Podcast appearances and mentions of rich costey

What makes a rock mix great? There are countless lessons to learn in Audioslave's self-titled debut, mixed by Rich Costey and produced by Rick Rubin. ►

On today's epsiode of Adventures In Vinyl we discuss the 3rd studio album by an english alternative rock band that was released in 2003. That band is Muse and the album is Absolution.Genre: Alternative Rock / Progressive RockRelease Date: Sptember 15th, 2003Studio: Air Studios (London), Livingson Recording Studios (London), Grouse Lodge, Rosemount Cello Studios (LA)Producer(s): John Cornfield, Rich Costey, Muse, Paul ReeveLabel: TasteLength: 52:19# of Tracks: 14

Martin Cooke has worked with bands such as Death Cab for Cutie (Grammy Nomination in 2015), Of Monsters And Men, At The Drive-In, Chvrches, HAIM, Kimbra, Sea Wolf, Chaos Chaos, Destroy Boys, Hayes & Y, and Cathedrals Martin hails from the great state of Texas and has been playing music since the age of 10. He spent two years at the University of Houston, studying music performance and music education, before attending Berklee College of Music. While at Berklee, he discovered the world of manipulating and recording sound, and never looked back. After graduating with a dual major in Music Production & Engineering and Music Synthesis, Martin moved to Los Angeles and began working at the world class Henson Recording Studios.  From 2013 to 2018 he engineered for producer/mixer Rich Costey, and has been involved in mixes for artists like HAIM, Phantogram, Chvrches, Foster The People, and many more. He is now established as an independent recording and mixing engineer, and has had the opportunity to work with great independent artists to help them take their music to a new level. IN THIS EPISODE, YOU'LL LEARN ABOUT: Audio school: Is it worth it? Shadowing other engineers and adapting to new workflows Calibrating your system Making the switch from analog to digital Getting an analog sound in digital productions Understanding phase relationships and how they impact the sound The pros and cons to using programmed drums Mixing drums Leaning into room mics to create a more realistic sound Martin's system for using parallel compression His go-to tools for saturation Using a “crotch” mic The Brendan O'Brien kick/snare mic technique Finding the sweet spot of a room to record in Notable gear mentioned: SSL Plugins: https://sweetwater.sjv.io/DKq3Xj To learn more about Martin Cooks, visit https://www.mcooke.net/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

  Le groupe de rock nous avait fait découvrir les succès incontournables tels que "Stockholm Syndrome" et "Time Is Running Out" provenant de leur album "Absolution". Bien sûr, cet album renfermait également d'autres morceaux classiques, dont "Butterflies And Hurricanes" et "Hysteria". Maintenant, voilà que Muse, deux décennies plus tard, annonce une édition Deluxe de leur album culte ! Audio a été remastérisée et comprendra des versions live inédites, des démos, des photos, ainsi que des interviews approfondies avec le groupe, où ils évoquent les hauts et les bas du processus d'enregistrement, ainsi que les influences des circonstances sociales de l'époque. De plus, une interview avec le producteur Rich Costey sera incluse. La sortie de ce "coffret Deluxe Muse Absolution XX Anniversary" est programmée pour le 17 novembre prochain. Ce luxueux coffret sera dans... • La suite sur https://www.radiomelodie.com/podcasts/11398-20-ans-plus-tard-muse-reedite-absolution.html

Martin Cooke is a music producer and mixing engineer based out of LA, CA, USA! In our conversation Martin shares his story; studying at Berklee college of music, moving to LA, working at Henson, and later for Rich Costey, and eventually going freelance and doing his own thing. We chat about the producing vs the mixing mindset, getting clients, outboard gear, how he gets guitar and drum tones preserving dynamics, monitoring, Rush, making sure to be engaged in the work you do and so much more! Check it out!You can learn more about Martin at https://www.mcooke.net/You can follow Martin on Social MediaIG - https://www.instagram.com/martin__cooke/***Thanks to our sponsors!***Click here to listen to "Thanks for Thinking" - https://www.carlbahner.com/thanks-for-thinking ***Join the Secret Sonics Discord community here(!) - discord.gg/UP97b72W6tReferences:Travis Ference - https://www.benwallick.com/podcast-episodes/2021/9/26/secret-sonics-114-travis-ference-redefining-success-in-musicRich Costey - https://en.wikipedia.org/wiki/Rich_CosteyShadow Hills Equinox Summing Mixer - https://www.sweetwater.com/store/detail/Equinox--shadow-hills-industries-equinoxMagic Death Eye - http://magicdeatheye.com/AudioThing Wires - https://www.audiothing.net/effects/wires/AudioThing Springs - https://www.audiothing.net/effects/springs/Consider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.Thank you to Zvi Rodan, Mendy Portnoy, and Yakir Hyman for contributing to the podcast theme music!Thanks to Gavi Kutliroff for helping edit this episode!You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.co Have a great week, stay safe, and dig in!-Ben

Rich Costey is a producer and audio engineer who has such a stunning CV of incredible artists that you only wish you had three hours to interview him and talk about them all: Biffy Clyro, Muse, Foo Fighters, Fiona Apple, and so many more. Headliner talks about Costey's amazing career, how his time working at Philip Glass' studio shaped him professionally, and how Waves plugins fit into the whole picture.

Formed in 1999, Earshot signed to Warner Bros. in 2001 after the label heard their blend of moody melodic metal and entered the studio with producer David Kahne. After the recording session, the record was polished up by mixer Andy Wallace and released in the summer of 2002 as LETTING GO. The album yielded their first hit single reaching #4 on U.S. Active Rock radio charts and stayed in the top 100 for over 64 weeks. The albums lead off track appeared on the soundtrack alongside other artists. In 2003, Earshot returned to the studio to begin work on their second album, (produced by Johnny K. and mixed by Rich Costey), released in 2004 on Warner Bros. Records. Their breakout single ‘Wait' reached #9 on U.S. Active Rock radio charts while also being featured on the hugely successful Madden NFL 2005 and MX vs. ATV Unleashed video game soundtracks. https://open.spotify.com/artist/6eeYh... Learn more about your ad choices. Visit megaphone.fm/adchoices

Well, I guess this is growing up. On Marmite and Boudica and Red Dwarf and The Van Pelt and the best punk rock album of the year. Earlier this month, Frank Turner released his ninth studio album. Entitled FTHC, it is by far his most "punk rock" album to date (I suppose one could argue that his previous album, 2019's No Man's Land, which was primarily a historical folk album with each song telling a different tale about a woman from history, ranging from Sister Rosetta Tharpe to Christa McAuliffe, was his most "punk rock" album to date for entirely different reasons, but that's more of a semantic argument than we need right now). FTHC is his most personal album to date - no easy feat for someone who's made a career of wearing his tape deck heart on his sleeve. It may indeed be his best album to date. It is, most certainly and perhaps not surprisingly given the above factors, his first album to debut at #1 on the charts in his native UK. We caught up with Turner the day after learning that FTHC was, in fact, named the number one selling album in the land. We talked about the importance of that distinction, particularly as it came fifteen years and nine albums into his solo career. We talked about the influences behind the album and about how getting married and turning 40 and still being alive has provided a different sort of perspective that wasn't afforded to his younger self. We talked about the making of the album (the image of Ilan Rubin recording drums in a Los Angeles studio over Zoom while Frank watched from London and producer Rich Costey watched from Vermont is still one I find endlessly amusing). We talked about the stories behind some of the album's more personal tracks, although I did leave out the songs about his struggles with anxiety and cocaine addiction and how his relationship with his father changed after the latter came out as a trans woman several years ago; those have been covered at length in other outlets. And perhaps most importantly, we talked about the legion of Turner fans, aptly known as the Frank Turner Army, that has been steadily building for the better part of the last decade and who, frankly, rightly share in a lot of the success behind FTHC. They even pitched in for a few questions that certainly ran a stylistic gamut. If you haven't bought FTHC yet, get it at your local indie record store or here: https://store.frank-turner.com/ If you want to go back in time and read our chat with Frank from the steps of Boston's City Hall before his 2014 appearance at Boston Calling, go here: https://dyingscene.com/ds-interview-and-photo-gallery-frank-turner-in-boston-on-his-1567-show-rise-to-fame/ If you want to watch my then-four-year-old daughter sing "English Curse," go here. She said it was okay, I promise. https://youtu.be/VgBHrbP0kRU Listen to The Van Pelt here: https://thevanpelt.bandcamp.com/album/sultans-of-sentiment To read more about Boudica, go here: https://www.historic-uk.com/HistoryUK/HistoryofEngland/Boudica/ If you want to buy Marmite, go here: https://www.marmite.co.uk/ Watch Red Dwarf here: https://www.reddwarf.co.uk/tv/ (*both laughs*) theme song is an excerpt from [laughs] track "Hurts To Laugh." © KALI MASI 2021 ℗ Take This To Heart Records 2021

Frank Turner joins us via Zoom to chat through his upcoming new album 'FTHC', featuring recent singles 'The Gathering' and Scott Hutchison tribute 'A Wave Across A Bay'. He talks working with producer Rich Costey and guest drummers, Muse's Dominic Howard and Nine Inch Nails/Angels & Airwaves member Ilan Rubin. Plus, we talk future live plans, reflect on his split album with NOFX and 15 years since his debut solo album 'Sleep Is For The Week'.

In part 2 of the Productionwise dive into the work of Rich Costey, we really find his signature sound. His work with Biffy Clyro, Of Monsters and Men, Interpol and Glasvegas gives him colossal spaces to fill, while collaborations with Franz Ferdinand and At the Drive-In pick up the pace. And is that 2000s mtv-core revival on the horizon? In this episode, James and Graham talk sincerity in music, matching the right production to the right album, and allegations.

The second series of Productionwise kicks off with an exploration of the great work of Rich Costey. Rich has done it all over a career that has seen him work extensively as an engineer for Philip Glass and a mixer for Rick Rubin, but his production work has a strong flavour despite its diversity. His most high-profile collaborations are with the likes of Muse, Biffy Clyro, Jane's Addiction and Death Cab for Cutie but, as you'll see, Rich could really work with anyone and make an impression. In this episode, James and Graham talk poppy second albums, the pros and cons of being a safe pair of hands, transcending the sound of a band in a room, fantasy in music and the problem with cymbals.

Rich Costey doesn't give as many interviews as he should, and I'm really happy he agreed to come on the show. Originally recorded June 15th, 2020, the conversation is epic! We cover Fiona Apple, Philip Glass, Muse, The Mars Volta and more.

In this episode, John catches up with Biffy Clyro frontman Simon Neil and producer Rich Costey to talk about how they wrote, recorded and produced the album ‘A Celebration of Endings’.Armed with the very first demos and ‘work-in-progress’ recordings, Simon and Rich talk us through each song's evolution, from rehearsals on a farm to getting down intricate drum sounds and a 30-piece orchestra at Abbey Road.We’re given an insight into Simon’s vocal recording process as well as his approach to the biology of a guitar. Rich shares some of his producer wizardry, talking through single mic recording tricks, common rock mixing problems as well as the amps and gear used to help craft the band’s sound.Listen to find out how the pair blew up a pre-war Gibson Amp, what tuning their instruments did to the music and why you should go and follow @tempojunkee on Twitter. Tracks discussed:  North of No South, Instant History, Cop Syrup GEAR MENTIONSMichael Landau Signature Stratocaster  Les PaulBoss Metal Zone Pedals Kilt PedalProphet 6 Black Volt Vox AC30 Roland JC120 HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast  To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk 

Ep. 54. Rivers Cuomo wrote "Put Me Back Together" with the help of Tyson Ritter and Nick Wheeler of The All-American Rejects. They had a wonderful time working together and thought they had created a new Weezer classic. John explores all of the ways they got it wrong in today's episode. LISTEN: 1. "Put Me Back Together" on Spotify | Apple Music | YouTube 2. "Put Me Back Together" (Rich Costey mix) on YouTube 3. "Put Me Back Together" (VEVO Go Show) on YouTube 4. "The World Has Turned And Left Me Here" on Spotify | Apple Music | YouTube 5. "Gives You Hell" on Spotify | Apple Music | YouTube LYRICS: 1. "Put Me Back Together" at Genius.com 2. "Gives You Hell" at Genius.com MORE INFO: 1. "Put Me Back Together" at Weezerpedia 2. Raditude at Weezerpedia 3. "Working With Weezer: All-American Rejects on Raditude Sessions" at Rolling Stone 4. "11 Things You Learn Hanging Out With Weezer" at Rolling Stone 5. "Put Me Back Together" at Setlist.fm 6. Serban Ghenea at AllMusic 7. Rich Costey at Wikipedia 8. "The Girl Got Hot" episode of Post-Pinkerton 9. "Feels Like Summer" episode of Post-Pinkerton

**Amputechture** (2006) es el tercer álbum de la banda de rock progresivo estadounidense The Mars Volta. Fue grabado en Los Ángeles (California), El Paso (Texas) y Melbourne (Australia). El álbum fue producido por Omar Rodríguez-López y mezclado por Rich Costey. El dibujo de la portada es la inversión horizontal del "Big Mutant" de Jeff Jordan. El álbum presenta cerca de música invitados, incluyendo al por aquel entonces guitarrista de los Red Hot Chili Peppers John Frusciante que participa como invitado en todos los temas del disco excepto en Asilos Magdalena. El álbum debutó en el top #9 en el Billboard 200 vendiendo más de 59,000 copias en su primera semana.

Rich Costey es uno de los productores de rock alternativo m

6 timers pompøst radionørderi om et af Englands største rockbands, Muse, sendt i anledning af udgivelsen af albummet 'Drones' (2015). Hør hele historien om albummet 'Absolution' fra 2003, mød Muse-produceren Rich Costey, dyrk de skæve b-sider og få lytternes Muse-top ti. Værter: Anders Bøtter og Kristian Bach Petersen. Sendt første gang: 06. Jun. 2015.

6 timers pompøst radionørderi om et af Englands største rockbands, Muse, sendt i anledning af udgivelsen af albummet 'Drones' (2015). Hør hele historien om albummet 'Absolution' fra 2003, mød Muse-produceren Rich Costey, dyrk de skæve b-sider og få lytternes Muse-top ti. Værter: Anders Bøtter og Kristian Bach Petersen. Sendt første gang: 06. Jun. 2015.