Podcasts about Drexciya

The fiftieth edition of PHANTASYMIX arrives courtesy of our most recent signing, Factory Floor. Mixed and curated by both Nik Colk Void alongside long-term label associate Gabe Gurnsey, as well as new member Joe Ward, this momentous contribution to the label's long-running series captures and combines many of the cult British band's core influences, spanning New Order to Dean Blunt, Sandwell District, Drexciya and The Fall. Loaded with the band's experimental, outsider spirit it's a fine hour of physical, potent outsider music, including their recent single on Phantasy, ‘Between You'. “We're happy to share with you a mix of our favourite current listening and inspiration ! A mix of our love for electronic and acoustic live performance and collaboration, past and contemporary. We hope you enjoy the journey!” - Factory Floor

The Ancient, esou gëtt den Abu Qadim Haqq genannt. Dee mëttlerweil 55 Joer ale Mann ass eng Zentralfigur am Afrofuturismus Konschtmouvement vun Detroit. A sengem CV steet ënner anerem, datt hien d'Albumcovere vun den Techno-Legenden Underground Resistance an Drexciya gemaach huet. The Ancient war zu Lëtzebuerg ze gesinn: Am Claudio Caruso sengem Vinyl Harvest Buttek zu Esch huet hien zwou Stonne laang eng Dier bemoolt, bis datt eng Cyber-Fra op engem Päerd ze gesi war. Seng Duechter d'Qadira huet wärenddeems een DJ-Set gespillt. Duerno duerft ee Froe stellen. The Ancient huet op Nofro erkläert, firwat seng Duechter am Homeschooling ass: well den ëffentleche Schoulsystem zu Detroit miserabel ass - dëst ass zanter iwwert 30 Joer keng Neiegkeet. An Amerika ass Detroit dacks d'Punchline vu Witzer, déi scho laang net méi witzeg sinn, besonnesch zanter déi staark Automobilindustrie ënnergaangen ass. Den Ancient selwer war an enger kathoulescher Privatschoul. Seng Eltere konnte sech dat leeschten, well säi Papp fir Chrysler an der Fabrik geschafft hat. Dat war zu enger Zäit, wou een och ouni Schoulofschloss eng gutt bezuelten Aarbecht konnt fannen. D'Stad Detroit ass awer och fir hir immens kreativ Musekszeen bekannt; och Hiphop gëtt do groussgeschriwwen. Den Eminem an seng Kolleegen am Rapkollektiv D12 si vun Detroit a liewe weiderhin do. Op e puer vun dëse Saache koum deen nom Mole midden Här mam Nicolas Calmes ze schwätzen.

Deux heures de freestyle, c'est l'aléatoire du mercredi !Young MC - Bust a move Star bandz - Yea Yea (feat. Veeze) Geordie Greep - The new sound Geordie Greep - Terra Saya Gray - Shell (of a man) Valerie Dore - The Night Marie Davidson - Contrarian Demiyaa - Make it Up to you (feat. Lil Rae) Donald Fagen - I.G.Y Marvin Gaye - Midnight Lady Sofie Royer - Baker Miller Pink Panda Bear - Defense (feat. Cindy Lee) Jourdin Pauline - Top of the Morning (feat. Cash Cobain Bay Swag) Youth Lagoon - My Beautiful girl LTJ Bukem - Horizons Drexciya - Unknown Journey (pt.1) Roc Marciano - Bebe's Kids Arthur Russel - The boy with a smileTalking Heads - Psycho killer (acoustic version)Paul Mc Carthney - Coming Up Mtume - Juicy Fruit Ashford & Simpson - Bourgie Bourgie Kings of Tomorrow - Flutez

Who else but innovative City of Victoria Artist-In-Residence Kemi Craig would find links between Afrofuturism, west African free divers' traditional spiritual practice of Orisha, and the spirits of captives drowned in the west African slave trade? In work encompassing immersive, multi-sensory, site-specific installations and performances, this innovative dancer, filmmaker, multi-media creator and performance artist creates analog and digital work deeply rooted in themes of anti-oppression and social justice. Since getting her start in film at Cinevic Society of Independent Filmmakers, Kemi has participated in artist's residency programs with CineVic, the Banff Centre for Arts and Creativity, and Dance Victoria, and guest curated the Art Gallery of Greater Victoria's programming series Blueprints for the Afrofuture. Currently, she is the City of Victoria Artist-In-Residence. Referred to in this episode:Music group Drexciya: https://open.spotify.com/album/7bBx5uPv2YgRIAFyXBWhEV About Kemi:Website: https://www.kemicraig.comInstagram:  http://www.instagram.com/kemi.craigFacebook: https://www.facebook.com/kemi.craigIMDb: https://www.imdb.com/name/nm3008707/Kemi's projects:Afroquatics: https://aggv.ca/exhibits/afroquatics/Blueprints for the Afrofuture: https://www.youtube.com/watch?v=U654RmSSLU4UVic talk: https://gatewaytoart.uvic.ca/2024/02/05/artists-talk-kemi-craig/What Home Means to Youhttps://www.victoria.ca/city-government/news/free-super-8-film-screening-what-home-means-you-0Subscribe to catch the latest episodes of Push In on Apple Podcasts:https://apple.co/2S5WB7q Podcast Production Team:·      Technical Director: Paul Ruta·      Sound Editor: Michael Korican·      Host, Researcher & copywriter: Joyce Kline·      Co-Producers: Joyce Kline, Michael Korican, Paul Ruta

Il n'y a pas que la trance, la techno à 160 BPM et la house, il y a aussi l'electro. Mais attention, je ne parle pas du mot utilisé à toutes les sauces, je parle de l'electro, genre qui repose sur l'utilisation d'un instrument mythique des musiques électroniques, la TR808 qui renvoie forcément aux pionniers de la techno de Detroit, Drexciya, Juan Atkins, mais aussi à Kraftwerk. C'est en pensant à tout cet héritage que mon invité du jour a abordé la production de son premier album. Son nom, c'est Unklevon, c'est un ancien résident de Tsugi Radio qui accueillait dans son Electric Mansion, une variété d'artistes tous plus passionnants les unes que les autres. L'histoire d'Unklevon c'est aussi celle d'une rencontre avec l'Allemand Boys Noize, véritable partenaire artistique qui l'a signé sur son label. Après plusieurs tournées en Amérique du Sud et du Nord, Unklevon sort vendredi son premier album, UN1C, où il explore ses sons fétiches avec plusieurs featurings de très bonne tenue. Unklevon en mix exclusif à la fin de cette émission, mais d'abord explorons avec lui l'univers de son premier album.

This is an excerpt from a patrons-only episode. To hear the whole thing and much more besides, visit Patreon.com/LoveMessagePod Earlier this month UNESCO added Berlin techno to its List of Intangible Cultural Heritage, a register to recoginize and safeguard important traditions, practices and expressions. This news was met with consternation from music fans over how this honour completely overlooked the birthplace of techno, Detroit. For this patrons-only episode, Jeremy and Tim react to the news by pulling out a dozen or so of their favourite Detroit techno cuts to discuss. We hear about the ‘Belville Three', post-Fordism, Alvin Tofler and the relationship between Chicago and Motor City. The guys dwell on the aesthetic of coldness and futurity that characterised much of the Detroit sound, folding in the Panthers, jazz and unidentified flying objects into records from Underground Resistance, Carl Craig, Drexciya and Theo Parish. Plus, we hear one of the first records Jeremy ever bought, memories of squat parties past, and a de rigour David Mancuso cameo. Tracklist:Model 500 - No UFOs Rhythim Is Rhythim - It Is What It Is R-Tyme - R-Theme Underground Resistance - The Theory The Martian - Star Dancer K-Hand - Starz Innerzone Orchestra - Eruption Innerzone Orchestra - Bug in the Bass Bin The Aztec Mystic - Jaguar Drexciya - Birth Of New Life Carl Craig & Pepe Braddock - Angola (Carl Craig Mix) Theo Parish - Falling Up Innerzone Orchestra - People Make the World Go 'Round

In het Stedelijk Museum Amsterdam is de tentoonstelling All of no man's land is ourste zien, met metershoge kunstwerken van de Afro Amerikaanse Ellen Gallagher. Het opvallendste doek is geïnspireerd door de mythe van Black Atlantis. Wat vertelt deze mythe ons? En wat heeft het te maken met Afrofuturisme? OVT-redacteur Dominique van Varsseveld bekeek de werken en vertelt meer. Beeld: Book of Drexciya, een graphic novel van Abdul Qadim Haqq en Dai Sato

Open late and ready for service, "Hot Takes" episode number 61 introduces the gang to well-seasoned and highly requested British vaporwave duo, Donor Lens! Staying up late with the bois and the attending audience, Jay and Thom chopped it up with us, dropped some takes for the audience, and shared some secrets that you won't want to miss during their time on the independent art and music talk show. Known for their prolific work and progressive interpretation of the vaporwave sound, Donor Lens has been moving and shaking, collaborating with many acts in the scene and amassing a dedicated online following. In addition to both of their own side projects, the members are heavily involved with the UK live music scene, online blog and show Futuresounds, and labels My Pet Flamingo and Timeslave Recordings. Rewatch to hear about Donor Lens' careful techniques in selecting samples, including a hot take about sample-free vaporwave! Watch the duo talk about their favorite musical influences, like Architects and Drexciya! Hear Jay state that djent isn't a genre of music! Donor Lens and the attendees helped make episode 61 of "Hot Takes" an incredibly fun and action-packed experience, despite the myriad technical difficulties. Now you have a chance to rewatch it if you weren't able to be there live!   "Hot Takes" is a safe space for all opinions! Join the conversation at https://linktr.ee/hottakesvapor

We premiere new music from Swiss bass boss Hermeth as he features on LA based Dionysian Mysteries for a 4-track EP. We host ‘Do Ma Ting', an earth-shattering electro rhythm that is accompanied by glitchy hip-hop vocals and alarming synth lines. Hermeth is one of the charismatic and encapsulating figures in contemporary electro &broken club. The masked DJ and producer delves into the powerful sides of electro, ghetto tech, and breaks music. He has been catching peoples attention since he first joined the Geneva-based Brainwaves label in 2019. Hermeth delivers his long-awaited debut EP on Dionysian Mysteries, with remixes from AVALON and Buzz Kill. The Geneva hometown hero and Brainwaves Wunderkind has clearly etched out his own sound, which has become definitive in the electro scene, with a distinctive production approach. Infusing breaks with huge ripping analog bass lines and catchy vocals lending to its head thrashing charisma. Hermeth's carefree “no fucks” attitude is contagious and effective on the dance floor, embodying the Dionysian Aesthetic. We premiere ‘ Do Ma Ting', a slamming electro groove that leaves flavours of Mala through to Drexciya as the Swiss eradicates any thought of a rule-book on his latest release. He expertly blends new-age club focussed electro with the dexterity of classic Detroit sound-design, while still also harnessing his hip-hop influences – ultimately providing a piece of work that bone-crushing embodiment of electro past and present, while still firmly holding his middle finger to any thought of musical conformity. This one should be played loud, and with venomous attitude. Hermeth ---------------------- SC: https://soundcloud.com/hermeth FB: https://www.facebook.com/HermethMusic IG: https://www.instagram.com/hermethmusic/ Four Four Magazine 
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DJ Punch

PHANTASYMIX returns with a fresh contribution from enigmatic producer Kiaki. Inspired by the ethos of our own Daniel Avery, alongside Aphex Twin and Detroit pioneers Drexciya, Kiaki specializes in deep, slow-mo, e-motional house and techno as well, punctured by the attitude and influences such as the gold-plated era of early 00s hip-hop. Having released on Man Power's prolific, instinctive imprint Me Me Me and after fronting shows on Rinse and WWFM, Kiaki's eclectic and thoughtful mix for Phantasy offers a journey from Kraftwerk through to Trikk, seamlessly linking Diana Ross and Acid Arab. Kiaki's mix for Phantasy is now streaming on Apple Music and Mixcloud.

Tracklist : Mura Masa - Whenever I Want Two Shell - ghost2Blaze - You Don't Really Love Me David Bowie - Sound and Vision PPJ - Fourmis Fischerspooner - Emerge Ghost Town DJs - My Boo (Hitman's Club Mix)The Beloved - Sweet Harmony Gregory Isaacs - Not The Way Aphex Twin - Blackbox Life Recorder 21fHiTech - ZOOTED (ft. DJKillaSquid)Cotonete - Day In Day Out (ft. Leron Thomas)Jungle - I've Been In Love (ft. Channel Tres)BabyTron - Thinkin' Out Loud Jellybean - Was Dog A Doughnut Madonna - Holiday Clio - Faces Danny L Harle - In My Dreams Angie Martinez - Live @ Jimmy's (ft. Cuban Link)Drexciya - Unknown Journey VIIFelix Da Housecat - Somekinda Special Aly-Us - Follow Me (Club Mix)Dames Brown - Glory (ft. Wajeed) [Floorplan Remix]Josh Caffe - YouTrikk, Gabriel Massan - Mata Mata (Roman Flügel Remix)Janelle Monáe - The Rush (ft. Amaarae & Nia Long) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Quince's return after an 8-year hiatus is nothing short of electrifying, as he unveils his highly anticipated four-track 'Anthology Of Interest' EP on SoHaSo's offshoot label, NOWHERE. Hailing from Utrecht, this talented producer takes inspiration from the fluid sounds of Detroit techno, infusing it with pulsating rhythms, alluring keyboard stabs, and sultry basslines. Among the EP's standout tracks, 'Space Pilot 3000' shines as a futuristic and jumpy electro track, where the worlds of Drexciya and Juan Atkins collide in a blinding orange supernova. 'Space Pilot 3000' propels listeners into an intergalactic journey with its mesmerizing sonic palette. Quince skillfully blends the intricate elements of Drexciya's otherworldly soundscapes and Juan Atkins' pulsating rhythms to create an irresistibly infectious groove. The track's distinctive character lies in its ability to transport the listener to a vividly imagined future, where cosmic energies converge, and dancefloors pulsate with energy. The buoyant synths and playful melodies intertwine seamlessly, creating a musical tapestry that evokes a sense of weightlessness and wonder. Quince's triumphant return with 'Space Pilot 3000' and the rest of the 'Anthology Of Interest' EP showcases his ability to craft a sonic universe that pays homage to the genre's pioneers while charting new territories of its own. 'Anthology Of Interest' is coming out on May 29 via SoHaSo's offshoot label, NOWHERE. https://soundcloud.com/quincemusic https://www.facebook.com/bramquince https://soundcloud.com/sohaso https://www.instagram.com/sohaso/ www.itsdelayed.com www.instagram.com/_____delayed/ www.facebook.com/itsdelayed

DeForrest Brown on the music and the underwater mythos of Detroit techno duo, Drexciya. (2/2)

Hello dear Awake All Hours listeners, Ali speaking. To kill some time and fill some of the gaps between our regular show, I humbly present to thee my 'musical musings' (or potentially the ramblings of a madman we'll see). This will be a little space outside of our regular programming for me to share some extra thoughts on music I've been digging and speak to you all directly, how exciting!In this first edition, I wanted to highlight the recent Tresor reissues of classics from the Drexciya back catalogue, amongst other Drexciya related side projects, and why there's no time like the present to do the deep dive on one of electronic music's most important and influential acts.SUPPORT THE ARTISTS: https://www.buymusic.club/list/awakeallhours-why-theres-no-better-time-to-get-into-drexciya-tresor-reissuesCarhartt WIP Radio April 2023: The Myth Of Drexciya - Mixed by DeForrest Brown Jr. https://soundcloud.com/carharttwip/carhartt-wip-radio-april-2023?si=314813f74fe14f9a8e8764fc8d98a5ad&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

In episode 75 I talk to Four Times World Champ DJ Prime Cuts (Scratch Perverts) about the music of Gerald Donald, a Detroit techno producer and artist. With James Stinson he formed the afrofuturist techno duo Drexciya, and he is the main member of Dopplereffekt.

Yazzus is one of the most exciting DJs out of the UK right now. But she doesn't play the usual UK stuff. Instead, her work—her productions and her DJing—is both a historiography and a dialogue of the Black Atlantic connection, taking in dance music genres from both sides of the pond. Her work, encompassing techno, electro and sometimes house, is an Afrofuturist project that combines past, present and future. Her recent EP, Black Metropolis, accomplishes this with a genuinely innovative take on '90s Black dance music that uses a vintage template to do something fresh. She calls her RA Podcast a "Black excellence" mix, traveling between eras and places, featuring artists like Skin On Skin, Paul Johnson, Drexciya and Huey Mnemonic. It's part of her mission to highlight (and remind people) about the Black origins of dance music, and also the vitality of today's Black dance music. This mix is a history lesson, a narrative and a rave all in one, something we're proud to host from an exciting young mind in the electronic music scene. @yazzus-1 Read more at https://ra.co/podcast/862

City scenes is our weekly Thursday feature in which we dive head first into the music scene of a particular city. We're going through the alphabet from A-Z. Last week for C we looked at Chicago and this we're driving 4 and half hours down the road into Michigan and we're looking at Detroit. Detroit is a city of 4,5 million people in the midwestern state of Michigan, USA. It's a city with a huge industrial history and a massive musical legacy. Known as the motor city due to the High concentration of car factories in the city that attracted thousands of people searching for work in the great migration that we heard about last week. Detroit is famous for the sounds of Mo-town, Rock Music, Hip Hop and Techno and today we're going to be taking a glimpse at all of these sounds. Before any of these genres or scenes existed, Detroit had a huge history of Gospel, Jazz and Blues music, and no doubt that all those sounds informed what came later in the city, but the sound that immortalized Detroit as a legendary musical city is the sound of Motown. Motown records is one of the most significant record labels in the history of American R&B and soul music. It takes it's name from Detroit's nickname of the motor city and it was founded in the 1950s by a motor factory worker called Berry Gordy. Motown went on to become home to some of the biggest names in Soul Music such as Marvin Gaye, The Temptations, Stevie Wonder, Diana Ross & The Supremes, The Four Tops, Martha Reeves & the Vandellas and The Jackson 5. Detroit also has a huge legacy of rock music and one band from Detroit that are often cited as being one of the most important rock bands in history, named after their home town, is the Motor City 5 or MC5, a band who spent years playing relentlessly in every venue around Detroit before they ended up getting a record Deal. They were known for their pro-civil rights and anti-establishment politics and heavy rock sound that went on to inspire bands like the Sex Pistols and the clash to create what went on to become punk music. The genre that Detroit is perhaps most exclusively credited with being the birthplace of is Detroit Techno. By the mid 1980s, the car industry that had seen Detroit thriving in the 1960s had already been in Decline for some time. The deindustrialization of the city, with factories closing down led to a phenomenon called “white flight” with the city's white middle class leaving Detroit and taking a lot of the city's wealth with them. The Population dropped to around 800,000 people and the city was full of abandoned houses, factories and warehouses. This harsh environment however served as the inspiration for what became one of the biggest subcultures in history. Drawing on the bleak visions of a deprived city that surrounded them and inspired by a particularly legendary radio DJ called the electrifying mojo who would play early European electronic music by the likes of Kraftwerk and Giorgio Moroder as well as the funk sound of bands like parliament and the B52s, and the newly emerging electro hip hop sounds of the likes of Afrika Bambaataa, young producers like juan Atkins, Kevin Saunderson, Eddie Folkes and Derrick May transformed the mechanic, industrial and machine driven history of their city into music that was made with machines like drum machines and synthesizers based on repetition and groove. This was the sound of Techno. An early precursor to the sound of techno that bridged the gap between the sounds that the electrifying mojo was playing on the radio and what became techno was the music of a duo called Cybotron. Detroit Techno went on to be developed and refined to it's rhythmic essence by legendary producers like Jeff Mills and Underground Resistance. In this City Scene we heard Motown, rock and techno but Detroit is the birthplace of so many other famous artists and sounds including Madonna, Eminem, Sufjan Stevens, Aaliyah, J Dilla. Carl Craig, Drexciya, Moodyman and many more.

Drexciya features the voice of Phoebe Boswell who shares her reflections based on her practice and project The Black Horizon Do We Muse on the Sky or Remember the Sea?Discover more of Phoebe's work on her Instagram and her websiteThis episode also features a performance by Jazz Tenor Saxophonist JD Allen who collaborated with Phoebe Boswell on The Black Horizon project. His work is also available on all music platforms.Interludes is a collaboration between Shade Podcast and Axel Kacoutié featuring six contemporary artists: Amy Sherald, Ming Smith, Phoebe Boswell, Rahima Gambo, Nnena Kalu and Cassi Namoda.Framed by the question "What does healing sound like?", these podcasts offer a visceral connection with the artists' work. In each episode we weave the artists' reflections through Axel's original soundscapes, as a collaborative exploration of their creative experience.The aim is to soften our tendency to intellectualise artwork, and instead create a sonic texture that is more intimate in its connection with the artist.Concept & Production by Lou Mensah Created by Axel KacoutiéInterludes is supported by Hauser & WirthRead more about this series in Hauser & Wirth Ursula Magazine Additional support by Frieze Membership, the community that champions art. Frieze members enjoy articles from the leading voices shaping today's art world, priority booking to Frieze fairs and unique perks along the way. Find out more on frieze.com/membership Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

If you haven't heard of Nikki Nair at this point, we'd invite you to come out from under that rock you're living in. But jokes aside, the last 12 months have been the Atlanta producer's year. He's toured seemingly endlessly, has found his way into a number of local scenes and has put out records for labels like Dirtybird, Lobster Theremin and Scuffed Recordings. If that weren't enough, he's also been putting out an illuminating series of monthly singles on his Bandcamp that show off both his restless muse and his seeming ability to both perfect and put his own stamp on any sub-genre or style he tries. People usually use some form of the word "bass" to describe Nikki Nair, because of the way his music flits between dubstep, drum & bass, electro and more. One moment he's making staggering hip-hop instrumentals that would have fit right into the old LA beat scene, the next minute he's making pneumatic techno or uptempo stuff that would fit right in one Juke Bounce Werk. His voracious appetite for new sounds comes across on his RA Podcast, which is a sprawling two-hours-plus of genre hopping and careful mixing, hopping from mood to mood like a 2-D video game platformer. It starts off perhaps a little slower than you'd expect, but weaves through countless Nikki Nair tracks, older selections from Wolfgang Voigt and Drexciya and mind-melting club tracks from newer producers including DJ ADHD, Despina, Limewax and more. If you want to know what the hippest, most inventive dance music sounds like, bridging continents and oceans, this mix is it. @nikki-nair Read more at https://ra.co/podcast/848

Episode 76 More Black Techno Matters   Playlist   Drexciya, “Digital Tsunami” from Harnessed The Storm (2002 Tresor). “Filtered through dimensional waves by Drexciya.” Drexciya, “Aquatic Cataclysm” from Harnessed The Storm (2002 Tresor). “Filtered through dimensional waves by Drexciya.” Green Velvet, “Sleepwalking” from Whatever (2001 Music Man Records). Produced, programmed, and written by Green Velvet. Jlin, “Black Origami” from Black Origami (2017 Planet Mu). Produced by Jerrilynn Patton. Gary, Indiana. 3MB Featuring 'Magic' Juan Atkins, “Die Kosmischen Kuriere” from 3MB Feat. Magic Juan Atkins E.P. (1993 NovaMute). Producer, written and mixed by Juan Atkins, Moritz von Oswald, Thomas Fehlmann. Loraine James, “Let's Go” from Reflection (2021 Hyperdub). Produced by Loraine James. Hand, “Calling” from Intuition EP (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. Loraine James, “Loll” from Detail (2017 Fu Inle Records). Produced by Loraine James. Hand, “Everybody (Tommy Largo Remix)” from Intuition EP (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. Hand, “Aquatics” from Hot Steel. (2020 Trip Recordings). Produced, written, and arranged by K. Hand (Kelli Maria Hand). This was the result of receiving an invite from musician Nina Kraviz who sent out a call to artists to stream one of their unreleased works; all genres are welcome. After the stream took place, the favourite tracks were signed to produce the Hot Steel release. Available on Bandcamp. LTJ Bukem, “Rainfall” from Raw Music Material - Electronic Music DJs Today (2002 Not on Label). Composed, played, and mixed by LTJ Bukem. Robert Hood. “Kick Dirt” from Raw Music Material - Electronic Music DJs Today (2002 Not on Label). Music by Robert Hood. Robert Hood. “Parade” from Internal Empire (1994 Tresor). Detroit. Music by Robert Hood. Scan 7, “Dark Corridor” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. Scan 7, “Dark Territory” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. Venus Ex Machina, “Blood Moon (Solar Mix)” from Lux. (2021 AD93). Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Venus Ex Machina, “Mysterium ” from Lux. (2021 AD93). Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Venus Ex Machina, “Quaraquara” from Lux. (2021 AD93). Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Jeff Mills, “IOK-1” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “IOK-4” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “The Speed Of Light” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “Canis Major Overdensity” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Opening background music: Jeff Mills, “Spider Formation” from The Other Day (1997 Axis). Written, performed, and produced by Jeff Mills. Connect with Black Techno Matters and Bernard Farley. Listen to the Blackness is Revolutionary playlist on Spotify. As of this podcast, this playlist curated by Bernard Farley features more than 1,100 techno tracks by black artists. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

A look back over 10 years of Bass Agenda: Tracklist: (brackets means track is used for background of interview section) iNFO & 4th Genome - Bass Agenda Intro Robodrum - Eat Sleep Electro Repeat Hadamard - My Education Anthony Rother - Don't Stop the Beat Cyberdine Systems Corp - Program State (Legowelt remix) (Rising Sun Systems - Croissant With Stravinsky) Aphex Twin - Aegispolis (Juan Atkins & Moritz Von Oswald - Electric Garden) Aux88 - You Don't Want None of This Fade II Black - The Calling (reprise) Adult. - A Lack of Comfort Folson and Tate - The Tower Detroit in Effect - The Men You'll Never See (Detroit in Effect - I'm In My Lane) The Martian - The Voice of Grandmother Drexciya - Jazzy Fluids Mariska Neerman - Finding Our Way Back Home Plant 43 - Cavernous Bones Helena Hauff - Electronic Future featuring Paris The Black Fu Cygnus - Volus Murgatroyd (Aphex Twin - Aphex Twin - Syro U473t8+E (141 98) (Piezoluminescence mix)) DMX Krew - Peripheral Visions Kraftwerk - Numbers Afrika Bambaataa and the Soul Sonic Force - Planet Rock The Egyptian Lover - Egypt Egypt (IWDG – In A Lonely Place (Keith Tenniswood remix)) Two Lone Swordsmen - Brootle Inkamera - Superpartners (Photon Photino) Vita - The Ultimate Collapsing Robert Wyatt - Alifib Das Muster - Verhaltensmuster Mumm - Ein Blick In Die Zukunft John Selway - Millennium Sound (Selway New Millennium Version) Interview clip sequence: Dave Clarke on Electro and genres (2014) Anthony Rother on the producer's creative trip (2014) Legowelt on EDM, creative process, and Ageispolis by Aphex Twin (2018) Juan Atkins on music and vibrations (2017) Keith Tucker on quality control (2014) Blak Tony on The Calling (reprise) by Fade II Black (2014) Adult. on music and meaning (2017) Sean Tate on music and purpose (2019) Detroit in Effect on The Men You'll Never See and inspiration (2013) Santiago Salazar aka Seldom Seen on The Voice of Grandmother by The Martian (2013) Stephen Rennicks (Drexciya Research Lab) on the continued importance of Drexciya (2019) Martin and Brian Bonds on what made/makes Detroit special (2021) Mariska Neerman on Finding Our Way Back Home, creativity, and listener interpretation (2021) Plant43 on Scars of Intransigence, Cavernous Bones, and venting emotions through music (2016) Helena Hauff on social media and DJ'ing (2018) Cygnus on Volus Murgatroyd and the creative journey in the mind (2014) DMX Krew on advice for producers and getting pleasure from making music (2014) The Egyptian Lover on Kraftwerk and the evolution/influence of Numbers by Kraftwerk (2013) Radioactive Man on Andrew Weatherall (RIP) (2021) Victoria Lukas (RIP) on her music and Alifib by Robert Wyatt (2013) Das Muster (RIP) on his different aliases and expression of emotions (2015)

Tomorrow Is The Problem PodcastWelcome to the ICA Miami Podcast. Each season, we'll explore familiar concepts from everyday life that we often take for granted.We'll expand these concepts to understand their critical historical and cultural underpinnings and forever change the way you view them.Oceanic Ways of KnowingThe focus of this first season is the ocean as a source of knowledge. Understanding identity and history inevitably requires a study of the seas, the communities it affects, and the secrets it was made to hold in the deep.Rising TidesFrom Miami's Tequesta to Hawaii's Kanaka Maoli, indigenous peoples everywhere are living memory of what the water has already taught us.Today's guests discuss the effects of handing stewardship back to native peoples to stem the tides of climate change.Timestamps + Takeaways[0:00] The Oahu Water Protectors versus the U.S. Navy, an exercise in indigenous rights and demands.[3:37] Land stewardship in Hawai'i is an issue best tackled by Kanaka Maoli whose methods of systematic observation resemble science but without the drastic excision of spirituality. Candace Fujikane shares some of the 4000 deities that describe natural and elemental processes.[7:09] Candace speaks to the importance of indigenous knowledge and methods — Hawaiian and otherwise — for combating climate change through restoration.[15:11] ICA Miami sits on Tequesta land, an extinct people whose stewardship duties have been transferred to the Miccosukee tribe.[17:41] Dina Gilio-Whitaker explains the significance, for the Colville Confederated Tribes, of the now flooded Kettle Falls along the Columbia river as well as the fracture and cultural wound the damming created.[21:53] Mending her connection to water by way of surfing, Dina embraced humility. She speaks about her work correcting false narratives and reclaiming surfing as a spiritual practice.[25:44] Climate change is a philosophical problem brought about by a commodified relationship to the land, and incidentally to water which can be directly countered with indigenous principles, knowledge, and practices.[31:22] Season 1 of Tomorrow Is The Problem podcast closes with a quiet reminder to reconnect the middle passage with the Afro-Futures seas of Drexciya, the healing waters of Hawaii, and the indigenous knowledge we all need to sail forward through unknown waters.Tune in for season 2.Contributors + GuestsDonna Honarpisheh / Assistant Curator and Host.Candace Fujikane / Professor and Activist.Dina Gilio-Whitaker / Journalist, Author, and Activist.This podcast was made in partnership with Podfly Productions. This episode was written by Isabelle Lee and Donna Honarpisheh, and edited by Frances Harlow. Our showrunner is Jocelyn Arem, and our Sound Designer and Audio Mixer is Nina Pollock. Links + LearnICA MIAMIPodflyThe Oahu Water ProtectorsCartographies of Kanaloa, Inundation and Restoration, by Candace FujikaneAs Long As Grass Grows, by Dina Gilio-WhitakerQuotes“I think that's what these restoration projects give us, not just physical manifestations of restoration, but it also restores our mental health and wellbeing. It provides a kind of spirituality that you don't see in many discussions of anthropogenic climate change.” Candace Fujikane“It's not a catastrophic event causing panic and anxiety but rather a practical question: Kanaloa is rising, how are we to greet him?” Candace Fujikane“It's the values of understanding how to live in relationship to the earth and the natural elements, that's what needs to be restored and that's why indigenous knowledge is so critically important to how we imagine a response to climate change, how we adapt to it or even how we mitigate it.” Dina Gilio-Whitaker

Tomorrow Is The Problem PodcastWelcome to the ICA Miami Podcast. Each season, we'll explore familiar concepts from everyday life that we often take for granted.We'll expand these concepts to understand their critical historical and cultural underpinnings and forever change the way you view them.Oceanic Ways of KnowingThe focus of this first season is the ocean as a source of knowledge. Understanding identity and history inevitably requires a study of the seas, the communities it affects, and the secrets it was made to hold in the deep.Transoceanic RelationsWhether firmly grounded in the geographical idea of “place” or that of placelessness, the diasporic experience across oceans manages to keep historical notions of connectivity.Our guests ponder the crisis or borders in voluntary and forced migrations across borderless oceans.Timestamps + Takeaways[0:00] Drexciya provides one perception of Afro-Futurism, but not all agree…The Mundane Afro-Futurist Manifesto by Martine Syms sets the tone.[4:12] The world's deadliest border was born of a crisis of European identity. SA Smythe breaks down how this identity also defines the “other” and the ways shifting ocean borders have enabled the abandonment of black bodies.[7:11] The Black Mediterranean enables framing of the current migrant crisis by recentering African participation in the historical building of Europe and the intersecting aspects of black culture throughout the diaspora.[10:00] A migrant crisis or a crisis of border treatment of migrants? Racial issues are not the trope of America, the European treatment of Ukrainians, as opposed to racialized migrants, has shed a stark light on this.[12:57] Edwidge Danticat speaks to the highly transient nature of Miami as well as her obsession with the ocean's borderless connectivity.[18:38] On the other side of the water in Haitian Kreyol can mean migration or death, Edwidge shares her understanding of continued ancestry, culture and History through — and despite — the middle passage break.[21:16] There tends to be an assumption that Europe is a place of whiteness. SA talking openly about black activism in Italy and around the Mediterranean raises the major point that black people in Europe exist.[22:40] Both historically and currently, migration and the precarity it bears is central to the diasporic experience as Edwidge sees it.[25:00] Mapping the overlapping, historical, and connective sea.[26:04] Episode 4 is next: Rising Tides.Contributors + GuestsDonna Honarpisheh / Assistant Curator and Host.SA Smythe / Writer, Translator, Performer, and Scholar.Edwidge Danticat / Novelist and Writer.This podcast was made in partnership with Podfly Productions. This episode was written by Isabelle Lee and Donna Honarpisheh, and edited by Frances Harlow. Our showrunner is Jocelyn Arem, and our Sound Designer and Audio Mixer is Nina Pollock. Links + LearnICA MIAMIPodflyThe Mundane Afro-Futurist Manifesto, by Martine SymsQuotes“What if the migrant crisis as we heard about it in the media isn't a crisis of migrants, but a crisis of how migrants are treated at the border.” Donna Honarpisheh“The race problem comes from Europe itself. It's a crisis of European white supremacist identity because the ships that went to the African continent and brought black people across the Atlantic were European ships. They exported race and racecraft.” SA Smythe“They didn't take everything away from us, they didn't divide us completely with languages and locations. There is still something that is unbreakable in our ties and even if it's a small thing like gesturing, movements that we make, some things are unerasable.” Edwidge Danticat

Tomorrow Is The Problem PodcastWelcome to the ICA Miami Podcast. Each season, we'll explore familiar concepts from everyday life that we often take for granted.We'll expand these concepts to understand their critical historical and cultural underpinnings and forever change the way you view them.Oceanic Ways of KnowingThe focus of this first season is the ocean as a source of knowledge. Understanding identity and history inevitably requires a study of the seas, the communities it affects, and the secrets it was made to hold in the deep.The Sea Is FutureThe sea isn't the exclusive domain of History, it also nourishes the ebbs and flows of the futures we could build.The wordless work of Drexciya provided a new means to explore racialized narratives and reappropriate cultural works, join our guests as they explore the 3 decades of communal world-building.Time stamps + Takeaways[0:00] A visit to Drexciya: the underwater bubble metropolis of the future made alive by aquatic warriors, a free people whose roots can be traced back to Africa.[4:16] Abu Qadim Haqq shares the genesis of Drexciya, the sinking of trans-Atlantic slave ships carrying pregnant mothers… and what a day in the life of modern day Drexciyans might look like.[8:45] The deeply unexplored oceans gave rise to the possibilities of a strong counter-narrative when it comes to the fate of the 2 million black lives lost to the horrors of the middle passage.[12:07] DeForrest Brown Jr. shares his involvement in the great 3 decade long communal world-building exercise of Drexciya and touches on how the duo inspired his upcoming book.[16:08] DeForrest explains how the remains of the great music industrial complex left behind by MoTown enabled the birthing of Drexciya and free jazz techno as a black musical genre.[18:50] European techno has come to be what is known as “techno” DeForrest touches on his Make Techno Black Again project.[20:06] Katherine Mckittrick frames music's — and Drexciya's — relationship to non-linear narrative, to the unknown and unbound, in opposition to the European need to know and acquire knowledge. She also talks about the importance of adding creative works to archival memory.[23:02] Katherine speaks to works like The Black Atlantic and Drexciya as a metaphor and a geography for navigating the diaspora as well as its relationship to water.[25:00] Drexciya's lyricless story provides a different way to enter a discussion about race, Katherine explains how this openness takes us elsewhere without any map at all.[27:00] Katherine shares her thoughts on the possibilities of “belonging” to the sea, as opposed to the land, as well as how Afro-Futurism can think the world no-linearly — like Drexciya's alternate present narrative.[32:30] Episode 3 is next: Transoceanic Relations.Contributors + GuestsDonna Honarpisheh / Assistant Curator and Host.Abu Qadim Haqq / Illustrator and Artist.DeForrest Brown Jr. / Rythmanalyst, Media Theorist, and Curator.Katherine Mckittrick / Professor (Gender Studies) and Writer.This podcast was made in partnership with Podfly Productions. This episode was written by Isabelle Lee and Donna Honarpisheh, and edited by Frances Harlow. Our showrunner is Jocelyn Arem, and our Sound Designer and Audio Mixer is Nina Pollock. Links + LearnICA MIAMIPodflyDrexciyaWatery Ecstatic, by Ellen GhallagerMatthew Angelo HarrisonBinti Trilogy, by Nnedi OkoraforBlack Atlantis, by Ayesha HameedAssembling a Black Counter-Culture, by DeForrest Brown Jr.Make Techno Black AgainThe Black Atlantic: Modernity And Double Consciousness, by Paul GilroyQuotes“There is an estimate of 2 million people that were thrown overboard during the trans-atlantic slave trade. So those are millions of people we'll never know who are human beings, had families… and that is a dark void in itself.” Abu Qadim Haqq“You have the Ford Motors Company which was financing many black people, building neighborhoods and kind of paternalistically building an economy for freed black people up north while working with George Washington Carver in Georgia to finance plantations.” DeForrest Brown Jr.“Our preoccupation with optics — to see each other and the racialized body and to know what that racialized body means — instead Drexciya provides us with this lyricless soundtrack that asks us to enter into a conversation about race in a different way.” Katherine Mckittrick

This set was recorded during the rise and fall of empires on Saturday the 11th of June. During this day Amsterdams Most Wanted had its very first art exposition. The artist was Abdul Qadim Haqq the writer of the book of Drexciya vol. 1 & 2. It's one of the greatest art projects where they synthesized a rich Afrocentric aquatic world to accompany their precise theory in the techno lexicon Haqq has provided art for many techno acts, including the Belleville Three, Jeff Mills, Underground Resistance, and Carl Craig to name a few. His art is the de facto visual aesthetic for the period in which the original Detroit techno/electro sound came into glorious form. It was sunny, the vibe and energy were as they should be and the mixture of attendees was in balance. Sous Dubois and Oliver Kucera played a b2b set where they blended a mixture of electro and techno Oliver is capable of creating more different styles within the wide variety of music, moving from deep Minimal to Breakbeat to Club to pounding techno. Sous his diversity is characterized by a blend of breakbeats, electro, tribal, rave, hypnotic, and trippy sounds that complement his overall techno sound. This set is raw and has no boundaries or rules, it contains energy shifts, it's mechanical, and going with the flow is what this set is about. Buckle up and enjoy the ride!

To an international audience, NIKS might be best known as one of the cofounders of Black Artist Database, but she's also an incredible DJ. And public speaker. Over the past few years, through a mix of activism, thought and DJing, the London selector has created an all-encompassing approach to her artistry that centers dance music, social justice and an endless desire to uplift those around her, especially Black artists. Through Black Artist Database, NIKS has created a resource to support Black artists from around the world. What started as a spreadsheet called Black Bandcamp has become a fully-fledged platform with editorial, mixes and, of course, the powerful directory of artists that started it all to begin with. Outside of that, NIKS curates panels, hosts and gives talks, helps run a radio station called RTM and DJs. Her RA Podcast is inspired by a specific night she played in Manchester, but it's also a wonderful snapshot of her style, connecting the dots between Drexciya and Octave One, Nicola Cruz and Seth Troxler, Lyric Hood and James Bangura, and an electrifying section that weaves between tracks from X-Coast and X-Press 2. It's as thoughtful and intentional as everything else she does, an hour-and-a-half in the world of one of London's brightest stars. Read more: http://ra.co/podcast/827 @niksbad

Estéreo360º se embarca en un viaje submarino de 60 minutos por el universo tecno-electro-funk acuático de los siempre intrigantes Drexciya. Sonarán en estricto Mix by DJFlow los siguientes temas: The Unknown Aquazone / Unknown Journey I / Lardossen Funk / Danger Bay / Aquabahn / The Mutant Gillmen / Water Walker / Mantaray / Darthouven Fish Men / Aqua Jujidsu / Unknown Journey IV / Unknown Journey VII / Hydro Theory / Positron Island / Bubble Chamber / Sighting in the Abyss / The Last Transmission //

We watched 13 short films! Ajube Kete (2005) Tea 4 Two (2006) Intermittent Delight (2007) Boyant: A Michael Jordan in a Speedo is Far Beyond the Horizon (2008) Me Broni Ba (2009) Drexciya (2010) Split Ends, I Feel Wonderful (2012) Kwaku Ananse (2013) Bus Nut (2015) Reluctantly Queer (2016) On Monday of Last Week (2018) Mahogany Too (2018) Pelourinho: They Don't Really Care About Us (2019) Normally I would find some quote from the movie and make it a funny thing about podcasting or whatever but I am exceedingly tired and also these just aren't that kind of movie. I'll try to be funnier next week. Sorry. Speaking of next week, we will be back to talk about Boyz in the Hood! You can follow Niamh on twitter @FoxmomNia and listen to faer other podcast, Ghost Divers, by going to exportaud.io/ghostdivers You can follow Autumn on twitter by going to @Autumnal_Coffee and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality You can also get listen to this podcast a week early by giving us a dollar on the patreon!!! Find out more at https://ornate-stairwells.pinecast.co

“A three-and-a-half-hour podcast has every fan's wish as its subject. For some they enrapture the ear. For others they play on forever, never fading to white noise, never getting interesting until the listener turns their podcast app off in resignation, their dreams mocked to death by time. That is the life of a podcast fan. Now, podcasters omit all the things they don't want to cover and cover all the things they don't want to omit. The dream is the truth. Then they record and say things accordingly.” SPOILER WARNING: Autumn recounted the entire plot of Deep Cover (it's from 1:31:23 to 1:45:07 if you want to skip spoilers). If you just want to hear the discussion of She's Gotta Have It I guess skip ahead to, uh... 2:24:10. Listen, this was a long one, but we think it's a good one. Next week we will be back to talk about the collected short films of Akosua Adoma Owusu. You can find these all on the Criterion Channel if you are looking for them on streaming. Here's the full list: Ajube Kete (2005) Tea 4 Two (2006) Intermittent Delight (2007) Boyant: A Michael Jordan in a Speedo is Far Beyond the Horizon (2008) Me Broni Ba (2009) Drexciya (2010) Split Ends, I Feel Wonderful (2012) Kwaku Ananse (2013) Bus Nut (2015) Reluctantly Queer (2016) On Monday of Last Week (2018) Mahogany Too (2018) Pelourinho: They Don't Really Care About Us (2019) You can follow Niamh on twitter @FoxmomNia and @mediamh_pile and listen to faer other podcast, Ghost Divers, by going to exportaud.io/ghostdivers You can follow Autumn on twitter by going to @Autumnal_Coffee and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality You can also get listen to this podcast a week early by giving us a dollar on the patreon!!!

Alors oui bon d'accord. Les playlists s'enchainent et on pourrait croire que l'on finirait par tourner en rond.Mais non.L'occasion pour nous de voyager à travers la musique électronique sous pas mal de ses formes grâce à quelqu'un qui en maitrise les codes. Voyage en eaux abyssales par celui qui sera notre guide dans cette plongée qui nous fera traverser les strates de sa connaissance musicale, du son le plus pur au bruit le plus inattendu.En plus, ça tombe bien, il a un podcast pour ça (épisode 37 bientôt). C'est la playlist de Redscape. Stairway To Heaven de Led Zeppelin sur IV - 1971 Xtal d'Aphex Twin sur Selected Ambient Works 85-92 - 1992 Interloper de Carbon Based Lifeforms sur Interloper – 2010 Racailles de Kery James sur Mohammad Alix – 2016 UK All Stars de Congo Natty sur Jungle Revolution The Final Frontier de Underground Résistance sur The Final Frontier – 1992 Black Sea de Drexciya sur The Journey Home - 1995 The Ghost Particle de Gore Tech sur Futurphobia - 2015 Absolute Psalm d'Igorrr sur Hallelujah – 2012 So High de Noisecontrollers sur E=nc² [The Science Of Hardstyle] - 2012 et le titre de la honte :Friend Turbo (Movie Version) de Scooter sur Friend Turbo - 2011 Les liens Bonus :L'univers à portée de main de Christophe Galfard.Le clip de Racailles.Le live d'Igorrr live au Pol'And'Rock Festival 2021Dj Rolando Knight of the Jaguar

This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod. In this week's patrons-only episode, Tim and Jeremy continue their mini-series on the aesthetic and political content of Afrofuturism. Beginning with Kodwo Eshun's 1998 book More Brilliant Than The Sun, Tim and Jeremy interrogate the thinking of a number of academics and journalists around the Cybernetic Cultural Research Unit, their body of work around cyber theory, and the music of the 'Hardcore Continuum' in the context of '90s intellectual culture. Tim and Jeremy spend time talking about the Detroit Techno of Drexciya, consider the complex position of soulfulness within Afrofuturism, and dig further into the contested ideas around the promise of technology. Finally, we hear about the origins of dubstep, with Jeremy making a strident case against the aestheticization of alienated urban life under capitalism - with some swinging UK Garage thrown in for good measure. Tim and Jeremy will conclude with part 3 on Afrofuturism in a fortnight. Produced and edited by Matt Huxley. Tracklist: Drexciya - Andreaen Sand Dunes Lenny Fontana - Spirit of the Sun (Steve Gurley Full Vocal Mix) Maddslinky - Dark Swing Books: Kodwo Eshun - More Brilliant Than the Sun Jeremy Gilbert & Ewan Pearson - Discographies: Dance, Music, Culture, and the Politics of Sound Donna Haraway - Simians, Cyborgs and Women: The Reinvention of Nature

Tu mets une pièce et t'as 20 morceaux bétons : c'est le jukebox !“Jukebox baby, Jukebox baby” comme le chantait Alan Vega, c'est le son totem de ce Nova Club ! En direct du salon de David Blot, une playlist qui fait plaisir avec des nouveautés et des classiques … Alors préparez vos plus beaux pas de danse, rockab' ou comme vous le voulez d'ailleurs… TRACKLIST :MARY CLARK - TAKE ME I'M YOURS (DIM'S DJ FRIENDLY EDIT)ALAN VEGA - JUKEBOX BABEANZ - YOU COULD BE (FEAT. GEORGE RILEY)SMOKEY ROBINSON & THE MIRACLES - I SECOND THAT EMOTIONDEPECHE MODE - PERSONAL JESUSFREDDY MARTIN - BUMBLE BOOGIE (FEAT. JACK FINA)PRINCE & THE REVOLUTION - 17 DAYS (7”B-SIDE EDIT)A$AP ROCKY - SANDMANDREXCIYA - UNKNOWN JOURNEY !DUB SYNDICATE - EARLY MAFIASHYGIRL - CLEOSTEVIE WONDER - SUPERSTITION (TODD TERJE EDIT)LIZZY MERCIER DESCLOUX - MAIS OÙ SONT PASSÉES LES GAZELLES ? CHANCE THE RAPPER & JEREMIH - BIG KID AGAINHELADO NEGRO - OUTSIDE THE OUTSIDE PARLIAMENT - FLASH LIGHTHERB ALPERT - ROTATION ANNA - LOUD LOVEMARVIN GAYE - INNER CITY BLUES (MAKE ME WANNA HOLLER) (EDIT BY MR. K)PIERRE ROUSSEAU - MALADRESSELARRY NOZERO - CHRONICLE OF THE MURDERED HOUSE PT.2 TOM PETTY & THE HEARTBREAKERS - LEARNING TO FLY See acast.com/privacy for privacy and opt-out information.

*****Fireground***** Fireground est le fruit de la collaboration d'Angela et Daniele surtout connus pour leurs productions Techno et Electro via leur propre label R12 Records. Le duo napolitain parvient à lier de manière experte les pratiques actuelles en matière de production Techno, avec le son classique de Birmingham de la fin des années 90 - pensez à la trilogie d'albums de Surgeon sur Tresor. Pour le 30ème anniversaire du label et club Tresor, ils sortent "Duality" leur premier EP : melanges de drums dures et des percussions organiques sur un tempo très soutenu, Une approche moderne d'un son classique - a la fois doux et sauvage - pour les pistes de danse résurgentes d'aujourd'hui. *****Tresor Beriin, 30 ans d'activisme***** Il y a 30 ans, un an après la chute du mur de Berlin, à minuit, le 13 mars 1991, une porte de sous-sol s'est ouverte. Par cette porte, beaucoup sont passés, en route pour définir de nouveaux terrains dans la musique électronique. Ils y ont trouvé une piste de danse dans les voûtes de la chambre forte d'un grand magasin accolé au mur et abandonné pendant la guerre ; la piste de danse du club Tresor et son son unique enrobé d'un brouillard dense, construisant nuit après nuit une histoire qui était aussi une vision de l'avenir. Un espace où les jeunesses de Berlin Est et de Berlin Ouest se sont réunis, en bougeant aux sons de la Techno. Depuis lors, le Tresor a permis aux artistes de développer leurs idées de nouveaux sons avancés et de les diffuser dans le monde entier. Du collectif de Detroit Underground Resistance, ouvertement politique, dont l'objectif était d'offrir aux Noirs américains de la classe ouvrière la vision d'un avenir meilleur par le biais de l'action communautaire et de la musique, à Jeff Mills, le magicien des platines, en passant par Juan Atkins, l'initiateur de la Techno, et le mythique groupe Afro-futuriste obscur Drexciya, les pionniers qui ont été les premiers à traverser la connexion Detroit-Berlin et à être à l'avant-garde d'un nouveau mouvement culturel ont donné à Tresor sa mission originelle et continue : la communauté, la résistance et le changement du monde à venir. 30 ans plus tard, Tresor est installé dans le Kraftwerk - la cathédrale post-industrielle abandonnée et réutilisée qui servait autrefois comme centrale thermique du centre de Berlin-Est. Le bâtiment accueille également l'audacieux festival Berlin Atonal et OHM, le club intime dédié aux formes les plus aventureuses de la musique électronique. *****Tresor 30 compilation****** Release tresorberlin.bandcamp.com/album/tresor-30 *****Playlist***** Tous les morceaux sont originaux et ont été enregistrés en live par Fireground.

*****Fireground***** Fireground est le fruit de la collaboration d'Angela et Daniele surtout connus pour leurs productions Techno et Electro via leur propre label R12 Records. Le duo napolitain parvient à lier de manière experte les pratiques actuelles en matière de production Techno, avec le son classique de Birmingham de la fin des années 90 - pensez à la trilogie d'albums de Surgeon sur Tresor. Pour le 30ème anniversaire du label et club Tresor, ils sortent "Duality" leur premier EP : melanges de drums dures et des percussions organiques sur un tempo très soutenu, Une approche moderne d'un son classique - a la fois doux et sauvage - pour les pistes de danse résurgentes d'aujourd'hui. *****Tresor Beriin, 30 ans d'activisme***** Il y a 30 ans, un an après la chute du mur de Berlin, à minuit, le 13 mars 1991, une porte de sous-sol s'est ouverte. Par cette porte, beaucoup sont passés, en route pour définir de nouveaux terrains dans la musique électronique. Ils y ont trouvé une piste de danse dans les voûtes de la chambre forte d'un grand magasin accolé au mur et abandonné pendant la guerre ; la piste de danse du club Tresor et son son unique enrobé d'un brouillard dense, construisant nuit après nuit une histoire qui était aussi une vision de l'avenir. Un espace où les jeunesses de Berlin Est et de Berlin Ouest se sont réunis, en bougeant aux sons de la Techno. Depuis lors, le Tresor a permis aux artistes de développer leurs idées de nouveaux sons avancés et de les diffuser dans le monde entier. Du collectif de Detroit Underground Resistance, ouvertement politique, dont l'objectif était d'offrir aux Noirs américains de la classe ouvrière la vision d'un avenir meilleur par le biais de l'action communautaire et de la musique, à Jeff Mills, le magicien des platines, en passant par Juan Atkins, l'initiateur de la Techno, et le mythique groupe Afro-futuriste obscur Drexciya, les pionniers qui ont été les premiers à traverser la connexion Detroit-Berlin et à être à l'avant-garde d'un nouveau mouvement culturel ont donné à Tresor sa mission originelle et continue : la communauté, la résistance et le changement du monde à venir. 30 ans plus tard, Tresor est installé dans le Kraftwerk - la cathédrale post-industrielle abandonnée et réutilisée qui servait autrefois comme centrale thermique du centre de Berlin-Est. Le bâtiment accueille également l'audacieux festival Berlin Atonal et OHM, le club intime dédié aux formes les plus aventureuses de la musique électronique. *****Tresor 30 compilation****** Release tresorberlin.bandcamp.com/album/tresor-30 *****Playlist***** Tous les morceaux sont originaux et ont été enregistrés en live par Fireground.

******Mareena****** Mareena est une DJ résidente au Tresor et la fondatrice du label Unrush. Elle organise régulièrement la soirée New Faces au club, aidant les nouveaux talents à percer sur la scène berlinoise. Mareena a développé sa carrière musicale en synchronisation avec les progrès constants de la techno et de la house après avoir grandi en RDA, où la techno a émergé dans les années 90. Grâce à ses expériences dans le paysage musical diversifié de Berlin, elle a développé sa propre sensibilité pour la narration musicale. *****Tresor Beriin, 30 ans d'activisme***** Il y a 30 ans, un an après la chute du mur de Berlin, à minuit, le 13 mars 1991, une porte de sous-sol s'est ouverte. Par cette porte, beaucoup sont passés, en route pour définir de nouveaux terrains dans la musique électronique. Ils y ont trouvé une piste de danse dans les voûtes de la chambre forte d'un grand magasin accolé au mur et abandonné pendant la guerre ; la piste de danse du club Tresor et son son unique enrobé d'un brouillard dense, construisant nuit après nuit une histoire qui était aussi une vision de l'avenir. Un espace où les jeunesses de Berlin Est et de Berlin Ouest se sont réunis, en bougeant aux sons de la Techno. Depuis lors, le Tresor a permis aux artistes de développer leurs idées de nouveaux sons avancés et de les diffuser dans le monde entier. Du collectif de Detroit Underground Resistance, ouvertement politique, dont l'objectif était d'offrir aux Noirs américains de la classe ouvrière la vision d'un avenir meilleur par le biais de l'action communautaire et de la musique, à Jeff Mills, le magicien des platines, en passant par Juan Atkins, l'initiateur de la Techno, et le mythique groupe Afro-futuriste obscur Drexciya, les pionniers qui ont été les premiers à traverser la connexion Detroit-Berlin et à être à l'avant-garde d'un nouveau mouvement culturel ont donné à Tresor sa mission originelle et continue : la communauté, la résistance et le changement du monde à venir. 30 ans plus tard, Tresor est installé dans le Kraftwerk - la cathédrale post-industrielle abandonnée et réutilisée qui servait autrefois comme centrale thermique du centre de Berlin-Est. Le bâtiment accueille également l'audacieux festival Berlin Atonal et OHM, le club intime dédié aux formes les plus aventureuses de la musique électronique. *****Playlist***** pls check our website https://www.radiocampus.fr/residences *****Tresor 30 compilation****** Release https://tresorberlin.bandcamp.com/album/tresor-30 -

******Mareena****** Mareena est une DJ résidente au Tresor et la fondatrice du label Unrush. Elle organise régulièrement la soirée New Faces au club, aidant les nouveaux talents à percer sur la scène berlinoise. Mareena a développé sa carrière musicale en synchronisation avec les progrès constants de la techno et de la house après avoir grandi en RDA, où la techno a émergé dans les années 90. Grâce à ses expériences dans le paysage musical diversifié de Berlin, elle a développé sa propre sensibilité pour la narration musicale. *****Tresor Beriin, 30 ans d'activisme***** Il y a 30 ans, un an après la chute du mur de Berlin, à minuit, le 13 mars 1991, une porte de sous-sol s'est ouverte. Par cette porte, beaucoup sont passés, en route pour définir de nouveaux terrains dans la musique électronique. Ils y ont trouvé une piste de danse dans les voûtes de la chambre forte d'un grand magasin accolé au mur et abandonné pendant la guerre ; la piste de danse du club Tresor et son son unique enrobé d'un brouillard dense, construisant nuit après nuit une histoire qui était aussi une vision de l'avenir. Un espace où les jeunesses de Berlin Est et de Berlin Ouest se sont réunis, en bougeant aux sons de la Techno. Depuis lors, le Tresor a permis aux artistes de développer leurs idées de nouveaux sons avancés et de les diffuser dans le monde entier. Du collectif de Detroit Underground Resistance, ouvertement politique, dont l'objectif était d'offrir aux Noirs américains de la classe ouvrière la vision d'un avenir meilleur par le biais de l'action communautaire et de la musique, à Jeff Mills, le magicien des platines, en passant par Juan Atkins, l'initiateur de la Techno, et le mythique groupe Afro-futuriste obscur Drexciya, les pionniers qui ont été les premiers à traverser la connexion Detroit-Berlin et à être à l'avant-garde d'un nouveau mouvement culturel ont donné à Tresor sa mission originelle et continue : la communauté, la résistance et le changement du monde à venir. 30 ans plus tard, Tresor est installé dans le Kraftwerk - la cathédrale post-industrielle abandonnée et réutilisée qui servait autrefois comme centrale thermique du centre de Berlin-Est. Le bâtiment accueille également l'audacieux festival Berlin Atonal et OHM, le club intime dédié aux formes les plus aventureuses de la musique électronique. *****Playlist***** pls check our website https://www.radiocampus.fr/residences *****Tresor 30 compilation****** Release https://tresorberlin.bandcamp.com/album/tresor-30 -

*****Sophia Saze***** Commençant un voyage créatif dans ses années de formation avec une formation en musique classique et en danse, Sophia Saze sera plus tard engouffrée par la musique de danse électronique. Née à Tbilissi, en Géorgie, Saze a trouvé à Brooklyn la maison parfaite pour plonger plus profondément dans ces sons en lançant sa soirée (et son label depuis 2017) Dusk & Haze. Sophia est actuellement basée à Philadelphie, où elle a passé ses premières années. En tant que productrice, sa polyvalence musicale puise dans une horde d'influences de genre, allant de l'électro au krautrock, de l'ambient à l'industriel, et de l'acide au garage - montrant sa gamme complète et sa fluidité en tant que musicienne. *****Tresor Beriin, 30 ans d'activisme***** Il y a 30 ans, un an après la chute du mur de Berlin, à minuit, le 13 mars 1991, une porte de sous-sol s'est ouverte. Par cette porte, beaucoup sont passés, en route pour définir de nouveaux terrains dans la musique électronique. Ils y ont trouvé une piste de danse dans les voûtes de la chambre forte d'un grand magasin accolé au mur et abandonné pendant la guerre ; la piste de danse du club Tresor et son son unique enrobé d'un brouillard dense, construisant nuit après nuit une histoire qui était aussi une vision de l'avenir. Un espace où les jeunesses de Berlin Est et de Berlin Ouest se sont réunis, en bougeant aux sons de la Techno. Depuis lors, le Tresor a permis aux artistes de développer leurs idées de nouveaux sons avancés et de les diffuser dans le monde entier. Du collectif de Detroit Underground Resistance, ouvertement politique, dont l'objectif était d'offrir aux Noirs américains de la classe ouvrière la vision d'un avenir meilleur par le biais de l'action communautaire et de la musique, à Jeff Mills, le magicien des platines, en passant par Juan Atkins, l'initiateur de la Techno, et le mythique groupe Afro-futuriste obscur Drexciya, les pionniers qui ont été les premiers à traverser la connexion Detroit-Berlin et à être à l'avant-garde d'un nouveau mouvement culturel ont donné à Tresor sa mission originelle et continue : la communauté, la résistance et le changement du monde à venir. 30 ans plus tard, Tresor est installé dans le Kraftwerk - la cathédrale post-industrielle abandonnée et réutilisée qui servait autrefois comme centrale thermique du centre de Berlin-Est. Le bâtiment accueille également l'audacieux festival Berlin Atonal et OHM, le club intime dédié aux formes les plus aventureuses de la musique électronique. *****Playlist***** pls check our website https://www.radiocampus.fr/residences *****Tresor 30 compilation****** Release https://tresorberlin.bandcamp.com/album/tresor-30

*****Sophia Saze***** Commençant un voyage créatif dans ses années de formation avec une formation en musique classique et en danse, Sophia Saze sera plus tard engouffrée par la musique de danse électronique. Née à Tbilissi, en Géorgie, Saze a trouvé à Brooklyn la maison parfaite pour plonger plus profondément dans ces sons en lançant sa soirée (et son label depuis 2017) Dusk & Haze. Sophia est actuellement basée à Philadelphie, où elle a passé ses premières années. En tant que productrice, sa polyvalence musicale puise dans une horde d'influences de genre, allant de l'électro au krautrock, de l'ambient à l'industriel, et de l'acide au garage - montrant sa gamme complète et sa fluidité en tant que musicienne. *****Tresor Beriin, 30 ans d'activisme***** Il y a 30 ans, un an après la chute du mur de Berlin, à minuit, le 13 mars 1991, une porte de sous-sol s'est ouverte. Par cette porte, beaucoup sont passés, en route pour définir de nouveaux terrains dans la musique électronique. Ils y ont trouvé une piste de danse dans les voûtes de la chambre forte d'un grand magasin accolé au mur et abandonné pendant la guerre ; la piste de danse du club Tresor et son son unique enrobé d'un brouillard dense, construisant nuit après nuit une histoire qui était aussi une vision de l'avenir. Un espace où les jeunesses de Berlin Est et de Berlin Ouest se sont réunis, en bougeant aux sons de la Techno. Depuis lors, le Tresor a permis aux artistes de développer leurs idées de nouveaux sons avancés et de les diffuser dans le monde entier. Du collectif de Detroit Underground Resistance, ouvertement politique, dont l'objectif était d'offrir aux Noirs américains de la classe ouvrière la vision d'un avenir meilleur par le biais de l'action communautaire et de la musique, à Jeff Mills, le magicien des platines, en passant par Juan Atkins, l'initiateur de la Techno, et le mythique groupe Afro-futuriste obscur Drexciya, les pionniers qui ont été les premiers à traverser la connexion Detroit-Berlin et à être à l'avant-garde d'un nouveau mouvement culturel ont donné à Tresor sa mission originelle et continue : la communauté, la résistance et le changement du monde à venir. 30 ans plus tard, Tresor est installé dans le Kraftwerk - la cathédrale post-industrielle abandonnée et réutilisée qui servait autrefois comme centrale thermique du centre de Berlin-Est. Le bâtiment accueille également l'audacieux festival Berlin Atonal et OHM, le club intime dédié aux formes les plus aventureuses de la musique électronique. *****Playlist***** check ou website https://www.radiocampus.fr/residences *****Tresor 30 compilation****** Release https://tresorberlin.bandcamp.com/album/tresor-30

Side A, Side B (@sideasidebradio) highlights local Pittsburgh and regional DJs, Live PAs and selectors who work in the realms house, Techno, Disco, funk, electro and more. Asking important questions like do you prefer to play A sides or B sides? Monthly mixes here exclusively on @MSYHdotFM. ---------- Follow Side A, Side B ◊ Soundcloud: @sideasidebradio ◊ Instagram: https://www.instagram.com/sasb.radio ---------- Follow https://MSYH.FM » Visit us at MSYH.FM » https://twitter.com/MSYHdotFM » https://instagram.com/MSYHdotFM » https://facebook.com/MSYHdotFM » https://mixcloud.com/MSYHdotFM ---------- Follow Make Sure You Have Fun™ ∞ www.MakeSureYouHaveFun.com ∞ https://twitter.com/MakeSureYouHave ∞ https://instagram.com/MakeSureYouHaveFun ∞ https://facebook.com/MakeSureYouHaveFun --------- Tracklist 1. XC-17 / ALONA - 999999999 2. Mato - Summer Madness 3. Glophase - Shell Sounds 4. Skillibeng - Hot 5. Kouslin - Signal 6. Anthony “Shake” Shakir - Flyswatter 7. Cortex - I Heard a Sigh 8. Mental power - Blue (Remix) 9. Main Source - Set It Off (Etch ReTwist) 10. Davis Galvin - Elohs 11. Jamila woods - BASQUIAT (feat. Saba) 12. samira mendoza - hot day cold feet (feat. L I L I T H) 13. W00DY - Neck Spasm 14. JamesBangura - 2129 15. Drexciya - species of the pod 16. AYBEE and Afrikan Sciences - Thresholds 17. livefromthecity - Heat Check 18. 4hero - Hold It Down (Bugz In The Attic's Co-Operative Mix) 19. Gladstone Deluxe - Driftin' Away 20. Elvin T - The Pressure of Desire 21. Ali Berger - Track Elements (Radio Edit) 22. Kleeer - Open Your Mind

Autor: Sievers, Florian Sendung: Kompressor Hören bis: 19.01.2038 04:14

An exclusive interview with electronic music pioneer, Suzanne Ciani who shares her musical journey with the beginning of quadraphonic sound. She talks about her working relationship with Don Buchla, Motown and her Detroit Techno experience when she first heard and met founding member of the iconic electronic group Drexciya, Gerald Donald at an electronic music festival in Italy.    Plus, see clips of her performances with her Buchla electronic music instrument. Plus, from the archives, Spirit of 313 Mix by Jon "Do It" Easley. Be sure to follow us on Facebook to get all the latest "Music Alerts!!!" "Let the music Play...!!! In My House Techno Music Show continues to stay true to the mission... Get connected: www.inmyhouse65.com 

Ellen Gallagher talks about her life and work through the art, literature, music and other cultural experiences that have profoundly affected her. She tells Ben Luke about the extraordinary opportunity she had to live with an original Keith Haring print while at Oberlin College, Ohio; her love of Diego Velázquez and Stanley Brouwn; the influence of the Afrofuturist mythology of the Detroit techno band Drexciya; how Herman Melville, in his novels and novellas, wrote more perceptively about race than he is often credited with, and much more. And, of course, she answers the ultimate questions we ask in each episode: if you could live with just one work of art, what would it be? And what is art for? See acast.com/privacy for privacy and opt-out information.

EPISODE 4 ---------- A conversation between Jamie and Marcelese where Jamie tackles the topic of the society beneath the waves; the idea of a black utopia hidden at the bottom of the ocean and the origins of this world. What do we know about the afrofuturistic vision that dreams of peace without knowing slavery, a destination made possible by a black invention that many of us know today? Let's talk about it! [Check out the music of Drexciya: https://open.spotify.com/artist/3KcV1kKG7Y0Gq7xPAGVjkZ?si=21RA32DwRU6dVdTsAHAtwQ ] *THANKS FOR LISTENING* FOLLOW US ON TWITTER @WhereISeeMe for news, polls, and to join in on the conversation. [ Outro - "Why Don't We Talk About It" by Playdate (Big thanks to the band for sharing their wonderful tunes with us here at WISM! You can stream their music on Spotify and Apple Music) ] Feel free to leave us voice messages on anchor under this episode if you have something you want to add and let us know what sort of content you want to see in the future! Stay nerdy Stay black -WISM --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/where-i-see-me/message

RTR Radio Techno Resistance presents MENTAL SOUND INJECTION - Episode 123Tribute to #JamieStinson and #AbuQadimHaqq and every Drexciyans Inside vinyls Techno Electro selection by Gian Mario Avena aka Gimmy La Resistenza Techno Culturale

EP24 - Carson is former music student and an avid creative. He came by to discuss how to find your purpose and place when doing something you love. "Anita" by Smino"The Life Aquatic" by Moon Boots"Keep the Faith" by Moon Boots"Let Me Be Me" by Drexciya"The Boss" by James Brown"Get Down" by Nas

The Beat Oracle is back and revisiting some classic sounds from the mid to late nineties and early aughts. These are selections that (in part) define a large section of the Beat Oracle DNA. Many longtime stalwarts of the show are featured: DJ Shadow, Nightmares On Wax, Plaid, Christian Kleine, Biosphere, Drexciya, and so many […]

Matt Werth sits down with Sherard Ingram, a.k.a. DJ Stingray, to discuss the man behind the mask, the birth of techno in Detroit, and Ingram's involvement with the mysterious electronic music duo Drexciya.

We are back after a brief holiday and have returned with some sonic souvenirs to share. Enjoy duty-free highlights from Seams, Koan, Mount Kimbie, Drexciya, Prefuse 73, Nosaj Thing, Shuttle358, Dave DK, Gas, and many more. Ciao. Playlist Download 05/30/2015