Podcasts about Sweeney Todd

Break out your glitter and stick some stars on your face, we're going full-on glam this week as author, artist and performer Robert Dayton (Cold Glitter: The Untold Story Of Canadian Glam) brings us Vancouver, Canada's Sweeney Todd and their 1975 self-titled debut. The band had a revolving door of members throughout the years - including a 16 year old Bryan Adams at one point - but this version with singer Nick Gilder and guitarist Jim McCulloch is the one that started it all... Songs discussed in this episode: Roxy Roller - Nick Gilder; Free Love - Bobby Conn; Which Way You Goin' Billy - The Poppy Family; Julia Get Up - The Stampeders; Hey You Woman, Sexe Fiction - Aut'Chose; Roxy Roller (w/Bryan Adams), Roxy Roller - Sweeney Todd; Telegram Sam - T.Rex; Amateur Hour - Sparks; Hot Child In The City - Nick Gilder; Broadway Bougie - Sweeney Todd; All The Way - Kiss; Juicy Loose - Sweeney Todd; Juicy, Juicy, Juice - Royal Trux; Tantalize, Short Distance Long Journey, The Kilt - Sweeney Todd; Breakdown - The Sweet; Rock 'N' Roll Story - Sweeney Todd; Ballroom Blitz - The Sweet; Sweeney Todd Folder - Sweeney Todd; C'mon C'mon - Fludd; See What We're Doing Now, Daydreams, Going For A Star, Rue De Chance, Let's Do It All Again - Sweeney Todd; Roxy Roller - Cherie Currie

Today, I'm thrilled to announce my episode with Broadway producer Jeffrey Seller, whose new memoir Theater Kid is available anywhere books are sold. Tune in to hear some of the stories of his legendary career, including celebrating HAMILTON's tenth anniversary, making RENT accessible to younger audiences, launching a Tony campaign for AVENUE Q, presenting DERREN BROWN: SECRET on Broadway, how the revivals of SWEENEY TODD and WEST SIDE STORY came about, his 50,000-ticket litmus test, directing FLY out of town, Broadway's recovery from the pandemic, working with Hal Prince on PRINCE OF BROADWAY, and so much more. Don't miss this in-depth conversation with one of Broadway's brightest creative minds.

The Mindfulness and Wellbeing in the Law Committee returns to the airwaves to give you the lawyer's perspective on the healing power of music. Scott Mason, Nancy Batterman and Kathryn Schneider explore the mindfulness practices inherent to musical artistry, and the way that those practices can inform a life in the law. Nancy and Kathy share their personal journeys in the City Bar Chorus and the strong sense of community they have built there. The episode gives a new framing for some of the challenging aspects of the legal profession, like performing under pressure and navigating a proclivity for perfectionism. We close with a guided meditation and a poem by Rumi, emphasizing the spiritual and emotional dimensions of engaging with music. Kathryn Schneider is the Musical Director of the New York City Bar Chorus, which is giving two public concerts (with identical setlists) in June 2025 at the House of the Association showcasing musical theater and film selections, including from Sweeney Todd, Encanto, Kinky Boots, The Greatest Showman and Wicked, as well as inventive arrangements of songs by artists ranging from Billy Joel to Bruno Mars, Billie Eilish to Beyoncé, and more. Donations at the door will benefit the City Bar Fund and the Chorus. RSVP for the concerts at: June 26, 2025: https://services.nycbar.org/EventDetail?EventKey=CHOR062625 June 27, 2025: https://services.nycbar.org/EventDetail?EventKey=CHOR062725 02:29 Mindfulness and Music: The Connection 04:03 The Impact of Singing and Music on Wellbeing 08:13 The Role of Community in Music and Law 13:57 The New York City Bar Chorus: History and Personal Journeys 19:26 The Healing Power of Music and Performance 35:08 Upcoming Events and Final Thoughts 38:36 Guided Meditation for Performance Preparation

durée : 00:23:31 - "Sweeney Todd", le film de Tim Burton avec Johnny Depp - Après 15 ans de prison, Benjamin Barker revient à Londres sous le nom de Sweeney Todd pour se venger du juge Turpin, qui l'a fait condamner afin de lui voler sa femme, Lucy, et leur fille. Installé chez Mme Lovett, il apprend que Lucy s'est suicidée après avoir été violée.

durée : 01:28:43 - Cabaret 42e rue : Sweeney Todd / Rebecca / Stephen Sondheim. À l'ombre de Broadway /Tout le monde il est...Jean Yanne - par : Laurent Valière - En direct du Carreau du Temple, avec les troupes de "Sweeney Todd" à l'Opéra National du Rhin, "Rebecca" au festival Bruxellons !, "Stephen Sondheim. À l'ombre de Broadway" par Sarah Lazerge  et Vincent Vittoz et "Tout le monde il est ... Jean Yanne" programmés à Avignon cet été. - réalisé par : Olivier Guérin

BENJAMIN BARKER! We conclude Macabre May with Tim Burton's film adaptation of SWEENEY TODD! Join Anneliese and I as we discuss our extremely hot takes, our favorite musicals, and so much more. This is a big episode. Enjoy!   Follow Would You Die? on  IG @wouldyoudieshow Twitter @wouldyoudieshow Facebook @  Would You Die? Email wouldyoudiepodcast@gmail.com for business inquiries Follow Austin everywhere @austinmtorres Follow Anneliese everywhere @whimsiwillow   Join us on Patreon! https://www.patreon.com/wouldyoudiepodcast   Subscribe to our YouTube Channel! You can find my short films, Spooky Spotlight hosted by Deanna Hope, and much more!   Visit the FANGORIA store: shop.fangoria.com/wouldyoudieshow Use Promo Code: WOULDYOUDIESHOW The Would You Die? Podcast can also be found on TikTok @wouldyoudiepodcast. Follow Austin on Letterboxd @torresau. Follow me on Bluesky @austinmtorres.bsky.social NEW Music is composed by Josie Palmer Podcast produced by Jeremy Lippitt Podcast graphics created by Crosshook Creative Watch my short film, The Blood Witch, here: https://www.youtube.com/watch?v=7Foz3PeQKJ4 Watch my short film, Spider, here: https://youtu.be/IJlqp9QJ1qo Watch my short film, Ice Scream, here: https://youtu.be/tghxuuJjPxM Watch my short film, Best Day Ever, here: https://youtu.be/WDJbfRl2Qh4 Find Three Y's Men Media here! ThreeYsMenMedia.com    

Jessica Daley (Evita / I Should Be So Lucky) co-hosts The West End Frame Show!Andrew and Jessica discuss the latest news about Jessie J turning down the role of Sally Bowles, Remember Monday, casting for Here and Now, Rob Houchen and Anna Jane Casey doing Sweeney Todd and lots more.They also talk about the Society of London Theatre and UK Theatre's report with analysis on the current state of theatre in the UK.Fifteen years ago, Jessica was a finalist on Over The Rainbow, BBC1's search for Dorothy in The Wizard of Oz. Her theatre credits include: Ali in Mamma Mia! (West End), Maria in The Sound of Music (UK Tour), cover Fantine in Les Miserables (International Tour), Frenchy in Grease (Dubai), Lynette in An Officer and a Gentleman (Curve Leicester), Eva Person in Evita (International Tour), Billy's Mum in Billy Elliot (Leicester Curve) and Betty Haynes in White Christmas (UK Tour)More recently Jessica was in The Wizard of Oz at the London Palladium covering the Wicked Witch of the West and Glinda, she toured as Britney in I Should Be So Lucky and played Daisy in Lady Be Good in Sicily. She's also a podcaster in her won right, having hosted Park & Bark which is available wherever you get your podcasts.Follow Jessica on Instagram: @jessicacaca7This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Discussion Opening May 15th and running through May 31st at the Pumphouse Theatre in Calgary, Front Row Centre Players presents Sweeney Todd, The Demon Barber of Fleet Street, directed by Lindsay Kurtze. Kyle sits down with Lindsay on the day of opening to discuss the difficulties of putting up this gargantuan show, in size, scope, set and length and the difficulties inherent in presenting a modern American opera by a Community Theatre Company. Lindsay talks at length about the love of the show, the artform and what FRC has done to proudly bring this show before an audience. Tickets: https://www.artscommons.ca/whats-on/sweeney-todd-frc?hs_preview=OpSTSmgp-171519437223 About the Show: Innocence twists into vengeance on the cobblestone streets of 19th century London. Come along on a sophisticated, macabre, and uncompromising tale as Benjamin Barker, a barber, becomes Sweeney Todd, the demon butcher, and his landlady, the local pie proprietress, goes from making The Worst Pies in London to creating a culinary crime described only as God that's Good. This barbarous ode to vengeance accomplishes the rare task of offering intense drama, darkly side-splitting humour and a ripping musical score.

Il giorno è giunto alla fine. Una rassegna dedicata a un artista che ha influenzato il cinema fantasioso da ormai più di quarant'anni e che mi ha spinto ad interessarmi al Cinema personalmente, professionalmente, artisticamente, sentimentalmente e Grammaticalmente.Il Cinema di Tim Burton è qui! Grida insieme a noi e fate largo a chi è speciale più di voi!Altro racconto popolato da emarginati che però stavolta non vengono definiti "mostri" dagli altri: lo sono per davvero.Adattando l'omonimo musical, "Sweeney Todd-Il diabolico barbiere di Fleet Street" è probabilmente il capitolo più crudele e cinico della filmografia di Burton poiché stavolta non ci sono spiragli di amore e speranza a cui aggrapparsi. Solo tenebre.

Today, I'm thrilled to announce my episode with producer Jenny Gersten, who was recently named the new VP and Artistic Director of Musical Theater at City Center. Tune in to hear some of the stories of her legendary career, including how Anne Kauffman and Lear DeBessonet brought her on board at City Center, the true mission of the Encores! series, what she looks for in a potential revival, the challenges of massively reworking a show, her experience running the Williamstown Theater Festival after the pandemic, how changing venues affected the experience of the Festival, how she ended up having the same job as her father at the Public Theater, how transferring a show to Broadway has changed since A CHORUS LINE, how the revival of HAIR transferred to Broadway, developing the marketing strategy for BEETLEJUICE, how they made the off-Broadway revival of SWEENEY TODD financially viable, finding the audience for JUST FOR US using digital marketing, designing the Perelman Arts Center, and so much more. Don't miss this in-depth conversation with one of Broadway's most important creative minds.

Connor and Dylan are joined by Grammy Award nominee Brent Comer (The Outsiders, Les Misérables). Celebrating over a year playing Darrel Curtis in the Tony-winning Best Musical, Brent opens up about how his experience with the show has changed over time, ways he's keeping it fresh, and gives insight into his relationship with co-star (and friend of the pod) Jason Schmidt. We get into Outsiders lore, including Patrick Swayze's OG impact as Darrel, Tulsa, and the language of violence in the musical. Brent also reveals his favorite part of every single performance of The Outsiders. Star Wars, The White Lotus, and The Last of Us are discussed at length, as well as Brent's love of documentaries. Respect is put to Miley's “More to Lose” (the LIVE version, mama!), and Ransom Canyon on Netflix is teased. You've been warned. Are you curious about tattoos, Angelina Jolie, and the Broadway season at LARGE? Brent as Stanley Kowalski, George Seurat, or Sweeney Todd??? Stay until the end, y'all. Brent is a meme king, fitness legend, and Broadway star. DO NOT miss him in The Outsiders on Broadway.Follow Brent on Instagram & TiktokFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

A man who can only be described as musical theatre royalty, Michael Ball made his West End debut in 1985 as Marius in the original cast of Les Misérables. He went on to play the lead role of Alex Dillingham in Andrew Lloyd Webber's Aspects of Love in both the West End and on Broadway. He's appeared in a long string of musicals covering all parts of the repertoire – The Phantom of the Opera, Sweeney Todd, Chitty Chitty Bang Bang, Chess, Sunset Boulevard, even going full drag for Hairspray. He's recorded 27 albums, including 6 number 1s, not including the 12 cast recordings he's a part of. He's twice won the Olivier Award for Best Actor in a Musical, and in 2015 was made an Officer of the Order of the British Empire for his services to musical theatre.In this lively and heartfelt interview, Michael reflects on his illustrious career, from his breakout role as Marius to his current portrayal of Javert in the Australian arena tour. He shares behind-the-scenes stories about the show's early development, the camaraderie among its global cast, and how the evolving production has stayed relevant over four decades. Michael opens up about personal challenges, including a battle with stage-related anxiety early in his career, and how he overcame it with support from Cameron Mackintosh and others. We also hear about his success as a solo artist, his collaborations with Alfie Boe, and his ventures into songwriting. With warmth and humour, he discusses some of his memorable roles, his thoughts on fame and creative control, and the deep satisfaction he finds in all aspects of his work.

From church choir in Eatonville, Florida, to becoming the first Black Phantom on Broadway, Norm Lewis opens up about his unique path to the stage. He shares how early dreams of a tennis career turned into a life in music and theatre, and the surprising way a cruise ship job launched it all. In this candid conversation, Norm reflects on near-misses, bold moves, and the audition advice that changed his life. We also discuss his current role in Ceremonies in Dark Old Men, a rarely produced Off-Broadway play making a powerful return. Norm dives into the emotional depth of playing a character reckoning with failure and legacy, and how the story echoes his own questions about longevity, identity, and purpose in the industry. Plus, we talk about the importance of representation, founding Black Theatre United, and why mentorship is such a vital part of his mission today. Norm Lewis is a Tony, Emmy, and SAG Award-nominated performer known for his Broadway roles in The Phantom of the Opera, Porgy and Bess, Sweeney Todd, Les Misérables, Once on This Island, and Chicken and Biscuits. His screen credits include Da 5 Bloods, The Good Fight, Pose, and NBC's Jesus Christ Superstar Live. He is a founding member of Black Theatre United and currently stars Off-Broadway in Ceremonies in Dark Old Men. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Norm: @normlewis777 on Instagram Black Theatre United: blacktheatreunited.com Connect with The Theatre Podcast: Support us on Patreon: ⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠@theatre_podcast⁠⁠⁠ ⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠ ⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠@alanseales⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

We say goodbye to the land of cults with maybe the most dangerous cult of all – biblical allegory! That's right, we're tackling Darren Aronofsky's divisive and provoking mother!. Does the film stand on its own or is it simply an exercise? Is it about Aronofsky? Who got the bigger end of the wishbone baby? All of that and more within the episode. Along that path Curtis discusses way too many movies, including a couple of new releases! Then stick around to hear Cody's selection for the next theme and first film within that theme!   Go to patreon.com/SHUDcast where you can sign up for all kinds of extra goodies!   00:00 - 10:00ish - Intros - Parody law and tariffs (because we're experts), Lucas is licensed to be married   10:00ish - 1:13:00ish - The other stuff we watched this time:   Curtis - Perfect Days, Shadow, Hero, My Heart is That Eternal Rose, The Grandmaster, The Seventh Curse, The Witch From Nepal, The Roundup: Punishment, The Mask of Satan, Rats: Night of Terror, Hell of the Living Dead, Climax, Ash, Friday, Monster Hunter, Hackers, Villains, Mulholland Drive, Final Destination 2, Eraserhead, His Girl Friday, The Player, Night of the Living Dead (1990), Hell of a Summer, Death of a Unicorn   Austin - Death of a Unicorn, Smile 2, MaXXXine, The Ballad of Wallis Island, Y2K,    Cody - Black Bag, Labyrinth, King Arthur: Legend of the Sword, Monty Python and the Holy Grail, Alice in Wonderland (1951), Alice in Wonderland (2010), Alice Through the Looking Glass, Pirates of the Caribbean: At World's End, Pirates of the Caribbean: On Stranger Tides, Sleeping Beauty, Maleficent, Maleficent: Mistress of Evil, Indiana Jones and the Kingdom of the Crystal Skull, Indiana Jones and the Dial of Destiny   Lucas - Ash, Death of a Unicorn, Cloudy with a Chance of Meatballs 2, Predestination, A Working Man, Rush, Sweeney Todd, Feed (kinda), Novocaine   1:13:00ish - 1:48:00ish - mother! - SHUDdown and discussion!   1:48:00ish - 1:53:00ish - “Purple Flavored Kool-Aid” Awards!   1:53:00ish - End - Our next theme! Brought to you by Cody!  

It's time for another movie game night and we thought we'd bring in some folks we've never had on the pod before, some UMD Alumns who were part of the theater department. Rob was in productions of Sweeney Todd and Guys & Dolls with them and partook in many many fun nights playing poker and making good decisions as college kids. We've had Dave Hauer on the pod before but never for a movie game night, and making their Avid Indoorsmen debuts are Matt Salmela and Dan Bigwood. We had a lot of fun. Enjoy!

What's it like to watch Sweeney Todd in Portuguese? Gustavo Brunetti joins Kyle to discuss his experience seeing two different productions, and what the future of Sondheim looks like in Brazil. Send feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Emmy, Tony, and SAG Award nominee Norm Lewis joins The Art of Kindness with Robert Peterpaul to discuss leading a cast with kindness, the unique way advertising influenced his career, his new show Ceremonies in Dark Old Men and more. NORM LEWIS was recently seen onstage starring in the national tour of the Tony Award-winning production of A Soldier's Play and in Andrew Lloyd Webber's West End Concert of Love Never Dies. He starred in Spike Lee's critically acclaimed, "Da 5 Bloods," and in the groundbreaking FX series, Pose. Additionally, Mr. Lewis can be seen starring opposite Hilary Swank in the feature "The Good Mother," Amazon Prime's newest series, Swarm, and Hulu's, Up Here. He was also seen as 'Caiaphas' in the award-winning NBC television special, “Jesus Christ Superstar Live in Concert!,” alongside John Legend, Sara Bareilles, and Alice Cooper. Mr. Lewis returned to Broadway in the Fall of 2021, starring in Chicken and Biscuits at the Circle In The Square Theatre. He previously appeared in the Broadway revival of Once on This Island and as Sweeney Todd in the Off-Broadway production of Sweeney Todd: The Demon Barber of Fleet Street at the Barrow Street Theatre, receiving the AUDELCO Award for his performance. In May of 2014, he made history as The Phantom of the Opera's first African American Phantom on Broadway. He has been seen on PBS in the Live From Lincoln Center productions of Showboat with Vanessa Williams, Norm Lewis: Who Am I?, New Year's Eve: A Gershwin Celebration with Diane Reeves, as well as American Voices with Renée Fleming and the PBS Specials First You Dream – The Music of Kander & Ebb and Ella Wishes You A Swingin' Christmas. He can be seen recurring in the VH1 series, Daytime Divas, also alongside Vanessa Williams. His additional television credits include Women of The Movement, Law & Order, Dr. Death, Mrs. America, Better Things, The Unbreakable Kimmy Schmidt, Bull, Chicago Med, Gotham, The Blacklist, and Blue Bloods, as well as in his recurring role as Senator Edison Davis on the hit drama Scandal. Mr. Lewis is a proud, founding member of Black Theatre United, an organization which stands together to help protect Black people, Black talent and Black lives of all shapes and orientations in theatre and communities across the country. He received Tony, Drama Desk, Drama League, and Outer Critics Circle award nominations for his performance as Porgy in the Broadway production of The Gershwins' Porgy & Bess. Other Broadway credits include Sondheim on Sondheim, The Little Mermaid, Les Misérables, Chicago, Amour, The Wild Party, Side Show, Miss Saigon, and The Who's Tommy. In London's West End he has appeared as Javert in Les Misérables and Les Misérables: The 25th Anniversary Concert, which aired on PBS. Off-Broadway Mr. Lewis has performed in Dessa Rose (Drama Desk nomination, AUDELCO Award), Shakespeare in the Park's The Tempest, The Two Gentlemen of Verona (Drama League nomination), Captains Courageous, and A New Brain. His regional credits include Porgy in The Gershwins' Porgy and Bess (A.R.T.), Ragtime, Dreamgirls (with Jennifer Holliday), First You Dream, Sweeney Todd, and The Fantasticks. His additional film credits include Christmas In Tune (starring opposite Reba McEntire), Magnum Opus, Winter's Tale, Sex and the City 2, Confidences, and Preaching to the Choir. Norm's albums "The Norm Lewis Christmas Album" & "This is The Life" can be found on Amazon.com as well as cdbaby.com. Ceremonies in Dark Old Men Tickets: https://www.thepeccadillo.com/ Follow Norm: @thenormlewis Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Raised on Vancouver Island, Canada, Zachary is an internationally recognized award-winning actor, musician and writer. Best known for his performances as Buddy Holly, Zach was coined a “dead ringer for dead singers” by the Victoria Times Colonist for his portrayal of the legendary rock 'n' roller as well as Hank Williams, Elvis Presley, Carl Perkins, Jerry Lee Lewis and Phil Ochs. In 2018, Zachary won the prestigious "Jeff" Award in Chicago for Outstanding Performance by an Actor in a Leading Role (Musical) for the Buddy Holly Story, a role he's honed in more than a dozen productions of across Canada and the United States. Other acting highlights include Million Dollar Quartet, Hair, Fire, Urinetown, Assassins, Sweeney Todd, Company and Ring of Fire. Zachary is also an accomplished songwriter and active frontman for several bands including his original trio: the Oh Boys, a Tribute to Buddy Holly, and The Fortunate Sons. He's been featured as an original artist at countless festivals including the Ottawa Folk Fest, Blue Skies Festival, Summerfolk, Winterfolk (Toronto), Folk Alliance (Memphis, Ottawa and Kansas City), and the Ottawa Blues Festival" (zacharystevenson.com). If you enjoy the podcast, please let others know, subscribe, or write a review! IF YOU'D LIKE TO SUPPORT THE PODCAST IN A MONETARY WAY, I'M NOW ON PATREON! Please note: new Patreon members get to pick a cover song for me to record especially for them! www.patreon.com/andysydow Guest Links: https://zacharystevenson.com Episode Music: Original music by Andy Sydow Contact me: middleclassrockstar@gmail.com (or) andysydowmusic@gmail.com

Robert Sciglimpaglia|Attorney/Actor/VO Artist/ProducerRobert has appeared on National Television many times.  He is best known as the DAD on the 2012 Chevy SUPER BOWL COMMERCIAL, HAPPY GRAD.  Robert's very first venture into the acting field was a show called "American Experience: Hijacked!" which aired nationally on PBS-TV and was narrated by Campbell Scott. Besides television, he has done many film projects in leading or supporting roles.  He has produced 35 films and television projects, and acted in several, including “Bathtub Chronicles” and "Within and Without" where he won several best actor awards, and the films won hundreds of festival awards.  He is currently involved on the production side for “Sweeney Todd” on Broadway. Robert has done on camera or voice overs for many recognizable brand names.  Perhaps his most prominent VO project to date was as the director of the sessions for BIXBY, the voice of the Samsung Galaxy phones and products. Robert is also the author of the book "Voice Over Legal", which hit #1, on the Amazon Best Seller List for Entertainment Law Books.  He successfully represented Bev Standing in her lawsuit against TikTok in the US Federal Court, Southern District of New York, and has been at the forefront of artificial intelligence issues as it pertains to voice over and entertainment.  Besides owning his own law firm, he owns a full fledged production company called Belair Productions, LLC, and a marketing company called Belair Creative, LLC.  As far as Robert's educational background, he graduated cum laude from the University of Connecticut, with a Bachelor of Arts degree majoring in Political Science, and he attended and graduated from Pace University School of Law with a Juris Doctor degree. He passed the Connecticut, New York and Pennsylvania bar exams on his first attempt and was admitted to the Connecticut Bar in 1991, where he has practiced law ever since. Robert hosted a local radio program back in the mid 1990's called "The Law Show", and more recently, hosted a radio show called "Ask the Lawyer.Link:https://www.robscigesq.com/Support PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprPEG uses StreamYard.com for our live podcastshttps://streamyard.com/pal/c/6290085463457792Get $10.00 Credit for using StreamYard.com when you sign up with our linkRSShttps://anchor.fm/s/3b31908/podcast/rss

This is a special encore episode of my 2022 interview with Tony-award-winning lighting designer Ken Billington. This past week, Ken received rave reviews for his lighting design of the new Broadway musical SMASH, which amazingly is his 108th Broadway production. So, I thought it was an ideal time to revisit this fascinating conversation about the history of lighting design on Broadway and Ken's own tremendous contribution to it. This is a two-part conversation and I will be rereleasing both parts this week. Original Description: My guest on this episode is Tony Award winning lighting designer Ken Billington who created the lighting for an incredible 105 Broadway plays and musicals, including 21 productions that were directed by Harold Prince.  Ken's career spans from his very first Broadway show in 1967 when he was the assistant to legendary lighting designer Tharon Musser, to his most recent Broadway show, the hit musical, Waitress.  Along the way, he designed the original productions of Sweeney Todd, On The 20th Century, The Drowsy Chaperone, The Scottsboro Boys, The Search For Signs Of Intelligent Life In the Universe starring Lily Tomlin, three revivals of Fiddler On The Roof, two revivals of Sunday In The Park with George, and the still running 1996 revival of Chicago for which he received the Tony Award. I have had the great pleasure of knowing and working with Ken for more than 40 years, and it is always fascinating and always a delight to speak with him. Theatrical lighting design is a very young art form. Its history begins primarily in the early 20th Century -- just as the Broadway musical was being invented. Lighting design's earliest innovators include the American actress Maude Adams – most famous today for her performance as Peter Pan – and producer, director, playwright, and theater owner David Belasco.  One of the recurring themes of this podcast, and one of my obsessions, is how the art and craft of the Broadway Musical have been handed down directly – firsthand – from artists to artists, from craftsperson to craftsperson.  Ken Billington's long career and especially his early experiences as the assistant to the pioneering designers Peggy Clark, Pat Collins, Tom Skelton, William Rittman, and Tharon Musser make him the ideal guest for this episode. And of course, after Ken stopped being an assistant, he eventually became one of Broadway's most acclaimed and most prolific lighting designers. And we'll hear the story of how that came about on the next episode of Broadway Nation! You can learn more about Jean Rosenthal, Tharon Musser and other great women lighting designers on Episode 8 of Broadway Nation, which is titled, “Agnes DeMille & The Women That Invented Broadway”. It's a fascinating episode and I encourage you to check it out. Learn more about your ad choices. Visit megaphone.fm/adchoices

SNAP Productions! / Ghost Light Theatre in Bellevue opens "Sweeney Todd:  The Demon Barber of Fleet Street, A Thriller Musical" on April 25th - but there's more!  An added performance to the schedule, sing-along performance, an Industry night that is pay-what-you-can and an ASL performance!  Hear it from the Barber, Jonas Fogg and Judge Turpin, or ahem... John Celesky, Nick Andersen, and Xavier Carr respectively!    "Sweeney Todd:  The Demon Barber of Fleet Street, A Thriller Musical" opened on Broadway in 1979, and on the West End in 1980. Music and lyrics were written by Stephen Sondheim, and it is based on the 1970 play ("Sweeney Todd") by Christopher Bond.  Book was written by Hugh Wheeler.  It has won numerous Tony Awards, Laurence Olivier awards, and has had numerous Broadway and London revivals.   SNAP! PRODUCTIONS CONACT INFO: Tickets and Website:  https://www.snapproductions.com/ Facebook:  https://www.facebook.com/snapproductionsomaha Instagram: https://www.instagram.com/snapproductions/?hl=en    HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.

Jessica Martin is an actress, singer, and illustrator. Specialising as an impressionist, her television roles have included Spitting Image, Copy Cats and The Bobby Davro Show. She featured as the werewolf Mags in the 1988 Doctor Who serial The Greatest Show in the Galaxy, and provided the voice of the Queen in the 2007 Doctor Who Christmas special, "Voyage of the Damned". On stage, she starred with Gary Wilmot in the West End show Me and My Girl for two years at the Adelphi Theatre and then on a national tour. She went on to play leading musical roles including Mabel in the 1996 production of Mack and Mabel at the Piccadilly Theatre, Nellie Forbush in South Pacific, Mrs Lovett in Sweeney Todd, Norma Desmond in Sunset Boulevard and the Lady of the Lake in the national tour of Spamalot. Her autobiography, as a graphic novel, Life Drawing: A Life Under Lights, was published in 2019 .Jessica Martin is our guest in episode 483 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .Buy Jessica's autobiography, Life Drawing: A Life Under Lights, here - https://www.artymisspublishing.com/new-products/ekbzc3h96cyxui3xaedahdyl2yxg58 .For everything Jessica Martin, visit - https://jessicamartinofficial.com .Follow Jess Robinson on Instagram: @jessica_martinvibe .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

In this conversation, we dive into the extraordinary creative partnership between two of the most celebrated figures in contemporary opera—librettist Gene Scheer and composer Jake Heggie. Together, Gene and Jake have brought to life some of the most powerful operatic works of our time, including Moby-Dick, Three Decembers, and It's a Wonderful Life. Their collaboration is not only rooted in artistic brilliance but also in a deep, long-standing friendship.Individually, their accomplishments are equally impressive. Gene Scheer has worked with a range of renowned composers, including Jennifer Higdon on Cold Mountain and Tobias Picker on An American Tragedy. He's also an accomplished composer in his own right—his song American Anthem was featured in Ken Burns' Emmy Award-winning documentary on World War II.Jake Heggie's groundbreaking first opera, Dead Man Walking, with a libretto by Terrence McNally, launched him into the spotlight. Since then, his work in art song and opera has made a lasting impact, earning him the title of Musical America's 2025 Composer of the Year. So who better to explore the dynamic between a librettist and a composer? In this two-part conversation, we unpack what makes a successful collaboration and how words and music come together to create something truly unforgettable.Part One's conversation took place during a particularly exciting time—Moby-Dick was being performed at the Metropolitan Opera. Throughout our discussion, the opera serves as a touchstone for understanding the creative process. We begin with a fundamental question: how do they do it? Specifically, how do hard work and patience shape their creative journey?We get into the nuts and bolts of collaboration—how they challenge and inspire each other to reach new heights. Gene shares insights into the stages of researching and writing a libretto, including the story of how saving $100 unexpectedly launched his career. And in his own words, Gene describes his role simply and powerfully: “My job is to write a libretto that inspires music.”[Subscriber Content]: In Part Two, we step back and learn more about Gene's early experiences—his time studying and singing in Vienna (including the month he saw 27 operas!). Jake opens up about the legendary Stephen Sondheim, a mentor and inspiration, and how Sweeney Todd changed his life. In fact, Jake dedicated Moby-Dick to Sondheim.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Today, I'm thrilled to be joined by Tony nominee Daniel Davis. Tune in to hear some of the stories of his legendary carer, including his fateful audition for COCO, bringing Katharine Hepburn to dinner with his parents, the disagreement he had with Ian McKellen about AMADEUS, what he admired about Gavin Creel in LA CAGE AUX FOLLES, competing with Roddy McDowall for the role of Niles in THE NANNY, taking inspiration from Eric Blore and Arthur Treacher, acting with Eva Le Gallienne in ALL'S WELL THAT ENDS WELL, his unexpected Tony nomination for WRONG MOUNTAIN, the gift he got from Tom Stoppard during THE INVENTION F LOVOE, the difficulty of doing NOISES OFF at the American Airlines Theater, how Nathan Lane thought of him for THE FROGS, a full-circle moment appearing on ELSBETH, the challenge of playing Iago in OTHELLO, how he almost replaced Len Cariou in SWEENEY TODD, and so much more. Don't miss this honest conversation with a true veteran of the American stage.

It's time for one of those huge episodes. Well, it's a three parter anyways. 2007 was a damn fine year for horror movies. Unfortunately though, there is no iron clad masterpiece amongst them. Just a ton of really decent films. But, what do I think was the very greatest horror movie that came out during 2007? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several pints of beer and a 4+ hour running time split over 3 episodes. This is 2007, A Year In Horror.It's a pretty long journey this one, part 2 of 3 in fact. I am going to give you the time codes below so if you don't want spoilers then, please, avert your eyes.0.34 - Also Rans (Part 2)8.43 - Sweeney Todd: The Demon Barber of Fleet Street13.59 - Zodiac (w/ Alexander Heff)1.00.19 - [REC]1.05.26 - Also Rans (Part 3)1.14.55 - Inside You can now support A Year in Horror via the Patreon.Theme Music by Max Newton& Lucy Foster.Email the podcast at ayearinhorror@gmail.comDon't bother following the podcast on Facebook. But feel free to...Follow me on Twitter.Follow me on Instagram.Follow me on Letterboxd.

Award-winning screenwriter and playwright John Logan (Gladiator, Sweeney Todd, Penny Dreadful, Hugo, Skyfall, Red) returns to the podcast! In this episode, we take on the challenging task of choosing our TOP FIVE Dark Shadows storylines! Join us as we discuss our personal picks for the DS cream of the crop.TERROR AT COLLINWOOD has been nominated for BEST PODCAST in the Rondo Hatton Classic Horror Awards! You can vote in as many or as few categories as you like. To vote, send an email to taraco@aol.comBe sure to include your name in the email when you vote so that your vote is counted. Check out the full ballot HEREPlease consider giving the podcast a vote, and thanks for your consideration!Terror at Collinwood and Shilling Shockers shirts and merch at TeePublic ShopHelp support the podcast by donating at Buy Me a Coffin… er… CoffeeRondo Awards Website – Full Ballot HEREDark Shadows Weekend at Lyndhurst LINKJohn Logan's piece for the Hollywood Reporter about Martine Beswicke LINK

Matt Doyle has built an impressive career on stage, from originating roles on Broadway to stepping into legendary ones. He reflects on his journey, from his early breakout in Spring Awakening to his Tony-winning turn as Jamie in Company. Along the way, he shares lessons learned from unexpected career pivots, the realities of show business, and how he navigates the highs and lows of performing eight shows a week. His recent role as Frank Sinatra in Sinatra: The Musical marked a thrilling West End debut, and he's now captivating audiences off-Broadway in Conversations with Mother, a deeply personal and heartfelt play. Matt opens up about the moment he realized he needed a perspective shift early in his career, the intense experience of performing "Getting Married Today" the night Stephen Sondheim passed, and how his struggles with anxiety have shaped his performances. He also shares how his upbringing and personal relationships inform his work, especially in roles that explore complex family dynamics. From personal anecdotes to industry insights, this conversation is packed with wisdom, humor, and a candid look at the life of a working actor. Matt Doyle is a Tony, Drama Desk, and Outer Critics Circle Award-winning actor best known for his performance as Jamie in the Broadway revival of Company. His Broadway credits include Spring Awakening, The Book of Mormon, War Horse, and Bye Bye Birdie, while his Off-Broadway work features Little Shop of Horrors, Sweeney Todd, and Brooklynite. He made his West End debut as Frank Sinatra in Sinatra: The Musical and currently stars opposite Caroline Aaron in Conversations with Mother Off-Broadway. A frequent concert performer, he has headlined sold-out solo shows in New York and beyond, and has appeared with symphonies across the country. Connect with Matt:

Hosted on Acast. See acast.com/privacy for more information.

This recap of The Real Housewives of Beverly Hills went slightly off the rails as Amy Phillips and her co-host, Emily Dorezaz, inspire a tit list, reimagine Dorit and PK's life in the story of Sweeney Todd, and talk Kathy's ability to pour salt in Kyle's wounds all while goofin'. And lastly, Avi put on one hellavuh 'real' fashion show.Get 15% off OneSkin at:https://www.oneskin.co/Promo Code: DRAMAFor more Drama, Darling, and exclusive content, subscribe to:http://Patreon.com/dramadarlingFollow Drama, Darling on Instagram:https://www.instagram.com/dramadarlingshow/ Email Drama, Darling with YOUR drama:DramaDarlingz@gmail.com

This week we have a look at the 1974 horror film THE BEAST MUST DIE.  This is Episode #455! The Beast Must Die is a 1974 British horror film directed by Paul Annett. The screenplay was written by Michael Winder, based on the 1950 short story "There Shall Be No Darkness" by James Blish, originally published in Thrilling Wonder Stories. The film stars Calvin Lockhart, Peter Cushing, Marlene Clark, Charles Gray, Anton Diffring, Ciaran Madden, Tom Chadbon, and Michael Gambon. The plot involves a millionaire big game hunter who gathers six people at his remote English mansion, announcing that he suspects one of them is a werewolf. The viewer is invited to unfold the mystery along with the characters.Also once more we are joined by a very special guest. This writer received the Tony award for his play Red and wrote the book for the Tony award-winning Moulin Rouge. As a screenwriter, he has been nominated for the Oscar three times and has received Golden Globe, BAFTA, WGA and Edgar awards. His film work includes Skyfall, Gladiator, The Aviator, Hugo, Rango, Sweeney Todd, They/Them, The Last Samurai, and Any Given Sunday. He also created the television series Penny Dreadful for Showtime. This November his musical Swept Away opens on Broadway and next year will see the release of his movie Michael, about Michael Jackson. We are joined tonight by JOHN LOGAN.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

All the world's a stage, but as our radio detectives discover this week the theatre offers no respite from mysteries to solve. Each of our stories involves the theatre, with crimes taking place onstage, backstage, and sometimes in the aisles. First, as Sherlock Holmes and Dr. Watson, Basil Rathbone and Nigel Bruce investigate when an actor takes his role as a murderer a bit too seriously in “The Case of Sweeney Todd, the Demon Barber” (originally aired on Mutual on January 28, 1946). Super sleuth Philo Vance is called in when an actress is threatened and her understudy is killed in the syndicated mystery “The Backstage Murder Case.” The Saint tries to prevent a play's climactic murder scene from being played for real. Vincent Price stars in “Simon Takes a Curtain Call” (originally aired on NBC on January 14, 1951). Frank Sinatra has to solve a drama critic's murder - a crime that was committed during intermission of a new play - in “Murder on the Aisle” from Rocky Fortune (originally aired on NBC on November 24, 1953). Finally, Bob Bailey stars as Johnny Dollar in “The Heatherstone Players Matter” (AFRS rebroadcast from July 14, 1957), where a hated ham actor meets his maker and Johnny has to find out whodunnit.

Episode 1038: Sam and Mark talk about Sweeney Todd: The Demon Barber of Fleet Street, from the filmography of Helena Bonham Carter Feedback to: info@thegoodthebadandtheodd.com Or chat with Mark who runs the facebook account athttp://www.facebook.com/groups/thegoodthebadandtheodd

Love gets a wee bit bloody tonight, as Zac, Tanner, and Lindsey join the show to review the gory revenge musical Sweeney Todd!

They Identified Jack the Ripper and it's exactly as we suspectedI have the J.O. posture of a shrimp and that little line of shit tooFrank Llyod Right? More like Frank Yeah Right

Join Matt and I as we continue our “Movie Musicals” era, currently exploring the movie musicals of Stephen Sondheim, exploring the depths of revenge with our old pal, Sweeney Todd (2007). 
Support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith

In this week's "mini"-sode, we are shining the spotlight on Broadway's most haunting musical: Sweeney Todd: the Demon Barber of Fleet Street. Another one of Sondheim's masterpieces, this show has seen many an iteration with some Broadway powerhouses, so tune in and attend the tale!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

On this episode of One Indescribable Podcast… Adam H, Todd the Librarian, and TV Lindy continue their journey through every episode of Schmigadoon by recapping Season 2 Episode 5: Famous as Hell. This episode is paired with the musical Jesus Christ Superstar! “Even I know Sweeney Todd kills people” Thank you for listening, you deserve a whole bowl of corn puddin'! Follow the podcast on Twitter @oneCXGpodcast! Find us @pianomanadam1 (Adam), @librariantodd (Todd), and @tvlindy (Lindy)! Follow Whirlwind Podcasts on social media @WhirlwindPods Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode I talked with Allie about her journey to becoming a theater performer, her early involvement in sports and how her passion for theater was sparked by attending her first Broadway show, her gratitude for her family's support in pursuing the arts, despite their lack of a theatrical background, her path to attending the University of Michigan, which began with a friend's suggestion during a community theater production, theatre workshops she's had the opportunity to participate in including her favorite workshop, "Fountain of You," her roles in productions of "Sweeney Todd" and "Grease,” her audition for Harry Potter and The Cursed Child which included physical movement tests and multiple callbacks, how she captured the essence of Moaning Myrtle while adding her unique interpretation, the day she made her Broadway debut and the emotional experience of performing in front of a supportive audience, Cursed Child's appeal to a wide range of theatergoers and the significance of stage door interactions with fans, her dream roles in various Sondheim shows and "Wicked," the supportive nature of the theater community, and more!

How has it almost been 1 year since Aaron Tveit made his debut in Sweeney Todd?! A known dream role for him and he and Sutton Foster were a match made in heaven as Sweeney and Mrs. Lovett. This episode reminisces on February 9, 2024. The night that kicked off Aaron's 12 week run as Sweeney Todd.

Cold Glitter: The Untold Story of Canadian Glam (Feral House, 2025) uncovers a forgotten yet fascinating chapter on glam rock music and culture...from Canada. Los Angeles-based multi-disciplinary artist Robert Dayton taps his Canadian roots to reveal mind-blowing stories of musicians fighting to be heard. It's a universal story of determined creators striving to make their voices heard. Dayton has spent years researching and interviewing these ground-breaking musicians trapped by geography, colonial mindsets, and the cultural behemoth that is the United States. There's no denying that glam rock was marginalized in Canada. In fact, RCA almost didn't release the 1973 Bowie-produced Lou Reed album "Transformer" in Canada because they didn't see a market for it.  Of course, they were wrong! Young Canadians, like youth around the world, were rebelling against the oppressive conservative mainstream culture and saw themselves in the anything-goes freedom of glam rock. Cold Glitter gets at the reasons why: nature vs. artifice, old world values vs. new freedoms, and how transgressive actions--including gender play--shook the Canadian art establishment to its core. Filled with stories from musicians about what they did to build a career and fight against the old guard controlling the airwaves and stages. Readers everywhere will find solidarity with the all-too-familiar story of artists who were attacked for appearing outrageous and daring to be different. Within the struggle to be fabulous are mind-blowing anecdotes of fun and mayhem. Readers will be taken back to the seventies as they meet the unknown and infamous musicians and artists who dared to be glamorous. Familiar names like magician Doug Henning, Vancouver band Sweeney Todd and their lead singer and one-hit-wonder, Nik Gilder, and his replacement, Bryan Adams, to underground heroes like the Hollywood Brats to hundreds of musicians who put away their mascara and left their glamorous wild days behind. Cold Glitter is filled with rare (and sometimes outrageous) images throughout and additional chapters on glam fashion, film, and comedy in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cold Glitter: The Untold Story of Canadian Glam (Feral House, 2025) uncovers a forgotten yet fascinating chapter on glam rock music and culture...from Canada. Los Angeles-based multi-disciplinary artist Robert Dayton taps his Canadian roots to reveal mind-blowing stories of musicians fighting to be heard. It's a universal story of determined creators striving to make their voices heard. Dayton has spent years researching and interviewing these ground-breaking musicians trapped by geography, colonial mindsets, and the cultural behemoth that is the United States. There's no denying that glam rock was marginalized in Canada. In fact, RCA almost didn't release the 1973 Bowie-produced Lou Reed album "Transformer" in Canada because they didn't see a market for it.  Of course, they were wrong! Young Canadians, like youth around the world, were rebelling against the oppressive conservative mainstream culture and saw themselves in the anything-goes freedom of glam rock. Cold Glitter gets at the reasons why: nature vs. artifice, old world values vs. new freedoms, and how transgressive actions--including gender play--shook the Canadian art establishment to its core. Filled with stories from musicians about what they did to build a career and fight against the old guard controlling the airwaves and stages. Readers everywhere will find solidarity with the all-too-familiar story of artists who were attacked for appearing outrageous and daring to be different. Within the struggle to be fabulous are mind-blowing anecdotes of fun and mayhem. Readers will be taken back to the seventies as they meet the unknown and infamous musicians and artists who dared to be glamorous. Familiar names like magician Doug Henning, Vancouver band Sweeney Todd and their lead singer and one-hit-wonder, Nik Gilder, and his replacement, Bryan Adams, to underground heroes like the Hollywood Brats to hundreds of musicians who put away their mascara and left their glamorous wild days behind. Cold Glitter is filled with rare (and sometimes outrageous) images throughout and additional chapters on glam fashion, film, and comedy in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Cold Glitter: The Untold Story of Canadian Glam (Feral House, 2025) uncovers a forgotten yet fascinating chapter on glam rock music and culture...from Canada. Los Angeles-based multi-disciplinary artist Robert Dayton taps his Canadian roots to reveal mind-blowing stories of musicians fighting to be heard. It's a universal story of determined creators striving to make their voices heard. Dayton has spent years researching and interviewing these ground-breaking musicians trapped by geography, colonial mindsets, and the cultural behemoth that is the United States. There's no denying that glam rock was marginalized in Canada. In fact, RCA almost didn't release the 1973 Bowie-produced Lou Reed album "Transformer" in Canada because they didn't see a market for it.  Of course, they were wrong! Young Canadians, like youth around the world, were rebelling against the oppressive conservative mainstream culture and saw themselves in the anything-goes freedom of glam rock. Cold Glitter gets at the reasons why: nature vs. artifice, old world values vs. new freedoms, and how transgressive actions--including gender play--shook the Canadian art establishment to its core. Filled with stories from musicians about what they did to build a career and fight against the old guard controlling the airwaves and stages. Readers everywhere will find solidarity with the all-too-familiar story of artists who were attacked for appearing outrageous and daring to be different. Within the struggle to be fabulous are mind-blowing anecdotes of fun and mayhem. Readers will be taken back to the seventies as they meet the unknown and infamous musicians and artists who dared to be glamorous. Familiar names like magician Doug Henning, Vancouver band Sweeney Todd and their lead singer and one-hit-wonder, Nik Gilder, and his replacement, Bryan Adams, to underground heroes like the Hollywood Brats to hundreds of musicians who put away their mascara and left their glamorous wild days behind. Cold Glitter is filled with rare (and sometimes outrageous) images throughout and additional chapters on glam fashion, film, and comedy in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Cold Glitter: The Untold Story of Canadian Glam (Feral House, 2025) uncovers a forgotten yet fascinating chapter on glam rock music and culture...from Canada. Los Angeles-based multi-disciplinary artist Robert Dayton taps his Canadian roots to reveal mind-blowing stories of musicians fighting to be heard. It's a universal story of determined creators striving to make their voices heard. Dayton has spent years researching and interviewing these ground-breaking musicians trapped by geography, colonial mindsets, and the cultural behemoth that is the United States. There's no denying that glam rock was marginalized in Canada. In fact, RCA almost didn't release the 1973 Bowie-produced Lou Reed album "Transformer" in Canada because they didn't see a market for it.  Of course, they were wrong! Young Canadians, like youth around the world, were rebelling against the oppressive conservative mainstream culture and saw themselves in the anything-goes freedom of glam rock. Cold Glitter gets at the reasons why: nature vs. artifice, old world values vs. new freedoms, and how transgressive actions--including gender play--shook the Canadian art establishment to its core. Filled with stories from musicians about what they did to build a career and fight against the old guard controlling the airwaves and stages. Readers everywhere will find solidarity with the all-too-familiar story of artists who were attacked for appearing outrageous and daring to be different. Within the struggle to be fabulous are mind-blowing anecdotes of fun and mayhem. Readers will be taken back to the seventies as they meet the unknown and infamous musicians and artists who dared to be glamorous. Familiar names like magician Doug Henning, Vancouver band Sweeney Todd and their lead singer and one-hit-wonder, Nik Gilder, and his replacement, Bryan Adams, to underground heroes like the Hollywood Brats to hundreds of musicians who put away their mascara and left their glamorous wild days behind. Cold Glitter is filled with rare (and sometimes outrageous) images throughout and additional chapters on glam fashion, film, and comedy in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Happy 2025, shrews! This month, we chat with Hannah’s old pal Dalia Ashurina, who has worked on Broadway for Phantom of the Opera and Sweeney Todd, and was just named one of Forbes 30 under 30! We talk about making it on Broadway, onto the Forbes list, and growing up and learning about ourselves!  https://linktr.ee/untamedshrewspodcast Starring… Hannah JohnsonBecki ZaritskyDalia Ashurina Produced and edited […]

Hosts:James Cox Blake MoselyAmanda DolanAllie MosleyEpisode Highlights:Introduction and welcome to the show.Discussion on the importance of mental health and the benefits of therapy, featuring a sponsorship message from BetterHelp.A fun segment about coffee brands, introducing Bones Coffee.Deep dives into band biographies and music discussions.Conversations about musical covers, including Sweeney Todd and various performances.Insights into the challenges of singing and harmonizing in musical numbers.Interaction with listeners and encouragement to follow the show on social media platforms.Information on how to reach out for interviews and listener engagement.Promotion of other podcasts by the hosts, including South Carolina Spook Show and Not Religious.Special Offers:BetterHelp is offering listeners 10% off their first month of therapy. Visit betterhelp.com/music speaks to get started.Social Media:Follow the show on Facebook, X, Instagram, TikTok, and Clapper.Contact Information:Email:James: james@whenwordsfailmusicspeaks.comBlake: blake@whenwordsfailmusicspeaks.comAmanda: amandadolin@whenwordsfailmusicspeaks.comClosing Remarks:Thank you for listening and stay tuned for the next episode!

A Dangerous TuesdayFirst a look at the events of the dayThen The Adventures of Philip Marlowe starring Gerald Mohr, originally broadcast January 28, 1950, 75 years ago, The Hairpin turn. Marlowe meets a pistol-packin' mama, who happens to be a champion sharpshooter, and a dead body, drilled dead center with a target pistol! Keep your ear on Mutt, chum!Followed by The New Adventures of Sherlock Holmes starring Basil Rathbone and Nigel Bruce, originally broadcast January 28, 1946, 79 years ago, The Case Of Sweeney Todd, The Demon Barber. Holmes and Watson try to keep an actor who is portraying a fiendish killer, from being driven crazy. Holmes fails when the actor is found with his throat slit, just as Sweeney Todd would have done it! Holmes almost makes a very serious mistake.Then Dangerous Assignment starring Brian Donlevy, originally broadcast January 28, 1953, 72 years ago, Mexico City.   Steve Mitchell goes to Mexico City to find that sometimes the only way to catch the right guy is to chase the wrong guy! Steve tries to trap an international killer known only as "Mr. Charon."Followed by Suspense, originally broadcast January 28, 1952, 73 years ago, Carnival starring Joseph Cotton.  Rene, a side show "mechanical man," has very human feelings after all. Finally, Superman, originally broadcast January 28, 1942, 83 years ago, Lita the Leopard Woman.  The Leopard Woman escapes, leaving behind a medallion with the Japanese words, The Society Of The Leopard. Clark Kent is fired by the Secret Service! A want-ad appears for a leopard skin coat!Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

On this episode of One Indescribable Podcast… Adam H, Todd the Librarian, and TV Lindy continue their journey through every episode of Schmigadoon by recapping Season 2 Episode 3: Bells and Whistles. This episode is paired with the musical Sweeney Todd! “I shall call this my justice cleaver” Thank you for listening, you deserve a whole bowl of corn puddin'! Follow the podcast on Twitter @oneCXGpodcast! Find us @pianomanadam1 (Adam), @librariantodd (Todd), and @tvlindy (Lindy)! Follow Whirlwind Podcasts @WhirlwindPods and visit our website at whirlwindpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In honour of the Holiday Season, we are bringing you 12 DAYS OF ICONS a series of mini-eps covering some people from history that are ICONS!!! For better or for worse...in this the 8th day of icons, we discuss Sweeney Todd, the iconic demon barber of Fleet street. Turns out, not a real guy. Sign up on Patreon for ad-free early episodes, plus bonuses! patreon.com/GirlHistoriansHosted by: Blair MacMillan and Carley ThorneMusic by: Jacob OllivierCover artist: Nicola LyttleGirl Historians on InstagramGirl Historians on Youtube Hosted on Acast. See acast.com/privacy for more information.

Dennis is joined via Zoom by Broadway veteran Hugh Panaro to talk about his album and cabaret show Man Without a Mask, which is playing in Los Angeles on December 5th at the Catalina Jazz Club. Hugh talks about making the leap to recording and doing his own cabaret show after years of appearing on Broadway and on the West End in shows like Les Miserables, Sweeney Todd and Phantom of the Opera, in which he logged over 2500 performances as the Phantom. In regards to that show, Hugh talks about the mask itself, what it's made of, how it's maintained and how he feels about it. He also talks about working on Phantom with Hal Prince and choreographer Gillian Lynne who gave him very explicit instructions on how to sex-up the song "Music of the Night." Hugh also talks about discovering he could sing after playing the organ in church and then finding a home in musical theater as a chubby, artsy kid who often got bullied in school. Other topics include: getting to tour Europe and share gelato with Barbra Streisand, appearing in the late 90's gay rom-com movie Broadway Damage, surviving Broadway flops like Lestat and The Red Shoes, meeting Dr. Ruth after a show, the healing power of music and how most people on Broadway are genuinely nice people...except for that one unnamed diva who literally slapped her dresser for giving her the wrong leg panty hose first.

Zzz . . . Doze off to this spooky tale of Sweeney Todd, or "The String of Pearls," published by Thomas Peckett Prest zzz For an ad-free version of Sleepy, go to patreon.com/sleepyradio and donate $2! Or click the blue Sleepy logo on the banner of this Spotify page.  Awesome Sleepy sponsor deals: ButcherBox: Sign up at butcherbox.com/sleepy and use code "sleepy" OneSkin: Go to oneskin.co and use code “SLEEPY” GhostBed: Go to GhostBed.com/sleepy and use promo code “SLEEPY” at checkout for 50% off! Learn more about your ad choices. Visit megaphone.fm/adchoices