Podcasts about National Symphony Orchestra

Turn around... every now and then I get a little lonely and the snare is sounding smallTurn around... every now and then I get a little bit tired of listening to the sound of sleigh bellsTurn around... every now and then I get a little bit nervous that the cannons will not fireTurn around......every now and then Kirk decides to take on a classic 80s power ballad, and winds up learning a thing or two about when to use castanets and how to pull off an elegant key change. (Are you still singing along? Wow.)Written and Produced by: Jim SteinmanFeaturing: Bonnie Tyler and Rory Dodd, co-lead vocalsAlbum: Faster than the Speed of Night, 1983Listen/Buy via Album.LinkALSO REFERENCED/DISCUSSED:The "Literal Version" of the Total Eclipse music videoWarren Huart's terrific "Produce Like a Pro" article and video about the song“Lost in France” and “More Than a Lover” by Bonnie Tyler from The World Starts Tonight, 1977“Bat Out of Hell” and “Paradise by the Dashboard Light” by Jim Steinman as sung by Meat Loaf and Ellen Foley on Bat Out of Hell, 1977“Making Love Out Of Nothing At All” by Jim Steinman and recorded by Air Supply, 1983‘One-Hit Wonder' Bonnie Tyler Resumes Her Singing Cereer with a ‘Total Eclipse' of the Charts, People Magazine, November 1983“For Those About To Rock, (We Salute You)” by AC/DC, 1981Tchaikovsky's “1812 Overture” by the National Symphony Orchestra of Ukrane, 2005----LINKS-----

Joshua Conyers is an Assistant Professor of Voice at the Eastman School of Music at the University of Rochester, and a Grammy-nominated Baritone who is known for his captivating performances and recognized as one of the leading dramatic voices of today. He has performed with The Metropolitan Opera, Seattle Opera, Washington National Opera, Lyric Opera of Chicago, English National Opera, New York Philharmonic, National Symphony Orchestra, Carnegie Hall, and many others. His recordings include the Grammy-nominated “X: The Life and Times of Malcolm X” his debut solo album is “A Miracle in Legacy.” He says it tells his story of his “being born into the crucible of poverty, haunted by the specter of addiction and abuse.” He says “yet, amid the shadows, I found my guiding light in the melodies of classical music.” SONG 1: “I’ll Make Love to You” by Boyz II Men from their Album II released in 1994. https://youtu.be/USR_0iImpcM?si=VDXE1s_O2toNwRkJ SONG 2: “Nessun Dorma” by Giacomo Puccini from the opera Turandot...performed here by Franco Corelli from the 1958 film of Turandot.https://youtu.be/fWokel5YxM8?si=_D9UEH6jKbz1Bo2G SONG 3: “Cleanin’ Out My Closet” by Eminem off his 2002 album The Eminem Show. https://youtu.be/4t2ETI2Lrjg?si=pgmx0aGLs4Tag6HASee omnystudio.com/listener for privacy information.

A black-and-white photograph shows 11 young Chinese boys in untucked shirts standing in a row, with a middle-aged Western man in a suit smiling behind them.This image would lead Fang Sheng on a journey to uncover his father's musical past and the identity of the mysterious "Mr. Adler," — a Jewish refugee who fled to Shanghai during World War II to escape the Nazis.In Finding Adler, we follow Fang as he pieces together how an orphaned Chinese child became one of the founding members of China's National Symphony Orchestra with the help of an Austrian violinist named Ferdinand Adler. Produced by Sharon Wu and Liz Hoath / this documentary first aired on The Current back in 2018.Storylines is part of the CBC Audio Doc Unit

Shonda Rhimes resigned from the Kennedy Center Board of Trustees on Wednesday following the election of President Donald Trump as the Performing Arts institution's chairman. The "Grey's Anatomy" writer and producer was appointed to the board by President Barack Obama and served as its treasurer until Wednesday's announcement. "Please be advised that as of today, Shonda Rhimes has resigned from the board of the Kennedy Center," a spokesperson for the writer and producer said. The news came just hours after Trump announced on his Truth Social platform that he was "unanimously" elected chairman of the Kennedy Center after longtime President Deborah F. Rutter was fired from her post. Rhimes' resignation followed on the heels of singer-songwriter Ben Folds resigning as artistic advisor of the Center's National Symphony Orchestra. Today, the NAACP announced that comedy legend and cultural icon Dave Chappelle will receive the prestigious President's Award during the "56th NAACP Image Awards" airing live from the Pasadena Civic Auditorium on Saturday, February 22, at 6:00/8:00 p.m. ET/PT on BET and CBS. This year, the broadcast will be extended by 30 minutes to 2.5 hours. The NAACP has also announced that the legendary Wayans family will be inducted into the esteemed NAACP Image Awards Hall of Fame during the ceremony. Learn more about your ad choices. Visit megaphone.fm/adchoices

Several entertainers are cutting ties with the John F. Kennedy Performing Arts Center in Washington, D.C., following President Trump's appointment as chairman. Screenwriter Shonda Rhimes shared her departure on Instagram. Issa Rae canceled her sold-out event, calling Trump's leadership an infringement on the institution's values. Ben Folds resigned as an advisor to the National Symphony Orchestra, and Low Cut Connie withdrew from a performance. Trump's newly appointed board includes Usha Vance, Pam Bondi, and Elaine Chao. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Clare fiddler chats about his musical relationship with the late Dennis Cahill, pushing the boundaries of traditional music and performing soon with the National Symphony Orchestra for ‘Peggy's Dream', in tribute to his mother Peggy and Dennis Cahill (accompanied by Kate Ellis on cello) Concert details: www.nch.ie

Music director of the National Symphony Orchestra, Gianandrea Noseda is also one of the world's most sought-after conductors, recognized equally for his artistry in  the concert hall and the opera house.Gianandrea's award-winning recordings are distributed by LSO Live, for whom he also records as principal guest conductor of the London Symphony Orchestra.  His discography spans over 80 recordings.He became general music director of the Zurich Opera House in September 2021 and he reached an important milestone in May 2024, conducting two highly praised complete Ring Cycles.In the summer of 2024, he led an international festival tour with European Union Youth Orchestra which took them to the Edinburgh Festival and the Lucerne Festival. In 2019, he was appointed the founding music director of the Tsinandali Festival and Pan-Caucasian Youth Orchestra in the village of Tsinandali, Georgia.A native of Milan, Gianandrea is Commendatore al Merito della Repubblica Italiana, marking his contribution to the artistic life of Italy. He has been honored as Musical America's Conductor of the Year (2015) and International Opera Awards Conductor of the Year (2016). In 2023, he received the Puccini Award, joining the likes of Maria Callas, Birgit Nilsson, and Luciano Pavarotti.

Many experts believe André Watts was one of the greatest classical pianist of all time. Over the six decades of his career, this celebrated African-American musician performed as soloist with every major orchestra in the United States, and most of the world's finest orchestras, including the New York Philharmonic, the National Symphony Orchestra, and the London Symphony Orchestra. Watts recorded a variety of repertoire, concentrating on Romantic era composers such as Frédéric Chopin and Franz Liszt, but also including George Gershwin. In 1973 at the age of 26, Yale University gave Watts his first honorary doctorate, and many more awards would follow. At the age of sixteen, Watts made his nationwide debut on CBS-TV's, Young People's Concert series, and was introduced by legendary conductor Leonard Bernstein. You will hear Andre Watts talk about his remarkable life, in an extensive interview with David Dubal at WNCN Radio in New York City in October of 1983. More at http://krobcollection.com

Composer Carlos Simon details his new album with the National Symphony Orchestra, “Four Symphonic Works.” Plus, we talk to lead singer Alicia Bognanno ahead of her upcoming Atlanta show with her band Bully, and H Johnson stops by for the latest edition of H Johnson’s Jazz Moment.See omnystudio.com/listener for privacy information.

In this episode of 'Act Three,' host Cara Gray sits down with Elvi Moore, a distinguished figure in the performing arts world whose career spans over five decades. From her beginnings as an associate professor at the University of Chicago to her roles at the National Symphony Orchestra and the Washington Ballet, Elvi shares her journey and contributions to the arts. She also discusses founding the Laurel Fund for Performing Arts and her continued retirement endeavors, including owning Curves franchises and promoting young artists. Dive into Elvi's inspiring story and explore how purpose and passion can shape a fulfilling life post-retirement.   00:00 Introduction and Sponsor Message 00:23 Guest Introduction: Elvi Moore 01:22 Early Career at the University of Chicago 02:44 Transition to Arts Administration 04:32 National Symphony Orchestra and Washington Ballet 06:12 Founding the Laurel Fund for Performing Arts 12:02 Curves Franchise Venture 15:49 Board Memberships and Book Clubs 17:30 Travel and Future Plans 19:12 Advice for Approaching Retirement 20:21 Conclusion and Sponsor Message  

This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.   His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.

The weekly news analysis from I Hate Politics: Arlington County judge strikes down new zoning law allowing more housing. Gaithersburg approves a new redevelopment plan for Lakeforest Mall. Reform Jews for Justice members from around the country gather in Washington DC to protest the ongoing and expanding Gaza War. Musicians from Washington DC's own National Symphony Orchestra went on strike last Friday with surprisingly quick results. Unions come to cannabis stores. And more. Music from Washington DC post-punk band Grey Swift.

durée : 00:12:32 - Péter Eötvös : Trois sœurs - Tales : A folklore Symphony de Carlos Simon et du National Symphony Orchestra.

WTOP's Jason Fraley interviews Grammy winner Rob Thomas, who performs live with the National Symphony Orchestra at the Kennedy Center in Washington D.C. this Friday night. They preview the epic concert, as well as reflect on his biggest hits from Matchbox Twenty to his solo career. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

WTOP's Jason Fraley interviews Grammy winner Rob Thomas, who performs live with the National Symphony Orchestra at the Kennedy Center in Washington D.C. this Friday night. They preview the epic concert, as well as reflect on his biggest hits from Matchbox Twenty to his solo career. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

Skinny and JW welcome arranger and composer Don Hart to Stub Me Down for Episode 9! Don graciously chats about Trey Anastasio's shows with the National Symphony Orchestra and the Boston Pops, including the process of taking Phish music to a symphonic format and various setlist choices for the orchestra shows. Don also shares his experiences working with other artists including Maggie Rose and Lyle Lovett. We also get into the Beacon Jams and Don's role in those monumental shows. Thanks so much to Don Hart for his time! 

Chanteuse Camille O'Sullivan is joined by pianist Fearghal Murray for an exlusive live session from Studio 8, in advance of their upcoming concert with the National Symphony Orchestra singing Piaf and Brel at the National Concert Hall

Composer Bill Whelan joins Marty in studio in advance of his concert with the National Symphony Orchestra, performing new works and his iconic Riverdance score at the National Concert Hall

WTOP's Jason Fraley interviews Tony winner John Cameron Mitchell, creator of “Hedwig And The Angry Inch,” who joins the National Symphony Orchestra for “Blackstar: The Music of David Bowie” this Friday and Saturday at the Kennedy Center in Washington D.C. He called in from the airport before catching a flight here to Dulles International Airport near the nation's capital. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

WTOP's Jason Fraley interviews Tony winner John Cameron Mitchell, creator of “Hedwig And The Angry Inch,” who joins the National Symphony Orchestra for “Blackstar: The Music of David Bowie” this Friday and Saturday at the Kennedy Center in Washington D.C. He called in from the airport before catching a flight here to Dulles International Airport near the nation's capital. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

The gentleman that is Bill Whelan dropped by studio for a chat with Oliver. The National Symphony Orchestra will celebrate his music at the National Concert Hall on July 5th.

WTOP's Jason Fraley interviews five-time Grammy winner and world-music icon Angélique Kidjo, who joins the National Symphony Orchestra for "African Symphony" this Wednesday night at the Kennedy Center in Washington D.C. They discuss her journey from West Africa to Paris to become an international music sensation, including five Grammy-winning albums. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

WTOP's Jason Fraley interviews five-time Grammy winner and world-music icon Angélique Kidjo, who joins the National Symphony Orchestra for "African Symphony" this Wednesday night at the Kennedy Center in Washington D.C. They discuss her journey from West Africa to Paris to become an international music sensation, including five Grammy-winning albums. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

Soprano Megan O'Neill joined Marty in studio ahead of her first appearance with the National Symphony Orchestra, for the opening Summer Lunchtime Concert of the season at the National Concert Hall.

Killer Mike delivers an electrifying performance with the National Symphony Orchestra at the iconic Kennedy Center. Don't miss this genre-blending spectacle!

11am-12pm Eímear Noone with the National Symphony Orchestra play Leisureland Galway on May 22 at 8pm. Cellissimo runs from May 18-26. See musicforgalway.ie/cellissimo-2024  Lough Cutra Castle Set to Welcome Athletes For A Spectacular Weekend of Endurance Racing  History Talks – ARTHUR MATTHEWS - Kevin O'Higgins Walled In By Hate  == 'Galway Talks with John Morley' broadcasts every weekday morning from 9am on Galway Bay FM.

Coming to you fresh from the Emerald Isle herself, this week's episode features the the Principal Flute of The National Symphony Orchestra of Ireland (and proud fellow owner of an Irish accent); Catriona Ryan. After a few Instagram DMs, Catriona managed to squeeze me into her exceptionally busy schedule after a rehearsal to sit down together in the National Concerto Hall in Dublin and chat all things flute. From platinum Brannens and the importance of Orchestral Blending to a shared admiration of irish trad players and String, this episode has a wee something for everyone. If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xChapters:0:00 - An Irish Hello3:34 - Studying with Trevor Wye (amongst others)12:45 - A word on the Piccolo18:30 - Orchestral Firsts (and our Jimmy)27:15 - Concertos and Blending30:35 - Platinum head Brannens34:42 - Classical Music in Ireland44:20 - Quick Fire Questions Hosted on Acast. See acast.com/privacy for more information.

Have you ever wondered how to record an orchestra but were too afraid to ask? Critically acclaimed recording engineer Charles Lawson spends his days recording the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts. He tells us how it all comes together, philosophy, and near disasters!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

On this episode of One Symphony, conductor Devin Patrick Hughes interviews Henry Fogel, a prominent figure in the orchestral music field. Fogel discusses his early life in music, his exciting journey in radio, and his passion for making symphonic music more accessible. They also delve into Fogel's contribution to orchestras as a director and a manager. From his beginnings in a home where Broadway musicals were the high end of musical taste, to his rise as a key figure in the world of orchestral music, Fogel's insights on board members and anecdotes about conductors provide a unique window into the business side of the symphony orchestra. Henry Fogel has served as President and CEO of the League of American Orchestras, where he significantly impacted the orchestral landscape by supporting and consulting with over 190 orchestras during his tenure. His leadership as President of the Chicago Symphony for 18 years saw substantial growth in the organization's endowment and community engagement efforts. Henry's extensive career also includes leadership positions at the National Symphony Orchestra of Washington, D.C., and the New York Philharmonic. He is actively involved in various nonprofit boards and serves as Chair of the Chicago Classical Music Recording Foundation. Henry's contributions to the American symphonic landscape have been recognized through honorary doctorate degrees and many awards, including the League of American Orchestras' Gold Baton Award. Beyond his professional achievements, Fogel is an accomplished narrator and producer, sharing his passion for classical music over the radio waves for 5 decades. Henry enjoys spending time with his children, grandchildren, and pursuing his interest in Chinese cuisine.   Thank you for joining us on One Symphony. Thanks to Henry Fogel for sharing his wealth of wisdom. Musical selections on this episode today include   Mass in B Minor, BWV 232: I. Kyrie: No. 1, Kyrie eleison I (Chorus)[Music Download] From the album Bach: Mass in B Minor, BWV 232 By: The Netherlands Bach Society & Jos van Veldhoven   Glagolitic Mass, From the album Janáček: Glagolitic Mass - Martinů: Field Mass By: Czech Philharmonic, Prague Philharmonic Choir, Václav Neumann, Josef Veselka, Jan Hora, Gabriela Beňačková, Věra Soukupová, František Livora, Karel Průša   Berwald: Symphony No. 4 in E flat major - I. Allegro risoluto[Music Download] From the album Schubert: Symphony No.4 "Tragic" / Berwald: Symphonies Nos.3 "Singulière" & 4 By: Berliner Philharmoniker and Igor Markevitch   Symphony No. 9 in E-Flat Major, Op. 70: V. Allegretto[Music Download] From the album Shostakovich: Symphony Nos. 5 & 9 By: Leonard Bernstein and the New York Philharmonic Orchestra   Corigliano: Symphony No. 1[Music Download] Symphony No. 1: I. Apologue. Of Rage and Remembrance By: Daniel Barenboim and the Chicago Symphony Orchestra   Nielsen: Symphonies Nos. 3 & 5[Music Download] Symphony No. 5, Op. 50, FS 97, CNW 29: I. Tempo giusto - Adagio By: Leonard Bernstein and the Royal Danish Orchestra https://www.wfmt.com/programs/collectors-corner-with-henry-fogel/ https://devinpatrickhughes.com You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

This episode of The Other Side of the Bell, featuring lead trumpeter Dave Trigg, is brought to you by Bob Reeves Brass. Dave Trigg is a distinguished trumpeter whose career spans over four decades, marked by versatility and collaborations with some of the most iconic names in music. Starting his professional journey in 1979, Dave made a significant mark as the lead trumpeter with the Ringling Bros Circus World House Band in Florida. This early experience set the stage for a series of notable engagements, including the national tour with "Holiday on Ice" and recording with the legendary Maynard Ferguson Band in 1981, contributing to the "Hollywood" release. In the early 1980s, Dave's talent took him to the heart of entertainment at Walt Disney World in Florida, where he performed with various bands at Epcot Center and MGM Studios until 1990. His broad range of musical abilities allowed him to share the stage with luminaries such as Frank Sinatra, Whitney Houston, Quincy Jones, Harry Connick Jr., Tina Turner, and many others. Dave's Broadway credentials are equally impressive, featuring performances in productions like "Wonderful Town," "Hot Feet," "Fame Becomes Me," "Promises, Promises," "Pippin," "Jesus Christ Superstar," "Legally Blonde," "Gigi," and "Hello Dolly." The 1990s ushered in a new chapter for Dave as he joined Natalie Cole's band, embarking on global tours and performing with major orchestras, including the BBC Symphony and the Los Angeles Philharmonic. His work with Cole led to four Grammy-winning albums and numerous TV appearances on shows such as The Tonight Show and the Oprah Winfrey Show. Dave also showcased his talent on TV specials like the three Sopranos live concert and was a part of Sheila E's house band for the 1998 ALMA Awards. Dave's move to Los Angeles expanded his repertoire to include recording sessions for artists like Dr. John, Phil Collins, and Mary J. Blige, as well as soundtracks for films like "Miracle on 34th St." and "Shaft." His involvement with the Big Bands of Bill Holman, Bob Florence, and others underscored his versatility and excellence in jazz and big band music. Relocating to New York in 1999, Dave continued to dazzle at jazz festivals worldwide, including Montreux and Newport, and paid tribute to Maynard Ferguson at the New York Brass Conference. His recent performances include a gala with the National Symphony Orchestra and a featured appearance at the Salt Lake City Jazz Festival, maintaining his status as a sought-after musician for both live performances and studio recordings. Dave Trigg's illustrious career, marked by collaborations with a wide array of artists and performances across prestigious venues, underscores his enduring impact on the music industry and his mastery of the trumpet.

"Reflecting on the Grateful Dead's Capitol Theatre Shows and Toby Keith smoking with Willie Nelson"Larry Michigan discusses the Grateful Dead's historic show at the Capitol Theatre on February 19, 1971. Larry reminisces about the atmosphere of the venue and the significance of the performance, highlighting the debut of several iconic Dead songs. The discussion delves into the band's evolving musical style, particularly the transition from psychedelic blues to Americana influences. He explores the historical context surrounding the show, including Mickey Hart's departure from the band and the impact of manager Lenny Hart's embezzlement. He also touches upon the significance of the show's release in the "From the Vault" series and discuss other notable releases in the Dead's catalog. Additionally, Larry provides updates on Bob Weir and Wolf Brothers' postponed performances with the National Symphony Orchestra and share news about upcoming music releases.  Grateful DeadFebruary 19, 1971 (53 years ago)Capitol TheatrePort Chester, NYGrateful Dead Live at Capitol Theatre on 1971-02-19 : Free Borrow & Streaming : Internet Archive The second of the legendary six night run at the Capitol Theatre in late February, 1971:Feb. 18, 19, 20, 21, 23, and 24 INTRO:                  Loser                                Track #3                                2:55 – 4:24 Hunter/Garcia tune that was released on “Garcia”, Jerry's first solo album, in January, 1972, the last song on side one of the album.  It was a standard first set tune, part of a rotating number of Jerry first set ballads including Candyman, It Must Have Been The Roses, High Time, Row Jimmy, To Lay Me Down and others. A very sweet melodic tune that tells a great story by way of a beautiful piece of music.  SECOND time playedPlayed a total of 353 timesFirst time:  “Last”night 2.18.71Last:  June 28, 1995, The Palace of Auburn Hills, outside Detroit                               THIS SHOW: Last year we covered the Feb. 18th show famous as the debut for Bertha, Greatest Story, Loser, Wharf Rat and Playin In The Band and the Beautiful Jam out of Wharf Rat and back into Dark Star.  It was also Mickey's last show before his almost three year hiatus before he returned for the final 1974 show before the band's 1975 year off February 19th show is just as historical:  The band's first show without Mickey since he joined the band in 1967.  Many people theorize that this was Mickey's response to his father, Lenny Hart who was the band's manager stealing almost $155,000 of the band's assets before disappearing.  Although he was eventually located by a private detective hired by the band and arrested in San Diego on July 26, 1971, convicted and spent six months in jail, the money was never returned.  The song, “He's Gone” is based on Lenny Hart's embezzlement and disappearance.  Ashamed by his father's actions, Mickey left the band after the 2.18.71 Capitol Theater show returning full time in 1975.  Lenny died of natural causes on Feb. 2, 1975.  According to Dennis McNally, "Mickey went to the funeral home, cleared the room, took out the snakewood sticks that had been his inheritance, played a traditional rudimental drum piece, "The Downfall of Paris" on Lenny's coffin, and split." Starting with this show, the band became a very lean mean fighting machine with just five members (Jerry, Bobby, Phil, Bill and Pig) until Keith jointed the band seven months later in September.  On this night, the band played the five songs debuted the night before and debuted Deal and Birdsong.  Pig also has a strong showing this night leading the band through four standouts:             Hurts Me Too            Smokestack Lightning:  the third to last time it would be played with Pig in the band            Easy Wind:  the second to last time it would be played without Pig in the band            Good Lovin  This really marked the beginning of the band's hard shift away from psychedelic blues (Primal Dead) to the more Americana style music that began with Workingman's and American Beauty.  Within a year, Pig would be very ill with just enough energy left for the Europe '72 tour.  But this night, he was rocking the house like only he could do.  Here is the first of his four featured songs:  SHOW No. 1:      Hurts Me Too                                Track # 5                                2:08 – 3:42 Great showcase number for Pig featuring his singing and harp playing.  We got just a bit of Jerry's lead but all this great music is too long to fit into one clip – don't want Dan getting mad at me! "It Hurts Me Too" is a blues standard that is "one of the most interpreted blues [songs]".[1] First recorded in 1940 by Tampa Red in Chicago, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many artists.  Release on May 10th with Tired of Your Reckless Ways on the B-side. In 1949, Tampa Red recorded a variation of "It Hurts Me Too", titled "When Things Go Wrong with You".[9] It was recast in the style of a Chicago blues, with electric guitar and a more up to date backing arrangement. The song was a hit and reached number nine on Billboard'sRhythm & Blues Records chart in 1949.[10] (The original "It Hurts Me Too" was released before Billboard or a similar reliable service began tracking such releases, so it is difficult to gauge which version was more popular, although the former's title won out over the latter's.) Although the song retained the refrain "When things go wrong, so wrong with you, it hurts me too", Tampa Red varied the rest of the lyrics somewhat. This would become the pattern for future versions, in which succeeding artists would interpret the song with some of their own lyrics. Noted covers:            Elmore James            Junior Wells            Grateful Dead – with Pig singing the vocals.  Was first released by the Dead on Europe '72 album.  After Pig left the band, the song was retired.             The Dead played the song a total of 59 times            First:    May 19, 1966 at the Avalon Ballroom, San Francisco            Last:     May 24, 1972 at the Lyceum Ballroom in London (last show of Europe '72 tour             “FROM THE VAULT”: This entire show was released by the Dead as “Three From The Vault” in 2007.  The “From The Vault” series, launched by the Band in 1991 with One From The Vault – August 13, 1975 at The Great American Music Hall, with first live performance of the songs from Blues For Allah.  In 1992 the Dead released “Two From The Vault” – August 23 and 24, 1968 at the Shrine Auditorium in Los Angeles.  Then, along came Dick Latvala and his Dead scene changing Dick's Picks series which was wildly popular, so much so that the In The Vault Series was put on hold.  For 15 years.  Until 2007 when they circled back to the original series of live releasees with Three From The Vault which features the same show we are talking about today from the Capitol Theatre.  That was it for In The Vault releases.  The Dead did have several other “Vault” like releases – multi-track recordings including Hundred Year Haul, Dozin' At The Knick, Fallout From the Phil Zone, Terrapin Station, Live At the Fillmore East 2.11.69, Ladies and Gentlemen, the Grateful Dead, Nightfall of Diamonds, Trucking Up To Buffalo and so many more. They just stopped calling them “From The Vault”.  Dick's Picks, of course would go on to have a total of 36 releases, the last few releases coming after Dick's death in 1999.  Which led into the still wildly popular Dave's Picks from David Lemieux who took over for Dick and now has 49 releases and still going strong.  And “short” lived, but generally popular  “Roadtrips” series.  And all of the box sets that are all amazing but too numerous to name except for the Complete Recordings, the four-night run at the Fillmore West from Feb. 27 to March 2, 1969 – four shows with the band at the peak of Primal Dead, and Europe '72 which consists of the live recordings for all of the shows on that tour.  Another milestone for the Dead in terms of their ever expanding reputation for Jam Band, psychedelic, and amazing song catalogue, even at that “early” stage of the band's existence.  SHOW No. 2:      Playin In The Band                                Track # 7                                2:23 – 4:05                                            By:  Weir and Hunter "Playing in the Band" is a song by the Grateful Dead. The lyrics were written by Robert Hunter and rhythm guitaristBob Weir composed the music, with some assistance from percussionist Mickey Hart.[1] The song first emerged in embryonic form on the self-titled 1971 live albumGrateful Dead. It then appeared in a more polished form on Ace, Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan).The instrumental break of "Playing in the Band" was introduced as early as the February 19, 1969 "Celestial Synapse" show at the Fillmore West, in which it appears somewhat indistinct from the preceding and following jams.[5] The completed song was also included on Mickey Hart's 1972 solo album Rolling Thunder within "The Main Ten", making reference to the song's time signature of 10/4.  "The Main Ten" appears on Dick's Picks Volume 16, from their performance at the Fillmore West on November 8, 1969. On that set, it appears in the middle of "Caution (Do Not Stop On Tracks)".During a Bob Weir and Wolf Bros concert livestream on February 12, 2021, Weir credited David Crosby with the composition of the main riff. Weir stated, "David Crosby came up with the seminal lick... and then he left. We were out at Mickey's barn. So Mickey said, 'Make a song out of that'. Next day, I had it" It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire, usually as a second set pre-drums jumping off point for jams to who knows where. According to Deadbase X, it ranks fourth on the list of songs played most often in concert by the band with over 600 performances. If you download this show from Archive.org, and play this track, at the 3:20 mark during the mid-song jam, they get to the point where they would normally dive back in but instead, Bobby plays on for an almost additional 30 seconds and then just dives back in to the song.  He is clearly still working it out.  Over the course of the Europe '72 tour, it was played almost every night as Bobby finally worked it outThis is all really good stuff. SECOND time ever played 661 times (No. 1)                First – “last: night's show, Feb. 18, 1971 Capitol Theatre                Last:       July 5, 1995 at Riverport Amphitheater, Maryland Heights, MO outside of St. Louis.                SHOW No. 3:      Greatest Story Ever Told (The Pump Song)                              Track #13                           Start – 1:41               By Weir, Hart and Robert Hunter (some give credit to Rev. Gary Davis)               Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972),[1] was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah"[2] and "Death Don't Have No Mercy" Released on:AceRolling Thunder, as "The Pump Song"Dead SetDick's Pick's, vol. 6Europe '72 box setLots of other releases              Per Hunter:  "Also known as "Pumpman" and "Moses"--I wrote this to the rhythm of the pump in Mickey Hart's well."                Released on Ace on May 1, 1972              First song on the album with Bobby setting a rocking tone              Another tune that was played almost every night of and refined during the Europe '72 tour                             283 times              First:  “last night” 2.18.71              Last:  June 27, 1995 at the Palace at Auburn Hills outside Detroit               SHOW No. 4:      Bird Song                                Track #15                           :42 – 2:15               By Garcia and Hunter              Second song on Garcia              Robert Hunter originally wrote the song as a tribute for Janis Joplin. Phil Lesh now sings "All I know is something like a bird within him sang", transfering it Jerry Garcia instead A regular for the Dead, and still played by Dead and Co., Bobby and Phil and Friends. Beautiful song, even for the fist time you know it's going to be special. Played 301 tines              First:  This is it!              Last:   June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   OUTRO:                Deal                                Track #17                                Start – 1:33  May 16, 2023 by Chris Huber of Chill One of the Grateful Dead's live staples, and many gambling songs is the Robert Hunter and Jerry Garcia collaboration, “Deal”. First performed on February 19th, 1971, the song was in regular rotation until the end, both for the Dead and the Jerry Garcia Band.“Deal” saw studio release as the opening track to Jerry Garcia's 1972 debut solo album, Garcia, which also contained several other classic Grateful Dead live songs including “Sugaree”, “Bird Song”, “Loser”, and “The Wheel. Although it would move around a bit in the set list early on, this debut version is consistent with the ultimate tradition of the song closing out the first set.  Even in JGB sets it was a first set closer.  And would always leave you waiting through the break to see how they were going to kick off the second set and keep the show moving along.  For a first time played, this version stays true to the version we all know and love from a few years later.                            Played 428 times              First:  This is IT              Last:  June 18, 1995, Giants Stadium in East Rutherford, NJ Thank you. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Ep. 3: Sammi Cannold (Director of How to Dance in Ohio)  Sammi Cannold is a theater, film, and television director who is one of Forbes Magazine's 30 Under 30 in Hollywood & Entertainment, one of Variety's 10 Broadway Stars to Watch, and one of Town & Country's Creative Aristocracy. She recently made her Broadway debut as director of How to Dance in Ohio at the Belasco Theater. Sammi has directed at some of the world's most prestigious venues, including The Kennedy Center, Radio City Music Hall, and Lincoln Center as well as for the National Symphony Orchestra, CBS, ABC, Nickelodeon, Paramount+, Cirque du Soleil, and TikTok. Recent theater credits include Evita (American Repertory Theater, New York City Center -- Critic's Pick), Rent in Concert (The Kennedy Center), Sunset Boulevard (The Kennedy Center), Carmen (Rose Hall, Lincoln Center -- NYT Critic's Pick), Celine Song's Endlings (New York Theatre Workshop, A.R.T.), Ragtime on Ellis Island, and Violet on a moving bus (A.R.T.). In the television space, Sammi has served as Director of Curtain Up!, live on ABC, and served as Creative Consultant on the 2021 Tony Awards, live on Paramount+ and CBS. Sammi's first documentary feature film premiered at Broadway's Majestic Theatre and was released worldwide on AppleTV. Sammi has also served as an Artistic Fellow at the A.R.T., a member of Cirque du Soleil's Creative Cognoscenti, and a Sundance Institute Fellow. Sammi holds a B. A. from Stanford University and an M.A. from Harvard University.  www.sammicannold.com More info on our How to Dance in Ohio Podcast https://www.vintageannalsarchive.com/building-moo-mentum-a-very-unofficial-how-to-dance-in-ohio-podcast.html Credits  Produced and Edited by Otter Castro    Produced, Research and Interview by Rich Wexler   Music   Richie by B.J Snowden https://bjsnowdenmusic.com/  There Was a light Instrumental   I Never Feel Alone Instrumental by Stephen Bluhm  https://www.stephenbluhm.fun/  Website https://www.vintageannalsarchive.com/   

Best Of BPR 2/09: National Symphony Orchestra Of Ukraine & Lunar New Year Preview

Grammy Award-winning composer and conductor, Eric Whitacre, is among today's most popular musicians. His works are programmed worldwide and his ground-breaking Virtual Choirs have united over 100,000 singers from more than 145 countries. A graduate of The Juilliard School, Eric is currently Visiting Composer at Pembroke College, Cambridge University (UK) and is an Ambassador for the Royal College of Music (London). Eric served two terms as Artist in Residence with the Los Angeles Master Chorale and is proud to be a Yamaha Artist. His long-term relationship with Universal/Decca Classics has produced several ‘hit' albums. Recent compositions include a long-form work - The Sacred Veil - and an orchestral piece - Prelude in C - commissioned by the Cincinnati Pops Orchestra and the National Symphony Orchestra. His collaboration with Spitfire Audio has resulted in two trail-blazing vocal sample libraries which are used by composers the world-over. Peter and Eric discuss Eric's Grammy Award-winning compositions, electronic music, philosophies on creating art, the relationship between music, conductor, and ensemble, and many more topics. Please welcome Eric Whitacre.

WTOP Entertainment Reporter Jason Fraley interviews six-time Tony winner Audra McDonald, who performs live with the National Symphony Orchestra at the Kennedy Center in Washington D.C. on Jan. 30 and Jan. 31. They break down her record-breaking six Tony wins on Broadway, as well as her TV role in HBO's "The Gilded Age" and movie work in "Rustin" and "Origin." (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

WTOP Entertainment Reporter Jason Fraley interviews six-time Tony winner Audra McDonald, who performs live with the National Symphony Orchestra at the Kennedy Center in Washington D.C. on Jan. 30 and Jan. 31. They break down her record-breaking six Tony wins on Broadway, as well as her TV role in HBO's "The Gilded Age" and movie work in "Rustin" and "Origin." (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

"The question I had to ask myself was, 'Do you want to change who you are as a composer just so can match a particular sound that is in fashion or is expected of you in the concert hall world or do you want to say true to yourself as an artist?'" Time and time again, whenever this question pops up, it's always you turn towards yourself and ask yourself who you are and you stay true to who you are. You don't change your sound based on what is in vogue in the music world. Be true to yourself. Be the best version of yourself and don't try to be a second-rate version of anyone else."Christopher Tin is a two-time Grammy-winning composer of concert and media music. His music has been performed and premiered in many of the world's most prestigious venues: Lincoln Center, Kennedy Center, Hollywood Bowl, the United Nations, and Carnegie Hall, where he had an entire concert devoted to his music. He has also been performed by ensembles diverse as the Royal Philharmonic Orchestra, National Symphony Orchestra, Metropole Orkest, and US Air Force Band.His song "Baba Yetu", originally written for the video game Civilization IV, is a modern choral standard, and the first piece of music written for a video game ever to win a Grammy Award. His debut album, the multi-lingual song cycle Calling All Dawns, won him a second Grammy in 2011 for Best Classical Crossover Album, and his follow-up release The Drop That Contained the Sea debuted at #1 on Billboard's classical charts, and premiered to a sold-out audience at Carnegie Hall's Stern Auditorium. His third album To Shiver the Sky also debuted at #1, and was funded by a record-breaking Kickstarter campaign that raised $221,415, smashing all previous classical music crowdfunding records. His fourth album, The Lost Birds, is a collaboration with acclaimed British vocal ensemble VOCES8 and was nominated for a Grammy Award in 2023.Tin is signed to an exclusive record deal with Universal under their legendary Decca label, published by Concord and Boosey & Hawkes, and is a Yamaha artist. He works out of his own custom-built studio in Santa Monica, CA.To get in touch with Chris, you can visit his website, christophertin.com, or find him on Instagram (@christophertinmusic) or Facebook (@christophertinmusic).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Portland musician Jimmie Herrod has sung in many different kinds of venues for a variety of performances. He’s been a guest vocalist with Portland-based Pink Martini since 2017. He was a finalist on "America's Got Talent" in 2021, and his past shows include performances with numerous symphonies, including the Oregon Symphony and the National Symphony Orchestra. But his upcoming show with the Metropolitan Youth Symphony is a unique performance. The program consists of orchestral arrangements done in collaboration with youth composers for six of his original songs: Are You Lonely, Beautiful, I Love You, I Want To Run, Mouche, and Willow Bed. MYS trombone player and composer Elaina Stuppler arranged I Love You with only a rough recording Herrod made for her on his phone. Music Director Raúl Gómez-Rojas facilitated the unique project, which will be performed on Tuesday, Jan. 9 at the Newmark Theatre in Portland. He joins us in studio, along with Herrod and Stuppler, to talk about the creative process and bring us a sneak peak of the show.

This is a stunningly beautiful conversation with Tina Davidson, author of Let Your Heart Be Broken.  Tina is an accomplished composer. Over her forty-five-year career, Tina has been commissioned by the National Symphony Orchestra, OperaDelaware, Roanoke Symphony, VocalEssence, Kronos Quartet, Cassatt Quartet, and more.  Contemplating her decades of achievement, Tina notes:   "I am struck by music's linear process, where duration is the great ingredient. Unlike visual art, music cannot be experienced all at once. Instead, it moves through time. As we listen, we construct the hole in our mind through memory, like a transparent ghost. Music moves our hearts and moves our hearts with its lack of tangible substance."   Tina's story is as astonishing, heart felt and as remarkable as her career. You'll never look at the art of creating music the same way. Come join us.     What they're saying: “This is a beautiful book about life, its imperfections, its challenges, and its joys. It is a book of hope and wisdom for all of us facing a bump in the road.” –Pragito Dove   “Pat has woven together beautiful stories of life setbacks that have been transformed into spiritual growth. This book is a gift and a must-read for souls experiencing pain and yearning for growth.”  –Gary Hensel   Follow Bump on:  

On this one-of-a-kind album, the outstanding Danish ensemble Mathias Reumert Group presents three of Cuban composer Louis Franz Aguirre's strongest pieces, including the large-scale composition for percussion ensemble and flute soloist, Orula (Liturgia de la Adivinación), a journey in extreme sonorities, complex polyrhythms and searing microtonal melodies.“I come from a culture where rhythm is the rationale for life and death. Where the drums are a means to worship, to communicate, and to call the Orishas to come down to Earth”, says the composer.According to percussionist/conductor Mathias Reumert, “learning these works took years and left us forever changed. Listeners will understand”. A quote from musicologist Dr. Iván César Morales best sums up the experience: “Aguirres music has the power of an exorcism!”.Louis Aguirre (1968) is a Cuban composer resident in Denmark. Aguirre was educated as a composer, violinist and conductor at the University of Arts in Havana, Cuba, under the guidance of Harold Gramatges and Roberto Valera. When he was 27 years old, he became the artistic director and chief conductor of the Symphony Orchestra in his birth town, Camagüey, as well as guest conductor of the National Symphony Orchestra and the Santiago de Cuba Symphony Orchestra. He also was a professor at the Camagüey's Music Conservatory and artistic director and chairman of the International Festival of Contemporary Music (1996-2002) in Camagüey.Louis Aguirre is an award-winning composer whose music has been labelled as “Music from hell”and“Not for the faint of heart”. He is one of the foremost Latin American composers of his generation, yet only a handful of recordings exists.TracksLouis Franz Aguirre (b. 1968) Orula (Liturgia de la Adivinación) (2011) (34:32) Oru a Temayá y Obba (2012) (9:12) Oriki a Shangó: Kabiosile! (2004-2020) (18:45) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Join Luz Cabrales on a special episode of Scranton Talks, featuring Tierney Violet Joyce, Zach Sprowls & Maureen Mcguigan, all performing at the Scranton Fringe Festival 2023.Tierney Violet Joyce posted her first episode of 52 Mondays on January 2, 2023 - and hasn't missed a Monday yet! Tierney started this project to share her passion for Musical Theatre: the songs she loves, the shows that inspire her, and her respect for all of the elements that come together to create live theater. She will be joined on stage with the incredibly talented Stephen Murphy as Music Director and Accompanist. Tierney is excited to bring 52 Mondays The Cabaret to the Scranton Fringe Festival.Scranton-based pianist and composer, Zach Sprowls, presents the world premier of an instrumental telling of what it's like to start over. Featuring the piano and a live string trio, Zach uses elements of neoclassical minimalism, melody, and aching harmony to translate his own life experiences into a deeply-felt journey for listeners. His music has already been featured on highly-acclaimed KEXP radio and performed by members of the US Army Strings and the National Symphony Orchestra. For fans of Max Richter, Olafur Arnalds, Nils Frahm - or really anyone who knows the ups and downs of growing up - this is an experience you don't want to miss. This event is part of the Scranton Fringe Festival.Maureen McGuigan-Death is probably the most taboo subject in our society and rarely discussed enough, but the only certain thing in life is that we will die. We know this intellectually but facing and coping with the loss of loved ones and our own ultimate death in a real and visceral way can be scary and overwhelming. In this one-woman show, Maureen McGuigan shares her own struggle with dealing with this topic through humor, personal stories, history, and science. Directed by Alicia Grega featuring projection and music by Jason Smeltzer, the performance encourages us to reflect on and discuss death more to help us live a more authentic and meaningful life.

Carlos Simon grew up in Atlanta with a long lineage of preachers and inspiration from gospel music. Today he is the current Composer-in-Residence for the John F. Kennedy Center for the Performing Arts and frequently writes for the National Symphony Orchestra and Washington National Opera. He joins Tavis to talk about his career and the release of his newest album titled “Together”.

At 100 years old, the Portland Youth Philharmonic is the country’s oldest youth orchestra, with a rich and storied history. In the early 1920s a young classically trained violinist and teacher, Mary V. Dodge, conceived of what would become the Portland Junior Symphony. It formed in earnest after she convinced a renowned Russian conductor to take on the orchestra composed of students that she was teaching in her attic. The Oregon Historical Society is opening an exhibit on the PYP next month, which will chronicle its birth and achievements over the last century. Joining us are Musical Director David Hattner, PYP principal flutist Macy Gong and former PYP musician Tim McCarthy, who now plays with the National Symphony Orchestra.

THC 127 - A Musical Path to Forgiveness with Tina DavidsonOn this episode of Trauma Hiders Club my guest is Tina Davidson, who is a highly regarded American composer, creates music that stands out for its emotional depth and lyrical dignity. Lauded for her authentic voice, The New York Times has praised her “vivid ear for harmony and colors.” Opera News describes Tina Davidson's music as, “transfigured beauty,” and the Philadelphia Inquirer writes that she writes “real music, with structure, mood, novelty and harmonic sophistication – with haunting melodies that grow out of complex, repetitive rhythms." Her book, Let Your Heart Be Broken, was published in 2023. Her memoir traces her extraordinary life in equally lyrical language, juxtaposing memories, journal entries, notes on compositions in progress, and insights into the life of an artist – and a mother – at work.  Over her forty-five year career, Davidson has been commissioned by well-known ensembles such as National Symphony Orchestra, OperaDelaware, Roanoke Symphony, VocalEssence, Kronos Quartet, Cassatt Quartet, and public television (WHYY-TV). Her music has been widely performed by many orchestras and ensembles, including The Philadelphia Orchestra, American Composers Orchestra, St. Paul Chamber Orchestra, Relâche Ensemble, and Orchestra 2001. She is recorded on Albany Records, New World Records, and Deutsche Grammophone.On this episode of Trauma Hiders Club, we talk about forgiveness, reparenting, and the extraordinary power of music to soothe the soul as Tina shares her powerful story.From discovering her adoption at a tender age, the profound effects it had on her sense of identity and belonging and how music changed and became a part of her identity and life.You'll hear about the secrecy she shrouded her adoption in and the eventual emotional upheaval of leaving their foster family. Tina's experiences shed light on the complex dynamics of family and attachment. With an artistic career as a backdrop, Tina has confronted her trauma, and is firmly on the path towards healing and self-discovery.“From a very early age, I don't want to say music was my alter ego, but it was a place that I could be safe.” Tina DavidsonThis Week on Trauma Hiders Club:• Gilbert and Sullivan• Melodies• Adoption• Growth over dysfunction• Forgiveness• Reparenting• Teaching• Story through music Resources:Tina Davidson's Website: https://www.tinadavidson.com/Tina on Facebook: https://www.facebook.com/tina.davidson.5205/Tina on IG: https://www.instagram.com/tinadavidson.music/Tina on YouTube:  https://www.youtube.com/channel/UCrDxwJr9x_EvCiCT8LHt2wQTina Davidson's memoir, Let Your Heart Be Broken, Life and Music from a Classical Composer on Amazon: https://www.amazon.com/Let-Your-Heart-Broken-Classical/dp/1633376974Where High Achievers Get Through Shit - TOGETHER Thanks for tuning into this week's episode of Trauma Hiders Club ‘The Podcast' with Karen Goldfinger Baker. If you enjoyed this episode, please subscribe and leave a review wherever you get your podcasts. Apple Podcasts | TuneIn | GooglePlay | Spotify | Amazon Music Be sure to share your favorite episodes on social media to help me reach more high achievers, like you. Join me on Facebook, Instagram, and LinkedIn and visit my website to discover the rules of Trauma Club and grab your free download:Discover 5 Ways Your Fuckery Is Getting In The Way of The Next Level of Your Success.VISIT TRAUMA HIDERS CLUB WEBSITE

As famed Iron Chef Alton Brown once said: “Everything in food is science”. In this week's episode, both of our storytellers discover something about themselves through the science of food. Part 1: Corn researcher Katie Murphy is scared becoming a TikToker will ruin her credibility as a serious scientist. Part 2: As a kid, Scottie Rowell gets an unpleasant surprise when they don't wait to eat their grandmother's pickles. Katie Murphy is a plant biologist who loves studying the inner workings of corn. She is the Director of Phenotyping and Principal Investigator at the Donald Danforth Plant Science Center, a non-profit research institute in St. Louis, Missouri. Her research group studies phenotyping, which means measuring the physical traits of plants. She holds a PhD in Plant Biology from UC Davis, and a Bachelor's in Chemistry from Stanford University. Katie's goal is to make a secure, sustainable food supply that can withstand future climates. She shares her research on TikTok @Real_Time_Science. Scottie Rowell is a Queer, Agender, Autistic artist based in Atlanta, GA. As a storyteller and puppeteer, Scottie's career is focused on performances and experiments in play in non-traditional theater spaces. As owner of Teller Productions, Scottie creates tactile, immersive experiences for families using sustainable materials (all repurposed, discarded, or easily recycled). Scottie's show Super Cello! premiered with the National Symphony Orchestra and the Kennedy Center for Performing Arts in April 2022. Other clients include the Georgia Aquarium, the Alliance Theater, the Center for Puppetry Arts, and the Atlanta Symphony Orchestra. Visuals and fun at ScottieRowell.com and TellerProductions.com. (Yes, Scottie made that pickle shirt for the story.) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Saskia is the producer and presenter of her own programme ‘SaskiaUnreserved' for the Cyprus Broadcasting Corporation's Radio 4, which has been recently named RIK Classic.Saskia was born in Famagusta, Cyprus. Following the completion of her BMus(Hons) from the University of the Witwatersrand, she joined the National Symphony Orchestra of South Africa as a violinist where she played under conductors such as Zubin Mehta, Victor Yampolsky, Yehudi Menuhin, Enrique Batiz, Efrem Kurz and Carlo Franci. Her entrepreneurial spirit and love of travel led her to open a tour operating company with its own aircraft and a cargo department.Due to continuing violence in South Africa, Saskia moved to Cyprus in 2000, and joined the Cyprus Broadcasting Corporation, where she developed her own daily, classical music programme, PM Classics. Saskia also worked as a music critic in Cyprus, and had her own column in major English-language newspapers such as the Cyprus Mail and Cyprus Weekly. Interviews over the years have included personalities such as Nelson Mandela, Placido Domingo, Grigory Sokolov, Mahan Esfahani and Norman Lebrecht amongst others.Saskia furthered her qualifications by attaining an MBA from Aspen University, USA in 2011. She was awarded the accolade Cyprus Business Woman of the Year in 2010 for the launching of an online ticketing system and for initiating the children's gardening programme “Green Fingers”, which to date, has been attended by over 8,500 children. She has been CEO of Apollon International Connections, which developed into a multi-faceted company dedicated to the organisation and promotion of international concerts and festivals, in prestigious venues such New York's Carnegie Hall and London's Cadogan Hall, as well as launching the Cyprus International Food Festival.In 2018, the ‘no-holds-barred' programme – ‘SaskiaUnreserved' was launched on the newly formed Classic Channel of the Cyprus Broadcasting Corporation. As producer and presenter, she interviews high profile achievers across a broad spectrum of subjects interspersed with a selection of classical music.Saskia is passionate about gardening, basketball and travel, and takes every opportunity to do so with her daughter, Sandra.

Dave Kane played in Erie from 1965-1975. He is a professional pianist and composer of both jazz and classical music and has performed with many famous jazz artists as well as with the National Symphony Orchestra, the Baltimore Symphony, and the Twentieth Century Consort. In addition, he has composed hundreds of film and TV scores. Thanks to the JPT Foundation for sponsoring the Erie Music History podcast. The goal of the foundation is to provide education scholarships to grade school-age children as well as annual giving to local organizations and charities. The foundation has a large hall that hosts bingo four days a week and is available for rentals, and it is also the home of this podcast's monthly music night, which is the first Tuesday of the month from 6-9.   Many thanks to the folks (like Angelo Phillips!) who have donated to the podcast. If you would like to help out, Venmo me at @Dan-Schell-6.  For information on what bands/musicians are playing in Erie, PA and the surrounding area, please check out Jack Stevenson's 2 Man Happy Hour podcast and webpage, and be sure to listen to “Live Music Chat With Nat The Hat” on any podcast app.  www.ErieMusicHistory.comhttps://www.facebook.com/ErieMusicHistoryPodcast

In this episode of "Work From Your Happy Place," our host Belinda Ellsworth sits down with the multi-talented musician and artist, Ben Folds , a renowned musician and influencer. Throughout the interview, Ben shares his insights on maintaining artistic integrity and staying true to oneself in the ever-changing music industry. He emphasizes the importance of embracing one's own unique vision and not compromising it to cater to a failing business or a perceived demographic. Ben encourages artists to focus on finding those who resonate with their art, rather than trying to please everyone. Ben also dives into his personal journey as a musician, from the early days of honing his craft to his current projects and experiences during the pandemic. Additionally, the episode touches on topics such as interpreting success signals, the lack of support for young creators, and the importance of authenticity in art. Belinda and Ben have a thought-provoking conversation that will leave listeners inspired to embrace their own creative path and work from their happy place. Join Belinda's membership program and discover the art of creating and sharing amazing experiences with like-minded people, all from the comfort of your own home. You get to connect with others online, learn new skills and techniques, and grow your network without leaving your computer screen. To know more, click on the link https://workfromyourhappyplace.com/vip/ Key Learnings: [00:12:46] Time is essential for accomplishments and personal growth. [00:17:48] Respect and prioritize your artistic vision in business; find your audience. [00:21:58] Success signals can be misleading. Don't misinterpret data. [00:37:25] Stay true to yourself, make things that inspire you. Success is unpredictable, focus on making great things. About the Guest - Ben Folds is widely regarded as one of the major music influencers of our generation. He's created an enormous body of genre-bending music that includes pop albums with Ben Folds Five, multiple solo albums, and numerous collaborative records. His last album was a blend of pop songs and his Concerto for Piano and Orchestra that soared to #1 on both the Billboard classical and classical crossover charts. For over a decade he's performed with some of the world's greatest symphony orchestras, and currently serves as the first ever Artistic Advisor to the National Symphony Orchestra at the Kennedy Center. In addition to solo rock and orchestral touring, Folds released his first book – a collection of interrelated essays, anecdotes and lessons about art, life and music - in 2019, which debuted as a New York Times Best Seller, and is currently hosting a podcast series spinoff of his book entitled “Lightning Bugs: Conversations with Ben Folds.” How to Connect Ben Folds: Facebook - www.facebook.com/BenFolds Twitter - www.twitter.com/BenFolds Instagram - www.instagram.com/ActualBenFolds Other Sites - www.patreon.com/BenFolds / www.bandsintown.com/BenFolds About the Host: Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and Podcaster She has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system. Belinda has always had a passion and zest for life, with the skill for turning dreams into reality. How to Connect with Belinda: Facebook -https://www.facebook.com/workfromyourhappyplace LinkedIn - https://www.linkedin.com/in/belindaellsworth Instagram -https://www.instagram.com/workfromyourhappyplace/ Website - www.workfromyourhappyplace.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4939248/advertisement

Broadway star Megan Hilty joins The Art of Kindness with Robert Peterpaul to discuss her incredible career through the lens of kindness. From Idina Menzel's career-changing act of kindness to what she learned from Dolly Parton herself, Megan shares countless inspiring stories and quips while reflecting on her journey. Megan Hilty is probably most recognizable for her portrayal of Ivy Lynn in the NBC Musical Drama “Smash.” Before that, Hilty started her career on Broadway, playing Glinda in “Wicked,” Doralee Rhodes in “9 to 5 The Musical,” and Brooke Ashton in “Noises Off,” which earned her a Tony Award Nomination. Other stage credits include Audrey in “Little Shop of Horrors” (Kennedy Center), Annie Oakley in “Annie Get Your Gun” (Encores/NY City Center) and Lorelei Lee in “Gentlemen Prefer Blondes” (Encores/NY City Center).  Her numerous television credits include “Sean Saves The World” with Sean Hayes, “Difficult People,” “Braindead,” “The Good Fight,” playing the iconic Patsy Cline in “Patsy and Loretta” and Lily in NBC's “Annie Live!” Megan's voiceover work spans from audiobooks to kids animated favorites on Disney, Nickelodeon, Netfilx, Hulu & Cartoon Network. Hilty continues to tour her cabaret show with her band, led by Grammy Nominated Matt Cusson, which has been taped for “Live from Lincoln Center” on PBS, and regularly appears with world renowned orchestras including the NY Pops, Boston Pops and the National Symphony Orchestra. Got kindness tips or stories? Please email us: artofkindnesspodcast@gmail.com Follow Megan @meganhilty Follow us @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 8 years since Ben Folds' last album, he's published a memoir, started a podcast, become the first artistic advisor to the National Symphony Orchestra at the Kennedy Center, and launched his own music charity. On June 2, he'll release the new solo album, What Matters Most. He joins us in the midst of a world tour to play some new songs in the WNYC studios.