Podcasts about A Streetcar Named Desire

Two friends and academics recap classic literature and take it off its pedestal. This season, we are only looking at banned and controversial texts. In our sixty-eighth episode, we recap Tennessee Williams's most famous work, A Streetcar Named Desire (1947). Abby stresses out after some massive audio equipment failure and Daniel reveals himself to be both the podcast's Brando AND a thriving gay man.Cover art © Catherine Wu.Episode Theme: Daniel Jenkin-Smith, 'Trolley Problem'. Hosted on Acast. See acast.com/privacy for more information.

Gillian Anderson's breakthrough television role in the sci-fi series The X Files made her a global star in 1993, and she played cool-headed Agent Dana Scully for nearly a decade. She also starred in period dramas, including an acclaimed film adaptation of Edith Wharton's novel The House Of Mirth and, on television, in Bleak House, Great Expectations and War and Peace. Her theatre credits include A Doll's House, A Streetcar Named Desire and All About Eve, all of which saw her nominated for Olivier Awards. Gillian Anderson has won Golden Globe and Emmy Awards for the X Files, and also for The Crown in which she played Prime Minister Margaret Thatcher. More recently, she found a new generation of fans for role as a sex therapist in the series Sex Education. Her latest film is The Salt Path, adapted from the bestselling memoir by Raynor Wynn.Gillian Anderson tells John Wilson how, after being born in Chicago, she moved with her parents to Crouch End, London, when she was five, and then to Michigan at the age of 11. After what she describes as ‘rebellious' teenage years, she studied at Chicago's DePaul University with drama teacher Ric Murphy, whom she cites as a major influence on her early acting ambitions. After a series of minor stage roles in New York, she auditioned for The X Files and the role of Agent Scully changed her life. She also chooses the actor Meryl Streep as a major inspiration after seeing her with Robert Redford in the 1985 romantic drama film Out Of Africa. Gillian also reveals how the work of the Serbian-born conceptual performance artist Marina Abramović has also been an influential cultural figure for her.Producer: Edwina Pitman

It took seven seasons, but it finally happened with Gillian Anderson's writing and directing debut, "all things". The FIRST X-FILES EPISODE DIRECTED BY A WOMAN is a poetic meditation on coincidence, circumstance, Buddhism, transcendence and healing. It's got a soundtrack featuring 90s electronic stalwart Moby. And Mulder goes to Stonehenge in it! Plus, there's some sexy stuff too! Join us as we discuss the episode, its place in time, and take dips into the MouthGarf Report and I See What You Did There!Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Legend of Zelda

GTA expert and regular guy Ian Ingram joins the guys to chat musicals before diving into Barbie's Dreamhouse. After doing their best to design the home of their deepest desires, Ian leads the duo in an anime contest. It's a real nail biter.00:00 Intro & Check Ins12:13 Barbie's Dreamhouse20:56 Lost in TranslationIan Ingram:JHG Creative:https://www.instagram.com/jhgcreative/A Streetcar Named Desire by Tennessee Williams (June 11 - 15 in Winnipeg):https://www.the28thminute.com/a-streetcar-named-desireTrigger Happy:https://www.instagram.com/triggerhappycomedy/Secret Family at the Annoyance Theatre (Thursdays at 8pm in Chicago):https://www.theannoyance.com/show/secret-familyCheck out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049FOLLOW Oops All Segments on Instagram: www.instagram.com/oopsallsegmentsFOLLOW Oops All Segments on TikTok: www.tiktok.com/@oopsallsegmentsSUBSCRIBE to Oops All Segments on YouTube: www.youtube.com/@oopsallsegments

Jets season is over (0:30); Jets wrap with post-game audio (6:15); Jets season is over... so now what??? How do we fill the void when something ends (15:15); RM of Lac du Bonnet UPDATE (20:55); Donations Pour In to TNYF from hockey fans to honour Brad Scheifele (28:20); That's a wrap… Jets losing GM 6. Last game for Ehlers? As good as it gets? And of course Scheifele courage - Jim Toth (36:05); How do we push forward when someone we love dies? (49:15); Winning entry on filling the void (56:15); A Streetcar Named Desire playing at Gas Station Arts Centre from June 11th-June 15th (1:00:15).

Marti Gobel is a nationally recognized actor, director and teaching artist. Upon graduating from UW-Whitewater in 2008 with a degree in Performance Theatre and Philosophy (with an emphasis in Religious Studies), Ms. Gobel began a rich career in both theatre and television and film. Her need to add to the tapestry of the mid-west professional theatre scene led to the founding of the now defunct UPROOTED theatre. As Producing Artistic Director (from 2009-2015)  worked tirelessly to diversify the arts through her efforts. Ms. Gobel is a current member of both Actors Equity Association and SAG-AFTRA.Selected Stage Credits include: Milwaukee Shakespeare (Henry IV, part 2), Milwaukee Chamber Theatre (Well, Around The World In 80 Days, Broken and Entered, Fires In the Mirror) Renaissance Theaterworks' (NEAT: Milwaukee, Sheboygan and South Africa, The Persians, Crumbs From the Table of Joy, The Violet Hour, Still, Sex With Strangers, The Roommate, Witch and a reading of Tanya Saracho's El Nogular and Gwendolyn Rice's The Griots), First Stage Children's Theatre (The Neverendingstory and readings of Jackie and Me, The Promised Land), The Milwaukee Repertory Theater (Clybourne Park, A Christmas Carol:2012-2014, Yankee Tavern, Trouble In Mind), Forward Theater (In The Next Room, Mr. Burns, Skeleton Crew, Mom, How Did You Meet The Beatles) and UPROOTED theatre (Beauty's Daughter: Milwaukee, Chicago and Memphis, A Streetcar Named Desire, Yellowman, Crumbs From the Table of Joy, *Pink Champagne, Jack and Jill, Hoo Doo Love, Oleanna, I Have Before Me A Remarkable Document Given To Me By A Young Lady From Rwanda, The Philadelphia Story, *Man From Madisonville, The Sunset Limited, Suddenly Last Summer), Next Act Theatre (Perfect Mendacity, No Child, Twilight: Los Angles, The Taming, The Christians), and Theatre Lila (No Child). Marti plays an ongoing role as the Civil Rights suffragist, Ida B. Wells for the Kenosha Civil War Museum in Kenosha, Wisconsin, and is often featured in local and regional commercials and voice-overs. She appeared in the short film, Spare Change, as well as the web-series Gettin' Grown; both directed by the award-winning film director Aaron Greer and Faith Flix's Come Follow Me, Mary, Mother of Jesus and the feature film Game Day produced by Chicago Studio City. National television credits include NBC's Chicago PD in addition to several regional commercials.University Productions include: Airness (Hendrix College), Wine In the Wilderness, Crumbs From the Table of Joy, The Light (Marquette University), Trojan Women (UW-Milwaukee).Marti has served as a lead teacher at First Stage Theatre Academy in Milwaukee as well as a lead teacher and program designer for UPROOTED theatre's education department. Past adjunct professor assignments at Marquette University, UW-Milwaukee and Carthage College. She is a JF Kennedy Center trained Teaching Artist who worked closely with Master Educator, Randy Barron for 6 months developing her residency which is now offered through The Young Auditorium and The Overture Center. She currently serves as Artistc Consultant for Black Arts MKE. Ms. Gobel will serve for a third term as a KCACTF adjudicator for Region III.Ms. Gobel is a Jeff Nominated Director for her work on Is God Is with A Red Orchid Theatre and the recipient of 2024 Black Excellence Award for Outstanding Director.She currently serves as Producing Artistic Director and Education Coordinator for OnWord Theatre in San Diego, CA. *Indicates World Premiere'sWebsite: OnWord TheatreInstagram: Instagram (@OnWordTheatre)Facebook: OnWord Theatre | San Diego CABox Office Email: info@OnWordTheatre.comWant a video experience? Check out our YouTube channel! We're now uploading video episodes!This episode:https://youtu.be/XJnZnBJVkKwGeneral channel:http://www.youtube.com/@intheartscene

Dylan and Connor are back, back, back AGAIN with your favorite form of spoken word: a TWIN TALK. The culture is really popping off right now, starting with the State of Bravo TV. Summer House, The Real Housewives of Potomac, Salt Lake City, and New York, PLUS thoughts on reality stars with podcasts about their own show. The Broadway (and Off-Broadway!) season is in full swing right now, so the twins dive into their favorite shows they've seen… and seen again! Hear thoughts on Sunset Boulevard, A Streetcar Named Desire, The Jonathan Larson Project, and Operation Mincemeat. Speaking of meat, they debate Sunset's Joe Gillis' underwear situation. Is. Joe. Tucked? Keep listening for The White Lotus chatter, excitement for upcoming Ariana and Miley music, and MORE. Riddle us this: is there a contemporary musical with a book that isn't cringey? Speak on it!Follow DRAMA. on Twitter & Instagram & Tiktok & BlueskyFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which artist painted "Luncheon on the Boating Party" Question 2: Which author wrote 'Cormoran Strike'? Question 3: What playwright wrote "A Streetcar Named Desire"? Question 4: Which author wrote 'Resurrection'? Question 5: Which author wrote 'The Old Curiosity Shop'? Question 6: What nursery rhyme includes a dish and a spoon running away together? Question 7: In which book series does 'Ron Weasley' appear? Question 8: Which architect designed The Whitehouse? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when history, activism, and theater collide? The producers of The Return of Benjamin Lay break it down. What happens when a story refuses to be forgotten? The Return of Benjamin Lay isn't just a play—it's a powerful lesson in courage, creativity, and using your voice for change. In this episode of Your Creative Mind, I sit down with the producers of the production coming to The Sheen Center this March to talk about bringing this revolutionary abolitionist's story to the stage. You'll hear how bold storytelling can challenge the status quo, why creative work has the power to shift perspectives, and what you can do to make your own impact. If you're a storyteller, entrepreneur, or changemaker, this episode is for you. And if you can, go see the show at The Sheen Center, March 14 – April 6, 2025—it's one you won't forget. JOSEPH W. RODRIGUEZ is an actor, writer, and Producing Artistic Director of Playhouse Creatures (where he has produced over thirty plays). For PCTC: STILL LIFE (with Ancram Opera House), EXECUTION OF JUSTICE, The Two-Character Play ( 2017 New York/ The Duo Theatre), New Orleans (2018 Southern Rep); Mrs. Packard (with Bridge Rep), One Flea Spare, More Stars Then There Are In Heaven, Hunter/ Gatherers, Charlotte The Destroyer, Love Song, 6xTenn, Closer, The Libertine (The Kirk, Theatre Row), and The Libertine (with Bridge Rep – IRNE Nomination, Best Actor). Other NYC: Buffalo Hair with Jeffrey Wright (The Public Theater); The Normal Heart with Bobby Cannavale (The Duo Theatre); Richard III with Austin Pendleton, Macbeth – title role (New Perspectives); Linnehan's Daughter (Naked Angels); Landscape of the Body, Hurlyburly (T. Schreiber Studios); Innocent Erendira – world premiere with Miriam Colon (Repertorio Espanol). Regional: Hamlet with Mark Rylance, King Lear with F. Murray Abraham (A.R.T.); Iphigenia (The Huntington); Children of the Sun (The Kennedy Center); A Streetcar Named Desire, American Buffalo, Safe Sex, A Christmas Carol (The New Ehrlich Boston); Vieux Carre, Breaking the Code – Best Supporting Actor, Boston Herald (The Triangle Theatre); The Boys Next Door with Lance Reddick (Worcester Forum Theatre). TV/ FILM: Glory, The Opposite of Sex, Desolation Angels, Against the Law, Guiding Light, As the World Turns, Another World, the titular character in Sci-Fi Channel's Cameron Grant. He is a proud member of AEA and SAG-AFTRA.    ARSALAN SATTARI PRODUCTIONS: Since 2012 Arsalan Sattari Productions has commissioned, developed, licensed, and produced shows by world-class artists, to critical acclaim and commercial success, within the London fringe, West End, and festivals. They are interested in new writing, UK and European premieres, historical plays and characters rarely portrayed on stage. They are proud to have built a reputation of producing top acclaimed American playwrights in the UK. Arsalan is an Honorary Associate Producer at the multi-award winning Finborough Theatre, London, and Creative Director and CEO of StageBlock, working with some of the most renowned talents and global institutions to bring performing arts into the wider art market.  Learn more and get tickets. https://playhousecreatures.org/events/the-return-of-benjamin-lay/ https://www.sheencenter.org/events/detail/the-return-of-benjamin-lay   Connect with Izolda Website: https://IzoldaT.com BlueSky: https://bsky.app/profile/izoldat.bsky.social. Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg Submit a Play to the Your Creative Table Read Podcast Series One Minute Movies A Close Shave Career Suicide Diz Wit   Flip Your Inner Script to Stop Negative Thoughts From Ruining Your Day.   This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!** Are you getting anything out of the show? I'd love it if you would buy me a coffee.   Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic |

We're back with four reviews; Titanique, the hilarious new Celine Dion jukebox musical parody; Stranger Things: The First Shadow, a new play spin-off of the popular Netflix show Stranger Things; Calamity Jane, which is on a UK Tour staring Carrie Hope Fletcher; and Rebecca Frecknall's, A Streetcar Named Desire, which we saw as it played London one last time before heading to Broadway. Hosted on Acast. See acast.com/privacy for more information.

Moderator/supplements producer Laurent Bouzereau, actor Karl Malden and film historians Rudy Behlmer and Jeff Young

Founding producer Carolyn Kendrick is going on a West Coast Tour to promote her record Each Machine. Alex will accompany to manage the tour and sell merch and zines. Please come on out and say hello if we're passing through your next of the woods! Here is the link to the record: https://carolynkendrick.bandcamp.com/track/each-machineHere is the link to tickets: https://www.carolynkendrick.com/tourTour Dates!03/06 SACRAMENTO, CA03/08 PORTLAND, OR03/10 PORT TOWNSEND, WA03/11 OLYMPIA, WA03/13 GIG HARBOR, WA03/14 SEATTLE, WA03/15 VANCOUVER, BC03/18 SAN FRANCISCO, CA03/19 GLEN ELLEN, CA03/22 LOS ANGELES, CAAlso, in this announcement I mention Eve's trans table read of A Streetcar Named Desire in Los Angeles on March 6th! Check that out here! https://www.elysiantheater.com/shows/streetcar

Georgie chats to actor Joanna Vanderham about her role as Blanche in The Crucible Theatre's upcoming production of 'A Streetcar Named Desire' and more! Joanna's work on screen also includes 'Outrageous' alongside Bessie Carter, which is coming soon to UKTV, 'What Maisie Knew' with Julianne Moore and 'Crime' with Dougray Scott. They also discuss their (very different) paths after drama school, writing your own stuff and what Joanna is watching. 

In this episode, we take you behind the scenes of "Kowalski," the intriguing off-Broadway production at The Duke on 42nd Street. We explore Tennessee Williams' creative process during the birth of "A Streetcar Named Desire" and dive into the complex dynamics between Williams, Marlon Brando, and their director. From Brandon Flynn's standout performance as Brando to the evocative 1940s Provincetown Beach House setting, we dissect the play's strengths and areas for potential growth. Is "Kowalski" a necessary addition to the theatrical landscape, or does it leave audiences feeling indifferent? Join us as we debate the play's relevance, its potential for film adaptation, and what it reveals about the creative tensions behind one of America's most iconic plays. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on "Kowalski" on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

A special classic episode of The Classic FIlm Jerks.   This time the Jerks cover 1951's A Streetcar Named Desire.  Originally published July 26, 2018.  

Joe Biden said goodbye. He wanted to mirror Eisenhower, who once warned of the Military Industrial Complex, but Biden saw something equally alarming—the Big Tech oligarchy. He sees Zuckerberg and Bezos attending Trump's inaugural. He greatly fears the power of Elon Musk. He realizes that his side lost control of it and now, he wants all of us to be afraid.Well, I'm sorry, Joe. I can't play that game anymore. It's time to say goodbye. Farewell, Joe Biden, farewell, Democrats. Farewell, hysteria. Farewell to mandated preferred pronouns in everyone's bio. Farewell to being forced to lie about whether or not masks work. Farewell to not being allowed to give people the benefit of the doubt. Farewell to being too afraid to ask questions about an experimental vaccine. Farewell to Critical Race and gender theory in elementary schools.Farewell to the ruling oligarchy — yes, Joe. You were the frontman for it. You can't fool me. I was part of it, too. It was like a daisy chain of paper dolls—Hollywood, all major corporate and cultural institutions, Big Pharma, and all of the ads they pumped into the veins of Americans that showcased the American utopia in all of its splendor. Just take this pill, and you, too, can be with us, in the happy place. Farewell to a government censoring speech via social media. Farewell to the absence of masculinity. Farewell to worrying about every word that comes out of our mouths, what we drive, what we wear on Halloween, what we buy, what we eat, what we watch, what we desire.Farewell to being made to hate ourselves and everything we know to be true but can't say out loud. Farewell to being the oppressors or the oppressed defined only by the color of our skin. Farewell to hating our history, hating our country, hating our heroes. Farewell to virtue signaling our goodness. Farewell to always being told that it's better to keep your head down and say nothing about any of it.Farewell to never being able to take a joke. Farewell to seeing problematic content in every movie and farewell to the warning labels now affixed to all of them. Farewell to seeing all men as predators and all women as victims. Farewell to a country ruled by fear because our leaders can't see it any other way. Farewell to a president who called half the country “ultra fascists,” “ultra MAGA,” and “extreme MAGA Republicans.” Farewell to a government that believes its biggest threat comes from the people of the United States.Farewell to life inside the doomsday cult, where every single day is the end of the world. Farewell to every word taken literally and seen as another chapter of Mein Kampf. Farewell to repression and sanctimony. Farewell to the long, dark winter. Farewell to lawn signs. Farewell to pretending Kamala Harris wasn't a terrible candidate installed by the deep state. Farewell to ever having to worry about speaking the truth. Farewell to the unshakable hopelessness, the unending sadness, the mourning of the long-forgotten Old Left. It's never coming back. Everything has to be rebuilt. Welcome to the beginning of the rest of your life. At least now, you can have a life. Bringing it all Back HomeWatching the confirmation hearings was bringing it all back. Adam Schiff was still out of his mind, braying like he's Cotton Mather in the Oyer in Terminer in Salem, demanding Pam Bondi say Joe Biden “won the election.” Why did it matter so much to him? Are there really that many Americans out there who need to hear those words said out loud?The nominees' worth depended on whether or not they would stand up to the tyrant fascist racist rapist dictator that they impeached twice, indicted four times convicted on a bogus felony charge, all of which eventually landed in the fevered dreams of a washed-up surfer hippie from Hawaii who got himself a gun and tried to kill the president to SAVE DEMOCRACY. And they still lost. They lost the Electoral College and they lost the popular vote. I never get tired of saying that. Talk about owning the libs. What can we do except quote Marlon Brando in A Streetcar Named Desire. HA. HA HA HA.That's how much America hates them. After all, how hard could it possibly be to beat Hitler? The problem with utopias is that they can't last. They either must become more authoritarian and thus, less utopian, or they collapse. By the end of our utopia, anyone we knew could be one of those things. A bad person. A sexist. A racist. A homophobe. A bigot. A transphobe. Toxic masculinity. White feminism. Everyone was either an abuser or a victim. The weaker we were, the more we were celebrated. We'd snuffed out all independent thought. We were under constant surveillance by the government, advertisers, AI, algorithms, and each other. We began to wonder what real life even was anymore. It was like Winston and Julia in 1984 trying to carve out some love and lust from the dystopia under Big Brother's ever-watchful gaze, with children spies at the ready to tattle—and cancel—those who broke the rules. So if you say Joe Biden won the 2020 election, like you say 2+2=5, then democracy might have a chance. But if you dare think for yourself and start looking behind closed doors and see things you aren't supposed to see, well, now you threaten democracy.When I pushed open the door of the doomsday bunker and escaped, I knew there was no going back. I also knew I couldn't save anyone, much less the once-great culture I used to love. There is no saving whatever it was we used to call the Left. There is only saving America from what it had become so that all of us at least have a fighting chance.No, it won't be perfect. Yes, it might be chaos — entertaining chaos — but chaos all the same. We'll have to learn how to tolerate each other again, live together somehow, and learn this new way of life suddenly foisted upon us with the internet. Now, we know what it looks like to shut ourselves off from people and ideas we cannot control.If the Democrats on Blue Sky and in the Senate Confirmation hearings are any indication, nothing much has changed on the inside. They're still transfixed by the one guy they couldn't cancel, the one guy they couldn't destroy. 1984 Part TwoAnd maybe now we're about to find out what happens in the sequel. Does Big Brother find a way to regain power by destroying Elon Musk to retake X and make it Twitter again? Do those of us exiled and canceled remain on the outside? Does the New York Times beg Bari Weiss to come back, or The Atlantic to throw themselves at the feet of Walter Kirn, or Rolling Stone magazine, the crap rag it has become, offer Matt Taibbi millions to write for them again?Can those on the inside who have speciated with a whole new language and belief system learn to live with the unwashed masses again? Can they tolerate offensive speech? Can it all be one big, happy, dysfunctional family?On the inside, the news that Carrie Underwood and the Village People were playing at the inaugural birthed a fresh new crop of mass hysteria and rage. So I'm guessing Saturday Night Live won't have Trump back any time soon. The Oscars won't ask him to attend, and those who still believe they control this country will hold onto their collapsing empire until ashes, ashes, it all falls down.I don't know. But it doesn't matter. Because today we say farewell. And oh, how sweet it is. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe

Today, I'm thrilled to announce my interview with two-time Tony nominee Jessica Hecht, who is currently starring on Broadway in Jonathan Spector's EUREKA DAY. Tune in to hear some of the stories of her legendary career, including how FIDDLER ON THE ROOF led to The Campfire Project, finding her character's voice in SUMMER, 1976, learning from Arthur Miller during AFTER THE FALL, how she related to her character in THE LAST NIGHT OF BALLYHOO, finding her interpretation of Blanche in A STREETCAR NAMED DESIRE, the challenges of playing opposite Denzel Washington in JULIUS CAESAR, how she got cast on FRIENDS, why she connects to the work of Neil Simon, and so much more. You won't want to miss this honest conversation with one of Broadway's finest actresses.

One of this month's hottest tickets in London is a new production of the Tennessee Williams play CAT ON A HOT TIN ROOF at the Almeida Theatre. This new staging of the classic American play, directed by Rebecca Frecknall (Cabaret at the Kit Kat Club, A Streetcar Named Desire) stars Daisy Edgar-Jones as Maggie and Kingsley Ben-Adir as Brick. Check out this full review to find out what Mickey-Jo thought of the new production, and whether we might see it transfer to the West End... • 00:00 | introduction 01:43 | the play 10:01 | the production 19:20 | the performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

As the musical Wicked becomes a big screen sensation, Sarah and Alex talk about the challenges and pleasures of transferring a stage show to a movie format. And list their all time favourites from Brando's Streetcar Named Desire to Mamma Mia! Hosted on Acast. See acast.com/privacy for more information.

Jimbo and Kyle review this classic movie starring Marlon Brando and Vivien Leigh. Hosted on Acast. See acast.com/privacy for more information.

Chois Woodman in for Chuck Heinz and Jamie Lent talk about OC and DC options for Texas Tech, A Streetcar named Desire, Hudson transferring out, most important thing about the Bowl game, and comments from the chat line.

Actors Sade Malone, Jack Meade join Ray in studio. A Streetcar Name Desire will run from the 5th to 21st of December at Smock Alley Theatre in Dublin.

DAPHNE RUBIN-VEGA BIO  Daphne Rubin-Vega can currently be seen on Hulu's hit series ONLY MURDERS IN THE BUILDING. She can also be heard voicing the role of 'CARMILLA CARMINE' in the hugely popular A24/Prime Video R-rated animated musical comedy series HAZBIN HOTEL. She can be seen in the David Duchovny-directed feature BUCKY F*CKING DENT. She was seen in the Tony Goldwyn-directed feature EZRA, in the Apple TV+ series THE CHANGELING opposite Lakeith Stanfield, and as a guest lead on FOX's anthology series ACCUSED directed by Marlee Matlin.Rubin-Vega starred in the Jon Chu-directed Warner Brothers feature IN THE HEIGHTS as 'Daniela.' During the pandemic, she shot the Netflix series SOCIAL DISTANCE, produced by Jenji Kohan and Tara Hermann, and SAME STORM, the newest Peter Hedges film. Additional TV credits include THE HORROR OF DOLORES ROACH (Prime Video), which Rubin-Vega developed into both scripted podcast and TV iterations, KATY KEENE (CW) and TALES OF THE CITY (Netflix).  A staple of the New York theatre community, Daphne earned a Tony nomination for her portrayal of 'Mimi' in the original cast of RENT, and another for ANNA IN THE TROPICS. She was most recently seen starring in the Signature Theatre's NIGHT OF THE IGUANA opposite Tim Daly and Lea DeLaria. She starred in the musical MISS YOU LIKE HELL at The Public Theatre and in the one-woman show EMPANADA LOCA, which was written for her. She helped adapt the play into the scripted podcast, THE HORROR OF DOLORES ROACH, which was then adapted into a TV series for Amazon. Additional theater credits include Broadway revivals of A STREETCAR NAMED DESIRE, THE ROCKY HORROR PICTURE SHOW, and LES MIS; TWO SISTERS AND A PIANO and F*CKING A at The Public; ROMEO & JULIET at Classic Stage; and JACK GOES BOATING opposite Philip Seymour Hoffman.  ELIZABETH RODRIGUEZ BIO  An award-winning actress who crosses seamlessly from studio films to independent, from the stage to television, Elizabeth Rodriguez played the emotionally complex Aleida Diaz on the groundbreaking Netflix series "Orange Is the New Black" for which she received three consecutive Screen Actors Guild Awards. Most recently, she was seen as a series regular in the CBS drama "East New York". She was also a series regular in the role of Liza Ortiz on AMC's "Fear the Walking Dead", NBC's "Prime Suspect", and Cinemax's "Blanco". Rodriguez recurred as Paz Valdez on Starz' "Power", in Showtime's "Shameless", Hulu's "Chance', "Devious Maids", "Grimm", "The Shield", "ER", and "Six Feet Under.  Rodriguez's film credits include co-starring in the blockbuster film "LOGAN" opposite Hugh Jackman, Michael Mann's "Miami Vice", "The Drop", "Tio Papi" (for which she garnered an Imagen Award Nomination), "Making Babies", "Skate Kitchen", "11:55", "Return to Paradise", and "Jack Goes Boating." Most recently, she completed a starring role in the feature film "Allswell in New York", which she also co-wrote and co-produced. Rodriguez received an Obie Award, as well as a Drama Desk Award nomination, for her performance in "Halfway Bitches Go Straight to Heaven" at the Atlantic Theater, and a Tony Award nomination, and won the Outer Critics Circle Award and the Theatre World Award, for her performance in the role of "Veronica" on Broadway in Stephen Adly Guirgis' "The Motherfu**er With The Hat". Additional theater includes three world premieres at NYC's acclaimed Public Theater in "The Last Days of Judas Iscariot" (directed by Philip Seymour Hoffman), "Unconditional" and "A View from 151st Street". Other notable plays include "Beauty of the Father" (MTC) and "The Power of Duff" (Geffen). Rodriguez is a native New Yorker and member of Labyrinth Theater Company.  ABOUT ALLSWELL IN NEW YORK, AVAILABLE ON DIGITAL NOVEMBER 15th  Three sisters navigate the daunting life challenges of single motherhood, career, and family, all while finding humor and solace within the bond of sisterhood.  Here's the trailer:   Https://www.youtube.com/watch?v=Wb8CKBdXK70 Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Arthur Miller, Tennessee Williams, and Eugene O'Neill get plenty of spotlight on the ELA curriculum stage. And sure, it's well-deserved! But they aren't the only incredible American playwrights to pick up a pen in the last century. If you're looking for some contemporary plays to share with your students, and you're struggling to find ones that fit your vision AND fit the maturity level of your kiddos, I've got a quick idea for you today. So here it is. You've got your stack of A Streetcar Named Desire or Death of a Salesman ready for your students, as always, AND you have a series of Pulitzer-Prize winning contemporary playwright snapshots to share. It's the classic "yes AND" combination that comes straight from the improv playbook. Each snapshot will let students learn about an award-winning contemporary playwright by exploring their background, learning about the play which won them a Pulitzer, and then watching a little bit of that play. You'll get to showcase a diverse range of writers and topics, and you can avoid moments in the plays which might be too intense or mature for the age of your students. My deep dive down the Youtube rabbit hole leads me to believe that most award-winning plays feature at least SOME scenes that are rated PG. It's a little like First Chapter Fridays, except for plays. You're introducing your students to a much wider world than the single lens on theater that whatever your assigned play can provide (wonderful though it may be!), by showcasing complementary work regularly. At the same time, you can work through a whole class read with rich literary merit (that your school has already purchased and approved.) So how can you get started quickly and easily? That's what today's episode is all about. I'll walk you through how I created some of these snapshots - which I'll share with you - and then you'll be ready to create more of your own if you want to go further. Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Grab the Contemporary Playwrights Snapshots: https://spark-creativity.kit.com/0c32caad5f  Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the ‘gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!      

A true multi-hyphenate, Blair Underwood is enjoying success in film, television and theatre, as an actor, director and producer. Underwood returned to Broadway starring opposite David Alan Grier in the Pulitzer Prize winning drama "A Solider's Play" for director Kenny Leon and the Roundabout Theatre Company. He also co-stars in Justin Simien's "Bad Hair" which premiered at the 2020 Sundance Film Festival. Underwood also starred opposite Octavia Spencer & Tiffany Haddish in Netflix's limited series "Self Made: Inspired by the Life of Madam CJ Walker" . Underwood appeared in the Netflix Emmy-Award winning limited series "When They See Us." He also had a recurring role on the Netflix comedy series, "Dear White People" and can be seen in Clark Johnson's "Juanita," opposite Alfre Woodard, also for Netflix. He spent two years as a series regular on the ABC drama series "Quantico," while also recurring on another hit ABC drama "MARVEL AGENTS OF S.H.I.E.L.D. " He also had a co-starring role in "The After Party," from writer/director Ian Edelman, which Netflix released late in 2018. Past television credits include series regular roles on "Dirty Sexy Money," "The New Adventures of Old Christine," "In Treatment," "The Event" and "L.A. Law". Film credits include "Deep Impact," "Set It Off," "Rules of Engagement," "Just Cause," "Madea's Family Reunion" and Steven Soderbergh's "Full Frontal." Underwood co-starred opposite Cicely Tyson in the Lifetime telefilm & theatre production of "A Trip to Bountiful," based on the Tony Award-winning play. In 2012 he made his acclaimed Broadway debut in the iconic role of Stanley in Tennessee Williams' "A Streetcar Named Desire," for which he earned a 2012 Drama League Distinguished Performance Award nomination. He also starred in "Paradise Blue" at the Williamstown Theatre Festival and "Othello" at the Old Globe Theatre. In 2010 he made his feature film directing debut with "The Bridge to Nowhere," which starred Ving Rhames, Danny Masterson, Bijou Phillips and Alex Breckenridge. Underwood is an Emmy Award-winner (as producer of the philanthropy-centered NBC Saturday morning series "Give"), a two-time Golden Globe Award nominee, and has been nominated for 17 NAACP Image Awards (seven wins). He won a Grammy Award for Best Spoken Word as co-narrator of Al Gore's audiobook, An Inconvenient Truth. A newly minted member of the Academy of Motion Picture Arts and Sciences, he is also active in several philanthropic endeavors.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The girls are back in studio this week, tales from Puca festival, Manchester, pre show meals, ferociously growing ears and A Streetcar Named Desire. This and more, Enjoy!  This episode contains explicit language and adult themes.  This Podcast is part of the Headstuff Network. Find out more at HeadStuffPodcasts.com This Podcast is sponsored by Key For Her.  The code TIGHT can be used sitewide on your first order at KeyForHer.com Click the link and your 20% discount for all Key For Her products will be applied at checkout.  https://keyforher.com/discount/TIGHT Producer: Laura Greene  Artwork: Alan Bourke-Tuffy  Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

 Welcome to History Ignited! Today, we dive into the life and legacy of Marlon Brando, one of Hollywood's most influential actors. From his powerful performances in A Streetcar Named Desire and The Godfather to his role in bringing method acting to the mainstream, Brando revolutionized film and acting. Discover how he not only captivated audiences but also used his platform to stand up for social issues, including his 1973 Oscar protest. Join Caroline, Andrew, Amy, and Dave as they explore Brando's unforgettable journey and lasting impact on Hollywood. Send us a text

In terms of narrative, composition and sheer scope as a record, Boys for Pele is one of the most audacious “pop” records to come out of the 1990s. Make no mistake: despite its twisty narrative, mysteriously confrontational lyrics and non-traditional take on song structure, Pele was a considerable mainstream success, selling more than 2 million copies worldwide and going platinum in the United States. Part harrowing journey into darkness and fury, part coming to terms with the aftermath of a shattered psyche, Boys for Pele might actually be the anti-pop record. Ironically, Tori's biggest-selling single off the record (her biggest-selling single of all time), was a club mix of the Southern Gothic tale of madness and revenge “Professional Widow” that focuses on the lyric “it's gotta be big.” Those who entered into this disorienting, often sinister world expecting a four on the floor rave were instead greeted by a smoky, deeply-complex rumination on one woman's singular version of The Blues. The album finds Tori in a fugue descending into a hallucinatory abyss of anger, despair and confusion; the cathartic kind that evokes the wrenching neurotic pain of a genteel Blanche Dubois cracking in A Streetcar Named Desire. Its roots are distinctly rooted in the deeply soulful, deeply-odd South that might have been written about by Flannery O'Connor or filmed by D.W. Griffith, which is reflected in the choices made for the album's artwork: Tori appears as the guardian of ghostly, forgotten children much like Lillian Gish does in the 1955 film The Night of the Hunter. All of these works are both branded with the red-hot iron of righteous Christianity and haunted by the foul-smelling sulfuric specter of the Devil himself. It is that unholy and unsettling bilocation and brilliant intertextuality that marks a true literary work of genius, artistic masterpiece, or any consummate objet d'art, all of which are applicable lenses through which to view an intimate, intricate, and positively harrowing work such as Boys for Pele. Categorization is futile, but the ways in which Pele can be read are staggering. Playlists: KK MM JV

Interview with Director/Producer Nick Westrate of The Streetcar Project (A Streetcar Named Desire) www.latheatrebites.com

EPISODE 55 - “Favorite Classic Films of the 1950s ” - 09/30/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1950s was a real transitional decade for classic films. As we got further away from WW2, and the Cold War began to rise up prominently, there was a cynicism across the land that influenced the content of many Hollywood movies. Films took on a grittier, more realistic feel, and the subject matters were darker and more controversial. It was the decade that sparked masterpieces like “Sunset Boulevard,” “All About Eve,” “From Here To Eternity,” “Cat On A Hot Tin Roof,” “A Streetcar Named Desire,” “Anatomy of a Murder,” “ Strangers on a Train,” “Shane,” and “High Noon.” Listen as Steve and Nan talk about some special 1950s films that inspire them. SHOW NOTES:  Sources: TCM.com; IMDBPro.com; Wikipedia.com; NewYorkTimes.com RogerEbert.com Movies Mentioned:  No Man of Her Own (1950), starring Barbara Stanwyck, John Lund, and Richard Denning; In A Lonely Place (1950), starring Humphrey Bogart and Gloria Grahame; A Place In The Sun (1951), starring Montgomery Cliff, Elizabeth Taylor, and Shelley Winters; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, Thelma Ritter, and Richard Kiley; Witness For the Prosecution (1957), starring Charles Laughton, Tyrone Power, Marlene Dietrich, and Elsa Lanchester; A Face In The Crowd (1957), starring Andy Griffith, Patricia Neal, Lee Remick, Walter Matthau, and Anthony Franciosa; Big Country (1958), starring Gregory Peck, Jean Simmons, Carroll Baker, Burl Ives, Charles Bickford and Charlton Heston; Indiscreet (1959), starring Cary Grant and Ingrid Bergman; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Three time Ms. Noir City Audra Wolfmann joins us once again to look at some of the strangest Westerns ever produced by Hollywood. Both of these films have surprisingly feminist themes while being directed by two of the studio system's true iconoclasts. First, Joan Crawford as saloon keeper Vienna is pitted against Mercedes McCambridge as the sexually-frustrated matriarch Emma Small in JOHNNY GUITAR (1954) for control of an Arizona town, and its two most eligible bachelors: The Dancin' Kid (Scott Brady) and Johnny Guitar (Sterling Hayden). Vienna has had both of them, which Emma has had none, but Emma appears to be more attracted to her feminine rival judging by the intensity of her rages whenever she's around Vienna. Directed by Nicholas Ray, whose best-known film, REBEL WITHOUT A CAUSE (1955), also concerns a love triangle that doesn't conform to the gender norms of the time. Also starring Ernest Borgnine, Ward Bond, and John Carradine, and filmed in striking Trucolor by Henry A. Stradling (Hitchcock's SUSPICION; A STREETCAR NAMED DESIRE). Next, Barbara Stanwyck is the "high ridin' woman with a whip in director Sam Fuller's utterly bizarre FORTY GUNS (1957), a movie as obsessed with dicks as its title would suggest. Three very Earp like brothers played by Barry Sullivan, Gene Barry, and Robert Dix (they couldn't find another Barry?) ride into Cochise County, Arizona and are immediately confronted by the movie's titular 40 guns. Stanwyck is Jessica Drummond, who rules the territory with lead and leather. Incredible camera work here by Fuller and cinematographer Joseph F. Biroc (THE AMAZING COLOSSAL MAN). We discussed Fuller previously way back in our Dark AF episode (S1E7) with THE NAKED KISS (1964). FORTY GUNS also stars Dean Jagger, Elvis' milquetoast dad from KING CREOLE (S2E10), as the milquetoast sheriff. We also ask all the hard questions like why Lady Gaga doesn't want to call the musical JOKER sequel a musical? The answer may surprise you. And please give us good reviews on Apple Podcasts. We could use em. Please check out Audra's amazing podcasts: SPEAKEASILY VS. THE 80s and RETROPHILIA. www.audrawolfmann.net podcasts.apple.com/no/podcast/retr…re/id1598247675 Hosts: Philena Franklin, Bob Calhoun and Cory Sklar Special Guest: Audra Wolfmann Greg Franklin is on assignment OMFYS theme by Chaki the Funk Wizard used with permission "Drink to Forget" by the Hot Patooties used with permission. Thanks Beth! Trailer audio courtesy of Archive.org "Bone Dry" and "Spirit Riders" by Telecasted; "Desert Drive" by Everet Almond; and misc. gun shot sounds courtesy of YouTube Audio Library Horse sounds courtesy of freesound.org neighing horse.wav by soundslikewillem -- https://freesound.org/s/418428/ -- License: Attribution NonCommercial 4.0 Horse galloping (coconut shells) version 1 by alanmcki -- https://freesound.org/s/403025/ -- License: Attribution 4.0 snorting horse.wav by soundslikewillem -- https://freesound.org/s/418427/ -- License: Attribution NonCommercial 4.0 Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): @OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com NEXT EPISODE: Hammer Horror with horror blogger Rowan Lee. Still haven't figured out what movies yet because we're stoned.

All The Drama is hosted by Jan Simpson. It is a series of deep dives into the plays that have won The Pulitzer Prize for Drama. The Pulitzer Prize for Drama: “A Streetcar Named Desire”1948 Pulitzer winner “A Streetcar Named Desire”, by Tennessee Williams Tennessee Williams Wikipedia pagehttps://wikipedia.org/wiki/Tennessee_Williams A Streetcar read more The post All the Drama: “A Streetcar Named Desire,” 1948 Winner, Pulitzer Prize for Drama appeared first on BroadwayRadio.

John Leonard produced his first sound design in September 1972 for a production of A Streetcar Named Desire at the Bristol Old Vic Theatre Company's Little Theatre. Since then, he has: produced countless soundtracks for theatres around the world; spent eleven years with the Royal Shakespeare Company; worked regularly as a freelancer for the Almeida Theatre, Hampstead Theatre and Donmar Warehouse; written articles and a book about theatre sound and developed a sideline in recording sound effects. He is a Fellow at the Guildhall School of Music and Drama, an Honorary Fellow of the Hong Kong Academy of Performing Arts and a Companion of the Liverpool Institute of Performing Arts.

The Pulitzer Prize-winning A Streetcar Named Desire, set in New Orleans in the 1940's, has been hailed as one of the best dramatic plays of the last century. In the lead role, Emily Child whose impressive career spans both stage and screen (Dinner with the 42's, The Pervert Laura, Champ, Warrior, The Maze) will be joined by a talented line up of LAMTA students.See omnystudio.com/listener for privacy information.

Crawling out of the swamp to close out Season 3, Eric and Bradford are joined by Broadway actor-musician Matt Saldivar for a rollicking discussion of Neil Jordan's grand guignol ode to undying love. With a cast headed by Tom Cruise and Brad Pitt as comedy duo Lestat and Louis, interesting turns from Kirsten Dunst, Antonio Banderas, Christian Slater, and Stephen Rea, Anne Rice adapting her novel, and great effects work by Stan Winston, there's enough baroque to ba-reak the bank... but is it, as one character says, "of the Mississippi"? An uneven tone, plot threads that go nowhere, and SO MUCH FIRE threaten to sink the #1 horror movie of 1994, but not even THIS podcast can keep a bloodthirsty creature of the night down. Let's get started. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-27:55 Honor Roll and Detention (spoiler-heavy): 27:56-1:02:57 Superlatives (spoiler-heavier): 1:02:58-1:24:31 Director Neil Jordan Screenplay Anne Rice, based on her novel Featuring Antonio Banderas, Tom Cruise, Kristen Dunst, Laure Marsac, Helen McCrory, Brad Pitt, Stephen Rea, Christian Slater, Sara Stockbridge Matt Saldivar is a Mexican-American New York City-based actor. He grew up at The United States Military Academy at West Point. He has originated and appeared in principal roles on Broadway in Bernhardt/Hamlet, Junk, Peter and the Starcatcher, Act One, A Streetcar Named Desire, Saint Joan, The Wedding Singer, Honeymoon in Vegas, and Grease. He has performed in dozens of Off-Broadway and regional productions as well as in film and television. Matt also composed songs, played bass and guitar, and portrayed the character of Julio de los Flacos as a long-time member of the band and theater/cabaret/comedy troupe The Petersons. He received his BA with a double major in Theater and Spanish from Middlebury College, and his MFA in acting from NYU.  He has been and actor and vocalist in the development process of new works for the theater with such artists as Elvis Costello, Stephen Sondheim, Lin-Manuel Miranda, Bruce Hornsby, Jason Robert Brown, Adam Guettel, and Randy Newman. Our theme music is by Edward Elgar and Sir Cubworth.  Music from Interview with the Vampire by Elliot Goldenthal. For more information on this film, writing by your hosts (on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

We discussed the most horrifying thing to people of a certain age this week - overhead lighting - with returning guest Jaylan Salah because we're covering A Streetcar Named Desire! We talked about a woman deteriorating, Marlon Brando being the hottest man to ever exist, and toxic relationships in this one! TW: Domestic violence, SA Head over to our Patreon for exclusive episodes every week that you won't find here at patreon.com/triplemmmpod! Follow us on the socials @triplemmmpod Clayton @justhappy2cu Shawn @murphthesmurph Jaylan @jaylan_salah Email: menwholikemenwholikemoviespod@gmail.com If you're enjoying the pod, give us a rate/review - it helps SO much! Don't forget to be kind out there! --- Support this podcast: https://podcasters.spotify.com/pod/show/triplemmmpod/support

In the last few weeks, Hurricane Beryl tore through the Caribbean, made landfall in Texas and continued northward. As it drowned Houston in floodwaters, leaving millions without power, some impacts were felt in west and southwest Louisiana.The Coastal Desk's Eva Tesfaye talked with state climatologist Jay Grymes about what Hurricane Beryl can tell us about the rest of Louisiana's hurricane season.The Tennessee Williams Theatre Company is gearing up for a presentation of A Streetcar Named Desire at The Marigny Opera House. Director Augustin Correro and actors Charlie Carr and Robinson J. Cyprian discuss what it's like to bring this classic New Orleans story to life.This summer is heating up and kids across the state are looking for ways to keep cool in the pool. Taylor Oelking, executive director of community aquatics for the YMCA of Greater New Orleans tells us about new initiatives focusing  on water safety and education. ___Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schrieber. Matt Bloom and Aubry Procell are assistant producers. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Today TTP is thinking about...Pride Month In honor of Pride month, We are re-running a podcast from 2021 - Theater before and after Stonewall. Mark Spina and Harry Patrick Christian share their observations about changes in theater and film over the course of their lifetimes.Credits:Thanks for listening to this episode of “The Theater Project thinks about”.   Our Audio Engineer was Gary Glor and Our Theme music was by Gail Lou and Demien De SandiesVisit TheTheater Project.org to sign up for our mailing list, as well as check out all the links and resources in the show notes. And if you enjoyed what you heard, please consider leaving a comment on our FB or IG page.That's all for this episode, we'll see you next time!References:https://www.history.com/topics/gay-rights/the-stonewall-riotshttps://www.pridecenter.org/The Drag: https://stageagent.com/shows/play/22881/the-dragThe Nance: https://www.dramatists.com/cgi-bin/db/single.asp?key=4884Cat on a Hot Tin Roof: https://www.sparknotes.com/drama/cat/character/brick/A Streetcar Named Desire: https://www.sparknotes.com/lit/streetcar/quotes/theme/sexuality/Picnic: https://stageagent.com/shows/play/6305/picnicSeparate Tables: https://www.concordtheatricals.com/p/8967/separate-tablesTea And Sympathy: https://www.concordtheatricals.com/p/1038/tea-and-sympathyWho's Afraid of Virginia Woolf: https://www.dramatists.com/cgi-bin/db/single.asp?key=1623Take Me Out: https://www.dramatists.com/cgi-bin/db/multiple.asp?indexm=25&start=1&limitResult=all&options=all&limitResult1=allgenres&total=all&male=all&female=all&keysearch=take%20me%20outThe Front Runner: https://www.amazon.com/Front-Runner-Patricia-Nell-Warren/dp/0964109964Christopher Durang: http://www.christopherdurang.com/Nicky Silver: https://en.wikipedia.org/wiki/Nicky_SilverWill And Grace: https://en.wikipedia.org/wiki/Will_%26_GraceThe Boys in the Band: https://www.concordtheatricals.com/p/2499/the-boys-in-the-band-original-versionRoots: https://en.wikipedia.org/wiki/Roots_(1977_miniseries)Bent: https://www.concordtheatricals.com/p/2618/bentAngels in America: https://en.wikipedia.org/wiki/Angels_in_America_(miniseries)Michael Riedel: https://en.wikipedia.org/wiki/Michael_Riedel_(journalist)The Inheritance: https://theinheritanceplay.com/

Weyni Mengesha is an award-winning Canadian theatre maker and the artistic director of Toronto's Soulpepper Theatre Company. Five years ago, she reworked Tennessee Williams's historic play “A Streetcar Named Desire,” which was a resounding hit for Canadian theatre. Now, Soulpepper has remounted the production. Weyni joins Tom to talk about the changes she made to “A Streetcar Named Desire,” its legacy, and why it still matters today.

Swanner and Judd talk about: RuPaul’s All-Stars; Acolyte; Sausage Gravy and Biscuits; A Streetcar Named Desire; Gone with the Wind; Keith Robinson: Different Strokes; and more! Left Click To Listen, Right Click Here To Download

Homer tries to fix things when Marge gets tired of his behavior. Meanwhile, Milhouse, inspired by A Streetcar Named Desire, tries to attract Lisa with a bad-boy persona. Click the link below to contact us, listen to past episodes, merch, and more! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/AnnoyedGruntBoys⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ***Next Episode: S14 E15 - C.E.D'oh*** --- Send in a voice message: https://podcasters.spotify.com/pod/show/138simpsons/message Support this podcast: https://podcasters.spotify.com/pod/show/138simpsons/support

Welcome back to another episode of THE OFF BOOK CLUB!! This episode we dive into an extreme classic. Tennessee Williams' A Streetcar Named Desire.    Listen, I think at this point, we've all ridden that streetcar named, but while delving into this play, we realize that not everything is as black and white as it may seem. That's the beauty of such well written art. And although we do our best to delve into it all, we would LOVE nothing more than to hear your thoughts on this classic of theatre literature.   Join us, Blanche, Stella, and Stanley on this bumpy ride on the Streetcar named Desire! xoxo, E&B 

Post-war theater in Philadelphia reflected all the many serious issues the country was facing: Carmen Jones, A Streetcar Named Desire, Caucasian Chalk Circle, The Member of the Wedding  and Death of a Salesman all had tryout premieres in Philadelphia - among many others.For a blog post on our website with additional information and images, go to: https://www.aithpodcast.com/blog/this-train-is-a-goin-home-train/If you enjoyed the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, you can write us at our email address: AITHpodcast@gmail.comOr, follow us on Mastodon: https://historians.social/@schmeterpitzFacebook: https://www.facebook.com/AITHpodcastPatreon: https://www.patreon.com/AITHpodcastSupport the Show.© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All voice recordings copyright Peter Schmitz. ℗ All original music and compositions within the episodes copyright Christopher Mark Colucci. Used by permission.

A few weeks back we discussed unfilmable books. One that is often brought up is Cormac McCarthy's Blood Meridian. Reportedly, another adaptation is in the works. There is a reason that the many attempts to adapt it have fallen apart, however.As the name implies, Southern Gothic is a subgenre that is heavily influenced by elements of the American south. Anne Rice and A Streetcar Named Desire are two of the most well known examples. This week we look at one author's struggle to complete her novel.Flannery O'Connor wrote a number of stories that used elements of her upbringing. Starring Maya Hawke and directed by her father Ethan, Wildcat examines how her life and works connected. Maya's performance is fantastic and includes some real standout moments. That being said, there were some surprising missteps.Since the birth of the internet people have asked serious questions. Who would win in a fight between Goku and the Hulk? Could Lancelot best Luke Skywalker in a duel? A/S/L? One of the things young internet denizens argued about was who would win in a one-on-one battle between Bruce Lee and Superman.As it turns out, a 1975 movie dared to give this match to audiences. It is certainly a risk. Both are incredibly popular, meaning it was going to be impossible to not anger some viewers. Plus, how could any film possibly live up to what would certainly be sky high expectations? Worse yet, what if it is a bait and switch?Bruce Lee vs Superman (or Bruce Lee Against the Supermen or Superdragon vs Superman) is far from a perfect movie - or even a good one - but it presents the fight it advertises. There is more than just the slugfest between the two iconic heroes, however. Green Hornet, Kato, and possibly the wildest rickshaw scene in the history of cinema all get involved. It may not be the best Bruceploitation movie, but it is hard to believe there is anything zanier. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

Going postal, a rotten apple, my latest TV noir obsession, a pretty great Lou Gossett Jr. movie, movies are taking over my mind, a girl with personality, the genius and excess of Marlon Brando, my so-called acting life, another genius moment with Oliver Reed, some Brando quotes and movies, a little George C. Scott, life getting rough, some more boxing metaphors, getting serious, and a few great quotes. Stuff mentioned: Sugar (2024), An Officer and a Gentleman (1982), Iron Eagle (1986), Diggstown (1992), Dead Men Don't Wear Plaid (1982), Burt Kearns Marlon Brando Hollywood Rebel (2024), Fight Club (1999), In at the Deep End with Oliver Reed (1985 https://www.youtube.com/watch?v=OmnK0ty0RBE), On the Waterfront (1954), Streets of San Francisco (1972-1977), The Godfather (1972), Do the Right Thing (1989), The Formula (1980), The Karate Kid (1984), The Wild One (1953), One Eyed Jacks (1961), Apocalypse Now (1979), Joseph Conrad Heart of Darkness (1899), A Streetcar Named Desire (1951), Tennessee Williams A Streetcar Named Desire (1947), The Room (2003), The Freshman (1990), The Dick Cavett Show with Marlon Brando (1973 https://www.youtube.com/watch?v=uU-4wmwc2Rw), and Raging Bull (1980).

This week on Tales from Hollywoodland, Arthur, Julian and Steve explore the mannerisms, machismo and mythos of the truly iconic actor, Marlon Brando. From yelling "Stella!" so memorably in A Streetcar Named Desire, to his mumblings in the jungle in Apocalypse Now, with a visit along the way to The Wild One, Guys and Dolls, The Young Lions, The Godfather, and so much more, they explore the man who changed acting forever.  Links Tales From Hollywoodland on Facebook https://www.facebook.com/talesfromhollywoodland  Tales From Hollywoodland on Instagram https://www.instagram.com/talesfromhollywoodland/ Tales From Hollywoodland on YouTube https://www.youtube.com/channel/UCdLX2kbwHqdn47FNN6vVN7Q  We want to hear from you! Feedback is always welcome. Please write to us at  talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcast, Spotify, iHeartRadio, Goodpods, PlayerFM, YouTube, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  #MarlonBrandopodcast #HollywoodlegendMarlonBrando #TalesFromHollywoodlandepisode #MarlonBrandocareerretrospective #Brandosactinglegacy #HollywoodiconMarlonBrando #Brandosimpactoncinema #Methodactingpodcast #Brandofilmographyanalysis #ClassicHollywoodpodcast #HollywoodGoldenAge #MarlonBrandobiography #Hollywoodactorspotlight #Brandosmemorableroles #Hollywoodactingtechniques #Brandosinfluenceonactors #HollywoodstarMarlonBrando #Brandosculturalsignificance #Hollywoodpodcastdiscussion #Brandoscontributiontofilmhistory

On this day in 1973, Native American activist Sacheen Littlefeather declined an Academy Award on behalf of Marlon Brando.See omnystudio.com/listener for privacy information.

We're celebrating the dueling centennials of Marlon Brando and Tennessee Williams with a look at their most enduring collaboration: 1951's A Streetcar Named Desire. Historian and author Foster Hirsch joins us to break down the film's complicated subject matter, Marlon Brando's Method acting, the gender and class politics and everyone's old friend, the Blacklist. Buy Foster's book Hollywood and the Movies of the Fifties here. This episode was created thanks to our Patrons: Ali Moore Amy Hart Danny David Floyd Donna Hill Gates Jacob Haller Jonathan Watkins Krista Painter McF Rachel Clark A Button Called Smalls Chris McKay Debbi Lynne Jeffrey Kayla Ewing Nicholas Montano Peter Blitstein Peter Bryant Peter Dawson Susannah Burger Andrea Basora Brittany Brock Cat Cooper Daniel Tafoya Diana Madden Emily Edwards Harry Holland Kerry Ahern Lucy Soles Nick Weerts Rosa

A renowned choreographer, director, and educator, Camille A. Brown gives us a rundown of her artistic journey and the challenges and triumphs she faced in the world of dance and theatre. She looks back on her early experiences and influences, particularly her introduction to dance through her mother. From concert dance to musical theatre, she reveals how she got the courage to pursue her passion despite facing skepticism and stereotypes as a black female choreographer in a field dominated by males, including reaching out to mentors like Diane McIntyre and Marlee Ciorri for guidance. Camille's Broadway directorial debut with “for colored girls who have considered suicide / when the rainbow Is enuf” was a success, earning her Tony nominations for Best Direction and Best Choreography. She shares her emotional journey working on a beloved work and the value of staying true to your artistic vision. Her latest project, "Hell's Kitchen: The Musical" opens up new challenges and opportunities for Camille, such as her approach to the choreography and working with Alicia Keys' music. With her continuous success, she imparts simple but valuable advice to aspiring artists: to believe in the possibility of all things. Camille A. Brown is a widely acclaimed choreographer, director, educator, and storyteller. She has a total of 62 award honors to her credit so far, including three Tony Award nominations. Her 2016 TED-Ed talk, “Camille A. Brown: A Visual History of Social Dance in 25 Moves” was chosen as one of the most notable talks of the year by TED curator Chris Anderson. Her Broadway credits include “A Streetcar Named Desire”, “Once On This Island”, “Choir Boy”, “for colored girls who have considered suicide / when the rainbow is enuf”, and now, the upcoming production of “Hell's Kitchen: The Musical”. Connect with Camille: Website: www.camilleabrown.org Instagram: @camilleabrown Facebook: @camilleabrownanddancers Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

You might as well jump into this brand new episode of Go Fact Yourself!In this episode…Guest Co-host Niccole Thurman has appeared in shows like HBO's “Jellystone” and “The Operation with Jordan Klepper” and has very particular criteria for her hotel rooms.Guests:Anna Camp is an actor, best known for her role in the Pitch Perfect movie series. She'll tell us about some of her upcoming projects and the time that she helped out Morgan Freeman during a difficult moment behind the scenes. Mike Schmidt is a comedian and host of the podcast “The 40-Year-Old Boy.” He'll tell us about how the show has evolved since it started more than 14 years ago. Plus, we'll learn why it took three chances before he finally got to appear on this show.Areas of Expertise:Mike: The movie Reservoir Dogs, The Road Warriors wrestling team, and the band Van HalenAnna: Southern cuisine, the play and movie A Streetcar Named Desire, and the TV show “Vanderpump Rules.”What's the Difference:Cops and RobbersWhat is the difference between a sheriff and chief of police?What is the difference between a criminal and a crookExperts:Greg Renoff: Author of the book Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy MetalEmily Mann & Daphne Rubin-Vega: Director and star, respectively, of the 2012 Broadway revival of A Streetcar Named Desire.Hosts:J. Keith van StraatenNiccole ThurmanCredits:Theme Song by Jonathan Green.Live Show Engineer is Dave McKeever.Maximum Fun's Senior Producer is Laura Swisher.Associate Producer and Editor is Julian Burrell.Seeing our next live-audience show in Los Angeles by YOU!