Podcasts about kino lorber

Again, this year, we hear from the makers of the five films nominated for the Academy Award for best feature documentary. Today, David Borenstein, documentary filmmaker, talks about his film "Mr Nobody Against Putin."    photo credit: Pavel Talankin, courtesy of Kino Lorber

We're joined by REAL LIFE Volcanologist Dr. Vanessa Swenton, the Lead Field Geologist at the Oregon Department of Geology and Mineral Industries to talk Dante's Peak, the 1997 disaster classic starring Pierce Brosnan & Linda Hamilton, recently released on 4K UHD from Kino Lorber. Find us on Instagram!

The people have demanded it and we're here with Gore Verbinski's 1997 MOUSTERPIECE starring Nathan Lane & Lee Evans, on 4K UHD from Kino Lorber. Plus Sam's fleas, recommendations, announcments, wishes, and more! Mousehunt @ 17min 37sec Find us on Instagram!

"Mr. Nobody Against Putin" is a documentary film directed by David Borenstein and Pavel Talankin. It follows Talankin in his job at a school in Karabash, a poor mining town near the Ural Mountains. While recording his students, Talankin also documents the Putin administration's movements to control public perception during the ongoing Russo-Ukrainian war. The film had its world premiere at the World Cinema Documentary section of the 2025 Sundance Film Festival, where it won the Special Jury Award. It was selected as the Danish entry for Best International Feature Film at the 98th Academy Awards, but it was not shortlisted for a nomination. However, it was nominated in the Best Documentary Feature Film category. Borenstein and Talankin were both kind enough to spend some time talking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in select theaters from Kino Lorber. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

CinemAddicts Episode 330 features reviews of movies coming out the week of Friday, February 6, 2026. The movies are The President's Cake, The Arborist, Jimpa, Bight, and Twisted. Eric and Greg also discuss the Sam Raimi feature Send Help. Timestamps (06:28) - Twisted. Digital February 6. 

Save 10% on everything at themovieroom.com - https://www.themovieroom.com/STEELBOOKOBSESSED (Use Discount Code STEELBOOK10 At Check Out)Here Is My Amazon Wish List - https://www.amazon.com/hz/wishlist/ls/3RFXB0165H9K6?ref_=wl_shareFollow Me On Letterboxd - https://boxd.it/qN3BFollow Me On TikTok - https://www.tiktok.com/@steelbookobsessed?_t=8WD5a3FWtTv&_r=1Follow Me On Instagram - https://www.instagram.com/steelbookobsessed/?hl=enHere Is My LinkTree - https://linktr.ee/Steelbookobsessed?utm_source=linktree_profile_share<sid=bdf78b21-0741-43f0-9075-47419a5a10ddMalko Protector Website - https://www.malkoprotectors.com/?ref=3G4QlWeuxTPUr4Intro Music is Honey Jam By Massobeats - • massobeats - honey jam (lofi aestheti...

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

In this episode, Brian talks about his Kino Lorber arrivals from September and October - including a couple never-before-on-disc titles. Check out all things Kino Lorber here: http://kinolorber.com/ This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

Aaaaah, 80s cinema. When asked to think about films from the 80s, chances are you recall blockbuster adventures featuring an archaeologist carrying a whip or dancing as a form of rebellion or taking a day off from school and getting into hijinks. If the backers of a film by Allan Arkush hadn't decided to go adopt the Bialystock principle to film production, it's possible that a chaotic comedy about a rock concert on New Year's Eve at a theatre modelled on the Fillmore East may also have been fondly recalled by many people. Welcome to episode 133 of See Hear. In 1983, film director and music nerd (and previous See Hear guest) Allan Arkush wanted to make a film mildly recalling his days working at the Fillmore East while studying at NYU. He had to make certain changes to get it financed, but the backers did everything they could to get that film sunk for tax reasons. That film was Get Crazy. The story behind it is as frustrating as the film itself is entertaining...and Kerry, Charlie and I get into both aspects. The film is a live-action cartoon with the old-fashioned elements of “let's put on a show” and villains who want to destroy the theatre the show is playing in at any cost. It's a film that could only have been made at this time....Malcolm McDowell, Lee Ving, and Bill Henderson show how to be a front man for a band. There are so many jokes that don't land...and many more that do. That doesn't matter. The backers wanted this film to ride the popularity of Airplane / Flying High....and despite Arkush's original plans for the film to be a more serious consideration of his early memories, it works a treat as a musical comedy of bizarre proportions. If you haven't seen Get Crazy, there's a beautiful blu ray available from Kino Lorber, or it's on Youtube at https://www.youtube.com/watch?v=zrIRmMNi800&t=504s It's wonderful to have Charlie of the Stinking Pause podcast on an ongoing basis while Tim is taking a well needed break. All the best to our listeners as we say farewell / piss off to 2025. Happy new year to us all. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Aaaaah, 80s cinema. When asked to think about films from the 80s, chances are you recall blockbuster adventures featuring an archaeologist carrying a whip or dancing as a form of rebellion or taking a day off from school and getting into hijinks. If the backers of a film by Allan Arkush hadn't decided to go adopt the Bialystock principle to film production, it's possible that a chaotic comedy about a rock concert on New Year's Eve at a theatre modelled on the Fillmore East may also have been fondly recalled by many people. Welcome to episode 133 of See Hear. In 1983, film director and music nerd (and previous See Hear guest) Allan Arkush wanted to make a film mildly recalling his days working at the Fillmore East while studying at NYU. He had to make certain changes to get it financed, but the backers did everything they could to get that film sunk for tax reasons. That film was Get Crazy. The story behind it is as frustrating as the film itself is entertaining...and Kerry, Charlie and I get into both aspects. The film is a live-action cartoon with the old-fashioned elements of “let's put on a show” and villains who want to destroy the theatre the show is playing in at any cost. It's a film that could only have been made at this time....Malcolm McDowell, Lee Ving, and Bill Henderson show how to be a front man for a band. There are so many jokes that don't land...and many more that do. That doesn't matter. The backers wanted this film to ride the popularity of Airplane / Flying High....and despite Arkush's original plans for the film to be a more serious consideration of his early memories, it works a treat as a musical comedy of bizarre proportions. If you haven't seen Get Crazy, there's a beautiful blu ray available from Kino Lorber, or it's on Youtube at https://www.youtube.com/watch?v=zrIRmMNi800&t=504s It's wonderful to have Charlie of the Stinking Pause podcast on an ongoing basis while Tim is taking a well needed break. All the best to our listeners as we say farewell / piss off to 2025. Happy new year to us all. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

"Put Your Soul On Your Hand And Walk" is a documentary film directed by Sepideh Farsi, depicting life in Gaza during the ongoing Israeli military campaign, captured through Farsi's video calls with a young Palestinian photojournalist living there named Fatima Hassouna. The documentary had its world premiere at the ACID parallel section of the 2025 Cannes Film Festival. A day after the filmmakers found out the film had been selected for the festival, Hassouna was killed in an Israeli airstrike alongside nine members of her family on April 16th. The film is dedicated to her memory and has garnered positive reviews, including Gotham and Cinema Eye Honors nominations for Best Documentary Feature. Farsi was kind enough to spend some time speaking with us about her work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in limited release from Kino Lorber. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Brian digs in to the recent Kino Lorber 4Ks of XANADU, CONVOY and more. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

The fourth film in the Death Wish franchise is the topic of discussion on Episode 178 of The Bulletproof Podcast! Join Chris the Brain, "The Toyman" Chris DePetrillo, and Ryan Campbell as they take a deep dive on 1987's Death Wish 4: The Crackdown! The talking points include the nightmarish open, Paul Kersey's latest love interest, the two very different characters that John P. Ryan portrays, the detectives, the mobsters (including a young Danny Trejo), a possible Frank Bauggs sitcom, and of course those damn drugs! Plus, the guys discuss Kino Lorber's recent Death Wish 3 release, Ryan Campbell plugs another podcast, and news on a Mission: Impossible - The Final Reckoning 4K giveaway! Learn more about your ad choices. Visit megaphone.fm/adchoices

Max Foizey chats with TV announcer Randy West, talks about the best classic horror films, and reviews the new Kino Lorber release of Radioland Murders. Also, Carl Middleman reviews Downton Abbey The Grand Finale.

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Returning PT champion Drew Hanks joins us as we head back to Kindergarten with Billy Madison (1995) and root for Happy Gilmore (1996) on the Pro Tour. Thanks to brand new 4K UHD treatments from our best friends at Kino Lorber, these Adam Sandler classics have never looked better and we're talking all about them. Plus announcements, confessions, and more! Find us on Instagram!

A mysterious new shop opens in a small town which always seems to stock the deepest desires of each shopper, with a price far heavier than expected. On this week's episode… Join the crew as we discuss Stephen King adaptations, Ed Harris, and a plethora of pranks in, Needful Things (1993).   Show Notes: Housekeeping (6:00) Back of the Box/Recommendations (15:10) Spoiler Warning/Full Review: (23:00) Rotten Tomatoes (75:30) Trivia (84:30) Cooter of the Week (90:10) Hotline Scream: (98:12)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Ian and Jeff strap on their skates and venture into the heady neon-glow of Xanadu!Robert Greenwald's 1980 musical fantasy stars Olivia Newton-John as Kira, a muse and daughter of Zeus, who seeks to inspire a struggling L.A. artist named Sonny Malone (Michael Beck). As romance blooms, Sonny meets a former magician-turned-construction-magnate named Danny McGuire (Gene Kelly), who dreams of opening up a nightclub--and who may have crossed paths with Kira during his days as an enlisted entertainer during World War II.This syrupy cult classic was recently brought back to stunning life on 4K, and the guys look back at Xanadu with a reverence that surprised them both. Wade through the cheese and the at times iffy filmmaking, and you'll see a truly moving story about the push-and-pull of independent artists and the end of the Mass Media Artist as Tactile Craftsman era.This episode is part movie review, part continuation of Ian and Jeff's ongoing discussion about the role of Artificial Intelligence in the arts. Whether you love or hate Xanadu (or have no idea it ever existed), there's a veritable buffet of food for thought in this loving look back!Support Kicking the Seat on Patreon, watch us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Xanadu (1980) trailer.Order the new 4K UHD of Xanadu from Kino Lorber.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.

On this week's show, Mikey and Bob discuss their August pick-ups including several new releases, 90's comedies, and some Halloween recommendations.    Connect with us: Website Instagram Twitter

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In this episode, Brian goes through some of his favorite Kino Lorber Releasese from May and June. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

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From his childhood in public housing to his latest venture, Kino Film Collection, Richard Lorber has always had an affinity with movie dogs. But not just any dogs -- the wild ones, the brave ones, the determined ones. In this episode, Richard tells Jordan about how he related to a number of dogs and dog movies: Rin Tin Tin, Yorgos Lanthimos' Dogtooth, Godard's Goodbye to Language, surprise Kino Film Collection hit Last of the Dogmen.Then Jordan has one quick thing about the just-announced sequel to 2020's Greenland. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

It's 1996. A truck load of toxic chemicals just exploded in a tunnel under the Hudson River and the only one who can save us is Sylvester Stallone. We're talking DAYLIGHT, recently released (and un-released??) on 4K UHD from our best friends at Kino Lorber. Plus announcements, Christopher Nolan's The Odyssey, confessions, and more! Find us on Instagram!

Save 10% on everything at themovieroom.com - https://www.themovieroom.com/STEELBOOKOBSESSED (Use Discount Code STEELBOOK10 At Check Out)Here Is My Amazon Wish List - https://www.amazon.com/hz/wishlist/ls/3RFXB0165H9K6?ref_=wl_shareFollow Me On Letterboxd - https://boxd.it/qN3BFollow Me On TikTok - https://www.tiktok.com/@steelbookobsessed?_t=8WD5a3FWtTv&_r=1Follow Me On Instagram - https://www.instagram.com/steelbookobsessed/?hl=enHere Is My LinkTree - https://linktr.ee/Steelbookobsessed?utm_source=linktree_profile_share<sid=bdf78b21-0741-43f0-9075-47419a5a10ddMalko Protector Website - https://www.malkoprotectors.com/?ref=3G4QlWeuxTPUr4

You can get a good look at these new 4K's by sticking your head up a bull's a$$ but we'd rather take our special guest Drew Hanks's word for it! We're talking the classic Chris Farley comedies Tommy Boy & Black Sheep, both new to the 4K UHD format from Paramount Pictures and Kino Lorber. Plus announcements, confessions, wishes, & more! Find us on Instagram!

In this episode, Brian talks about some May and June releases on 4K and Blu-ray from Kino Lorber including Frankenheimer's mutant bear movie PROPHECY, some comedies (KINGPIN, WAYNES WORLD 2, BOTTOMS) and more. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

On this week's show, Mikey and Bob discuss their June pick-ups including several new releases, some vinyl, and a ton of Terror Vision titles.    Connect with us: Website Instagram Twitter

In 1972, Bernardo Bertolucci's Last Tango in Paris pierced the cinema landscape with its gritty and unrelenting portrayal of animalistic sex, grief, and urban malaise.Marlon Brando stars as Paul, a recent middle-aged widower who meets 20-year-old Jeanne (Maria Schneider) while looking for an apartment. The two decide to shack up for three hedonistic days, blocking out the sad concerns of the world outside. The result is a portrait of mutual and self-destruction, helmed by a director so bent on "authenticity" that he permitted an actual assault to take place on his set.This year, co-writer/director Jessica Palud brought us Being Maria, a biopic about Schneider and the aftermath of Last Tango's scandalous shoot/release, with Matt Dillon and Anamaria Vartolomei turning in commendable interpretations of the film's iconic actors.In today's episode, Ian and David examine both films and walk through the various reasons neither come close to being as memorable (or, frankly, as good) as they ought to be--outside the sensationalism inherent in the infamous "butter" scene. They also look at critic Pauline Kael's 1972 New Yorker review and how it brushes right up against contemporary social mores.Show LinksWatch the Being Maria (2025) trailer.Being Maria is now available On Demand and on Blu-ray, courtesy of Kino Lorber.Keep up with all of David Fowlie's film criticism at Keeping It Reel.As mentioned in the show, you can read critic Pauline Kael's 1972 review of Last Tango in Paris.Plus! Listen to Ian and David's other recent (and very raucous) reviews of:The Unholy Trinity (2025) A Real Pain (2025)Rebel Ridge (2024)Duchess (2024)The Old Oak (2024)What Remains (2024)

This week on Perf Damage, we're going behind the mask of the new 4K HDR release of Danger: Diabolik (1968) — coming soon from Kino Lorber!Charlotte walks us through the work behind the new transfer from the original 35mm camera negative—what was done, what wasn't, and why it looks better than ever. She shares behind-the-scenes stories of how some of the original opticals were updated, how a long-missing outro was rediscovered, and why this version is the most faithful to the original Italian release we've ever seen on U.S. home video.Meanwhile, Adam dives into the wild world of production drama—from casting clashes to Dino De Laurentiis being... well, Dino. Expect pulp, politics, and plenty of behind-the-scenes chaos.If you're a fan of Mario Bava, deep cuts in film restoration, or just want to know how Diabolik got his groove back in 4K, this episode is for you.Subscribe for more deep dives, restorations, and film nerdery.The new 4K HDR disc is coming soon from Kino Lorber!Note: This episode is not affiliated with or sponsored by Kino Lorber. We're just excited to talk about the work that went into this release and share what went on behind the scenes and we recommend that you pre-order a copy of the disc!Contact Us At:www.perfdamage.comEmail : perfdamagepodcast@gmail.comTwitter (X) : @perfdamageInstagram : @perf_damageLetterboxd : Perf DamageCheck Out our Youtube Channel:https://www.youtube.com/@PerfDamagePodcast

In this episode, Brian talks about some more recent-ish releases from Kino Lorber. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

This week we're excited to present a conversation from the 62nd New York Film Festival with Northern Lights directors John Hanson & Rob Nilsson and cast members Susan Lynch & Joe Spano. This conversation was moderated by NYFF62 Revivals programmer Dan Sullivan. An NYFF62 Revivals selection, Northern Lights is currently playing at Film at Lincoln Center, courtesy of Kino Lorber. Get tickets at filmlinc.org/lights Winner of the Camera d'Or at the 1979 Cannes Film Festival, the sui generis Northern Lights marks one of the most moving and committed works of political cinema from the late 1970s. Dramatizing the formation of the populist Nonpartisan League in North Dakota in the mid-1910s, Northern Lights captures the plight of immigrant Dakotan farmers as they toil and struggle against the combined forces of industry and finance. Amid this class tension, two young lovers find themselves swept up in the tide. Shot on location (on grain-rich black-and-white 16mm) in the dead of winter and featuring an astonishing cast of non-professional actors, this handmade masterpiece remains a stirring monument to collectivity.

He's cooking our garbage! We're joined by physical media legends Jack Bishop & Corey Clifford  (Cinema Possessed) to talk John Hughes's 1989 John Candy classic Uncle Buck, recently released on 4K UHD from Kino Lorber. Find us on Instagram!

Ep. 312: R. Emmet Sweeney on Tomonari Nishikawa, Minecraft, Long Gone, Crac!, plus Sinners and The Sniper Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm pleased to welcome back a friend of the podcast, R. Emmet Sweeney, who produces physical media for Kino Lorber and writes about movies as well as music. He runs a thriving substack newsletter called Old New, where he recently assembled remembrances of the filmmaker Tomonari Nishikawa, who recently passed away. We talked a bit about Nishikawa's movies, as well as baseball picture Long Gone, Minecraft, the Canadian animated short Crac! (a selection from Light Industry's recent Children's Cinema), with a few words from me on Ryan Coogler's Sinners and The Sniper, an Edward Dmytryk joint featured in the Columbia Pictures series at the Museum of Modern Art. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

In the pantheon of great Van Damme action flicks from the 1980s and 90s, 'Hard Target' (1993) undoubtedly stands out as one of his best. As hunky Cajun ex-Marine, Chance Boudreaux, the mullet-wearing 'Muscles from Brussels' struts his more sensitive side while also exhibiting the sort of superhero antics that would put Schwarzenegger to shame, like firing a pistol while standing on a moving motorbike and - famously - punching a snake. He has his director to thank for one of his most iconic roles: John Woo, the 'heroic bloodshed' maestro fresh from his ballistic Hong Kong masterpiece, 'Hard Boiled' (1992), and determined to make an impact in his American directorial debut. The resulting concoction is pure Woo - a slow-motion bullet ballet of epic proportions which cemented his position as one of cinema's greatest directors of action. Joining me and 'Life of Action' author Mike Fury to discuss this milestone in movie mayhem is Christina Newland, lead film critic at the i Paper and a contributing editor to Empire Magazine. As three dedicated Jean-Claude Van Damme fans, we unpick the reasons why we think his appeal is more inclusive than that of his action contemporaries - people like Sylvester Stallone, Steven Seagal, and Chuck Norris - and the lasting legacy that John Woo has had on action cinema. This episode was recorded live at the Nova Cinema in Woking, UK, in November 2024 as part of the British Film Institute's Art of Action season. A huge thank you to the crew at the Nova Cinema and the people of Woking who attended the show, and the Independent Cinema Office and Film Hub South East for helping to organise the event.LINKSChristina Newland on Blue Sky: https://bsky.app/profile/christinalefou.bsky.socialChristina Newland's website: https://www.christinanewland.co.uk/Christina Newland on Substack: https://substack.com/@christinanewlandSubscribe to 'Sisters Under the Mink' on Substack: https://christinanewland.substack.com/Buy 'She Found It at the Movies: Women writers on sex, desire and cinema': https://www.waterstones.com/book/she-found-it-at-the-movies/christina-newland/9781912157181'Act Like a Man: Jean-Claude Van Damme' by Christina Newland: https://mubi.com/en/notebook/posts/act-like-a-man-jean-claude-van-dammeBuy 'Hard Target' on 4K UHD from Kino Lorber: https://kinolorber.com/product/hard-target-4k-uhd 'Hard Target' review on Kung Fu Movie Guide: https://bit.ly/HardTarget1993Jean-Claude Van Damme profile on Kung Fu Movie Guide: https://bit.ly/VanDammeKFMGJean-Claude Van Damme on Instagram: https://www.instagram.com/jcvd/John Woo on Instagram: https://www.instagram.com/john_woo_filmmaker/'John Woo's Next Film Is ‘A Half-Musical' With Sparks', Empire Magazine: https://www.empireonline.com/movies/news/john-woo-half-musical-sparks-exclusive/'Celebrate Renowned Hong Kong Action Classics, Storytellers, And Film Icons With Shout! Studios' New Home Entertainment Series Hong Kong CInema Classics': https://www.shoutstudios.com/press/celebrate-renowned-hong-kong-action-classics-storytellers-and-film-icons-with-shout-studios-new-homMike Fury on Instagram: https://www.instagram.com/themikefury/Mike Fury's website: https://www.mikefury.net/Visit the Nova Cinema in Woking: https://www.novacinema.com/Learn more about the BFI's Art of Action season: https://www.bfi.org.uk/art-actionA huge thank you to Independent Cinema Office (https://www.independentcinemaoffice.org.uk/) and Film Hub South East (https://www.independentcinemaoffice.org.uk/film-hub-south-east/) Hosted on Acast. See acast.com/privacy for more information.

In this episode, Brian goes through some recent releases from Kino Lorber including one of his 80s favorites making its Blu-ray Debut: HOT PURSUIT. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

Arthur Dong is an award-winning filmmaker out of San Francisco's Chinatown. One of his first films, Sewing Woman, was nominated for an Oscar. We caught up with Arthur and chatted about his youth in Chinatown and his over 50 years of filmmaking! Get the Arthur Dong Collection on Blu-Ray discs from Kino Lorber. Arthur's care for his subject matter will move you, and I promise that you will learn so much! Get it here: https://kinolorber.com/product/arthur-dong-collection. It's a history you won't find in textbooks! Follow Arthur @arthurdongfilm on socila media or over at https://www.deepfocusproductions.com/ As I always mention, you can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianfilmmaker #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #representationmatters

Front Row Classics is pleased to welcome actress & filmmaker Illeana Douglas to the show. Brandon and Illeana discuss her love of the movies which led to her becoming a professional in the business. Her love of the movies has led her to many exciting projects including her recent book, "Connecticut in the Movies". We talk about her love of the state of Connecticut and its complicated history. We also spend time discussing her grandfather, the legendary Melvyn Douglas. Illeana Douglas has starred in films like Cape Fear, To Die For, Grace of My Heart, and Ghost World, as well as in TV shows like Goliath, Shrill, Entourage, and Six Feet Under. Douglas is the granddaughter of two-time Academy Award–winning actor Melvyn Douglas. A classic film lover, she hosted Trailblazing Woman for Turner Classic Movies and participated in many film documentaries, including CNN: The Movies and Kino Lorber's Pioneers: First Women Filmmakers, which she also executive produced and hosted. Her first book, I Blame Dennis Hopper: And Other Stories from a Life Lived In and Out of the Movies was named Best Pop Culture book of the year in 2015 by Entertainment Weekly.  

In this episode, Brian goes through a bunch of Kino Lorber picks from their January/February Releases. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

This week we're excited to present a conversation from the 20205 edition of the just-concluded Rendez-vous with French Cinema with Being Maria cast members Matt Dillon and Anamaria Vartolomei. Being Maria is now in select theaters, courtesy of Kino Lorber. Actors don't choose roles,” actor Daniel Gélin (Yvan Attal) tells his daughter Maria Schneider (Anamaria Vartolomei). “Roles choose them!” After her galvanizing performance as a young woman seeking out an illegal abortion in Audrey Diwan's Happening (ND/NF 2022), Vartolomei delivers another indelible portrait of a woman in extremis with writer-director Jessica Palud's second feature, moving beyond Schneider's encounter with director Bernardo Bertolucci on the set of Last Tango in Paris, during the shoot of the infamous “get the butter” scene (which the actress repeatedly identified as a violation of her consent), to contemplate the actress's larger life and legacy. The shoot itself is meticulously reconstructed—featuring a remarkable turn by Matt Dillon as Schneider's significantly more famous costar and scene partner, Marlon Brando—in order to contextualize the private and public fallout from Schneider's equally iconic and traumatizing breakout performance. Palud was herself an assistant director for Bertolucci at age 19 (the same age Schneider was during the production of Last Tango) and brings a welcome eye for complexity to an unsparing, compassionate reframing of a much-discussed incident—rooted firmly in the perspective of the actress at its center. This conversation was moderated by FLC Assistant Programmer Madeline Whittle.

That night, it's a neat double feature of THE CRIMSON RIVERS mystery adventure films starring Jean Reno.   Is the first film Mathieu Kassovitz's single best films to date (if not Vincent Cassel's best role)?   Why does Luc Besson's sequel fall rather flat?    What fanbase will the original film definitely appeal to?   All that as well as detail on the Kino Lorber blu-ray and newer TV show version.   MUSIC USED:  "Cycles," "CodeBlue" and "Continuum" by Jason Shaw (AudioNautix)  All Songs are Licensed Under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/                   MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/        SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222   Discord:  https://discord.com/channels/796154005914779678/796154006358851586         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

We're joined by our resident Nicolas Cage expert / Violinist Extraordinaire Emma Tiemann (Murder by Death) to talk Brian De Palma's 1998 thriller Snake Eyes, recently released on 4K UHD from Kino Lorber. Follow us on Instagram!

In this episode, Brian goes through a bunch of titles that came out from Kino Lorber in November. Lots of genre stuff here. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

28 Days Later is a "Zombie" movie made with a TV Camera that you watch on a big screen. It's really great! We talk about the practical and impractical applications of digital technology, materiality and zombie movies, the movie's depiction of fascism and soildering, then and now, and also what a spectacular bummer this thing is.  Read a great essay about filmic materiality and the zombie movie here. Research also pulled up this extemely weird but kind of nifty essay about how 28 Days Later is kind of about the new apocolyptic bent that food writing took in the early aughts.  A very good interview with cinematographer Anthony Dod Mantle can be read here.  Matt reccomends 'Cinema's First Nasty Women,' an anthology fron Kino Lorber, available now. Corbin reccomends Dinner in America. He also likes that new Pixar show on Disney+ but your milage might vary. Next Week's episode is about either Spy Kids 2 or 3, we havent quite decided yet. If anyone had a strong opinion about which is the superior one, tell us I guess. 

In this episode, Brian goes through a bunch of recent releases from Kino Lorber that he has added to his collection. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/

Kurt and Sam help Jean-Claude Van Damme rescue a whole hockey stadium and recap the 1995 action classic Sudden Death, available on 4K Ultra HD & Blu-ray from Kino Lorber. Find us on Instagram!

"Oh, Canada" had its world premiere at the 2024 Cannes Film Festival, where it received positive reviews for its reflective narrative, Richard Gere's performance, and Paul Schrader's writing and direction. Paul Schrader and Richard Gere were both kind enough to spend some time talking with Giovanni Lago and Dan Bayer, respectively, about their work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in New York theaters from Kino Lorber and will expand to Los Angeles on December 13th and expand nationwide after that. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Soundtrack To A Coup d'Etat" had its world premiere at the 2024 Sundance Film Festival, where it won the Special Jury Award for Cinematic Innovation and received critical acclaim for its unique storytelling of how musicians Abbey Lincoln and Max Roach crashed the UN Security Council in protest against the murder of Congolese leader Patrice Lumumba during the Cold War. Director Johan Grimonprez was kind enough to spend a few minutes speaking with us about his work on the documentary, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Kino Lorber and is up for your consideration at this year's Academy Awards for Best Documentary Feature. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

CinemAddicts Episode 266 covers movies coming out for the week of Friday, November 1, 2024. They are Soundtrack to a Coup d'Etat, Cellar Door, The Gutter, The Absolution, and 72 Hours. Timestamps (0:00) - Intro (3:44) - Cellar Door (poster/photo - Lionsgate / Scott Green) (11:56) - The Gutter (poster/photo - Magnolia Pictures) (18:18) - Soundtrack to a Coup d'Etat (poster/photo - Kino Lorber) (27:06) - Absolution (Poster/photo - Samuel Goldwyn Films) (30:47) - 72 Hours (Poster/photo courtesy - Brainstorm Media) (34:34) - All Hallows' Eve: Inferno (39:29) - Bruce Purkey's The Cinem-Attic (42:40) - The Gutter (50:00) - Soundtrack to a Coup d'Etat (59:24) - Apple TV+ seven-part series Disclaimer   ***Support CinemAddicts by purchasing/renting movies using our Amazon affiliate links or our SiteStripe.  ***CinemAddicts Movie Picks (worth Renting/Purchasing) include: Seven Cemeteries Dominique The Unlikely Pilgrimage of Harold Fry Red Rooms Take Cover For Ad-Free CinemAddicts episodes, subscribe to our CinemAddicts YouTube Channel. Like Our CinemAddicts Facebook Page Join our CinemAddicts Facebook Group for daily movie recommendations. Questions/comments on CinemAddicts email Greg Srisavasdi at info@findyourfilms.com. Our website is Find Your Film. Shop our CinemAddicts Merch store (shirts, hoodies, mugs). We do a bonus episode each month and early access spoilers for our CinemAddicts Patreon Members: CinemAddicts hosts: Bruce Purkey, Eric Holmes, Greg Srisavasdi Thanks to our Patreon Community 1. Ryan Smith 2. Stephen Schrock 3. Susan 4. Charles Peterson 5. Nelson B. McClintock 6. Diana Van De Kamp 7. Pete Abeyta 8. Tyler Andula 9. Stephen Mand 10. Edmund Mendez 11. Abbie Schmidt 12. Jeff Tait 13. Superfan Giovanni 14. Robert Prakash 15. Kristen 16. Chris M 17. Jeremy Chappell 18. Lewis Longshadow 19. Iver 20. Alex Clayton 21. Daniel Hulbert 22. Andrew Martin 23. Angela Clark 24. Myron Freeman 25. Kayn Kalmbach 26. Aaron Fordham 27. Tracy Peters 28. Grant Boston 29. Ken Cunningham