Podcasts about keats

Trascrizione con glossario (gratis)In questo episodio di livello intermedio, parliamo del rapporto tra l'Italia e la letteratura inglese: da Chaucer a Shakespeare, da Milton ai poeti romantici Byron, Shelley e Keats. Un viaggio attraverso i secoli per scoprire come e perché l'Italia ha ispirato alcuni dei più grandi scrittori di lingua inglese.Altri link e risorse utili:Dentro l'Italia - Corso di italiano avanzato (C1)Ebook gratuito: come raggiungere il livello avanzato in italiano"Ebook gratuito, "50 modi di dire per parlare come un italiano"YouTubeInstagramFacebook

Se as perdêssemos de vista por umas horas, não saberíamos reencontrar as nossas vidas pelo cheiro, nem pelo gemido que fazem, nem daríamos com esses corpos tão abatidos que só de um certo ângulo, a poucos palmos do espelho, nos parece que sim, serão os nossos, porque repetem vagamente os mesmos gestos ou expressões. Mas mesmo nisso parece instalar-se um certo desfasamento, algum atraso, e são poucos aqueles que nalgum dos seus rastros se mostram firmemente fiéis à sua juventude. Reserva-se esse elogio hoje a tão poucos: “Pouco antes de morrer, o que ele escrevia, o modo como continuava a viver, conservavam a virulência, a agressividade e a independência dos seus 25 anos.” Em certa medida a poesia era uma resistência da juventude pela vida fora, o doloroso alarme mantido na relação com o mundo, a impossibilidade de se saciar com aquele pão com que os demais empurram seja o que for. Chega uma altura em que o abandono parece a nossa melhor arma. Quem ama não faz contas, mas hoje tudo se guia por esses sinais: soma: multiplicação… “O mundo moderno”, escrevia Péguy, “não é universalmente prostituível por luxúria. É totalmente incapaz disso. Ele é universalmente prostituível porque é universalmente intercambiável”. Queremos dizer-nos alguma coisa, mas até as nossas palavras parece que tilintam mais do que soam, estão cheias da frieza do cálculo, não passam de fracções. Ora, o dinheiro não exprime outra coisa senão a desolação do infinitamente reconvertível. Assim, cada palavra vale tanto ou tão pouco como outra qualquer. “Quando o dinheiro vale alguma coisa, a palavra não vale nada. Quando a palavra vale, o dinheiro não vale nada” (comité invisível). Por estes dias, olhando à volta, até isso a que chamam luta já pouco se distingue do conformismo, da resignação. “Quando a História for escrita como deve ser, os homens ficarão admirados do comedimento e da grande paciência das massas e não da sua ferocidade”, assevera o autor de Os Jacobinos Negros. Chega-se a uma altura em que se percebe que o tempo está decididamente contra nós, mas em vez de isso reverter a favor dessa doença mortal, dessa razão desesperada, todos ainda aguardam que a sua situação se resolva. E vamos sair mais algumas vezes e reivindicar esses salários de fome, gratos pela nossa miséria, dando por nós tão longe de qualquer ambição existencial, a qual teria de passar por “repelir para o mais longe possível as relações hostis urdidas na esfera do dinheiro, da contabilidade, da medida, da avaliação”. Os do comité invisível adiantam que, por esta altura, a economia já não é somente aquilo de que devemos sair para deixarmos de ser esfomeados, mas é aquilo de que é necessário sair para viver, para simplesmente estar presente no mundo. O mais grave, assim, é que a cada dia que passa se colhem cada vez mais provas da impossibilidade de dois ou mais se encontrarem num lugar e num tempo, pois mesmo os nossos ímpetos aventurosos estão distribuídos por frequências de onda que só por um acaso milagroso se combinam e enredam. “Após uma ausência de que ninguém teve a culpa/ ficamos acanhados um ao pé do outro/ e as nossas palavras parecem mais recentes do que nós,/ como se tivéssemos de voltar ao momento em que nos conhecemos/ e recuperar-nos até ao presente”, lê-se nuns versos de Linda Pastan, num poema em que ela reconhece como o maior perigo que enfrentam os amantes é “toda essa ressaca/ da vida quotidiana, oculta mas perigosa,/ que tão depressa nos puxa a ambos para o fundo”. De resto, quem ainda se sujeita aos destratos de andar sem rumo, aprender com dificuldade os idiomas do acaso pela hipótese de provar o néctar da beira da estrada, dos fins de mundo, dessas zonas limite? “A economia, é este o seu princípio, faz-nos correr como ratos, para que não estejamos nunca lá, a descobrir o segredo da sua usurpação: a presença./ Sair da economia é fazer emergir o plano da realidade que ela esconde. A troca mercantil e tudo o que ela comporta de dura negociação, de desconfiança, de engano”… Aquele brilhante judeu que se matou por receio de ser entregue à Gestapo, quando tentava escapar pelos Pirenéus, notou que articular o passado historicamente não significa conhecê-lo “como ele de facto foi”, mas apoderar-se de uma recordação, tal como ela relampeja no instante de perigo. O pior do nosso tempo é que os perigos se multiplicam, e se tantos fazem questão de os registar, diagnosticar, se passamos boa parte do nosso tempo comovidos com a nossa infindável capacidade de sofrermos com as dores mais distantes, depois ninguém faz nada em relação àquilo que está mais próximo. Falta aquela capacidade própria dos poetas que, no entender de Cortázar, se reconheciam menos pelo que os trancava em si mesmos e mais naquilo que lhes era próximo, que os fazia sentir implicados no que tinham ao seu redor. “Falo da responsabilidade do poeta, esse irresponsável por direito próprio, esse anarquista enamorado de uma ordem solar e nunca da nova ordem ou do slogan que faz marchar ao mesmo passo cinco ou setecentos milhões de homens numa paródia de ordem. Falo de algo que desagradará profundamente aos comissários, aos jovens turcos ou aos guardas vermelhos; falo de uma condição que ninguém descreveu melhor do que John Keats numa carta a que, há muitos anos, chamei a carta do camaleão e que mereceria ser tão célebre como a ‘Lettre du voyant'. O seu prelúdio deixa-se perceber numa frase escrita um ano antes e quase de passagem. Keats diz ao seu amigo Bayley que nunca esperou outra felicidade além da do puro presente e acrescenta, como quem não quer a coisa: ‘Se um pardal pousa junto da minha janela, tomo parte na sua existência e debico no chão…'” Por estas bandas, ninguém merece um reflexo na carne dos outros, um eco seu que floresça a tempo de lhe dar algum sinal, e tudo o que de mais verdadeiro e sensível acontece, perde-se como se não tivesse acontecido. Vamos fazendo a crónica de “uma pequena nação de pequenos assassinos caseiros” (Luiz Pacheco), por incapacidade de nos sujeitarmos às exigências da admiração, que implicam desde logo deixar de lado o cálculo. É a típica condenação a que nos sujeita um tempo medíocre. Envelheces tão cedo, por essa impossibilidade de escolher, por nos sairmos sempre pior num registo impetuoso, quando toda a eloquência é sentida como uma ofensa. Alheios ao seu próprio sonho, decalca o Pacheco no António Sérgio, para falar de nós, seres caídos nesta espiral vagabunda, num país aos bocados, que se reconhece por este cheiro a despegado, que se mantém colado apenas para favorecer algum esquema. E o Pacheco foi vendo, com o acumular dos anos, este desamparo de “tantos de nós ludibriando os próprios sonhos da sua juventude, anquilosando ambições mais do que legítimas, minguando-se, limitando-se (…) sem horizontes já para inventar algo melhor. Pendurados na fezada de um futuro, que já não vai ser para eles, isto é, que já os apanha disformes: gordos, apatetados, com cirroses… envelhecidos prematuramente por dentro, e muito sono nas almas, leia-se consciências.” E talvez porque não há luta em comum que nos arranque desse casulo, dessa clausura, desse castigo de se ver a definhar para fazer carreira como “eu”, e nos devolva uns aos outros. “Há qualquer coisa de prostituível em todo o lado em que domina o nosso ‘valor social', em todo o lado onde se troca uma parte de nós pela mínima retribuição, seja ela, financeira, simbólica, política, afectiva ou sexual” (comité invisível). E, neste ponto, vale a pena retomar a correspondência de Keats, que, numa carta a Richard Woodhouse, trocou o pardal pelo camaleão: “Quanto ao carácter poético em si... não tem um eu; é tudo e é nada: não tem carácter; deleita-se tanto com a luz como com a sombra; vive naquilo de que gosta, seja horrível ou belo, excelso ou humilde, rico ou pobre, mesquinho ou elevado. Sente tanto prazer em conceber um Iago como uma Imogena. Aquilo que choca o filósofo virtuoso deleita o poeta-camaleão... Um poeta é a coisa menos poética que existe; como não tem identidade, tende continuamente a encarnar-se noutros corpos... O poeta não possui nenhum atributo invariável; é, certamente, a menos poética de todas as criaturas de Deus.” Neste episódio, o David voltou para nos dar uma hipótese de tirarmos a barriga de misérias e saltarmos da greve geral para umas luxuriantes patuscadas, conseguidas na base de todo um arsenal de poções e fórmulas científicas aplicadas à exploração gastronómica, sem abdicar, no entanto, daquela elementar dose de porrada e humilhações sem as quais nunca se faz nada, além dos gerais iscos que convencem os lorpas de que têm muita sorte em ter um chulo a ocupar-se deles. Vamos também dar um passeio pela feira do livro de Lisboa pela mão do Pacheco e ouvir as últimas quanto a editores a quem, por maior que seja a crise, nunca há-de faltar um tremendo jeito para o negócio.

Welcome the man the myth the legend Keats to the Bmore Nerdy Podcast. In out interview with Keats we talk how he was born to do music, his progression as a content creator and musician, growing his brand and Trap Sushi. After his interview Galaxy Greg breaks out another new game and we rate some anime core rap.News: Gary Conway, Avatar the Last Airbender, Toei Games, Black Clover ending, Game pass price drop, Moon girl and Devil Dinosaur, Punisher Ears: Daisy Duck#xbox #jjk #trapsushi #dnd #keatsdidit #onepiece #blackclover #marvelFollow our guest Keats on all platforms @keatsdidit and get his music everywhere you stream music. Check out 21 Blackjack on Webtoons if you haven't had the chance. Leave a like, subscribe , and share!Follow the Podcast on Youtube, Tiktok, IG, and Twitter @bmorenerdyFollow your host @galaxygreg_ @theedivaxox @honestlyheed.And remember to Be More Nerds!

How often have you heard someone say they aspire to be an ISO consultant? Likely not at all! That's not surprising as it's quite a niche world to find yourself in, yet despite that, there are still thousands of ISO professionals worldwide. We're continuing with our mini-series where we introduce members of our team, to explore how they fell into the world of ISO and discuss the common challenges they face while helping clients achieve ISO certification.   In this episode we introduce Steve Mason, a Principle isologist® at Blackmores, to share the journey of how he went from intern, to ISO Assessor, to ISO consultant and the challenges he's faced while working with clients. You'll learn ·      What is Steve's role at Blackmores? ·      What does Steve enjoy outside of consultancy? ·      What path did Steve take to become an ISO Consultant? ·      What is the biggest challenge he's faced when implementing ISO Standards? ·      What is Steve's biggest achievement?   Resources ·      Isologyhub ·      ISO 14001:2026 What's Changed And How to Comply Webinar Registration   In this episode, we talk about: [00:30] Episode Summary – We introduce Steve Mason, a Principle Isologist® here at Blackmores, to discuss his journey towards becoming an ISO consultant who specialises in ISO 27001, ISO 27701, ISO 27018, ISO 27017 and ISO 20000-1. [02:40] What is Steve's role at Blackmores? Her role primarily involves supporting clients in two key areas: maintaining and continually improving their existing ISO management systems and helping them establish and implement new standards. As part of that support, he: ·      Makes Standards understandable and accessible to clients ·      Conduct internal audits ·      Reviews and updates management system documentation ·      Facilitate management reviews ·      Train internal teams and prepare them for certification audits. Steve is the Standard champion for ISO 27001, ISO 27701, ISO 27017, ISO 27018 and ISO 20000-1 at Blackmores, but he also deals with ISO 9001, ISO 41001, ISO 22301 and ISO 42001 related projects and support. Steve's other main role at Blackmore's is as a Mental Health First Aider, which is shared with Minoo Agarwal. Together, they provide resources and offer support to the team. [06:00] The importance of Mental Health management in the workplace: Steve had faced bullying in previous roles, so preventing others from experiencing the same had become a big motivator for him taking on the role of Mental First Aider for Blackmores. He emphasizes it's importance, and highlights 2 key Standards that you can use to help support mental first aid within your business. This includes ISO 45003 Mental Health in the Workplace and BS 30480 Suicide and the Workplace. [09:10] What does Steve enjoy doing outside of consultancy?: Steve has a wide variety of interests and hobbies, including: Lay Minister: Steve is a Lay Minister in the United Reform Church and mainly based at the URC Chapel in Walkern, but can be found leading worship and preaching at Ashwell, Baldock, Stevenage and Knebworth chapels. Poetry: Steve enjoys writing poetry about anything and everything, racking up an impressive 190 poems so far. Some of his main inspirations include Wordsworth and Keats. If you ever see a poem on the Blackmores LinkedIn page, odds are, it was written by Steve! Classical Music: He's a fan of classical music, anything by Beethoven, Mahler or Shostakovich specifically. He likes these composers in particular due to their stretching of the rules of music for the time. Exploring hidden London: Steve often goes on hidden London tours which explore disused underground stations which may have been shut down as long as 100 years ago! Buses and Trains: Steve was lucky enough to drive a bus in his past, of which he has the licence plate of sitting in his office. He collects bus and train models and will go out to snap a photo or two of their real world counterparts when he comes across them. History: Steve is a huge mystery buff, with a particular fondness for Richard III and the War of the Roses and the Anglo Saxon period of history. Family Tree: Steve has been tracing his family tree back as far as he can on his mother's side, which extends as far back as 1547! Interestingly enough he found out that relatives from way back then got married in the church that he currently lives nearby and got qualified as a Lay Minister for the Church of England in Stevenage! Cats: He's owned his fair share of feline friends through the years, with one particular tabby holding the name 'Spartacus'. [22:35] What was Steve's path towards becoming an ISO Consultant?:  Steve was once told in the 1980s 'There is no future in Standards; find another career, perhaps in Sales or Purchasing'. How wrong that turned out to be! He's always worked with standards, from the first day he started work doing inspection in Goods Inwards, he was referring to them. The direction towards Management systems came in 1983 when he started implementing BS 5750. From that day onward he had been involved in Management Systems. Steve completed a management apprenticeship at Racal-Guardall where he was able to do 3 months' work experience in all departments, which helped him appreciate how companies function and how important it is to maintain good communication channels. He was at the end of this apprenticeship that the opportunity arose in the QA department to work on BS 5750. His career path has included other organisations such as Tektronix, BOC Ohmeda, Cirkit, Deta, TDK and BSI, all of which earned Steve a lot of experience in Manufacturing and Service and Distribution, mainly in Quality and Customer Service roles. Steve has always felt a bit like a closet consultant, even when he worked as an assessor at BSI. He feels as if Blackmores has enabled him to fully flourish and develop his portfolio of standards – not bad for a career where there was apparently no future in standards! [28:45] Born to be a consultant – Steve mentions that consultancy is a skill that many are born to be. You can train and learn the skills of course, but for some it comes very naturally and it can be hard to replicate that skillset in others. [30:15] What is Steve's favourite aspect of being a Consultant? Steve loves talking with clients and working with them to explore solutions that can address the requirements of the standards. His motto is 'Mould the Standard to the organisation and not the organisation to the standard' This means, always producing a management system that benefits the organisation first and then adjusting it to meet the requirements of the standard. Organisations that mould the business to the standard usually end up with a management system that is a 'bolt-on' and an uncomfortable, sometimes irrelevant, fit. Everyone in the organisation needs to feel that the management system is a natural fit to what they do. He also enjoys supporting his colleagues at Blackmores. We're a business built on knowledge sharing, and there's no point gatekeeping anything we've learned as a team. So consultants often get together to discuss lessons learned and ensure best practice is a shared experience. Ironically enough, one of Steve's least favourite aspects of being a consultant is auditing! Mostly since he's been doing it for some 40 years now, so he can be forgiven for finding the exercise a bit tedious at times. However, he never let's that affect the end result of an audit. [37:00] What Standards does Steve specilaise in and why? Steve initially started with ISO 9001 but was steered towards ISO 27001 and ISO 20000-1 during his time as BSI. This was based upon his career path up to the point he joined BSI as they align assessors to familiar business and technical environments. In Blackmores, he has been able to develop these areas of Quality, Service and Risk by adding standards related to Business Continuity, PII and Cloud Security, Facilities Management and AI Management. Steve's favourite standard is ISO 20000-1 which started off as an IT Service Management System but can also be used effectively for all services. He always refers to ISO 20000-1 as 'ISO 9001 on Steroids' because it is much more specific and focuses on the subject of service management. Sadly, ISO20000-1 is under rated, under sold and in some cases, never heard of – this is usually because contracts require IS O9001 but the people writing those contracts don't actually know or understand what they are asking for. In simple terms it is a Service Quality Management System and Steve has come across organisations which have shoe-horned ISO 9001 into the business instead of using the natural fitting standard ISO 20000-1. Steve would advise any company that is providing a service with helpdesk support to look at ISO 20000-1, especially if they find that ISO 9001 isn't working well for them. [43:00] What is the biggest challenge Steve had faced during a project and how did he overcome it?: Creating a management system in 10 days for a client which was due to lose a major contract because they had let their certification to ISO 9001 lapse between the 2008 and 2015 versions. Quite the undertaking in such a short amount of time! Steve refuses to claim full responsibility for the success however, as the client was totally invested in getting the system up and running and put in a lot of effort to work with Steve to get it done in time. If it had been any other standard, it would have been impossible, but because it was ISO 9001 and wthey were drawing on what had been in place previously it was possible. Generally, problems arise when there is limited or no Leadership support and commitment, because without this management systems can't be set up in a way that benefits the organisation. All management systems must align with the Business Strategy and should be used to ensure that the strategy is achieved. If you'd like to learn more about the importance of Leadership and aligning your management system with strategic direction, check out a few of our previous episodes. [50:10] What is Steve's proudest achievement?  Steve isn't really one to collect achievements, so he cites winning 1st Prize at 6 years old in a fancy-dress competition, dressed as a Snowman was a proud achievement for 6 year old him. He is also proud of becoming a Lay Reader initially in the Church of England at 37 and latterly in the URC. Another highlight is appearing on The Chase back in 2017, successfully passing the auditions which saw 40,000 applicants. If you want to go see him go up against the Chasers, he was in Series 10 episode 119. He can't point to any one ISO related project as he sees them all as an equal success. He puts all his effort into every project, and his success track shows this to be evident. [54:35] ISO 14001 Transition Webinar:  If you currently hold a 2015 certificate for ISO 14001, then the countdown has already started to transition to the latest 2026 version. We'll be covering the changes and what you need to do to comply and complete your transition in a webinar on the 29th May. You can register your place here.   If you'd like any assistance with implementing ISO standards, get in touch with us, we'd be happy to help! We'd love to hear your views and comments about the ISO Show, here's how: ●     Share the ISO Show on Twitter or Linkedin ●     Leave an honest review on iTunes or Soundcloud. Your ratings and reviews really help and we read each one. Subscribe to keep up-to-date with our latest episodes: Stitcher | Spotify | YouTube |iTunes | Soundcloud | Mailing List

What Can Lead a Weary Soul to the Divine in a Post-Christian World?   Malcolm Guite is back for part two of our chat with him, and this time we go from atheism to awe, from the Psalms to the Holy Grail, and from Keats to King Arthur. Malcolm tells the wild story of how poetry cracked open his imagination and shattered his unbelief, leading him into the living presence of God — then shows why Galahad and the Grail might be the ancient, weird, luminous story our burned-out, disenchanted world needs now.   Listen to Malcolm Guite pt. 1: Does Theology Need an Imaginative Spark to Grasp God's Mystery?   Sign up for The After Party Informational Webinars   Mentioned In This Episode: Malcolm Guite's Galahad in the Grail Malcolm Guite's Epiphany 1 The magi Malcolm Guite's Sounding the Seasons C.S. Lewis's Surprised by Joy John Keats' Ode to a Nightingale Saint Augustine, Bishop of Hippo's The Confessions Of Saint Augustine   Scriptures Referenced In This Episode: Psalm 145 (1928 BCP) The Psalms (Coverdale edition) PDF version   More from Malcolm Guite: Malcolm Guite's website and blog Malcolm Guite's Youtube channel Malcolm Guite's books   Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   The Good Faith Podcast is a production of a 501(c)(3) nonpartisan organization that does not engage in any political campaign activity to support or oppose any candidate for public office. Any views and opinions expressed by any guests on this program are solely those of the individuals and do not necessarily reflect the views or positions of Good Faith.  

Throughout most of history, marriage wasn't seen as something you did ‘for love'. We paired up for resources, family alliances and survival - so when did it change? In this episode, we explore the history of romantic love and how it's changed from ancient love poems and medieval knights, to Shakespeare and modern romcoms. DM us your thoughts, questions, topics, or to just vent at @triplejthehookup on IG or email us: thehookup@abc.net.auThe Hook Up is an ABC podcast, produced by triple j. It is recorded on the lands of the Wurundjeri people of the Kulin nation. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

Don't forget to SUBSCRIBE to our educational YOUTUBE channel! https://youtu.be/FuUE-jppZDk?si=4CNSw5JyUwhZ3o7KGenerations of children have read, re-read, and loved Ezra Jack Keats's award-winning, classic stories about Peter and his neighborhood friends. Ezra Jack Keats (1916-1983) was the beloved author and/or illustrator of more than eighty-five books for children. #storytime #storytimeforchildren #storytimeforkids #readaloud #readaloudtochildrenhttps://youtu.be/FuUE-jppZDk?si=4CNSw5JyUwhZ3o7K

Our guest is Shoshanna Keats Jaskoll, a well-known Orthodox Jewish writer and activist whose work focuses on women's rights in Orthodox Judaism and the visibility of women in religious life. Born and raised in Lakewood, New Jersey, she moved to Israel with her family, where she has become a prominent voice challenging religious extremism, the erasure of women from public and communal spaces, and broadly advocating for Orthodox Jewish women. In this episode we discuss a number of issues including the increasing erasure of images of women in Orthodox venues. the agunah problem (women who are unable to obtain a get – a Jewish legal divorce – and are chained to former spouses and unable to remarry), women's health issues, their growing roles in Jewish learning, and more. She is a co‑founder of Chochmat Nashim, an organization that creates change in the global Jewish society by challenging dangerous trends in Jewish communities around the world. Using new and traditional media the organization sheds light on societal norms that exclude women and feed extremism. She is also a founder of Rate My Deit Din, a resource and website that evaluates and improves Jewish divorce in the rabbinic court (beit din) system. Courts are rated via user and professional reviews and are offered ways to improve users' experiences. Finally, she is a founder of the Laura Ben David Jewish Life Photo Bank, a dedicated resource for authentic images of Jewish women, families, and communities, aiming to counter erasure.

MetService is defending the lack of warning in Wellington, before it was battered by torrential rain and flash flooding early today. Karori man Philip Sutton hasn't been found since his home flooded. Wairarapa and Wellington - excluding Porirua - now sit under a rare red warning until late tomorrow. A State of Emergency's been declared, with warnings to evacuate from low-lying areas. MetService's Heather Keats says limited warning's possible for localised thunderstorms - because they develop so quickly. "You could be 40 kilometres up the road and have no rainfall recorded at all, and then you could be underneath it and then receive 80 millimetres in an hour." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Saddle up and join the Round Table as Mythmakers embarks on a journey through some of the most famous retellings of King Arthur in celebration of Tolkien Reading Day. Which author started the ball rolling, and who poetically kicked it on into the 19th century? Where do the traces of these tales become most apparent in the works of Tolkien and C.S. Lewis? And who has continued the Arthurian tradition into modern times?Finally, we turn to the screen—what is the most successful adaptation of them all? Tune in to see if you agree with our pick!(00:00) Tolkien Reading Day and the Power of Arthur(03:09) Malory and the Rise of Arthur in Print(05:26) Arthur Pulls the Sword from the Stone(09:24) Keats and the Melancholy of Arthur(12:08) Tennyson, Avalon, and Echoes in Tolkien(15:15) William Morris and Arthur’s Expanding World(16:52) T.S. Eliot, Charles Williams, and the Modern Grail(22:22) Film, Comedy, and Reinventing Arthur(23:00) Tolkien and Lewis Through an Arthurian Lens(27:02) Modern Retellings and Julia Golding’s Own Arthur Stories(29:12) Why BBC’s Merlin Works So Well(30:43) Reading Arthur to Better Understand TolkienFor more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok  

In Part 2, Chris and Attorney Keats Boyd dive into advanced strategies that protect wealth, reduce risk, and potentially eliminate state‑level estate taxes. Topics include: Why rental property owners should strongly consider using an LLC Inside vs. outside creditors — and why the distinction matters How LLCs protect your home and financial assets from tenant lawsuits Selecting the right state in which to form an LLC (charging order jurisdictions explained) Filing requirements, costs, and practical considerations Using LLCs as part of multi‑generation wealth planning Whether MA real estate taxed in an estate can be reduced or eliminated using LLCs or credit shelter trusts If you own rental property or have substantial real estate value, this episode is full of actionable insights that may save your family significant taxes and liability exposure.   #EstatePlanning #FinancialPlanning #WealthManagement #TrustsAndEstates #TaxPlanning #RetirementPlanning #LLC #AssetProtection #RealEstateInvesting #LandlordLife #LiabilityProtection #Smwcb

THE TEN MINUTE FORTNIGHT: Andy surveys his cricket-themed birthday cards, and Toby wonders whether Livingstone's criticism of Bazball might let the genie out of the bottle "It does make you wonder what they'd send if I wasn't a cricket fan." FROM THE ARCHIVES (09'40): An Unusual World Record: Jimmy Sinclair scores the longest ever six "His name sounds like a super hero, which is probably quite appropriate given what we're about to hear."  THE REVIEW (19'30): Echoing Greens: How Cricket Shaped the English Imagination (2024) by Brendan Cooper "Wonderful to think of Keats at the age of 24 wandering about with a cricket injury." Recorded 19 March 2026  

Misha Glenny and guests discuss the short life and lasting works of Keats (1795-1821), who in one year wrote some of the most loved poems in English. Among these are Ode to a Nightingale, Ode on a Grecian Urn and Ode on Melancholy. That most productive year began in autumn 1818, when Keats had been stung by some reviews labelling him an uncouth Cockney who should go back to his former work as an apothecary, work he had left for poetry only two years before with the encouragement of enthusiastic friends. Just over two years later, Keats was dead in Rome from tuberculosis, before his work found fame, though some who knew him, including Shelley, believed his true killer was the critics.WithFiona Stafford Professor of English Language and Literature and Tutorial Fellow at Somerville College, University of OxfordNicholas Roe Wardlaw Professor of English Literature at the University of St AndrewsAndMeiko O'Halloran, Senior Lecturer in Romantic Literature at Newcastle UniversityProducer: Simon TillotsonReading list:John Barnard, John Keats (Cambridge University Press, 1987)Katie Garner and Nicholas Roe (eds), John Keats and Romantic Scotland (Oxford University Press, 2022)Ian Jack, Keats and the Mirror of Art (Oxford University Press, 1967) John Keats (ed. John Barnard), John Keats: Selected Writings (Oxford University Press, 2020)John Keats (ed. John Barnard), John Keats: Oxford 21st-Century Authors (University Press, 2017)John Keats (ed. John Barnard), Selected Poems (Penguin, 2007)John Keats (ed. John Barnard), The Complete Poems (Penguin, 2nd edition, 1977)John Keats (ed. Jeffrey N. Cox), Keats's Poetry and Prose: A Norton Critical Edition (W. W. Norton & Company, 2008)Carol Kyros Walker, Walking North with Keats (Edinburgh University Press, 2021)Richard Marggraf Turley (ed.), Keats's Places (Palgrave Macmillan, 2018)Lucasta Miller, Keats: A Brief Life in Nine Poems and One Epitaph (Jonathan Cape, 2021) Michael O'Neill (ed.), John Keats in Context (Cambridge University Press, 2017)Christopher Ricks, Keats and Embarrassment (Oxford University Press, 1974) Nicholas Roe, John Keats: A New Life (Yale University Press, 2012) Helen Vendler, The Odes of Keats (Belknap Press, 2004)Susan J. Wolfson, Reading John Keats (Cambridge University Press, 2015)Susan J. Wolfson (ed.), The Cambridge Companion to Keats (Cambridge University Press, 2001)In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

It is a special midweek drop and the group chat is packed. This episode covers the forces quietly reshaping the economy right now — from AI slashing business costs overnight, to GLP-1 drugs gutting the snack industry, to private credit markets showing their first real cracks. The guys break down what is actually happening beneath the headlines, why sports viewership is at an all-time high, which consumer brands are quietly hitting $10 billion, and why the stock market may be setting up for a violent rally. No fluff, no filler — just the conversations happening in every serious group chat right now.   Topics Covered This Episode: 1. AI Is Replacing Your Entire Software Stack How using Claude cut one company's AWS bill from $9,500 a month down to a projected $500 — and what that means for every business owner still paying for legacy SaaS tools. Plus: Lovable jumps from a $300M to $400M run rate in a single month, and Anthropic adds $6 billion in run rate in two months. The AI economy is not coming — it is already here. 2. The GLP-1 Effect Is Hitting Corporate Earnings Campbell Soup's snack division dropped 6% in a single quarter with no obvious explanation other than 30 million Americans now on GLP-1 medications. The guys explore the downstream ripple effects — grocery aisles, fast food, supplement brands, and what retailers like Kroger do when people simply stop snacking. 3. Private Credit Is Cracking Blackstone, Blue Owl, and Cliffwater are all facing record redemption requests after two major auto suppliers backed by private credit funds went under. Is this an economy problem, a bad-lending problem, or a panic problem? The guys break it all down and explain why it matters even if you have never heard of private credit. 4. Sports Is on an Unprecedented Run Every sport — NFL, NBA, MLS, World Baseball Classic, UFC — is posting record ratings. The guys explain why gambling, fragmented media, and the death of cable news are all fueling the surge, and why the Tom Brady flag football league and the Gronk vs. Logan Paul beef are the perfect example of how modern sports entertainment actually works. 5. The $10 Billion Consumer Brands Nobody Is Talking About Quince hits a $10 billion valuation doing nearly $2 billion in revenue by going factory-direct to consumers. The guys break down why consumer investing is back, who is losing market share, and what the rise of brands like Keats and Whatnot means for traditional retail. 6. Millionaire Taxes, Fraud, and the Wealth Exodus Washington State's new 9.9% millionaire tax, the staggering scale of hospice care fraud in Los Angeles, and why billionaires — and now regular millionaires — are leaving high-tax states for Nevada, Texas, and Florida. The argument is simple: clean up the fraud first, and you would not need to raise taxes at all. 7. The Stock Market Rally Nobody Wants to Miss Goldman Sachs is calling for an extreme stock rally. The guys explain why $8.5 trillion sitting in money markets has nowhere else to go, why the US stock market is the only investable market left in the world, and why owning assets — not just earning a salary — is the only play that makes sense right now.   Group Chat News drops every week. Subscribe so you never miss the conversation.    

durée : 00:55:18 - Very Good Trip - par : Michka Assayas - Au menu de ce Very Good Trip, la voix d'une femme qui ne ressemblait à aucune autre. Michka Assayas consacrait cette émission à Marianne Faithfull à l'occasion de la sortie d'un album ou elle ne chantait pas mais récitait ses poèmes anglais préférés, Tennyson, Wordsworth, Keats et Byron. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Producer/Host: R.W. Estela Hi, I'm RW Estela: Since 1991, I've been presenting A Word in Edgewise, WERU's longest-running short feature, a veritable almanac of worldly and heavenly happenings, a confluence of 21st-century life in its myriad manifestations, international and domestic, cosmopolitan and rural, often revealing, as the French say, the more things change, the more they stay the same — though not always! Sometimes in addressing issues affecting our day-to-day lives, in this age of vagary and ambiguity, when chronological time is punctuated elliptically, things can quickly turn edgy and controversial, as we search for understanding amid our dialectic. Tune in Monday mornings at 7:30 a.m. for an exciting journey through space and time with a few notable birthdays thrown in for good measure during A Word in Edgewise . . . About the host: RW Estela was raised as a first-generation American in Colorado by a German mother and a Corsican-Basque father who would become a three-war veteran for the US Army, so RW was naturally a military brat and later engaged in various Vietnam-era civil-service adventures before paying his way through college by skiing for the University of Colorado, playing Boulder coffeehouses, and teaching. He has climbed all of Colorado's Fourteeners; found work as an FAA-certificated commercial pilot, a California-licensed building contractor, a publishing editor, a practitioner of Aikido, and a college professor of English; among his many interdisciplinary pursuits are the design and building of Terrell Residence Library (recently renamed the Terrell House Permaculture Living & Learning Center at the University of Maine), writing Building It In Two Languages (a bilingual dictionary of construction terminology), aerial photo documentation of two dam removals (Great Works and Veazie) on the Penobscot River, and once a week since 1991 drafting an installment of A Word In Edgewise, his essay series addressing issues affecting our day-to-day lives — and WERU's oldest continuous short feature. When pandemics do not interfere, he does the Triple Crown of Maine open-water ocean swims (Peaks to Portland, Islesboro Crossing, and Nubble Light Challenge) and the Whitewater Downriver Point Series of the Maine Canoe and Kayak Racing Organization. RW is the father of two and the grandfather of three and lives with his partner Kathleen of 37 years and their two Maine Coons in Orono. The post A Word in Edgewise 3/2/26: Martius, Year of the Horse, Keats, Yeats, & Full Blood Moon Eclipse . . . first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

Commemorating John Keats with odes by John Philip Drury, Myra Shapiro, and Mark Elber. Support the show

March is Multiple Myeloma Awareness Month. In this episode, we speak with TGen Associate Professor Jonathan Keats, Ph.D. Dr. Keats' revisits the COMPASS study from the Multiple Myeloma Research Foundationm a 12-year research project that examined the different forms of this blood cancer and revealed why some patients respond well to treatment while others face more aggressive disease. His work on the project led to the development of two advanced tests that can deliver results in days instead of weeks, helping doctors choose the most effective treatment for each patient. These tests can also show when some patient may no longer need therapy, sparing many people from years of difficult and costly treatments. Listen as Dr. Keats shares why he believes the future is becoming much brighter for patients with multiple myeloma and other forms of cancer.

Soulja Boy was the first rapper to complain about pronouns for non-ideological reasons. And it's crazy the devil hangs out at the crossroads when the cross is Jesus' main thing. Fortune Kit on Patreon: https://www.patreon.com/fortunekit

In this episode, we will be discussing the history of the impact of the transatlantic slave economy on the lives and times of some of the most well-known poets of the British Romantic literary tradition, such as Shelley and Keats, among others. Joining me is Mathelinda Nabugodi. Mathelinda is a Lecturer in Comparative Literature at University College London. She is the author of Shelley with Benjamin: A Critical Mosaic (2023) and one of the editors on the six-volume Longman edition of The Poems of Shelley (1989-2024). Her current research explores the connections between British Romanticism and the Black Atlantic. This episode focuses on her recently published book, The Trembling Hand: Reflections of a Black Woman in the Romantic Archive. 

In this episode of Words That Burn, I'm joined by Irish poet Clíodhna Bhreatnach to discuss her debut pamphlet, Pink Roses and Green. Together, we chat about a collection that sits at the intersection of the "nine-to-five grind," Millennial burnout, and a deep, tactile longing for the natural world.Clíodhna breaks down her unique approach to the "Millennial Lyric"; moving away from the pastoral and into the office kitchenette. We discuss how she navigates the Post-Celtic Tiger landscape, using poetry to document the deformation of human time under late-stage capitalism.We cover other topics like:The Romantic Office: Applying the philosophy of Keats and Wordsworth to photocopiers and Excel spreadsheets.Digital Intimacy: Finding beauty in the "randomised screensavers" of Windows desktops.The "Sick Addiction to Soft Things": Why tactile textures (paper, nature) are vital in a digital world.Writers Groups: The importance of community (specifically the Frustrated Writers Group) in banishing impostor syndrome.References & Recommendations:Bandit Country by James Conor PattersonUnstoppable Utopia by Cassandra MossThe Perfect Season by Sean PearsonThe Lover's Discourse by Anahid Nersessian (Criticism on Keats)About the poet: Clíodhna Bhreatnach is from Waterford and lives in Dublin. Her poems have appeared in Poetry Ireland Review, The Stinging Fly, and The Forward Book of Poetry 2023. She has recently been awarded a Dublin City Council Arts Bursary for 2025. She is the former poetry editor of Frustrated Writers Group.Find the book and the poet:https://cliodhnabhreatnach.comhttps://greenbottlepress.com/product/pink-roses-green-by-cliodhna-bhreatnach/Follow the Podcast:Read the Interview on SubstackFollow the Podcast On InstagramFollow the Podcast on X/TwitterFollow the Podcast on TiktokFollow the podcast on Bluesky Hosted on Acast. See acast.com/privacy for more information.

Interview with Chief Executive Officer, Keith BoyleOur previous interview: https://www.cruxinvestor.com/posts/new-found-gold-tsxvnfg-explorer-to-producer-8484Recording date: 3rd December 2025New Found Gold Corporation is executing a capital-efficient development strategy that combines near-term cash flow from the recently acquired Hammerdown mine with advancement of the flagship Queensway Gold Project in Newfoundland, Canada. The November 2025 Maritime Resources acquisition delivered two critical assets: a producing underground mine that poured first gold one day before closing, and the fully permitted Pine Cove mill that eliminates major infrastructure requirements for Queensway's planned 700-ton-per-day operation. Management's appointment of Cutfield Freeman to structure project financing for Queensway's $155 million initial capital requirement signals progress toward a debt-heavy capital structure, with Hammerdown cash flow serving as the equity portion to minimize shareholder dilution. Recent grade control drilling at five-meter spacing confirms exceptional grades at the Keats zone, with only 20% of results released from the 70,000-meter 2025 program. These dense drill patterns reduce estimation uncertainty in nuggety gold deposits and support anticipated resource upgrades in the 2026 technical report. Discovery of high-grade mineralization at Dropkick, located 11 kilometers from existing resources, demonstrates district-scale exploration potential beyond current mine plans. The company targets Q1 2026 permit submission for Queensway with approval expected in H2 2026, enabling development commencement toward late 2027 commercial production. Hammerdown is ramping to steady-state operations during H1 2026, providing cash generation that de-risks Queensway financing while maintaining exploration programs across both properties that could extend mine life and improve project economics.—Learn more: https://cruxinvestor.com/companies/new-found-goldSign up for Crux Investor: https://cruxinvestor.com

Interview with Jeff Swinoga, CEO of Exploits Discovery Corp.Our previous interview: https://www.cruxinvestor.com/posts/exploits-discovery-csenfld-new-found-gold-deal-unlocks-10m-treasury-value-7947Recording date: 5th December 2025Exploits Discovery Corp (CSE:NFLD) is a resource-stage gold exploration company focused on advancing properties with established historic resources in premier Canadian mining jurisdictions including Quebec and Ontario. Today it has completed a transformational deal with New Found Gold, receiving 2.8 million shares now valued at over $11 million plus a 1% royalty on properties along the Appleton fault. CEO Jeff Swinoga discusses how the company has strategically repositioned from grassroots exploration to resource-stage development.Key Highlights:- New Found Gold Transaction: 2.8M shares valued at $11M+ (up from $7M at announcement) with 1% NSR royalty on Bullseye and other properties adjacent to Keats discovery.- Enhanced Treasury: Approximately $3.6M in working capital against $11M market cap - analyst Brian Lundin notes company is "trading at cash value" with investors getting "the gold for free"- Resource Portfolio: Acquired three Quebec properties and one district-scale Ontario asset containing ~700,000 ounces of historic gold resources.- January 2026 Drilling: Fenton property programme targeting high-grade gold along magnetic corridors intersecting diabase dykes, following extensive geophysical work- Strategic Backing: Eric Sprott holds ~14% ownership stakeSwinoga explains: "We wanted our shareholders to benefit from a rising gold price by having resources in the ground."The company is at an inflection point, transitioning from transaction completion to operational execution with immediate drilling catalysts and systematic technical work designed to improve targeting beyond previous operators' efforts.Learn more: https://cruxinvestor.comSign up for Crux Investor: https://cruxinvestor.com

The moment the syllables spilled from my mouth, I knew I'd screwed up. “And a repeat offender...” I said. “Verse a detective dog.” Verse. It was the opening few stanzas of last night's news, the part of the show where we tease a few of the evening's top stories. And as the opening credits played, with my microphone fader pulled down, I called out to my producer in frustration with myself. “Versus!” I said. “VERSUS.” The emails flooded in. I knew they'd be waiting for me. Polite but gently critical messages, kindly informing me that due to myriad inadequacies in the New Zealand education system, I'd used a term more appropriately associated with Shakespeare or Keats than that of the cunning pest control dog starring in the evening bulletin. But hey. Did you notice there how I used myriad? I don't know about you, but it drives me crazy when I hear people talk about a myriad OF something. It shouldn't because apparently a myriad ‘of' is perfectly correct. Myriad started its English language life in noun form. And yet anytime someone opts for ‘myriad of' instead of the adjective usage, the snooty language snob in me can't help but curl his toes. It's the same when people say less instead of fewer. There are not less than thirty days until the new year. There are fewer than thirty days. Duh. And I hate to admit it, but I'm not fussed whether you're a stranger, a colleague, or my long-suffering wife, I'm that miserable sod who can't help but wait fewer than a few split seconds before pretentiously correcting your mistake. The other one that gets my goat (and yes, it gets my goat... it doesn't get up my goat) is when anyone observes that the proof is in the pudding. The proof is not in the pudding. The proof of the pudding is in the eating. Makes sense when you actually think about it. Speaking of mastication, my Dad was recently spun into a state of despair by the repeated insistence of a prominent sportsperson that they were chomping at the bit for an upcoming contest. Chomping at the bit, rather than champing at the bit. I suppose that really would be a remarkable level of excitement. I know that language is alive. I know that language morphs and evolves. But for those of us who care to conserve usage principles and don't mind putting others right from time, there is nothing like erring while reading the news before 700,000 people, for a rude taste of one's own medicine. How quickly the corrector becomes the corrected. Myriad grammar and usage errors might get my goat, but I've learnt the hard way there are plenty of other grammar and usage tyrants champing at the bit to correct every error. Who knows if my cautionary tale will have any impact —the proof of the pudding is in the eating— but if you've learnt anything, maybe you'll make fewer errors rather than less, after listening to this verse. You know... as opposed to versus. See omnystudio.com/listener for privacy information.

This week is all poetry—our first all-poetry week of the Immersive Humanities project! After struggling through young Werther, I decided I needed to step back and understand Romanticism as a movement. I offer a brief review of the history leading up to Romanticism; after all, most movements are reactions against what precedes them. The printing press and Protestant Reformation blew open European thought, leading to centuries of philosophical upheaval. Empiricists like Bacon and Hume insisted that knowledge must be tested; rationalists like Descartes and Spinoza trusted pure reason. Kant eventually tried to unite both. Their world gave rise to the Enlightenment—and then came the Romantics, pushing back with emotion, imagination, and nature.That's the world our poets wrote in. This week I used Pocket Book of Romantic Poetry and read Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats (skipping Novalis and Hölderlin). I loved some poems, disliked others. Blake's mystical, anti-Christian tone left me cold. Wordsworth's childhood wonder won me over. Coleridge's Rime of the Ancient Mariner shocked me--it's gripping, almost epic. Byron was brilliant, scandalous, and endlessly readable. His Prisoner of Chillon might have been my favorite poem of the week. Shelley felt dreamlike and visionary, while Keats, to me, seemed talented but young. What did the world lose when he died?Reading these poets in their historical context changed everything. They're passionate, experimental, and surprisingly radical—not quaint! We are missing out when we resort to tired anthologies to get to know these poets--something that I didn't expect to feel so strongly about! Paired with Beethoven's Pastoral Symphony and Chopin's preludes, this week was a revelation.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)That cool Medieval Science Book The Genesis of Science by James HannamCONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts -

Episode 86 Recalling Brigid by Orna Ross Orna Ross reads ‘Recalling Brigid' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/86_Recalling_Brigid_by_Orna_Ross.mp3 This poem is from: Poet Town: The Poetry of Hastings & Thereabouts edited by Richard Newham Sullivan Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Interview transcript Mark: Orna, where did this poem come from? Orna: Hi Mark. Yeah, so it's one of a collection that I'm working on, around Irish women from history and myth. And these are women that I grew up with, as a young person, receiving a sort of a typical Irish education, if you like. Orna: And so some of them are saints, some of them are mythological people. Well, saints are also mythological people! Some of them are historical figures who've been mythologized. And I just wanted to go back in and do my own exploration of each of these women because everybody else had. So I've been gathering these poems over a long time, but it actually started with this one. It started with Brigid. And Brigid is a figure from ancient Irish mythology. And she was Christianized into a Roman Catholic saint. She is the patron saint of Ireland. One of. You've probably heard of the other one. Patrick. You probably haven't heard of this one: Brigid. And, so many things have been projected on her. And it's interesting to read what, what survives of what is written about her because what's written earlier on in time is quite different to what's written later on. And she continues to be an inspiration. Her feast day is the first day of spring in Ireland, which in Ireland is the first day of February. It's much earlier than it is in England. And she's just an interesting, personification of the female virtues as they've been perceived over time. Mark: So you said she was written about differently in earlier times to more recent times, which I think is pertinent to how you're exploring that in the poem. So maybe you could just give us a brief summary of that. Orna: Yes. So I, the poem refers to ‘the takeover'. And by that, I kind of mean the Christian, but hand in hand with Christian goes the patriarchal, takeover of old images of women in general. And Brigid is part of that. So earlier, renditions about her tend to focus on her as a healer, as a wise woman, as a very compassionate person, ‘ale to lepers' is one of the, images in the poem. Whereas later versions tend to emphasize her holiness and her saintliness and, her goodness and I suppose what we would typically think is a good, religious, icon. So it's interesting just to read how that changes and differs as we go. And she also then had her detractors, which is where we get to the ideas, about women generally that are in the poem – the consort, mother, victim, whore, those kinds of ideas. You see them brushing against Brigid over time, but she comes through intact actually, as a woman in her own right. And these don't tend to stick to her as they have stuck to others. Mark: And sometimes when poets use mythological figures like this, there's a kind of a critique of, ‘Well, that's a little bit old fashioned, it's poetry with a capital P'. But reading this and listening to you, it kind of really underlines to me that mythology and religion are really quite present in Ireland. Orna: Oh, gosh, yes! The past is very present in Ireland still, in lots of ways. And. It's interesting. I suppose it's something to do with being a small island on the very edge of, in inverted commas, civilization. Although the Irish like to think they civilized Europe during the dark ages by sending our saints and our scholarship, our images of people like Brigid, the truth is that old ways lingered on a long time, and particularly the part of Ireland where I grew up. So, I grew up in County Wexford down in the small bottom right-hand corner, the very southeast tip of Ireland. Around it, there is a river and a small hill that kind of cuts that area off. And around County Wexford in general, there are larger hills and a big river that cuts Wexford off. So they tended to travel by sea more than road, people from that part of the world. And it was the first part of Ireland to be conquered the Norman conquest and, Old English lingered there right up until, well, there are still words that are used in Wexford that aren't used elsewhere. Carols and songs as well. So other parts of Ireland and, obviously England, had moved on, it but kind of got stuck there. So I'm just kind of pointing up the fact that yes, things stayed, passed on in an oral kind of culture and an oral tradition. And hedge schools and such like, long after such things had faded away in other parts of Europe. Mark: And you say Old English rather than Irish was lingering? Orna: That's right. And, because they had, well, the Normans came to England first Hastings, actually where I live now. One of the reasons I'm here, I think is that I felt a lot of similarities between here and Wexford and I think the Norman invasion in both places, it was part of that. So yeah, a hundred years after the Normans landed in Hastings, they were brought over to Wexford by an Irish chieftain to help him win one of his battles with another Irish chieftain. So English came with the Normans to Ireland. Mark: Right. And this is another amazing thing about Ireland, is the kind of the different layers, like archaeological layers of language. You've got Irish, you've got Old English, you've got Norman French, you've got Latin from the church, you've got Norse from the Vikings and so on. It's incredibly rich. Orna: Yes. More diverse, I think. And again, because of its cut off nature, these things lasted longer, I think, because that's also true of England, but the overlay is stronger and so they don't make their way through. Mark: Right, right. And the ghosts can peep through. So, okay, that's the historical cultural context. What does Brigid mean to you and why did you choose her as the first figure in this sequence? Orna: She chose me, I think. I very much feel this poem, you know, some poems are made and some arrive and this one arrived. I wanted to do something to celebrate her. That was all I knew because it was the first day of spring, which I always loved, that first day of February. You know, when winter is really beginning to bite and you feel, I mean, there is no sign of spring except some crocuses maybe peeking up and, uh, a few spring flowers making a little promise. But usually the weather is awful, but it's the first day of spring and it's, been a really important day for me from that point of view. And then the fact that it does, you know, the fact that Patrick is such a great big deal everywhere and Brigid isn't known at all. So that's kind of where I started and I just knew I'd like to write a poem. And then it was one of those ones that I, if I had set out to write a poem about Brigid, I don't think this is what I would have written. It just arrived. And I found that I was thinking about lots of things and as the first poem of this sequence, I wanted to say some of the things about womanhood in the poem, and I, well, I realised I did, because that's what emerged. So for me, it's very much about that kind of quiet aspect of, so, you know, we've got feminism, which talks very much about women's rights to do whatever it is they want to do in the outer world. But for me, she, in this poem, represents the inner, the quiet virtues, if you like, always there for us. We're not always there for them, but they're always there and active in our lives all the time, and I wanted to celebrate that in the poem. So that's what, you know, I got, the rough draft just came pouring out, and that's what I found myself wanting to bring out. Mark: And the title, ‘Recalling Brigid', you know, I was thinking about that word ‘recalling', because it could mean ‘remembering', but it could also mean ‘calling' or ‘summoning'. Orna: Yes, deliberately chosen for both of those meanings, yes, very well spotted there, poetry reader. Mark: Well, you know, this is a very ancient function of poetry, isn't it? And it's where it kind of shades into charm or spells, to summon, or invoke a spirit or some kind of otherworldly creature or being. Orna: Absolutely. I think you've got the heart of what the poem is trying to do there. It is about calling forth, something, as I say, that's there, that we're all, you know, is there for all of us in our lives, but that we're not always aware of it. And our culture actively stifles it, and makes it seem like it's less important than it is. And so, yes, very much exactly all the words, the beautiful words you've just used there. I was hoping this poem would tap into that. Mark: Very much. And, you know, the beginning, ‘Queen of Queens, they called her'. So presumably this is in the old pre-Christian days, ‘they called her'. So there's that word ‘calling' again, and you give us the kind of the gloss, ‘in the old books, the Irish Mary'. And then you introduce the takeover: ‘such was the sort of woman / preferred as the takeover was made:' And then you get the other version. And then you've got: ‘Brigid said nothing to any of this,' which I think is really wonderful that she keeps – so you've gone from ‘they' in the past, ‘what they called her'. And then Brigid keeping her own counsel about this. She said nothing to any of this, ‘the reverence, or the upbraidings'. And then we get you where you say, ‘I am not as womanly / a woman as she. / So I say: let us see. / Let us say how she is the one. // It is she who conceives, and she who does bear.' Lovely, beautiful repetitions and shifts in there. So you really, you step forward into the poem at that point. Orna: I really wanted to, to place myself in relation to, to her and to all the women in this collection. Which isn't out yet, by the way, it's not finished. So I've got another three to go. No, I really wanted to place myself in relation to the women in the poems. That was an important part of the project for me. And I do that, you know, lots of different ways. But this poem, the first one is very much about, I suppose, calling out, you know, the ‘recalling' that you were talking about there a few moments ago, calling out the qualities. That we tend to overlook and that are attributed to Brigid as a womanly woman. And so, yeah, that's, that's what I was saying. I'm more of a feminist woman who is regarded by some as less womanly. so there is a, that's an interesting debate for me. That's a very interesting, particularly now at this time, I think, it's very interesting to talk about, you know, what is a feminist and what is feminism. And I personally believe in feminisms, lots of different, you know, it's multiple sort of thing. But these poems are born of a, you know, a feminist poet's sensibility without a doubt. So in this first one, I just wanted to call out, you know, the womanly virtues, if you like. Mark: Yeah. So I get a sense of you kind of starting as a tuning fork for different ideas and voices, calling her different things. And then you shift into, ‘Let us see. / Let us say…' I love the description earlier on where you said it's a celebration because by the end of the poem, it really is. It's all her attributes, isn't it? ‘It is she who conceives / and she who does bear.' And so on. Again, how easy was it for you to let go and, and, and step into that? Because it's kind of a thing that it's a little bit, it's not what we associate with modern poetry, is it? Orna: No, not at all. Not at all. But I had to ages ago, give up on modern poetry. If I wanted to write poetry, I had to drop so much, so much that I learned, you know, English Lit. was my original degree. And, you know, I, I was in love with poetry from a very young age. So, I learned everything I could about everything. And then I had to drop it all because I didn't write, I didn't write any poems between the end of my teens and my early forties when I lost a very dear friend. And then when I went on, shortly afterwards to, develop breast cancer. So those two things together unlocked the poetry gates and poems came again. And the kind of poems that came, very often were not, poems that they're not fashionable in that sense. You know, they're not what poetry tends to be. And from that point, in our time, if you like, some are, some, some do come that way, but an awful lot don't. And, for that reason, I'm just so entirely delighted to be able to self-publish because they speak to readers and say they communicate. And to me, that's what matters. And I don't have to worry about being accepted by a poetry establishment at all. I don't spend any time whatsoever thinking about that. I work at the craft, but I, it's for myself and for the poem and for the reader, but not to please anybody that, you know, would be a gatekeeper of any kind. Mark: Well, some listeners will know this – you are very much known as a champion of opportunity and diversity in publishing for writers and self-publishing, independent publishing, however you call it. But I think what I'd like to focus on here is the fact that, you know, by writing a poem like this, you highlight the conventions that we have in modern poetry. And it's easy to see the conventions of the past, but maybe not so much the ones in the present. And I love the fact that you've just sidestepped that or ignored that and written the poem that came to you. Orna: Yes. Yes, very much did and do. And like I said, I don't spend, I did at one time spend time thinking about this, but I spend absolutely no time now thinking about this at all. Mark: That's so refreshing to hear! [Laughter] Orna: No, it's, it's great. It's certainly a liberation. I think very much about the poem and what the poem needs and wants from me. And I make mistakes. I, you know, I don't do well on some poems. I go back, rewrite, sometimes years later, sometimes after they're published. so yeah. It's not that I don't think about form or structure or, you know, all of the things that poets think about but I only think about the master, you know, is the poem itself or the reader possibly or the communication between the bridge between me and the reader, something like that. But yeah, it's liberating for sure. Mark: And how did that play out in this poem? I mean, how close is this to the original draft that came to you? Orna: It's one of the poems that's closest to the original. It kind of arrived and I didn't want to play with it too much at all. So yeah, it, I just left it be. I let it be what I wanted to be because for me there are echoes in this poem as well of Old Irish poetry and ways of writing. you know, that if you, I don't know if you've ever had the pleasure of reading Old Irish poetry in translation? Mark: Yes. Orna: So, you know, that sense of I'm reading something from a completely different mind. It's, it isn't just that the, you know, the structures are different or whatever. It's like the whole mind and sensibility is something else. And that was one of the things I wanted to slightly have to retain in this poem. You know, I felt that it, it carries some of that forward and I wanted to, to leave it there as an echo. Mark: Yeah. Quite a lot of those Old Irish poems have a kind of a litany, a list of attributes of the poet or their beloved or the divine being that they're evoking. And that comes across very strongly here. Orna: Yeah, definitely. That's sort of a list of, which to the modern ear can sound obvious and, you know, just not poetry really. So yeah, I think that's one of the qualities that it carries. Mark: And I love the kind of the incantatory repetitive thing. Like I was saying about the, ‘So I say: let us see. / Let us say', and then ‘It is she… It is she… she who', you know, it just carries you along. It's got a hypnotic quality to it. Orna: Yes. And the she part, you know, the emphasizing the feminine, I suppose, touch of the divine feminine, but very much the physical feminine, and activities as well. So, you know, women held the role of birth and death very much in Irish culture again, up to really quite recently. I remember that, in my own youth and okay, I am getting on a bit, but, it's still, you know, it was quite late in time where, women did the laying out for burial. They did the keening of the, the wake, all of that. I remember very well. so at the beginning and end of life at the thresholds, if you like, that was a woman's job. And, that was lost, I think in the takeover. But I still think all the emotional labour around those thresholds are still very much held by women, you know, silently and quietly. And yeah, Brigid doesn't shout about it, but in this poem, I want to call it. Mark: Yeah. Recall it. Okay. And then let's go back to Hastings, which we touched on earlier, because this, okay. It's, it's going to be in your collection. It's been published in a wonderful anthology poetry from Hastings called Poet Town. Tell us a bit about that book and how you came to be involved. Orna: Yeah. So I heard about it and, Richard [Newham Sullivan] wonderful, poet and, publisher and general literary person. He now lives in New York, but he grew up in Hastings and lived here for many years. And it was a kind of a homesickness project he told me later, for him just. But he carried the idea in his mind for a very long time. He wanted to, he knew that there was an incredible, poetic history in Hastings, which people were not aware of. So Hastings is very well known. Hastings and St. Leonard's, where I live, both are very well known as arty kind of towns. Visual arts are very, very visible here, and all sorts of marvellous things going on, and music as well, there's brilliant Fat Tuesday music festival every year, but there's also, there's classical music, music in the pubs, music coming out your ears, literally. But very little about the literary life that goes on here, and lots of writers living here. And so Richard wanted to just bring forward the poetry side of that. And so he decided it's a passion project for him. He decided to, he worked with the publisher, a small publisher here, in Hastings for it. It's Moth Light Press. And he set out to gather as many living poets into one collection as he could. And this is where I was interested because as, I'm a historical novelist as well, so history is big for me, and I was really interested in the history, you know, the history and the poets who had lived here. There were quite a few. It's not every day you find yourself in an anthology with Lord Byron and Keats, and, two Rossetti's! So that was a joy, discovering all the poets who, had a connection to Hastings back to, I think he went back to the early 1800s with it. So, yeah, it's been a huge success, and, people are loving the book, and it has really brought poetry, brought pride, I think, to the poetry community in the town, which is lovely. Mark: Yeah, I'm really enjoying it, and I love the fact that it's got the old and the new. Because, of course, that's what I do here on A Mouthful of Air. I always think the ghosts of poetry past are always present in the work of the living. I hadn't realized what a deep and rich poetic history Hastings had. So, yeah, Poet Town, a great anthology. Do check that out while you're waiting for Orna's sequence to come to light. And Orna, thank you so much for sharing such a remarkable poem and distinctive take on the poet's craft. And I think this would be a good point to listen to the poem again, and appreciate your praise and celebration once more. Orna: Thanks so much, Mark, for having me. I really enjoyed it. Thank you. Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Poet Town: The Poetry of Hastings & Thereabouts ‘Recalling Brigid' is from Poet Town: The Poetry of Hasting & Thereabouts, published by Moth Light Press. Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Orna Ross Orna Ross is an award-winning poet and novelist. Her poetry, rooted in Irish heritage and mindfulness practice, explores love, loss, creativity, and spiritual renewal through a female lens. As founder-director of the Alliance of Independent Authors (ALLi), she champions creative freedom for poets and writers. Her forthcoming collection, And Then Came the Beginning—Poems of Iconic Irish Women, Ancient and Modern—is available for pre-order at OrnaRoss.com/TheBeginning. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Episode 85 From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Mark McGuinness reads and discusses a passage from ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge.Poet Samuel Taylor ColeridgeReading and commentary by Mark McGuinnessFrom... Alchemy by Gregory Leadbetter Episode 84 Alchemy by Gregory Leadbetter Gregory Leadbetter reads ‘Alchemy' and discusses the poem with Mark McGuinness.This poem is from: The Infernal Garden by Gregory LeadbetterAvailable from: The Infernal Garden is available from: The publisher: Nine Arches...

Blockchain and Smart Contracts in Estate Planning with F. Keats Boyd III Hosts Brad Wright and Michael Connaughton are joined by Attorney F. Keats Boyd III Keats is President of Boyd & Boyd, P.C. in Hyannis, MA, where he concentrates his practice in the areas of Estate, Trust & Retirement Planning. He is also working to streamline estate planning by utilizing Blockchain, Smart Contract and NFT technology. They discuss: -What Blockchain, Smart Contracts, and NFTs are -How they can be used to make estate settlement more efficient -The security and privacy questions surrounding the technology -Whether Keats, who is admitted to argue in front of the Supreme Court, has ever done so F. Keats Boyd III Website: https://www.boydandboydpc.com/

For Halloween 2025, Words That Burn resurrects one of the most chilling poems in English literature: "This Living Hand" by John Keats. This short, macabre poem wasn't published until 77 years after Keats's death, making it feel like a genuine message from beyond the grave.In this special episode, we explore the poem's dark, gothic imagery and the terrifying "strange bargain" it offers the reader. We dissect its uncanny duality, its sense of dread, and the horrifying biographical context of Keats's final days; a "posthumous existence" of body horror that forged this masterpiece.I look at the poem's vampiric mechanism and Keats's desperate plea, not only for a transfusion of life, but for the artistic immortality he feared he'd never achieve.This episode covers:The dark history of Keats's "This Living Hand."How Keats's embrace of darkness ("the burden of mystery") set him apart from other Romantic poets.A close reading of the poem's body horror, from "earnest grasping" to the "icy silence of the tomb."The link between Keats's final, agonising days and the poem's "vampiric" plea for life.Why this poem is a perfect, terrifying read for the Halloween season.Follow the Podcast:Read the Script on SubstackFollow the Podcast On InstagramFollow the Podcast on X/TwitterFollow the Podcast on TiktokFollow the podcast on BlueskyThe Music In This Week's Episode:'Soul Searcher' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au Hosted on Acast. See acast.com/privacy for more information.

On the 146th episode of What is a Good Life?, I'm delighted to welcome Steven D'Souza. Steven is an award winning author, executive educator, trusted advisor, leadership coach and keynote speaker. He is a Senior Partner in the Leadership & Professional Development Practice at Korn Ferry, a leading global Organisational Consulting firm. His expertise crosses the fields of psychology, organisational development, diversity, group dynamics, contemplation and social capital. He has spoken globally to organisations such as PwC, TikTok, Financial Times and the United Nations. His work has been featured in Harvard Business Review, The Independent and The Sunday Times.In this conversation, Steven reflects on his early pursuit of the priesthood and his lifelong inquiry into meaning, service, and aliveness. Drawing on themes from his latest book, Shadows at Work, he shares how meeting the shadow with curiosity and compassion brings wholeness, and how embracing uncertainty, silence, and kindness can lead to a more grounded, vital way of living.This conversation invites you to see the shadow not as something to fix, but as a hidden source of energy, wisdom, and aliveness.For more of Steven's work:Shadows at Work: Harness Your Dark Side and Unlock Your Leadership PotentialNot Knowing: The Art of Turning Uncertainty into OpportunityNot Doing: The Art of Effortless ActionNot Being: The Art of Self TransformationWebsite: https://stevendsouza.com/Contact me at mark@whatisagood.life if you'd like to explore your own lines of self-inquiry through 1-on-1 coaching, my 5-week group courses, or to discuss team coaching to stimulate greater trust, communication, and connection, amongst your leadership teams.- For the What is a Good Life? podcast's YouTube page: https://www.youtube.com/@whatisagoodlife/videos- My newsletter: https://www.whatisagood.life/- My LinkedIn: https://www.linkedin.com/in/mark-mccartney-14b0161b4/00:00 — Steven's lifelong question + year pursuing priesthood04:24 — Leaving the path & formative books (Kopp, de Mello)07:27 — Stories as truth; practice over tips10:12 — Aliveness; “I grow in my spirituality by growing in my humanity”13:01 — Bringing the vertical into the horizontal (everyday life)13:28 — Why Shadows at Work; prisons, corporate paradox, “dark mode”19:36 — “Know my shadow and my light”: beyond Jung; four lenses23:08 — Defining shadow; biology, culture, spirit lenses in practice31:02 — Personal shadow work37:04 — Paradoxical theory of change; acceptance over improvement40:43 — Negative capability (Keats)46:53 — Via negativa & subtraction; “bring silence with you”52:29 — The edge of the unknown; reactions & catastrophic thinking58:56 — What is a good life? “A kind life.”

Kathy Keats shows why she is a 2 x world champion in this conversation. Her kindness and wisdom shine through this 90 minute conversation on everything dog. We discuss all of the key topics in raising a nice puppy to live with, to getting a top competitive dog. If you do not already listen to Kathy's postcast, you must. It is brilliant. She can be found at https://www.kathykeats.com or where ever you listen to podcasts.

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Join Pastor Colleen and Pastor Keats for one last Technicolor Together episode. They explore the fruit of patience and how God's work in the world often takes way longer than we would like. They reflect on how God is patient with us, and how we can be patient with ourselves and others. Bonus: APT member JoAnn shares about the impact that the community has had on her. 

What is a nerdfighter? How do scabs work? How do I make my house feel like my home? Did John soft launch Keats & Co.? How much does the surface of the moon change over time? Do snakes take more time to digest their food if they're bigger? How long is an era? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.com.Join us for monthly livestreams at patreon.com/dearhankandjohn.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this inaugural episode of The Cosmic Codex, I sit with philosopher and cultural historian Richard Tarnas to explore the mysteries of time, the power of archetypes, and the hidden architecture of reality.We begin with the concept of Kairos, the charged and transformative moment in time, contrasted with Kronos, the measured sequence of historical duration. Drawing on Jung and Greek myth, Rick illuminates how these two modes of temporality shape both individual lives and collective history, and why our present era can be understood as a Kairos of metamorphosis and crisis.Our discussion then turns to the archetypal dimension and its role in evolution. Rick shares insights from archetypal astrology and depth psychology, reflecting on the integration of opposites, the alchemical process of soul-making, and the necessity of suffering for transformation. We speak of Keats's phrase the “veil of soul-making” and Hillman's image of the acorn and the oak, considering how temporal life forges identity and destiny through revision, humility, and creative experiment.We also address the collective crisis of our age as an initiatory passage of death and rebirth, a planetary ordeal calling for deeper community, spiritual trust, and a renewed relationship to nature and cosmos. Beauty emerges as a central theme, not as surface ornament but as an archetypal force that calls the soul toward transformation and inspires creativity, truth, and meaning.Books by Richard Tarnas:The Passion of the Western MindCosmos and Psyche: Intimations of a New World ViewPrometheus the Awakener: An Essay on the Archetypal Meaning of the Planet UranusBooks & Authors Mentioned:C.G. Jung — The Undiscovered Self, Answer to JobJames Hillman — The Soul's CodeCharles Taylor — A Secular AgeWilliam Blake — Songs of Innocence and of ExperienceMarie-Louise von Franz — Number and TimeJohn Keats — LettersFriedrich Nietzsche — Thus Spoke ZarathustraTerrence McKenna — The Archaic RevivalPlato, Aristotle, and references to the Axial AgeTimestamps for Key Moments:[Welcome & Vision for Cosmic Codex](0:27)[Kairos, Kronos, and Jung](6:53)[Archetypes & Depth Psychology](22:08)[Soul-Making & Suffering](38:07)[Collective Crisis & Initiation](47:59)[Beauty, Aesthetics, and Transformation](55:18)

Tonight, we'll read poems by John Keats starting with one titled “Sleep and Poetry.” John Keats' work is a cornerstone of English Romantic poetry, rich with symbolism, sensual detail, and allusions to Greek and Roman myth as well as romanticised tales of chivalry. His verse overflows with vivid imagery—nightingales, Grecian urns, moonlit fields—while also contemplating beauty, truth, and life's transience. Born in London in 1795, Keats trained as a surgeon before devoting himself entirely to poetry. In just four years, he produced the works that would secure his place in literary history, though in his lifetime his books sold barely two hundred copies. Today, his name is among the most revered in English literature. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read poems by John Keats starting with one titled “Sleep and Poetry.” John Keats' work is a cornerstone of English Romantic poetry, rich with symbolism, sensual detail, and allusions to Greek and Roman myth as well as romanticised tales of chivalry. His verse overflows with vivid imagery—nightingales, Grecian urns, moonlit fields—while also contemplating beauty, truth, and life's transience. Born in London in 1795, Keats trained as a surgeon before devoting himself entirely to poetry. In just four years, he produced the works that would secure his place in literary history, though in his lifetime his books sold barely two hundred copies. Today, his name is among the most revered in English literature. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Rural Riley County Community Foundation unites three small towns—Keats, Leonardville, and Riley, creating meaningful community impact through local philanthropy and robust fundraising initiatives.• Foundation manages 26 funds, with 23 participating in their upcoming Match Day• Raised over $97,000 in their first Match Day with $23,000 in matching funds• Community Food Basket program addresses food insecurity with a central pantry and blessing boxes throughout the region• Board includes representatives from all three communities plus dedicated ambassadors• Second annual Match Day scheduled for August 28-29 at Riley County High School• Already secured $32,000 in matching funds for this year's event• Satellite locations will be available in all three communities during Match Day• Online donations accepted at ruralrileycountycf.org• Support extends to churches, schools, wellness programs, and mental health servicesJoin us for Match Day on August 28-29 at Riley County High School or visit ruralrileycountycf.org to donate online and support our rural communities.GMCFCFAs

Grab the popcorn—this Mailbag goes well beyond beach talk. A listener uses Rule Breaker tactics, keeps adding as the stock climbs, and lands their first spiffy-pop. David retells the term's origin and brings back analyst Yasser El-Shimy, whose original pick sparks a rocket-themed chat. Another listener feeds Keats's “On First Looking into Chapman's Homer” to AI for a Rule-Breaker remix full of wild surmise. Those nuggets—plus the new Authors in August lineup—power this week's breezy, idea-packed summer episode. Companies mentioned: RKLB, SBUX Sign up for The Motley Fool's Breakfast Newshere: www.fool.com/breakfastnews Pre-order David's upcoming Rule Breaker Investing bookhere: https://www.amazon.com/gp/product/1804091219/ Host: David Gardner Guest: Yasser El-Shimy Producer: Bart Shannon Learn more about your ad choices. Visit megaphone.fm/adchoices

Offended is back with a new co-host as Tricky, Keats, & GRG draft their favorite video games of all time! Plus, KT KT Naked Ladyy joins the show to review Superman with the gang!

What if the beauty you're searching for is already all around you—and within you? In this inspiring conversation, award-winning poet Tory Tomberlin takes us deep into Beauty in the Branches, her evocative poetry collection that brings nature, memory, and emotion vividly to life. Whether you're a poetry enthusiast or simply craving a fresh perspective, this episode will awaken your senses and reconnect you with the wonder of the everyday.==========================================

What if knowing less could actually make you more? In this riveting conversation, Ben Owden sits down with Dr. Stuart Firestein, former Chair of Columbia University's Biological Sciences, neuroscientist extraordinaire, and author of Ignorance: How It Drives Science and Failure: Why Science Is Successful. Far from being gloomy topics, Stuart shows us how ignorance and failure are the secret engines of creativity and innovation, both in the lab and in life.In This Episode, We Explore:Why “Not Knowing” Is Your Greatest Superpower – Stuart argues that curiosity lives between what we know and what we don't. Learn how “negative capability” (a willingness to tolerate uncertainty) is the birthplace of every major discovery.How Failure Uncovers Hidden Possibilities – From Marie Curie to Richard Feynman, see why a “failed experiment” can be more valuable than hitting a bull's-eye. (Hint: Nature's top predators in nature only succeed 25% of the time!)The Art of Asking Better Questions – Forget “hypothesis‐driven” experiments: discover why wandering in the dark sometimes, not just under the lamp post, is where the real magic happens.Living with Revision — Why “Total Truth” Doesn't Exist – What Newton, Einstein, and Keats taught Stuart about refining knowledge instead of clinging to “one final answer.”Practical Tips for Embracing Ignorance & Failure Today – From “failing better” to scheduling a daily “dark-room” hour, Stuart shares concrete ways to rewire your mindset—whether you're a scientist, a middle manager, or just someone who wants to do more creative work.Get a copy of Failure: Why Science Is So SuccessfulImportant Links*Join Thrive in the Middle Today!*Book WhyLead to Train Your Teams*Explore Our ServicesSocial Media*Ben Owden's LinkedIn*Ben Owden's Twitter 

Poetry, butterflies, and original music oh my! With some help from poets Emily Dickinson, Robert Frost, William Wordsworth, and John Keats, along with original music by composer Gabriel Ruiz-Bernal, Jacke tackles the topic of butterflies. Yes, yes, we all know that butterflies are symbols of beauty and transformation - but can great poets get beyond the clichés? Why did Keats imagine himself as a butterfly in his love letters? Did Robert Frost mansplain poetry to Emily Dickinson (and do we agree)? In this episode, we flit and float and fleetly flee and fly through literature, life, music, and poetry - like a butterfly, maybe? (Maybe so!) Additional listening: John Keats  More John Keats 700 Butterflies at Rest The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com . "Two Butterflies" performed by Gabriel Ruiz-Bernal and Allison Hughes. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature . Learn more about your ad choices. Visit megaphone.fm/adchoices

Philosophical inquiry and scientific absurdism meet in the conceptual precision and ice dry wit of Jonathon Keats. In his talk at The Interval, Keats discussed his forays into very long-term photography and other deep time projects. He also announced a site-speciific collaboration with The Long Now Foundation that will create a long-term art work on our Mt. Washington property in Eastern Nevada. As an experimental philosopher and conceptual artist, Jonathon Keats has applied general relativity to time management, personalized the metric system, sold real estate in the higher dimensions of spacetime, and epigenetically resurrected historical figures including George Washington and Jesus Christ. Those are some of the projects he touches on in this talk. Currently Keats is [building pinhole cameras](http://www.slate.com/articles/technology/future_tense/2015/03/experimental_philosopher_jonathon_keats_millennium_camera_experiment.html) of his own design with exposure times of 100 and 1,000 years to document long-term change in cities from San Francisco to Berlin. The Berlin century cameras debuted in 02014. Each person who secretly installed one will eventually inform a child of its location. In 02114 that child is responsible for retrieving the finished photo and returning the camera to the gallery. Where they can get their deposit back. [The first millennium camera](https://asunow.asu.edu/content/asu-art-museum-document-tempe-historys-slowest-photograph) was installed recently at the Arizona State University Art Museum. But his next time art project is five times as ambitious. Keats reveals for the first time in this talk a project to turn bristlecone pines into calendars--living calendars. Bristlecones live up to 5000 years, so they are unique in the duraton they track time through dendrochronology. The artist needed to find a place where these ancient trees are already growing that would work with him to create this project. And happily we at Long Now could do just that. The story of the Centuries of Bristlecone will be a long time in telling. But stay tuned.

Welcome to Episode 199 of Good Humans Podcast!In this inspiring episode, I'm joined by Cory Keats—founder of Ampd Bros Electric Bikes, a rapidly growing Aussie brand leading the way in innovation, quality, and customer care.Cory's journey is one of grit, risk-taking, and resilience. From the fear of not being able to cover rent to now owning multiple warehouses and building one of Australia's most exciting electric mobility brands, this conversation is a raw and honest look into the rollercoaster of entrepreneurship.We unpack the sacrifices, the wins, and the mindset shifts that helped Cory turn his passion into a thriving business. Whether you're building a brand, chasing a dream, or just love hearing about what's possible when you go all-in—this one is for you.What We Cover in This Episode:✅ Cory's journey from struggling to pay rent to building Ampd Bros✅ The early sacrifices and lessons of starting a business✅ How to build a brand with community and customer care at its core✅ The mindset required to navigate uncertainty and growth✅ What's next for Cory and Ampd BrosConnect with Cory & Ampd Bros:

It's the final countdown for the Detroit Red Wings. Tune in as we open by discussing their two most recent wins, including a victory over Jamie Benn and the Dallas Stars that included Dylan Larkin organizing an honorary stick-lift for John Keating, Albert Johansson, Alex DeBrincat, Jonatan Berggren, Lucas Raymond, Moritz Seider, and Vladimir Tarasenko contributing, & more. Also, their win in New Jersey, including Marco Kasper reaching 19 goals, Lucas Raymond reaching the 80 point mark (first Red Wings player since Henrik Zetterberg to do it), Dylan Larkin reaching 30 goals for the 4th straight year, Simon Edvinsson using his body, Compher's snipe, a chat about the draft lottery standings & more (3:45). Next, we're joined by Prashanth Iyer to discuss Steve Yzerman's options for the Hockeytown team this offseason, Todd McLellan's impact & their underlying numbers, whether bringing back Patrick Kane, adding Mitch Marner, Gavrikov, or other free agents would be a boost, and how far away they are from the Wild Card playoff spots (15:00). Next, our 2025 NHL Stanley Cup Playoff predictions for every series: Toronto Maple Leafs vs. Ottawa Senators, Tampa Bay Lightning vs. Florida Panthers, Washington Capitals vs. Montreal Canadiens, Carolina Hurricanes vs. New Jersey Devils, Winnipeg Jets vs. St. Louis Blues, Dallas Stars vs. Colorado Avalanche, Vegas Golden Knights vs. Minnesota Wild, and Los Angeles Kings vs. Edmonton Oilers. (46:05) After that, our NHL Draft Prospect Profile on Caleb Desnoyers and how he compares to Marco Kasper and Nico Hischier (1:10:05) & more before we take your questions and comments in our Overtime segment (1:18:30) - enjoy! Head over to wingedwheelpodcast.com to find all the ways to listen, how to support the show, and so much more! Go to TempoMeals.com/WINGEDWHEEL for 60% off your first box! #ad Go to KoffeeKult.com and use code WWP for 10% off your order! #ad Support the Jame Daniels Foundation through Wings Money on the Board: https://www.wingedwheelpodcast.com/wingsmotb Buy PLAY F*****G HOCKEY Merch: https://www.wingedwheelpodcast.com/shop

Talking points: masculinity, culture, gratitude, anger, poetryI don't typically get starstruck or awed in interviews, even though I've talked to many incredible people. But David? Well, he's had an immense impact on my life, and so much of my work and way of thinking lives inspired by him. He joined me in Seattle and shared so much wisdom, beauty, and of course, poetry. Dig into this one.(00:00:00) - What is the “conversational nature of reality”, why the unknown is so uncomfortable, and the fear of “descent”(00:18:44) - How the need for control kills off meaning and purpose, and how real poetry and philosophy come from NOT knowing what to say(00:25:53) - David reads “Blessing of the Morning Light”(00:32:42) - How does a man start building a relationship to the unknown parts of himself, and David's relationship with his father(00:44:24) - The role of anger and the power of poetry(00:56:16) - On forgiveness and male friendship(01:31:57) - How do you properly thank someone who's had a profound impact on you?David Whyte is an internationally renowned poet and author, and a scintillating and moving speaker. Behind these talents lies a very physical attempt to give voice to the wellsprings of human identity, human striving and, most difficult of all, the possibilities for human happiness. He draws from hundreds of memorized poems, his own and those of other beloved poets such as Wordsworth, Emily Dickinson, Keats, Pablo Neruda, Fleur Adcock and the sonnets of Shakespeare. He is the author of ten books of poetry, three books of prose on the transformative nature of work; a widely-acclaimed, best-selling book of essays, and an extensive audio collection.Connect with David-Website: https://davidwhyte.com/-Instagram: https://www.instagram.com/davidjwhyte/-Facebook: https://www.facebook.com/PoetDavidWhyte/-YouTube: https://www.youtube.com/@poetdavidwhyte-SubStack: https://davidwhyte.substack.com/***Pick up my book, Men's Work: A Practical Guide To Face Your Darkness, End Self-Sabotage, And Find Freedom: https://mantalks.com/mens-work-book/Heard about attachment but don't know where to start? Try the FREE Ultimate Guide To AttachmentCheck out some other free resources: How To Quit Porn | Anger Meditation | How To Lead In Your RelationshipBuild brotherhood with a powerful group of like-minded men from around the world. Check out The Alliance. Enjoy the podcast? If so, please leave a review on Apple Podcasts, Stitcher, or

In 1819, John Keats quit his job as an assistant surgeon, abandoned an epic poem he was writing, and focused his poetic energies on shorter works. What followed was one of the most fertile periods in the history of poetry, as in a few months' time Keats completed six masterpieces, including such celebrated classics as "To Autumn," "Ode to a Nightingale," and "Ode on a Grecian Urn." Now, two hundred years later, an American scholar has written an exciting new book called Keats's Odes: A Lover's Discourse, in which she gathers and revisits the Great Odes, viewing them through a personal prism. Anahid Nersessian was born and grew up in New York City. She received her Ph.D. from the University of Chicago, and has taught at Columbia University and UCLA. Her first book, Utopia, Limited: Romanticism and Adjustment was published by Harvard University Press in 2015, and her second book, The Calamity Form: On Poetry and Social Life, by the University of Chicago in 2020. She lives in Los Angeles, CA. [This episode, presented without commercial interruption, was originally released on February 8, 2021.] Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices