Podcasts about mad mike banks

For the tenth episode of There Is No Planet Earth Stories, I'm joined by guest Alan Oldham representing stories from Detroit.ALAN OLDHAM has been called “Detroit's Renaissance Man,” equally as known for his art as for his music under the pseudonym DJ T-1000.  The Detroit-born polymath, now living and working in Berlin, began his dual careers in the late 80s. First as the host of the “Fast Forward Program” on WDET FM 101.9, Detroit's first-ever radio show devoted exclusively to electronic music, and as a young indie comic artist, writing and drawing his own original creation, “Johnny Gambit” (predating the Marvel character). Oldham was later tapped by his childhood friend, Derrick May, to illustrate the label art for the now-classic records “Nude Photo” and “Beyond The Dance” on his fledgling Transmat label, and Detroit Techno history was made. Oldham was later hired by another childhood friend, Jeff Mills, to do freelance PR for the nascent Underground Resistance collective, writing press releases for the label. When Mills departed for a solo career, UR partner “Mad” Mike Banks tapped AO to replace him as DJ for their Australian Tour of 1992. The codename DJ T-1000 was adopted, and history was made once again.  Jumpstart to infamy.Since then, as an international DJ, Oldham has spun all over the planet, as far afield as Tokyo, Manila, The Phillipines, and Shanghai. When he's not behind the decks at home clubs Tresor Berlin and RSO, on the road to places like Batumi, Georgia or Trapani, Italy, or in the studio making music for labels like RSPX/Rekids, BPitch Berlin, Suspected Music, Third Ear, Elypsia Records, or his own Pure Sonik Records label, he is making new paintings and organizing art openings showcasing his iconic works. Oldham has put on art happenings in Amsterdam, Paris, Barcelona, Berlin, Vienna, and Detroit, as well as his iconic techno artworks being on view in Paris, London and Dusseldorf, as part of its traveling “Electronic: From Kraftwerk to the Chemical Brothers” exhibit. The multi-talented Oldham has also made his artistic debut in Kobe, Japan in 2022 with the exhibit “Massive Dynamic” at the Nick Jerky Art Cafe. In 2024, Oldham was also honored by the Mayor and Detroit City Council with a “Spirit of Detroit” Award for his musical and artistic contributions to his hometown. And back in Berlin, as part of Love Parade founder Dr. Motte's Rave The Planet team, Oldham helped Berlin Techno to achieve UNESCO Intangible Cultural Heritage status. Oldham's long-awaited EP as DJ T-1000 for Rekids sub-label RSPX is out now, as well as his new “Ask Me No Questions And I'll Tell You No Lies” EP on Pure Sonik Records, currently riding high on several Spotify techno charts including Mary Anne Hobbs' on BBC6. New releases to come!Support the show

ALAN OLDHAM has been called “Detroit's Renaissance Man,” equally as known for his art as for his music under the pseudonym DJ T-1000. The Detroit-born polymath, now living and working in Berlin, began his dual careers in the late 80s. First as the host of the “Fast Forward Program” on WDET FM 101.9, Detroit's first-ever radio show devoted exclusively to electronic music, and as a young indie comic artist, writing and drawing his own original creation, “Johnny Gambit” (predating the Marvel character). Oldham was later tapped by his childhood friend, Derrick May, to illustrate the label art for the record, “Nude Photo,” on the fledgling Transmat label, and Detroit Techno history was made. Oldham was later hired by another childhood friend, Jeff Mills, to do PR for the nascent Underground Resistance collective, writing press releases for the label. When Mills departed for a solo career, partner “Mad” Mike Banks tapped AO to replace him as DJ for their Australian Tour of 1992, and the codename DJ T-1000 was adopted. Jumpstart to infamy. Since then, as an international DJ, Oldham has spun all over the planet, as far afield as Manila, The Phillipines, and Shanghai, China. When he's not behind the decks at home clubs Tresor Berlin and Suicide Circus (Berlin), on the road or in the studio making music for BPitch Control, Suspected Music, Third Ear, Elypsia Records, or his own Pure Sonik Records label, he is making new paintings and organizing art openings showcasing his iconic works. Oldham has put on art happenings in Amsterdam, Paris, Berlin, Vienna, and Detroit, as well as his works being currently on view at the Design Museum in London, as part of its “Electronic: From Kraftwerk to the Chemical Brothers” exhibit. On the graphic novel side, he has also worked on the Afrofuturist classic “The Book of Drexciya, Vol 1.” Oldham is keeping busy during the current pandemic, drawing and painting, doing commission work, online teaching for RAMP Academy, making new music and remixing with MASCHINE MK3 and ABLETON, and generally moving forward in one of the world's most creative cities, Berlin. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: domm@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Dedicamos este nuevo episodio de Mala Hierba a Underground Resistance, colectivo de techno fundado en 1989 por Jeff Mills y Mad Mike Banks en Detroit. Junto a Natalia Baró, fan del sello y amiga de la casa, nos sumergimos en un futuro postapocalípitco, trasladándonos a la pista de baile de una ciudad en ruinas en la que solo quedan cyborgs y la guerrilla urbana se hace a bordo de una Roland 909. A través de temas precursores del acid como Sonic Destroyer de X101, temazos machacasuelas como The Seawolf o experimentos space-techno como Hi-Tech Jazz de Galaxy 2 Galaxy, exploramos la dimensión musical, pero también sociopolítica, de un sello que revindica posiciones anticomerciales y antirracistas a través del baile y el sonido. TRACKLIST:1. Nocturbolous – Suburban Knight2. Transition – Underground Resistance3. Sonic Destroyer – X1014. The Seawolf – Underground Resistance5. Amazon – World 2 World6. The Final Frontier – Underground Reistance7. Hi-tech Jazz – Galaxy 2 Galaxy8. Berlin (Mills Mix) – Jeff Mills

De'Sean Jones on the JUMP Music Podcast SE2-EP2 @deseanjones De'Sean Jones is a Detroit based saxophonist & composer, billboard charting recording artist and 2x Grammy nominated arranger. Over the past 20 years De'Sean has toured the world recording or performing with music Icons like Stevie Wonder, Snoop Dogg Faith Evans, along with a host of Detroit Legends; Marcus Belgrave, The Clark Sisters, Kierra Sheard and techno pioneer Mad Mike Banks of Underground Resistance. As a bandleader & producer Jones curates an eclectic approach that is widely viewed as progressive and undeniably rooted in the rich history of black culture. De'Sean actively uses his music to push the boundaries of social consciousness in ways that are authentic, emotionally dynamic and intellectually stimulating. All musical projects from De'Sean Jones can be accessed through his record label KNMDK Records. @deseanjones #jumpmusic #musiceducation #musicpodcast #musicindustry #musicindustrytips #musicindustrynews #musicindustryprofessional #musicinterview #musicianlife #musicianstoday #brilliantmusicians #musicaddict #musicartist #musicbusiness #musicmaker

As one of the founding members of the legendary Detroit techno crew Underground Resistance – alongside Mad Mike Banks and Jeff Mills – Robert Hood’s legacy in the electronic music world is almost peerless. Pioneering the minimal techno sound with his 1994 album Minimal Nation, it was his Paradise LP as Floorplan that gave minimalism new, hot-blooded life. In his 2014 Red Bull Music Academy lecture, Hood passionately discussed his work with UR, the importance of hi-hats, and much more.

Tutto tranne il calcio 41 vi porta come il lungo ponte milanese verso le lande del divertimento ad altissimo livello e a bassissimo, se non nullo, costo. Si inizia da una versione estremamente rara della Butterfly, con cui la Scala apre la sua stagione, per poi passare ai mosaici interattivi di Little Briar Rose e chiudere con l'omnibus audio dedicato a David Foster Wallace e alla sua vita. Tutto qui, tutto con Il Pregianza, Simone e Superpap e soprattutto con il Rischiaizzi, il Rischiatutto Musicale di Marco Caizzi, per l'occasione dedicato al Jupiter Jazz.DI COSA ABBIAMO PARLATOMadame Butterfly di David Olcott - la Scala apre con l'opera di Puccini. Noi ve la facciamo vedere gratis (Gratis)https://www.youtube.com/watch?v=JWcBuLwpDuQLittle Briar Rose - Un avventura di vetro. Ma solida. (6.79 €)http://store.steampowered.com/app/555290/David Foster Wallace Audio Projet - le gesta infinite di David Foster Wallce, in audio e totalmente gratuite. http://www.dfwaudioproject.org/COSA ABBIAMO ASCOLTATO (A Cura di Marco Caizzi)Anzi no la JUPITER JAZZ playlist ! Mi spiego meglio, negli anni '90 la Underground Resistance rivoluzionò la techno dandogli quel piglio più militante/futuristico che credo tu ricorderai, ma veniva cmq dalla cultura black americana e quindi si dal soul dal funk dal jazz anche se preso a tranvate da kraftwerk ed electro. E chi ci andò sotto subito? I compositori di videogame music giapponese che proprio al pezzo JUPITER JAZZ di Mad Mike Banks (aka Galaxy 2 Galaxy e fondatore di Underground Resistance insieme a Jeff Mills e Robert Hood) si sono ispirati/hanno copiato per tante delle loro colonne sonore. Quindi la playlisti di oggi prevederà:L'originale Jupiter Jazz di Mad Mike Banks sotto il nome Underground Resistance uscita nel 1992: https://www.youtube.com/watch?v=8aDE6rVxELELa musica dello stage two dello sparatutto a scorrimento verticale BATTLE GAREGGA (antesignano dei bullet hell e shmup jappo della madonna) composta da Manabu Namiki su ispirazione dichiarata e palese di Jupiter Jazz resa più veloce e sparatuttosa: https://youtu.be/4kcTXUwViWM (1996)La musica dello stage di Michelle in Tekken 2 che rende Jupiter Jazz più happy jappofesta sognante, con dei suoni scrausi quasi vapor ahah: https://www.youtube.com/watch?v=guojEvsWsbo

Chubby! on Facebook: www.facebook.com/chubbyrecords Scott Ferguson on Facebook: www.facebook.com/ScottFergusonFerrispark http://sfergusonmusic.com @ferrispark In 1994 Scott Ferguson was introduced to the House & Techno scene in Detroit, Michigan. By the next year Ferguson began Deejaying and consuming a wide range of vinyl records which included, Detroit & Chicago House, Detroit Techno, Disco, & Funk. On the recommendation of UR founder ‘Mad’ Mike Banks, Ferguson purchased the Ensoniq ASR-10 in 1998. The ASR workstation would become the most intregal part of his sample heavy, filtered down sound. Ferguson released his first 12″ record on his own imprint in 2001 and since has released records on Kenny Dixon Jr.’s ‘Mahogani Music’, as well as Reggie Doke’s ‘Psychostatia Recordings’. In 2012 Ferguson started two new projects, the ‘Black Boxx’ project using only 3 black hardware boxes to compose simple, yet effective, loop based machine music and JBSF with fellow DJ/Producer Jitterbug. Scott’s productions have been played and charted by legendary Deejays including Derrick May, Larry Heard, Theo Parrish, Moodymann, Marcellus Pittman, Rick Wade, and Mike Huckaby. Currently Ferrispark Records is still manufacturing and selling 12″ vinyl records and Ferguson is still travelling the world playing them. Scott's mix is influenced by Detroit radio stations like WJLB that he used to listen to on the weekends during his early twenties.

Our next episode is by an artist whose work is of huge significance to the history and progression of the Detroit techno sound; DJ 3000. Given the name '3000' by Mad Mike Banks and a member of the Undergeround Resistance/Submerge crew, he formed the now seminal Motech imprint in 2001. The label's back catalogue reads like a who's who of motor city techno, and his sounds merge the electronic rhythms reminiscent of his city with ethnic flavours from his parents' home country of Albania and beyond. At Tribal Pulse we absolutely love this coming together of influences, and we hope you enjoy the mix. Don't forget you can catch 2 more big supporters of Detroit sounds, Jean Pierre Enfant and Boom Merchant, at our next label night at Saint Judes in Glasgow on 7th February, and remember our first adventure on wax of 2015 isn't far away. Stay tuned www.facebook.com/dj3000usa www.soundcloud.com/dj3000motech www.facebook.com/TribalPulseLabel www.soundcloud.com/tribal-pulse

On prend les 2 même lascars et on recommence. Second EP de nos aventures électroniques, rythmées ce mois-ci par les voyages dans l’espace-temps… Tout un programme.Habillage sonore Aphex Twin, album « Selected Ambient Works 85-92 », sorti chez R&S Records en 1992: 1er tapis: « XTal » 2ème tapis: « We Are The Music Makers » 3ème tapis: « Heliosphan » TRACKLIST Jean Michel Jarre – Chronologie Part.6 (Redscape rewind part.5 edit) LP: Chronologie – Label/Année: Disques Dreyfus / 1993 Kraftwerk – Spacelab LP: The Man Machine – Label/Année: Kling Klang / 1978 Clancy – Overdue EP: Overdue EP – Label/Année: Dirt Crew Records / 2014 Borealis – Streamsnare LP: Glittervoice – Label/Année: Origami Sound / 2013 BeK – Unfinished EP: Cheikh – Label/Année: Kaometry Records / 2014 Xeroderman – Folia Synesthesia EP: Semaphore – Label/Année: Kaometry Records / 2014 Laurent Garnier – Water Planet EP: Planet House EP – Label/Année: FNAC Dance Division / 1993 Peter Van Hoesen – Challenger EP: Life Performance EP – Label/Année: Tresor / 2013 X-102 – Daphnis (Keeler’s Gap) LP: Rediscovers The Rings Of Saturn – Label/Année: Tresor / 2008 Son Lux – Easy (Arandel Remix) LP: Lanterns – Label/Année: Joyful Noise Recordings / 2013 – remix par Arandel, non licencié Air – Kelly Watch The Stars LP: Moon Safari – Label/Année: Source / 1998 Boards Of Canada – Sick Time LP: Tomorrow’s Harvest – Label/Année: Warp Records / 2013 NOTES DE L'EMISSION Borealis, également connu sous le nom de Jess Somfay, a sorti en 2009 un long format chez Archipel Records, « A Catch In A Voice ». Aldevar avait en effet, sans doute, fumé la moquette puisque Peter Van Hoesen a sorti son premier EP en 2006 et non en 1993. Il n’est donc pas du tout un papy. Par contre, Richie Hawtin a vraiment sorti sur son label Plus8 Records un morceau de Deadmau5. Lui a sans doute fumé la moquette, et a mal vieilli. X-102, composé de Jeff Mills et « Mad » Mike Banks, ont sorti en 1992 la 1ère version de leur vision de l’écosystème de Saturne, « Discovers The Rings Of Saturn », publié également chez Tresor. La version de 2008 est rallongé de 6 tracks supplémentaires. « Moon Safari » est bien sorti en 1998, mais certainement pas chez Record Makers, crée en 2000 par… Air. Il fallait plutôt comprendre, sorti en 1998 chez Source, autre label français de cette époque.

K1971 PODCAST - DJ T-1000 aka Alan Oldham Alan Oldham has been called "Detroit Techno's Renaissance Man" (Musik, UK).A lifelong cartoonist and graphic designer, a young Oldham published his own comic book "Johnny Gambit" in 1987 to local notoriety. Hired that same year by his childhood friend Derrick May to illustrate several memorable pieces for the new Transmat label, this led to Oldham's first involvement in the fledgling techno scene. Besides his art and writing, 1987 also saw Oldham's radio debut on Detroit's WDET-FM with the long-running 'Fast Forward' program. Originally meant to be a free-form rock, jazz and fusion show, Oldham's passion for both local and international electronic music gradually took centerstage until it finally became the only radio program in Detroit to feature techno and house music exclusively. The early cassette, reel-to reel and four-track material of such (now) well-known international artists as Underground Resistance, Carl Craig, Kenny Larkin, Octave One, Anthony Shakir, and Richie Hawtin made its on-air debut here, as well as being the first and only show to break international acts like Moby, Joey Beltram, 808 State, LFO, Front 242, Nitzer Ebb, and others in Detroit. In 1988, Oldham graduated from Wayne State University with a degree in Radio-TV-Film. In 1990, having finally produced his own EP at a friend's studio, Oldham sold the project to a small Dutch label whose fax number he found in the record bins of Recordtime. His pseudonym for the four-track project was Signal to Noise Ratio released by the small Dutch label, DJAX Records. After the release of the EP, label boss Saskia "Miss DJAX" Slegers hired Oldham to create the graphic identity of DJAX-UP-BEATS. Ten years on, DJAX dominates the Dutch techno scene and Oldham's trademark visual style still defines the label. In 1992, Jeff Mills left Underground Resistance to become a solo act. "Mad" Mike Banks, needing an immediate replacement DJ for a month-long Austrailian live tour, tapped Oldham for the job. Without rehearsals, Oldham took the leap of faith that changed his life. Jump start into infamy. Leaving his increasingly-thankless WDET airshift behind forever and adopting the onstage personal of DJ T-1000 (taken from the shape-shifting liquid metal cyborg in "T2"), Oldham began rocking decks for UR and never looked back, setting the stage for subsequent UR "assault DJs"Rolando and James Pennington. Upon returning from UR's triumphant Austrailian tour, Banks again tapped Oldham's many talents, this time asking him to create a label to be distributed by a new company that Banks was organizing, a distributorship that would within a few years come to dominate the Detroit landscape: Submerge. Oldham agreed and his second and most successful attempt at a label, (the first was the disasterous Technika records 1989) would be called Generator. It was also during this time that Oldham once again became prolific, artwise. A fully-painted "Danger Girl" comic strip in Muzik UK and the album cover for Astralwerks "Beyond The Third Wave" (ASW6170) compilation marked 1995, as well as his debut retrospective at Detroit's Cement Space Gallery and a new "Miss DJAX" comic. With his solo career in full swing, however, it was time for his music to follow suit. Oldham established the Pure Sonik label in 1996 with the double-barreled, double-vinyl statement of intent "Pure Sonik Manifesto" (PURE1). This move garnered his first cover story in Magic Feet (UK), and a music video that aired on MTV UK's "Party Zone". Three years later, the label continues to feature Oldham's production talents as DJ T-1000, the best moments of which can be found on the CD/2x12", "A Pure Sonik Evening" (PURE10) . In 1998, Oldham began an alliance with legendary German techno label, Tresor when their label manager vacationing in Detroit, was blown away be his demo tracks. Signing him on the spot, the first product of that transatlantic union was "Jetset Lovelife EP" (Tresor87) and his debut performance at the Tresor club in Berlin. In between a solid year's worth of DJ dates both in the US and abroad, the release of his first-ever mix CD "Live Sabotage" (BML/X-Sight 6386), and many personal changes at home, Oldham delivered his debut album "Progress" (Tresor128). It was released in Europe in October 1999 and a world tour quickly launched, capped by an epic, four-and-a-half hour set at the Tresor Club, broadcast live over the internet. "Progress" was bracketed by the dual release of "Codes And Structures Vol 1" (PURE11) and "Vol 2" (PURE12) on his own Pure Sonik label. As the new millenium began, Oldham produced a second mix CD "The Last DJ On Earth" (PURE14) , launched 2 websites (both for label and his art), participated in DEMF 2003, released of another album "Neutra" (PURE17CD), and a return to artwork. After over a decade in the music business, DJ T-1000's job of World Sonik Domination is never done. Oldham in 2006 started his first-ever, low-tempo/experimental, CD-only label, "xfive." and presented its first release, "The Art of Transformation" (X5001CD) inspired by his art gallery openings in France, Los Angeles, Chicago, and Germany. Another "Art of Transformation" CD released in January 2008. In 2009, Oldham released an all new Johnny Gambit comic with accompanying original soundtrack with 2nd installment and soundtrack finished in March 2013, awaiting release.2012 saw the rise of the moniker, Detroitrocketscience (first appeared on xfive), and debut of label of same name with the release of a series of 10" records in 2012/2013.