Podcasts about Tangier

Harry Duke and Natalie Cilurzo Harry Duke is live at Russian River Brewing Co. in Windsor on this special edition of Brew Ha Ha to talk about Pliny the Younger 2025 from the floor of the Russian River Windsor pub. Also today on Brew Ha Ha, Hendrik Verspecht from CuVer Brewing is visiting Steve Jaxon and Herlinda Heras in the studio. That portion of today's show is on this other podcast page, to allow each guest to have their own audio and podcast indexing. Natalie Cilurzo is with Harry to talk about how it's all going. Pliny the Younger is a triple IPA which gets a recipe tweak most years. This year, the addition of Tangier hops brings some orange, grapefruit, tangerine and mango, in addition to other hints of pine resin. It's a little more bitter than last year, which counteracts the fruitiness and elevates the flavor profile. It is remarkably smooth, for 10.4% abv. Pliny the Younger 2025 Release Dates The annual release of Pliny the Younger 2025 this year runs from March 21 to April 3. It will be on tap and in bottles to go until April 3. The wait times today are about 2 hours downtown, and more than 3 hours in Windsor. Natalie and Vinny like to greet the visitors waiting in line and they make a lot of friends. Russian River Brewing Co. is open in Santa Rosa on 4th St. and at their big Windsor location. Visit their website for up-to-date hours, menus, beers and more. There are visitors from all over the country and some international visitors too. Pliny the Younger's economic impact on Sonoma County is consistently strong. The Chamber of Commerce reports that it brings in several million dollars of extra business every year. Visit our sponsor Pizzaleah in Windsor for the finest pizza menu and the most authentic flavors around!

Natalie and Vinny Cilurzo discuss the We Love LA wildfire relief collab beer, with Leah Scurto from PizzaLeah who is sitting in for Herlinda Heras on Brew Ha Ha with Steve Jaxon today. Andy Link will also join us on the phone from Common Space Brewery in Los Angeles. Herlinda Calling from England First, Herlinda Heras calls in from England where it is 1:00 in the morning. Herlinda was on this episode last year about the 2024 edition. She is there for her eleventh year judging the British Pie Awards in Melton Mowbray, about a four-hour train ride north of London. There are 26 categories of pies and all but one are savory pies like fish pie, steak and kidney pie, cold pork pie and many more. This year there 879 pies and 167 judges. Herlinda was the only American judge and she even got an interview on the BBC. They judge in an 800-year-old former church. The English tradition of savory pies extends even to football, rugby and cricket clubs, which have their own team pies. As we would get a hot dog and a beer at a baseball game, they will get a hand pie and a beer for their day at the stadium or grounds. Russian River Brewing Co. is open in Santa Rosa on 4th St. and at their big Windsor location. Visit their website for up-to-date hours, menus, beers and more. Herlinda judged the steak and ale category which alone had 67 pies. There is even a gluten-free pie and a vegan pie. Shepherd's pie is different, that has mashed potatoes on it. These pies have to have a full crust on top and bottom. Appearance is important so the pies are decorated on top. The first thing they look for is a soggy bottom, which is a quick DQ. Visit our sponsor Pizzaleah in Windsor for the finest pizza menu and the most authentic flavors around!

It's citrus season in the northern hemisphere, and fruit trees are bursting with oranges and lemons. But CrowdScience listener Jonathan wants to know what happened to the tangerines he ate as a child in the 1960s? He remembers a fruit that was juicy, sweet and full of pips, found each Christmas at the bottom of his stocking. Tangerines today, he thinks, just don't compare. Crowdscience tries to track down this elusive fruit. Presenter Anand Jagatia traces the tangerine's origins back to Ancient China, as botanist David Mabberley explains that the name ‘tangerine' comes from a fruit that made its way from Asia, to Africa and the Moroccan port of Tangier, before arriving in the US in the early 1800s. Professor Tracy Kahn from UC Riverside tells us about the hybridisation process that goes into breeding modern tangerines, but says that while the season for these fruits has been dramatically extended, there's a cost in terms of diversity and flavour. Who better to help us track down this missing mandarin than a fruit detective? Well, that's one of pomologist David Karp's other job titles, and he reveals exactly which cultivar we might be looking for: the Dancy. So where can we find one? Over on Friend's Ranches in Ojai, California, Emily Ayala shows us two trees planted by her late grandfather, and explains that nothing grown since really matches its unique flavour.So what will listener Jonathan think when we send him a box? Presenter: Anand Jagatia Producer: Marijke Peters Editor: Cathy Edwards Production Co-ordinator: Ishmael Soriano Studio Manager: Jackie Margerum(Image: Citrus oranges grow on tree, Hong Kong Credit: CHUNYIP WONG via Getty Images)

Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices

Tangier was a magnet for artists, writers, musicians, and political exiles throughout the mid-20th century, amongst them the writers Paul Bowles and William Burroughs   From 1924 to 1956 the city operated as an international zone under the joint administration of several European powers. This status created an environment of legal ambiguity, which, combined with the city's strategic location at the crossroads of Africa and Europe, made it a haven for those seeking escape from the constraints of conventional society   The zone had  a sense of lawlessness and freedom, attracting a diverse mix of expatriates, spies, smugglers, and avant-garde intellectuals. The city's permissive attitude towards drugs, homosexuality,and radical political thought made it a particularly alluring destination for members of the counterculture.   Composer and writer Paul Bowles, settled there and drew members of the Beat Generation to the city to be inspired, to complete their projects and to live the Moroccan dream. Few lived in human dialogue with the locals, operating rather as economically priveleged colonial bohemians    William Burroughs' time in Tangier in the 1950s deeply influenced his novel Naked Lunch. Burroughs saw the city as a place where the constraints of Western morality could be discarded in favor of a more experimental and uninhibited lifestyle.   He christened it THE INTERZONE   Although the Tnagier International Zone officially ceased to exist in 1956, its mythos lived on in literature, music, and the enduring image of Tangier as a place where the world's outsiders could find a home   Multimedia artist and curator Abdelaziz Taleb, director of The Arab Media Lab Project has taken a deep dive into the Interzone - both its reality and its myth, exploring the blurred line between the two.  He came to the Bureau to talk about it, the often untold influence of Moroccans on the Beats,  and the mystery of Tangier.   For more on Aziz and the Interzone Project and Here   #counterculture, #thebeatgeneration, #thebeats, #tangier, #thetangierinternationalzone, #thetangierinterzone, #interzone, #burroughs, #bowles, #williamburroughs, #paulbowles, #heroin, #nakedlunch, #thearabmediaproject, #allenginsberg, #jakckerouac,#mohammedchakri, #bryingyson, #brianjones, #joujouka,#morocco    

En litt annerledes episode. I dag er det bare Vibeke i studio, og sammen tar vi turen til den mytiske byen Tanger. Hosted on Acast. See acast.com/privacy for more information.

On today's show, we're chatting with Maureen of Azyr Specs, which is a vintage glasses brand! Maureen fell in love with vintage glasses while she was working on costumes for a movie that was based in 1975, and she saw firsthand the power that glasses had to elevate a character's whole look.  On this episode, she shares her journey trying to make a sustainable difference in the glasses space, sourcing them from all over the world and refining them alongside an optician in NYC for modern-day wear. To date, she's re-sold over 800 pairs of vintage glasses!  Something I love is a niche vintage category, and I think you're gonna love this episode – it's a fun one, so let's dive right in!  DISCUSSED IN THE EPISODE: [4:02] Maureen fell in love with secondhand fashion after moving to NYC, where she accidently had to restart her wardrobe [5:56] Her love of vintage eyeglasses began while working on movie costumes. [12:06] Maureen especially loves 1960s and Space Age glasses. [14:59] Eyeglasses brands referencing vintage. [21:53] The business case for dealing a niche vintage product. [26:42] Sourcing vintage Gucci glasses in Tangier, Morocco.  EPISODE MENTIONS:  Azyr Specs Azyr website Pinball: The Man Who Saved the Game André Opticas Polaroid glasses Bayonetta glasses Gabriette and Bella Hadid in Bayonettas Margot Robbie as Sharon Tate in Once Upon a Time in Hollywood Manhattan Vintage Show @peteryeedesigns Eden's Harvest - jewelry LET'S CONNECT: 

Episode 197: Scribal Networks and Diplomatic Knowledge Production across North Africa What did trans-Maghribi society look like on the eve of colonialism? Who travelled across these spaces and for what reasons? This interview is an early exploration into Dr. Kitlas' second project, which proposes a more attentive engagement with the history of a dynamic and multifaceted eighteenth-century trans-maghrib society. Spanning Tunis to Tangier, this project examines the networks of traders, Sufis, consuls, translators, and court advisors that embedded themselves in Maghribi locales outside their home cities and, in doing so, took part in producing a distinct trans-maghrib socio-cultural sphere. Building on his first monograph that focuses on the layers of diplomatic practice in Morocco, this interview thinks through ways to expand these networks and the knowledge production attached to them across localities in the wider Maghrib. The project questions the historiographical focus on north-south movements, and in its place adds a new east-west perspective that transcends stubborn political divides and sheds light on the ways in which a dynamic cultural and intellectual sphere developed, spread, and was sustained across the Ottoman/Moroccan Maghrib. Peter Kitlas is currently an Assistant Professor of History at the American University of Beirut. His research focuses on the intellectual and cultural history in eighteenth-century North Africa as told through Arabic and Ottoman-Turkish sources. Exploring the intersection of scribal practice and diplomatic knowledge production in Morocco, his first monograph rethinks the influence of Islamic thought on Mediterranean conceptualizations of diplomacy. Peter has served as a Peace Corps volunteer in Morocco and conducted research in North Africa, Spain, Croatia and Turkey through the support of fellowships from SSRC and Fulbright-Hays. His written work has been published in The Journal of Early Modern History, Mediterranean Studies Journal, The Journal of North African Studies, and The Encyclopedia of Islam Three. This episode was recorded via Zoom on the 25th of October, 2023, at the Centre d'Études Maghrébines à Tunis (CEMAT) s with Luke Scalone, CEMAT Chargé de Programmes. We thank our friend Ignacio Villalón for his guitar performance for the introduction and conclusion of this podcast. Production and editing: Lena Krause, AIMS Resident Fellow at the Centre d'Etudes Maghrébines à Tunis.  

From Tangier, Morocco to Sunny Palm Springs in Southern California and the Endless Mountains of Pennsylvania, this episode of Big Blend Radio closes off January (National Staying Healthy Month) and looks toward the renewal of spring with a focus on healthy travel destinations and experiences.  FEATURED TRAVEL WRITER GUESTS: - BARBARA REDDING talks about her time at the luxurious Fairmont Tazi Palace in Tangier, Morocco. Follow Barbara's stories on her site: https://barbararedding.com/  * Read Barbara's Morocco Stories: - Travel Weekly: https://www.travelweekly.com/Travel-News/Hotel-News/Moroccan-opulence-at-Fairmont-Tazi-Palace-Tangier  - Big Blend: https://blendradioandtv.com/listing/a-magical-tour-of-morocco/  - DEBBIE STONE shares her rejuvenating experiences at The Spa at Séc-He in Palm Springs, one of the most luxurious hot mineral spring spa destinations in the country. Read her story here: https://blendradioandtv.com/listing/the-spa-at-sec-he-in-palm-springs/  * Follow her monthly podcast here: https://global-adventures-debbie-stone.podbean.com/  - KATHLEEN WALLS talks about her nature adventures in the pristine Endless Mountains region of Pennsylvania that has its own Grand Canyon, is free from motor traffic, and where you can travel by foot, bicycle, horse, or even in a covered wagon. Read her story on her site: https://americanroads.net/endless_mountains_grand_canyon_121824.htm 

Natalie with Pliny the Younger 2025. Natalie Cilurzo is back with the first taste of the 2025 Pliny the Younger, on Brew Ha Ha with Steve Jaxon and Herlinda Heras. This will be the 21st release of Pliny the Younger. They used to release in February but during covid they moved it to last march early April. That turned out to be better for a lot of reasons. So this year the dates are March 21 through April 3. They continue to do wholesale distribution to bars and restaurants in February. This helps them get an attraction during the slower winter months. Also, San Francisco Beer Week is coming. Today they are finishing the brewing and bottling and kegging, but the first people to taste it are on this show today. Dan Berger is here as a special guest, and so is Mackenzie Miller, who is the host of Mid-days on the Krush, KRSH. Brew Ha Ha will do a remote broadcast March 27, to be confirmed. The last time we did a remote was when Windsor opened in 2018. Russian River Brewing Co. Hop Water Since many people participate in Dry January, Russian River Brewing Co. produces a Hop Water, which is sparkling water flavored with Citra and Eldorado hops. It's very refreshing. Russian River Brewing Co. is open in Santa Rosa on 4th St. and at their big Windsor location. Visit their website for up-to-date hours, menus, beers and more. Every year at Valentine's Day they make a beer called Rejection, a dark beer made with Belgian yeast. It is toasty and has coffee flavors. It is 6.1% ABV. Dan Berger describes it as rich without being sweet, perfect for dry January because it finishes dry. It is available on tap only at the two pubs, or to-go in growlers. Then they taste another beer called Docta-Ron, named after a New Zealand hop breeder. It is available in cans and on tap. This is the 21st year of Pliny the Younger. Vinny Cilurzo tweaks the recipe every year and this year the long list of hops used includes a new one. It has an orange-y flavor and makes the 2025 Pliny the Younger, according to Dan Berger, the tastiest one ever. Russian River Brewing Co. is also making a wildfire relief beer called We "heart" LA. A brewery in LA called Common Space started a fund raising beer. Here is their website. The beer is set to be released all at once by all the collaborators on March 7. Now finally it is time to taste the Pliny the Younger 2025. Dan Berger declares it the most amazing beer ever produced. It is over 10% ABV and it is very dry and clear. Amarillo, Citra, Mosaic, Nectaron, Simcoe, Warrior and Tangier. Tangier is a new hop from Washington and they like it for its orange flavors. Dan says the beer has more floral qualities than last year. The Pine flavors definiteliy come from the Simcoe. Dan says this beer is like a great wine, full of complexities and unexpected flavors. They are kegging it tomorrow and it will start going out for distribution on Monday, Feb. 2. Look around at your usual bars and restaurants, look for your usual suspects... Happy hunting! Visit our sponsor Pizzaleah in Windsor for the finest pizza menu and the most authentic flavors around!

Our latest guest on The One Way Ticket Show is world-renowned Garden Designer, Madison Cox. The interview was conducted in September 2024 in the Willis Pavilion, beside the house today known as Villa Oasis which was built by French Orientalist painter, Jacques Majorelle in the 1920s, and later owned by Yves Saint Laurent & Pierre Bergé. Adjacent to the home is the famed Majorelle Garden. Madison was born September 23, 1958, in Bellingham, Washington, and raised in San Francisco and Marin County, California.  As a garden designer and author of books about gardens, he has traveled extensively across the United States and Europe as well as to Japan, China, Russia, India, North Africa, and Australia.  Madison's passion for garden design has also extended to lecturing, leading garden tours in France and Italy, and book publications.  He has lectured across the United States and Canada: at the Smithsonian Institute in Washington, D.C. and the Art Institute of Chicago, as well as at the Portland Garden Club and the Art Gallery of Ontario in Toronto. Madison Cox is the author of Private Gardens of Paris (Harmony Books, 1989), co-author of Gardens of the World (Macmillan, 1991), and with photographer Erica Lennard, of Artists' Gardens: from Claude Monet to Jennifer Bartlett (Abrams, 1993), and Majorelle: A Moroccan Oasis (Vendome Press, 1999). Cox wrote the preface for The Gardener's Garden (Phaidon, 2014). He was the first American to design a garden at the Chelsea Flower Show in London in 1997, and won a Silver-Gilt Medal.  Madison is a member of the following institutions:  - President, Fondation Pierre Berge – Yves Saint Laurent, Paris, France - President, Foundation Jardin Majorelle, Marrakech, Morocco - Co-Chairman of the American Schools of Tangier and Marrakech in Morocco - Advisory Board Member, The Aangan Trust, Mumbai, India - Patron, American Friends of Blérancourt, France - Board of Directors TALIM (The American Legation in Morocco)  In our conversation, Madison shares his one way ticket destination of choice is to Morocco. His first visit to the country was in 1979.  While he was a student in Paris, Yves Saint Laurent and Pierre Bergé invited him as part of a small group down to Marrakech for a long weekend. During our sit-down, Madison covers: - The difference between Marrakech in the 1970s and today - The nostalgia for Tangier (where Madison has a home) - The rich backstory behind Villa Oasis and the Majorelle Garden - Yves Saint Laurent's love for Morocco (he first visited in 1966) and how the country significantly impacted his work - The Pierre Bergé Museum of Berber Arts which is housed in the former painting studio of Jacques Majorelle, in the garden - The Yves Saint Laurent Museum in Marrakech - How Morocco has impacted his own approach to designing gardens. Plus, J. Paul Getty, Edith Wharton, Winston Churchill, FDR, and the photographer Horst, all make appearances in the interview.  

This episode also has a video version on our YouTube channel, you can find it here: "Travel to Morocco in 2025: Travel Highlights to Help Your Planning"Or stay here for the audio version - your choice!---Morocco had a banner year in 2024, with tourist numbers reaching over 17 million, a number predicted for 2026 and yet reached two years ahead of time.With new air routes getting underway, both international and domestic, and new hotels and luxury brands setting up in the country, Morocco is very much on the up and up. For the first time, it outdrew Egypt as the top destination for travellers in Africa. Tourist numbers are predicted to reach 26 million per year by 2030, the year Morocco co-hosts the World Cup, alongside Spain and Portugal.All of which means, now is the time to go! Azdean and Destination Morocco podcast producer Ted Cragg discuss, in today's episode, what to prepare for in 2025, particularly events and prices that could affect your travels.They highlight some of the numerous large festivals that take place throughout the year, including the Gnawa Music Festival in Essaouira in June, and the Marrakech International Film Festival in December. These are annual events that always draw large crowds, but equally are exciting and prestigious events to witness.Adding to the excitement though in 2025, and in a preview of what's to come 5 years from now, are some major international football/soccer tournaments that will take place in Morocco.The U-17 Africa Cup of Nations will be held from March 30 to April 19, followed by the Women's Africa Cup of Nations from July 5 to 26. Then, FIFA's U-17 Women's World Cup will take place from October 17 to November 8, expanded to 24 teams for the first time.And in the largest of them all, Morocco will host for the second time ever the Africa Cup of Nations, starting towards the end of the year, December 21, 2025 and running to January 18, 2026. This major tournament will be spread amongst six cities across the country: Tangier, Agadir, Rabat, Marrakech, Fez, and Casablanca.Therefore, if you are planning a visit during one of these festivals or tournaments, make sure you do your research! Prices will likely be inflated, and accommodation will be less available and flexible as the dates draw near. Alternatively, knowing when these events are taking place may help you decide exactly when to go, if you would rather avoid the crowds and the hype and go at a quieter pace. Either way, we have lots to look forward to in Morocco in 2025, an exciting year in and of itself, but also a prelude of what to expect for the rest of the decade. Do you dream of exploring the enchanting land of Morocco?Destination Morocco is your ultimate travel experience for those seeking luxury and adventure. We specialize in crafting bespoke itineraries tailored to your unique tastes and desires.If you're a discerning traveler who values an immersive, curated adventure, visit www.destinationsmorocco.com, and let us bring your dream Moroccan vacation to life.Learn more about Azdean and Destination Morocco.Explore our Private Tours and Small Group Tours!

Molly Durand has worked with the LadySmith Black Mumbazzo choir and famed gospel composer and conductor Richard Smallwood. On multiple occasions, she has been a featured soloist for the Illinois Senate Inauguration and the Glen Ellen Children's Choir at Carnegie Hall in New York City. She has performed on the New York lot at CBS Studios and in shows throughout Los Angeles at venues such as the House of Blues, Hotel Café, The Green Door, Mbar, El Cid, The Regent Beverly Wilshire, The Beverly Hilton, Tangier, and the Piano Bar, where she held residency as a featured artist.    Molly Durand was chosen to read and sing for the part of Anne Wilson of HEART in their musical review: Kick It Out, written by Nancy and Anne Wilson.  This was showcased at Playtone beside Tom Hanks and Rita Wilson.   Molly Durand also toured with Chicago's Second City as a company member performing sketch comedy and improv.  She has produced and directed in her own short films and sketches and produced a horror indie film as well.  Molly produced live plays in LA and was a stage manager in NY,NY.  Most recently she hosted a Variety Show in LA showcasing diverse talent.  Molly was lucky enough to be able to work with Holland Taylor on her one woman show ANN about the incredible Ann Richards.  Molly also performed in Leslie Jordan's working musical in Los Angeles.  Aside from Second City, Molly is featured on Scream Queens and other features and shorts, mainly playing comedic character roles.  

Molly Durand has worked with the LadySmith Black Mumbazzo choir and famed gospel composer and conductor Richard Smallwood. On multiple occasions, she has been a featured soloist for the Illinois Senate Inauguration and the Glen Ellen Children's Choir at Carnegie Hall in New York City. She has performed on the New York lot at CBS Studios and in shows throughout Los Angeles at venues such as the House of Blues, Hotel Café, The Green Door, Mbar, El Cid, The Regent Beverly Wilshire, The Beverly Hilton, Tangier, and the Piano Bar, where she held residency as a featured artist.    Molly Durand was chosen to read and sing for the part of Anne Wilson of HEART in their musical review: Kick It Out, written by Nancy and Anne Wilson.  This was showcased at Playtone beside Tom Hanks and Rita Wilson.   Molly Durand also toured with Chicago's Second City as a company member performing sketch comedy and improv.  She has produced and directed in her own short films and sketches and produced a horror indie film as well.  Molly produced live plays in LA and was a stage manager in NY,NY.  Most recently she hosted a Variety Show in LA showcasing diverse talent.  Molly was lucky enough to be able to work with Holland Taylor on her one woman show ANN about the incredible Ann Richards.  Molly also performed in Leslie Jordan's working musical in Los Angeles.  Aside from Second City, Molly is featured on Scream Queens and other features and shorts, mainly playing comedic character roles.  

Spotlight On Schools 1-25-25 - William Floyd Tangier Smith Elementary School by JVC Broadcasting

Kevin Barry is the author of the novels Night Boat to Tangier, which was longlisted for the Booker Prize, Beatlebone, and City of Bohane as well as three story collections including Dark Lies the Island. His stories and essays have appeared in the New Yorker, Granta and elsewhere. He also works as a playwright and screenwriter lives in County Sligo, Ireland.  His new novel is The Heart in Winter. We talked about the Irish in Butte, Montana, watching and writing westerns, Wuthering Heights, voice and character, Kevin's writing process, comedy, and Annie Proulx. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kate Adie presents stories from the US, Lebanon, Spain, Morocco and GreenlandDonald Trump won a resounding victory in the US election, heralding an imminent return to the White House. This was achieved through a new coalition of support - especially among African-American and Hispanic voters. Anthony Zurcher has followed the campaign from the outset, and reflects on how, despite a well-funded Harris campaign, Donald Trump pulled off a decisive win.Israel's invasion of Lebanon has continued, sparked by almost a year of cross-border hostilities. This latest conflict began with Hezbollah firing rockets across the border into Israel last October, in support of its ally Hamas in Gaza. Orla Guerin has been there since the conflict intensified six weeks ago.In Spain, thousands of troops, civil guards and police helped with the relief effort following flash floods in Valencia that killed more than 200 people. Amid a febrile atmosphere of blame and recrimination, Nick Beake has been building a picture of how events unfolded - and heard how tragedy hit one family.Morocco is a launch pad for many Africans trying to make the dangerous journey across the Mediterranean into Europe. Now, it's coming under increased pressure due to political instability in the Sahel. Richard Hamilton was in Tangier.In Greenland, an Inuit community living in the island's most remote settlement is facing profound changes to their traditional way of life amid melting sea ice. Mark Stratton went to hear about the challenges facing the community, such as climate change, tourism and polar bears.Series Producer: Serena Tarling Editor: Richard Fenton-Smith Production Coordinators: Katie Morrison and Sophie Hill

Ruby Josephine Smith is a contemporary dance artist, choreographer, and founder of new company Ruby Josephine Dance Theater (RJDT). She is passionate about movement as a form of emotional expression, story-telling, and language. This passion was molded from having two artist parents, getting involved in both theater  and contemporary dance in her early years, and by her unconventional dance training, traveling around the world from the age of 20 to learn from a variety of artists at intensives and residencies. In 2014 she landed in Tangier, Morocco which became her home for the next 7 years, working with contemporary dance as an emerging art form in the city.  In Tangier, Ruby's choreography was commissioned and sponsored by the US Embassy of Morocco,  l'Institut Français, the American Language Center Network, and the American Legation. She also had opportunities to perform and work with international artists at festivals around Europe. Ruby returned to her hometown of Minneapolis, MN in 2020 and has since choreographed works for Collab Arts, Zenon Zone, Threads Dance Project, and more recently two full-length productions under her company's umbrella. She performs with Analog Dance Works and has appeared in work by Jennifer Mack and Jagged Moves. Ruby has been a teaching artist for over 10 years and currently teaches regular contemporary classes at Hothouse and WestMet Classical Training. She also offers artist residencies and dance program consultation to the American International School Network where she has taught in France, India and Vietnam. Throughout all of this work, Ruby believes strongly in the power of dance to tell stories, explore personal processes, and form strong human connections. 

Born and raised on the West Coast of the US, Lucas Peters now makes Tangier his home. He's a travel writer and photographer and the author of the Moon Guide Book for Morocco. Together with his very accomplished wife, Amina, they own and operate Journey Beyond Travel, one of Morocco's most successful, sustainable tour companies.  Lucas' expertise isn't limited to Morocco though. He also wrote Moon Guide Book's Grand European Journeys: 40 Unforgettable Trips by Road, Rail, Sea & More. In November 2024, Lucas is releasing the Moon Guide Book for Sevilla, Granada and Andalusia. When he's not writing or planning remarkable journeys for his clients, Lucas, together with Amina and their two kids, spends time traveling around Morocco, exploring the small towns dotting the national roads, difficult-to-access mountain villages and crumbling kasbahs of the Sahara. On this episode, Lucas shares that in 2009, he bought a one way ticket to Morocco and never left – so he's truly on a one way ticket journey! Also in the conversation, Lucas and Host, Steven Shalowitz, touch on each of the destinations Steven visited on his recent four and a half week journey through Morocco which Lucas orchestrated. They included: Rabat, Tangier, Tetouan, Chefchaouen, Volubilis, Moulay Idriss, Meknes, Fes, Ifrane, Erfoud, the Sahara, the Atlas Mountains, Essaouira, Marrakech and Casablanca.  Plus, the two highlight everything from riads to hammams, Morocco's rich Jewish heritage to Moroccan cuisine, the method to Moroccan aesthetic madness to the proliferation of cats throughout the country, and more. For further information on Lucas, visit: http://lucasmpeters.com. And for curated, bespoke visits to Morocco, Andalusia and select other destinations, visit: http://journeybeyondtravel.com   

It's a winter night when we first meet Tom Rourke. He's penning love letters, preening in mirrors, pushing dope, partaking of booze, singing and flirting and fighting. It's just another night in Butte, Montana, for the feckless young Irishman. And no one writes the Irish quite like Kevin Barry. Barry's new novel, “The Heart in Winter,” is his first set in America. But true to form, it features the Irish. That's because, in the 1890s, Irish immigrants by the thousands descended upon the tiny frontier town of Butte to work the copper mines — a historical nugget Barry learned in 1999. 'The mind of Irish author' Kevin Barry lives in a hilariously malevolent world As he told host Kerri Miller, at the time, he thought to himself: “My God, this is a Western but it's a Western with County Cork accents. I'm in. This is my book.” He immediately hopped on a plane to Montana, where he was welcomed warmly. Butte remains proud of its Irish heritage. And he went back to Ireland and wrote something like 100,000 words. But, he said, “I knew even as I was writing it, it was all dead on the page. It just wasn't coming to life for me, because I didn't have the characters yet. I didn't have the people of the novel yet, and those took their sweet time. It took another 22 years and six books later before my characters finally appeared to me.”What finally appeared on the page was a savagely funny and romantic tale of two young lovers on the run from a cuckolded husband's goons. On this week's Big Books and Bold Ideas, Barry joins Miller to talk about the entwined histories of America and Ireland and how he deftly uses comedy to combat a sense of fatalism. He also shares his experience narrating his own audiobooks, which he finds crucial for refining his stories. Guest: Kevin Barry is the author of many books, including “Night Boat to Tangier” and “Beatlebone.” His new novel is “The Heart in Winter.” Subscribe to Big Books and Bold Ideas with Kerri Miller on Apple Podcasts, Google Podcasts, RSS or anywhere you get your podcasts.Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations.

"He had to choose between something he had become accustomed to and something he wanted to have."– Paulo Coelho, The AlchemistHave you ever found yourself standing on the edge of a new beginning, feeling both excitement and fear? What if the path to growth and transformation requires leaving behind what is familiar and comfortable?In this episode of Love & Learn, we explore the next stage in Santiago's Hero's Journey—Crossing the Threshold—from Paulo Coelho's spiritual classic, The Alchemist. This is the moment when Santiago leaves the safety of his life as a shepherd to pursue his dream of realizing his Personal Legend. We discuss how this step represents the psychological and emotional leap we all must take when we commit to a new path, and how the universe supports us with allies, mentors, tests, and opportunities for growth along the way.In this episode, we'll uncover:The significance of Crossing the Threshold in your own life, and why commitment to change is essential for growthHow to recognize the tests and challenges that come after taking that leap of faithThe importance of allies and mentors in guiding us through unfamiliar territoryWhy trusting the process, even in times of uncertainty, is key to discovering your personal treasureActionable steps for Crossing Your Own Threshold:Take the Leap:Crossing the threshold is about commitment. Whether it's a dream, a new project, or a life change, there comes a point where you need to fully step into the unknown. Don't wait for all the conditions to be perfect—trust that the path will unfold as you walk it.Expect Challenges: Just like Santiago was robbed in Tangier, you will face unexpected challenges on your journey. These challenges aren't meant to stop you—they're meant to strengthen you. Each setback is an opportunity to learn and grow.Look for Allies and Mentors: As you move forward, keep an eye out for the people who support your journey. Like Santiago meeting the crystal merchant, you will find allies along the way. These allies may not stay with you for the whole journey, but they will teach you valuable lessons that help you move forward.Trust the Process: As Coelho reminds us, “When you want something, all the universe conspires in helping you to achieve it.” Once you've crossed the threshold, trust that the universe will guide you. Even when the path feels uncertain, stay committed to your Personal Legend and trust that you're being guided toward your treasure.Crossing the threshold is the first step to transforming your life. Press play to begin your journey toward greater fulfillment and self-discovery.ALL CONCEPTS FROM THE ALCHEMISTOvercoming DOUBT: How to Listen to the Universe's SignsStepping into the UNKNOWN: Overcoming Fear and Embracing ChangeJOIN THE RADIANT WARRIOR RETREATRetreat Info and Application PageCONNECT WITH PAULO COELHOWebsiteBooksInstagramCONNECT WITH JESSICA FLINTWebsiteRetreatInstagram

Unlocked after 1 year for patrons only: We consider the turbulent history and politics of the country most often blamed for the outbreak of the First World War -- Germany. The youngest of all the combatant nations in World War I, The German Reich's deep class, regional, and religious divides drove Kaiser Wilhelm and his inner circle to seek national aggrandizement abroad as a source of unity at home--which inadvertently led them to unite their rivals against them and dragged them into a war not of their making. Suggested further reading: Christopher Clark, "Iron Kingdom: The Rise and Downfall of Prussia"; Mary Fulbrook, "A Concise History of Germany." Image: Hand-Colored Photograph of Kaiser Wilhelm II in Tangier, Morocco, 1905 Please sign up at any level to help keep this podcast coming and to hear all patron-only lectures: https://www.patreon.com/user?u=5530632

Send us a message, what did you think of this episode?We return to our series on the history of the Amazigh (Berber) people, with part three of the conversation between Azdean, co-host Sam and our researcher, Hiba.Our first two episodes covered an overview of Amazigh culture and history ("The Amazigh Chronicles" - The Berber History of Morocco, Part 1), followed by an in-depth look at the various tribes, which stretch across not just Morocco but all of northern Africa ("The Amazigh Chronicles" - The Rich Tapestry of Amazigh Tribes: History, Language, and Customs, Part 2).Today we start to bring things forward and make the links to more modern times, looking at Amazigh influence on art and architecture, language, politics, military and economics, through to the 20th century.Imagine a time when Morocco was the crossroads of the world, when nomadic traders would cross the Sahara to reach Marrakech and Essaouira by land, while western European ships would head for Essaouira as well, and eastern Europeans and Ottomans would stop at Tangier. Morocco was the jumping off point to the Iberian peninsula, the Mediterranean, or alternatively the coastal waters south towards the equator. It's no wonder that language, architecture and even banking systems gained an influence that can still be felt today, far beyond modern Moroccan borders.Gold, salt and olive oil; calligraphy, geometric designs and distinct kasbah strategic design; all these and more passed through this land and collected distinctive new features from the Amazigh people as they did so."Berber" may be the more familiar name, but "Amazigh" is their preferred name, and these indigenous people in their many guises maintain a powerful influence in Morocco to this day. Do you dream of exploring the enchanting land of Morocco?Destination Morocco is your ultimate travel experience for those seeking luxury and adventure. We specialize in crafting bespoke itineraries tailored to your unique tastes and desires.If you're a discerning traveler who values an immersive, curated adventure, visit www.destinationsmorocco.com, and let us bring your dream Moroccan vacation to life.Learn more about Azdean and Destination Morocco.Explore our Private Tours and Small Group Tours!--Join us for our monthly Q&A's! Live on Destination Morocco's YouTube, Facebook and LinkedIn pages, the 1st Friday of each month at 1pm Pacific/4pm Eastern/10pm Central European time.

He's like family to us, Adnan Virk is our guest this week. He can be found on MLB Network or chatting about movies on his podcast, Cinephile. We chat with him about so much, too many laughs to contain. We break it down with our friends at Strat-O-Matic to find out how Aaron Judge would do in the 1920s and how Babe Ruth would do today. We say farewell to the Oakland Athletics playing in Oakland with a Best of All Tim. We hear from Jeff about the Savannah Bananas and chat about the insanity that is Shohei Ohtani. Please rate and review the show, share it with a friend and don't forget to follow! Visit GreatGameOrWhat.com to contact the show with your questions, quips and insights. Joy Pop Productions LLC

“Today's Morocco is a prime example of what a great peaceful coexistence and international cooperation can be with an Arab country.” Eli Gabay, an Israeli-born lawyer and current president of the oldest continuously active synagogue in the United States, comes from a distinguished family of Jewish leaders who have fostered Jewish communities across Morocco, Israel, and the U.S. Now residing in Philadelphia, Eli and his mother, Rachel, share their deeply personal story of migration from Morocco to Israel, reflecting on the resilience of their family and the significance of preserving Jewish traditions. The Gabay family's commitment to justice and heritage is deeply rooted. Eli, in his legal career, worked with Israel's Ministry of Justice, where he notably helped prosecute John Ivan Demjanjuk, a Cleveland auto worker accused of being the notorious Nazi death camp guard, "Ivan the Terrible." Jessica Marglin, Professor of Religion, Law, and History at the University of Southern California, offers expert insights into the Jewish exodus from Morocco. She explores the enduring relationship between Morocco's Jewish community and the monarchy, and how this connection sets Morocco apart from its neighboring countries. —- Show notes: How much do you know about Jewish history in the Middle East? Take our quiz. Sign up to receive podcast updates. Learn more about the series. Song credits:  Pond5:  “Desert Caravans”: Publisher: Pond5 Publishing Beta (BMI), Composer: Tiemur Zarobov (BMI), IPI#1098108837 “Suspense Middle East” Publisher: Victor Romanov, Composer: Victor Romanov; Item ID: 196056047 ___ Episode Transcript: ELI GABAY: Standing in court and saying ‘on behalf of the State of Israel' were the proudest words of my life. It was very meaningful to serve as a prosecutor. It was very meaningful to serve in the IDF.  These were highlights in my life, because they represented my core identity: as a Jew, as a Sephardic Jew, as an Israeli Sephardic Jew. These are the tenets of my life. MANYA BRACHEAR PASHMAN: The world has overlooked an important episode in modern history: the 800,000 Jews who left or were driven from their homes in the Middle East and North Africa in the mid-20th century. Welcome to the second season of The Forgotten Exodus, brought to you by American Jewish Committee. This series explores that pivotal moment in history and the little-known Jewish heritage of Iran and Arab nations. As Jews around the world confront violent antisemitism and Israelis face daily attacks by terrorists on multiple fronts, our second season explores how Jews have lived throughout the region for generations – despite hardship, hostility, and hatred–then sought safety and new possibilities in their ancestral homeland. I'm your host, Manya Brachear Pashman. Join us as we explore untold family histories and personal stories of courage, perseverance, and resilience from this transformative and tumultuous period of history for the Jewish people and the Middle East.  The world has ignored these voices. We will not. This is The Forgotten Exodus.  Today's episode: leaving Morocco. MANYA: There are three places Eli Gabay calls home: Philadelphia, the city where he has raised his children; Morocco, the land where his parents Rachel and Amram were born and his ancestors lived for generations; and Israel, his birthplace and original ancestral homeland. Eli has been on a quest to honor all those identities since he left Israel at the age of 12. ELI: On my father's side, they were all rabbis. On my mother's side, they were all businesspeople who headed synagogues. And so, my grandfather had a synagogue, and my other grandfather had a synagogue. When they transplanted to Israel, they reopened these synagogues in the transition camp in Be'er Sheva. Both families had a synagogue of their own. MANYA: For the past five years, Eli has served as president of his synagogue--the historic Congregation Mikveh Israel, America's oldest continuous synagogue, founded in Philadelphia in 1740. Descended from a long line of rabbis going back generations, Eli is a litigation attorney, the managing partner of a law firm, a former prosecutor, and, though it might seem odd, the Honorary Consul of the Republic of Nicaragua in Philadelphia. But the professional role that has brought him the most acclaim was his time in the 1980s, working for Israel's Ministry of Justice, decades after the Holocaust, still trying to hold its perpetrators accountable. CLIP - ‘THE DEVIL NEXT DOOR' TRAILER: Charges were filed today against John Demjanjuk, the 66-year-old Ukrainian native, who's accused of being a Nazi death camp guard named Ivan the Terrible. The crimes he was accused of… MANYA: We'll tell you more about that later. But first, we take you to the Jerusalem Israeli Gift Shop in northeast Philadelphia, a little slice of Israel on the corner of Castor Avenue and Chandler Street. [shofar sounds] Every day, amid the menorahs and shofars, frames and mezuzahs, Eli's 84-year-old mother Rachel Gabay, the family matriarch and owner of thisJudaica shop, is transported back to the place where she grew up: Israel. ELI: My father was a teacher all his life, and my mother [shofar sounds] runs a Jewish Judaica store that sells shofars, you can hear in the background. RACHEL: It's my baby. The store here became my baby. CUSTOMER: You're not going to remember this, but you sold us our ketubah 24 years ago. RACHEL: Yeah. How are you, dear? ELI: Nice. CUSTOMER: We're shopping for someone else's wedding now. RACHEL: Oh, very nice… For who? CUSTOMER: A friend of ours, Moshe, who is getting married and we wanted to get him a mezuzah. MANYA: For Rachel, Israel represents the safety, security, and future her parents sought for her when in 1947 they placed her on a boat to sail away from Morocco. By then, Casablanca had become a difficult place to be Jewish. Israel offered a place to belong. And for that, she will always be grateful. RACHEL: To be a Jew, to be very good… ELI: Proud. RACHEL: Proud. I have a country, and I am somebody. ELI: My father's family comes from the High Atlas Mountains, from a small village called Aslim.The family arrived in that area sometime in 1780 or so. There were certain events that went on in Morocco that caused Jews from the periphery and from smaller cities to move to Casablanca. Both my parents were born in Morocco in Casablanca. Both families arrived in Casablanca in the early 30s, mid 30s. MANYA: Today, the port city of Casablanca is home to several synagogues and about 2,000 Jews, the largest community of Morocco. The Museum of Moroccan Judaism in suburban Casablanca, the first museum on Judaism in the Arab world, stands as a symbol of the lasting Jewish legacy in Morocco. Indeed, there's been a Jewish presence in what is considered modern-day Morocco for some 2,000 years, dating back to the early days of the establishment of Roman control.  Morocco was home to thousands of Jews, many of whom lived in special quarters called “Mellah,” or Jewish ghetto. Mellahs were common in cities across Morocco. JESSICA: Morocco was one of the few places in the Islamic world where there emerged the tradition of a distinctive Jewish quarter that had its own walls and was closed with its own gates. MANYA: Jessica Marglin is a professor of religion, law, and history at the University of Southern California. Her research focuses on the history of Jews and Muslims in North Africa and the Mediterranean. JESSICA: There's a bit of a debate. Were these quarters there to control Jews and force them to all live in one spot and was it a sort of form of basically repression? Or was it a way to protect them? The first mellah, the one in Fez is right next to the palace. And so there was a sense that the Jews would be closer to the Sultan or the Sultan's representative, and thus more easily protectable. It could be interpreted as a bad thing. And some Jews did see it as an unfair restriction. But I would say that most Jews didn't question the idea that Jews would live together. And that was sort of seen as natural and desirable. And there was a certain kind of autonomous jurisdiction to the mellah, too.  Because Jews had their own courts. They had their own butchers. They had their own ovens. Butchers and ovens would have been kosher. They could sell wine in the mellah. They could do all these things that were particular to them. And that's where all the synagogues were. And that's where the Jewish cemetery was, right? It was really like a little Jewish city, sort of within the city. MANYA: Unlike other parts of the Middle East and North Africa where pogroms and expulsions, especially after the creation of the state of Israel, caused hundreds of thousands of Jews to abruptly flee all at once – spilling out of countries they had called home for centuries – Jews chose to leave Morocco gradually over time, compared to the exodus from other Arab countries.  JESSICA: When I teach these things, I set up Morocco and Iraq as the two ends of the spectrum. Iraq being the most extreme, where Jews were really basically kicked out all at once. Essentially offered no real choice. I mean, some did stay, but it was choosing a totally reduced life.  Versus Morocco, where the Jews who left did so really, with a real choice. They could have stayed and the numbers are much more gradual than anywhere else. So there was a much larger community that remained for years and years and years, even after ‘67, into the ‘70s.  Even though they kept going down, it was really, it was not like Iraq where the population just falls off a cliff, right? It's like one year, there's 100,000, the next year, they're 5,000. In Morocco, it really went down extremely gradually. And that's in part why it's still the largest Jewish community in the Arab world by far. MANYA: Morocco's Jewish history is by no means all rosy. In all Arab countries, antisemitism came in waves and different forms. But there are several moments in history when the Moroccan monarchy could've abandoned the Jewish population but didn't. And in World War II, the Moroccan monarch took steps to safeguard the community. In recent years, there have been significant gestures such as the opening of the Jewish museum in Casablanca, a massive restoration of landmarks that honor Morocco's Jewish past, including 167 Jewish cemeteries, and the inclusion of Holocaust education in school curricula. In 2020, Morocco became one of four Arab countries to sign a normalization agreement with Israel, as part of the U.S.-backed Abraham Accords, which allowed for economic and diplomatic cooperation and direct flights between the two countries. MANYA: Oral histories suggest that Jews have lived in Morocco for some 2,000 years, roughly since the destruction of the Second Temple. But tangible evidence of a Jewish presence doesn't date as far back. JESSICA: The archaeological remains suggest that the community dates more to the Roman period. There was a continual presence from at least since the late Roman period, certainly well before the Islamic conquests. MANYA: Like other parts of the Middle East and North Africa, Jews in Morocco were heavily concentrated in particular artisanal trades. Many were cobblers, tailors, and jewelers who adorned their creations with intricate designs and embellishments. Gemstones, carved coral, geometric designs, and symbols such as the Hamsa to bless the wearer with good fortune and protect them from the evil eye. JESSICA: And there were certain areas where they kind of were overrepresented in part because of stigmas associated with certain crafts for Muslims. So gold and silver jewelry making in certain parts of Morocco, like in the city of Fez, Jews were particularly overrepresented in the trade that made these gold threads, which are called skalli in Moroccan Arabic, and which are used to embroider sort of very fancy clothing for men and for women. Skalli for instance, is a very common last name for Jews.  MANYA: Jessica notes that in the 12th and 13th Centuries, Morocco came under the rule of the Almohad caliphate, a fundamentalist regime that saw itself as a revolutionary reform movement. Under the Almohad dynasty, local Christians in North Africa from Morocco to Libya all but disappeared.  Jews on the other hand stayed. She suspects Morocco developed its own version of crypto-Jews who superficially converted to Islam or at least lived outwardly as Muslims to survive.  JESSICA: There's probably more of a sense of Jews had more experience of living as minorities. Also, where else were they going to go? It wasn't so obvious. So whatever conversions there were, some of them must have stuck. And there are still, for instance, Muslim families in Fez named Kohen . . . Cohen. MANYA: Jews chose Morocco as a place of refuge in 1391, when a series of mob attacks on Jewish communities across Spain killed hundreds and forcibly converted others to Christianity. As opposed to other places in Europe, Morocco was considered a place where Jews could be safe. More refugees arrived after the Alhambra Decree of 1492 expelled Jews from Spain who refused to convert. That is when Eli's father's side of the family landed in Fez.  ELI: Our tradition is that the family came from Spain, and we date our roots to Toledo, Spain. The expulsion of the Jews took place out of Spain in 1492 at which time the family moved from Spain to Morocco to Fez. MANYA: At that time, the first mellahs emerged, the name derived from the Arabic word for salt. Jessica says that might have referred to the brackish swamps where the mellah were built.  JESSICA: The banning of Jews from Spain in 1492 brought a lot of Jews to North Africa, especially Morocco, because Morocco was so close. And, you know, that is why Jews in northern Morocco still speak Spanish today, or a form of Judeo Spanish known as Haketia. So, there were huge numbers of Iberian Jews who ended up throughout Morocco. And then for a long time, they remained a kind of distinctive community with their own laws and their own rabbis and their own traditions. Eventually, they kind of merged with local Jews. And they used Spanish actually, for decades, until they finally sort of Arabized in most of Morocco. ELI: My father's family, as I said, comes from a small town of Aslim. The family arrived in that area sometime in 1780 or so after there was a decree against Jews in Fez to either convert to Islam or leave. And so in a real sense, they were expelled from that region of Fez. There were Jews who arrived throughout the years after different exiles from different places. But predominantly the Jews that arrived in 1492 as a result of the Spanish expulsion were known as the strangers, and they integrated themselves in time into the fabric of Moroccan Jewry.  MANYA: For Eli's family, that meant blending in with the nomadic Amazigh, or indigenous people of North Africa, commonly called Berbers. Many now avoid that term because it was used by European colonialists and resembles the word “barbarians.” But it's still often used colloquially.  ELI: Aslim is in the heart of Berber territory. My father's family did speak Berber. My grandfather spoke Berber, and they dressed as Berbers. They wore jalabia, which is the dress for men, for instance, and women wore dresses only, a head covering.  Men also wore head coverings. They looked like Berbers in some sense, but their origins were all the way back to Spain. MANYA: In most cases across Morocco, Jews were classified as dhimmis, non-Muslim residents who were given protected status. Depending on the rulers, dhimmis lived under different restrictions; most paid a special tax, others were forced to wear different clothes. But it wasn't consistent.  ELI: Rulers, at their whim, would decide if they were good to the Jews or bad to the Jews. And the moment of exchange between rulers was a very critical moment, or if that ruler was attacked. MANYA: The situation for Jews within Morocco shifted again in 1912 when Morocco became a French protectorate. Many Jews adopted French as their spoken language and took advantage of educational opportunities offered to them by Alliance Israélite Universelle. The borders also remained open for many Jews who worked as itinerant merchants to go back and forth throughout the region.  JESSICA: Probably the most famous merchants were the kind of rich, international merchants who dealt a lot with trade across the Mediterranean and in other parts of the Middle East or North Africa. But there were a lot of really small-time merchants, people whose livelihood basically depended on taking donkeys into the hinterland around the cities where Jews tended to congregate.  MANYA: Rachel's family, businesspeople, had origins in two towns – near Agadir and in Essaouira. Eli has copies of three edicts issued to his great-grandfather Nissim Lev, stating that as a merchant, he was protected by the government in his travels. But the open borders didn't contain the violence that erupted in other parts of the Middle East, including the British Mandate of Palestine.  In late August 1929, a clash about the use of space next to the Western Wall in Jerusalem led to riots and a pogrom of Jews who had lived there for thousands of years. Moroccan Jews also were attacked. Rachel's grandfather Nissim died in the violence. RACHEL: He was a peddler. He was a salesman. He used to go all week to work, and before Thursday, he used to come for Shabbat. So they caught him in the road, and they took his money and they killed him there.  ELI: So my great-grandfather– RACHEL: He was very young. ELI: She's speaking of, in 1929 there were riots in Israel, in Palestine. In 1929 my great-grandfather went to the market, and at that point … so . . . a riot had started, and as my mother had described, he was attacked. And he was knifed. And he made it not very far away, all the other Jews in the market fled. Some were killed, and he was not fortunate enough to escape. Of course, all his things were stolen, and it looked like a major robbery of the Jews in the market. It gave the opportunity to do so, but he was buried nearby there in a Jewish cemetery in the Atlas Mountains. So he was not buried closer to his own town. I went to visit that place. MANYA: In the mid-1930s, both Amram and Rachel's families moved to the mellah in Casablanca where Amram's father was a rabbi. Rachel's family ran a bathhouse. Shortly after Amram was born, his mother died, leaving his father to raise three children.  Though France still considered Morocco one of its protectorates, it left Morocco's Sultan Mohammad V as the country's figurehead. When Nazis occupied France during World War II and the Vichy regime instructed the sultan to deport Morocco's Jews to Nazi death camps, he reportedly refused, saving thousands of lives. But Amram's grandmother did not trust that Morocco would protect its Jews. Following the Second Battle of El Alamein in Egypt, the Axis Powers' second attempt to invade North Africa, she returned to the Atlas Mountains with Amran and his siblings and stayed until they returned to Casablanca at the end of the war.  ELI: There was a fear that the Nazis were going to enter Morocco. My father, his grandmother, took him from Casablanca with two other children and went back to Aslim in the mountains, because she said we can better hide there. We can better hide in the Atlas Mountains. And so my father returned, basically went from Casablanca to the Atlas Mountains to hide from the coming Nazis. MANYA:  In 1947, at the age of 10, Amram went from Casablanca to an Orthodox yeshiva in England. Another destination for Jews also had emerged. Until then, no one had wanted to move to British-controlled Palestine where the political landscape and economic conditions were more unstable.  The British restricted Jewish immigration making the process difficult, even dangerous. Additionally, French Moroccan authorities worked to curb the Zionist movement that was spreading throughout Europe. But Rachel's father saw the writing on the wall and took on a new vocation. RACHEL: His name is Moshe Lev and he was working with people to send to Eretz Yisrael. MANYA: A Zionist activist, Rachel's father worked for a clandestine movement to move children and eventually their families to what soon would become Israel. He wanted his children, including his 7-year-old daughter Rachel, to be the first. RACHEL: He worked there, and he sent everybody. Now our family were big, and they sent me, and then my sister went with my father and two brothers, and then my mom left by herself They flew us to Norvege [Norway].  MANYA: After a year in Norway, Rachel was taken to Villa Gaby in Marseille, France, a villa that became an accommodation center for Jews from France who wanted to join the new State of Israel. There, as she waited for a boat to take her across the Mediterranean to Israel, she spotted her brother from afar. Nissim, named for their late grandfather, was preparing to board his own boat. She pleaded to join him. RACHEL: So we're in Villa Gaby couple months. That time, I saw my brother, I get very emotional. They said ‘No, he's older. I told them ‘I will go with him.' They said ‘No, he's older and you are young, so he will go first. You are going to stay here.' He was already Bar Mitzvah, like 13 years.  I was waiting there. Then they took to us in the boat. I remember it was like six, seven months. We were sitting there in Villa Gaby. And then from Villa Gaby, we went to Israel. The boat, but the boat was quite ahead of time. And then they spoke with us, ‘You're going to go. Somebody will come and pick you up, and you are covered. If fish or something hurts you, you don't scream, you don't say nothing. You stay covered.  So one by one, a couple men they came. They took kids and out. Our foot was wet from the ocean, and here and there they was waiting for us, people with a hot blanket. I remember that. MANYA: Rachel landed at Kibbutz Kabri, then a way station for young newcomers in northern Israel. She waited there for years without her family – until one stormy day. RACHEL: One day. That's emotional. One day we were sitting in the living room, it was raining, pouring. We couldn't go to the rooms, so we were waiting. All of a sudden, a group of three men came in, and I heard my father was talking. His voice came to me. And I said to the teacher, taking care of us. I said ‘You know what? Let me tell you one thing. I think my father is here.' She said ‘No, you just imagination. Now let's go to the rooms to sleep.'  So we went there. And all of a sudden she came to me. She said, ‘You know what? You're right. He insists to come to see you. He will not wait till morning, he said. I wanted to see my daughter now. He was screaming. They didn't want him to be upset. He said we'll bring her because he said here's her picture. Here's her and everything. So I came and oh my god was a nice emotional. And we were there sitting two or three hours. My father said, Baruch Hashem. I got the kids. Some people, they couldn't find their kids, and I find my kids, thanks God. And that's it. It was from that time he wants to take us. They said, No, you live in the Ma'abara. Not comfortable for the kids. We cannot let you take the kids. The kids will stay in their place till you establish nicely. But it was close to Pesach. He said, we promise Pesach, we bring her, for Pesach to your house. You give us the address. Where are you? And we'll bring her, and we come pick her up. JESSICA: Really as everywhere else in the Middle East and North Africa, it was the Declaration of the Independence of Israel. And the war that started in 1947, that sort of set off a wave of migration, especially between ‘48 and ‘50. Those were the kind of highest numbers per year. MANYA: Moroccan Jews also were growing frustrated with how the French government continued to treat them, even after the end of World War II. When the state of Israel declared independence, Sultan Mohammad V assured Moroccan Jews that they would continue to be protected in Morocco. But it was clear that Moroccan Jew's outward expression of support for Israel would face new cultural and political scrutiny and violence.  Choosing to emigrate not only demonstrated solidarity, it indicated an effort to join the forces fighting to defend the Jewish state. In June 1948, 43 Jews were killed by local Muslims in Oujda, a departure point for Moroccan Jews seeking to migrate to Israel. Amram arrived in Israel in the early 1950s. He returned to Morocco to convince his father, stepmother, and brother to make aliyah as well. Together, they went to France, then Israel where his father opened the same synagogue he ran in the mellah of Casablanca. Meanwhile in Morocco, the Sultan's push for Moroccan independence landed him in exile for two years. But that didn't last long. The French left shortly after he returned and Morocco gained its independence in March 1956. CLIP - CASABLANCA 1956 NEWSREEL: North Africa, pomp and pageantry in Morocco as the Sultan Mohamed Ben Youssef made a state entry into Casablanca, his first visit to the city since his restoration last autumn. Aerial pictures reveal the extent of the acclamation given to the ruler whose return has of his hope brought more stable conditions for his people. MANYA: The situation of the Jews improved. For the first time in their history, they were granted equality with Muslims. Jews were appointed high-ranking positions in the first independent government. They became advisors and judges in Morocco's courts of law.  But Jewish emigration to Israel became illegal. The immigration department of the Jewish Agency that had operated inside Morocco since 1949 closed shop and representatives tasked with education about the Zionist movement and facilitating Aliyah were pressed to leave the country. JESSICA: The independent Moroccan state didn't want Jews emigrating to Israel, partly because of anti-Israeli, pro-Palestinian sentiment, and partly because they didn't want to lose well-educated, productive members of the State, of the new nation. MANYA: Correctly anticipating that Moroccan independence was imminent and all Zionist activity would be outlawed, Israel's foreign intelligence agency, the Mossad, created the Misgeret, which organized self-defense training for Jews across the Arab countries. Casablanca became its center in Morocco. Between November 1961 and the spring of 1964, the Mossad carried out Operation Yakhin, a secret mission to get nearly 100,000 Jews out of Morocco into Israel. JESSICA: There was clandestine migration during this period, and a very famous episode of a boat sinking, which killed a lot of people. And there was increasing pressure on the Moroccan state to open up emigration to Israel. Eventually, there were sort of secret accords between Israelis and the Moroccan King, which did involve a payment of money per Jew who was allowed to leave, from the Israelis to the Moroccans.  MANYA: But cooperation between Israel and Morocco reportedly did not end there. According to revelations by a former Israeli military intelligence chief in 2016, King Hassan II of Morocco provided the intelligence that helped Israel win the Six-Day War. In 1965, he shared recordings of a key meeting between Arab leaders held inside a Casablanca hotel to discuss whether they were prepared for war and unified against Israel. The recordings revealed that the group was not only divided but woefully ill-prepared. JESSICA: Only kind of after 1967, did the numbers really rise again. And 1967, again, was kind of a flashpoint. The war created a lot of anti-Zionist and often anti-Jewish sentiment across the region, including in Morocco, and there were some riots and there were, there was some violence, and there was, again, a kind of uptick in migration after that. For some people, they'll say, yes, there was antisemitism, but that wasn't what made me leave. And other people say yes, at a certain point, the antisemitism got really bad and it felt uncomfortable to be Jewish. I didn't feel safe. I didn't feel like I wanted to raise my children here.  For some people, they will say ‘No, I would have happily stayed, but my whole family had left, I didn't want to be alone.' And you know, there's definitely a sense of some Moroccan Jews who wanted to be part of the Zionist project. It wasn't that they were escaping Morocco. It was that they wanted to build a Jewish state, they wanted to be in the Holy Land. ELI: Jews in Morocco fared better than Jews in other Arab countries. There is no question about that. MANYA: Eli Gabay is grateful to the government for restoring many of the sites where his ancestors are buried or called home. The current king, Mohammed VI, grandson of Mohammed V, has played a significant role in promoting Jewish heritage in Morocco. In 2011, a year after the massive cemetery restoration, a new constitution was approved that recognized the rights of religious minorities, including the Jewish community.  It is the only constitution besides Israel's to recognize the country's Hebraic roots. In 2016, the King attended the rededication ceremony of the Ettedgui Synagogue in Casablanca.  The rededication of the synagogue followed the re-opening of the El Mellah Museum, which chronicles the history of Moroccan Jewry. Other Jewish museums and Jewish cultural centers have opened across the country, including in Essaouira, Fes, and Tangier. Not to mention–the king relies on the same senior advisor as his father did, Andre Azoulay, who is Jewish.  ELI: It is an incredible example. We love and revere the king of Morocco. We loved and revered the king before him, his father, who was a tremendous lover of the Jews. And I can tell you that in Aslim, the cemetery was encircled with a wall and well maintained at the cost, at the pay of the King of Morocco in a small, little town, and he did so across Morocco, preserved all the Jewish sites. Synagogues, cemeteries, etc.  Today's Morocco is a prime example of what a great peaceful coexistence and international cooperation can be with an Arab country. MANYA: Eli is certainly not naïve about the hatred that Jews face around the world. In 1985, the remains of Josef Mengele, known as the Nazis' Angel of Death, were exhumed from a grave outside Sao Paulo, Brazil. Eli was part of a team of experts from four countries who worked to confirm it was indeed the Nazi German doctor who conducted horrific experiments on Jews at Auschwitz. Later that decade, Eli served on the team with Israel's Ministry of Justice that prosecuted John Ivan Demjanjuk, a retired Cleveland auto worker accused of being the notorious Nazi death camp guard known as “Ivan the Terrible.” Demjanjuk was accused of being a Nazi collaborator who murdered Jews in the gas chambers at the Treblinka death camp in Nazi-occupied Poland during World War II. In fact, Eli is featured prominently in a Netflix documentary series about the case called The Devil Next Door. CLIP - ‘THE DEVIL NEXT DOOR' TRAILER: …Nazi death camp guard named Ivan the Terrible. The crimes that he was accused of were horrid.  The Israeli government is seeking his extradition as a war criminal. And that's where the drama begins.  MANYA: Demjanjuk was convicted and sentenced to death, but the verdict was later overturned. U.S. prosecutors later extradited him to Germany on charges of being an accessory to the murder of about 28,000 Jews at Sobibor. He was again convicted but died before the outcome of his appeal. ELI: Going back to Israel and standing in court and saying ‘on behalf of the State of Israel' were the proudest words of my life. It was very meaningful to serve as a prosecutor. It was very meaningful to serve in the IDF. These were highlights in my life.  They represented my core identity: as a Jew, as a Sephardic Jew, as an Israeli Sephardic Jew. These are the tenets of my life. I am proud to serve today as the president of the longest running synagogue in America. MANYA: Eli has encountered hatred in America too. In May 2000 congregants arriving for Shabbat morning prayers at Philadelphia's Beit Harambam Congregation where Eli was first president were greeted by police and firefighters in front of a burned-out shell of a building. Torah scrolls and prayer books were ruined. When Rachel opened her store 36 years ago, it became the target of vandals who shattered her windows. But she doesn't like to talk about that. She has always preferred to focus on the positive. Her daughter Sima Shepard, Eli's sister, says her mother's optimism and resilience are also family traditions. SIMA SHEPARD: Yeah, my mom speaks about the fact that she left Morocco, she is in Israel, she comes to the U.S. And yet consistently, you see one thing: the gift of following tradition. And it's not just again religiously, it's in the way the house is Moroccan, the house is Israeli. Everything that we do touches on previous generations. I'm a little taken that there are people who don't know that there are Jews in Arab lands. They might not know what they did, because European Jews came to America first. They came to Israel first. However, however – we've lived among the Arab countries, proudly so, for so many years. MANYA: Moroccan Jews are just one of the many Jewish communities who, in the last century, left Arab countries to forge new lives for themselves and future generations.  Join us next week as we share another untold story of The Forgotten Exodus. Many thanks to Eli, Rachel and Sima for sharing their family's story.  Too many times during my reporting, I encountered children and grandchildren who didn't have the answers to my questions because they'd never asked. That's why one of the goals of this project is to encourage you to ask those questions. Find your stories. Atara Lakritz is our producer. T.K. Broderick is our sound engineer. Special thanks to Jon Schweitzer, Nicole Mazur, Sean Savage, and Madeleine Stern, and so many of our colleagues, too many to name really, for making this series possible.  You can subscribe to The Forgotten Exodus on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/theforgottenexodus.  The views and opinions of our guests don't necessarily reflect the positions of AJC.  You can reach us at theforgottenexodus@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts or Spotify to rate us and write a review to help more listeners find us.

Episode 187: Artist talk with Nassim Azarzar on “All Things Flow” (2023), “Bonne Route” (2018-present), and other projects Nassim Azarzar is an artist and graphic designer researching visual and popular imaginaries in Morocco by exploring their different forms, occurrences, and representation tools. In 2023, Azarzar took part in the project School of Casablanca, initiated by the KW Institute for Contemporary Art (Berlin) and ThinkArt (Casablanca), which draws from the legacy of the Casablanca Art School and its innovative pedagogical methods, modernist aesthetics, and exhibition strategies in 1960s Morocco. During the early 1960s, a group of artists, including Belkahia, Chabâa, Hamidi, Maraini, and Melehi, joined the Casablanca Art School faculty and restructured its curriculum. They also formed a collective called the School of Casablanca and shared similar aesthetic and conceptual concerns. Azarar's installation, All Things Flow (2023), created a sonic and visual timeline of the Moroccan Modernist School of Casablanca group, inviting viewers into a meditative reflection on their history. Taking this work as a starting point for our conversation, in the podcast, we discuss various directions in Azarzar's practice and potential parallels between his practice and the works of artists from the School of Casablanca. Nassim Azarzar (@nazarzar) is an artist and graphic designer who lives and works between Paris and Rabat. For several years, he has been developing an ongoing project called «Bonne route» dealing with ornamental practices of trucks transporting goods between the port cities of Tangier, Casablanca, Agadir, and the Moroccan villages of the Atlas, and the Rif. Azarzar's aesthetic research revolves around decorative arts, painting, drawing, sculpture, graphic design, and experimental cinema. Before joining QANAT (a collective of artists and researchers exploring the political and poetic dimensions of water) in 2019, Azarzar co-founded and initiated multiple creative endeavors, among them: Atelier Superplus (@atelier_superplus), a design studio operating between Paris, Bristol, and Tangier in 2014; Think Tanger (@thinktanger), a platform dedicated to the exploration of the city of Tangier and its extensions at the urban and visual levels in 2016; and Atelier Kissaria (@tanger.print.club) in 2017 focused on experimental printing practices. This interview was led by Beya Othmani, CAORC/Andrew W. Mellon Fellowship in Modern Art History, and was recorded on January 7, 2024 via Zoom as part of the Modern Art in the Maghrib series. This is part of a larger Council of American Overseas Research Centers program organized by the Centre d'Études Maghrébines à Tunis (CEMAT) and financed by the Andrew Mellon Foundation that seeks to collaborate with local institutions for a greater awareness of art historical research in north Africa. To see related slides please visit our website: www.themaghribpodcast.com   We thank our friend Ignacio Villalón for his guitar performance for the introduction and conclusion of this podcast. Production and editing: Lena Krause, AIMS Resident Fellow at the Centre d'Études Maghrébines à Tunis (CEMAT).  

Simon and Rachel speak to Kevin Barry, a novelist and short-story writer. Kevin is the author of four novels and three story collections. His awards include the IMPAC Dublin Literary Award, the Goldsmiths Prize, the Sunday Times EFG Short Story Award and the Rooney Prize for Irish Literature. His stories and essays have appeared in the New Yorker, Granta and elsewhere. His novel, "Night Boat to Tangier", was a number-one bestseller in Ireland, was longlisted for the Booker Prize and named one of the Top Ten Books of the Year by the New York Times. Kevin also works as a playwright and screenwriter. We spoke to him about forcing himself to become a novelist, writing short stories and screenplays, and about his latest book, "The Heart in Winter."  “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is published by Ithaka Press. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hatchards⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can find us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alwaystakenotes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/alwaystakenotes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

This week, we once again visit the The 250 List. In volume 7, we each take a look at 5 more hard rock and metal bands that did not quite make a household name for themselves in the 80s and early 90s. The 250 List is an article written and published in November 2021 by Bobby Caughron from XS-Rock Website containing 250 hard rock and metal bands from the 80s and early 90s that fell short of setting the world on fire, but still had albums worth checking out. With each episode volume we do, Sonny and I will each cover 5 bands from that list to discuss. WE NEED YOUR HELP!! It's quick, easy, and free - Please consider doing one or all of the following to help grow our audience: Leave Us A Five Star Review in one of the following places: Apple Podcast Podchaser Spotify Connect with us  Email us growinuprock@gmail.com Contact Form  Like and Follow Us on FaceBook Follow Us on Twitter Leave Us A Review On Podchaser Join The Growin' Up Rock Loud Minority Facebook Group Do You Spotify? Then Follow us and Give Our Playlist a listen. We update it regularly with kick ass rock n roll Spotify Playlist Buy and Support Music From The Artist We Discuss On This Episode Growin' Up Rock Amazon Store Pantheon Podcast Network Music in this Episode Provided by the Following: TKO, D.A.D., Tangier, Cats in Boots, Alien, Anvil, Katmandu, Hericane Alice, Warrior, Princess Pang, War & Peace, Gypsy Rose, Atomic Playboys Crank It Up New Music Spotlight DAD - 1st -2nd-and 3rd If you dig what you are hearing, go pick up the album or some merch., and support these artists. A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a message, what did you think of this episode?Support the podcast with our new Subscriber link!Destination Morocco +--Today we have a two-part episode with some excerpts of audio recordings on location from Azdean and Sam's tour around Morocco in 2023. It continues the theme from our previous episode (#67), where we were in Chefchaouen on the same trip.Today, we are still in northern Morocco. We start off in Rabat, looking out over the ocean from the Kasbah Oudaya, at the edge of the old Medina. A beautiful site with beaches down below, and the river Oued Bou Regreg dividing the cities of Rabat and Salé. You'll hear Azdean and his guide for the day, Mr. Ali, talk about the difference between the two cities, and some of the highlights and sights to see in Rabat.Then, for part two of this episode we head right up to the northern tip of Morocco to visit Tangier. Azdean and Sam are standing at Cap Spartel Park, a famous lighthouse just west of the city that looks out over the Strait of Gibraltar. Spain is off in the distance, and you can imagine all the history that's taken place right before this spot, over thousands of years. Sam gives us a bit of background into the place and role of Tangier in Morocco's culture and history, and things to see and do, not just in Tangier but some of the surrounding area as well. And then we have a final clip where Azdean and Sam head down to the bottom of the cliffs, only about a mile or so south of Cap Spartel, to the Caves of Hercules. Right on the west coast of Morocco, looking out to the Atlantic Ocean, it is a place full of mythology and legend, and which is very much alive and active to this day. Both the cape and the caves are just a short drive from downtown Tangier, roughly 20 minutes, so very easy to get to when you're there.We love sharing these little clips with you recorded on-location, live on site. You'll hear the echo of the caves when they're standing there. You'll hear the waves crashing down below. Seabirds flying around. People relaxing and having fun down on the beach below the Kasbah. It's a really wonderful ambiance and we hope it adds to your excitement to come visit.Don't forget that you can check the episode transcript to confirm spellings, to help you in your research! Do you dream of exploring the enchanting land of Morocco?Destination Morocco is your ultimate travel experience for those seeking luxury and adventure. We specialize in crafting bespoke itineraries tailored to your unique tastes and desires.If you're a discerning traveler who values an immersive, curated adventure, visit www.destinationsmorocco.com, and let us bring your dream Moroccan vacation to life.Learn more about Azdean and Destination Morocco.Explore our Private Tours and Small Group Tours!--Support the podcast with our new Supporter program!Destination Morocco +--Join us for our monthly Q&A's! Live on Destination Morocco's YouTube, Facebook and LinkedIn pages, the 1st Friday of each month at 1pm Pacific/4pm Eastern/10pm Central European time.

Send us a message, what did you think of this episode?Support the podcast with our new Subscriber link!Destination Morocco +--Azdean sits down on location with local guide Hamid to learn about the history of Chefchaouen, the famous blue city of northern Morocco.This small town roughly 4 hours north of Fes, or 2 hours south of Tangier, has been attracting tourists for decades and, in the age of Instagram, gets more popular every year.As Hamid and Azdean emphasize, Chefchaouen is not just about the stunning colours, but the beautiful architecture, historic Medina and kasbah, and its natural setting in the Rif mountains. Gentle creeks of water wind their way through the town, artisans and craftsmakers line the paths and lane ways, and fresh orange juice vendors squeeze delicious nectar to help you on the climb up to the Spanish mosque, where you get stunning views of the mountains, valleys and the rolling hills of blue. Hamid explains the historic founding of Chefchaouen as a refuge for both Muslim and Jewish refugees during the time of the Spanish Inquisition. The town is a perfect snapshot of Morocco's welcoming and tolerant nature, as well as having its share of rebellion and defence against invaders. The ancient kasbah is a reminder of the not-so-peaceful aspects of the region's history as well.We learn the meaning of the name "Chefchaouen" in the Berber dialect, and finally get a definitive answer as to why the city is blue. Although you may expect that this is something dating back centuries, the reality may surprise you!Chefchaouen is a calm and quiet jewel of Morocco, with many wonderful features to attract travellers looking for the exotic and colorful, as well as peaceful retreats, fresh mountain air, tremendous hiking and a laid-back spirit and hospitality. We know that it won't take much to convince you to add it to your Morocco itinerary! Do you dream of exploring the enchanting land of Morocco?Destination Morocco is your ultimate travel experience for those seeking luxury and adventure. We specialize in crafting bespoke itineraries tailored to your unique tastes and desires.If you're a discerning traveler who values an immersive, curated adventure, visit www.destinationsmorocco.com, and let us bring your dream Moroccan vacation to life.Learn more about Azdean and Destination Morocco.Explore our Private Tours and Small Group Tours!--Support the podcast with our new Supporter program!Destination Morocco +--Join us for our monthly Q&A's! Live on Destination Morocco's YouTube, Facebook and LinkedIn pages, the 1st Friday of each month at 1pm Pacific/4pm Eastern/10pm Central European time.

Kevin Barry is the author of the novel The Heart in Winter, available from Doubleday. Barry is the author of the novels Night Boat to Tangier, Beatlebone, and City of Bohane as well as three story collections including That Old Country Music. His stories and essays have appeared in the New Yorker, Granta and elsewhere. He also works as a playwright and screenwriter lives in County Sligo, Ireland. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

FCPRadio 149 Final Cut Pro Creative Summit 2024 and waiting on FCP 10.8.1 bug fix update With Cirina, Philip, Bret and Tangier - The return to the Juniper Hotel in Cupertino California, Davinci Resolve, Final Cut iPad, Text based editing, subscriptions, LumaFusion, Final Cut Pro Team, Chris Hocking and lots more. Year 9 of Final Cut Pro Radio. Millions of podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/RichardTaylorTV https://www.facebook.com/groups/finalcutradiotv ©2024 Richard Taylor

Will AI revolutionize the way teachers work? In this episode of WISE On Air, we explore the transformative potential of artificial intelligence in education with Younes Mourri, founder of LiveTech.AI and AI instructor at Stanford University. Younes shares insights from his journey from a classroom in Tangier to Silicon Valley, discussing how AI can: -Reduce administrative burdens on teachers -Personalize learning experiences for students -Address educational challenges in the MENA region -Implement AI systems at a national scale Join WISE Director Elyas Felfoul and Younes Mourri as they delve into the future of AI-powered education and its potential to enhance both teaching and learning experiences globally.

Kevin Barry is the author of the novels Night Boat to Tangier, which was longlisted for the Booker Prize, Beatlebone, and City of Bohane as well as three story collections including Dark Lies the Island. His stories and essays have appeared in the New Yorker, Granta and elsewhere. He also works as a playwright and screenwriter lives in County Sligo, Ireland.  His new novel is The Heart in Winter. We talked about the Irish in Butte, Montana, watching and writing westerns, Wuthering Heights, voice and character, Kevin's writing process, comedy, and Annie Proulx. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Heart in Winter by Kevin Barry is a wildly funny western following lovers on the run in 1890s Montana. Barry joined us live to talk about writing his first novel set in America, his writing style, bending genre, character development and more with Miwa Messer, host of Poured Over.   This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                      New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.            Featured Books (Episode):  The Heart in Winter by Kevin Barry  Night Boat to Tangier by Kevin Barry   City of Bohane by Kevin Barry  Bad Land by Jonathan Raban  Blood Meridian by Cormac McCarthy 

Kevin Barry is the author of four novels — Night Boat to Tangier, Beatlebone, City of Bohane (which was longlisted for the 2019 Booker Prize) and, most recently, The Heart in Winter. He's also the author of three short story collections, including That Old Country Music. The Heart in Winter was 25 years in the making. Unlike his other works, the story is set not in Ireland, but in Montana and Idaho in the late 1800s. Kevin joins Marrie Stone to chat about it. They talk about why he always finishes every piece of fiction, even when it's not working. He also shares his one guiding principle for unlocking his characters, finding the “tuning fork” for your novel, why dreaming and fiction come from the same place, his recommended book on writing, and so much more. For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. Support the show by buying books at our bookstore on bookshop.org. We've stocked it with titles from our guests, as well as some of our personal favorites. You'll support independent bookstores and our show by purchasing through the store. Finally, on Spotify listen to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners. (Recorded on July 5, 2024) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

This week we look ahead to the second half of 2024 and each share the five forthcoming books we're most excited about . . . along with a few honorable mentions, of course.Which upcoming books are you most looking forward to?Summer Book ClubThe book for the Mookse and the Gripes Summer Book Club 2024 is William Trevor's The Story of Lucy Gault. You can start reading it whenever you want to! We have lined up a guest to join us to discuss the book in Episode 86, coming out on August 8. That's really soon!ShownotesBooks* The Warden, by Anthony Trollope* Pedro Páramo, by Juan Rulfo, translated by Douglas J. Weatherford* The Heart in Winter, by Kevin Barry* Nightboat to Tangier, by Kevin Barry* Beatlebone, by Kevin Barry* The City of Bohane, by Kevin Barry* James, by Percival Everett* Clear, by Carys Davies* Canoes, by Maylis de Kerangal, translated by Jessica Moore* There Are Rivers in the Sky, by Elif Shafak* The Island of Missing Trees, by Elif Shafak* Cloud Cuckoo Land, by Anthony Doerr* The B*****d of Istanbul, by Elif Shafak* Marshland, by Otohiko Kaga, translated by Albert Novick* The Mighty Red, by Louise Erdrich* The Night Watchman, by Louise Erdrich* The Round House, by Louise Erdrich* The Sentence, by Louise Erdrich* Plague of Doves, by Louise Erdrich* LaRose, by Louise Erdrich* Shadow Tag, by Louise Erdrich* The Night Watchman, by Louise Erdrich* The Painted Drum, by Louise Erdrich* Herscht 07769, by László Krasznahorkai, translated by Ottilie Mulzet* Satantago, by László Krasznahorkai, translated by George Szirtes* The Melancholy of Resistance, by László Krasznahorkai, translated by George Szirtes* War & War, by László Krasznahorkai, translated by George Szirtes* Seiobo There Below, by László Krasznahorkai, translated by Ottilie Mulzet* The World Goes On, by László Krasznahorkai, translated byGeorge Szirtes, Ottilie Mulzet and John Batki* Baron Wenckheim's Homecoming, by László Krasznahorkai, translated by Ottilie Mulzet* Colored Television, by Danzy Senna* New People, by Danzy Senna* Symptomatic, by Danzy Senna* Caucasia, by Danzy Senna* Miss MacIntosh, My Darling, by Marguerite Young* Seeing Further, by Esther Kinsky, translated by Caroline Schmidt* Rombo, by Esther Kinsky, translated by Caroline Schmidt* Grove, by Esther Kinsky, translated by Caroline Schmidt* River, by Esther Kinsky, translated by Iain Galbraith* Sister Deborah, by Scholastique Mukasonga, translated by Mark Polizzotti* The Empusium: A Health Resort Horror Story, by Olga Tokarczuk, translated by Antonia Lloyd-Jones* The Magic Mountain, by Thomas Mann, translated by John E. Woods* The Books of Jacob, by Olga Tokarczuk, translated by Jennifer Croft* Flights, by Olga Tokarczuk, translated by Jennifer Croft* Drive Your Plow Over the Bones of the Dead, by Olga Tokarczuk, translated by Antonia Lloyd-Jones* Waiting for the Fear, by Oguz Atay, translated by Ralph Hubbell* The Pornographer, by John McGahern* Command Performance, by Jean Echenoz, translated by Mark Polizzotti* The Stone Door, by Leonora Carrington* The Uncollected Stories of Mavis Gallant* Sun City, by Tove Jansson, translated by Thomas Teal* We Solve Murders, by Richard Osman* The Thursday Murder Club, by Richard Osman* The Plains, by Federico Falco, translated by Jennifer Croft* A Perfect Cemetery, by Federico Falco, translated by Jennifer Croft* Children of the Ghetto: Star of the Sea, by Elias Khoury, translated by Humphrey Davies* Fog at Noon, by Tomás González, translated by Andrea Rosenberg* The Suicides, by Antonio Di Benedetto, translated by Esther Allen* The Besieged City, by Clarice Lispector, translated by Johnny Lorenz* The Voyage Home, by Pat Barker* A Philosophy of Translation, by Damion Searls* The City and Its Uncertain Walls, by Haruki Murakami, translated by Philip Gabriel* Tell Me Everything, by Elizabeth Strout* Every Arc Bends Its Radius, by Sergio de la Pava* A Naked Singularity, by Sergio de la Pava* Question 7, by Richard Flanagan* Is Mother Dead, by Vigdis Hjorth, translated by Charlotte Barslund* If Only, by Vigdis Hjorth, translated by Charlotte Barslund* Slave Road, by John Edgar Wideman* Anima: A Wild Pastoral, by Kapka Kassabova* Border: A Journey to the Edge of Europe, by Kapka Kassabova* Elixir: In the Valley at the End of Time, by Kapka Kassabova* Our Evenings, by Alan Hollinghurst* Lazarus Man, by Richard Price* Playground, by Richard Powers* Clockers, by Richard Price* Lush Life, by Richard Price* The Overstory, by Richard Powers* Bewilderment, by Richard PowersThe Mookse and the Gripes Podcast is a book chat podcast. Every other week Paul and Trevor get together to talk about some bookish topic or another. We hope you'll continue to join us!Many thanks to those who helped make this possible! If you'd like to donate as well, you can do so on Substack or on our Patreon page. These subscribers get periodic bonus episode and early access to all episodes! Every supporter has their own feed that he or she can use in their podcast app of choice to download our episodes a few days early. Please go check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

FCPRadio 148 FCP 10.8 Update finally arrives! With Cirina, Philip, Bret and Tangier - AI, Resolve, Final Cut iPad, Text based editing, new iPad Pro, subscriptions, LumaFusion, Final Cut Pro Creative Summit 2024 and lots more. Year 9 of Final Cut Pro Radio. Millions of podcast downloads Buy Me A Coffee https://buymeacoffee.com/RichardTaylor Twitter @fcpradio1 FCPRadio.com Facebook YouTube.com/RichardTaylorTV https://www.facebook.com/groups/finalcutradiotv ©2024 Richard Taylor

Originally released August of 2022. On the isolated island community of Tangier, Virginia, the residents speak with a dialect that is entirely unique. It's part southern drawl, part "brogue," and some have claimed it's a relic dialect left over from the first English settlers to the area in the 1600s. But is that true? In this episode, we learn about the region, its dialect and the reason for this strange accent. Then we play the quick quiz with my wife Alison! Review this podcast at https://podcasts.apple.com/us/podcast/the-internet-says-it-s-true/id1530853589 Bonus episodes and content available at http://Patreon.com/MichaelKent For special discounts and links to our sponsors, visit http://theinternetsaysitstrue.com/deals Use promo code "INTERNET" for 15% off skincare products at www.aldernewyork.com