Podcast appearances and mentions of Stephen Daldry

Book Vs. Movie: Billy Elliot The 2000 Film Vs the 2014 Musical Live“Musicals in March!”The Margos continue “Musicals in March” with the film & stage show of Billy Elliot. Both tell the inspiring story of a working-class boy in 1980s northern England who discovers a passion for ballet during the UK miners' strike, but they differ in tone and presentation.The film, directed by Stephen Daldry and written by Lee Hall (based on his play Dancer), is a gritty drama starring Jamie Bell, featuring a rock and pop soundtrack. It focuses on Billy's journey and his family's struggles, earning critical acclaim and multiple BAFTA and Oscar nominations.In contrast, the musical expands the story with more extensive dance sequences and fantasy elements, highlighting the miners' plight. It includes music by Elton John and offers more character development and stylized theatrical moments. The musical has won numerous Olivier and Tony Awards.Which version did we prefer? Listen to find out! In this ep, the Margos discuss:The history behind the original story The road from the film world to stageThe cast includes: Jamie Bell (Billy Elliot young,) Adam Cooper (Billy Elliot grown,) Julie Walters (Sandra Wilkinson,) Gary Lewis (Jackie Elliot,) Jamie Draven (Tony Elliot,) Jean Heywood (Grandma,) Stuart Wells (Michael Caffrey young,) Merryn Owen (Michael Caffrey grown,) Nicola Blackwell (Debbie Wilkinson,) Colin Mclachlan (Tom Wilkinson,) Mike Elliot (George Watson,) and Billy Fane as Mr. Braithwaite. Clips Featured:“Billy performs for his dad (movie)”Billy Elliot (2000 trailer)"Like electricity (movie)""Billy says goodbye (movie)""Billy as a grownup (movie)"Billy Eliot the Musical (2014) trailer"Solidarity (musical)""Like electricity (musical)" Jamie Bell wins the BAFTA Music by Stephen Warbeck and Elton John. Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: Billy Elliot The 2000 Film Vs the 2014 Musical Live“Musicals in March!”The Margos continue “Musicals in March” with the film & stage show of Billy Elliot. Both tell the inspiring story of a working-class boy in 1980s northern England who discovers a passion for ballet during the UK miners' strike, but they differ in tone and presentation.The film, directed by Stephen Daldry and written by Lee Hall (based on his play Dancer), is a gritty drama starring Jamie Bell, featuring a rock and pop soundtrack. It focuses on Billy's journey and his family's struggles, earning critical acclaim and multiple BAFTA and Oscar nominations.In contrast, the musical expands the story with more extensive dance sequences and fantasy elements, highlighting the miners' plight. It includes music by Elton John and offers more character development and stylized theatrical moments. The musical has won numerous Olivier and Tony Awards.Which version did we prefer? Listen to find out! In this ep, the Margos discuss:The history behind the original story The road from the film world to stageThe cast includes: Jamie Bell (Billy Elliot young,) Adam Cooper (Billy Elliot grown,) Julie Walters (Sandra Wilkinson,) Gary Lewis (Jackie Elliot,) Jamie Draven (Tony Elliot,) Jean Heywood (Grandma,) Stuart Wells (Michael Caffrey young,) Merryn Owen (Michael Caffrey grown,) Nicola Blackwell (Debbie Wilkinson,) Colin Mclachlan (Tom Wilkinson,) Mike Elliot (George Watson,) and Billy Fane as Mr. Braithwaite. Clips Featured:“Billy performs for his dad (movie)”Billy Elliot (2000 trailer)"Like electricity (movie)""Billy says goodbye (movie)""Billy as a grownup (movie)"Billy Eliot the Musical (2014) trailer"Solidarity (musical)""Like electricity (musical)" Jamie Bell wins the BAFTA Music by Stephen Warbeck and Elton John. Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

One Direction members emotionally reunite at Liam Payne's funeral in the UK (Page Six) (21:42)'Wicked' nearly starred Lady Gaga and Shawn Mendes, as directed by Stephen Daldry of 'The Crown' (Page Six) (26:21)Jay Cutler engaged to Samantha Robertson 2 years after Kristin Cavallari divorce (Page Six) (34:39)Delta flights to serve Shake Shack burgers - but only in first class (NY Post) (38:09)'RHOBH' star Sutton Stracke claims Kyle Richards tried to 'hook up with Kevin Costner' in Aspen (Page Six) (47:36)Real Housewives of Beverly Hills Recap (48:44)The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

O primeiro episódio do Terapia Remota que foge à estrutura standard tem como tema, na realidade, uma tentativa de criar uma selecção de filmes obrigatórios para a fase de transição de adolescentes para a idade adulta que possam contribuir para a sua formação cultural e de personalidade. A Mónica Moreira, o Miguel Tomar Nogueira e o Ricardo Correia escolheram 5 filmes cada, e a lista é a seguinte: Kids, Larry Clark (1995) Os respigadores e a respigadora, Agnès Varda (2000) O Fabuloso Destino de Amélie, Jean-Pierre Jeunet (2001) Cidade de Deus, Fernando Meirelles e Kátia Lund (2002) Close, Lukas Dhont (2022) Billy Elliot, de Stephen Daldry (2000) The Big Fish, de Tim Burton (2003) Rize, de David LaChapelle (2005) The Perks of Being a Wallflower, de Stephen Chbosky (2012) Jojo Rabbit, de Taika Waititi (2019) Precious, de Lee Daniels (2009) Thirteen, de Catherine Hardwicke (2003) Dead Poets Society, de Peter Weir (1989) Die Welle, de Dennis Gansel (2008) Le Bal, de Ettore Scola (1983)

Episode 60: Jason PatelJason Patel is a rising artist who stars alongside Ben Hardy (Bohemian Rhapsody) in ‘UNICORNS' a Feature Film which premiered at Toronto International Film Festival 2023, BFI London Film Festival 2023 & Palm Springs Film Festival 2024 directed by Sally El Hosaini & James Krishna Floyd produced by Philip Herd's Chromatic Aberration, Maven Screen Media and River Road Entertainment. The project is executively produced by Stephen Daldry. The film received universally positive reviews including best of fest at Palm Springs and placed Patel on several best performers lists. Patel performs his own music in the film (a track from his EP) and also has a sync placement for his single One Last Dance.TV & Film Credits: Love Will, The Break (BBC), The B@it (Channel 4), UNICORNS (Feature Film) Theatre credits include: The Famous Four and a Half Go Wild in Thetford Forest (Eastern Angles); Peter Pan (The Dukes, Lancaster & Octagon Theatre Bolton) and Benny and the Greycats (Maya Productions/Arcola Theatre). The Jungle Book (Oldham Coliseum) Guerrilla Gardening (Blahs Theatre), The Jungle Book (Dukes, Lancaster), Too Much World At Once (Box of Tricks/SJT Theatre)Jason is represented by Denton Brierley, Gersh & Untitled Entertainment#HYGYSTPOD #haveyougotyoursh*ttogether #HYGYST #caitlinoryan #Jasonpatel #outlander #mowgli #junglebookHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.

In which the Mister and Monsters join me in reviewing BILLY ELLIOTT (2000), from writer Lee Hall, the film is directed by Stephen Daldry.  Despite the negative views and prejudices of those around him, the youngest son, Billy (Jamie Bell), of a working class English family finds himself irresistibly drawn to the practice of ballet.  The film clocks in at 1 h and 50 m, is rated R and we watched on the TCM app but can be found streaming on Peacock and to buy/rent on Prime Video. Please note there are SPOILERS in this review.  #BillyElliott  #StephenDaldry  #LeeHall  #JamieBell  #BillyElliott  #JulieWalters  #MrsWilkinson  #GaryLewis #Dad  #JamieDraven  #Tony  #JeanHeywood  #Grandma  #StuartWells  #Michael  #NicolaBlackwell  #Debbie  ⁠@TCM  @Peacock  @PrimeVideo  #FridayFamilyFilmNight         Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library --- Support this podcast: https://podcasters.spotify.com/pod/show/jokagoge/support

The ninth episode of our season on the awesome movie year of 2000 features Jason's personal pick, Stephen Daldry's Billy Elliot. Directed by Stephen Daldry from a screenplay by Lee Hall and starring Jamie Bell, Julie Walters, Gary Lewis, Jamie Draven and Stuart Wells, Billy Elliot was Daldry's first feature film after a successful career in theater.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/billy-elliot-2000/), A.O. Scott in The New York Times (https://www.nytimes.com/2000/10/13/movies/film-review-escaping-a-miner-s-life-for-a-career-in-ballet.html), and Peter Bradshaw in The Guardian (https://www.theguardian.com/film/2000/sep/29/1).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2000 installment, featuring one of the Sundance Film Festival Grand Jury Prize winners, Kenneth Lonergan's You Can Count on Me.

The eighth episode of our season on the awesome movie year of 2000 features our animation pick, Aardman Animations' Chicken Run. Directed and co-written by Nick Park and Peter Lord and starring the voices of Julia Sawalha, Mel Gibson, Miranda Richardson, Tony Haygarth and Benjamin Whitrow, Chicken Run was the first feature-length film produced by stop-motion studio Aardman.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/chicken-run-2000), Lisa Schwarzbaum in Entertainment Weekly (https://ew.com/article/2000/06/23/chicken-run-3/), and Peter Bradshaw in The Guardian (https://www.theguardian.com/film/2000/jun/30/culture.reviews).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2000 installment, featuring Jason's personal pick, Stephen Daldry's Billy Elliot.

Stranger Things: a bonafide telly phenomenon. The Duffer Brothers' Netflix series has won an army of diehard fans across all demographics with its big budget mix of horror, fantasy and 80s nostalgia that makes sure never to skimp on character or storytelling. Kate Trefry's been a writer on the series since season two and is currently wrapping up the fifth and final season, expected to be released next year. She's also written its stage production and prequel, Stranger Things: The First Shadow, working with the Duffer Brothers, Jack Thorne and Stephen Daldry to bring Hawkins to the Phoenix Theatre in London. As well as a slew of five-star reviews, Stranger Things: The First Shadow recently picked up the best new entertainment or comedy play at the Oliviers.  Our Mick has also seen and been blown away by it, so was chuffed to bits to catch up with Kate a couple of days after the awards. They're chatting Stranger Things (obviously), the play and the series, being an outsider, winning hearts and minds, new motherhood, and the birth of evil. Visit phoenixtheatre.co.uk for tickets. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Sluit uw bibliotheken af als u dat wilt; maar er is geen poort, geen slot, geen grendel die je op de vrijheid van mijn geest kunt zetten." - Stine vertelt over dit citaat van de Britse schrijfster Virginia Woolf. In deze aflevering is een fragment te horen uit de film The Hours uit 2002, geregisseerd door Stephen Daldry.

Episode 41: Jason PatelJason Patel is a rising artist who stars alongside Ben Hardy (Bohemian Rhapsody) in ‘UNICORNS' a Feature Film which premiered at Toronto International Film Festival 2023, BFI London Film Festival 2023 & Palm Springs Film Festival 2024 directed by Sally El Hosaini & James Krishna Floyd produced by Philip Herd's Chromatic Aberration, Maven Screen Media and River Road Entertainment. The project is executively produced by Stephen Daldry. The film received universally positive reviews including best of fest at Palm Springs and placed Patel on several best performers lists. Patel performs his own music in the film (a track from his EP) and also has a sync placement for his single One Last Dance.TV & Film Credits: Love Will, The Break (BBC), The B@it (Channel 4), UNICORNS (Feature Film) Theatre credits include: The Famous Four and a Half Go Wild in Thetford Forest (Eastern Angles); Peter Pan (The Dukes, Lancaster & Octagon Theatre Bolton) and Benny and the Greycats (Maya Productions/Arcola Theatre). The Jungle Book (Oldham Coliseum) Guerrilla Gardening (Blahs Theatre), The Jungle Book (Dukes, Lancaster), Too Much World At Once (Box of Tricks/SJT Theatre)Jason is represented by Denton Brierley, Gersh & Untitled Entertainment#HYGYSTPOD #haveyougotyoursh*ttogether #HYGYST #caitlinoryan #Jasonpatel #outlander #mowgli #junglebookHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.

Es difícil abarcar la angustia del joven protagonista que lee clásicos a su amante en una bañera. En la novela original de Bernard Schlink Michael es el narrador, David Hare y Daldry, guionista y director decidieron no utilizar voz en off, asistimos a los hechos siempre desde la mirada del adolescente y después del hombre. No es cómodo sentir empatía por una mujer que ejerció de guardiana de un campo de concentración en la Alemania nazi, seleccionando las prisioneras que iban llegando para ser asesinadas una a una. Hannah Schmidt formaba parte del engranaje asesino de las SS, nadie le obligó a alistarse cuando trabajaba de joven en la Siemens, así lo declara en el juicio posterior. Y sin embargo, la magia del cine nos puede hacer sentir a algunos cierta compasión por esa mujer encerrada y semianalfabeta que ama que le lean en voz alta la literatura de Chejov, Schiller o Goethe. Esto es mérito de una excepcional Kate Winslet, que sabe trasladar los rasgos descritos por Schlink en su best seller. David Kross está a la altura con su personaje del chico que despierta su sexualidad con una mujer bastante más mayor. La cobradora del tranvía y el estudiante de Bachiller entablan una intensa relación, tanto que marcará la vida de ambos para siempre. Daldry escogió a Ralph Fiennes para encarnar al hombre adulto, en un papel poco dado al lucimiento, su contención, su eterno mirar al pasado, al principio del film se verá a sí mismo en un pasajero de un tranvía, y en una de las secuencias más emotivas, decidirá grabar su voz recitando los libros que leía, y mandar las cintas por correo a Hannah en su condena perpetua. El trasfondo de este drama es el genocidio, el dilema entre la legalidad y la moral, el trauma y la culpa de la sociedad alemana. El profesor de Derecho -Bruno Ganz- dictamina en el aula, toda sociedad se rige por las leyes, y no por la moral. En realidad se nos cuenta una historia de amor entre dos generaciones de alemanes, la que vivió durante la contienda y la de los descendientes. Por debajo el arte como vía de escape, las obras de Chejov, de Goethe, de Schiller, al que según Hannah lo que le hacía falta era una mujer. Schiller, para quien solo el amor y el arte podían salvar la desazón del alma. Esa misma literatura también la condenará, es el libro escrito por una superviviente el que la delata junto a las otras guardianas, y una pila de libros le ayudará a terminar sus días en la celda antes que enfrentarse a un mundo que no es el suyo. Esta noche grabamos nuestra voz en un casete leyendo obras clásicas… Zacarías Cotán, Raúl Gallego y Chari Medina

Episode 39: Joey PhillipsJoey Phillips embarked on his career at the young age of 13 with a breakthrough role in the sensational musical, 'Billy Elliot'. This production, based on the beloved feature film of the same name, directed by Stephen Daldry and featuring music by Elton John, saw Phillips co-originating the role of Michael, best friend of Billy Elliot.Following this success, Phillips ventured into numerous television roles, including Half- moon Investigations, Doctors, The Royal, Holby City, Casualty and also played opposite Juliet Stevenson, Peter Capaldi and Alfie Allen in Jimmy McGovern's critically acclaimed Accused' for the BBC. Joey made his feature film debut as the leading role of Eddie in Stephen Cookson's ‘My Angel' playing opposite Timothy Spall, Brenda Blethyn and Celia Imrie. He won Best Newcomer at the Monaco International Film Festival for his performance.Phillips went on to train at the prestigious Guildhall School of Music and Drama and after graduating has enjoyed a successful career in theatre including productions such as ‘God's and Monsters' at Southwark Playhouse, Rodolpho in Arthur Miller's ‘A View From the Bridge' at The Gate Theatre Dublin, ‘Who Cares?' At The Lowry theatre in Manchester, ‘Romeo and Juliet' & ‘Richard III' at Shakespeare's Rose Theatre, ‘A Christmas Carol' at the RSC and ‘Breaking the Code' opposite Edward Bennet.Now, after captivating audiences on stage and screen, Joey makes a return to television in the highly anticipated seventh season of Outlander where he portrays Denzell Hunter — a Quaker who faced expulsion from his community after choosing to serve as a surgeon for the Continental Army during the Revolutionary War.#HYGYSTPOD #haveyougotyoursh*ttogether #HYGYST #caitlinoryan #JoeyPhillips #outlanderHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.

Justin Martin is one of the most prolific directors that has come across the West End and Broadway. In 2022 he directed Jodie Comer in Prima Facie, a one woman show about a young lawyer called Tessa who fights for justice for those who have suffered from sexual assault, written by Suzie Miller. In what many critics and audiences called "the theatre event of 2022". Justin discusses how he first came across Miller's text, how he approached the project, choosing Miss Comer for the part and the reaction it got across the world. As well as how it may just be one person on stage, but like any other show or film, it's a group effort and you're certainly not alone. Justin has been involved with many projects with director Stephen Daldry having been his associate director on projects such as: - Billy Elliot, West End, Broadway and International Tour - The Audience, with Helen Mirren - Skylight with Carey Mulligan and Bill Nighy - The Crown, seasons 1 and 2 for Netflix As well as his own work that includes: - The Jungle, Young Vic, St Anne's Warehouse NY, San Francisco - soon to be a feature film currently in development - Together, starring James McAvoy and Sharon Horgan which received the BAFTA for Best Single Drama Justin takes me through how he approaches projects, how his roles differ from being an associate to main director and the experience of bringing Prima Facie to life. Thank you Justin, let's do this again soon! Oliver Gower Spotlight Link: https://www.spotlight.com/9097-9058-5261 Instagram: @goweroliver For enquiries and requests: olliegower10@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/uncensored-critic/message

We're looking at a half-dozen romances across eighty years as we dig into the intergenerational relationships of Stephen Daldry's 2002 adaptation of The Hours. Join in as we discuss the stacked female cast helmed by Nicole Kidman, Julianne Moore, and Meryl Streep, other great one- and two-scene performances, the movie's nebulous queerness, the 2003 Oscars, and this January's box office offerings. Plus: Who is the film's lead? Why was the Cinemascore so weak? Why did Dennis Duffy go to see this movie? And, most importantly, how do you pronounce Godzilla x Kong? Make sure to rate, review, and subscribe! Next week: The Breakfast Club (1985) --- Send in a voice message: https://podcasters.spotify.com/pod/show/we-love-the-love/message

Dimanche prochain, on regarde avec Noddus Billy Elliot, une comédie britannique réalisée par Stephen Daldry et sortie en salles en 2000.Tu peux t'abonner à ce podcast ici-même.Un podcast magnifique, avec Mymy Haegel et Fab Florent (tous les autres podcasts de Fab) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

ANDREW BURNAP - won the 2021 Tony Award for Best Lead Actor in a Play for his performance in Matthew Lopez's The Inheritance, directed by Stephen Daldry, after a successful run at the Young Vic in London and a transfer to the West End. Additional theater credits include the titular role in the West Coast premiere of Matthew Lopez's The Legend of Georgia McBride (Geffen Playhouse, director Mike Donahue), Nicky Silver's This Day Forward (Vineyard Theatre, director Mark Brokaw) and Troilus in Troilus and Cressida (The Public, director Daniel Sullivan). TV and Film credits include the upcoming The Front Room (A24) and Disney's live-action Snow White; as well as “Under the Banner of Heaven” (Hulu); “WeCrashed” (AppleTV+); The Chaperone (director Michael Engler); and Spare Room. Andrew graduated from the Yale School of Drama. DAKIN MATTHEWS - LCT: Henry IV (Drama Desk Award). Broadway: To Kill a Mockingbird, The Iceman Cometh, Waitress, The Audience, Rocky, The Best Man, A Man for All Seasons. New York: Shakespeare in the Park, The Bridge Project at BAM, Playwrights Horizons, City Center Encores!, The Acting Company. Over 200 regional productions. Recent film credits include True Grit, Lincoln, Bridge of Spies and Zero Charisma. Over 250 television credits including “The King of Queens,” “Desperate Housewives” and “Gilmore Girls.” Former Artistic Director of three professional companies, an award-winning playwright and translator, an Emeritus Professor of English and a Shakespeare scholar. Learn more about your ad choices. Visit podcastchoices.com/adchoices

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2011 retrospective is back with Stephen Daldry's "Extremely Loud & Incredibly Close," starring Tom Hanks, Sandra Bullock, Thomas Horn, Viola Davis, John Goodman, Jeffrey Wright & Max von Sydow. The surprise Best Picture nominee stunned everyone in 2011 when it overcame its poor reviews to make it into the final lineup, receiving two Oscar nominations overall. What do we think of it all these years later? Has it improved over the years, gotten worse, or remained the same? Tune in as Josh Parham, Isaiah Washington, Patreon supporter Connor Olen, and I discuss the performances, story, score, themes of this 9/11 drama, its awards season run, and more. Thank you for all your support, and enjoy! Also, be sure to check out our other 2011 retrospective reviews for "War Horse," "The Help," "The Iron Lady," "Midnight In Paris," & "The Tree Of Life." Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Max and Jen take a look at 2002's … THE HOURS directed by Stephen Daldry and featuring an Academy Award performance from Nicole Kidman. Also…. whatever else Max is curious about.  Email us at: cinemaxers@talkradioone.com Follow us on: Facebook – @cinemaxers weekly podcast on talkradioone.com [...]

Dopo la pandemia, il mondo sembra essersi risvegliato irrimediabilmente triste. E il tema della ricerca della felicità è sulla bocca di tutti. Libri, canzoni, saggi, film. La domanda sembra essere una sola: come si raggiunge questa felicità? Ma forse è proprio l'idea che noi abbiamo della felicità ad essere sbagliata.I contributi audio di questa puntata sono tratti dal brano Felicità di Al Bano e Romina Power, pubblicato da Baby Records nel 1982, ascoltabile su Spotify; dal brano La felicità è una direzione di Cristina Scuccia, distribuito da ADA Music Italy nel 2023, ascoltabile su Spotify; dal film The Hours del 2002, diretto da Stephen Daldry, disponibile su Prime Video. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans une petite cité ouvrière du Nord-Est de l'Angleterre, alors que les mineurs entament, en 1984, l'une des plus longues grèves de l'histoire britannique, le jeune Billy Elliot commence à prendre en cachette des cours de danse classique dans la classe de ballet de Mme Wilkinson. Pour vivre sa passion au grand jour, Billy devra affronter son père et son frère qui estiment que la danse n'est pas une discipline pour les garçons. Sorti en 2000, ce film de Stephen Daldry a une résonance particulière pour la comédienne et metteuse en scène Émilie Charriot en raison des parallèles entre le parcours du jeune Billy et sa propre histoire. Après avoir été piquée par le virus du théâtre dans son enfance elle a, ensuite, dû batailler contre son père qui ne voulait pas la voir embrasser une carrière de comédienne.

This week, they just want to dance! Brendan and Jason discuss the 2000 coming-of-age dramedy Billy Elliot, which is about a boy who just wanted to break social roles and dance his heart out. In an episode that may have involved some pre-recording partying, the guys talk about the portrayal of Billy's closeted friend, the artistic flourishes added to the montages, Jason wonders if this movie is too straight-forward and much more!   Next week: Jason gives Brendan a Christmas present? Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.empireonline.com/movies/features/best-british-films/ Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) Billy Elliot stars Jamie Bell, Julie Walters, Gary Lewis, Jamie Draven, Jean Haywood, Stuart Wells and Mike Elliott; directed by Stephen Daldry. Is It Streaming? USA: Direct TV, Starz and available to rent Canada: available to rent UK: available to rent Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Arditti is a sound designer working on plays and musicals. He won a Tony Award for Billy Elliot The Musical on Broadway, and has received several other Tony nominations, most recently for The Inheritance, with his co-designer Chris Reid. Amongst his other awards are four Drama Desks, two Oliviers and an Evening Standard.Following a degree in English and Drama at the University of Hull, Paul immediately started working in theatre. His design career has spanned nearly 40 years, kicking off with three years in the National Theatre's sound department in the 80s, and eight years as Head of Sound at the Royal Court Theatre in the 90s under Stephen Daldry and later, Ian Rickson.Mostly, Paul has been freelance, with the majority of his work heard in the theatres of London and New York. Paul is a founding member of the ASD, and currently an Associate at the National Theatre.

Blake, Kofi & Rich take a look at one of the most popular British films in history.Directed by Stephen Daldry, "Billy Elliott" follows an 11 year-old boy (Jamie Bell) from a working-class family who discovers a talent and passion for ballet while his father (Gary Lewis) and older brother (Jamie Draven) struggle through the historic 1984-85 UK miners strike. Under the direction of a local dance teacher (Julie Walters), Billy's talent develops to the point where he earns an audition with the National Ballet School.As a young dancer, dance grad and one-time professional, Blake identifies with much of what Billy goes through. Blake shares his own stories of scorn and misunderstanding related to gender conformity. We also look at the profound love and grief experienced by Billy's dad Jackie - and consider the importance (and challenge) of seeing your children for who they really are. #fatherhood #billyelliottmovie #parenthood #raisingyoungmen #raisingstrongchildren #movies #growingup

Kate Winslet starred in two Oscar contenders in 2008 (the other opposite Leonardo DiCaprio in Sam Mendes's "Revolutionary Road"), but she won Best Actress for her portrayal of an illiterate Nazi in the Best Picture-nominated "The Reader," which grapples with guilt, our relationship to the past and the nature of evil. Yes, it is, as critic Amy Nicholson called it, a "Serious Film" (capital S, capital F). In this episode, Mike and Brian discuss the tradition of "Hollocaust movies," talk intellectual vs. emotional engagement and decide whether or not director Stephen Daldry's film will earn a spot in their top fives of the year. Want to choose an movie for a future episode? BECOME A PATRON. Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com And for 16 years of Golden Takes, head over to Letterboxd.

Kate Winslet starred in two Oscar contenders in 2008 (the other opposite Leonardo DiCaprio in Sam Mendes's "Revolutionary Road"), but she won Best Actress for her portrayal of an illiterate Nazi in the Best Picture-nominated "The Reader," which grapples with guilt, our relationship to the past and the nature of evil. Yes, it is, as critic Amy Nicholson called it, a "Serious Film" (capital S, capital F). In this episode, Mike and Brian discuss the tradition of "Hollocaust movies," talk intellectual vs. emotional engagement and decide whether or not director Stephen Daldry's film will earn a spot in their top fives of the year. Want to choose an movie for a future episode? BECOME A PATRON. Agree or disagree with our takes? EMAIL BestPictureThis@gmail.com And for 16 years of Golden Takes, head over to Letterboxd.

Nick and Sophia are back to celebrate the dramatic conclusion of Cancer season and the 20th anniversary of Stephen Daldry's ‘The Hours.' Firstly, they discuss the adapted film's rich background and the A-list cast that brings these interconnected characters to life. Then, by navigating the tricky waters of awards season (Do I hear category fraud?), they debate if they agree with Nicole's sole win for the film (39:10). Lastly, they answer some fun Twitter Questions (52:19).Follow us on Twitter and Instagram @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimMusic: “The Greatest Adventure” by Jonathan Adamich

Obi-Wan Kenobi is an American television miniseries created for the streaming service Disney+. It is part of the Star Wars franchise and stars Ewan McGregor as Obi-Wan Kenobi, reprising his role from the Star Wars prequel trilogy. Set ten years after the events of Star Wars: Episode III – Revenge of the Sith (2005), the series follows Kenobi as he sets out to rescue the kidnapped Princess Leia (Vivien Lyra Blair) from the Galactic Empire, leading to a confrontation with his former apprentice, Darth Vader (Hayden Christensen). The project originated as a spin-off film written by Hossein Amini and directed by Stephen Daldry, but it was reworked as a limited series following the commercial failure of Solo: A Star Wars Story (2018). McGregor was confirmed to be starring in August 2019, and Deborah Chow was hired to direct a month later. Production was scheduled to begin in July 2020, but the series was put on hold in January 2020 because Lucasfilm was unsatisfied with the scripts. Joby Harold was hired to rewrite the series and serve as showrunner in April 2020, executive producing with Chow, McGregor, Kathleen Kennedy, and Michelle Rejwan. Additional casting took place in March 2021, with co-stars such as Joel Edgerton, Bonnie Piesse, Jimmy Smits, James Earl Jones, and Christensen reprising their prequel trilogy roles. Filming began by May 2021 in Los Angeles, using StageCraft video wall technology, and wrapped by September. Natalie Holt composed the score, while Star Wars film composer John Williams wrote the main theme. # The first two episodes of Obi-Wan Kenobi premiered on May 27, 2022. The subsequent four episodes were released weekly until June 22. The series received positive reviews; critics praised the action sequences, McGregor and Christensen's performances and Chow's direction, but some criticized the writing. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Ten years after the events of Star Wars: Episode III – Revenge of the Sith (2005)—in which the Jedi were destroyed by Order 66 and Obi-Wan Kenobi's apprentice, Anakin Skywalker, became the Sith Lord Darth Vader—Kenobi is in hiding on the planet Tatooine, watching over Anakin's son Luke, when he is called on a mission to rescue Anakin's daughter, Leia, after she is kidnapped by the Galactic Empire's Jedi-hunting Inquisitors in a plot to draw Kenobi out. This leads to a confrontation between Kenobi and Vader. Jedi Master Obi-Wan Kenobi watches over young Luke Skywalker and evades the Empire's elite Jedi hunters during his exile on the desert planet Tatooine. Part I When agents of the Empire pose a new threat, Obi-Wan Kenobi emerges after years of hiding. Part II On a dangerous crime-ridden world, Obi-Wan becomes a target. Obi-Wan Kenobi is an American television miniseries created for the streaming service Disney+. It is part of the Star Wars franchise and stars Ewan McGregor as Obi-Wan Kenobi, reprising his role from the Star Wars prequel trilogy. Set ten years after the events of Star Wars: Episode III – Revenge of the Sith (2005), the series follows Kenobi as he sets out to rescue the kidnapped Princess Leia (Vivien Lyra Blair) from the Galactic Empire, leading to a confrontation with his former apprentice Darth Vader (Hayden Christensen). The project originated as a spin-off film written by Hossein Amini and directed by Stephen Daldry, but it was reworked as a limited series by Amini following the commercial failure of Solo: A Star Wars Story (2018). McGregor was confirmed to be starring in August 2019, and Deborah Chow was hired to direct a month later. Production was scheduled to begin in July 2020, but the series was put on hold in January 2020 because Lucasfilm was unsatisfied with the scripts. Joby Harold was hired to rewrite the series and serve as showrunner in April 2020, executive producing with Chow, McGregor, Kathleen Kennedy, and Michelle Rejwan. Additional casting took place in March 2021, with co-stars such as Joel Edgerton, Bonnie Piesse, Jimmy Smits, James Earl Jones, and Christensen reprising their prequel trilogy roles. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Musical, ik vind hier iets van wordt gemaakt door: Benno Hoogveld & Annemiek LelyDe hosting is in handen van popuppodcast.studioSpeciaal voor jou maken we een Spotify playlist met de muziek die we bespreken!Als regisseur/ex-musicalacteur en theaterwetenschapper delen wij - Benno Hoogveld en Annemiek Lely - onze liefde voor musicals met als doel een audio musicalencyclopedie met een kritische noot te maken. Luister je graag naar onze podcast? Heb je iets opgestoken van onze visie(s) op een musical? Of wil je ons naar West End sturen om nieuwe input voor een aflevering op te doen? Kies dan voor een applaus of staande ovatie: https://petje.af/musicalikvindhierietsvan

On today's episode of Gaybros Have a Fake Nose, we talk about The Hours, the 2002 drama by Stephen Daldry with Nicole Kidman, Julianne Moore, Meryl Streep and many more

Ben and Bran and Billy. We discuss Stephen Daldry's 2000 film and 2004 musical. Topics include coke, cross-dressing, and Maggie Thatcher. Visit our Patreon at patreon.com/moviethemusical !

“The Reader” #19Ben and Danielle discuss the 2008 romance film The Reader, directed by Stephen Daldry. The movie stars Ralph Fiennes, Kate Winslet, and David Kross. In post-WWII Germany, a law student named Michael Berg attends the trial of his former lover, Hanna Schmitz. The film shows how the two met, fell in love, and broke up mysteriously. Your hosts talk about aspects of the movie that they liked, such as the set design, acting, and direction. They examine the themes of remorse, grief, and pride. What do they think? Well, grab some popcorn, sit back, relax, and enjoy the show!Share this podcast with other movie fans in your life: Music: "Nightmares Inn" by RKVCCasino Roulette Sound Effect: https://www.soundfishing.eu/sound/fortune-wheelCheck out our website and social media pages!Website: https://www.podpage.com/reely-random-movie-reviews/Facebook: https://www.facebook.com/reelyrandommoviereviewsInstagram: https://www.instagram.com/reelyrandommoviereviews/Twitter: https://twitter.com/MovieReely

The thespians discuss the body as art, Nicholas Hytner's CENTER STAGE (2000), Stephen Daldry's BILLY ELLIOT (2000), and the drive to move. 

Pour devenir danseur étoile on peut se faire pistonner. On peut aussi bosser de toute façon pour Stephen Daldry le plus difficile c'est de convaincre ses parents. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pitch94/message

El suicidio es la primera causa de muerte no natural con una diferencia de miles de víctimas respecto a cualquier otra. A pesar de esta situación, en la que una media de 10 personas mueren por esta causa a diario, es una realidad silenciada. No se habla de este tema, los medios de comunicación lo ignoran, se mira para otro lado ante esta tragedia que afecta a gente de cualquier edad y sexo. La depresión es una enfermedad minusvalorada que puede agudizarse y llevar en el extremo al suicido. Aunque se conoce más socialmente, no se valora ni se tiene en cuenta la dimensión real y su impacto. En este programa hablaremos de la depresión y el suicidio para exponer la realidad de este problema. Es necesario contribuir y ayudar a difundir este problema social que nos puede afectar a todos para que se le dé la importancia necesaria. Para más recursos: https://caminosconsciencia.es/podcast/el-suicidio-la-realidad-silenciada Música: Pablo: -"Ton-regard" Udo Vismann: -"Nostalgia" -"Freshness" http://creativecommons.org/licenses/by-nc-nd/3.0/ Película: "Las horas" (2003, Stephen Daldry)

Dans quelques jours sortira, sur la plateforme Prime Vidéo, le film Spencer de Pablo Larrain. Ce biopic en huis clos, au sein de la famille royale, retrace les derniers jours précédant la décision de Diana de mettre fin à son mariage avec le Prince Charles, en 1991. Le rôle de la princesse au destin brisé est incarné par Kristen Stewart. Alors, où se situe la pertinence d'un énième objet culturel à propos de Diana et de la famille royale ? Ou encore, l'actrice est-elle à la hauteur d'un tel rôle ? Clémentine Gallot et Kaoutar Harchi l'ont vu et répondent à ces questions dans ce nouvel épisode court de Quoi de Meuf. Les références entendues dans l'épisode : Spencer de Pablo Larrain (2022)Jackie de Pablo Larrain (2016)The Crown de Peter Morgan et Stephen Daldry (2016)Diana de Oliver Hirschbiegel (2013)Diana : the musical de David Bryan et Joe Dipietro (2021)Amy de Asif Kapadia (2015)Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Kaoutar Harchi. Mixage et montage : Laurie Galligani. Prise de son par Thibault Delage à l'Arrière Boutique. Générique réalisé par Aurore Meyer Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde Jonin.Le podcast Quoi de Meuf devient un livre : 100 oeuvres cultes à connaitre quand on est féministe ! Est-il possible de chérir des œuvres imparfaites ? Comment représenter les violences sexuelles ? Faut-il séparer l'homme de l'artiste ? Que faire des œuvres problématiques ? Quelles sont les films, séries, livres, albums indispensables à son éducation féministe ? Clémentine Gallot, Kaoutar Harchi, Anne-Laure Pineau, Pauline Verduzier et Emeline Amétis apportent leurs réponses (subjectives !) à ces questions en vous présentant une sélection d'œuvres qui les ont nourries et marquées dans la construction de leur féminisme ! Le livre est disponible en librairie depuis le 24 novembre, et il est possible de le commander ici : https://tidd.ly/3E2admVSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paradox House presents... Episode 5 of Scripted, hosted by Daisy Lewis. Week 5 is here and this week Daisy sat down with Dominic Cooke CBE. Listen in as we delve into process in theatre and screen as well as touching on the highly anticipated stage adaptation of Game of Thrones. Dominic graduated from Warwick University, his first job was as a TV runner led him to start his own theatre company, Pan Optic, which he ran for two years before becoming an assistant director at the Royal Shakespeare Company (RSC). He started his relationship with the Royal Court Theatre under Stephen Daldry in 1995. He then became an associate director at the Royal Court for Ian Rickson in 1999 during which time he directed Fireface by Marius von Mayenburg, Other People by Christopher Shinn and Redundant by Leo Butler. In 2003 he left the Royal Court and returned to the RSC for Michael Boyd where he directed his acclaimed version of The Crucible starring Iain Glen which won him the 2007 Laurence Olivier Award for Best Director; the play also won the Olivier for Best Revival. In 2013 he won the International Theatre Institute Award for Excellence in International Theatre and in the same year was awarded Honorary Doctorate of Letters by his alma mater, Warwick University. Cooke was appointed Commander of the Order of the British Empire (CBE) in the 2014 New Year Honours for services to drama. Dominic was artistic director and Chief Executive of the Royal Court Theatre 2006 to 2013 during which time he pioneered new writing by actively promoting the Royal Court's Young Writers' Programme and new, young writers such as Mike Bartlett (My Child), Polly Stenham (That Face), Penelope Skinner (The Village Bike) and Bola Agbaje (the Olivier Award-winning Gone Too Far!) For film, Dominic's feature directorial debut, On Chesil Beach starring Saoirse Ronan and Billy Howle, premiered at the Toronto International Film Festival on 7 September 2017. It is based on the novel of the same name by Booker Prize winning novelist Ian McEwan. His latest film The Courier starring Benedict Cumberbatch, Merab Ninidze, Rachel Brosnahan and Jessie Buckley, premiered at Sundance in January 2020. Enjoy!

In this week's episode I sit down with actor, director, teacher and my mentor/friend Stephen McKinley Henderson as we discuss the art of acting and the art of self-revelation. We also chat about what it means to be a teacher and the importance of art in the world, as well as his upcoming projects including the highly anticipated film "Dune" which premieres today October 22nd. So sit back, enjoy and make sure you like, review, subscribe and share.Audio by Yemi.Henderson's work appears in five Oscar nominated films including Denzel Washington's, Fences, for which Stephen received a Virtuoso Award from the Santa Barbara International Film Festival; Greta Gerwig's, Lady Bird; Steven Spielberg's, LINCOLN; Kenneth Lonergan's, Manchester by the Sea and Stephen Daldry's, Extremely Loud and Incredibly Close. This season he can be seen in theatres and on HBO Max in Denis Villeneuve's, DUNE and Halle Berry's directorial debut, BRUISED on Netflix. Noteworthy television work includes the FX/HULU series, DEVS; WU TANG: An American Saga; AMC's Fear of The Walking Dead; HBO's, THE NEWSROOM; and HBO Films' Everyday People. His six Broadway shows include two Tony winners for best Revival of a Play, A Raisin in the Sun, and Fences, for which Stephen received a Tony nomination. His OBIE and LUCILLE LORTEL awards are for his work in Stephen Adley Guirgis' Pulitzer Prize Winner, Between Riverside and Crazy.

Arturo Luís Soria is an actor and writer with roots in Brazil, Italy, Ecuador, and the Dominican Republic. Most recently, Arturo can be seen Off-Broadway at the Rattlestick Playwrights Theatre in his critically acclaimed play, “Ni Mi Madre”, which he wrote and stars in. A first time playwright, “Ni Mi Madre” received rave reviews from New York Times and Vulture. The show is playing now through September 19th. Arturo made his Broadway debut in “The Inheritance” by Matthew Lopez and directed by Stephen Daldry. He played Tano in the World Premiere production of “Hit the Wall” by Ike Holter at the Steppenwolf Garage Theatre, reviving the role off-Broadway at Barrow Street Theatre. TV credits include “The Blacklist” and “Insatiable”. He is a graduate from Yale School of Drama and The Theatre School at DePaul University. He is currently a TV writing mentee in Lena's Waithe's mentorship program at Hillman Grad Productions. Philanthropic/Activist Causes: Youth Theater Education in Marginalized Communities

The first film to confront the covid-19 pandemic… Stephen Daldry's TOGETHER. Also, INDIANA JONES AND THE TMEPLE OF DOOM and Barbara Streisand's blow jobs. Email us at: cinemaxers@talkradioone.com Follow us on: Facebook, Instagram and Twitter – @cinemaxers 

Kelly Ford is a comedian and broadcaster. Her show for Soho Radio, 'Sex, Lies and Videotapes', has been delving into the lives of Soho's interesting people since 2015. Kelly also co-hosts the radio and podcast documentary series, The Everything Project, with Natalie Lee, which shines a light onto worlds unknown, giving a voice to those unheard.Kelly was 15 when she lost her mum Jill to ovarian cancer. When she became a mother herself, 21 years later, she found herself only wanting to hear about motherhood from her mum. This inspired Kelly to create the beautiful podcast series, The Motherless. The launch series speaks to a diverse range of women who lost their mothers at varying stages of life. Kelly delves into their relationships and highlights the resilience and strength experienced by women in daily life. It's an incredible podcast for anyone experiencing grief, who has lost a loved one, or treasures hearing the real-life stories of others. In this Everyday Burnout Conversation, Kelly and Flic chat about the 'perfect storm' that led to Kelly's burnout manifesting physically, eventually reaching a diagnosis of Pyoderma Gangrenosum and suspected Crohn's disease. She talks about the warning signs she now  keeps watch for, along with the daily stress management she embraces to keep burnout at bay. Also mentioned in this episode:Hollie De Cruz's books: Motherhood Your Way and Your Baby, Your BirthHow To Fail With Elizabeth Day - Season 4, Episode 4 with guest Mo Gawdat Writing daily morning pages - find out more in The Artists Way by Julia CameronTogether - A 2021 British comedy-drama aired on BBC staring James McAvoy and Sharon Horgan. Directed by Stephen Daldry from a screenplay written bye Dennis Kelly.Anniki Sommerville's podcast How To Be A Boss At Aging Season 4, Episode 2 - Being Grateful for the Tiny Things with Kelly Ford. Follow Kelly @bookofmumFind out more about Kelly's workCheck out her brilliant podcast series of The Motherless Follow The Motherless @podofmumPlease note, this podcast is not intended as medical advice. If you're having a tough time or concerned that you're experiencing burnout, please reach out to your doctor or mental health professional for support and guidance. Please like, comment and subscribe to the podcast wherever you listen. I truly appreciate your feedback and support, as it helps these fab li'l conversations reach a little bit further.

Joseph and Jamie discuss Stephen Daldry's critically panned drama Extremely Loud and Incredibly Close (2011): how the film treats its sensitive subject matter, the way it was adapted from the book, and how it managed to get a Best Picture nomination despite its poor critical performance.

If anyone on this planet is a natural born cinematographer, it might just be Chris Menges. His earthiness and pragmatism combined with his uncanny, innate sensibility for the moving image are what makes his films special: Kes, The Killing Fields and The Mission, to name just a few. If you haven't seen them, then trust us that they are among the most beautiful movies ever made. Chris Menges has seen a lot of adventure; he's been all over the world, and he has stories. In this wide-ranging discussion we talk about the photographer Henri Cartier-Bresson's influence on Menges' work and the importance of "walking the streets." From his early days in documentary to his later work with directors like Neil Jordan, Stephen Frears, Stephen Daldry and Sean Penn, Menges is a true master of observation... and he's picked up a couple Oscars along the way. Pay your respects and listen to the man speak! For another conversation with a great DP, check out our recent chat with Phedon Papamichael. Please email us any questions at ask@nofilmschool.com!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's show, Jamie and Rob share their interview with Matthew Lopez, playwright of “The Inheritance”, which played on Broadway this season. Together, they talk about Matthew's inspiration for writing the play, the importance of sharing history and experiences across generations—particularly within the queer community—Matthew's reaction to the critical response to the play, and his collaboration with director Stephen Daldry in staging this epic, two part, six act piece. Why were the actors barefoot? Tune in to find out! This week's music: “The Inheritance”, “The House”, “Henry Sells the House” and “Young Men” all from “The Inheritance” and “Never Never Land” from “Peter Pan" Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com   Jamie Du Mont Twitter: @jamiedumont  Instagram: @troutinnyc  Rob Russo Twitter/Instagram: @StageLeft_NYC  Jennifer Simard Twitter: @SimardJennifer  Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices

KPFA theatre critic Richard Wolinsky reviews “The Jungle” by Joe Murphy & Joe Robertson, directed by Stephen Daldry and Justin Martin, at the Curran in San Francisco through May 18, 2019. Curran website The post Review: The Jungle, at the Curran appeared first on KPFA.

Justin Martin Ammar Haj Ahmad Justin Martin, co-director, and Ammar Haj Ahmad, one of the principal actors of “The Jungle,” a play by Joe Murphy and Joe Robertson, at the Curran Theatre in San Francisco through May 18, 2019, in conversation with Richard Wolinsky. The Jungle tells the story of a refugee camp near Calais, France, where people fleeing violence in their own countries came while they awaited asylum in England. The camp lasted around nine months, and during that time, developed its own culture and community. Playwrights Joe Murphy and Joe Robertson opened a theatre there, and took notes on the people and events during the Jungle's existence. Co-directors Stephen Daldry and Justin Martin joined with the playwrights, and actors representing the various countries in the camp, and created an environmental theatre piece, which received accolades in earlier productions at the Old Vic in London and St. Ann's Warehouse in New York, before coming to San Francisco. Justin Martin has worked as associate director with Stephen Daldry beginning with the national tour of the musical “Billy Elliot” and has served as second unit director for several episodes of Daldry's Netflix series, “The Crown.” Ammar Haj Ahmad began his acting career in Syria and came to Britain to work, and then found himself a refugee and unable to return. Now a British citizen, he was one of the original workshop members of the play “The Jungle.” Curran theatre website The post Interview: Justin Martin & Ammar Haj Ahmad, “The Jungle” at the Curran appeared first on KPFA.

On the August 21, 2017 episode of /Film Daily, Ben Pearson, Jack Giroux and Brad Oman join Peter Sciretta to answer a ton of questions in the mailbag: 2017 award contenders, best upcoming tv shows, guilty pleasure tv shows, what Marvel Television needs to learn from the MCU, movies we don't understand others loving or hating, the Obi-wan movie, best political movie, most wanted film prop, and the coolest moment on the job. You can subscribe to /Film Daily on iTunes, Google Play, Overcast and all the popular podcast apps (here is the RSS URL if you need it).   In The Mailbag: Max asks “What is your favorite theme park ride?” Peter: Pirates of the Carribean, Star Wars Land Ben: Indiana Jones Adventure Brad: Space Mountain Jack: Anaconda   Tim L asks “What movies and people do you consider awards contenders of those that have already been released this year?” Peter: War for the Planet of the Apes Ben: Get Out Brad: The Big Sick Jack:  Dunkirk   Robert asks “Best upcoming TV Shows for autumn/winter. What show are you most excited?” Peter: Stanger Things 2 Ben: The Deuce Brad: AP Bio Jack:  Curb Your Enthusiasm   Mike asks “What is your favorite guilty pleasure tv show?” Peter:  Flipping Out Ben: NOTHING Brad: Big Brother Jack: Californication and Weeds   Brett A asks “ What can Marvel TV learn from the MCU as their latest shows have taken a sharp drop in quality since the MCU/Marvel split?”   David R asks “Controversial, but what are some movies that you just don't understand people hating or loving? Love the podcast, by the way!” Peter: Man of Steel, Dunkirk Ben: Love Actually Brad: Zoolander No. 2 Jack: Reign of Fire   Christopher L asks “Who is going to replace Stephen Daldry when the Obi-Wan movie goes for extensive reshoots?” Peter: Luc Besson Ben: F. Gary Gray Brad: Lars Von Trier Jack: Lawrence Kasdan   Wendy wants to know what the best political movie is, fictional or non-fiction. Peter: Bowling for Columbine, Election Ben: The Ides of March, Citizenfour Brad: Charlie Wilson's War Jack:  JFK   Jacob asks “If you could own one movie prop, regardless of money, what would it be?” Peter: Delorean time machine from Back to the Future Ben: Indiana Jones' whip Brad: Ecto-1 from Ghostbusters Jack:  alien egg   Kevin asks “what is the coolest moment you've experienced while writing about movies” Peter: Meeting Steven Spielberg Ben: Meeting Bill Murray Brad: Captain America: Civil War set visit Jack: Tony Gilroy telling me to get to class   To submit questions to the mailbag, send them to peter@slashfilm.com. Please mention your name and general geographical location in case we mention the question on the air. You can find all that and more at slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast and all the popular podcast apps (RSS). This podcast is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. We're still very much experimenting with this podcast, please feel free to send your feedback to us at peter@slashfilm.com. Please rate and review the podcast on iTunes and spread the word! Thanks to Sam Hume for our logo.

On this episode Chris, Ben, and Dominic discuss the exciting report from The Hollywood Reporter that Stephen Daldry in talks to direct an Obi-Wan Kenobi movie.  They share their thoughts on what they'd like to see in the film, what other characters could get films, and their thoughts on Daldry's pedigree.  They also look at the rest of the Entertainment Weekly The Last Jedi stories from last week and discuss what they expect from the reveals about Rey and Finn's backstory in the film.  Plus, there's still hope for Star Wars on Netflix, Battlefront II reveals are coming to Gamescom, and what makes a Legends character a good choice for bringing into the new canon.  All this and much more! Website:  www.starwarsunderworld.com Support The SWU on Patreon Buy an SWU T-shirt Facebook: www.facebook.com/swunderworld Twitter: @TheSWU Subscribe and Review on iTunes Email: swunderworld@gmail.com Voicemail: 1-410-989-1138 Listen live Thursdays at 9pm EST on Channel 1138

Film and theatre director Stephen Daldry discusses his latest project with Clemency Burton Hill. The Crown charts Queen Elizabeth II's reign starting with her marriage to Philip Mountbatten in the post-war period in 1947. The Netflix drama series is Daldry's first foray into TV, written by Peter Morgan, which is reportedly the UK's most expensive ever.Nocturnal Animals is the latest film from fashion designer turned director Tom Ford. The psychological thriller stars Amy Adams as a lonely art gallery owner & Jake Gyllenhaal as her ex-husband. Jason Solomons reviews. As part of the BBC's celebration of books, Love to Read, the creator of Horrid Henry, Francesca Simon talks about the classic book she's read for Front Row: Nathaniel Hawthorne's 1850 story about guilt and sin, The Scarlet Letter. Linda Grant talks about her new novel The Dark Circle, which set in a tuberculosis sanatorium in the early 1950s. Producer: Julian May.