Podcast appearances and mentions of Robert Hood

Episode 178 Chapter 37, Contemporary Software and Synthesis. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 37, Contemporary Software and Synthesis from my book Electronic and Experimental music. Playlist: CONTEMPORARY SOFTWARE AND SYNTHESIS   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Barry Truax, “Sonic Landscapes No. 3” (1977 revision). From the album Sonic Landscapes: Electronic and Computer Music (Melbourne Records, Canada). “A spatial environment for four computer synthesized soundtracks.” 15:16 01:36 2.     Robert Hood. “Spirit Levels” (1994) from Internal Empire. Written, performed, and produced by Robert Hood. 05:06 16:50 3.     Ikue Mori, “Abacus—Blue Parrot” (1996) from Garden. Composed, performed, produced, drum Machines, effects, Ikue Mori. 10:57 10:57 21:56 4.     Ghost, “Aramaic Barbarous Dawn” (2004) from Hypnotic Underworld. 03:15 32:52 5.     Outputmessage (Bernard Farley), “REM State” (2004) from Oneiros. Written, performed, and produced by Bernard Farley. 04:33 36:08 6.     TOKiMONSTA, “Let Me Trick You” (2010) from Cosmic Intoxication EP. Jennifer Lee is a producer from Los Angeles, California, USA. 03:27 40:40 7.     TOKiMONSTA, “Line to Dot” (2010) from Cosmic Intoxication EP. Jennifer Lee is a producer from Los Angeles, California, USA. 02:50 44:06 8.     Harold Budd, “Jane 1” (2014) from Jane 1-11. Composed, performed, produced by, Harold 07:42 47:00 9.     Sophie, “Elle” (2013) from Bipp/Elle. Electronics, vocals, composed and performed by Sophie Xeon. Sophie was primarily known for electronica dance music. 03:39 54:42 10.   William Basinski & Richard Chartier, “Divertissement” excerpt (2015). Composition and computer synthesis, Richard Chartier and William Basinski. 08:36 58:20 11.   Thom Holmes, “Numbers” (2017) from Intervals. A composition using recordings of numbers stations as the primary source, combined with audio processing and software synthesis. 05:57 01:06:54 12.   Ami Dang, “Conch and Crow” (2019) from Parted Plains. Sitar, electronics, audio processing, voice, Ami Dang. 06:00 01:12:50 13.   Jeff Mills, “Canis Major Overdensity” (2020) from The Universe: Galaxy 1. Written, performed, and produced by Jeff Mills. 07:42 01:18:48 14.   Pamela Z, “Ink” (2021). Commissioned and presented by VOLTI, artistic director Robert Geary; executive producer Barbara Heroux; performed by VOLTI. Music by Pamela Z. 18:08 01:26:32 15.   Ryuichi Sakamoto, “20220214” (2022) from 12. Composed, produced, performed by Ryuichi Sakamoto. In answer to a question about how these recordings were done, Sakamoto replied: “They were all recorded in the small studio that was in my temporary abode in Tokyo. Depending on the piece, two or four mics were used to record the piano.” 09:10 01:44:38 16.   QOA (Nina Corti), “Sauco” (2022) (04:22), “Liquen” (2022) (02:50), “Yatei” (2022) (03:04), “Muitu” (2022) (03:16) from SAUCO. Side 1 of this release from this Argentinian composer-performer. “Sonic journey crafted to cultivate poetic gestures amidst Fauna, Flora, Fungi, Mineral Waters, Wind, and Earth. Each track is an exploration of sound's constant transformation, akin to dragonfly particles swimming in the air. Like waves occupying a space in the spectrum, the compositions work with the movement, condensation, and lightness of the air.” 13:33 01:53:50   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

His name is Freek, aka Snowflake. Born in Tilburg, but living in Den Bosch for years. He started organizing hip hop events, but his love for electronic music has always remained. Through countless legal and illegal raves and festivals his love only grew and as he got older, he started playing techno. DJing has been in my life since he was a child. Styles like groove, industrial, Detroit, tribal and a touch of acid or ghetto are right up his alley. And with some bouts of euphoria and trippiness. Some techno artists who have inspired him or still do are Truncate, Mark broom, Dj Rush, Speedy J, Anetha, Nene H, Robert Hood, Ben klock, Carista and Mama snake. Follow Snowflake via @freek-vd-riet

01. DJRUM - Waxcap [houndstooth]02. RIVAL CONSOLES - Catherine [erased tapes]03. SUPERPOZE - Wait (2015 archive) [banville]04. STIMMING & DOMINIQUE FRICOT - Keys don't match [stimming recordings]05. DOUGLAS GREED - Too many humans, not enough robots [musiclabelrecordcompany]06. RICO PUESTEL - Don't let go (of everything) [exhibition]07. JUST IRIS - Invisible hug [habitat]08. BOOKA SHADE feat. JONO McCLEERY - Save me (casper cole extended mix) [blaufield]09. ECHONOMIST - Say no (hardt antoine remix) [exit strategy]10. EDE feat. MAX JONI - Weine nicht kind (frankey & sandrino remix) [sum over histories]11. TRIKK - Sagrado [innervisions]12. JUSTICE - Afterimage (paranoid london remix) [ed banger]13. KIKO NAVARRO & PERE NAVARRO - Byrd's groove [rekids]14. ProOne79 - Lysergic [cod3 qr]15. JULES WELLS & DCLVIII OFC - Heritage [cod3 qr]16. ROBERT HOOD - Arts school [m-plant]17. INIGO KENNEDY - Bloom [asymetric]18. KMYLE - Wolfs [shiv]19. LAURENT GARNIER - Resonances from the D [fabric]IT'S JUST MUZIK RADIO SHOW presented by DEN MARTELO is played :Every Tuesday 18-20h @ YouFM 106.9 Belgium (www.facebook.com/youfmbe)Every Saturday 17-19h @ O.N.I.B. DJ RADIO (www.onibradio.com)Every Saturday 18-20h @ Galaxie 95.3 France (www.galaxieradio.fr)JOIN US ON INSTAGRAM : www.instagram.com/itsjustmuzikradioJOIN US @ FACEBOOK : www.facebook.com/itsjustmuzikradio

Im back in the mix and behind the controllers giving a another Raw Hypnotic Techno mix, with hot new releases from the like'd of Plantary Assault Systems, Len Faki, Robert Hood, Gary Beck, Ida Engbert, DJ Hyperactive and lots more hot Techno releases. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Et une section dancefloor avec Robert Hood, Avalon Emerson ou Unspecified Ennemies...Thee Madkatt Courtship III – My Life MuzikBb Trickz – Not a Pretty GirlEartheater feat. Shygirl – Shark Brain Suzanne Menzel – I Feel It Starts AgainLittle Simz – FreeAvalon Emerson – Treat ModeUnspecified Enemies – NixonVolcker (Mezzanine Level)Unspecified Enemies – Romance In The Age Of Adaptive FeedbackRobert Hood – Art FormMoonshine, UNIIQU3 – Slow It DownPolo & Pan – The Piano & The ViolinYukimi – Prelude For YouYukimi – Peace ReignSteven Julien – BALLADSteven Julien; Yung Ethernet – UPTeyana Taylor – We Got LoveBlasé – Different MindUTO – Broken ButterfliesDj Python – Coquinehelen island – i know 3 45Kali Uchis – Sunshine & Rain...Gwen Guthrie – Seventh Heaven (Larry Levan Remix)The Style Council – My Ever Changing MoodsDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week's Local Selection comes from rising Dublin DJ and producer Josh Burke, who seamlessly blends stripped-back contemporary techno with gritty, funk-infused old-school cuts. His entry is a flirtatious interplay between the past and present, keeping listeners locked in for the full journey. At 22 years old, Dublin-based DJ and producer Josh Burke is quickly making a name for himself in Ireland's vibrant but competitive techno circuit. Known for his raw, deep, and old-school techno style, Burke has carved out a space that pays homage to the roots of the genre while injecting it with a nu-school edge. Burke's has been honing his craft as a DJ, playing across some of Ireland's most lauded venues from The Racket Space, Pawn Shop, The Grand Social, Bow Lane, and An Spailpín Fánach. Burke's entry to the Local Selection Mix is a fleeting journey through 90s and early 00s-style techno, carving out a sound rooted in Robert Hood's Minimal Nation and Jeff Mills' Purpose Maker era, while incorporating modern influences like Alarico and Chlär's Primal Instinct sound and Truncate's Chicago house-tinged grooves. He keeps things gritty, dynamic, and unrelenting. With an ear for detail and a knack for driving the groove forward like an F1 car on its final lap, Burke's selections and mixing style simply scream go! Josh Burke ------------------- SC: @josh-burke-785622830 IG: www.instagram.com/joshburrke/ Four Four Magazine 
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Novedades: Menhir, BeatLove, Krikor & Element, T.Williams, TSVI & DJ Plead, L-Vis 1990 & Eklipse, Kaitlyn Aurelia Smith & Joe Goddard, Ruvs, Roman Flügel, CCL, Klara Lewis (Peder Mannerfelt Remix), Chico Blanco & Perra InmundaDisco de la semana: Cora Novoa Especial: Robert HoodLa Perla: PilooskiEscuchar audio

Well HoneyBees, you officially have all of the same information we do, so it's time to decide: who is your Robin?In this episode, the legend himself, and real-life-actual-English-person, Chris Riley straight up gives us a list of names containing real-life people who could potentially be Robin Hood.Is it 1. Robert Hood, the tenant farmer, who in the beginning seemed so farfetched until the BOMB Chris drops in the last 10 minutes?Or 2. Robert Hod, the outlaw/fugitive of vague origins??OR EVEN POSSIBILY 3. Robert Fitz Odo (or however you want to spell it because spelling didn't exist) the KNIGHT!??No matter which one you choose, the correct answer is D, Chris Riley, because all evidence really points to him being the actual Robin Hood.Anyways, Let us know which one you choose, and why its Chris Riley, on social media!Join our Patreon for extra WEEKLY content!You can purchase Spill the Mead merchandise https://www.etsy.com/shop/SpilltheMeadPodcast/Music is composed by Nicholas Leigh nicholasleighmusic.comFind us on Instagram, and Facebook @spillthemeadpodcastFind Madi @myladygervais on InstagramFind Chris @chrisrileyhistory on InstagramFind Betsy @betsy.hegge on Instagram

Sintonía: "Intro" - Henrik Schwarz"Bird´s Lament" - Moondog; "Woman Of The World" (Long Instrumental Version) - Double; "Claire" - ¡O; "Since You´ve Been Gone" - James Brown; "Jon" (Live Version) - Henrik Schwarz; "Let It Out" - Jae Mason; "Anthracite" - Cymande; "Giya Kasiamore" - Amampondo; "Walk A Mile In My Shoes" (Henrik Schwarz Remix) - Coldcut; "The Core" - Robert Hood; "Chant Avec Cithare" [Track 1] - Artist Unknown; "Summun Bukmun Unyun" - Pharaoah Sanders; "You Can Be A Star" - Luther Davis Group; "Get Around To It" - Arthur Russell; "Wake Up Brothers" - Doug Hammond; "You´re The Man" - Marvin Gaye; "Outro" - Henrik SchwarzTodas las músicas extraídas de la recopilación/sesión (1xCD) de Henrik Schwarz para la serie de sesiones "DJ-Kicks" (!K7 Records, 2006) Escuchar audio

On parle de M83, Robert Hood, Fever Ray, Donner Summer, et ça finit en mix ! Prince - Sign O' The Times Maribou State & Gaidaa - Bloom Tyler, The Creator - Take Your Mask Off (feat. Daniel Caesar & Latoiya Williams) Dar Disku - Baar Baar (feat. Asha Puthli) Polyrhythm Addicts - Big Phat Boom (intro) SUBMECHANOPHOB1A - Permission To Speak Candidly SUBMECHANOPHOB1A - Death of the Prodigy dancersRobert Hood - H- Formula M83 - Teen Angst Pet Shop Boys - Suburbia Donna Summer - This time I know it's for real Faith No More - Easy SUBMECHANOPHOB1A - mix (Teki Latex & Sylvere)

Francesco De Luca, also known as Deluka, is an Italian DJ, producer and the founder of the Berlin-based record label, No Signal Records. His style is a unique blend of groovy textures and hypnotic elements, resulting in pulsating rhythms and captivating patterns in both his mixes and productions. Originally from Naples, his musical journey began at a young age with a love for house records and turntables. Over time, he was drawn to the captivating sounds of techno, taking inspiration from legends like Jeff Mills and Robert Hood, eventually adopting the alias Deluka.  In 2011, he moved to Berlin. As Francesco De Luca, he spent several years as a resident DJ at prestigious venues like Chalet and OHM's Same Bitches Party. In 2018, he made his mark in the techno scene with debut releases on the labels Estetika and 4TRKS, curated by DJ Hyperactive. Transitioning to his techno project as Deluka, he established No Signal Records through the release of the EP "Echos" in 2021. Since then, the label has released 8 EPs, collaborating with acclaimed artists like Amotik and Orbe. Additionally, No Signal Records has expanded into a physical store located in the Friedrichshain neighborhood. Driven by a relentless dedication to exploring and pushing boundaries, Deluka persistently experiments and refines his mixing technique and productions. His groundbreaking music has graced esteemed labels such as AMOTIK+, KSR, Future Architecture and SK11 reinforcing his reputation as a pioneering figure in the techno scene, alongside his emotional and intriguing DJ sets. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

The PUTF Show - Episode 18 / TYGAPAWInstagram: https://www.instagram.com/pickuptheflownyc/TikTok: https://www.tiktok.com/@pickuptheflow https://putf.substack.com/TYGAPAW grew up as Dion McKenzie in Mandeville, Jamaica. Today, the Artist,producer, DJ and label owner resides in Brooklyn, New York, where they have spent thebetter part of a decade uplifting frequencies representative of the Black electronic musicdiaspora. Their sonic palette—informed by the dancehall of their hometown as much asit is the techno emanating from the warehouses of Detroit—has made them anindispensable figure in Brooklyn's electronic music scene.Since 2014, McKenzie has been carving spaces in New York for queer people of colorthrough their queer club night, and now label, Fake Accent. The platform is part of theirbroader mission to forge liberating spaces for marginalized people, particularly Black,queer and trans people, an agenda embedded in the various layers of the artist's work.Early records like the breakthrough EP Handle With Care (2019), Ode To Black TransLives (2020) and their debut album, Get Free (2020) established McKenzie not only asa skillful producer, but further as an emotive storyteller. Through their production, theyare known to weave together stories of queer immigrant life, radical self-preservationand Black communal joy.Their music, much like New York, is a cultural stew made vibrant by influences as localas New York's ballroom community and as distant as Berlin's hard techno circuit. In2021, one of techno's most vital institutions, the Berlin venue and record label Tresor,enlisted MacKkenzie to contribute to their 30th anniversary compilation, where themusician was in the company of techno luminaries like fellow contributors Juan Atkins,K-HAND and Robert Hood. In 2022, McKenzie brought their visionary take on techno tolife with a three-part techno opera, Devil Woman (Obeah Woman)—the first iteration ofwhich premiered at New York's The Chocolate Factory Theater, and Queens Museumbefore the project traveled to Berlin.2023, TYGAPAW's second album love has never been a popular movement, wasreleased on fabric Originals in the spring. This album is a special one for severalreasons: It's the first album the musician produced with hardware rather than Ableton,their first record that features their vocals prominently and it also sees McKenzie trytheir hand at songwriting. In eight tracks that hopscotch across atmospheric techno andEast Coast club, love has never been a popular movement addresses, with unshakableconfidence, fierce self-love and TYGAPAW's journey as a Jamaican reckoning with theirtrans identity.https://www.instagram.com/tygapaw/The PUTF show is produced by WAVDWGS, a video production company based in NYC.https://www.instagram.com/wavdwgs/If you'd like to support this project: https://www.patreon.com/pickuptheflow Hosted on Acast. See acast.com/privacy for more information.

Selección musical de Benito Pinilla, voz de los conciertos de Radio3.  City limits (Robert Hood)Pájaros en verano (Ela Minus)Blood (Hermanos GutiérrezEderlezi (Mahmut Orhan) Price we pay (Octave One) Scream (Paolo Nutini) Fumando en el tejado (Kogor ft Angela Viamonte)  Glitch city (B1NO) Plastic Dreams (Jaydee) Fen violet (Underworld) Steat tar (Shego)Escuchar audio

Onset Audio's Grym brings a jungle flex of drum + bass to the session slot, packing the likes of SP:MC, Arcane, Sully, LAW, Adred, and Vex. Mx's selections include tracks from Jonny L, Robert Hood, Lakej, Parris, Joy Orbison, GiGI FM, Aaron Dilloway, Shed, Techno Animal, Pinkcourtesyphone, Heriot, LLNN, and with a cut from one of the best albums this year, so far, FYEAR. Episode playlist : https://darkfloor.co.uk/mantisradio355 Support us on Patreon : https://patreon.com/mantisradio

Earlier this year, we described Los Angeles act 1morning as one of the funkiest young producers in modern-day techno. And we stand by it. The fast-rising upstart is building a solid fan base around North America and beyond with a rugged, vintage style of swung techno and hardgroove. His all-vinyl DJ sets and pumping productions on the likes of Fixed Rhythms and Mála Ádh stand out for their distinctly old-school flavour—steamrolling hi-hats à la Robert Hood, swift choppage behind the decks and deep, deep grooves. Like many of his all-vinyl heroes, he's also a treat to watch behind the decks The up-and-comer had a hell of a year in 2023, from playing in Japan to going on his first European tour, and his momentum shows no signs of slowing. He debuted at New York's dweller festival this year and K9 Unit, his duo with Bloodhound, recently did a night with fellow hardgroove king Regal86. It's only a matter of time until 1morning gets to a festival or a club near you so until then, enjoy his RA Podcast for now. The mix unfortunately came with some less than stellar circumstances, as the records 1morning pulled were stolen from his car, and so instead this RA Podcast became a statement of resilience and creativity—and, in his words, "an outlet for my rage." @1morning Read more at https://ra.co/podcast/932

For the fourth episode of There Is No Planet Earth Stories, I'm joined by guest Adriel Thornton representing stories from Detroit. We discuss a range of topics from his 30+ years of experience as a rave promoter, event and festival producer.  Other highlights include the origins of the first raves he threw at 1515 Broadway, and his core residents : Robert Hood, Claude Young, and Dan Bell. Additionally, we discuss iconic Detroit venues: Packard Plant, Saint Andrews/The Shelter, 1217 Griswold, Motor, and his role as Detroit's First Independent Nightlife Ambassador.Support the show

Our landmark 700th episode in partnership with Detroit's Blueprint presents the first in a new three-part series exploring the untold history of Detroit techno from the perspective of the women who built it. The history of Detroit techno is often recounted in waves. First there was the Belleville Three—Juan Atkins, Kevin Saunderson, Derrick May—closely followed by a second cohort of artists who further developed the sound in the '90s. Names like Carl Craig, Octave One, Robert Hood, Jeff Mills and Mike Banks are among those that have been codified in the official annals of techno history. But there's another, lesser known story that is seldom told about the women who grew the scene right alongside them. Equally esteemed artists like DJ Minx (the founder of Women On Wax Recordings), K-Hand, DJ Cent, Stacey Hotwaxx Hale and more ran labels, collectives and DJ nights that aren't bestowed with the same credit as those from their male counterparts, and have consequently been lost in the chronicles of time. For the 700th episode of the RA Exchange, we counter correct this gender inequity with the first episode of a three-part series hosted and produced by the all-female Detroit collective and party series Blueprint. Alanna Greenlee, Janisa Nelson and Crystal Mioner embark on interviews that illuminate an alternative history of Detroit techno that unfurled alongside these better-documented techno waves, tracing the birth of a woman-led community that put mutual support at its heart and fought to earn respect from their male peers and the scene at large. Listen to the episode in full. Credits: Produced by Blueprint Hosts: Alanna Greenlee, Janisa Nelson, Crystal Mioner Guests: DJ Minx and DJ Cent Writer/Researcher: Crystal Mioner Technical Production: Janisa Nelson Consultant: John Collins Consultant: Conor Anderson

The dirt aesthetic, non-relinquishable frequencies, opening up that filter. The London-based sound artist and "mutant dancehall" practitioner discusses three important albums.Aniruddha's picks:Miles Davies – Dark MagusRobert Hood – Minimal NationHallucinator – LandlockedCheck out Dhangsha's music on Bandcamp here. His Hard Return EP "Aberrant" is over here. Dhangsha plays London's Cafe Oto on 24th January, and Electric Spring festival in Huddersfield on 17th February.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

Born and raised in New Jersey,  Niyah West loves experimenting on the dance floor and keeps the party activated with her fun, all-vinyl sets – and no stone is left unturned with her dynamic range.If you listen closely, Niyah loves giving dancers and listeners a history lesson with her unique mixing. One minute she'll have you transporting back to the iconic Club Zanzibar, touching corners of Gospel House, big-band Disco native to the legendary Newark hot spot in the ‘80s and early ‘90s. Before you know it, you're zooming over to Detroit and Chicago, shuffling and twisting your hips to Soulful House, Tribal grooves or classics from some of the greats like Dee Dee Brave, Robert Hood and the Late great Paul Johnson. Niyah has been busy. Last year, she did a Euro/UK tour and a phenomenal vinyl set for My Analog Journal, a popular YouTube series where DJs are given free rein to explore rare grooves and forgotten gems with their vinyl selection. Something tells us Miss West has a lot more in store for us this year. For episode 80, Shannon chats with Niyah about her DJ journey, her recent UK/Euro tour, the music that informs her sound, and how her family has played a deep role in her transition to playing vinyl. Tracklist ~- Niyah West's @myanalogjournal Set - Niyah West Live From Good Bar SetSubscribe To Our Patreon For More Content: Patreon.com/ClubManagement1Support the show

Elias Garcia, from Miami, is a DJ, producer, and the owner of Sceptre Records. With an Infra Boston residency, Elias continues to captivate audiences with his signature sound. His music is a compelling fusion of raw, deep, hypnotic techno, with influences drawing from the realms of sci-fi and minimalism. Central to his DJ sets is the iconic TR09 drum machine, infusing his performances with a unique and captivating sonic character. Sharing the stage with legends such as Jeff Mills, DVS1, Richie Hawtin, Robert Hood. Elias has demonstrated his remarkable talent and versatility. His discography boasts releases on esteemed labels like Modularz, Subsist, Analog Solutions, Codec, and Ominidsic, further solidifying his reputation as a producer to watch. Elias Garcia's journey is a testament to his dedication to pushing the boundaries of techno, and his future in the electronic music landscape promises to be as exhilarating as his music. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Rookley steps up to the session w/ an all production mix of his bass, beats, breaks, and dubby rollers. In our first hour, music from Underworld, Alex Banks, Beta Librae, Baby Ford, Hedchef, Barker + Baumecker, Mord Records, Robert Hood, David Meiser, and Head High. Episode playlist - https://darkfloor.co.uk/mantisradio353 Support us - https://patreon.com/mantisradio

We've got a massive premiere to kick off the week as legendary UK techno producer Planetary Assault Systems steps up to remix Italian producer Mattia Trani. The Mote Evolver boss gives ‘One More Step' the P.A.S. treatment as he steps up with a hammering rework, leaning on pummeling low-end and relentless percussive workouts. We premiere the track alongside the music video on our Youtube channel. Pushmaster Discs and Mattia Trani present one of the most authoritative techno remix LPs of the year as the Italian producer showcases a rework compilation of his last album “Scenery”. Mattia invited his favourite producers of the past and present to create their own vision of his music. The remix album is due 30 June and will be released on vinyl, split in 3 parts, and digital. The LP presents remixes from a broad spectrum of techno producers, spanning various sounds, textures, eras, and flavours, the LP is an all-encompassing look into Mattia Trani's influences and vision of techno. The LP presents remixes from Robert Hood, Ken Ishii, Marcel Dettmann, Paul Ritch, Luigi Madonna, Lee Ann Roberts, & more. We present the remix from modern-day legend Planetary Assault Systems aka Luke Slater. The UK techno don conjures up a classic-sounding P.A.S. rework, leaning into percussively functional tracks in his arsenal that have been wrecking dancefloors within recent years. Slater show's shades of early Mills on his remix, jacking up the swing and intensity, creating a whirlpool of scrambling percussive intensity. Slater doesn't hold back, presenting one of his most intense pieces of works as of late, dialling up the distortion and picking up the pace for an in-your-face techno weapon. When Planetary Assault System releases music, you stop, you listen and you dance. Planetary Assault Systems --------- SC: https://soundcloud.com/luke-slater IG: https://www.instagram.com/lukeslater_planetary/ FB: https://www.facebook.com/LukeSlaterPlanetaryAssaultSystems Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

At the age of 16, Shinedoe was already comfortable in the club. The Dutch artist started dancing at parties as a part-time job while studying before finding her way behind the decks. She landed her first big DJ booking at Amsterdam club Paradiso at the tender age of 19 and her first single, "Dilemma," from 2004, quickly became an Ibiza favourite. All of this is to say that she knows how to move a room. Influenced by Detroit techno pioneers like Robert Hood, Shinedoe's mixes and productions are full of jacking kicks and big-room basslines. Funky, slamming rhythms are her forte and even when she focuses on minimalist tech house or darker sounds, there's always some zest sprinkled in, in the form of electro and breaks. For her RA Podcast, the Intacto Records and Music That Moves founder offers a variety of powerful techno cuts. There's DJ Godfather's turntablist take, her own acid-tinged mindbenders and a hard, no-nonsense banger from Glasgow duo Slam to conclude. It's the kind of punchy mix that can pull in any kind of dance music fan, techno head or not. @shinedoe Read more at https://ra.co/podcast/887

Federal Drive host Tom Temin continues his week-long series, "The Worst Place To Work in the Federal Government." Because of its last place in this year's rankings, that title goes to the Bureau of Prisons, part of the Justice Department. In today's interview, Tom starts with the notion that the federal correctional facility is the basic unit in the Bureau of Prisons. Tom's guest is a corrections consultant, who served in the Senior Executive Service and as warden of ADX Florence, the system's most secure prison. The Colorado facility is also known as Super Max. For lessons learned there and how BOP can regain its footing, we hear from Robert Hood.  Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Federal Drive host Tom Temin continues his week-long series, "The Worst Place To Work in the Federal Government." Because of its last place in this year's rankings, that title goes to the Bureau of Prisons, part of the Justice Department. In today's interview, Tom starts with the notion that the federal correctional facility is the basic unit in the Bureau of Prisons. Tom's guest is a corrections consultant, who served in the Senior Executive Service and as warden of ADX Florence, the system's most secure prison. The Colorado facility is also known as Super Max. For lessons learned there and how BOP can regain its footing, we hear from Robert Hood.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Hood was only 24 in 1821, when he participated in the 1st of the infamous Franklin Expeditions. Hood was to take navigational, geographical and meteorological observations, and to make drawings of the land and of various objects of natural history. Unfortunately, Hood would not live to see his paintings published in Franklin's account. In this episode LAC Archivist Shane McCord tells us about the tragic story of Robert Hood and the treasures he left behind, which are now part of the LAC collection.

Robert Hood n'avait que 24 ans lorsqu'il participa à la première des tristement célèbres expéditions de Franklin en 1821. Hood devait effectuer des observations sur la navigation, la géographie et la météorologie, en plus de créer des dessins de la terre et de divers objets d'histoire naturelle. Malheureusement, Hood ne vivra pas assez longtemps pour voir ses peintures publiées dans le récit de Franklin. Dans cet épisode, l'archiviste de BAC, Shane McCord, nous raconte l'histoire tragique de Robert Hood et nous parle des trésors qu'il a laissés derrière lui, lesquels font maintenant partie de la collection de BAC.

This week on Melodics - we dive deep into the dark, melodic, beautiful, and powerful tracks across house & techno with your host Raskal. This week we have a studio mix from the New Studio with Host Raskal.

TECH CLUBBERS PODCAST W/ DELUKA Born in 90, Naples and living in Berlin since 2011. Developed his passion for music when he got his hands on his first vinyl records and
turntables at a young age. The passion soon grew into a deep love for old house music. He kept following the path of music that finally led him to the sounds of techno. Fascinated by the sound of Jeff Mills, Robert Hood, Steve Rachmad and more, experimenting and developing his skills for years and expanding his love for techno also to the Dj side, using various synthesizers to create new and strong sounds, the upcoming musician is trying to keep the soul in to techno, wandering between various genres and never standing still. He constantly keeps exploring and building up his very own handwriting in electronic sounds, without skipping the good House Music. Owner of the live streaming project No Signal based in Berlin and also party-maker since 2014. Joined Mixworks roaster Agency in 2018 and released his first records on Estetika and 4trks from Dj Hyperactive in Chicago and launched his label "No Signal Records" in 2021, supported by the most talented artist of the techno scene. Follow DELUKA here: Facebook: https://www.facebook.com/profile.php?id=100063593498116 Instagram: https://www.instagram.com/delukanosignal/ Soundcloud: https://soundcloud.com/francesco-de-luca

This week on Melodics - we dive deep into the dark, melodic, beautiful, and powerful tracks across house & techno with your host Raskal. This week we have a studio mix from the New Studio with Host Raskal.

Popularisé par le cinéma et le dessin animé, Robin des Bois est devenu, pour les enfants comme pour les adultes, un personnage familier. Entouré de Frère Tuck, un moine truculent, et de Petit Jean, qui dirigeait les rebelles de la forêt de Sherwood avant son arrivée, il courtise la belle Marianne et lutte contre les exactions du cauteleux shérif de Nottingham. Dès le début du XIIIe siècle, des légendes sont apparues au sujet de ce bandit au grand cœur, qui volait les riches pour donner aux pauvres. Les chansons des troubadours s'en font l'écho et, dès le XIVe siècle, des récits écrits racontent l'histoire d'un certain Robin des Bois. Les plus connus sont une œuvre de William Langland, « Pierre le Laboureur », ou des ballades comme « La geste de Robin des Bois » ou encore « Robin et le moine », où la figure d'un brigand généreux, rebelle à l'autorité, se précise. Beaucoup plus tard, Alexandre Dumas lui consacrera deux livres. Mais, au-delà de la légende, Robin des Bois a-t-il vraiment existé ? Il est impossible d'identifier, avec précision, un personnage historique ayant porté ce nom. À la vérité, ce surnom de « Robin des Bois » a été donné , aux XIIIe et XIVe siècles, à plusieurs braconniers ou voleurs de grand chemin. De leur côté, des historiens anglais estiment que Robin des Bois serait à la croisée de plusieurs personnages : un soldat ayant vécu au début du XIVe siècle, du nom de Robert Hood de Wakefield, un paysan vivant dans une forêt du Yorkshire et l'un des barons en lutte contre Jean sans Terre, un certain Fulk Fitz-Warine. Or, on sait que Robin des Bois s'était rangé dans le camp de Richard Cœur de Lion, qui luttait contre son frère félon, le Roi Jean. Il est aussi question, dans certains documents, d'un hors-la-loi nommé William Robehod, qui aurait vécu à la fin du XIIIe siècle. Le personnage fictif de Robin des Bois a sans doute été composé à partir de ces figures historiques. Learn more about your ad choices. Visit megaphone.fm/adchoices

Popularisé par le cinéma et le dessin animé, Robin des Bois est devenu, pour les enfants comme pour les adultes, un personnage familier. Entouré de Frère Tuck, un moine truculent, et de Petit Jean, qui dirigeait les rebelles de la forêt de Sherwood avant son arrivée, il courtise la belle Marianne et lutte contre les exactions du cauteleux shérif de Nottingham.Dès le début du XIIIe siècle, des légendes sont apparues au sujet de ce bandit au grand cœur, qui volait les riches pour donner aux pauvres. Les chansons des troubadours s'en font l'écho et, dès le XIVe siècle, des récits écrits racontent l'histoire d'un certain Robin des Bois.Les plus connus sont une œuvre de William Langland, « Pierre le Laboureur », ou des ballades comme « La geste de Robin des Bois » ou encore « Robin et le moine », où la figure d'un brigand généreux, rebelle à l'autorité, se précise. Beaucoup plus tard, Alexandre Dumas lui consacrera deux livres.Mais, au-delà de la légende, Robin des Bois a-t-il vraiment existé ? Il est impossible d'identifier, avec précision, un personnage historique ayant porté ce nom. À la vérité, ce surnom de « Robin des Bois » a été donné , aux XIIIe et XIVe siècles, à plusieurs braconniers ou voleurs de grand chemin.De leur côté, des historiens anglais estiment que Robin des Bois serait à la croisée de plusieurs personnages : un soldat ayant vécu au début du XIVe siècle, du nom de Robert Hood de Wakefield, un paysan vivant dans une forêt du Yorkshire et l'un des barons en lutte contre Jean sans Terre, un certain Fulk Fitz-Warine.Or, on sait que Robin des Bois s'était rangé dans le camp de Richard Cœur de Lion, qui luttait contre son frère félon, le Roi Jean. Il est aussi question, dans certains documents, d'un hors-la-loi nommé William Robehod, qui aurait vécu à la fin du XIIIe siècle. Le personnage fictif de Robin des Bois a sans doute été composé à partir de ces figures historiques. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Środa: 21.00-22.00 Host: dRWAL Drewutnia dD już w trybie powakacyjnym. Usłyszycie zebrane podczas wakacji nowości, które nie miały okazji jeszcze w audycji wybrzmieć. Poza numerami z albumów i EP-ek cześć audycji wypełnią utwory z wakacyjnych składanek, na które warto zwrócić uwagę. Wśród wykonawców: Red Axes, Kalaha Moon, Royksopp, Rufus du Sol, Orbital, Robert Hood, Of Norway, Monkey Safari, Odeszam, Olafur Arnalds, Chris Liebing i inni. http://fb.com/groups/radiodrewutniadd http://fb.com/drewutniadd http://fb.com/drwaldj https://radiospin.pl/prezenter/jaroslaw-drwal-drazek/ https://radiospin.pl/show/drewutnia-dd-jaroslaw-drwal-drazek/

Tracklist : Archie Bell & The Drells - Tighten Up Pt.1Obongjayar - Sugar (Sally C)Mura Masa - Blessing Me ft. Pa Salieu & SkillibengSoseme Makonde / ManzaraJudah Warsky & Gilbert Cohen - L'appel Du PiedBamao Yendé - Call MeMajor Lazer x Major League - Koo Koo Fun ft. Tiwa Savage, DJ MaphorisaLazy Flow - Baile Rave (Eita Porra)Sofie Royer - Baler Miller PinkSheila - Spacer (by Beat Devotion)Sheila - Samedi Soir (Woody Braun remix) short editRobert Hood - HecticKerri Chandler, Dreamer G - Hurry Up (Ministry of Sound)David Walters - Bow Down (Flabaire remix)Jockstrap - 50/50La Femme - Y tu te vasLarry June - Still Boomin' ft. 2 ChainzNia Archives - BaianaBicep - Water ft. Clara La San (long version)Hagop Tchaparian - Right to Riot Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Episode 76 More Black Techno Matters   Playlist   Drexciya, “Digital Tsunami” from Harnessed The Storm (2002 Tresor). “Filtered through dimensional waves by Drexciya.” Drexciya, “Aquatic Cataclysm” from Harnessed The Storm (2002 Tresor). “Filtered through dimensional waves by Drexciya.” Green Velvet, “Sleepwalking” from Whatever (2001 Music Man Records). Produced, programmed, and written by Green Velvet. Jlin, “Black Origami” from Black Origami (2017 Planet Mu). Produced by Jerrilynn Patton. Gary, Indiana. 3MB Featuring 'Magic' Juan Atkins, “Die Kosmischen Kuriere” from 3MB Feat. Magic Juan Atkins E.P. (1993 NovaMute). Producer, written and mixed by Juan Atkins, Moritz von Oswald, Thomas Fehlmann. Loraine James, “Let's Go” from Reflection (2021 Hyperdub). Produced by Loraine James. Hand, “Calling” from Intuition EP (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. Loraine James, “Loll” from Detail (2017 Fu Inle Records). Produced by Loraine James. Hand, “Everybody (Tommy Largo Remix)” from Intuition EP (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. Hand, “Aquatics” from Hot Steel. (2020 Trip Recordings). Produced, written, and arranged by K. Hand (Kelli Maria Hand). This was the result of receiving an invite from musician Nina Kraviz who sent out a call to artists to stream one of their unreleased works; all genres are welcome. After the stream took place, the favourite tracks were signed to produce the Hot Steel release. Available on Bandcamp. LTJ Bukem, “Rainfall” from Raw Music Material - Electronic Music DJs Today (2002 Not on Label). Composed, played, and mixed by LTJ Bukem. Robert Hood. “Kick Dirt” from Raw Music Material - Electronic Music DJs Today (2002 Not on Label). Music by Robert Hood. Robert Hood. “Parade” from Internal Empire (1994 Tresor). Detroit. Music by Robert Hood. Scan 7, “Dark Corridor” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. Scan 7, “Dark Territory” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. Venus Ex Machina, “Blood Moon (Solar Mix)” from Lux. (2021 AD93). Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Venus Ex Machina, “Mysterium ” from Lux. (2021 AD93). Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Venus Ex Machina, “Quaraquara” from Lux. (2021 AD93). Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Jeff Mills, “IOK-1” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “IOK-4” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “The Speed Of Light” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “Canis Major Overdensity” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Opening background music: Jeff Mills, “Spider Formation” from The Other Day (1997 Axis). Written, performed, and produced by Jeff Mills. Connect with Black Techno Matters and Bernard Farley. Listen to the Blackness is Revolutionary playlist on Spotify. As of this podcast, this playlist curated by Bernard Farley features more than 1,100 techno tracks by black artists. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Episode 75 Black Techno Matters   Playlist Frankie Knuckles. Baby Wants To Ride. (1987 D.J. International). Vocals by Jamie Principle. South Bronx, New York. Written, produced, and instrumentation by Frankie Knuckles (Francis Nicholls). 6:43 Juan Atkins, “Bassmental” from 3MB Feat. Magic Juan Atkins (1992 Tresor). Detroit. Written, produced, and played by Juan Atkins. 9:01 Dave Angel, “Endless Motions” from 3rd Voyage (1993 R&S Records). Produced, programmed, and written by Dave Angel. 4:28 Green Velvet, “Conniption” from Velvet Tracks (1993 Relief Records). Produced, programmed, and written by Green Velvet (Curtis Alan Jones). 18:17 Robert Hood. “Spirit Levels” from Internal Empire (1994 Tresor). Detroit. Music by Robert Hood. 5:06 Hand, “I Remember When” from On a Journey. (1995 !K7 Records). Produced, written, and arranged by K. Hand (Kelli Maria Hand), Detroit. 9:15 Scan 7. “Beyond Sound” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. 6:25 Green Velvet. Flash (Original Mix) from Flash (Remixes) (2000 F-111 Records). Produced, programmed, and written by Green Velvet. 5:47 Hand, “Rain-Interlude” from “Detroit History” Part 1. (2001 Acacia). Detroit. Produced, written, and arranged by K. Hand. 1:38 Hand, “Riverfront” from “Detroit History” Part 1. (2001 Acacia). Detroit. Produced, written, and arranged by K. Hand. 5:52 Outputmessage (Bernard Farley), “REM State” from Oneiros (2004 Echelon Productions). Written, performed, and produced by Bernard Farley. 4:33 Hand. “Intuition” from Intuition EP. (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. 4:25 Jlin, “Enigma” from Black Origami (2017 Planet Mu). Produced by Jerrilynn Patton. Gary, Indiana. 3:48 Loraine James, “To the Left, to the West,” from Detail (2017 Fu Inle Records). London. 6:03 Jeff Mills, “Many Many Worlds” from The Universe Chapter 1 (2020 Axis). Produced, mixed, and edited by Jeff Mills. 4:40 Jeff Mills, The Speed of Light” from The Universe Chapter 1 (2020 Axis). Produced, mixed, and edited by Jeff Mills. 2:44 Venus Ex Machina. “Avril” from Lux. (2021 AD93). UK-based artist. Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. 2:23 Venus Ex Machina. “Elephant” from Lux. (2021 AD93). UK-based artist. Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. 4:20 Opening background music: Outputmessage (Bernard Farley), “Switch” from Oneiros (2004 Echelon Productions). Written, performed, and produced by Bernard Farley. Connect with Black Techno Matters and Bernard Farley. Listen to the Blackness is Revolutionary playlist on Spotify. As of this podcast, this playlist curated by Bernard Farley features more than 1,100 techno tracks by black artists. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Hosts Nate Wilcox & Ryan Harkness discuss Matos' narrative of Richie Hawtin's transition to minimal techno and his boom and bust as a US rave promoter. Other Detroit area producer/DJs like Carl Craig and Robert Hood are discussed as is the relationship between Berlin and Detroit.Buy the book and support the show Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.Let It Roll is proud to be part of Pantheon Podcasts.

Hosts Nate Wilcox & Ryan Harkness discuss Matos' narrative of Richie Hawtin's transition to minimal techno and his boom and bust as a US rave promoter. Other Detroit area producer/DJs like Carl Craig and Robert Hood are discussed as is the relationship between Berlin and Detroit.Buy the book and support the show Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.Let It Roll is proud to be part of Pantheon Podcasts.

We kickstart the week with a lush remix of Lyric Hood's latest track ‘Let Me Tell You' from UK jungle master Kayrem. The breakbeat tip of the original leans on blissful pads, tempestuous breaks & melancholic whispers of dance floor bliss. Lyric Hood, the daughter of Detroit techno pioneer Robert Hood returns with brand new soul soaked techno goodness, breathing new life into the history of Detroit techno. Lyric has been releasing music with her father since 2016, when the duo announced their ‘Floorplan' alias which became an unstoppable family duo. Under her Floorplan alias, Lyric has released a multitude of iconic house & techno anthems including; Never Grow Old, Baby Baby, Tell You No Lie, We Magnify His Name & a many more. A common soulful theme runs through each Floorplan records and speaks words of faith through pounding four to the floor rhythms. In recent times Lyric has been releasing solo records on Hood's M-Plant imprint. Lyric has been pushing a deep and tough style of techno that is reminiscent of vintage Detroit techno and has the Floorplan soulful stamp all over it. Today we premiere Kayrem's remix which is a euphoric rendition of the original, as the jungle maestro moves on a more housey tip with familiar blissful breaks running through the track. Kayrem calls on heavenly pads and breathtaking subs, as the vocal meanders around the melancholic yet ecstatic track. SC: https://soundcloud.com/kayrem IG: https://www.instagram.com/kayrem_/ FB: https://www.facebook.com/Kayrem120/?ref=page_internal Four Four Magazine 
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SC: https://soundcloud.com/beardman IG: https://www.instagram.com/markbroom/ FB: https://www.facebook.com/MarkBroomOfficial Four Four Magazine 
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 Web: www.fourfourmag.com/ We've got your Friday techno fix covered from the one and only, Mark Broom returns to Rekids ahead of his 100% Juice Album Sampler. This is techno funk of the highest order from the UK don. Mark Broom has been making classic techno cuts since the early 90's and his work serves as inspiration to many today. Through his work under Mark Broom and several seminal alias's including Rue East, Lighter Thief, Killa Productions, The Fear Ratio and more, the London techno don remains one of the most authoritative figures in UK techno. The record making machine has landed 12 inches on world renowned labels such as Blueprint Records, Rekids, M-plant, EPM, Cocoon, Bpitch Control, Warp Records and the legendary Ifach with Baby Ford. Broom has also collaborated with techno giants Robert Hood, Floorplan, Alan Fitzpatrick, Gary Beck and more. His track ‘Spiked' is a funk-laden groove that is simply irroestiable in it's simple yet funky nature. Broom is in a league of his own when it comes to wonky techno grooves, as unruly leads flutter atop of the jacking groove. This is vintage broom with a modern twist, everything you would come to expect from the king of jacking techno and so much more.

Let's talk about that minimal Berlin club sound via Berghain staple, Ben Klock. We trace the roots of house & techno in the US. Unpack and untangle influences traveling back and forth across the Atlantic. Dig into repetition and our perception of time. Layers on layers on layers. Unravel.   CORRECTION: In the podcast Aaron has a slip and credits "Minimal Nation" to Carl Craig instead of Robert Hood - whoops, sorry!   Follow us on Twitter! Check out our website!

This is the Burning Ambulance podcast's sixth year, and our seventieth episode, so I decided it was time to change things up a little. This season, we're going to have a single subject we're going to be exploring through all ten episodes that I'm going to be presenting, and that theme is fusion.Fusion is a very charged term. When most people hear it, in reference to music, anyway, they probably think of bands from the 1970s like the Mahavishnu Orchestra, Return to Forever, and Weather Report: groups formed by ex-members of Miles Davis's band that combined a certain freedom to improvise with extremely complex compositions that were closer to progressive rock than to jazz. I mean, when you listen to the first two Mahavishnu Orchestra albums, The Inner Mounting Flame and Birds of Fire, side by side with King Crimson's Larks' Tongues in Aspic and Starless and Bible Black, they really fit together quite well. I mean, they're even using the same instrumental palette: guitar, violin, keyboards, bass, drums. The only real difference is that King Crimson had a singer.What interests me about fusion, the term and the concept, is that it lives up to something saxophonist Wayne Shorter, one of the co-founders of Weather Report, has said many times — that to him, the word jazz means “I dare you”. I dare you to play as loud as the rock bands. I dare you to embrace funk and multi-part suites and the most advanced studio production techniques available. I dare you to go big, to be ambitious. Because that's what the best fusion of the 1970s was, and what modern-day fusion is. It's ambitious. It doesn't recognize externally imposed limitations, people saying “you can't do that”. Why not? Why can't you? It refuses to stay within the boundaries of genre. It's not jazz, it's not rock, because there's no such thing as jazz and no such thing as rock. One of the things I discovered, or became more certain of, while writing my book Ugly Beauty: Jazz in the 21st Century, which is out this month from Zero Books in the UK, is that jazz is ultimately about artistic intention. There's no one instrument or rhythm or harmonic relationship that defines it, but there are two crucial values: innovation and improvisation. There must be an attempt to do something new, or to put a new spin on something old, and there must be an element of uncertainty and a real-time exchange of ideas, or in the case of solo performances, there must be an element of real-time thinking and spontaneous creation. Because it's absolutely possible to play something that startles or surprises yourself, and then respond to it.So fusion is about taking ideas from seemingly disparate genres and combining them. And taking the philosophies that govern those seemingly disparate genres and figuring out what they have in common. That's what the Seventies artists did, and that's what modern-day fusion acts are doing. I would include people like Thundercat, Cameron Graves, Christian Scott and even Kassa Overall, who's been on this podcast before, in that category. And that's what we're going to be talking about all year long on this podcast, through interviews with prominent fusion artists of the past and present.Many people may not think of Jeff Mills as a fusion artist. He's normally thought of as one of the most important musicians in techno history. I'm not gonna run down his discography here, that's what Wikipedia's for, but suffice it to say that his influence in the 1990s was massive, but what makes him interesting to me is that he's taken the creative space his fame has brought him and used it to really expand his own sonic parameters. He's made an album with a full orchestra. He's created new scores for silent films. He's made albums inspired by astronomy, science fiction, and his interest in the supernatural. And he's collaborated with musicians who are geniuses in their own fields. In 2018, he made an album called Tomorrow Comes the Harvest with legendary Afrobeat drummer Tony Allen. And that project led to the first of the three albums he put out in 2021. It's called Counter Active, and it's a collaboration with keyboardist Jean-Philippe Dary under the name The Paradox.The second album he released this year was called The Clairvoyant, and it's about two hours long — if you buy it on vinyl, it's three LPs, and he says that the best way to experience it is to lie back in the dark and listen to the whole thing from beginning to end. It arises out of his interest in spiritualism at the beginning of the 20th century and his perception of the similarities and connections between that era and now. That's one of the topics we discuss in the interview you're about to hear, in fact. And I have to admit I was surprised by how willing, even eager, he was to discuss social issues. A lot of electronic music is deliberately anonymous, deliberately emotionally blank — it's a canvas on which you can paint your own feelings. But it also reflects broader social conditions, as any art produced by human beings inevitably must. Detroit techno represented the frustration and anger, as well as the hopes and dreams, of the citizens of that city, and Underground Resistance, a collective Mills formed with Mike Banks and Robert Hood, was explicitly political, taking on social conditions in their city and the overall politics of the music industry.The third album Jeff Mills put out in 2021 was The Override Switch, a collaboration with Rafael Leafar, who plays a number of instruments on the record, including tenor, alto, soprano and baritone saxophones, clarinet, bass clarinet, contra-alto clarinet, flute, cornet, and a wide range of keyboards. The music they make together is fusion in the purest and most genuine sense: the rhythmic steadiness of electronic music combined with the melodic and harmonic adventurousness of jazz. The individual pieces, and the album as a whole, take the listener on a real journey. And frankly, on a purely sonic level, I find it easy to draw lines between this and the music that people like Stanley Clarke and George Duke were making in the 1970s.Anyway, I feel extremely lucky to have gotten the chance to talk to Jeff Mills for an hour. He's an incredibly busy guy, so tracking him down was a challenge, and the day we were initially scheduled to talk, he had to run from Paris to London, so we moved it, and then when I did catch him, I thought he was still in Paris but it turned out he had returned to London, which meant I was calling him an hour later than expected. Still, it was a fascinating conversation that went in some really unexpected directions. I hope you enjoy listening to it.Music featured in this episode:The Paradox, "Super Solid" (Counter Active)Jeff Mills, "Someone Who Feels Things" (The Clairvoyant)Jeff Mills & Rafael Leafar, "The Sun King" (The Override Switch)

This is the Burning Ambulance podcast's sixth year, and our seventieth episode, so I decided it was time to change things up a little. This season, we're going to have a single subject we're going to be exploring through all ten episodes that I'm going to be presenting, and that theme is fusion.Fusion is a very charged term. When most people hear it, in reference to music, anyway, they probably think of bands from the 1970s like the Mahavishnu Orchestra, Return to Forever, and Weather Report: groups formed by ex-members of Miles Davis's band that combined a certain freedom to improvise with extremely complex compositions that were closer to progressive rock than to jazz. I mean, when you listen to the first two Mahavishnu Orchestra albums, The Inner Mounting Flame and Birds of Fire, side by side with King Crimson's Larks' Tongues in Aspic and Starless and Bible Black, they really fit together quite well. I mean, they're even using the same instrumental palette: guitar, violin, keyboards, bass, drums. The only real difference is that King Crimson had a singer.What interests me about fusion, the term and the concept, is that it lives up to something saxophonist Wayne Shorter, one of the co-founders of Weather Report, has said many times — that to him, the word jazz means “I dare you”. I dare you to play as loud as the rock bands. I dare you to embrace funk and multi-part suites and the most advanced studio production techniques available. I dare you to go big, to be ambitious. Because that's what the best fusion of the 1970s was, and what modern-day fusion is. It's ambitious. It doesn't recognize externally imposed limitations, people saying “you can't do that”. Why not? Why can't you? It refuses to stay within the boundaries of genre. It's not jazz, it's not rock, because there's no such thing as jazz and no such thing as rock. One of the things I discovered, or became more certain of, while writing my book Ugly Beauty: Jazz in the 21st Century, which is out this month from Zero Books in the UK, is that jazz is ultimately about artistic intention. There's no one instrument or rhythm or harmonic relationship that defines it, but there are two crucial values: innovation and improvisation. There must be an attempt to do something new, or to put a new spin on something old, and there must be an element of uncertainty and a real-time exchange of ideas, or in the case of solo performances, there must be an element of real-time thinking and spontaneous creation. Because it's absolutely possible to play something that startles or surprises yourself, and then respond to it.So fusion is about taking ideas from seemingly disparate genres and combining them. And taking the philosophies that govern those seemingly disparate genres and figuring out what they have in common. That's what the Seventies artists did, and that's what modern-day fusion acts are doing. I would include people like Thundercat, Cameron Graves, Christian Scott and even Kassa Overall, who's been on this podcast before, in that category. And that's what we're going to be talking about all year long on this podcast, through interviews with prominent fusion artists of the past and present.Many people may not think of Jeff Mills as a fusion artist. He's normally thought of as one of the most important musicians in techno history. I'm not gonna run down his discography here, that's what Wikipedia's for, but suffice it to say that his influence in the 1990s was massive, but what makes him interesting to me is that he's taken the creative space his fame has brought him and used it to really expand his own sonic parameters. He's made an album with a full orchestra. He's created new scores for silent films. He's made albums inspired by astronomy, science fiction, and his interest in the supernatural. And he's collaborated with musicians who are geniuses in their own fields. In 2018, he made an album called Tomorrow Comes the Harvest with legendary Afrobeat drummer Tony Allen. And that project led to the first of the three albums he put out in 2021. It's called Counter Active, and it's a collaboration with keyboardist Jean-Philippe Dary under the name The Paradox.The second album he released this year was called The Clairvoyant, and it's about two hours long — if you buy it on vinyl, it's three LPs, and he says that the best way to experience it is to lie back in the dark and listen to the whole thing from beginning to end. It arises out of his interest in spiritualism at the beginning of the 20th century and his perception of the similarities and connections between that era and now. That's one of the topics we discuss in the interview you're about to hear, in fact. And I have to admit I was surprised by how willing, even eager, he was to discuss social issues. A lot of electronic music is deliberately anonymous, deliberately emotionally blank — it's a canvas on which you can paint your own feelings. But it also reflects broader social conditions, as any art produced by human beings inevitably must. Detroit techno represented the frustration and anger, as well as the hopes and dreams, of the citizens of that city, and Underground Resistance, a collective Mills formed with Mike Banks and Robert Hood, was explicitly political, taking on social conditions in their city and the overall politics of the music industry.The third album Jeff Mills put out in 2021 was The Override Switch, a collaboration with Rafael Leafar, who plays a number of instruments on the record, including tenor, alto, soprano and baritone saxophones, clarinet, bass clarinet, contra-alto clarinet, flute, cornet, and a wide range of keyboards. The music they make together is fusion in the purest and most genuine sense: the rhythmic steadiness of electronic music combined with the melodic and harmonic adventurousness of jazz. The individual pieces, and the album as a whole, take the listener on a real journey. And frankly, on a purely sonic level, I find it easy to draw lines between this and the music that people like Stanley Clarke and George Duke were making in the 1970s.Anyway, I feel extremely lucky to have gotten the chance to talk to Jeff Mills for an hour. He's an incredibly busy guy, so tracking him down was a challenge, and the day we were initially scheduled to talk, he had to run from Paris to London, so we moved it, and then when I did catch him, I thought he was still in Paris but it turned out he had returned to London, which meant I was calling him an hour later than expected. Still, it was a fascinating conversation that went in some really unexpected directions. I hope you enjoy listening to it.Music featured in this episode:The Paradox, "Super Solid" (Counter Active)Jeff Mills, "Someone Who Feels Things" (The Clairvoyant)Jeff Mills & Rafael Leafar, "The Sun King" (The Override Switch)

We have the great pleasure of premiering a track from of one techno's most instrumental figures, Robert Hood under his Monobox alias. This comes as part of Regenerate album which is due for release tomorrow on his infamous imprint, M-Plant. Robert Hood began his Monobox alias in 1996 and has since released an album and various EP's under the monarch. Today we premiere the track ‘Blackwater Canal' which comes as part of his seven track album which features classic minimal grooves from the proclaimed founder of minimal techno. Robert Hood: “Monobox was an alien project. I read this book when I was probably around 13 or 14. It was this ominous black box that came from some other universe, and it was just sort of hovering over the planet, over a cornfield somewhere.” For the return of Monobox, Hood has envisaged that the vessel has been lying dormant for 40 or 50 years and is now beginning to rise up again, or regenerate. We premiere ‘Blackwater Canal' which is minimal tribalism at it's very finest. Polyrhythm infused percussive grooves are combined with the classic deep and pounding Robert Hood kickdrum. Soulful vocal stabs are matched with sweeping synths and pads, that are synonymous with the Detroit sound. It's deep, banging, funky, soulful and summarises everything we love about Robert Hood. Monobox [Robert Hood] --------------------------- FB: www.facebook.com/roberthood IG: www.instagram.com/RobertHoodFloorplan Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

TECH CLUBBERS PODCAST W/ OLIVER WAY EPM's co-founder and one half of the Detroit Grand Pubahs, Oliver Way has spent the best part of a quarter century promoting and pushing other artists, currently managing Robert Hood, Floorplan, Eddie Fowlkes, James Ruskin & Mark Broom. Oliver has been a recognised figure in the Techno scene for some time. As a DJ since 1991 when he began working a record shop called Bass Box ( owned by legendary rave organisation Raindance ), and later subsequently releasing under his own name in 1998 on Urban Substance Records before joining the Electro / Techno / Funk outfit Detroit Grand Pubahs in 2002. Taking up the pseudonym ( The Mysterious ) Mr O he produced alongside Paris the Black FU for their own label Detelefunk label. More recently he has collaborated with Ben Long ( Space DJz ) on numerous releases and provided remixes for labels like Torque, Engineroom, Beard Man and BulletDodge Records. His debut solo album was released in 2018 titled ‘From The Shadows' on the EPM Music imprint. TRACKLIST: Paul Mac - Nothing Remains [ EPMMusic ] La Fontaine - Kokkur [ Mote-Evolver ] Ben Long & Oliver Way - Belladonna Beats [ EPMMusic ] Hertz Collision & Gene Richards Jr. - Must Do It ( Truncate Remix ) [ CLR ] Orbe - 9DVR [ Mote-Evolver ] Ben Sims - Xotnuc [ EPMMusic ] Oliver Way feat Gareth Whitehead & Paris the Black FU - Davies Gene [ EPMMusic ] E Dancer - Anongay ( Robert Hood Remix ) [ Drumcode ] Monobox - ForwardBase Kyodai [ M-Plant ] DJ Funk - Run [ Dance Mania ] La Fontaine - 3015 [ Mote-Evolver ] Hertz Collision & Gene Richards Jr. - Change [ CLR ] Monobox - Homestead [ M-Plant ] Josh Wink & Truncate - Be Aware [ Ovum Recordings ] Francesco Terranova - Metocentro ( Ben Long & Oliver Way Remix ) [ EPMMusic ] Glaskin - Stalactite Cave ( Matrixxman Remix ) [ YAEL Trip ] Regis - Beyond the Reach of Tie Pt.2 [ EPMMusic ] Regis - At the Side of Silence [ EPMMusic ] Monobox - ForwardBase Kodai ( Ø [Phase] Remix ) [ M-Plant ] Hertz Collision & Gene Richards Jr. - Hunting Dimensions [ CLR ] DJ #1 - Guess I'll F.U Later ( Oliver Way Remix) [ Urban Substance Records ] Francesco Terranova - Resilient [ EPMMusic ] Mark Broom - Three Swords [ EPMMusic ] Follow OLIVER WAY here: Soundcloud: https://soundcloud.com/epm-music Mixcloud: https://www.mixcloud.com/oliver-way/ Bandcamp: https://epmmusic.bandcamp.com/ Contact: oliver@epm-music.com Follow TECH CLUBBERS here: Web: https://www.techclubbers.com/ Facebook: https://www.facebook.com/TechClubbers/ Instagram: https://www.instagram.com/techclubbers/ Soundcloud: https://soundcloud.com/techclubbers Mixcloud: https://www.mixcloud.com/TechClubbersRadio/ Youtube: https://www.youtube.com/c/TechClubbers Contact: info@techclubbers.com

In tandem with his birthday celebration, Techniche Recording artist Josh Taylor (USA), serves up a stellar techno filled mix that's sure to keep the faithful grooving in time for an extended time that includes stand out tracks from living legends Chris Liebing, Robert Hood, Len Faki, Deborah De Luca and our own legends in the making Ciara B & Scanner Darkly. Track List: Richard Cleber - Techno Prisoners (Original Mix) [Mavic Music] Chris Liebing - Discombobulated (Original Mix) [Rekids] Class-A Deviants - Oh OK [Degrees Ov Seperation] Robert Hood - Shadows (Original Mix) [ePm Music] Scanner Darkly - The Second Wave (Original Mix) [Techniche Recordings] Len Faki - Robot Evolution (Benjamin Damage Live Remix) [Figure] Will Sparks - Cumon (Extended Mix) [Armada Music] Deborah De Luca - Maybe I'm Wrong (Original Mix) [Solamente] Jay Lumen - Preacher (Original Mix) [Footwork] Ciara B - Awakening [Techniche Recordings] Herbido - Robots on Acid (Original Mix) [Lakota Music Records] Radio Slave - Variations V1 (Original Mix) [Rekids]

In episode 3, the production team (Reggie Dokes, Jennifer Washington, Kristian Hill, David Grandison) behind upcoming feature-length documentary God Said Give ‘Em Drum Machines: The Story of Detroit Techno celebrate their friend, and legendary Detroit DJ, Mike Huckaby. Huck is remembered not only as a DJ, but as an educator, as a leader, and as the one who gave the GSGEDM film its title and the team the inspiration to keep pushing to the finish line. Other Detroit legends - Eddie Fowlkes, Robert Hood, Rick Wade, Derrick May, and Carl Craig - also share special memories about Huckaby with the team.-Support the independent filmmaking process and get yourself some GSGEDM merch!www.gsgedm.com-Stay updated with GSGEDM on Instagram and Facebook!https://www.instagram.com/GodSaidGiveEmDrumMachines/https://www.facebook.com/GodSaidGiveEmDrumMachines/-Learn more about topics covered in the film and Detroit culture in the Detroit Techno 101https://www.musicorigins.org/detroit-techno-101/-Check out Music Origins: https://www.musicorigins.org/technomecca/-Listen to director Kristian Hill and Mike Huckaby's 1987 Michigan State Mixtape!https://soundcloud.com/chandeliers/january-7th-2021-with-mike-huckaby-kristian-r-hill-Read more stories about Huck in 5mag's Mike Huckaby issuehttps://5mag.net/issues/mike-huckaby-5-mag-181/ Learn more about Huck from Beat Drophttps://www.youtube.com/watch?v=REAjwfAe8so-Check out Rick Wade Designs!www.RickWadeDesigns.com Get yourself some Rick Wade Sample Packs!http://www.transporterstru.com/Rick_Wade_Libraries/-Support Black Lives Matter Detroit:https://www.blmdetroit.com/-Support Black Lives Matter:https://blacklivesmatter.com/-Get your global soul, events and music with Fusicology:https://www.fusicology.com/

Techno Minimal founder and original producer Robert Hood in Detroit , was 1994 .... after 25 years my mix selection for you Ravers Techno Lovers !

John arrived at this week's Quietus Hour recording with a bag of coffee so high-end it came in a packaging made of two eco-friendly materials. With that in mind, we decided to go for a two coffee show and opened with a pair of appropriately momentous bangers by Sex Swing and Robert Hood's Floorplan. OOOF! As well as more new music by Jenny Hval, Denis Sulta and The Invisible we've got a classic overlooked track by The Units, some Family Atlantica and some Adrian Sherwood, not to mention our usual look at the important music news of the day and The Persuader. Plus, Stone Roses fans - a real treat for you in an exclusive live clip from their recent surprise show in Halifax.

We’ve returned from a brief holiday to continue our weekly transmissions of Future Music. Kelpe kicks off the first hour with his latest single “Answered,” The Orb and Lee “Scratch” Perry get remixed by Dabrye, Panda Bear teams up with Daft Punk, The Polish Ambassador returns with a new album, Detroit mainstays Robert Hood, Jeff […]