Podcasts about Ur

Den här veckan möter vi Albin Tanke, präst och psykoterapeut i Malmö. Temat för veckan är Klarsynens tid. Lyssna på alla avsnitt i Sveriges Radios app. Ur andakten:När jag drabbas av stress får jag lätt tunnelseende. Inte bokstavligt talat, utan mer på ett sätt som gör att livet liksom blir mindre. Jag stirrar mig blind på detaljer, jag kommer inte loss och jag får svårt att lyfta blicken och se i det större perspektivet. Det levande i livet begränsas och det är som om en autopilot slås på inom mig. Ofta glömmer jag i min stress möjligheten att bjuda in andra i mitt liv. Jag glömmer att be om hjälp och fråga om andras perspektiv och jag glömmer att glädjas åt det som är värt att glädjas över.Då behöver jag se med större klarsyn. Öppna för förmågan att kunna se lite bredare, lite större och ur andra och djupare perspektiv. När jag försöker lyfta min blick blir proportionerna annorlunda och stressen får inte riktigt samma makt som tidigare. När jag aktivt tänker på att sänka mina axlar, att slappna av, att ta några steg tillbaka och andas. Då möter livet igen. Plötsligt får jag syn på andras välvilja. Jag är inte ensam.Text:1 Joh 3:18-20Musik:Månvalsen av och med Dan MalmquistProducent:Susanna Némethliv@sverigesradio.se

Telling the Story: Part 2 Acts 7:1-16 by William Klock When I was an American school kid in the 70s and 80s I learned that the defining events in the history of the United States were was the founding of Jamestown in 1607; the landing of the Pilgrims at Plymouth in 1620; and, of course, the Revolutionary War that began in 1775 and the signing of the Declaration of Independence—well—almost exactly 250 years ago.  There were plenty of other events that shaped the story, but those were the events that set the United States on its trajectory: a heritage from Britain with a good dose of religious freedom and Protestant work ethic coming together in a grand expression of the rights of man shaped by the Enlightenment.  Were there flaws?  Yep.  Slavery was a big one.  But the way I learned the story, the British mainland colonies of North America were on the fringe of the slave trade.  We received a tiny fraction of it.  The real slavery problem was in the Caribbean and Latin America.  Plus, we dealt with it.  The whole Civil War thing—a tragedy.  But it was a story to be proud of. But in 2019, the New York Times began a new publishing project.  They called it The 1619 Project.  It was subtitled, “A New Origin Story”.  Why 1619?  That was the year the first African slaves were brought to Virginia.  Before the Pilgrims.  Before the Declaration of Independence and the Constitution.  It was a deliberate attempt to reframe the story of the United States.  Instead of a story rooted in a proud English heritage and religious liberty and Enlightenment ideals of freedom and liberty, the 1619 Project told the story of the United States as one rooted in racism and slavery and oppression.  Instead of a story that makes you stand proud, it's a story meant to instil shame and guilt. The 1619 Project didn't come out of nowhere.  It made public a story that many people had already been telling, especially to younger generations. And, as you would expect, this resulted in a great cultural clash.  Both sides shouting at the other, basically saying, “How dare you tell our story wrong!”  It wasn't so much a matter of the events themselves.  Both versions of the story involved the same events, the same people, and all of that.  But it highlights how much how you frame a story, how much you stress certain events and people and ideas over others, that you can end up with stories that are essentially the same, while dramatically different.  One instils national pride; the other instils national shame.  That doesn't mean there's no right or wrong.  Framing the American story as if slavery and racism are its fundamental core is dishonest.  But at the same time, telling a story that glosses over those evils for the sake of instilling pride, well, that's a problem too. And as much as this Postmodern metanarrative dilemma was nowhere on the radar of First Century Jews, I think it's a good way to understand what was going with Jews in those days and it's a good illustration of what Stephen is doing in his speech before the Sanhedrin in Ats 7.  [It's page 1087 in the Pew Bibles.]  There were different “parties” competing for influence and control in First Century Judaea and as much as they all told the same story of Israel, reaching back to Abraham and Moses and David, to the law and the Prophets, all rooted in the same exodus and exile and the same promises, how they told the story produced very different results, different feelings about Israel's present situation, different ideas about the future and how to get there—just as how I learned American history makes you smile when you see the Stars and Stripes, but others, having learned The 1619 Project story, feel shame. For Pharisees, unfaithfulness to the law resulted in exile—one that was still effectively ongoing—and only national faithfulness to the law would get them out of it.  For the Sadducees, that was all in the past.  God had restored them from their exile, and the temple and its priests were the proof.  All was well.  For the Zealots, the story said that armed revolution was the only way out of their oppression.  For the Essenes, the group responsible for the Dead Sea Scrolls, the story said that the everyone and everything had been defiled by unfaithfulness, even the temple itself.  God would wage holy war on the unfaithful, so they—the only truly righteous ones—retreated to the desert to wait and to keep pure.  And there was the historian Josephus.  A generation later, he told the story—after the disaster had happened—to say that the Jewish revolutionaries had brought God's wrath on themselves and that God had raised up the Romans to act as his instrument of judgement.  Same story, but the different ways they told it, the different parts they emphasised, the way they interpreted certain events like the Babylonian Exile, landed them in very different places.  Like I said last week, the story got them to the airport, but they were all waiting at different gates—and none of them the right gate for the God's real homecoming.  That said, all of them held the same markers of Jewish identity dear: the torah, the temple, the promised land, their circumcision.  They disagreed on a lot, but attack any of those things and they'd all join in stoning you after charging you with blasphemy. So what Stephen is doing before the Sanhedrin, backing up all the way to Abraham and telling the story yet again, was in good keeping with what was going on in First Century Judaea.  So—in case you missed last week or have forgotten—in the first sixteen verses, Stephen began telling the story of Jesus and the Spirit by going back to Abraham.  This was the moment when the God of glory—Stephen wants to stress that he's here to glorify the God of Israel, not blaspheme him or his holy things—Abraham was the moment when God stepped into the darkness and misery of his broken, fallen, corrupted creation and called to Abraham.  In Abraham, God was launching his project to restore rebellious humanity to himself and to set to rights the creation that we broke.  Now, there was more to it than this—it's online if you missed or forgot it—but Stephen's main point is that the gospel is not a departure from the story of Israel.  It's not something new that has no roots in what happened before.  He's saying to the Jewish elders: When the God of glory, the God of Israel called Abraham out of Ur and settled him in the promised land and established his covenant with him to make him a nation, that was the beginning of the story that brings us to Jesus, to the cross and the empty tomb, to the ascension and to Pentecost.  The story of Abraham is the story of the gospel and vice versa. Remember, they accused him of blaspheming torah and temple and Stephen's saying, “No way!  Torah and temple are good.  They're glorious.  They're how God prepared us and brought us to Jesus.”  Like I said last week, when you leave your car and board the ferry, you are in no way saying your car was bad.  It got you to the ferry.  But you can't drive on water.  Now it's time do something new—to do the very thing your car brought you to do. And then from Abraham to Joseph.  Stephen tells Isreal's story in such a way to highlight that when the God of Israel acts to bless and to save his people, it's often in unexpected ways.  Abraham was promised the land of Canaan, but never had any more of it than a little burial plot.  And Jacob and his sons were forced to flee the land of Canaan in order to survive a famine.  And Jacob's sons were wicked men who sold their brother, Joseph into slavery after nearly choosing to murder him.  And Joseph went from slavery to prison.  How was God going to work anything good from any of that?  But he did.  The sovereign God was at work all along.  Slavery and prison led Joseph to the premiership of Egypt just in time deliver his family when they arrived.  None of them had ever expected any of that.  But God delivered them.  And Stephen's telling of the Joseph story also highlights that gracious forgiveness has always been at the heart of the story of God and his people.  There was Joseph, hated, abused, sold into slavery by his brothers, but instead of taking revenge, he welcomes them and throw a party. This is what Jesus had been doing as the lost sheep of Israel, the tax collectors and sinners, came to him in repentance and faith. And this is the sort of rejoicing that would take place in heaven were the Sanhedrin to see how the story leads to Jesus and repent.  God was waiting for them with open arms and a promise of blessing, and they should know that, because that's how God's great story has always worked.  It's the key in which this great symphony is written. So now, Moses.  As important as Abraham and Joseph were, Moses stands like a colossus over the story of Israel.  Moses was the deliverer who led Israel out of Egypt and parted the sea.  It was Moses who went up Mt. Sinai and saw God for himself.  It was Moses who came down and delivered the torah to Israel.  It was under Moses that God made a nation out of Abraham's family.  And this is where they've accused Stephen of blasphemy.  They've accused him of speaking against the torah and temple and Moses.  So look at Acts 7, beginning at verse 17.  Stephen highlights three things about Moses.  The first thing he stresses is how Moses was raised up by God to be the right man at the right place at the right time—even though no one would have guessed at the beginning that Moses was God's man for the hour. Stephen says: “God had sworn an oath to Abraham.  [Remember the promise to make him a great nation and to give his descendants the land of Canaan?] When the time drew near for this promise to be fulfilled, the people had increased and multiplied in Egypt, until another king arose over Egypt, one who had not known Joseph.  He got the better of our people, and ill-treated our fathers, forcing them to abandon their newborn children so that they would die.  It was at that time that Moses was born, and he was pleasing to God. He was nursed for three months in his father's house.  But, when they abandoned him, Pharaoh's daughter claimed him and brought him up as her own son.  So Moses was educated in the full teaching of Egyptian wisdom, and he was powerful in what he said and did.” Already, in the life of Joseph, Stephen has stressed that God works human evil for good.  Nothing escapes his sovereign hand.  And just so with Moses.  First, this new Pharoah decides to make slaves of the Hebrews.  Not good.  And then, when their numbers increase so prolifically that Pharaoh fears being able to control them, he hatches a plan to murder all the baby boys.  And so Moses ends up in a basket in the river, where Pharaoh's daughter finds him and decides to raise him as her own.  God turns Pharaoh's hate, prejudice, and injustice against him, sovereignly placing one of those Hebrew boys right in Pharaoh's own home, raised at Pharaoh's expense, and tutored by Pharaoh's own tutors in the famed wisdom of the Egyptians.  God ensure the story is full of irony.  Pharaoh unwittingly nurtures and educates the very man who will be his downfall.  And Moses, himself, receives the training needed one day to oversee, to govern the people of Israel.  Again, at the time, none of this made any sense.  No one could see any significance to the story as it was unfolding.  But God has a plan and one of the things the Jewish people learned from Moses' story—and so many others—is to trust God.  In the famous words of William Cowper, God moves in a mysterious way.  It's another motif in the divine symphony—one that comes back over and over and that God's people out to recognise when they hear the music. Second, Stephen stresses the rejection of Moses by his own people.  Look at verse 23: “When he had grown to forty years old, it came into his heart to see how his brothers, the sons of Israel, were doing.  He saw someone being wronged, and came to the man's defence; he took revenge on behalf of the man who was being oppressed, by striking down the Egyptian.  He thought his kinsfolk would grasp the fact that God was sending him to their rescue, but they didn't. “The next day he showed up as two Hebrews were fighting, and he tried to bring them back together again. ‘Now then, you two,' he said, ‘you are brothers! Why are you wronging each other?'  But the man who was wronging the other wasn't having it.  ‘Who made you a ruler or judge over us?' he retorted, pushing him away.  ‘Do you want to kill me in the same way you killed the Egyptian yesterday?'  At that word, Moses ran away, and lived as a guest in the land of Midian, where he had two sons.” Yet another motif in the symphony, another recurring theme in the story.  Jesus wasn't the first of God's deliverers to be rejected by his own people.  The story highlights that this is sometimes how God works.  Now, there's no one-to-one equivalence between Moses and Jesus.  Moses was rejected because he wasn't ready yet.  He had a desire to see his people freed, but he hadn't yet been called by God to that mission, nor had he received instruction on how to do it God's way.  This way of telling the story, this way of looking back to the Old Testament is something we see all through the New Testament.  I think of the way Matthew regularly explains how something in the Jesus story “fulfils” this or that thing from the Old Testament.  And often we're left wondering how the connection works.  Thanks largely to the Church Fathers, we've been taught to see these connections as literal prophecies or as “types”, as spiritual shadows that prefigure Jesus and various events in his life.  That's kind of close, but it's not quite what Stephen (or Matthew) do.  When Matthew, for example says that in the birth of Jesus Isaiah's words about the virgin conceiving and bearing a child are fulfilled, we wonder how that works.  Isaiah was talking about a young woman in his own day bearing a child…and she wasn't a virgin.  What Matthew was doing was pointing back to an event in Israel's past, in Israel's story, where the birth of a child to a young woman—maybe a princess, maybe the Prophet's wife…it's not clear—but where the birth of this child signalled that God was about to act to deliver his people.  Matthew latched onto that.  This is how God works, but this time—in the birth of Jesus—it's not just a young woman, it's an actual virgin, and this time God's not just delivering his people from a foreign king; this time it's deliverance from sin and death.  Matthew recognised the motif in the music.  It was there in Isaiah's day, a lone violin telling a story that most people missed, but in the birth of Jesus that motif returned, and this time the whole symphony was playing it. Stephen's drawing on the story of Moses the same way.  Moses was rejected by his own people.  A repeating theme in the story that the Sanhedrin—people who know this story, know this symphony so well already—a theme they ought now to see plain as day in what happened to Jesus.  It should be obvious.  They were the ones playing the instruments this time, after all. And then, third, Stephen stresses how through Moses, the God of glory, the God of Abraham, Isaac, and Jacob, the God Israel had known for two thousand years, had revealed himself in a new way that no one had expected.  Look at verse 30: “After another forty years, an angel appeared to him in the desert at Mount Sinai, in the flame of a burning bush.  When Moses saw it, he was amazed at the vision.  But, as he came closer to see, there came the voice of the Lord: ‘I am the God of your fathers, the God of Abraham, of Isaac, and of Jacob.'  Moses was very frightened, and didn't dare to look.  But the Lord said to him, ‘Take your sandals off your feet, for the place where you are standing is holy ground.  I have looked long and hard at the trouble my people are having in Egypt. I have heard their groaning, and I have come down to rescue them.  So, come on now: I'm going to send you to Egypt.'” Stephen wants to be clear—and we see this all through early Christian preaching—the God revealed in Jesus the Messiah is not new.  He is the same God who has been directing this story, this symphony from the beginning.  This is the God of their fathers, the God who has been rescuing his people according to his promises for two thousand years.  The God they know.  The God whose character and ways they ought to have recognised in Jesus. Yes, Stephen's saying, Jesus was not what we expected.  In Jesus—and now in the Spirit—God is doing something amazing, something astounding, something new.  And that's why you rejected him.  But knowing the story, knowing the music, we should have expected God would do precisely this: something new, something wild, something we didn't expect.  Because the story is already full of episodes where God does just that.  No one, least of all Moses, exiled to the wilderness, tending his father-in-law's sheep—expected the burning bush.  And yet in that moment, heaven and earth came back together, God spoke, a man was called, and the world was never the same again. And Stephen's point is this: You can't predict the unexpected thing that God will do; but you can be sure—because the story is full of such moments—that God does act unexpectedly to do the things he's promised and that we expect, the very things in which we hope. Holy ground, for example, was something Stephen and his fellow Jews understood.  The temple was holy ground.  It was where heaven and earth met.  But it wasn't the end-all-be-all of holy grounds.  It began at Mt. Sinai—not in Isreal, but in the wilderness—where God met Moses in the burning bush, where the plan to rescue Isreal from her bondage began.  When the Israelites built the tabernacle and the cloud of God's glory descended to fill it, God upstaged what he'd done at the burning bush.  And then again, with the temple.  As if it were the strings playing the motif at the burning bush, and in Exodus 40 as God's glory fills the holy of holies, the woodwinds join them.  And the music was good and it was beautiful, but the Sanhedrin should now be hearing that same motif as, in Jesus and the Spirit the whole symphony comes together to play.  Stephen isn't disparaging Moses.  He's not blaspheming the law or the temple.  He's saying, “Can't you hear it?  Their beautiful theme is now being woven into something far grander and played by the whole symphony.  The motifs have been there all along, the story has always been told this way.  Don't plug your ears to this new thing.  Listen.  And hear how it's taken up all the old themes into something that is nothing short of glorifying to the conductor, to the God of glory. That's as far as we have time to go this morning.  Like I said, Acts 7 is long and there's a lot to unpack.  But I think the great take-away for us from this part—in addition to learning to hear the great story of God and his people—I think the most important thing here is to know that God really does do new and unexpected things.  As we get to know the story, we ought to expect for God to do the unexpected, for God to do new things that upstage what he's done in the past.  And yet, the story also emphatically tells us that as much as God does new things and upstages the things he's done before, those new things are always in keeping with what he's done before.  The past always points to the future and the future never undermines the past.  As the writer of Hebrews tells us, “God is the same, yesterday, today, and forever.”  We live in an age where too many people are ready to do something new themselves—something that breaks from what or how God has already revealed himself, something that breaks from or that disparages or that blasphemes God's past actions or his past instructions—they take this new human thing and declared that God is doing a new thing.  Andy Stanley saying we need to unhitch from the Old Testament so that God can do something new.  No!  Churches embracing sexual immorality and post-modern notions of identity and sexuality and family and marriage and then saying, “See, God is doing a new thing!”  A thousand times, no!  Brothers and Sisters, the theme of the story, the key of the symphony doesn't change.  God does new things, but those new things follow from what God's already done.  On the other hand—and I think it's mostly in response to all the proclamation of “new things” that aren't godly at all—on the other hand, we can become too fearful, too conservative and we can end up where the Pharisees and Sadducees and the Essenes were: locked down, afraid of the new, and turning away from burning bushes, and unwilling to go where God is actually leading. This why we need to steep ourselves in the story.  This why we need to immerse ourselves in the great symphony and to let the music wash over and through us.  Brothers and Sisters, we need to know the themes and the motifs, to learn the key in which God is playing, to be intimately familiar with how they interact, weaving around and through each other, so that as the story continues to unfold, as the symphony bursts into new movements, we can hear God bringing those old familiar themes to new heights, while also being able to recognise when a different story is being told, or a different symphony is being played.  I've said over and over, Brothers and Sisters: God's word is life.  Know, meditate on it, let it mould you, and then let it pour forth from you to give life to others. Let's pray: Lord of all power and might, the author and giver of all good things:  Graft in our hearts the love of your Name; increase in us true religion; nourish us with all goodness; and bring forth in us the fruit of good works; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever.  Amen.

Tankar i sommartid från norra Värmland med prästen Johan Bonander. Lyssna på alla avsnitt i Sveriges Radios app. Dagens gudstjänst bygger på texter av prästen Johan Bonander som sändes i Andakten i P1 i juli 2026 och som idag ramas in av musik och samtal.Johan Bonander är präst i Torsby i norra Värmland och för honom är sommaren en tid för reflektion, tankar som inte hunnit tänkas klart under året får ta plats och barnbarnen kommer på besök för att skörda potatis.Ur gudstjänsten: ”Min pappa dog i februari. Jag avskyr egentligen kakor men den här våren och fram till nu har jag ändå tagit både kakor och bullar när de bjudits. Som om jag kom honom lite närmre då. Tagit en kaka för pappa på något vis – han skulle aldrig ha tvekat. Och så jackorna jag burit hela våren, hans jackor som luktat pappa. Och nu i denna sommar hans skjortor.”Musik: En liten bit av Värmeland – Sven-IngvarsBön – Maja HeurlingDen blomstertid nu kommer - Darin Kvällsböna– Gunnar Ehne text, Johan Sandborgh kompositör, Björn Sandborgh sång Det kommer bli bra – Laleh Till kvällen – Maja HeurlingDen blomstertid nu kommer – Elsa RobertsProducent Lina Hedmarkliv@sverigesradio.se

Andakten i P1 med prästen Johan Bonander. Lyssna på alla avsnitt i Sveriges Radios app. Ur andakten: ”Så var det dax för det andra barnbarnet att göra en ”morfar special”. Lite oförhappandes hade treåringen vågat sig på att lämna syskon, mamma och papa. Vi får se hur det går, hon har just somnat. Kanske vaknar hon otröstlig i natt och längtar hem. Ja, men då är det så. Går det inte att tillfälligtvis stilla denna längtan så får vi väl åka hem i den ljusa sommarnatten, vad gör väl det? Musik:Den blomstertid nu kommer – Elsa RobertsProducentLina Hedmarkliv@sverigesradio.se

Pablo Tallón entrevista a Joaquín Urías, exletrado del Tribunal ConstitucionalUrías analiza que la Audiencia de Madrid envíe a juicio con jurado a Begoña Gómez por dos delitos. Y es que la sala de apelaciones madrileña no ve indicios de los delitos de apropiación indebida y corrupción en los negocios y saca de la causa al empresario Juan Carlos Barrabés, al que se investiga en otras plazas judiciales.

Vi pratar om sorg i Karlavagnen och delar med oss av våra erfarenheter om hur man tar sig ur den på bästa sätt. Vid micken finns Sofia Rågenklint. Lyssna på alla avsnitt i Sveriges Radios app. Någon man älskar kan ha dött, eller någon man aldrig riktigt fick den där relationen med som man hade önskat. En skilsmässa. En vänskap som runnit ut i sanden. Ofrivillig barnlöshet eller sjukdom. Varje sorg är ju unik och vi sörjer på olika sätt. Många vill prata om hur man mår medan andra blir tysta. Ibland håller vi tillbaka våra känslor av rädsla för att belasta nån annan. Så hur tar vi oss ur sorgen på bästa sätt? Vad är din erfarenhet och dina goda råd? Sofia Rågenklint finns här för att lyssna på dig men även för att berätta om sina egna erfarenheter om att ta sig ur en sorg.Ring oss, mejla på karlavagnen@sverigesradio.se eller skriv till oss på Facebook och Instagram. Slussen öppnar kl 21:00 och programmet börjar 21.40

Andakten i P1 med prästen Johan Bonander. Lyssna på alla avsnitt i Sveriges Radios app. Ur andakten: ”I norra Värmland beskriver man ibland ett kort ögonblick med ordet ”grisblink”. Vi som sett en gris i ögonen, dessa ödmjuka och nyfikna ögon och hur snabbt de blinkar som om de visste att livet är på lån - vi vet hur kort en grisblink är. I den stund Mose varit värmlänning hade han nog skrivit: ty livet det går snart förbi, likt i en grisblink”. Musik:Den blomstertid nu kommer – Elsa RobertsProducentLina Hedmarkliv@sverigesradio.se

Zasvojenost z igranjem iger na srečo (gambling disorder) in zasvojenost z igranjem računalniških iger (gaming disorder) sta nekemični zasvojenosti, ki sta uradno priznani kot zasvojenost v mednarodni klasifikaciji bolezni. Več kot je priložnosti, več ljudi bo igralo igre na srečo, več ljudi kot bo igralo, več jih bo postalo zasvojenih. Daleč najbolj razširjene igre na srečo so športne stave, ki pa so se iz fizičnih stavnic preselile v spletne prostore – med njimi so najnovejši in vse bolj priljubljeni tudi prostori za trgovanje z napovedmi dogodkov, tako imenovani napovedni trgi. Kdo vse stavi, kako zaščititi mladoletne in ali je trgovanje s kriptovalutami tudi igra na srečo? Več o tem se je Urška Henigman prek povezave z Mariborom pogovarjala z Rokom Gumzejem, strokovnim delavcem in svetovalcem na Logoutu, Centru pomoči pri prekomerni rabi interneta.

Molile so redovnice - Uršulinke.

College Football podcast on Barstool sports hosted by Brandon Walker and Kayce Smith 00:00 Intro 10:30 5 hot takes for the 2026 CFB season 47:30 Answering your twitter questions 01:21:46 A major announcement ++++++++++++++++++++++++ Wayfair - Head to https://Wayfair.com right now to shop all things home and get your space ready for less. Nutrafol - Visit https://Nutrafol.com and enter promo code UR for $10 off your first month's subscription and free shipping. Rocket Money - Join at https://RocketMoney.com/ROUGH ++++++++++++++++++++++++ Follow the podcast on... Facebook: facebook.com/UnnecRoughness Instagram: instagram.com/unnecroughness/ Twitter: twitter.com/unnecroughness/ TikTok: tiktok.com/@unnecroughnessYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/unnecroughness

Rozmohl se nám tady takový nešvar. Určitá část pravičáků a současně určitá část levičáků se shodne na tom, že jezdit po městě ve velkém autě je projev konzervativního politického přesvědčení. Je to asi taková pravda, že obědvat salát a pít vodu z plastové lahve je levicové.Všechny díly podcastu Názory a argumenty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Andakten i P1 med prästen Johan Bonander. Lyssna på alla avsnitt i Sveriges Radios app. Ur andakten: ”Min pappa dog i februari. Han fick vara pigg och nyfiken in i det sista. Jag kände på mig då jag åkte ned till sjukhuset dit han kommit med ambulans timmarna innan, att han nog skulle dö nu. Ett par timmar efter att jag kommit ned till sjukhuset och min barndomsbygd somnade han in. Nu är jag själv äldst. Och i någon mening, på tur. Musik:Den blomstertid nu kommer – Elsa RobertsProducentLina Hedmarkliv@sverigesradio.se

Ángel Urán es un maestro chocolatero autodidacta que desarrolla su labor profesional en la calle Reina Victoria de Cartagena durante el invierno y en Cabo de Palos durante los meses de verano. Su jornada comienza diariamente a las seis de la mañana para preparar de forma pausada el chocolate, que es su producto estrella, y las distintas masas para los churros y porras. En su proceso de elaboración, Urán apuesta por lo tradicional, utilizando técnicas como la fermentación natural con masa madre para sus porras y defendiendo que la pastelería es una ciencia exacta que requiere conocimiento, destreza y, sobre todo, corazón. Además de su actividad habitual, colabora en eventos regionales y se encuentra inmerso en un nuevo proyecto sorpresa relacionado con el chocolate que presentará próximamente en Cartagena. Para él, su oficio es una pasión vital más que un trabajo, comparando su dedicación con la de un artista que busca transmitir sentimientos a través de su obra.

„Čím větší poker face mám, tím víc se můžu soustředit na výkon,“ říká wimbledonská vítězka Linda Nosková. V rozhovoru pro Radiožurnál popsala, co se odehrává v hlavě tenistky během grandslamového finále, proč je na kurtu tak trochu herečka i proč jí životní triumf zatím úplně nedochází. „Bylo toho tolik za tak krátký čas. Určitě si ale nechci moc brát k srdci, že se něco takového povedlo. Chci začít zase od začátku,“ přiznala s úsměvem.Všechny díly podcastu Host Radiožurnálu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

„Čím větší poker face mám, tím víc se můžu soustředit na výkon,“ říká wimbledonská vítězka Linda Nosková. V rozhovoru pro Radiožurnál popsala, co se odehrává v hlavě tenistky během grandslamového finále, proč je na kurtu tak trochu herečka i proč jí životní triumf zatím úplně nedochází. „Bylo toho tolik za tak krátký čas. Určitě si ale nechci moc brát k srdci, že se něco takového povedlo. Chci začít zase od začátku,“ přiznala s úsměvem.Všechny díly podcastu Host Radiožurnálu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

„Čím větší poker face mám, tím víc se můžu soustředit na výkon,“ říká wimbledonská vítězka Linda Nosková. V rozhovoru pro Radiožurnál popsala, co se odehrává v hlavě tenistky během grandslamového finále, proč je na kurtu tak trochu herečka i proč jí životní triumf zatím úplně nedochází. „Bylo toho tolik za tak krátký čas. Určitě si ale nechci moc brát k srdci, že se něco takového povedlo. Chci začít zase od začátku,“ přiznala s úsměvem.

Andakten i P1 med prästen Johan Bonander. Lyssna på alla avsnitt i Sveriges Radios app. Ur andakten: ”Det är intressant att få vara morfar. Att erfara en öppenhet och närhet från ett barnbarn, en öppenhet som bara finns där, lite av sig självt. En öppenhet jag så att säga inte förtjänat, den bara är där, gratis.”Musik:Den blomstertid nu kommer – Elsa RobertsProducentLina Hedmarkliv@sverigesradio.se

(This podcast was previously published on August 23, 2021)   Jesus Ministries, Joan Boney  ...   Adam was created by God from the dust of the ground.    Genesis 1   First God created everything the man and woman would need:  The heaven and earth, plants, animals, fish and fowl, trees for fruit.   Then God created man.   26 And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.   27 So God created man in HIS own image, in the image of God created HE him; male and female created HE them.   28 And God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth.   31 And God saw every thing that HE had made, and, behold, it was very good.  And the evening and the morning were the sixth day.   Genesis 2   7 And the LORD God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul.   18  And the LORD God said, It is not good that the man should be alone; I will make him an help meet for him.   21-22  And the LORD God caused a deep sleep to fall upon Adam, and he slept: and HE took one of his ribs, and closed up the flesh instead thereof;  And the rib, which the LORD God had taken from man, made HE a woman, and brought her unto the man.   23 And Adam said, This is now bone of my bones, and flesh of my flesh: she shall be called Woman, because she was taken out of Man.   24 Therefore shall a man leave his father and his mother, and shall cleave unto his wife: and they shall be one flesh.  

Jen těžko se můžeme vžít nebo se vcítit do života někoho druhého. Určitou dávku empatie ale potřebujeme, abychom se navzájem nezraňovali a neubližovali si. Alena Dobrovolná, která pro Rádio 7 připravovala hudební pořady o gospelové hudbě, usedá k mikrofonu ve Fortepianu tentokrát ve zcela jiné roli. Lenka Malinová si s ní povídá o jejím celoživotním handicapu, kterým je obrna, a nejen o tom. Tento podcast můžete podpořit na https://radio7.cz

Andakten i P1 med prästen Johan Bonander. Lyssna på alla avsnitt i Sveriges Radios app. Ur andakten: ”Det var tioåringen som hittade på uttrycket ”morfar special”. I sommar vill vi ha en morfar special igen, sa hon. Jaha, vad är det då?, frågade jag. Jo, det vi gjorde för två somrar sedan, svarade hon - att vi kommer hem till dig, ett barnbarn i taget. Så nu har vi det igen, en morfar special. Båten ligger i sjön, fiskespöna är i, cyklarna är nypumpade, kedjorna oljade och bromsarna funkar. Musik:Den blomstertid nu kommer – Elsa RobertsProducentLina Hedmarkliv@sverigesradio.se

Policija je danes predstavila podrobnosti prave filmske akcije, in sicer aktivnosti pri preiskovanju kaznivih dejanj ter iskanju oborožene in nevarne osebe na širšem območju Uršnih sel. Aktivnosti so potekale v minulih dveh dneh. V oddaji tudi o tem: - Iran v odgovor na nov val ameriških napadov zaprl Hormuško ožino - Slovenija potrebuje novo razvojno strategijo z jasnimi prioritetami, pozivajo v gospodarstvu; med možnostmi tudi usmeritev v logistično središče - V več evropskih državah vztrajajo gozdni požari; zjutraj zagorelo tudi na območju Bohinja

Policisti so predstavili nekaj podrobnosti ene izmed največjih policijskih akcij v samostojni Sloveniji. Od petka zvečer so lovil oboroženega roparja bencinske črpalke v Črnomlju, ki je med begom ugrabil voznika, ukradel kombi, napadel policista in zadrževal talca v hiši v Uršnih selih. V akciji je sodelovalo približno 150 policistov. Ob koncu posredovanja so osumljenca - 41-letnega hrvaškega državljana - v hiši našli mrtvega. Za zdaj še ne vedo, ali si je sodil sam. Drugi poudarki oddaje: - Iran zaprl Hormuško ožino. Ameriška vojska pravi, da jo bo obdržala odprto. - Vojna v Iranu zmanjašala dobičke več kot polovice družb na Ljubljanski borzi v drugem četrtletju. - Na ljubljanskem referendumu o parkirni politiki pičla udeležba, do 16. glasovalo le 11 odstotkov upravičencev.

Olej je potrebné meniť aj na elektromobile, univerzálne autoservisy sa nikdy nerovnajú tým autorizovaným a áno, každá automobilka má vlastné špeciálne náradie. O mýtoch, predsudkoch a realite slovenských autoservisov s riaditeľom Hedin Automotive Slovakia, Milanom Klacikom.Zabudnite na mýty o predražených službách. Rozdiel medzi autorizovaným a neautorizovaným servisom nie je len v cene, ale najmä v diagnostike, špeciálnom náradí a v tom, či po oprave nestratí vaše auto na hodnote. A ak ste si mysleli, že pri elektromobile stačí len dolievať vodu do ostrekovačov, čaká vás prekvapenie.Mnoho vodičov vníma autorizovaný servis ako drahšiu alternatívu, ktorú navštevujú len z donútenia, kým im platí záruka na nové vozidlo. Akonáhle táto doba uplynie, ich kroky často smerujú k univerzálnym garážovým mechanikom v snahe ušetriť stovky eur. Podľa Milana Klacíka, riaditeľa popredajných služieb spoločnosti Hedin Automotive Slovakia, to však môže byť z dlhodobého hľadiska chyba.Prečo je obyčajné ložisko nočnou morou univerzálnych mechanikov?Aj keď v neautorizovaných servisoch pracuje množstvo šikovných ľudí, problémom býva chýbajúce špecifické vybavenie. Klacik ako príklad uvádza bežnú výmenu ložiska v kolese. Kým garážový mechanik ho často vylisuje a nalisuje "kusom železa", čím môže zatlačiť na nesprávny krúžok a poškodiť klietku ložiska, autorizovaný servis má na tento úkon špeciálny prípravok vyrobený s desatinovou presnosťou. „Vy to ložisko tam nalisujete... Zase auto vám bude fungovať ďalších x tisíc kilometrov, ale životnosť toho ložiska sa extrémne zníži,“ upozorňuje Klacík.Veľké autorizované siete disponujú technológiami za státisíce eur, ktoré bežná dielňa jednoducho nezaplatí. Ide napríklad o špeciálne plničky, ktoré dokážu vyvinúť vysoký tlak potrebný na odvzdušnenie bŕzd elektromobilov, obrovské lakovacie boxy, zdviháky s nosnosťou 700 kg pre ťažké batérie, či špeciálne bodové zváračky zaručujúce bezpečnú tuhosť karosérie aj po vážnej nehode.Elektromobily rozhodne nie sú bezúdržbovéV spoločnosti sa udomácnil mýtus, že elektromobil má len batériu a elektromotor, a preto servis už vôbec nepotrebuje. Odborník to však rázne vyvracia. Elektromobily sú ťažšie, čo znamená vyššie riziko rozladenia podvozku a nutnosť pravidelnej kontroly geometrie, inak hrozí nadmerné opotrebenie pneumatík. Taktiež disponujú takzvaným reduktorom (planétovou prevodovkou), v ktorom je nevyhnutné pravidelne meniť olej. Počas prehliadky technici dokonca prísne kontrolujú správny uťahovací moment na svorkovniciach vysokonapäťových káblov, aby sa predišlo skratom či dokonca požiaru.Dôvera, ktorá zvyšuje hodnotu autaAutorizovaný servis prináša aj niečo, čo bežne nevidíte – istotu a transparentnosť. Každé auto prechádza prísnymi kontrolnými listami (často aj 50 až 60 položiek) a procesy podliehajú "pravidlu štyroch očí", kde prácu mechanika preveruje ešte majster alebo servisný poradca. Táto dôkladne zdokumentovaná servisná história priamo zvyšuje hodnotu vozidla a jeho atraktivitu pri následnom predaji.Ak navyše plánujete kúpiť jazdené auto, autorizované servisy ponúkajú takzvané bazárové prehliadky. Za zhruba hodinu mechanici preveria 42 bodov, napoja auto na originálnu diagnostiku, skontrolujú stav batérie a urobia prejazdovú geometriu. Zákazník tak nekupuje povestnú "mačku vo vreci".Boja sa staršie autá autorizáku?Automobilky veľmi dobre vedia, že pri starších autách majitelia citlivejšie zvažujú náklady. Preto napríklad Mercedes-Benz ponúka program Service Select pre vozidlá staršie ako šesť rokov. Zákazník tak získa atraktívnejšiu cenu za prácu a môže využiť tzv. StarParts – originálne diely s mierne kratšou životnosťou, no za výrazne výhodnejšiu cenu.A ak ste doteraz navštevovali iný servis a chcete sa vrátiť k oficiálnej značke? Nemusíte sa báť odsudzovania. „Určite nie... Ak niekto prejaví dôveru a zastaví sa u nás, na to máme servisných poradcov, aby mu buď poradili, alebo poskytli služby, o ktoré bude mať záujem,“ uzatvára Milan Klacík s tým, že dvere autorizovaného servisu sú otvorené pre každého.

Odprli smo temo, ki je poleti blizu mnogim staršem, tudi tistim, ki se doslej še niso lotili podviga z otroki v gore. Kako otroke navdušiti za gibanje v naravi? Kdaj začeti s prvimi skupnimi izleti? Kako izbrati primerne poti in poskrbeti, da bo gorsko doživetje prijetno za vso družino? Naša gostja je bila mama štirih otrok in planinska vodnica Urška Petek, ki je nedavno izdala priročnik Majhni koraki, veliki vrhovi - za starše in otroke od zibke do mladostništva.

Eine Woche nach Pfingsten geht der Blick zurück an den Ort, an dem die Sprachbarrieren entstanden sind: Babel. Die Predigt führt durch den Text in drei Abschnitten – wer mit „alle Welt“ gemeint ist, was die Menschen dort eigentlich gebaut haben und warum Gott ihre Sprache verwirrte. Dabei geht es um mehr als einen Turm: geplant war eine ganze Stadt mit einem Zikkurat im Zentrum, aus Lehmziegeln und Erdharz, errichtet in der fruchtbaren Ebene zwischen Euphrat und Tigris. Archäologische Funde aus Ur und Babylon geben eine Vorstellung von den Dimensionen. Entscheidend ist aber die Absicht dahinter: „dass wir uns einen Namen machen“ und „dass wir uns nicht zerstreuen“. Zwei Motive, die auch heute noch Projekte, Gemeinden und Lebensläufe prägen. Drei Gedanken zum Schluss: Begabung schützt nicht vor falschen Zielen Bauen zu seiner Ehre – auch beim eigenen Gemeindebau Entmutigt? Du bist in guter Gesellschaft Von Babel zu Pfingsten: Was Menschen trennte, überwindet Gott durch seinen Geist. Mehr Predigten: www.mb-bielefeld.de Sonntags im Livestream – oder komm einfach in Bielefeld vorbei.

Om hur vi kan hantera oro handlar dagens andakt med Lisa Tilling. Lyssna på alla avsnitt i Sveriges Radios app. Ur andakten:”Vad är du orolig för?” Frågan har ställts många gånger och påståendet: ”Du behöver inte oroa dig” sägs alltför ofta. Dom där tankarna och grubblerierna om framtiden, familjen, jobbet, pengar, världsläget, att vara otillräcklig och att inte duga. Det ögonblicket då vi fick fri fantasi och förmåga att föreställa oss olika skeenden så började vi oroa oss och oron ställer till det.Jag är själv en person som sällan oroar mig och mina vänner frågar ofta hur jag lyckas låta bli. Jag vet egentligen inte hur det kommer sig mer än att jag har förstått och lärt mig med åren att det är ingen idé att oroa sig. Dessutom är jag lösningsorienterad och nyfiken.Men, helt ärligt så det finns en sak som under alla år oroat mig och det är tandläkarbesök. Det har jag mått dåligt av, en rädsla som suttit i sen barndomen. Jag har verkligen jobbat med mina tankar runt detta och har koncentrerat mina tankar på att tandläkaren bara vill hjälpa mig, tänkt på hur härligt det känns när jag går därifrån och dessutom har jag hittat en lösning i att få lite lugnande medel innan större ingrepp. Jag har motat oron i grinden. Det är inte frågan om hur jag lever ett liv utan oro utan om hur jag kan hantera min oro när den dyker upp.Text:Matt. 6:34, Joh. 14Musik:From The Lit Sea Beneath av och med Fredrik TörnvallProducent:Susanna Némethliv@sverigesradio.se

Vad betyder tystnaden? Det funderar församlingsmusiker Lisa Tilling på i dagens andakt. Lyssna på alla avsnitt i Sveriges Radios app. Ur andakten:En klok person sa en gång till mig, när jag sa att jag pratar mindre och lyssnar mer nu förtiden: ”Härligt! Jag väntade på att orden skulle ta slut någon gång så att tystnaden får en chans att viska viktiga saker till dig”.Med lite eftertanke på dom orden så är det ju självklart att det är så. Jag behöver vara tyst för att viktiga saker jag behöver höra ska få större spelrum. I tystnaden får alla känslor möjlighet att sorteras utan att bli påverkade av intryck utifrån. I tystnaden talar dom ord som aldrig tidigare blivit sagda. I tystnaden blir min hörsel skarpare. I tystnaden finns nuet.Under alla år som jag har ägnat mig åt musiken så har det blivit tydligare för mig att det är tystnaden som är den starkaste budbäraren i musiken. När pausen uppstår ger den mig möjlighet att reflektera och också förväntansfullt lyssna i tystnaden efter det som kommer sen.En av dom stora franska tonsättarna, Claude Debussy lär ha sagt: Musik är tystnaden mellan tonerna.Musik och tystnad har ett starkt kärleksförhållande.Text:Fil 2:4, Matt. 7 och 22:37-40 och 25Musik:From The Lit Sea Beneath av och med Fredrik TörnvallProducent:Susanna Némethliv@sverigesradio.se

Gemenskap är temat på dagens andakt med församlingsmusiker Lisa Tilling från Norrköping. Lyssna på alla avsnitt i Sveriges Radios app. Ur andakten:Gemenskap är en känsla av tillhörighet med andra människor på olika sätt. Vi samlas kring en eller flera gemensamma nämnare.För mig är det något mer än själva känslan av samhörighet. Det blir en gemenskap först när vi interagerar med människor konkret.Att i ensamheten fundera över att vilja tillhöra en grupp ger ju ingen gratisbiljett in till gemenskapen. Jag behöver vara aktiv och välja den och sen kan jag i ensamma stunder känna en sann och god känsla i att veta att jag tillhör en gemenskap. Ibland är det svårt att ensam söka upp en gemenskap. Vi är rädda för att tränga oss på, inte passa in och så väljer vi tryggheten att slippa utsätta oss för detta och avstår. Jag vet dom gånger jag känt precis så och då har någon som redan ingår i gemenskapen stått på sig och så småningom har jag lättat på stegen och följt med.Text:Apostlagärningarna 2:42-44, Hebreerbrevet 10:24-25Musik:From The Lit Sea Beneath av och med Fredrik TörnvallProducent:Susanna Némethliv@sverigesradio.se

Svoboda slova není pro Čechy bezbřehá. Podle průzkumu víc než polovina lidí souhlasí s omezením svobody slova, třeba kvůli bezpečnosti, a schvaluje omezení nenávistných projevů. Jenže lidé zároveň ztrácejí jistotu a snadněji mohou uvěřit nepravdám. „Určitý zlom přišel během covidu. Rozpadl se prostor veřejného fóra ve prospěch sociálních sítí a algoritmů,“ míní v Osobnosti Plus Josef Šlerka, sémiotik a odborník na analýzu dat ze sociálních sítí z Univerzity Karlovy.Všechny díly podcastu Osobnost Plus můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

HEROHERO: ⁠https://herohero.co/piatocek/subscribe Nemáme peniaze na klimatizácie v nemocniciach, ale budú oslavy príchodu Cyrila a Metoda, a tie si ich zaslúžia viac! Rovnako ako múrik pri Kukurici, ktorý namaľovali jak tehlovú stenu, aby odlákali sprejerov kresliť naň. Niečo ako keď Machala ukradol bustu z Levoče, lebo by ju niekto mohol ukradnúť. Násilie na ženách dosiahlo zase nové rozmery, a ani to nezabránilo Ficovi v tom, aby zase urážal novinárku. Urážalo sa aj v Česku, kde si dvaja politici zrejme povedali, že sa budú inšpirovať Šimkovičovou a nechali sa vypískať na folklórnom festivale. - HEROHERO: ⁠https://herohero.co/piatocek/subscribe - YouTube: ⁠http://youtube.com/@piatocek⁠ - Instagram:⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/piatocek_podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Náš Discord nebol nikdy lepší:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠bit.ly/piatockaren⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See omnystudio.com/listener for privacy information.

An examination of the deepest level of the Ancient Mesopotamia iceberg, commonly labeled "Theories and Speculative Ideas." The video reviews each claim against primary sources from Sumer, Akkad, Babylon, and Assyria, including cuneiform tablets, excavation reports, and geological data, to demonstrate how historical method evaluates extraordinary claims.Coverage includes: Ancient Astronauts and the Annunaki: the origin of the theory in Zecharia Sitchin, what the Akkadian term actually means in Mesopotamian religion, and the evidential standards for alien contact claims. Great Flood myths: comparison of the Epic of Gilgamesh, Genesis, and other flood traditions with evidence for Persian Gulf and Black Sea inundations. Gilgamesh's tomb discovered in 2003: the Uruk excavation, the Iraq War interruption, and why no inscription links the tomb to the historical king. Hanging Gardens location: the case for Nineveh and Dur-Sharrukin, Archimedes screw technology by 700 BC, and why Babylon remains plausible. Nimrud Lens and Saturn's rings: what the 3x quartz lens can and cannot do, and the absence of telescopic astronomy in Assyrian records. Annunaki gold-mining slaves: the actual Mesopotamian creation motive of humans as laborers for the gods versus modern reinterpretations. Abraham from Ur: the biblical text, the Amorite migrations circa 2000 BCE, and the northern vs southern Ur debate. Sumerian King List long reigns: hundreds of thousands of years, symbolic numbers, and attempts at dynastic or calendrical readings. Sumerian origins: language isolate status, the Persian Gulf marsh hypothesis, and pre-flood settlement theories. Nibiru and the 12th planet: claims of hidden planets in tablets and the current state of translation work. 4.2 kiloyear event: climate data and its role in the fall of the Akkadian Empire alongside Gutian pressure. Structures beneath Eridu: the E-Abzu temple's 18 rebuild phases and what lies under ziggurat foundations. Linguistic fringe theories: proposed links between Sumerian and Turkic, Hungarian, Elamite, and Dravidian. Meluhha trade network: Indus Valley contacts, Neo-Assyrian memory loss, and claims of an Ethiopia-to-India empire. Nuclear war dark ages: why nuclear events leave unmistakable geological signaturesSumerian copper from Lake Michigan: sourcing from Cyprus and Iran versus New World contact hypotheses. Sacred marriage as genetic experiment: Ishtar priestess rituals and kingship legitimation. Ur III bala system as socialism: command economy, ration payments, and modern ideological projections. King List as doomsday calendar, Nam-Shub virus, 676 BC simulation, and Enki vs Enlil secret societies: modern fiction, numerology, and conspiracy narrativesThe purpose is not to ridicule speculation, but to show what counts as evidence in early Mesopotamian studies, where the limits of knowledge currently lie, and what kind of discovery would be required to reopen closed questions.Keywords: ancient Mesopotamia, Sumerian history, Akkadian Empire, Babylon, Assyria, Annunaki explained, ancient aliens debunked, Sumerian King List, Gilgamesh tomb 2003, Nibiru 12th planet, Hanging Gardens Nineveh, Nimrud lens, flood myth, 4.2 kiloyear event, Mesopotamia iceberg

这个具有政治动机的激进左翼组织由 Jeff Mills 和 Mad Mike Banks 于1989年在底特律创立。UR（Underground Resistance）的理念植根于民权运动，其目标是号召底特律的非 裔美国工人阶级群体的共鸣。他们充满颠覆性的“军事化”音乐风格，与70年代黑豹党的行事作风如出一辙。Underground Resistance的成员演出时总是戴着面罩，一身黑衣。他们以一种匿名和武装斗争的方式出现在公众面前。在底特律经历了经济崩溃（至今也未真正复苏）以及随之而来的“快克毒品浩劫”之后，这座城市急需某种能量来维持它的生命，为年轻一代带来希望。UR组织坚持这样一个理念：优质的音乐是人与人之间联系的关键纽带。Underground Resistance 宣言：“我们号召你加入抵抗行列，帮助我们对抗那些正在灌输给这个星球上人的平庸声音与视觉内容。这些内容正在腐蚀人们的思维，加深种族间的隔阂，阻碍世界和平。我们要粉碎这道墙。”正如 Mike Banks 所指出的，他们清楚音乐产业的商业化道路，并绝不打算走那条路。他们选择建立一个“无面孔运动”，专注于音乐本身，而非名声与财富。“我的脸怎么可能比声音更重要？”他们还希望创立一个独立的唱片厂牌，没有规则、没有界限，每个人都是平等的，都拥有同样的机会冲破贫困的束缚。他们想建立一个平台，用音乐回应社会重大问题，比如当时美国持续存在的警察暴力，以诸如 UR 传奇唱片《UR-023：Message To The Majors（给主流的一封信）》来向世界传达清晰而有力的声音。最后同样重要是让底特律重拾昔日的荣耀。正如 Banks 形容他城市的声音：“这是一块尚未打磨的钻石。”这些，就是 Underground Resistance 的基本原则与核心理念。“我们曾有一种信念，这种音乐是对未来某种愿景的定格。”Jeff Mills回忆到。音乐革命开始了这个新成立的厂牌发行的第一首歌是 Yolanda（Reynolds） 的《Your Time Is Up》，这其实是一首 House 歌曲。不久之后，Robert Hood 加入了这个集体，从此 Underground Resistance（UR） 开始发行那些改变格局、具有开创性的 Techno 单曲、EP 和专辑，包括：《X-101 Sonic Destroyer》，《Punisher》，《The Theory》，《Riot EP》，《Kamikaze》，《Eye Of The Storm》,《Acid Rain》，《X-102 – OBX-A》，《Nation 2 Nation》，《The Seawolf》，《Groundzero (The Planet)》，《X-101》和《X-102 Discovers The Rings of Saturn》。X-101、X-102 和 X-103 这三项计划是 UR 更为激进的 Techno 实验，它们的音乐企图震撼公众的感官，这些项目的命名也极为贴切——它们均以一种超音速远程巡航导弹的代号命名。X-101X-101 是1991年在柏林的唱片公司Tresor发行的一张 EP，收录了六首曲目：《Sonic Destroyer》，《Rave New World》，《The Final Hour》，《G-Force》，《Whatever Happen To Peace》，《Mindpower》。X-101 的三位成员为：Jeff Mills、Mike Banks 和 Robert Hood。X-102X-102 负责推出以下作品：《Rediscovers The Rings Of Saturn》，《OBX-A》，《The Titan EP》，《Flyby》该项目由 UR 创始成员 Jeff Mills 和 Mike Banks 组成。X-103X-103 是由 Jeff Mills 与 Robert Hood 携手完成的合作项目，推出了一系列作品：《Thera》（1992年，Axis厂牌），《Tephra》（1995年，Axis厂牌），《Atlantis》（1993年，Tresor厂牌专辑）。这些作品不仅是 UR 创造力的集中体现，也标志着 Techno 音乐在激进、概念性、科技感与政治性之间的一次次突破。这些特殊的唱片发行，以及整个 Underground Resistance（UR） 的存在，在 Techno 文化的早期发展中起到了至关重要的作用，并定义了如今柏林闻名于世的音乐方向。1992年，在UR成立的三年后，Jeff Mills和Robert Hood 决定离开 UR，开始各自的独立音乐生涯。毫无意外，这两位艺术家随后都获得了国际性的认可，而 Mike Banks 则继续带领 UR 前进。与此同时，Banks 开始在“传承下来的”UR 厂牌上发行新专辑和 EP，例如：《Galaxy to Galaxy》，《The Return Of Acid Rain》，《Electronic Warfare》他还不断吸纳新一代艺术家进入 UR 阵营，包括：DJ T-1000，Suburban Knight，DJ Rolando，Drexciya，Cornelius Harris并创立了子厂牌 Red Planet，这是一个专门为神秘的底特律先锋人物 The Martian 量身定制的厂牌。1998年：《Interstellar Fugitives》发行1998年，UR 发行了他们首张超过一小时、包含15首曲目的完整专辑——《Interstellar Fugitives（星际逃亡者）》，这张传奇专辑成为 UR 历史上的一个里程碑。专辑曲目包括：• Chamaleon – 《Zero Is My Country》• Suburban Knight –《Maroon》• Underground Resistance –《Nannytown》• DJ Rolando – 《Mi Raza》• The Infiltrator – 《Something Happened On Dollis Hill》• Perception (2) –《Mirage》• Chaos – 《Afrogermanic》• Drexciya – 《Interstellar Crime Report》• Drexciya – 《Aquatacizem》• The Infiltrator – 《Thought 1》• Mad Mike Banks – 《Moor Horseman On Bolarus 5》• Chamaleon – 《Thought 2》• Andre Holland – 《Unabomber》• Underground Resistance – 《Negative Evolution》• The Infiltrator – 《UR On Mir》UR的实体空间：SUBMERGEUR组织还运营着底特律独立厂牌/发行机构SUBMERGE及其附属Techno博物馆。馆内常设展是"Exhibit 3000"，陈列Techno萌芽期的珍贵设备——包括签名版TR-909、KorgPolysix、Korg SQD-1和TR-727，部分由Belleville Three等汽车城先驱亲笔签名。“这里就是真正Techno乐迷的麦加圣地。”——John CollinsSUBMERGE完美体现了UR 的美学理念。这座建筑外墙没有任何标识，坐落着“无面目”的房子——这正是 契合UR 的信条：地下的方式。UR 几乎是从一无所有中崛起的，他们来自底特律贫民区，买不起几千美元的昂贵设备，只能用当时手头能买到的东西制作音乐：“我们用的是 DX100、DX27、Casio CZ-101……基本上能弄到什么就用什么，所有东西都是被科技淘汰的产物。”Mike Banks回忆到。就像 Techno 音乐本身是由“原始”甚至廉价的乐器建构而成，但在对的人手里，它们变成了极具力量的工具。这些"原始"而廉价的工具，在赤贫却充满创造力的人手中，终成颠覆世界的武器："它们属于那些一无所有却创意无穷的人"©️版权声明“Techno之书”系列节目（包括音频，视频和文稿）版权归马海平、友好电波与 Mark Petes-Varga 所有。非商业用途可在注明出处的前提下分享与引用，但禁止任何形式的商业使用，未经授权的商业使用将依法追究责任。Track list：X-101 - Sonic DestroyerUnderground Resistance - PunisherUnderground Resistance - The Final FrontierUnderground Resistance - message to the majorsUnderground Resistance - Electronic Warfare (Vocal)Underground Resistance - Your Time Is UpX-102 – TethysX-103 – EruptionThe Aztec Mystic akaDJ Rolando- JaguarUnderground Resistance –AfrogermanicUnderground Resistance - Jupiter JazzUnderground Resistance – TimelineGalaxy 2 Galaxy - Return OfThe DragonsUnderground Resistance - UR Live In Utrecht, Holland

Many Christians have been taught a version of American history that treats faith as an afterthought—or worse, a problem to overcome. But what if the story is more complicated than that? What if the men who shaped this nation regularly referenced Scripture, called for Christian virtue, and believed that faith was essential to preserving liberty? In this episode, we explore the often-forgotten Protestant heritage of America and why it matters for Christian fathers today. Not because America is perfect or worthy of worship, but because understanding the inheritance God has given us helps us teach our children with gratitude, wisdom, and truth. If you're shaping the culture of your home, this is a story worth knowing. Links in this Episode Revolution: https://amzn.to/4vZ4bP6  The Light and the Glory: https://amzn.to/4oCbGsK  Join our Online Community, UR: https://abrahamswallet.com/support/   AW Bootcamp: Aug 21-23 https://abrahamswallet.com/retreat/ Please partner with us in inspiring and equipping multi-gen families at https://abrahamswallet.com/support AW website Apple Podcasts Spotify YouTube Facebook LinkedIn Instagram Chapters (00:00:00) - America(00:01:19) - A Tiny Bit About Elon Musk's Trillion Dollar Wealth(00:04:37) - Don't Buy Any Individual Stock(00:06:44) - George Washington on Elon Musk(00:07:20) - A Short Talk About Small-Cap Stocks(00:08:00) - Americans' gratitude for their country(00:09:19) - The True Story of America(00:19:39) - Andrew Abramowitz on His Abrahamic Dad Retreat(00:20:20) - Let's Meet the Founders(00:24:33) - John Adams(00:27:01) - Visit Washington, D.C.(00:28:12) - Thomas Jefferson: A Modern Day Thomas Jefferson(00:33:12) - Patrick Henry and John Jay(00:35:11) - What is Christian nationalism?(00:38:23) - Christian Character in Our Nation(00:41:05) - God's Prudence in American History(00:48:12) - My Country... Tis of thee

Send us Fan MailA genealogy can look like filler until you realize it is the backbone of a promise. We open Genesis 11:10-32 and follow the generations of Shem, right after the Tower of Babel and the dispersion of nations, to see how God keeps a single redemptive thread alive even when humanity scatters and the knowledge of the true God grows dim.As we trace the line forward, we talk about why Scripture guards these names so carefully: the promised seed from Genesis 3 is being preserved on purpose, moving history toward the Messiah. Along the way, we notice a dramatic shift in human lifespan after the flood and explore reasons often discussed in creation science circles, including the water vapor canopy idea, radiation exposure, and the accumulating effects of genetic and environmental change in a harsher post-flood world.Genesis 11 also introduces Abram and the family tension that sets up everything to come: Sarai's barrenness, the move from Ur of the Chaldees toward Canaan, and Terah's decision to settle in Haran instead of finishing the mission. That stop becomes more than a travel detail. It becomes a warning about delayed obedience, spiritual discipline, and the fear of becoming “disqualified” in the sense described in 1 Corinthians 9:27. If you want Bible study that connects the text to daily faithfulness, this one will challenge you. Subscribe, share this with a friend, and leave a review so more listeners can find these Genesis devotions.Support the showhttps://www.jacksonfamilyministry.comhttps://bobslone.com/home/podcast-production/

Dr. Heather Bassett, Chief Medical Officer at Xsolis, is using AI to reduce friction between healthcare providers and payers in the utilization management and mid-revenue cycle space. Their Care Level Score is a data-driven metric derived from patient data to reduce manual processes, denials, and administrative costs for both hospitals and insurance companies. The system enables automated approvals for clear-cut cases, reduces repetitive administrative work, and reduces delays in patient diagnoses and treatment initiation.   Heather explains, "We're an AI company at heart. We work with acute care hospitals across the US. We live in what's called the utilization management and mid-revenue cycle space, which, to put that in layman's terms, is we make sure that hospitals get paid appropriately for the care they provide their patients."   "We recognized fairly quickly that there was just a tremendous amount of complexity in manual processes and saw an opportunity to layer in automation and AI to help decrease a lot of the friction, get rid of the manual processes. And then a larger opportunity we saw was to ease much of the friction between hospitals and providers and payers. And that's really where we've helped our clients solve that problem and move the needle forward." "Unfortunately, there is an increase in the number of denials, and that requires a lot of rework and submission on the hospital side. And also, when you look at what's happening, when the hospital is submitting information to get authorization for that inpatient hospital-level of care, they're doing a manual review and sending information to the payer. Well, there's a UR, utilization review, nurse on the payer side who is doing exactly the same thing, and a good percentage of the time they're coming to the same conclusion."  #Xsolis #HealthcareAI #UtilizationManagement #RevenueCycle #PriorAuth #PayerProvider #ClinicalAI #HealthIT  xsolis.com Download the transcript here

Dr. Heather Bassett, Chief Medical Officer at Xsolis, is using AI to reduce friction between healthcare providers and payers in the utilization management and mid-revenue cycle space. Their Care Level Score is a data-driven metric derived from patient data to reduce manual processes, denials, and administrative costs for both hospitals and insurance companies. The system enables automated approvals for clear-cut cases, reduces repetitive administrative work, and reduces delays in patient diagnoses and treatment initiation.   Heather explains, "We're an AI company at heart. We work with acute care hospitals across the US. We live in what's called the utilization management and mid-revenue cycle space, which, to put that in layman's terms, is we make sure that hospitals get paid appropriately for the care they provide their patients."   "We recognized fairly quickly that there was just a tremendous amount of complexity in manual processes and saw an opportunity to layer in automation and AI to help decrease a lot of the friction, get rid of the manual processes. And then a larger opportunity we saw was to ease much of the friction between hospitals and providers and payers. And that's really where we've helped our clients solve that problem and move the needle forward." "Unfortunately, there is an increase in the number of denials, and that requires a lot of rework and submission on the hospital side. And also, when you look at what's happening, when the hospital is submitting information to get authorization for that inpatient hospital-level of care, they're doing a manual review and sending information to the payer. Well, there's a UR, utilization review, nurse on the payer side who is doing exactly the same thing, and a good percentage of the time they're coming to the same conclusion."  #Xsolis #HealthcareAI #UtilizationManagement #RevenueCycle #PriorAuth #PayerProvider #ClinicalAI #HealthIT  xsolis.com  Listen to the podcast here

VOV1 - Theo thông tin từ Ban Chỉ đạo 389 tỉnh Quảng Trị, từ đầu tháng 6 đến nay, lực lượng quản lý thị trường đã tiến hành kiểm tra gần 70 vụ, phát hiện 59 vụ vi phạm và xử lý 69 vụ với 71 hành vi vi phạm, xử phạt vi phạm hành chính hơn 1 tỷ 600 triệu đồng. Đáng chú ý, lĩnh vực sở hữu trí tuệ chiếm tỷ trọng lớn nhất với 41 vụ kiểm tra và 51 vụ bị xử lý. Tang vật buộc tiêu hủy gồm hàng nghìn sản phẩm giả mạo nhãn hiệu như quần áo, giày dép, mũ bảo hiểm, phụ kiện điện thoại, phụ tùng xe máy và các mặt hàng thời trang khác. Ngoài ra, lực lượng chức năng còn tịch thu hàng trăm sản phẩm thời trang liên quan đến hàng hóa giả mạo nhãn hiệu nổi tiếng và đang tiếp tục xử lý một số vụ việc có dấu hiệu hình sự. - Hà Nội, khởi tố Giám đốc doanh nghiệp buôn lậu hơn 10.000 tấn chân gà đông lạnh, trong đó có hàng trăm tấn hết hạn sử dụng- Cà Mau: Bắt giữ tàu vận chuyển gần 85 tấn phân Urê không có hóa đơn, chứng từ

Javier Casal entrevista a Joaquín Urías, profesor de Derecho Constitucional y exletrado del Tribunal ConstitucionalUrías ha valorado en la red social X la sentencia del 'caso Mascarillas' explicando que la no entrada en prisión de Aldama "apesta". El jurista explica en Hora 25 esta afirmación y analiza la sentencia de 200 páginas de la Sala de lo Penal del Tribunal Supremo

„Norsko má nejlepší místa na kempování, která známe. Určitě se tam ještě vrátíme,“ říká brněnský kavárník Jan Židů v cestovatelsko-kávovém rozhovoru s Pavlem Sladkým. „Když jsme jeli na Filipíny, říkali jsme si, že kafe nebudeme vůbec řešit, protože jsme předpokládali, že tam nebude nic moc. Nemohli jsme se víc splést!“Všechny díly podcastu Casablanca můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

„Norsko má nejlepší místa na kempování, která známe. Určitě se tam ještě vrátíme,“ říká brněnský kavárník Jan Židů v cestovatelsko-kávovém rozhovoru s Pavlem Sladkým. „Když jsme jeli na Filipíny, říkali jsme si, že kafe nebudeme vůbec řešit, protože jsme předpokládali, že tam nebude nic moc. Nemohli jsme se víc splést!“

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsCore historical / comparative sourcesEncyclopaedia Britannica. “moon worship.” Good for the broad comparative frame: lunar symbolism, death-rebirth, hunting vs. agrarian patterns, and why the moon is sometimes male and sometimes female.Encyclopaedia Britannica. “The moon,” in Nature Worship: Celestial Phenomena as Objects of Worship or Veneration. Good for lunar phases, magical timing, menstruation/tides, dangerous dark days, eclipse anxiety, and symbolic variation.Encyclopaedia Britannica. “Celestial phenomena as objects of worship or veneration,” in Nature Worship. Useful for the broader claim that many hunting and gathering societies, and some pastoral and royal cultures, conceived the moon as male.MesopotamiaOracc / Ancient Mesopotamian Gods and Goddesses. “Nanna-Suen.” Best core reference for the identity, names, and cultic status of the Mesopotamian moon god.Encyclopaedia Britannica. “Sin.” Best quick reference for Nanna/Sin as moon god, his bull symbolism, Ur, fertility functions, and Nabonidus.Encyclopaedia Britannica. “Enheduanna.” Useful if you want to reference the priestly/literary world attached to the cult of Nanna at Ur.EgyptEncyclopaedia Britannica. “Khonsu.” Strong for Khonsu as youth, moon god, Pyramid Text background, and Karnak.Encyclopaedia Britannica. “Thoth.” Strong for Thoth as moon god of reckoning, learning, writing, and later Hermetic importance.The Metropolitan Museum of Art. Collections and bulletin material on Iah / Osiris-Iah and Egyptian lunar symbolism. Best for the more specialized lunar material beyond Khonsu and Thoth.Levant / Anatolia / Near EastEncyclopaedia Britannica. “Yarikh.” Best starting point for the Ugaritic / West Semitic moon god and the Nikkal marriage material.Encyclopaedia Britannica. “Kushukh.” Best for the Hurrian moon god, oath function, iconography, and Hittite adoption.Encyclopaedia Britannica. “Religions of the Hittites, Hattians, and Hurrians,” in Anatolian religion. Best broad source for Arma and the Hittite/Luwian/Hurrian lunar world.Encyclopaedia Britannica. “Men.” Best source for the later Anatolian moon god, iconography, and possible tie to Mao.ArabiaEncyclopaedia Britannica. “Arabian religion.” Good for the broad astral background of pre-Islamic Arabian religion.Encyclopaedia Britannica. “Pre-Islamic deities,” in Arabian religion. Essential for Wadd, ʿAmm, Ḥawl, and for correcting outdated claims about Almaqah and Syn.India and IranEncyclopaedia Britannica. “navagraha.” Good for Chandra/Soma in astrology and lived Hindu cosmology.Encyclopaedia Britannica. “nakshatra.” Best for lunar mansions, lunar months, and Chandra's mythic/calendar role.Encyclopaedia Britannica. “soma.” Essential for Soma as sacred drink and later lunar identification.Encyclopaedia Iranica. “Māh Yašt.” Best specialist source for the Iranian moon, lunar phases, and the “seed of the Bull” symbolism.Northern / Eastern EuropeBritannica Kids / Students. “Sól and Máni.” Good clean source for the Norse sibling pair and the male moon.Encyclopaedia Britannica. “Mēness.” Best source for the Baltic moon god, renewal, prayer, and agricultural strength.Encyclopaedia Britannica. “Slavic religion: Folk conceptions.” Essential for the masculine Slavic moon, kinship language, and lunar veneration.JapanEncyclopaedia Britannica. “Tsukiyomi.” Best short source for Tsukuyomi as moon god.Encyclopaedia Britannica. “Izanagi.” Useful for the birth of Tsukuyomi from purification and the Shintō context.Encyclopaedia Britannica. “Ukemochi no Kami.” Best source for the separation myth involving Tsukuyomi and Amaterasu.Indigenous / circumpolar traditionsEncyclopaedia Britannica. “Oral literatures,” in Mythologies of the Indigenous Peoples of the Americas. Best broad source for the Arctic male moon pursuing his sister the sun.Encyclopedia.com. “Igaluk.” Useful specialist entry for the Inuit moon god story.MesoamericaEncyclopaedia Britannica. “Aztec religion.” Best for the Teotihuacán fire myth and Tecciztécatl becoming the moon.Susan Milbrath. “The Moon in Meso-America.” Oxford Research Encyclopedia of Planetary Science (2020). Best specialist source for masculine moon material in Central Mexico and broader lunar roles in Mesoamerica.Qabalah / Jewish mysticism / occult sourcesHistorical Jewish mysticismEncyclopaedia Britannica. “sefirot.” Best concise source for the sefirot, including Yesod as “foundation.”Encyclopaedia Britannica. “Jewish mysticism,” in Judaism. Good for the broader Kabbalistic context.My Jewish Learning. “What Are the Sefirot?” Good readable support source for explaining sefirot on air.Western esoteric / occult QabalahDion Fortune. The Mystical Qabalah. Weiser, 2000. Strongest single occult source for Yesod as astral foundation, imaginal reservoir, and “treasure house of images” current.Aleister Crowley. 777 and Other Qabalistic Writings of Aleister Crowley. Weiser, 1986. Best for formal occult correspondences, including the Yesod-Moon scheme.Aleister Crowley. Magick Without Tears. New Falcon, 1991. Useful for Crowley's practical Qabalistic framing.Lon Milo DuQuette. The Chicken Qabalah of Rabbi Lamed Ben Clifford. Weiser, 2001. Good modern, readable summary of Yesod in Western occult terms.Israel Regardie. The Tree of Life: A Study in Magic. Weiser, 1972. Strong for Golden Dawn style Yesod/astral-plane framing.Gareth Knight. A Practical Guide to Qabalistic Symbolism. Weiser, 2001. Very useful for Yesod symbolism and the broader Tree of Life structure.Science / symbolism supportNASA Science. “Moon Phases.” Best source for the simple but important physical point that moonlight is reflected sunlight.NASA Science. “Eclipses.” Useful if you want a clean science-side reference when talking about eclipses before contrasting that with mythic fear and ritual response.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

Gostja epizode je dr. Urška Furlan, egiptologinja in raziskovalka starega Egipta. V epizodi se dotakneva naslednjih tematik: Zakaj so civilizacije nastale ob rekah? Suženjstvo in gradnja piramid Posmrtno življenje pri Egipčanih Kako so nastale piramide? Hieroglifi, pisava in znanje Faraoni, bogovi in egipčanska religija Tutankamon, grobnice in egiptomanija Aleksander Veliki in prihod Grkov v Egipt Aleksandrijska knjižnica in izgubljeno znanje   

Ve třídách děti střídají dělníci. Týká se to třeba Určic na Prostějovsku. Tamní školní areál čeká nejen rekonstrukce, ale taky dokončení nové přístavby.

V profesionálnom športe nie je vôbec pravidlom, že úspešný hráč dokáže plynule prejsť do roly špičkového funkcionára. Bývalý slovenský reprezentant Peter Sedmák je žiarivým príkladom toho, že tvrdá práca a odhodlanie fungujú nielen na palubovke, ale aj v manažérskom kresle. Svoju hráčsku kariéru vymenil za oblek a v súčasnosti pôsobí ako generálny manažér prvoligového Hradca Králové.O náročnom prerode z lídra kabíny na šéfa klubu, o nevyspytateľnom svete športového biznisu, ale aj o zákulisí vyjednávania s hráčmi či budovaní vzťahov so sponzormi, prišiel úspešný funkcionár porozprávať do najnovšej epizódy podcastu Pod košom, ktorým sprevádza Tomáš Kotlárik.Prechod na manažérsku stoličku nebol pre rodáka z Popradu úplne priamočiary, no do novej úlohy sa zahryzol s rovnakou vervou, s akou kedysi bojoval pod košmi. V rozhovore priznáva, že kým hráč sa stará primárne o svoje telo, herný režim a výkony, manažment žije v neustálom strese, keďže musí zabezpečiť chod celej organizácie.Na otázku moderátora, či je náročnejšie ubrániť na ihrisku útočiaceho súpera, alebo presvedčiť investora, aby podporil basketbal, má zocelený Slovák jasnú odpoveď. „Určite investora. Toho protihráča v obrane môžete faulovať a zabrániť tak košu, ale presvedčiť v dnešnom svete niekoho, aby dal svoje peniaze do klubu, je zložité,“ vysvetľuje Peter Sedmák úskalia svojej každodennej profesie.V diskusii sa nevyhol ani porovnaniu svojej hráčskej generácie s tou súčasnou. Ako typický pracant, ktorý si svoje miesto vždy musel tvrdo vybojovať, nikdy nevyhľadával žiaru reflektorov a sústredil sa výlučne na čiernu robotu pre tím. Dnes, z pozície manažéra, ktorý spolu s trénerom skladá káder a analyzuje potenciálne posily, vníma obrovský vplyv sociálnych sietí.Tie podľa neho neraz skresľujú realitu a niektorým mladým hráčom dávajú pocit falošnej hviezdy bez adekvátnej driny. „Dnes to majú chalani do istej miery zadarmo a basketbal pre nich nie je takou prioritou. Niektorí majú pekný Instagram, ale keď sa na nich pozriete a viete, ako reálne vystupujú a hrajú, tak to úplne nie je ono,“ hodnotí s úprimnosťou bývalý pivot.Pre basketbalových fajnšmekrov bude určite mimoriadne atraktívna aj pasáž, v ktorej Peter Sedmák spomína na svoj netradičný angažmán v Spojených arabských emirátoch. Dozviete sa aj, prečo mu vážne zranenie kolena v exotike paradoxne zmenilo prístup k vlastnému telu a predĺžilo kariéru o 8 rokov, prečo odmietol lukratívnu ponuku zo Švajčiarska, a aké má smelé vízie s hradeckým klubom po vzore veľkých európskych značiek.Na záver rozhovoru odhalí aj svoje myšlienky o blížiacom sa sviatku slovenského basketbalu v Spišskej Novej Vsi a taktiež naznačí, či ho v budúcnosti uvidíme pracovať aj vo farbách slovenskej reprezentácie. Ak chcete spoznať realitu riadenia profesionálneho klubu a vypočuť si inšpiratívny príbeh muža, ktorý tomuto športu zasvätil celý život, neváhajte a pustite si mimoriadne pútavú najnovšiu epizódu podcastu Pod košom na ŠPORT.sk.

Slovenija je konec prejšnjega tedna ukinila nadzor na mejah s Hrvaško in Madžarsko. Od 12. junija naprej pa moramo – tako kot druge članice Evropske unije - v celoti izvajati tudi pakt o migracijah in azilu. Gre za povsem nova pravila pri upravljanju migracij in mednarodne zaščite. Pakt naj bi omogočil učinkovit nadzor zunanjih meja Unije in enotno evropsko upravljanje migracij. Kakšne so trenutne migracijske razmere pri nas? Kako smo v Sloveniji pripravljeni na izvajanje migracijskega pakta? Kako potekajo postopki na meji po novem? Katere migrante bomo vračali po hitrih postopkih? O tem v tokratnem Studiu ob 17.00. Gostje: Matej Torkar, generalni direktor direktorata za migracije na ministrstvu za notranje zadeve; Peter Skerbiš, Uprava uniformirane policije; Urša Regvar, vodja področja azila in migracij pri Pravnem centru za varstvo človekovih pravic in okolja; dr. Jure Gombač, Inštitut za slovensko izseljenstvo in migracije pri ZRC SAZU. Avtorica Lucija Dimnik Rikić.

Watch our footage from the Paris Catacombs HERE.Beneath the streets of Paris lies one of the most disturbing landmarks in the world: the Paris Catacombs. In this episode, we explore the real history behind the underground tunnels that hold the remains of more than six million people. From collapsing cemeteries and overflowing mass graves to the creation of the vast ossuary beneath the city, the Catacombs tell a story of disease, death, engineering, and urban legend.We cover how the tunnels were first created as limestone quarries, why human bones were transferred underground in the late 1700s, and how the Catacombs became tied to ghost stories, secret gatherings, wartime history, and modern urban explorers known as cataphiles. We also discuss the darker side of the Catacombs, including reports of people getting lost beneath Paris and the strange discoveries made deep underground.If you're interested in dark history, horror history, haunted places, cemeteries, underground cities, French history, or paranormal legends, this episode dives into one of the most infamous locations in the world.SourcesThe official website of the Catacombs and our visit Paris Unlocked article: History of The Paris Catacombs by Courtney TraubCulture Veuz article by Antione Vitek: The Unusual History of The Paris CatacombsHistory.com article The Dark Origins of The Paris Catacombs by Jessica Pearce Rotondi Get Lunatics Merch here. Join the discussion on Discord. Check out Abby's book Horror Stories. Available in eBook and paperback. Music by Michaela Papa, Alan Kudan & Jordan Moser. Poster Art by Pilar Keprta @pilar.kep.Support the show

Two listeners.Two encounters with the dead that refused to stay buried.And one terrifying thread connecting them both.Harrison doesn't scare easily, six years of night shifts, no startle reflex. So why did standing at the mouth of a 5,000-year-old burial mound leave him certain that something deep in the dark had turned to face him… and was waiting to see what he'd do?Then Miriam takes us inside Harvard's Peabody Museum at 2am. A man pulled from the earth outside Ur a century ago. Catalogued. Displayed. Waiting. And one night, something stepped to her shoulder and made it clear it had known her all along.No bangs. No shadows. Just the unbearable sense of being assessed by something with all the time in the world.Producer Dom unpacks the dark folklore beneath it all: the Norse mound-dweller fed by a thousand years of fear, the Mesopotamian eṭemmu taking inventory of the living, and the chilling idea that for the trapped dead, time doesn't pass… it compresses.What happens when something that's waited a hundred years finally decides you're worth knowing?A Create Podcast Hosted on Acast. See acast.com/privacy for more information.

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time I have new music from Lifesigns, an In Memoriam feature commemorating Giovanni Parmegianni and Ike Willis, and a heady variety of progressive sounds. All that plus news of tours and releases on Sound Chaser. Playlist1. Multifuse - Day to Day / Your World, from Journey to the Nesting PlaceIN MEMORIAM2. Accordo dei Contrari [Giovanni Parmegianni] - Più Limpida e Chiara di Ogni Impressione Vissuta (pt. III), from UR -3. Frank Zappa [Ike Willis] - Any Kind of Pain, from Broadway the Hard WayEND IN MEMORIAM4. Lifesigns - After All, from Anthology5. Alfy Betz - River of Fire, from Alfy Betz and the Salt Lake City Bad Boys6. Soft Ffog - Focus, from Focus7. Bi Kyo Ran - Silent Running, from Parallax8. Bel Canto - Birds of Passage, from Birds of Passage9. Cliffhanger - Sewers: A) Above B) Inside, from Not to Be or Not to Be!THE SYMPHONIC ZONE10. Amazing Blondel - The Paintings: Landscape, from England11. Ralph Lundsten - Nordic Nature Symphony No. 2: Song of Praise, from Nordic Nature Symphony No. 2 "Johannes and the Lady of the Woods" / Shangri-La12. The New Grove Project - Thoughts Sui Generis, from Brill13. Roswell Six - The Sinking of the Luminara, from Terra Incognita: Beyond the Horizon14. Robert Berry with Hush - Watcher of the Skies, from Supper's Ready [compilation]15. Agents of Mercy - Elegy, from The Black Forest16. Agents of Mercy - Citadel, from The Black Forest17. Mandalaband - Galadriel, from AD - Sangreal18. Steve Hackett - Why, from Wild Orchids19. Steve Hackett - She Moves in Memories, from Wild Orchids20. Steve Hackett - The Fundamentals of Brainwashing, from Wild Orchids21. Steve Hackett - Howl, from Wild Orchids22. Transatlantic - And You And I, from KaleidoscopeLEAVING THE SYMPHONIC ZONE23. Popol Vuh - In den Gärten Pharaos, from In den Gärten Pharaos24. Emily Bezar - Aerial at the Gate, from The Rococo B-Sides25. Brady Arnold - Destruction Sequence, from The Hologram26. We Came From Space - Easily Led, from While You Were Away27. Slapp Happy / Henry Cow - A Worm Is at Work, from Desperate Straits28. Van der Graaf Generator - Meurglys III (The Writer's Guild), from World Record29. Bruford - Forever Until Sunday, from One of a Kind

This week on Limited Resources Marshall and Luis welcome Sierkovitz back on the show to talk Secrets of Strixhaven, specifically the differences between UG and UR, the new higher competition draft queue, if WotC is shearing us sheep or skinning us, and they figured out how to not have the weird different card names and art on Arena for Marvel Universes Beyond cards!  You can find Sierkovitz here on YouTube: https://www.youtube.com/sierkovitz You can support Limited Resources on the LR Patreon page here: https://www.patreon.com/limitedresources LR is brought to you buy Ultimate Guard! Check out the best gear here: https://ultimateguard.com/en/ Your Hosts: Marshall Sutcliffe and Luis Scott-Vargas Marshall's Twitter: https://twitter.com/Marshall_LR Luis's Twitter: https://twitter.com/lsv LR Community Subreddit: http://www.reddit.com/r/lrcast