Podcast appearances and mentions of Cole Porter

L'obra de Shakespeare ha conegut centenars d'adaptacions en tota mena de formats, de la dansa al cinema, el c

I sat down with Janie Barnett, a singer, songwriter, arranger, and educator whose career reflects a steady commitment to saying yes to what fits and no to what does not.We begin with her roots in the Greater Washington area, where summers at the Smithsonian Folklife Festival and early exposure to roots music shaped her ear. Moving to New York was a shock. The city carried a gritty, post-Patti Smith energy and felt like a long search for a new urban Americana sound. Janie found her footing through community, especially friendships with Robin Batteau and Kenny White. Session work, including jingles, gave her financial stability and the freedom to keep her songwriting honest rather than chasing a paycheck through her own music.We talk about life behind the scenes and what it taught her about leadership. Janie shares stories from sessions with Linda Ronstadt and a career highlight singing background vocals on Saturday Night Live with Rickie Lee Jones, one of her musical heroes. Being on the team shaped how she leads her own bands, creating rooms where musicians feel respected and invited to contribute.She also reflects on how becoming a parent changed her artistry. Her songs deepened, her priorities clarified, and the work stopped feeling precious in the face of real life.We spend time on her project Under My Skin, a reimagining of Cole Porter through an acoustic Americana lens. What began as a guitar idea for I've Got You Under My Skin grew into a pandemic-era collaboration with an extraordinary group of musicians, including Carmela Ramsey and Jerry Douglas, many of whom recorded from home studios. The album proves Porter's writing is timeless, and Janie's voice brings it all together.We close with her work at Berklee, where she mentors singer-songwriters and leads ensembles. She speaks candidly about the pressures of constant content and social media, and the importance of building real community and a live musical life. Looking ahead, she is planning a vinyl release of the Cole Porter project, aiming for a show around Porter's birthday in June, and working toward a new record of original songs with a clearer strategy for getting it into the world.Music from the Episode:LIfe Is Long and Then It's Not (Janie Barnett)Delaware Bridge (Janie Barnett)If You Were Here (Janie Barnett)I've Got You Under My Skin (Janie Barnett)Night and Day  (Janie Barnett with Keith Sewell)You're the Top (Janie Barnett with Catherine Russell)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Zuerst ging sie auf die Ballettschule der Zürcher Oper, dann aber entschied sie sich doch für die Sängerinnen-Laufbahn. Schon mit 20 Jahren gab sie in Berlin die Pamina in der "Zauberflöte". Seitdem ist Juliana Banse regelmäßig Gastsolistin an der Bayerischen Staatsoper, steht in Wien auf der Bühne oder an der MET in New York. Auch an der Oper Frankfurt hat die frisch gebackene Hindemith-Preisträgerin schon gesungen. Es gibt aber auch die Liedsängerin Juliane Banse. Orchesterlieder und Musicalsongs von Korngold bis Cole Porter hat sie in die Sendung mitgebracht. Aufnahmen mit ihrer Lehrerin Brigitte Fassbaender. Und ihre Lieblingsmusik von Mendelssohn und Rachmaninow.

El “amor”, esa palabra que con tanta alegria se usa para las cosas mas impensables., Eso que llamamos “amor cuando queremos decir sexo que diría Woody Allen .Cuando sólo.ficción, trueque, intercambio de fluidos.. El Amor, otra cosa, quizas y Cole Porter, Consuelo Velazquez o Nilo Menendez, entre otros nos lo devuelven, en” A Thing Called Love”, “Bésame Mucho” o"Aquellos Ojos Verdes” verdaderas gemas hechas canción . Junto a algunas de cosecha propia en una BSO deslumbrante. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Hunkered down but getting out anyway.  High Spirits in NYC.  The Testament of Ann Lee at the movie theater.  One Battle After Another on the small screen.  More Inspiration from Kpop Demon Hunters.  Mourning the demise of the Department Store.  Metrocard Artists losing their supply.  Ellen Hughes: more than your average hockey mom.  New Restaurant models - loving The Dutchess (Ojai!). Amor Towles - stepping into the Jazz Age via Cole Porter and Ella (Fitzgerald). Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer: Elizabeth Easton Aziz Art:  Zeke Abuhoff

This week on The Sound Kitchen, you'll hear your fellow listeners from around the world offering their World Radio greetings. There's the answer to the question about France's voluntary military service, The Sound Kitchen Mailbag, your answers to the bonus question on “The Listeners Corner” with Paul Myers, and a tribute to our Magic Mixer Erwan Rome on “Music FOR Erwan”. All that and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.fr More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec rfi” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level”, and you'll be counselled on the best-suited activities for your level according to your score. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it”. She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, the International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.   Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. NB: You do not need to send her your quiz answers! Email overload! This week's quiz: On 17 January, I asked you a question about our article “France launches recruitment for 10-month voluntary national military service”. You were to send in the answer to these two questions: How many volunteers will be accepted into the 2026 program, and what will their jobs be?  The answer is, to quote our article: “From September, around 3,000 volunteers will join the army, navy, or air and space force for missions carried out exclusively on French soil. Tasks will range from helping out during natural disasters and providing support for counter-terrorism surveillance, to more specialized jobs such as drone operation, mechanics, electrical work, baking, or medical support.” In addition to the quiz question, there was the bonus question: What is the most romantic thing that has ever been said to you? Or the most romantic action? Or the most romantic gift? Do you have a bonus question idea? Send it to us! The winners are: RFI English listener Murshida Parveen Lata, who is the Co-Chairman of the Source of Knowledge Club in Naogaon, Bangladesh. Murshida is also the winner of this week's bonus question Congratulations on your double win, Murshida. Also on the list of lucky winners this week are Ashraf Ali, a member of the International RFI DX Radio Listeners Club in West Bengal, India; Sumara Sabri, a member of the RFI Online Visitors Club in Sahiwal, Pakistan; Sameen Riaz – also from Pakistan, this time from Sheikupura city – Sameen is a member of the RFI Listeners Club in that fair city, and last but not least, RFI Listeners Club member Sami Mossad from Giza, Egypt. Congratulations winners! Here's the music you heard on this week's programme: “Fast Bob” by Romane and Stochelo Rosenberg, played by the Rosenberg Ensemble; “La Marseillaise” by Claude Joseph Rouget de Lisle, arranged by Claude Bolling and performed by the Claude Bolling Big Band; “The Flight of the Bumblebee” by Nikolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “You're the Top” by Cole Porter, sung by Ella Fitzgerald.   Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “Cambridge University Museum set to return Benin bronzes to Nigeria”, which will help you with the answer. You have until 9 March to enter this week's quiz; the winners will be announced on the 14 March podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to find out how you can win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club. 

Saxofonist Maarten Hogenhuis is een Nederlandse jazzsaxofonist, componist en producer. Op 30 januari 2026 verscheen zijn nieuwe album 'Cole', een eerbetoon aan het Great American Songbook en in het bijzonder aan de Amerikaanse componist Cole Porter. 

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Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

Front Row Classics is celebrating the 70th anniversary of High Society. Brandon is joined by Emmett Stanton and Ben Burke to chat about this classic musical remake of The Philadelphia Story. The three discuss the differences between the two films as well as the memorable score by Cole Porter. They also discuss the memorable performances of Bing Crosby, Frank Sinatra, Celeste Holm and Grace Kelly (in her final film role)

Well Did You Evah? Front Row Classics is celebrating the 70th anniversary of High Society. Brandon is joined by Emmett Stanton and Ben Burke to chat about this classic musical remake of The Philadelphia Story. The three discuss the differences between the two films as well as the memorable score by Cole Porter. They also … Continue reading Ep. 420-High Society →

Daria Grace revives century-old pop In the early 2000s, many Brooklyn bands explored offbeat styles. A Village Voice cover story in 2008 chronicled the borough's talented country scene and mentioned Kings County Queens, one of many music projects juggled by Daria Grace, who by 2013 had become a fixture in the Beacon music scene. Another of Grace's bands, Daria Grace & The Pre-War Ponies, performed obscure pop tunes from the 1920s through the 1940s culled from her sheet-music collection. The group last appeared in Beacon a decade ago at Quinn's, but the drought ends Friday (Jan. 30) at Lucky Dog, a new venue located at Beacon Music Factory. Grace doesn't read notes or play the piano, but arrangements from the period often included ukulele chords as Americans became enamored with Hawaiian sounds, so she learned to strum the four-stringed instrument and recorded the album Introducing The Pre-War Ponies in 2007. The band still plays in Brooklyn once a month. Grace mines old ditties that are easy on the ears but never made it into The Great American Songbook. The Ponies retrieve lesser-known gems from hitmakers Irving Berlin, Jerome Kern and Cole Porter, along with tunes by unsung writers who cranked them out on Tin Pan Alley. During the years between the world wars, lyricists often disguised risque blues references, but the title of "Pettin' in the Park," which appeared in the film Gold Diggers of 1933, states the obvious. On the surface, "The Gentleman Just Wouldn't Say Goodnight" seems similar to the now-controversial song "Baby, It's Cold Outside," about a guy cajoling a woman to stick around and pitch some woo. In the gentleman tune, however, written by Don Reid and Dave Terry, a couple wakes up at the crack of dawn and, it turns out, "the lady didn't want to say goodnight" either. The band's recording of the song on their more elaborate second disc, Get Out Under the Moon (2015), features a languid trombone solo by Grace's chief collaborator, J. Walter Hawkes, who also sings and plays soprano ukulele. The touch of brass enhances the vibe, since these songs date to the horn-dominated Big Band era. Also appearing at Lucky Dog will be Willie Martinez on drums and Andrew Hall on standup bass. Grace, whose bread-and-butter instrument is the electric bass, has toured and recorded with many bands as a gun for hire. In the Ponies, "I'm the singer, so it is my baby, although Walter has been along for the ride from the beginning and is integral to the sound." Delivering live shows with professional polish, she sings with pitch-perfect flow and phrasing. Because smaller ukuleles can't achieve much heft, Grace plays a baritone version, which resembles a guitar and adds depth to the sound. In 2008, she and then-husband Jack Grace left Brooklyn for Woodstock and ended up in Beacon five years later when they moved into the backyard cottage of George Mansfield, then co-owner of Dogwood (now Cooper's). As a member of The Wynotte Sisters, Grace's taste is impeccable: One favorite is the hipster pearl, "Give Me the Moon Over Brooklyn," written by Terry Shand and Jason Matthews. Guy Lombardo released a recording in 1946. "While touring, I was always on the lookout for old sheet music in junk shops," she says. "But someone from Texas gave that to me." Lucky Dog is located at 333 Fishkill Ave. in Beacon; the performance begins at 7:30 p.m. Admission is $20. See dub.sh/BMF–tickets

Cole Porter and George S. Kaufman teamed up to bring Billy Wilder's "Ninotchka" to the musical stage in 1955; here's a cornucopia of songs, featuring Fred Astaire, Ella Fitzgerald, Don Ameche, Bobby Short, and more.

Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE Anspiel ist : „Love for Sale“ – eine Komposition von Cole Porter, 1930 ursprünglich für das Musical „The New Yorkers“ geschrieben. Folgende Titel sind zu hören : 1. The good Life – Frank Sinatra 2:28 2. Good Morning Heartache – Laura Fygi 4:09 3. Ran kan kan – Tito Puente 3:15 4. It never entered my Mind – Miles Davis Quintet 5:18 5. ...Das Rosas – Dorival Caymmi 3:13 6. Bei mir bist du schoen – The Andrew Sisters 3:02 7. You and the Music – Donald Byrd 5:22 8. Bye bye Blackbird – Curtis Stigers 3:58 9. Love for Sale – Sérgio Mendes 2:57 10. If I should lose you – Chet Baker 6:02 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

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'Plural' es el disco con el que el armonicista y compositor brasileño Gabriel Grossi celebra 25 años en la música: 'Motion' -con los teclados de Jacob Collier-, 'Nosso amor vadio' -con la voz de Zelia Duncan-, 'Banzo' -con el piano de Omar Sosa-, 'Paisagem' -con el clarinete de Anat Cohen-. 'Cacofonía' es el segundo disco del cantante, guitarrista y compositor brasileño Gabriel da Rosa, que vive desde hace años en Los Ángeles, California: 'Seu João', 'Abusei', 'Nunca mais', 'Menino indio'. Del disco a dúo de las cantantes Dee Dee Bridgewater y el pianista Bill Charlap 'Elemental' clásicos de Cole Porter como 'In the still of the night' o 'Love for sale' y de los Gershwin como 'S' Wonderful'. Escuchar audio

Clásicos de Cole Porter y George Gershwin adaptados al portugués por Carlos Rennó en grabaciones de Zelia Duncan ('Eu só me ligo em você'), Caetano Veloso ('Que-de-lindo'), Elza Soares & Chico Buarque ('Façamos'), Tom Zé ('Você é o mel'), Cassia Eller ('Toda vez que eu digo adeus'), Jussara Silveira ('A moça mais vagal da cidade'), Sandra de Sá ('Enfim o amor'), Gilberto Gil ('Um dia de garoa'), Rita Lee ('Bla bla bla'), Jane Duboc ('Adorável você'), Ed Motta ('Ritmo fascinante'), Paula Toller ('Que tome conta de mim') y Erasmo Carlos ('Verão').Escuchar audio

This month, we'll be diving into this amazing Cole Porter standard and pulling apart the A sections. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

Tracy and Hepburn do “battle of the sexes” and help Judy Holiday launch her film career. There’s a random Cole Porter song, and T & H are adorable. George Cukor directs a great script. Shelly Brisbin with David J. Loehr, Nathan Alderman and Micheline Maynard.

Tracy and Hepburn do “battle of the sexes” and help Judy Holiday launch her film career. There’s a random Cole Porter song, and T & H are adorable. George Cukor directs a great script. Shelly Brisbin with David J. Loehr, Nathan Alderman and Micheline Maynard.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

To coincide with this week's "Fun for All Ages" episode about movie musicals of 1980, GGACP revisits this hilarious conversation from 2017 about Gil and Frank's' favorite musical misfires. In this episode: Burt Reynolds sings Cole Porter, Gene Kelly laces up his skates, Nipsey Russell follows the yellow brick road and Carol Channing covers the Beatles. PLUS: "Grease 2"! "Paint Your Wagon"! And Gilbert meets Mr. Baseball! Learn more about your ad choices. Visit megaphone.fm/adchoices

Kiss Me Kate is a musical with lyrics and music by Cole Porter.

Karen tackles a heavy hitter - Cole Porter's Kiss Me Kate! Find out why Porter's response to Oklahoma was better than RnH's. Why these classic songs made their way from the stage to top 40 and why they endure today! Get in touch! @downstageleftpc downstageleftpc@gmail.com downstageleftpodcast.com

Un 15 de octubre nos dejó uno de los mayores compositores de la música popular del siglo XX. Recordamos algunas de sus grandes canciones en grabaciones de Louis Armstrong ('Let´s do it'), Ella Fitzgerald ('I love Paris', 'Begin the beguine'), Billie Holiday ('Night and day'), Bebel Gilberto ('Night and day'), Frank Sinatra ('I´ve got you under my skin'), Tony Bennett & Lady Gaga ('I´ve got you under my skin', 'I concentrate on you'), Caetano Veloso ('Love for sale', 'So in love'), Melody Gardot ('Get out of town'), Tom Zé ('Você é o mel') y Stéphane Grappelli & Yehudi Menuhin ('I get a kick out of you').Escuchar audio

Juliet Ewing is rapidly becoming known as an exciting, masterful interpreter of the Great American Songbook. Equally at home in jazz clubs and on concert stages, she is following in the footsteps of Ella Fitzgerald and Peggy Lee in that she can swing when she so desires, yet always stays connected to the rich and musically diverse songbook singing tradition that these great ladies of song exemplified. Fun yet elegant, Juliet enjoys singing the full spectrum of popular song, from the musical chestnuts of George Gershwin and Cole Porter to the contemporary stylings of Sting, Laufey, and Sade. Perhaps the word that best exemplifies Juliet's artistry is “timeless.” Juliet regularly performs as a soloist or with her trio “The Juliet Set” in and around NYC in jazz clubs and private events. marked by a golden voice that resonates with warmth and clarity, captivating audiences with every note. On September 12, she released her album Simply 'S Wonderful-The Magic of Gershwin.

Two months ago I posted an episode on Gay Eccentrics, which included a profile of Ben Bagley, the theatrical and record producer who most certainly fit that designation. I believe that Bagley's most lasting contribution was the 60 or so albums he produced of Great Broadway Composers Revisited, which presented unknown gems from the deep inside the trunks of these figures. For today's episode, I am putting a particularly queer spin on that series by featuring a cross-section of the songs offered on Bagley's ten albums devoted to songs of Cole Porter and Rodgers and Hart. There are so many remarkable treasures to be found on these recordings, which, in spite of (and perhaps even partially because of) the slapdash nature of the recording sessions and the shoestring budgets, remain some of the most important collections of forgotten songs by composers and lyricists of Broadway's Golden Age. The other extraordinary thing about these collections was the variety of the singers that lent their voices to this music. Today's selection, a mere cross-section, offers the vocal talents of Dorothy Loudon, Kay Ballard, Bobby Short, Lynn Redgrave, Tony Perkins, Mary Cleere Haran, Estelle Parsons, Blossom Dearie, Harold Lang, and Alice Playten, among many others. Choice excerpts from Bagley's notorious liner notes are amply interspersed between the songs. I hope you enjoy the glitter, barbs, and even occasional Weltschmerz of this episode. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Great Big Band Vocalists Most times when the Longines Symphonette Society put out albums, we had no idea who the musicians were. But sometimes they did give us all the information. And it's even rarer when they cram an album full of star singers. THIS is one of those albums. These Decca recording artists are still some of the best known. The songs, pure pop gold from the 1930s through 50s. So, get ready to hear a few memorable singers performing memorable songs in Volume 244: Big Band Vocals. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Various – The Great Vocalists Of The Big Band Era Label: Longines Symphonette Society – SY 5207, Decca – DL 734665 Format: Vinyl, LP, Compilation, Stereo, Gloversville press Released: Of course we don't know. See above label mentioning Longine Symphonette and how we've covered that before. Genre: Jazz, Stage & Screen Style: Big Band We will hear 6 of the 14 songs from this record. Ethel Merman and Fairchild and Carroll and Their Orchestra–It's De-Lovely This recording was released in 1936, the same year she sang it with Bob Hope in the Cole Porter musical Red Hot and Blue. Judy Garland With Victor Young And His Orchestra– Over The Rainbow written by Harold Arlen and E.Y. Harburg Released September 1939. This was the Hit song. It was first recorded for the Wizard of Oz. By the way, this song has been recorded 2,023 times according to Second Hand Songs dot com. Mary Martin with Eddy Duchin and His Orchestra-My Heart Belongs To Daddy written by Cole Porter This recording was released in 1939. Martin also was the original singer for the musical Leave It to Me! which premiered on November 9, 1938. Ella Fitzgerald With Chick Webb And His Orchestra–A-Tisket A-Tasket written by Van Alexander and Ella Fitzgerald It was released June 1938. She reprised that song with the Merry Macs for the 1942 Abbot and Costello movie Ride 'Em Cowboy. Pearl Bailey – Orchestra directed by Don Redman - Ciribirbin written by Harry James and Jack Lawrence from music by Alberto Pestalozza and Carlo Tiochet Released September 1954.  The song was first recorded by Ardito e Torre November 1910. Of course Harry James made it his theme song.  The Andrews Sisters With Vic Schoen And His Orchestra–Don't Sit Under The Apple Tree (With Anyone Else But Me) written by Charles Tobias and Lew Brown This version was released in May 1942. First recorded by Glenn Miller and His Orchestra - Vocal Refrain by Marion Hutton, Tex Beneke and The Modernaires on February 18, 1942. They didn't leave much room between versions back in those days. In fact six versions of that song were recorded in 1942. I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #musichistory #vinylcollecting #vinylrecords #musicalmemories

Sometimes the universe doesn't operate on a level playing field. What we learned in preschool. Song lyrics that are saving us now. The Thunderbirds at the Chicago Air and Water Show have wrought chaos at Turi's house. Marci admits to liking the Hamburger Helper Hand on her daughter's but...or at least preferring it to the ear guages. 

In which the Mister and Monsters do a compare and contrast of KISS ME KATE (1953) and THE TAMING OF THE SHREW (1967), both sourced from Shakespeare's play.  KISS ME KATE is directed by George Sidney screenplay credit to Dorothy Kingsley and book credits to Bella and Sam Spewack.  The story is a story within a play and Kate is represented by Kathryn Grayson as Lilli and Howard Keel is Fred/Petruchio.  The film is a musical with much of the music and lyrics credited to Cole Porter.  The film clocks in at 1 h and 49 m, is rated approved and we watched it on @TCM but is available to rent/buy on Amazon.  Please note there are SPOILERS in this review.THE TAMING OF THE SHREW is directed by Franco Zeffirelli with screenplay credits to Paul Dehn, Suso Cecchi D'Amico and Franco Zeffirelli.  This stars Elizabeth Taylor as Katharina and Richard Burton as Petruchio.  This film is more faithful to the Shakespeare play but condensed for time.  The film is rated approved and clocks in at 2 h and 2 m - we also watched this on @TCM  but is available to rent/buy on Amazon.  Please note there are SPOILERS in this review.      #WilliamShakespeare #KissMeKate #GeorgeSidney #DorothyKingsley #BellaSpewack #SamSpewack #KathrynGrayson #Lilli #Kate #HowardKeel #Fred #Petruchio #TheTamingOfTheShrew #FrancoZeffirelli #PaulDehn #SusoCecchiDAmico #ElizabethTaylor #Katharina #RichardBurton #Comedy #Drama #Romance  @TCM  @Amazon  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

This Saturday Matinee is brimming with classic British comedy and golden age orchestral charm. We begin with "The Goon Show" in "Emperor of the Universe", as Spike Milligan, Peter Sellers, and Harry Secombe take us on a delightfully absurd hunt for 25 million missing Englishmen. Then it's time for our first musical interlude, with Jack Hilton and his Orchestra playing the Cole Porter gem "You're the Top". Next, enjoy "Hancock's Half Hour" in "Hancock's Car", where Tony Hancock, Sid James, and Bill Kerr deliver a hilarious tale of motoring misadventures. The laughs keep rolling with "Beyond Our Ken" in "This Happy Breed", starring Kenneth Horne, Kenneth Williams, Hugh Paddick, Betty Marsden, and Bill Pertwee. We round off the afternoon with the romantic "Lovelight in the Starlight" from the Emery Deutsch Orchestra. Sit back and enjoy a perfect mix of laughter, music, and nostalgia from radio's golden years here on Vintage Classic Radio.

Jon thought he hit a home run with this selection - Roland plus Cole Porter, what could possible go wrong?Roland's Instagram: @rolandrusinekHelluva Boss: https://www.youtube.com/playlist?list=PL-uopgYBi65HwiiDR9Y23lomAkGr9mm-SPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodNext episode: Rhinestone!

La cantante Dee Dee Bridgewater y el pianista Bill Charlap acaban de publicar 'Elemental', un disco a dúo con clásicos del cancionero estadounidense como 'Love for sale', de Cole Porter, 'S´Wonderful', de George y Ira Gershwin, o 'Beginning to see the light' de Duke Ellington. El compositor y bandoneonista Dino Saluzzi firma el disco 'El viejo caminante', acompañado por las guitarras de su hijo José María y de Jacob Young, para las eternas 'My one and only love' y 'My prince will come' y obras de los Saluzzi como 'Buenos Aires 1950' o 'La ciudad de los Aires Buenos'. Del disco de la cantante Catina Deluna y el pianista Otmaro Ruiz, 'Lado B Brazilian Project 2', 'Águas de março', de Jobim, 'É luxo só' de Ary Barroso y 'Choro das águas' de Ivan Lins. Para la despedida, 'Suite' del Trío Corrente.Escuchar audio

KISS ME, KATE | Music & Lyrics by Cole Porter | Book by Sam & Bella SpewackWorks Consulted & Reference :Kiss Me, Kate (Original Libretto) by Sam Spewack, Bella Spewack & Cole PorterKiss Me Kate (Revised 1999 Libretto) by Sam Spewack, Bella Spewack & Cole PorterCole Porter: A Biography by Charles SchwartzCole Porter by William McBrienBeautiful Mornin': The Broadway Musical in the 1940s by Ethan MorddenMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"So in Love" from Kiss Me, Kate (Broadway Cast Recording)  | Music & Lyrics by Cole Porter | Performed by Marin Mazzie"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"Pick-a-Little-Talk-a-Little" from The Music Man (Original Broadway Cast) | Music & Lyrics by Meredith Willson | Performed by Adnia Rice, Peggy Mondo, Elaine Swann, Helen Raymond, Robert Flynn, The Buffalo Bills, Robert Preston"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

In this episode of Backwards Beats, Dan and Carl dive into Bonnie Raitt's Nick of Time, a landmark album that was her breakthrough after years in the industry. They explore the album's unique blend of blues, country, folk, and soft rock, discuss the impact of its production, and highlight some of its most compelling musical moments. Along the way, they touch on Bonnie Raitt's career resilience, her Scottish ancestry (including a chilling ghost story), and her influence on modern Americana. Key Points Bonnie Raitt's Career Arc – How *Nick of Time marked her mainstream breakthrough after a decade of persistence. *Production & Sound – The album features three distinct production styles, from polished soft rock to raw, intimate blues. Musical Deep Dives* – Dan breaks down the harmonic sophistication of the title track and how the arrangement reinforces the song's storytelling. The Mystery of the 500 List – Dan and Carl debate why Nick of Time made Rolling Stone's 500 Greatest Albums list, while Luck of the Draw, her more commercially successful follow-up, did not. Debora Harry singing Duke Ellington's Prelude to a Kiss Annie Lennox singing Cole Porter's Every Time We Say Goodbye Music Referenced Luck of the Draw by Bonnie Raitt Fleetwood Mac Music by 311 Homebrew by 311 311 (The Blue Album) by 311 Down by 311 All Mixed Up by 311 Stop This Train by John Mayer Shania Twain I Can't Go for That by Daryl Hall & John Oates Take Me to the River by Talking Heads Werewolves of London by Warren Zevon All Summer Long by Kid Rock Brothers in Arms by Dire Straits David Crosby Graham Nash Family Dinner - Volume 1 by Snarky Puppy Family Dinner - Volume 2 by Snarky Puppy Something by Snarky Puppy Lalah Hathaway On the Road Again by Willie Nelson Turn the Page by Bob Seger Turn the Page by Metallica Herbie Hancock Prelude to a Kiss by Duke Ellington Walking on Broken Glass by Annie Lennox Here Comes the Rain Again by The Eurythmics Sting Jacob Collier Web: https://backwardsbeatspodcast.podbean.com I nstagram: https://www.instagram.com/backwardsbeatspodcast  YouTube: https://www.youtube.com/@backwardsbeatspodcast  BlueSky: https://bsky.app/profile/backwardsbeats.bsky.social  

Somewhere along the line in planning my Pride 2025 episodes, I hit upon the idea of paying tribute to Gay Eccentrics. (Maybe because I am one of them myself?) There are many mad queer geniuses in the history of music, and I have chosen today to focus on three twentieth-century case studies. First, the husband and husband team of Norman Notley (1890 – 1980) and David Brynley (1902 – 1981), musical and artistic polymaths who settled in the small Dorset village of Corfe Castle. They were both members of the innocuously-named New English Singers, which was actually an early version of the high-caliber vocal chamber ensembles in such profusion today. In recent times their archives have been digitized and exhibited at the Dorset Museum and Art Gallery, which has led to their story going viral. In 1957 while living in the US, the pair made a recording of Elizabethan Songs that is a model of its kind and is featured on the episode. Next up us Gerald Hugh Tyrwhitt-Wilson (1883 – 1950), much better known as Lord Berners, the quintessential upper-class British eccentric who also happened to be the leading British avant-garde composer of his day (as well as a “notorious” homosexual!) I feature an excerpt from his single opera as well as a passel of songs from his small output. Finally, we cross the Atlantic to encounter the prescience, acerbic wit and borderline insanity of Ben Bagley (1933 – 1998), the producer of off-Broadway theatrical revues and a series of recordings featuring unknown material by the top Broadway composers of the day, including fellow gay eccentrics Cole Porter and Lorenz Hart. I may be a day late with this week's episode, but I'm definitely not a dollar short! This episode has something for everyone! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

El 9 de junio de 1891 nació en una pequeña población del estado de Indiana uno de los mayores compositores de la historia de la música popular. Clásicos de Cole Porter en grabaciones de Stéphane Grappelli & Yehudi Menuhin ('I get a kick out of you'), Louis Armstrong ('Let´s do it'), Ella Fitzgerald ('Love for sale', I love Paris'), Frank Sinatra ('I´ve got you under my skin', 'Just one of those things'), Tony Bennett & Lady Gaga ('I concentrate on you'), João Gilberto ('You do something to me'), Bebel Gilberto ('Night and day'), Caetano Veloso ('So in love'), Melody Gardot ('Get out of town') y John Coltrane ('Everytime we say goodbye').Escuchar audio

We announce new FFRF litigation this week. In honor of Pride Month, we celebrate the birth anniversary on June 9 (1891) of the gay/atheist songwriter Cole Porter by listening to his irreverent song "Experiment." Then, we speak with professor David C. Hoffman, author of American Freethought: The History of a Social Movement, 1794-1948.

La Venganza Será Terrible: todo el año festejando los 40 años Coliseo Podestá de La Plata Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:28 Segmento Inicial • Hábitos que parecen buenos y son malos, etc.0:05:38 Segmento Dispositivo • James Nayler, el cuáquero seductor0:50:19 • "Hallelujah" ♫ Leonard Cohen, Various Positions, 1984 Segmento Humorístico • Verdadero o Falso: animales de la selva Sordo Gancé / Trío Sin Nombre • Presentación • "Rezo Por Vos" ♫ (Charly García/Luis Alberto Spinetta) • "N.P. (No Placé)" ♫ (Juan José Riverol/Francisco Loiacono) • "Sasha, Sissí y el círculo de baba" ♫ (Fito Páez) • "Mi Refugio" ♫ (Juan Carlos Cobián/Pedro Numa Córdoba) • "Ain't No Sunshine" ♫ (Bill Withers) • "Night and Day" ♫ (Cole Porter) • "Vamos las Bandas" ♫ (Patricio Rey y sus Redonditos de Ricota)

Excerpt of the 26 May 1949 Kraft Music Hall, starring Al Jolson with Groucho Marx. This was Al Jolson's final broadcast as host of the Kraft Music Hall, and it happened to be his birthday as well. He sang the great Cole Porter song, "Why Can't You Behave?" from Kiss Me Kate. With Groucho he engaged in the usual comedy banter, which includes what may be the longest set up for a joke in radio history. The complete broadcast circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

Y antes de apagar la luz… Gracias.❤️ Gracias a todas las voces que dieron vida a esta historia escrita por Víctor Montolí. Gracias, Mariano Bascón, Antonio Reverte, Ignacio Rengel, Miguel Ángel Pulido, Laurie, Alberto Martínez, Juan Carlos Albarracín…🎙 Gracias por dar cuerpo, alma y matices a cada personaje. Por convertir cada línea escrita en algo vivo, vibrante… inolvidable. Gracias mi querido Víctor.💥❤🔪 Esta serie no sería lo mismo sin ustedes y sus maravillosos comentarios. Tracy no se llama Tracy...pero tú ya lo sabías.👠💋🔪📞 “Hay mujeres que dejan huella. Otras, cicatrices. Y luego está ella, Tracy… o como prefiera llamarse. Una sombra letal en una ciudad donde nadie juega limpio. Adéntrate en su historia… si te atreves.” 👠💋🔪 Una serie escrita en exclusiva para este Podcast. ✒Víctor Montolí Bernadas (Barcelona, 1966) es filólogo, especialista en literatura, y profesor de lengua castellana. De intereses muy variados, ha escrito y publicado en libros, revistas y podcasts, ensayo, poesía y narrativa, en catalán y en castellano. Entre sus obras de crítica destacan la edición de la antología poética de Campoamor en la editorial Cátedra, un estudio introductorio sobre el poeta renacentista Gutierre de Cetina o libros de divulgación sobre la obra musical de los hermanos Gershwin o Cole Porter. Actualmente publica en su blog de creación literaria PULPVICTOR 🖥 https://www.pulpvictor.wordpress.com dos series de relatos breves paródicos de género policiaco y de terror, con sus personajes Horacio Cano y el jovencito Lovecraft. ¿Creías que la historia había terminado? Qué ingenuo… Tracy no se despide, solo cambia de escenario. La segunda temporada de 'No me llamo Tracy' estará disponible para su lectura en el blog de Víctor Montoli. No se lo pierdan!! 😈🖥 https://www.pulpvictor.wordpress.com 🎙¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas Voz y sonido Olga Paraíso, Canción cierre final de Epidemic Sound con licencia premium para este podcast: Until the World Ends - Arch Tremors 🎙 BIO Olga Paraíso: https://instabio.cc/Hleidas ☕️ Creado y producido por Olga Paraíso, "Un Beso en la Taza" es ese rincón cálido que te acompaña en tu día. Si disfrutas de las pausas significativas, las palabras que llegan al alma y el encanto de los pequeños momentos, este es tu lugar. PODCAST creados por OLGA PARAÍSO 🚀Historias para ser Leídas https://go.ivoox.com/sq/583108 ☕Un beso en la taza https://go.ivoox.com/sq/583108 y en Youtube: https://youtu.be/hQfUWte2bFU 📚 ¡Mi primer libro ya está disponible en Amazon! 📚 Lo puedes encontrar en formato bolsilibro tapa blanda, Ebook, y muy pronto también en tapa dura y un tamaño más grande.❣️ Crónicas Vampíricas de Vera 👉 https://amzn.eu/d/1Q4PWUY Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Kathleen MarshallKathleen began her Broadway career as an assistant to her brother Rob, the choreographer of Kiss of the Spider Woman, in 1993. The two also collaborated on She Loves Me, Damn Yankees , Victor/Victoria and Seussical. She was the artistic director for the Encores! series of staged musical revivals from 1996 through 2000. During that time, she choreographed The Boys from Syracuse, Li'l Abner and Call Me Madam and she directed and choreographed Babes in Arms and Wonderful Town.She also directed and choreographed the Broadway revival of Grease.  I was fortunate enough to catch the Encores! production of Wonderful Town when it transferred to Broadway.Kathleen was also the director and choreographer of the Broadway revival of Pajama Game which opened in February 2006 and which was the Broadway acting debut of Harry Connick Jr.  I'm happy to report I was there too!More pertinent, Kathleen directed and choreographed a Broadway revival of Cole Porter's Anything Goes in 2011, with Sutton Foster as Reno Sweeney.  The show ran at London's Barbican Centre in 2021 and was recorded for television (BBC) by Ross MacGibbon, later picked up by PBS in America.  Kathleen's production is as close to perfect as can be. In fact, she won the Laurence Olivier Award for Best Theatre Choreographer. Stephen RidleyIn 2021 Steve joined Kathleen as music supervisor and music director of Anything Goes at the Barbican.  He was also music supervisor of Oklahoma! at Wyndham's Theatre.  Steve conducted the highly-acclaimed Broadway transfers of The King and I at The London Palladium and the Dominion Theatre and An American in Paris at the Dominion Theatre, and he was the music director of the Olivier Award winning revival of Ken Ludwig's Crazy for You at the Novello Theatre.  He later was music supervisor of Kiss me, Kate at the Barbican, now being shown on PBS throughout the U.S.Steve is a music director, conductor and pianist based in London. He was born in Middlesbrough and is a graduate of the Royal College of Music. I'm thrilled that he joined us for this exciting episode!

Send us a textWhen New York actor Paul Cole is beaten and left for dead in 1950s Ohio, he loses his memory and the only way he can reclaim what he's lost is by listening to stories about his life from a vulgar radio show. On Episode 665 of Trick or Treat Radio we discuss the film The Actor from director Duke Johnson! We also talk about all the ways you can eat an Uncrustable, the realization that you're not who you were supposed to be, and everything we have planned for the upcoming momentous 666th episode! So grab your VHS of My Demon Lover, write down all your thoughts so you don't forget them, and strap on for the world's most dangerous podcast!Stuff we talk about: Felissa Rose, Sleepaway Camp, The Last Sleepover, Lisa Wilcox, Slaughter High, Sam Adams, Spanish version of Dracula, Cannibal Ferox, My Demon Lover, Scream 2, Creepshow 3, David Hess, Texas Chainsaw Massacre, Eric Balfour, Melinda Clark, Return of the Living Dead Part III, Peter Jason, Ghosts of Mars, Arachnophobia, Planet Terror, Red State, Richard Donner, Goonies, The Omen, Alejandro Cruz, Blue Demon, William Castle, The Tingler, House on Haunted Hill, Rosemary's Baby, all the ways you can eat an Uncrustable, Scott Valentine, McCormick Spices, Christina Applegate, House II: The Second Story, RIP Lar Park-Lincoln, Highway to Heaven, Giovanni Lombardo Radice, Shawn Lewis, Grindhouse Releasing, 7 Doors of Death, Fabio Frizzi, Rotten Cotton, Chunkblow Apocalypse, Zombi, Eibon Press, The Actor, Duke Johnson, Andre Holland, amnesia, Memento, movies shot on a soundstage, dream logic, self-awareness, learning you're not who you're supposed to be, Total Recall, Anything Goes, Cole Porter, Memory, Geddy Lee, William Shakespeare, the new album from Knowman, Alienated, The Wicker Man, May Day, Episode 666, The Number of the Beast, Retroactivate, Total Unrecall, and Thesplaining Your Life.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Send us a textWarner Archive's May releases feature two significant musical films: a restored pre-release version of "Rhapsody in Blue" with 13 additional minutes only shown to WWII soldiers, and the long-awaited 4K release of "High Society" featuring Bing Crosby, Frank Sinatra, and Grace Kelly.• "Rhapsody in Blue" restoration includes footage cut before 1945 theatrical release• Film features people who knew Gershwin playing themselves including Oscar Levant and Al Jolson• Restored Porgy and Bess sequence with original Broadway actress Anne Brown expanded from 90 seconds to 4-5 minutes• Includes 10+ minute overture created for original theatrical screenings• "High Society" arrives in 4K from VistaVision negative with Dolby Atmos and original mono audio options• Cole Porter wrote original songs for the film including "True Love," which became a platinum record for Grace Kelly• This was Grace Kelly's final Hollywood film before becoming Princess of Monaco• VistaVision horizontal format provides exceptional clarity without distortion• Warner Archive offers both 4K/Blu-ray combo pack and standalone Blu-ray options for consumersWe appreciate your support of Warner Archive Collection as we continue to preserve and restore classic films with the highest technical standards possible.Pre-order links are not yet available.If you missed it, listen to Part 1 of the May Release Announcement - episode 177 REVIEW - THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE with Tim Millard, host of The Extras Podcast.The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

This month we will look at three different jazz standards that all have a through line: a very interesting and sometimes challenging modulation! We begin with the standard, I Love You by the legendary Cole Porter. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get the resources for this episode and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

GGACP's Women's History Month celebration continues with this encore of a thoroughly enjoyable mini-episode from 2019 as Dara challenges Gilbert, Frank and Paul to "name that tune" from her personal CD collection. This week: The Jewish Elvis! The Divine Miss M! Cole Porter goes west! The cinema of Art Garfunkel! And Pat Benatar plays “Catch a Rising Star”! Learn more about your ad choices. Visit megaphone.fm/adchoices