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3 episodes with Lynn Ahrens
4 episodes with Lynn Ahrens
2 episodes with Lynn Ahrens
2 episodes with Lynn Ahrens
2 episodes with Lynn Ahrens
2 episodes with Lynn Ahrens
3 episodes with Lynn Ahrens
3 episodes with Lynn Ahrens
3 episodes with Lynn Ahrens
More from Lynn Ahrens (animated film/Musical lyricist) and Sarah Hartmann (U.S Associate Director). Following on from the other week's episode, I have included the conversation between them both at the media call talking about more about the story, the production and some bits of information fans may not have known about the film and stage adaption. The Australian premiere production of ANASTASIA [Crossroads Live Australia] is touring national, currently playing at the Sydney Lyric Theatre. This is so special, Enjoy! Watch performances: ~ video interview ~ 'Journey To The Past' - Georgina Hopson ~ 'My Petersburg' - Robert Tripolino ~ 'Land Of Yesterday' - Rhonda Burchmore & ensemble ~ 'Curtain Call' - Sydney Lyric Theatre Let Me Entertain You- Instagram | Twitter | Facebook | TikTok | Youtube
The Lincoln Center revival of Ragtime — with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, adapted from the novel by E. L. Doctorow — has just garnered 11 Tony Award nominations, including Best Revival of a Musical, along with multiple acting nods for its acclaimed cast. This new production feels more timely and resonant than the one that first played on Broadway in 1998. In addition to the fictional Coalhouse Walker Jr. and the archetypal figures known simply as Father, Mother, and Younger Brother, Ragtime brings to life several real celebrities and power brokers from turn-of-the-century New York. Anna Grace Barlow, who portrays Broadway sensation Evelyn Nesbit, and Rodd Cyrus, who embodies legendary illusionist Harry Houdini, join Carl Raymond from The Gilded Gentleman podcast for a behind-the-scenes conversation about their characters and their experiences bringing this revival to the stage. This show is brought to you by The Gilded Gentleman podcast, produced by the Bowery Boys and edited and produced by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Lynn Ahrens is an Academy Award, Golden Globe and Tony nominated lyricist for her work on ANASTASIA, both the original 1997 Twentieth Century Fox's animated film and musical stage adaption and US Associate Director Sarah Hartmann were both in Sydney, the Lyric Theatre for the opening of the Australia premiere of ANASTASIA [Crossroads Live Australia]. What an honour! I was thrilled to be able to speak to them and ask questions about both the film and musical- the historical context, staging, research and more! This was so special, I definitely could've asked more, so I hope you enjoy this exclusive treat! Watch performances: ~ video interview ~ 'Journey To The Past' - Georgina Hopson ~ 'My Petersburg' - Robert Tripolino ~ 'Land Of Yesterday' - Rhonda Burchmore & ensemble ~ 'Curtain Call' - Sydney Lyric Theatre Let Me Entertain You- Instagram | Twitter | Facebook | TikTok | Youtube
An award-winning lyricist and writer for film, TV, and musical theatre, Lynn Ahrens has collaborated with composer Stephen Flaherty on a slew of popular musicals, including Anastasia for both film and stage, Ragtime, Once on this Island, Seussical, A Man of No Importance, and many others. She's been nominated for two Academy Awards, two Golden Globes and won the Tony for Best Original Score for Ragtime. In this wide-ranging conversation, Lynn reflects on the remarkable journey that took her from a secretary with a guitar to one of musical theatre's most celebrated lyricists. She speaks candidly about the role of luck alongside persistence, from her breakthrough writing for Schoolhouse Rock! to the formative partnership with Stephen Flaherty that began with a chance call across a New York street. Along the way, she shares insights into craft, from the challenge of writing opening numbers to the necessity of constant rewriting, as well as formative encounters with legends like Stephen Sondheim, Comden and Green, and Sheldon Harnick. The conversation also explores the evolution of Anastasia from animated film to stage musical, shaped by a desire to deepen its emotional and historical resonance, and the ongoing life of works like Ragtime, whose themes continue to echo powerfully in today's world. Lynn speaks warmly about mentoring the next generation of writers, the realities of collaboration, and the emotional highs and lows of developing new work.Anastasia, music by Stephen Flaherty, lyrics by Lynn Ahrens, is playing at the Sydney Lyric Theatre, currently booking until July 18, before heading to Adelaide and then Brisbane.
durée : 00:28:49 - par : Laurent Valière - Ragtime est une comédie musicale dont la musique est composée par Stephen Flaherty et les paroles écrites par Lynn Ahrens - réalisation : Céline Parfenoff, Martine Mony Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Ragtime is currently playing on Broadway at Lincoln Center Theater's Vivian Beaumont Theater in an open-ended run. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
Ron Faber (left) and Stephen Stout (right) in Lucky Stiff. Photo by Peter Cunningham. This episode of Settling Scores dives into the delightfully offbeat world of Lucky Stiff, the cult-favorite musical that helped launch the legendary songwriting team of Lynn Ahrens and Stephen Flaherty. With its rapid-fire wit, breakneck(!) farce, and charming score, Lucky Stiff showcases the early sparks of a musical theatre partnership that would go on to create Ragtime, Once on This Island, and Anastasia. We'll attempt to outline the show's wild plot and swoon over some lovely musical moments, all while tracing how Ahrens and Flaherty's unique voice first took shape. Along the way, we unpack behind-the-scenes stories, creative risks, and why this small, zany musical still punches far above its weight. Call it a love letter to joyful absurdity. Perfect for fans who like their Broadway deep dives smart, irreverent...and perhaps a little feisty! Join us over on our Facebook and Instagram pages for more content and to share your thoughts with us! Stephen Flaherty and Lynn Ahrens circa 1988 Julie White and Stephen Stout in Lucky Stiff. Photo by Peter Cunningham. New York Times review of Lucky Stiff from 4/27/1988 John Scamardella (standing) and Steve Mook (seated). Pull-Tight Players Theatre production of Lucky Stiff, 2025. Photo credit: Three Wishes Photography Jeremy Hargis (left) and Bre Hall (right). Pull-Tight Players Theatre production of Lucky Stiff, 2025. Photo credit: Three Wishes Photography The incomparable Mary Testa. Original playbill from Playwright's Horizon The *interesting* movie version of Lucky Stiff.
The new revival of the musical Ragtime, by Stephen Flaherty and Lynn Ahrens (book by Terrence McNally, based on the novel by E.L. Doctorow), is one of the big hits of the new Broadway season. Lincoln Center Theater has produced the latest rendition, and times have certainly changed since the musical's original Broadway production in 1998. The new revival makes the show's characters and issues even more relevant for our present day. Along with the fictional character Coalhouse Walker Jr. and the archetypal characters Father, Mother, and Younger Brother, the show features several celebrities and power players from turn-of-the-century New York. Anna Grace Barlow, who plays Broadway star Evelyn Nesbit, and Rodd Cyrus, who stars as iconic illusionist Harry Houdini, join The Gilded Gentleman for a behind-the-scenes talk about their characters and their experiences performing in the show. This episode was produced and edited by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In this episode of Half Hour, Jeff and Richie take a close look at the 2025 Broadway revival of Ragtime at Lincoln Center Theater's Vivian Beaumont Theater, with Joshua Henry, Caissie Levy, Brandon Uranowitz, and Colin Donnell leading the cast. They compare Lear deBessonet's Broadway staging to the earlier New York City Center presentation, weighing the strength of the performances, the impact of a more pared-back production, and how the material lands with today's audiences. The conversation covers the score by Stephen Flaherty and Lynn Ahrens, Terrence McNally's book, design choices that support or undercut the storytelling, and what this revival might mean for the upcoming Tony Awards. Jeff and Richie also discuss how Ragtime's mix of fictional and historical figures speaks to contemporary questions about race, class, immigration, and the American dream. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this Ragtime revival and your own experience at the Vivian Beaumont in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Barrington Stage Company presents the world premiere of “Something Beautiful: The Songs of Ahrens and Flaherty,” at the Boyd-Quinson Theater in Pittsfield, Massachusetts from August 28-30. The brand new celebration of the work of Tony Award winners Lynn Ahrens and Stephen Flaherty is conceived of and directed by Jason Danieley.
In honor of Pride Month, we hear a 2004 interview with the late Terrence McNally, four time Tony Award winner, who frequently focused on the gay experience in his work. This podcast, unedited from its original posting, was first heard on April1, 2020. Terrence McNally, who died of complications from COVID on March 24, 2020 at the age of 81, was a giant of the American theatre. He received tony awards for his plays Love Valour Compassion and Master Class, and for best book for a musical for Kiss of the Spider Woman and Ragtime. His plays, musicals and operas have been performed around the world. Among his other plays were Lisbon Traviata, Lips Together Teeth Apart, The Ritz, and Frankie and Johnnie in the Claire de Lune. His plays, rich with humor and deft characterization, also were political in nature, and he never shied away and he was always willing to take a stand especially in the area of gay rights and the necessity for community. Richard Wolinsky spoke with Terrence McNally on March 18, 2004 in the offices of New Conservatory Theatre in San Francisco, which was then running the musical, A Man of No Importance, for which he had written the book. The music and lyrics were by Stephen Flaherty and Lynn Ahrens, who he had previously collaborated with on Ragtime. He was in San Francisco as New Conservatory's playwright in residence that spring, working on a play that would eventually become Some Men, a look at gay mens lives over the course of several decades. Terrence McNally's play Some Men played off Broadway in 2007 and would return to its theatre of origin, New Conservatory in San Francisco, in 2009. Over the fifteen years after the interview, he would write several plays that reached Broadway, including It's Only a Play and Mothers and Sons, along with three musicals, the last being Anastasia, based on the animated film, which ran on Broadway for two years, closing in spring, 2019 after 808 performances. The post Pride Month: Terrence McNally (1938-2020), Titan of the American Theatre appeared first on KPFA.
Send us a textJoin former child actor Moosie Drier, and author Jonathan Rosen, as they chat with legendary songwriter of Ragtime, Schoolhouse Rock, & others, Lynn Ahrens!Lynn discusses the shows she's written songs for including Ragtime & Suessical, getting her start writing and singing songs for Schoolhouse Rock, writing jingles for Bounty and Klondike Bar, & much more!Support the show
Send us a textJoin former child actor Moosie Drier, and author Jonathan Rosen, as they chat with legendary songwriter of Ragtime, Schoolhouse Rock, & others, Lynn Ahrens!Lynn discusses the shows she's written songs for including Ragtime & Suessical, getting her start writing and singing songs for Schoolhouse Rock, writing jingles for Bounty and Klondike Bar, & much more!Support the show
"Anastasia" (1997), música de David Newman, Stephen Flaherty y Lynn Ahrens.
What does it take to write a Tony-winning musical? Lynn Ahrens and Stephen Flaherty are the friends and songwriting team behind big Broadway musicals like Ragtime and Anastasia. They're also voting members for New York City's famous theatre industry prize, the Tony Awards. They join us as Tony Awards season takes off.Back stage... The make up artist. Meet the veteran head of WHAM (that's wardrobe, hair and make-up) Fiona Cooper-Sutherland as she transforms Christine Anu into Hermes, the silver god for the musical Hadestown. Hear Michael's interview with Anais Mitchell the creator of Hadestown.In the classic play The Maids by Jean Genet, two servant sisters act out a sinister game -- playing at murdering their mistress. Then the mistress herself enters the plot. Canberra theatre company The Street is staging this absurdist and chilling drama. We hear from actors Christina Falsone, Sophia Marzano, Natasha Vickery and director Caroline Stacey. The original sound design is by Kimmo Vennonen.
Next Friday, Mackenzie and Scott head to Monte Carlo to discuss the musical farce Lucky Stiff. They'll explore how this show launched one of musical theatre's most successful collaborations—Lynn Ahrens and Stephen Flaherty. The conversation examines why Lucky Stiff never made it to Broadway and whether it deserves a larger theatrical life. Plus, Scott shares his mixed feelings on the film adaptation.All this and the loving dogs of the Universal Dog Home of Brooklyn on next Friday's all new episode!Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages.FacebookInstagram
Music by Stephen FlahertyLyrics by Lynn AhrensBook by Thomas Meehan & Sylvester StalloneDirected by Alex TimbersChoreography by Steven Hoggett & Kelly DevineStarring Andy Karl, Margo Seibert, Terence Archie, Danny Mastrogiorgio, Dakin Matthews & Jennifer MudgeOpened on Broadway March 13, 2014
ANASTASIA is a musical based on a rumor that has stood the test of time and is a testament to the stories we tell during our "darkest Decembers." Joining us this week to discuss it is a young man who's just beginning to tell his own story, and he's earned quite the platform to do so. Damson Chola Jr. won the Jimmy Awards earlier this year and, thanks to incredible performing arts support in his Texas hometown, already has this epic musical on his resume. Don't miss this conversation filled with history, animation, and heart. Follow Damson on Instagram @damsoncholajr, and be sure to check out his galleries and original music by visiting damsoncholajr.com If you enjoyed this episode, be sure to check out our episode with ANASTASIA composers Lynn Ahrens & Stephen Flaherty: A MAN OF NO IMPORTANCE with Stephen Flaherty & Lynn Ahrens Have you subscribed to PATREON! yet? It's only $1 a month, and next week subscribers get a new episode of "Something Worth Singing About" dedicated to the musicals of Ahrens & Flaherty. Follow all the latest from the podcast on Instagram, TikTok, and X. And don't forget about our TeePublic Store where our profits are donated to Broadway Cares/Equity Fights AIDS. Above all, thank you for being part of this wonderful podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices
"Ragtime: The Musical," with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, is based on the 1975 novel of the same name by E.L. Doctorow. It's two-and-a-half hours of intense beauty and heartbreaking grief, and frankly, all three of us choked up a little while recording this episode. The (incredibly intricate) plot follows the intersecting lives of three groups in the early 20th century: African Americans, upper-class white suburbanites, and Eastern European immigrants. Set against the backdrop of New York City, the story delves into themes of racial tension, social upheaval, and the pursuit of the American Dream, weaving vibrant, moving music with compelling narratives. The characters navigate love, loss, racism, feminism, and the evolving landscape of a dysfunctional nation in flux, all while singing some of the most gorgeous lyrics and music that ever flowed from Ahrens and Flaherty's pens. (And somehow we managed to squeeze in a tribute to the amazing Marin Mazzie, too!) So get yer hanky ready -- it's time to dust off this musical gem and explore the masterpiece that is "Ragtime: The Musical." *We'd love to hear from you! Contact us any time on our Facebook or Instagram page.*
Stephen Flaherty is a composer who writes for theatre, film and the concert hall. With longtime collaborator Lynn Ahrens, he won Tony, Drama Desk and Outer Critics Circle Awards for the Broadway musical Ragtime and was nominated for two Academy awards and two Golden Globes for the animated feature film Anastasia, which they also adapted for Broadway. Additional Broadway credits include Once on This Island (Tony Award, Best Revival), Seussical, Rocky, My Favourite Year, Chita Rivera: The Dancer's Life (original songs), and Neil Simon's Proposals (incidental music). Off-Broadway and Regional credits include The Glorious Ones, Dessa Rose, A Man of No Importance (all three at Lincoln Centre Theatre), Loving Repeating: A Musical of Gertrude Stein (About Face), Little Dancer (Kennedy Centre and Seattle 5th Avenue), In Your Arms (Old Globe) and Lucky Stiff (Playwrights Horizons). Future productions include Little Dancer and Knoxville. Stephen Flaherty's work in film includes the animated feature Anastasia, the original score for the documentary After the Storm, Lucky Stiff and Nasrin. His concert commissions include American River Suite and With Voices Raised. Additional awards include London's Olivier (Best Musical), Chicago's Joseph Jefferson (Best Musical) and four Grammy nominations. He serves on Council for the Dramatists Guild of America and co-founded the DGF Fellows Program for Emerging Writers with Lynn Ahrens. In 2014 Ahrens and Flaherty received the Oscar Hammerstein Award for Lifetime Achievement and in 2015 they were inducted into the Theatre Hall of Fame. For more information please visit AhrensAndFlaherty.com. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au
ANYTHING GOES Music & Lyrics by Cole Porter | Original Book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse | New Book by Timothy Crouse & John WeidmanWorks Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"You're the Top" from Anything Goes (New Broadway Cast Recording (1987)) | Music & Lyrics by Cole Porter | Performed by Patti LuPone and Howard McGillin"Cherry Pies Ought to Be You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by LaChanze, Peter Scolari, Andrea Martin, & Ernie Sabella"They Couldn't Compare to You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by Peter Scolari & Female Ensemble"Brush Up Your Shakespeare" from Kiss Me, Kate! (The New Broadway Cast Recording) | Music & Lyrics by Cole Porter | Performed by Lee Wilkof & Michael Mulheren"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
We wrap up our miniseries on "I Wish" songs with "Waiting for Life" from Once on This Island by Lynn Ahrens and Stephen Flaherty. Topics include whether being made into a tree is a good thing, The Little Mermaid, and whether Ahrens and Flaherty were the right fit for this source material. DW: This episdoe contains mentions of racism, sexual assault, and self-harm. Listener discretion is advised. All clips are from the 1990 Original Broadway Cast Recording of Once on This Island featuring LaChanze and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Buy/stream the album on Amazon! Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com
ONCE ON THIS ISLAND Book & Lyrics by Lynn Ahrens, Music by Stephen Flaherty Works Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Waiting for Life" from Once On This Island (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by LaChanze and 'Once On This Island' Company"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Via Wikipedia and IMDB A Christmas Carol: The Musical is a 2004 American musical television film based on the 1843 novella of the same name by Charles Dickens, which also inspired a 1994 stage musical by Alan Menken and Lynn Ahrens. The story features an old bitter miser who is given a chance for redemption when ghosts haunt him on Christmas Eve. The movie was directed by Arthur Allan Seidelman and written by Ahrens; the film stars Kelsey Grammer, Jesse L. Martin, Jane Krakowski, Jennifer Love Hewitt, Geraldine Chaplin, and Jason Alexander. The film first premiered on November 28, 2004, on the NBC television network. --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support
Via Wikipedia and IMDB A Christmas Carol: The Musical is a 2004 American musical television film based on the 1843 novella of the same name by Charles Dickens, which also inspired a 1994 stage musical by Alan Menken and Lynn Ahrens. The story features an old bitter miser who is given a chance for redemption when ghosts haunt him on Christmas Eve. The movie was directed by Arthur Allan Seidelman and written by Ahrens; the film stars Kelsey Grammer, Jesse L. Martin, Jane Krakowski, Jennifer Love Hewitt, Geraldine Chaplin, and Jason Alexander. The film first premiered on November 28, 2004, on the NBC television network. --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support
Peter Friedman - has been in the original New York productions of works by Wendy Wasserstein, Simon Gray, C.P. Taylor, Charles Fuller, Annie Baker, Amy Herzog, Max Posner, Greg Pierce, Jennifer Haley, Deborah Zoe Laufer, The Debate Society, Rachel Bonds, Lauren Yee, Will Eno, Michael Mitnick, Kim Rosenstock, Will Connolly, Gunnar Madsen, Joy Gregory, John Lang, Susan Stroman, David Thompson, John Kander, Terrence McNally, Lynn Ahrens, and Stephen Flaherty. He's performed in NYC revivals of plays by Paddy Chayefsky, Reginald Rose, Donald Margulies, Chekhov, and Shakespeare. Film: The Savages, Safe, Single White Female. TV: “Brooklyn Bridge,” “High Maintenance,” “The Muppet Show,” “The Affair,” “The Path,” “Succession.” Sydney Lemmon - Off-Broadway debut. Broadway: Beau Willimon's The Parisian Woman. Film: TÁR, Firestarter, Velvet Buzzsaw. Television: “Helstrom,” “Succession,” “Fear the Walking Dead” (Saturn Award Nomination). She can next be seen alongside Halle Berry in the forthcoming feature film The Mothership. Sydney is a graduate of Boston University, LAMDA and the Yale School of Drama. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Extra-Extra! We caught ourselves a Newsie! *Fangirls-out* And it's who, Sir? It's all who, Sir? It's Mr. Andrew Keenan-Bolger! (Say what?! *faints*) And he's here to take a bite out of some Heavy Metal with Faith No More's Angel Dust, before reliving the wubbulous world of Seussical the Meussical after it's floppulous run in 2000!Plus, we chat Andrew's latest play- Dracula: a Comedy of Terrors; Puppetry; Success; Fansies; Night of a Thousand Chips; Playing multiple characters in one scene, plus HEAPS more in this hilariously charming episode! Andrew on Socials: https://twitter.com/KeenanBlogger -- https://instagram.com/KeenanBlogger -- https://www.andrewkeenanbolger.com Dracula: a Comedy of Terror Tickets: https://draculacomedy.com/#ticketsSpencer on Socials: https://www.twitter.com/SpencerSher_*****https://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure*****Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20%-off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 ***** ★ Support this podcast on Patreon ★
In this Episode, Hunter and Shaun discuss Ahren and Flaherty's musical, Anastasia Act 2. (Via Playbill) With music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, and inspired by a 75 year old legend and subsequent beloved films, Anastasia transports audiences from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family. --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support
In this episode, Hunter and Shaun discuss Ahren and Flaherty's Anastasia, Act I. (Via Playbill) With music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally, and inspired by a 75 year old legend and subsequent beloved films, Anastasia transports audiences from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family. --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support
This Saturday, July 8 at 8 p.m. at Tanglewood, The Boston Pops performs “Ragtime: The Symphonic Concert,” prepared by the original creators Terrence McNally, Lynn Ahrens, and Stephen Flaherty especially for the Pops.Keith Lockhart conducts and the vocal cast joining the pops features Broadway stars Alton Fitzgerald White, Elizabeth Stanley, Nikki Renée Daniels, David Harris, and John Cariani -- who joins us now – along with "Ragtime: The Symphonic Concert '' stage director, Jason Danieley. Both Cariani and Danieley are well known on Broadway and Berkshire stages.
We're journeying through the pasts of Lynn Ahrens and Stephen Flaherty this week, as we provide another episode in our composer series. Hop in! . . . "Forever Yours" - Once on This Island (New Broadway Cast Recording) "Why We Tell The Story" - Once on This Island (New Broadway Cast Recording) "Prologue: Ragtime" - Ragtime: The Musical (Original Broadway Cast Recording) "Solla Sollew" - Seussical: The Musical (2000 Original Broadway Cast) "Alone in the Universe (Reprise)" - Seussical: The Musical (2000 Original Broadway Cast) "Keep on Standing" - Rocky Broadway (Original Broadway Cast Recording) "My Petersburg" - Anastasia (Original Broadway Cast Recording) "Journey to the Past" - Anastasia "Doorway to Where" - Schmigadoon! Season 2 All music tracks used for educational and entertainment purposes only.
Courtney-Mae Briggs is currently playing Andrea in the London revival of Once on this Island at the Regent's Park Open Air Theatre. With music by Stephen Flaherty and music & book by Lynn Ahrens, this revival is directed by Ola Ince.Courtney originated the role of Jennifer Parker in Back To The Future (Manchester Opera House / Adelphi Theatre). She was also part of the original West End cast of Hamilton and went on take over as Maria Reynolds and Peggy Schuyler. Courtney's stage credits also include: Strcitly Ballroom (West Yorkshire Playhouse / Toronto), Barnam (UK Tour) and Kiss Me Kate (Royal Albert Hall) as well as the UK premiere of In The Heights (Southwark Playhouse / King's Cross Theatre). Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Last week Mickey-Jo was invited to review the new London revival of the musical ONCE ON THIS ISLAND at Regent's Park Open Air Theatre. The show was written by Lynn Ahrens and Stephen Flaherty and stars Gabrielle Brooks as Ti Moune. Check out the new review for Mickey-Jo's thoughts on this new production... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Actor and professor Cindy Gold remembers her friend and colleague Frank Galati, the Academy Award-nominated and multiple Tony Award-winning writer and director who died last January. At a memorial held at Steppenwolf Theatre last Monday, Galati's friends and artistic colleagues (including Mary Zimmerman, Robert Falls; Lois Smith, and Lynn Ahrens & Stephen Flaherty) remembered him as a generous and supportive artist in an event that was an inspiring celebration. Cindy shares her memories of working with Frank on his musical Loving Repeating (for which she won a Joseph Jefferson Award for playing Gertrude Stein); how Frank was a champion of the positive who had the ability to love an actor to a great performance; the joy of experiencing the “full Galati;” her talent to be a muse; and how Frank Galati continues to inspire. (Length 20:04)
Toot toot! Hop on the rag ship with Joshua and Daniel and make your way over to the five-star resort of Ellis Island, as we all explore the magical world of Lynn Ahrens and Stephen Flaherty's Ragtime together! Basking in the beautiful glow and optimism of turn-of-the-century America, our hosts relish in the warmth and social harmony of this world as they touch upon the idea of a musical theatre epic, the infinite failings of Livent, and Joshua's unabashed Toronto theatre bullshit. Tune in to the next episode when we discuss the premiere of New York, New York on Broadway as part of our Critics LIVE! series. Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast
Schoolhouse Rock turned 50 years old this year. KEXP's Eva Walker caught up with one of the songwriters and performers of the program, Lynn Ahrens, to talk about the music of the show and the show's legacy. “The original premise of Schoolhouse Rock, the president of that agency, a guy named David B. McCall had five kids and they could not remember their times tables but they could remember the lyrics to songs all the time and it was his brainchild to marry education with pop music and that's how the whole series was born,” Ahrens says. Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.
durée : 00:58:55 - Les 25 ans de la comédie musicale « Ragtime » - par : Laurent Valière - C'est en janvier 1998 que s'ouvre à Broadway la grandiose adaptation en comédie musicale du roman d'EL Doctorow qui raconte l'Amérique au début du 20e siècle. Retour sur la genèse de cette œuvre nommée 12 fois aux Tony Awards avec ses auteurs Lynn Ahrens et Stephen Flaherty. - réalisé par : Fabien Fleurat
Our February TIL DEATH theme- a haunted season of love-is off to a great start. Chels kicks us off with the ghostly classic synopsis, A Christmas Carol by Alan Menken, Lynn Ahrens, and Matt Ockrent (yes, this theme was meant for December...whoops) We are bringing back LISTENERSODES! Send your stories to us via winesanddolls.com or winesanddolls@gmail.com! As always, feel free to reach out via email at winesanddolls@gmail.com or social media! Cheers! . . . Help Wines and Dolls be the best they can be by supporting us on Patreon at patreon.com/winesanddolls for a cheers on the show and other perks for Patrons. Cheers to our Patrons: all who are left- Bob, Noah, Victoria, Sandra, Julia and John! Follow us on Instagram, Facebook, TikTok, and Twitter at winesanddolls Artwork by From Pen to Paper Music from Guys and Dolls, 1992 and A Christmas Carol, 1995 & 2004 on Spotify --- Send in a voice message: https://anchor.fm/winesanddolls/message
70 Guests, 70! This week, we're joined by our 70th guest (70th!!!)- West End (and now Broadway) icon, Melanie La Barrie! Together, we 'Follow the Leader' to shuck some Korn, before having a Ragtime with the Original Broadway Cast album- to discuss Melanie accidentally making her West End debut in the London production!Plus we chat about & Juliet, Lateness, A Strange Loop, Boring shows, Youth Theatre in Trinidad and Tobago, and heeeaaps more!https://twitter.com/melanielabarrie -- https://www.instagram.com/melabarrie/& Juliet is currently playing on Broadway- with an Exclusive run in Melbourne (yay, that's me!), check the links below for tickets!Broadway Tickets: https://andjulietbroadway.com/Melbourne Tickets: https://andjuliet.com.au/www.thetonastontales.com/listen -- www.patreon.com/bloomingtheatricals - www.twitter.com/thrashntreasurelinktr.ee/thrashntreasure******************************************************************************************************Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 ****************************************************************************************************** ★ Support this podcast on Patreon ★
And finally we are on to our February theme of TIL DEATH- a haunted season of love. Chels kicks us off with the ghostly classic, A Christmas Carol by Alan Menken, Lynn Ahrens, and Matt Ockrent (yes, this theme was meant for December...whoops) We are bringing back LISTENERSODES! Send your stories to us via winesanddolls.com or winesanddolls@gmail.com! As always, feel free to reach out via email at winesanddolls@gmail.com or social media! Cheers! . . . Help Wines and Dolls be the best they can be by supporting us on Patreon at patreon.com/winesanddolls for a cheers on the show and other perks for Patrons. Cheers to our Patrons: all who are left- Bob, Noah, Victoria, Sandra, Julia and John! Follow us on Instagram, Facebook, TikTok, and Twitter at winesanddolls Artwork by From Pen to Paper Music from Guys and Dolls, 1992 on Spotify --- Send in a voice message: https://anchor.fm/winesanddolls/message
The Tony Award winning writing team of the musicals: Ragtime, Anastasia, Seussical, Once on This Island, My Favorite Year, Rocky, Chita Rivera: The Dancer's Life, Lucky Stiff, Dessa Rose, The Glorious Ones, A Man of No Importance, Knoxville and Little Dancer. These renowned collaborators have received theater, film and music's highest honors – the Tony, Drama Desk, Outer Critics Circle and Olivier Awards, as well as nominations for two Academy Awards, two Golden Globes and four Grammys. They serve on the Council of the Dramatists Guild of America and founded the DGF Fellows Program for Emerging Writers. In 2014 they received the Oscar Hammerstein Award for Lifetime Achievement and in 2015 they were inducted into the Theater Hall of Fame.
No need for cute introductory copy here. This week we are simply honored that Tony Award winning composing team Stephen Flaherty and Lynn Ahrens (RAGTIME, ONCE ON THIS ISLAND, ANASTASIA) stopped by to discuss their beautiful musical A MAN OF NO IMPORTANCE. Don't miss this fun and poignant conversation about the power of theatre, community, and Terrence McNally's Bloomingdale visits. Also, feel free to weigh in on whether you pronounce it "Salomay" or "Salohmee." ;) Classic Stage Company's current revival of A MAN OF NO IMPORTANCE directed by John Doyle runs through December 18th. (Run! Don't walk!) Tickets and more information are available at classicstage.org Be sure to share "A Musical Theatre Podcast" with your friends and, while you're at it, leave us a nice review and rating! For more great content follow us on Instagram, Twitter, and TikTok. We also have a TeePublic store where we donate all our profits to Broadway Cares/Equity Fights AIDS. Don't forget about PATREON! where for only $1 you support the regular show and receive bonus content including an upcoming Halloween special! Most of all, thank you for being part of this podcasting community. Thank you, Ralph. Learn more about your ad choices. Visit megaphone.fm/adchoices
Legendary lyricist and composer duo, Lynn Ahrens and Stephen Flaherty (Ragtime, Once On This Island), discuss their careers, past works, and collaborations with playwright Terrence McNally, including A Man of No Importance.
Kara talks to musical theater composer/lyricist Adam Gwon about his day. Big moments include building the foundation for a sequence song, becoming a morning person while on the road, writing advice he received from Lynn Ahrens, and more.More about Adam: adamgwon.comInstagram: @gwonsterTwitter: @adamgwonMentions in the episode: Adam's lyric writing classes at Primary Stages Adam's class at the Dramatists Guild Institute Witnesses, the musical produced in California Dramatists Guild Foundation Fellows program founded by Lynn Ahrens and Stephen Flaherty Do It Today is a podcast created by Kara Cutruzzula. She's the author of two motivational journals and a musical theater writer, playwright, and editor. Preorder Do It Today: An Encouragement JournalPurchase Do It For Yourself: A Motivational Journal For more daily encouragement, subscribe to Kara's newsletter: https://brassringdaily.substack.com/Visit www.karacutruzzula.com, or follow her on Instagram @karacut Original artwork design by Tyler SpanglerOriginal music composed by Kristoffer Bjarke
How do we become the perfect leader? Is flawless leadership even obtainable for imperfect humans? Should we aspire for perfection or strive towards growth and learning in our leadership? Words of Welcome- Rev. Kate Tucker (:30) Announcing the New Piano- Dr. Glen Thomas Rideout (3:02) Invitation to Give to the Offering Plate- Rev. Kate Tucker (9:39) Offertory- The Human Heart by Lynn Ahrens & Stephen Flaherty - Aimee K. Bryant and Franco Holder (20:32) Prayer and Cycle of Life- Rev. Arif Mamdani (25:06) Homily- The Perfect Leader- Satya Mamdani (32:31) Hymn- Come and Go With Me- Aimee K. Bryant and Franco Holder (45:03) Benediction- Satya Mamdani (47:48)
John and John muddle their way through the Jungle of Nool to try and figure out why "Seussical" existed on the Broadway stage. It's a challenge even for John N, the official "defender of the realm" on this pod for Ahrens and Flaherty. Music by Stephen Flaherty Lyrics by Lynn Ahrens Music and book by Lynn Ahrens and Stephen Flaherty Find the episode on your favorite podcast app or by going to https://anchor.fm/musicalminutes Intro and outro music ("BeBop 25") provided under Creative Commons Attribution 4.0 International License by Jason Shaw on Audionautix.com Have a question for John or John? Want to leave feedback or tell us how wrong we are? Email us at musicalminutespodcast@gmail.com For more info on our hosts - please visit https://norine62.wixsite.com/musicalminutes
Become an Ivory Tower Boiler Room subscriber to watch the unedited video interview: https://www.patreon.com/posts/69904875 (Content Warning: Sexual Assault) To introduce "The Crime of the Century," Andrew is joined by two special guests who know a lot about what it would have been like to attend one of Evelyn Nesbit's Atlantic City vaudeville shows. So, why not bring them on to introduce the episode. Mary, from "True Crime in Academia," joins Andrew to deep dive the murder of Stanford White with author Simon Baatz. Simon wrote The Girl on the Velvet Swing: Sex, Murder, and Madness at the Dawn of the Twentieth Century (2018). A few hard hitting questions that Simon helps us answer include: Why did Harry Thaw murder Stanford White? What led Evelyn to the vaudeville stage? Why do so many erroneously think that Evelyn had a love affair with Stanford White? Simon explains why Evelyn's story is so relevant in our current moment and why Stanford White's predatory behavior connects to the #MeToo movement. Simon gives his opinion on how Evelyn, Harry, and Stanford have been represented in pop culture, including Ragtime (the novel and musical), The Girl in the Red Velvet Swing, and the new Gilded Age TV series. And yes, Part 2 of our Gilded Age recap will be coming out on Friday and features a conversation about Stanford White (filmed at a Gilded Age mansion)! Make sure you get your hands on Simon's The Girl on the Velvet Swing: https://bookshop.org/books/the-girl-on-the-velvet-swing-sex-murder-and-madness-at-the-dawn-of-the-twentieth-century/9780316396660. Or, listen to it on Audible here (featuring Christine Lakin): https://www.audible.com/pd/The-Girl-on-the-Velvet-Swing-Audiobook/B078X147PJ?ref=a_author_Si_c19_lProduct_1_1&pf_rd_p=1ae0e65e-ad09-4aa7-aa73-772cefb1b5e1&pf_rd_r=C0MGRZ6MWC39JHRN01XS Find more of Simon's work here: http://www.simonbaatz.com/about.html (Educational Copyright) We hope you enjoyed the Broadway Musical treat, featuring Ragtime's "The Crime of the Century," sung by the incredible Lynnette Perry. Make sure to listen to Stephen Flaherty, Lynn Ahrens, and Terrence McNally's beautiful album here: https://open.spotify.com/album/1ITaTY1cwy5bnG3Dyoucr1 Follow Ivory Tower Boiler Room on Instagram, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and Twitter, @IvoryBoilerRoom! Email us at ivorytowerboilerroom@gmail.com. Follow True Crime in Academia on Instagram and TikTok: @truecrimeinacademia Twitter: @tcinacademia Many thanks to the Ivory Tower Boiler Room podcast team: Andrew Rimby, Executive Director; Mary DiPipi, Chief Contributor; Nicole Arguello, Marketing Assistant; Kimberly Dallas, Editor --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ivorytowerboilerroom/support
Time now for another visit with Midday's award-winning theater critic J. Wynn Rousuck, who joins Tom every week with her reviews of Maryland's regional stage. Today, she spotlights Once on This Island, a coming-of-age musical that opened on Broadway in 1990, with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty. The show's 2017 return to Broadway won the Tony Award for Best Musical Revival. The musical is getting a lively new production at Cockpit in Court, the Summer Theatre venue at Community College of Baltimore County's Essex campus. The show is directed by Tom Wyatt. Once on This Island continues at Cockpit in Court through Sunday, June 26. For show and ticketing info, follow the theater link. See omnystudio.com/listener for privacy information.
On today’s episode, Matt Tamanini is in conversation with two of the most talented and genuinely kind artists working in musical theatre today, Hannah Elless and Paul Alexander Nolan. The pair is currently co-starring in the world premiere of the new Lynn Ahrens and Stephen Flaherty musical “Knoxville” at the read more The post Special Episode: Hannah Elless, Paul Alexander Nolan on Road Tripping from Asheville to ‘Knoxville’ appeared first on BroadwayRadio.
Lynn and Stephen have been an acclaimed musical theater writing team for 40 years. They have won Tony, Drama Desk, Outer Critics Circle Awards, as well as Academy and Golden Globe nominations for their work on RAGTIME, ANASTASIA, ONCE ON THIS ISLAND, SEUSSICAL and many other musicals. In this episode, this charming and humble duo talk about how they met, their process for creating, and the search for the big picture in their shows and in life. Lynn & Stephen Terrence McNally BMI Workshop
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