in the Dublin literary scene, microcosm and macrocosm, Mr Justice Fitzgibbon, more Tim Healy and Joyce's ability to hold a lifelong grudge.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.On the Blog:Decoding Dedalus: The Opal Hush Poets — Blooms & BarnaclesBlooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube 

You are cordially invited to attend a Not Quite Write dinner party, and short stories are on the menu! Gather ‘round the table as we feast upon James Joyce's ‘The Dead', served with a generous side of religion, politics, past loves, and Joycean epiphanies. Plus, with the January 2024 Not Quite Write Prize for Flash Fiction almost at hand, your judges serve up their advice for how to claim the cash. If Ed can get a word in edgewise, he'll explain why the anti-prompt is “a challenge, not a licence”, and as for dessert? Well, that's a “grey matter”. Bon appétit! Connect with us at https://notquitewritepodcast.com Register for the Not Quite Write Prize at https://notquitewritepodcast.com/prize

Belfast author and old pal of the pod Stuart Bailie joins us to remember the lost captain of the good ship Pogues and we touch on Shane's “feral” early life and the character he constructed to keep the world at bay; his place in the Irish literary pantheon, his intelligence worn lightly and Joycean use of language; the night they drank the proceeds from Fairytale Of New York; why the band's St Patrick's Day shows were three-day events and a magnet for lost Celtic souls, and how they became good by stealth but were so divisive in Ireland. This alongside other savoury and invigorating ingredients in this week's rock and roll hot-pot, among them … … David's five most-played tracks on Spotify in 2023. … real or imaginary Xmas singles? De La Soul's Millie Pulled A Pistol On Santa? Sonic Youth's Santa Doesn't Cop Out On Dope? Ol' Dirty Bastard's Santa's In The Clan? …. … the life and exceptional times of John Mayall, 90, and the people who passed through his blues academy. … why Spinal Tap might be best left alone.…and the song Randy Newman wrote about missing his ex-wife plus a tremulous joint recitation of Simon Smith & the Amazing Dancing Bear.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Belfast author and old pal of the pod Stuart Bailie joins us to remember the lost captain of the good ship Pogues and we touch on Shane's “feral” early life and the character he constructed to keep the world at bay; his place in the Irish literary pantheon, his intelligence worn lightly and Joycean use of language; the night they drank the proceeds from Fairytale Of New York; why the band's St Patrick's Day shows were three-day events and a magnet for lost Celtic souls, and how they became good by stealth but were so divisive in Ireland. This alongside other savoury and invigorating ingredients in this week's rock and roll hot-pot, among them … … David's five most-played tracks on Spotify in 2023. … real or imaginary Xmas singles? De La Soul's Millie Pulled A Pistol On Santa? Sonic Youth's Santa Doesn't Cop Out On Dope? Ol' Dirty Bastard's Santa's In The Clan? …. … the life and exceptional times of John Mayall, 90, and the people who passed through his blues academy. … why Spinal Tap might be best left alone.…and the song Randy Newman wrote about missing his ex-wife plus a tremulous joint recitation of Simon Smith & the Amazing Dancing Bear.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Belfast author and old pal of the pod Stuart Bailie joins us to remember the lost captain of the good ship Pogues and we touch on Shane's “feral” early life and the character he constructed to keep the world at bay; his place in the Irish literary pantheon, his intelligence worn lightly and Joycean use of language; the night they drank the proceeds from Fairytale Of New York; why the band's St Patrick's Day shows were three-day events and a magnet for lost Celtic souls, and how they became good by stealth but were so divisive in Ireland. This alongside other savoury and invigorating ingredients in this week's rock and roll hot-pot, among them … … David's five most-played tracks on Spotify in 2023. … real or imaginary Xmas singles? De La Soul's Millie Pulled A Pistol On Santa? Sonic Youth's Santa Doesn't Cop Out On Dope? Ol' Dirty Bastard's Santa's In The Clan? …. … the life and exceptional times of John Mayall, 90, and the people who passed through his blues academy. … why Spinal Tap might be best left alone.…and the song Randy Newman wrote about missing his ex-wife plus a tremulous joint recitation of Simon Smith & the Amazing Dancing Bear.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Welcome to Year 3 of the South Side Sox Soxivus Celebration! We kick off the festivities by looking within, to discover what it is about this team that holds our fandom. (Our companion piece to this podcast is available to read, featuring some writers not appearing on this podcast.) Brian kicks things off, with a Joycean paean about the tragic sensibility of fandom, inextricable from romantic optimism. If you haven't read The Dubliners, that means in part that he's surprised the White Sox still matter to him — but they do Chrystal is sunk too deep into baseball, writing 135 game stories a year, and is left with little choice Dante and Tommy both speak of the hope of personal history Malachi still feels that no one entity, even the owner of the team, can take his Sox fandom from him Brett, honestly, has lost the passion for the team, but not for South Side Sox Father Soxivus previews our coming events, which include a live program on December 10, the Airing of Grievances; December 17 (Feats of Strength); and December 22, Soxivus Miracles A quick speed round toward the end asks whether there is anything that could ever happen to cause any of us to completely lose our Sox fandom Chrystal's crack research indicates that, yes, we are all members of the White Sox cult, and also coins a solid pocket schedule theme for 2024 ... White Sox: Please Be Mediocre And sorry, Papa Jones, Dante still ain't crossing over to the north side Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1995, Seamus Heaney was awarded the Nobel Prize in Literature. During his speech, he explained that the adequacy of lyric poetry spoke to the “‘temple inside our hearing' which the passage of the poem calls into being. It is an adequacy deriving from what Mandelstam called ‘the steadfastness of speech articulation,' from the resolution and independence which the entirely realized poem sponsors. It has as much to do with the energy released by linguistic fission and fusion, with the buoyancy generated by cadence and tone and rhyme and stanza, as it has to do with the poem's concerns or the poet's truthfulness. In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself. And it is the unappeasable pursuit of this note, a note tuned to its most extreme in Emily Dickinson and Paul Celan and orchestrated to its most opulent in John Keats, it is this which keeps the poet's ear straining to hear the totally persuasive voice behind all the other informing voices.” Ten years after his death, we continue to strain with Heaney to hear that pluralizing voice of radiant truth. “Seamus Heaney's Afterlives” is the subject of an upcoming conference held at Boston College between November 16th, 17th, and 18th, 2023. The four keynote lectures, along with interviews with contemporary poets influenced by Heaney, have been published in the latest issue of the Éire-Ireland: An Interdisciplinary Journal of Irish Studies. I am excited to speak with the organizer of this conference, Joseph Nugent, and the co-editor of Éire-Ireland, Vera Kreilkamp, about Heaney's continuing relevance, the conference, the special issue of the journal. Joseph Nugent is Professor of English at Boston College. Joe is the creator of the iPhone app, JoyceWays: Ulysses for You, and the website, The Dubliners Bookshelf. His teaching includes courses on the digital humanities, Joyce, and Irish studies, and he has written the eBook Digital Dubliners, as well as articles on manliness and representations of the Irish saint Colmcill and olfactory domestic identity in rural Ireland. Vera Kreilkamp is Professor of Irish Studies at Boston College. Vera is the co-editor of Éire-Ireland, and is the author of The Anglo-Irish Novel and the Big House (Syracuse University Press, 1998) and the museum catalogs Éireland (2003), Rural Ireland: The Inside Story (2012) and The Arts and Crafts Movement: Making It Irish (2016). Note: Around the 28-minute mark, I quote from Fintan O'Toole's commemoration of Seamus Heaney, originally published in the New York Review of Books, but the quotation did not record clearly. Here are the uncorrupted lines from O'Toole's article: “Poetry is language held taut by being stretched between the poles of competing desires. In Heaney's work, the tensions extend in many directions: the Wordsworthian Romantic at odds with the Joycean realist; the atheist in search of the miraculous; the world-ranging cosmopolitan with his little patch of remembered earth; the lover of the archaic who cannot escape the urgency of contemporary history.” John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1995, Seamus Heaney was awarded the Nobel Prize in Literature. During his speech, he explained that the adequacy of lyric poetry spoke to the “‘temple inside our hearing' which the passage of the poem calls into being. It is an adequacy deriving from what Mandelstam called ‘the steadfastness of speech articulation,' from the resolution and independence which the entirely realized poem sponsors. It has as much to do with the energy released by linguistic fission and fusion, with the buoyancy generated by cadence and tone and rhyme and stanza, as it has to do with the poem's concerns or the poet's truthfulness. In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself. And it is the unappeasable pursuit of this note, a note tuned to its most extreme in Emily Dickinson and Paul Celan and orchestrated to its most opulent in John Keats, it is this which keeps the poet's ear straining to hear the totally persuasive voice behind all the other informing voices.” Ten years after his death, we continue to strain with Heaney to hear that pluralizing voice of radiant truth. “Seamus Heaney's Afterlives” is the subject of an upcoming conference held at Boston College between November 16th, 17th, and 18th, 2023. The four keynote lectures, along with interviews with contemporary poets influenced by Heaney, have been published in the latest issue of the Éire-Ireland: An Interdisciplinary Journal of Irish Studies. I am excited to speak with the organizer of this conference, Joseph Nugent, and the co-editor of Éire-Ireland, Vera Kreilkamp, about Heaney's continuing relevance, the conference, the special issue of the journal. Joseph Nugent is Professor of English at Boston College. Joe is the creator of the iPhone app, JoyceWays: Ulysses for You, and the website, The Dubliners Bookshelf. His teaching includes courses on the digital humanities, Joyce, and Irish studies, and he has written the eBook Digital Dubliners, as well as articles on manliness and representations of the Irish saint Colmcill and olfactory domestic identity in rural Ireland. Vera Kreilkamp is Professor of Irish Studies at Boston College. Vera is the co-editor of Éire-Ireland, and is the author of The Anglo-Irish Novel and the Big House (Syracuse University Press, 1998) and the museum catalogs Éireland (2003), Rural Ireland: The Inside Story (2012) and The Arts and Crafts Movement: Making It Irish (2016). Note: Around the 28-minute mark, I quote from Fintan O'Toole's commemoration of Seamus Heaney, originally published in the New York Review of Books, but the quotation did not record clearly. Here are the uncorrupted lines from O'Toole's article: “Poetry is language held taut by being stretched between the poles of competing desires. In Heaney's work, the tensions extend in many directions: the Wordsworthian Romantic at odds with the Joycean realist; the atheist in search of the miraculous; the world-ranging cosmopolitan with his little patch of remembered earth; the lover of the archaic who cannot escape the urgency of contemporary history.” John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1995, Seamus Heaney was awarded the Nobel Prize in Literature. During his speech, he explained that the adequacy of lyric poetry spoke to the “‘temple inside our hearing' which the passage of the poem calls into being. It is an adequacy deriving from what Mandelstam called ‘the steadfastness of speech articulation,' from the resolution and independence which the entirely realized poem sponsors. It has as much to do with the energy released by linguistic fission and fusion, with the buoyancy generated by cadence and tone and rhyme and stanza, as it has to do with the poem's concerns or the poet's truthfulness. In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself. And it is the unappeasable pursuit of this note, a note tuned to its most extreme in Emily Dickinson and Paul Celan and orchestrated to its most opulent in John Keats, it is this which keeps the poet's ear straining to hear the totally persuasive voice behind all the other informing voices.” Ten years after his death, we continue to strain with Heaney to hear that pluralizing voice of radiant truth. “Seamus Heaney's Afterlives” is the subject of an upcoming conference held at Boston College between November 16th, 17th, and 18th, 2023. The four keynote lectures, along with interviews with contemporary poets influenced by Heaney, have been published in the latest issue of the Éire-Ireland: An Interdisciplinary Journal of Irish Studies. I am excited to speak with the organizer of this conference, Joseph Nugent, and the co-editor of Éire-Ireland, Vera Kreilkamp, about Heaney's continuing relevance, the conference, the special issue of the journal. Joseph Nugent is Professor of English at Boston College. Joe is the creator of the iPhone app, JoyceWays: Ulysses for You, and the website, The Dubliners Bookshelf. His teaching includes courses on the digital humanities, Joyce, and Irish studies, and he has written the eBook Digital Dubliners, as well as articles on manliness and representations of the Irish saint Colmcill and olfactory domestic identity in rural Ireland. Vera Kreilkamp is Professor of Irish Studies at Boston College. Vera is the co-editor of Éire-Ireland, and is the author of The Anglo-Irish Novel and the Big House (Syracuse University Press, 1998) and the museum catalogs Éireland (2003), Rural Ireland: The Inside Story (2012) and The Arts and Crafts Movement: Making It Irish (2016). Note: Around the 28-minute mark, I quote from Fintan O'Toole's commemoration of Seamus Heaney, originally published in the New York Review of Books, but the quotation did not record clearly. Here are the uncorrupted lines from O'Toole's article: “Poetry is language held taut by being stretched between the poles of competing desires. In Heaney's work, the tensions extend in many directions: the Wordsworthian Romantic at odds with the Joycean realist; the atheist in search of the miraculous; the world-ranging cosmopolitan with his little patch of remembered earth; the lover of the archaic who cannot escape the urgency of contemporary history.” John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1995, Seamus Heaney was awarded the Nobel Prize in Literature. During his speech, he explained that the adequacy of lyric poetry spoke to the “‘temple inside our hearing' which the passage of the poem calls into being. It is an adequacy deriving from what Mandelstam called ‘the steadfastness of speech articulation,' from the resolution and independence which the entirely realized poem sponsors. It has as much to do with the energy released by linguistic fission and fusion, with the buoyancy generated by cadence and tone and rhyme and stanza, as it has to do with the poem's concerns or the poet's truthfulness. In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself. And it is the unappeasable pursuit of this note, a note tuned to its most extreme in Emily Dickinson and Paul Celan and orchestrated to its most opulent in John Keats, it is this which keeps the poet's ear straining to hear the totally persuasive voice behind all the other informing voices.” Ten years after his death, we continue to strain with Heaney to hear that pluralizing voice of radiant truth. “Seamus Heaney's Afterlives” is the subject of an upcoming conference held at Boston College between November 16th, 17th, and 18th, 2023. The four keynote lectures, along with interviews with contemporary poets influenced by Heaney, have been published in the latest issue of the Éire-Ireland: An Interdisciplinary Journal of Irish Studies. I am excited to speak with the organizer of this conference, Joseph Nugent, and the co-editor of Éire-Ireland, Vera Kreilkamp, about Heaney's continuing relevance, the conference, the special issue of the journal. Joseph Nugent is Professor of English at Boston College. Joe is the creator of the iPhone app, JoyceWays: Ulysses for You, and the website, The Dubliners Bookshelf. His teaching includes courses on the digital humanities, Joyce, and Irish studies, and he has written the eBook Digital Dubliners, as well as articles on manliness and representations of the Irish saint Colmcill and olfactory domestic identity in rural Ireland. Vera Kreilkamp is Professor of Irish Studies at Boston College. Vera is the co-editor of Éire-Ireland, and is the author of The Anglo-Irish Novel and the Big House (Syracuse University Press, 1998) and the museum catalogs Éireland (2003), Rural Ireland: The Inside Story (2012) and The Arts and Crafts Movement: Making It Irish (2016). Note: Around the 28-minute mark, I quote from Fintan O'Toole's commemoration of Seamus Heaney, originally published in the New York Review of Books, but the quotation did not record clearly. Here are the uncorrupted lines from O'Toole's article: “Poetry is language held taut by being stretched between the poles of competing desires. In Heaney's work, the tensions extend in many directions: the Wordsworthian Romantic at odds with the Joycean realist; the atheist in search of the miraculous; the world-ranging cosmopolitan with his little patch of remembered earth; the lover of the archaic who cannot escape the urgency of contemporary history.” John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1995, Seamus Heaney was awarded the Nobel Prize in Literature. During his speech, he explained that the adequacy of lyric poetry spoke to the “‘temple inside our hearing' which the passage of the poem calls into being. It is an adequacy deriving from what Mandelstam called ‘the steadfastness of speech articulation,' from the resolution and independence which the entirely realized poem sponsors. It has as much to do with the energy released by linguistic fission and fusion, with the buoyancy generated by cadence and tone and rhyme and stanza, as it has to do with the poem's concerns or the poet's truthfulness. In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself. And it is the unappeasable pursuit of this note, a note tuned to its most extreme in Emily Dickinson and Paul Celan and orchestrated to its most opulent in John Keats, it is this which keeps the poet's ear straining to hear the totally persuasive voice behind all the other informing voices.” Ten years after his death, we continue to strain with Heaney to hear that pluralizing voice of radiant truth. “Seamus Heaney's Afterlives” is the subject of an upcoming conference held at Boston College between November 16th, 17th, and 18th, 2023. The four keynote lectures, along with interviews with contemporary poets influenced by Heaney, have been published in the latest issue of the Éire-Ireland: An Interdisciplinary Journal of Irish Studies. I am excited to speak with the organizer of this conference, Joseph Nugent, and the co-editor of Éire-Ireland, Vera Kreilkamp, about Heaney's continuing relevance, the conference, the special issue of the journal. Joseph Nugent is Professor of English at Boston College. Joe is the creator of the iPhone app, JoyceWays: Ulysses for You, and the website, The Dubliners Bookshelf. His teaching includes courses on the digital humanities, Joyce, and Irish studies, and he has written the eBook Digital Dubliners, as well as articles on manliness and representations of the Irish saint Colmcill and olfactory domestic identity in rural Ireland. Vera Kreilkamp is Professor of Irish Studies at Boston College. Vera is the co-editor of Éire-Ireland, and is the author of The Anglo-Irish Novel and the Big House (Syracuse University Press, 1998) and the museum catalogs Éireland (2003), Rural Ireland: The Inside Story (2012) and The Arts and Crafts Movement: Making It Irish (2016). Note: Around the 28-minute mark, I quote from Fintan O'Toole's commemoration of Seamus Heaney, originally published in the New York Review of Books, but the quotation did not record clearly. Here are the uncorrupted lines from O'Toole's article: “Poetry is language held taut by being stretched between the poles of competing desires. In Heaney's work, the tensions extend in many directions: the Wordsworthian Romantic at odds with the Joycean realist; the atheist in search of the miraculous; the world-ranging cosmopolitan with his little patch of remembered earth; the lover of the archaic who cannot escape the urgency of contemporary history.” John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

All aboard for the heart of the Hibernian metropolis!Topics in this episode include HEADLINES, trams, Nelson's Pillar, The GPO, the mythic kingdom of Aeolia, post boxes, Joyce's portrayal of his uncle John “Red” Murray, excessive piety, reformed atheists, Ruttledge the ghost, Davy Stephens the king's courier, the creeping threat of native advertising, William Brayden's neck, lungs and the rhythm of breathing, Mario the Tenor, Martha, croziers, the rivalries of bishops, and who will save the circulation of the Freeman's Journal.Stayed tuned to the end for a short talk between Kelly and Antony Farrell of Lilliput Press. For more information on Lilliput Press or to peruse their Joycean selections, please visit their website here.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.Blooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

James Joyce's Ulysses is filled with all sorts of references that can get in the way of many of its readers. Annotations to James Joyce's Ulysses (Oxford UP, 2022), with over 12,000 individual annotations (and more than double the word count of Ulysses itself), explains these references and allusions in a clear and compact manner and is designed to be accessible to novices and scholars alike. The annotations cover the full range of information referenced in Ulysses: a vast array of literary allusions, such as Shakespeare, Aristotle, Dante, Aquinas, slang from various eras and areas, foreign language words and phrases, Hiberno-English expressions, Catholic ritual and theology, Irish histories, Theosophy, Freemasonry, cricket, astronomy, fashion, boxing, heraldry, the symbolism of tattoos, horse racing, advertising slogans, nursery rhymes, superstitions, music-hall songs, references to Dublin topography precise enough for a city directory, and much more besides. The annotations reflect the latest scholarship and have been thoroughly reviewed by an international team of experts. They are designed to be accessible to first-time readers and college students and will also serve as a resource for Joycean specialists. The volume includes contemporaneous maps of Dublin to illustrate the cityscape's relevance to Joyce's novel. Unlike previous volumes of annotations, almost every note includes documentation about sources. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

James Joyce's Ulysses is filled with all sorts of references that can get in the way of many of its readers. Annotations to James Joyce's Ulysses (Oxford UP, 2022), with over 12,000 individual annotations (and more than double the word count of Ulysses itself), explains these references and allusions in a clear and compact manner and is designed to be accessible to novices and scholars alike. The annotations cover the full range of information referenced in Ulysses: a vast array of literary allusions, such as Shakespeare, Aristotle, Dante, Aquinas, slang from various eras and areas, foreign language words and phrases, Hiberno-English expressions, Catholic ritual and theology, Irish histories, Theosophy, Freemasonry, cricket, astronomy, fashion, boxing, heraldry, the symbolism of tattoos, horse racing, advertising slogans, nursery rhymes, superstitions, music-hall songs, references to Dublin topography precise enough for a city directory, and much more besides. The annotations reflect the latest scholarship and have been thoroughly reviewed by an international team of experts. They are designed to be accessible to first-time readers and college students and will also serve as a resource for Joycean specialists. The volume includes contemporaneous maps of Dublin to illustrate the cityscape's relevance to Joyce's novel. Unlike previous volumes of annotations, almost every note includes documentation about sources. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

James Joyce's Ulysses is filled with all sorts of references that can get in the way of many of its readers. Annotations to James Joyce's Ulysses (Oxford UP, 2022), with over 12,000 individual annotations (and more than double the word count of Ulysses itself), explains these references and allusions in a clear and compact manner and is designed to be accessible to novices and scholars alike. The annotations cover the full range of information referenced in Ulysses: a vast array of literary allusions, such as Shakespeare, Aristotle, Dante, Aquinas, slang from various eras and areas, foreign language words and phrases, Hiberno-English expressions, Catholic ritual and theology, Irish histories, Theosophy, Freemasonry, cricket, astronomy, fashion, boxing, heraldry, the symbolism of tattoos, horse racing, advertising slogans, nursery rhymes, superstitions, music-hall songs, references to Dublin topography precise enough for a city directory, and much more besides. The annotations reflect the latest scholarship and have been thoroughly reviewed by an international team of experts. They are designed to be accessible to first-time readers and college students and will also serve as a resource for Joycean specialists. The volume includes contemporaneous maps of Dublin to illustrate the cityscape's relevance to Joyce's novel. Unlike previous volumes of annotations, almost every note includes documentation about sources. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

James Joyce's Ulysses is filled with all sorts of references that can get in the way of many of its readers. Annotations to James Joyce's Ulysses (Oxford UP, 2022), with over 12,000 individual annotations (and more than double the word count of Ulysses itself), explains these references and allusions in a clear and compact manner and is designed to be accessible to novices and scholars alike. The annotations cover the full range of information referenced in Ulysses: a vast array of literary allusions, such as Shakespeare, Aristotle, Dante, Aquinas, slang from various eras and areas, foreign language words and phrases, Hiberno-English expressions, Catholic ritual and theology, Irish histories, Theosophy, Freemasonry, cricket, astronomy, fashion, boxing, heraldry, the symbolism of tattoos, horse racing, advertising slogans, nursery rhymes, superstitions, music-hall songs, references to Dublin topography precise enough for a city directory, and much more besides. The annotations reflect the latest scholarship and have been thoroughly reviewed by an international team of experts. They are designed to be accessible to first-time readers and college students and will also serve as a resource for Joycean specialists. The volume includes contemporaneous maps of Dublin to illustrate the cityscape's relevance to Joyce's novel. Unlike previous volumes of annotations, almost every note includes documentation about sources. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

James Joyce's Ulysses is filled with all sorts of references that can get in the way of many of its readers. Annotations to James Joyce's Ulysses (Oxford UP, 2022), with over 12,000 individual annotations (and more than double the word count of Ulysses itself), explains these references and allusions in a clear and compact manner and is designed to be accessible to novices and scholars alike. The annotations cover the full range of information referenced in Ulysses: a vast array of literary allusions, such as Shakespeare, Aristotle, Dante, Aquinas, slang from various eras and areas, foreign language words and phrases, Hiberno-English expressions, Catholic ritual and theology, Irish histories, Theosophy, Freemasonry, cricket, astronomy, fashion, boxing, heraldry, the symbolism of tattoos, horse racing, advertising slogans, nursery rhymes, superstitions, music-hall songs, references to Dublin topography precise enough for a city directory, and much more besides. The annotations reflect the latest scholarship and have been thoroughly reviewed by an international team of experts. They are designed to be accessible to first-time readers and college students and will also serve as a resource for Joycean specialists. The volume includes contemporaneous maps of Dublin to illustrate the cityscape's relevance to Joyce's novel. Unlike previous volumes of annotations, almost every note includes documentation about sources. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

This December—six months after saying goodbye—Bloomcast is back for a Holiday Special! Join Alice, Lex and Adam as they answer your questions, play games, tease each other, drink (tea, whiskey, Gimber) and leap off Forty Foot and into Ulysses one more (one last?) time…*Bloomcast is a ten-part plunge into James Joyce's Ulysses presented by Adam Biles, Alice McCrum, and Lex Paulson, live from Shakespeare and Company bookshop in Paris. Join them as they muddle through this radical, sublime, and often misunderstood novel first published one hundred years ago, in 1922.  Please share your thoughts on the book and anything you'd like to hear us discuss: ulysses@shakespeareandcompany.com A student of environmental policy at Sciences Po-Paris, Alice McCrum runs programming at the American Library in Paris.  In between fits of Joycean nerdery, Dr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco. An adopted Parisian, he teaches at Sciences Po-Paris and writes on the past and future of democracy. Adam Biles is Literary Director at Shakespeare and Company, Paris. He is the author of the novel Feeding Time, available in French as Défense de nourrir les vieux. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This December—six months after saying goodbye—Bloomcast is back for a Holiday Special! Join Alice, Lex and Adam as they answer your questions, play games, tease each other, drink (tea, whiskey, Gimber) and leap off Forty Foot and into Ulysses one more (one last?) time…*Bloomcast is a ten-part plunge into James Joyce's Ulysses presented by Adam Biles, Alice McCrum, and Lex Paulson, live from Shakespeare and Company bookshop in Paris. Join them as they muddle through this radical, sublime, and often misunderstood novel first published one hundred years ago, in 1922. Please share your thoughts on the book and anything you'd like to hear us discuss: ulysses@shakespeareandcompany.com A student of environmental policy at Sciences Po-Paris, Alice McCrum runs programming at the American Library in Paris. In between fits of Joycean nerdery, Dr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco. An adopted Parisian, he teaches at Sciences Po-Paris and writes on the past and future of democracy. Adam Biles is Literary Director at Shakespeare and Company, Paris. He is the author of the novel Feeding Time, available in French as Défense de nourrir les vieux. Hosted on Acast. See acast.com/privacy for more information.

Shownotes: Follow Dr. Vegara's twitter here, check out his website, and don't forget to pick up a copy of his new book, All Future Plunges to the Past: James Joyce in Russian Literature. This week, Matt and Cameron are joined by Dr. José Vergara to talk about - drum roll please - two books: Envy by Yuri Olesha as well as All Future Plunges to the Past: James Joyce in Russian Literature by Dr. Vergara. We had a wonderful chance to go over the plot of a neurotic would-be clerk in Envy, while also getting to look at the work through the lens of Joycean influence. Get your Jameson, get envious of the New Soviet Man, and tune in! Major themes: Cheap but nutritious sausage, Ophelia the destroyer, Soviet ambivalence 06:19 - Fool that I am, I got this wrong. It's a 35-kopek sausage. The music used in this episode was “soviet march,” by Toasted Tomatoes. You can find more of their work on Bandcamp and Youtube. Follow us on Instagram, check out our website, if you're so inclined, check out our Patreon!

Welcome to Bloomcast, a ten-part plunge into James Joyce's Ulysses presented by Adam Biles, Alice McCrum, and Lex Paulson, live from Shakespeare and Company bookshop in Paris. Join them as they muddle through this radical, sublime, and often misunderstood novel first published one hundred years ago, in 1922. In this (almost) final episode, recorded live on Bloomsday at the American Library in Paris, Alice, Lex and Adam reflect on their Joycean odyssey and answer such frivolous questions as “If you had to live in one of the episodes for eternity, which would it be?” and “Which line from the book would you like tattooed on your forearm?”We will record one final episode dedicated to listener questions. If you have anything you'd like us to reflect upon, please send your questions to: ulysses@shakespeareandcompany.com A student of environmental policy at Sciences Po-Paris, Alice McCrum runs programming at the American Library in Paris. In between fits of Joycean nerdery, Dr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco. An adopted Parisian, he teaches at Sciences Po-Paris and writes on the past and future of democracy. Adam Biles is Literary Director at Shakespeare and Company, Paris. He is the author of the novel Feeding Time, available in French as Défense de nourrir les vieux.Photo by Silvia Regonelli See acast.com/privacy for privacy and opt-out information.

In this special episode Alice, Lex and Adam geek out with the man who—Joyce aside—has probably been cited more than any other in our podcast: Professor Declan Kiberd. Professor Kiberd is the author of Ulysses and Us: The Art of Everyday Living, as well as the introduction to the Penguin Classics official partner edition.Buy Ulysses and Us: https://shakespeareandcompany.com/I/9780571242559/ulysses-and-us-the-art-of-everyday-living*In Ulysses and Us, Declan Kiberd argues that James Joyce's Ulysses offers a humane vision of a more tolerant and decent life under the dreadful pressures of the modern world. As much a guide to contemporary life as it is virtuoso work of literary criticism, Ulysses and Us offers revolutionary insights to the scholar and the first-time reader alike. Leopold Bloom, the half-Jewish Irishman who is the hero of James Joyce's Ulysses, teaches the young Stephen Dedalus (modelled on Joyce himself) how he can grow and mature as an artist and an adult human being. Bloom has learned to live with contradictions, with anxiety and sexual jealousy, and with the rudeness and racism of the people he encounters in the city streets, and in his apparently banal way sees deeper than any of them. He embodies an intensely ordinary kind of wisdom, Kiberd argues, and in this way offers us a model for living well, in the tradition of the literature upon which Joyce drew in writing Ulysses, such as Homer, Dante and the Bible.Declan Kiberd is the author of Inventing Ireland: The Literature of the Modern Nation, which won the Irish Times Prize in 1995. It is one of the most influential works on Irish culture published in the last twenty years. His Irish Classics came out in 2000 and won the prestigious Lannan Prize in the USA. He is the Professor of Anglo-Irish Literature at University College Dublin and is a widely respected broadcaster, critic and reviewer.*A student of environmental policy at Sciences Po-Paris, Alice McCrum runs programming at the American Library in Paris. In between fits of Joycean nerdery, Dr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco. An adopted Parisian, he teaches at Sciences Po-Paris and writes on the past and future of democracy. Adam Biles is Literary Director at Shakespeare and Company, Paris. He is the author of the novel Feeding Time, available in French as Défense de nourrir les vieux. See acast.com/privacy for privacy and opt-out information.

Welcome to Bloomcast, a ten-part plunge into James Joyce's Ulysses presented by Adam Biles, Alice McCrum, and Lex Paulson, live from Shakespeare and Company bookshop in Paris. Join them as they muddle through this radical, sublime, and often misunderstood novel first published one hundred years ago, in 1922. In episode nine, Alice, Lex and Adam finish reading Ulysses... Please share your thoughts on the book and anything you'd like to hear us discuss: ulysses@shakespeareandcompany.com *Special thanks to Geoff Hewitt for saving this episode's audio! A student of environmental policy at Sciences Po-Paris, Alice McCrum runs programming at the American Library in Paris. In between fits of Joycean nerdery, Dr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco. An adopted Parisian, he teaches at Sciences Po-Paris and writes on the past and future of democracy. Adam Biles is Literary Director at Shakespeare and Company, Paris. He is the author of the novel Feeding Time, available in French as Défense de nourrir les vieux. * Looking for our author interview podcast? Listen here: https://podfollow.com/shakespeare-and-company SUBSCRIBE NOW FOR EARLY EPISODES AND BONUS FEATURES All episodes of our Ulysses podcast are free and available to everyone. However, if you want to be the first to hear the recordings, by subscribing, you can now get early access to recordings of complete sections. Subscribe on Apple Podcasts here: https://podcasts.apple.com/gb/channel/shakespeare-and-company/id6442697026Subscribe on Patreon here: https://www.patreon.com/sandco In addition a subscription gets you access to regular bonus episodes of our author interview podcast. All money raised goes to supporting “Friends of Shakespeare and Company” the bookshop's non-profit. * Discover more about Shakespeare and Company here: https://shakespeareandcompany.comBuy the Penguin Classics official partner edition of Ulysses here: https://shakespeareandcompany.com/d/9780241552636/ulyssesFind out more about Hay Festival here: https://www.hayfestival.com/home Original music & sound design by Alex Freiman.Hear more from Alex Freiman here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1Follow Alex Freiman on Instagram here: https://www.instagram.com/alex.guitarfreiman/Featuring Flora Hibberd on vocals.Hear more of Flora Hibberd here: https://open.spotify.com/artist/5EFG7rqfVfdyaXiRZbRkpSVisit Flora Hibberd's website: This is my website:florahibberd.com and Instagram https://www.instagram.com/florahibberd/ Music production by Adrien Chicot.Hear more from Adrien Chicot here: https://bbact.lnk.to/utco90/Follow Adrien Chicot on Instagram here: https://www.instagram.com/adrienchicot/ See acast.com/privacy for privacy and opt-out information.

In this special bonus episode Lex Paulson speaks with Daniel Mulhall, author of Ulysses: A Reader's Odyssey and Ireland's ambassador to the USA.Buy Ulysses: A Reader's Odyssey here: https://shakespeareandcompany.com/I/9781848408296/ulysses-a-readers-odyssey*Marking the centenary of Ireland's – and possibly the world's – most famous novel, this joyful introductory guide opens up Ulysses to a whole new readership, offering insight into the literary, historical and cultural elements at play in James Joyce's masterwork.Both eloquent and erudite, this book is an initiation into the wonders of Joyce's writing and of the world that inspired it, written by Daniel Mulhall, Ireland's ambassador to the United States and an advocate for Irish literature around the world.One hundred years on from that novel's first publication, Ulysses: A Reader's Odyssey takes us on a journey through one of the twentieth century's greatest works of fiction. Exploring the eighteen chapters of the novel and using the famous structuring principle of Homer's Odyssey as our guide, Daniel Mulhall releases Ulysses from its reputation of impenetrability, and shows us the pleasure it can offer us as readers.*Daniel Mulhall was born in Waterford. He has spent more than 40 years in Ireland's diplomatic service, and is currently Ireland's ambassador in the United States. He has written and lectured around the world on the subject of Irish literature, and in particular the work of James Joyce, and has worked tirelessly throughout his career to further the impact and reach of Irish writing around the world. In between fits of Joycean nerdery, Dr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco. An adopted Parisian, he teaches at Sciences Po-Paris and writes on the past and future of democracy. See acast.com/privacy for privacy and opt-out information.

Welcome to Bloomcast, a ten-part plunge into James Joyce's Ulysses presented by Adam Biles, Alice McCrum, and Lex Paulson, live from Shakespeare and Company bookshop in Paris. Join them as they muddle through this radical, sublime, and often misunderstood novel first published one hundred years ago, in 1922. In episode eight, Adam helps us understand the strained, clumsy style of Eumaeus and investigates Bloom's double-entry accounting; Alice alerts us to the one-eyedness of narrative and makes the case for the democratisation of art; while Lex praises the mood of Eumeaus and the innovation of universal basic income. In this episode, the fearless trio follow money, water and manufactured meat tins, as well as Stephen and Bloom, who finally spend a little time together. Please share your thoughts on the book and anything you'd like to hear us discuss: ulysses@shakespeareandcompany.com. A student of environmental policy at Sciences Po-Paris, Alice McCrum runs programming at the American Library in Paris. In between fits of Joycean nerdery, Dr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco. An adopted Parisian, he teaches at Sciences Po-Paris and writes on the past and future of democracy.Adam Biles is Literary Director at Shakespeare and Company, Paris. He is the author of the novel Feeding Time, available in French as Défense de nourrir les vieux. See acast.com/privacy for privacy and opt-out information.

Set in a maternity hospital, “Oxen” parodies the development of English prose. A celebration of maternity or a rival creative feat? Joyce called it the most difficult episode “to interpret and to execute”; we talk about the shortcuts he took in composing it and its unexpected humor. Joining us are Greg Harradine, composer in the Scottish Borders, Emmet O'Cuana, Dublin writer living in Australia, and Chrissy Van Mierlo, Museum director at Loughborough Bellfoundry, UK, and recovering Joycean.  

Bloomcast | Episode 7 | Circe Welcome to Bloomcast, a ten-part plunge into James Joyce's Ulysses presented by Adam Biles, Alice McCrum, and Lex Paulson, live from Shakespeare and Company bookshop in Paris. Join them as they muddle through this radical, sublime, and often misunderstood novel first published one hundred years ago, in 1922. In episode seven, after staggering through an attempt to summarise Joyce's unstagable play, Lex unpicks the influences at work in this episode, Alice considers the impact of Freud on Joyce, and Adam finally tries to get to grips with the figure of the Arranger. Please share your thoughts on the book and anything you'd like to hear us discuss: ulysses@shakespeareandcompany.com A student of environmental policy at Sciences Po-Paris, Alice McCrum runs programming at the American Library in Paris. In between fits of Joycean nerdery, Dr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco. An adopted Parisian, he teaches at Sciences Po-Paris and writes on the past and future of democracy. Adam Biles is Literary Director at Shakespeare and Company, Paris. He is the author of the novel Feeding Time, available in French as Défense de nourrir les vieux. * Looking for our author interview podcast? Listen here: https://podfollow.com/shakespeare-and-company SUBSCRIBE NOW FOR EARLY EPISODES AND BONUS FEATURES All episodes of our Ulysses podcast are free and available to everyone. However, if you want to be the first to hear the recordings, by subscribing, you can now get early access to recordings of complete sections. Subscribe on Apple Podcasts here: https://podcasts.apple.com/gb/channel/shakespeare-and-company/id6442697026Subscribe on Patreon here: https://www.patreon.com/sandco In addition a subscription gets you access to regular bonus episodes of our author interview podcast. All money raised goes to supporting “Friends of Shakespeare and Company” the bookshop's non-profit. * Discover more about Shakespeare and Company here: https://shakespeareandcompany.comBuy the Penguin Classics official partner edition of Ulysses here: https://shakespeareandcompany.com/d/9780241552636/ulyssesFind out more about Hay Festival here: https://www.hayfestival.com/home Original music & sound design by Alex Freiman.Hear more from Alex Freiman here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1Follow Alex Freiman on Instagram here: https://www.instagram.com/alex.guitarfreiman/Featuring Flora Hibberd on vocals.Hear more of Flora Hibberd here: https://open.spotify.com/artist/5EFG7rqfVfdyaXiRZbRkpSVisit Flora Hibberd's website: This is my website:florahibberd.com and Instagram https://www.instagram.com/florahibberd/ Music production by Adrien Chicot.Hear more from Adrien Chicot here: https://bbact.lnk.to/utco90/Follow Adrien Chicot on Instagram here: https://www.instagram.com/adrienchicot/ See acast.com/privacy for privacy and opt-out information.

Welcome to Bloomcast, a ten-part plunge into James Joyce's Ulysses presented by Adam Biles, Alice McCrum, and Lex Paulson, live from Shakespeare and Company bookshop in Paris. Join them as they muddle through this radical, sublime, and often misunderstood novel first published one hundred years ago, in 1922. In episode six, they discuss the obscenity trial that got Ulysses banned from the US for more than a decade, whether Joyce is a genius or a show-off (spoiler alert: he's both), animal consciousness (again!), and—ahem!—fun things you can do with your hands . . . Please share your thoughts on the book and anything you'd like to hear us discuss: ulysses@shakespeareandcompany.com A student of environmental policy at Sciences Po-Paris, Alice McCrum runs programming at the American Library in Paris. In between fits of Joycean nerdery, Dr. Lex Paulson is Executive Director of the School of Collective Intelligence at Université Mohammed VI Polytechnique in Morocco. An adopted Parisian, he teaches at Sciences Po-Paris and writes on the past and future of democracy. Adam Biles is Literary Director at Shakespeare and Company, Paris. He is the author of the novel Feeding Time, available in French as Défense de nourrir les vieux. See acast.com/privacy for privacy and opt-out information.