Podcasts about Sweeney Todd

ONE LAST CHAPTER. ONE FINAL GOODBYE. NICK & CHARLIE FOREVER! Greg Alba & John Humphrey react to Heartstopper Forever, Netflix's feature-length Heartstopper finale starring Kit Connor as Nick Nelson and Joe Locke as Charlie Spring. In this Heartstopper Forever movie reaction and review, they experience the emotional final chapter as Nick prepares for university, Charlie embraces greater independence, and their friends confront major changes in love, friendship, and growing up. Alice Oseman from the Heartstopper graphic novels and Nick and Charlie novella, the film delivers more mature romance, heartfelt character moments, and a moving farewell to the beloved Netflix series. Heartstopper Forever Reaction (Full-Length Watch-Along):   / thereelrejects   Limited Time Offer – Make healthy eating simple. Get Huel today with my exclusive offer of 15% OFF online with my code REJECTS at https://www.huel.com/REJECTS. New Customers Only. Thank you to Huel for partnering and supporting our show! Directed by Wash Westmoreland (Still Alice, Colette), Heartstopper Forever stars Kit Connor as Nick Nelson (The Wild Robot, Rocketman), Joe Locke as Charlie Spring (Agatha All Along, Sweeney Todd), Yasmin Finney as Elle Argent (Doctor Who, Mars), William Gao as Tao Xu (Sunrise, Heartstopper), Corinna Brown as Tara Jones, Kizzy Edgell as Darcy Olsson, Tobie Donovan as Isaac Henderson, Rhea Norwood as Imogen Heaney, and Anna Maxwell Martin as Sarah Nelson (Motherland, Line of Duty). Greg & John react to Charlie finding his confidence at school, Nick preparing to leave for university, the group confronting major changes in love and friendship, the film's more mature romantic scenes, Olivia Rodrigo's “stupid song,” and the heartfelt ending that brings the Heartstopper series to a close. Learn more about your ad choices. Visit megaphone.fm/adchoices

A new production of the musical SWEENEY TODD, written by Stephen Sondheim and Hugh Wheeler, opened earlier this week at the Birmingham Rep in the UK.The revival, which stars Ramin Karimloo and Meow Meow, features a condensed company and orchestra, offering a chamber-style reinterpretation of the usually grand piece, as well as shifting its setting around a century earlier.Find out more about this production, the winning material, and these new performances in this full review...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:36 | the material10:25 | this revival21:46 | the performances30:39 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

THE BEAUTIFUL COMING-OF-AGE LOVE STORY WE'VE BEEN WAITING TO FINISH! Before Heartstopper Forever arrives on Netflix, Greg Alba & John Humphrey binge Heartstopper Season 3 Episodes 1–8 for the first time, experiencing the emotional highs, heartbreaking lows, and heartfelt moments that bring Nick and Charlie's relationship to a whole new chapter. From Charlie's mental health journey and Nick's future decisions to unforgettable romantic moments and powerful character growth, this Heartstopper Season 3 full reaction celebrates one of Netflix's most beloved coming-of-age series. Heartstopper Season 3 (Full Length Watch Along):   / thereelrejects   The best businesses aren't built in boardrooms. They're built by people who just started. Free trial at shopify.com/rejects In this Heartstopper Season 3 reaction, Netflix reaction, and review, Greg & John experience the complete third season starring Kit Connor as Nick Nelson (The Wild Robot, Warfare), Joe Locke as Charlie Spring (Agatha All Along, Sweeney Todd), Yasmin Finney as Elle Argent (Doctor Who, Doctor Who: Unleashed), William Gao as Tao Xu (Sunset Blvd., Heartstopper), Corinna Brown as Tara Jones (The Essex Serpent, My Murder), Kizzy Edgell as Darcy Olsson (The School for Good and Evil, Heartstopper), Jenny Walser as Tori Spring (Call the Midwife, Heartstopper), Rhea Norwood as Imogen Heaney (Consent, Your Christmas or Mine 2), Tobie Donovan as Isaac Henderson, and Hayley Atwell (Mission: Impossible – Dead Reckoning, Captain America: The First Avenger) as Aunt Diane. Featuring some of the series' most emotional moments—including Charlie's healing journey, Nick and Charlie navigating the future of their relationship, heartfelt family conversations, unforgettable romantic milestones, university decisions, and the powerful Season 3 finale—Heartstopper continues to balance hope, love, and authenticity in a way few coming-of-age stories can. With Heartstopper Forever on the horizon, Greg & John revisit the season that lays the emotional foundation for the final chapter of Alice Oseman's beloved story. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary screenwriter, producer, and director John Logan (MICHAEL, SWEENEY TODD, GLADIATOR, THE AVIATOR, HUGO, ANY GIVEN SUNDAY, SKYFALL, SPECTRE, PENNY DREADFUL, RANGO, ALIEN: COVENANT, RED, THE LAST SAMURAI, STAR TREK: NEMESIS, THEY/THEM) returns to continue discussing his incredible career with Adam and Joe. Tired of commercials? Support THE MOVIE CRYPT for just $1 a month and start getting every episode commercial-free! Visit www.Patreon.com/TheMovieCrypt to sign-up today!

The Movies That Made WE returns in chaotic form when Rain Supreme, Petra Fried, and Maggie McMuffin go on and on with Viktor Devonne about the movie musicals (and we're allowing some laxity with both terms so don't write in about it) that MADE them up.  Films include School Daze, Prince of Egypt, Sweeney Todd in Concert, Little Shop of Horrors, and more.   Produced by Viktor Devonne for the WEBurlesque Podcast Network In memory of Lucky Charming Feedback and Curiosities: weburlesquepodcast@gmail.com  (this conversation was recorded on 4-6-2026)... all opinions are those of our guests; this is a production of WEBurlesque, executive produced by Viktor Devonne)

Stephen Sondheim was the Pulitzer Prize-winning composer and lyricist who wrote Into the Woods, West Side Story, Sunday in the Park with George, Company, Assassins, and more. This hour, a look at the life and music of Sondheim. And, on the occasion of the new Hartford Stage/TheaterWorks Hartford co-production, we dig into the story and music of Sweeney Todd: The Demon Barber of Fleet Street. GUESTS: Daniel Okrent: Author of Stephen Sondheim: Art Isn’t Easy Wiley DeWeese: Music director, arranger, orchestrator, and conductor. He is currently Music Director for The Hartford Stage and TheaterWorks Hartford’s co-production of Sweeney Todd: The Demon Barber of Fleet Street Music featured (in order): Prologue: Into the Woods – 2022 OBC and Disney Theatrical Instrumental Anyone Can Whistle – Bernadette Peters Our Time – 2023 Merrily We Roll Along New OBC I Know Things Now – Danielle Ferland, Into the Woods OBC Someone in a Tree – Pacific Overtures OBC CUT FOR TIME Attend the Tale of Sweeney Todd – Sweeney Todd OBC Pretty Women – Sweeney Todd OBC Prelude: Attend the Tale of Sweeney Todd – Sweeney Todd OBC Concerto Macabro (Excerpt) – Bernard Herrmann Johanna (Mea Culpa) – Sweeney Todd OBC Corn Puddin’ – Schmigadoon! The Worst Pies in London – Sweeney Todd OBC A Little Priest – Sweeney Todd OBC Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Mickey-Jo recently had the enormous privilege of sitting down with Ramin Karimloo, Meow Meow, and David Bedella from Birmingham Rep's upcoming revival of SWEENEY TODD.Check out what the stage stars had to say about this exciting new production, tackling Sondheim, and even their favourite kind of pie.You can still get tickets to see the production at Birmingham Rep between 4 July and 15 August.check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.comAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John Riesen is an award winning tenor singer. His genres include opera, musical theatre, oratorio, studio recording, and concerts. He's released 2 albums and over 130 commercial recordings. He is also an associate producer on the Grammy nominated project The Impossible Dream. He was on America's Got Talent as part of the group Metaphysic. He's performed at venues including Carnegie Hall, Lincoln Center and Dallas Symphony. He made his Carnegie Hall debut in Carmina Burana. He's also performed in Sweeney Todd, Carmen, Handel's Messiah, The Pirates of Penzance, and HMS Pinafore. His newest project is Aria Nouveau, his duet program with soprano Laura Auer. My featured song is my new single called “The Buzz”. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Robert's Project Grand Slam Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH JOHN:www.johnriesen.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

This episode we are joined by Tony nominated performer Norm Lewis! Norm is known for his roles in Porgy and Bess, Les Miserables and The Phantom of Opera. Many of his other theater credits include The Who's Tommy, Miss Saigon, Sweeney Todd, Once on This Island, The Little Mermaid, Monte Cristo and Chicken & Biscuits. And let's not also forget Norm was on Scandal! Norm is making his return to 54 Below from June 14th to June 20th for his show Broadway and Beyond! To get your tickets, visit 54below.org.We talk with Norm about how he got his start, his many different roles he's played over the years, working on Scandal, his upcoming concert and 54 Below and much more! Also, Norm did give us some exclusives during our conversation...!

Andrew Litton is the Music Director of the New York City Ballet and the Conductor Laureate of the Bournemouth Symphony Orchestra. He was previously Music Director of Norway's Bergen Philharmonic. He has led opera performances at the Metropolitan Opera and the Royal Opera House Covent Garden among many other venues. And he's also an accomplished pianist, and he plays jazz too. He recorded a solo album, A Tribute To Oscar Petererson. In total he's recorded over 140 recordings, receiving a Grammy nomination for Sweeney Todd with the New York Philharmonic and Patti LuPone.  My featured song is “Juliet Dances”. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ANDREW:www.andrewlitton.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Short, sweet and totally different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com      

Per decenni gli inglesi raccontarono la storia di Sweeney Todd, il barbiere assassino di Fleet Street che sgozzava i clienti e faceva sparire i corpi nei sotterranei di Londra. Una leggenda nata nei penny dreadful dell'età vittoriana, sospesa tra folklore urbano e incubo collettivo.Ma nella primavera del 1895, in un tranquillo villaggio del Buckinghamshire, qualcosa di macabro accadde davvero.Un uomo si accomodò sulla poltrona della barberia di Wooburn Green per la consueta rasatura del sabato. Pochi istanti dopo, il giovane barbiere Charles Abram fece qualcosa di inaspettato.In questo episodio vi racconto la storia reale che fece riaffiorare il fantasma di Sweeney Todd nella stampa vittoriana: un caso dimenticato di violenza, ossessione e paura collettiva che mostra quanto sottile potesse essere il confine tra leggenda e cronaca nera nell'Inghilterra di fine Ottocento.Buon ascolto!

We spoke with Jennifer Levine, Director of External Relations at Hartford Stage, about their upcoming collaboration with TheaterWorks Hartford on the production of "Sweeney Todd." The show, directed by Rob Ruggiero, will run from June 5 to July 5.

This week, I'm joined by bass Barnaby Rea for a longer-than-usual opera special I mean if we're doing opera, we've gotta go long, right?!), recorded backstage at the Royal Opera House, London.Barnaby is a British/Irish bass who trained at the Guildhall School of Music & Drama and the National Opera Studio. He was a Harewood Artist at English National Opera and a member of the Oper Frankfurt solo ensemble. He has also appeared with companies including the Royal Opera House, Deutsche Oper Berlin, Zurich Opera, Teatro Real, Opéra de Lyon, Scottish Opera and Opera North.We recorded this while Barnaby was performing Doctor Grenvil in Verdi's La traviata, in Richard Eyre's long-running Royal Opera production.This episode was also partly inspired by a recent visit to Milan and the extraordinary Teatro alla Scala, which got me thinking about opera not just as music, but as architecture, social ritual, commerce, class, spectacle and power.So this is partly a conversation about opera singing, partly a look at the machinery of a major opera house, and partly an attempt to understand why opera can feel both thrillingly immediate and socially intimidating.We talk about opera vs musical theatre, why singers train for so long, how a voice can fill a huge theatre without amplification, what “placement” and resonance mean, and why vibrato is not just decorative wobbling.We also get into opera's social context: boxes, gods, stalls, ticket prices, access, prestige, and whether opera's elitist reputation is entirely fair.There's also a wider reflection on live music now: why huge arena shows can dominate the public story of the music industry while smaller venues, grassroots promoters, festivals and independent musicians are struggling.This is a longer episode than usual, but that feels fitting for opera: there is a lot of voice, history, scale and backstage machinery to get into.In this episode00:00 – Steve introduces the opera special, Barnaby Rea, the Royal Opera House and the Milan / La Scala inspiration01:35 – Barnaby's route into opera: school swing band, musical theatre, Sweeney Todd, Guys and Dolls and early training07:30 – Guildhall, opera school, learning the craft, and why opera takes so long to train for properly12:30 – Singing in different languages and understanding what you are actually saying15:40 – Opera vs musical theatre: amplification, stamina, acting, dancing and vocal demands20:45 – Inside the Royal Opera House: backstage scale, sets, docks, ballet and multiple productions24:45 – La Scala, opera boxes, social hierarchy, standing tickets and opera as mass entertainment30:05 – Arena economics, struggling grassroots venues, festivals and why smaller gigs matter36:50 – Is opera elitist? Ticket prices, access, class, prestige and opera culture in Europe42:35 – Entertaining Noises: Barnaby demonstrates the bass voice43:00 – Breath, resonance, placement, formant, range and preparing different roles50:15 – Show days, double casting, vocal recovery, travel, jump-ins and the pressure of saying yes55:00 – Berg, volume, singing without microphones, working with the room, and breathing with the orchestra01:00:30 – Vibrato: what it is, why it exists, and why it is not just decorative wobbling01:03:10 – Steve attempts a brief opera lesson01:07:40 – Learning roles, memory, punctuality, preparation and what performers can control01:12:45 – What is music for? Barnaby on release, escape, connection and performance01:15:50 – Music as personal soundtrack, film scoring, galleries, headphones and emotional recontextualising01:16:40 – Barnaby's links, La traviata and walking into productions with decades of history01:18:35 – Outro: Peter Grimes, Wilton's Music Hall, Ocean Songs, the website and what's coming nextGuestFind Barnaby Rea at barnabyrea.com and on Instagram at @barnabyrea_bass.Support the show on Patreon: patreon.com/StevePrettyOnTheOriginofthePiecesStay musically curious! Hosted on Acast. See acast.com/privacy for more information.

It is not hyperbole to say that Stephen Sondheim was among the most important creative voices in 20th Century American musical theater. From the 1950s through to the 2020s, he wrote the lyrics, music, or both for some of the most critically and commercially successful shows of our lifetimes. Sondheim's shows are beloved not only for their incredibly catchy songs, but also for their insightful stories exploring the nature of art, history, and most importantly, the fragile and fault-riddled human condition. Though we lost Mr. Sondheim in 2021, the Great Pop Culture Debate wants to look back on his works as we attempt to name the Best Stephen Sondheim Musical of all time.Musicals discussed: Sweeney Todd, Saturday Night, West Side Story, Merrily We Roll Along, Passion, Sunday in the Park with George, A Funny Thing Happened on the Way to the Forum, Assassins, Pacific Overtures, A Little Night Music, Into the Woods, Anyone Can Whistle, Gypsy, FolliesJoin host Eric Rezsnyak and panelists Kevin Dillon, Michael Schwarz, and Trey Radu-Blackburn as they discuss and debate 16 of Sondheim's most enduring works.For the warm-up to this episode, in which we discuss our personal experiences with Sondheim shows, and the Sondheim shows that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks.EPISODE CREDITSHost: Eric RezsnyakPanelists: Kevin Dillon, Michael Schwarz, Trey Radu-BlackburnProducer: Bob ErlenbackEditor: Jim Czadzeck#sondheim #stephensondheim #musical #broadway #broadwaymusicals #sweeneytodd #company #intothewoods #westsidestory #merrilywerollalong #sundayintheparkwithgeorge #gypsy #follies #assassins #bernadettepetersSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Broadway producer Jeffrey Seller played a key role in the production of RENT, Hamilton, In the Heights, Avenue Q, and the revival of Sondheim's Sweeney Todd that starred Josh Groban. His memoir traced his path from ‘Theater Kid' to producer of Broadway mega-hits. Also, film critic Justin Chang reviews ‘Silent Friend.' See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

In a long-awaited catch-up, singer, songwriter and actor Josh Groban stops by the Q studio to talk about his upcoming album Cinematic. The record is a tribute to the iconic soundtracks of some of his favourite films, from The Lion King to James Bond. He tells Tom about his touching collaboration with his father on the record, what it was like to play Sweeney Todd on Broadway given his lifelong love of Stephen Sondheim, and his spontaneous cameo at this year's Oscars.

Broadway producer Jeffrey Seller played a key role in the production of RENT, Hamilton, In the Heights, Avenue Q, and the revival of Sondheim's Sweeney Todd that starred Josh Groban. His memoir traced his path from ‘Theater Kid' to producer of Broadway mega-hits. Also, film critic Justin Chang reviews ‘Silent Friend.' See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Taylor Helms from Mon County Parks on the Ramp Dinner coming up at Mason Dixon Park A conversation with Attorney General J.B. McCuskey Ashok Argarwal and Mike Green on the reboot of 100 people That Care and their meeting coming up April 27 Cambrie Gerdes on the Morgantown Theater Company production of Sweeney Todd to be presented at the Met in downtown Morgantown in May 

Born in New York, raised and educated in Los Angeles, Jerusalem, Paris, and Rochester, Ned made his public debut as a composer on the radio program “First Applause” at age sixteen. He has received recognition from The National Endowment for the Arts, N.A.R.A.S., Songwriters Guild of America, International Association of Jazz Educators, Florida Festival of New Musicals and Downbeat Magazine.Theater pieces include: THEY CHOSE ME, A TALMUD TALE, ARNIE!, BETWIXT AND BETWEEN, and BOYNTON BEACH CLUB.Orchestrations include: ALADDIN, BEAUTY AND THE BEAST, KISS ME KATE, ZHIVAGO, LIZA AT THE PALACE, MINNELLI ON MINNELLI, GALAVANT (ABC-TV), THE ACADEMY AWARDS SHOW, LITTLE MERMAID, WONDER PETS, SAMMY (Old Globe), PAPER MOON, INSIDE OUT, A LETTER TO HARVEY MILK, THE TIMES, CASPER, SWEENEY TODD, S'WONDERFUL, RADIO CITY EASTER SHOW, NIGHT OF 1000 STARS, THE NEW YORK POPS, THE BROADWAY KIDS, several Warner Bros. films, and for many composers and entertainers.

See Alex 4/18 in Pottstown, PA - https://souljoels.com/shop/tickets/alexpearlman/ Social Media Workshop 4/18 in Pottstown, PA - https://souljoels.com/shop/merch/socialmediaworkshop/ Mr. and Mrs. P return to the christian movie guide to see what MAGA thinks of their favorite  (and least favorite) musicals. From Sweeney Todd, A Star is Born, Moulin Rouge!, Chiago to the Sound of Music, Les Mis and of course The Greatest Showman. It goes exactly as you would expect, hilarious, enraging and sometimes downright confusing. JOIN OUR PATREON COMMUNITY -

Let's put on a show! It's season 8 for Paul and Corey Cross the Streams, and this season we're watching musicals. It's a singular art form with a dynamic history, and we get to listen to a lot of cast recordings... Attend the podcast on Sweeney Todd! Yes, this week Corey chose the Tim Burton/Johnny Depp joint Sweeney Todd (2007). This adaptation of Stephen Sondheim's brilliant musical from 1979, was...bad. Which is too bad because the musical is one that Corey and Paul both love very much. In the episode, they discuss Stephen Sondheim's body of work and his singular style; the history of the archetypical characters of Sweeney Todd and Mrs. Lovett; Tim Burton's career (and artistic limitations); whether the musical is, as original director, Hal Prince, claimed and Sondheim disagreed, a satire of "the Industrial Revolution;" and most importantly why and in what ways this adaptation struggles with its source material. (A factory whistle blows)

Oscars weekend, Dungeon Crawler Carl, Arakeis and Fateforge, Sweeney Todd.

Brad Oscar is a two-time Tony Award nominee for his performances on Broadway as Franz Liebkind in Mel Brooks' The Producers and as Thomas Nostradamus in Something Rotten!Brad has performed in more than 15 shows on Broadway, including being in the original casts of the stage version of Schmigadoon, Mrs. Doubtfire, Big Fish, Aspects of Love, and a show I know a little bit about called Jekyll & Hyde. He's performed in Wicked, Nice Work If You Can Get It, The Addams Family, and Spamalot. He's also starred in The Producers in both the West End and Las Vegas productions.National tours in which Brad has performed include: The Phantom of the Opera, Young Frankenstein, and, of course, Jekyll & Hyde. Off-Broadway, Brad has appeared in Little Shop of Horrors, Broadway Bounty Hunter, Sweeney Todd, and Forbidden Broadway. Stages he's worked on in America include: the Arena Stage, the Old Globe, the La Jolla Playhouse, the McCarter, Barrington Stage, and more.In film and on TV, you can find Brad on such shows as: Ghost Town, The Producers, Smash, The Good Wife, and three Law & Orders.

What happens when a screamo guitarist and singer falls down the musical theatre rabbit hole? Nick Hutson is joined by Serena Cherry, whose musical journey has taken her from the intensity of the mosh pit to the drama of the orchestra pit. Serena explains how discovering The Phantom of the Opera at the age of 17 first opened the door to musical theatre, before life — and loud guitars — briefly pulled her away again. Now, much to the surprise of many in her rock band circle, she has rediscovered musicals and embraced them with enthusiasm. Along the way, Nick and Serena discuss a wide range of shows, from The Pilgrimage of Harold Fry to Two Strangers (Carry a Cake Across New York), and even ponder the perceived missteps of Moulin Rouge! The Musical. They also tackle a classic debate among theatre fans: do the songs in a musical need to be "hummable" for the show to be considered good? Plus, Nick introduces Serena to the deliciously dark world of Stephen Sondheim and Sweeney Todd. Join us for a lively conversation about rediscovering musicals, crossing genre boundaries, and why great theatre can resonate just as powerfully with rock fans as it does with traditional theatre lovers.

Coffee is a connector. I think we all have seen this in our personal lives, our social lives, and in the community we help facilitate through our shops. In the fast paced often stessful world of cafes and the vocation of coffee, we need to take some time, and leave some room for appreciating the real impact a simple cup can have on people.  On today's episode we will be talking all about the ways coffee does this and how we can use coffee to advance understanding, exploration, and connection with the Director of Room for Cream, Grant Garry! Grant Garry is an award winning filmmaker, actor, singer, and Certified Grief Educator. He is the director of the documentary Meet Me Where I Am -  Grant has played The Cowardly Lion in The Wizard of Oz at Opera San Luis Obispo as Disney's Beauty and the Beast, NCIS: Los Angeles, Legally Blonde: The Musical, Black Cat, Night of the Living Deb, Sweeney Todd, and Cinderella.   He hosts the podcast Where I Am on Apple Podcasts, Spotify, and Amazon Music. A long-form discussion based show about love, loss, and finding meaning as we move forward.     His recent release and project is called "Room for Cream", a series dedicated to the exploration of coffee, coffee culture, and the ways coffee facilitates connection. Related episodes:  165 : The Art of Deep Listening w/ Oscar Trimboli 415: The Best Lessons On How to Listen w/ Listening Expert, Oscar Trimboli 230 : Making room for Community in your Shop Founder Friday! Youth, Foster Care, and Human Connections Through Coffee | w/ Miah Sommer of Astute Coffee in Omaha, NE 334 : How to Approach Deescalation w/ Melissa Tucker of Mind Over Matters and Pathways to Peace   KEY HOLDER COACHING GROUPS! Are you a coffee shop owner looking to join a community of other owners to help bring perspective, insight, encouragement, and accountability in a well curated setting?  Then you need to apply to join Key holder Coaching Groups!  Applications are now open for Spring 2026 Cohort: Click below to learn more:  APPLY TO KEY HOLDER COACHING GROUPS     KEYS TO THE SHOP ALSO OFFERS 1:1 CONSULTING AND COACHING! If you are a cafe owner and want to work one on one with me to bring your shop to its next level and help bring you joy and freedom in the process then email  chris@keystothshop.com of book a free call now:  https://calendly.com/chrisdeferio/30min   

Send a textListen to the music of the night! Al & Siena are making meat pies and unmasking musicians for this monstrous musical pairing on SWEENEY TODD (2007) x THE PHANTOM OF THE OPERA (2004)! Learn about the bizarre materials—and colors—that went into making Benjamin Barker's blood, uncover the real backstory behind the divisive Gerard Butler casting, and spot how Sondheim uses medieval music to foreshadow each throat-slitting on this song-filled slasher edition of Splice & Splatter. You can scream new episodes every other Monday with full video episodes on Youtube!Hosts: Al LaFleur and Siena Sofia BergtTheme Song: Theodore SchaferSplice & Splatter is a New Mexico x Michigan podcast productionFollow us on social media at linktr.ee/spliceandsplatterpodSupport the show

Esther and Erin are back----how is it February already!? This week, they reflect on the Super Bowl and note the cultural significance of Bad Bunny's halftime show and the impact of SoCal commercials. Erin also spills the details of how she finally met her TV dad, Jason Alexander, and interviewed him about his production of Sweeney Todd playing at the La Mirada Theatre. They also react to catching some Jewy moments in The Pitt, Woner Man, and Jeopardy.      

Choice Classic Radio presents Sherlock Holmes. Today we bring to you the episode titled “Sweeney Todd, Demon Barber.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

This week I speak with Frank Verlizzo, on his first book of the Retro Broadway Mystery Series – Scenery of the Crime.  Before becoming an author, Frank Verlizzo was a legendary graphic designer, the man behind such iconic poster art as the original Broadway productions of Disney's The Lion King; Stephen Sondheim's Sweeney Todd and Sunday in the Park with George, and Ira Levin's Deathtrap.

It can be a tender thing to launch a creative project into the world. That's true whether you're an actor, a baker, a musician, a quilter, or almost any other artisan. As a writer, releasing a book often feels like that scene in early Gray's Anatomy where Meredith stands before Derek and says, “Pick me, choose me, love me.”In short, it's a little bit vulnerable.When I launched my first book back in 2019, Daryl took me to see Sweeney Todd at our local theater, to distract me from all of the big feelings. (A murdering, singing barber will do that!) These days, I've learned to notice and honor the feelings as they come and pass. There are a lot of them, in the week leading up to a book launch.And these feelings aren't just about whether people will like the book. That's part of it, for sure—no author wants to be panned or ignored. But they go beyond just wanting the book to hit well. They run the full gamut from excitement to terror. To paraphrase my writer-friend Ruth, the only thing scarier than no one is reading your book is people actually, you know, reading your book.But here's the thing: being part of the literary world is one of the great joys of my life. And that joy is a wonderful balm for all of the BIG FEELINGS™ that show up on launch week.I love my writing communities. That's you, beloved SubStack friends. It's the writers who read early drafts of my work (thank you, Steve! thank you, Aarik!) and gave me honest feedback. It's the writers whose books I love who have helped me grow in the craft. It's fellow writers in the trenches being honest about what it takes to turn a beautiful phrase and keep pursuing what is beautiful and true in a world filled with AI slop and lazy shortcuts. It's writers who are also bookstore owners (I love you, Nooks!) who foster community spaces where people can be together, heartened, seen, and read.Each time I publish a book and begin to feel all the feelings (hooray! oh no! how are my numbers doing? what have I forgotten?), I remember that you and each fellow reader and writer out there are the biggest gifts of all.I'd be honored if you'd give Weathering Change a look. Preorders matter, and this is the last week you can sneak one of those in, at Amazon or Nooks or anywhere you love buying your books. (You can also request it at your local library, which is free to you!)But above all, please know that I am so grateful that you're with me on this journey of words, seeking to make meaning out of life.Today's podcast is short and sweet—just 25 minutes. In it I read chapter one from Weathering Change. Many thanks to my publisher, InterVarsity Press, for giving me permission to share it with you today. If you'd prefer to read it rather than listen to it, you can find it here.Thank you for your love and support. I am so excited to share this book with you! Get full access to Keep Looking Up at courtneyellis.substack.com/subscribe

Canadian theatre legend Louise Pitre is back on stage in Canada in the Tony Award-winning musical Kimberly Akimbo. It tells the story of a teenage girl who has a rare genetic condition that ages her four times as fast as her classmates. Recognized as Canada's first lady of musical theatre, Louise has led productions of Les Misérables, Piaf, Sweeney Todd, and she originated the part of Donna in Mamma Mia! on Broadway, but she says Kimberly might be the most perfect part for her right now. She sits down with guest host Talia Schlanger to tell us why as she reflects on her acclaimed stage career.

Comfort food and a bottomless snack bag for our season finale. Helena Bonham Carter is an award-winning English actress known for her incredible performances across films including the Harry Potter movies, Howards End, Planet of the Apes, Sweeney Todd, The King's Speech and TV series such as Toast and The Crown. There are certainly too many credits to mention for a star who made her debut in 1985 in A Room with a View.  She's with us to talk about her latest role as Lady Caterham in Agatha Christie's Seven Dials, which starts streaming on Netflix from 15 January. This is her first time in a Queen of Crime adaptation, with co-stars including Mia McKenna-Bruce and former Dish guest, Martin Freeman.  Helena comes equipped with her sizeable snack bag, curated especially for her life on-set, but there's still room for Dish's first cheese toasties, featuring five different cheeses. The cheese toasties with sticky shallots are paired with the Loved & Found Feteasca Alba Brut, which sadly is no longer available to buy. The Waitrose wine experts have since lined up the perfect replacement; a glass of Valdo Elevantum Prosecco. For this episode, Nick, Angela and Helena also enjoy a Mother Root and tonic, alongside the many, many other beverages that make it on to the table.  From the perilous times on the set of Seven Dials to helping Helena overcome her rice intimidation, we finish up season 8 of Dish with a hearty serving of good company. There's a short break now before we return in February for more. Til next time!  You can watch full episodes of Dish on YouTube and, new for this season, on Spotify.  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish If you want to get in touch with us about anything at all, contact dish@waitrose.co.uk Dish from Waitrose is made by Cold Glass Productions Learn more about your ad choices. Visit megaphone.fm/adchoices

Encore! Encore! This January Janet, John, (and Pen) wanted to revist the astounding life this actress with her 80-year long career in film, television, and the stage... Angela Lansbury. This English-born, though Irish-bred actress began her career, after escaping the Blitz by moving to United States, at the age of eighteen by playing a cheeky Cockeny servant to Charles Boyer in the thriller Gaslight (1944). This role brought her a contract with MGM and her first Academy Award nominaton for best supporting actress. At the time, she was seen as a b-list actor, but her role in The Manchirian Candidate (1962) put her on the map and is often considered, to this day, one of her best perfomances. She also quickly gained stardom for her lead role in the Broadway musical Mame in 1966, a catergory of performance she absoluted dominated. This role lead to her winning her fist every Tony Award. However, this starlet didn't stop only at theatrical appearances. In fact, she made her way to worldwide fame after playing the sleuth, Jessica Flecther, in the American whodunit series Murder She Wrote. The show ran for 12 seasons until 1966. Earning it the title of one of the longest-running and most popular detective dramas in television history. Some of Lansbury's projects include, Dear World, Gypsy, Sweeney Todd, National Velvet (1944), The Picture of Dorian Gray (1945), Nanny McPhee (2005), and Mary Poppins Returns (2018). She also acheived many acolades such as 6 Tony Awards, 6 Golden Globes, 2 honorary BAFTA Awards and many more. So join us and relax as we revist Tribute 9 Mini-Sode: Angela Lansbury!    To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!  

Alex Lacamoire is back for round two and I hope you're ready because not only does he put that keyboard to very good use, but Alex was also kind enough to bring isolated stems from the Hamilton cast album. Yep, I know, it's insane. Not only does he play some of his favorite parts (the Stevie Wonder moment in One Last Time and the Eleanor Rigby part of the opening number, for example) but Alex gives us a tour around the orchestra, one instrument at a time: strings from Burn, percussion from Guns and Ships, guitar in Helpless, stride piano in The Room Where It Happens, the list goes on and on and onnnnn.  Plus! We talk Billy Joel, Chopin, Steven Sondheim, Taylor Swift's The Life of a Showgirl, the connection between The Beatles and Sisqó, and Alex shares fantastic stories from his experience working on Sweeney Todd. This is such a deep dive and I promise that you'll love every second of it! Seriously, this barely scratches the surface of Lac's generosity. What'd I tell you? The vibes. are. PRISTINE.  This episode was recorded in November of 2025 at WTF Media Studios in Manhattan and produced with Natalie Grillo from Any Moment Productions in collaboration with Meghan Miles. #126: Alex Lacamoire // Part One (2018) #127: Alex Lacamoire // Part Two (2018) #128: Alex Lacamoire // Part Three (2018) /// MUSE: Musicians United for Social Equality Alex Lacamoire on Instagram /// #118: Andrés Forero: When you knock me down I get the fuck back up again // Part One #119: Andrés Forero: When you knock me down I get the fuck back up again // Part Two #475: Jonathan Dinklage // Hamilton Broadway's Concertmaster // Part One #476: Jonathan Dinklage // Hamilton Broadway's Concertmaster // Part Two /// Gillian's Website The Hamilcast on TikTok The Hamilcast on Instagram Join the Patreon Peeps

Sweeney Todd - the demon barber of Fleet Street who beheads people and then sends their bodies through a trapdoor to be made into pies. It's just a story right? Right? There's not any real history to it....or is there? Like two food inspectors examining a particularly noxious looking pie, Maddy and Anthony dig into the dark truths that led to Sweeney Todd's creations.This episode was edited by Tim Arstall. Research was by Phoebe Joyce. Produced by Stuart Beckwith. The senior producer was Freddy Chick.You can now watch After Dark on Youtube! www.youtube.com/@afterdarkhistoryhitSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.After Dark: Myths, Misdeeds & the Paranormal is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

It's time to head to Fleet Street for a bloody good time! Yes, Kevin and Jenna are reviewing the big-screen musical "Sweeney Todd: The Demon Barber of Fleet Street." They dive into the performances, their thoughts on Johnny Depp's casting, their reactions to the gory scenes, and how some of the stage magic gets lost in translation on the big screen. Plus, their favorite song from the film, Kevin's pet peeve with the vocals, and the actor they feel ate up every scene! For fun, exclusive content, and behind-the-scenes clips, follow us on Instagram @andthatswhatyoureallymissedpod & TikTok @thatswhatyoureallymissed!See omnystudio.com/listener for privacy information.