Podcast appearances and mentions of Kenny Larkin

Infusion Underground 098 mixed live by CT DJ. This month's mix features 11 tracks of Progressive House featuring artists Booka Shade, Eli & Fur, 8Kays, Dmitry Molosh, Eko Centrik, Fehrplay, Hidden Empire, Gorge, Hydrogen Rockers, Jepe, Madonna, Kevin Saunderson, Marvin & Guy with remixes from Jamie Stevens, Alican, Danny Howells & Dick Trevor & Kenny Larkin. Thanks for listening, liking, sharing and subscribing. Turn it up, listen loud, get lost in the journey of the music and enjoy! CT x

With tracks from Kenny Larkin, 40 Thieves Feat Qzen, Patchworks, Floorplan, Paul Johnson, Brandon Markell Holmes & Cee Elassaad, Simon Dunmore, George Feely, Alter Ego, Cosmo Vitelli, Craig Smith, Chris Westbrook, JVXTA, Bullion, Yuu Udagawa, DJ Pierre & Rio Lothario Lee, Eddie Flashin' Fowlkes, Baby Rollén, Dzc., Octave One. Contact: dj@ribeaud.ch.

En aquest nou capítol l'Eva Manuel ens ha fet un petit monogràfic sobre Lara Rix-Martin, també coneguda com a Meemo Comma. En Letung ha seguit a Detroit amb els seus Mites de l'Electrònica per parlar-nos de Kenny Larkin. L'Oscar Cortés ens ha fet la seva aportació mensual d'electrònica feta amb maquinetes per punxar-nos a Katatonic Silentio. Finalment hem tingut la vibilada setmanal amb en Monkey. Tracklist: 1- Heterotic: Florence 2- Meemo Comma: Neon Genesis - Title Sequence 3- Meemo Comma: Loverboy 4- El B & Om Unit: Dodgems 5- Kenny Larkin: We Shall Overcome 6- Kenny Larkin: Azimuth 7- Katatonic Silentio: Hide 8- Rod Modell: Ghost Lights 9- Purelink: Stadium Drive 10- Airhead: Still Waiting for You 11- FFF: Axehead 12- Dj Guy: Jouney Onwards

With tracks from Kenny Larkin, Quench, Soft Cell, Voigtmann, Resocode, Ben Sun, Bicep, Roderik Flohil & Smit Wietse, Cinthie, Miles Ellis (US), Luna City Express, Red D Presents Red Basics, Shan, Moby, Sebastian Becky, Chris Muñoz, Blackploid, Boo Williams, Bottin, Fontana. Contact: dj@ribeaud.ch.

Kaum zu glauben. Was ursprünglich als „Kopie“ der Berliner Love Parade begann, findet heuer zum 30. mal statt. Die Rede ist natürlich von der Streetparade in Zürich - nach eigener Aussage die GRÖSSTE TECHNO PARTY DER WELT. Es begann 1992 mit 1000 „Demonstanten“ für Liebe, Friede, Freiheit, Grosszügigkeit und Toleranz - so das Motto der bis heute als politische Demonstration angemeldeten Parade. Ein Jahr später kamen schon 10.000 und im Jahr 2001 tanzten zum ersten Mal eine Million Besucher um das Züricher Seebecken. Auch das parallel zur Streetparade stattfindende "Lethargy"-Festival feiert mit seiner 25. Ausgabe ein großes Jubiläum. U.a. mit Kenny Larkin, DJ Hell, Pilocka Krach und Live-Sets von Dachshund, Dub Spencer & Trance Hill und Komfortrauschen. Ursprünglich als ironische Replik zum kommerziellen "Energy" Rave gegründet, hat die Lethargy in der Roten Fabrik in Zürich-Wollishofen längst hohe künstlerische Standards gesetzt. Stilistisch offener als "nur" mit Techno & House aufgestellt, überraschen Petar Klingel und Kollegen alle Jahre wieder mit genialen Ideen - vom Booking bis hin zur Deko. Zurück zur Streetparade: Bei strahlendem Sonnenschein fahren am 12. August wieder 30 phonstarke „Love Mobiles“ in 12 Stunden die rund zwei Kilometer lange Strecke am Seebecken entlang, mitten durch die Zürcher Innenstadt. Das erste Highlight startet bereits um 13 Uhr, wenn kein geringerer als Chris Liebing mit einem knackigen zweistündigen Set auf dem „Opening Legend Truck“ die 30. Straßenparade eröffnet. Letztes Jahr hatte der ex-Frankfurter erstmals die Main Stage gerockt. Das Interview, das ich damals mit ihm kurz vor dem Gig führen konnte, hört ihr als "Special Bonus" in dieser Episode. Insgesamt beschallen über 200 lokale und international bekannte DJs – darunter Anfisa Letyago, Marcel Dettmann und Seth Troxler – um nur einige zu nennen, das auf den Love Mobiles auf 8 Stages mit 1- bis 2-stündigen Sets. Also eine Mischung aus „All You Can Eat“ und musikalischer Delikatessen-Boutique. Von klassischem techno über Hardstyle bis zu Psy Trance ist alles vertreten. Und auf dem Truck von „Daytona Events“ aus dem Kanton Aargau fährt ein alter Frankfurter Bekannter mit, nämlich Talla 2 XLC. Eine weitere Besonderheit – und vielleicht auch das große Erfolgsgeheimnis der Street Parade ist der Umstand, dass alle DJS und Künstler ohne Gage auftreten, zumindest erhalten sie für den Auftritt auf den Stages keinerlei Honorar. Eine, die beinahe von Anfang an dabei war, ist Jris Carducci. Die Aktivistin und Event-Managerin hat mit der „Generations Stage“ einen kleine Hippie-Oase im gigantischen Getümmel geschaffen, wo wirklich Generationen von aufgedrehten Twentysomethings bis zu gechillten Althippies im Rentenalter lautstark, aber friedlich zu PsyTrance Beats miteinander feiern. Folge direkt herunterladen

En aquest nou capítol la Laura i les seves Dones Electròniques, ens va parlar de talent local com es la dj i productora Alvva. En Letung ens va parlar de la Detroit Music Conference i ens va punxar un tema de Kenny Larkin. Finalment vam tenir una vinilada mès llarga del habitual amb en Babar, en Monkey i en Dosha.

Recorded live at Sisyphos Wintergarten, Berlin, 4-8AM 21 November 2021. Featuring music from Dan Shake, Melé, Louie Vega, Bicep, Todd Terje, Henrik Schwarz, The Chemical Brothers, King Britt, Danny Tenaglia, Kenny Larkin, Manakinz, Felix Da Housecat, Jordan Nocturne and many more. Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads, exclusive mixes, exclusive previews of my tracks and extended versions of my club sets. If you want to support me in another way, please give this podcast a 5-star review, repost it on Mixcloud or SoundCloud or buy/stream my music. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on SoundCloud  Follow the Turned On Spotify playlist, with over 2300 tracks played on this show and in my sets. Subscribe to RecordReplay, my £10 budget second-hand vinyl mixtape series. Subscribe to Monologues, my podcast series where producers mix only their own productions. Turned On is powered by Inflyte – the world's fastest growing music promo platform.

Disc-jockey y productor español que comienza a trabajar en discotecas en el año 1989 después de hacerlo en varios pubs. Pionero y promotor de música techno en Galicia y llegando a convertir su club en lo que ha sido todo un templo de la electrónica “Oxido”. Su estilo lo define como «progresivamente explosivo», ya que es un Techno con mucho groove pero una mezcla de sonidos tribales y más agresivos que llevan al publico a un autentico delirio en las pistas de baile, motivo por el que es el encargado de cerrar la mayoría de las grandes fiestas y festivales donde trabaja. Mayoritariamente combina su trabajo entre España y Portugal habiendo asistido en nuestro país a festivales como «Satisfaxion», «Festidance «, «Aquasella “, «Elektrogaia «etc sin dejar de hacerlo por clubs de la geografía española: Asturias, Burgos, Cáceres, Valladolid, Leon, Madrid, San Sebastián, Segovia, Palencia etc… Portugal es otro país donde desde el año 1995 trabaja continuamente y donde es reconocido como uno de los grandes entre los grandes. Prueba de ello ha sido sus 3 nominaciones a mejor dj internacional y su asistencia cada año a grandes eventos como han sido: «Dancefields festival «, «A Week In A Paradise Called Portugal», «Tecnolandia», «Supersonic Festival», «Union Tribe» o «Elektro Parade» a parte de su visita continúa a los más importantes clubes de norte a sur del país. Este dj sigue compartiendo cabeza de cartel prácticamente con la totalidad de los mejores disc-jockeys internacionales, entre los que han estado: Laurent Garnier, Carl Cox, Jeff Mills, Richie Hawtin, Luke Slater, Derrick May, Gaetek, Dave Clarke, Bem Sims, Marco Carola, Oliver Ho, James Ruskin, Tim Baker, Kenny Larkin, Stacey Pullen, Dj Rush, Dj Misjah, Eric Morillo etc, etc. --- Send in a voice message: https://anchor.fm/radio-4g-valladolid/message

Bside Incoming: Gebrueder Teichmann Today we have a treat for you, two brothers who are incredible artists with firmly planted roots in Berlin's underground scene since the late nineties. We welcome Andi and Hannes, or Gebrüder Teichmann. The duo have some serious pedigree with their father being the incredibly talented multi-instrumentalist Ulrich Teichmann. Their musical passion has bloomed with electronic music and now they play many of Berlin's best clubs like Berghain/Panarama Bar, WMF, Watergate, Bar 25 as well as their regular nights at Suicide Circus since 2009. Their artistic outreach also has a strong global dimension with the formation of intercultural electronic ensembles like Karachi Files (Pakistan/Europe), BLNRB (Nairobi/Berlin), and Mondmaschine (Mexico/Central America/Europe). Their Bside selections reflect this curiosity for the diversity of rhythm and music, with their tried and tested B2B formula keeping the energy flowing Gebrueder Teichmann soundcloud - https://soundcloud.com/gebrueder-teichmann Their instagram - https://www.instagram.com/gebruderteichmann/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/ Artist - Track - Ep/ Album - Label - Year 1. Man or Astroman - Maximum Radiation Level (Intro) - Experiment Zero - One Louder Records - 1996 2. Gebrüder Teichmann - Dzoka - from Lost on Earth - NOLAND - 2017 3. Isolée - Music - Music... - Playhouse - 1999 Set 1 mixed by Hannes 4. Metamatics - Spacemang (D2) - midnight sun pig - Dot Recordings - 2000 5. Readymade - Jailhouserock (D1) - Bold - F Communications - 2001 6. The KLF meets the Moody Boys Uptown - Mu D. Vari-Speed Version (B2) - Last Train To Trancentral - KLF Communications - 1991 Set 2 mixed by Andi 7. Chicago Underground Duo - Dante - Taken from LOCUS - Northern Spy Records - 2014 8. TAU 2 - Scream - Fun In The Church Records - 2021 9. Patrick Pulsinger - Future Back feat Fennesz - Impassive Skies - Disko B - 2010 Set 3 mixed by Hannes 10. J. Dahlb‰ck - untitled (B2) - The Persuader / What is the time, Mr. Templar? - Svek - 1997 11. G-Man - Quo Vadis (F) - untitled - Styrax / originally released on Art Of Dance 1996 12. Robert Hood - sterno-mastroid (D2) - Moveable Parts Chapter 2 / The Puppet Master - M-Plant - 1997 Set 4 mixed by Andi 13. Burnt Friedman - Rimuse - from Zen´Aku - Nonplace - 2011 14. Daphni - Jiao - Jialolong001 - 2011 15. CAIN - Juok - Atai - Highlife - 2016 Set 5 mixed by Hannes 16.The Jedi Knights - May The Funk Be With You - New School Science - Evolution - 1996 17. M > O > S feat Aroy Dee - Lyrical - Electronic Music Created In Ordinary Bedrooms And Other Household Spaces - Delsin - 2002 18. Morgan Geist - How Beep Is Your Love (Here 2) - Nebula Jersey Volume One - Environ 004 - 1998 Set 6 mixed by Andi 19. The Music Man -i got the music (sir henrys special mix) - Repap - 1999 20. Farben - ff - from beautone - Klang Elektronik - 2000 21. J. Dahlbäck & J.L. Huhta - untitled - midnight express - SVEK 10 - 1997 Set 7 mixed by Hannes 22. Sean Deason (not Kenny Larkin - sorry!) - The Shit (B1) - Art Of Dance Sampler - Art Of Dance - 1996 23. Convextion - untitled (AA) - Convextion - Matrix Records - 1995 24. Jonzon - Ganuine - Testosterone EP (AA1) - Space Teddy - 1995 Set 8 mixed by Andi 25. Super Biton National De Ségou - Siséne - Kindred Spirits 2012 / repress - 1977 26. Mark Ernestus Presents Jeri Jeri - Daguagne - Ndagga - 2013 27. Thomas Mapfumo - Muchadura - from Corruption - Mango Rec - 1989 Set 9 mixed Hannes 28. Karachi Files - Dust (B1) - Karachi Files - Noland 2016 29. Karachi Files - Dissolve (C2) - Karachi Files - Noland - 2016 30. BLNRB - Zamaney feat. Ukoo Flani, Jahcoozi (B3) - Welcome To The Madhouse - Out Here Records - 2011 31. Rhythm & Sound w/ Jah Cotton ñ Dem Never Know - See Mi Yah / Dem Never Know - Burial Mix - 2005 Outro 32. Sammy Levi - Automatic (A :) - untitled - Dub Irator / Digikiller Records - 2011

A 1 Hour special with only the best classics made by 2 man or 1 label! Plus 8 was founded in 1990 by DJs Richie Hawtin and John Acquaviva. The label's name referred to the fact that on most turntables, +8% is the maximum amount by which one can increase the speed of playback. Initial releases were a series of increasingly faster industrial hardcore recordings by the pair themselves and their friends, using aliases such as States of Mind and Cybersonik, along with other Detroit-based musicians such as Kenny Larkin. ​ **FOLLOW US FOR OLDSKOOL AT:** ​ https://hearthis.at/oldskool/ http://instagram.com/oldskooltrax http://youtube.com/oldskooltrax

A 1 Hour special with only the best classics made by 2 man or 1 label! Plus 8 was founded in 1990 by DJs Richie Hawtin and John Acquaviva. The label's name referred to the fact that on most turntables, +8% is the maximum amount by which one can increase the speed of playback. Initial releases were a series of increasingly faster industrial hardcore recordings by the pair themselves and their friends, using aliases such as States of Mind and Cybersonik, along with other Detroit-based musicians such as Kenny Larkin. ​ **FOLLOW US FOR OLDSKOOL AT:** ​ https://hearthis.at/oldskool/ http://instagram.com/oldskooltrax http://youtube.com/oldskooltrax

A 1 Hour special with only the best classics made by 2 man or 1 label! Plus 8 was founded in 1990 by DJs Richie Hawtin and John Acquaviva. The label's name referred to the fact that on most turntables, +8% is the maximum amount by which one can increase the speed of playback. Initial releases were a series of increasingly faster industrial hardcore recordings by the pair themselves and their friends, using aliases such as States of Mind and Cybersonik, along with other Detroit-based musicians such as Kenny Larkin. ​ **FOLLOW US FOR OLDSKOOL AT:** ​ https://hearthis.at/oldskool/ http://instagram.com/oldskooltrax http://youtube.com/oldskooltrax

Richie Hawtin has been at the forefront of electronic music for the last 30 years. His relentless spirit of innovation has led him to pioneer new ways to connect with his audience whilst on stage. Embracing the unknown and rejecting the status quo is what drives him to create powerful new ideas and live performance experiences.

Richie Hawtin has been at the forefront of electronic music for the last 30 years. His relentless spirit of innovation has led him to pioneer new ways to connect with his audience whilst on stage. Embracing the unknown and rejecting the status quo is what drives him to create powerful new ideas and live performance experiences.

Circoloco Radio - Bringing you new mixes from the best DJs in the world. Dj Sotofett - datalivet ( part1)The Wolfgang press - dark time Sepehr - velvet dream Jump source - empathy dub2 feat Patrick holland, priori Simoncino - Tribe & Soul Sanso - Cruisin Dj slyngshot - untitled A2Idriss D - Lunatic - Dj Sotofett’s double cue Remix Dj rocca : above board The analogue cops - protectorate - pzAnonym - go deeper . Kenny Larkin remix Computer data - ego Webb - elevate ( broke down mix) Bplan & Fab_0 - passione italiana

From The City that Never Sleeps, dance music’s freshest face Wendy Escobar presents Mood Swing, a new radio show that sheds light on the sounds shaping New York’s underground. No Tracklist Available.

#312 of our podcast series by @michaelritter030! ► Michael Ritter: ⌬ https://www.facebook.com/michaelritter030 ⌬ https://www.instagram.com/michaelritter030 ⌬ https://open.spotify.com/artist/7a3Sh2mjo0aTV6nOH5JZVq ⌬ https://www.residentadvisor.net/dj/michaelritter ⌬ https://www.greybarhotel.info/artist-page-michael-ritter ━━━━━━━━━━━━━━━ Also listen to this podcast here: iTunes: https://apple.co/3gzJzWF Google Podcasts: https://bit.ly/2WNAK4f Mixcloud: https://bit.ly/31r7OBZ hearthis: https://bit.ly/3gluXKg LTU Radio: www.likethatunderground.com/radio (every saturday 5 p.m.) More sets on ⇨ www.clubmoodvibes.de/artists

Housepedia Podcasts #HomeIsWhereHouseIsPlaying 6 I Big Pack Enrique Jimenez aka Big Pack is the House Salad Music label boss out of Mexico City. He discovered his love for electronic music in the mid 90's when he attended house and techno parties with local DJs. From then on, his intimate love affair with house music began. The sound of Chicago with labels like Cajual and Relief and Prescription brought him the most inspiration. His whole trajectory changed and music became his life. The task of discovering music became an infinite loop of collecting records. After 11 years of touring dance floors as a spectator and amateur DJ, in 2005 he acquired his first turntables, technics 1200s. When he finally felt he had an extensive vinyl collection, he decided to venture into the world of DJing professionally. Now, with some years of experience, Big Pack has played in key clubs all over Mexico, opening for artists such as Kevin Saunderson, Kenny Larkin, Derrick Carter, Phil Weeks, Wally Callerio, Andrew Emil, JT Donaldson , Oliver Dollar, 1200 Warriors, to name a few. Out of Mexico, Big Pack has played in Canada, USA and Costa Rica He is very busy with several internet radio show residencies on Radio Webphre and his own podcast & label, House Salad Music, featuring the best DJs in house music. Convinced of the timelessness of music, his mixes are a real tunnel of time, where he plays classics combined with the freshest of modern house. Info about the artist: @bigpack Submit your mixtape: https://housepediamusic.online/submissions/ Listen on Apple: apple.co/3n4V8s5

For Morei Info: Antwon Faulkner www.jackedrecordsdetroit.net www.thisismodulations.com Antwon Faulkner has been in the game for nearly three decades now. Born and raised in Detroit, Antwon started hustling mix-tapes at the age of sixteen. With music in his blood, this is truly what he was born to do. At thirty-five Antwon briefly relocated to Arizona but it wasn’t until late 2008, when he moved to Toronto, did we really get exposed to this next exciting chapter. While people may be more familiar with his DJ moniker, the infamous “Twonz,” in 2009 we got to know a new Antwon, an Antwon re-energized, excited and motivated. His focus shifted from throwing parties and DJing to making music and really honing his craft as a producer. Spending countless hours in the studio, Antwon is careful to avoid listening to others while in his creative zone so the product reflects him and him alone, devoid of any outside influences. With an upgrade in equipment and new pieces of gear, we’ve seen Antwon turn a corner in which he has found his lane and is settling in really nicely. The results are heard in using less loops and playing more of his own keys. While he still regularly releases tracks on his own imprint, “Hijacked Records Detroit,” recent years have seen him spreading the love with multiple releases and remixes on “Restructured Recordings,” “Bulletdodge Records,” “KMS Records.”"Downside UP," "Elephanthaus," "Thoughtless Music," "Motech LTD," "UNT Records," "Frequenza," "Sampled Detroit," and "RF Trax." His music has been played by many world class DJ's such as: Marco Carola, Joseph Capriati, Gene Farris, DJ Bone, Seth Troxler, Laurent Garnier, Richie Hawtin, Steve Bug, Carl Cox, Kevin Saunderson, Kenny Larkin, DJ Heather, Pete Tong, Paco Osuna, Luigi Madonna, Hector Moralez, Stanny Abram, Stacey Pullen, and many more! While production is where Antwon’s heart is, this is not to say that you can’t still catch one of his killer DJ sets. Antwon is straight up techno and prides himself on being current and remaining relevant. You can rest assured you will always hear the new hot tracks and your Detroit classics, which will now include his own productions peppered throughout the set. Listen closely as Antwon often premieres unreleased material for those that came out to jam. Now here is what you won’t see, no software and no laptop. Antwon is currently on a “Bring Back the DJ” crusade. While technology provides us with amazing advances, this is Antwon’s answer to an over saturated market of “DJs” that haven’t learned the fundamentals of beat matching or DJs having a distinct “sound” based on their own sense and use of timing. Two turntables and a mixer and a whole lot of funk! In 2018 he received the "TESTIMONIAL RESOLUTION PLAQUE" FROM THE CITY OF DETROIT for his contributions in bringing the sound of Detroit to an international audience. 1 Justice Orlando Voorn 2 Morning Side (Nino Bellemo Remix) 3 Perception of Groove (Djebali Remix) 4 What Is This Sound ArchieHamilton's HigherRepurposemix 5 Unique Oscar L 6 Bring Da Drums (Original Mix) M. Rodriguez 7 Strange Experience (Uakoz Remix) Eric Sneo 8 NA............................................. 9 Human (Original Mix) Antwon Faulkner 10 We Have Bass-(Original Mix) DJ Deeon, Wehbba 11 Alchemy (Original Mix) Van Sorgen 12 Aitor Ronda - The Rise of The Phoenix (Original Mix) 13 GMHDisciple Tech (Extended Mix) Hotwaxx Hale This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Follow the instagram for updates/news/vinyl and general music chat - www.instagram.com/bsidepodcasts/ Follow the facebook here - www.facebook.com/BsidePodcasts/ Bside Incoming: Man Power A top notch Geordie DJ whose skills have taken him across the world, Boiler Room appearances in Brussels and Berlin, Panorama Bar, Love International, Mexico, Japan, New York, Thailand, Amsterdam, Australia, LA… the list goes on... He's the owner of the record label ‘Me Me Me' along with its sub label ‘Now Now Now', and a prolific producer himself with releases on a variety of other labels: DJ Tennis' Life and Death, Jennifer Cardini's Corespondent, as well as DGTL, Four Thirty Two, Optimo Trax, Hivern Discs, and even a Futureboogie release of his own as the final track of his Bside episode. With his hectic touring schedule cut short, he's been a busy bee during lockdown, publishing videos to help with music production, increasing his output of mixes, and making some more of his own music: Man Power's ‘Economy' LP is streaming now: open.spotify.com/album/17P3vMxpku…OTQoqLJJelrNoPXA Man Power's ‘Statements' (with all profits going to NHS supporting charities) is out now: STMNT1 - lnk.to/STMNT1 STMNT2 - lnk.to/STMNT2 STMNT3 - lnk.to/STMNT3 STMNT4 - lnk.to/STMNT4 He's taken the time to lovingly put together a “guided playlist” of classic and favourite Bsides alike. A smooth number from Peter Gabriel, a dose of UB40 reggae, a funky flip side from The Clash, and some proto 80s house music from Eddie Grant on the Bside of Electric Avenue. Before smoothly sliding on through to some of his favourite electronic tracks from Pepe Braddock, Kenny Larkin, and his own production ‘Ashes' with the Last Waltz collective. Give his Soundcloud a follow and listen - https://soundcloud.com/manpower-1 Check out his bandcamp - https://man-power.bandcamp.com/ Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/

Music heads are going to love this one. Steingold is our latest guest representing Detroit. He's in good company. So far we've had Kenny Larkin, Latroit, Tuxedo, Rude Jude, Josh Glazer, Chris Denson, and I'm sure I'm forgetting some. And yet, Detroit's contributions to culture run so deep, we've barely even scratched the surface. Steingold is the epitome of doing it for the love. He produces house and techno music, and DJs, often touring with Mike D from the Beastie Boys. He also worked at MySpace early on and co-founded a tech company. In today's episode, he shares some insights into straddling those two worlds and how he stays connected to the people that enable him to make moves. In our interview we talk about... Bobby French Carl Craig Depeche Mode Derrick May Diplo DJ Assault DJ Graffiti DJ Spider El da Sensei Elvis Suarez Eminem Erick Morillo Gladys Pizarro Green Velvet J-Live Jack Tripper Jason’s dad Jeff Mills Jimmy Buffett Josh Glazer Juan Atkins Kenny Larkin Kevin Saunderson Kraftwerk LeBron James Lee Curtis LL Cool J Malcolm Gladwell Mayer Hawthorne Mike D Mixmaster Mike Moodymann NASA Richie Hawtin Run-DMC Sade Scion Seth Troxler Sharevari Skrillex Sugarhill Gang Terence Parker The Beastie Boys The Beatles The Electrifying Mojo The Fat Jew The Fatback Band The Gap Band URB Magazine Wham! Whodini Wilt Chamberlain If you liked this one, check out our interview with Tuxedo: https://soundcloud.com/rebel_radio/ep-3-mayer-hawthorne-says-get-your-shit-together-and-dont-fly-coach EDM.com Track of the Week: https://soundcloud.com/ayoomusic/timeline-feat-rhymster

En este episodio, rendimos homenaje a mi género musical preferido: el Techno y, a la ciudad donde nació, Detroit. En este homenaje, sonarán clásicos de A NUMBER OF NAMES, CYBOTRON, MODEL 500, RHYTHM IS RHYTHM, INNER CITY, EDDIE FLASHIN FOWLKES, UNDERGROUND RESISTANCE, JEFF MILLS, ROBERT HOOD, BLAKE BAXTER, REESE AND SANTONIO, OCTAVE ONE, CARL CRAIG, PLASTIKMAN, JOEY BELTRAM, R-TYME, X-RAY, AUX 88, DREXCIYA, KENNY LARKIN, MOODYMAN, DJ ROLANDO y MEMBERS OF THE HOUSE. Todo el mundo a bailar!

Alegria Sessions #068 On this episode of Alegria Sessions (17-01-2020) Adrian Alegria plays hot new music from Henrik Schwarz, Butch, C.vogt, Dani Casarano, Felipe Valenzuela, Dayne S, Rick Großmann, Whitesquare, Lorenzo de Blanck, Kenny Larkin, Alex Graham and Super Flu. FB Alegria Sessions: www.facebook.com/AlegriaSessions/ FB Adrian Alegria: www.facebook.com/adrianalegriaofficial/ www.adrianalegria.com

In our final podcast of the year, a merry Musa and Ryan record a festive mail bag. They briefly discuss Spurs v Chelsea before answering questions on the Bundesliga, Liverpool, Champions League, Christmas themed kits and much more, before playing out on a Detroit classic from Kenny Larkin. Thanks to everyone who has supported Stadio so far and see you in 2020! See acast.com/privacy for privacy and opt-out information.

Kenny Larkin is considered a master in techno circles, blending soul and technology to push boundaries and make you dance. He's one of those "your favorite DJ's favorite DJ types" that casual fans aren't familiar with but whose impact can be felt across generations. Kenny let us in on what moves him to keep going and evolving and speaks openly about some of the things he's learned along the way. We also talk about the history of Detroit techno and its impact on the music that followed. Hit play for a fun interview. If you liked this one, check out our interview with Josh Glazer: https://soundcloud.com/rebel_radio/josh-glazer-how-to-ask-for-what-you-want EDM.com Track of the Week: https://soundcloud.com/thisisechelon/choice-tattoo

Welcome everyone to the new edition of Club Room. Thank you for spending the next hour with me and my musical selections for this week. I have some special new tracks for you to enjoy including ‘Hedonic Treadmill’ from the new Catz & Dogz album, two new remixes of Erol Alkan’s ‘Spectrum’ - one of my most favourite recent tracks - as well as two new productions from Hammer, a coupe of classics from Kenny Dope and Kenny Larkin, plus an exclusive play for you of my track ’Tijuana’ which will be released on Sous Music next month. 1. Catz N Dogz - Hedonic Treadmill 2. SCB - Test Tubes (Hammer Mix) 3. Erol Alkan - Spectrum (Mano Le Tough Remix) 4. Hammer - Dance Since 5. Casio, Ware, Chip E - I Wanna See You Freak (Kenny Dope Remix) 6. Lone - Blue Moon Tree 7. Nasser Baker & Yulia Niko feat. Debby Coda - Someone I’m Not (NB’s STIN Drums) 8. Sinfol - Trembling (Efdemin Remix ) 9. Anja Schneider - Tijuana 10. J.C - Vertigo (Sheds 030 Dub Mix) 11. Erol Alkan - Spectrum (Matrixxman Remix) 12. Inner City - Future (Kenny Larkin Remix) 13. The Plan - 4 Bit Logic

British composer and electronic producer Circles And Ellipses releases “Burn:Cycle Reworks” via Here & Now Recordings; a follow-up EP to the original soundtrack of the 1994 video game Burn:Cycle, the first ever video game soundtrack to feature orchestral music, consisting of four reimagined electronic compositions. Originally composed and produced by both Chris Whitten and BAFTA-nominated British film score composer, conductor, producer and musician Simon Boswell in the early ‘90s for the adventure video-game title published by Philips Interactive Media, Chris Whitten now returns as Circles And Ellipses to share reworks of this classic game soundtrack. Whitten’s musical journey has been a vast and impressive one so far, from producing classic ‘80s hit-singles such as "What I Am"by Edie Brickell & New Bohemians (which currently boasts 10 million views on YouTube alone), to providing drums for "The Whole of the Moon"by The Waterboys and the legendary Sir Paul McCartney’s 1989 album“Flowers In The Dirt”and joining iconic British rock band Dire Straits on their final world tour from 1991-1992 and once again during their 2017 reunion tour. Chris Whitten is also widely recognised for composing original scores for top media companies, including BBC and Discovery Channel. Circles And Ellipses has just done a Mix for NTS Radio’s Tim Noakes’ ‘Synth Hero Show’ whose previous guests include film composer Clint Mansell, dance duo Orbital, Stranger Things composer Kyle Dixon, and Paul White from R&S Records. Noakes has described Whitten as“cult drum God”. Chris Whitten was born in Wimbledon, just outside London and now lives in the west of England, near Bath and Glastonbury. With a burning desire to pursue a musical career, Whitten left home at the early age of just 16 to study jazz and classical composition at The City Of Leeds College Of Music, although his musical diploma would be cut short in 1979 after picking up more local gigs and eventually embarking on a tour with seminal British jazz-fusion guitarist Gary Boyle. In the early 1980s, producer and guitarist Simon Boswell invited Whitten to perform drums on an album session in Rome. On returning to London, Whitten would contribute to many various styled projects and bands including punk/ funk band Out fronted by local fashion icon and journalist Alix Sharkey, repeated RCA Studio Sessions in Rome, and working as drummer and arranger on several hit albums for celebrated Italian musicians such as Francesco De Gregori, Gianni Morandiand Riccardo Cocciante, collaborating on Cocciante’s 10th studio album with orchestral arranger Paul Buckmaster(Elton John, Miles Davis). Former bandmate Karl Wallinger had since joined Scottish-Irish folk rock band The Waterboys, and in 1984, Whitten would take up drum duties.Chris Whitten performed drums on the hit single “The Whole Of The Moon”, which is still regarded as The Waterboys’“finest hour and signature recording”. Whitten then gained a shining reputation as a prolific freelance studio drummer for artists such as Swing Out Sister and Chrissie Hynde (The Pretenders). Co-producer of the original “Burn:Cycle Soundtrack”Simon Boswell currently holds more than 90 credits in film and TV composition, including acclaimed classics such as Phenomena(1985), Santa Sangre(1989), A Midsummer Night’s Dream(1999)and many more. Boswell's record productions from the 1980’s have influenced many other contemporary musicians, notably "Block Rockin' Beats"by UK electronic act The Chemical Brothers. Whitten sees himself as a drummer with a passion for synthesizers. Although he loves the synth sounds of 90’s techno and electronica, Whitten also takes influences from more classic sounds such as the work of Herbie Hancock, Jan Garbarek and Eberhard Weber.As for his electronica inspirations, Whitten has drawn influence from the likes of minimal techno artist Speedy J, early Detroit techno from 69(Carl Craig) and Kenny Larkin, as well UK’s Kirk DeGiorgio and contemporary electronic producer Lone. Whitten’s work as Circles And Ellipses for the “Burn:Cycle Reworks” EP can best be compared to minimal techno maestros such as Stephan Bodzin and Max Cooper.

TRS076 of the Techniche Radioshow features a special guest mix from Los Angeles' Contessa in preview of her live appearance at Techniche on Thursday August 2nd. Well known for her dark, bass-driven, techno sound, her vibe is unmistakable and unforgettable. She's one of the co-founders of Hollywood's Sunday night weekly event, Sunday Sanctuary who has played countless events across the country sharing the stage with key artists such as Kenny Larkin, Oliver Giacomotto, La Fleur, Darren Emerson, Ken Ishii, Saeed Younan, DJ Rap & more. As a producer, Contessa has tracks featured on labels such as Krafted Underground, the highly successful DTLA compilation with support from global DJs including Steve Lawler, Riva Star, and others. Look and listen for more from this burgeoning, Los Angeles' based talent. tracklist:n/a Join the Fold: technichesd.com/jointhefold YOUTUBE SUBSCRIBE: bit.ly/2wo7jZY INSTAGRAM: instagram.com/techniche_sd TWITTER: twitter.com/technichesd FACEBOOK: facebook.com/technichesd

I enjoyed mixing my last set so much that I figured I'd strip it down even more to the bare elements of the genre. We can thank Robert Hood and Daniel Bell for recognizing this missing aspect of techno music. As a whole, we have Richie Hawtin, Daniel Bell, Robert Hood, Jeff Mills, Carl Craig, Kenny Larkin, and Mike Banks to thank for making this reality a staple in the scene.

stenography -Alex W- blue rhodes -Walter T- dillema -Nicole Moudaber- we are -Philipp- can see your smile -Toni Rios- memories of the future -Philip Gonzales- endless luminosity -Scott Diazz- toe the line -Yellow Cake- cirque de soul -Kenny Larkin- idyllic -Kevin Saunderson- perpetual change -Bellocca- with love from detroit -Josh Love- chasin -Baum- caught up tiger -Thomas Dieckmann- god is a dj -Faithless-

Rx057 Guest DJ/Producer: Big Pack Origin: Mexico City, Mexico Genre Styles: House Label(s): House Salad Music | Dustpan Recordings | Doin' Work Records Bio: Enrique aka Big Pack is resident of Mexico City and founder of House Salad Music, He is the mastermind behind a series of mixes that feature DJs from all over the globe on Soundcloud. Since his early age, he was fascinated by house music in the mid of 90's when he started to listen music from labels like Cajual Records, Relief Records, Prescription, Henry Street Records etc. He always tried to find more and more music and spent most of his days going to underground events and buying vinyl and CDs where he was most attracted to Chicago and French House. Once he got a nice records collection he decided to start dijing in 2005 and now with over 13 years of experience as dj. Big Pack has played in the most important clubs in Mexico City alongside artists like Kevin Saunderson, Kenny Larkin, Derrick Carter, Phil Weeks, Wally Callerio, Andrew Emil, JT Donaldson, Oliver Dollar, 1200 Warriors to name a few. Social Media: Facebook: https://www.facebook.com/bigpackdj Twitter: https://twitter.com/djbigpack Youtube: https://www.youtube.com/user/djbigpack House Salad Music: https://soundcloud.com/housesaladmusic Mixcloud: https://www.mixcloud.com/djbigpack/ Dustpan Recordings: http://www.dustpanrecordings.com/artists/big-pack/ BDP Cali Interview: https://www.youtube.com/watch?v=4RaWby6kzqE Traxsource: https://www.traxsource.com/artist/249973/big-pack Beatport: https://www.beatport.com/artist/big-pack/493903

Mirko Di Florio -coco club- Paperclip People -parking garage politics- Kenny Larkin -cirque du soul- Diz James Kurt -please don't play- Mat Joe -love stream- Ilario Alicante -vacanciones an chile- Christian Smit -someone else- Just Be -after midnight- Alan Fitzpatrick -the tetra- Lake People -frame of reference- Dense & Pika -suki- Virgo -all time- Stefano Frisoni -el nino loco- Just Be -the funky rhythm- Round Table Night -calypso- Chris Montana -porto hustle

Deep & Chill & Electronic Beats. Every Week

Zona 3 es uno de los programas más recordados de Radio 3 a lo largo de sus últimos años. Cada fin de semana entre las 3 y las 7 de la madrugada, su conductora Sonia Briz, supo hacerse con un nombre en el panorama de la música electrónica con su estilo propio e increibles sesiones de Techno, Trance, House, Dance y estilos de música de baile menos conocidos, como el Ambient, el Drum & Bass o el Break Beat. Aquellos géneros musicales hallaron su hueco en la noche de los fines de semana de Radio 3 a lo largo de 7 años, hasta 2003. Posteriormente, entre 2005 y 2008, Sonia continúo adelante con la difusión de estos géneros musicales a través de Radio Zona 3, por donde pasaron conocidos DJs y grandes promesas de la electrónica.

Zona 3 es uno de los programas más recordados de Radio 3 a lo largo de sus últimos años. Cada fin de semana entre las 3 y las 7 de la madrugada, su conductora Sonia Briz, supo hacerse con un nombre en el panorama de la música electrónica con su estilo propio e increibles sesiones de Techno, Trance, House, Dance y estilos de música de baile menos conocidos, como el Ambient, el Drum & Bass o el Break Beat. Aquellos géneros musicales hallaron su hueco en la noche de los fines de semana de Radio 3 a lo largo de 7 años, hasta 2003. Posteriormente, entre 2005 y 2008, Sonia continúo adelante con la difusión de estos géneros musicales a través de Radio Zona 3, por donde pasaron conocidos DJs y grandes promesas de la electrónica.

Canada’s John Acquaviva is one of those behind-the-scene players whose influence spread far and wide. He is a businessman, artist and punter in equal spades, and have dedicated 4 decades to the global dance music industry. As a co-founder of Beatport and Final Scratch, he has helped sculpt the dance music transition from analogue to digital, and from vinyl to CDJs and laptops. (’I think of it as a horse and buggy age in that once you have a car, which in DJ life was both Final Scratch technology and Pioneer perfecting CDs, it’s hard to go back.) A chance meeting in 1989 with fellow Canuck Richie Hawtin, lead to the creation of one of the most pivotal techno imprints, Plus 8 Records (which released music form artist like Cybersonik, Speedy J, Kenny Larkin and Plastikman). They followed that up in 1993 with the more house and tech-flavoured Definitive Records, which, almost 25 years later is still relevant as ever. Today, Acquaviva calls himself a vinyl collector, insatiable entrepreneur, executive film producer and label owner. Yet above all, John Acquaviva is the quintessential performer at heart. His DJ career has surged forward with sets at BPM Festival, Space Ibiza, Output in Brooklyn, Bellevue in Zurich and Crobar in Buenos Aires to name a few. With tracks from Henrik Schwarz, Matthias Tanzmann, Artslaves and more, this is a deep and body-moving tech workout with one the scene’s most reliable and longest-serving pioneers. Interview + tracklist: https://www.balancemusic.com.au/news/balance-selections-53-john-acquaviva/ Soundcloud: @jacq Facebook: www.facebook.com/JohnAcquavivaOfficial/

Welcome to the Decisive Podcast Guest Mix Series Leah Floyeurs Please be sure to listen to the whole interview. The Podcast will be out now with the interview and one week later without the interview on Soundcloud. So we give you enough time to learn more about the person behind the music. As we know, the scene has been dominated from male artists as long as we can remember. But there are quite a lot of really great female artists that we would like to present to you in the future. This time Leah Floyeurs will be the fourth female artist on the show. I chatted with Leah Floyeurs over the weekend about what makes her tick. The London based musician which was raised and born in Australia was actually trying to start a career as a journalist In 1993 she moved from Australia to the UK and worked in a recordstore and as a pianist. But somehow in 1993 a party has changed the course of her plan and she never moved back to her hometown Brisbane / Australis. In 1996 / 97 she started playing records in London and after a short period of time , also in several countries far outside the UK. In 2011 she finally quit her full-time job and put her focus on the music.She’s been inspired by artists like Marc Forshaw, John Heckle ,Heiroglyphic Being,Shackleton,Eduardo de la Calle, Fred P, Franklin de Costa and Grimes In the same year she launched her own radioshow called “Leah with sound” at Timeline Music for the past 5 years. Leah is a very open minded artist with a wide range of genre. She is a resident on the well known Freerotation festival at Hay-on-Wyein in the UK. And also a resident at the club 50 arc in London. In cooperation with DJ Alison Marks, she had already released under the name “Wallflower! on the Italian label Rebirth Records and has already been remixed by Larry Heard. We welcome Leah to the Decisive family. Leah Floyeurs, Decisive Podcast Guest Mix Series Tracklist: 01. Speedy J “Symmetry” Various-Artificial Intelligence II (Warp Records) 02. Life Recorder “Sun Rays” No Look Back (Aesthetic Audio) 03. John Beltran “Collage of Dreams” Best Of: Ambient Selections 1995 – 2011 (Delsin) 04. Kenny Larkin “Fourth State (Stacey Pullen remix)” Catatonic ( R & S Records) 05. Trus’me “Nards (Ryan Elliott Remix)” PN16 (Prime Numbers) 06. Autechre “Nil” Amber (Warp Records) 07. Grischa Lichtenberger “0311_10_lv_1_ir_weissel” Graviton –Cx (Rigid Transmission) (Semantica Records) 08. B12 “It’s My Blood” Orbiting Souls (Delsin) 09. A Sagittariun “Blakes Vision” Wish You Were There (Elastic Dreams) 10. Crystal Maze “Enter the Maze” Enter the Maze (aDepth audio) 11. Dario Zenker “Universal Space” Dedication (Illian Tape) 12. Trus’me “Hindsight (Marcelus ‘Friction’ Remix) Treat Me Right: Remixed (Prime Numbers) 13. Francesco Tristano “The Melody (Balil Remix)” The Melody (Infiné) 14. Vince Watson “Fragment XI” Archives Volume 1: Fragments Of Machine Soul (Indigo Aera) 15. Eduardo De La Calle “Red (El_Txef_A’s Black Blood Mix)” Colour Planet Corporation (Forbidden Colours) 16. Complete Walkthru “About To Get Laze” My Friend Right Here (First Second Label) 17. Ankerkleuese “Cirrostratus” Rec Room (Drowned Records)

Welcome to the Decisive Podcast Guest Mix Series Leah Floyeurs Please be sure to listen to the whole interview. The Podcast will be out now with the interview and one week later without the interview on Soundcloud. So we give you enough time to learn more about the person behind the music. As we know, the scene has been dominated from male artists as long as we can remember. But there are quite a lot of really great female artists that we would like to present to you in the future. This time Leah Floyeurs will be the fourth female artist on the show. I chatted with Leah Floyeurs over the weekend about what makes her tick. The London based musician which was raised and born in Australia was actually trying to start a career as a journalist In 1993 she moved from Australia to the UK and worked in a recordstore and as a pianist. But somehow in 1993 a party has changed the course of her plan and she never moved back to her hometown Brisbane / Australis. In 1996 / 97 she started playing records in London and after a short period of time , also in several countries far outside the UK. In 2011 she finally quit her full-time job and put her focus on the music.She’s been inspired by artists like Marc Forshaw, John Heckle ,Heiroglyphic Being,Shackleton,Eduardo de la Calle, Fred P, Franklin de Costa and Grimes In the same year she launched her own radioshow called “Leah with sound” at Timeline Music for the past 5 years. Leah is a very open minded artist with a wide range of genre. She is a resident on the well known Freerotation festival at Hay-on-Wyein in the UK. And also a resident at the club 50 arc in London. In cooperation with DJ Alison Marks, she had already released under the name “Wallflower! on the Italian label Rebirth Records and has already been remixed by Larry Heard. We welcome Leah to the Decisive family. Leah Floyeurs, Decisive Podcast Guest Mix Series Tracklist: 01. Speedy J “Symmetry” Various-Artificial Intelligence II (Warp Records) 02. Life Recorder “Sun Rays” No Look Back (Aesthetic Audio) 03. John Beltran “Collage of Dreams” Best Of: Ambient Selections 1995 – 2011 (Delsin) 04. Kenny Larkin “Fourth State (Stacey Pullen remix)” Catatonic ( R & S Records) 05. Trus’me “Nards (Ryan Elliott Remix)” PN16 (Prime Numbers) 06. Autechre “Nil” Amber (Warp Records) 07. Grischa Lichtenberger “0311_10_lv_1_ir_weissel” Graviton –Cx (Rigid Transmission) (Semantica Records) 08. B12 “It’s My Blood” Orbiting Souls (Delsin) 09. A Sagittariun “Blakes Vision” Wish You Were There (Elastic Dreams) 10. Crystal Maze “Enter the Maze” Enter the Maze (aDepth audio) 11. Dario Zenker “Universal Space” Dedication (Illian Tape) 12. Trus’me “Hindsight (Marcelus ‘Friction’ Remix) Treat Me Right: Remixed (Prime Numbers) 13. Francesco Tristano “The Melody (Balil Remix)” The Melody (Infiné) 14. Vince Watson “Fragment XI” Archives Volume 1: Fragments Of Machine Soul (Indigo Aera) 15. Eduardo De La Calle “Red (El_Txef_A’s Black Blood Mix)” Colour Planet Corporation (Forbidden Colours) 16. Complete Walkthru “About To Get Laze” My Friend Right Here (First Second Label) 17. Ankerkleuese “Cirrostratus” Rec Room (Drowned Records)

After last week's forced re-run, the show that I programmed, but didn't record, in Studio B. Enjoying the show? Please support BFF.FM with a donation. Playlist 2′06″ Elvis On The Radio, Steel Guitar In My Soul by The KLF on Chill Out ( ) 2′15″ Cosmic Evolution (Original Mix) by Microbots on The Chip Compilation (R&S) 5′50″ 2017 by Planet Phuture on 2017 (-) 10′40″ Stortorget by Ulwhednar on DJ-Kicks (Daniel Avery) (DJ Kicks) 24′03″ The Fifth Planet by Artefakt on DJ-Kicks (Daniel Avery) (DJ Kicks) 26′49″ Acperience 1 by Hardfloor on Hardtrance Acperience - EP (Harthouse) 36′53″ Velvet voodoo (Praha mix) by GPA on Stef and Toms Vinyl (2) (-) 47′33″ Confusion Dub by The Pump Panel on Confusion Dub / Ego Acid - Single (-) 54′17″ 020202 (New Mix) by Underworld on 020202 (Bundle) (Underworldlive) 61′37″ Disco 130 by Tricky Disco on Disco 130/Disco 128 (React) 69′56″ Space Lab by Albedo 067 on Space Lab - Single (-) 77′47″ When the Moon (Original Mix) by Terence Fixmer on When The Sun - EP (Electric Deluxe) 84′26″ Caldera by Recondite on Caldera - Single (Hotflush Recordings) 89′37″ Quadra Sette by Donato Dozzy on Squadra Quadra - Single (The Bunker New York) 98′13″ Glob (Claude Von Stoke Remix) by Kenny Larkin on Glob (Remixes) (Planet E) 105′00″ LFO (Leeds Warehouse Mix) by LFO on LFO (Warp) 116′00″ The Pink Room (Extended Version) by Angelo Badalamenti on Fire Walk With Me (Warner Bros) Check out the full archives on the website.

Kenny Larkin @ Zona 3 - Larkin Experience - Techno House

S01E57 mixed by Chris Honorat (Get Physical / KMS / Paris / France) TRACKLIST 1) Space Time Continuum – Transmitter 2) Carl Craig – A wonderful life 3) Kenny Larkin – Tedra 4) Autechre –...

In 2008 I started a series of radio shows with fellow Freak and host, Jonny Rock. The original format was based around vinyl. Digital started to creep in, then CD's, then YouTube rips, and so on. But the idea remained the same, that we were sharing our discoveries with an audience. Fast forwarding a couple of years and expanding on the original concept, I will once again be playing dance music that you may or may not have heard, but this time said music will be readily available, if pointed in the right direction of course. The idea is for you to use me as your selector slash shop assistant in a virtual record store. Not only will I be shouting about both old and new music, but I will also be following it up with a series of compilations to be released on my label, Classic throughout the year. I will be your slightly odd, slightly off-centre, guide. But ultimately and most importantly, your friendly on-line record shop assistant. Business As Usual: August Track Listing: 01. Grooveman Spot 'Hot' (Jazzy Sport) 02. Lazare Hoche 'Pressure' (Skylax) 03. Metabon 'G and B' (Six) 04. Hercules and Love Affair 'My Offence' (Brather remix) (Moshi Moshi) 05. The Legendary 1979 Orchestra 'Presuine' (Disco Bucuresti) 06. Kenny Larkin 'Smile' (KMS) 07. Kyle Hall 'Down' (Wild Oats) 08. Krankbrother 'One Eyed Jack' (Classic) 09. Buckley feat Phoenix Pearle 'Red Road' (Futureboogie) 10. Shaun and Alinka 'Wangs on Broadway' (Classic) 11. Ron Hardy 15 'Acid Beats' 12. Roc and kato 'U Make It Alright' (Soho) Business As Usual: July: Classic-music-company - Business-as-usual-live-from-the-wash-house-july2014 Join The Family: Classic Twitter: twitter.com/classicmusicco Classic Facebook: www.facebook.com/ClassicMusicCompany Classic RA: www.residentadvisor.net/record-label.aspx?id=141 Luke Solomon Twitter: twitter.com/lukesolomon Luke Solomon Facebook: www.facebook.com/lukesolomon?fref=ts Luke Solomon RA: www.residentadvisor.net/dj/lukesolomon

Ce samedi 27 février, sur l'antenne de Radio Campus Paris pour le Sandwich triangle, ni plus ni moins que le label Technorama.Derrière ce nom évocateur se cache DJ Jee et Céline qui partagent leur vision de la musique née à Détroit et Chicago dans les 80's. Le projet prend racine en 2005, à une époque ou Paris offrait des plateaux moins éclectiques, où techno rimait souvent avec le son allemand et que Berlin était l'indétrônable capitale du son électronique. Le label organisait ses soirées avec, en invités, des noms tels que Rolando, Juan Atkins, Aux 88, Dj Bone, Derrick May, Kenny Larkin... pour ne citer qu'eux. Quand on vous parle de Windy et Motor City...?!Mais, depuis la scène Bastille en 2005, il s'en sont passées des choses: résidences au Rex, au Batofar, soirées aux quatre coins de la capitale ou en province, voyages et line-up toujours aussi passionnés faisant la part belle à tout ce renouveau et ces (re)découvertes qu'elles soient électro, house ou techno : Rrose, Delta Funktionen, Mike Dehnert, DVS1... sans oublier des français comme Zadig ou Voiski. En 2012, le label naît avec la sortie de l'Ep "Intolerance" par Skat et 10 releases suivent jusqu'à aujourd'hui : Stephen Brown, Terrence Parker, Bleak, Mush... Technorama a dans ses bagages 11 ans de cultures électroniques et vient se charger du booth de Sandwich Triangle, à trois puisque Eküm les a rejoint depuis un an. Vous voilà prévenus...Tracklist :DJ Jee :Marcus mixx 'Untitled' (Lets Pet Puppies) Simoncino 'Dream States' (Syncrophone) Paul Du lac 'Whos The Mack' (Bio Rhythm) LA4A 'Understand' (Delft) Paul Du lac 'Backstreet Boy' (Bio Rhythm) Delta Funktionen 'Lost In A Dream' (Radio Matrix) Myriadd 'The Way We Where - John Heckle Remix' (Signals)Eküm :Neinzer - Vapiviji (Yumé) Shamos - Cranbourne Road (Apron Records) Raw M.T - Richard's Revenge (Lobster Theremin) Eszaid - Ambr Flashing Lignt (Collapsing Market) Tessela - Tenner Eclipse (Polykicks) Gesloten Cirkel - The Real Melbourne House (Murder Capital) Stephen Brown - Medusa (Don Williams Remix) (Technorama Records) Najem Sworb - K164 (Technorama) Delroy Edwards - Love Goes On And On (L.I.E.S) Jared Wilson - Who we are (7777)Céline :Trust XV-III, The Exaltics "Flexible Horizon", TrustRod "Float", BalansSync 24 et The Exaltics "Ten Years in Ten Weeks", Cultivated ElectronicsPeeping Tom "Outraged Keyplayer", PinkmanLa-4a "Cobalt", DelftNajem Sworb "K-173", Technorama RecordsVilan X / Naughty Wood "Character", June RecordsLuxus Varta "Ieloh", Solar One Music

En este podcast nos encontramos con la voz de Daniel Weinten, DJ y promotor colombiano que nos habla de su influencia musical: el norteamericano Derrick May, uno de los grandes exponentes del techno de Detroit.

A new week, a new episode! After almost 15 years of professional career playing in Spain and Portugal, Kristina’s debut as a producer is worldwide introduced in 2015 through the label “Amsafe Records” with TRAXX1 and TRAXX2, the first two Ep's. Her interests and focus during this period was mainly Drum & Bass, Breaks and Electro. Now a days she works in her own vision of the Electronic Music which goes from Techno to US House. The AMSAFE concept and its meaning carries a message: “The need of a spiritual guide that protects us from a material world of hazardous nature and against of the soul development”. Based on different styles and using other formats like CD and vinyls, Kristina exposes and sets up DJ sets built from deconstruction. Break lines or musical concepts are often the pathways of building new ideas to help us understand electronic music. Q&A: Q: So you have been active as a DJ for the last 15 years, what motivated you to take it a step further and start producing? A: The production is something that interested me since I was a teenager, when I became aware of what electronic music was, and in those days it was made basically with machines. I had many imagination, and my head constantly invented sounds and songs, sampling with my mind, but making music was something that felt like an unattainable dream. I used to buy some magazines of music production, (which hardly understand) because I liked watching all these devices, and i wanted to understand how can be created these music that is able to make you fly. But when I started going to parties and clubs, DJs kept all my attention, and when I started to deejing at the end of 1999 ,devoted all my time to this art. 4 years ago I moved to Barcelona, and I thought it was time to make a change, and reach aims postponed. I recieved classes of music production in a school, and later received privates. And that happened until today. So my dream has come true! Q: What inspires you as a producer? A: Now a days what inspires me are positive things. When i feel good and energized, I want to get into the studio and experiment with the music. As I am novice in the field of production and I think that negative emotions stop to me sometimes. I get inspired as well by old electro american records. Also it was really hard to set up my studio and when i wake every day and i look it i feel really inspired. Listening to productions from other artists give me inspiration as well. I like artists such a Kenny Larkin, Boards of Canada, Conforce... Q: Has the launch of your label gained good acceptance? A: Yes. I'm really surprised with the success. Being my first first record i was i bit scared but…the record sells good, and even is sold out in some store like Juno Records. I have received very good feedbacks directly from artists who I respect quite much like Laurent Garnier, Eric Cloutier (Bunker NY) Nina Kraviz, Marcel Dettmann... and support from music lovers worldwide. I really appreciate the warm welcome everybody is giving me. Q: What are your future plans as a DJ and producer? A: Thinking in a close date, as a producer I have just finished The "AMSAFE TRAXX 2", that will be out in a few weeks and include on A side another with a project that I have with a guy called Modellover... So now I can concentrate myself in other requests for other labels. As a DJ I continue with my residence at Macarena club Barcelona, twice a month called "Technologica", focused on the Techno sounds. Q: What else do you enjoy to do when you're not in the studio or behind the decks? A: Listening to many different styles of music, and also many other things: like swimming, practicing yoga with my husband, taking a walk at the beach, sharing time with family and friends, painting… Links: http://www.kristina-amsafe.com/about.html https://www.facebook.com/KristinaAmsafeTraxx https://soundcloud.com/kristina-amsafetraxx Artwork: woof woof! https://www.flickr.com/photos/iandesign/

Apparel Music Radio show is happy to present a special vinyl only selection mixed by the italian legend Claudio Coccoluto. With over 70,0000 records collected and catalogued since the early 70's - “Goats Head Soup” by the Stones being the first one he ever bought at the tender age of nine, and an apprenticeship starting from spinning records on pirate radio stations to the all the world's most respected dance institutions, “Cocco” or “Cocodance” (as he was known until the end of the 80's) is born. Since then he has placed a significant mark within the world of electronic music under his birth name, https://soundcloud.com/claudiococcoluto, which he has used to showcase an ever growing blend of music, and confront the future as a DJ, an artist and a global communicator. Claudio Coccoluto is certainly Italy's most beloved DJ, the country's only DJ to be in the world's top 20 list of most known DJs from the public, even from those who do not frequent nightclubs. He has created soundtracks for famous parties, from the birthday of Diesel's Renzo Rosso (with whom he has always collaborated with throughout the years), to Fiorello's (one fo Italy's most famous entertainers and radio hosts), for companies like Ericsson and Valtur, Vodafone and Peroni, Seat and 3, for events such as the iconic festival of Sanremo and Futureshow, several editions of the MTV Music Awards (Milan, Dublin and Stockholm), and even fashion shows for Moschino and Prada and many other respected brands. His secret lies in his ability to play with the music in every sense of the word. Mixing skill, knowledge, passion he plays all the records he can to transduce his obsession with music into the public's mind and soul on the dance floor. Using everything from the vintage sounds of Chicago and Detroit to the ultra-modern music coming out of Europe and everything else he hears around the world, Claudio Coccoluto is never afraid of experimenting with new sounds and allowing others to be influenced by his never ending search for the next record. Acting as a mentor to any body who is in need of musical guidance and inspiration, Claudio has published over 3,000 articles in the press and his word has always been considered seriously by both his peers and the younger generations of electronic music aficionados. From television to radio programmes, his brand was exported overseas - “The Italian DJ”, his face was published in countless magazines (DjMag cover, July 97' and the new DJMag Italy in December 2011). Having had a strong link with the UK since his career took off, he has even appeared on countess radio shows for the likes of BBC1 and Kiss FM, which allowed his skill and dedication to transform into a true mastery in the art of mixing and giving the public an experience of being moved by the power of sound. The secret to his success undoubtedly lies in his passion. Passion for the music that struck a chord with him at the beginning of his journey into the world of dance music. Passion for the feeling one gets when a whole room of people is touched and transported onto one single wavelength by the strength of selection and intuition for the music; and passion for being a very part of that same feeling that is passed onto the dance floor. This is what motivates him the most – the reciprocal emotions conceived by the sharing of music. His style is personal but equally simple and universal. In his sets he dives into peoples memories, feelings and most importantly happiness, creating a harmony with oneself and whoever is there to experience his relationship with the music. Since the beginning of the 90's, his determination to create a name for himself within the music scene inevitably led him to the production studio. A new door opens for Claudio, one which leads him to discover the science of sound. His lab has always been growing and maturing. An artist who accepts both the past and future of music production, he is surrounded by all the famous analogue machines of the 80's and 90's: Emulators, 909s, 808s, Vermonas, Akais, Moogs etc, but also obsessively experiments with the latest digital softwares and the explosion of the “plug-ins”. Right from the start, he has formed relationships with new and emerging artists to work and share ideas with. 1997 is the year of 'Belo Horizonti' (produced by Basement Jaxx). Claudio's most successful piece of music, which sees a sale of over 1 million copies worldwide and a definitive appreciation by a wide range of artists and critics alike. His precipitation into the world of production led him to begin working on a new project with Savino Martino and Dino Lenny, creating a new record label – “The Dub” and a new production studio which enabled him to delve deeper into the arrangement of dance music pieces but also other aspects of sound. He collaborated with Subsonica on the production of one of the band's tracks on the critically acclaimed “Microchip Emozionale” album. In terms of creating history via the party medium, Claudio and Tina Lepre built the infamous “Angels of Love” parties from the ground up, which he worked on for five years. However, his home ground has and always will be Goa Club in Rome – Italy's best club in terms of attitude and cutting-edge musical selection, one which was certainly nurtured by DJ Giancarlino, a man with whom Claudio has had a long-running almost brotherly musical relationship with. Via a mutual synergy and vision for what the club atmosphere should contain, the two founded the Thursday nights “Ultrabeat” at the club. With a now practically cult-like following, this series of events has and still proposes the freshest and most interesting sounds within the electronic music spectrum and has been given notable attention in magazines such as “Muzic” or “The Face”. In more recent times, Claudio has dedicated more attention to his own personal night at Goa - “Nozoo”. A Saturday night event which aims to showcase a more “party-oriented” side to electronic music and inviting everyone from Kenny Larkin to Sascha Funke, with himself and resident DJ. 2012 is the year that sees Claudio rekindle his close relationship with London, the city in which he further engraved his name through the Ministry of Sound in its golden age. A recent friendship and residency with Moxa Club (Mantova) has given way to the planning of a new London project and Claudio's second coming to the English capital... It's also due to his varied interests that his career has been so multifaceted. With a collection of Apple Mac computers that dates back to the mid 80's and finishes at the latest iPhone, Claudio has always had a keen interest in all that is groundbreaking, interactive and technological. A string of interests which feed off each other. Never afraid of trying new things but also closely following specific aspects of art and culture which intrigue him – Pop art, Transavantgarde, literature, the works of Terry Gilliam, Kubrick and an eye for architecture, a subject which he studied before moving his main focus on music. From March 2001 to June 2002 he was a correspondant for “l'Espresso”, an Italian magazine dedicated to general affairs, actualities and modern culture, where he had a stable column in the nightlife section. He has subsequently been involved with “Hot” magazine and since 2003 has had a regular column there entitled “Journeys In Sound”, an in depth analysis and commentary on nightlife culture; and the Italian version of “Trax” magazine, one of the most iconic dance music platforms. Also in 2003, Claudio was called on by charismatic Italian TV presenter, Pippo Baudo, and was given the honour of being part of the jury at the 2003 edition of the festival of Sanremo – Italy's longest-running and most respected national music festival. The same year, Claudio started working on a weekly radio show on “Radio Deejay” (the Italian radio station for dance music) every Friday from 10 to midnight, entitled “C.O.C.C.O.” where he exclusively mixes live and strictly vinyl only. Technology is used solely as a means of communication and interaction between himself and the listeners. Television has also been a medium in which Claudio has appeared regularly. From the “Maurizio Constanzo Show” to “Do The Right Thing” on La7 and has even been pat of a government discussion on the laws regarding nightclubs and nightlife culture. In recent years, he has appeared in a 2008 anti-drugs film entitled “Io Non Ci Casco” (“I'm Not Falling For It”) as himself; he appears in the 2003 Paradise Garage film “Maestro”, a movie/documentary depicting the life of Larry Levan and the early days of DJing and house music; and in 2007, he wrote an autobiography - “Io, DJ” (“I, DJ”) describing his career in detail.

K1971 PODCAST - DJ T-1000 aka Alan Oldham Alan Oldham has been called "Detroit Techno's Renaissance Man" (Musik, UK).A lifelong cartoonist and graphic designer, a young Oldham published his own comic book "Johnny Gambit" in 1987 to local notoriety. Hired that same year by his childhood friend Derrick May to illustrate several memorable pieces for the new Transmat label, this led to Oldham's first involvement in the fledgling techno scene. Besides his art and writing, 1987 also saw Oldham's radio debut on Detroit's WDET-FM with the long-running 'Fast Forward' program. Originally meant to be a free-form rock, jazz and fusion show, Oldham's passion for both local and international electronic music gradually took centerstage until it finally became the only radio program in Detroit to feature techno and house music exclusively. The early cassette, reel-to reel and four-track material of such (now) well-known international artists as Underground Resistance, Carl Craig, Kenny Larkin, Octave One, Anthony Shakir, and Richie Hawtin made its on-air debut here, as well as being the first and only show to break international acts like Moby, Joey Beltram, 808 State, LFO, Front 242, Nitzer Ebb, and others in Detroit. In 1988, Oldham graduated from Wayne State University with a degree in Radio-TV-Film. In 1990, having finally produced his own EP at a friend's studio, Oldham sold the project to a small Dutch label whose fax number he found in the record bins of Recordtime. His pseudonym for the four-track project was Signal to Noise Ratio released by the small Dutch label, DJAX Records. After the release of the EP, label boss Saskia "Miss DJAX" Slegers hired Oldham to create the graphic identity of DJAX-UP-BEATS. Ten years on, DJAX dominates the Dutch techno scene and Oldham's trademark visual style still defines the label. In 1992, Jeff Mills left Underground Resistance to become a solo act. "Mad" Mike Banks, needing an immediate replacement DJ for a month-long Austrailian live tour, tapped Oldham for the job. Without rehearsals, Oldham took the leap of faith that changed his life. Jump start into infamy. Leaving his increasingly-thankless WDET airshift behind forever and adopting the onstage personal of DJ T-1000 (taken from the shape-shifting liquid metal cyborg in "T2"), Oldham began rocking decks for UR and never looked back, setting the stage for subsequent UR "assault DJs"Rolando and James Pennington. Upon returning from UR's triumphant Austrailian tour, Banks again tapped Oldham's many talents, this time asking him to create a label to be distributed by a new company that Banks was organizing, a distributorship that would within a few years come to dominate the Detroit landscape: Submerge. Oldham agreed and his second and most successful attempt at a label, (the first was the disasterous Technika records 1989) would be called Generator. It was also during this time that Oldham once again became prolific, artwise. A fully-painted "Danger Girl" comic strip in Muzik UK and the album cover for Astralwerks "Beyond The Third Wave" (ASW6170) compilation marked 1995, as well as his debut retrospective at Detroit's Cement Space Gallery and a new "Miss DJAX" comic. With his solo career in full swing, however, it was time for his music to follow suit. Oldham established the Pure Sonik label in 1996 with the double-barreled, double-vinyl statement of intent "Pure Sonik Manifesto" (PURE1). This move garnered his first cover story in Magic Feet (UK), and a music video that aired on MTV UK's "Party Zone". Three years later, the label continues to feature Oldham's production talents as DJ T-1000, the best moments of which can be found on the CD/2x12", "A Pure Sonik Evening" (PURE10) . In 1998, Oldham began an alliance with legendary German techno label, Tresor when their label manager vacationing in Detroit, was blown away be his demo tracks. Signing him on the spot, the first product of that transatlantic union was "Jetset Lovelife EP" (Tresor87) and his debut performance at the Tresor club in Berlin. In between a solid year's worth of DJ dates both in the US and abroad, the release of his first-ever mix CD "Live Sabotage" (BML/X-Sight 6386), and many personal changes at home, Oldham delivered his debut album "Progress" (Tresor128). It was released in Europe in October 1999 and a world tour quickly launched, capped by an epic, four-and-a-half hour set at the Tresor Club, broadcast live over the internet. "Progress" was bracketed by the dual release of "Codes And Structures Vol 1" (PURE11) and "Vol 2" (PURE12) on his own Pure Sonik label. As the new millenium began, Oldham produced a second mix CD "The Last DJ On Earth" (PURE14) , launched 2 websites (both for label and his art), participated in DEMF 2003, released of another album "Neutra" (PURE17CD), and a return to artwork. After over a decade in the music business, DJ T-1000's job of World Sonik Domination is never done. Oldham in 2006 started his first-ever, low-tempo/experimental, CD-only label, "xfive." and presented its first release, "The Art of Transformation" (X5001CD) inspired by his art gallery openings in France, Los Angeles, Chicago, and Germany. Another "Art of Transformation" CD released in January 2008. In 2009, Oldham released an all new Johnny Gambit comic with accompanying original soundtrack with 2nd installment and soundtrack finished in March 2013, awaiting release.2012 saw the rise of the moniker, Detroitrocketscience (first appeared on xfive), and debut of label of same name with the release of a series of 10" records in 2012/2013.

It's time for podcast round two so we felt the need to draft in a rising star on the underground house circuit.  In our constant pursuit to unearth fresh talent, we're stoked to have Underground Artists' very own Cristoph taking control of episode two.  Recently, the Geordie lad has released a slew of highly regarded EPs on Defected and Underground Audio respectively.  His dance floor focussed deep grooves have been causing a stir across the globe and this mix showcases his dramatic DJ style perfectly.  We caught up with the spinner for a chat ahead of his show here at Egg for Night Train on 14th December. Where, how and on what was the mix recorded? The mix was done in my studio, well by studio I mean spare room in my house! I used a set of Pioneer CDJ 1000's and a Pioneer DJM 800 mixer, it wasn't planned out or anything. It contains a few promo's i've been sent recently, some tracks by producers i'm really into at the moment and a new one of my own called 'You Got Me'. What are your highlights from 2013 so far? Any stand out moments? This year has been pretty crazy for me to be honest. I only started the 'Cristoph' alias at the end of last year so started on new productions this year and have been so lucky with that. I had my first tracks signed and released this year, I met my manager Kal...got an EP signed to his label and then was signed by his agency, had an EP signed by Defected, played at ADE......very lucky boy i'd say.You've made a big impact with your debut release on Defected 'Guffaz' How did the opportunity come about? Its took me massively by surprise the impact its had and the support its received, i'm very grateful for that and to Hot Since 82 who was the first DJ to give me feedback on it and play it out all the way back in march! It's a funny one how it ended up there, i'd actually sent it to Kal who wanted it for his label...he contacted Andy at Defected to get a sample in the record passed by them, Andy then asked if I had anymore unsigned music, Kal sent him over some and Andy wanted an EP choosing 'Dunka' and 'Surprised You' from the batch.Do you have any upcoming releases elsewhere? I have an EP out on Underground Audio on November 18th entitled 'Shelter Ep', one out on Extended Play in December and 2 EPs coming next year with Defected.Ahead of your gig at Egg London on the 14th for Night Train is there anything that you'd like to shout about? I'd like to say a big thank you to Kal for the support he's giving me since signing me in the summer and for allowing me to be part of his awesome agency, there's too many producers and DJs that I love to actually list but I am giving a special shout to all at the Underground Agency. Anyone who's in London on December 14th to come to The Egg to support the night, catch me and DeMarzo from Underground Artists and see the legend Kenny Larkin headline the other room. Last, but not least, for everyone to keep supporting house music as a whole. Cristoph will be performing alongside Demarzo, Mihai Popoviciu, Okain, Marc Marzenit and Kenny Larkin on 14th December for Night Train at Egg London. Click here for more details and tickets

Our very first podcast featuring a live interview and mix on FBI Radio in Sydney from two of the guys behind Chubby! The guys have a quick chat explaining what they're about with a mix showcasing some of the sounds that they push. **Mix starts at 10.10** www.chubbymusic.com Chubby! on facebook: www.facebook.com/chubbyrecords www.soundcloud.com/aaronandrew Aaron is an up & coming Sydney producer & DJ with his ears attached to the grooves of House and Techno, drawing inspiration from the sounds of Detroit, Chicago, Madrid and all the way to Moscow. Aaron's DJ sets flirt with a mix of deep, dark and melodic records whilst his productions cater for lovers of the deep & dub realm that is House music. www.soundcloud.com/sullo https://www.facebook.com/stevensullivandj Drawing on influences from Detroit, Melbourne, Chicago and Berlin, Steve’s sets are comprised of a blend of the deeper shades of house, disco, soul & techno. It’s this variety that has secured him both Friday and Saturday night residencies at The Spice Cellar, Sydney's most prominent underground venue. It's here that Steve relishes the opportunity to showcase his taste in a broad spectrum of music, as comfortable playing at 90bpm as he is into the early hours of the morning. Steve’s energy and passion for music have seen him support some of the finest artists in the industry, including the likes of Chez Damier, Kenny Larkin, Tom Trago, Andy Hart, Andras Fox, Matthew Dekay and Simon Caldwell - just to name a few…

We have another Sydney local joining us on the podcast, Steven Sullivan (http://soundcloud.com/sullo). Episode #062 says a lot about Steven's unique taste in electronic music, which really makes him stand out from the crowd. Steve describes his sets as a blend of deep house and disco-influenced house & techno, drawing on influences from Melbourne, Chicago, Detroit and Berlin. It's this taste in music that has secured him both Friday and Saturday night residencies at The Spice Cellar (http://www.facebook.com/thespicecellar), one of Sydney's premier nightclubs. Steven’s energy and passion for music have seen him support some of the biggest names in the industry, including the likes of Chez Damier, Kenny Larkin, Matthew Dekay, Tom Trago, Claude Von Stroke and Peter Horrevorts. Listen up... 01. Elbee Bad - The Prince Of Dance Music | Just Don't Stop (Original Mix) 02. The Complainers | Bacon Rolls (Original Mix) 03. Marcellus Pittman | You Want Me (Never) (Original Mix) 04. Tornado Wallace | Thinking Allowed (Original Mix) 05. Rocha | Hands Of Love (Fingers Of Sand) (Mugwump Magnet Rekrump Mix) 06. Kitano | Going Home (Original Mix) 07. Missing Linkx | Who To Call (Original Mix) 08. Soundstream | Tease Me (Original Mix) 09. Paranoid London | Paris Dub 1 (ft. Paris Brightledge) 10. Jacob Korn | She (Original Mix) 11. DJ Romain, Darryl D'Bonneau | It's The Spirit (83 West Mix Remastered) 12. Tin Man | Falling Acid (Original Mix) 13. Tin Man | Love And Sex Acid (Original Mix) Be sure to join the DHA community on Facebook http://www.facebook.com/deephouseau, or subscribe to our podcast in iTunes http://bit.ly/DHA-iTunes.

Luis Rozalén has been exposed to electronics since late eighties, he bought his first synth in 1987 and formed a band called Ballet Mecánico, heavy sinthy pop influenced. After travelling to London he discovers acid house and LFO, then came Detroit with all the first UR releases and Transmat. Heavily shocked, he decides to start as a dj after a Kenny Larkin show in the first Sonar Festival 1995. Now he regularly plays all over the place and in the best Festivals like Sonar, Art Futura, Festimad, BAM, Benicàssim,… and clubs around the world. His primal succes comes in the form of Atlas label. During three years he creates a trademark of techno sound, appreciated by key dj’s worldwide, as Carl Cox (regularly charting his tunes) , Garnier or Hawtin. He runs SOFTWARE RECORDS in partneship with DECODER MUZIQUE.

It’s a broad maze of beats this week, with a bit of bass for everyone. New releases from Clams Casino and Samiyam kick things off, while classic tracks from Detroit legends Urban Tribe and Kenny Larkin continue to provide an education. Miracle Fortress informs us of “Miscalculations,” and Peter Van Hoesen remixes Mount Kimbie to […]

Today we got an amazing special for our listeners. Martin Patiño & Enzo Elia recorded their mix at Stereo Bar Stuttgart on 17th April 2011 for the Weekend Warrior-Podcast... so, enjoy this really, really hot show!!! Martin Patiño: Coming from the cradle of Italian house, a new generation of beat makers is taking their own unique set of digitally immersed excellence to the clubs and to the streets. At the forefront of these pioneers of spoon fed sound experts is Martin Patino, whose Italian background has in no way overpowered his intense passion for exploring his Peruvian roots. Whereas others would have been more tentative about their abilities, Patino entered the scene with every intention of making his presence known, diving directly to the forefront of the European house music scene starting from collaborations with Enzo Elia and proving his unstoppable potential with the decadent club triumph Sunrise in La Serena (an exquisite mix of sumptuous house rhythms entwined dripping with soulful latin percussion). It was not long before Patino, suitably relocated to Berlin, followed with a solid stream of refined productions demonstrating his range and unmistakable skill including remixes of some of Berlin’s top artists (Oliver Koletzki founder of Stil Vor Talent and Florian Meindl of FLASH). By the time Patino’s SOMBRAS EP was released, the artist had already caught the attention of some of house giants across the globe, forming alliance’s with Florian Meindl’s FLASH, Jimpster’s FREERANGE, and Schlomi Aber’s BE AS ONE labels, with sultry sounds made to melt the speakers off of some of world’s top clubs. more infos about Martin Patiño on the following sites: beatport.com > search for Martin Patiño facebook.com/martinpatinomusic residentadvisor.net/dj/martinpatino twitter.com/Martin_Patino facebook.com/pages/Martin-Patino/11335 myspace.com/francescospaggiariakamartinpatio lastfm.it/music/Martin+Patino lion1music.bandcamp.com/album/nil Enzo Elia: Enzo Elia born in Italy. At aged 13 he discovered the world of the music, starting to buy vynils and collect them. He didn’t like football, he prefered spend time putting music on the radio and connecting with people, jumping between Record’s stores, searching the best music of the moment. He has always played only vinyls because, for him music has important value also for remember. "An old vinyl recalls always something" he likes say, and "I love the sound of turntable".. He grew up playing his room with the rhythm of Motown and Italo Disco and then he has felt in love with House Music and Techno Detroit. Some records that he bought, edited by great labels as Dj International, Underground Resistence, Strictly Rhythm, Chicago Trax are a must even now in his vinyl’s bag. He has became even more a vinyl’s searcher and collector, because he always has thinking that in our age of fast communication has no value what is produced in the immediate but what could remains in collective memory... [The degree of slowness is directly proportional to the intensity of memory, (Milan Kundera, Slowness)].. He also studied music at the Department of Music, at Bologna University of art. In this context he started to play always more and more and has got in touch with most important dj’s of italian stage...Since 2004 he started to produce his own music, keeping on a full collaboration with Hell Yeah and Youngodds , labels which for he has realease several work. At the same time he worked as producer also for Be As One, Lion1 and many other and as remixer for great producers like Roland Clark, Oliver Koletzy and Umek. Many important dj love and play his music and his research is supported by great names. His latest single “Touch” (Hell Yeah) has been a small underground hit, supported by Carl Cox, Kenny Larkin, Osunlade, Dj Hell and many others. Recently he is been moved in Berlin, where he’s keeping his music research on, always jumping between Record’s stores. more infos about Enzo Elia on the following sites: beatport.com > search for Enzo Elia myspace.com/djenzoelia lion1music.bandcamp.com/album/nil

Brand new tracks from Kenny Larkin, Radio Slave, Henrik Schwarz, Gui Boratto, Dana Bergquist & Peder G, Ross Couch, Phil Weeks, Deetron and many more

Cadencia 011 | Chris Jones (05/2010) | sejon.co.uk/cadencia-podcast Intro 01. Audio Werner - Getting Up // Hello?Repeat 02. Affkt, Felipe Venegas - Azufaifo // Cecille 03. Moodymanc - Omlette // Dessous Recordings 04. Luca Albano, Maurizio Benedetta, Maurizio Bernadi - Enamorado // JTV Recordings 05. Okain - Bring Back The Cows (Barem Remix) // Quartz 06. Premiesku - Haiku Chicu // Cecille 07. Hector Couto - Calacimbre // Nulogic Records 08. Juan Zolbaran, Ignacio Vega - Get The Move (Hector Couto Remix) // Pura Music 09. So Inagawa - Sputnik (Hector Remix) // Luna Records 10. Luca Albano, Luca Bernardi - Diana (Hector Couto Remix) // Pura Music 11. Hector Couto - 1993 // Nulogic Records 12. Berto Mene - Tengo Funk Remix // Grouper Recordings 13. Luca Albano, Zimon - Birillo // Nulogic Records 14. Hector Couto - La Vida (Dub Tech Mix) // Soulman Music 15. Luca Albano, Luca Bernardi - Mosquito (Hermanez Remix) // Nulogic Records 16. Barem - Heyday // Foundsound Records 17. The Martinez Brothers - Won't Somebody // Objectivity 18. Hector Couto, Roberto Palmero - Banila // Nulogic Records 19. Ilario Alicante - Don't Stop // Cecille 20. The Martinez Brothers - Don't No Yet // Objectivity 21. Moodymanc - Snore (Dubba Dub) // Dessous Recordings 22. Danilo Vigorito - Walk Around // Plus 8 Records 23. Paul Harris, Alex Tepper - Terris (Radio Slave Remix) // Rekids 24. Pablo Denegri - Koboldmaki Dreams (Barem Remix) // Igloo-Rec 25. Peace Division - Blacklight Sleaze (Radio Slave Remix) // Unknown 26. Kenny Larkin, Shlomi Aber - Sketches (Shlomi Aber Version) // Be As One 27. Steve Lawler - Distrait (Nick Curly Remix) // Plastic City 28. Danilo Vigorito - Prima // Plus 8 Records 29. The Black Dog - CCTV Nation (Slam Mix) // Soma 30. Robert Babicz - Chordy // Systematic Recordings Sejon Beatport: https://www.beatport.com/artist/sejon/277023

Rod B. & Alvaro Garfunk bring you the Miami Underground MovementRichie Hawtin Biography   Artist, DJ, conceptualist and ambassador, more than anyone else in modern electronic music, Richie Hawtin has relentlessly proved himself to be a true innovator. The one-man mogul behind acclaimed Techno imprints Plus 8 & Minus sends signals out all over the world from his HQ in an old fire station in Windsor, Ontario – just across the border from Detroit Techno City. The signals are constantly evolving, his Plastikman persona gave Techno a unique face with a series of four ruthlessly minimal albums of skeletal beauty, while breathtaking festival live sets at Glastonbury and Tribal Gathering helped invent stadium Techno. His “Decks, EFX & 909” album released on novamute in 1999 expanded the concept of a DJ mix album beyond the imagination of most DJs. As a pioneering DJ and party promoter he was banned from entering America for 18 months. Yet this jet-setting international futurist is as at home exhibiting alongside acclaimed modern sculptor Anish Kapoor as he is headlining a bush rave with Josh Wink somewhere in Western Australia.  More of a decade into his career, it’s no surprise that the every-youthful Hawtin is up to something new. This time, he’s reconstructing the DJ mix album even further with “DE9: Closer To The Edit”, the groundbreaking new album set for release on the novamute label in September 2001.  His first mix album, for the Mixmag Live series, saw him use extra effects and drum machines as long ago as 1993, “Decks, EFX & 909” cut laser-style between tracks and now, “DE9: Closer To The Edit”, sees Hawtin use his sampler to tear the skin and the flesh from the tracks until there’s just a skeleton left, which he reassembles into a kind of Frankenstein’s robot. The result is a mix album like you’ve never heard before. Hawtin describes this unique process “I recorded, sampled, cut and spliced over 100 tracks down into their most basic components. I ended up with over 300 loops, ranging in different lengths. I started to recreate and reinterpret each track and then put the pieces back together, as if an audio jigsaw puzzle – using effects and edits as the glue between each piece”.  A classic like Carl Craig’s ‘4 My Peepz’ (under his Paperclip People guise) breathes in and out in less than a minute, like a lonely spirit lost on the hard drive.  “I don’t like mix CDs, everyone’s being lazy, so I gotta do something different,” says Hawtin. “Some people think it’s about me using some extra equipment – a drum machine and some effects - but it’s a whole philosophy really. ‘Let’s take it to the extreme, to somewhere that’s it never been before’ “  Hawtin believes the whole DJ thing is stuck in a groove. So beyond “DE9…” he is championing a new DJ system developed in Holland called Final Scratch, with Plus 8 partner John Acquaviva. Dance and Electronic music is the most technology-based genre of all, but to Hawtin’s frustration it’s still rooted in a music delivery system developed in the 19th Century: the gramophone record. Even though more and more DJs play tracks burnt onto CD, vinyl still rules because it’s easier and instinctive to control. Final Scratch links up to the normal two-turntables-and-mixer set up, but lets you play tracks stored on a laptop using a special piece of vinyl as a ‘mouse’, or controller. You can access literally thousands of tracks, and scratch, cut, slow and mix them just like normal records using this special piece of vinyl. It’s nothing short of revolutionary. As Hawtin enthuses: “It feels and acts like a regular record.” He’s already using Final Scratch to play unreleased tracks by Josh Wink and Speedy J, and special re-edits of some of Hawtin’s classics and personal faves.   Born in Banbury, Oxfordshire, England, on June 4th 1970 Hawtin emigrated with his family when he was nine to Windsor, Ontario, where his dad Mick still works as a robot technician in the General Motors car factory (his mother, Brenda, is in real estate). Richie cheekily borrowed his dad’s persona for his house alias Robotman. His brother Matthew, who shares the Windsor fire station studio complex with Richie, is a visual artist. By 15 Richie was creeping out of the house to cross the border and go clubbing in Detroit. By 17 he was DJing at The Shelter, a dark basement club where he mixed House and Techno with Industrial music by Nitzer Ebb and Front 242. He had his own show on Detroit’s 96.3FM – inspired by a late ‘80s Detroit radio DJ called The Wizard, now better known as Jeff Mills.  As a teenager Hawtin, already into Breakdancing and Electro, was stirred by the radically beautiful machine music being fashioned by Detroit Techno pioneers like Juan Atkins, Derrick May and Kevin Saunderson. In 1989 he set up Plus 8 Records with John Acquaviva to release their own tracks and push new artists. They started running parties in Detroit. But far from welcoming them, the tight-knit Detroit Techno scene initially turned a cold shoulder on the two renegade Canadians.  “It pissed a lot of people off because there wasn’t anyone else in the city doing it – it took someone from the outside to come in and say, ‘Look, wake up,’” Richie recalls. “These guys [May, Atkins and Saunderson] have left. They’re doing their thing overseas.”  Plus 8 began to gather momentum with a richly varied catalogue of hard-nosed, cutting edge Techno from artists like Speedy J, Dan Bell and Kenny Larkin. Along with the resurgence of Detroit’s confrontational Underground Resistance, this marked the second wave of Detroit Techno. “We all put the focus back on Detroit for a while, we didn’t want to make traditional Techno, we were inspired by traditional Techno. Derick, Kevin and Juan had sent these waves all over the world and we were the first to feel the rebounds of their ripples”.   By 1993 Richie Hawtin’s Detroit parties had become legendary intense affairs as freaky dancing clubbers lost themselves in strange, dark warehouses transformed into disorientating warrens by walls of black plastic sheeting. Inspired by this, Hawtin elected to take Techno one stage further and develop his virtual Plastikman alter ego: a red and black gremlin that is tattooed on his forearm. He didn’t want a collection of tracks; he wanted to make an album that swallowed up the concentrated energy of those parties and spit it back out as something new. An album, “Sheet One” was recorded in a rollercoaster 48 hour studio session and released on novamute in early ‘93 and was soon followed by the brilliant ‘Spastik’, a single recorded three weeks later after a long night dancing to Derrick May.  Hawtin was already shifting identities like a spy changing roles: his 1992 album “Dimension Intrusion”, under his Fuse alias, had played a key part in the Warp label’s groundbreaking “Artificial Intelligence” armchair-Techno series, but he wanted to reach further. He remembered the strange shapes that his friends threw at those warehouse parties, the different creatures they almost became. “Like plasticine,” he says. “That was the whole idea of Plastikman, it was all very viscous and pliable and moveable.” Plastikman wasn’t just a clever alter ego – it was a role for you to try on too. The sound was rubbery and sparse; its moments of melodic steel arriving unnervingly. The first album, “Sheet One”, played up Hawtin’s reputation for LSD and was promoted with a free sheet of fake acid tabs. Hawtin developed a Plastikman live show that still tours the world. Huge audiences at Glastonbury and Tribal Gathering twitched to its twittering insect rhythms, lost in a soundtrack far freakier than anything else those events had to offer. In 1994 the second album on novamute, “Musik”, let a little human warmth seep onto the clattering Plastikman rhythms, but despite its closing robot lullaby ‘Lasttrak’, it was, if anything, even more discomfortingJust as the little Plastikman gremlin was becoming an international phenomenon, American immigration officials banned Hawtin from entering America for working illegally. He was barred from entering the States for 18 months. It was a devastating experience.  “My girlfriend lived there and most of my experiences were in Detroit, my friends were there and all of my musical inspiration was there – and suddenly it was like, ‘See that building over there? You can see your inspiration, but you can’t go there.’” Now, typically, he believes the ban had its benefits. It was at this point the Chemicals Brothers and Underworld began to break out of the dance world and into a wider Rock arena. Hawtin now wonders whether he might have gone further down the stadium Techno route. Instead, grounded in Windsor, he went back to the studio to reinvent. “When that happened it was the worst day of my life,” he says now, “and it was one of the best things too.”  The next Plastikman project, ‘Klinik’, wouldn’t come together. “I had tried to follow those records up but there were feelings of pressure at that point,” he says now. Stuck in the studio, depressed, Hawtin set himself a new challenge and gave it a deadline. He pressurised himself back into action, releasing a series of ‘Concept’ EPs based on the months of the year. Each release would feature two tracks recorded in one month only using a set template of sounds. They would be released and then forgotten. The discipline of producing 24 tracks in 12 months rewired the creative circuits. “It progressed me to a different audience, it progressed me with effects which came into my sets and it progressed me into more of this spatial environment I was trying to get to,” says Hawtin.  It was the starting point for his last Plastikman album “Consumed”, which replaced the angry black and red gremlin with dark, abstract sleeve art and the tense rhythms with swathes of bass and melody. Released on novamute in 1998, it was acclaimed in countries like France – where conceptual artists are traditionally celebrated. “Consumed” elevated Hawtin to a new status, he was now not just an international Techno star, but a contemporary artist. Asked to contribute to a French Millennium Exhibition celebrating different ideas of beauty, Hawtin created a musical installation based around the clicks, hisses and pops of vinyl – a beautiful sound, he argued, to his generation. The exhibition also featured the work of world famous sculptor, Anish Kapoor, who Hawtin had long been a fan. In fact “Consumed”’s unique textureshad been inspired by Kapoor’s beguiling, futuristic, curved shapes and the cover art echoed the sculptor’s famous obelisk. “I was walking around those sculptures and putting my head into some of them. They had like a sonic quality like chambers of nothingness – and that’s exactly what I was trying to hear. Suddenly I was able to walk around a physical version of what I wanted to do musically.” Hawtin was also moved by the mournful purple washes of the late Mark Rothko, which now hang in London’s Tate Modern. Rothko’s work, says Hawtin, “is very, very subtle, just washes of texture. It kind of gave me a visual perspective of what I was trying to get out of my head, sonically. On a flat surface.”  This is where Hawtin is at now. Constantly touring all over the world and keeping fans updated on his world wide DJ travels via his website diaries; taking his dad out to dinner with John Peel (a big deal for his Peel–fan father especially now his son is a huge favourite of the radio DJ); pushing himself to his creative boundaries and taking Techno with him. Not just to the middle of the dancefloor, but also above it.  “The good Techno musicians enjoy having a good time, but can see beyond it,” Hawtin notes. “It’s the closest to a contemporary art form.” With Jeff Mills providing an installation to the recent Sonar event in Barcelona, Germany’s Thomas Brinkmann moving from conceptual art into conceptual Techno, and increasing connections between the two worlds.  As Techno and art move closer together Hawtin sees it as a logical part of his constant reinvention. “It’s about setting a standard for yourself and progressing yourself. Showing people you can do something interesting that’s more than just dance music.”  CONTACT INFORMATION Label/Sales:  Rudy Delgado | rd@m-nus.com  tel. +49 30 405040 345 Press Contact: Meike Nolte | mn@m-nus.com tel. +49 30 405040 355 Tour/Booking: Katrin Schlotfeldt | katrin@clonk.com tel. +49 30 40056892 Special Thanks To Mrs Meike Nolte,Rudy Delgado & Richie Hawtin