Podcasts about Doonesbury

Guest: Jason Kilar, former CEO & co-founder of Hulu and former CEO of WarnerMediaWhen Jason Kilar was a child, he was obsessed with Walt Disney — not just as a filmmaker or the creator of Disneyland, but as an entrepreneur. He started his career at the Walt Disney Company (where else?) but then got his first opportunity to help build something new when a young startup entrepreneur from Seattle visited his business school classroom. Most of Jason's classmates predicted the failure of this startup, Amazon.com, which elicited “this awesome laugh, the Jeff Bezos trademark laugh.” How a leader reacts to criticism or doubts, Jason learned, says a lot about their conviction and intelligence.Chapters:(01:08) - Bing Gordon and John Doerr (04:11) - Warner Bros. (06:12) - Walt Disney (11:10) - Working at Disney (14:32) - What makes it special (18:31) - Meeting your heroes (20:06) - “Walt's folly,” Disneyland (22:45) - Harvard and Amazon (25:09) - Meeting Jeff Bezos (29:10) - “Help people understand Amazon exists” (33:25) - Amazon's culture (38:07) - What Warner Bros. makes (40:55) - Obscurity and relevance (45:53) - Feeling the lows (50:09) - Launching Hulu (53:36) - NewCo or ClownCo? (59:13) - Over-communication (01:03:14) - The future of TV memo (01:06:46) - Innovator's dilemma (01:08:57) - No labels (01:14:04) - Unfinished business (01:16:22) - Staying present (01:20:26) - The theatrical window (01:26:19) - What's next? Mentioned in this episode: Amazon, The Matrix, Star Wars: A New Hope, Disney World, Diane Disney Miller, Honey, I Shrunk the Kids, Michael Eisner, Universal Studios and Harry Potter, Disney University, Jeffrey Rayport, Barnes & Noble, Joel Spiegel, David Risher, Joy Covey, Garry Trudeau and Doonesbury, Andy Jassy, Brian Birtwistle, Jim Kingsbury, Vessel and Verizon, HBO, Friends, Hogwarts Legacy, Sony, Netflix, NBCUniversal, Paramount, AT&T, Discovery, Richard Tom, Kara Swisher, Fox, YouTube and Google, Saturday Night Live, Peter Chernin, Jeff Zucker, Bob Iger, Andy Rachleff and Benchmark, CBS, Miracle on 34th Street, Marissa Mayer and Yahoo, Rony Abovitz and Magic Leap, House of the Dragon and Industry, Dune, Christopher Nolan, and the TSA.Links:Connect with JasonTwitterLinkedInConnect with JoubinTwitterLinkedInEmail: grit@kleinerperkins.com Learn more about Kleiner PerkinsThis episode was edited by Eric Johnson from LightningPod.fm

Welcome to the Instant Trivia podcast episode 1246, where we ask the best trivia on the Internet. Round 1. Category: Tinseltown Terms 1: The camera might travel on this wheeled platform to track a character down Madison Ave.. a dolly. 2: The best man attends the groom and this person assists the head electrician. best boy. 3: This term for a handler of animals on the set can also mean a cowboy. wrangler. 4: Medical term for one who revises a script without credit; writer Robert Towne is a "specialist". a script doctor. 5: A jump one is an abrupt transition; a rough one is a stage in editing. cut. Round 2. Category: Comic Strippers 1: Mr. Butts,Duke,Zonker. Doonesbury. 2: Mammy Yokum,Daisy Mae,Sadie Hawkins. Li'l Abner. 3: Ruff,Mr. Wilson,Dennis Mitchell. Dennis the Menace. 4: Odie,Pooky,Jon. Garfield. 5: Jughead,Betty,Veronica Lodge. Archie. Round 3. Category: National Parks A-Z 1: A:This Utah park that has the natural sandstone formations in its name, plus the Fiery Furnace. Arches. 2: B:This national park in South Dakota whose name refers to the difficulty of traveling through its rugged terrain. Badlands. 3: G:This Arizona national park that's also a UNESCO World Heritage Site. Grand Canyon. 4: S:What is now this California national park was established in 1890 to protect a grove of big trees. Sequoia. 5: Z:It's the only national park that fits the bill. Zion. Round 4. Category: Giants Of Science 1: You'll find this Frenchman's name on almost all milk cartons. Louis Pasteur. 2: In 1589 he began experimenting in Pisa with falling objects using inclined planes to slow the rate of descent. Galileo. 3: By then living in the U.S., he was offered the presidency of Israel in 1952. Albert Einstein. 4: In 1897 this son of slaves discovered 3 new species of fungi which are named for him, including Taphrina carveri. George Washington Carver. 5: This German mathematician is best known for his "strip" that has only one edge and one side. Dr. August Mobius. Round 5. Category: Kids Books En Español 1: "El Gato Ensombrerado". The Cat in the Hat. 2: "Buenas Noches, Luna". Goodnight Moon. 3: "La Telaraña de Carlota". Charlotte's Web. 4: "La Oruga Muy Hambrienta". The Very Hungry Caterpillar. 5: By Ezra Jack Keats: "Un Día de Nieve". The Snowy Day. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

We start our new format episodes by answering a listener question about art versus content… for half an hour! Then we get into the strips (27:46) where Peppermint Patty wins an essay contest, Snoopy is terrorized by an Ent, and Charlie Brown drops an easy fly ball but, like, learns a life lesson or something? Plus: Hopefully no one will notice you're being creative. Link to Paul Hebert's blog about Doonesbury - the Honey-Marcie connection: https://shorturl.at/kSSoI   Transcript available at UnpackingPeanuts.com Unpacking Peanuts is copyright Jimmy Gownley, Michael Cohen, and Harold Buchholz. Produced and edited by Liz Sumner. Music by Michael Cohen. Additional voiceover by Aziza Shukralla Clark.  For more from the show follow @unpackpeanuts on Instagram and Threads, and @unpackingpeanuts on Facebook, Blue Sky, and YouTube. For more about Jimmy, Michael, and Harold, visit unpackingpeanuts.com.   Thanks for listening.

"Behind the Scenes with Rob Bleetstein: Archiving the Legacy of the NRPS"Larry's guest, Rob Bleetstein, is known for his role as the host of the live concerts on the Sirius XM Grateful Dead station and as the voice of Pearl Jam Radio. In today's episode, he discusses the recently released live album "Hempsteader" by the New Riders Of The Purple Sage (NRPS), where he serves as the archivist and producer.The New Riders of the Purple Sage is an American country rock band that emerged from the psychedelic rock scene in San Francisco in 1969, with original members including some from the Grateful Dead. Their roots trace back to the early 1960s folk and beatnik scene around Stanford University, where Jerry Garcia and David Nelson played gigs together. Influenced by American folk music and rock and roll, the band formed, including Garcia on pedal steel guitar initially.The discussion delves into the background of the NRPS, their albums, and notable tracks like "Panama Red," written by Peter Rowan and popularized by the band. The album "New Riders of the Purple Sage" features Garcia on pedal steel guitar and includes tracks like "Henry," a humorous tale of marijuana smuggling.Throughout the show, various NRPS tracks are highlighted, showcasing the band's eclectic style and songwriting. Additionally, news segments cover topics such as the DEA's agreement to reschedule marijuana and updates from the music industry, including rare concert appearances and tour plans.Overall, the episode provides insights into the NRPS's music, their influence on the country rock genre, and relevant news in the marijuana and music industries. Larry's Notes Rob Bleetstein who many folks know as the host of the three live concerts played every day on the Sirius XM Grateful Dead station.  Also the voice of Pearl Jam Radio. And, most importantly for today's episode, the archivist for the New Riders Of The Purple Sage and the producer of the Hempsteader album. Today, featuring recently released NRPS live album, “Hempsteader” from the band's performance at the Calderone Concert Hall in Hempstead, NY on June 25, 1976, just shy of 48 years ago.New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco in 1969 and its original lineup included several members of the Grateful Dead.[2] The band is sometimes referred to as the New Riders or as NRPS.The roots of the New Riders can be traced back to the early 1960s Peninsulafolk/beatnikscene centered on Stanford University's now-defunct Perry Lane housing complex in Menlo Park, California where future Grateful Dead guitarist Jerry Garcia often played gigs with like-minded guitarist David Nelson. The young John Dawson (also known as "Marmaduke") also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored of the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens and provided a vital link between Timothy Leary's International Federation for Internal Freedom in Millbrook, New York (Dawson having boarded at the Millbrook School) and the Menlo Park bohemian coterie nurtured by Ken Kesey.Inspired by American folk music, rock and roll, and blues, Garcia formed the Grateful Dead (initially known as The Warlocks) with blues singer Ron "Pigpen" McKernan, while Nelson joined the similarly inclined New Delhi River Band (which would eventually come to include bassist Dave Torbert) shortly thereafter.  The group came to enjoy a cult following in Santa Clara and Santa Cruz Counties through the Summer of Love until their dissolution in early 1968.In 1969, Nelson contributed to the Dead's Aoxomoxoa album in 1969.  During this period Nelson and Garcia played intermittently in an early iteration of High Country, a traditional bluegrass ensemble formed by the remnants of the Peninsula folk scene.By early 1969, Dawson had returned to Los Altos Hills and also contributed to Aoxomoxoa.  After a mescaline experience at Pinnacles National Park with Torbert and Matthew Kelly, he began to compose songs on a regular basis working in a psychedelic country fusion genre not unlike Gram Parsons' Flying Burrito Brothers.Dawson's vision was prescient, as 1969 marked the emergence of country rock via Bob Dylan, The Band, The Flying Burrito Brothers, Poco, the Dillard & Clark Band, and the Clarence White-era Byrds. Around this time, Garcia was similarly inspired to take up the pedal steel guitar, and an informal line-up including Dawson, Garcia, and Peninsula folk veteran Peter Grant (on banjo) began playing coffeehouse and hofbrau concerts together when the Grateful Dead were not touring. Their repertoire included country standards, traditional bluegrass, Dawson originals, and a few Dylan covers ("Lay Lady Lay", "You Ain't Goin' Nowhere", "Mighty Quinn"). By the summer of 1969 it was decided that a full band would be formed and David Nelson was recruited to play lead guitar.In addition to Nelson, Dawson (on acoustic guitar), and Garcia (continuing to play pedal steel), the original line-up of the band that came to be known as the New Riders of the Purple Sage (a nod to the Foy Willing-led Western swing combo from the 1940s, Riders of the Purple Sage, which borrowed its name from the Zane Grey novel) consisted of Alembic Studio engineer Bob Matthews on electric bass and Mickey Hart of the Grateful Dead on drums; bassist Phil Lesh also played sporadically with the ensemble in lieu of Matthews through the end of the year, as documented by the late 1969 demos later included on the Before Time Began archival release. Lyricist Robert Hunter briefly rehearsed with the band on bass in early 1970 before the permanent hiring of Torbert in April of that year.[8] The most commercially successful configuration of the New Riders would come to encompass Dawson, Nelson, Torbert, Spencer Dryden (of Jefferson Airplane fame), and Buddy Cage.After a few warmup gigs throughout the Bay Area in 1969, Dawson, Nelson, and Torbert began to tour in May 1970 as part of a tripartite bill advertised as "An Evening with the Grateful Dead". An acoustic Grateful Dead set that often included contributions from Dawson and Nelson would then segue into New Riders and electric Dead sets, obviating the need to hire external opening acts. With the New Riders desiring to become more of a self-sufficient group and Garcia needing to focus on his other responsibilities, the musician parted ways with the group in November 1971. Seasoned pedal steel player Buddy Cage was recruited from Ian and Sylvia's Great Speckled Bird to replace Garcia. In 1977 and 1978, NRPS did open several Dead and JGB shows, including the final concert preceding the closure of Winterland on December 31, 1978.In 1974, Torbert left NRPS; he and Matthew Kelly co-founded the band Kingfish (best known for Bob Weir's membership during the Grateful Dead's late-1974 to mid-1976 touring hiatus) the year before. In 1997, the New Riders of the Purple Sage split up. Dawson retired from music and moved to Mexico to become an English teacher. By this time, Nelson had started his own David Nelson Band. There was a reunion performance in 2001. In 2002, the New Riders accepted a Lifetime Achievement Award from High Times magazine. Allen Kemp died on June 25, 2009.[13][14] John "Marmaduke" Dawson died in Mexico on July 21, 2009, at the age of 64.[15][16]Pedal steel guitarist Buddy Cage died on February 5, 2020, at age 73. (Rob – this is mostly notes for me today so I can sound like I know what I'm talking about.  I'll go through some of it to set some background for the band, but feel free to take the lead on talking about those aspects of the band, and its musicians, that you enjoy most or find most interesting – keeping in mind that our target audience presumably are fans of marijuana and the Dead.)   INTRO:                Panama Red                                Track #1                                Start – 1:49 Written by Peter Rowan “Panama Red” is well known in the jam-grass scene, but it's perhaps not as widely known that Peter Rowan wrote the song.It was originally a 1973 hit for the New Riders of the Purple Sage, and the first popular version with Rowan singing and playing it came when the supergroup Old & In the Way, released their eponymous album in 1975, two years after their seminal time, in 1973, and a year after they disbanded. Jerry Garcia was the connective tissue between the two projects, playing pedal steel in the early New Riders and banjo in Old & In the Way. “I wrote ‘Panama Red' after leaving my first project with David Grisman, Earth Opera, around the summer of the Woodstock music festival [1969],” Rowan explains. “It's a fun song because it captures the vibe of the time. I was from the East Coast, but I found there to be more creativity on the West Coast during that time period.“Nobody wanted to do ‘Panama Red' on the East Coast. I took it to Seatrain [the roots fusion band in which Rowan played from 1969 to 1972], and when it eventually became a hit, the manager of Seatrain claimed it. I never saw any money, even though it became the title of an album for the New Riders of the Purple Sage [1973's The Adventures of Panama Red]. “The subject was "taboo" in those days. You did jail time for pot. So that might have scared commercial interests. But Garcia was a green light all the way! "Oh sure" was his motto, both ironically and straight but always with a twinkle in his eye! After Seatrain management kept all the money, Jerry suggested I bring the song to Marmaduke and Nelson!" “When David Grisman and I got back together for Old & In the Way in 1973 with Jerry Garcia, Vassar Clements and John Khan, we started playing it.”From the NRPS album “The Adventures of Panama Red”, their fourth country rock album released in October 1973. It is widely regarded as one of the group's best efforts, and reached number 55 on the Billboard charts.The album includes two songs written by Peter Rowan — "Panama Red", which became a radio hit, and "Lonesome L.A. Cowboy". Another song, "Kick in the Head", was written by Robert Hunter. Donna Jean Godchaux and Buffy Sainte-Marie contribute background vocals on several tracks.  SHOW No. 1:   Fifteen Days Under The Hood                                Track #41:55 – 3:13 Written by Jack Tempchin and Warren Hughey.  Jack Tempchin is an American musician and singer-songwriter who wrote the Eagles song "Peaceful Easy Feeling"[1] and co-wrote "Already Gone",[2] "The Girl from Yesterday",[3]"Somebody"[4]and "It's Your World Now".[5] Released as the opening song on the NRPS album, “New Riders”, their seventh studio album, released in 1976 SHOW No. 2:   Henry                                Track #6                                1:19 – 3:05 "Henry", written by John Dawson, a traditional shuffle with contemporary lyrics about marijuana smuggling.  From the band's debut album, “New Riders of the Purple Sage”, released by Columbia Records in August, 1971.  New Riders of the Purple Sage is the only studio album by the New Riders to feature co-founder Jerry Garcia of the Grateful Dead on pedal steel guitar. He is also featured on the live albums Vintage NRPS and Bear's Sonic Journals: Dawn of the New Riders of the Purple Sage.Mickey Hart and Commander Cody play drums and piano, respectively, on two tracks—"Dirty Business" and "Last Lonely Eagle".Then, there's a swerving left turn away from romance tunes on this album with ‘Henry‘, whose titular hero has stepped right out of a Gilbert Shelton underground comic.  At a frenetic pace the story of Henry's run to Mexico to fetch twenty kilos of (Acapulco?) gold unravels, with Henry driving home after sampling the wares “Henry tasted, he got wasted couldn't even see – how he's going to drive like that is not too clear to me.”  It's a joke, but a joke that sounds pretty good even after repeat listens.SHOW No. 3:   Portland Woman                                Track #9                                :34 – 2:00 Another Marmaduke tune from the NRPS album released in August, 1971.A bittersweet love song progressing from touring boredom to be relieved by a casual hook-up with the pay-off with the realization that the Portland Woman who “treats you right” has actually made a deeper connection “I'm going back to my Portland woman, I don't want to be alone tonight.”   SHOW No. 4:   You Never Can Tell                                Track #15                                :51 – 2:26 You Never Can Tell", also known as "C'est La Vie" or "Teenage Wedding", is a song written by Chuck Berry. It was composed in the early 1960s while Berry was in federal prison for violating the Mann Act.[2] Released in 1964 on the album St. Louis to Liverpool and the follow-up single to Berry's final Top Ten hit of the 1960s: "No Particular Place to Go", "You Never Can Tell" reached number 14, becoming Berry's final Top 40 hit until "My Ding-a-Ling", a number 1 in October 1972.  Berry's recording features an iconic piano hook played by Johnnie Johnson.  The piano melody was influenced by Mitchell Torok's 1953 hit "Caribbean". The song has also been recorded or performed by Chely Wright, New Riders of the Purple Sage, the Jerry Garcia Band, Bruce Springsteen, the Mavericks, and Buster Shuffle.  JGB performed it almost 40 times in the early ‘90's. The song became popular again after the 1994 release of the film Pulp Fiction, directed and co-written by Quentin Tarantino. The music was played for a "Twist contest" in which Vincent Vega (John Travolta) and Mia Wallace (Uma Thurman) competed (and were the only contestants shown in the film). The music added an evocative element of sound to the narrative and Tarantino said that the song's lyrics of "Pierre" and "Mademoiselle" gave the scene a "uniquely '50s French New Wave dance sequence feel".  OUTRO:              Glendale Train                                Track #17                                1:30 – 3:14 Still another Marmaduke tune from the “New Riders of the Purple Sage” album released in late summer 1971.   MJ News:Just one MJ News story today important enough to take a few minutes to talk MJ:  DEA's agreement to reschedule MJ to Schedule 3 from Schedule 1.DEA Agrees To Reschedule Marijuana Under Federal Law In Historic Move Following Biden-Directed Health Agency's Recommendation - Marijuana Moment Benefits:  banking services, no 280(e) restrictions on what expenses retailers can deduct and allows for full medical research of MJ. Negatives:  Still illegal, all drugs on Schedules I, II and III must be prescribed by a licensed health care provider with prescription privileges and can only be dispenses by licensed pharmacists.  Music News:A few quick hits re Music (no real need to get into any of these but I like to see what's going on so I don't miss anything interesting, these are the first things that get cut when we decide we want to keep talking): Jaimoe makes rare public concert appearance with Friends of the Brothers in Fairfield CN, plays ABB hitsJaimoe Takes Part in Rare Public Concert Appearance, Revisits Allman Brothers Band Classics (relix.com) Mike Gordon sits in at the Dodd's Dead Residency at Nectar's in Burlingtron, VT as part of “Grateful Dead Tuesday”.  Plays He's Gone and Scarlet (we have some Phish fans as listeners so try to toss a few bones to them)Listen: Mike Gordon Offers Grateful Dead Classics at Nectar's (A Gallery + Recap) (relix.com) David Gilmour may be planning first tour since 2016, won't play any Pink Floyd songs from the ‘70's – like the old Doonesbury strip where Elvis comes back from the Dead, Trump hires him to play in one of his casinos and at the start of the show, Elvis announces that he is only playing the songs of the late great John Denver.David Gilmour Plots First Tour Since 2016 (relix.com) Roy Carter, founder of High Sierra Music Festival passes away.Roy Carter, High Sierra Music Festival Founder, Passes Away at 68 (relix.com) .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

We're kicking off our three-part mini-series on the Altman HBO series TANNER '88! We get into Doonesbury, talk about presidents, the 90s handheld camera vibe, smoking indoors, and we reveal our favorite Beatle.  Enjoy!!

We wrap up the early 80s and then take a look at some of the strips sharing space in the paper with Peanuts this decade including Calvin and Hobbes, Cathy, Doonesbury and others. Then, it's a deep dive into the UP mailbag, and some more hot takes on forty year old comic strips. Plus: A Who's Who of…Who? Unpacking Peanuts is taking a spring break. We'll have episodes every other week, then return to our regular schedule in early June. Harold's Robot Monster project on Kickstarter: https://www.kickstarter.com/projects/3dfilmarchive/robot-monster-comics-in-3-d-64-page-graphic-novel Transcript available at UnpackingPeanuts.com Unpacking Peanuts is copyright Jimmy Gownley, Michael Cohen, and Harold Buchholz. Produced and edited by Liz Sumner. Music by Michael Cohen. Additional voiceover by Aziza Shukralla Clark.  For more from the show follow @unpackpeanuts on Instagram and Threads, and @unpackingpeanuts on Facebook, Blue Sky, and YouTube. For more about Jimmy, Michael, and Harold, visit unpackingpeanuts.com.   Thanks for listening.  

This week, our friends Cailin Peluffo and Ashley Ray learn about the weird world of Dune and Doonesbury, box office flops, and give strange acceptance speeches.Caitlin Peluffo would like to plug her album Dirty Bird and recommends Nobody Presents Greg Stone and Before He Was Super by Steven Rogers Ashley Ray would like to plug her album Ice Cream Money and her podcast TV, I Say and recommends Household Name by Niles AbstonAnd finally, Dave Holmes is on Twitter @DaveHolmes.Dave would like to recommend All of Us StrangersFind us on Twitter and Instagram! We are @TroubledPodWritten by Riley Silverman and John-Luke Roberts, recorded remotely over Zoom and produced by Christian Dueñas and Laura Swisher.Join the MaxFun fam:maximumfun.org/join

Every once in a while, someone asks if it's possible actually to make a living in comics. It's a fair question, and it deserves an honest answer.SPONSORED BY... ComicLab is brought to you this week by the book "How Comics Were Made, a Visual History from the Drawing Board to the Printed Page." Comics historian and ComicLab fan Glenn Fleishman has spent years researching the history of newspaper comic strip production and reproduction and is bringing his expertise to this printed work full of comics from Yellow Kid through Krazy Kat, Doonesbury, Peanuts, and, yes, Dave's own Drive! It will feature never-before-seen original drawings and printing artifacts, such as "flongs," the hilarious old-fashioned name for printing molds. The book draws from museum collections like the Billy Ireland Library and the Charles M Schulz Library, generous access to artists' own archives, and Glenn's personal collection. Glenn's taking the book to crowdfunding in February, using lessons drawn from this very podcast! You can read more about the book or sign up to get an alert when the campaign launches by going to howcomicsweremade.ink.ON THIS WEEK'S SHOW...Is it possible to make a living in comics?how to write a longform comicSize and DPI — preparing files for web and print You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A listener asks if they should write one big, successful comic or several mediocre ones. We have a bigger question: What makes you think you have a choice?! Also, it turns out the whole "Substack nazi" thing was yet another case of Platform Panic.SPONSORED BY... ComicLab is brought to you this week by the book "How Comics Were Made, a Visual History from the Drawing Board to the Printed Page." Comics historian and ComicLab fan Glenn Fleishman has spent years researching the history of newspaper comic strip production and reproduction and is bringing his expertise to this printed work full of comics from Yellow Kid through Krazy Kat, Doonesbury, Peanuts, and, yes, Dave's own Drive! It will feature never-before-seen original drawings and printing artifacts, such as "flongs," the hilarious old-fashioned name for printing molds. The book draws from museum collections like the Billy Ireland Library and the Charles M Schulz Library, generous access to artists' own archives, and Glenn's personal collection. Glenn's taking the book to crowdfunding in February, using lessons drawn from this very podcast! You can read more about the book or sign up to get an alert when the campaign launches by going to howcomicsweremade.ink.ON THIS WEEK'S SHOW...Which is better... one big success or multiple mediocre ones?UPDATE: Kindle Direct PublishingUPDATE: Patreon is fixing free membershipUPDATE: Substack didn't have such a big Nazi problem after allFighting AI with Nightshade (https://nightshade.cs.uchicago.edu/)Substack's Platform PanicFor more information on this topic, please check out these posts:freddiedeboer.substack.com/p/these-rules-about-platforming-nazisfreddiedeboer.substack.com/p/how-to-quit-substackMany of the people who were making the most noise on this issue are switching to Ghost. Check out Ghost's TOS — in which they've even highlighted their clause on refusing to moderate content! And, on top of that, the total number of nazi accounts that were found on Substack was only 5 or 6, none of them monetized, and collectively had fewer than 200 followers-- and most of them wound up being taken down by Substack anyway.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

REALITY ISSUES 0086S08 E02 AThe Ninety-Ninth Woodstock Memorial Comic StripThis week we discuss comic strips, and Woodstock 94/99.AI__Step back in time with us as we evoke the energy of Shania Twain and venture into the evolution of comic strips, from "Blondie" to "Doonesbury," pondering their transition from newsprint to pixels. We celebrate the quirks of Dagwood Bumstead while considering the cultural implications of a medium teetering on the brink of an identity shift. Join the conversation as we explore whether the heart of these beloved characters can pulse through the veins of digital media, maintaining their legacy in an era that threatens to leave them behind.Strap in for a rollercoaster ride through the rough terrain of local politics and parental rights as we dissect the drama unfolding in Cape Coral's city council and within the ranks of Moms for Liberty. Witness firsthand accounts of council meeting chaos, legal entanglements, and the societal repercussions of the fight for parental control in education. As we navigate these choppy waters, we'll reflect on whether the currents of change will strengthen these organizations or if they will be capsized by the storm of controversy they've stirred.Finally, allow us to serenade you with tales from the musical crypt of the '90s, where festivals reigned supreme, and bands like Korn left an indelible mark on our collective consciousness. We'll reminisce about fan pages from the dawn of the internet and debate the philosophical weight of lentils and spirituality. It's a symphony of reflections, humorous asides, and candid revelations that's music to the ears of anyone with an appetite for nostalgia, culture, and the unexpected.

Lay out the newspaper all over the living room floor and turn to the funny pages! This week we look back on the history and some of our favorite comic strips over the years. Plus an interactive game for you Earbuds on Enjoy Stuff!   Let's revisit some legendary comic strips from over the years! Jovial Jay and Shua strip on this week's Enjoy Stuff!   News The Road House trailer has shown us that there is still a taste for fighting (and Jake Gyllenhaal's abs) No abs in the Ghostbusters: Frozen Empire trailer, but we do get a whole lot of favorite characters!   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Jay took Shua's advice that the new Peacock streaming series Ted was worth the watch. He agrees. It is a funny (and raunchy) story of a boy and his bear. But Seth Macfarlane has given it a heart that really makes you think and care. Shua made his way to the movie theater and saw Jeffrey Wright's newest film American Fiction. This story, about an author who is disgruntled about the stereotypes of blacks that are portrayed in modern literature.    Sci-Fi Saturdays This week Sci-Fi Saturdays shows you some Signs. M. Night Shyamalan's 2002 alien thriller isn't a Dead End. The plot seems to be going straight and then takes a Right Turn only and you have to Yield to suspense. Shyamalan's Uneven Road of movies shouldn't Stop you from revisiting Signs. Check it out on Sci-Fi Saturdays. He has also been updating locations from Marvel TV and movies, including Echo, the Agents of SHIELD, and Agent Carter series. Play around with the interactive map on MCULocationScout.com. Plus, you can tune in to  SHIELD: Case Files where Jay and Shua break down each episode of the Echo series and more.     Enjoy Comic Strips!  Peanuts, Calvin and Hobbes, Garfield…there are so many legendary comic strips that have appeared in the newspaper over the years. Originally intended to sell newspapers, their popularity soared and before too long there were dozens of artists making different varieties of comics. As they evolved we got comics that were silly, timely, political, and Pulitzer Prize winners.    Classic strips from the 50s, like Peanuts, Marmaduke, Dennis the Menace, and more are still published today, either in reruns (not Linus's brother) or drawn by a new artist.    As the 60s and 70s brought change to the world, the comic pages started reflecting it as well. Timely topics were sometimes presented next to our Beetle Bailey. Pulitzer Prize winning Doonesbury by Gary Trudeau proved that the comics could be important. Spider-Man and Star Wars brought other formats of our entertainment to the comics pages.    And then we got a series of mega stars that blew up the popularity of that beloved illustrated section of the newspaper. Garfield, The Far Side, Bloom County, and Calvin and Hobbes became just a handful of reasons people would pick up the comics in the first place.    How well do you know your comics? Let's play a game to see if you remember the punch line from the very first published strip from a few classics.    Now that newspapers are going the way of the Dodo, what does the future hold for our beloved strip format? We're not sure, but we will continue to start the day with a laugh.   Did you grow up reading comics? What were some of your favorites (or ones you avoided)? First person that emails me with the subject line, “Let's go exploring!” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com  

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Hunter S. Thompson was never a hippie, but his writing nonetheless helped define the counterculture and the San Francisco scene of the 1960s and early 1970s. In Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo (U California Press, 2022), literary scholar and California historian Peter Richardson examines Thompson less as a cultural figure than as a member of a literary movement. Richardson explores the roots of Thompson's "gonzo journalism" writing style and explains his influences and his influence as a figure in American letters. In doing so, he reveals a portrait of Thompson that extends beyond his Depp-and-Doonesbury shaded cartoonish caricature and shows the writer to be a savvy media critic and adept social commentator. Thompson's literature cuts through the decades of mythology and reveals the id of the west coast counterculture, warts and all, all while being pretty entertaining and, at times, prescient of our own political and cultural moment. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota and is the Assistant Director of the American Society for Environmental History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

We all have books, music, movies, pieces of art that elate us in good times and sustain us in hard times.  The 1975 book "The Doonesbury Chronicles" is at the top of the list for me.  I frequently go back to it, rereading strips that I've read a hundred times.  Garry Trudeau created Doonesbury, initially called Bull Tales, at Yale in the late 60's.  Trudeau and Doonesbury have made us laugh and think and laugh again ever since.See omnystudio.com/listener for privacy information.

It's a (mostly) cute and cozy episode on JJBpod this week - we watch 3 episodes of teen rom-com Horimiya. We also talk about corporate mergers, Doonesbury, manhwa, The Geto Boys, what "pink" is, and when friends like the same person. | Rate us nicely on Apple Podcasts | Support us on Patreon | Follow us on Twitter | Subscribe to us on YouTube | Join the fan Discord --- Send in a voice message: https://podcasters.spotify.com/pod/show/jjbpod/message

In Part II of this conversation, Ron and Garry talk about gaining the trust from military leadership during wartime, with the opportunity to visit Kuwait during the Gulf War after getting the call directly from the battlefield, and how just like visiting Walter Reed, these are chances to Get it Right in order to follow him or her from servicemember to veteran and from deployment to home. They discuss how he's not really that guy who could ever really tell a joke, and where his humor seems to come from, about his love for putting on a show ever since he was a little kid, and how he shares the mission to support veterans with fellow cartoonist (among other things), Jake Tapper.Thanks for tuning in to Home Base Nation with writer, cartoonist and longtime supporter of our veterans and military families, Garry Trudeau. Thank you Garry for your unwavering support of veterans and their families, and expertise in creating worlds that tell stories that make us think, feel, laugh, and smile. Make sure to pick up his series of four books on these journeys of recovery!Home Base has a serendipitous connection with Garry and our mutual respect and connect to the incredible Fisher House. Proceeds from sales of the four books we discuss, which feature forewords by the late Senator and Veteran John McCain and General Richard B. Myers, former chairman of the joint chiefs of staff, benefit Fisher House providing temporary lodging for military families - currently at 92 homes across the country, with more expanding overseas. Home Base has partnered with Fisher House for many years and we are grateful every day for the ongoing support they provide our veterans, servicemembers and families, enabling them to visit and stay in Boston at our Center of Excellence.This episode was recorded and edited by Chuck Clough, of Above The Basement Productions.___If you are your loved one is experiencing any emotional, mental health struggles, you are not alone and please contact Home Base at (617) 724-5202, or visit www.homebase.org.___Theme music for Home Base Nation: "Rolling the Tree" by The Butler FrogsFollow Home Base on Twitter, Facebook, Instagram, LinkedInThe Home Base Nation Team is Steve Monaco, Army Veteran Kelly Field, Justin Scheinert, Chuck Clough, with COO Michael Allard, Brigadier General Jack Hammond, and Peter Smyth.Producer and Host: Dr. Ron HirschbergAssistant Producer, Editor: Chuck CloughChairman, Home Base Media Lab: Peter SmythTo Donate to Home Base where every dollar goes to the care of veterans and military families that is cost to them, go to: www.homebase.org/donate.Home Base Nation is the official podcast of Home Base Program for Veterans and Military Families, a partnership of the Massachusetts General Hospital and the Red Sox Foundation. To learn more and connect with us at Home Base Nation: www.homebase.org/podcastThe views expressed by guests to the Home Base Nation podcast are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. Views and opinions expressed by guests are those of the guests and do not necessarily reflect the view of the Massachusetts General Hospital, Home Base, the Red Sox Foundation or any of its officials.

In Part I of this conversation, Dr. Ron Hirschberg talks with the Pulitzer Prize and Emmy winner, and Army's Commander's Award for Public Service honoree Garry Trudeau. Garry talks about learning that characters need to "known who they are" from his days working with MASH's Robert Altman, and tells us that not only did his dad and grandfather both serve, they were also both physicians. He talks about an eye-opening visit to Walter Reed Medical Center, with stories of injury and resilience that not only informed his storytelling, but have had lasting impacts on him for the long haul. As a big fan of author Sebastian Junger, he talks about that innate need for the tribe to survive, and of course explains a bit of his own creative process. ___Thanks for tuning in to Home Base Nation with writer, cartoonist and longtime supporter of our veterans and military families, Garry Trudeau. Thank you Garry for your unwavering support of veterans and their families, and expertise in creating worlds that tell stories that make us think, feel, laugh, and smile. Make sure to pick up his series of four books on these journeys of recovery!Home Base has a serendipitous connection with Garry and our mutual respect and connect to the incredible Fisher House. Proceeds from sales of the four books we discuss, which feature forewords by the late Senator and Veteran John McCain and General Richard B. Myers, former chairman of the joint chiefs of staff, benefit Fisher House providing temporary lodging for military families - currently at 92 homes across the country, with more expanding overseas. Home Base has partnered with Fisher House for many years and we are grateful every day for the ongoing support they provide our veterans, servicemembers and families, enabling them to visit and stay in Boston at our Center of Excellence.This episode was recorded and edited by Chuck Clough, of Above The Basement Productions.___If you are your loved one is experiencing any emotional, mental health struggles, you are not alone and please contact Home Base at (617) 724-5202, or visit www.homebase.org.___Theme music for Home Base Nation: "Rolling the Tree" by The Butler FrogsFollow Home Base on Twitter, Facebook, Instagram, LinkedInThe Home Base Nation Team is Steve Monaco, Army Veteran Kelly Field, Justin Scheinert, Chuck Clough, with COO Michael Allard, Brigadier General Jack Hammond, and Peter Smyth.Producer and Host: Dr. Ron HirschbergAssistant Producer, Editor: Chuck CloughChairman, Home Base Media Lab: Peter SmythTo Donate to Home Base where every dollar goes to the care of veterans and military families that is cost to them, go to: www.homebase.org/donate.Home Base Nation is the official podcast of Home Base Program for Veterans and Military Families, a partnership of the Massachusetts General Hospital and the Red Sox Foundation. To learn more and connect with us at Home Base Nation: www.homebase.org/podcastThe views expressed by guests to the Home Base Nation podcast are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. Views and opinions expressed by guests are those of the guests and do not necessarily reflect the view of the Massachusetts General Hospital, Home Base, the Red Sox Foundation or any of its officials.

On this episode of Watts Involved, we delve into the world of satirical cartoons with the legendary cartoonist himself! We start by discussing his latest collection of cartoons, which serves as a diary of the events that have taken place from September 2020 to August 2021. He shares how the collection is part of a trilogy relating to COVID and how the cheerful and unmasked cover was intentionally designed to relieve the gloominess of things at the time. We then discuss his experience with a viral chest infection and how he compared the feeling to that of a small pony sitting on his chest. The conversation then shifts to the process of creating cartoons and the unique traits and personalities that the characters develop. He shares how he draws inspiration from newspapers and other comics, including the American political comic strip Doonesbury. The discussion then turns to using humour in cartoons and the conscious effort to avoid being in bad taste or disrespectful to victims of violence or HIV. We explore some of the errors that have been made in the past and the gentle humour tone that is used to wrap the satire in silliness. Finally, we explore the subject's journey as a cartoonist, from an early interest in doodling to studying graphic design and architecture before eventually becoming a full-time cartoonist. We also discuss the evolution of the Madam and Eve cartoon strip and the introduction of new characters, conflicts, and gaps between characters that give rise to the humour in the strip. This episode is a fascinating look into the world of cartoons and the creative process behind them.

Episode: 2887 Apple's most famous flop: The Newton.  Today, before there was "i."

On this episode of Banking on KC, Harry S. Campbell, a business executive, speaker and author joins host Kelly Scanlon to discuss the keys to the three levels of Get Real Leadership: leading yourself, leading people and leading your business. Harry S. Campbell is a senior executive with a strong record of success over three decades, including president for two Fortune 500 companies, co-owner of an award-winning small business and CEO/board member of an Internet start-up. He has driven exceptional people and business results in organizations of 25 to 3,500 employees in a broad range of industries—from consumer-packaged goods to telecom to sports marketing to digital media. Harry is known as an identifier, a developer and a motivator of exceptional talent at all levels of the organization. Campbell's views on leadership and business management were forged at Procter & Gamble, where he worked in brand management on notable products such as Crest, Pepto-Bismol and Metamucil. While with P&G, Campbell was hand-picked to be a founding member of the P&G/Wal-Mart Customer Team based in Fayetteville, Arkansas. In 1992, he moved from consumer-packaged goods to the telecom sector when he joined Sprint, where he served in several leadership roles before being appointed president of the multibillion dollar Consumer Long Distance unit in 2002. His final role with Sprint was leading the Emerging and Mid-Markets business unit. From 2005-2009, Campbell led the Consumer Markets division at Embarq, a spin-off from Sprint, and now known as CenturyLink. As president of the Consumer Markets division, he was responsible for nearly half of Embarq's annual revenue and an organization of 3,000 employees. His group provided marketing, sales, service and operational support for a full line of communication and entertainment services to 4 million residential customers in 18 states. Campbell's other senior management experiences spanned two distinctly different small businesses. He was president/CEO (and member of the board) of uclick, a digital syndication company that packaged and distributed branded content, comics and word games on the Web. It represents more than 110 features such as Garfield, Dear Abby, FoxTrot and Doonesbury. He was also co-owner/EVP of a sports marketing agency recognized as the 1998 Business of the Year by the Kansas City Chamber of Commerce. Campbell recently retired after five years as the CEO of Durrie Vision, a world-class refractive eye surgery center, to focus on maximizing his charitable donations via speaking and writing books, including “Get-Real Leadership,” “Get-Real Culture,” and “Get-Real Mindset.” Campbell holds a bachelor's degree in East Asian history and economics from Vanderbilt University  and an MBA with a concentration in marketing from Indiana University's Kelley Graduate School of Business. He is active in several local charities and serves on the board of Head for the Cure, a not-for-profit organization dedicated to raising money to help cure brain cancer. Country Club Bank – Member FDIC 

Nick and Kyle are joined by podcaster Chad Hancock to recap the last two weeks in Heathcliff. We also talk Doonesbury, Peanuts and Bluey. And we play another HeathQuiz! Chad hosts the very funny podcast You Tried Dat?? and is starting a new podcast about Bluey called Wackadoo that might be available right now! Check out this week's HeathQuiz: https://imgur.com/gallery/uaadQIH Send us feedback on twitter @HeathcliffRecap or send us an email at HeathcliffRecap@gmail.com! Our theme song is Heathcliff's Meat Song by Louie Zong! Check him out at louiezong.com. Comics featured in the episode: November 18, 2022: https://www.gocomics.com/heathcliff/2022/11/18 November 19, 2022: https://www.gocomics.com/heathcliff/2022/11/19 November 21, 2022: https://www.gocomics.com/heathcliff/2022/11/21 November 22, 2022: https://www.gocomics.com/heathcliff/2022/11/22 November 23, 2022: https://www.gocomics.com/heathcliff/2022/11/23 November 24, 2022: https://www.gocomics.com/heathcliff/2022/11/24 November 26, 2022: https://www.gocomics.com/heathcliff/2022/11/26 November 29, 2022: https://www.gocomics.com/heathcliff/2022/11/29 December 1, 2022: https://www.gocomics.com/heathcliff/2022/12/01

Join Ryan, Blaine, & Russ as they walk through their rankings of the Presidents from Washington to Obama.THOMAS JEFFERSON RIDING A MASTODON SHIRTS NOW AVAILABLE TO PURCHASE!!!!Become a Patron of the Presiquential Podcast!  Patrons at Tier 1 receive every episode the Friday before the official release ad free, and Tier 2 Patrons also receive bonus episodes as well.  Go to  www.patreon.com/preqisquential to become a Patron today!Kenny Walks Across AmericaLearn more about Col (R) Kenny Mintz's Walk Across America, and donate hereHuge Thank You to our Sponsors:The Art PressIf you need custom made t-shirts for your team or organization, look no further than our friends here in Indy, The Art Press. You may have heard of The Art Press and their SUPER comfortable shirts through their parent organization, Vardagen. Derrick and the team will help you get your custom shirt order shipped anywhere quickly and easily at www.theartpress.com! INvetsLearn more about INvets and their mission to help veterans find great careers in Indiana at INvets.orgGreek's PizzeriaOrder your delicious Greek's Pizza for Delivery or Carryout today at www.greekspizzeria.com. Greek's Pizzeria, It's Our Taste!The Panjwai PodcastThe Panjwai Podcast can be found on all major podcast networks and at thepanjwaipodcast.comThe Jealous NeighborHome decorating can be hard, which is why you need The Jealous Neighbor to discover the home you never you you had. Get a free hour of free redecorating consultation when you mention The Presiquential Podcast. https://www.facebook.com/thejealousneighborCerruti FinancialZach and Rob will be able to unpack ideas that can leave you and your family well planned.To learn more visit http://zachareycerruti.nm.com/ or email Rob at robert.novotny@nm.comVets' Lives MatterVets' Lives Matter is a cohort of veteran and civilians on a mission to enhance veterans lives. By teaming up with local Veteran Non Profits through challenges and fundraising we will end veteran suicide. Together we will beat this.Be sure to follow on all social media platforms @vetslivesmatterCaliber Home LoansIf you are in the market to refinance your mortgage and want an expert to walk you through that process, you need to schedule a call today with Austin Bowman at Caliber Home Loans. Austin has over 14 years of experience and expertise and will provide you with a smooth, hassle-free process from application through closing on your new mortgage. Email Austin at Austin.bowman@caliberhomeloans.com. Chop Chop BarbershopNeed a great haircut? Check out Chop Chop Barbershop. Located off 16th & Yandes in downtown Indianapolis, this clean, cool, old school barbershop can cover any hairstyle. Anthony & his diverse team of barbers and hairstylists are a great team that will make sure you leave looking great! Mention that you heard this ad on the podcast and get $5 your next cut! EPISODE MUSIC:Music in this episode was created by Ryan Ahlwardt and the intro/outro song is Granary. Check Ryan out where ever you stream or download your music, or at ryansongs.com  

Doonesbury is a comic strip that's lasted over 50 years. After a tv special in the late 70's, one of it's characters, Jimmy Thudpucker, would release an album. This is the story of Doonesbury's Jimmy Thudpucker - Greatest Hits, from 1977. Support the show: patreon.com/bizarrealbums Follow the show on Twitter & Instagram: @bizarrealbums Follow Tony on Twitter & Instagram: @tonythaxton

The New York State Writers Institute and UAlbany will be hosting the fifth annual Albany Book Festival at the college's Uptown Campus, in the campus center on Saturday, September 17. The event will host more than 100 authors and poets, including Pulitzer-Prize-winning “Doonesbury” cartoonist Garry Trudeau and National Book Award winner Susan Choi, among others.

Before Jon Stewart, Stephen Colbert, Trevor Noah, and Doonesbury, there was Art Buchwald. For more than fifty years, from 1949 to 2006, Art Buchwald's Pulitzer Prize–winning column of political satire and biting wit made him one of the most widely read American humorists and a popular player in the Washington world of Ethel and Ted Kennedy, Ben Bradlee, and Katharine Graham.

This week we talk about a Pulitzer Prize winning cartoon strip that has been running for 51 years, Doonesbury. In particular we focus on Andy Lippincott and the story of his HIV diagnosis and death and how Doonesbury, cleverly, used humor to tackle HIV stigma.SourcesAndy Lippincott - Wikipedia Gently Dishes Up Some Harsh Comments on AIDS | AP News40 years of Doonesbury – That's How The Light Gets In (wordpress.com)Garry Trudeau - WikipediaDoonesbury by Garry Trudeau for February 09, 2022 - GoComics

Michael, Rob, Evan, and Pax gather in the lounge for another rambling conversation about what they've been listening to and reading. This time, the discussion touches on (among many other things) Henry David Thoreau's Walden, the history of Nerd Lunch, Garry Trudeau's Doonesbury, and Paper Girls by Brian K Vaughan and Cliff Chiang.

Brad Shreve is the author of the Mitch O'Reilly Mystery series. When younger he focused on visual arts. Inspired by Gary Trudeau's Doonesbury, he developed a comic strip certain a syndicate would distribute it globally. In the process he found he enjoyed writing over sketching and changed his goal. Authors such as Lawrence Block, and Gregory McDonald fueled his passion for mysteries, but it took his discovery of LGBTQ crime fiction to nudge him to go beyond dabbling the keys. To introduce others to the subgenre he created and hosts the Queer Writers of Crime podcast.Facebook Page https://www.facebook.com/bradshreve01/Twitter https://twitter.com/BradShreveInstagram https://www.instagram.com/bradshreveauthor/Website https://bradshreve.com/Queer Writers of Crime Podcast: https://www.queerwritersofcrime.com/****************Sisters in Crime was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgInstagram: https://www.instagram.com/sincnational/Twitter: https://twitter.com/SINCnationalFacebook: https://www.facebook.com/sistersincrime

This would usually be a skip week, but thanks to some generous donors to Equality Florida, Hawk Talk is back! This week's topic was chosen by Andy Bartholomew.

www.lauragardner.orgLaura was born on Saint Patrick's Day with her fraternal twin, Lynn. They began their acting career at 5 as “Lullaby Kids” in THE WIZARD OF OZ at Camp Monroe in the Catskills. Laura left her twin behind in her pursuit of acting and found herself working professionally before she hit her teens.Laura trained at Boston University School of the Arts, Rutgers University and Herbert Berghof Studios where she studied with Uta Hagen, Carol Rosenfeld and Ken McMillan.Laura appeared on Broadway in SMILE with Jodi Benson (the little Mermaid). Her off B'way credits include THE COCKTAIL HOUR with Nancy Marchand, Bruce Davison and Keene Curtis, OTHER PEOPLE'S MONEY with Kevin Conway, and WELDED directed by Jose' Quintero. She toured nationally in SHOWBOAT (with Pat Harrington and Anita Gillette), DOONESBURY (with Greg Edelman and Marin Maisie), OLIVER (with Andrea McCardle and Richard Kline) and MY FAIR LADY (with Jodi Benson and Ian Ogilvy). Her extensive regional credits include the Arena Stage(DC), Huntington Theatre (Boston), Cleveland Playhouse, McCarter Theatre, and the NC Shakespeare Festival in roles that ranged from Lady Macbeth to Miss Hannigan. L.A. credits include 6 plays for the Pasadena Playhouse, Will Geer Botanicum, Westwood Playhouse, Tiffany Theatre, Fountain Theatre, Deaf West and the Celtic Arts Centre. She is a member of the ROAD THEATRE and ROGUE MACHINE.Some of her TV and film credits include SEAL TEAM, ANIMAL KINGDOM, OUTCAST, THE ROMANOFFS, CRIMINAL MINDS, THE GILMORE GIRLS, CASTLE, ER, TORCHWOOD, THE WEST WING, JUDGING AMY, BOSTON PUBLIC, PARTY OF FIVE, LAW AND ORDER LA, LA LAW, ER, CHEERS, FRESH OFF THE BOAT and many morel You may have seen Laura and her actor husband, Frank Collison recurring on the NBC hit, MY NAME IS EARL.

The Seminary Explores catches up with The Rev. Eric Shafer, Senior Pastor of Mt. Olive Lutheran Church in Santa Monica, California before his upcoming retirement. He's worn many hats in the past decades, including those of parish pastor, communications and fundraising executive leader, mentor, and partner in interfaith initiatives. An ordained pastor in the Evangelical Lutheran Church in America, he is graduate of Muhlenberg College and Hamma School of Theology (now part of Trinity Lutheran Seminary at Capitol University). Rev. Shafer was recognized with a 2021 Partnership Award from The Westside Coalition for Housing, Hunger and Health in Santa Monica. He serves on the President's Council of Lutheran Immigration and Refugee Service (LIRS), is a member of the Santa Monica Bay Area Human Relations Council and is a founder and board member of Students 4 Students Homeless Shelters.  

Laura was born on Saint Patrick's Day with her fraternal twin, Lynn. They began their acting career at 5 as “Lullaby Kids” in THE WIZARD OF OZ at Camp Monroe in the Catskills. Laura left her twin behind and found herself working professionally before she hit her teens. Laura appeared on Broadway in SMILE with Jodi Benson (the Little Mermaid). Her off B'way credits include THE COCKTAIL HOUR with Nancy Marchand, Bruce Davison, OTHER PEOPLE'S MONEY with Kevin Conway, and WELDED directed by Jose' Quintero. She toured nationally in SHOWBOAT (with Pat Harrington and Anita Gillette), DOONESBURY (with Greg Edelman and Marin Maisie), OLIVER (with Andrea McCardle and Richard Kline), and MY FAIR LADY (with Jodi Benson and Ian Ogilvy). Her extensive regional credits include the Arena Stage(DC), Huntington Theatre (Boston), Cleveland Playhouse, McCarter Theatre, and the NC Shakespeare Festival in roles that ranged from Lady Macbeth to Miss Hannigan. L.A. credits include 6 plays for the Pasadena Playhouse, Will Geer Botanicum, Westwood Playhouse, Tiffany Theatre, Fountain Theatre, Deaf West, and the Celtic Arts Centre. She is a member of the ROAD THEATRE and ROGUE MACHINE. Some of her TV and film credits include LAW AND ORDER, SVU, SEAL TEAM, ANIMAL KINGDOM, OUTCAST, THE ROMANOFFS, CRIMINAL MINDS, and many morel You may have seen Laura and her actor husband, Frank Collison recurring on the NBC hit, MY NAME IS EARL. Laura was on the faculty of the HOWARD FINE ACTING ACTING STUDIO in Hollywood for over 19 years and then at their satellite school in Australia. She has taught actors with disabilities in Los Angeles and Berkeley. Ms. Gardner has taught in NYC at HB Studio, Stella Adler Institute, and the American Academy of Art. She teaches workshops all over the country as well as in Great Britain. She was the drama consultant for the Compton School District. She has been a Featured Artist at the VALDEZ THEATRE CONFERENCE in Valdez, Alaska for the last 15 years where she created the MONOLOGUE WORKSHOP. http://www.theatreconference.org/other-programs/ monologue-workshop/ She lives in Los Angeles with her husband Frank Collison. www.lauragardner.org FOLLOW her on IG: @thereallauragardner FOLLOW Peggy everywhere @HeadshotsByPeggy and @PeggyMcCartha www.HeadshotsByPeggy.com PLEASE Subscribe to this Podcast wherever you listen to your favorite Podcasts! Thank you

We're talking Cult Musicals! Give us your Rocky Horror fans, your Bay Boy fans, your Doonesbury fans! In this episode, myself and guests Lisa Ann Goldsmith and Joe York talk about our love and passion for the art of the cult musical. Have you ever wondered, "Man the Toxic Avenger would make a great musical!"? Well you're in luck, because it is! We talk about why cult musicals have such an appeal, what makes a great cult musical, and about the fan base journey of some of our favorite cult musicals. The themed cocktail of this episode is the Toxic Avenger. The link to Lisa Ann's show, "Oscar and Walt" is below as well.Toxic Avenger3oz White Rum6oz Peach Daiquiri mixSplash of Blue Curaçao In blender, add desired amount of ice, and all ingredients. Blend to a desired consistency and serve. See Lisa Ann in Oscar and Walt this November! Click here! 

“Rolling Stone is no longer like 50 Cameron Crowes, extolling the ‘never to be experienced again' majesty of the 70s rock age to anyone curious about music history.” Today, Pet Sounds is widely considered to be one of the greatest albums of all time, but it was met with a lukewarm response from American audiences. Since then, there have been many theories as to why: band infighting, bad marketing, or that it “just wasn't made for these times.” The album would fall into relative obscurity until it was reclaimed in the 90s as the holy grail of hipsterdom by cool older sisters and obnoxious record store guys alike. Krista tells Rosie the story of how Brian's passion project made the uncool cool… and how gatekeeping only furthered the legend. Rosie goes off on a DayQuil-fueled rant against the rock canon and Krista's dog insists on making his own pet sounds while she's recording. Both hosts cry over a 90s Doonesbury comic. SHOW NOTES & SOURCES — FOLLOW US:INSTAGRAM @beachgalspod TWITTER @beachgalspod EMAIL US AT pocketsymphonypod@gmail.com Art by @HVNNart Theme by @mikeylegend

Hey there!! Long time no speak. This episode features a chat with Gerald Shaffer from The Doonesbury Band.    Check out the Spotify Playlist for this episode here: https://open.spotify.com/playlist/2dBfJrTSqIWEPim2YKRd6j?si=8121a07a2c754986     Check out Gerald Shaffer's work on Soundcloud here: https://soundcloud.com/g-j-shaffer   ENJOY AND TELL YOUR FRIENDS!!!

For five decades, Garry Trudeau has been writing what is one of the most important—and entertaining—comic strips in American history: Doonesbury. He started the strip in October, 1970 as a student at Yale. With its sharp-witted look at American politics and American life, it quickly became a phenomenon, eventually appearing in over 1,000 newspapers. He's lampooned every president of the last half-century and has introduced us to scores of original and engaging characters. After the first Gulf War in 1991, he became a fierce advocate for wounded vets. In 2014, he ceased the daily strip. But his Sunday cartoons keeps on coming. With Doonesbury, Trudeau has been an American Dostoyevsky, producing a never-ending novel now stretching over 50 years. Trudeau became the first comic-strip artist to win a Pulitzer Prize. On this bonus Summer episode, Mother Jones Washington D.C. bureau chief David Corn talks to Trudeau about how the pain and pride of veterans, his new commemorative collective of strips, and the art of drawing former President Donald Trump, “a right out-of-the-box cartoon character.”

[PLEASE NOTE: THE FIRST 30 SECONDS OF THE AUDIO ARE MESSED UP. PLEASE BEAR WITH ME AND IGNORE THAT, THE REST OF THE AUDIO IS FINE. I DON’T HAVE ACCESS TO AUDACITY TO FIX IT UP AS MY PC IS BROKEN RIGHT NOW.]There was an outstanding Doonesbury cartoon from 1980 lampooning then-POTUS candidate Ted Kennedy for making high-flown statements with nothing actionable: the punch-line was, “A Verb, Senator, We Need a Verb!”. I was struck by deja vu when PM Modi made a bold announcement on 7th June that the GoI was (re)assuming full control of vaccine procurement. I think Indians elected PM Modi to take decisive steps, but he has seemingly vacillated recently, so this was a welcome return to form. The decision was also a reiteration of a sound business principle: size matters. Large customer orders always get better terms than smaller ones. It was evident all along that there was no way a motley crew of States would ever get the attention of pharma majors when there is a large supply shortfall.It was apparent that the grandstanding opposition CMs were hoping to do the following:Order the famous Pfizer vaccine at 10-20x the price of Covshield and CovaxinGet supply commitments from Pfizer (and presumably commissions)Then force the GoI through a public outcry to pay for the vaccine anywayObviously, that would have been a win-win for them. But this was doomed from the start, because Pfizer demands sovereign guarantees of indemnity. They asked Argentina to surrender its embassies and warships as guarantees of indemnity in case there were side effects/deaths and legal obligations. “Sub-national diplomacy” is all very well for Biden, but BigPharma is more hard nosed, and they know States have no assets they can seize, and so they will only deal with the GoI.The opposition leaders are not really interested in vaccination, except as a stick to beat PM Modi with. Their support of the super-spreader ‘farmer’ agitation is clear proof of that. They flip-flopped, too. First, they wanted the GoI to allow States to procure vaccines. To their surprise, the GoI agreed. They were caught in a bind: and they had to backpedal furiously, because hardly any Big Pharma bothered to respond to their global tenders, except highly dubious Chinese vaccine makers.So the PM has temporarily shut the politicians down, and they have been shown up. I am reminded of a poem by Oliver Goldsmith, “Elegy on the Death of a Mad Dog”, which says, among other things:But soon a wonder came to light,That shew'd the rogues they lied;The man recover'd of the bite–The dog it was that dy’d.That, of course, is what politicians do: and we price it into our calculations about them. Not that they don’t need some discipline. It would be highly instructive to, say, Mamata Banerjee, who runs a medieval fiefdom, to charge her for culpability in the killings and ethnic cleansings of Hindus in West Bengal by illegal Bangladeshi aliens and/or her party cadres. So would it be to indict the Nehru dynasty scion on his dicey citizenship (British? Italian?) and other sins such as the National Herald kumbhakonam. But there are, in my opinion, three other ‘institutions’ in India that are even more dastardly than politicians, and that need some decisive action. BureaucracyFirst, babudom. I have lost count of the number of ‘open letters’ from retired babus with suggestions for the GoI about how to go about various things. Wonder of wonders, none of these things occurred to them when they were in power and could actually have done something useful. No, then they were too busy applying their lips to the ample mammaries of the welfare state and milking it for all it was worth. IAS/IPS/IFS babus are excruciatingly sensitive to two things: their pension benefits and post-retirement sinecures. I remember a famous Nehruvian babu who joined an evangelical ‘aid’ group at 3x his salary, after going on leave and thus ensuring that his pension benefits would remain intact. It took a lot of shouting to force him to resign from the service and forgo his juicy pension/medical benefits.There have been several other IAS/IPS officers in the limelight recently for all the wrong reasons: one barged into a Hindu wedding in Tripura (I think), slapped the priest, terrorized the attendees, ripped up the permit that allowed them to hold the ceremony at the muhurtam at midnight (as an exception to Wuhanvirus lockdown norms). Another slapped a young man who was stopped on police while proceeding to buy medicines, and slammed his phone to the ground. A third ordered a firing on a Hindu religious procession in Munger, and caused young Anurag Poddar to be shot in the head, and he died in his stricken mother’s arms. So far as I can tell, none of these babus paid for their excesses with a dismissal from service, or even a suspension. They were merely transferred elsewhere. The ecosystem takes care of its own. The latest example is a man who was Chief Secretary, West Bengal. There was gross insubordination on his part when he was 30 minutes late to a meeting with the PM, and then walked out early (the same antics as his Chief Minister). Upon being recalled to the center (after all, the IAS is a central service), he demurred. Shortly after, he retired, and was absorbed into the West Bengal government as a ‘senior advisor’.There is a simple solution: on any transgression, suspend them without pay, and revoke the extremely generous pension and medical benefits pending a judicial inquiry into wrong-doing. Furthermore, make it a service rule that no retired babu can get a new post without its being advertised openly, and inviting qualified applicants, especially from the private sector. If these steps are taken in the case of one, just one, high-handed bureaucrat, the whole lot of them (selected on the basis of a single mandarin exam, with the subjects being ludicrously out of touch with current realities) will think twice about lording it over the public. After all, their job is administration: they should be selected on the basis of the IIM Common Admission Test or the GMAT and trained in the IIMs, and all the rigmarole of the fancy IAS Academy should be dispensed with. The days of generalist babus are over: industry increasingly requires domain knowledge and lateral entrants with short-term contracts. The IPS needs specialized training in law and order; similarly the IFS needs training in diplomacy, trade and geopolitics. These can be add-ons to the basic IIM training. Here’s an appalling example of how those with domain knowledge, not generalist mandarins, are the need of the day. This person is a retired Health Secretary, I am told: JudiciaryIt has been clear as day for some time that the Indian judiciary suffers from deep structural flaws. The most obvious issue is that it is extremely inefficient, and has allowed millions of cases to languish: the Supreme Court has a backlog of 68,000 cases; High Courts together have 58 lakh cases, and District Courts have 3.3 crore cases pending. This is appalling. Judicial overreach is an endemic problem. Instead of fixing itself and ensuring that the unconscionable backlog is cleared in a time-bound manner, judges are encroaching on the territory of the Executive Branch by issuing peremptory orders on things they have no business in, no expertise in, and no value-added to offer in. The solutions are also obvious: 1. Defining the focus of the Supreme Court to be strictly on Constitutional cases, and nothing but: no grandstanding on cricket or other high-visibility but trivial issues, 2. Ensuring that appointments to the high judiciary are vetted and approved by the Parliament and thus the elected will of the people, and also not left to an incestuous, unaccountable Collegium that specializes in nominating sons, nephews and other relatives, 3. Canceling the singularly outrageous device of the Public Interest Litigation (PIL), which has been used by well-heeled and motivated NGOs with foreign paymasters to bypass every check and balance and make a mockery of the process of escalation and appeal. In a 2018 essay, https://swarajyamag.com/ideas/can-we-fix-the-deeply-troubled-judiciary I wrote at length about these issues, so I will not repeat myself.However, there is something the government needs to do: impeach one, just one, of the most outrageous of the judges. I have a candidate in mind, but shall not name names, mindful of draconian contempt-of-court strictures. The same issue with post-retirement sinecures and extravagant pension and other benefits comes up in the case of the judiciary as in that of bureaucrats. I had a great-uncle who was a State Chief Justice, and he had any number of tribunals and other jobs after he retired. I have a friend who was a Justice in a State, and post-retirement somebody is assigned to meet her at airports, carry her bags, and escort her to her flight!MediaThis is quite possibly the very worst and most corrupt institution in the country. It is thoroughly compromised and infiltrated by various vested interests, top to bottom. At one end, there is reason to believe that one of the richest and most visible editors in India was recruited by a New York Times correspondent as an ‘embedded asset’ more than thirty years ago. At the other end, the jibes about ‘2BHK’ journalists strike a chord, given their abject slavishness.Indira Nehru Ghandy demonstrated that India’s journalists, when asked to bend, will grovel. Today, they can clearly be counted on to carry the agendas of any anti-India power: they are for sale.This, of course, is par for the course for journalists everywhere. Some hallowed names in journalism, including science journals, especially British titles, have demonstrated that they are for sale to the highest bidder. Which for all practical purposes these days means they are ‘friends of Xinhua and Xi Jinping’, as the latter have splashed out on information warfare in a big way. Stories that reflect poorly on China tend to be swept under the carpet. The Big Tech social media platforms give themselves airs these days for obvious reasons: they can defenestrate sitting presidents not only from their platforms, but from their seats of power, too. Sometimes there are unintended consequences, as in what happened in Nigeria: Twitter blocked the President, and Nigeria suspended Twitter indefinitely. The ongoing saga of Twitter’s defiance of Indian law would be comical, if it weren’t such black humor. Twitter has thumbed its nose more than once at India: the first incident was when Jack Dorsey, its boss, showed up in India, got himself photographed with a bunch of women brandishing a slogan about “Brahmin Patriarchy”, and was photographed with the PM with body language screaming “arrogance!”.Among many other transgressions, Twitter India in November 2020 deplatformed the scholarly @TrueIndology on flimsy or nonexistent grounds, essentially because they didn’t like him using well-reasoned and well-sourced information to trash leftist mythologies. I said in a podcast at the time that it was a watershed event, and that India should suspend Twitter forthwith. https://rajeevsrinivasan.substack.com/p/podcast-episode-9-trueindology-incidentLater, there was an incident in which Twitter showed Leh in China. Showing the borders of India incorrectly (especially out of malevolence) is a non-bailable offense, which attracts immediate arrest of the perpetrator, which in this case would be Twitter India’s honchos. That was strike two, enough to block Twitter’s IPs in India. I thought that by March 2021 India had enough reason to shut the platform down. https://rajeevsrinivasan.substack.com/p/episode-16-is-india-reining-in-bigtechsocialmediIt’s comically appalling after all this history, and the fact that much bigger fish, such as Facebook, Youtube, etc. have acceded to Indian law, Twitter still goes around acting as though it were a sovereign government ‘negotiating’ with the Government of India on behalf of the “freedom of expression” of Indians. Nobody elected Twitter, did they? Such delusions of grandeur, such megalomania!Why, PM Modi, is this relatively trivial application being given so much importance? Who’s afraid of Virginia Woolf? In reality, Twitter is -- get this -- the world’s No. 16 social media by number of users! It really is the chicken that should be killed to scare the monkeys such as Facebook, YouTube and Whatsapp, who are all watching with interest.And exactly what will happen if Twitter is kicked out of India? I’m not sure what happened in Nigeria, but I suspect not much. Yes, Twitter is a convenient news feed for many of us, but its utility is limited, and other platforms can easily step into the breach, say India’s own Koo. India simply cannot be held to ransom by an app. If India could kick out Tiktok (ironically Biden is revoking the ban on Tiktok by Trump), CamScanner and other Chinese apps, what is the hold that Twitter has over the country? Is it some fear that the New York Times and its Seventh Fleet will suddenly appear in the Bay of Bengal? Oh, wait, the NYT doesn’t have a fleet. Just pull the plug on this whole sorry drama, Mr. Prime Minister. A verb, we need a verb from you: enough is enough. There is no reason to go around broadcasting that India is a Soft State. 2194 words, June 9th, 2021 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com

It's the comic that the cowards at your local paper run on the editorial page, Doonesbury! Join Mike, BD, Joanie, and that lovable goofus Zonker as they sort of, maybe, kinda grapple with the challenges of growing up and being, what, like, 30? Gary Trudeau's boomer life journey receives its only small screen treatment and uhhhh probably not an improvement.

Did Pratap Bhanu Mehta jump from Ashoka University? Or was he pushed? This seems to be the Hamlet-esque “to-be-or-not-to-be” question of the day in the Indian media. The simple answer is that it is very good if he was pushed. And it’s even better if he jumped.That of course needs an explanation. The push option is if the Government of India made an offer to the trustees of Ashoka that they couldn’t refuse: get rid of the fellow, or else! That, of course, would be Godfather-esque, and it would mark a welcome change from the pusillanimity that India has traditionally exhibited. Soft States don’t work, which should have been abundantly clear to us all along.If it wasn’t clear, the antics of Xi Jinping’s minions in Alaska just a few days ago should have been enough to convince the most obtuse among us. They calculate that Biden is soft (we can speculate as to why they are so confident about that), so they humiliated the US side as is their wolf-warrior habit. Xi is broadcasting loudly that Biden’s US is a Soft State and that he pwns Biden. Whether this is true remains to be seen, but it is a good opening gambit.India has been the ultimate Soft State, mouthing meaningless platitudes and cringe-inducing homilies while spectators roll their eyes and silently pray: “Just kill me now!”. Hark back to V K Krishna Menon delivering marathon lectures at the UN General Assembly or J Nehru turning down the offer of the Security Council Seat “because China deserves it more”. (By the way, I can quote chapter and verse: no, it is not an urban myth).So if there is — finally — a change of heart, and India does stand up for its interests, then it would be welcome news. Doing tejovadham to undesirables is part of what governments are supposed to do. This was visible in the case of yesterday’s cause celebre as well, the mop-haired Disha Ravi. The fact that she was arrested is important. She herself is unimportant, but it sends a message to other wannabe Urban Naxals: “Your ass is on the line, kid!”, pardon the French.For a long time, secessionists have labored under the illusion that they were immune to the power of the State. They have seen overground and underground purveyors of sedition treated with kid gloves, and they got used to thinking that this is the natural order of things. Not quite. They should look up Julius and Ethel Rosenberg, Julian Assange, and Edward Snowden. The human rights of outlaws or insurgents or their middle-class supporters are not — and they cannot be — greater than those of the average, law-abiding citizen. That is an axiom, and all the billions of the Open Society Foundation and #DeepState are not going to change that very easily. The alternative in Pratap Bhanu Mehta’s case, the jump option, is even better because it means he had no option but to fall on the sword. In other words, the Government didn’t do anything, but out of enlightened self-interest, the trustees of Ashoka informed him that he should resign, or else they would have to fire him: Because he was causing real damage to the Ashoka brand. Of course, Mehta has friends, powerful and shadowy friends. Within 24 hours, there was a letter written by 150 professors from “Harvard, MIT, Yale, Columbia, Oxford, Cambridge” and so on, in his support. Commendably swift. The Ecosystem has its act together to protect its own. The letter also means… exactly nothing. It is precisely like the letter signed by 22 (or was it 35?) Nobel laureates supporting a Naxalite doctor some years ago. I would wager that none of these worthies could even spell that man’s name, or pick him out in a police lineup of suspects. They just blindly signed a piece of paper somebody put in front of their noses. There was also the petition signed by 47.5 “ancient India scholars” some years ago regarding the Aryan Invasion Mythology and related stories in the California Textbook Case. I wrote an unpublished piece then where I pointed out that these alleged “scholars” included people who can’t read Sanskrit or Tamil, urban planners, astrophysicists, economists, sociologists, linguists in unrelated languages, deconstructionists, etc. The one person who had the requisite background in both ancient history and languages retracted her support.In other words, these letters are part of a “toolkit”, a term immortalized by Disha Ravi in her 15 minutes of fame. The same worthies crying about Mehta’s “freedom of expression” or whatever chose to ignore the fact that a young, brown, foreign, racial/religious minority Hindu woman, Rashmi Samant, was cyber-bullied, trolled, terrorized, and forced to resign from her post as elected president of the Oxford Student Union, just days ago. Why? That was a rhetorical question. We know the answer. The same worthies have also ignored a vile campaign by a foul-mouthed assistant professor at Rutgers University to demonize a small racial and religious minority, Hindus, mostly Asian Americans. Tulsi Gabbard, a Hindu though not Asian (she’s a Pacific Islander), has been attacked directly for her faith. Although the hate campaign against her was utterly horrifying, not a single academic bothered to condemn it. Here is an actual campaign poster against Gabbard. (Hat tip to Sheenie Ambardar for this).No, none of this bothers the 150 letter writers. That means they have no moral leg to stand on: they are hypocrites. But they make it sound like Mehta was subjected to something akin to what Hypatia, the foremost woman scholar of her time, and a philosopher and mathematician of repute, experienced in Rome around 300CE. They dragged her out of her chariot and into a church, stripped her naked, gouged out her eyeballs while she was still alive, slashed her to pieces with broken tiles, then cut her body up, dragged the pieces through the streets, and burned them: all because newly-ascendant Christians hated pagans. In fact, it was Rashmi Sawant who was treated a bit like Hypatia, not Pratap Bhanu Mehta; and explicitly for the same reason: she is a Hindu. Abrahamics have a serious problem with Hindus and others of the Old Religions. As described in the fascinating book The Darkening Age: The Christian Destruction of the Classical World, majoritarian rule by Christians meant the total destruction of the old Roman religion around 400-500 CE.Majoritarian rule by Abrahamics almost inevitably means religious minorities are oppressed, and frequently they are wiped out, exterminated. So there is good reason to fear majoritarian Abrahamic rule, as freedoms will be curtailed.However, by sleight of hand, this Abrahamic technique is ascribed to Hindus, and the likes of Mehta talk up a storm about ‘fascistic’, ‘majoritarian Hindu nationalist’ rule! This sells well to the Deep State and Christian fundamentalists and regime-change enthusiasts in the West, but is entirely without basis. It is a gigantic fraud that ordinary Indians have also been gaslighted into. Hindu rule is demonstrably benign and liberal. Look at the classical Chanakya niti: he advocates sama, dana, bheda and only when other avenues are explored and fruitless, danda. The Pandavas give the Kauravas innumerable opportunities to negotiate a settlement without bloodshed, even willing to accept merely five villages for themselves, while the empire went to the Kauravas.Then there’s the Sisupala story, where Lord Krishna forgives 99 transgressions before slaying him. And look at India today. It may have a large numerical majority of Hindus, but it is a Minoritarian State, as interpreted by the Executive and Judiciary and enshrined in the Constitution. Religious minorities get all sorts of privileges not available to Hindus, most distressingly the fact that Hindu temples are captured by the State. Just two days ago, government bureaucrats were selling off 35,000 acres of land belonging to the Lord Jagannath temple. The vast holdings of churches (the #2 land-owner in the country, after the government), much of it expired 99-year-leases that they squat on illegally as though they were land grants, are never touched. Waqf properties, that is Muslim community properties, are also left alone.There are special provisions for all sorts of things for minorities. Kerala’s government has posted employment advertisements that are reserved for converts to Christianity! There are schemes to pay Muslim priests salaries and Christian priests pensions and to greatly subsidize Muslim pilgrimage to Mecca and Christian pilgrimage to Jerusalem, while Hindus have to pay for their pilgrimages out of their own pockets. And the Modi government, accused of ‘majoritarianism’ has itself rolled out goodies like scholarship schemes, even entire universities and schemes for women, explicitly for non-Hindus! In other words, extreme liberalism is being painted as fascism! How very predictable! How very Orwellian!All the breast-beating by Mehta and friends about ‘majoritarianism’ boils down to a concern that Hindus will get equality. That’s right: any attempt by Hindus to merely demand equality under the law is treated as ‘fascism’. This is the kind of extreme rhetoric that the malcontents in India espouse.For instance, they made a godawful fuss about the badly-named Citizenship Amendment Act (CAA), which merely provides non-Muslim minorities being genocided in Pakistan and Afghanistan fast-track access to Indian citizenship. This was portrayed as a grave offense: why? Because the Pak and Afghan Muslims doing the genocide would not gain Indian citizenship! That is utterly absurd!The genocide is not theoretical, either. Just two days ago, there was news of Ajay Lalwani, a Hindu journalist in Pakistan, being shot dead by a gunman. His crime: he had reported on how underage Hindu girls in Pakistan suffer regular kidnap, rape, conversion to Islam, and forced marriage to Muslims. This happens on average to three teenage girls a day, every day. That is explicit Abrahamic majoritarianism. And that is precisely why CAA is an utterly liberal law, protecting the victims of religious apartheid and genocide. Nevertheless, here is Pratap Bhanu Mehta fulminating against the CAA, passed into law by the elected Indian parliament, and suggesting in so many words that the way to challenge it was not to use the Judiciary, but to riot in the streets. But we should recognise that this direction is not going to be set through the nice formalisms of law, or the contrived conventions we can adhere to in normal times. The direction is going to be set by the mob, by brute power, by mobilisation.This is outrageous. Some might call it seditious. If there were McCarthyites in India, they would nail Mehta. There aren’t, so he gets cushy sinecures, while spearheading a reverse-McCarthyite movement to blackball anybody who is not part of his cohort’s Big Brother thought control!What explains this strange power Mehta has to keep an entire country in thrall to his views? It couldn’t possibly be his regular op-eds in the Indian Express. I have been surprised by the drivel he churns out. It is verbose and prolix, full of the turgid and impenetrable vocabulary of the cultural Marxist. He writes 3,000-word essays that say… exactly nothing. That is, of course, when he’s not inciting people to riot, as above. On second thoughts, maybe it is better that he not use many verbs, unlike this famous Doonesbury strip from 1980 lampooning Ted Kennedy.Pratap Bhanu Mehta remains an enigma; nay, a mystery wrapped in a conundrum. What is the source of his influence? How does he regularly end up in prestigious positions for which he may or may not be qualified or competent? Is he an outstanding scholar who has produced great work? Why is he the darling of the Ecosystem? The blurb on Mehta says this:His areas of research include political theory, constitutional law, society and politics in India, governance and political economy, and international affairs.Not being in that business, I have no idea what his contribution is. I used to think he must be a globally-renowned scholar. But so far as I can tell, he has not done any path-breaking, seminal work. The only awards on his blurb are from India. So why is there such a fuss about him from Anglosphere friends? Mehta sounds rather like Yogendra Yadav, who is famous only for being famous. It would also be interesting to see if any of those worthies from Columbia, Yale, Harvard, MIT, Oxford, etc. actually invites Mehta to a position in their home institutions. Somehow I doubt that, because they have their own bailiwicks to protect, and anyway he’s probably more useful to them if he is in India. But it is not unknown for washed-up Ecosystem journalists (I can name at least two) to be given cushy slots in the Deep State newspapers of the West. There was also a journalist who said she was an Associate Professor at Harvard, until it crashed and burned and she made (hard to believe) excuses about mail fraud. So I for one would not be surprised if Mehta were to turn up at some university that is friendly to the Deep State and Atlanticism. Don’t cry for Pratap Bhanu Mehta, Argentina. Or Lutyens, or Khan Market. I am pretty sure he’ll pop up somewhere, being hailed as the new Solzhenitsyn. The real Aleksandr Solzhenitsyn, poor guy, will turn over in his grave. POSTSCRIPT: Gurcharan Das confirms that Mehta jumped, and was not pushed. Somehow that is a little disappointing. So we are still a Soft State? Sigh. https://timesofindia.indiatimes.com/blogs/toi-edit-page/a-tale-of-two-heroes-tragedy-at-ashoka-university-shows-the-difficulty-of-doing-good-in-todays-world/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com

The Odic Forces are in full effect this week, as we look at another Atomic Robo adventure. Plus She-Hulk casting, new LEGO, and the Emmy awards! We also review Unkindness of Ravens #1, Savage Dragon #252, Norse Mythology and Archie Comics! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) NEWShttps://deadline.com/2020/09/she-hulk-tatiana-maslany-marvel-series-1234578701/ http://majorspoilers.com/2020/09/18/dc-universe-is-now-dc-universe-infinite/ https://www.lego.com/en-us/product/1989-batwing-76161 https://bleedingcool.com/tv/rick-and-morty-acid-trip-wins-emmy-for-outstanding-animated-program/ REVIEWS STEPHEN UNKINDNESS OF RAVENS #1 Writer: Dan Panosian Artist: Marianna Ignazzi Publisher: BOOM! Studios Cover Price: $3.99 Release Date: September 23, 2020 * Not all the witches burned during the Salem Witch Trials - and the ones that survived did so together. Now, generations later, their descendants protect the ancient secrets entrusted to them. They call themselves the Ravens. * Wilma is the new girl in school, and she plans to go completely unnoticed - except that she bears an eerie resemblance to the Raven member Waverly. And Waverly just went missing. * But the truth behind Waverly's disappearance will put the entire coven in danger - and Wilma will have to rely on power she never knew she had if she wants to save her new friends. [rating:4.5/5] You can purchase this issue via the comiXology affiliate link MATTHEW SAVAGE DRAGON #252 Writer: Erik Larsen Artist: Erik Larsen Publisher: Image Comics Cover Price: $3.99 Release Date: September 23, 2020 "SUNDAY FUNNIES" Another wildly experimental issue wherein each doublepage spread is told in the style of a classic newspaper comic strip-from a Peanuts parody to a Dick Tracy sendup, from a Doonesbury lampoon to a Blondie satire, this issue is sure to amaze and inspire.[rating:5/5] You can purchase this issue via the comiXology affiliate link RODRIGO NORSE MYTHOLOGY #1 Writer: Neil Gaiman, P. Craig Russell Artist: Mike Mignola, Jerry Ordway Publisher: Dark Horse Comics Cover Price: $3.99 Release Date: October 7, 2020 #1 New York Times bestselling author Neil Gaiman and Eisner Award-winning comics legend P. Craig Russell breathe new life into the ancient Norse stories by taking readers through the creation of the Nine Worlds to the epic origin and adventures of Thor, Odin, and Loki all the way to the end of life-Ragnarök. Having previously written about deities in American Gods and The Sandman, Gaiman teams with Russell to finally bring readers to follow the northern gods in their own setting in this comic book adaptation of the hit novel! [rating: 4.5/5] You can purchase this trade via the Amazon affiliate link ASHLEY BEST OF ARCHIE CHRISTMAS CLASSICS Writer: Dan Parent Artist: Various Publisher: Archie Comics Cover Price: $9.99 Release Date: Sept 22, 2020 The Holidays come to Riverdale in this can't miss stocking-stuffer! Packed with 250+ pages of classic Christmas tales, this festive collection is sure to get you in the spirit! Filled with warmth and laughter, this collection has the most humorous and heartwarming holiday stories from the past eight decades. The Best of Archie series is back, and it will make the greatest gift of all! [rating: 5/5] DISCUSSION ATOMIC ROBO AND THE TEMPLE OF OD Writer: Brian Clevinger Artist: Scott Wegener Publisher: IDW Publishing Cover Price: $19.99 Release Date: April 11, 2017 Beijing, 1938. China's top quantum physicist is captured by the Imperial Japanese Army and forced to develop a superweapon powered by the theoretically unlimited "zero-point" energy source and Atomic Robo is volunteered for the secret mission to bring him back. Luckily, Robo's got help from an old flame, Helen "The Nightingale" McAllister, and her new flame Chen Zhen from the Chinese Resistance. And, begrudgingly, Chen's allies, the Ghost Bandits, who are completely and totally 100% trustworthy–why would you even worry about it? You can read this volume for free at https://www.atomic-robo.com/atomicrobo/archive CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

Earlier this month the nominees for the 2017 Eisner Awards were announced at the Comic-Con International website, and as Andy and Derek like to do every year, they're devoting a full episode of The Comics Alternative to a discussion of the nominations. On this week's show, the Two Guys give their impressions of the various nominees, both as a whole and on a category-by-category basis, making observations and trying to understand any trends underlying this year's selections. However, Derek and Andy resist the urge to play armchair quarterbacks, so they don't second-guess the six-member panel of judges or focus on what they would have chosen if they had been on the selection committee. As diligent comics scholars, they judicial and discerning in their commentary. At the same time, they don't shy away from pointing out a few inconsistencies and a few head-scratchers when trying to make sense of this year's nominations. You can find a complete list of the 2017 Eisner Award nominees below. So as you listen to this week's episode, please feel free to scroll down and follow along!   Eisner Awards Nominations 2017 Best Short Story “The Comics Wedding of the Century,” by Simon Hanselmann, in We Told You So: Comics as Art (Fantagraphics) “The Dark Nothing,” by Jordan Crane, in Uptight #5 (Fantagraphics) “Good Boy,” by Tom King and David Finch, in Batman Annual #1 (DC) “Monday,” by W. Maxwell Prince and John Amor, in One Week in the Library (Image) “Mostly Saturn,” by Michael DeForge, in Island Magazine #8 (Image) “Shrine of the Monkey God!” by Kim Deitch, in Kramers Ergot 9 (Fantagraphics) Best Single Issue/One-Shot Babybel Wax Bodysuit, by Eric Kostiuk Williams (Retrofit/Big Planet) Beasts of Burden: What the Cat Dragged In, by Evan Dorkin, Sarah Dyer, and Jill Thompson (Dark Horse) Blammo #9, by Noah Van Sciver (Kilgore Books) Criminal 10th Anniversary Special, by Ed Brubaker and Sean Phillips (Image) Sir Alfred #3, by Tim Hensley (Pigeon Press) Your Black Friend, by Ben Passmore (Silver Sprocket) Best Continuing Series Astro City, by Kurt Busiek and Brent Anderson (Vertigo/DC) Kill or Be Killed, by Ed Brubaker and Sean Phillips (Image) The Mighty Thor, by Jason Aaron and Russell Dauterman (Marvel) Paper Girls, by Brian K. Vaughan and Cliff Chiang (Image) Saga, by Brian K. Vaughan and Fiona Staples (Image) Best Limited Series Archangel, by William Gibson, Michael St. John Smith, Butch Guice, and Tom Palmer (IDW) Briggs Land, by Brian Wood and Mack Chater (Dark Horse) Han Solo, by Marjorie Liu and Mark Brooks (Marvel) Kim and Kim, by Magdalene Visaggio and Eva Cabrera (Black Mask) The Vision, by Tom King and Gabriel Walta (Marvel) Best New Series Black Hammer, by Jeff Lemire and Dean Ormston (Dark Horse) Clean Room, by Gail Simone and Jon Davis-Hunt (Vertigo/DC) Deathstroke: Rebirth, by Christopher Priest, Carlo Pagulayan, et al. (DC) Faith, by Jody Houser, Pere Pérez, and Marguerite Sauvage (Valiant) Mockingbird, by Chelsea Cain and Kate Niemczyk (Marvel) Best Publication for Early Readers (up to age 8) Ape and Armadillo Take Over the World, by James Sturm (Toon) Burt's Way Home, by John Martz (Koyama) The Creeps, Book 2: The Trolls Will Feast! by Chris Schweizer (Abrams) I'm Grumpy (My First Comics), by Jennifer L. Holm and Matthew Holm (Random House Books for Young Readers) Narwhal: Unicorn of the Sea, by Ben Clanton (Tundra) Best Publication for Kids (ages 9-12) The Drawing Lesson, by Mark Crilley (Watson-Guptill) Ghosts, by Raina Telgemeier (Scholastic) Hilda and the Stone Forest, by Luke Pearson (Flying Eye Books) Rikki, adapted by Norm Harper and Matthew Foltz-Gray (Karate Petshop) Science Comics: Dinosaurs, by MK Reed and Joe Flood (First Second) Best Publication for Teens (ages 13-17) Bad Machinery, vol. 5: The Case of the Fire Inside, by John Allison (Oni) Batgirl, by Hope Larson and Rafael Albuquerque (DC) Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie) Monstress, by Marjorie Liu and Sana Takeda (Image) Trish Trash: Roller Girl of Mars, by Jessica Abel (Papercutz/Super Genius) The Unbeatable Squirrel Girl, by Ryan North and Erica Henderson (Marvel) Best Humor Publication The Further Fattening Adventures of Pudge, Girl Blimp, by Lee Marrs (Marrs Books) Hot Dog Taste Test, by Lisa Hanawalt (Drawn & Quarterly) Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie) Man, I Hate Cursive, by Jim Benton (Andrews McMeel) Yuge! 30 Years of Doonesbury on Trump, by G. B. Trudeau (Andrews McMeel) Best Anthology Baltic Comics Anthology š! #26: dADa, edited by David Schilter and Sanita Muizniece (kuš!) Island Magazine, edited by Brandon Graham and Emma Rios (Image) Kramers Ergot 9, edited by Sammy Harkham (Fantagraphics) Love Is Love, edited by Sarah Gaydos and Jamie S. Rich (IDW/DC) Spanish Fever: Stories by the New Spanish Cartoonists, edited by Santiago Garcia (Fantagraphics) Best Reality-Based Work Dark Night: A True Batman Story, by Paul Dini and Eduardo Risso (Vertigo/DC) Glenn Gould: A Life Off Tempo, by Sandrine Revel (NBM) March (Book Three), by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf) Rosalie Lightning: A Graphic Memoir, by Tom Hart (St. Martin's) Tetris: The Games People Play, by Box Brown (First Second) Best Graphic Album—New The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon) Black Dog: The Dreams of Paul Nash, by Dave McKean (Dark Horse) Exits, by Daryl Seitchik (Koyama) Mooncop, by Tom Gauld (Drawn & Quarterly) Patience, by Daniel Clowes (Fantagraphics) Wonder Woman: The True Amazon, by Jill Thompson (DC Comics) Best Graphic Album—Reprint Demon, by Jason Shiga (First Second) Incomplete Works, by Dylan Horrocks (Alternative) Last Look, by Charles Burns (Pantheon) Meat Cake Bible, by Dame Darcy (Fantagraphics) Megg and Mogg in Amsterdam and Other Stories, by Simon Hanselmann (Fantagraphics) She's Not into Poetry, by Tom Hart (Alternative) Best U.S. Edition of International Material Equinoxes, by Cyril Pedrosa, translated by Joe Johnson (NBM) Irmina, by Barbara Yelin, translated by Michael Waaler (SelfMadeHero) Love: The Lion, by Frédéric Brémaud and Federico Bertolucci (Magnetic) Moebius Library: The World of Edena, by Jean “Moebius” Giraud et al. (Dark Horse) Wrinkles, by Paco Roca, translated by Erica Mena (Fantagraphics) Best U.S. Edition of International Material—Asia The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon) Goodnight Punpun, vols. 1–4, by Inio Asano, translated by JN PRoductions (VIZ Media) orange: The Complete Collection, vols. 1–2, by Ichigo Takano, translated by Amber Tamosaitis, adaptation by Shannon Fay (Seven Seas) The Osamu Tezuka Story: A Life in Manga and Anime, by Toshio Ban and Tezuka Productions, translated by Frederik L. Schodt (Stone Bridge Press) Princess Jellyfish, vols. 1–3, by Akiko Higashimura, translated by Sarah Alys Lindholm (Kodansha) Wandering Island, vol. 1, by Kenji Tsuruta, translated by Dana Lewis (Dark Horse) Best Archival Collection/Project—Strips (at least 20 years old) Almost Completely Baxter: New and Selected Blurtings, by Glen Baxter (NYR Comics) Barnaby, vol. 3, by Crockett Johnson, edited by Philip Nel and Eric Reynolds (Fantagraphics) Chester Gould's Dick Tracy, Colorful Cases of the 1930s, edited by Peter Maresca (Sunday Press) The Realist Cartoons, edited by Paul Krassner and Ethan Persoff (Fantagraphics) Walt & Skeezix 1931–1932, by Frank King, edited by Jeet Heer and Chris Ware (Drawn & Quarterly) Best Archival Collection/Project—Comic Books (at least 20 Years Old) The Complete Neat Stuff, by Peter Bagge, edited by Eric Reynolds (Fantagraphics) The Complete Wimmen's Comix, edited by Trina Robbins, Gary Groth, and J. Michael Catron (Fantagraphics) Fables and Funnies, by Walt Kelly, compiled by David W. Tosh (Dark Horse) Trump: The Complete Collection, by Harvey Kurtzman et al., edited by Denis Kitchen and John Lind (Dark Horse) U.S.S. Stevens: The Collected Stories, by Sam Glanzman, edited by Drew Ford (Dover) Best Writer Ed Brubaker, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image) Kurt Busiek, Astro City (Vertigo/DC) Chelsea Cain, Mockingbird (Marvel) Max Landis, Green Valley (Image/Skybound); Superman: American Alien (DC) Jeff Lemire, Black Hammer (Dark Horse); Descender, Plutona (Image); Bloodshot Reborn (Valiant) Brian K. Vaughan, Paper Girls, Saga (Image) Best Writer/Artist Jessica Abel, Trish Trash: Roller Girl of Mars (Papercutz/Super Genius) Box Brown, Tetris: The Games People Play (First Second) Tom Gauld, Mooncop (Drawn & Quarterly) Tom Hart, Rosalie Lightning: A Graphic Memoir (St. Martin's) Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon) Best Penciller/Inker or Penciller/Inker Team Mark Brooks, Han Solo (Marvel) Dan Mora, Klaus (BOOM! Studios) Greg Ruth, Indeh (Grand Central Publishing) Francois Schuiten, The Theory of the Grain of Sand (IDW) Fiona Staples, Saga (Image) Brian Stelfreeze, Black Panther (Marvel) Best Painter/Multimedia Artist (interior art) Federico Bertolucci, Love: The Lion (Magnetic) Brecht Evens, Panther (Drawn & Quarterly) Manuele Fior, 5,000 km per Second (Fantagraphics) Dave McKean, Black Dog (Dark Horse) Sana Takeda, Monstress (Image) Jill Thompson, Wonder Woman: The True Amazon (DC); Beasts of Burden: What the Cat Dragged In (Dark Horse) Best Cover Artist (for multiple covers) Mike Del Mundo, Avengers, Carnage, Mosaic, The Vision (Marvel) David Mack, Abe Sapien, BPRD Hell on Earth, Fight Club 2, Hellboy and the BPRD 1953 (Dark Horse) Sean Phillips, Criminal 10th Anniversary Special, Kill or Be Killed (Image) Fiona Staples, Saga (Image) Sana Takeda, Monstress (Image) Best Coloring Jean-Francois Beaulieu, Green Valley (Image/Skybound) Elizabeth Breitweiser, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image); Outcast by Kirkman & Azaceta (Image/Skybound) Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon) Laura Martin, Wonder Woman (DC); Ragnorak (IDW); Black Panther (Marvel) Matt Wilson, Cry Havoc, Paper Girls, The Wicked + The Divine (Image); Black Widow, The Mighty Thor, Star-Lord (Marvel) Best Lettering Dan Clowes, Patience (Fantagraphics) Brecht Evens, Panther (Drawn & Quarterly) Tom Gauld, Mooncop (Drawn & Quarterly) Nick Hayes, Woody Guthrie (Abrams) Todd Klein, Clean Room, Dark Night, Lucifer (Vertigo/DC); Black Hammer (Dark Horse) Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon) Best Comics-Related Periodical/Journalism The A.V. Club comics coverage, including Comics Panel, Back Issues, and Big Issues, by Oliver Sava et al., www.avclub.com Comic Riffs blog, by Michael Cavna and David Betancourt, www.washingtonpost.com/new/comic-riffs/ Critical Chips, edited by Zainab Akhtar (Comics & Cola) PanelPatter.com, edited by Rob McMonigal WomenWriteAboutComics.com, edited by Megan Purdy and Claire Napier Best Comics-Related Book blanc et noir: takeshi obata illustrations, by Takeshi Obata (VIZ Media) Ditko Unleashed: An American Hero, by Florentino Flórez and Frédéric Manzano (IDW/Editions Déesse) Krazy: George Herriman, A Life in Black and White, by Michael Tisserand (Harper) The Life and Legend of Wallace Wood, vol. 1, edited by Bhob Stewart and J. Michael Catron (Fantagraphics) More Heroes of the Comics, by Drew Friedman (Fantagraphics) Best Academic/Scholarly Work Brighter Than You Think: Ten Short Works by Alan Moore, with essays by Marc Sobel (Uncivilized) Forging the Past: Set and the Art of Memory, by Daniel Marrone (University Press of Mississippi) Frank Miller's Daredevil and the Ends of Heroism, by Paul Young (Rutgers University Press) Pioneering Cartoonists of Color, by Tim Jackson (University Press of Mississippi) Superwomen: Gender, Power, and Representation, by Carolyn Cocca (Bloomsbury) Best Publication Design The Art of Charlie Chan Hock Chye, designed by Sonny Liew (Pantheon) The Complete Wimmen's Comix, designed by Keeli McCarthy (Fantagraphics) Frank in the Third Dimension, designed by Jacob Covey, 3D conversions by Charles Barnard (Fantagraphics) The Realist Cartoons, designed by Jacob Covey (Fantagraphics) Si Lewen's Parade: An Artist's Odyssey, designed by Art Spiegelman (Abrams) Best Webcomic Bird Boy, by Anne Szabla, http://bird-boy.com Deja Brew, by Taneka Stotts and Sara DuVall (Stela.com) Jaeger, by Ibrahim Moustafa (Stela.com) The Middle Age, by Steve Conley, steveconley.com/the-middle-age On Beauty, by Christina Tran,  sodelightful.com/comics/beauty/ Best Digital Comic Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology) Edison Rex, by Chris Roberson and Dennis Culver (Monkeybrain/comiXology) Helm, by Jehanzeb Hasan and Mauricio Caballero, www.crookshaw.com/helm/ On a Sunbeam, by Tillie Walden, www.onasunbeam.com Universe!, by Albert Monteys (Panel Syndicate)

The Real Boys are digging up more March madness from the comedy mines; they are deciding on whether Sbarro pizza is good or not. Come listen and hear Drew's Seinfeld impression, as well as which podcasts are stealing his ideas. Non sequitur and Doonesbury topics include personalized inflatable air dancers, the definition of a f*ckboy, joining reality shows and our own MTV's NEXT intros, our best nicknames, Willem Dafoe in every movie, and situations where we'd like to turn something into a hoverboard and ride away. Listener emails include who can eat the most spaghetti and unusual hobbies to pick up. www.SeanTakeMikeToSbarroAtUIC.com Email the show about Benadryl at TheRealBoysPodcast@gmail.com Tweet the show about Ben Adryl @RealBoysPodcast Join our Been a Drill Facebook community at www.Facebook.com/TheRealBoysPodcast

Owen Powell is a retired military police sergeant, former Marine, and Iraq combat veteran whose experiences in war have been chronicled in the New York Times, on NPR, and perhaps most prominently in Doonesbury artist Garry Trudeau's remarkable collection The Sandbox: Dispatches from Troops in Iraq and Afghanistan. In this conversation he tells me about growing up the child of a U.S. combat veteran, his attitude toward military service and war, and how being shot in Iraq made an impact on his spiritual development.