Podcasts about A Streetcar Named Desire

Composer Andre Previn's 1995 opera “A Streetcar Named Desire” puts playwright Tennessee Williams' story onstage with an intense, mood-shifting score. Opera Theatre of St. Louis' new production is the first collaboration between its new artistic director, Patricia Racette — and its Principal Conductor, Daniela Candillari. St. Louis Public Radio's Jeremy Goodwin spoke with them about the show.

Beyond the Gun – Creative Partnerships There's a distinct difference between being cast as an actor in a theatre production and working as a creative collaborator and developing your own work. This session examines how actors can step into producing and move into the developmental life of a project—contributing ideas, shaping the script, and influencing the work as it develops. Actors such as Ngoc Phan, Nicholas Brown, Julia Robertson, Amy Ingram, and Cameron Hurry have expanded their work into producing, writing and directing. This conversation explores how actors can evolve their practice, build a reputation for meaningful creative input, and become initiators and collaborators whose contributions extend beyond performance into the heart of the work itself. Amy is a multi-award-winning actor and theatre-maker based in Brisbane, later this year she will appear in the return season of Pride And Prejudice at QTC and the World Premiere of Suzie Miller's Strong Is The New Pretty touring Nationally. Ngọc is an award-winning actor, director and playwright. Her diverse theatre work includes Vietgone, Boy Swallows Universe and Good Grief (Queensland Theatre), Laurinda (MT), Love Stories (Brisbane Festival/QPAC), Horizon (Playlab Theatre), Medea (Shock Therapy Productions), We're All Gonna Die, Away, A Streetcar Named Desire and Stunt Double (The Farm). Julia Robertson is a multidisciplinary theatre maker, director and actor living and working on Gadigal land. She is the Artistic Director of the award-winning devising group Little Eggs Collective, a recipient of the Ensemble Theatre's Sandra Bates Award for Directing, and a Young Artists Program finalist with Opera Australia. Julia was recently nominated for Best Direction of a Musical at the Sydney Theatre Awards for The Producers (Hayes Theatre Co. / Riverside Parramatta). In 2026, Julia will direct the premiere production of STELLA, The Musical in Melbourne, as well as The Addams Family for Hayes Theatre Co. She will also work as Movement Director on 84 Charing Cross Road for the Ensemble Theatre, and as Assistant Director on Suzie Miller's new work Strong Is the New Pretty for Sydney Theatre Company, Queensland Theatre and Brisbane Festival. Nicholas Brown is a NIDA graduate who has forged an impressive international career across film, television and theatre as an actor, writer, singer, songwriter and leading man with major roles in Bollywood films, Australian drama and as a much-loved ABC Play School presenter. He plays a lead role in upcoming Alex Proyas science fiction musical film R.U.R. As a playwright, Nicholas won the prestigious Nick Enright Prize for Playwriting in the 2024 NSW Premier's Literary Awards for his play Sex Magick which was performed in the 2023 Griffin Theatre season. It was also nominated for a 2025 AWGIE and a 2024 Sydney Theatre Award. Cameron Hurry is a Brisbane based actor and writer. He completed his actor training at the University of Southern Queensland. Cameron's theatre credits include: Pride and Prejudice (Queensland Theatre Company), Unconditional (Playlab Theatre), Three Little Words (Ad Astra), Twelfth Night (4MBS Brisbane Shakespeare Festival), Dance Nation (THAT Production Company), Grand Horizons (PIP Theatre), Frankenstein (Fractal Theatre), Macbeth (JUTE Theatre), Picnic at Hanging Rock (Brisbane Arts Theatre), and Aladdin and the Mysterious Magical Lamp, Jane Eyre, Little Women, Shadowlands (Harvest Rain Theatre Company). His film and television credits include: Spit, Boy Swallows Universe, The Bureau of Magical Things, Young Rock, and Wanted. Cameron has received the Matilda Award for Best Performance in a Supporting Role – Independent Production (Grand Horizons) and has a proud member of MEAA for 20 years.

On this episode of Backstage, award-winning director and lighting designer Alexander Berlage, currently directing Sonder joins Regina. Alexander has become one of the most distinctive voices in Sydney's independent theatre scene. He is a two-time Sydney Theatre Award winner for Best Direction of a Musical, for American Psycho and Cry-Baby at Hayes Theatre Co, and won Best Direction of an Independent Production in 2023 for A Streetcar Named Desire at the Old Fitz Theatre. From 2020 to 2023, he served as Co-Artistic Director of Redline Productions at the Old Fitz. Now, with Sonder, Alexander brings that same precision and visual imagination to a new production — and joins us to talk about directing, design, and what draws him to a work in the first place.      

Send us Fan MailAfter nearly a decade since her West End debut in Les Miserables, Amara Okereke has solidified her standing as one of the most exciting performers of her generation. Now making her RSC debut, Amara sat down with us to talk about taking on the role of Ariel opposite Kenneth Branagh's Prospero in Sir Richard Eyre's new production of The Tempest.  Having already played some of the UK's most prestigious and largest stages including the London Coliseum, Sheffield Crucible and Chichester Festival Theatre, Amara tells us about adapting to playing larger houses as she prepares to tackle the Royal Shakespeare Theatre.In this new interview with Amara Okereke, we talk about her transition from musical theatre to straight plays and her ongoing evolution as a performer. After playing some of the most coveted roles like Eliza Doolittle in My Fair Lady and Laurey in Oklahoma!, Amara has since taken on roles like Stella in A Streetcar Named Desire and took on the lead role in Pulse at the King's Head Theatre. We hear her talk about her desire to keep exploring new characters that challenge her as she continues to evolve as a performer and as a person. She tells us about the mentor / muse relationship between Prospero and Ariel before also sharing her admiration for career role models she's worked with like Janie Dee and Elena Shaddow. Our conversations offers a candid look at the craft of an actress who refuses to be pigeonholed, offering a masterclass in staying authentic while stepping into the formidable weight of a theatrical legacy.The Tempest runs at the Royal Shakespeare Theatre until 20 June.

At last month’s Architect & Designer Awards event, interior designer Meagan Cooperman took home the award for best Transitional Interior Design, a new category introduced this year to the magazine’s long-running design competition. That same night, Meagan was delighted to learn that her work had also made the April cover of St. Louis Magazine, marking a first for the local designer. In this episode of House of Lou, Veronica chats with Meagan about her career in interior design, the story behind her award-winning work, and Meagan’s plans to grow her one-year-old design firm. Hint: She’s just getting started and we can’t wait to see where she takes it See related stories and resources from this episode: https://www.stlmag.com/podcasts/house-of-lou/episode-31/ Watch on YouTube: https://www.youtube.com/playlist?list=PLwYnyrcREHGkbLFLTZPyJz12erwKdMl6d Listen on Spotify: https://open.spotify.com/show/3ovIC1dt19FiByFhMjlgIc?si=be8613d8b3e849c4&nd=1&dlsi=4b587e7b470048ee Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/house-of-lou/id1715504359 This episode is sponsored by Opera Theatre of Saint Louis (https://opera-stl.org/) and supported by Cardinals Nation (https://www.mlb.com/cardinals/cardinals-nation). Celebrate the 2026 Festival Season, May 23 through June 27, featuring the hilarious comedy The Pirates of Penzance, the award-winning musical The Light in the Piazza, the sizzling drama A Streetcar Named Desire, and the romantic classic Romeo and Juliet. Experience world-class opera, enjoy garden picnics before the show, and join in unforgettable after-parties. Tickets start at just $25. New to podcasts? Follow these instructions to start listening to our shows, and hear what you’ve been missing: https://www.stlmag.com/podcasts/how-to-listen/ Have an idea for a future episode? Email podcasts@stlmag.com. Interested in being a podcast sponsor? Email advertising@stlmag.com.See omnystudio.com/listener for privacy information.

The Casuals discuss the film A Streetcar Named Desire (1951)

Do you know what an iconic actor from these movies: The Godfather, Apocalypse Now, On the Waterfront, A Streetcar Named Desire, and The Wild One brought to BDSM that is still part of the lifestyle today?Have you ever heard how Harley-Davidson and the United States government created a staple in early BDSM groups?Or that Satyrs, the part-man and part-beast, deities in Greek known for being wild, lustful companions of Dionysus, helped lay the foundation of modern BDSM in the States?Press play and find out the answers and why some would like to erase this knowledge.

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which book contains the character 'Eugene Henderson'? Question 2: Which piece of written work starts with the line ''Christmas won't be Christmas without any presents''? Question 3: What playwright wrote "A Streetcar Named Desire"? Question 4: Which artist painted "The Triumph of Galatea" Question 5: Which author wrote 'Krakatit'? Question 6: Which piece of written work starts with the line 'Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.'? Question 7: Which author wrote 'The Voyage of the Dawn Treader'? Question 8: Which author wrote 'The Swineherd'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

In the iconic words from A Streetcar Named Desire "we've had this date with each other from the beginning!" For nearly half of Labour's 20 months in power, it has been said that this set of local elections would mark Starmer's last throw of the dice. With results still coming in, it is difficult to analyse precise voter movements, but patterns are certainly beginning to emerge. To discuss the results so far, Alex Andreou has a midnight cuppa and a chat with Quiet Riot favourite and Guardian columnist Zoe Williams. ***SPONSOR US AT ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠KO-FI.COM/QUIETRIOTPOD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*** • You can listen to Alex's new ⁠⁠⁠⁠Podyssey Storytime, on Arachne the Spider Woman, here⁠⁠⁠⁠. And don't miss his Bank Holiday Monday episode on Sisyphus. • Listen to Arthur Snell's latest ⁠⁠Behind The Lines on Iran here⁠⁠. • We have put together a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BLUESKY STARTER PACK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, with all our regular contributors and many more interesting politicos besides • Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠quietriotpod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • Or visit our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.quietriotpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Brought to you by Naomi Smith, Alex Andreou and Kenny Campbell. Quiet Riot is a Cooler Heads production ***SPONSOR US AT ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠KO-FI.COM/QUIETRIOTPOD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*** Learn more about your ad choices. Visit podcastchoices.com/adchoices

Before they were SLM dining writers and co-hosts of Arch Eats, George and Cheryl spent years in the restaurant industry where they learned the ins and outs of the business and saw just about every kind of customer you could imagine. In this episode, they draw on their combined decades of experience to share their essential dining “Do’s and Don’ts,” a restaurant etiquette 101 crash course that will help you have the best dining experience possible. Watch Arch Eats on YouTube and listen on Spotify, Apple Podcasts, or wherever podcasts are available. See related stories and resources from this episode at https://www.stlmag.com/podcasts/arch-eats/episode-65 Watch on YouTube: https://www.youtube.com/playlist?list=PLwYnyrcREHGkvOXGJHENgtHtcRMnGPVFW Listen on Spotify: https://open.spotify.com/show/0BfUm30GQXcfuYAWqwrsYs?si=432aaa0abc5646a4&nd=1&dlsi=c46d922dd1824b7b Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/arch-eats/id1714524378 This episode is sponsored by Opera Theatre of Saint Louis, bringing world-class cultural experiences to your backyard with their 2026 Festival Season, May 23 through June 28. Don’t miss the classic comedy The Pirates of Penzance, the Tony Award-winning musical The Light in the Piazza, the American opera A Streetcar Named Desire, and the legendary Romeo and Juliet. Tickets start at just $25. Purchase your tickets today at https://opera-stl.org/ New to podcasts? Follow these instructions to start listening to our shows, and hear what you’ve been missing: https://www.stlmag.com/podcasts/how-to-listen/ Have an idea for a future episode? Email podcasts@stlmag.com Interested in being a podcast sponsor? Email advertisting@stlmag.comSee omnystudio.com/listener for privacy information.

Comedy on a SaturdayFirst, a look at the events of the day.Then, The Martin and Lewis Show, originally broadcast April 11, 1952, 74 years ago, with guest Virginia Mayo.  Jerry appeals for funds for the Muscular Dystrophy Association.  A take off of “A Streetcar Named Desire”.  Followed by The Great Gildersleeve starring Willard Waterman, originally broadcast April 11, 1951, 75 years ago, Kids Want to Leave.   Gildersleeve suspects that Marjorie (Mary Lee Robb) and Bronco (Dick Crenna) are living with him just to keep him from being lonely.Then, The Burns and Allen Show, originally broadcast April 11, 1946, 79 years ago.  George's issue of, "Cowboy Love Tales" has arrived. Gracie Allen wants to join a literary club, telling Mrs.Randolph that George is the great-grandson of poet Robert Burns. Followed by The Lucky Strike Program starring Jack Benny, originally broadcast April 11, 1954, 72 years ago,  Jack's New Contract.   It's nearing the end of the season and Jack's worrying about getting his contract renewed.  This is an original unedited transcription, and Mary's lines haven't been dubbed in yet.  Finally, Fibber McGee and Molly, originally broadcast April 11, 1955, 71 years ago,  The Shopping Crush.   It's "Bargain Day" down at the Bon Ton department store. Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Today, I'm thrilled to announce my interview with two-time Tony nominee Daphne Rubin-Vega, who is currently starring in THE ADDING MACHINE at The New Group. Tune in to hear some of the stories of her legendary career, including the relevance of Elmer Rice's play, gaining early stardom with RENT, identifying with Magenta in THE ROCKY HORROR SHOW, working with Philip Seymour Hoffman on JACK GOES BOATING, starring on screen in SMASH, being directed by Emily Mann in A STREETCAR NAMED DESIRE, finding her take on Fantine in LES MISERABLES, and so much more. Don't miss this entertaining conversation with one of Broadway's best.

The day this episode comes out, March 26 2026, is the 115th birthday of renowned playwright Tennessee Williams. And to mark the occasion, we're heading into the Sewers archives to hear my 2020 interview with writer William V. Madison, whose career was inspired in part by a moving experience in college involving a Streetcar Named Desire. That brought William to a series of adventurous jobs, from working on Broadway shows to producing the news alongside Dan Rather, singing to Angela Lansbury, earning a nickname from Fidel Castro, and writing a biography of Madeline Kahn.

The Tennessee Williams and New Orleans Literary Festival has a special performance to mark its 40th Anniversary: We Have Not Long to Love: A Celebration of Tennessee Williams, a one-night-only immersive theatrical experience directed by acclaimed director and choreographer Rob Ashford. The performance will take place March 27 within the beautiful grounds of the historic BK House and Gardens in the heart of the French Quarter. This unique performance weaves together several works by Tennessee Williams including "Sweet Bird of Youth," "Orpheus Descending," "A Streetcar Named Desire" and "Suddenly Last Summer," inviting audiences to move through the historic property as the stories unfold around them. Bringing Williams' stories to life is an extraordinary cast including Michael Server-is Cerveris; Christine Ebersole; Marin Ireland; Jennifer Laura Thompson; Ansel Elgort; Froy Gutierrez; Jennifer Nettles; Harriet Harris; Micaela Diamond; Sam Rechner; Abbey Lee, and Leslie Castay.This week, Kelly Massicot and magazine editor Reine Dugas team up to talk with director Rob Ashford, along with stars Christine Ebersole, Abbey Lee, Jennifer Nettles and Michaela Diamond, to get an inside look at the immersive play experience.

Twilight Decoded: The Originals S3E13 “Heart Shaped Box” & S3E14 “A Streetcar Named Desire” by Twilight Decoded: A Twilight Podcast

“Takes All Kinds”—An American Public Affairs Discussion and Demonstration of Journalistic Theatre Actor and playwright Dan Hoyle and his director, celebrated director/actor Aldo Billingslea, provide an inside look at the creation of their widely acclaimed new solo performance piece “Takes All Kinds.” Dan's blog reminds the viewer that  ”I'll be disappearing into these different characters and stories and you'll be glad to journey there with me. They've been traveling with me these last couple years. I think they'll stay with you too.” With “Takes All Kinds,” Hoyle and Billingslea use journalistic theater and embodied storytelling to portray powerful, funny and complex people caught in the social and political currents roiling our society. They create portraits of everyday Americans through moving and funny true stories of American democracy: school board showdowns in Florida, grassroots organizers in Atlanta, barber shops in Las Vegas, deprogrammers of violent extremists in Missouri and more. In this mostly offstage oriented “talk-back” presentation, listeners and observers will have an opportunity to explore with Hoyle and Billingslea how thousands of hours go into a little over an hour show. The artists' view reveals (somewhat) the amazing mystery of live transformative theatrical narrative that has everyone laughing and pin-drop listening with the next moment. And always has the audience talking as they depart. Yes—it's about politics, but could experiencing public affairs embodied theatre journalism bring people something they needed more than they realized?   “Stunning…something almost supernatural happens,” according to the  San Francisco Chronicle. Currently based at the Marsh Theatre, “Takes All Kinds” has toured elsewhere in California plus New York City, Charleston and Chicago, and will be heading to Idaho, Florida and more in 2026. About the Speakers Oakland-based Dan Hoyle is an actor and writer whose immersion research theater work has been hailed as "riveting, funny and poignant" (The New York Times) and "hilarious, moving and very necessary" (Salon). His solo shows, all originated at The Marsh in San Francisco, have played across the country at The Public Theater, Culture Project, Baltimore Center Stage, Berkeley Rep, Cleveland Playhouse, Mosaic Theater Company, Oregon Shakespeare Festival, Portland Center Stage, Playmakers Rep, Painted Bride, Pure Theater and abroad in India, Ireland, Wales, Mexico, Canada and Nigeria. Aldo Billingslea (director) is a professor of theater at Santa Clara University (SCU). SCU's associate provost for diversity and inclusion, and served as the vice president of the 100 Black Men of Silicon Valley; he's a board member of TheatreWorks Silicon Valley, theatre program director for The222.org in Healdsburg, California.As an academic, he is a professor of American theatre from the Black perspective, acting styles, Shakespeare, and seminars on August Wilson. Billingslea is a lifelong professional actor featured in more than two dozen Shakespeare plays, productions of August Wilson's Gem of the Ocean, Ma Rainey's Black Bottom, and Fences, Arthur Miller's Death of a Salesman, Tennessee Williams' A Streetcar Named Desire, and Lorraine Hansberry's The Sign in Sydney Bernstein's Window. He also worked at the American Conservatory Theater, the Aurora Theater, California Shakespeare Theater, Lorraine Hansberry Theater, and the Marin Shakespeare Theater. An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums.  Organizer: Anne W. Smith  Learn more about your ad choices. Visit megaphone.fm/adchoices

We preview this weekend's performances of "A Streetcar Named Desire" by Tennessee Willams, one of the most beloved masterworks in the history of American theater. The performances are being done by the Kenosha Academy of Performing Arts Repertory Theater. We speak with Braxton Molinaro, Creative Director and the director of this production (in which he is also appearing) .... and Elizabeth McLaughlin (Eunice), who is one of the professional actors brought in to be part of this production. She has appears in things like "Pretty Little Liars" and "Hand of God." Performances of "Streetcar" are Feb,. 20 and 21 at 7:00 and Feb. 22 at 2:00 at Circa on Seventh in Kenosha. Tickets are avalable through kaparep.com.

As a youngster growing up in Kenosha, Braxton Molinaro discovered his love for theater. A passion that has only grown stronger through time. Braxton has honed his craft from coast to coast and has brought a taste of these high-quality performances back to Kenosha working with the KAPA Repertory Theatre with recent shows, Stuart Little, Wonka, and the now famous Little Shop of Horrors performance on Sixth Avenue last year. We connect with Braxton and talk about hanging out with Topher Grace, working alongside George Takei, Jane Lynch, and his encounter with Al Pacino!  Braxton's next project is directing a reimagining of the classic Tennesse Williams play A Streetcar Named Desire, taking place at Circa on 7th, 4902 7th Ave, February 20th – 22nd.  The production stars Bridget Regan (The Rookie, Jane the Virgin, Agent Carter) as Blanche DuBois, Anthony Konechny (X-Men: Apocalypse, Supergirl, Animal Kingdom) as Stanley Kowalski, Norman Towns (HIM, HBO's Insecure) as Steve Hubbell, Elizabeth McLaughlin (Pretty Little Liars, Hand of God), Logan Donovan (Masters of Sex, Grey's Anatomy), and Jennifer Brown (The Game). Click here to get your tickets now! This episode was recorded live in front of a studio audience at 58 Below in Downtown Kenosha on January 31, 2026. The Ktown Connects hotline is open! Visit us at ktownconnects.com, click on the phone and leave us a message telling us about the last great meal you had in Kenosha! Theme song performed by Dropping Daisies, written by James “Red” McLeod.  Get your Ktown Connects merchandise at The Lettering Machine, 725 50th St. Drop us an email at ktownconnects@yahoo.com Get additional episodes early and ad-free, along with bonus material with this week's guest and more great exclusive material by becoming a patreon supporter! Click here for more! Ktown Connects is brought to you by: Southport Tea, 5701 Sixth Ave Ron's Place, 3301 52nd St Union Park Tavern, 4520 Eighth Ave. Shannyn Franklin – ReMax Elite Public Brewing Company 628 58th St The Law Offices of Frank J. Parise, 7001 30th Ave Casey Family Options Funerals & Cremations, 3016 75th St One Stop IT, 520 58th St About Time Moving Systems Sallese & Co, 709 56th St Gerber's Pub, 2405 63rd St 

Today, I'm thrilled to announce my interview with veteran actress Elizabeth Marvel, who is currently starring in THE DINOSAURS at Playwrights Horizons. Tune in to hear some of the stories of her legendary career, including her unlikely beginnings, how Michael Langham gave her her Broadway debut in THE SEAGULL, performing the controversial revival of JULIUS CAESAR in the Park, why she wants to form a new National Actors Theater, being an American actor at Stratford, working with Glenda Jackson on KING LEAR, her collaboration with Ivo Van Hove, finding a new take on A STREETCAR NAMED DESIRE, researching THE LITTLE FOXES, starring in TOP GIRLS as a new mother, the drawings Edward Albee made during SEASCAPE, acting opposite Frances Sternhagen, why PICNIC was an exorcism for her, approaching Shakespeare like music theory, what draws her to new work, and so much more. Don't miss this candid conversation with one of Broadway's best.

Episode 104 - A Streetcar Named Desire - We saw this production at Sheffield Crucible on 22 March 2025. Below is more detail about the production, the production is no longer on but you we hope it could return. https://www.westendtheatre.com/272135/news/a-streetcar-named-desire-at-sheffield-theatres-casting-announced-including-amara-okereke-jake-dunn-joining-joanna-vanderham/ and you can watch a trailer for the production here... https://youtu.be/uGAAYsPrGfg Follow us Instagram, Facebook and Twitter @upstagedownstagepod

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Hershey Felder: Pianist and Performer, “The Piano and Me” Hershey Felder discusses his world premiere stage show, “The PIano and Me,” playing at TheatreWorks Mountain View through February 8, 2026, with host Richard Wolinsky. Over the past three decades, Hershey Felder has been performing one-person plays with his piano accompaniment, focusing on a variety of different composers, including George Gershwin, Leonard Bernstein, Tschaikovsky, Beethoven, Chopin and others. He has also created film versions of these and others, which can be found at his website, hersheyfelder.net. “The Piano and Me” focuses on Hershey Felder's own life, looking at his immigrant family who came to Canada after surviving the Holocaust, and his own education at the piano, from his first teachers to his more formal schooling, to the advent of his very first show, “George Gershwin Alone.” In the interview, Hershey Felder talks about how this show came into being, his preparation for each performance, his work in film, and his view of live theatre today. Recorded January 23, 2026. Complete 31-minute Radio Wolinsky podcast.   Delroy Lindo: Oscar Nominated Actor and Theatre Director, 2008 Delroy Lindo, actor and theatre director, in conversation with Richard Wolinsky in the KPFA studios in November 2008 while directing August Wilson's play, Joe Turner's Come and Gone at Berkeley Rep. Actor and director Delroy Lindo was born in London and moved to the United States at the age of 16, eventually coming to San Francisco where he studied acting at ACT at the age of 24. In his early career, he focused on the stage, winning a Tony nomination in 1988 his role in the original Broadway production of August Wilson's Joe Turner's Come and Gone. From there, he moved toward television and film, and performed in three Spike Lee films, including Do The Right Thing  and Malcolm X, along with Get Shorty, Romeo Must Die and other films. More recently, he received acclaim for his role in Spike Lee's Da 5 Bloods in 2018 and has been nominated for an Academy Award for his role as Delta Slim in the Ryan Coogler film, Sinners. In the interview, he discusses his work directing Joe Turner's Come and Gone, as well as his views on directing and acting, and the work of August Wilson. Review of the Streetcar Project's production of Tennessee Williams' “A Streetcar Named Desire” at ACT Toni Rembe Theatre through February 1, 2026.       The post Bookwaves/Artwaves – January 29, 2026: Hershey Felder – Delroy Lindo appeared first on KPFA.

This week, we're diving into A.C.T.'s striking and unconventional production of A Streetcar Named Desire. In this episode, it's just us talking through our experience with this super unique rendition of Tennessee Williams' classic.We discuss the bold directorial choices, performances, design elements, and how this production reimagines a familiar story in a way that feels fresh, challenging, and very intentional. From moments that surprised us to ideas that sparked conversation long after the curtain call, we break down what stood out and how this version differs from more traditional stagings.It's a thoughtful, reflective episode about risk-taking in theatre and what happens when a classic is approached from a new perspective.____

KPFA Theatre Critic Richard Wolinsky reviews the Streetcar Project's production of  “A Streetcar Named Desire” by Tennessee Williams at ACT Toni Rembe Theatre through February 1, 2026.           TEXT OF REVIEW (some changes were made during recording and cuts for timing were made for radio). ​​​​​The greatest of plays often allow for multiple interpretations. We see that all the time in Shakespeare. We see it in Arthur Miller, in the musicals of Rodgers and Hammerstein, even in August Wilson. And of course we see it in Tennessee Williams. Most interpretations of Williams' second play, A Streetcar Named Desire, are inhibited by the famous movie, which catapulted Marlon Brando to fame. It's hard to see Blanche Dubois beyond Vivien Leigh's faded Southern belle, and it's even harder to see the crude Stanley Kowalski past Brando's scream of “Stella!” But those interpretations, however close to Williams' wishes, obscure the play's lyricism and more to the point, his greatest creation, Blanche Dubois. This production by The Streetcar Project, now at ACT's Toni Rembe Theatre through February 1st, which has played in a variety of site-specific spaces, changes the paradigms, first by removing all props and sets, and second by discardmg the characters' accents, particularly that of Blanche Dubois, played by project co-creator, Lucy Owen. In addition, the full text has been restored. In this production, the stage area is fully open, bounded on three sides by two rows of audience members on folding chairs. Characters wander on and off stage, their voices carry but their bodies are sometimes hard to find.. it can feel like a reading, a radio play, but not always, and not in Act Two. What this shows now is that Streetcar is clearly Blanche's play. Whether with her sister, Stella, beautifully embodied by Heather Lind – their sisterhood is palpable, or with Mitch, Stanley's friend who falls for Blanche, played by James Russell as a product of his era, or with the brutal Stanley, performed by Brad Koed, who never quite escapes Brando. Without the accent, without the affectations, Lucy Owen's Blanche is revealed as brilliant, incisive, misunderstood and wronged. Her lies are no longer signs of weakness; they're not delusional; they're necessary for her survival, and the survival of her pride. It's a fascinating interpretation, which Williams' poetic dialogue om;y amplifies. She's caught in the trap of her times, and it's brought her down low. While much is gained here, something is also lost. Concessions to time and place come from the sound system and from costumes, but much of the action becomes incomprehensible without visible cues and with only the four actors. The giant stage, the cavernous theatre weaken the passion between Stella and Stanley. Chemistry vanishes when characters seem a football field apart. Would such a strong Blanche break so thoroughly at the end of the play? But whatever those issues, this is a Streetcar well worth visiting in its short run, through February 1st. For more information, you can go to act-sf.org. I'm Richard Wolinsky on Bay Area theatre for KPFA. The post Review: “A Streetcar Named Desire” at ACT Toni Rembe Theatre appeared first on KPFA.

3pm: I Was Thinking: New Years Resolutions and the CIA Selling Heroin // This Day In History: 1947 - “A Streetcar Named Desire” opens on Broadway // Waymo Drives Into Police Standoff in Los Angeles // John’s daughter rode in one this morning 

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Lauren Gunderson: Playwright, the “Christmas at Pemberley” series, The Book of Will Lauren Gunderson, recognized as the most produced contemporary playwright in America four of the last five years, including 2025, in conversation with host Richard Wolinsky. Lauren Gunderson is a prolific playwright whose plays are produced all over North America and in Britain and Europe. She is best known for such plays as “The Book of Will” and the “Christmas at Pemberley” series of three plays (co-written by Margot Malcon). She also worked on the script for the Pixar film “Lightyear,” and her book for the musical version of “The Time Traveler's Wife” recently played in London. As of the first week in December, two plays are currently being produced in the San Francisco Bay Area. Georgiana and Kitty: Christmas at Pemberley, runs December 5-28 at TheatreWorks Lucie Stern Theatre in Palo Alto, and Ada and the Engine plays at the Pear Theatre in Mountain View through December 7th. A third play, Louisa Alcott's Little Women played earlier in 2025 at TheatreWorks in Mountain View, and plays at Portland Center Stage through December 21st. In this interview, she discusses those plays and others, with emphasis on Muse of Fire, in which she performs, directed by Evren Odcikin, which wil be produced by the Magic Theatre from September 22nd through October 11th. Among upcoming plays in 2026 are Silent Sky in Bethesda Maryland in February. The Book of Will in Wisconsin in January and Raleigh, North Carolina in April, The Revolutionists in Rhode Island in May and Raleigh in August, Louisa May Alcott's Little Women at the Guthrie in Minnesota next April through June. The Half Life of Marie Curie will be in Eureka California iwill be performed in February, 2026 in Eureka, California. . Alan Furst: Master Spy Novelist Alan Furst, historical spy novelist, discussing his early career and resistance during World War II  in a unaired excerpts from an interview recorded September 26, 2002 in the KPFA studios while he was on tour for Blood of Victory. His latest novel, Under Occupation, was published in 2019. Alan Furst's career took off with his novel Kingdom of Shadows in 2000, the sixth book in his series of stand-alone novels about heros and villains in Europe in the years leading up to, and including World War II.  Suffused with atmosphere, his books feel as if you're living with the characters in those haunted times. Of course, there is added resonance as we live through what might be similar times today. These excerpts are from the second of five Bookwaves interviews with Alan Furst. Hosted by Richard Wolinsky. Alan Furst Wikipedia page     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre Judy Garland, We Need A Little Christmas with Debbie Wileman, Strand, Dec. 6-7. Rudolph & Scrooge, A YC Double Feature, December 18-20, Strand. A Streetcar Named Desire by Tennessee Williams, Jan. 21 – Feb. 1, 2026, Toni Rembe (Geary). Paranormal Activity, Feb. 19 – March 15, Toni Rembe. Awesome Theatre Company. See website for information. Berkeley Playhouse. Annie. November 7- December 21. Once, February 20 – March 22.  Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 21, Peets Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: The Golden Girls Live,  December 4-21, Curran. Moulin Rouge! The Musical, December 16-28, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  A Beautiful Noise, December 30 – January 4. See website for other events. Center REP: A Christmas Carol, Dec. 10 – 21.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works See website for information on the 2026 season. Cinnabar Theatre. Holiday Songbook, Dec. 19-21. My Fair Lady, January 23 – February 8, 2026. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 –  21. . See website for other events. Golden Thread  See website for upcoming productions. Hillbarn Theatre: Rogers & Hammerstein's Cinderella, December 4 – 28. Lorraine Hansberry Theatre. Soulful Christmas, December 19-21, Magic Theatre. Los Altos Stage Company. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Lorraine Hansberry Theatre presents Soulful Christmas, December 19-21. Marin Shakespeare Company: See website for events and productions. Marin Theatre: The Gift of Nothing  by Patrick McDonnell, Aaron Posner and Erin Weaver, Dec. 13 – 23. .The Cherry Orchard by Anton Chekhov Jan . 29 – Feb. 22, 2026. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Ruthless,  Dec. 5 – January 11, 2026. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Ada & The Engine  by Lauren Gunderson, November 21 – December 7. See website for staged readings and other events. Playful People Productions. See website for upcoming productions. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: Mean Girls. May 2026. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Into the Woods. November 30 – January 17, 2026. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre:  Let It Snow: A Broadway Holiday Celebration, December 20-21, Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Pirates! by John Fisher, December 4 – 13. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . The post December 4, 2025: Lauren Gunderson, Oft-Produced Contemporary Playwright appeared first on KPFA.

Hour 4 of the Wednesday Bob Rose Show, remembering an ugly 70's car, a failed 70's motor, the fantastic 1940's “Streetcar Named Desire,” and Sunday's deadline for Medicare open enrollment. Plus, keeping the Trump agenda on track in Congress, and the morning's breaking news stories for 12-3-25

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Malcolm Margolin (1940-2025): Legendary Berkeley Publisher Malcolm Margolin (1940-2025), the long-time publisher of Heyday Books in Berkeley, who died on August 20, 2025 at the age of 84, in conversation with Richard Wolinsky in the KPFA Studios on November 21, 2014. Malcolm Margolin founded Heyday Books, the renownedy non-profit publishing house located in Berkeley, in 1974 and stayed until he retired in 2015. He was the author and editor of several books, most notably The Ohlone Way: Indian Life in the San Francisco – Monterey Bay Area, along with magazines and other periodicals. This interview was recorded November 21, 2014 upon the publication of his memoir/history, The Heyday of Malcolm Margolin: The Damned Good Times of a Fiercely Independent Publisher.  Malcolm Margolin retired in 2015 but continued to work until his death. His final book, Deep Hanging Out: Wanderings and Wonderment in Native California. was published by Heyday in 2021.   Azar Nafisi: Best-selling Author of “Reading Lolita in Tehran” Azar Nafisi,author of the best-selling memoir, “Reading Lolita in Tehran,”  in conversation with host Richard Wolinsky, recorded in the KPFA studios on January 12, 2009 while on tour for the memoir, “Things I've Been Silent About.” Azar Nafisi burst on the literary scene in 2003 with her memoir, Reading Lolita in Tehran in 2003, which remained on the New York Times best seller list for 117 weeks. Born in Tehran, Iran, she came to the United States in 1997 and became an American citizen in 2008. A professor of literature, she'd previously written a critical study of the works of Vladimir Nabokov. There would be a second interview with Azar Nafisi  in 2015 for her book about the importance of literature, The Republic of the Imagination. Azar Nafisi Wikipedia page     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, Magic Theatre, Fort Mason. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre Judy Garland, We Need A Little Christmas with Debbie Wileman, Strand, Dec. 6-7. Rudolph & Scrooge, A YC Double Feature, December 18-20, Strand. A Streetcar Named Desire by Tennessee Williams, Jan. 21 – Feb. 1, 2026, Toni Rembe (Geary). Paranormal Activity, Feb. 19 – March 15, Toni Rembe. Awesome Theatre Company. See website for information. Berkeley Playhouse. Annie. November 7- December 21. Once, February 20 – March 22.  Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 21, Peets Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: The Golden Girls Live,  December 4-21, Curran. Moulin Rouge! The Musical, December 16-28, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Kinky Boots, Nov. 28-30. See website for other events. Center REP: A Christmas Carol, Dec. 10 – 21.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works See website for information on the 2026 season. Cinnabar Theatre. Holiday Songbook, Dec. 19-21. My Fair Lady, January 23 – February 8, 2026. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 –  21. . See website for other events. Golden Thread  See website for upcoming productions. Hillbarn Theatre: Rogers & Hammerstein's Cinderella, December 4 – 28. Lorraine Hansberry Theatre. Soulful Christmas, December 19-21, Magic Theatre. Los Altos Stage Company. A Christmas Carol, November  28 – December 21.. Lower Bottom Playaz  August Wilson's King Hedley II, November 8 -30. BAM House, Oakland. Magic Theatre. Actors Reading Collective: Mary Jane by Amy Herzog, directed by Amy Kossow, November 6 – 30, See website for other events and productions. Marin Shakespeare Company: See website for events and productions. Marin Theatre: The Gift of Nothing  by Patrick McDonnell, Aaron Posner and Erin Weaver, Dec. 13 – 23. .The Cherry Orchard by Anton Chekhov Jan . 29 – Feb. 22, 2026. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Ruthless,  Dec. 5 – January 11, 2026. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Ada & The Engine  by Lauren Gunderson, November 21 – December 7. See website for staged readings and other events. Playful People Productions. See website for upcoming productions. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: Mean Girls. May 2026. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Into the Woods. November 30 – January 17, 2026. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre:  Let It Snow: A Broadway Holiday Celebration, December 20-21, Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Pirates! by John Fisher, December 4 – 13. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . The post Bookwaves/Artwaves – November 27, 2025: Malcolm Margolin – Azar Nafisi appeared first on KPFA.

It's been a MINUTE friends. Mike and Joshua are back after a three month break. They discuss why they went MIA, their work together on Streetcar Named Desire, their new gig at one of the top conservatories in the world and the future of the podJoin our Patreon for ad-free early access to episodes, exclusive discounts, weekly Q&As, and so much more. Visit https://www.patreon.com/CreativeRiskPodcast today!Submit your story to Raw & Rising, the mini-series spotlighting hustling creatives—those self-producing, diversifying their income, and tackling challenges head-on. Visit www.artists-strategy.com/creative-risk to pitch your story today. —Thanks for listening!Join our email list for our weekly newsletter with deep insight on our personal artistic journeys: www.artists-strategy.com/signupSubscribe on Apple Podcasts: podcasts.apple.com/us/podcast/creative-risk/id1706381310Subscribe on Spotify: open.spotify.com/show/5hzvD8HgCjOo1NcA5zBDN4?si=404a2369523a45cbFollow Us on IG: www.instagram.com/creativeriskpod/Follow Us on TikTok: www.tiktok.com/@creativeriskpod— “CREATIVE RISK”, is a new podcast hosted by actors Joshua Morgan and Mike Labbadia of Artist's Strategy where they explore all things art, entrepreneurialism and everything in between. The acting industry is more volatile and competitive than ever before, therefore the artist must evolve in order to take radical ownership over their creative businesses. Each episode, Mike and Joshua will get raw and unfiltered, giving hot takes and cutting edge strategies on how to build a sustainable career in the arts.

EPISODE SUMMARY: Acclaimed actor Gary Sandy reflects on his remarkable career in television and theater, sharing insights from his TV and Broadway experience including his iconic role as Andy Travis on WKRP in Cincinnati. Sandy will be honored as an LABF Giant of Broadcasting this November.Sandy will be among those honored this fall as Giants of Broadcasting by the Library of American Broadcasting Foundation at the 2025 Giants of Broadcasting & Electronic Arts luncheon and awards ceremony on November 14th at Gotham Hall in New York City.On this episode of Chachi Loves Everybody, Chachi talks to Gary Sandy about:Growing up in Dayton, Ohio and aspiring to be an actorMoving to New York and working odd jobs before becoming getting his break playing  soap opera bad boysWhat it was like broadcasting live for 50 million people in As the World TurnsHow he landed the role of Andy Travis on WKRP in CincinnatiWhat went on behind the scenes of WKRP and his favorite moments from the showThe demanding but fulfilling life acting on Broadway and national toursPerforming a one man show at the Grand Ole OpryAdvice for breaking into the TV businessAnd More!ABOUT THIS EPISODE'S GUEST: Gary Sandy is a gifted and beloved actor whose extraordinary career has spanned stage, screen, and television, earning him a lasting place in the hearts of audiences across the country.Born on Christmas Day in Dayton, Ohio, Gary attended Wilmington College of Ohio and the American Academy of Dramatic Arts in New York City. He began his professional career in daytime television with a role created for him on As the World Turns, which launched a successful seven-year run of memorable performances in Another World, Somerset, and his personal favorite, The Secret Storm. The impact these roles played on his later career cannot be underestimated. According to Sandy, “The pressure of performing in front of a live audience or live tape made everything else a little easier. Ït was 40 or 50 million people RIGHT NOW!  You were not allowed to make a mistake. Nothing else could be more terrifying.”Best known for his unforgettable portrayal of Andy Travis, America's favorite Program Director, in the classic sitcom WKRP in Cincinnati. Gary brought life to the role of a young leader navigating the unpredictable world of a struggling radio station with charm, wit, and authenticity. His natural charisma and comedic instincts helped make WKRP a cultural touchstone and a beloved part of American television history.Beyond WKRP, Gary received acclaim for his role in Norman Lear's All That Glitters and made memorable guest appearances on many hit shows, including Murder, She Wrote, F.B.I: The Untold Story, The Young Riders, L.A. Law, and Diagnosis Murder. His television film credits include Melvin Purvis: The Kansas City Massacre, Shell Game, For Lovers Only, and Nashville Grab.On the big screen, Gary's range shone through in films such as Hail to the Chief, Some of My Best Friends Are, Troll, and The Last of the Cowboys, where he starred alongside the legendary Henry Fonda. He also appeared in the Oscar-nominated film The Insider, further establishing his reputation as a skilled and versatile actor.A dedicated stage performer, Gary has starred in more than 100 theatrical productions. He made his Broadway debut in Saturday, Sunday, Monday, directed by Franco Zeffirelli, and went on to take on leading roles in Broadway productions like The Pirates of Penzance (as the Pirate King) and the Broadway revival of Arsenic and Old Lace (as Mortimer). His stage credits also include standout performances in Barnum, Sweet Bird of Youth, The Foreigner, and A Streetcar Named Desire.His musical theater work has been equally impressive, with standout roles as Billy Flynn in Chicago, Albert Peterson in Bye Bye Birdie, and Sheriff Ed Earl Dodd opposite Ann-Margret in the national tour of The Best Little Whorehouse in Texas. Gary's performance as Harold Hill in The Music Man has become a signature role, earning praise in seven different productions.Gary's Off-Broadway and regional theater work includes The Children's Mass (produced by Sal Mineo), and innovative adaptations such as Sheba (based on Come Back, Little Sheba), Luv, and Windy City (a musical version of The Front Page). In recent years, he's received acclaim for his work in live radio drama, bringing a fresh energy to a classic medium.From his unforgettable turn as Andy Travis on WKRP in Cincinnati to his commanding stage presence in theaters across the country, Gary Sandy's body of work reflects a lifetime devoted to storytelling, craft, and connection with audiences.ABOUT THE PODCAST: Chachi Loves Everybody is brought to you by Benztown and hosted by the President of Benztown, Dave “Chachi” Denes. Get a behind-the-scenes look at the myths and legends of the radio industry.PEOPLE MENTIONED:Henry FondaDeborah ParentiJohn Cameron SwayzeRobert RedfordJean ArleyJoe ManettaDavid MuirAlexander ScourbyMary Tyler MooreGordon JumpLonnie AndersonHoward HessemanFrank BonnersRichard SandersTim ReidJan SmithersKevin KleinAnna MargaretShirlee Mae AdamsJane FondaErnest ThompsonLois NettletonChuck McCannNorman LearJoe AllenFrank BonnerLoni AndersonStacy KeachTootsie BessDolly PartonLesley VisserRick DeesDick FergusonRoy ScheiderGene HackmanABOUT BENZTOWN: Benztown is a leading international audio imaging, production library, voiceover, programming, podcasting, and jingle production company with over 3,000 affiliations on six different continents. Benztown provides audio brands and radio stations of all formats with end-to-end imaging and production, making high-quality sound and world- class audio branding a reality for radio stations of all market sizes and budgets. Benztown was named to the prestigious Inc. 5000 by Inc. magazine for five consecutive years as one of America's Fastest-Growing Privately Held Companies. With studios in Los Angeles and Stuttgart, Benztown offers the highest quality audio imaging work parts for 23 libraries across 14 music and spoken word formats including AC, Hot AC, CHR, Country, Hip Hop and R&B, Rhythmic, Classic Hits, Rock, News/Talk, Sports, and JACK. Benztown's Audio Architecture is one of the only commercial libraries that is built exclusively for radio spots to provide the right music for radio commercials. Benztown provides custom VO and imaging across all formats, including commercial VO and copywriting in partnership with Yamanair Creative. Benztown Radio Networks produces, markets, and distributes high-quality programming and services to radio stations around the world, including: The Rick Dees Weekly Top 40 Countdown, The Todd-N-Tyler Radio Empire, Hot Mix, Sunday Night Slow Jams with R Dub!, Flashback, Top 10 Now & Then, Hey, Morton, StudioTexter, The Rooster Show Prep, and AmeriCountry. Benztown + McVay Media Podcast Networks produces and markets premium podcasts including: IEX: Boxes and Lines and Molecular Moments.Web: benztown.comFacebook: facebook.com/benztownradioTwitter: @benztownradioLinkedIn: linkedin.com/company/benztownInstagram: instagram.com/benztownradio Enjoyed this episode of Chachi Loves Everybody? Let us know by leaving a review!

Collaboration Lessons from Theatre Directors That Apply to Any Creative Project with Stacy Zuberi, Sara Ruiz, Basil Rodericks, and Andy Reiff. What can a directing class teach us about creativity, leadership, and the art of telling stories that connect? In this episode of Your Creative Mind, Izolda Trakhtenberg sits down with fellow directors Basil Rodericks, Andy Reiff, Sara Ruiz, and Stacy Zuberi to share lessons from their time training with master teacher Karen Kohlhaas. You'll hear how working on plays like Sweet Bird of Youth, A Streetcar Named Desire, Mala Hierba, and The Revolutionists shaped their vision, sharpened their communication, and strengthened their confidence as creative leaders. If you want practical strategies for directing theatre, leading collaborative projects, or building a more mindful creative practice, this conversation is full of insights you can put to work in your own life. Andy Reiff Andy Reiff is a director and costume designer. Most recently, Andy directed and designed the costumes for Sugar and Salt as part of the Circle Theater Festival, produced by RJ Theatre and The Actor Launchpad. Directing credits include: Anton Goes to Heaven (?) at Theater for the New City. Costume design: The Fundamentalist (Theaterlab), My Name is Susan (Scandinavian American Theater Company), Miracle of the Danube (Philipstown Depot Theatre), Expression of Regret (Philipstown Depot Theatre). Film: "Down the Shore", "Gender Studies", "Goodboy", "Egg", "Lifted" for Gucci and Garage magazine. Styling credits include music videos, editorial projects, red carpet styling for Tony nominee Max Vernon for the opening of KPOP on Broadway and Ben Levi Ross for the premiere of Tick, Tick…Boom!. Andy is passionate about creating opportunities for trans actors onstage. For three years, Andy has been working towards directing and playing Sally Bowles in Cabaret, which you can follow at @prairieoysterclub. @andyreiff andyreiff.com   Basil Rodericks Basil Rodericks trained with John Basil at the American Globe Conservatory Theatre, where he performed for more than ten seasons. He later continued classical work with unShout the Noise (Tricia Mancuso Parks) under Ron Canada and as a member of Hedgepig Ensemble Theatre Company. Favorite roles: Othello, Iago, Claudius, the Ghost, Lord Capulet, Oberon, and the King of France. Recent: Langston Hughes in Harlem to Moscow: A Soviet Film on Negro Life as Told by Langston Hughes and Bill in PINK, both by Alle Mims under David Henry Hwang/Columbia U.. Directing: Kindergarten Confidential (Debbie Goodstein), The Wanderer (David Glover), and Pecking Order (59E59). Basil served as an evaluator for Hedgepig's “Expand the Canon” initiative and a nominator for The Drama League. An accomplished theatrical photographer, he teaches photography at a South Bronx high school. basilrodericks.com Currently: 2nd Murder, Soho Shakes at the Flea Oct 9-Nov 1. Tix: https://www.zeffy.com/en-US/ticketing/2nd-murderer    Sara Ruiz Sara Ruiz is a director, producer, writer, actor and activist from the San Fernando Valley. In 2020, she graduated with degrees in Political Science and Theatre from CSU Channel Islands. Since she was in high school her passions have been making politics and policy more accessible through the use of theatre and film. She believes that the arts can be used as a tool to break down barriers in the political world. Previously, she served as President of Ventura based theatre company, Unity Theatre Collective and is a founding member of Sana Sana Productions, a guerilla theatre and film production company based in LA. Currently she is Co-Directing "Everybody" by Brandon Jacobs Jenkins at CSU Channels Islands alongside her former Professor Laura Covault. Her past directing credits include: Asteroid Belt by LM Feldman, Collective Rage: a Play in 5 Betties by Jen Silverman, (un)American Activities, Sana Sana's first original short film, Mi Cielo, an original radio play, and a handful of staged readings.   Stacy Zuberi Stacy Zuberi has been acting since 2020. She has been in several short films and community plays. Her most recent stage productions were playing Mary in City Jail, Lorna in Surviving Grace and Mrs. Soames in Our Town. She has also been the director of Walnut Springs Middle School Drama Club since 2023. This past year they produced Shrek jr., the musical. In her spare time she loves hiking and biking and playing with her grandkids. https://www.instagram.com/zuberistacy/   Izolda Trakhtenberg Izolda Trakhtenberg is a director and playwright whose work spans stage and screen. Many moons ago, she directed Pam Gems' Dusa, Fish, Stas, Vi on a 50.00 budget. She also created original projects including the One-Minute Movies community short film series. With NASA, she wrote, directed, and produced award-winning films such as Breathable: A Story of Air Quality and Touch the Earth, along with over 30 films on Earth's biomes. As a playwright, her work has been featured in festivals across the USA, including Expiration Date at the 29 Palms Festival and Perhaps, Maybe? at Gi60. She is the creator of the If She Had Lived play cycle, exploring untold women's stories. She's currently writing three books, two plays, and a musical. She's also the president of the Tri-state New York chapter of Sisters in Crime, crime writers organization. Connect with Izolda Get exclusive content and bonus podcast episodes when you join my Patreon. Website: https://IzoldaT.com BlueSky: https://bsky.app/profile/izoldat.bsky.social. Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg Submit a Play to the Your Creative Table Read Podcast Series  https://crossroads.consulting/  This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!** Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic | **Affiliate Link  

Karl Malden's career as an actor spanned the stage, the big screen and TV. He won an Oscar for Best Supporting Actor in 1952 for his performance in A Streetcar Named Desire. He co-authored the memoir with his daughter Carla Malden.

This week, Louis Virtel is joined by comic Jay Jurden to discuss Paul Thomas Anderson's One Battle After Another, new albums from Mariah Carey and Doja Cat, Nicki Minaj's Twitter rampage, Nicole Kidman's break-up, and the Riyadh comedy festival. Gillian Anderson also joins Louis to discuss Tron Ares, The X-Files, and A Streetcar Named Desire.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

THESE EPISODES WERE RECORDED 10 YEARS AGO, PLEASE FORGIVE US OUR TRESPASSESPaul F Tompkins joins the lads for the second part of this special two part episode. Bigpipe.co.nz also joins the fray in the form of a great sponsor. In this edition: PFT takes the lads through a cultural maze including a Streetcar Named Desire and a horror film called Thinner. The Dickbot v Brady rumble gains exciting new perspectives and there's one hell of a three-way scat off as the trio delve into what that crazy coffee consumer is up to this week.Support the boys on their modern-day adventures at twioat.substack.com Hosted on Acast. See acast.com/privacy for more information.

EPISODE 102 -  “TALKIES, GANGSTERS, & BUGS BUNNY: THE WARNER BROTHERS JOURNEY” - 8/25/25 In this week's episode, we're turning the spotlight on the incredible journey of the Warner brothers—Harry, Albert, Sam, and Jack—four ambitious siblings who rose from modest immigrant roots to create one of the most influential movie studios in the world: Warner Bros. Studios. Their story begins in the early 20th century, with a hand-cranked projector and a traveling film show, and evolves into a groundbreaking entertainment empire that would forever change the film industry. From their early struggles during the silent film era to their game-changing release of The Jazz Singer, in 1927, the first feature-length "talkie," the Warner brothers didn't just adapt to change—they drove it. Join us as we trace the rise of Warner Bros., a studio born from risk, vision, and a relentless belief in the power of storytelling.   SHOW NOTES:  Sources: Warner Brothers: Hollywood's Ultimate Backlot (2014), by Steven Bingen; Early Warner Brothers Studios (2010), by E.J. Stephens & Marc Wanamaker; You Must Remember This:  The Warner Bros. Story (2008), by Richard Schickel & George Perry; Hollywood Be Thy Name: The Warners Bros. Story (1994), by Cass Warner; The Warner Brothers' Story (1979), by Clive Hirschhorn; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Great Train Robbery (1903); Dante's Inferno (1911); Peril on the Plains (1912);  Raiders on the Mexican Border (1912); My Four Years in Germany (1918); Don Juan (1926);  The Jazz Singer (1927); Little Caesar (1931);  The Public Enemy (1931); Scarface (1932); Baby Face (1933); Female (1933);  Marked Woman (1938); Jezebel (1938);  Angels with Dirty Faces (1938); Captain Blood (1935);  The Sea Hawk (1935);  Charge of the Light Brigade (1936); The Adventures of Robin Hood (1938); The Life of Emile Zola (1937); Confessions of a Nazi Spy (1939); The Maltese Falcon (1941);  Now Voyager (1942);  The Big Sleep (1946); High Sierra (1941);  The Big Sleep (1946); White Heat (1949); You're In The Army Now (1941);  Yankee Doodle Dandy (1942); This Is The Army (1943); Casablanca (1943); Mission To Moscow (1943); A Streetcar Named Desire (1951); East of Eden (1955);  Rebel Without a Cause (1955); Giant (1956); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tennessee Williams Festival St. Louis starts its 10th season tomorrow night with “A Streetcar Named Desire” at the Grandel Theatre in Grand Center. The 11-day festival continues with special performances and other events throughout the weekend.

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author had a No. 1 bestseller in 2015 with his latest legal thriller 'Rogue Lawyer'? Question 2: In which epic poem by John Milton does Satan plot against Adam and Eve? Question 3: What is the name of the miserly main character in A Christmas Carol? Question 4: Which of these is a play by Shakespeare? Question 5: Which book published in 1952 features an unusual friendship between a spider and a pig? Question 6: What is the name of the account of the Trojan War written by the Ancient Greek poet Homer? Question 7: In which book series does Professor Moriarty appear? Question 8: What playwright wrote "A Streetcar Named Desire"? Question 9: Which of these is NOT a work by Shakespeare? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie of the Year: 1999All About My Mother vs. The MummyWhen Pedro Met PopcornIn this special bonus podcast episode of Movie of the Year, the Taste Buds take a detour from draft formats and single-film deep dives to bring you a dynamic double feature: Pedro Almodóvar's All About My Mother (1999) and Stephen Sommers' The Mummy (1999). One is an emotionally complex, internationally acclaimed art film. The other is a crowd-pleasing adventure spectacle. And yet—they share more than you might think.This podcast review examines how both films, in vastly different genres and tones, serve as love letters to the movies that came before them. Whether referencing classic melodrama or 1930s monster movies, All About My Mother and The Mummy demonstrate that the films of 1999 have a cinematic legacy as enduring as their memory.All About My Mother (1999) Movie Review: The Emotional EpicPedro Almodóvar's All About My Mother is an intricate, compassionate examination of motherhood, identity, and grief. The film is suffused with references to cinema—from All About Eve to A Streetcar Named Desire. The Taste Buds analyze how Almodóvar uses visual language and character archetypes to update and honor classic Hollywood and European melodramas, while giving voice to marginalized characters rarely centered on screen.The Mummy (1999) Movie Discussion: A Popcorn Adventure with Classic RootsIn contrast, The Mummy updates the 1930s Universal monster movies for a late-'90s audience. With Brendan Fraser as a swashbuckling hero and Rachel Weisz as a brainy librarian-turned-explorer, the film balances horror, comedy, and romance in a pulpy, action-packed romp. The Taste Buds explore how The Mummy evokes the spirit of early adventure films while reinventing its archetypes for a modern audience.Cinema About Cinema: Film History as FoundationDespite their differences, All About My Mother and The Mummy are united by their referentiality. Both films use a rich knowledge of film history—not as a crutch, but as a launching point. Almodóvar weaves old film tropes into new emotional truths. Sommers crafts a blockbuster that lovingly revives and retools a genre. The Taste Buds discuss how both directors use nostalgia not as imitation, but as inspiration.The Taste Buds Dig In: Movie Podcast Panel ReactionsThe panelists share their favorite moments from both films, comparing the emotional stakes, visual aesthetics, and thematic resonance. How does The Mummy's big-budget spectacle stack up against the intimate drama of All About My Mother? Which film aged better? And what do they reveal about what cinema meant in 1999?Different Genres, Same Passion for CinemaAll About My Mother and The Mummy may live in different cinematic universes, but both show how the movies of 1999 mined the rich soil of film history to grow something bold and fresh. Whether it's Pedro Almodóvar's poignant melodrama or Stephen Sommers' thrilling adventure, both films prove that storytelling evolves through homage and reinvention.

Lynn & Carl are joined by Gary F. Bell from Stray Dog Theatre about their production of Aaron Copeland's The Second Hurricane (from 8/7). Next Carrie Houk joins to talk about the STL Tennessee Williams Festival 10th Anniversary production of A Streetcar Named Desire (from 8/7). Finally, Jeff Harnar discusses his Sammy Cahn show at Blue Strawberry (8/8). Plus they discuss the new release: The Naked Gun.

CHRIS BAUER has appeared in over 300 episodes of television, 40 feature films, and several theater productions on Broadway and Off. His multiple  long running television credits  include Frank Sobotka in ‘THE WIRE', Andy Bellefleur in ‘TRUE BLOOD', and Bobby Dwyer in ‘THE DEUCE' for HBO. Most recently he starred as pro wrestler Wild Bill Hancock on ‘HEELS' for Starz, where he also appeared in ‘GASLIT' with Julia Roberts and Sean Penn, and ‘SURVIVORS REMORSE', produced by LeBron James, and played Joe McCarthy in the Peabody Award winning ‘FELLOW TRAVELERS' for Showtime. On Apple TV Plus, he played Deke Slayton in the inaugural season of ‘FOR ALL MANKIND', and appeared as  Det. Tom Lange in ‘PEOPLE VS OJ' for FX. Recent feature credits include co-starring with Denzel Washington in the Warner Brothers film ‘THE LITTLE THINGS', ‘MONEY MONSTER', and ‘SULLY'. He received an Outer Critic's nomination for playing Mitch in ‘STREETCAR NAMED DESIRE' on Broadway, and has originated roles in plays by David Mamet, Jez Butterworth, and John Patrick Shanley throughout a long career in theater. Upcoming credits include the limited series' 'Unspeakeable' for Paramount Plus, and 'His/Hers' for Netflix. On film he will be seen in 'Henry Johnson' and 'Our Hero Balthazar', as well as '3 Holes and a Donut', a feature film he wrote and directed. Chris is a native of Los Angeles, a  graduate of the Yale School of Drama, and a metalhead. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The life love and man magic of Tennessee Williams, poet laureate of American summer. The study begins with his first three: the timeless Glass Menagerie, the deathless Streetcar Named Desire, and the underrated Summer & Smoke, a parable of frigidity most relevant to our times. With Zach Langley of I'm So Popular and Josh of The Dionysian Dream   For the full 2+ hour episode, plus many more premium eps including regular "smoke breaks" on urgent topics of the day, subscribe to the show at patreon.com/filthyarmenian   Follow on X/insta @filthyarmenian

The twentieth episode of SMFMS Bookends, the satellite show for Save Me From My Shelf. Here we read emails, answer listener questions, talk about what we're currently reading, watching, and playing, resuscitate the Bad Sex Awards™, and provide further outtakes and analysis cut from our Streetcar episode. Hosted on Acast. See acast.com/privacy for more information.

Two friends and academics recap classic literature and take it off its pedestal. This season, we are only looking at banned and controversial texts. In our sixty-eighth episode, we recap Tennessee Williams's most famous work, A Streetcar Named Desire (1947). Abby stresses out after some massive audio equipment failure and Daniel reveals himself to be both the podcast's Brando AND a thriving gay man.Cover art © Catherine Wu.Episode Theme: Daniel Jenkin-Smith, 'Trolley Problem'. Hosted on Acast. See acast.com/privacy for more information.

Gillian Anderson's breakthrough television role in the sci-fi series The X Files made her a global star in 1993, and she played cool-headed Agent Dana Scully for nearly a decade. She also starred in period dramas, including an acclaimed film adaptation of Edith Wharton's novel The House Of Mirth and, on television, in Bleak House, Great Expectations and War and Peace. Her theatre credits include A Doll's House, A Streetcar Named Desire and All About Eve, all of which saw her nominated for Olivier Awards. Gillian Anderson has won Golden Globe and Emmy Awards for the X Files, and also for The Crown in which she played Prime Minister Margaret Thatcher. More recently, she found a new generation of fans for role as a sex therapist in the series Sex Education. Her latest film is The Salt Path, adapted from the bestselling memoir by Raynor Wynn.Gillian Anderson tells John Wilson how, after being born in Chicago, she moved with her parents to Crouch End, London, when she was five, and then to Michigan at the age of 11. After what she describes as ‘rebellious' teenage years, she studied at Chicago's DePaul University with drama teacher Ric Murphy, whom she cites as a major influence on her early acting ambitions. After a series of minor stage roles in New York, she auditioned for The X Files and the role of Agent Scully changed her life. She also chooses the actor Meryl Streep as a major inspiration after seeing her with Robert Redford in the 1985 romantic drama film Out Of Africa. Gillian also reveals how the work of the Serbian-born conceptual performance artist Marina Abramović has also been an influential cultural figure for her.Producer: Edwina Pitman

It took seven seasons, but it finally happened with Gillian Anderson's writing and directing debut, "all things". The FIRST X-FILES EPISODE DIRECTED BY A WOMAN is a poetic meditation on coincidence, circumstance, Buddhism, transcendence and healing. It's got a soundtrack featuring 90s electronic stalwart Moby. And Mulder goes to Stonehenge in it! Plus, there's some sexy stuff too! Join us as we discuss the episode, its place in time, and take dips into the MouthGarf Report and I See What You Did There!Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Legend of Zelda

GTA expert and regular guy Ian Ingram joins the guys to chat musicals before diving into Barbie's Dreamhouse. After doing their best to design the home of their deepest desires, Ian leads the duo in an anime contest. It's a real nail biter.00:00 Intro & Check Ins12:13 Barbie's Dreamhouse20:56 Lost in TranslationIan Ingram:JHG Creative:https://www.instagram.com/jhgcreative/A Streetcar Named Desire by Tennessee Williams (June 11 - 15 in Winnipeg):https://www.the28thminute.com/a-streetcar-named-desireTrigger Happy:https://www.instagram.com/triggerhappycomedy/Secret Family at the Annoyance Theatre (Thursdays at 8pm in Chicago):https://www.theannoyance.com/show/secret-familyCheck out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049FOLLOW Oops All Segments on Instagram: www.instagram.com/oopsallsegmentsFOLLOW Oops All Segments on TikTok: www.tiktok.com/@oopsallsegmentsSUBSCRIBE to Oops All Segments on YouTube: www.youtube.com/@oopsallsegments

Dylan and Connor are back, back, back AGAIN with your favorite form of spoken word: a TWIN TALK. The culture is really popping off right now, starting with the State of Bravo TV. Summer House, The Real Housewives of Potomac, Salt Lake City, and New York, PLUS thoughts on reality stars with podcasts about their own show. The Broadway (and Off-Broadway!) season is in full swing right now, so the twins dive into their favorite shows they've seen… and seen again! Hear thoughts on Sunset Boulevard, A Streetcar Named Desire, The Jonathan Larson Project, and Operation Mincemeat. Speaking of meat, they debate Sunset's Joe Gillis' underwear situation. Is. Joe. Tucked? Keep listening for The White Lotus chatter, excitement for upcoming Ariana and Miley music, and MORE. Riddle us this: is there a contemporary musical with a book that isn't cringey? Speak on it!Follow DRAMA. on Twitter & Instagram & Tiktok & BlueskyFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

What happens when history, activism, and theater collide? The producers of The Return of Benjamin Lay break it down. What happens when a story refuses to be forgotten? The Return of Benjamin Lay isn't just a play—it's a powerful lesson in courage, creativity, and using your voice for change. In this episode of Your Creative Mind, I sit down with the producers of the production coming to The Sheen Center this March to talk about bringing this revolutionary abolitionist's story to the stage. You'll hear how bold storytelling can challenge the status quo, why creative work has the power to shift perspectives, and what you can do to make your own impact. If you're a storyteller, entrepreneur, or changemaker, this episode is for you. And if you can, go see the show at The Sheen Center, March 14 – April 6, 2025—it's one you won't forget. JOSEPH W. RODRIGUEZ is an actor, writer, and Producing Artistic Director of Playhouse Creatures (where he has produced over thirty plays). For PCTC: STILL LIFE (with Ancram Opera House), EXECUTION OF JUSTICE, The Two-Character Play ( 2017 New York/ The Duo Theatre), New Orleans (2018 Southern Rep); Mrs. Packard (with Bridge Rep), One Flea Spare, More Stars Then There Are In Heaven, Hunter/ Gatherers, Charlotte The Destroyer, Love Song, 6xTenn, Closer, The Libertine (The Kirk, Theatre Row), and The Libertine (with Bridge Rep – IRNE Nomination, Best Actor). Other NYC: Buffalo Hair with Jeffrey Wright (The Public Theater); The Normal Heart with Bobby Cannavale (The Duo Theatre); Richard III with Austin Pendleton, Macbeth – title role (New Perspectives); Linnehan's Daughter (Naked Angels); Landscape of the Body, Hurlyburly (T. Schreiber Studios); Innocent Erendira – world premiere with Miriam Colon (Repertorio Espanol). Regional: Hamlet with Mark Rylance, King Lear with F. Murray Abraham (A.R.T.); Iphigenia (The Huntington); Children of the Sun (The Kennedy Center); A Streetcar Named Desire, American Buffalo, Safe Sex, A Christmas Carol (The New Ehrlich Boston); Vieux Carre, Breaking the Code – Best Supporting Actor, Boston Herald (The Triangle Theatre); The Boys Next Door with Lance Reddick (Worcester Forum Theatre). TV/ FILM: Glory, The Opposite of Sex, Desolation Angels, Against the Law, Guiding Light, As the World Turns, Another World, the titular character in Sci-Fi Channel's Cameron Grant. He is a proud member of AEA and SAG-AFTRA.    ARSALAN SATTARI PRODUCTIONS: Since 2012 Arsalan Sattari Productions has commissioned, developed, licensed, and produced shows by world-class artists, to critical acclaim and commercial success, within the London fringe, West End, and festivals. They are interested in new writing, UK and European premieres, historical plays and characters rarely portrayed on stage. They are proud to have built a reputation of producing top acclaimed American playwrights in the UK. Arsalan is an Honorary Associate Producer at the multi-award winning Finborough Theatre, London, and Creative Director and CEO of StageBlock, working with some of the most renowned talents and global institutions to bring performing arts into the wider art market.  Learn more and get tickets. https://playhousecreatures.org/events/the-return-of-benjamin-lay/ https://www.sheencenter.org/events/detail/the-return-of-benjamin-lay   Connect with Izolda Website: https://IzoldaT.com BlueSky: https://bsky.app/profile/izoldat.bsky.social. Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg Submit a Play to the Your Creative Table Read Podcast Series One Minute Movies A Close Shave Career Suicide Diz Wit   Flip Your Inner Script to Stop Negative Thoughts From Ruining Your Day.   This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!** Are you getting anything out of the show? I'd love it if you would buy me a coffee.   Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic |

Founding producer Carolyn Kendrick is going on a West Coast Tour to promote her record Each Machine. Alex will accompany to manage the tour and sell merch and zines. Please come on out and say hello if we're passing through your next of the woods! Here is the link to the record: https://carolynkendrick.bandcamp.com/track/each-machineHere is the link to tickets: https://www.carolynkendrick.com/tourTour Dates!03/06 SACRAMENTO, CA03/08 PORTLAND, OR03/10 PORT TOWNSEND, WA03/11 OLYMPIA, WA03/13 GIG HARBOR, WA03/14 SEATTLE, WA03/15 VANCOUVER, BC03/18 SAN FRANCISCO, CA03/19 GLEN ELLEN, CA03/22 LOS ANGELES, CAAlso, in this announcement I mention Eve's trans table read of A Streetcar Named Desire in Los Angeles on March 6th! Check that out here! https://www.elysiantheater.com/shows/streetcar

In this episode, we take you behind the scenes of "Kowalski," the intriguing off-Broadway production at The Duke on 42nd Street. We explore Tennessee Williams' creative process during the birth of "A Streetcar Named Desire" and dive into the complex dynamics between Williams, Marlon Brando, and their director. From Brandon Flynn's standout performance as Brando to the evocative 1940s Provincetown Beach House setting, we dissect the play's strengths and areas for potential growth. Is "Kowalski" a necessary addition to the theatrical landscape, or does it leave audiences feeling indifferent? Join us as we debate the play's relevance, its potential for film adaptation, and what it reveals about the creative tensions behind one of America's most iconic plays. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on "Kowalski" on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arthur Miller, Tennessee Williams, and Eugene O'Neill get plenty of spotlight on the ELA curriculum stage. And sure, it's well-deserved! But they aren't the only incredible American playwrights to pick up a pen in the last century. If you're looking for some contemporary plays to share with your students, and you're struggling to find ones that fit your vision AND fit the maturity level of your kiddos, I've got a quick idea for you today. So here it is. You've got your stack of A Streetcar Named Desire or Death of a Salesman ready for your students, as always, AND you have a series of Pulitzer-Prize winning contemporary playwright snapshots to share. It's the classic "yes AND" combination that comes straight from the improv playbook. Each snapshot will let students learn about an award-winning contemporary playwright by exploring their background, learning about the play which won them a Pulitzer, and then watching a little bit of that play. You'll get to showcase a diverse range of writers and topics, and you can avoid moments in the plays which might be too intense or mature for the age of your students. My deep dive down the Youtube rabbit hole leads me to believe that most award-winning plays feature at least SOME scenes that are rated PG. It's a little like First Chapter Fridays, except for plays. You're introducing your students to a much wider world than the single lens on theater that whatever your assigned play can provide (wonderful though it may be!), by showcasing complementary work regularly. At the same time, you can work through a whole class read with rich literary merit (that your school has already purchased and approved.) So how can you get started quickly and easily? That's what today's episode is all about. I'll walk you through how I created some of these snapshots - which I'll share with you - and then you'll be ready to create more of your own if you want to go further. Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Grab the Contemporary Playwrights Snapshots: https://spark-creativity.kit.com/0c32caad5f  Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the ‘gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!