Podcasts about Tanglewood

In this episode of Camp Pod, The Happier Ladies discuss their plans for an epic Tanglewood experience. *Please excuse our audio hiccups in this recording* Get in touch at happierladies@gmail.com Instagram @happierladies Dry Humor store Freedom video by Jon Batiste American Symphony Documentary Tanglewood Learn more about your ad choices. Visit megaphone.fm/adchoices

Forwarded this email? Subscribe here for moreMy weekly walk to church and backThe Column: 04.04.25Garrison KeillorApr 4READ IN APPShareWe seem to be in a war against science and research, which is causing anxiety among us geezers grateful for anti-seizure meds that guard against us suddenly shaking uncontrollably on the street corner and strangers having to remember first aid from 4-H to keep us from strangling on a hot dog and when we're not reading about that, we see news of low-frequency seismic waves that can travel for hundreds of miles underground and cause tall brick buildings to crash to the ground, which is disturbing to us in Manhattan, and then there's news of Mr. and Mrs. JD Vance who announced their trip to Greenland to see the dogsled races only to be told, “Nobody invited you,” so they flew to the U.S. military base at Pituffik for three hours and Mr. Vance announced that Greenland needed American defense whether it wanted it or not. He did not change the name of the area to Pitiful.An interesting time we live in. And Wisconsin elected a Supreme Court judge other than the one Elon Musk favored and offered large sums of money to voters in a bid for a win.But the crucial news is that spring is coming, the baseball season has begun and I will wend my way to CF and get a broad view of the action, and I will do the last big outdoor Prairie Home Companion of my life at Tanglewood on June 21, and then, unless RFKJ allows dementia research to proceed, I will retire to Shady Acres and play Parcheesi.I'm enjoying being 82 more than I thought I would when I was your age, kiddo. I thought I'd be cranky and irritable but I'm not. I imagined that if the U.S. government canceled research contracts for institutions that used certain terms such as “Gulf of Mexico” instead of Gulf of America, the correct term, that I'd be upset about it. I'm not. I simply find it of interest and I move on. If the Justice Department told me, “You cannot cast scorn upon an elected government official,” I would say, “The idiot doesn't even know how to punctuate his first two initials.”I believe I know right from wrong and I think about it on a daily basis and also intensely on Sunday morning shortly before 11 depending how long the sermon went. The sermon itself is sinful in that it falls short of perfection and sometimes the attempt of woman or man to approach God in words is so inadequate that it's best to tune out and I do and sometimes write a limerick in the bulletin.Was Donald J. Trump a recruit in The Russians' quest for a route in- To the Oval Office By way of a novice? Trump pooh-poohs it: pooh-Putin. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

6/26/25: MTA Pres Max Page: Holyoke's schools out of receivership -- mostly! Eric Reeves: the humanitarian disaster in Sudan. Rev Carole Bull on Mary Magdelene, organized religion & personal spirituality. Jon Anz w/ vocalist & trumpeter Bria Skonber – coming to Tanglewood.

6/26/25: MTA Pres Max Page: Holyoke's schools out of receivership -- mostly! Eric Reeves: the humanitarian disaster in Sudan. Rev Carole Bull on Mary Magdelene, organized religion & personal spirituality. John Anz w/ vocalist & trumpeter Bria Skonberg – coming to Tanglewood.

6/26/25: MTA Pres Max Page: Holyoke's schools out of receivership -- mostly! Eric Reeves: the humanitarian disaster in Sudan. Rev Carole Bull on Mary Magdelene, organized religion & personal spirituality. Jon Anz w/ vocalist & trumpeter Bria Skonber – coming to Tanglewood.

6/26/25: MTA Pres Max Page: Holyoke's schools out of receivership -- mostly! Eric Reeves: the humanitarian disaster in Sudan. Rev Carole Bull on Mary Magdelene, organized religion & personal spirituality. Jon Anz w/ vocalist & trumpeter Bria Skonber – coming to Tanglewood.

"This Shining Night" is a choral concert from the Berkshire Concert Choir bookended by two different settings of James Agee's poem, "Sure on this Shining Night." Beginning at sunset and ending at sunrise, the program plunges deep into the human condition using the phases of the night as an extended metaphor for the complex topic of aging and memory loss.Berkshire Concert Choir will perform “This Shining Night” on Sunday May 18th at St Mark's Catholic Church in Pittsfield (Saturday Night Performance at Tanglewood's Linde Center is sold out.)

Mark Holloway is a Grammy winning Violist and Chamber Musician. He is a member of the World Famous Pacifica Quartet. He has been principal violist at Tanglewood and The New York String Orchestra. He's performed in the U.S., Chile, Greenland, France and Switzerland. On television he has performed at Live From Lincoln Center.My featured song is the live version of “I Can't Explain”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Mark:www.pacificaquartet.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Robert Watt, former Assistant Principal Horn of the Los Angeles Philharmonic.   Robert Lee Watt was born in Neptune, New Jersey the 4th child of seven. His father, Edward Watt Jr. played trumpet professionally in a Jazz ensemble, “The New Jersey Squires of Rhythm.” When Robert was eight years old he got curious about his father's trumpet, kept high on a shelf. Too short to reach it, Robert conscripted his little brother Tony to help. But with Tony on his shoulders he lost his balance, causing both of them to fall to the floor, trumpet in hand.  Robert then attempted to fix the dents in the instrument by using a hammer. The badly damaged trumpet was the way Robert's father discovered his interest in horns. After a serious reproach, Robert's father tried to teach him trumpet. However, it wasn't until years later that Robert discovered the instrument he really wanted to play.    While helping his father clean out a room in the basement Robert discovered some old 78 recordings. The curious Robert gave the old recordings a spin. It was the “William Tell Overture” on hearing the French horns on that recording he asked his father what instrument came in after the trumpet. His father informed him that it was a “French horn” “A middle instrument that never gets to play the melody like the trumpet…why, do you like that horn?” His father asked. Robert replied, “It gives me chills when I hear it, I love it. That's what I want to play.” His father informed the young Robert that it really wasn't the instrument for him. Explaining that it was an instrument for thin-lipped white boys. “Your lips are too thick to play that small, thin, mouthpiece. You'd be better suited for the trumpet like you father.”  Upon reaching high school Robert seriously pursued the French horn. Approaching the band director of his high school in Asbury Park, Robert was again told that his lips were too thick to play the French horn. After being persistent, the band director gave Robert an old French horn that barely worked.  Nevertheless, Robert advanced quickly and was soon winning auditions for honor bands and orchestras throughout the state of New Jersey, bringing great honor to his high school. After high school Robert was accepted to the New England Conservatory of Music in Boston where he majored in music and studied French horn with Harry Shapiro of the Boston Symphony. Mr. Shapiro took great interest in Robert pushing him hard. At the end of his first year Mr. Watt was asked to perform the Strauss Horn Concerto No. 1, with the Boston Pops Orchestra under Arthur Fiedler. The following summer he received a fellowship to the Berkshire Music Festival at Tanglewood. Returning to the Conservatory for his third year Mr. Watt was informed by the president's office that the Conservatory had financial problems and that all scholarships would be canceled for the coming year. At the end of his junior year at the Conservatory Mr. Watt was informed by his French horn teacher that it was time for him to audition for a position in a major symphony orchestra. On the advice of his teacher, Mr. Watt chose Los Angeles and Chicago. When Mr. Watt returned from his audition journey, he had made the finals at both auditions. Two months later The Los Angeles Philharmonic offered him the position of Assistant First Horn. Making him the first African American French horn player hired by a major symphony orchestra in the United States. Mr. Watt joined the ranks of only a handful of African Americans playing in symphony orchestras in these United States. According to the American Symphony Orchestra League, that represented less than 2% of the total, out of twenty-six top orchestras. Mr. Watt held his position until 2007, a career spanning 37 years.  Mr. Watt performed several times as soloist with the Los Angeles Philharmonic under Zubin Mehta and several orchestras in the Los Angeles area as well as the Oakland Symphony performing the Richard Strauss Second Horn Concerto While a member of the Los Angeles Philharmonic Mr. Watt has performed with principal and guest conductors that included: Leonard Bernstein, Eugene Ormandy, Eric Leinsdrof, Carla Maria Giulini, Pierre Boulez, Zubin Mehta, Henry Lewis, James De Priest, Michael Tilson Thomas, Herbert Blumstedt, Andre Previn, Marin Alsop, Esa-Pekka Salonen and Christoph Von Dohnányi. Included among the many world renown artists he has performed with were:     Yo-Yo Ma, Luciano Pavarotti, Placido Domingo, Jose Carreras, Wynton Marsalias, Henry Mancini, Gladys Night, Isaac Hayes, Quincy Jones, Stevie Wonder, Ray Charles, Barry White, Rihanna, Paula Abdul, Herbie Hancock, Lalo Schifrin, The Carpenters, Benny Carter, Quincy Jones, Bon Jovi, Elton John and film composer, John Williams. He has played on film scores of: Spiderman II, Rush Hour, Mission Impossible, Spike Lee's “Miracle at St. Anna, Golf and many others.  Mr. Watt has played the music for the Twentieth Century Fox cartoons, The Simpsons, American Dad, Family Guy and King of the Hill for the past three years. He played on the five hour TV special “The Jacksons, an American Family” under Harold Wheeler, and played for several years for the TV program “Startrek Voyager.” In the late 80's Mr. Watt helped organize an African American Brass Quintet, “The New Brass Ensemble” which performed throughout the United States and abroad.  Mr. Watt has done public speaking lecturing on music and African history in the Los Angeles area. He was hired as guest professor at Los Angele City College teaching the course, “Music of Black Americans”. Recently Mr. Watt executive produced a short film in memory of his friend Miles Davis. The film is based on the musical composition “Missing Miles” by Todd Cochran, commissioned by Mr. Watt, for French horn and piano. The short film was chosen by the Pan African Film Festival and the Garden State Film Festival.  Mr. Watt is a licensed airplane pilot with an instrument rating. He is a saber fencer and he speaks German and Italian.

Michelle Ross is a celebrated Mizrahi-American classical violinist and composer. She's a protege of Itzhak Perlman. Her compositions have premiered at the Lucerne Festival and at Tanglewood, and her compositions have been recorded by some of the world's best chamber musicians. She's a prolific improviser too. She's featured on Jon Batiste's Grammy winning album. And she's performed as a guest concertmaster with a wide range of ensembles.My featured song is “Easier Said” from the album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Michelle:www.michellerossviolin.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Nicole Zuraitis is a 2X GRAMMY® winning and 4X GRAMMY-nominated jazz singer-songwriter, pianist and arranger, New York-based bandleader, and winner of the prestigious 2021 American Traditions Vocal Competition Gold Medal. With a “heart as big as her remarkable voice,” (Jazz Police), Nicole is a trailblazing artist who isredefining vocal jazz, earning her a place as one of the top artists and "prolificsongwriters" (Broadway World) to watch in jazz and beyond. As a recording artist, Nicole has released five albums as leader, and her sixth albumHow Love Begins, co-produced with eight-time GRAMMY-winner Christian McBride,features all original music and was awarded the 2024 GRAMMY for BEST JAZZVOCAL ALBUM. Nicole is the only artist ever to have won this award who wrote andarranged the entire album herself. In addition to leading her quartet, Nicole performedand recorded with the Birdland Big Band as premier vocalist before taking off as a large ensemble leader of her own, co-producing the Dan Pugach Big Band and guesting for major European big bands. She has headlined at Newport Jazz Festival, Melbourne International Jazz Festival, and Tanglewood, along with iconic NYC jazz clubs like Dizzy’s Club at Jazz at Lincoln Center, Birdland, the Blue Note, the Carlyle, 54 Below and the late, great 55 Bar. She also has appeared as a featured soloist with the Savannah Philharmonic, Asheville Symphony, and Macon Pops. Nicole is a featured artist and producer on her husband, renowned drummer,bandleader, and composer Dan Pugach’s 2025 GRAMMY-winning album, “BiancaReimagined: Music for Paws and Persistence” (Best Large Ensemble) for which theycomposed the GRAMMY-nominated song, “Little Fears” (Best Jazz Performance). Nicole is a vocalist on the GRAMMY-winning “Last Sunday in Plains: A CentennialCelebration” alongside Jon Batiste, Keb’ Mo’, and LeeAnn Rimes. In 2024, BroadwayWorld honored Nicole with the “Best Big Band Show” Award. Nicole's arrangement ofDolly Parton's Jolene, co-written with renowned drummer and bandleader Dan Pugach, was nominated for a 2019 GRAMMY®, springboarding her career and making her a household name in the modern-day jazz landscape. Nicole has collaborated with an extensive list of luminaries, including Christian McBride, David Cook, Gilad Hekselman, Veronica Swift, Benny Benack, Stephen Feifke, Cyrille Aimee, Antonio Sanchez, Dave Stryker, Omar Hakim, Rachel Z, Helen Sung, Melanie, Morgan James, Darren Criss, Livingston Taylor, and Bernard Purdie. She is a proud educator and currently vocal faculty at NYU and SUNY Purchase. FOLLOW HARMONYTALK PODCAST @harmonytalkpodcast Join Our Mailing List: https://mailchi.mp/fa5d124c4e19/harmonytalk-mailing-list Instagram: https://instagram.com/harmonytalkpodcast Facebook: https://www.facebook.com/harmonytalkpodcast YouTube: https://youtube.com/@HarmonyTALKPodcast LinkedIn: https://www.linkedin.com/company/harmonytalkpodcast https://harmonytalkpodcast.com/ Follow Host, Greg Frigoletto: https://www.instagram.com/gjfrig7/ Email harmonytalkpodcast@gmail.com for sponsorship and guest opportunities! See omnystudio.com/listener for privacy information.

We are LIVE on this recording in the Whiskey Room at Tanglewood Greens with owner, Mark Wallskog and his right hand lady Ashley Asher. Ashley, a returning champion, is back with another endeavor of hers as the lead facilitator of all the great things happening at the updated Tanglewood Greens in Menomonie. She dives into the food options, new GPS systems in the golf carts, event and so much more.We had the pleasure to be joined by Mark Wallskog, the owner of the golf course, to pick his brain about why he decided to buy a golf course, what his favorite parts of being in the community are and when we can expect five to ten years down the line. This podcast is more than just golf, it is about a great location run by great people in the community.Co-Hosts: Becca Schoenborn & Dustyn DubuqueSponsors: Tanglewood Greens, Carbliss, Office on Main and Elevated Endeavors

In this segment we interview Amy Aldrich, Senior Director of Patron Services at Tanglewood & the BSO. Join us for the inside scoop on what's happening this summer at Tanglewood and beyond. There is something for everyone, from classical concerts to film nights to popular artists, including John Legend, Jon Batiste to Nas and more. Of course, James Taylor is July 4th. 

Katherine Dowling is a brilliant Canadian pianist and in this conversation we talked about her album of solo music by Alice Ping Yee Ho, mentors including Gil Kalish and Henk Guittart, and how and why she's developed her exceptional musical memory. Katherine shared fantastic insights into teaching and learning, the importance of inclusivity and access to arts education, and how she uses the Pomodoro technique in the practice room. She explained how sound production on the piano is about the speed of attack and we discussed different skill sets and career paths for pianists. Dr. Dowling shared many inspiring musical memories, and how she developed her ambitious Elegy project to follow her personal path through grief. You'll be hearing some clips from the album Awake and Dreaming, which you'll find linked below, and you can use the timestamps to navigate the eipsode. Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript to my website Katherine Dowling websiteWhere to listen to Awake and Dreaming I wanted to let you know about some other episodes I've linked directly to this one, which I think may interest you, with: pianist and musicologist Samantha Ege composer Frank Horvat organist Gail Archer Cheng2 Duo with Bryan and Silvie Cheng pianist Jeeyoon Kim Original Merch for saleCan you buy this independent podcaster a coffee? ⁠Complete Catalog of EpisodesNewsletter sign-upLinktree for social media ⁠photo: Jiyang ChenTimestamps:(00:00) Intro(01:54) Eckhardt-Gramatté competition, composer Alice Ping Lee Ho, regional music festivals(7:18) album Awake and Dreaming, solo piano music by Alice Ping Lee Ho(11:34) Elegy project, coping with grief(16:09) excerpt from There is No Night Without a Dawning from Awake and Dreaming(18:59) Memorization, Suzuki method(25:15) limitations of learning on electronic keyboards(27:08) mentor Henk Guittart, Schoenberg(29:48) appreciation for modern music in the Netherlands, Ellen Corver(32:31)connection to visual art with Alice Ho's compositions (34:20) excerpt of Shade(35:51)experience of funnel couds on the Prairies(37:34) Cyclone by Alice Ping Lee Ho(41:12) valuable teaching experiences in Regina(42:37) other episodes you'll like and ways to support this series(43:32) positive teaching experiences(46:48) new parent(48:18) Gilbert Kalish(53:49) Tanglewood experience, different skills and careers for pianists(56:45) sound production for pianists(01:04:31) inspiring concerts for different audiences(01:07:48) practice strategies, The Artist's Way, Pomodoro technique(01:12:05) mentoring the next generations

We kicked off the program with four news stories and different guests on the stories we think you need to know about!New Additions to the Tanglewood 2025 Popular Artist Series Lineup! Our guest is Alex Speir, Director of Marketing and Audience Development at the Boston Symphony Orchestra.Blackstone Heritage Corridor's Trail Ambassadors to Guide Spring Hiking Series Through Region. Donna Williams - Blackstone Heritage Corridor Board Member joined Dan Rea.The Peaceful Parenting (R)evolution: Changing the World by Changing How We Parent. A look at parenting styles & how they've changed, with author Kiva Schuler – Founder of the Jai Institute for Parenting.Red Bull Heavy Metal Snowboarding Contest comes to Boston City Hall Plaza! Grace Warner – Red Bull Snowboarder checked in with Dan.Ask Alexa to play WBZ NewsRadio on #iHeartRadio and listen to NightSide with Dan Rea Weeknights From 8PM-12AM!

Classical music is rooted in rich history, formality, and tradition - but does the musicians' concert attire still have to be? Blackstrad founder and professional flutist Mercedes Smith thinks it is time for a change of pace in performance wardrobes. In episode 110, hear how she is designing new concert black attire that resonates with the individuality of modern musicians while keeping the harmony of a unified ensemble. Mercedes Smith has served as the Principal Flutist of the Utah Symphony since 2012, having previously held the same position with the Houston Grand Opera and Houston Ballet Orchestras. She has performed in Carnegie Hall, throughout Europe and Asia, and at renowned music festivals including the Grand Teton Music Festival, Tanglewood, Music Academy of the West, Verbier Festival Orchestra, and Marlboro. Never one to idle, Mercedes turned the pandemic into an opportunity, obtaining a real estate license and earning an M.B.A. from the University of Utah. Her latest endeavor is the creation of Blackstrad, a line of concert attire designed for the modern musician. She resides in Salt Lake City with her husband and three very silly dogs. In this episode, you'll learn: The role fashion plays in music performance The challenges musicians face in finding concert attire The gender inequality of concert dress codes (it's not what you think) How Mercedes got started on her brand How to know when a design is done and get over perfectionism What surprised Mercedes by how difficult it was  Why Mercedes wishes she had trusted her patternmaker more Why Mercedes doesn't like the term “sustainability” The unique business model of Blackstrad Mercedes' plans for Blackstrad and her own future People and resources mentioned in this episode: Blackstrad website Blackstrad Instagram Blackstrad email Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits your customer, lifestyle, and values.

RAVEL: Daphnis et Chloe, Sinfonía coreográfica en tres partes (49.34). Coro del Festival de Tanglewood, Orq. Sinf. de Boston. Dir.: S. Ozawa.Escuchar audio

Rediscovering Musical Dreams @roxiegrantmusic's Journey from Guitars to Live Performances.Join me as I discuss Roxie's inspiring story of passion and perseverance, from her first untuned Spanish guitar in Northumberland to her thrilling live performances in vibrant venues.Hear....Roxie's nostalgic tales of rescuing second-hand guitars and discovering her first "proper" Tanglewood acoustic in Newcastle.A transformative journey from the thrash metal scene to a musical rebirth inspired by "The Midnight Library."The magic and irreplaceable experience of live performances and supporting local music scenes.Listen in for heartfelt stories, the courage to chase dreams at any age, and the unyielding power of music to connect us all. Perfect for music lovers and dream chasers alike!#Podcast #MusicJourney #LiveMusic #GuitarLovers #Inspiration #ChaseYourDreams #NewEpisode #ListenNow #RoxyMusic #LocalMusicScene #LivePerformances #RediscoverYourPassion

Send us a textCurious about how amateur golfers are shaking up the scene and tackling issues of fairness and diversity on the course? Join us as we spotlight the inspiring journey of Chuck (A flight) and Sola Smith (D flight), our first Directors' Cup champions from Central North Carolina, and explore the passionate community that is the Golfweek Amateur Tour. We'll share personal tales of triumph and collaboration, highlighting how players like Patina Martinez are leading the charge towards more inclusive play with custom tee boxes and growing female participation. It's a conversation filled with hope, equality, and the vibrant future of amateur golf.Our journey doesn't stop there. We take you to the heart of North Carolina's golfing haven, where courses like Quail Ridge and Tanglewood captivate both locals and visitors alike. Discover how the favorable climate allows for nearly year-round tee times and why these regional gems have become beloved for their welcoming atmosphere and rich history. We'll also dive into the logistics of managing a golf tour, ensuring each tournament is a memorable experience for players of all levels. With insights from new Chicago Tour director Bill Prosecky, we reveal ambitious plans to connect with the robust golfing culture in the Windy City.As we gear up for the 2025 season, the spirit of competition and camaraderie is stronger than ever. Explore our regional tournament schedule, featuring iconic venues like Firestone and Sequoia National, and learn why these events are not to be missed. From family-led tour management to the excitement of registration and tour planning, we celebrate the dedication and teamwork that fuel our tour's success. Whether you're a seasoned player or new to the greens, there's something for everyone on the Golfweek Amateur Tour. Podcast HomepageGolfweek Amateur TourSenior Amateur TourFacebookYouTube

Send us a textMy guest is original drummer/co-founding member of "Chicago" and Rock and Roll Hall of Fame Inductee, the legendary Danny Seraphine! In this episode, Danny and I do a deep dive into several of Chicago's classic hit songs, breaking down his drum parts with Danny giving insights into how the songs were created and recorded. So come along for the ride and please subscribe! Visit Danny's website: https://www.dannyseraphine.com.  Chicago performing "I'm A Man" at Tanglewood 1970: https://youtu.be/DPZUgfOqAdg?si=RjpO2-yfnpYJ2TXfLive From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Send us a textSome Contractors, a tall Fey Eladrin, and a sexually suppressed Satyr make it to the middle of the Tanglewood... How well will this encounter go for this mashup of personalities?Support the showlinktr.ee/agentsofdamnedCampaign 1 Background music credits to: Jason Shaw of AudionautixCampaign 2 Background music credits to our very own Drew and friend of the show Eymbr! Check Eymbr's work out at:https://youtube.com/@eymbr?si=bsr834mAxybCnzNB

Elaine Smith recently returned from her 3-month sabbatical, which was made possible by a grant from the Community Foundation. She joins Randi to talk about how it went and what she's looking forward to now that she's back at work. 

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Haitian and Creole tale is all about hefty horses and broken deals.

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Indian tale shows what happens when the price is right... and the price is wrong!

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Icelandic tale features a magical bovine who's able to moooooove mountains!

The annual Tanglewood on Parade concert brings together the best of The Boston Symphony Orchestra and The Boston Pops in a day full of family fun and lively music, culminating in an exciting evening of performances and fireworks.The evening concert will include special tributes to late Maestro Seiji Ozawa – the former head of the BSO died earlier this year at the age of 88.Tony Fogg is the Vice President for Artistic Planning at The Boston Symphony Orchestra and he joins us with a preview of Tanglewood on Parade.

Audiences at Tanglewood in Lenox will have the chance to commune with lost aliens, dinosaurs and Darth Vader as the Boston Pops Orchestra performs conductor laureate John Williams' iconic music during two Film Night programs on Aug. 2 and Aug. 3.

Today, Caroline Forrester clues listeners in on the upcoming Bike MS: Tour to Tanglewood 2024 event on September 21st and 22nd. Caroline explains what to expect for this year's bike routes, vendors and fundraising, and the ultimate goal of curing multiple sclerosis. She also explains her passion for the cause, common misconceptions regarding MS, and symptoms of the disease. Find Bike MS online: Website: bikemstanglewood.org Use code JOINME for 15% off registration fee Email Caroline to get involved: caroline.forrester@nmss.org

We are broadcasting from Studio E at the Linde Center for Music and Learning on the sprawling Tanglewood Campus, which opened in 2019. We begin by meeting our hosts this morning. Chad Smith is the Julian and Eunice Cohen President and CEO of the Boston Symphony Orchestra (BSO), which he has led since last year; he previously served as President and CEO of the Los Angeles Philharmonic and we welcome back our dear friend Andris Nelsons - the fifteenth music director in the BSO's history.

Chad Smith is the CEO of the BSO - which he has led since last year. He previously served as President and CEO of the Los Angeles Philharmonic. He joins us to discuss vision and new initiatives.

Tanglewood Music Center (TMC) Fellows experience music making at the highest level, enjoying close mentorship from members of a world-class orchestra, intensive and inspiring coaching from resident faculty, thought-provoking classes with distinguished visiting musicians, and myriad performances from the BSO and a diverse array of guest artists. It is often said: A summer at Tanglewood is a rite of passage for any young musician. This morning we welcome Dawn Upshaw, TMC's Head of Vocal Arts.

Tony Fogg is a dear friend to this program and has been with us since we first broadcast here some 2-decades. Tony was born in Australia and was trained as a pianist at the Brazilian Academy of Music and at the University of Sydney. In 1994 at the invitation of Seiji Ozawa, he came to the USA to take up the position of Artistic Administrator of the Boston Symphony Orchestra. Now, as Vice-President of Artistic Planning, he assists BSO Music Director, Andris Nelsons, with the scheduling of all performances by the BSO, as well as overseeing the Pops and Tanglewood Music Festival.

Miloš is one of the world's most celebrated classical guitarists. His career began its meteoric rise in 2011 with the release of his international bestselling Deutsche Grammophon debut album, "Mediterraneo." He will be performing tonight at 8 p.m. in Ozawa Hall.

We have been spending a lot of time talking about what is on stage here at Tanglewood this morning. Let's go behind the scenes. We welcome - Amy Aldrich, Director of Patron Experience (Box Office, Front of House, Customer Service, Accessibility.) We also welcome - Tom Leahy, Tanglewood Grounds Manager.

On today's podcast Eric is joined by Aaron Lyons and Brandi Key of Dish Society and Daily Gather. The pair speak with Eric about how things have been going at Daily Gather since it opened, how Daily Gather's menu evolved over time, how they're able to stand out in CITYCENTRE, the current rush of restaurants opening in the area, the menu at Dish Society, why they decided to close the Dish Society location on San Felipe, the possibility of more Dish Society locations in the greater Houston area, how things are going at Dish Society's first location in Austin, the chances of expanding their brands in the Austin area, how the Austin market compares to the Houston market, their breakfast options, possible expansions of Daily Gather, and much more!   Follow Eric on Instagram/Threads @ericsandler. You can also reach Eric by emailing him at eric@culturemap.com. Check out some of his latest articles at Culturemap.com: Modern Piano Bar with Lounge Vibes Strikes a Chord in Montrose Favorite Chicago Hot Dog Shop Portillo's Reveals 2 More Houston Outposts Innovative New Restaurant Fires Up Modern Indigenous Cuisine in Kemah Favorite Houston Cafe Opens in Tanglewood with Cookies, Burgers, and More Ben Berg Unveils Ultra Luxurious Steakhouse and New Downtown Bistro

Michael Fulmer returns to the podcast to jump into some of the latest headlines making waves in the Houston restaurant and bar scene. Eric and Michael discuss the new piano bar/restaurant concept called The Kennedy taking over the former Muse/Emmaline space, Portillo's announcement that it's bringing 2 more locations to the Houston area, and David Skinner's new concept Ishtia. In the Restaurants of the Week portion, Michael and Eric speak about their trip to Blue Tuba. In a bonus section of the Restaurants of the Week, Eric is joined by Lawton Driscoll to talk about their experience at Toca Madera. Follow Eric on Instagram/Threads @ericsandler. You can also reach Eric by emailing him at eric@culturemap.com. Check out some of his latest articles at Culturemap.com: Modern Piano Bar with Lounge Vibes Strikes a Chord in Montrose Favorite Chicago Hot Dog Shop Portillo's Reveals 2 More Houston Outposts Innovative New Restaurant Fires Up Modern Indigenous Cuisine in Kemah Favorite Houston Cafe Opens in Tanglewood with Cookies, Burgers, and More Ben Berg Unveils Ultra Luxurious Steakhouse and New Downtown Bistro

Big double header of guests with Grammy Award-winning Jason Mraz and Siena basketball head coach Gerry McNamara! Singer-songwriter Jason Mraz is bringing his tour to Tanglewood on Tuesday, July 2nd and he joins the show to talk about his monster singles like The Remedy and I'm Yours and how his mindset as a musician shifted towards spreading positivity through song. Plus, Gerry McNamara talks about his first couple of months on the job as Siena's new basketball head coach, trading in the Syracuse orange for the Saints' green and gold. The Knicks and Nets pull off a pre-NBA Draft night blockbuster deal. Which team won the trade? Texas A&M baseball coach Jim Schlossnagle leaves for Texas job after shaming a reporter for asking him about his future following the loss in the College World Series.

Description: In this episode of Cocktails with Friends, host Bob Cutler sits down with Grammy Award-winning conductor Lucas Richman of the Bangor Symphony Orchestra. They discuss Lucas's illustrious career, from winning a Grammy to his extensive work with orchestras worldwide. Lucas shares stories from his journey in music and insights into his passion projects, including his work with the Bangor Symphony Orchestra and the Paths to Dignity project. Main Topics: Lucas Richman's Grammy-winning experience The Bangor Symphony Orchestra's history and community impact Paths to Dignity project and its outreach efforts Lucas's background and career in conducting and composing Unique stories from Lucas's life and career Key Insights: Grammy-winning Experience: Lucas shares the story of winning a Grammy for Best Classical Crossover Album and his unexpected competition against renowned musicians like Yo Yo Ma. Community Engagement: The discussion highlights the Bangor Symphony Orchestra's outreach programs, including concerts for young people and music therapy sessions in healthcare facilities. Paths to Dignity Project: Lucas explains the importance of the Paths to Dignity project, which connects cultural organizations with homeless advocacy agencies to support the unsheltered community.   Episode Index: [00:00:00] Introduction and guest list overview [00:00:30] Host Bob Cutler introduces Bangor and its community [00:00:50] Introduction of guest Lucas Richman [00:01:20] Start of the interview with Lucas Richman [00:01:50] Lucas Richman's Grammy award and the Grammy process [00:02:20] Lucas Richman's Grammy-winning album "Calling All Dawns" [00:03:40] Grammy eligibility and Lucas Richman's unexpected win [00:04:40] Lucas Richman's musical background and early exposure [00:05:30] Lucas Richman's early conducting experience and debut at Tanglewood [00:06:40] Lucas Richman's global conducting experiences [00:07:30] Bangor Symphony Orchestra's history and achievements [00:08:50] Contracted musicians and their roles [00:10:00] Community support for the Bangor Symphony Orchestra [00:10:50] Orchestra outreach programs and community involvement [00:11:20] Paths to Dignity project overview [00:12:10] Discussion on the importance of community contributions [00:13:10] Music outreach to students and healthcare facilities [00:14:30] Lucas Richman's impact on the Bangor Symphony Orchestra [00:15:30] Lucas Richman's early musical experiences and challenges [00:17:00] The significance of music as a universal language [00:18:00] Lucas Richman's unique experiences, including his first tuxedo story [00:19:00] Custom-tailored suits for conducting [00:21:30] Discussion on personal music preferences at home [00:22:30] The impact of music in Lucas Richman's daily life and family [00:23:20] Current projects: new violin concerto and writing a novel [00:24:20] Discussion on Lucas Richman's creative process and inspiration [00:26:20] Harry Potter and John Williams's music as an introduction to symphony [00:27:00] Lucas Richman's collaboration with John Williams and Star Wars in Concert tour [00:28:30] The influence of film scores on classical music appreciation [00:29:10] Lucas Richman's connections with other notable musicians and composers [00:30:00] Discussion on the creative process and its challenges [00:31:10] Lucas Richman's anagram-inspired piano piece "Such Calm Rain" [00:33:00] Closing remarks and teaser for future episodes About the Guest: Lucas Richman is a Grammy award-winning conductor and composer known for his dynamic work with orchestras around the world. He has conducted for major symphonies, taught conducting to film and TV composers, and composed several significant pieces, including the Grammy-winning album "Calling All Dawns." Lucas is also deeply involved in community outreach through his work with the Bangor Symphony Orchestra and the Paths to Dignity project.  

We loved our time as Fellows at Tanglewood! Alison Young (The Blissful Hiker) and Regina Helcher Yost (Charleston Symphony) are my guests in the pod as we remember the inspiring spirit of Leonard Bernstein from our time working with him in 1987. He has left an indelible impression upon our music making - and yes, we'll weigh in on Bradley Cooper and the movie, "Maestro"

In this episode of "The Truth in This Art,"

Hildegard Behrens Conductor: Seiji Ozawa Boston Symphony Orchestra Tanglewood Festival 28 August 1982 Broadcast

Called, “a voice for this historic moment” (The Washington Post), GRAMMY Award-winning baritone Will Liverman is the 2022 Beverly Sills Artist Award recipient and co-creator of The Factotum (Lyric Opera Chicago, 2023 world premiere). This season's engagements include the Metropolitan Opera (X: The Life and Times of Malcolm X, Roméo et Juliette), Opera Philadelphia (10 Days in a Madhouse, world premiere), Dayton Opera, Tanglewood, Caramoor, Cincinnati Song Initiative, Lexington Philharmonic, Houston Symphony, Cincinnati Symphony Orchestra, The Washington Chorus, Grand Rapids Choir of Men and Boys, Nu Deco Ensemble, and Experiential Orchestra. He's Artistic Advisor for Renée Fleming's Song Studio at Carnegie Hall. Liverman's Dreams of a New Day: Songs by Black Composers (Cedille Records, 2021) was nominated for a GRAMMY Award for Best Classical Solo Vocal Album. He's an alumnus of the Ryan Opera Center (Lyric Opera of Chicago), The Juilliard School (M.M.), and Wheaton College (B.M.). www.willliverman.com. Please welcome Will Liverman.

Neil is a renowned percussionist, accomplished music educator, imaginative product innovator, and successful entrepreneur. He is the founder and president of Grover Pro Percussion Inc., a market leader in the design, manufacture, and distribution of world-class percussion instruments.  At the young age of 23, Neil was appointed Principal Percussionist of the Opera Company of Boston, a position he held for seven seasons.  As his career progressed, he found himself in demand for all musical genres, including symphony, chamber music, ballet, opera, and commercial recordings.  Highlights of his collaborations include the Royal Ballet, Bolshoi Ballet, American Ballet Theatre, Dance Theatre of Harlem, Music from Marlboro, Indianapolis Symphony, Boston Musica Viva, and the Empire Brass. He was chosen to record the percussion tracks for Phillip Glass' film soundtrack for Mishima. In addition, Neil appears as a Boston Pops percussionist in the hit movie Blown Away, starring Jeff Bridges and Tommy Lee Jones.  He has toured with Music From Marlboro, Boston Symphony, Henry Mancini, Boston Symphony Chamber Players, and the Broadway production of The Pirates of Penzance.  Since 1977, he has performed, recorded, and toured with the world-famous Boston Pops, where he has made music under the batons of Maestros Arthur Fiedler, John Williams, and Keith Lockhart.  Having performed regularly in the percussion section of the Boston Symphony for over 35 years, he has worked with Maestros Seiji Ozawa, James Levine, Leonard Bernstein, Aaron Copland, Colin Davis, Charles Dutoit, Colin Davis, Neemi Jaarvi, Rafael Fruhbeck de Burgos, Mstislav Rostropovich, and Bernard Haitink. It is noteworthy that Neil has performed in over 1,500 concerts as a percussionist with the BSO & Boston Pops. Neil's percussive talents have been heard by thousands at renowned venues, such as Boston's Symphony Hall, Carnegie Hall, Chicago's Orchestra Hall, and festivals at Tanglewood, Hollywood Bowl, Wolf Trap, Blossom, and Ravinia.  In addition, he has performed for millions of listeners through television and radio broadcasts on the NBC, CBS, NHK, PBS, A&E and NPR networks.  At the request of composer John Williams, Neil joined the multi-media musical extravaganza, “Star Wars in Concert”, serving as Principal Percussionist on two legs of their North American Tour.   Neil Grover has written/co-authored five publications: Four Mallet Primer, Four Mallet Fundamentals, Art of Triangle & Tambourine Playing, Percussionist's Cookbook, and The Art of Percussion Playing, all published by Meredith Music.  Neil's innovative designs and cutting edge manufacturing techniques have set a new standard for the ergonometric functionality of modern day percussion instruments. Neil and his company have been featured in many publications, including: Percussive Notes, Modern Drummer, School Band & Orchestra, Musical Merchandise Review and on two episodes of the Discovery Channel's series How It's Made. Formerly the Chair of the Percussion Programs at both The Boston Conservatory and the University of Massachusetts-Lowell, today, Neil's students occupy leading positions in many top performing, educational and music business organizations. Things That Came Up:  -1:45 Owning ALL the percussion instruments -3:50 The magic of Zelda -6:00 Studied with the same teacher as Dom Famularo -7:00 Studying with Vic Firth  -11:10 “Classical musicians play with their eyes and jazz musicians play with their ears” -12:10 “Talent got you this far, perseverance will carry you through.” -12:45 Took AFM pension at age 65  -13:50 Contracting, composing and arranging as a new life chapter -15:10 Bradley Cooper's “Maestro” -16:35 Being a frustrated stand-up -17:40 Fred Buda: “Playing drum set in an orchestra is like swinging an elephant” -19:40 How union pensions work -26:05 At Tanglewood at the same time as Kenny Aronoff, with Leonard Bernstein conducting! -27:40 Playing bongos for Bernstein's “West Side Story” -30:50 Star Wars Tour: Drum Tech, 7 percussionists, 3 conductors and music from all 6 Star Wars films -38:00 Follow your dreams, no matter what!  -40:00 “The Accidental Entrepreneur” -41:00 The FIRST Grover Triangle  -48:20 Allowing Redmond to help develop the “Studio Pro Series” pop tambourines -54:00 Selling Grover Percussion to RBI Music  -60:40 On screen percussionist in the “Blown Away” film, starring Tommy Lee Jones  -61:30 Authoring Books  -63:30 Aerosmith! Glocks!  -69:30 Neil's favorite axe is the piatti (cymbals)  -74:00 “The Fave 5”  Follow:  www.groverpro.com Email: ngrover@groverpro.com The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits.  Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:     https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Today on the podcast, Eric is joined by Cinda and Armando Palacios of of Palacios Murphy Hospitality. Cinda and Armando speak with Eric about how they first met, where the idea of combining Tex-Mex with fine dining came from, the story behind Armando getting fired from Ninfa's for giving out sopapillas, starting Armando's Restaurant, developing the "you gotta be at Armando's" environment early on, Thursday nights at Armando's, the story behind the Billy Gibbons and Lionel Ritchie photo, why they expanded into Round Top, creating Hotel Lulu, diversifying their restaurant portfolio as they expanded in Round Top, bringing Mandito's to Houston, what's next for them, and much more!  Follow Eric on Instagram/Threads @ericsandler. You can also reach Eric by emailing him at eric@culturemap.com. Check out some of his latest articles at Culturemap.com: 16 of Houston's Best New Restaurants Compete for Coveted Tastemakers Title New 17-Story Luxury High-Rise Stands Tall in Tanglewood with Posh Amenities and a Rooftop Pool Successful Thai Restaurateur Picks Montrose for New Fast Casual Concept Yelp's Favorite Houston Birria Tacos Coming to Shuttered Korean Restaurant Houston Billionaire Tilman Fertitta Buys River Oaks Development for a Reported $450 Million Houston's 9 Best Food Pop-Ups Showcase Culinary Innovation and Hustle

The guys talk about the awkward encounters Justin had at Tanglewood, and the unfortunate events that occurred while he was mowing his lawn. Christian talks about how he feels nostalgic around his birthday and he recounts memories of playing Black Jack with millionaires in Vegas (Happy birthday Chrit!). A listener named Wyatt writes in and sparks a debate about whether Uncle Sam is a real person…(Shorties?) Finally, Steven writes in to explain why the Boston Red Sox are wearing yellow this year, to honor the 10th anniversary of the Boston Marathon bombing.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Chinese courtroom drama explores truth, justice, and the elephant way.

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this West African tale shows why dishonesty is definitely not the best policy!

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this tale from Borneo features a tiny trickster who untangles a problem by tying it up in knots!

The guys both have Berkshire tales to tell, including the physical side effects of having too much fun at Tanglewood and the benefits of opting for the cheap seats for a Pittsfield production of Cabaret. Then, the guys read a letter from Sarah that goes down a Wilford Brimley rabbit hole that turns into a debate about the scariest movies. Finally, a voicemail from Cheyenne in Portland asks if the guys would rather lick the bottom of their shoe or lick a stranger's phone. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're back in Tanglewood and joined by the amazing Karen Allen, who plays the iconic Marion Ravenwood in the Indiana Jones movies. She joins Karen Chee, Roy Blount, Jr. and Negin Farsad to talk spitting in auditions, Tom Selleck, and working with snakes