Symphonic orchestra based in Indianapolis, Indiana, United States
POPULARITY
On this episode, Tom goes "On the Aisle" with costume designer Clare Henkel. Based in Boulder, Colorado, Clare has designed for notable directors, actors, and musicians around the country, including Indianapolis, where she has been a costume designer of the Indianapolis Symphony Orchestra's Yuletide Celebration, of which this year is her 24th and last.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Listen to an interview with Indianapolis-based saxophonist, bandleader, composer and educator Sean Imboden. He's the director of the Sean Imboden Large Ensemble, a 17-piece modern jazz big band. The Sean Imboden Large Ensemble will be issuing their debut recording Communal Heart later this month, and the band will be hosting an album release party at The Jazz Kitchen, on April 26th. Sean Imboden was born and raised in Central Indiana. Local music fans may know Imboden for his work with The Tucker Brothers band, but he's performed with a wide variety of musicians, including Slide Hampton, Aretha Franklin, and the Indianapolis Symphony Orchestra.
Explore a new album from the Steve Allee Big Band, titled Naptown Sound. The project pays tribute to the musicians, teachers, mentors, history, and places that contributed to the development of the Naptown sound. The pianist, composer and bandleader Steve Allee has been part of the Indianapolis jazz scene since the 1960s. He came of age at a time when many historic Naptown jazz players were still active on the scene. Allee was befriended and mentored by legendary Indianapolis musicians, including Jimmy Coe, Claude Sifferlen and Errol Grandy. Allee began performing professionally as a teenager, touring with the legendary jazz drummer Buddy Rich. His debut recording, a 1973 session with the the Baron Von Ohlen Quartet, remains a favorite among jazz fans around the world, with original copies seeking for over $200 on the collector's market. Over the years, Allee has worked with a long list of jazz luminaries, including Slide Hampton, James Moody, Rufus Reid, Curtis Fuller, Jeff Hamilton, Milt Hinton and many others. Allee has also gained notoriety for his work as a composer. He's written work for the Indianapolis Symphony Orchestra and his compositions have been used in documentaries and television programs.
On this episode, Tom goes "On the Aisle" with Don Stuffy, Executive Director of Indianapolis, Ballet. He's here to discuss an upcoming performance of Swan Lake with the Indianapolis Symphony Orchestra.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this episode, Tom goes "On the Aisle" with Alfred Savia, Artistic Advisor and Principal Conductor of the Indianapolis Opera. He's here to discuss the upcoming Indianapolis Opera's 50th anniversary Legacy Opera Gala.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this episode, Tom goes "On the Aisle" with world renowned conductor, Jun Märkl. He is currently in his second season as music director of the Indianapolis Symphony Orchestra.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Jenn speaks to Taiwanese bred New York based composer Shiuan Chang. Born and raised in Taipei, Shiuan his earliest memories composing music was when he was just 7yrs old, his teachers discovered his talent and encouraged him to study composition and thus he went to the New England Music Conservatory in Boston to continue his education. Though he didn't obtain a degree there Shiuan has since built a career composing music that has been performed at many renowned concert halls around the world. Shiuan shares with us some of his failures he has encountered, his search for identity and how that influences the music he creates. (Recorded on November 26, 2024)About Shiuan Chang:Describe as “spiritual, light and comforting.” by Classic Agenda (FR), Recipient of Asian Cultural Council and Djerassi Foundation, Chang Shiuan's music has appeared at Carnegie Hall, Lincoln Center, Merkin Hall, Suntory Hall, Chicago Symphony Center, Moscow Philharmonic Chamber Hall, Berlin Philharmonic Chamber Hall, Hungary Bartok Hall, Taiwan National Concert Hall, Le Phenix Valenciennes, Grafenegg, Weimar Kunstfest, Geneva Archipel Festival, Royaumont, and more. He has been commissioned by and collaborated with Cloudgate Contemporary Dance Company, Tonkunstler Orchestra, Indianapolis Symphony Orchestra, The Orchestra Now, Taiwan Philharmonic, Taipei Symphony Orchestra, The Orchestra Now, Chicago Civic Symphony Orchestra, Albany Symphony Orchestra, Neue Vocalsolisten Stuttgart, Ekmeles Ensemble, Les Métabole, Princeton Singers, TANA Quartet, Atlas Ensemble, Ensemble Multilaterale, Earplay Ensemble, and Ictus Ensemble.Episode Resources:Website IG Spotify Youtube Miles Davis Autobiography George Aperghis Something Like a Autobiography Bian Zhou Composition Before Everything Appears
On this episode, Tom goes "On the Aisle" with Sherry Hong, a virtuoso musician, she is tenured first section violinist with the Indianapolis Symphony Orchestra.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Indianapolis Symphony Orchestra continues its 2024-25 season this fall with an exciting Pops series led by Enrico Lopez-Yañez, the newly appointed principal guest conductor of Pops. This season's lineup includes “La Vida Loca: Latin Pop Hits of the 1990s and 2000s,” featuring music from legendary Latin artists like Enrique Iglesias, Gloria Estefan, Santana, and Ricky Martin. Lopez-Yañez shared his excitement for the event, noting that the symphony's variety and range make every show unique.Lopez-Yañez highlighted that unlike traditional symphony performances, “La Vida Loca” will be interactive, encouraging the audience to dance and sing along. “This is all about dancing, singing along, having a good time,” he added, mentioning crowd favorites like “Macarena,” which is sure to get attendees on their feet.The “La Vida Loca” performances will take place at the Hilbert Circle Theatre on Friday, November 8, at 11 a.m. and 7 p.m., and Saturday, November 9, at 7 p.m. For additional details or to purchase tickets, visit indianapolissymphony.org/event/latin-pops-hits/.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this episode, Tom goes "On the Aisle" with conductor, composer, and arranger Enrico Lopez-Yañez. He was recently appointed guest Principal Pops conductor of the Indianapolis Symphony Orchestra. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this episode, Tom goes "On the Aisle" with Broadway star, concert headliner and recording artist Ashley Brown who will be performing with the Indianapolis Symphony Orchestra.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Frumess sits down with the legendary director Allan Arkush to discuss his incredible work as a filmmaker. Subscribe to Allan's youtube channel HERE: https://www.youtube.com/@UCSormz-EZa4yugvJ3MyKVkQ www.frumess.com FRUMESS is POWERED by www.riotstickers.com/frumess JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
On this episode, Tom goes "On the Aisle" with Austin Huntington who was appointed Principal Cellist with the Indianapolis Symphony Orchestra in 2015 at the age of 20, making him one of the youngest principal musicians in a major American orchestra. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Nicole DeGuire is Associate Director of Orchestras at Carmel High School, Indiana ASTA President, and an avid free-lance violinist with numerous orchestras across the state of Indiana. Earning her B.M. in Violin Performance with Honors at Butler University, she went on to complete her M.M. in Violin Performance and Literature, and an Orchestral Studies Diploma from The Eastman School of Music. Teachers include Charles Castleman, Ilya Kaler, Lisa Brooks, Davis Brooks, Larry Shapiro, Geoffrey Applegate and Paul Kantor. Previously, she served as Director of Orchestras at Fishers High School. Her groups earned gold ratings along with “With Distinction” at both ISSMA District and State Qualifications. It was under her direction that the FHS Symphony Orchestra made the ISSMA State Finals for the first time in 2017. She absolutely loves working with middle and high school students, and truly enjoys serving as a guest clinician and adjudicator, Nicole has extensive orchestral experience performing with the Indianapolis Symphony Orchestra, Indianapolis Chamber Orchestra, and the Ft. Wayne Philharmonic. Other professional orchestral experience includes Rochester Philharmonic, Erie Philharmonic, Albany Symphony Orchestra and South Bend Symphony Orchestra. Ms. DeGuire is the Indiana ASTA All-State Orchestra Coordinator, an ISSMA State Board Member and was also the 2020 Indiana ASTA High School Orchestra Teacher of the Year. Nicole is available to serve as a clinician, presenter, and guest conductor and can be reached at ndeguire@ccs.k12.in.us. -- Your support is appreciated! If you are enjoying The Orchestra Teacher Podcast, please consider becoming a supporter for as little as 99 cents per month. I am working hard to bring on some amazing educators who will share ideas, tell their story, and offer some support for all of you. I have invested a lot of time in putting it all together and money purchase equipment that will help provide the best possible listening experience. Here is the link: https://podcasters.spotify.com/pod/show/orchestrateacher/support Thank you for your continued support! If you have suggestions for podcast guests, please let me know by providing a name and contact information. Subscribe to The Orchestra Teacher Website, YouTube Channel, and Podcast! Website: http://www.orchestrateacher.net YouTube Channel: http://youtube.com/theorchestrateacher Podcast on Spotify: https://open.spotify.com/show/5pvAWs3uftZ5FJ2KyZYU0z Podcast on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-orchestra-teacher-podcast/id1489358262 — Looking to advertise a product or service to string and orchestra teachers? Consider an audio advertisement on the Orchestra Teacher Podcast! Proceeds from your ad will help offset costs of equipment and web hosting. Please contact Charles at charleslaux1@gmail.com for more information. --- Support this podcast: https://podcasters.spotify.com/pod/show/orchestrateacher/support
Indianapolis is a historical home for Asian American and Pacific Islander businesses.In coastal cities like New York, San Francisco, and Chicago, “Chinatowns” exist, but not in Indianapolis. President of Asian American Alliance Rupal Thanawala explains, “In many states and cities, Chinatowns really evolved because foreigners were not welcomed in the city. There were many neighborhoods that didn't let them live there.”Chinatowns became a safe haven from prejudice and racist laws. While these cities became magnets for Asians in the early 1800s, eventually they moved to Indiana. Originally from China, Moy Kee moved to Indianapolis in 1897.He was the first citizen who had the right to vote and during that time not everyone was allowed to vote. Key opened up several businesses in the city. He is indiana's first Asian American citizen. His face is plastered on the mural on Bicentennial Unity Plaza.“He was the first citizen who had the right to vote and during that time,” Thanawala said. “Not everyone was allowed to vote. This is perfect timing since next week is election and to think at that time, 130-140 years back, a Chinese man could vote in the state.”“Asian Americans make up 2% of Indiana's population, and because Asian Americans and Pacific Islanders are spread out throughout the state, there isn't really an official hub,” said Thanawala.Nicole Martinez-LeGrand, an historian and curator at Indiana Historical Society, pointed out that the Indianapolis Symphony Orchestra used to be Bamboo Inn, a Chinese restaurant from 1918 to 1961.“Right here in the middle right above the roof, there is a huge sign that says chop suey,” said Martinez-LeGrand. Martinez-LeGrand described it as a booming restaurant in a prime real estate. She adds that they contributed to the local economy, even donating war bonds during WWII. The restaurant flourished with white patrons especially during the height of the KKK. Martinez-LeGrand showed photographs of waiters, and on another image, white customers posing in the front of the eatery.“I think its important to see themselves in history to see who is supporting them in history,” Martinez-LeGrand said. “It's important to know it existed here on the circle, which is prime real estate at the time.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Cello Sherpa Podcast Host, Joel Dallow, interviews cellist Sam Viguerie, who has been a member of the Indianapolis Symphony Orchestra for two seasons. They talk about Sam's journey through high school and college on his way to this orchestra. Sam shares stories about his experience working behind the scenes at auditions, and gives insight as to what it's like going from one side of the screen to the other. For more information on Sam, visit: https://www.indianapolissymphony.org/profile/sam-viguerie/You can also find Sam on Facebook and Instagram: @sam_vigzFor more information on our sponsor: www.CLEAResources.com If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram, TikTok and YouTube @theCelloSherpa
On this episode, Tom goes "On the Aisle" with violinist extraordinaire, Kevin Lin, who has received international acclaim for his musicianship. Concertmaster of the Indianapolis Symphony Orchestra, Lin is recognized for his virtuosity and his soulful playing. Enjoy this wide ranging interview with this gifted artist.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
During the current run of The Yuletide Celebration, we hear from Indianapolis Symphony Orchestra Pops and Presentations Coordinator, Matthew Creek. Planning, staging, handling crises, working with talent with both contracts and hospitality all are part of Matthew's world. At the time of this broadcast, tickets are available for Yuletide at Indianapolissymphony.org, offering performances through December 23.
This week on Cultural Manifesto listen to an interview with the Grammy-winning musician Meshell Ndegeocello - she'll be performing at the Palladium on November 18th. Meshell will discuss her connection to Indiana artists - including John Mellencamp, Etheridge Knight, and Hanna Benn. We'll also explore a lost recording from the Indianapolis jazz musician and composer Steve Allee. In 1983, Steve composed "Centennial Salute: A Musical Tribute To The Indianapolis Museum Of Art”, an orchestral suite featuring over 70 musicians - including members of the Indianapolis Symphony Orchestra and jazz legends of Indiana Avenue.
This week on Cultural Manifesto listen to an interview with the Grammy-winning musician Meshell Ndegeocello - she'll be performing at the Palladium on November 18th. Meshell will discuss her connection to Indiana artists - including John Mellencamp, Etheridge Knight, and Hanna Benn. We'll also explore a lost recording from the Indianapolis jazz musician and composer Steve Allee. In 1983, Steve composed "Centennial Salute: A Musical Tribute To The Indianapolis Museum Of Art”, an orchestral suite featuring over 70 musicians - including members of the Indianapolis Symphony Orchestra and jazz legends of Indiana Avenue.
The Cello Sherpa Podcast Host, Joel Dallow, interviews Austin Huntington, Principal Cellist of the Indianapolis Symphony Orchestra. They talk about how he found himself being appointed principal cello at only 20 years old! Austin also shares what motivated him early on, and talks about how during the pandemic he returned to school to study at Indiana University with Eric Kim, where he completed a Masters Degree in cello performance, coupled with a minor in social work. For more information on Austin Huntington: https://www.austinhuntington.com/You can find Austin on Facebook and Instagram @austincelloFor more information on our sponsor: www.CLEAResources.com If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram and Threads @theCelloSherpa
This week on Cultural Manifesto, an hour of words and music with the classical music pianist, and arts activist Lara Downes. She'll be performing the Florence Price piano concerto with the Indianapolis Symphony Orchestra later this month. Downes has become a significant advocate for African American voices in classical music. She's the host and creator of Amplify, an NPR series that features Downes in conversation with a wide range of Black musicians. She's also creator and curator of Rising Sun Music, a recording label that focuses on the work of historic and contemporary Black composers.
This week on Cultural Manifesto, an hour of words and music with the classical music pianist, and arts activist Lara Downes. She'll be performing the Florence Price piano concerto with the Indianapolis Symphony Orchestra later this month. Downes has become a significant advocate for African American voices in classical music. She's the host and creator of Amplify, an NPR series that features Downes in conversation with a wide range of Black musicians. She's also creator and curator of Rising Sun Music, a recording label that focuses on the work of historic and contemporary Black composers.
Scott Hoke is a broadcasting veteran of more than 40 years, both in television and radio, and since 2008, he's been the TV host of Mecum's televised auction action. Scott grew up in Indianapolis and has always loved cars. His home was close enough to the Indianapolis Motor Speedway and Indianapolis Raceway Park that he could hear cars practicing and racing at both venues from his backyard. He attended his first Indy 500 in 1973, and later worked at the United States Auto Club while in high school. Scott was a member of the IMS Public Address announce crew for seven years, and from 1989-1998, he worked as a sports anchor and reporter at WRTV-6 (ABC) in Indianapolis. Scott also spent six seasons as the TV Host of the Indiana Pacers television broadcasts and nine years as the morning radio host on WFYI-FM (NPR) in Indianapolis. Scott is equally adept as an emcee and event host at functions ranging from large fundraisers to the Indianapolis Symphony Orchestra's outdoor summer concert series, “Symphony on the Prairie,” which he hosted for 17 years. In his spare time, Scott is an avid musician who plays upright bass and electric bass in several jazz bands. --- Send in a voice message: https://anchor.fm/ktna/message
How do you see Brahms Symphony No. 4? For Scottish orchestral bassist and abstract painter Kirsty Matheson, music—like days of the week— have color. Kirsty shares how she balances her professional music life with her painting career that took flight during a 100 Day project in 2021. This fascinating conversation allows us to dip into synesthesia, a neurological condition shared by Kirsty and many other creative minds that creates a crossover between senses, in Kirsty's case allowing her to paint classical music. Find Kirsty: Kirsty's Website: www.kirstymatheson.com Kirsty's Instagram: @kirsty_matheson_art Kirsty's Twitter: @KirstyM_Art Mentioned:Justin Mortimer | artist (learn)Esperanza Spalding | American bassist, singer and composer (listen) Ju-Fang Liu | Principal Bass, Indianapolis Symphony Orchestra (learn) Kristen Bruya | Principal Bass, Minnesota Orchestra (learn) Aspen Music Festival (explore) Dido and Aeneas Overture , Henry Purcell (listen) John Butt |University of Glasgow | Director, Dunedin Consort (listen) Kirsty's 100 Day Project (explore) BBC3 Tom Service Interview, Music in the Moment, May 31, 2021 (listen) Maggie Hambling | British painter and sculptor (learn) Synesthesia | neurological condition involving an overlap of senses (learn) Famous synaesthetes, BBC article (learn) Wassily Kandinsky (1866-1944) | Russian painter (learn) Mozart, Symphony No. 40 in G Minor (listen) Fanny Mendelssohn (1805 –1847) | composer (listen) Seonaid Aitken | Scottish jazz violinist (listen) BBCThe Afternoon Show Podcast | Kirsty's review movie Tár (listen) BBC Scottish Symphony Orchestra (learn)Find Me, Kristy Darnell Battani:Website: https://www.kristybattani.comInstagram: kristybattaniartSupport the show
Hear from Sam Rothstein about his journey as a professional musician, from taking lessons to becoming Acting Principal Clarinet of the Indianapolis Symphony Orchestra. Follow Sam's podcast, The Candid Clarinetist Watch on YouTube Listen on Apple Podcasts Get More Students For Your Private Music Studio: OutsideTheBachs.com Follow Kelly on Instagram Follow Kelly on TikTok Private Music Instructors, Piano Lesson Teachers, and Music Studio Owners
This week on Cultural Manifesto an interview with violinist Kevin Lin. Lin made news in 2020, when he left his role as co-leader of the London Philharmonic Orchestra, to take a position as concertmaster with the Indianapolis Symphony Orchestra. Lin will discuss the ISO's 2023 season We'll also have another edition of Rebel Music with Karla Lopez, this week's featured guest is the librarian, archivist, and activist Stephen Lane, a member of the Indianapolis chapter of the Party for Socialism and Liberation. Lane will share how music has shaped his work as an archivist and activist.
This week on Cultural Manifesto an interview with violinist Kevin Lin. Lin made news in 2020, when he left his role as co-leader of the London Philharmonic Orchestra, to take a position as concertmaster with the Indianapolis Symphony Orchestra. Lin will discuss the ISO's 2023 season We'll also have another edition of Rebel Music with Karla Lopez, this week's featured guest is the librarian, archivist, and activist Stephen Lane, a member of the Indianapolis chapter of the Party for Socialism and Liberation. Lane will share how music has shaped his work as an archivist and activist.
On this episode we discuss our recent practice breakthroughs and struggles and set some resolutions for 2023. For our interview we welcome Ivy Ringel, Principal Bassoon of the Indianapolis Symphony Orchestra! Learn more about Ivy at her website: https://www.ivyringel.com! This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(http://www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!
Section First Violinist of the Indianapolis Symphony Orchestra Michelle Black shares her admiration for Taylor Swift and how her music has influenced her own musicianship. Indianapolis Symphony Orchestra www.indianapolissymphony.org Support this podcast at www.patreon.com/haydnmusicstand and follow us on social media @haydnmusicstand Spotify Playlist: https://open.spotify.com/playlist/1mJVam8s0zJ91JhhC7Dpd0?si=03f919267eaf4a11 --- Support this podcast: https://anchor.fm/haydnmusicstand/support
The Indianapolis Symphony Orchestra announced last week that Andrea Bocelli, the operatic star who has sold more than 90 million albums worldwide, will perform Dec. 7 at Gainbridge Fieldhouse along with the Indianapolis Symphony Orchestra. In this week's episode of the podcast, IBJ arts reporter Dave Lindquist talks with James Johnson, the CEO of the orchestra, about how the show came to be and what will make it special for the ISO and the city. Plus, they dive into what's upcoming for the orchestra, how the hunt for a new music director is going and how the symphony is working to diversify its organization as well as the works its performs. Dave is filling in for host Mason King, who is on vacation and will return next week. The IBJ Podcast is brought to you by Taft.
Mental Health is a difficult topic to discuss for musicians. However, Sam Rothstein, acting principal clarinetist with the Indianapolis Symphony Orchestra and host of "The Candid Clarinetist," has made a name for himself by tackling difficult topics through honest conversations. In this episode, Christine and Sam discuss mental health, perfectionism, supporting fellow musicians, and how the concept of Ikigai can help a musician create a balanced and meaningful life.
Karen Mangia is an internationally-recognized thought leader whose TEDx appearance, keynotes, blogs and books reach hundreds of thousands of business leaders each year. She is the author of Working from Home: Making the New Normal Work for You (Wiley), Listen UP! How to Tune Into Customers and Turn Down the Noise (Wiley) and also Success With Less (Marie Street Press). A prolific blogger and sought-after media interview, she has been featured in Forbes and regularly contributes to Thrive Global and ZDNet.As Vice President of Customer and Market Insights at Salesforce, she engages current and future customers around the world to discover new ways of creating success and growth together. She serves on the company's Work from Home Taskforce, where she is helping the company's 50,000+ worldwide employees to better adapt to a work-from-home environment. Passionate about diversity and inclusion, she also serves on the company's Racial Equality and Justice Taskforce. Prior to Salesforce, she spearheaded Customer Satisfaction and Experience at Cisco Systems.Recognized with the Centurion Award, Hall of Fame Honoree and a Graduate of Distinction from Ball State University; part of the 40 under 40 in the Indianapolis Business Journal; and Ivy Tech Distinguished Alumni Award. She is a trained chef, and is active in numerous community organizations, including serving on the board of the Indianapolis Symphony Orchestra and Ball State University.https://www.readsuccessfromanywhere.com/Karen's Profilelinkedin.com/in/karenmangiaWebsitessalesforce.com/ (Company Website)successwithless.net/ (Success With Less Book)twitter.com/karenmangia (Personal Website)Rebel HR is a podcast for HR professionals and leaders of people who are ready to make some disruption in the world of work.We'll be discussing topics that are disruptive to the world of work and talk about new and different ways to approach solving those problems.Follow Rebel HR Podcast at:www.rebelhumanresources.comhttps://twitter.com/rebelhrguyhttps://www.facebook.com/rebelhrpodcastwww.kyleroed.comhttps://www.linkedin.com/in/kyle-roed/Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.buymeacoffee.com/rebelhrpodcast)
Our sponsor: Houghton Hornswww.houghtonhorns.comSamuel Rothstein was appointed as the Assistant Principal and Bass Clarinetist of the Indianapolis Symphony Orchestra beginning at the start of the 2015-16 season. He received his bachelor's degree in music performance from Northwestern University where he studied with J. Lawrie Bloom and Steve Cohen. Prior to joining the ISO, Mr. Rothstein was a member of the Richmond Symphony in Richmond, Virginia, and the Civic Orchestra of Chicago. He has performed with the Chicago, Milwaukee, Virginia, New World, and Illinois Symphony Orchestras as well as the Fort Wayne Philharmonic. Additionally, he was the clarinet player for the 25th anniversary national touring company of Les Miserables and has also performed in the orchestra of other various productions for Broadway Chicago. Summer festival appearances include the National Repertory Orchestra, Spoleto Festival USA, and the Tanglewood Music Center. After two summers as a fellow at the Tanglewood Music Center, Samuel was invited to return for a third summer as a member of the New Fromm Players, focusing on the study and performance of contemporary music.Support the show (https://thatsnotspit.com/support/)
Welcome to Times Will Tell, the weekly podcast from The Times of Israel. This week, we're speaking with Dr. David Sasso. A musician and psychiatrist, David works in the intersection of mental health, music, and the arts and serves as Assistant Clinical Professor at the Yale School of Medicine. Full disclosure, David and host Amanda Borschel-Dan attended high school together in Indianapolis, after which he studied Music Composition at the Indiana University Jacobs School of Music and double majored in biochemistry before attending medical school at Northwestern. As a teen, David premiered works with the Indianapolis Symphony Orchestra, and later his full-length opera "The Trio of Minuet"was performed featuring children as the main characters. More recently, David has focused on various traditional folk genres and his duo project -- Kat Wallace and David Sasso -- is releasing its second album in October. We'll discuss the idea of the creative genius and hear excerpts of his music, especially two very different pieces he wrote about Noah's Ark. IMAGE: Dr. David Sasso (courtesy) See omnystudio.com/listener for privacy information.
Earlier today on Tony Katz morning show, he played some hilarious audio. Someone noticed that Mayor Boss Hogsett’s speech at the Indianapolis Symphony Orchestra was a blatant rip-off of Al Pacino’s character Lt. Co. Frank in “Scent of a Woman” and created some amazing audio. See omnystudio.com/listener for privacy information.
Welcome back everyone! Today, we have THE Joey Tartell as our guest! If you aren't familiar with Joey, go do yourself a favor and check him out! We really enjoyed our conversation with him, and we know you will too. Go give him a follow and be on the lookout for more episodes! Joey Tartell is Professor of Trumpet and the Director of Undergraduate Studies at Indiana University's Jacobs School of Music. Before joining the faculty, he enjoyed a career as an in-demand lead and free lance trumpet player. Joey was the lead player for Maynard Ferguson, touring the United States, Australia, Asia, and Europe, and can be heard on the recording “These Cats Can Swing.” He also played lead for the Smithsonian Jazz Masterworks Orchestra, including a State Department tour of Egypt; the U.S. Army Jazz Ambassadors, including a State Department tour of India and appearances at the Montreux and North Sea Jazz Festivals; and the Glenn Miller Orchestra. Although teaching full time, Mr. Tartell remains an active performer. He is a regular guest lead trumpet/soloist with several orchestras for Pops concerts, including serving as the Guest Principal for the Indianapolis Symphony Orchestra's entire 2014-15 Pops season. Joey has also played with the St. Louis, Houston, Cincinnati, Detroit, National Arts Centre (Ottawa), and Baltimore Symphony Orchestras. Also active in the recording studios, he has recorded for the Bob and Tom Show, Hal Leonard Publications, Shawnee Press, Cedar Point Amusement Park, Williams Gaming, and many others. Joey has also toured with Boston Brass and Canadian Brass. Mr. Tartell is also active as a soloist and clinician. Recently, he has been a featured soloist and clinician at both the International Trumpet Guild conference and the National Trumpet Competition. He maintains an active calendar as a clinician nationally, presenting clinics from Boise, Idaho to Tallahassee, Florida last year. Joey has a Master's degree in Jazz Studies from the University of Miami, and a Bachelor of Music degree from the Eastman School of Music, where he was also awarded a Performer's Certificate. He had the great fortune to study with Barbara Butler, Mel Broiles, Gil Johnson, and Vince DiMartino. Joey Tartell: https://joeytartell.com/ Twitter: @joeytartell https://www.facebook.com/joeytartell https://www.instagram.com/joeytartell/?hl=en Coffee & Clarke's: www.instagram.com/coffeeandclarkes/ podcasts.apple.com/us/podcast/coff…es/id1527355440 www.facebook.com/Coffee-Clarkes-101953871626547/
Over the years, we've met so many people with so many experiences. As the ups and downs of life shape and reshape us, we often find ourselves clinging to certain verses as a source of hope and strength. One verse that hit home for me was Psalm 34:18. When I was 24 years old, I was in my third year of medical school. My wife was teaching third grade, and she was 32 weeks pregnant. We were given tickets to the Indianapolis Symphony. I had just finished the easiest and most fun week of medical school, a solid week of doing nothing but examining healthy newborn babies. The point of the week is to solidify the complete newborn exam in the budding doctors' minds so it becomes automatic and is never forgotten.Amy and I enjoyed a nice dinner then went to see and hear the Dukes of Dixieland, Hoagy Carmichael's nephew, and the Indianapolis Symphony Orchestra. During the concert, Amy experienced a few painless contractions. We thought little of it, enjoyed the rest of our evening, and settled in for a good night's rest.We awakened early as Amy began to experience painful and increasing contractions. Too early. Not ready. Never ready for what came next.When we arrived in labor and delivery, the nurse greeted us with a smile that faded as soon as she checked for our baby's heart beat. Our glass slipper shattered, and it wasn't even midnight yet.The heartache of that moment, the moments that followed, and the days that felt like years was more than we thought we could bear. I couldn't even express how I felt.Until I read that verse."The Lord is close to the broken-hearted and saves those who are crushed in spirit.""Broken-hearted" wasn't enough to describe how I felt. "Crushed in spirit" resonated. It seemed my spirit had been pulverized and trampled, but God was there. He knew our pain. He felt it. He endured it. He shared it. And He was close to us and carried us through.That's what a life verse is. You find your deepest, darkest heartache, and even there, you discover God is with you.
Our sponsor - Houghton Hornswww.houghtonhorns.comEnter code SPIT for 20% off your purchase at:www.chopsaver.comChopSaver inventor, Dan Gosling, has worked as a professional trumpet player for more than 30 years. He earned degrees in trumpet performance from the University of Illinois and Northwestern University and has performed in every genre available to a modern-day player. Dan has served as principal trumpet of the Indianapolis Chamber Orchestra and has done extensive work with the Indianapolis Symphony Orchestra, the Cincinnati Symphony Orchestra, and the Louisville Orchestra.After creating the ChopSaver formula, he formed Good for the Goose Products, LLC to market and distribute the product. Dan continues to perform on a freelance basis while serving as “The ChopSaver Guy” and President of the company.Support the show (https://thatsnotspit.com/support/)
Podcast sponsorwww.houghtonshorns.comSteven Woomert joined the Toronto Symphony Orchestra as Associate Principal Trumpet in 2014. He has appeared as the Acting Principal Trumpet of the Canadian Opera Company Orchestra and has performed with the Barbados Classical Pops All Star Orchestra, New World Symphony, Indianapolis Symphony Orchestra, Calgary Philharmonic Orchestra, Thunder Bay Symphony Orchestra, and the Civic Orchestra of Chicago.Born in Toronto, Steven began his musical studies at age five on violin and added trumpet studies at age 11. He completed his Bachelor of Music degree at Northwestern University, where he studied with Barbara Butler, Charles Geyer, and Christopher Martin. While he was at Northwestern, he was a member of the school’s entry that won First Prize in the Ensemble Division at the 2012 National Trumpet Competition. Steven continued his studies at The Glenn Gould School at The Royal Conservatory in Toronto where he studied with Andrew McCandless. In 2013, he was the winner of the International Trumpet Guild Orchestral Excerpts Competition. Steven has participated in many summer festivals, including the National Youth Orchestra of Canada, National Academy Orchestra, Banff Festival Orchestra, National Orchestral Institute, National Repertory Orchestra, and Spoleto Festival USA.Steven and his father Barton have commissioned and recorded a CD of brand new music for two trumpets and piano, entitled Tandem. Besides performing, Steven enjoys joining some of his TSO colleagues on their volleyball team (The Gustav Bahlers).Support the show (https://thatsnotspit.com/support/)
Use code "spit1020" at checkout to receive $500 off the purchase of a brand new instrument through January 31st!www.houghtonhorns.comThis episode is the second half of my conversation with Chris Smith that was released on December 30th, 2020. We cover a wide range of topics. I hope you enjoy!Christopher Smith brings nearly 20 years of major orchestral and ensemble experience to the role of Principal Trumpet of the San Diego Symphony Orchestra. Prior to joining the SDSO, he was 4th/Utility Trumpet with l’Orchestre symphonique de Montréal (OSM) for 11 years, and served as Acting Associate Principal Trumpet from 2015-18. He has performed with OSM on eight international tours (two as Associate Principal Trumpet), numerous live broadcasts on Mezzo TV and Medici.tv (several as Principal Trumpet), and five recordings, including as lead trumpet on MIKA et l'Orchestre symphonique de Montréal.Prior to joining OSM in 2008, Mr. Smith performed for eight years in “The President’s Own” United States Marine Band, one of the world’s finest wind ensembles and America’s oldest continuously active professional musical organization. The Marine Band’s mission is to provide music for the President of the United States and the Commandant of the Marine Corps, performing at The White House for The Presidential Inauguration, events of national importance, holidays and ceremonies. Members of The Marine Band also participate in state funerals and full honors funerals at Arlington National Cemetery, including live trumpet performances of “Taps” on national television, which Mr. Smith provided on numerous occasions. He also performed on five U.S. tours totaling over 40 concerts and, as an E-7 Gunnery Sergeant, supervised and mentored junior Marines. Mr. Smith also led small ensembles and was a co-founder of the Valor Brass quintet, which performed two tours and over 10 recitals, including a standing-room-only recital at The Midwest Clinic in Chicago. As a decorated veteran of the Marine Corps, Mr. Smith is a strong supporter of the United States military and is thrilled to connect as a member of the SDSO with the military community in the greater San Diego area.In addition to his tenured roles in OSM and The United States Marine Band, Christopher Smith has served as Associate Principal Trumpet in the Seattle Symphony (2011-12 season), Acting Principal Trumpet in the Pacific Northwest Ballet (2017-18) and 2nd Trumpet with the Des Moines Metro Opera (2010-11). He has also performed as Guest Principal Trumpet with the Indianapolis Symphony Orchestra, Auckland Philharmonia Orchestra and Grand Rapids Symphony; lead trumpet with the singer MIKA; guest performer with the group Pink Martini. He has taught as an adjunct instructor at McGill University, led over 30 masterclasses throughout North and South America and privately coached both professional and collegiate trumpet players.Support the show (https://thatsnotspit.com/support/)
Use code "spit1020" at checkout to receive $500 off the purchase of a brand new instrument through January 31st!www.houghtonhorns.comChristopher Smith brings nearly 20 years of major orchestral and ensemble experience to the role of Principal Trumpet of the San Diego Symphony Orchestra. Prior to joining the SDSO, he was 4th/Utility Trumpet with l’Orchestre symphonique de Montréal (OSM) for 11 years, and served as Acting Associate Principal Trumpet from 2015-18. He has performed with OSM on eight international tours (two as Associate Principal Trumpet), numerous live broadcasts on Mezzo TV and Medici.tv (several as Principal Trumpet), and five recordings, including as lead trumpet on MIKA et l'Orchestre symphonique de Montréal.Prior to joining OSM in 2008, Mr. Smith performed for eight years in “The President’s Own” United States Marine Band, one of the world’s finest wind ensembles and America’s oldest continuously active professional musical organization. The Marine Band’s mission is to provide music for the President of the United States and the Commandant of the Marine Corps, performing at The White House for The Presidential Inauguration, events of national importance, holidays and ceremonies. Members of The Marine Band also participate in state funerals and full honors funerals at Arlington National Cemetery, including live trumpet performances of “Taps” on national television, which Mr. Smith provided on numerous occasions. He also performed on five U.S. tours totaling over 40 concerts and, as an E-7 Gunnery Sergeant, supervised and mentored junior Marines. Mr. Smith also led small ensembles and was a co-founder of the Valor Brass quintet, which performed two tours and over 10 recitals, including a standing-room-only recital at The Midwest Clinic in Chicago. As a decorated veteran of the Marine Corps, Mr. Smith is a strong supporter of the United States military and is thrilled to connect as a member of the SDSO with the military community in the greater San Diego area.In addition to his tenured roles in OSM and The United States Marine Band, Christopher Smith has served as Associate Principal Trumpet in the Seattle Symphony (2011-12 season), Acting Principal Trumpet in the Pacific Northwest Ballet (2017-18) and 2nd Trumpet with the Des Moines Metro Opera (2010-11). He has also performed as Guest Principal Trumpet with the Indianapolis Symphony Orchestra, Auckland Philharmonia Orchestra and Grand Rapids Symphony; lead trumpet with the singer MIKA; guest performer with the group Pink Martini. He has taught as an adjunct instructor at McGill University, led over 30 masterclasses throughout North and South America and privately coached both professional and collegiate trumpet players.Support the show (https://thatsnotspit.com/support/)
Support the Breakfast Leadership Network! Burnout Proof Your Life Online Course. Enter the code NINETY at checkout, to save 90% off the course:https://breakfastleadership.teachable.com/p/burnout-proof-your-lifeHire Michael to speak at your event: https://BreakfastLeadership.com/speakingBuy Michael's life altering book: 369 Days: How To Survive A Year of Worst-Case Scenario: https://www.amazon.com/369-Days-Survive-Worst-Case-Scenarios-ebook/dp/B074CCLKZP/ref=sr_1_1?ie=UTF8&qid=1502047423&sr=8-1&keywords=369+daysContribute on Patreon: https://www.patreon.com/bfastleadershipOr PayPal: https://www.paypal.me/bfastleadershipBreakfast Leadership Network Merchandise: https://teespring.com/stores/breakfast-leadership-networkLike, Rate and Review the Breakfast Leadership Show on Apple Podcasts: https://podcasts.apple.com/ca/podcast/breakfast-leadership/id1207338410------Karen Mangia is an internationally-recognized thought leader whose TEDx appearance, keynotes, blogs and books reach hundreds of thousands of business leaders each year. She is the author of Working from Home: Making the New Normal Work for You (Wiley) http://bit.ly/wfh-karenmangia, Listen Up! How to Tune in to Customers and Turn Down the Noise (Wiley) https://bit.ly/listenup-karenmangia and also Success With Less (Marie Street Press) http://bit.ly/SWL-BOOK. A prolific blogger and sought-after media interview, she has been featured in Forbes and regularly contributes to Thrive Global https://thriveglobal.com/authors/karenmangia/ and ZDNet.As Vice President of Customer and Market Insights at Salesforce, she engages current and future customers around the world to discover new ways of creating success and growth together. She serves on the company’s Work from Home Taskforce, where she is helping the company’s 50,000+ worldwide employees to better adapt to a work-from-home environment. Passionate about diversity and inclusion, she also serves on the company’s Racial Equality and Justice Taskforce. Prior to Salesforce, she spearheaded Customer Satisfaction and Experience at Cisco Systems.Strategic - Her strategies for customer listening, customer success and customer insights are central to the market impact of multiple companies, from Fortune 500 giants to privately-held businesses around the world. She is the Chair of the Customer Experience Council for the Conference Board and Executive Sponsor for YPO (Young Presidents Organization).Passionate about customer success, Karen began her Fortune 100 career at AT&T - an experience she details in her new book, Listen Up! She holds a BS degree in international business and a Masters in Information and Communication Sciences, both from Ball State University, as well as an Associates Degree in Hospitality Administration from Ivy Tech.Recognized with the Centurion Award, Hall of Fame Honoree and a Graduate of Distinction from Ball State University; part of the 40 under 40 in the Indianapolis Business Journal; and Ivy Tech Distinguished Alumni Award. She is a trained chef, and is active in numerous community organizations, including serving on the board of the Indianapolis Symphony Orchestra and Ball State University.@karenmangia (Twitter)https://www.linkedin.com/in/karenmangia/karenmangia (Instagram)
Episode 24: Principal Pops Conductor of the Indianapolis Symphony Orchestra joins Sam on the podcast today to talk about the ISO's famed Yuletide Celebration. Maestro Everly's career has taken him across the country from the stages of Broadway to the biggest and best concert halls. Thank you so much to the Indianapolis Symphony Pops department for their continued dedication to excellence and for providing families in Indianapolis with such an incredible Christmas tradition. More information can be found at http://indianapolissymphony.org
Shellac Stack No. 205 yearns for love with Larry Lee's Orchestra and swings along with Joe Reichman We also hear from Ruth Etting, Nat Gonella, Claude Hopkins, Tex Beneke, Ben Pollack, Doc Evans' Band, Margaret Whiting — and even the Indianapolis Symphony Orchestra! Lots of tuneful delights this time around. Support the Shellac Stack on … Continue reading »
A casual conversation with Dr. Soo Han This episode features a very special guest and my dear friend, Dr. Soo Han. Soo agreed to come on the podcast if we could simply have a conversation rather than an interview, so we did! We discuss teaching during the pandemic, the future of music education, and also engage in some personal conversation including plans for Thanksgiving. I hope you and yours will have a wonderful Thanksgiving! -- Dr. Soo Han is the director of orchestral studies at Baldwin Wallace Conservatory of Music, a member of the Board of Directors of the Midwest International Band and Orchestra Clinic, a contributing editor for Hal Leonard's Essential Elements for Strings, a D'Addario Orchestral Strings Artist, a Conn-Selmer Educational Clinician, program coordinator and faculty member with Los Angeles Philharmonic's summer YOLA program and the former director of orchestras & department chair of the William H. Duke Center for the Performing Arts at Carmel High School in Indiana. As an active conductor, he has appeared with Carmel Symphony Orchestra, Cave Run Symphony Orchestra, Michigan State Opera Theatre, Michigan State Symphony Orchestra, Valparaiso University and Butler University Symphony Orchestra. He is an active conductor for all-state, regional and honor orchestras appearing in over 30 states and has conducted internationally in Austria, China, Thailand and Australia. Han has collaborated with numerous artists, groups, and conductors such as Lynn Harrell, David Kim and the Indianapolis Symphony Orchestra. He has produced multiple recordings of complete symphonies and has premiered several commissioned works for strings and full orchestras. He has presented workshops and clinics internationally and for nearly every major national and state music conference including: Australian String Teacher Conference, Maryborough National Australia Conference, Midwest Clinic, ASTA National Conference, NAfME National Conference and Ohio University Summer String Teacher Workshop. Orchestras under his leadership experienced a great deal of success including nine Indiana State School Music Association (ISSMA) State Championships and being named Grand Champions at the National Orchestra Cup at Lincoln Center's Alice Tully Hall. As a passionate supporter of public school music programs, he continues to remain active in instrumental classrooms throughout the country. Han was previously the president of the Indiana American String Teachers Association and the chapter was awarded the ‘Most Improved Chapter' during his time as president. He recently served as the National American String Teachers Association's K-12 Committee Chair. He received his Bachelor of Instrumental Music Education from Indiana University Jacobs School of Music, Master of Science in Education from Indiana University School of Education and his Doctorate in Orchestral Conducting from the Michigan State University College of Music. Contact Dr. Han: https://www.bw.edu/academics/bios/han-soo -- Background music: Ahrirang, arranged by Soo Han https://www.youtube.com/watch?v=3v4NHMxVehA To purchase print edition or for more info: https://goo.gl/4JLFWw --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/orchestrateacher/support
Thank you for taking the time to listen to our chat with Bret! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! About Bret Shuford: As the Broadway Life Coach Bret Shuford is passionate about helping artists create a digital reputation and bridging the gap between craft and commerce. Shuford’s Broadway credits include Wicked, Cirque Du Soleil’s Paramour, Amazing Grace, Chitty Chitty Bang Bang, Beauty and the Beast, and The Little Mermaid. Other N.Y. credits include Actors Fund Benefit performances of A Wonderful Life, Best Little Whorehouse in Texas, On the Twentieth Century, and the Radio City Christmas Spectacular. Shuford’s credits outside of New York City include the National Tour of Lincoln Center’s South Pacific and Dr. Fine/Dr. Madden in Next to Normal at the Adirondack Theatre Festival. He originated the role of Vernon Castle in Castlewalk, a new musical presented as part of the New York Music Theatre Festival. He has sung with the Indianapolis Symphony Orchestra, Pittsburgh Symphony, Baltimore Symphony, and the Fort Worth Symphony. Shuford also has been seen on TV and Web series including Law and Order SVU, Alpha House, Submissions Only, and My Dirty Little Secret. His film credits include Scorsese’s The Wolf of Wall Street, Bedfellows, and Uncle Melvin’s Apartment. @BretShuford www.BroadwayLifeCoach.com www.BroadwayLifeApparel.com Join Secure Actor Project --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork Youtube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Karen Evans Moratz is an accomplished musician who is the principal flutist with the Indianapolis Symphony Orchestra, author of the bestselling book Flute For Dummies, and an adjunct instructor of flute and an Artist-in-Residence at Butler University's Jordan College of the Arts. She has studied and performed all over the world, and is extremely active in her community, as the founding member of both the Greater Indianapolis Flute Club and the Indianapolis Baroque Orchestra, as well as being the former coordinator of the National Flute Association's Young Artist Competition.In addition to her passion for music she's also a yoga instructor, teaching at several yoga studios in Indianapolis and incorporating mind/body techniques when she teaches flute to her students.On this episode, host Angela de Burger chats with Karen about how she was drawn to the flute, her love of languages (she speaks four!), and why she connects with yoga and music in such a meaningful way.Say hi to Karen: Website: https://karenmoratz.com Facebook: https://www.facebook.com/karenmoratzflute Instagram: https://www.instagram.com/kmoratz Yoga website: https://suryasta-yoga.com/about Yoga Facebook: https://www.facebook.com/suryastastudios Yoga Instagram: https://www.instagram.com/suryastayoga Show mentions and people who inspire Karen:People who inspire: William Ingham Brooke Bennett aka WIBB, Nick McKeegan, Arlo Guthrie, Pete Seeger, Livingston Taylor, Maria Callas, Cecilia Bartoli, Joni Mitchell, Freddie Mercury, Leslie Odom Jr.Movies: The BFG (Big Friendly Giant), AmadeusMartha Graham quote----Creative Pulse Podcast socials: Instagram https://www.instagram.com/creativepulsepodcast Twitter https://twitter.com/CreativePulseTWMusic credit: https://www.purple-planet.com
★ Support the show by becoming a patron: https://www.patreon.com/atpercussion ★ Follow us on: Facebook: https://www.facebook.com/atperc Instagram: https://www.instagram.com/atpercussion/ PodBean: https://atpercussion.podbean.com/ Hosts: Casey Cangelosi, Ben Charles, Karli Viña, and Ksenija Komljenović Intro music by: Antoni Olesik - https://www.instagram.com/antek.olesik 00:35 Premium level patron shoutout – Jade Hails! 1:17 Today in history (Nirvana conspiracy theory, Fresh Prince of Bel Air) 7:12 Pedro Introduction 7:49 FB Question - Maria Chlebus ‘How do you stay so handsome?' 08:15 Pedro being refused a haircut 9:00 Share your perspective, challenges, and experiences as an international student 13:41 Did you ever turn the negativity into a motivational tool and contribute to the success you have now? 15:15 Blind auditions 16:28 FB Question – Mike Kessler ‘What are your two top snare drum/marimba/vibes books you would recommend?' 19:50 What is going on with the Indianapolis Symphony Orchestra? 20:30 Houston Symphony web-streaming concerts – anything similar happening with ISO? 22:09 Myths about Pedro's performance and PASIC clinic/lab 23:34 Karli still thinks Pedro played blindfolded 25:02 Pedro's mother “what are you even doing when you are practicing?” – how do you practice 28:29 Ben's anecdote of Pedro practicing triangle 30:29 How has your practicing changed during the quarantine? 33:20 What music do you jam out to? 34:46 Should chopsticks be used as musical implements? Facebook discussion read 39:24 Conversation about chopsticks 42:39 An explanation why it is offensive to use chopsticks 45:00 Stuart Saunders Smith – Songs I-IX require chopsticks – should we follow composers who instruct us to use specific instrumentation/implement choices? 51:47 Appropriation – term and usage 55:45 Does outrage cause people to be fearful about being around different cultures? 1:01:43 FB Question - Jade Hails: Is the experience playing with the ballet orchestra any different from the symphony orchestra? 1:05:09 Example of a piece that is played faster in symphony orchestra than in ballet? 1:07:17 How do you pronounce Ginastera?
Episode 11 On this episode, we zoom in on the conductor and all of their various roles on and off the stage. Many thanks to Jacob Joyce, Associate Conductor of the Indianapolis Symphony Orchestra for joining us for this episode and sharing his insights. Be sure to check out his podcast, Attention to Detail: A Classical Music Listening Guide at https://www.attentiontodetailpod.com/ Remember that our podcast recordings are now being live streamed on Twitch at http://twitch.tv/thecandidclarinetist and subsequently uploaded to our YouTube channel. Hope to see you at the next live stream, Mondays at 8pm EST! ***I apologize for some unintentional audio clipping in this episode. I am recording on a new audio interface and am getting used to its functionalities. It will be fixed for the next episode!***
The Candid Clarinetist podcast will now be live streaming our podcast recordings on Twitch at http://Twitch.tv/thecandidclarinetist Our first live stream will be September 7th at 8pm EST where I will be joined by Jacob Joyce, Associate Conductor of the Indianapolis Symphony Orchestra. Head on over to Twitch and drop us a follow so you know when we go live! If you connect your Twitch account to your Amazon Prime account, you can subscribe to my Twitch channel every 30 days completely for FREE. All proceeds from this will go directly back into the costs associated with creating and producing the podcast. If you have the means, there is also a donate button over on Twitch, and I would greatly appreciate and welcome any and all contributions. Hope to see you at a future live stream!
She started singing as a 5-year-old girl at Mt Calvary Baptist Church in Indianapolis, where her grandfather was the minister. Soprano Angela Brown, 56, went on to become an international opera star, performing everywhere from the Metropolitan Opera in New York City - where she made a sensational debut in 2004 - to prestigious venues in Paris, London and Shanghai. She has sung the national anthem at the Lincoln Memorial In Washington D.C. and at games of the Indianapolis Colts and Indiana Pacers in her hometown. Angela, a 1982 graduate of Attucks High School who later studied at Indiana University's Jacobs School of Music, has been blazing trails, including some beyond the music world. She recently founded Freddie Mae's Daughter, a company offering such products as "handcrafted jewelry, masks and other Afrocentric accessories." The business is named for Angela's late mother, Freddie Mae Brown, an Indianapolis artist and nurse. Angela also is converting her one-woman show, Opera from a Sistah's Point of View, into a virtual program for opera companies across the country; the show includes Angela's re-telling of opera plots from a Black perspective. Angela will discuss these endeavors - and others, including a new podcast with Classical Music Indy that she co-hosts, Melanated Moments in Classical Music - when she is Nelson's guest. The podcast showcases music composed by, for or about Black people, with commentary from Angela and her co-host, sociologist Joshua Thompson. She also will discuss her roots in Indianapolis, where Angela still owns a house. In her hometown, she has given master classes at Indianapolis Opera. Also in Indiana, she has created Morning Brown, Inc., a non-profit foundation with a mission that involves, according to its website, "bridging the gap between accessible, live-music programs and underserved individuals, schools and communities." Angela, who has been acclaimed for her singing of spirituals as well as opera, grew up near Broadway and 30th Streets. According to a profile of her in 19 Stars of Indiana: Exceptional Hoosier Women (IU Press, 2009), her father, Clyde Brown, was an autoworker at a Chrysler plant for more than 40 years. Like Freddie Mae Brown, he died in 2008. At Attucks, Angela became active in the vocal music program. Her mentor was choir director Robert Fleck; Angela has told interviewers that "his encouragement made a lasting impression." Hoosier History Live explored the music program during an Attucks High School history show in 2014, which cited Angela Brown as among the distinguished alums. Her debut at the Met - which resulted in national media coverage from the New York Times, CNN and Oprah magazine, among others - was in Aida, an opera by Verdi. She portrayed the title role of an Ethiopian princess who briefly enjoys happiness before tragedy ensues. "The opera ended amid cries of 'Brava!' and an immediate and extended standing ovation," according to 19 Stars. "Adoring fans rushed down the aisles proffering bouquets and throwing flowers onto the stage." Since her triumph at the Met, Angela has collaborated with American composer Richard Danielpour on several projects. He set the poetry of Maya Angelou for Angela's voice in an orchestral song cycle titled "A Woman's Life." She has performed the piece with symphony orchestras in Pittsburgh, Philadelphia and Nashville, Tenn. In 2011, Angela married Anselme Blaise Argelier, a French dancer. Their wedding was in Paris, where the couple had met several years earlier when both were performing in an opera. In recent years, Argelier has retired from dancing; as a result, the couple has been able to spend more time at their home in Indianapolis. With the Indianapolis Symphony Orchestra, Angela has performed at yuletide pops concerts; she also has been a soloist with the Carmel Symphony Orchestra. Her honors include induction into the Indianapolis Public Schools Hall of Fame.
Host Nicholas Johnson speaks with Mark Ortwein, a principal bassoonist with the Indianapolis Symphony Orchestra and Corrie Cook of The Smoking Goose. They talk about finding silver-linings during trying times, before sampling an amazing Charcuterie array from Goose paired with some amazing compositions.Support the show (https://classicalmusicindy.org/support-classical-music-indy/)
An interview with Indianapolis Symphony Orchestra's oboe and english horn player and Indiana University faculty, Roger Roe. Highlights The response to COVID_19 - 6:30 The relationship with the media - 9:49 The morning after the protests - 12:03 What’s the role of the artist in the community? - 15:13 Huge events at downtown - 22:10 The identity of ISO - 32:30 The new artistic identity - 33:11 Being directly involved in the community - 34:54 How political can an orchestra be? - 39:34 The role of the artist citizen - 43:43 Not doing virtual concerts this year - 45:21 Why the audition process is so strange - 56:21 How to win an audition - 58:31 How he got started - 59:48 Teaching students about emotion - 1:13:00 Episode Resources Connect with Robert Hunt Simonds: roberthuntsimonds@gmail.com http://roberthuntsimonds.com/ Connect with Roger Roe: https://www.instagram.com/isomusicians/?hl=en https://instagram.com/rogerroeoboe?igshid=1l6pc5tfyzmgs ISO Musicians' press release: https://isomusicians.org/2020/06/press-statement-6-22-20/?fbclid=IwAR33WxHkn372VzxuDgZqsdMKfFttLwNCXfFTBmqzjIAG3tiF_D_dtgwNrOc
Shuford’s Broadway credits include Wicked, Cirque Du Soleil’s Paramour, Amazing Grace, Chitty Chitty Bang Bang, Beauty and the Beast, and The Little Mermaid. Other N.Y. credits include Actors Fund Benefit performances of A Wonderful Life, Best Little Whorehouse in Texas, On the Twentieth Century, and the Radio City Christmas Spectacular. Shuford’s credits outside of New York City include the National Tour of Lincoln Center’s South Pacific and Dr. Fine/Dr. Madden in Next to Normal at the Adirondack Theatre Festival. He originated the role of Vernon Castle in Castlewalk, a new musical presented as part of the New York Music Theatre Festival. He has sung with the Indianapolis Symphony Orchestra, Pittsburgh Symphony, Baltimore Symphony, and the Fort Worth Symphony. Shuford also has been seen on TV and Web series including Law and Order SVU, Alpha House, Submissions Only, and My Dirty Little Secret. His film credits include Scorsese’s The Wolf of Wall Street, Bedfellows, and Uncle Melvin’s Apartment.
Kristen Culter, the Director of Communications for the Indianapolis Symphony Orchestra tells us about this weekend's shows and teases about the upcoming Symphony on the Praire and the 2020 schedule.
The All Souls Choir presents its annual holiday program. This year's service features music for brass and chorus, including American composer Daniel Pinkham's Christmas Cantata. Pinkham served the Unitarian Church for 42 years as the organist for King's Chapel in Boston, Massachusetts. All Souls welcomes a brass quintet from the Indianapolis Symphony Orchestra and organist Justin Stahl.
Jared Rodin came to Indiana from Chicago, were he had been a student of Frank Crisafulli and Arnold Jacobs to earn the MM degree from Indiana University studying with Keith Brown and Lewis Van Haney. He earned his BM from Southern Illinois University at Carbondale under the tutelage of Gene Stiman and Mel Jernigan of the St. Louis Symphony.Active as a clinician and soloist, Jared has commissioned and premiered many works for the bass trombone including "Morph"(1993 with the Indianapolis Chamber Orchestra) by Ken Kugler, "Concerto"(1998) by Frank Glover, "Beneath The Surface"(1997) by Steve Allee and another "Concerto"(1998) by Stan Adams. Jared has presented three concerts of music for trombone and strings with the Indianapolis String Quartet at the the Indianapolis Arts Garden. He has been soloist and clinician at Cincinnati College-Conservatory, University of New Mexico and the Hochscule fur Musik in Trossingen, Germany and directed three masterclasses at the Northwestern University School of Music this past spring.A faculty member of The International Trombone Camp, held annually in the province of Cuneo, Italy, Jared has performed as Guest Artist in recital and with notable trombonists Joe Alessi, Ron Barron, Michael Mulcahy and Charles Vernon. Additional works have been premiered in Europe including "Remembrance" and "Welcome to the Skeleton Circus" by Frank Glover, and others with the "Seraphim Trombone Quartet" at the A-DEvantgarde Festival in Munich, Germany.Principal Trombonist with the Indianapolis Chamber Orchestra, Jared is a frequent guest of the Indianapolis Symphony Orchestra and other regional orchestras including the Ft. Wayne Philharmonic and the symphonies of Marion, Muncie and Anderson. This past winter he invited to perform with Chicago's famed "Music of the Baroque". He was also bass trombonist with the Italian National Radio Orchestra of Turin, Italy for two seasons.A versatile musician, Jared has performed with artists diverse as Frank Sinatra, Natalie Cole, jazz trombonists Slide Hampton and Kai Winding, "The Who", and toured the US and Canada with entertainers Henry Mancini, Andy Williams, Johnny Mathis and Perry Como. Familiar with the orchestra pit, Jared has played hundreds of Broadway shows, opera and ballet in Indianapolis. As a recording artist, Jared has performed on numerous big band recordings, twice having been featured soloist.Jared is Instructor of Trombone at Butler University, having held similar positions at Ball State and Purdue Universities.Support the show (https://thatsnotspit.com/support/)
Host Nick Johnson discusses the importance of being local and creating unique experiences with Jacob Joyce, Associate conductor of the Indianapolis Symphony Orchestra, and Dave Colt and Clay Robinson, co-owners of Sun King Brewing.Support the show (https://classicalmusicindy.org/support-classical-music-indy/)
Bert Witzel is the latest addition to the Indianapolis Symphony Orchestra bass section. He served as principal bass of the Louisville Orchestra for many years prior to winning an audition for his current position. Bert is also the author of Scales for the Double Bass. We dig into Bert’s journey through the music world, the highs and lows of auditioning, and what Bert has learned in the process. Enjoy! Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. Steve Swan String Bass Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada. Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor. The Bass Violin Shop The Bass Violin Shop offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Modacity Modacity is a practicing app that helps musicians be more effective at practice. They help you get the results you want, while keeping you encouraged and motivated to stick with it and reach those goals – however big, or small, they may be. Kolstein Music The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging Subscribe to the podcast to get these interviews delivered to you automatically!
Phillip and his son operate Ramsey Pyrotechics in Frankfort, Indiana. He started voluntarily shooting shows, but then he learned that The Indianapolis Symphony Orchestra wanted safe fireworks displays for The Fourth of July. From there, word of mouth led the company to produce more than 70 shows a year. This conversation includes details of firework shell construction and launching.
This week, 2019 Tony winner Stephanie J. Block joins Ilana for a conversation. Block has established herself as one of the most relevant and versatile voices in contemporary musical theatre. She most recently won the Outer Critics Circle Award for Outstanding Leading Actress in a Musical portraying Star in THE CHER SHOW and also garnered a Drama League, Drama Desk and TONY Award nomination(s) for her current role of Star. Ms. Block also received the Outer Critics Circle, Drama Desk & TONY nomination(s) for Best Featured Actress in a Musical in 2017 for her star turn as Trina in Lincoln Center Theatre’s highly acclaimed revival of FALSETTOS. In 2013 she was recognized with both the Drama Desk and TONY Award nomination(s) for Best Leading Actress in a Musical for her portrayal of Alice Nutting/ Edwin DROOD in The Roundabout Theater’s production of THE MYSTERY OF EDWIN DROOD. That marks 3 TONY Award nominations in the last 6 years, a feat very few Broadway actors have attained. Other Broadway credits include Reno Sweeney in the 2011 TONY Award winning revival of ANYTHING GOES, 9 TO 5:THE MUSICAL playing the role of Judy Bernly for which she earned a Drama Desk nomination for Best Actress in a Musical. She created the roles of Grace O'Malley in THE PIRATE QUEEN and Liza Minnelli In THE BOY FROM OZ (opposite Hugh Jackman). Ms. Block is best known for her portrayal as Elphaba in the Broadway company of WICKED as well as originating the role in the First National Tour for which she won numerous awards including the prestigious Helen Hayes Award for Outstanding Actress in a Musical. Ms. Block has sung with numerous symphony orchestras including the NY Pops at Carnegie Hall, Boston Pops, National Symphony Orchestra (under the baton of Marvin Hamlisch), Dallas Symphony, Indianapolis Symphony Orchestra, Utah Symphony, Columbus Symphony, Charlotte Symphony and the Cleveland Pops among many others. Her solo concert has been critically acclaimed and continues to sell out throughout the US and in London. Some of her Off-Broadway and regional theatrical credits include LITTLE MISS SUNSHINE (Drama Desk nomination for Outstanding Featured Actress in a Musical), BY THE WAY, MEET VERA STARK(Drama Desk nomination for Outstanding Featured Actress in a Play), THEY'RE PLAYING OUR SONG(starring opposite Jason Alexander), CATS (St Louis' Kevin Kline Award Nominee- Best Actress),FUNNY GIRL, CRAZY FOR YOU (L.A. Ovation Award Nominee), OLIVER (Critics Award-Best Actress), James Joyce's THE DEAD, TRIUMPH OF LOVE, THE GRASS HARP, SOUTH PACIFIC, WILL ROGERS FOLLIES and the World Premiere of WICKED. Stephanie's solo album, THIS PLACE I KNOW has been received with great praise, lauded by critics as "One of the best debut recordings to come out of the Broadway community in quite some time... 6 out of 5 stars". An array of award-winning songwriters assembled to help interpret their music on Stephanie's album. Composers such as Stephen Schwartz, Marvin Hamlisch and the legendary Dolly Parton join forces with Ms. Block to create a thrilling musical experience. Stephanie's voice can be heard on multiple cast recordings, including THE BOY FROM OZ, THE PIRATE QUEEN, WICKED's 5th Anniversary Album and 9 TO 5: THE MUSICAL (GrammyNomination). Television credits include: RISE (upcoming: NBC), MADAME SECRETARY (CBS), ORANGE IS THE NEW BLACK (Netflix), HOMELAND (Showtime), IT COULD BE WORSE (HULU).
Chappy was with the Indianapolis Symphony Orchestra for 43 years and 41 of those were as Principal Trumpet! He was also my teacher at Butler U for my master's degree. Chappy is one of the finest musicians you could every meet and work with, and he is one of the most down to earth guys you could hope to know. He shares some great stories and playing info in this interview. Enjoy!
Today's guest in the fifth and final episode of the Fischoff Effect series is Lydia Rhea from the former Kairos String Quartet. In this series, I bring you five former winners of the Fischoff competition to talk about their experience preparing for and competing at Fischoff, and about the wonderful adventures and opportunities that have followed their win: Blaise Magniere from the Avalon String Quartet, Dorival Puccini from Axiom Brass, Matt Landry from the Akropolis Reed Quintet , Christopher Whitley from the Thalea String Quartet, and Lydia Reah from the former Kairos String Quartet! Whether you are a musician about to compete at the competition, or a music lover looking for a fresh approach to practicing and preparing for a concert, make sure to subscribe and tune in everyday, because those conversations are bursting with inspiration and EXTREMELY useful information! Each group has a unique and motivating story and my guests are so generous with their insightful tips and advice! About Fischoff Founded in 1973 in South Bend, Indiana, the Fischoff National Chamber Music Competition has grown to become the largest chamber music competition in the world, attracting the finest and most talented young musicians from around the globe. and is one of the most prestigious classical music prizes attainable today. Since its founding, more than 6,000 musicians have participated, many of whom have gone on to distinguished careers in music performance and education. Fischoff is also deeply committed to music education and partners with competition alumni to bring free, innovative Arts-in-Education programs directly to children in their own schools and community centers. Since 1995, nearly 50,000 children, youth and adults have received free educational programming of the highest order. Website: http://www.fischoff.org/ Facebook: https://www.facebook.com/TheFischoff Instagram: https://www.instagram.com/fischoffchambermusic/ Meet the former Kairos String Quartet – 2018 Junior Division Gold Medal Joshua Brown & Julian Rhee, violin/viola | Thompson Wang, violin | Lydia Rhea, cello The Kairos String Quartet, coached by Rodolfo Vieira, is comprised of Joshua Brown (violin/viola), Julian Rhee (violin/viola), Thompson Wang (violin), and Lydia Rhea (cello). “Kairos”, the decisive time for opportunity and action, captures the essence of ambition and boldness found in these four young artists. Kairos was formed in September of 2017 when all four students were scholarship recipient Fellows at the Music Institute of Chicago Academy, a pre-college training program for gifted musicians. Kairos Quartet won the Gold Medal in the Junior Division of the 2018 Fischoff National Chamber Competition and First Prize in the Junior String Division of the 2018 M-Prize International Chamber Arts Competition, making Kairos the first chamber group to win the top prizes at both Fischoff and M-Prize in the same year. They were also awarded the Grand Prize at the A.N. and Pearl G. Barnett Chamber Music Competition, First Place at the Rembrandt Chamber Players Competition, and the Silver Medal at the St. Paul String Quartet Competition. Named the Rembrandt Young Artists for 2018, Kairos was featured on a live broadcast of WFMT's Introductions. All four members are currently pursuing music performance in college; Joshua, Julian, and Thompson are students at the New England Conservatory while Lydia is studying at the Cleveland Institute of Music. Lydia Rhea, cello http://www.lydia-rhea.com/about/ Instagram: https://www.instagram.com/lydia_cello/ YouTube: https://www.youtube.com/channel/UCN-KjdWREr9lehnLNf8wekg Cellist Lydia Rhea is quickly garnering international recognition as a skilled soloist and chamber musician while currently pursuing a BM in Cello Performance at the Cleveland Institute of Music with Dr. Melissa Kraut. Formerly a scholarship recipient Fellow at the Music Institute of Chicago Academy, a training center for gifted pre-college musicians, Lydia studied with artist faculty member Hans Jørgen Jensen for four years. As a soloist, Lydia has performed with the Indianapolis Symphony Orchestra, the Fort Wayne Philharmonic, the Muncie Symphony Orchestra, the Carmel Symphony Orchestra, and the New World Youth Symphony Orchestra, among others, and appeared on NPR's From the Top with world-renowned jazz pianist Fred Hersch and guest host Yuga Cohler. An accomplished chamber musician, Lydia earned numerous honors as the cellist of the Kairos String Quartet in the 2017-2018 season. Kairos won the Gold Medal in the Junior Division of the 2018 Fischoff National Chamber Competition and First Prize in the Junior String Division of the 2018 M-Prize International Chamber Arts Competition, making Kairos the first chamber group to win the top prizes at both Fischoff and M-Prize in the same year. They were also awarded the Grand Prize at the A.N. and Pearl G. Barnett Chamber Music Competition, First Place at the Rembrandt Chamber Players Competition, and the Silver Medal at the St. Paul String Quartet Competition. Named the Rembrandt Young Artists for 2018, Kairos was featured on a live broadcast of WFMT's Introductions and NPR's From the Top. Lydia made her debut at the age of nine with the New World Youth Philharmonic Orchestra and the Fishers Chamber Players, and she has twice served as principal cellist in the Indianapolis Symphony Orchestra's Side-by-Side program. Most recently, in the summer of 2018, she was invited to be a Professional Performance Artist at the Boston Music Institute's 12-Hour Masterclasses with members of the Boston Symphony Orchestra, and she attended the Festival de Écoles d'Art Americaines de Fountainebleau in France on a full scholarship as the festival's youngest participant. While there, her string quartet was awarded the Premier Prix and the Prix du Château de Fontainebleau for the best interpretation of Ravel's String Quartet in the Prix Ravel, sponsored by the Maurice Ravel Foundation. In the summers of 2016 and 2017, Lydia attended the Heifetz International Music Institute, while previous summers were spent at the Meadowmount School of Music, Sewanee Summer Music Festival, and the Indiana University String Academy. Lydia has had the privilege of taking lessons and master classes with Gary Hoffman, Philippe Muller, Pinchas Zukerman, Robert Levin, Blaise Déjardin, Sharon Robinson, Amir Eldan, Merry Peckham, Jonathan Koh, Richard Hirschl, and Richard Aaron, among others. Lydia plays on a cello made by Lawrence Wilke in 2008. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/ Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/
Lou welcomes former Indianapolis mayor Greg Ballard and singer-songwriter Cam Melton. Indianapolis Symphony Orchestra executive / improv artist Beth Outland co-hosts. In this episode Mayor Ballard and Lou discuss the human and economic costs that arise from the United States' dependence on oil. Ballard explores this topic in great depth in his new book Less Oil or More Caskets (IU Press). Singer-songwriter (and bio scientist) Cam Melton offers live performances of three original songs from his excellent EP, Southern Sessions. In this episode you'll learn: What Mayor Ballard thinks of Mayor Pete Buttigieg. Why domestic oil production does nothing to solve the economic, environmental and human costs associated with a petroluem-based economy. Whether electric vehicles (EVs) are the answer to solving our dependence on oil. Why politicians (on both sides of the aisle) are not motivated to solve the world's energy problems. Whether Greg Ballard plans to enter politics again. And, as always, there's a punny segment. Recorded before a live audience, April 14, 2019, in the Oxford Room above the Aristocrat Pub in Indianapolis.
Richard A. White is the subject of the upcoming documentary, "R.A.W. Tuba" and is one of our most inspirational guests. He spoke with us about his life, his career, and the upcoming film. From his website: With over two decades of performing on the world’s classical music stages, tubist Richard White has matured into a musician known for his clear sound and stylistic flexibility. He began his tuba studies with Ed. Goldstein at age twelve at The Baltimore School for the Performing Arts, where he graduated with honors. He then went to the Peabody Conservatory of Music to study with David Fedderly (Principal Tubist, Baltimore Symphony) where he received his Bachelor’s degree. On the advice of Mr. Fedderly, Richard traveled to Indiana University to study with the legendary Professor Daniel Perantoni. He continued his studies there receiving both his Master’s and Doctoral degrees. Richard Antoine White, also known as RawTuba, is the first African American, to receive a DM in Tuba! Dr. White held the position of Principal Tubist with the New Mexico Symphony Orchestra from 2004 until it’s untimely demise in 2011 and is currently in his seventh season as Principal Tubist of the New Mexico Philharmonic. Dr. White is also principal tubist with The Santa Fe Symphony and Chorus. Richard enjoys playing in the Duo, Diversity Matters, with pianist Pamela Viktoria Pyle, in addition to teaching at the University of New Mexico, where he is Associate Professor of tuba/euphonium, and Associate Director of the Spirit Marching Band. Dr. White has performed with the Canadian Brass Quintet, Indiana University Faculty Brass Quintet, New Mexico Symphony Brass Quintet, Baltimore Symphony Orchestra, Colorado Symphony Orchestra, Indianapolis Symphony Orchestra, Malaysian Philharmonic, Santa Fe Opera, Sphinx Symphony, Spoleto Music Festival U.S.A., Music in the Mountains, a summer festival located in beautiful Durango, CO, and many others. Dr. White is an Adams Artist and performs exclusively on these instruments. Prior to moving to New Mexico, Dr. White was one of the top freelance musicians in the Indianapolis area, where he recorded with such greats as movie film composer John Williams, Cincinnati Pops conductor Eric Kunzel, and the late great wind ensemble conductor Frederik Fennell. Throughout his musical and educational career development, Dr. White has had a passionate interest in motivational speaking. That dream has recently materialized itself with the launching of his website rawtuba.com. Sharing inspirational thoughts and philosophies that have motivated Dr. White has taken him to Mexico, South America, Europe, South East Asia and across the United States of America – with more engagements on the horizon. In this fun and lively discussion, we cover: How the "R.A.W. Tuba" film came about Bringing love to Baltimore The filming process Mr. P and his stool Having a literary agent Richard's story The water fountain The emotional toll it has taken on him Sam Pilafian's influence Building himself a gig at UNM by teaching football players respiratory function A kid named King playing a young Richard in the film Breaking into the filmmaker's car (with permission) Screenings always open with some sort of act Short intro followed by the film, a performance, a Q&A and performance of "We Are the World" Ed Goldstein and Dave Fedderly Meeting his natural father in Baltimore at a screening R.A.W. Tuba t-shirts Working with J.D. Shaw at UNM Playing in Brass Theater Breathing Gym His gig at UNM The importance of the hang Three rules for his studio: have fun, sound good, make music Motivational speaking Hustle and Flow Diversifying his professional portfolio Losing 64 lbs. and reclaiming his health Doing the right thing and behaving with integrity Loyalty Posting the rejection letters on his walls and ceiling LINKS: Richard's website UNM Bio Page RAW Tuba Film Daily Beast Article about Richard CBS News profile of Richard Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.
Tom Akins was principal timpanist of The Indianapolis Symphony Orchestra from 1965 to 1991. He wrote a history of the ISO called "Crecsendo" (1930-2005) and "Behind The Copper Fence" about the dynamics of an orchestra, playing his instrument, working with other musicians, tuning, and even the ISO softball team. He told us how a person with only two arms and two legs manages four drums in a concert, especially in a concerto for timpani.
James Johnson, CEO of The Indianapolis Symphony Orchestra, converses with Morton and John about hiring musicians, the correlation between young persons who played an instrument and their love of music as adults, how musicians are hired, the role of video images, and financial dynamics between management and musicians. In his view, transparency and pizza make a difference.
Episode 6 - Allen Miller - Allen is a true journeyman trumpet player. Having held a one-year contract so long with the Indianapolis Symphony Orchestra everyone considers him a full time member. Allen shares a great deal of information about the experiences that shaped his playing and gives some great info for upcoming musicians.
Krzysztof Urbański ist Chef des Indianapolis Symphony Orchestra und einer der spannendsten Dirigenten der jüngeren Generation. Ein Gespräch über seinen späten Musik-Einstieg und die Sorge um die Zukunft der Klassik.
Today's guest is Conrad Jones. Conrad is currently Principal Trumpet of the Indianapolis Symphony Orchestra. We sat down for this interview on August 17th, 2018 at the University of Indianapolis. Please enjoy!
Maestro Jack Everly, Principal Pops Conductor of the Indianapolis Symphony Orchestra, joins host Lou Harry for this episode, "Crowd Pleasers." The two discuss Jack's start on Broadway, and his experience conducting for the American Ballet Theatre under Barishnikov. Lou added bawdy singer-songwriter / comedian Pat Godwin to the cast to balance out Maestro Everly's elegance and class. But things didn't turn out quite how Lou planned. . . In this episode: You'll hear Lou and friends defile the Great American Songbook Learn what it was like to work with Carol Channing in "Hello, Dolly!" Find out who was the worst star Jack Everly worked with. You'll learn what happened when Beverly Sills hit a high note while singing in a zoo Bono and Springsteen make special guest appearances (in a way} You'll learn which Broadway overture Lou Harry, Jack Everly and Pat Godwin agree is the best. Actress Tracy Herring is Lou's sidekick this show. This episode was recorded live in the Oxford Room, above the Aristocrat Pub in Indianapolis. The Aristocrat sponsored this episode and we are grateful for that beyond words. This show would not be possible without them.
A thoughtful interview with Indianapolis Symphony Orchestra freelance sub/French horn player Marcus Redden in re: the state of classical music today. 00:00 Intro/Music For The Funeral Of Queen Mary 02:22 Segment One 06:05 Interview w/ Marcus Redden Pt. 1 13:33 For No One 15:28 Interview w/ Marcus Redden Pt. 2 22:22 Smooth Operator 27:05 Interview w/ Marcus Redden Pt. 3 37:26 Broken Boomerang 42:33 Segment Two 47:22 Interview w/ Marcus Redden Pt. 4 49:49 Roll Over Beethoven 57:35 End of the Hour/Blog Tag
Natalie Renee Perkins is a professional performer and proud member of the Actors' Equity Association. She has traveled internationally with two major cruise lines, toured the country with Hairspray and RENT, been a featured singer with multiple symphony orchestras, and performs regularly with the USO Show Troupe. This past year she has been seen as "Deloris" in Sister Act, "Annie" in It Shoulda Been You and returned to the Indianapolis Symphony Orchestra's holiday production– Yuletide Celebration– for the second year in a row. Natalie received her Masters of Divinity from Union Theological Seminary in the City of New York where she focused on Theology and the Arts– with Womanism, Scripturalization, and extra canonical texts at the heart of her studies. During her time at Union, she composed original music from the text of six of the Odes of Solomon. She now engages our earliest tradition with our contemporary society through a social justice lens as a writer (contributor for the Daily Guideposts), lecturer, preacher, chaplain (NYU) and composer. She is also a co-founder of the newly formed Tanho Center. Additionally, she facilitates discussions on social equality (specifically but not limited to race/racism). Her insatiable curiosity regarding our earliest Jesus-following tradition led her professor, Hal Taussig, to introduce her to the Westar Institute. She began working with this institute as a founding member of their Praxis Forum (formerly Young Leaders in Religion) in 2014 and is working on a podcast, called Better Not Mention It, that aims to bridge the gap between religious scholarship and the general population. In Acting and Singing Thecla, Natalie, produces a short musical in a week about the first and second century story of Thecla, a young woman who rejects family and battles violent Roman government to join the Apostle Paul to become a teacher and healer like him. Song excerpt from Thecla by Natalie Perkins and John Hermanson To learn more about Holden Village, visit: www.holdenvillage.org or to listen to more audio recordings visit: http://audio.holdenvillage.org
The Indianapolis Symphony Orchestra offers leadership programs for folks who are up for putting themselves in a vulnerable position: playing music composed on the spot for a conductor. No special training is required--just an ear for how group dynamics change under different leadership styles. Listen closely, and you also can detect the programs' value for the ISO.
This week author-illustrator-composer Devon Kondaki teaches children about the value of diversity through his book "The Mystery of the Magical Bwa Bwa Fruit," while the Indianapolis Symphony Orchestra proves its diversity with two concerts interpreting the music of the late rock icon Prince. In other news, a local collaboration produces three Shakespeare plays in repertory, Brandon Meeks finally has time to make a solo album, and we learn how we can design our own roller coaster at the Indiana State Museum. All that and more -- don't miss this week's "The Art of the Matter," with an all-new format!
I didn't know the ISO and the Maestro were putting on the whole opera, or at least a good chunk of Carmen, until he came in. That and I get to tell my story of first hearing the piece via the "Carmen Get It" Tom & Jerry cartoon. It's Sunday afternoon at Hilbert Circle Theatre.
Time for Three is made up of Violinists Nick Kendall and Nikki Chooi and Double Bassist Ranaan Meyer, and can probably be best described as a “classically trained garage band”. With an exciting mix of originals, covers and classical music with a capital 'T' “Twist”, these guys have electrified audiences around the world and were recently featured on a PBS special performing with the Indianapolis Symphony Orchestra. We're starting a special series of episodes that focus on entrepreneurial musicians who think way outside the box. I'm so excited to have Time for Three on the show to help me kick this off. I recently met up with Nick, Nikki, and Ranaan after one of their jam session rehearsals at The Curtis Institute of Music. Nikki Chooi, by the way, is the newest addition to Time for Three, having replaced co-founder Zach DePue, who is currently the concertmaster of the Indianapolis Symphony. Links Time For Three's Website: http://www.tf3.com/ Time For Three on PBS: http://www.tf3.com/#!national-pbs-broadcast/q0o1q
One of the finest bands in America plays with one of the finest symphony orchestras this weekend. My chat with Pink Martini founder Thomas Lauderdale.
At 21, Austin Huntington is the youngest principal musician in the history of the Indianapolis Symphony Orchestra. He and the ISO play The Music of 2001: A Space Odyssey at Hilbert Circle Theatre Fri. & Sat. (Feb 5-6). Then, Huntington will be soloist at an ISO "317 Series" concert Sunday Feb. 7 at Center Grove High School.
From Munich, Germany, Jun Markl returns to Indy to conduct week 2 of the Cosmos Music Festival. The featured piece will be "The Planets", the wonderful suite from Gustav Holst
Always one of my favorite people to interview, the Maestro, Krzysztof Urbanski, joins me to talk about - as he puts it - the marriage of music and science. The Cosmos Music Festival, put on by the Indianapolis Symphony Orchestra.
Today’s episode features Indianapolis Symphony principal bassist Ju-Fang Liu. We had a great conversation about growing up in Taiwan, her years studying at the Interlochen Arts Academy and at Indiana University with Lawrence Hurst and Bruce Bransby, her time in New World, teaching, playing jazz, studying bass overseas, and several other topics. We also feature excerpts from her wonderful solo album, which I highly recommend checking out—it really is bass playing at its finest. Enjoy! About Ju-Fang: Ju-Fang Liu was appointed Principal Bass of the Indianapolis Symphony Orchestra by Maestro Mario Venzago in 2003, shortly after receiving her bachelor and master's degrees in double bass performance from Indiana University. There she studied with notable bass pedagogues Bruce Bransby and Larry Hurst. In addition, she has worked with other internationally-known teachers such as Edwin Barker, Edger Meyer, Harold Robinson, Stuart Stankey, Lawrence Wolf and Tim Cobb. Ms. Liu’s musical interests encompass all aspects of musical performance. She was a repeat performer in the world-renowned Marlboro Music Festival working with the top chamber music professionals of our time as well as performing in the Aspen and Tanglewood Music Festivals. A sensitive and thoughtful performer, she is constantly in demand in Indianapolis’ various chamber music venues. Ju-Fang has been a finalist for the Boston Symphony as well as for the Atlanta Symphony Principal position in 2014, and has appeared with the Chicago Symphony. In addition, she has performed as co-principal with the New World Symphony. Her solo concerto performances have included the Bottesini, Koussevitzky and Tubin concerti, the latter performed under the baton of Maestro Venzago. She is also the first performer to win both the Solo and Orchestral Categories (Adult/Professional) of the International Society of Bassists competitions. Ju-Fang has always had a serious interest in teaching and pedagogy and has previously taught at DePauw University and Indiana University. She joined the faculty of the Butler University School of Music in Indianapolis in 2014. Ms. Liu has given master classes in Columbia, working with the Filarmónica Joven de Colombia and has been a guest artist at the Taipei National School of the Arts and the Beijing Central Conservatory and other conservatories in China and Taiwan, performing recitals and giving classes. Always seeking to improve her musical scope, Ju-Fang was awarded a Creative Renewal Grant from the Arts Council of Indianapolis and has added the electric bass and jazz study to her resume. Her solo cd is available at http://www.cdbaby.com/cd/JuFangLiu.
Sharon Gamble invited JCC Senior Vice President of Advancement and Communications Martha Karatz to tell us all about the Ann Katz Festival. The Ann Katz Festival of Books and Arts runs October 28th through November 16th. Actor and musician Brent Marty is returning to Theatre on the Square with MISS GULCH RETURNS, the one-person musical comedy about Almira Gulch from the Wizard of Oz. Travis DiNicola spoke with Marty about the show. The Indianapolis Symphony Orchestra recently appointed Vince Lee as its new Associate Conductor. Sharon Gamble welcome Maetsro Lee to our city and our studios recently.
The American Pianists Association and the Indianapolis Symphony Orchestra are partnering to bring award-winning pianists Garrick Ohlsson to Indianapolis this season. Sharon Gamble invited APA and ISO leaders Joel Harrison and Gary Ginstling to our studios to learn more. Travis DiNicola spoke with Traci Cromwell, director of collections and Rebecca Smith, director of education about the exhibition, Rad Science: Skatepark Physics, coming to the Indiana State Museum. The Indianapolis Society of the Classical Guitar is bringing master performers from around the world to Indianapolis this year. John Alvarado joined Sharon Gamble in our studio for this preview.
In this episode of Music For Life, Music From DePauw...Maya BeiserMatt Skiba catches up with some of the winners of our annual Concerto Competition, whose concert is right around the corner...Anna Gatdula chats with some students about our next Green Guest Artists concert —the Indianapolis Symphony Orchestra with guest pianist Alice Sara Ott...I welcome back our former dean, professor Amy Lynn Barber, for a concert honoring her years of service to DePauw featuring former students and colleagues...and we present the first part of a wide ranging interview with Green Guest Artist Maya Beiser, who shared a wealth of good advice with our 21st Century Musicians during her visit to DePauw! SOURCES From the "Percussive Celebration" honoring Professor Amy Barber, here are cellist Ruth Marshall and percussionists Amy Lynn Barber, Dave Dwinell, Heather Sloan, and Bonnie Whiting performing the third movement, "Dying like the soft breath of butterflies," from the piece "Dueling with time, bartering for minutes of existence," composed by Carlos Carillo Cotto.From the Student Recital Hour of Wednesday, March 18th, 2015, DePauw alum Josiah Rushing performs "Loops IV," by Phillipe Hurel.From the Student Recital Hour of Wednesday, March 18th, 2015, DePauw alum Patrick Speranza performs "She Who Sleeps with a Small Blanket," by Kevin Volans.
The Indianapolis Symphony Orchestra, Dance Kaleidoscope, and Clowes Memorial Hall are partnering to present the fully-staged version of Maurice Ravel's Daphnis et Chloe in June. "William J. Forsyth: The Life and Work of an Indiana Artist" is a richly illustrated new biography by Rachel Berenson Perry. The Independent Music + Art Festival is an annual day-long free festival.
Indianapolis Chamber Orchestra Maestro Kirk Trevor, 2013-2014 Broadway Across America series coming to Indianapolis and Gary Ginsling, CEO of the Indianapolis Symphony Orchestra.
No Limits talks about turmoil in the local arts community. Guests include Indianapolis Business Journal arts/entertainment editor Lou Harry and major local arts supporter Frank Basile. Invitations have been extended to representatives from the Indianapolis Symphony Orchestra and musicians union.
Annie Corrigan speaks with Zach De Pue, concertmaster of the Indianapolis Symphony Orchestra and former violinist for the Philadelphia Orchestra.