Podcast appearances and mentions of Jason Danieley

This Saturday, July 8 at 8 p.m. at Tanglewood, The Boston Pops performs “Ragtime: The Symphonic Concert,” prepared by the original creators Terrence McNally, Lynn Ahrens, and Stephen Flaherty especially for the Pops.Keith Lockhart conducts and the vocal cast joining the pops features Broadway stars Alton Fitzgerald White, Elizabeth Stanley, Nikki Renée Daniels, David Harris, and John Cariani -- who joins us now – along with "Ragtime: The Symphonic Concert '' stage director, Jason Danieley. Both Cariani and Danieley are well known on Broadway and Berkshire stages.

Barrington Stage Company in Pittsfield, Massachusetts presents Stephen Sondheim and Hugh Weeler's “A Little Night Music” on the Boyd-Quinson Mainstage August 6-28.Outgoing founding Artistic Director Julianne Boyd directs the love-laden and confused weekend in the country in a new production starring Emily Skinner as Desiree Armfeldt and Jason Danieley as Fredrik Egerman.

SHOWS: Merrily We Roll Along, She Loves Me, Curtains David Loud occupies a unique place in Broadway history: in addition to his distinguished body of work as a music director and vocal arranger, he has also originated three roles as an actor. He most recently served as Music Director for the Broadway premiere of The Visit, starring Chita Rivera and Roger Rees. Other credits include the original Broadway productions of The Scottsboro Boys, Sondheim on Sondheim, Curtains, Ragtime, A Class Act, Steel Pier, and revivals of Porgy and Bess, She Loves Me, Company, and Sweeney Todd. He originated the role of Manny in Terrence McNally's Master Class (starring Zoe Caldwell), played Sasha (the conductor) in Curtains, and made his Broadway debut in Harold Prince's original 1981 production of Stephen Sondheim's Merrily We Roll Along. Off-Broadway, David created the vocal and dance arrangements for Kander & Ebb's And the World Goes ‘Round. He has created arrangements for Marin Mazzie, Jason Danieley, Audra MacDonald, Victoria Clark, Paulo Szot, Liz Callaway, Betty Buckley, and Barbara Cook. He conducted the incidental music for Mike Nichols's revival of Death of a Salesman and collaborated with Wynton Marsalis and John Doyle on A Bed and a Chair, a jazz interpretation of Sondheim's music. Other recent projects include The Land Where the Good Songs Go, a concert of Jerome Kern songs at Merkin Concert Hall; First You Dream, a concert of Kander & Ebb songs that was broadcast on PBS; and three programs in the 92nd Street Y's Lyrics and Lyricists series: On A Clear Day: The Musical Vision of Burton Lane, Taking a Chance on Love: The Music of Vernon Duke, and A Good Thing Going: The Stephen Sondheim and Harold Prince Collaboration. He is a graduate of Yale University and has been on the faculty of the Yale School of Drama and Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Jennifer talks to Dr. Alisa Hurwitz in hopes of destigmatizing the conversation around mental health, specifically in relation to artists. They talk about an artist's identity, the therapeutic power of dogs, empathy, listening, and emotions as information. Dr. Alisa shares helpful tools and resources around finding a therapist and the questions to ask, specifically for those in the LGBTQIA+ community.  CW: This episode discusses mental health, capitalism, generational trauma, racism, transphobia, activism, therapy, and the meaning of carnival geek in relation to addiction and abuse. About Dr. Hurwitz: Dr. Alisa Hurwitz is a clinical psychologist in group private practice in New Hampshire, specializing in the Autism spectrum, trauma and gender identity. She also works on the Transgender Clinic Team at Dartmouth Hitchcock Medical Center. Dr. Hurwitz applies her professional knowledge to consult with theater companies, conduct post-show talkbacks and interview Broadway and off-Broadway actors. She has been a presenter at several BroadwayCons and has collaborated on productions with the Cultural Arts Playhouse, Cue Zero Theatre, and The Hidden Ones. Her work can be found on the National Alliance on Mental Illness website, Shrink Tank and at www.drdrama.com, and her Musicals & Mental Health series can be found on Instagram (@thedrdrama) with guests who have included Eva Noblezada, Jason Danieley, Hailey Kilgore, Lauren Patten, Ali Stroker, Rebecca Naomi Jones and Ethan Slater. Alisa IG: @thedrdrama Alisa Website: www.drdrama.com Psychology Today: www.psychologytoday.com/ Darkness Rising: www.darknessrisingproject.org/ Want to coach with Jennifer? Schedule a session here! https://appt.link/jenniferapple Monologue Sourcing Promo Link! https://empoweredartistcollective.com/podcastpromo Learn more: https://www.empoweredartistcollective.com/podcast EAC IG: @EmpoweredArtistCollective  EAC TikTok: @EmpowerArtistCollective EAC Facebook: https://www.facebook.com/empoweredartistcollective/ Check Out Our Merch! https://www.empoweredartistcollective.threadless.com/ Any thoughts you'd like to share? Email us at EmpoweredArtistCollective@gmail.com

Peter Filichia, James Marino, and Michael Portantiere talk with Jason Danieley. This Week on Broadway has been coming to you every week since 2009. It is the longest running Broadway and theatrical podcast with hundreds of shows giving thousands of reviews and interviews. Subscribe to BroadwayRadio in Apple Podcasts by read more

We plant some sunflowers and have a chat with Broadway Actor Jason Danieley about his Iconic roles throughout his career, and his amazing wife, Broadway Leading Lady Marin Mazzie, who passed of Ovarian Cancer in 2018. www.broadwayrecords.com www.cancersupportcommunity.org https://tinaswish.org https://ocrahope.org https://actorsfund.org --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/connerandsmithshow/message

In this special episode, Jose talks to Lynn Ahrens & Stephen Flaherty, the composers behind beloved musicals such as Ragtime, Once on This Island, and Anastasia. During the pause provoked by the pandemic, the duo went to their archives to put together a new album called Legacy: Two Song Cycles.  The double album features previously unreleased demos split into two song cycles. The first is called 1859: A Farmer's Diary and features vocals by Jason Danieley and the great, late Marin Mazzie. The second, A Boy With a Camera, was inspired by photographs taken by Ahrens' father in the 1950s. It features vocals by Steven Pasquale and Sarah Uriarte Berry. The duo talked about why some songs never make it to the final version of the musical, and talk about what it means to look back at 37 years of work together. The episode includes a special appearance by Juju Nieto, a Dramaturgy student at Carnegie Mellon University who had some questions for the legendary music makers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tony Award© Nominee, Jason Danieley, returns to Feinstein's 54 Below in a new solo show, A HEART TO HEART. he chats with me about the show, dealing with grief, and so much more. He is an absolutely wonderful man, who is taking all of us along on his next adventure.

PRETTY WOMAN'S Jason Danieley talks working with the Cancer Support Community in honor of his late-wife Marin Mazzie.Hosted by Beth Stevens, Ryan Lee Gilbert and Caitlin Moynihan

ason Danieley is part of the original Broadway company of Pretty Woman. He has previously been on Broadway in The Visit, Next to Normal, Curtain, The Full Monty, Candide and Chicago. Be sure to follow him on Twitter at @JasonDanieley on Instagram at @JDanieley.(Hosts: Paul Wontorek, Ryan Lee Gilbert, Caitlin Moynihan)

This week Julie, Miranda, and Zane will chat with Genevieve Tree about which of life's truths can be gleaned from the musical murder mystery Curtains!- FURTHER READING -Wiki - Curtain, Musical, All The Tropes- CELEBRITY SHOUTOUTS - Fred Ebb, John Kander, Rupert Holmes, David Hyde Pierce, Debra Monk, Karen Ziemba, Jason Danieley, Edward Hibbert, Megan Sikora BOOK TO SEE THE SHOW!Like us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

After 20 years together in life and onstage, Broadway Power couple, Jason Danieley and Marin Mazzie, finally bring their love of performing together, their love of life, and their love of each other to Feinstein's 54 Below in Broadway and Beyond. These guys did an awesome thing for me by giving me access to chat with them. About Marin Mazzie: http://www.marinmazzie.com/ About Jason Danieley: http://www.jasondanieley.com/ About Feinstein's 54 Below: https://54below.com/events/marin-mazzie-jason-danieley-broadway-beyond/ Keith Price's Curtain Call: http://www.keithpricecurtaincall.com On Instagram: @keithpricecurtaincall On Twitter: @kpcurtaincall ON FB: https://www.facebook.com/Keith-Prices-Curtain-Call-1380539615593807/

Broadway stars Marin Mazzie and Jason Danieley talk about their family's journey facing cancer, sharing with us their perspectives as patient and caregiver, husband and wife—in other words, as a family.

One of the most glamorous couples of today's Broadway stage share their latest releases and the stories behind them.

What lies behind the art of singing Stephen Sondheim's music? Carmen Cusack and Jason Danieley join Anne Nicholson Weber to talk about what they've learned about Sondheim's music performing the lead roles in Chicago Shakespeare Theatre's current production of Sunday in the Park with George.

Marin Mazzie talks about taking on the role of Diana Goodman in Broadway's "Next to Normal" and whether she and her co-star/husband Jason Danieley take their work home with them after the show. She also talks about her early professional experiences, including The Barn Theater in Michigan and An Evening Dinner Theatre in Westchester NY; appearing in the ultimately truncated national tour of "Doonesbury"; stepping into roles in the original productions of "Big River", "Into The Woods" and "And The World Goes Round"; her first opportunity to create a role, Clara in Sondheim and Lapine's "Passion", and having it created around her; the journey of "Ragtime" from Toronto to Broadway; her foray into the classics with Charles Mee's version of "The Trojan Women" for the site-specific company En Garde Arts; the differences between appearing in both "Kiss Me, Kate" and "Spamalot" in New York and London; and her forays into non-musical roles with "A Streetcar Named Desire" at Barrington Stage and "Enron" on Broadway -- and why she wants more opportunities to do more than just musicals. Original air date - September 8, 2010.

Marin Mazzie talks about taking on the role of Diana Goodman in Broadway's "Next to Normal" and whether she and her co-star/husband Jason Danieley take their work home with them after the show. She also talks about her early professional experiences, including The Barn Theater in Michigan and An Evening Dinner Theatre in Westchester NY; appearing in the ultimately truncated national tour of "Doonesbury"; stepping into roles in the original productions of "Big River", "Into The Woods" and "And The World Goes Round"; her first opportunity to create a role, Clara in Sondheim and Lapine's "Passion", and having it created around her; the journey of "Ragtime" from Toronto to Broadway; her foray into the classics with Charles Mee's version of "The Trojan Women" for the site-specific company En Garde Arts; the differences between appearing in both "Kiss Me, Kate" and "Spamalot" in New York and London; and her forays into non-musical roles with "A Streetcar Named Desire" at Barrington Stage and "Enron" on Broadway -- and why she wants more opportunities to do more than just musicals. Original air date - September 8, 2010.

Episode #18: Marin Mazzie has established herself as one of Broadway's great leading ladies, and it's easy to see why: with her rangy and beautiful voice, her serious acting chops, her comic bent, and her cover girl looks, who wouldn't want to cast her? Marin made her Broadway debut in Big River, and next was Into the Woods, where we met as fellow understudies and I got to see Marin perform Cinderella, Rapunzel, and the Witch in the same week! After that came Marin's three Tony-nominated performances, as Clara in Passion, as Mother in Ragtime, and as Lilli/Kate in Kiss Me Kate. She also took over the role of Aldonza, opposite Brian Stokes Mitchell, in the revival of Man of La Mancha. Most recently, she has been wowing audiences in the staged concerts of On the Twentieth Century as Lily Garland, and Kismet as Lalume. What a resumé! (And I haven't even touched on her extensive regional, stock and television credits!)On this episode, Marin sings a song that's actually in the songbook! "Walking the Wrong Way" is a self-contained, cabaret-type song with lyrics by Libby Saines ("I Won't Mind," "I'm Free") and music by yours truly. Recorded 5/19/06.On the concert and recording front, her leading man (onstage and off) is her adorable and talented husband, Jason Danieley. Marin and Jason recently released a duet CD, appropriately titled Opposite You. They'll be appearing together with the Boston Pops on June 1st, 2nd, and 3rd. Check them out - they do a great show!