Podcasts about samizdat

Samizdat ji zajímá z pohledu grafických prostředků. Byl opravdu jen bez barev? Stojí tak i za pestrou obrazovou a grafickou podobou výpravné publikace Revolver Revue – Out of Ghetto Magazine: Jak se dělá samizdat. Sama je také držitelkou hned několika ocenění v soutěži Nejkrásnější česká kniha roku. Jak se dělaly v samizdatu reklamy na zakázané kapely nebo časopisy? A co ji nejvíc baví při práci se studenty na Hellichovce? Ptá se Ondřej Cihlář.Všechny díly podcastu Vizitka můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Samizdat ji zajímá z pohledu grafických prostředků. Byl opravdu jen bez barev? Stojí tak i za pestrou obrazovou a grafickou podobou výpravné publikace Revolver Revue – Out of Ghetto Magazine: Jak se dělá samizdat. Sama je také držitelkou hned několika ocenění v soutěži Nejkrásnější česká kniha roku. Jak se dělaly v samizdatu reklamy na zakázané kapely nebo časopisy? A co ji nejvíc baví při práci se studenty na Hellichovce? Ptá se Ondřej Cihlář.

White feathers, red light districts, and the rise of the military edging complex. How governments weaponized horniness to win WWI, and began to reimagine what women represent to a nation at war.  — A production of BRINK, original media and branded entertainment   Website: thisispropaganda.show Instagram: @thisispropagandashow Email: propaganda@brink.com — CREDITS Written, Produced, and Hosted by Malcolm Critcher and Joshua Belhumeur  Co-Producer: Reed Chandler Additional Voice Acting: Rhiannon Lane  __  Some dialogue and quotations have been condensed, paraphrased, or reconstructed based on contemporaneous accounts, interviews, and other source material. AI Disclosure: We use AI to create custom filters for our voices, but the original performances are our own. We also used AI for a custom composition using our own lyrics for “The Girl Behind The Man Behind The Gun”. All used under commercial license. This is a new frontier for all of us, and we are finding our footing when it comes to AI usage and transparency. We welcome any and all feedback. — ATTRIBUTIONS A CUP OF COFFEE, A SANDWICH AND YOU (00:20)  Performed by Ben Selvin And His Orchestra  Recorded in 1925 Courtesy of The Popular Jazz Archive VALS TRISTE (01:21)  Performed by Ohad Ben Ari and Jean Sibelius  Licensed from Artlist  HORNPIPE (02:13)  Performed by Victor Military Band  Licensed from Artlist WHOLE TONY (02:37) Performed by Southside Aces  Licensed from Artlist  DANNY BOY (03:16)  Written by Frederic Weatherly (1910) MIDI performance transcribed from sheet music. MAKE A MAN OUT OF YOU (03:40)  Performed by Maggie Smith From the film Oh! What A Lovely War (1969) Director Richard Attenborough Distributed by Paramount Pictures Used for educational purposes only. SAMIZDAT (04:36)  Written and Performed by Joshua Belhumeur  GNOSSIENNE NO. 3 (05:13)  Performed by Romi Kopelman Written by Erik Satie  Licensed from Artlist  MELANCHOLIA (06:15)  Performed by Franscico DeAndrea Licensed from Artlist  A PROPAGANDIST WALKS INTO A PIANO BAR (07:39)  Written and Performed by Joshua Belhumeur  BACKWARDS (08:24)  Performed by Jane & The Boy  Licensed from Artlist  FORWARD JOE SOAPS ARMY (09:34) Performed by Fitzrovia Chorus & John Mealing Used for educational purposes only. WILL HER EYES SHINE IN GREEN OR IN BLUE (10:25)  Performed by Ziv Grinberg  Licensed from Artlist  BLUE GUM (11:19) Performed by Shahar Haziza Licensed from Artlist   BATTLE OF THE NATIONS (12:19)  Performed by Conways Band  Licensed from Artlist  SALT OF THE SOUND (12:56)  Performed by Coventry Carol  Licensed from Artlist  TENNESSEE I HEAR YOUR NAME CALLING (13:21)  Performed by American Quartet  Licensed from Artlist  LOW END (14:21)  Performed by Magnetic Buzz  Licensed from Artlist  MY GAL SAL (16:06) Performed by Danny Altier Orchestra  Recorded in 1928 ACRYLIC DREAMS (16:54)  Performed by Magnetic Buzz  Licensed from Artlist  NO MAN'S LAND (18:14)  Written and Performed by Joshua Belhumeur  THE ALCOHOLIC BLUES (20:40)  Performed by Irving Kaufman  Written by Edw. Laska & H. Von Tilzer Recorded in 1920  BEYOND THE ZERO (21:08)  Written and Performed by Joshua Belhumeur  THE GIRL BEHIND THE MAN BEHIND THE GUN (21:54)  Written by Joshua Belhumeur  Sources available at: thisispropaganda.show/season-two/horny-for-war-the-history-of-how-sex-became-a-weapon

Author Rambo Van Halen joins the program to discuss his new release, "Hollywood Samizdat," being published by Passage Press, his longtime interest in writing, and his career working behind the camera in the film industry.

John is joined by Semafor editor-in-chief Ben Smith to discuss the role of private group chats in pushing Silicon Valley's politics to the right—and many of its most powerful figures into the arms of Donald Trump. Ben lays out how dozens of hush-hush Signal and WhatsApp groups emerged during Covid among the tech elite in reaction to what its members saw as the stifling woke conformity of social media; the seminal role of venture capitalist Marc Andreessen in seeding these forums; and how their influence now flows through X, Substack, and podcasts, making them the "dark matter of American politics and media." Ben also contends that, 100 days into his second term, Trump is starting to feel the pull of political gravity; that Semafor, which he cofounded three years ago, still retains the vaulting ambitions the company famously trumpeted at launch; and that the recent tumult in financial markets has elevated "Margin Call" from a cult classic to the greatest Wall Street movie of all time. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Margaret continues talking to Katy Stoll about how the Soviet people evaded censors and kept poetry, literature, and political critique alive. The Material Existence of Soviet Samizdat, Ann Komaromihttps://www.nytimes.com/2008/08/04/books/04solzhenitsyn.html HG Skilling, Samizdat and an Indepedent Society in Central and Eastern Europe https://www.poetryfoundation.org/poets/nikolai-gumilev https://www.poetryfoundation.org/poets/anna-akhmatova https://www.poetryfoundation.org/poets/osip-mandelstam https://libcom.org/article/1962-novocherkassk-tragedy https://link.springer.com/chapter/10.1007/978-1-349-09284-0_1See omnystudio.com/listener for privacy information.

Margaret talks to Katy Stoll about how the Soviet people evaded censors and kept poetry, literature, and political critique alive. The Material Existence of Soviet Samizdat, Ann Komaromihttps://www.nytimes.com/2008/08/04/books/04solzhenitsyn.html HG Skilling, Samizdat and an Indepedent Society in Central and Eastern Europe https://www.poetryfoundation.org/poets/nikolai-gumilev https://www.poetryfoundation.org/poets/anna-akhmatova https://www.poetryfoundation.org/poets/osip-mandelstam https://libcom.org/article/1962-novocherkassk-tragedy https://link.springer.com/chapter/10.1007/978-1-349-09284-0_1See omnystudio.com/listener for privacy information.

V Česku máme dobu komunismu spojenou s ideou kolektivního vlastnictví. Všechno patřilo všem, takže nikomu nic. V Polsku ale bylo soukromé vlastnictví i podnikaní do jisté míry povolené. Co ovšem stát vyvlastnil bez milosti, byly tiskárny – chtěl mít absolutní kontrolu nad veřejným slovem a šířenými myšlenkami. Mimo dohled režimních činitelů proto vznikl takzvaný drugi obieg – polská varianta samizdatu. Celou historii polského boje s cenzurou dnes vypráví lublinský Dům slov.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

JÁN ENDRÖDY Historik a pracovník Ústav pamäti národa, riaditeľ novembrového Festivalu slobody. Čo to bol samizdat? Aké boli jeho hlavné témy? Prečo bol tak dôležitou súčasťou života v totalite? Počúvajte náš podcast! REFLEKTOR ŠPECIÁL je séria podcastov, v ktorých stručne spovedáme zaujímavých ľudí kultúrno-spoločenského života z celého Slovenska. Rozširujeme tak formát klasických živých diskusií Reflektor, ktorý vznikol v Bardejove v roku 2015. (22. 11. 2024) Pýta sa a strihá: Jakub Lenart Zvučka: Peťo Sivanič & Alenka Petejová Mix: Jakub Lenart Kontakt: info@kandelaber.sk Podporiť nás môžete tu: cutt.ly/fwN6NGZK www.kandelaber.sk

First - Andrew Walworth and Carl Cannon interview political scientist Lara Brown on Biden's legacy. Then, Andrew talks to Jay Bhatacharia who is a Professor of Medicine at Stanford University and a research associate at the National Bureau of Economics Research. They have a discussion about free speech. Next, Tom Bevan chats with author and political scientist Charles Lipson on big winners and losers of the past year. And finally, Carl speaks with Columnist Miranda Devine on winning the Samizdat award.

De censuur was alomtegenwoordig, de politie streng, ook al in de tsaristische tijd. En toch ontstond in de Sovjet-Unie een circuit van clandestiene uitgaven in eigen beheer, de samizdat, dat zich verspreidde naar de satellietstaten in Oost-Europa en dat tot het ineenstorten van de USSR zou blijven bestaan. Emmanuel Waegemans, die ooit zelf manuscripten de Sovjet-Unie uit smokkelde, schetst hoe de samizdat groeide en bloeide.

Co doporučují lékaři v souvislosti se zvýšeným výskytem akutních respiračních onemocnění? Jak významný podíl na pádu komunistického režimu měli vydavatelé samizdatových publikací? Odkud skutečně pocházel mořeplavec Kryštof Kolumbus?

Co doporučují lékaři v souvislosti se zvýšeným výskytem akutních respiračních onemocnění? Jak významný podíl na pádu komunistického režimu měli vydavatelé samizdatových publikací? Odkud skutečně pocházel mořeplavec Kryštof Kolumbus?Všechny díly podcastu Hlavní zprávy - rozhovory a komentáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

En primer lugar, les hablaremos de los llamados samizdat, es decir de las publicaciones, libros, y textos diversos, clandestinos, que servían en tiempo del totalitarismo para la divulgación de ideas no perrmitidas por el régimen. Samizdat, que en Eslovaquia dispone de su propio día, el 12 de octubre, y con ocasión del cual les ofreceremos un tema de archivo en el que entrevistábamos a personas diversas que nos explicaron de qué se trataban estos samizdat.. Y seguidamente les presentaremos de nuevo un estudio, realizado por el Instituto de análisis Financiera de Eslovaquia sobre las necesidades de nuestro país en el ámbito económico, ya que según se desprende del mismo, el nivel de vida en nuestro país sigue descendiendo de forma no deseable

The Cognitive Crucible is a forum that presents different perspectives and emerging thought leadership related to the information environment. The opinions expressed by guests are their own, and do not necessarily reflect the views of or endorsement by the Information Professionals Association. During this episode, Genia Simkin discusses his firm's Samizdat technology which makes it possible to bypass DNS blockades set up by autocratic regimes. Recording Date: 5 Aug 2024 Research Question: Genia Simkin suggests as interested student examine OSINT practices. For example, would it be possible to get an accurate sense (census, poll, survey, etc.) of how various populations that live in fear of and under the repressive rule of governments like those in Russia, Iran, or China feel about their governments' various policies and other important geopolitical questions so as to better understand what kinds of propaganda that they're subjected to is effective and they're able to see past? Resources: Samizdat Online makes it possible to bypass the DNS blockades set up by autocratic regimes. Through Samizdat Online, you will be able to access censored media from around the globe and share freely, without VPN. Samizdat = the clandestine copying and distribution of literature banned by the state, especially formerly in the communist countries of eastern Europe. Yevgeny Simkin Bulwark site Alfred North Whitehead Quote: “Civilization advances by extending the number of important operations which we can perform without thinking of them.” I, Pencil: My Family Tree by Leonard E. Read Wayback Machine Fact Checks and Context for Wayback Machine Pages by Mark Graham I Love Russia: Reporting from a Lost Country by Elena Kostyuchenko, Bela Shayevich, Ilona Yazhbin Chavasse Putin's People: How the KGB Took Back Russia and Then Took On the West by Catherine Belton Link to full show notes and resources Guest Bio:  Yevgeny (Genia) Simkin is a technologist, analyst, comedian, musician, and entrepreneur who fled with his family to the US from the former Soviet Union in 1978, during the mass Soviet Jewish exodus of the 70s. Over the last 25 years, Simkin has developed a multitude of software products for the likes of CBS News, YouTube, USA Today, and, many other global media and tech companies. Additionally he's a regular contributor to The Bulwark and has intended but failed to find the time to write multiple insightful and arguably books on the ways in which humanity has failed to realize its potential. Last year, after Russia invaded Ukraine, Yevgeny co-founded Samizdat Online, an anti-censorship media platform that uses unique IP to make it possible to bypass Internet blocking commonly practiced by autocratic regimes such as Putin's. About: The Information Professionals Association (IPA) is a non-profit organization dedicated to exploring the role of information activities, such as influence and cognitive security, within the national security sector and helping to bridge the divide between operations and research. Its goal is to increase interdisciplinary collaboration between scholars and practitioners and policymakers with an interest in this domain. For more information, please contact us at communications@information-professionals.org. Or, connect directly with The Cognitive Crucible podcast host, John Bicknell, on LinkedIn. Disclosure: As an Amazon Associate, 1) IPA earns from qualifying purchases, 2) IPA gets commissions for purchases made through links in this post.

On the September edition of the Cinetopia Radio Show and Podcast, the Cinetopia team reviews 3 films currently out in cinemas or streaming on your TVs: Coralie Fargeat's THE SUBSTANCE, Jeremy Saulnier's Netflix crime, REBEL RIDGE, andLEE, directed by Ellen Kuras. Our host, Amanda, sat down with Marion Aréchaga, Director and Curator of the Edinburgh Spanish Film Festival which is having its 11th edition this year from the 2nd to the 26th of October, here in Edinburgh and across Scotland. Amanda also chatted with some of the curators and organisers, Harriet Idle and Ilia Ryzhenko, of the Samizdat Eastern European Film Festival which runs from the 1-5 October in Glasgow.

(02:21) Afgelopen week was het weer raak: een nieuwsgierig 4-jarige museumbezoeker die benieuwd was wat er in een 3,500 jaar oude kruik zat – trok deze per ongeluk van zijn sokkel. Het idee dat je van kunst moet afblijven is betrekkelijk nieuw. Kunsthistorica Lieke Smits is te gast. (14:30) In Rusland is sinds de oorlog in Oekraïne de censuur heviger dan ooit. Kranten moesten sluiten, journalisten vertrokken naar het buitenland en onafhankelijk nieuws lijkt Rusland niet of nauwelijks meer te bereiken. Evenzo zijn er ook al 300 jaar Russen die aan die censuur proberen te ontsnappen met zogenaamde clandestiene uitgaven; de samizdat. Emeritus hoogleraar Russische literatuur en cultuur Emmanuel Waegemans is te gast. (28:18) De column van Nelleke Noordervliet (31:40) Met drones, vliegtuigen, bulldozers en honderden militairen lanceerde het Israëlische leger afgelopen woensdag de grootste operatie in 20 jaar in de bezette Westelijke Jordaanoever. Het doel is om met het gewapende Palestijnse verzet aldaar af te rekenen. Wat is de geschiedenis van deze bezetting, en wat is de rol van het leger daarin? Erella Grassiani, antropoloog aan de Universiteit van Amsterdam is onze gast. (42:39) Boeken met Wim Berkelaar Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/01-09-2024.html# (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/01-09-2024.html)

In Rusland is sinds de oorlog in Oekraïne de censuur heviger dan ooit. Kranten moesten sluiten, journalisten vertrokken naar het buitenland en onafhankelijk nieuws lijkt Rusland niet of nauwelijks meer te bereiken. In zekere zin is dat niks nieuws want strenge censuur in Rusland bestaat al meer dan 300 jaar. Maar evenzo goed zijn er ook al 300 jaar Russen die aan die censuur proberen te ontsnappen met zogenaamde clandestiene uitgaven; de samizdat. Emeritus hoogleraar Russische literatuur en cultuur Emmanuel Waegemans schreef het boek Samizdat- geschiedenis van de Russische ondergrondse, die volgens hem altijd een spiegel van zijn tijd is geweest.

Ann Komaromi (Professor in the Centre for Comparative Literature and Department of Slavic Languages and Literatures, University of Toronto) presented on her book, “Soviet Samizdat: Imagining a New Society,” on Thursday, November 9, 2023 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive. About the lecture: Komaromi will talk about the research associated with her book Soviet Samizdat: Imagining a New Society (2022). She will describe the process of pursuing archival research of underground (samizdat, or self-published) journals in a variety of collections at established institutions and in independent organizations. Komaromi will also discuss the interdisciplinary method of the study, spanning historical investigation and literary analysis, and reflect on the development of a critical perspective on samizdat, as developed in and through the materials surveyed. Samizdat facilitated the formation of imagined communities of readers through extra-Gutenberg communications. While the goals and styles of expression differed from democratic dissidents to the Jewish national movement, and from Leningrad poets to the fans of rock music, some common values and strategies characterized these varied groups, creating a positive basis for grassroots renewal of society and culture in the Soviet Union. About the speaker: Ann Komaromi is professor in the Centre for Comparative Literature and in the Department of Slavic Languages and Literatures at the University of Toronto. Her research has focused particularly on late Soviet culture, samizdat (underground publishing) and dissidence in the USSR. Her articles theorize the formation of alternative publics and epistemologies in samizdat, while attending to specific texts and groups. Komaromi is interested in the return of modernism and avant-garde in nonconformist and oppositional literary and art movements in the late twentieth century and beyond. Current projects include studies of dissident memoirs and archives and a history of Jewish activism in Leningrad.

This is a free preview of a paid episode. To hear more, visit www.racket.news Walter and Matt sound the alarm on the unexpectedly horrifying TikTok bill, and laugh over Vladimir Voinovich's classic Samizdat satire, “A Circle of Friends.”

Today's podcast features Andrew Walworth, and Real Clear Politics correspondents Susan Crabtree and Phil Wegmann discussing Biden's State of the Union address and the GOP's response. They also talk about the "No Labels" party and the big changes coming at the RNC. Then, Andy interviews Jay Bhattacharya, M.D., Ph.D., who is a professor at the Stanford University School of Medicine in the Department of Health Policy. They chat about the Samizdat award. And finally, Carl Cannon interviews Eric Spitz who is a former president of the Orange County Register and CFO of Narragansett Brewing Co.

In today's podcast, Andrew, Carl and Tom discuss Biden's big State of the Union Address. They predict what Biden might say and wonder if any lawmakers will heckle him. Then they chat about Alabama Republican Senator Katie Britt and the GOP's response to the SOTU. And finally, Andy interviews Mohamed Younis from Galup on his State of the Union predictions and Carl interviews Miranda Devine of the New York Post on the Samizdat award.

Yevgeny Simkin is a contributor at The Bulwark and co-founder of Samizdat Online.During the Soviet Union, samizdat was the grassroots practice of evading censorship by reproducing banned publications, often by hand. Samizdat Online is the digital incarnation of this practice, publishing articles from an array of outlets while bypassing firewalls and protecting readers' anonymity to bring truth to people living under authoritarian rule. Samizdat's only requirement for publishing articles is that they come from an outlet that has been banned by an autocratic leader.This interview includes two separate conversations, held weeks apart, that I have stitched together as one episode. In the first, we discuss his life growing up in Russia and the antisemitism he faced there, how he cut his teeth at CBS and the erosion of public trust in the media since the days of Edward R. Murrow, how Russia's invasion of Ukraine has affected his Ukrainian and Russian employees, the state of life in rural Russia today, the playful flexibility of Russian grammar and why he thinks poetry is more beautiful in Russian than in English, the ethos of pre-Soviet folktales and where Russia went wrong as a nation, the rise of Putin and the bedrock importance of free speech in the media, and Samizdat Online's efforts in Russia, Iran, China, and beyond.In the second half, we discuss the events of October 7, Osama bin Laden's reputation repair on TikTok, antisemitism in the United States, David Hirsh's thoughts on the banality of evil, and a few exciting updates for Samizdat Online. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theradicalist.com/subscribe

Episode 660: October 17, 2023 playlist: The Veldt, "Aurora Borealis" (Illuminated 1989) 2023 5BC Marissa Nadler and Rob Burger, "Whispering Pines" (Whispering Pines) 2023 self-released Christopher Willits, "Tunnels (East Forest Remix)" (Gravity Remixes) 2023 Ghostly International Lea Bertucci, "Vapours (excerpt)" (Of Shadow and Substance) 2023 Cibachrome Editions Sam Prekop and John McEntire, "A Yellow Robe (The Soft Pink Truth Midnight Mix)" (A Yellow Robe Remixes) 2023 Thrill Jockey Nailah Hunter, "Finding Mirrors" (Lovegaze) 2024 Fat Possum Samizdat, "Bottles" (Disenfranchised Refusniks) 2023 Blood Doll Dreams, "Doll Dreams" (Inn Hotel) 2023 self-released Frank Bretschneider, "Star" (Curve) 2001 Mille Plateaux / 2023 Keplar Joseph Allred, "Wine Song" (New Jerusalem) 2023 Centripetal Force Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Get full access to Brownstone Insights at brownstone.substack.com/subscribe

BONUS - Why a Free Press Matters: Yevgeny Simkin's Mission with Samizdat OnlineDavid sits down with Yevgeny Simkin, the visionary founder of Samizdat Online, an anti-censorship platform reshaping the dynamics of information flow in autocratic regimes. Join us as we explore the dire need for uncensored news and the role of technology in breaking down barriers. Yevgeny delves into the importance of a free press, the challenges of battling propaganda, and the mission that drives him to empower individuals across the globe. If you're passionate about truth, technology, and the fight against censorship, this episode is a must-listen.Key Takeaways:The critical role of a free press in maintaining a free society.How Samizdat Online is tackling the issue of censorship head-on, providing access to uncensored news.The technology behind Samizdat Online and its impact on information dissemination.Insights into the challenges faced when battling autocratic propaganda.The potential for reshaping perspectives and fostering transparency through accessible information.Episode Highlights:The parallels between Samizdat Online and historical self-publication mechanisms.Yevgeny's perspective on the role of social media giants in the censorship landscape.The connection between technology, accountability, and freedom of information.Yevgeny's vision for a world where information is accessible to all, regardless of political boundaries.Support the showShow Notes:https://outrageoverload.net/ Follow me, David Beckemeyer, on Twitter @mrblog. Follow the show on Twitter @OutrageOverload or Instagram @OutrageOverload. We are also on Facebook /OutrageOverload.HOTLINE: 925-552-7885Got a Question, comment or just thoughts you'd like to share? Call the OO hotline and leave a message and you could be featured in an upcoming episodeIf you would like to help the show, you can contribute here. Tell everyone you know about the show. That's the best way to support it.Rate and Review the show on Podchaser: https://www.podchaser.com/OutrageOverloadMany thanks to my co-editor and co-director, Austin Chen.

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

On this episode, Friederike Kind-Kovács visits with us in Austin, Texas, to talk about her latest book which explores the ways in which migration, hunger, and destitution affected children's lives, casting light on their particular vulnerability in times of distress. You can find her book "Budapest's Children" (published by Indiana University Press) here: https://iupress.org/9780253062161/budapests-children/. The book series referenced in the episode is Worlds in Crisis: Refugees, Asylum, and Forced Migration, information about which can be found on this page: https://iupress.org/new-series-accepting-submissions/. ABOUT THE GUEST Friederike Kind-Kovács is a contemporary historian and senior researcher at the Hannah Arendt Institute for Totalitarianism Studies at TU Dresden and a lecturer at Regensburg University in Germany. She is author of Written Here, Published There: How Underground Literature Crossed the Iron Curtain, which won the University of Southern California Book Prize in Cultural and Literary Studies in 2015. She is editor (with Machteld Venken) of the double special issue "Childhood in Times of Political Transformation in the 20th Century" in the Journal of Modern European History; (with Heike Karge and Sara Bernasconi) of From the Midwife's Bag to the Patient's File: Public Health in Eastern Europe; and (with Jessie Labov) of Samizdat, Tamizdat, and Beyond: Transnational Media During and After Socialism. PRODUCER'S NOTE: This episode was recorded in person on November 3rd, 2022 at The University of Texas at Austin. If you have questions, comments, or would like to be a guest on the show, please email slavxradio@utexas.edu and we will be in touch! CREDITS Host/Associate Producer: Sergio Glajar Host/Assistant Producer: Eliza Fisher Associate Producer: Lera Toropin (@earlportion) Associate Producer: Cullan Bendig (@cullanwithana) Associate Producer: Taylor Ham Assistant Producer: Misha Simanovskyy (@MSimanovskyy) Supervising Producer: Katherine Birch Recording, Editing, and Sound Design: Michelle Daniel Music Producer: Charlie Harper (@charlieharpermusic) www.charlieharpermusic.com (Main Theme by Charlie Harper and additional background music by Michelle Daniel Trio, Ketsa, and Glass Boy) Executive Producer & Creator: Michelle Daniel (@MSDaniel) www.msdaniel.com DISCLAIMER: Texas Podcast Network is brought to you by The University of Texas at Austin. Podcasts are produced by faculty members and staffers at UT Austin who work with University Communications to craft content that adheres to journalistic best practices. The University of Texas at Austin offers these podcasts at no charge. Podcasts appearing on the network and this webpage represent the views of the hosts, not of The University of Texas at Austin. https://files.fireside.fm/file/fireside-uploads/images/9/9a59b135-7876-4254-b600-3839b3aa3ab1/P1EKcswq.png Special Guest: Friederike Kind-Kovács.

Chief conductor of the Slovak Philharmonic invites to the new season at the very day of the new season. On 18th October 2021, Edita Gruberova, Slovak born soprano known in the world as the Queen of Coloratura, passed away. We recall her career in remembrance of this top representative of Slovak culture abroad. And 12th October is the Day of Samizdat in Slovakia. If this is a new word for you, feel free to learn more with us.

There is something mesmerising about Fred Fowler's paintings. The multitude of small, colour-filled shapes scattered across a monochrome background raise a lot of questions. Is that a pink cat? A cactus? An alien? Next to a mobile phone tower? Are they related? Other amorphous elements seem purely abstract but still somehow evoke a response; a memory, an emotion. The viewer is taken into an alternate space where objects might be floating or fixed but often not identifiable. Ultimately it's a sensory experience which demands multiple viewings so it's not surprising that these works fly off gallery walls in sell-out shows. Fred's work is held in the National Gallery of Australia and, although his roots are in graffiti art and graphic design, as soon as he began his studies at the Victorian College of the Arts it became clear to him the direction he should take. In this interview he talks about that transition, the artists who have influenced him and the thoughts behind his work, openly sharing the struggles and doubts. It was a revealing and enjoyable conversation.  Fred is represented by Sophie Gannon Gallery and Jan Murphy Gallery. To hear the podcast interview click on play beneath the above feature photo. A short Youtube video of Fred in his Melbourne studio will be uploaded to the Talking with Painters YouTube channel in the coming weeks. Photo supplied by the artist Upcoming shows Solo show at Sophie Gannon Gallery, Melbourne, 2023 Links Fred Fowler website Fred Fowler on Instagram Fred Fowler at Jan Murphy Gallery Fred Fowler at Sophie Gannon Gallery Banksy 'The Element of Crime', Lars von Trier 'Cut Piece' - Yoko Ono Francis Bacon Ramellzee (YouTube documentary) 'In the Making, artist series' which includes part of Fred's video work 'Plc Ntrvw' Digital work 'Samizdat 4' (cropped) 2021 as appears on Instagram 'Mooloomba Rd, Point Lookout' (2020), synthetic polymer paint and oil paint on wood panel,  90 x 100cm   'In this sunset' (2021), synthetic polymer paint on wood panel, 100 x 90 cm 'Overgrown' 2020, synthetic polymer paint and oil paint on wood panel, 100 x 90 cm 'Tarkine (study)' (2019), oil paint and gold leaf on wood panel, 70 x 60 cm 'Above Cylinder Beach' (2018), oil stick on wood panel, 60 x 70cm Still from 'Samizdat 4' 2021, digital, looping See video on Instagram (cropped) here Dimensions: 1078 × 606 Duration: 0:15 Blockchain: Ethereum 'Cultural amnesia (Liquid State)' 2012, spraypaint and synthetic polymer paint on wood panel, 100 x 130cm

Libri Prohibiti is a nonprofit, independent, archival research library located in Prague, Czech Republic that collects samizdat and exile literature. Founded by Jiří Gruntorád after the fall of the communist regime its holding include some 40,000 monographs, periodicals, reference resources, and audiovisual materials. In addition to dissident articles, many popular books were banned, and subsequently distributed as samizdats including George Orwell's Nineteen Eighty-Four and J.R.R. Tolkien's The Lord of the Rings, both of which are held in the library.    In 2013, the Libri Prohibiti Collection of Czech and Slovak Samizdat periodicals from the years 1948–1989 was listed by UNESCO in its Memory of the World (MOW) Register. It is the largest collection of its kind in the world. According to the MOW Registry, "the completeness and uniqueness of this large number of documents attest to the fight against the communist totalitarian regime and its importance for the study of the history of the twentieth century."    I met with Jiri Nenicka, a librarian at Libri Prohibiti, in Prague to talk about the collection.   The novel/diary we refer to about 2/3 of the way in which beautifully describes the samizdat publishing experience is A Czech Dreambook by Ludvík Vaculík translated by Gerald Turner (Karolinum Press, Charles University, 2018)

Para que o bitcoin fosse resistente à censura, foi necessário que cada indivíduo pudesse rodar seu próprio node. Para proteger as reflexões do bitcoinheiro Augusto Simões publicadas no twitter, ele decidiu compilar tudo em um livro e disponibilizar o download de maneira gratuita. MINUTAGEM 00:00 Abertura 02:00 Apresentação do convidado 02:45 Efeito Streissand 03:50 Censura nas redes sociais 04:30 Samisdat, a resistência cultural na União Soviética 06:50 Soberania do seu conteúdo 14:00 Censura em redes privadas 17:50 "Para entrar na toca do coelho você precisa sair de outras tocas antes" 24:20 Bitcoin está além da nossa compreensão 28:30 Políticos, bitcoin e CBDCs 51:40 "Se você não entende o Bitcoin e seu valor, não entende o resto da sociedade, simples assim." 54:00 "Unpopular opinion: uma vez engolindo o ouro, o Bitcoin engole o dólar automaticamente." 58:50 "Quando é melhor comprar Bitcoin? Quando ele ainda tem preço." ________________ APOIE O CANAL https://bitcoinheiros.com/apoie/ ⚡ln@pay.bitcoinheiros.com Loja dos Bitcoinheiros https://loja.bitcoinheiros.com/ SIGA OS BITCOINHEIROS: Site: https://www.bitcoinheiros.com Youtube: https://www.youtube.com/bitcoinheiros Twitter: https://www.twitter.com/bitcoinheiros Allan - https://www.twitter.com/allanraicher Dov - https://twitter.com/bitdov Becas - https://twitter.com/bksbk6 Ivan - https://twitter.com/bitofsilence Instagram: https://www.instagram.com/bitcoinheiros Facebook: https://www.fb.com/bitcoinheiros Podcast: https://anchor.fm/bitcoinheiros APOIE O CANAL: - Dê uma gorjeta em Bitcoin: https://bitcoinheiros.com/apoie/ - Inscreva-se no canal - Deixe seu comentário no vídeo - Dê um like no vídeo - Compartilhe o vídeo e o canal com amigos e familiares na sua rede social - Envie um email com seu comentário e sugestões: bitcoinheiros@protonmail.com COMO GUARDAR SEUS BITCOINS? Bitcoinheiros recomendam o uso de carteiras Multisig com Hardware Wallets de diferentes fabricantes. Busque por "canivete bitcoinheiro" em nosso canal para saber mais. - COLDCARD - https://store.coinkite.com/promo/bitcoinheiros (use o código bitcoinheiros para ganhar 5% de desconto) - TREZOR E BITBOX02 PARA RESIDENTES NO BRASIL E AMÉRICA DO SUL Revendedor oficial: https://www.kriptobr.com/?afiliado=1288 Acesse com nosso link acima para ajudar o canal! ;) - TREZOR PARA RESIDENTES EM OUTROS PAÍSES https://shop.trezor.io/product/trezor-model-t?offer_id=15&aff_id=3722 ISENÇÃO DE RESPONSABILIDADE: Este conteúdo foi preparado para fins meramente informativos. NÃO é uma recomendação financeira nem de investimento.

Ze současných diskusí o českém (československém) pozdním komunismu často vyplyne podivně pokřivený obraz minulosti: proti předlistopadovému režimu se dle něj za tzv. normalizace stavěla jen „hrstka disidentů“, jinak prý žili obyvatelé Československa vcelku klidné životy, sice občas neměli banány nebo toaletní papír, ale nějaký útlak a nesvobodu si ani pořádně neuvědomovali, neměli dost informací atd. atp.

Ze současných diskusí o českém (československém) pozdním komunismu často vyplyne podivně pokřivený obraz minulosti: proti předlistopadovému režimu se dle něj za tzv. normalizace stavěla jen „hrstka disidentů“, jinak prý žili obyvatelé Československa vcelku klidné životy, sice občas neměli banány nebo toaletní papír, ale nějaký útlak a nesvobodu si ani pořádně neuvědomovali, neměli dost informací atd. atp.Všechny díly podcastu Příběhy 20. století můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Ze současných diskusí o českém (československém) pozdním komunismu často vyplyne podivně pokřivený obraz minulosti: proti předlistopadovému režimu se dle něj za tzv. normalizace stavěla jen „hrstka disidentů“, jinak prý žili obyvatelé Československa vcelku klidné životy, sice občas neměli banány nebo toaletní papír, ale nějaký útlak a nesvobodu si ani pořádně neuvědomovali, neměli dost informací atd. atp.

Giselle and Iulia are joined by Yevgeny Simkin, co-founder of "Samizdat Online", an organization which aims to gather all voices of the world that suffer under autocratic repression and reunite those voices with their audiences. Yevgeny explains how his organization reaches Russians, inundated with propaganda from the Kremlin, by collecting stories and news articles - which otherwise would be blocked in Russia for political reasons, like the website Meduza - translating them in to Russian where applicable, and by using unique technological tricks to share this banned content through easy-to-share SOS-Link™ links. Yevgeny explains how his team sidesteps Russia's draconian content censorship to share the hidden truth with Russians blinded by years of government propaganda. Show notes: https://samizdatonline.org/ (Samizdat Online); "https://www.thebulwark.com/why-ukraine-is-dangerous-to-putin/ (Why Ukraine Is Dangerous to Putin)" by Yevgeny Simkin

It's hump day and we have a nice mix of things to pass the time together. Going to expand quickly on the so-called "Samizdat" approach to protesting the Fake Meat World Order, but we Astro Charts for August, and a crazy NBC reporter's twisting of the Johnny Depp/Amber Heard trial to harken back to the Gamergate 'conspiracy' has got me wanting to review the entire Gamergate timeline of events and its big-picture significance. This will be a good review for those who forgot, and another piece of history you didn't know you needed for those who never knew. Plenty of extras in here, super chats, emails, calls, and whatever else! Silent Knife (New Music by Anthony) Pre-Save link: https://ffm.to/swimmingthroughair Support Our Proud Sponsors: Blue Monster Prep: An Online Superstore for Emergency Preparedness Gear (Storable Food, Water, Filters, Radios, MEDICAL SUPPLIES, and so much more). Use code 'FRANKLY' for Free Shipping on every purchase you make @ https://bluemonsterprep.com/ Secret Nature CBD: 100% organic CBD rich cannabis flower bred so low in THC that they are legally certified as hemp and can be shipped nationwide. High-CBD, low-THC means all the benefits of full spectrum cannabinoids and terpenes without the high, or negative effects like anxiety and paranoia. Pre-rolls, Oils, Tinctures, and more - Promo Code 'FRANKLY' at SecretNatureCBD.com for 20% OFF SUPPORT the Show and New Media: Sponsor through QFTV: https://www.quitefrankly.tv/sponsor SubscribeStar: https://www.subscribestar.com/quitefrankly One-Time Gift: http://www.paypal.me/QuiteFranklyLive Official QF Merch: https://bit.ly/3tOgRsV Sign up for the Free Mailing List: https://bit.ly/3frUdOj Send Crypto: BTC: 1EafWUDPHY6y6HQNBjZ4kLWzQJFnE5k9PK LTC: LRs6my7scMxpTD5j7i8WkgBgxpbjXABYXX ETH: 0x80cd26f708815003F11Bd99310a47069320641fC FULL Episodes On Demand: Spotify: https://spoti.fi/301gcES iTunes: http://apple.co/2dMURMq Amazon: https://amzn.to/3afgEXZ SoundCloud: http://bit.ly/2dTMD13 Google Play: https://bit.ly/2SMi1SF Stitcher: https://bit.ly/2tI5THI BitChute: https://bit.ly/2vNSMFq Rumble: https://bit.ly/31h2HUg Watch Live On: QuiteFrankly.tv (Powered by Foxhole) DLive: https://bit.ly/2In9ipw Rokfin: https://bit.ly/3rjrh4q Twitch: https://bit.ly/2TGAeB6 YouTube: https://bit.ly/2exPzj4 CloutHub: https://bit.ly/37uzr0o Theta: https://bit.ly/3v62oIw Rumble: https://bit.ly/31h2HUg How Else to Find Us: Official WebSite: http://www.QuiteFrankly.tv Official Telegram: https://t.me/quitefranklytv DISCORD Hangout: https://bit.ly/2FpkS11 QF Subreddit: https://bit.ly/2HdvzEC Twitter: @PoliticalOrgy Gab: @QuiteFrankly Truth Social: @QuiteFrankly GETTR: @QuiteFrankly

THE DOOMED & STONED SHOW ~Season 8, Episode 18~ It's time to take a look at one of the summer's hottest festivals, and not just because it's taking place in Texas in the middle of July. We're talking Ripplefest Texas: four days of heaviness at The Far Out Lounge in Austin, Texas -- featuring The Obsessed, Sasquatch, The Sword, Eagles of Death Metal, and more! Ryan and Shay Garney from Lick of my Spoon Productions are organizing and join Billy Goate (Editor, Doomed & Stoned) and John Gist (CEO, Vegas Rock Revolution) to explore the festival one day at a time. Over three hours of talk 'n' rock! Patrons get to hear it first, plus download the show in high quality audio AND access hundreds of previous episodes! Join the "High on Fiver" club today: https://patreon.com/doomedandstoned PLAYLIST: INTRO (00:00) 1. The Sword - "Tres Brujas" (00:31) HOST SEGMENT I (04:35) 2. The Obsessed - "To Protect and to Serve" (32:43) 3. Mr. Plow - "Samizdat" (35:48) 4. GoodEye - "ILL(prairie)" (42:03) 5. Rickshaw Billie's Burger Patrol - "Baby Man" (47:59) HOST SEGMENT II (51:42) 6. High Desert Queen - "Heads Will Roll" (1:16:00) 7. Fostermother - "Redeemer" (1:20:33) 8. Void Vator - "Nothing to Lose" (1:25:47) 9. Grail - "Green Crak" (1:29:31) 10. Crowbar - "It's Always Worth The Gain" (1:33:29) HOST SEGMENT III (1:37:21) 11. Sasquatch - "It Lies Beyond the Bay" (1:57:44) 12. STÖNER - "A Million Beers" (2:02:40) 13. The Heavy Eyes - "Late Night" (2:05:24) 14. High Priestess - "Banshee" (2:07:54) 15. The Sword - "Hammer Of Heaven" (2:12:02) HOST SEGMENT IV (2:17:51) 16. Salem's Bend - "Queen of the Desert" (2:45:32) 17. Eagles of Death Metal - "WannaBe in L.A." (2:49:48) 18. Spirit Adrift - "Ride Into The Light" (2:52:04) 19. KIND - "German for Lucy" (2:56:47) OUTRO (3:04:56) 20. REZN [Bonus Track] - "Optic Echo" (3:05:12) CREDITS: Theme Song: Dylan Tucker Incidental Music: Hellvetika (https://akitevlleh.bandcamp.com/) Thumbnail: poster for Ripplefest Texas

Vysokoškolská pedagožka, znalkyně literatury i člověk, který uměl otevřeně a kriticky hodnotit dění kolem sebe. Studenti ji ale vyhledávali i pro její schopnost naslouchat. Tajné přednášky v jejím bytě však neunikly pozornosti StB. Ke spolupráci se navzdory opakovaným výslechům zlomit nenechala. Po roce 1989 začala spolupracovat s Českým rozhlasem. Zemřela v roce 2016 v nedožitých 83 letech. V dokudramatu účinkují Nina Rudišová, Ivana Uhlířová nebo teolog Martin Chadima.Všechny díly podcastu Osudové ženy můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Frank Armstrong is the editor of the magazine called Cassandra Voices. ***** I got a lot of the ideas for this discussion from an article by Yuriy Gorodnichenko on Berkeley Blog.

The expression SAMIZDAT refers to magazines, books, newspapers or other documents that were self-published – it means without the approval of a totalitarian regime. Czech and Slovak samizdat literature collected in the Libri Prohibita library in Prague has been listed in the UNESCO Memory of the World register. The fact that self-published literature was printed in Slovakia shows the will of its citizens to fight for freedom. Why to attend a photography festival at the time of selfies?

A special exhibition playing with the importance of potatoes in Slovak regions will close soon in the northern Slovak very colourful village of Važec. From 2021, 12th October is celebrated as a memorial day in Slovakia being dedicated to literature fighting for basic human rights.

Writer and translator Subhash Jaireth tracks his life through both countries and bookshelves, from India to the (then) Soviet Union and onto Australia, with many countries and literary traditions in between. He speaks to Kate Evans about where reading and books have taken him.