Podcast appearances and mentions of Stephen Schwartz

Directed by Jon M. Chu, Wicked: For Good is the musical fantasy film which adapts the second act of the 2003 stage musical by Stephen Schwartz and Winnie Holzman, which is loosely based on Gregory Maguire's 1995 novel, a reimagining of L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaption. It is the sequel to Wicked (2024). Now demonized as the Wicked Witch of the West, Elphaba (Cynthia Erivo) lives in exile in the Ozian forest, while Glinda (Arianna Grande) resides at the palace in Emerald City, revelling in the perks of fame and popularity. As an angry mob rises against the Wicked Witch, she'll need to reunite with Glinda to transform herself, and all of Oz, for good. We break down all things from adapting Act 2, the magic of acting, and the pros and cons of leaning into all of the Wizard of Oz elements.

Episode Description:Just saw Wicked: For Good (Wicked Part 2) and wondering what it all means? The sequel to 2024's blockbuster Wicked movie starring Cynthia Erivo and Ariana Grande delivers the pure magic and joy of Wicked's fairytale storytelling while also serving as a mirror reflecting our world's darkest patterns of persecution. Join hosts Sarah Jack and Josh Hutchinson for a spoiler-filled celebration of this magical film as they explore both the enchantment of the story and the surprisingly relevant themes hiding behind flying monkeys, sparkly shoes, and that iconic green skin.From Gregory Maguire's beloved novel to the Broadway phenomenon with music by Stephen Schwartz, Wicked has captured hearts worldwide. This sequel delivers stunning musical numbers, an enchanting fairytale ending, and America's greatest modern fairy story—while also offering profound insights about our world. Discover why Elphaba, Glinda, Fiyero, Dorothy, and the Wizard of Oz create a story that's both entertainment magic and meaningful social commentary.From the breathtaking songs like "For Good" to the animals in cages vault scene that's impossible to look away from, this episode explores how the Wicked movie with Jonathan Bailey and Jeff Goldblum delights audiences while helping us understand who gets labeled "wicked"—and who decides.What You'll Explore:The pure magic and joy of Wicked's fairytale storytellingStandout musical moments and how the Broadway songs translate to filmThe chilling parallels between Oz's animal persecution and real-world witch huntsElphaba and Glinda's friendship, sisterhood, and the choices that change everythingWhy the treatment of talking animals in Oz mirrors modern oppressionHow Dorothy's witch hunt against Elphaba reflects real accusation patternsWhy Nessarose, Boq, and Fiyero's transformations matter for understanding persecutionHow the word "witch" is weaponized as a political tool todayWhether movies like Wicked help or harm the fight against modern persecutionDeep dive into Cynthia Erivo's Elphaba and Ariana Grande's GlindaThis is the next installment in our ongoing look at Wicked and Oz! If you haven't already, be sure to check out our previous episodes "Witchcraft and Stagecraft: Unmasking Wicked's Magic with Paul Laird and Jane Barnette" and "Wicked Movie: The Making of a Witch" to explore how this beloved story connects to real witch trial history and contemporary persecution.Content Warning: This episode includes movie spoilers and discusses themes of persecution, banishment, and contemporary witch hunts affecting millions globally.Ready to see beyond the emerald curtain? This isn't your childhood Oz anymore—and that's exactly the point. But it's also a wicked good time.For more information about ending witch hunts or to get involved, visit EndWitchHunts.orgKeywords: Wicked For Good, Wicked Part 2, Cynthia Erivo, Ariana Grande, Jonathan Bailey, Jeff Goldblum, Elphaba, Glinda, Fiyero, Dorothy, Wizard of Oz, animals in Oz, Wicked sequel, Broadway musical, Stephen Schwartz, Gregory Maguire, Wicked songs, For Good, Wicked movie explained, witch hunts, Wicked themes, Wicked analysisLinksWatch Episode: Witchcraft and Stagecraft: Unmasking Wicked's Magic with Paul Laird and Jane BarnetteWatch Episode: Wicked Movie: The Making of a WitchWatch Episode: Ghana's Outcast Camps: A Conversation with the Coalition Against Witchcraft Accusations Sign the Amnesty International Petition for Ghana Anti Witchcraft Legislation Support our Nonprofit: Buy an Oz bookSign the Massachusetts Exoneration Petition

Today on Script Apart, we're off to see the wizards – the wonderful storytelling wizards, that is, behind the first ever musical we've covered on the show. In the early ‘00s, New York-born-and-raised playwright Winnie Holzman was, like the rest of the city, still reeling from the September 11 attacks that claimed 2977 lives. It wasn't just the attacks themselves that haunted her – it was the division they wrought too. Racial minorities – America's Muslim population, specifically – were scapegoated and othered. All of a sudden, a war stood on the horizon. And so, Winnie got to work with composer Stephen Schwartz on a musical that would subtly grapple with the skyrocketing racism of that moment. Soon, something Wicked was to come our way.Inspired by a book of the same name by author Gregory Maguire, Winnie and Stephen's Broadway extravaganza took one of the defining stories in cinematic history – the Wizard Of Oz – and invited audiences to look at it a little differently. What if the so-called Wicked Witch Of The West in that film – all green skin and shrill cackle – wasn't actually the terroristic threat that Dorothy and viewers thought her to be? What if there was a more tender truth to this woman, who lest we forget, in that 1939 movie, was just trying to retrieve the ruby slippers worn by her dead sister, crushed by Dorothy's house when it's transported via tornado to Oz? Chances are you know what happened next. Forbes Magazine estimates that 65m people have seen Wicked since it hit Broadway in 2003, quickly expanding around the globe. It's the fourth longest-running play in Broadway history. And now, it's a blockbuster smash too. Last year, Winnie's screen adaptation of the musical, written with my other guest today, Dana Fox, of Cruella fame, began its emerald takeover of movie theatres. That first film, simply titled Wicked and covering the first half of the stage play, was a smash. Now, Wicked For Good is here, bringing this tale to the end of its yellow brick road, and Winnie and Dana are full of emotion and reflection. In the spoiler conversation you're about to hear, they tell me about the strangeness of this movie arriving in this particular political moment. I don't know about you guys at home, but the sight in Wicked and Wicked For Good of marginalised groups – munchkins and animals – rounded up and forced from their homes in a year of ICE raids and anti-immigrant anger, struck a really heartbreaking chord for me. It's not all politics, though, I promise! We also get into the prisons of perception that Elphaba and Glinda, played by Cynthia Erivo and Ariana Grande respectively, both exist in and have to break free of in this story. And you'll also hear the pair's reflections on the huge differences between this story about the Gregory Maguire original, which saw Elphaba join an underground terror cell. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

Beluga Sevruga! In this bonus D-Brief episode, Conor and Caroline are giving their thrillifying, (largely) unedited, frank analysis of 2025's box-office smash, Wicked: For Good. Go down the yellow brick road with them as they obsessulate over every detail that brought to life the emotional, epic conclusion of one of the most beloved musicals and formative books for our delightful duo. Grab your brooms and bubbles (and tissues) because it's time to be changed for good!Follow us on Facebook, Instagram, Threads, BlueSky, and TikTok for fun content and exciting new updates!Subscribe to our YouTube Channel to watch the podcast!Join the Poor Unfortunate Fam, our private community for listeners who love the podcast and want to connect to keep the discussions going! On Discord | On FacebookIf you like what you're hearing, help us keep bringing you your favorite Disney content by making a donation to Poor Unfortunate Podcast today!*This podcast is not affiliated with The Walt Disney Company.

One of this season's earliest new musical openings on Broadway was THE QUEEN OF VERSAILLES, a Kristin Chenoweth led star vehicle with a new score from Stephen Schwartz based on the documentary of the same name.The show, which opened to mixed to negative reviews, has already set an early closing date of January 4th, with online conversation quickly turning to whether or not this show deserved to close and whether it ought to have been more meaningfully supported by the Broadway community.In this candid and detailed review, Mickey-Jo is sharing his thoughts on the misguided musical and why it inherently is still deserving of honest, unfiltered critique.•00:00 | introduction03:18 | on Kristin Chenoweth09:03 | synopsis / overview14:08 | the biggest problem19:18 | the material25:02 | more on the material30:23 | creative choices37:00 | final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Wicked: For Good (also known as Wicked: Part Two) is a 2025 American musical fantasy film directed by Jon M. Chu and written by Winnie Holzman and Dana Fox. The sequel to Wicked (2024), it adapts the second act of the 2003 stage musical by Stephen Schwartz and Holzman, which was loosely based on Gregory Maguire's 1995 novel, a reimagining of L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaptation. Ariana Grande,[b] Cynthia Erivo, Jonathan Bailey, Ethan Slater, Bowen Yang, Michelle Yeoh, and Jeff Goldblum return from the first film. Set in the Land of Oz before and during the events of The Wonderful Wizard of Oz, the film explores the relationship between Elphaba and Glinda as they embrace their new identities as the Wicked Witch of the West and Glinda the Good.Universal Pictures and Marc Platt, who both produced the stage musical, announced the film adaptation in 2012. After a long development and multiple delays, partly due to the COVID-19 pandemic, Chu was hired as the director with Erivo and Grande cast in 2021. The adaptation was split into two parts to avoid omitting plot points and further develop the characters. Principal photography on both films began in December 2022 in England, was interrupted in July 2023 by the 2023 SAG-AFTRA strike, and resumed and concluded in January 2024.Wicked: For Good premiered at the Suhai Music Hall in São Paulo on November 4, 2025, and was released in the United States on November 21. While critics responded less positively to the film than its predecessor, the film was commercially successful, grossing $253.8 million worldwide on a $150 million budget. Hosted on Acast. See acast.com/privacy for more information.

In this episode of “Half Hour,” we take a sharper look at the new Broadway musical The Queen of Versailles at the St. James Theatre, tracing Jackie and David Siegel's rise, their unfinished Orlando mega-mansion, and the show's transformation of Lauren Greenfield's documentary into a full-scale musical. We dig into Stephen Schwartz's score, Lindsey Ferrentino's book, and Michael Arden's staging, asking how the music, design, and performances serve the story's ideas about wealth, ambition, and collapse, with particular focus on sound design, vocal clarity, and the tension between flashy visuals and what the audience actually hears. We also examine Kristin Chenoweth's performance as Jackie, the ensemble around her, and the design team's scenic, lighting, and costume choices, before turning to how The Queen of Versailles may factor into this season's Tony Awards races and where it sits among the year's other large new musicals. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kyle, Joe, and Rick review the musical fantasy film, "Wicked: For Good." Directed by Jon M. Chu written by Winnie Holzman and Dana Fox, with music by Stephen Schwartz and John Powell. The film stars Cynthia Erivo, Ariana Grande, Jonathan Bailey, Marissa Bode, Ethan Slater, Jeff Goldblum, and Michelle Yeoh. We ranked the 11 songs from the soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

As Jim Hill and Drew Taylor sit down just hours before Zootopia 2 preview screenings begin, they dig into the film's early reactions, the surprising box-office shape of the holiday season, and the escalating economics behind today's animated franchises. HIGHLIGHTS Early reactions to Zootopia 2 and what Drew learned from scoring sessions and long-lead press days. How Wicked: For Good outpaced the original film's opening—and why reviews may complicate the long-term outlook. Stephen Schwartz's long history with animation—from Pocahontas to The Prince of Egypt—and his record-breaking opening weekend. A surprise Thanksgiving return for Prep & Landing and why Snowball Protocol deserved more promotion. Drew breaks down the blockbuster salaries behind Frozen 3 and 4—and how favored-nations deals shaped the cast's negotiations. Tim Allen completes his Toy Story 5 recording, plus a look back at the franchise's evolving pay scale. Trailer talk: David, Hoppers, and what Pixar's 2026 slate signals for the studio. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Follow Us Facebook: @JimHillMediaNews YouTube: @jimhillmedia TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey Sponsor This episode is brought to you by Unlocked Magic, from the team at DVC Rental Store — offering discounted Disney theme park tickets, including special events. Save on your next trip at UnlockedMagic.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

As Jim Hill and Drew Taylor sit down just hours before Zootopia 2 preview screenings begin, they dig into the film's early reactions, the surprising box-office shape of the holiday season, and the escalating economics behind today's animated franchises. HIGHLIGHTS Early reactions to Zootopia 2 and what Drew learned from scoring sessions and long-lead press days. How Wicked: For Good outpaced the original film's opening—and why reviews may complicate the long-term outlook. Stephen Schwartz's long history with animation—from Pocahontas to The Prince of Egypt—and his record-breaking opening weekend. A surprise Thanksgiving return for Prep & Landing and why Snowball Protocol deserved more promotion. Drew breaks down the blockbuster salaries behind Frozen 3 and 4—and how favored-nations deals shaped the cast's negotiations. Tim Allen completes his Toy Story 5 recording, plus a look back at the franchise's evolving pay scale. Trailer talk: David, Hoppers, and what Pixar's 2026 slate signals for the studio. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Follow Us Facebook: @JimHillMediaNews YouTube: @jimhillmedia TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey Sponsor This episode is brought to you by Unlocked Magic, from the team at DVC Rental Store — offering discounted Disney theme park tickets, including special events. Save on your next trip at UnlockedMagic.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wicked: For Good (also known as Wicked: Part Two[c]) is a 2025 American musical fantasy film directed by Jon M. Chu and written by Winnie Holzman and Dana Fox. The sequel to Wicked (2024), it adapts the second act of the 2003 stage musical by Stephen Schwartz and Holzman, which was loosely based on Gregory Maguire's 1995 novel, a reimagining of L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaptation. Ariana Grande, Cynthia Erivo, Jonathan Bailey, Ethan Slater, Bowen Yang, Michelle Yeoh, and Jeff Goldblum return from the first film. Set in the Land of Oz before and during the events of The Wonderful Wizard of Oz, the film explores the relationship between Elphaba and Glinda as they embrace their new identities as the Wicked Witch of the West and Glinda the Good.Universal Pictures and Marc Platt, who both produced the stage musical, announced the film adaptation in 2012. After a long development and multiple delays, partly due to the COVID-19 pandemic, Chu was hired as the director with Erivo and Grande cast in 2021. The adaptation was split into two parts to avoid omitting plot points and further develop the characters. Principal photography on both films began in December 2022 in England, was interrupted in July 2023 by the 2023 SAG-AFTRA strike, and resumed and concluded in January 2024.Wicked: For Good premiered at the Suhai Music Hall in São Paulo on November 4, 2025, and premiered in the U.S. on November 17 at Lincoln Center in New York City, with a wider release in the United States on November 21. It was received less positively than its predecessor, and has grossed $223 million worldwide.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The Dear Friends are back with you and ready to talk our TOP FIVE FAVORITE STEPHEN SCHWARTZ MUSICALS! What will take the top spot, Wicked? Children of Eden!? You'll have to listen to find out! Learn more about your ad choices. Visit megaphone.fm/adchoices

For this week's main podcast review, Katie Johnson, Josh Parham, Lauren LaMagna & Cody Dericks join me to discuss the sequel to last year's "Wicked," titled "Wicked: For Good," starring Ariana Grande, Cynthia Erivo, Jonathan Bailey, Ethan Slater, Bowen Yang, Michelle Yeoh, and Jeff Goldblum. The film adapts the second act of the 2003 stage musical by Stephen Schwartz and Winnie Holzman, which was loosely based on Gregory Maguire's 1995 novel, a reimagining of L. Frank Baum's 1900 novel "The Wonderful Wizard of Oz" and its 1939 film adaptation. Darker and more complex to bring to the big screen, Set in the Land of Oz before and during the events of "The Wonderful Wizard of Oz," the film explores the relationship between Elphaba and Glinda as they embrace their new identities as the Wicked Witch of the West and Glinda the Good, with more tie-ins to "The Wizard of Oz." Following the success of last year's film, what did we think of this emotional conclusion? Please tune in as we discuss the adaptation choices, Jon M. Chu's direction, the cinematography, the musical numbers, the powerful performances from Cynthia Erivo and Ariana Grande, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we are standing in the wings of the theater, looking out at the empty stage, asking ourselves a question about the ghosts that haunt the floorboards. We are talking about the "Original Cast Recording" and how that static document, that moment frozen in time, can become a trap for every artist who follows. We are looking specifically at Wicked, a show that has not only defined a generation of theatergoers but has arguably altered the way we think about the "rightness" of a role versus the "reality" of the performer. Let us look first at the pen of the creator. Stephen Schwartz, the legendary composer, has spoken openly about crafting the score of Wicked specifically for Idina Menzel. He wasn't just writing for a green witch; he was writing for Idina. He heard the unique architecture of her larynx, that specific, stratospheric "belt" that sits somewhere between a scream and a prayer, and he built the song "Defying Gravity" to live exactly in that pocket.

Well, it's finally here: the sequel/follow-up/completion of last year's theater-crowd favorite:WICKED: FOR GOOD.137 Minutes, Rated PGWritten by Stephen Schwartz, Winnie Holzman, Gregory MaguireDirected by Jon M. ChuSynopsis:Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. The second of a two-part feature film adaptation of the Broadway musical.How do Mark and Ryan feel about this second bite at the apple?~~~~~You can read more reviews and opinions on our website: https://VSMoviePodcast.com.Please LIKE, SHARE, and FOLLOW us on:Facebook (@vsmoviepodcast) (https://facebook.com/vsmoviepodcast)X (@vsmoviepodcast) (https://x.com/vsmoviepodcast)Instagram (@visuallystunningmoviepodcast) (https://instagram.com/visuallystunningmoviepodcast)Threads (@visuallystunningmoviepodcast) (https://threads.net/@visuallystunningmoviepodcast)BlueSky (@vsmoviepodcast.bsky.social) (https://bsky.app/profile/vsmoviepodcast.bsky.social)YouTube (@visuallystunningmoviepodcast) (https://youtube.com/visuallystunningmoviepodcast)Don't forget to SUBSCRIBE to our audio wherever you listen to podcasts (https://shows.acast.com/vsmoviepodcast).And please, if you like what we do, consider helping us keep on entertaining you. Find out how on our Contact/Support page (https://VSMoviePodcast.com/Contact-VSMP/). Hosted on Acast. See acast.com/privacy for more information.

In this podcast, Aviation Week's Business Editor Matthew Fulco discusses with Stephen Schwartz, CAE Flight Services, Regional Sales Director of the Americas, how software—including AI-powered systems—can be used to boost safety, improve passenger experience and support flight crews. Find out more about Flightscape

Actor Kale Browne has lived many lives in one: beloved soap star on Another World, One Life to Live, and Days of Our Lives; voice actor; long-time meditator; 40+ years sober; and now a death doula who quietly walks people and families through the threshold. In this episode of Medium Curious, Sarah and Jane talk with Kale about the intuitive thread that's run through his whole life—from “Kale moments” as a kid (just knowing things) to powerful past-life flashes in places like Tulum, to training in remote viewing at the Stanford Research Institute with Russell Targ, and mediumship intensives with James Van Praagh, Kripalu, and Omega. Kale shares how sobriety ripped him “wide open,” what it's like to feel the “psychic weather” around a reading, and why he's more interested in service than in putting out a mediumship shingle. He breaks down remote viewing in plain language, talks about Edgar Cayce, telepathy, and the “informational layer” of consciousness, and explains why he believes “life has no opposite.” This conversation is funny, grounded, and deeply tender—especially when Spirit crashes the party with a perfectly timed Camel cigarette reference from Jane's dad. If you've ever wondered whether your own strange experiences “count,” Kale's stories will help you feel less alone and a lot more normal.   Intuition has been there all along. Kale grew up with “Kale moments”—downloads, knowings, and sensations that other people didn't seem to have. For him, mediumship isn't a new gift; it's language for what was already happening. Sobriety can blow the doors open. When he got sober in New York, Kale felt “ripped wide open”—knowing who was calling, which subway was coming, and what someone would say next. Alcohol used to dull the signals; removing it amplified them. Remote viewing is real (and trainable). At Omega, Kale studied with Russell Targ and Stephen Schwartz, learning protocols used in U.S. “psychic spy” programs. Remote viewing isn't about guessing “what's in the bag,” it's about describing qualities, sensations, and impressions without letting the mind fill in the blanks. There's an informational layer in consciousness. Drawing on quantum physics, telepathy research, and Edgar Cayce, Kale describes a non-local “information layer”—a vibrational wavelength we can tune into, like a radio station. Life has no opposite. In his work as a death doula, Kale sees death as a change in density, not an ending: the body slows down, the rest of us speeds up. His job is as much about supporting the living—families and loved ones—as it is about honoring the one who's crossing. Psychic weather is real. Readings aren't just about the medium—there are energetic conditions, emotional states, and external “weather” that affect clarity and accuracy. Words are reductive; experience is bigger. Like trying to describe a dream, putting mystical experiences into language shrinks them. That's why so many intuitives and experiencers feel misunderstood—or dismissed—when they finally share. We're here to normalize the weird. Kale, Sarah, and Jane all care about making mediumship, telepathy, and past-life flashes feel human and accessible, not fringe or freaky. The more we talk about it, the less alone people feel. “Sometimes the hardest thing to explain is how you see something without seeing it.” – Kale “Life has no opposite. Life continues. The body slows down, the rest of us speeds up.” – Kale “Words have a very reductive quality… as soon as you start to verbalize a dream, it starts to fade.” – Kale “You can't explain to a three-dimensional mind what a fourth-dimensional experience is like.” – Kale (on Edgar Cayce) “We see through the filter that we expect.” – Kale “Intuition is going to get broader. The veil between this side and the other side is getting thinner, I think.” – Kale   Lauren Robertson's Class "Platform Perfection" - 10% off for listeners Join us on Substack for The Afterlife—bonus clips after the “mic is off” (wink). Medium Curious Website: MediumCurious Jane's Website: Jane Morgan Medium  Sarah's Website: Sarah Rathke Podcast Instagram: @MediumCuriousPod YouTube: @mediumcurious VerySoul.com   If this episode helped, follow/subscribe, download, rate & review, and share with a friend.  

In this fun, interactive episode of Busy Kids Love Music, I invite you to step into the orchestra pit of a Broadway theater to solve some musical mysteries! This month we've been celebrating the release of Wicked: For Good, and today's episode continues that celebration with a special "What Was That Sound?" – Musical Theater Edition! You'll hear short clips from favorite musicals and try to guess which instruments are playing. Each instrument plays a special role in creating the drama, excitement, and emotion of live theater. This episode helps young listeners train their ears, learn about instrument families in the orchestra, and understand how each sound helps tell a musical story on stage.

Stephen Schwartz, the composer-lyricist behind such hits as "Godspell", "Pippin", and "Wicked", talks with Mo Rocca about his life and career on Broadway, in Hollywood, and away from the stage. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Gasp! We're doing an episode on the smash hit musical Wicked! At least the first part. We discuss the friendship between our 2 leads, the move from stage to screen, hidden references, world-building, & more!   I Love This You Should Too is hosted by Samantha and Indy Randhawa   Wicked (Part I) is a 2024 American musical fantasy film directed by Jon M. Chu and written by Winnie Holzman and Dana Fox. It adapts the first act of the 2003 stage musical by Stephen Schwartz and Holzman, which was loosely based on Gregory Maguire's 1995 novel, a reimagining of L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaptation. The film stars Cynthia Erivo as Elphaba Thropp and Ariana Grande as Glinda Upland, with Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode (in her film debut), Peter Dinklage, Michelle Yeoh, and Jeff Goldblum in supporting roles. Set in the Land of Oz before the events of The Wonderful Wizard of Oz, the film explores the early relationship between Elphaba, the future Wicked Witch of the West, and her dormitory roommate Galinda, who becomes Glinda the Good.

Hosted by Jane Pauley. Barstool Sports' president and founder Dave Portnoy, “Wicked" composer and lyricist Stephen Schwartz, William Shatner and Neil deGrasse Tyson, “prediction markets", and the reality of many hard-working Americans who are facing homelessness. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ariana DeBose talks about the tangled romances and French-inspired music of Stephen Schwartz and Joseph Stein's 1976 musical "The Bakers Wife," which is getting an off-Broadway revival at Classic Stage Company. DeBose stars in the titular role.

This month on Busy Kids Love Music, we're celebrating the magic of musical theater — and the brand-new movie Wicked: For Good! In this episode, I introduce young listeners to Stephen Schwartz, the brilliant composer and lyricist behind some of Broadway and Disney's most beloved songs. From his early studies at Juilliard and Carnegie Mellon to writing timeless shows like Godspell, Pippin, and Children of Eden, Stephen Schwartz has spent his career creating music that inspires and uplifts. Of course, his most famous work — Wicked — reimagines the story of Oz through unforgettable songs like "Defying Gravity," "Popular," and "For Good." As you listen, you'll learn what it means to be both a composer and a lyricist, explore Schwartz's journey to Broadway, and discover how his music brings characters' emotions to life.

We're back! We had an illness related delay, which was us being thematic, since illness is part of growing older...yeah, let's go with that. But we are back on track and here to talk about Stephen Schwartz's Pippin. In particular, we're looking at the 2012 revival and Andrea Martin's performance of "No Time at All." Definitely watch the performance for the full effect. You'll be glad you did. All clips are from 2013's Pippin: New Broadway Cast Recording featuring Andrea Martin and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Watch the Performance! Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

In this final, super-sized episode of Stagecraft: Listen in on insightful conversations with Broadway's biggest talents, recorded during Variety's annual Business of Broadway breakfast presented by City National Bank. We've got Keanu Reeves and Alex Winter talking "Waiting for Godot"; Lea Michele, Aaron Tveit and Nicholas Christopher on "Chess"; Kristin Chenoweth, Stephen Schwartz, F. Murray Abraham, Lindsey Ferrentino and Michael Arden on "Queen of Versailles"; and John Clay III, Lear deBessonet, Caissie Levy and Brandon Uranowitz on "Ragtime."This is the final episode of Stagecraft as a regularly scheduled podcast, but host Gordon Cox will be contributing theater segments to Variety's daily news briefing, Daily Variety. And stay subscribed to this feed for occasional, standalone episodes of theater talk in the coming months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jaume Segalés y su equipo hablan de recursos literarios, de El sueño de Troya y del musical Wicked. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Wicked, El Musical Una superproducción espectacular que muestra la conmovedora y sorprendente historia de las legendarias brujas del mundo mágico de OZ, desde mucho antes de la llegada de Dorothy. En cartel del Nuevo Teatro Alcalá (c/ Jorge Juan, 62), con funciones de martes a domingos. Este espectáculo escénico ha obtenido más de 100 premios internacionales y que lleva representándose, ininterrumpidamente, desde hace 21 años en Broadway y, desde hace 18, en el West End londinense, acumulando más de 60 millones de espectadores en todo el mundo. No es para menos porque todo sorprende en este montaje: escenografía, vestuario, la orquesta y las voces en directo y el guión. El autor de la música y de las letras de las canciones es el compositor Stephen Schwartz, ganador de tres Oscar y tres premios Grammy. El libreto, de Winnie Holzman, está basado en la novela de Gregory Maguire publicada en 1995. Cuenta la historia de dos jóvenes brujas. Elphaba, la futura Malvada Bruja del Oeste, con gran talento y sentido de la justicia, pero incomprendida y rechazada por la sociedad. Y, Glinda, la futura Bruja Buena del Norte, hermosa, ambiciosa y popular. Pese a una gran rivalidad y desconfianza inicial, ambas acaban entablando una inesperada y profunda amistad, que se ve puesta a prueba dramáticamente. Una historia que amplía y complementa de forma impecable a la célebre novela 'El maravilloso mago de Oz' escrito por el autor estadounidense Frank Baum en 1900. Entrevistamos a Cristina Llorente, que interpreta a Glinda, la Bruja Buena del Norte. 'El sueño de Troya' Entrevistamos a su autor, Alfonso Goizueta, que con 26 años se convirtió en el finalista más joven del premio Planeta con su novela 'La sangre del padre', publicada en 2023. A su corta edad, ya es un escritor de renombre en nuestro país. Ahora nos presenta su nuevo libro: 'El sueño de Troya'. Una ciudad perdida. Un arqueólogo obsesionado. Una historia jamás contada. En un intento por escapar de la vida vacía que le aguarda en Atenas, el joven Nicholas Yannikis se aventura en una expedición arqueológica en la colina de Hisarlik, en el corazón del moribundo Imperio otomano. Allí es donde el ambicioso millonario Heinrich Schliemann y su mujer, la brillante Sofía, afirman haber encontrado las ruinas de la mítica ciudad de Troya, perdida desde la Antigüedad. Sección lingüística "Dicho Queda" Carlota Izquierdo Gil (Instagram: @cigservicioslinguisticos) nos habla sobre unos cuantos recursos literarios llamativos: la anfibología, el calambur, el zeugma y el palíndromo.

Follow Joe Weinberg @OverthinkingTheatre on TikTok and Instagram. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

The amazing writer Winnie Holzman talks with Jay about hard word and being lucky, Wicked the Musical, Stephen Schwartz, My So Called Life, laying in bed depressed about writing, fighting your fear, tricks of staying in the creative process, Marianne Williamson, studying Broadways musicals even when she didn't know she wanted to, being driven towards showbiz at 13, taking the train to acting classes, mentors: Arthur Laurents, Stephen Sondheim, loving acting, being married to the great actor, Paul Dooley, how her daughter Savannah is a great writing partner, and Jay's feud with Ted Danson.Bio: Winnie Holzman is the writer (with renowned composer/ lyricist Stephen Schwartz) of the musical Wicked, which is now the 4th longest running show in Broadway history, and has been performed in over a hundred cities around the world. After graduating from Princeton University, she studied acting, joined a comedy group, got accepted into the newly formed NYU Musical Theatre Program, (where she studied with such luminaries as Arthur Laurents, Leonard Bernstein, and Stephen Sondheim) wrote a musical (Birds of Paradise, which had a short run off-Broadway) then joined the writing staff of the TV drama thirtysomething, and went on to create the series My SoCalled Life, starring Claire Danes. Other TV credits include Once and Again, (reuniting with her mentors, Ed Zwick and Marshall Herskovitz) Huge (with her daughter, Savannah Dooley) and Roadies (with Cameron Crowe.) She's written two plays with her husband, actor Paul Dooley: Post-its: Notes on a Marriage, and Assisted Living. Most recently, she completed both screenplays for the movie adaptations of Wicked

Joe, Kyle, and Rick review the musical stage production of Pippin. Directed for the stage by Kathryn Doby and for video by David Sheehan. Music and lyrics are by Stephen Schwartz, with the book by Roger O. Hirson and Bob Fosse. The production stars Ben Vereen, William Katt, Leslie Denniston, Benjamin Rayson, Chita Rivera, and Martha Raye. We ranked the 15 songs from the 1972 Broadway soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!

**TUNE IN EVERY FRIDAY at 2 EST for our LIVE REACTION to the episode, exclusively on YOUTUBE**As Carrie's character continues to lose all sense of life, personality and humanity, we couldn't help but wonder: what does MPK THINK he is doing here? Certainly not make any single one of us root for Aiden; everything that made Aiden "the one that got away" is now gone, leaving us with "GO AWAY, AIDEN!" After breaking this 200 year old glass (Carrie is the first person on earth who cares about GLASS this much) Aiden makes a shocking reveal, to which Carrie reacts to by shrugging and then gaslighting the entire audience into thinking we should have known her stance. Miranda and Joy are actually kind of a breath of fresh air, so lets at least be thankful for that. Something else we are ALWAYS grateful for? Jennifer Lewis. This woman can spin gold out of whatever this writing is. LTW's dad dies for the second time in the series, and there are a couple fleeting moments of greatness in the funeral (other than the egregious butchering of the lyrics of a Stephen Schwartz classic opening number). Meanwhile, Seeam is apparanly dirt poor, so that's at least the first semi-relatable storyline so far! Enjoy!!!JOIN US LIVE every Wednesday on YOUTUBE at 2 EST for our THE WEEKLY ROUNDUP!LEAVE US A VOICEMAIL FOR OUR MAILBAG AND WE WILL PLAY IT ON AN EPISODE :)https://www.speakpipe.com/msg/s/384376/2/yd2cuctlmk3cm6n7Send us an email: PATCPOD@gmail.comThis month on PATREON:www.patreon.com/podandthecity7/7 Smash S1 E7 The Workshop”714 Girls S2 E9 “On All Fours”7/21 Pillow Talk7/28 Vanderpump Rules S1 E4 “Vegas With a Vengeance” Hosted on Acast. See acast.com/privacy for more information.

The Springfield Muni's production of The Hunchback of Notre Dame runs June 20–22 and June 25–28. The musical features music by Alan Menken and lyrics by Stephen Schwartz. It is adapted from Walt Disney Animation Studios' 1996 film, which was itself based on Victor Hugo's 1831 novel. The story follows Quasimodo, the deformed bell-ringer of Notre Dame, as he struggles for acceptance and love while protecting the kind-hearted Romani woman Esmeralda from the cruelty of Judge Claude Frollo. Director Kevin Kulavic and Liyah Orielle, who plays Esmeralda, spoke to Community Voices about why the show was chosen, its characters, and the relatable themes it explores. Find tickets and details here.

“Everything changed for the gay choral movement because they had twins: music and mission. They weren't just there for the music, and they weren't just there for the mission. I've been feeding my twins every day, and I feed them equally. Audiences that are interested in just music for music making are dying out. There are a lot more reasons to get them in: many concerts can reach into the community and be of service.”Tim Seelig is a conductor, speaker, author and educator. He is the Conductor Laureate of the San Francisco Gay Men's Chorus and Conductor Emeritus of the Turtle Creek Chorale in Dallas, Texas. He serves as founding conductor of the Portland Sage Singers.Dr. Seelig holds four degrees, including a Diploma from the Mozarteum in Salzburg, Austria and Doctor of Musical Arts from the University of North Texas. He has eight books and DVDs on choral technique published by Hal Leonard Music, several of which are best-sellers. His memoir, Tale of Two Tims, was published in 2020. He made his operatic debut in St. Gallen, Switzerland and solo debut at Carnegie Hall. He has been conducting at Carnegie Hall and Lincoln Center for 30 years, including an upcoming appearance at Lincoln Center in November 2025.He has conducted over 60 recordings which have been on Billboard Top Ten and iTunes Top Ten classical charts. His choruses have been the topic of three documentaries. The first PBS documentary was awarded the national Emmy for best documentary. The most recent had its world premiere at the Tribeca Film Festival, won the Audience Favorite and is streaming on Paramount +.He has commissioned major choral works for 35 years. Some of these include the first AIDS Requiem, When We No Longer Touch; Sing for the Cure for the Komen Breast Cancer Foundation featuring Dr. Maya Angelou; “Testimony,” by Stephen Schwartz and the 2022 “Songs of the Phoenix” by Andrew Lippa, Stephen Schwartz and Stephen Sondheim.Aside from guest-conducting, he is often seen trading in his podium for the speaking stage. He won the Moth Grand Slam and his recent TEDx Talk has passed 100K views.Fun facts: he conducted the Guinness Book of World Records Longest Choral Concert and carried the Olympic torch as a community Hero.  He has not run since.He is the proud grandfather of the amazing Clara Skye, Eden Mae, Cora Rose, and Ivy Hope.To get in touch with Tim, you can find him on Facebook (@tim.seelig) or email him at tgseelig@gmail.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Youtube Amazon Baileygreymusic.comBioBailey Grey Emerges “Out From Under” with Jazzy, Honest, and Joyously Complex Debut“Out From Under,” the debut single from Love It All  Bailey Grey's first full-length album showcases the arrival of a fearless new voice in pop music. Fusing jazz, blues, and danceable pop with lyrical honesty and emotional intelligence, the track is a vibrant introduction to Bailey's musical world. With her warm, expressive vocals and genre-bending musicality, Grey creates a sound that's both refreshingly personal and artistically rich.What makes the song even more striking is the story behind it. Bailey wrote “Out From Under” while working nights as a host in an underground London bar disguised as a sex shop. “‘It said ‘Girls! Girls! Girls!' on the front,” she laughs, “but it was just a dive bar and restaurant. I was getting home at 3 or 4 in the morning, waking up late, and going back to work a few hours later. I felt low, burnt out, and stuck  but still trying to make time to create music and figure out my life.” The result: a song born of exhaustion, longing, and hope, shaped into a beautifully produced, timeless groove.Built on a rhythmic ticking motif that mirrors the pressure of time, “Out From Under” cleverly underscores its themes without being overbearing. Bailey's rim-click percussion ticks steadily beneath shifting tempos  racing forward one moment, slowing down the next  as she sings lines like:“Can I make the time go slow? / And get out from under?”That emotional layering  blending storytelling with sound design  is a hallmark of Love It All, a collection that dances across genres while remaining deeply introspective. Bailey draws inspiration from iconic female artists like Amy Winehouse, Sara Bareilles, Fiona Apple, Joni Mitchell, and Dodie, while forging a voice unmistakably her own.“I get bored when I make the same kind of music,” Bailey explains. “So I zhuzh it up I blend genres, follow new sounds. I want the album to reflect all the spaces I've been creatively. Every song is a new lens.”A Journey From Stage to StudioOriginally from northern New Jersey, Bailey's artistic roots run deep. She began her career as a child actor in New York's musical theater scene, starring in the Broadway National Tour of Mary Poppins at age 10. Her credits include Stephen Schwartz's opera Séance on a Wet Afternoon and A Christmas Rose at Carnegie Hall alongside Jane Seymour.After high school, she studied musical theatre at the Royal Conservatoire of Scotland and earned a master's degree from the Royal Central School of Speech and Drama in London. It was during the pandemic that Bailey began writing her own music in earnest. “Theater will always be a part of me,” she says, “but I needed to start telling my own stories.”Her songs aren't just lyrical  they're sensory. Bailey writes from the rhythms and sounds of her surroundings. “I live in a soundscape,” she says. “There's a rhythm in everything a bus passing by, birds outside the window, cars rushing past  and I try to build those moments into the music.”On Love It All, that soundscape comes to life:“When I Fall” features a bass ukulele and soprano uke.“Easy,” the closing track, was recorded near an open London window you can hear the distant hum of buses and passing voices.The title track, “Love It All,” is a meditation on finding wonder amid struggle: “I fall in love with every song that I hear / Polyrhythmic harmonies reflect my atmosphere.”She adores that lyric for two reasons: “I've never heard anyone use ‘polyrhythm' in a lyric,” she notes. “And it's not just clever  it's how I actually experience the world.”Independent, Unfiltered, and AuthenticAfter returning to the U.S., Bailey made the bold decision to part ways with her label and release Love It Alll independently. “I was a child actor, and for years I had to fit into a box  play characters in other people's stories. Now, I finally get to share mine.”With “Out From Under,” Bailey Grey arrives not just as a singer-songwriter, but as a fully realized artist  one who transforms the ache of burnout and the hum of everyday life into vibrant, resonant music.This is music that grooves, heals, and surprises  a debut that marks the beginning of an exciting, genre-defying journey.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Hi Broadway Besties! I can't wait to share the Chita Rivera Red Carpet Interviews with y'all, from Stephen Schwartz and Ben Vereen to Kerry Butler and Laura Bell Bundy Lindsey chatted with Broadway's Greatest! 

MusicalTalk pays a special tribute to the late, great Charles Strouse, who has just died a month shy of his 97th birthday. Charles was one of the giants of the last sixty years of musical theatre and leaves an enormous legacy: with new shows produced across seven decades, collaborations with Alan Jay Lerner, Lee Adams, Mel Brooks, Stephen Schwartz, Arthur Laurents, Martin Charnin, Rupert Holmes, Betty Comden and Adolph Green to name but a few, and with amazing rosta of shows and films featuring his music, such as Annie, Bye Bye Birdie, Golden Boy, Nick and Nora, Applause and All Dogs Go To Heaven, Charles Strouse was, as Dick Van Dyke observed "one of the greats".  In this special episode of MusicalTalk, Thos recalls his memories of this amazingly talented, yet always modest, musical theatre legend - and there's another chance to hear Charles in conversation from 2009 - so put on a happy face!

In this unique episode, in honor of Mental Health Awareness Month and the celebration of our 5th Podversary. One of the most challenging things about being neurodivergent is learning to accept ourselves in a world where being different often marks you as an outsider. Using my obsession with Wicked and exploring four of Stephen Schwartz's iconic songs —from the hopeful longing of "The Wizard and I" to the defiant liberation of "Defying Gravity"—my goal in this episode is to connect them to the distinct stages of our ADHD journey in learning to embrace our differentness. So, grab your broomstick and let's go on an adventure to Oz. Episode Highlights:Did you ever find yourself thinking: “If I just find the right planner /medication/ job/coach, I'll finally feel normal”? That's what I call the “fix me” phase — and it's just the first chapter in a powerful process. In this episode, I walk you through four major songs from “Wicked” that map out the ADHD journey to self-acceptance:“The Wizard and I”: The bittersweet hope that someone or something outside of us will finally fix what feels broken.“Popular”: The pressure to fit into neurotypical molds, no matter how unnatural it feels, and why those “helpful tips” so rarely work.“Defying Gravity”: The exhilarating breakthrough of embracing your true self and rejecting systems that were never built for your brain.“For Good”: Honoring everyone who contributed to your journey, finding peace with imperfection, and stepping into deeper self-acceptance.Whether you're still searching for that magic fix, trying to fit into neurotypical norms, or learning to soar with your own brand of brilliance, this episode is an invitation to recognize the real magic within yourself. Join me as I encourage us all to “keep defying gravity together”—and celebrate just how far we've come, thanks to a little help from our friends in Oz.Inspired by this episode? Click this link to share it with a friend. Complete song lyrics for “The Wizard and I”, “Popular,” “Defying Gravity,” and “For Good” can be accessed here for reference. Used with permission by Scribd. All songs from “Wicked” were written by Stephen Schwartz and the clips used in this podcast recording were performed by various artists from The Studio Allstars Used with permission from One Media PublishingDigital distribution label based in Pinewood Studios, UK ©2008 © 2025 ADHD-ish Podcast

I decided to do something special for this episode, because this week is our 5th podcast anniversary (and it's also Mental Health Awareness Month.) One of the most challenging things about being neurodivergent is learning to accept ourselves in a world where being different often marks you as an outsider. Using my obsession with Wicked and exploring four of Stephen Schwartz's iconic songs —from the hopeful longing of "The Wizard and I" to the defiant liberation of "Defying Gravity"—my goal in this episode is to connect them to the distinct stages of our ADHD journey in learning to embrace our differentness. So, grab your broomstick and let's go on an adventure to Oz. Episode Highlights:Let's take a trip through four major songs from “Wicked” that map out the ADHD journey to self-acceptance:“The Wizard and I”: The bittersweet hope that someone or something outside of us will finally fix what feels broken.“Popular”: The pressure to fit into neurotypical molds, no matter how unnatural it feels, and why those “helpful tips” so rarely work.“Defying Gravity”: The exhilarating breakthrough of embracing your true self and rejecting systems that were never built for your brain.“For Good”: Honoring everyone who contributed to your journey, finding peace with imperfection, and stepping into deeper self-acceptance.Whether you're still searching for that magic fix, trying to fit into neurotypical norms, or learning to soar with your own brand of brilliance, this episode is an invitation to recognize the real magic within yourself. Join me as I encourage us all to “keep defying gravity together”—and celebrate just how far we've come, thanks to a little help from our friends in Oz.Inspired by this episode? Click this link to share it with a friend. Complete song lyrics for “The Wizard and I”, “Popular,” “Defying Gravity,” and “For Good” can be accessed here for reference. Used with permission by Scribd. All songs from “Wicked” were written by Stephen Schwartz and the clips used in this podcast recording were performed by various artists from The Studio Allstars Used with permission from One Media PublishingDigital distribution label based in Pinewood Studios, UK ©2008 © 2025 ADHD-ish Podcast

Three decades later and Disney's 33rd animated feature remains one of its most controversial for its historical inaccuracies and racial depictions. Yet Pocahontas also remains a celebrated film for its score and songs, garnering Alan Menken and Stephen Schwartz a pair of Academy Awards. On this episode of Notably Disney, host Brett Nachman leads a discussion of Pocahontas. Joining Brett are two guests who have examined Disney work from a scholarly sense: Dr. Peter Kunze, Assistant Professor of Communication at Tulane University, who was on the podcast a couple of years ago to discuss his book Staging a Comeback, as well as Dr. Michelle Anya Anjirbag-Reeve, Affiliated Researcher at the University of Antwerp. Michelle and Pete examine the roles of race, culture, language, and more in this thoughtful dialogue about how Pocahontas fits within the Disney Renaissance period and in the company more broadly. Email Pete at pkunze@tulane.edu and check out his book about Disney musicals - Staging a Comeback  - on the Rugters University Press website. Learn more about Michelle's work by checking out her website: MichelleAnjirbag.com Feel free to reach out to Brett via Bluesky @drnachman and Instagram @drnachman, subscribe to the podcast, and send your feedback to notablydisney@gmail.com  New episodes of Notably Disney debut on the first and third Tuesday of each month.

This week, Scott and Mackenzie have magic to do and miracle plays to play as they delve into Stephen Schwartz's coming-of-age musical Pippin. They explore whether audiences are meant to like—or even identify with—the show's title character, and unpack why Mackenzie ranks the piece in the lower-middle of the Schwartz canon. Plus, Scott shares how he's de-Fosse-ing his own production as he directs Pippin with a fresh perspective.All this and an ordinary kind of woman in this this all new episode!Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

PIPPIN Music & Lyrics by Stephen Schwartz | Book by Roger O. Hirson | Originally Produced on Broadway by Stuart Ostrow | Directed on the Broadway Stage by Bob Fosse Works Consulted & Reference :Pippin (Original Libretto) by Roger O. Hirson & Stephen SchwartzMagic to Do: Pippin's Fantastic, Fraught Journey to Broadway by Elyssa Gardner Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Corner of the Sky" from  Pippin (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Schwartz | Performed by John Rubinstein"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Next Friday Scott and Mackenzie are searching for their corner of the sky as they discuss the Stephen Schwartz musical Pippin. They'll explore the creative difficulties this show faced as Schwartz and director Bob Fosse developed it in the rehearsal room. Scott and Mackenzie debate who is the actual lead of the show between the titular Pippin and the Leading Player . Plus hear Scott discuss his recent experiences directing this musical.All this and some cheese you left to sour on next Friday's all new episode!Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

As of February 20, 2025, the film adaptation of Wicked (2024) has grossed over $727 million worldwide. The movie is projected to earn over $1 billion at the box office and the advance ticket sales for film were the second best for Fandango in 2024. The film was nominated for ten Oscars, including Best Picture, and won two.  Gregory Maguire, the acclaimed author behind the best-selling novel Wicked, is set to enchant readers once again with a prequel to this beloved story. Maguire's new novel, ELPHIE chronicles the formative years of Elphaba, the future Wicked Witch of the West, unveiling her intriguing past and setting the stage for the global phenomenon that is Wicked. Nearly 30 years after the original novel captivated readers, ELPHIE promises to be a riveting coming-of-age story that explores Elphaba's early life. The novel reveals how young Elphaba, marked from birth by her green skin, navigates a world shaped by her mother's promiscuity and her father's piety. It touches upon her early encounters with the marginalized Animal populations of Oz, her struggles with familial jealousy, and her educational adventures leading to Shiz University where she meets the charismatic Galinda. Elphaba and the themes that Maguire presented in his groundbreaking work of fiction have only become more relevant in today's divided world. Acclaimed by critics and readers alike, Wicked has sold over 6 million copies and inspired the Tony Award-winning musical that has become one of Broadway's most successful shows. In response to readers' longstanding curiosity, Maguire's ELPHIE will explore the complexities of Elphaba's character, offering a profound insight into her transformation into one of literature's most iconic witches.Maguire's ability to re-imagine the familiar world of Oz has been praised by prominent voices in literature and theatre. Stephen Schwartz, the composer and lyricist of "Wicked: The Musical," notes, "I knew that Gregory Maguire had come up with a genius idea the moment I heard about Wicked. It's a book that has changed a lot of lives, including mine."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

This week Josh and Jade review the movie musical Wicked, directed by Jon M. Chu and written by Winnie Holzman and Dana Fox. It adapts the first act of the 2003 stage musical by Stephen Schwartz and Holzman, which was loosely based on Gregory Maguire's 1995 novel, itself a reimagining of the Oz books and the 1939 film The Wizard of Oz. Lost yet? The film stars Cynthia Erivo as Elphaba and Ariana Grande as Galinda the Good Witch, with Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum in supporting roles. Also, inside this episode our hosts discuss the casting of Nick Frost as Hagrid in HBO's Harry Potter series and the pending Duke lawsuit against the TV show White Lotus. Click play and enjoy!

Michael Cole, largely self-taught, has refined advanced techniques through workshops with esteemed artists like Noel Bailey, Steven Hill, Jon Townley, Deb Lecce, Sarah Wells Rolland, Simon Leach, and Jenifer McCurdy. Michael was a member of the 2024 Steven Hill Journey Workshop at Alison Palmer Studio. Michael makes his living as personal assistant to Broadway composer Stephen Schwartz. https://ThePottersCast.com/1118

Book Vs. Movie: WickedThe 2004 Musical Vs. the 2024 Movie"Musicals in March"The "Wicked" movie is based on Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West; the book (for the play) was written by Winnie Holzman, with music and lyrics by Stephen Schwartz. The show had its initial tryout in San Francisco in 2003 before moving to Broadway, where it has enjoyed a successful two-decade run despite receiving mixed reviews.This success is primarily attributed to its loyal fan base.  Part One concludes with the iconic song "Defying Gravity," setting the stage for Part Two, which explores the consequences of Elphaba's rebellion. The film utilizes CGI and elaborate sets to vividly portray the magical world of Oz in ways that the stage cannot replicate. So, which version did we prefer? Have a listen to find out! In this ep, the Margos discuss:A brief look at the 1995 novel  The path to Broadway to the Jon M. Chu filmThe cast includes Cynthia Erivo (Elphaba,) Ariana Grande (Glinda,) Jonathan Bailey (Fiyero,) Ethan Slater (Boq Woodsman,) Bowen Yang (Pfanne,) Peter Dinklage (Dr. Dillamond,) Michelle Yeoh (Madame Morrible,) Jeff Goldblum (Wizard of Oz,) Marissa Bode (Nessarose,) Bronwyn James (Shenshen) and Andy Nyman as Governor Thropp.Clips Featured:“Glinda makes a ball gown”"Kristin Chenoweth as Glinda at the 2004 Tony Awards""Indina Menzel as Elphaba at the 2004 Tony Awards"Wicked (Part 1 2024 trailer)“What is this feeling?”“Defying gravity”Music by John Powell and Stephen SchwartzFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: WickedThe 2004 Musical Vs. the 2024 Movie"Musicals in March"The "Wicked" movie is based on Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West; the book (for the play) was written by Winnie Holzman, with music and lyrics by Stephen Schwartz. The show had its initial tryout in San Francisco in 2003 before moving to Broadway, where it has enjoyed a successful two-decade run despite receiving mixed reviews.This success is primarily attributed to its loyal fan base.  Part One concludes with the iconic song "Defying Gravity," setting the stage for Part Two, which explores the consequences of Elphaba's rebellion. The film utilizes CGI and elaborate sets to vividly portray the magical world of Oz in ways that the stage cannot replicate. So, which version did we prefer? Have a listen to find out! In this ep, the Margos discuss:A brief look at the 1995 novel  The path to Broadway to the Jon M. Chu filmThe cast includes Cynthia Erivo (Elphaba,) Ariana Grande (Glinda,) Jonathan Bailey (Fiyero,) Ethan Slater (Boq Woodsman,) Bowen Yang (Pfanne,) Peter Dinklage (Dr. Dillamond,) Michelle Yeoh (Madame Morrible,) Jeff Goldblum (Wizard of Oz,) Marissa Bode (Nessarose,) Bronwyn James (Shenshen) and Andy Nyman as Governor Thropp.Clips Featured:“Glinda makes a ball gown”"Kristin Chenoweth as Glinda at the 2004 Tony Awards""Indina Menzel as Elphaba at the 2004 Tony Awards"Wicked (Part 1 2024 trailer)“What is this feeling?”“Defying gravity”Music by John Powell and Stephen SchwartzFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Are you ready to look up to the western sky as the hosts gets ready to defy gravity and bring you an unlimited review of one the biggest movies from last year, the award winning musical fantasy, Wicked, staring Cynthia Erivo, Ariana Grande and directed by Jon M. Chu. Based on the stage musical by Stephen Schwartz and Winnie Holzman, which was loosely based on Gregory Maguire's novel, a reimagining of the Oz books and the 1939 film The Wizard of Oz. The film is already the highest-grossing movie based on a Broadway play. The hosts pair the film with the Ozmopolitan Cocktail. It's time to trust your instincts, close your eyes and leap with the hosts as they celebrate one of the greatest adaptation Broadway musicals of all time.Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcast

In this episode, actress, Chair of Performing Arts at New York Film Academy, and original Wicked cast member Kristy Cates discusses Elphaba's journey in Stephen Schwartz and Winnie Holzman's 2003 musical Wicked. We also talk about the song "No One is Alone" from Stephen Sondheim and James Lapine's 1987 musical Into the Woods. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "The Wizard and I" from Wicked "No Good Deed" from Wicked "For Good" from Wicked "No One Is Alone" from Into the Woods

One day, several decades ago, the writer Winnie Holzman was shopping in a Manhattan bookstore where a particular cover caught her eye. It showed a woman with a green face, a black hat pulled down over her eyes. The book was “Wicked” by Gregory Maguire, a retelling of L. Frank Baum's “Oz” stories from the perspective of the Wicked Witch of the West. “When I turned it over and read the little précis on the back, it blew my mind,” Holzman said. “I thought it was such a brilliant premise.” The book ended up on Holzman's bookshelf, with its enigmatic cover facing out.Years later, the composer Stephen Schwartz contacted Holzman to ask if she'd be interested in adapting Maguire's book for the stage. The musical they wrote together opened in 2003, and it is now one of the most successful shows in Broadway history. The producers started talking about a movie adaptation, but Holzman was cautious: “We had to really kind of clear our minds and kind of reconceive the whole story.”The film version of “Wicked” opened in 2024, starring Cynthia Erivo and Ariana Grande, and with a screenplay by Holzman and Dana Fox. It is one of the highest-grossing movies of the year and is nominated for 10 Academy Awards, including Best Picture.Winnie Holzman joins Gilbert Cruz, the editor of the Book Review, to discuss the benefits and drawbacks of adapting your own adaptation. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.