Podcast appearances and mentions of michael idov

Michael Idov, author of The Collaborators, joins Spybrary to discuss the spy novel everyone in our community is raving about. In this in-depth conversation, Michael shares how his Soviet upbringing, real-world intelligence events like the Ryanair Belarus 'hijacking' incident and Moscow taxi hacker chaos, and his love for British espionage fiction shaped his gripping debut spy novel. We also dive into his work on Deutschland 83, Deutschland 89, his admiration for OSINT warriors like Bellingcat, and his love letter to cities like Riga, Berlin, and London.

The exquisite latte art. The warm, smiling baristas. The deep, inviting armchairs… If you've ever taken a look around your favourite cafe and thought ‘What a wonderful place to spend a day, maybe I should open somewhere like this', you're not alone. But is this fantasyland?With guest co-host Chris Deferio (Keys to the Shop Podcast), we dive into the three key aspects of running a coffee shop, to help you better understand the realities behind the dream. The Money - Chris speaks to Michael Idov, author of the legendary Slate article ‘My Coffeehouse Nightmare', about the financial areas which are often overlooked by those opening a cafe. The Scene - Scott heads to Caffè Culture and chats with Ben Eames of Bubbly Batch Coffee about Ben's plans to bring something fresh to the coffee scene.The Dream - James catches up with his friend Hiyam Abdulla about her experience leaving her corporate job to follow her dream and open a cafe in North London. Chris brings many years of advising and consulting coffee shop owners, and offers fascinating insights into each of the three aspects. Will you be inspired to open a trendy cafe or your local high street. Or end up running for the hills? —Join our Patreon to support the show! https://bit.ly/3vrispx Enjoy the legendary experience of a Moccamaster Coffee Brewers: https://bit.ly/3ANRBqQBecome your own barista with Rocket Espresso: https://bit.ly/3RiBXehWant to learn more about our guest co-host Chris Deferio? Check out his website and podcast, Keys to the Shop here (https://bit.ly/3yMJtGX) and follow him on Instagram (https://bit.ly/3eHlOkf) Want to learn more about our wonderful guests? Here is how! Michael Idov - Twitter: https://bit.ly/3D6gTmg Ben Eames - Instagram: https://bit.ly/3eDqms1 Hiyam Abdulla - Instagram (https://bit.ly/3gfB34w) and her cafe website (https://bit.ly/3MCaO4c)Take a screenshot and tell your friends about Adventures in Coffee!Tag our Instagram handles:James Harper / Filter Stories: https://bit.ly/2Mlkk0O Jools Walker / Lady Velo: http://bit.ly/39VRGewScott Bentley / Caffeine Magazine: https://bit.ly/3oijQ91

USA wheelchair curler Batoyun 'Oyuna' Uranchimeg joins us to discuss how she's preparing for the Paralympics in Beijing. And, one of the most surprising things during the Russian invasion of Ukraine has been the rise of Ukrainian President Volodymyr Zelenskyy. Michael Idov, who wrote about Zelensky for GQ, joins us.

This week, the panel begins by discussing the Norwegian Oscar contenderThe Worst Person in the World. Then, they're joined by Slate's TV critic and host of the Decoder Ring podcast, Willa Paskin, to digest the New York Time's latest hit podcast The Trojan Horse Affair. Finally, the panel is joined by screenwriter, director, and journalist Michael Idov to discuss Volodymyr Zelenskyy's pivot from the entertainment industry to president of Ukraine. In Slate Plus, the panel answers a question from a listener about their most divisive feelings about certain directors and writers. Email us at culturefest@slate.com. Endorsements Dana: The band She Wants Revenge from the early 2000s, especially their self-titled album from 2006—even more specifically, the single “These Things.” Julia: A late endorsement for the 2000s show Veronica Mars which is currently on Hulu. Steve: The original version of the Swedish/Danish show The Bridge, which also had an American remake. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Back to Silence" by OTE Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by discussing the Norwegian Oscar contenderThe Worst Person in the World. Then, they're joined by Slate's TV critic and host of the Decoder Ring podcast, Willa Paskin, to digest the New York Time's latest hit podcast The Trojan Horse Affair. Finally, the panel is joined by screenwriter, director, and journalist Michael Idov to discuss Volodymyr Zelenskyy's pivot from the entertainment industry to president of Ukraine. In Slate Plus, the panel answers a question from a listener about their most divisive feelings about certain directors and writers. Email us at culturefest@slate.com. Endorsements Dana: The band She Wants Revenge from the early 2000s, especially their self-titled album from 2006—even more specifically, the single “These Things.” Julia: A late endorsement for the 2000s show Veronica Mars which is currently on Hulu. Steve: The original version of the Swedish/Danish show The Bridge, which also had an American remake. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Back to Silence" by OTE Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by discussing the Norwegian Oscar contenderThe Worst Person in the World. Then, they're joined by Slate's TV critic and host of the Decoder Ring podcast, Willa Paskin, to digest the New York Time's latest hit podcast The Trojan Horse Affair. Finally, the panel is joined by screenwriter, director, and journalist Michael Idov to discuss Volodymyr Zelenskyy's pivot from the entertainment industry to president of Ukraine. In Slate Plus, the panel answers a question from a listener about their most divisive feelings about certain directors and writers. Email us at culturefest@slate.com. Endorsements Dana: The band She Wants Revenge from the early 2000s, especially their self-titled album from 2006—even more specifically, the single “These Things.” Julia: A late endorsement for the 2000s show Veronica Mars which is currently on Hulu. Steve: The original version of the Swedish/Danish show The Bridge, which also had an American remake. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Back to Silence" by OTE Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hi everyone! We’re closing out the week with our final entry for this quarter in our series “Under the Kanopy”. Kanopy is a library and university funded streaming service that grants card holders six free streams a month, featuring a combination of classic, mainstream, independent, and international films. They currently have streaming deals with some of our favorite distributors, like A24 and Kino Lorber, which offer the critically acclaimed, if not commercially successful films. Today’s film I sort of chose at random when filling out the schedule for the quarter, not really realizing it was a Russian film, or a black and white film, or would have a bunch of awesome experimental editing and storytelling. Finding these surprises is part of the great fun of exploring the films on Kanopy. I’ll be up in a bit with my thoughts on LETO, or Summer in Russian, but for a few other films in this series, check out THE BATTLE OF ALGIERS (Episode #738), MARIANNE AND LEONARD: WORDS OF LOVE (Episode #731), and HAVE A NICE DAY (Episode #724). Before the review, we’ll have a promo from our good friends at the Cinema Recall podcast. Every episode, The Vern takes a look at iconic scenes in classic movies. You can find them on Twitter and Instagram @cinema_recall, and also subscribe to their podcast at anchor.fm/cinemarecall. Don’t miss a single episode! Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Today’s movie is LETO (2018), the Russian biopic directed by Kirill Serebrennikov, and written for the screen in collaboration with Lily Idov, Michael Idov, and Ivan Kapitonov, based in part on the memoirs of Natalya Naumenko. It’s the summer of 1982 in Leningrad. Mike Naumenko (Roman Bilyk) is the leader of Zoopark, a Russian rock band, and a member of the Leningrad Rock Club. While visiting the countryside with his wife Natalia (Irina Starshenbaum), he is introduced to Viktor Tsoi (Teo Yoo), an aspiring musician Mike takes on as a prodigy, which ultimately leads to the formation of the band Kino. No spoilers. So, since this is the last Under the Kanopy segment for a while, I’ll let you in on a little secret on how I choose which films to watch. Every week, I keep track of all the films which were released in the theaters which receive a Certified Fresh rating at Rotten Tomatoes. A lot of those films rarely make it outside the Los Angeles and New York markets, often films imported by smaller distributors like Kino Lorber, Oscilloscope, and today’s distributor, Gunpowder & Sky. Every quarter, then, when I’m planning I take a look at the films off that list which make it to Kanopy, and pick whatever eleven films are available. And it generally leads to a wonderfully diverse assortment of films. LETO was one of those films this quarter, which I just added to my Kanopy queue and watched as time permitted. I didn’t remember what the film was supposed to be about at all, and was honestly worried it was going to be a Jared Leto biopic. But like most films in this series, I went in with an open mind and an open heart, despite being nervous about watching a black and white Russian film, the last one I watched being HARD TO BE A GOD, Aleksey German’s final film, which was kind of long and boring at times. Thankfully, LETO is definitely not that. LETO is actually more akin to Aleksei German, Jr.’s most recent film DOVLATOV (Episode #307), which gave me a contemporary film that peeked behind the Iron Curtain to look at non-propagandized life in Russia from an artistic point of view, in this case, notorious writer Sergei Dovlatov. LETO takes place just over a decade later, in the early 1980s as Russia is beginning to shift more and more towards glasnost. The underground parties and black markets for American goods in DOVLATOV’s time period were slowly being integrated into the rock clubs and import/collectors markets in LETO. Both films obviously have a specific point of view about Soviet Russia, but for me, the real joy is seeing just how similar lives were between the US and Russia. The most important cultural similarity explored by LETO is the sense of rebellion among the youth, a punk spirit that was finding more traction and airtime in the west, but was also finding a similar subversive expression in the east. I had never heard of either Zoopark or Kino before seeing this film, but LETO explores the two musicians who head up each group, working around censors to make sure talent gets heard. LETO also explores the influences for many of the more famous songs by both bands, told as these amazing long-take music videos, saturated with layered ink pencil like edits. Each music video segment takes the viewer away from the realism of the main story, for a more surrealist look at what is happening, and usually ending with a character playing the personification of punk reminding us that the music video events didn’t actually happen. Kirill Serebrennikov does excellent work here. LETO isn’t just a story about the music, though. In addition to the history lesson, we’re also invited into the complicated politics and relationship of Mike, Natalia, and Viktor. Natalia develops a crush on Viktor, which Mike doesn’t have a problem with until, predictably, he does, causing creative and political turmoil. The complicated interplay between the three is at times familiar to many other love triangles, but also insightful set against the context and time period. Cutting the film in black and white allows the film’s realistic drama elements and surrealistic musical elements to gel together for a great picture. But as the film comes to a close, Serebrennikov begins to inject color back into the film, even showing previous black and white film pieces and segment now in filtered color, a shocking accent mark against a beautiful filmscape. I can’t think of many films where I get to learn something, and feel something, and be surprised by something, but LETO did all three for me. After watching LETO, I also gave both bands a listen, and discovered even more to love. Honestly, I can’t think of a better way to end this quarter’s Under the Kanopy series. LETO is a film for music fans, particularly fans of the punk and new wave movements in the early 1980s. Kirill Serebrennikov smashes together a quick history of two Russian rock musicians with the emotional turmoil of their love triangle, set against a lovely black and white backdrop with the occasional surrealist transition. Music fans, fans of contemporary Russian cinema, or folks wondering what life was like behind the curtain, should definitely check out this film. Rotten Tomatoes: 78% (CERTIFIED FRESH) Metacritic: 69 One Movie Punch: 8.5/10 LETO (2018) is not rated and is currently playing on Hoopla and Kanopy.

When US presidents get on the phone to speak with foreign leaders, staff are on hand to take diligent notes. But is there a set procedure of how calls with foreign dignitaries are handled? Tom Blanford from the National Security Archives in Washington, DC says that Trump’s style has been very different compared with his predecessors. Also, TikTok, is one of the most popular social media apps in the world but the company that owns it is based in China, and some say that's leading to censorship; When you think about the Soviet Union, you don’t often think about comedy, Michael Idov’s film ‘The Humorist’ delves into the life of a Soviet comic; the power of comedy is something stand-up comedian Noam Shuster-Eliassi is trying to harness in order to start a more honest conversation between Israelis and Palestinians; and the tale of a Russian ship captain whose message in a bottle was recently discovered on a beach in Alaska. Image: Volodymyr Zelensky and Donald Trump (Credit: Ukraine Presidential Press Service via EPA)

— Russia’s flagship economic conference, kicking off in St. Petersburg on Thursday, has been overshadowed by the detention of U.S. investor Michael Calvey. We speak with Ann Simmons of the Wall Street Journal about what Russia is doing to shore up its image and find new trading partners. — HBO’s roaring hit Chernobyl has sparked some uncomfortable conversations in Russia. We talk to writer Michael Idov about why the show has struck a chord in the U.S. and a nerve in Russia

Michael Idov's fortunes as a writer dramatically changed for the better following the publication in 2005 of “Bitter Brew”, an article he penned for Slate.com about his failed business venture to launch a café in New York City.

Guest: Michael Idov on Dressed Up for a Riot: Misadventures in Putin's Moscow published by Farrar, Strauss and Giroux. [spp-player] The post A Memoir of Misadventures in Moscow appeared first on The Eurasian Knot.

Guest: Michael Idov on Dressed Up for a Riot: Misadventures in Putin’s Moscow published by Farrar, Strauss and Giroux. [spp-player] The post A Memoir of Misadventures in Moscow appeared first on SRB Podcast.

Michael Idov is a screenwriter, journalist, and the former editor-in-chief of GQ Russia. His latest book is Dressed Up for a Riot. "It just goes to show that the best thing you can possibly do as a journalist is to forget you’re a journalist, go out, have some authentic experiences, preferably fail at something really hard, and then write about that." Thanks to MailChimp and Mubi for sponsoring this week's episode. @michaelidov Idov on Longform [01:15] "The Movie Set That Ate Itself" (GQ • Oct 2011) [02:00] Idov’s Archive at NY Mag [02:25] Dressed Up for a Riot (Farrar, Straus and Giroux • 2018) [06:35] “Samizdat” [14:00] "Bitter Brew" (Slate • Dec 2009) [16:55] Ground Up (Farrar, Straus and Giroux • 2009) [19:30] Adam Moss on the Longform Podcast [19:35] Jim Nelson on the Longform Podcast [21:40] "Georgia’s Next Leader May Be a Billionaire Zookeeper with Albino Rapper Children" (The New Republic • Sep 2012) [22:20] "Dosvedanie to All That" (Julia Ioffe • The New Republic • Feb 2014) [24:30] 4 (Magnolia Home Entertainment • 2009) [32:50] "My Accidental Career as a Russian Screenwriter" (New York Times • Jan 2016) [33:05] "Russia: Life After Trust" (New York • Jan 2017)