Podcasts about Absolution

Patrick opens the phones to questions about faith, baptism, and what truly defines the Catholic Church, moving from heartfelt concerns about re-baptism to passionate exchanges with skeptics like Rich, who challenges Jesus’s divinity and the origins of Catholic belief. He fields queries on confession and rituals, all while offering sharp insights, scriptural responses, and the occasional smile when listeners push back or disagree. Calls range from bewildered to bold, and Patrick doesn’t shy away from the tough stuff as he meets every topic, from indulgences to religious freedom, head on. Justin - I feel like Holy Spirit is calling me to be rebaptized. My pastor does not agree and won't do it. Do you have any thoughts? (00:34) Rich - I discovered that Jesus denounced Catholicism, so how could he be the founder? (09:08) John - Do we need to say the Act of Contrition before you get Absolution? (23:04) Dolores – Should we place limitations on the rights of the religious? Didn't Utah have to renounce polygamy before it became a state? (31:14) Patrick shares some emails in response to Rich’s call earlier in this hour Nick - I was baptized as a Ukrainian Catholic. I had the sacrament of Confirmation as an infant. How was this valid? (40:04) Doug - What is required to get a plenary indulgence? (42:41) Originally aired 10/30/2025

Finishing up my four-part exploration of The Exorcist, this episode considers the film's exorcism scenes, its ambiguous ending, and lasting legacy.  My newfound appreciation for the towering achievement represented by this film is perhaps news only to me, but totally genuine nonetheless.

How has the classical music industry approached representation and how has the new music community forged new paths to embrace diverse musics? On tonight's episode of Obbligato on APEX Express, Isabel Li is joined by violinist Shalini Vijayan, who discusses her vibrant career and reflects upon the ways contemporary classical music can build community.  Violinist Shalini Vijayan, deemed “a vibrant violinist” by Mark Swed of the Los Angeles Times is an established performer and collaborator on both coasts. Always an advocate for modern music, Shalini was a founding member and Principal Second Violin of Kristjan Jarvi's Absolute Ensemble, having recorded several albums with them including 2001 Grammy nominee, Absolution. Shalini was also a founding member of the Lyris Quartet, one of Los Angeles' most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series, for Jacaranda Music and helped to found the Hear Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles.  Shalini performed for over a decade with Southwest Chamber Music and can be heard on their Grammy nominated Complete Chamber Works of Carlos Chávez, Vol. 3. She has been a featured soloist with the Los Angeles Master Chorale in Chinary Ung's Spiral XII and Tan Dun's Water Passion, including performances at the Ravinia Festival. As a chamber musician, Shalini has collaborated with such luminaries as Billy Childs, Chinary Ung, Gabriela Ortiz, and Wadada Leo Smith on whose Ten Freedom Summers she was a soloist. Shalini joined acclaimed LA ensemble, Brightwork New Music in 2019 and also serves as the curator for Brightwork's Tuesdays@Monkspace series, a home for contemporary music and performance in Los Angeles. As a teacher, she has been on the faculty of the Nirmita Composers Workshop in both Siem Reap and Bangkok and coaches composition students through the Impulse New Music Festival.  Shalini received her B.M. and M.M. degrees from Manhattan School of Music as a student of Lucie Robert and Ariana Bronne. As a member of the New World Symphony in Miami Beach, Florida, Shalini served as concertmaster for Michael Tilson Thomas, John Adams, Reinbert de Leeuw and Oliver Knussen. She was also concertmaster for the world premiere performances and recording of Steven Mackey's Tuck and Roll for RCA records in 2000. Shalini was a member of the Pacific Symphony Orchestra for ten seasons and also served as Principal Second Violin of Opera Pacific. She lives in Los Angeles with her son, husband and two dogs and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  Check out more of her work at:  https://brightworknewmusic.com/tuesdays-at-monk-space/  https://www.lyrisquartet.com/    Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express.    00:01:03 Isabel Li  You're listening to Obbligato, which is a segment about the Asian American Pacific Islander community, specifically in classical music.  00:01:11 Isabel Li  I'm your host, Isabel Li, and today joining me is Shalini Vijayan, who is a violinist, established performer, and always an advocate for modern music.  00:01:21 Isabel Li  Shalini is also a founding member of the Lyris Quartet, one of Los Angeles most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series for Jacaranda Music, and helped to found the Here and Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles. She joined acclaimed LA ensemble Brightwork New Music in 2019, and also serves as the curator for Brightwork's Tuesdays at Monk Space series. She currently lives in Los Angeles with her son, husband and two dogs, and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  00:02:04 Isabel Li  Well, Shalini, thank you so much for joining me in this conversation today.  00:02:09 Shalini Vijayan  I'm so happy to be with you.  00:02:11 Isabel Li  Awesome. I'd like to just get to know you and your story. How do you identify and what communities do you consider yourself a part of?  00:02:18 Shalini Vijayan  I use the pronouns she, her, and I. Um, I identify as South Asian. I grew up in an Indian family. My parents immigrated to the US in the sixties to teach at medical school. And I grew up with a great deal of Indian culture. And I've spent a lot of time going back and forth to India from the time that I was very young. You know, it's interesting because I feel like in LA, where I live and work specifically, there is so much overlap between all of our different musical communities. You know, I went to school in New York, and I feel like there I was much more, I'm very connected to the new music community in New York and felt really kind of entrenched in that at the time I was there. And after coming to LA, I realized that, um, there are a lot of musicians doing so many different things. That's one of the things I love about Los Angeles, actually. And, you know, I'm definitely very, very rooted in the new music community in LA. And that was where I made my first sort of connections when I first moved to Los Angeles. But I also, you know, worked in an orchestra when I first came to LA. I played in the Pacific Symphony for almost ten seasons, and so I became a part of that community as well. And you know, as the years went on, I also became much more involved in the studio music community of LA studio musicians playing on movie scores, playing on television shows, records, what have you, Awards shows, all sorts of things. And these are all very distinct communities in LA in music. But I see a ton of overlap between all of them. There are so many incredibly versatile musicians in Los Angeles that people are able to really very easily move from one of these groups to the other and, you know, with a great deal of success. And I feel like it gives us so much variety in our lives as musicians in LA, you don't feel like you're ever just in one lane. You can really occupy all these different kinds of spaces.  00:04:23 Isabel Li  Right, yeah. So you're classically trained, from what I know, and you describe yourself as an advocate for modern music. So why modern music?  00:04:33 Shalini Vijayan  That's a great question. I have have had to answer this question quite a bit over the years, especially to non-musicians. And it's always an interesting story for me. You know, as a violinist in particular, you know, we have such a storied history of repertoire and pedagogy, and there is such an incredible, um, library of music that we have access to from the very standard classical repertoire. And there is a great deal to be learned about the instrument and about music from playing all that repertoire. I think at some point when I was in high school, I started to become interested in more modern music. And actually I grew up in Davis in Northern California.   My parents both taught at the university there, at the medical school and in Sacramento. Nearby there was a festival of modern American music that I think still goes on to this day at Cal State University, Sacramento. And it was really a great festival. And at that time, you know, they would bring professional artists, they'd have composers, they'd have commissions, all sorts of things. But at the time that I was like in high school, they also had a junior division to the festival, and I was asked to play a couple pieces in the Festival of, um, Modern Works, and I can't remember at this time what the pieces were, but it left such a huge impression on me. And I think what I really took away from that experience as a kid is that in my studies as a violinist, I was always being asked to sort of live up to this history and this legacy of violin music and violin playing in Western classical music. And it's a very high bar. And it's, um, you know, of course, there's so much great stuff there. But there was something so freeing about playing this music that had either never been played or not been recorded. So there was nothing to reference in terms of listening to a recording, um, and listening to how you, you know, quote, should be playing it that it made me feel, uh, you know, all this, this freedom to really interpret the music, how I felt, rather than feeling like I had to live up to a standard that had been set for me, you know, decades or centuries before. And I think that really something really clicked for me with that, that I wanted to have that kind of freedom when I, when I was playing. And so from there on out, um, you know, when I went to college and I really sought out opportunities in new music as much as I could.  00:07:00 Isabel Li  So you were first exposed to new music when you were in high school. Did that influence your decision to become a musician at all? Or were you already set on becoming a musician and that was just part of what shaped your works over the years.  00:07:15 Shalini Vijayan  I think by that time, I had already decided that I wanted to be a musician. I mean, as you know, so many of us as musicians and I think particularly string players, we decide so young because we start our instruments at such a young age and we start studying so early. Um, that I think by that time I, I had decided I wanted to do music, but this sort of opened another door for me that made me realize that it wasn't just one path in music necessarily. I think it's very easy as a, as a kid and as a violinist to think you admire these great soloists that you see and, you know, people like Perlman and, you know, Isaac Stern, who were the stars of the time when I was growing up. But, you know, you get to be in high school and you realize that hasn't happened yet. It's probably not going to happen. And so, you know, what's then then what's your path forward? How do you find a life in music if you're not going to be one of these stars? And I think, you know, new music really opened up that opportunity for me. And yeah, made me look at things a little differently for sure.  00:08:18 Isabel Li  And currently you're in the contemporary classical music ensemble, Brightwork newmusic, and you curate the ensemble's concert series, Tuesdays @ Monk Space. So how do you go about curating concerts with music by contemporary or living composers? What do you look for?  00:08:33 Shalini Vijayan  Well, right now I'm really focused on trying to represent our new music community in LA at Monk Space, which is such, you know, we have such a diverse community of musicians, not just in the makeup of who the people are making the music or writing the music, but also in just the styles of music. And so I think I try to really represent a very diverse set of aesthetics in our season. Um, you know, everything from, you know, last season we had, uh, Niloufar Shiri, who is a traditional Persian kamancheh player, but she also she can play very in a very traditional way, but she also plays with a jazz pianist. And, you know, it does all this very improvisatory stuff. And, you know, then we would have other programs where everything is very much written out and very through, composed and you know, it's been a very wide variety. And, you know, when I try to build the season, I try to make sure that it's really balanced in terms of, you know, the different types of things you'll be hearing because not every audience member is going to want to engage with every type of music. Um, or, you know, if we if we really stuck to one style and it was just in that language for the whole season, then I feel like we would, you know, alienate potential audience members. But with this, I feel like if we can bring people in for one concert and they're really into it, then hopefully they'll come to something else that is new and different for them and be exposed to something that they may really get into after that. So yeah, I think diversity and variety is really where I try to start from.  00:10:09 Isabel Li  How does that engage the community? Have you observed audience reception to this type of new music when there are composers from all different types of backgrounds?  00:10:20 Shalini Vijayan  Yeah, definitely. I mean, I think that each composer and each artist brings their own community into the space, which and so that's another. I feel like another strong reason why I try to make things very different from concert to concert. And, you know, we have some younger players who come in and bring in, you know, everyone from college students to, you know, their friends and family. And then, you know, really established composers. Like this season we have Bill Roper, who is kind of a legend in the music community in LA. Mult instrumentalist and composer who has been around for decades. And, you know, I think people will come out just because they want to see him and he's such a draw. And, um, you know, I, I also would love to be able to incorporate more world music into the series. Like I said, we did do Niloufar concert, which I felt like I really hoped would like engage with the Persian community in LA as well. And a couple seasons ago we had Rajna Swaminathan, who is, I just think, an incredible artist. Um, she plays mridangam, which is a South Indian percussion instrument, but she also writes for Western instruments, uh, and herself. And we had her and a pianist and then Ganavya, who's a vocalist who's amazing. And, you know, Ganavya had her own following. So we had and Rajna has her own following. So we had a whole full audience that night of people who I had never seen in the space before. And that was for me. That's a success because we're bringing in new friends and new engagement. And, um, I was really excited about that. When I'm able to make those kinds of connections with new people, then that feels like a success to me.  00:12:05 Isabel Li  Certainly.  00:12:06 Isabel Li  Let's hear one of Shalini's performances. This is an excerpt from the 10th of William Kraft's “Encounters”, a duologue for violin and marimba, performed here by Shalini Vijayan with Southwest Chamber Music.  00:12:20 [MUSIC – Encounters X: Duologue for Violin & Marimba]  00:17:18 Isabel Li  An excerpt from William Kraft's Encounters, the 10th of which is called Duologue for Violin and Marimba, that was performed by Shalini Vijayan, the violinist, with Southwest Chamber Music.  00:17:31 Isabel Li  And Shalini is here with me in conversation today. We've been discussing contemporary music and her involvement in the new music scene, specifically in Los Angeles.  00:17:40 Isabel Li  Music is all about community, drawing people together. So going back to how you describe yourself as an advocate for modern music, what are other ways that you have advocated for modern music besides curating the concert series?  00:17:53 Shalini Vijayan  Well, over the years, um, you know, I feel like in all the ensembles I've been in, there's been a real focus on commissioning composers and on performing works that have not been, uh, either performed or recorded before. And I feel like the only way to really get the music out there is to, obviously, is to play it and hopefully to be able to record it. We've worked especially with the lyrics quartet. We've worked with so many young composers in LA either just strictly, you know, contemporary classical composers or even film composers who, um, have works that they'd like to have recorded. And, you know, it's been great to see a lot of those people go on to really amazing things and to be a part of their journey, uh, and to help support them. And, uh, the other thing that the quartet has been heavily involved in and now Bright Work Ensemble has been involved in as well, is the Here Now music festival, which has been going on in LA for well over a decade now. We were involved in the first, um, seasons of that festival. We've been one of the resident ensembles since the very beginning, and that festival is dedicated to the music of LA and Southern California composers. And, um, we have a call for scores every year that we, the four of us in the quartet, are part of the panel that reviews all the scores, along with a lot of our other colleagues, um, who are involved with the festival, and Hugh Levick, who is the artistic director of the festival and has we've worked side by side with him on this for a very long time. And that's also been a fantastic avenue for, um, meeting new composers, hearing new works, having them performed. And the thing I always say about that festival every time it comes around, usually in the spring we have at least three concerts. It's this incredible coming together of the new music community in Southern California, where all these great composers and all these amazing players come together and play these series of concerts, because there's such a vast number of pieces that end up getting programmed. They can't rely on just like one group or one or two groups to play them. So it really pulls in a lot of players from all over town. And I don't know, it always just feels like a really fun time, a fun weekend for all of us to see each other and connect. And, um, and again, just build our community to be even stronger.  00:20:20 Isabel Li  That's really cool. How do you ignite interest in new music? Because this is a genre that I think is slightly underrepresented or just underrepresented in general in both the classical music community and the music industry as a whole.  00:20:35 Shalini Vijayan  That's a great question, and I think it's a really important question for our whole industry and community. How do you engage people in new music and get them into a concert? Um, you know, I think one of the biggest hurdles for classical music in general, I will say, um, when I talk to people about why they don't want to come to a concert or why they don't want to, you know, let's say, go see the LA Phil or, you know, wherever, whatever city they're in, the major cultural music institution. I think there is a misconception generally that, oh, it's, you know, I have to be dressed a certain way or I it's going to be really stuffy. And, um, I, you know, I don't know what to wear or I don't know how I'm supposed to dress or how I'm supposed to act when I'm in the concert. Am I going to clap at the wrong time? You know, is it going to be really long? And, you know, and I and I get it, you know, I mean, I understand why that would be uncomfortable for a lot of people.   And it's not, um, it's something that necessarily everyone has grown up with or that it's been a part of their life. So I think it's really up to us, as you know, when we're on the side of programming concerts or putting together festivals or whatever, um, that we make things more accessible in terms of, um, concert length and interaction with audience. And, um, you know, I think it's I know I've been told so many times and I really think it's important that I think audiences love it when performers talk to them, when they talk about the music and, and set things up for a listener. I think that puts a kind of context on things that makes it so much easier for perhaps a new audience member, someone who's never come to a concert before to feel at ease and feel like, okay, I know what I'm getting into.   One of our, actually our former executive director at Brightwork, Sarah Wass, who was fantastic, and I was very happy to work with when I was just starting out programming, Monk Space had the idea of putting on the program the running time of the pieces, and I think even that is just something that, like, can prepare people for what they're getting into when they're about to listen to something new. And in terms of the music itself, I think that if someone, especially a younger person, doesn't feel like they have any connection to Beethoven or Brahms or Mozart, they might actually feel more connected to someone who is their age or a little older.   Someone who has had similar life experiences to them, or grown up in the same era as them, rather than someone who grew up, you know, in the seventeen hundreds. You know, there can be more of a real connection there, and that that person is writing this music and reflection of their life and their experiences. And, um, you know, again, I think that kind of context is important for a listener. And yeah. And then just lastly, I would say also, I feel like our space at Monk space is very inviting. It's very low key. It's, um, you know, it's casual, it's comfortable. Role. Um, we have, you know, snacks and a bar and, you know, everyone is very relaxed at intermission and has a good time. And I mean, for me, every time we host one of those concerts, I feel like I'm hosting a little party, you know? That's what it feels like for me. And that's what I want it to feel like for the audience as well.  00:23:52 Isabel Li  That brings up a really good point in that new music can make classical music or a new classical music, contemporary music, more accessible to different audiences. And certainly I've definitely heard the complaint from people over the years about classical music being a little too uptight. Would you say that these are two different genres?  00:24:11 Shalini Vijayan  I think that there is overlap, and I think, you know, for an ensemble like ours, like Brightwork, we have chosen to make our focus new music. So that's our thing. That's what we do. Um, and, uh, all of our concerts and our programming reflect that. Very rarely do we do anything that's not considered a contemporary piece. Um, but, you know, if you do look at some of our major institutions, like I think the LA Phil and I think the San Francisco Symphony, um, earlier, you know, like in the nineties under MTT, really started to pave the way for incorporating contemporary music into a standard classical format. And, you know, I think that's been very important. And I think it's really changed the way that orchestras have programmed across the country. And there has been such a nurturing of contemporary music in larger spaces. Now that I think that kind of overlap has started to happen much more frequently. I think that in more conservative settings, sometimes there's pushback against that. And even even, you know, in some of the places that I play, you know, sometimes with with the lyrics quartet, um, we are asked to just purely program standard classical repertoire, and we will occasionally throw in a little short piece, you know, just to try and put something in there, you know, something that's very accessible. Um, and, uh, you know that we know the audience will like so that we can help them, you know, kind of get over that fear of connecting to a newer piece. And I, I think in some ways, that's where the path forward lies, is that we have to integrate those things, you know, in order to keep kind of the old traditions of classical music alive. I think we have to keep the newer tradition alive as well, and find a way to put them in the same space.  00:26:00 Isabel Li  I certainly agree with that.  00:26:01 Isabel Li  Let's hear more of Shalini's work in new music. This is a performance of the first movement of Atlas Pumas by Gabriela Ortiz. Violinist Shalini Vijayan is joined by percussionist Lynn Vartan.  00:26:18 [MUSIC – Atlas Pumas, mvt 1 by Gabriela Ortiz]  00:29:21 Isabel Li  The first movement of Gabriela Ortiz's Atlas Pumas played here by violinist Shalini Vijian, and Lynn Vartan plays the marimba.  00:29:30 Isabel Li  And Shalini is actually joining us here for a conversation about new music, performances, identity, and representation.  00:29:38 Isabel Li  Many Asian American Pacific Islander artists in music have varying relationships between their art and their identity. I was wondering, to what extent do you feel that perhaps your South Asian identity intersects or influences the work that you do with music?  00:29:54 Shalini Vijayan  Growing up, um, you know, I grew up in a in a university town in Northern California and, you know, a lot of highly educated and, you know, kids of professors and, you know, but still not the most terribly diverse place. And then going into classical music. And this was, you know, in the early nineties when I went to college, um, it still was not a particularly it was very much not a diverse place at all. And, um, there certainly were a lot of Asian students at, um, Manhattan School of Music where I did my my studies.   But I would say it was a solid decade before I was ever in any sort of classical music situation where there was another South Asian musician. I very, very rarely met any South Asian musicians, and it wasn't until I went to the New World Symphony in the early late nineties, early two thousand, and I was a musician there. I was a fellow in that program there for three years that I walked into the first rehearsal, and there were three other South Asian, I think, of Indian descent musicians in the orchestra, and I was absolutely blown away because I literally had not, um, other than here and there at some festivals, I had not met any other South Asian classical musicians.   So it was really like that was the hallmark moment for me. It was a really big deal. And coming with my family, coming from India, you know, there is such a strong tradition of Indian classical music, of Carnatic music and Hindustani music. And, um, it's such a long, long tradition. And, you know, the people who have studied it and lived with it are, you know, they study it their whole lives to be proficient in it. And it's such an incredible, incredible art form and something that I admire so much. And I did as a kid. Take a few lessons here and there. I took some Carnatic singing lessons, um, and a little bit of tabla lessons when I was very young. Um, but I think somewhere in middle school or high school, I kind of realized that it was, for me at least, I wasn't, um, able to put enough time into both because both of them, you know, playing the violin in a Western classical style and then studying Indian classical music require a tremendous amount of effort and a tremendous amount of study. And I at that point chose to go with Western classical music, because that's what I'd been doing since I was five years old. But there has always kind of been this longing for me to be more connected to Indian classical music. Um, I'll go back again to Rajna. When I presented Rajna Swaminathan on Monk Space a couple of years ago, it was a really meaningful thing for me, because that's kind of what I'd always wanted to see was a joining together of that tradition, the Indian tradition with the Western tradition. And, um, I'm so happy that I'm starting to see that more and more with a lot of the artists that are coming up now. But at the time when I was young, it just it felt almost insurmountable that to to find a way to bring the two together. And, um, I remember very clearly as a kid listening to this, um, there was an album that Philip Glass did with Ravi Shankar, and I thought that was so cool at the time. And I used to listen to it over and over again because I just again, I was so amazed that these things could come together and in a, in a kind of successful way. Um, but yeah, there is, you know, there there's a part of me that would still love to go back and explore that more that, that side of it. Um, and but I will say also, I'm very happy now to see a lot more South Asian faces when I, you know, go to concerts on stage and in the audience. And, you know, a lot of composers that I've worked with now, um, of South Asian descent, it's been, you know, I've worked with Reena Esmail and Anuj Bhutani and Rajna and, um, there's so many more, and I'm so glad to see how they're all incorporating their connection to their culture to, to this, you know, Western kind of format of classical music. And they're all doing it in different ways. And it's it's really amazing.  00:34:22 Isabel Li  That's fantastic.  00:34:24 Isabel Li  I was wondering if you could maybe describe what this merging or combination of different styles entails. Do you think this makes it more accessible to audiences of two different cultures?  00:34:36 Shalini Vijayan  For me, one example, before I started running the series at Tuesdays at Monk Space, Aron Kallay, who is our Bright Work artistic director, had asked me to come and do a solo show on Monk Space, which I did in November of 2019.  00:34:52 Shalini Vijayan  And at the time, I wanted to commission a piece that did exactly that, that, that, um, involved some sort of Indian classical instrument or kind of the language of Indian classical music. And so I actually did reach out to Reena Esmail, and she wrote me a very cool piece called blaze that was for tabla and violin. Um, and I really had so much fun doing that. And Reena, Reena really has a very fluid way of writing for the violin, which she actually was a violinist, too. So she's she's really good at doing that. But being able to write for any melodic instrument or for the voice, which she does quite a bit as well, and incorporating sort of the tonality of Indian classical music, which obviously has its own scales and, um, has its own harmonic, harmonic world that is different from the Western world, um, but finds a way to translate that into the written note notation that we require as, uh, Western classical musicians. And, you know, I think that's the biggest gap to bridge, is that in Indian classical music, nothing is notated. Everything is handed down in an oral tradition, um, over the generations. And for us, everything is notated. And in Indian classical music, you know, there's much more improvisation. And now, of course, with modern classical music, there now is a lot more improvisation involved. But in our old standard tradition, obviously there isn't. And in the way that we're trained, mostly we're not trained to be improvisers. And um, so it's it was great. She has a great way of writing so that it kind of sounds like things are being tossed off and sounding sounds like they're being improvised, but they are actually fully notated, um, which I really appreciated.  00:36:50 Isabel Li  Yeah.  00:36:51 Isabel Li  So your career has spanned orchestras, recording ensembles, chamber music. Having had so much experience in these types of performance, what does representation in classical music mean to you?  00:37:04 Shalini Vijayan  Well, representation is is very important because we're talking about a tradition that was built on white men from centuries ago, European white men. And and it's again, it's an incredible tradition and there's so much great repertoire. But I'm going to circle back to what you were saying or what you asked me about connecting to audiences and, you know, connecting to audiences with new music. It's I think people like to see themselves reflected in the art that they choose. They choose to consume. And, you know, whether that's movies or television or music, I think that's how you connect with your audience is by being a bit of a mirror.  I think the only way that we can really continue to connect with a diverse audience is by having that type of diverse representation on our stages and on our recordings. And again, also not just the people, but the types of music, too. You know, musical tastes run wide, genres run wide as well. And it's I think It's good for all of us to be exposed to a lot of different kinds of music, to figure out what we connect with the most. And, um, yeah, the only way we can do that is by really, you know, opening our arms to a, a much wider variety of styles of music. And so I, you know, I mentioned improvisation, improvisation earlier. And I think that is something that's now starting to happen so much more in modern classical music. And, you know, I think there's something about the energy that a player has when they're improvising that is maybe not something that an audience member could quantify verbally, but there's a looseness and a freedom there that I think, you know, for a lot of audience members, they probably really can connect to. And, you know, that's a lot of why people go and listen to jazz is because there's so much freedom and there's so much improvisation.   I've been very lucky to be able to work with, um, Wadada Leo Smith, who's a trumpet player and composer. I've worked with him for probably almost ten years now. And um, through Wadada, actually, I have learned to become much more comfortable with improvising on stage and not within a jazz language of any kind or any kind of harmonic structure necessarily, but within the language of his music, which is very unique and very open and very free and, um, but also has a really strong core in its connection to history. And, um, you know, he's written a lot of amazing works about the civil rights movement and about a lot of, you know, important moments in history for our country. And, um, that's been a real learning experience for me to connect with him in that, in that way and learn from him and learn to be more comfortable with improvisation. Because I think growing up, improvisation for me always meant jazz, and that was not a language I was comfortable in. And um, or even, you know, jazz or rock music or folk music or whatever, you know, it was just not something that came naturally to me as a kid to, I mean, I listened to all of it. I listened to everything when I was a kid, but I never played in any of those styles. And I think the older you get, the scarier it gets to start branching out in those ways. But, um, I think, uh, that's been a an incredible, like, new branch of my life in the last decade has been working with Wadada.  [MUSIC – “Dred Scott, 1857,” from Ten Freedom Summers, by Wadada Leo Smith]  00:42:23 Isabel Li  An excerpt of Wadada Leo Smith's music to give you a sense of the jazz influences in these types of contemporary new music pieces that also touch on pieces of history. This was an excerpt from his album, Ten Freedom Summers, which also consists of compositions based on pieces of American history. For example, what we just heard was from a piece called Dred Scott, 1857.  00:42:49 Isabel Li  Now that I realize that we've been having a conversation about new music, I realize that, hmm, when does new music really start? So if you take a look at maybe music history, when does new music really become new music?  00:43:07 Shalini Vijayan  I guess it depends on who you ask, probably. Um, it's it's pretty recent. You know, it has to be really legitimately pretty new. And, um, again, you know, if you ask an audience member, um, and I think of some of my friends or family who are maybe who are not musicians who come to concerts, and I'm always so interested in talking to them and hearing their opinions about things. Um, you know, they will listen to Bartok and say, oh, that sounds like new music to me. But, you know, Bartok, Bartok passed away a long time ago, and it's, you know, and for me, that's more like canon now. You know, that's like now for me, part of the the standard repertoire. But there was a time when Bartok was new music. And I think for, you know, maybe the listeners who are more comfortable with the very diatonic, you know, world of Beethoven, Brahms, Mozart, then something like Bartok really does sound so modern for me. Boy, maybe around the time that minimalism started, you know, John Adams and Steve Reich, Terry Riley, Philip Glass, all of that for me feels like maybe that's the older like the The edge of new music now even though that was that would be the eighties, probably seventies 80s, you know, but that we're talking about like, you know, fifty years ago. So yeah, I mean, it's not that new, but those are all still living composers. So maybe, maybe that's part of what it is for me is that it's the composers of our era, the composers who are alive, who we can communicate with and ask questions of. And, um, you know, at the very least, if you can't talk to John Adams, you can talk to somebody who has worked directly with him and get their impressions of how something should be played, um, as opposed to composers who have been gone for hundreds of years. And you can't have that level of communication with them. I think that, for me is what new music, new music is about. It's about working with living composers and, um, having that type of interaction.  00:45:15 Isabel Li  Yeah. So would the word or the phrase contemporary classical music, be a little oxymoronic in a sense?  00:45:26 Shalini Vijayan  No, I don't think so. I think it's still part of the same tradition. Um, yeah. I really do think it is, because I think there is a lineage there. Um, for a lot of composers, not all of them, um, that I mean, I think particularly if you're writing for, let's say, an orchestra or a string quartet or sort of one of these very standard classical ensembles. Um, even if you're writing in a very new language and you're writing in a very different way, I think there is still a through line to the canon of classical music. I guess for me, new music and classical music are not mutually exclusive. I think they can be the same. So I don't I don't think they're totally different. I think that there is a lot of a lot of overlap.  00:46:16 Isabel Li  For sure, considering how new music fits into the classical music or the classical music industry as a whole. Have you noticed any sorts of shifts in the classical music industry in the past several decades in regards to diversity, equity, inclusion? And have you just noticed any changes?  00:46:35 Shalini Vijayan  I have noticed some changes. I mean, I think that most organizations in this country are making an effort to be more inclusive in their programming now. And, um, you know, another another South Asian composer who I just think is fantastic is Nina Shekhar. And, um, she has had pieces played by the New York Phil for the last couple seasons. I mean, you know, so on on major, major stages, I feel like now I'm seeing more representation and that is definitely Encouraging and, um, you know, uh, same for Anuj and Rajna and Reena. They've all, you know, had their works done by major ensembles. And, um, I think I think there is definitely movement in that direction, for sure. I think it could always be more.   I think also for women and women composers, women performers, I think that has also always been a struggle to find enough representation of women composers and you know, especially if like as I mentioned before, when you're in a situation where an organization asks you to program a concert, like, let's say, for our quartet and wants much more standard repertoire than it does limit you, you know, how because there isn't much from the older canon. You know, there is. You know, there's Fanny Mendelssohn and Clara Schumann and, um, you know, I think in the last five to ten years they've both been played a lot more, which is great. But, you know, I think, uh, there's so many amazing female composers right now that I think are starting to get much more recognition. And I think that just needs to be more, more and more, um, but, uh, you know, that is why, again, like on those programs, sometimes we try to just sneak one modern piece in because it's important for those voices to be heard as well. But yes, I do see some forward movement in that direction with, um, classical programming. And, you know, you just have to hope that the intent is always genuine in those situations. And I think, um, you know, I think that's the most important thing. And giving a platform to those voices is really important.  00:48:59 Isabel Li  How would you go about arts advocacy during this current time when, well, the arts are being defunded and devalued by our current administration and how everything is going on right now?  00:49:10 Shalini Vijayan  Yeah, it's really, really difficult right now. And, um, you know, I think a lot of arts organizations are losing a lot of government funding. Obviously, I know of a couple projects that lost their NEA funding because of DEI, and which is so disheartening. And, um, I think, you know, there's going to be a lot of leaning on private donors to try and, uh, make up that difference or, you know, private foundations to make up the difference in funding, hopefully. And, um, uh, you know, it's yeah, it's scary. It's  a scary time. And I think, you know, even for private funding and, um, private donors, it's, you know, everyone is feeling stressed and feeling concerned about our future right now, just as a country. and there's so much uncertainty. And, um, but I think people who really rely on the arts for all the things that it can provide, you know, an escape and pleasure and, you know, stimulation of a different kind. And especially in a time like this, when you want to be able to get away from maybe what's going on around you, you know, I'm hoping we can find a way to really come together and, um, kind of, you know, rally around each other and find a way to support each other. But, um, I think it is going to be hard for the next few years if we can't find ways to replace that funding that so many people have lost. And I certainly don't think that anyone wants to back away from the progress that's been made with inclusion and representation, you know, just to get funding. So I know we have to be very creative with our path ahead and find a way to, to keep doing what we're doing in this current environment.  00:51:07 Isabel Li  Yeah, on a brighter note, I read about your work with Lyris Quartet earlier this year when you presented a concert with Melodia Mariposa called Altadena Strong with the Lyris Quartet, raising funds for those who have been affected by the LA fires. Can you talk a bit about the power of music? And we're going to end on a stronger note here about the power of music in bringing communities together and accelerating community healing.  00:51:31 Shalini Vijayan  Well, I have to say that concert was really a special one for us. You know, um, so many musicians were affected by the fires in LA. And, you know, I, I've lived in LA for over twenty years now, almost twenty five years and, um, certainly seen my share of wildfires and disasters, but this one hit so much more close to home than any of the other ones have. And, you know, I know at least twenty five people who lost their homes in between the Palisades and Altadena and Altadena in particular.   When I moved to LA, it was a place where a lot of musicians were moving to because you could it was cheaper and you could get a lot of space, and it's beautiful. And, you know, they really built a beautiful community there among all the musicians out there. And it's just heartbreaking, um, to see how many of them have lost everything. And I have to say, Irina Voloshina, who is the woman who runs Melodia Mariposa, and just an amazing violinist and an amazing, wonderful, warm, generous person. You know, she started that series in her driveway during COVID as a way to just keep music going during the pandemic, and it really turned into something so great. And she's, you know, got a whole organization with her now and puts on multiple concerts a year. And when she asked us if we would play that concert for the community in Altadena is, you know, there's no question that we were going to do it. I mean, we absolutely jumped at the chance to support her and support the organization and that community. And people really came out for that concert and were so excited to be there and were so warm and, um, you know, and and she talked to the crowd and really connected with everybody on a very personal level, because she also lost her home in Altadena and, um, you know, it was it was a really meaningful show for all of us. And again, those are the moments where you realize that you can use this art to really connect with people that you may have never met before and show your your love for them, you know, through music, as corny as that may sound, but it's true.  00:53:54 Isabel Li  Yeah, definitely. Well, thank you so much, Shalini, for sharing your visions, your knowledge with new music and community building with us today. Thank you so much for being on Obbligato.  00:54:07 Shalini Vijayan  Thank you so much for having me, Isabel. It was really a pleasure.  00:54:10 Isabel Li  What a wonderful conversation that was with LA-based violinist Shalini Vijayan. If you go to kpfa.org, you can check out more of her work. I put the links to two of her ensembles, Brightwork New Music and Lyris Quartet up on kpfa.org. And thank you for listening to our conversation here on Obbligato on Apex Express.  00:54:32 Isabel Li  We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.  00:54:42 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 11.13.25 – Obbligato with Violinist Shalini Vijayan appeared first on KPFA.

Jeff, Django, and Roman are amped after Pacific Nerdwest last week, and a post All Hallum's Ween rest day. It's a 5th week as well, so while we don't have a ton of books, we have plenty of conversation! Come on, you know you want to hit play.0:06:07 - Well Welcome Wellmer!0:22:18 - Absolute Batman Annual 2025 #10:32:33 - Sleep #60:39:03 - Escape #0:45:59 - Robo-Wolf #20:49:19 - Batman & Robin: Year One #120:56:16 - The Terminator: Metal #11:02:06 - The Beauty #11:03:02 - Flow #21:06:36 - Return to Sleepy Hollow #1SPOILERS! Tread carefully dear listener, because we're going to talk about what happened in these books. So definitely pause this, read your comics, and come back. We'll still be here!And an enormous thank you, as always, to Andrew Carlson for editing this mess into something listenable.Subscribe to us on Apple, Spotify or wherever you like to get your podcasts.Email us at jeff@thecomicsplace.com! We love hearing from you and there's a good chance we will read it on air!Cover art by Zander CannonVisit us at The Comics Place next time you're in Bellingham, Washington!

The NETwork awakens to find Ernst gone and they make their way to Absolution to meet back up with him and drop off the bodies. They spend the night in Absolution. Frey is visited by someone with a request, Uther plays some b-ball, and Stynexx chows down on a feast.Find us on Our NEW Discord Server! Crittalkers Community Hit us up with any questions or comments:Insta @crittalkerspodcastFacebook: crittalkerspodcastX: @Crittalkerspodor drop us an emailthecast@crittalkerspodcast.comMusic/Sound Effects Include:Recap voice acting by Jennifer Millard, written by Jake PrewittFrey is played by Britt H.Uther is played by Shane FStynexx is played by Chris A."Camera Flash" by MalarBrush"The Details Intro" by Ryan S."The Details Long" by Ryan S."Rest of The Fallen" by GuilhermeBernardes via Pixabay"Comedy - Detective" by Onoychenkomusic via Pixabay"Chamber Strings" by SigmaMusicArt via Pixabay"Dizzy ellectric bolt spell 1" by FxProSound via Pixabayhttps://the-crittalkers-podcast.captivate.fm/acadeconUse code crittalkers5 for $5 off on all badges!https://the-crittalkers-podcast.captivate.fm/acadeconUse code crittalkers5 for $5 off on all badges!Additional Royalty free Music and SFX Credits that were found via Pixabay:Good Morning by chill_backgroundAmbience Wind Blowing Through Trees 01 by Traian1984Old Town Church Bells Ringing by Alex_JaukBarn wooden sliding door by nematokihorse snort by freesound_communitySonic Wave 2 by freesound_communityBusy town square by CaganCelik (Freesound)Silly Jazz by geoffharveysqueaky door hinge open and close 2 by freesound_communityTower clock chime(Westminster) by 李饼Family Vibe by AlexGuzBasketball by freesound_communityHorror Background Atmosphere 073 by JorisVermeerPouring drink into glass.wav by freesound_communitySliding Chair by freesound_communityMRF SFX GRAPPLING IN BED by M_R_FahrenheitMysterious Forest / Creepy Lofi / Halloween Lofi / Halloween Music by SoulProdMusicPlay game by MusicWordtime space by Tomomi_KatoBrush Teeth and Spit by freesound_communityMicrophone Feedback by freesound_communityGlitch Effect - 2 by DRAGON-STUDIOAlarm beep by freesound_communityCamera shutter and flash combined by freesound_community

The Big Picture | Rev. 7:9–17 | A Great Multitude from Every Nation All Saints' Day calls us to see “the big picture” of what God is building—a communion of saints gathered forever around the Lamb. Like the builders of the great Cathedral of Chartres, who labored their whole lives without seeing the completed church, Christians often see only a small part of God's grand design. Yet faith looks beyond the dust and struggle to the finished work of Christ. John's vision in Revelation 7 shows a great multitude from every nation standing before the throne—those who have come out of great tribulation and been washed in the blood of the Lamb. These saints did not live easy lives, but through faith in Christ they now rest in His peace. The Beatitudes remind us that true blessing is not found in worldly comfort or success, but in belonging to Jesus, even amid suffering. The hymn For All the Saints proclaims this comfort: the saints are not gone, but at home with the Lord, awaiting the resurrection. The goal of faith is not a “blessed life,” but a blessed death—dying in Christ's forgiveness and rising to everlasting life. Through Baptism, Absolution, and the Holy Supper, we are already joined to that victory. Here on earth, the Church militant struggles, but it is never alone. At the altar, heaven and earth meet; the saints and angels worship with us in one eternal song: “This is the feast of victory for our God!” Like Michelangelo painting the Sistine Chapel, we see only pieces of the picture now. But when Christ returns and the scaffolding of this world falls away, we will see the masterpiece complete—the redemption of all God's people. Then we, too, will join the countless host singing, “Alleluia, Alleluia!” ----- Worship Times Sunday – 8:00 & 10:45 a.m. Monday – 6:30 p.m. https://trinitysheboygan.org https://facebook.com/trinitysheboygan We are a congregation of the Lutheran Church—Missouri Synod. Join us as we proclaim Christ crucified and risen for the forgiveness of sins. --- Trinity Lutheran Church, School and Child Care have been "Making Known the Love of Christ" in Sheboygan, Wisconsin and throughout the world since 1853 as a congregation gathering around God's Word and Sacraments to receive forgiveness and life everlasting. Trinity is located in downtown Sheboygan, only one block from the Mead Public Library and the Weill Center for the Performing Arts. We invite you to visit us in person! Trinity Lutheran Sheboygan is a proud member of The Lutheran Church—Missouri Synod. Visit their website: https://www.lcms.org/​​​​ Music for this production was obtained through a licensing agreement with One License, LLC. The copyright permission to reprint, podcast, and record hymns and songs is acquired through ID Number: 730195-A #LCMS #Lutheran #DivineService

The Big Picture | Rev. 7:9–17 | A Great Multitude from Every Nation All Saints' Day calls us to see “the big picture” of what God is building—a communion of saints gathered forever around the Lamb. Like the builders of the great Cathedral of Chartres, who labored their whole lives without seeing the completed church, Christians often see only a small part of God's grand design. Yet faith looks beyond the dust and struggle to the finished work of Christ. John's vision in Revelation 7 shows a great multitude from every nation standing before the throne—those who have come out of great tribulation and been washed in the blood of the Lamb. These saints did not live easy lives, but through faith in Christ they now rest in His peace. The Beatitudes remind us that true blessing is not found in worldly comfort or success, but in belonging to Jesus, even amid suffering. The hymn For All the Saints proclaims this comfort: the saints are not gone, but at home with the Lord, awaiting the resurrection. The goal of faith is not a “blessed life,” but a blessed death—dying in Christ's forgiveness and rising to everlasting life. Through Baptism, Absolution, and the Holy Supper, we are already joined to that victory. Here on earth, the Church militant struggles, but it is never alone. At the altar, heaven and earth meet; the saints and angels worship with us in one eternal song: “This is the feast of victory for our God!” Like Michelangelo painting the Sistine Chapel, we see only pieces of the picture now. But when Christ returns and the scaffolding of this world falls away, we will see the masterpiece complete—the redemption of all God's people. Then we, too, will join the countless host singing, “Alleluia, Alleluia!” ----- Worship Times Sunday – 8:00 & 10:45 a.m. Monday – 6:30 p.m. https://trinitysheboygan.org https://facebook.com/trinitysheboygan We are a congregation of the Lutheran Church—Missouri Synod. Join us as we proclaim Christ crucified and risen for the forgiveness of sins. --- Trinity Lutheran Church, School and Child Care have been "Making Known the Love of Christ" in Sheboygan, Wisconsin and throughout the world since 1853 as a congregation gathering around God's Word and Sacraments to receive forgiveness and life everlasting. Trinity is located in downtown Sheboygan, only one block from the Mead Public Library and the Weill Center for the Performing Arts. We invite you to visit us in person! Trinity Lutheran Sheboygan is a proud member of The Lutheran Church—Missouri Synod. Visit their website: https://www.lcms.org/​​​​ Music for this production was obtained through a licensing agreement with One License, LLC. The copyright permission to reprint, podcast, and record hymns and songs is acquired through ID Number: 730195-A #LCMS #Lutheran #DivineService

No 740º episódio do Podcast mais Rock'n Roll da internets Rômulo Konzen, Daniel Iserhard, Leandro Pereira e Álcio Villalobos batem papo sobre o disco Absolution do Muse.Vote no CMM na categoria "Música" no Prêmio MPB:⁠https://premiompb.com.br/⁠Apoie o CMM:⁠https://orelo.cc/crazymetalmind⁠⁠https://apoia.se/crazymetalmind⁠Compre os produtos do CMM:⁠https://podcaststore.com.br/⁠Trilha tocada no episódio (na ordem):*Muse - Hysteria*Muse - Stockholm Syndrome*Muse - Intro*Muse - Apocalypse Please*Muse - Time Is Running Out*Muse - Sing For Absolution*Muse - Stockholm Syndrome*Muse - Falling Away With You*Muse - Interlude*Muse - Hysteria*Muse - Blackout*Muse - Butterflies and Hurricanes*Muse - The Small Print*Muse - Endlessly*Muse - Throughts Of A Dying Atheist*Muse - Ruled By SecrecyApoiadores do CMM no Padrim e Orelo, que ajudam a manter o Podcast no ar:Andre Serviuc - Ayrton Quintela - Marco Antônio Rodrigues Júnior - Christian Benardis - Rafael César Nolasco - Carolina Acsa - Ageu de Oliveira Ribeiro - Thais Caramori Feitosa - Erlan Di Alan - Gustavo Guimaraes Alves - Diogo Felipe da Silva Santos - Christiano de Medeiros Seabra - Guilherme Montanha - Sergio Ricier - Christiano de Medeiros Seabra - Richard Cruz - Stefano Josef Dos Santos Marrara - Cristiano Ludgerio Ferreira - Renato Andrade - José Pereira - Evandro Meneguella - Itamar Carvalho - Lucas Xavier - Natalia Araujo Braz - Ricardo Tavares Pacheco Filho - Juliano Nugent da Silva - Leonardo Fernando Ninck - Heyder Araujo - Marcia Lima - Igor Gimenes - Gean Costa - Marcelo Anda  - Daiara Melo - Bruno Glaser - Bruno Felipe Dos Santos - Luciana Carneiro - João Paulo Luiz Lopes - Luciano Fernandes Alencar - Pancotti Luiz Gustavo - Luis Augusto Avellar Martins - Rafael Schincariol - Leonardo Rosa - Pablo Budke - Marcelo da Cruz Bandeira - Guilherme Calciolari - Elisa Celino - Mileto Neto - Pedro Henrique Avelar - Lucas Abreu - Gabriel Hussid - Daniel Bragança - Thiago Moura Lima - Gustavo Rossi Moreno - Ana Paula Flory Barbosa de Lima - Daniel Barden - Leandro Da Silva Camargo - Renato. P - Pedro Sena - Ana Paula dos Santos - Marcelo Sousa Santos - Marcell Alves - André Passos - Leonardo Ninck - Lucas Nascimento - Rafael Arduini - Ricardo Candello - Rafael Costa - Thiago Cruz - Everson Douglas da Silva Andrade - Marcos Rainier Corrêa de Sá - Rogério B. de Miranda - André Mota - Rodolfo A. Redivo - Daniel DPT - Guilherme Morisson - Renan Leite - Augusto Biondini - Bryan Resende - Jordan Kalsing - Stéfano Marrara - Diogo Antonio Honrado - Edgard Teles - Alessandra Maass Costa - Wiliam Faria - Fabio Santos - Luiz Cezer - André Stábile - Anna Carolina Brasil - Álcio Villalobos - Lucas Galano - Wilson Bispo Jr - Amanda Moura - Jean sergio Cambruzzi - Camila Khodr Lobo - Felipe Matheus Santos Garcia - Marcio Honda - Leandro Silva Camargo - Roberto Gradaschi - Bruno Tisatto - Rafael Gatto - David Dilkin  - Hugo Henrique Rodrigues Nacif Alves - Eder Moura - Guilherme Dondé Busini - Jonas Gois - Vitória Luísa Albuquerque Araújo e Silva - Ricardo Pontes - Andre Bravin - Gabriel Moura - Bruno Dos Santos - Leandro Rafael Reinbold - Gabriel Margonari - Felipe Da Silva - Ricardo Araujo - Renata da Costa Severo - João Lucas de Sousa Almeida - Priscila Azevedo - Tiago Veras - Henrique Malek - Luiz Frederico Villalobos

Der Politikwissenschaftler Daniel Marwecki lehrt Internationale Beziehungen an der University of Hong Kong und ist der Autor von ua. »Absolution? Israel und die Deutsche Staatsräson« und »Die Welt nach dem Westen - Über die Neuordnung der Macht im 21. Jahrhundert«.Ein Gespräch über eurozentrische Vorahnungen des Untergangs, den Aufstieg Chinas innerhalb einer liberalen Weltordnung, warum deutsche Politiker im Ende der Geschichte verfangen sind und wir nie neugierig nach Osten blicken, über die Abwanderung des Ingenieurwissens und ob Aufrüstung zeitgemäß ist und entsprechend betrieben wird.Zur Folge⁠⁠Daniel Marwecki auf Instagram⁠⁠Buch »Die Welt nach dem Westen - Über die Neuordnung der Macht im 21. Jahrhundert«Weiterhören⁠⁠.232 mit Tim Rühlig über Chinas außenpolitische Stärke und innenpolitische Verletzbarkeit.191 mit Dr. Jörg Faust (DEval) über Entwicklungszusammenarbeit in einer globalisierten WeltNatürliche Ausrede⁠⁠Homepage⁠Instagram⁠⁠Unterstützung⁠⁠bei Steady⁠⁠bei PayPal

The Big Picture | Rev. 7:9–17 | A Great Multitude from Every Nation All Saints' Day calls us to see “the big picture” of what God is building—a communion of saints gathered forever around the Lamb. Like the builders of the great Cathedral of Chartres, who labored their whole lives without seeing the completed church, Christians often see only a small part of God's grand design. Yet faith looks beyond the dust and struggle to the finished work of Christ. John's vision in Revelation 7 shows a great multitude from every nation standing before the throne—those who have come out of great tribulation and been washed in the blood of the Lamb. These saints did not live easy lives, but through faith in Christ they now rest in His peace. The Beatitudes remind us that true blessing is not found in worldly comfort or success, but in belonging to Jesus, even amid suffering. The hymn For All the Saints proclaims this comfort: the saints are not gone, but at home with the Lord, awaiting the resurrection. The goal of faith is not a “blessed life,” but a blessed death—dying in Christ's forgiveness and rising to everlasting life. Through Baptism, Absolution, and the Holy Supper, we are already joined to that victory. Here on earth, the Church militant struggles, but it is never alone. At the altar, heaven and earth meet; the saints and angels worship with us in one eternal song: “This is the feast of victory for our God!” Like Michelangelo painting the Sistine Chapel, we see only pieces of the picture now. But when Christ returns and the scaffolding of this world falls away, we will see the masterpiece complete—the redemption of all God's people. Then we, too, will join the countless host singing, “Alleluia, Alleluia!” ----- Worship Times Sunday – 8:00 & 10:45 a.m. Monday – 6:30 p.m. https://trinitysheboygan.org https://facebook.com/trinitysheboygan We are a congregation of the Lutheran Church—Missouri Synod. Join us as we proclaim Christ crucified and risen for the forgiveness of sins. --- Trinity Lutheran Church, School and Child Care have been "Making Known the Love of Christ" in Sheboygan, Wisconsin and throughout the world since 1853 as a congregation gathering around God's Word and Sacraments to receive forgiveness and life everlasting. Trinity is located in downtown Sheboygan, only one block from the Mead Public Library and the Weill Center for the Performing Arts. We invite you to visit us in person! Trinity Lutheran Sheboygan is a proud member of The Lutheran Church—Missouri Synod. Visit their website: https://www.lcms.org/​​​​ Music for this production was obtained through a licensing agreement with One License, LLC. The copyright permission to reprint, podcast, and record hymns and songs is acquired through ID Number: 730195-A #LCMS #Lutheran #DivineService

Patrick opens the phones to questions about faith, baptism, and what truly defines the Catholic Church, moving from heartfelt concerns about re-baptism to passionate exchanges with skeptics like Rich, who challenges Jesus’s divinity and the origins of Catholic belief. He fields queries on confession and rituals, all while offering sharp insights, scriptural responses, and the occasional smile when listeners push back or disagree. Calls range from bewildered to bold, and Patrick doesn’t shy away from the tough stuff as he meets every topic, from indulgences to religious freedom, head on. Justin - I feel like Holy Spirit is calling me to be rebaptized. My pastor does not agree and won't do it. Do you have any thoughts? (00:34) Rich - I discovered that Jesus denounced Catholicism, so how could he be the founder? (09:08) John - Do we need to say the Act of Contrition before you get Absolution? (23:04) Dolores – Should we place limitations on the rights of the religious? Didn't Utah have to renounce polygamy before it became a state? (31:14) Patrick shares some emails in response to Rich’s call earlier in this hour Nick - I was baptized as a Ukrainian Catholic. I had the sacrament of Confirmation as an infant. How was this valid? (40:04) Doug - What is required to get a plenary indulgence? (42:41)

October 30, 2025Today's Reading: Introit for Pentecost 21 - Psalm 50:1-2, 14-15; antiphon: Psalm 50:23Daily Lectionary: Deuteronomy 31:30-32:27; Matthew 20:1-16“The one who offers thanksgiving as his sacrifice glorifies me; the one who orders his way rightly I will show the salvation of God!” (Psalm 50:23)In the Name + of Jesus. Amen. You know our situation. As human beings, we are conceived and born sinful; there is no good in us to do anything right. None of us could ever offer thanksgiving that is perfect in God's eyes. No one could sacrifice anything that would glorify God. How could we ever be shown the salvation of God?! How can this verse from the upcoming introit make sense?Jesus continued giving perfect thanks to the Father, sacrificing himself once and for all on the cross. That was the greatest moment of God's glory, showing His ultimate mercy to all in the suffering and death of Christ crucified. Look to the crucifix. See Jesus in all His glory, pouring out God's mercy on you. In that sacrifice of His that glorifies God, you are made His. There you are shown (and given) the salvation of God!While Christ's giving thanks perfectly showed God's glory in giving mercy for all, He still delivers the benefits and blessings of that thanksgiving. “Our Lord Jesus Christ, on the night when He was betrayed, took bread, and when He had given thanks…” “In the same way also He took the cup after supper, and when He had given thanks…” In the Last Supper, Jesus gives thanks to His Father in heaven. The Church picked up on that detail and has often used a name for the Lord's Supper: the Holy Eucharist. Eucharist is simply a Greek word for “Thanksgiving.”But here is the awesome thing: the Last Supper was not about the disciples giving thanks; Jesus gave thanks! The Eucharist today is not about you and me giving thanks, or even your pastor. It is Jesus giving perfect thanks on your behalf!The salvation of God was purchased and won for you at the cross. Now, the salvation of God is delivered to you through Baptism, Absolution, the proclamation of the Gospel, and through the Holy Eucharist! At His altar, Christ once again offers thanksgiving as His sacrifice, and that glorifies God. The Lord feeds you His body and pours His blood into your mouth, showing (and nourishing you with!) the salvation of God!Dear Baptized friends, your Jesus eucharists for you! And your Jesus IS the Eucharist for you, feeding you the salvation of God with His Body and Blood.In the Name + of Jesus. Amen.Praise we Him, whose love divine Gives His sacred blood for wine, Gives His body for the feast – Christ the victim, Christ the priest. Alleluia! (LSB 633:2) Rev. Richard Heinz, pastor of Trinity Lutheran Church, Lowell, IN.Audio Reflections Speaker: Pastor Harrison Goodman is the Executive Director of Mission and Theology for Higher Things.Step back in time to the late Reformation and learn about a divisive yet inspirational figure: Matthias Flacius Illyricus. His contributions to Lutheranism still echo in our teachings today, from the Magdeburg Confession to parts of the Lutheran Confessions. Learning about Flacius's life will help you understand more intricacies of the Reformation than ever before.

The NETwork and Ernst deals with the problem in the field and then stays the night at the Chosen school/base of operations near Absolution where they learn about a foe terrorizing the area with a definitive link to one of them. Frey attempts to bring an end to hostilities, Uther gets bitten again, and Stynexx relaxes with some sleepy time tea and Ernst meets a fan.This is our first arc with a guest star! It's my buddy Lou K! Special thanks to Lou for coming on the show! Lou plays Ernst Torbin, Chosen of the PioneerFind us on Our NEW Discord Server! Crittalkers Community Hit us up with any questions or comments:Insta @crittalkerspodcastFacebook: crittalkerspodcastX: @Crittalkerspodor drop us an emailthecast@crittalkerspodcast.comMusic/Sound Effects Include:Recap voice acting by Jennifer Millard, written by Jake PrewittFrey is played by Britt H.Uther is played by Shane FStynexx is played by Chris A."Camera Flash" by MalarBrush"The Details Intro" by Ryan S."The Details Long" by Ryan S."Rest of The Fallen" by GuilhermeBernardes via Pixabay"Comedy - Detective" by Onoychenkomusic via Pixabay"Chamber Strings" by SigmaMusicArt via Pixabay"Dizzy ellectric bolt spell 1" by FxProSound via Pixabayhttps://the-crittalkers-podcast.captivate.fm/acadeconUse code crittalkers5 for $5 off on all badges!https://the-crittalkers-podcast.captivate.fm/acadeconUse code crittalkers5 for $5 off on all badges!Additional Royalty free Music and SFX Credits that were found via Pixabay:Random Drop - Play House (Copyright Free Music) by PlayHouseSoundshark is near by freesound_communitymonster bite by freesound_communityPower Drill at Varying Speeds by freesound_communityLaser Gun by VoiceBoschBasketball by SoulProdMusicVlog Hip Hop Basketball Music by TatamusicLion / Powerful Trap Background Music by SoulProdMusicRiser (6) by u_1pruylktlgMerry Farm by Romarecord1973Orchestral Action - Cinematic Trailer Loop by SonicanElemental Magic Spell Impact Outgoing by RescopicSoundWestern by Piano_MusicRobot Heavy Mechanical Footsteps by DavidDumaisAudioCrossbow Firing by freesound_communityShort E-Guitar Rock Prelude - Intro - Ending for Film and Video by JuliusHJustice no lifeCinematic Music Loop - Investigative Heist by SonicanPopoi - Madrugada by PopoimusicBad DreamsThe voices in my head by Billy_ZiogasDoor Closing by FletchpikeFast Knocking on Door by UniversfieldOpening Door by SoundRealityMentioned in this episode:Acadecon and GameCon Junctionhttps://tabletop.events/conventions/game-con-junction-2025 https://tabletop.events/conventions/acadecon-2025 https://tabletop.events/conventions/acadecon-2025/schedule/63 Acadecon

Welcome to spooky season and we're horrifying Miles specifically with a crossover between Star Trek and his favourite fandom! Can you hear the finger of a monkey's paw curling?Assimilation Squared has been a threat on this show for a while, but why is that? Listen on and we'll explain the story and the many questionable art choices.04:09 - What Non-Star Trek Thing We've Been Enjoying: 10:32 - Preamble and talking about licensed comics31:09 - What is Star Trek: The Next Generation/Doctor Who: Assimilation2 actually about?Talking points include: Transformers Vs GI Joe, League of Extraordinary Gentlemen, TV-21, Charlie didn't hold a cat hostage (said mainly to appease Emma), TekWar, Alien: Isolation, Hollow Knight, Absolution, the works of Tony Lee and the various other creators, Charlie & Miles' history with Star Trek comics, Saga, Buffy comics, the unnecessary final boss level in Bioshock, the TARDIS enters Data (non-sexually). Miles' Star Trek/Doctor Who fanfiction, All-Star Superman, Sanji's eyebrow, Star Trek and Doctor Who's acknowledgement of each other, The Multiversity, our recommendations for tie-in comics. Oh, and occasionally Star Trek. And Doctor Who.Pedant's Corner:Tony Lee's X-Men Unlimited story is about Sage stealing a painting from an old Hellfire Club guyMiles means Charlie AdlardCasual Trek is by Charlie Etheridge-Nunn and Miles Reid-LobattoMusic by Alfred Etheridge-NunnCasual Trek is a part of the Nerd & Tie Networkhttps://ko-fi.com/casualtrekMiles' blog: http://www.mareidlobatto.wordpress.com Charlie's blog: http://www.fakedtales.com 

October 12, 2025Today's Reading: Luke 17:11-19Daily Lectionary: Deuteronomy 11:1-25; Matthew 12:1-21“When he saw them he said to them, 'Go and show yourselves to the priests.' And as they went they were cleansed. Then one of them, when he saw that he was healed, turned back, praising God with a loud voice; and he fell on his face at Jesus' feet, giving him thanks. Now he was a Samaritan. Then Jesus answered, ‘Were not ten cleansed? Where are the nine? Was no one found to return and give praise to God except this foreigner?' And he said to him, ‘Rise and go your way; your faith has made you well.'” (Luke 17:14-19)In the Name + of Jesus. Amen.Jesus is not really a “you scratch my back and I scratch yours” kind of guy. Too often, we are tempted to imagine salvation as some kind of contract or transaction. I once heard someone say, “When the praise goes up, the blessings start coming down.” Yeah… not how that works. We especially see that this is not the case here in our Gospel reading for today. Because Jesus does what he normally does. He heals someone with a terrible affliction. He does this all the time. He casts out demons, sometimes a lot of demons from one person. He heals the lame to walk about. The blind have their eyes opened. The deaf have their ears unstopped. Those who are mute can speak again. Especially notable is His healing of lepers. Leprosy was a social, physical, and religious death sentence. If you contracted leprosy, you were cast out of society, and you were also considered “unclean.” So, for Jesus to have mercy upon these people is very kind indeed. Jesus does the same thing to you every Sunday. You, dear listener, in all likelihood do not have leprosy. But you do have something worse: sin. Jesus responds to our weekly (and daily!) cries for mercy with boundless compassion, acting through your pastor to forgive your sins with the words of Absolution and the Sacrament of the Altar. But notice what happens after. Nine of the lepers take the healing and take off, not one word of thank you. And do you notice… they were still healed. Jesus doesn't afflict them with their leprosy again because he doesn't get a thank you. For that, we can be thankful because we are never as thankful as we ought to be. We are forgiven of sins we don't even know about. But Jesus is faithful. He keeps his promises. Thanks be to God.In the Name + of Jesus. Amen.Almighty God, You show mercy to Your people in all their troubles. Grant us always to recognize Your goodness, give thanks for Your compassion, and praise Your holy name; through Jesus Christ, Your Son, our Lord, who lives and reigns with You and the Holy Spirit, one God, now and forever.Rev. Jonathan Lackey, Pastor of Grace Lutheran Church, Vine Grove, KY.Audio Reflections Speaker: Pastor Jonathan Lackey is the pastor at Grace Lutheran Church, Vine Grove, KY.Step back in time to the late Reformation and learn about a divisive yet inspirational figure: Matthias Flacius Illyricus. His contributions to Lutheranism still echo in our teachings today, from the Magdeburg Confession to parts of the Lutheran Confessions. Learning about Flacius's life will help you understand more intricacies of the Reformation than ever before.

L'info du matin - Ce matin, Grégory Ascher et Justine Salmon ont parlé de la méthode des flemmards qui marche vraiment : ranger sans ranger ! Le winner du jour - Deux hommes se font une raclette en plein vol... en parapente ! - Et un télescope de 680 kilos appartenant à la NASA atterrit dans la ferme de nos deuxièmes winners ! Le flashback du jour - Retour en septembre 2003 : Jim Carrey est à l'affiche de "Bruce tout-puissant" et Muse sort son troisième album "Absolution" avec le titre "Time Is Running Out". Les savoirs inutiles - La France compte environ 45 000 châteaux et palais, soit plus que le nombre de restaurants McDonald's aux États-Unis (13 658) ! La chanson du jour - Dead or Alive "You Spin Me Round (Like a Record)" Les 3 choses à savoir sur France Gall Qu'est-ce qu'on fait ? - Ce week-end à Fréjus : le Roc d'Azur, l'un des plus grands rassemblements VTT du monde. - À Lavit-de-Lomagne (82) : la fête de la noisette et son championnat de lancer de noisette à la sarbacane. - Et à La Baule : "La Baule Rose", un événement caritatif dans le cadre d'Octobre Rose. Le Jeu surprise (Qui suis-je) : - Julie de Bonsecours (vers Rouen) repart avec le vinyle de Zazie "Zen" (30e anniversaire - édition limitée). La Banque RTL2 : - Sabrina de Grenoble gagne un i-Companion Touch Pro Moulinex (valeur 1299 €). - Léa de Lamballe (vers Saint-Brieuc) gagne un iPhone 17. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Frontière Rock chaque mardi soir de 22h à minuit, plongez dans l'univers sombre et alternatif de la musique Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze... Ré écoutez l'émission Frontière Rock du mardi 7 octobre 2025 qui monte en cliquant sur le lien ci dessus. Animée par Dark Jérôme, il vous fera découvrir des nouveautés récentes des meilleurs groupes et artistes de la scène underground, ainsi que les classiques du genre. Ce soir La Frontière reçoit en entretien cold le groupe August Angst pour la sortie de leur album "Et la lumière se tue" Découvrez la rubrique de Dark Jérôme intitulée "Sous les projecteurs de la frontière". Il mettra en avant un coup de cœur sur le travail musical passé ou récent d'un groupe de la scène Dark pas toujours assez médiatisé. Ne manquez pas l'agenda des concerts de la semaine, on vous dévoilera les dates et les lieux où vous pourrez assister aux performances live des groupes que vous aimez. Et pour continuer en beauté, écoutez la chronique Ma Discothèque Vinyle indispensable, où Jean-Marc vous présentera un album culte ou rare qu'il a déniché dans sa collection personnelle de vinyle. Frontière Rock 22h midnight every Tuesday evening from 22h to midnight, dive into the dark and alternative world of Dark, Alternative, Post Punk, Coldwave, Gothic Rock, Darkwave, Deathrock, New Wave, Dark Punk, Shoegaze music... Listen again to the Frontière Rock show from Tuesday, October 7, 2025, which is coming up by clicking on the link above. Hosted by Dark Jérôme, he will introduce you to recent releases from the best bands and artists of the underground scene, as well as classics of the genre. Tonight, La Frontière welcomes the band August Angst for a cold interview about the release of their album "Et la lumière se tue" (And the Light Kills). Discover Dark Jérôme's section entitled "Under the Spotlight of the Border." He will highlight a favorite piece on the past or recent musical work of a band from the Dark Rock scene that doesn't always get enough media coverage. Don't miss the week's concert schedule; we'll reveal the dates and venues where you can catch live performances by the bands you love. And to continue in style, listen to the column "My Essential Vinyl Library," where Jean-Marc will introduce you to a cult or rare album he unearthed in his personal vinyl collection. Facebook :https://www.facebook.com/augustangstofficial Bancamp : https://augustangst.bandcamp.com/album/et-la-lumi-re-se-tue Insta : https://www.instagram.com/augustangstofficial/ Station: ATTITUDE Date: 07/10/2025 Slot: 22h Hour Performer Title Tuesday 22:00:00 Tuesday 22:02:33 Glass Chapel Edge of the Knife Tuesday 22:06:12 PERTURBATOR Apocalypse Now (ft. Ulver) Tuesday 22:11:57 Octavian Winters Saints of Absolution (radio edit) Tuesday 22:15:07 Hidden House Mirror Cracks Tuesday 22:19:28 Factheory Bird of Time Tuesday 22:23:39 Automatic Black Box Tuesday 22:27:39 Batboner Burning The Effigies Tuesday 22:33:09 Weimar Gesang Chantal's Secret Tuesday 22:55:43 August Angst Nigredo Station: ATTITUDE Date: 07/10/2025 Slot: 23h Hour Performer Title Tuesday 23:00:00 Tuesday 23:04:18 Modern Eon The Grass Still Grows Tuesday 23:08:43 DEAD⅋DELICIOUS MARINA Tuesday 23:12:44 Dear Deer Science-fiction Tuesday 23:16:53 DEATH BY NATURE NOICE Tuesday 23:21:13 Dechakhal Una máquina letal Tuesday 23:24:48 Fauna Nova Deutsch Tuesday 23:30:29 Horror For Breakfast 3.Junk File Tuesday 23:34:54 Last Chance / Dimitris Papaspyropoulos Frozen Star (Original) Tuesday 23:41:07 Rosa Anschütz Plaster Copy Tuesday 23:44:20 THE BLACK CAPES Unwell-Being Tuesday 23:47:37 TRAITRS Burn In Heaven Tuesday 23:50:47 Veil Of The Forgotten Serpent Messiah Tuesday 23:56:12 vague phonique One Step Frontière Rock 100% Underground

In this captivating episode of the Meditative Prayers podcast, hosted by the insightful Dr. Tim Clinton and accessible on Pray.com, we delve into the profound theme of experiencing divine absolution—a concept that deeply resonates within our Christian community. Throughout our spiritual journey, there are moments when seeking absolution and finding solace in God's love becomes a paramount desire. These moments not only strengthen our faith but also rekindle our connections with others, guiding us toward the realization of our innermost spiritual yearnings. The unwavering truth remains constant: with the Lord as our steadfast guide, we have the innate capacity to discover absolution, renewing our sense of hope and purpose along our sacred path. Drawing deep inspiration from sacred scriptures, we embark on an exploration of this transformative human experience. For those who seek guidance in experiencing divine absolution on their spiritual journey, we extend a heartfelt invitation to explore the Pray.com app. By simply downloading it today, you can embark on a transformative voyage of faith and resilience, firmly grounded in the unwavering presence of the Divine. Together, let us wholeheartedly embrace the incredible potential for absolution within us, finding boundless inspiration and strength during our shared spiritual pilgrimage. We invite you to join us in this enlightening episode as we venture toward a profound understanding of experiencing divine absolution and discovering the extraordinary love that resides within each one of us.Embracing the practice of praying before slumber is more than just a routine; it's an avenue to recenter your heart, aligning it with God's purpose. Let Pray.com’s Meditative Prayer be a nightly companion, deepening your bond with the Almighty and settling your spirit for a serene night's rest.Dr. Tim Clinton is from the American Association of Christian Counselors, for more information please visit: https://aacc.net/See omnystudio.com/listener for privacy information.

Three Little Words | Luke 17:1-10 | Unworthy Servants A little boy once broke his sister's toy. After whispering, “I'm sorry,” he waited as she thought, then finally replied, “I forgive you.” Those three little words stunned the world when the video went viral. Why? Because forgiveness is rare. Jesus teaches that forgiveness is not a medal we earn but a gift we pass on. We are not “worthy servants” stacking up good works—we are unworthy servants who still hurt and provoke others. Yet Christ forgives us. On the cross He tore sin out by the roots and cast it into the sea. In Baptism, Absolution, and His Supper, He keeps doing this for you. Forgiveness is not our accomplishment. It is the Gospel in action. By the Spirit, we guard and share this treasure: three little words that change everything—“I forgive you.” Which is simply another way of saying, “I love you.” ----- Worship Times Sunday – 8:00 & 10:45 a.m. Monday – 6:30 p.m. https://trinitysheboygan.org https://facebook.com/trinitysheboygan We are a congregation of the Lutheran Church—Missouri Synod. Join us as we proclaim Christ crucified and risen for the forgiveness of sins. --- Trinity Lutheran Church, School and Child Care have been "Making Known the Love of Christ" in Sheboygan, Wisconsin and throughout the world since 1853 as a congregation gathering around God's Word and Sacraments to receive forgiveness and life everlasting. Trinity is located in downtown Sheboygan, only one block from the Mead Public Library and the Weill Center for the Performing Arts. We invite you to visit us in person! Trinity Lutheran Sheboygan is a proud member of The Lutheran Church—Missouri Synod. Visit their website: https://www.lcms.org/​​​​ Music for this production was obtained through a licensing agreement with One License, LLC. The copyright permission to reprint, podcast, and record hymns and songs is acquired through ID Number: 730195-A #LCMS #Lutheran #DivineService

Three Little Words | Luke 17:1-10 | Unworthy Servants A little boy once broke his sister's toy. After whispering, “I'm sorry,” he waited as she thought, then finally replied, “I forgive you.” Those three little words stunned the world when the video went viral. Why? Because forgiveness is rare. Jesus teaches that forgiveness is not a medal we earn but a gift we pass on. We are not “worthy servants” stacking up good works—we are unworthy servants who still hurt and provoke others. Yet Christ forgives us. On the cross He tore sin out by the roots and cast it into the sea. In Baptism, Absolution, and His Supper, He keeps doing this for you. Forgiveness is not our accomplishment. It is the Gospel in action. By the Spirit, we guard and share this treasure: three little words that change everything—“I forgive you.” Which is simply another way of saying, “I love you.” ----- Worship Times Sunday – 8:00 & 10:45 a.m. Monday – 6:30 p.m. https://trinitysheboygan.org https://facebook.com/trinitysheboygan We are a congregation of the Lutheran Church—Missouri Synod. Join us as we proclaim Christ crucified and risen for the forgiveness of sins. --- Trinity Lutheran Church, School and Child Care have been "Making Known the Love of Christ" in Sheboygan, Wisconsin and throughout the world since 1853 as a congregation gathering around God's Word and Sacraments to receive forgiveness and life everlasting. Trinity is located in downtown Sheboygan, only one block from the Mead Public Library and the Weill Center for the Performing Arts. We invite you to visit us in person! Trinity Lutheran Sheboygan is a proud member of The Lutheran Church—Missouri Synod. Visit their website: https://www.lcms.org/​​​​ Music for this production was obtained through a licensing agreement with One License, LLC. The copyright permission to reprint, podcast, and record hymns and songs is acquired through ID Number: 730195-A #LCMS #Lutheran #DivineService

Episode #370 of DJ AsuraSunil's weekly Sunday Seven mixshow is here!!! This week's show includes brand new tracks from **Kill Shelter | Frenchy and the Punk | BlakLight | Sapphira Vee | Christine Plays Viola | Null Device | Octavian Winters** https://hearthis.at/asurasunil/dj-asurasunils-sunday-seven-mixshow-370-20251005 You'll find links to subscribe to the podcast version of my show on Apple Podcasts, Google Podcasts, TuneIn, etc on my Linktree at https://linktr.ee/asurasunil **You can also join me for my “I LIKE STUFF” live stream on Twitch at https://twitch.tv/djasurasunil every Monday night at 10:30pm WET / 5:30pm Eastern US / 4:30pm Central US / 2:30pm Pacific US** Spread the music!!! Please FAVORITE, REPOST, and SHARE it on all platforms!!! Comments are always welcome and appreciated! Tracklist: Kill Shelter - Sunday Seven Intro Kill Shelter - I Don't Believe in You Frenchy and the Punk - Dark Carnivale (Hi-Fi Hillary Remix) BlakLight - Leave a Light On Sapphira Vee - Evil in Numbers (feat. Jim Semonik) Christine Plays Viola - My Redemption Null Device - The Worst Men In America Octavian Winters - Saints of Absolution

Seventeenth Sunday after Pentecost

Three Little Words | Luke 17:1-10 | Unworthy Servants A little boy once broke his sister's toy. After whispering, “I'm sorry,” he waited as she thought, then finally replied, “I forgive you.” Those three little words stunned the world when the video went viral. Why? Because forgiveness is rare. Jesus teaches that forgiveness is not a medal we earn but a gift we pass on. We are not “worthy servants” stacking up good works—we are unworthy servants who still hurt and provoke others. Yet Christ forgives us. On the cross He tore sin out by the roots and cast it into the sea. In Baptism, Absolution, and His Supper, He keeps doing this for you. Forgiveness is not our accomplishment. It is the Gospel in action. By the Spirit, we guard and share this treasure: three little words that change everything—“I forgive you.” Which is simply another way of saying, “I love you.” ----- Worship Times Sunday – 8:00 & 10:45 a.m. Monday – 6:30 p.m. https://trinitysheboygan.org https://facebook.com/trinitysheboygan We are a congregation of the Lutheran Church—Missouri Synod. Join us as we proclaim Christ crucified and risen for the forgiveness of sins. --- Trinity Lutheran Church, School and Child Care have been "Making Known the Love of Christ" in Sheboygan, Wisconsin and throughout the world since 1853 as a congregation gathering around God's Word and Sacraments to receive forgiveness and life everlasting. Trinity is located in downtown Sheboygan, only one block from the Mead Public Library and the Weill Center for the Performing Arts. We invite you to visit us in person! Trinity Lutheran Sheboygan is a proud member of The Lutheran Church—Missouri Synod. Visit their website: https://www.lcms.org/​​​​ Music for this production was obtained through a licensing agreement with One License, LLC. The copyright permission to reprint, podcast, and record hymns and songs is acquired through ID Number: 730195-A #LCMS #Lutheran #DivineService

October 2, 2025 Today's Reading: Catechism: Table of Duties - What Hearers Owe Their PastorsDaily Lectionary: Deuteronomy 3:1-29; Matthew 7:1-12 “We ask you, brothers, to respect those who work hard among you, who are over you in the Lord and who admonish you. Hold them in the highest regard in love because of their work. Live in peace with each other. (1 Thessalonians 5:12-13)Obey your leaders and submit to their authority. They keep watch over you as men who must give an account. Obey them so that their work will be a joy, not a burden, for that would be of no advantage to you. (Hebrews 13:17)” (Luther's Small Catechism, Table of Duties, What Hearers Owe Their Pastors) In the Name + of Jesus. Amen. The Small Catechism's Table of Duties contains quite a few orders. These directions indicate how we may better serve our Lord and benefit our neighbor and prepare us for Holy Absolution, showing us where we have done wrong. God's perfect will in His law is both good for us and condemnatory of the sin that remains in us. We will not see it perfected in mankind until the day of resurrection. Our duty to our pastors, outlined above, is a particularly tall order. “Don't be an affliction to me, child!” That is a comically gross simplification that still rings true. The work of your pastors is arduous and frequently thankless. Their vocation has an abnormally high burnout rate. But they still take great joy in serving you, delivering the confidence of forgiveness in Christ by water and Word. When your pastors correct you in sin and any error, rejoice that he loves you enough to warn you of it. It would be far easier and less disruptive to ignore the thing. Your pastor does love you. He wants to instruct you in the Christian faith and to turn you from sin and error. He wants to deliver confidently the Words of Absolution into your ears. He will be accountable for what he has done and left undone. And, he wants you to receive Jesus often. Let him do it. It's for your good. The whole of creation needs to hear and receive this Good News of forgiveness and salvation in Jesus. In the Name + of Jesus. Amen. Lord God, Heavenly Father, You have ordered all of creation for our good. From the foundations of it, You have been our God. Keep our hearts and minds ever set towards those things which please You, and glorify Your name in the earth, that the free course of the spread of the Gospel of forgiveness in Jesus may be received by all nations. This we pray in the holy name of Jesus Christ, Your beloved Son, our Lord. Amen.Rev. Jason Kaspar, pastor of Mount Calvary Lutheran Church, La Grange, Texas.Audio Reflections Speaker: Pastor Jonathan Lackey is the pastor at Grace Lutheran Church, Vine Grove, KY.Join author R. Reed Lessing helps with this chapter-by-chapter exploration of the Book of Numbers in Hope in the Wilderness. With helpful maps, diagrams, and connections to the rest of the Bible, you'll be able to understand the beauty of Numbers.

Charlie Kirk's wife forgives the man who shot her husband. Later Trump said he does not forgive his opponents. They're both right. Big things happen when we talk of martyrs. 

Wir geloben Besserung!

A Familiar Feeling Narrative Play Adventure Co-Created by: Alpha Comics & Games:  From vintage comics & games to new releases, find your Adventure at Alpha! | Conveniently located in Willow Lawn, Richmond VA. Goblins and Growlers:  Creating Inclusive Community Through Tabletop Gaming. Creating all-original TTRPG content, and fostering nerdy spaces for everyone both digitally and in-person!   SIGN UP FOR OUR MONTHLY NEWSLETTER https://goblinsandgrowlers.beehiiv.com/subscribe JOIN 800+ GOBLINS ON OUR DISCORD http://bit.ly/goblindiscord TELEPHONE, TELEGRAPH, TELL A FRIEND If you like the show, please tell a friend about it. And if you want to tell more people, then please leave us a review on Apple Podcasts or your listening platform of choice. Also, give a listen to our sister podcast, The Goblins and Growlers Podcast, https://goblinsandgrowlers.podbean.com, for TTRPG news, interviews, and discussion.

Welcome to the Celestial Insights Podcast, the show that brings the stars down to Earth! Each week, astrologer, coach, and intuitive Celeste Brooks of Astrology by Celeste will be your guide. Her website is astrologybyceleste.com.  

This week's tragedies remind us how deeply sin has scarred our world and our own hearts. Violence, hatred, and death are not exceptions but the fruit of our fallen humanity. That is why we need the holy cross. At the cross, Jesus took all sin, guilt, and hatred upon Himself, died in our place, and rose victorious to give us life. There, what looked like defeat became victory, turning death into life and despair into hope. Through Word, Baptism, Absolution, and the Lord's Supper, the cross finds us and gives us forgiveness, strength, and new life in Christ. So in a world bent on destruction, we turn not left or right but to the cross, where we see God's love and victory—and from there, we live in His peace, courage, and hope.

September 10, 2025Today's Reading: Philippians 2:12-30Daily Lectionary: 2 Kings 9:1-13; 10:18-29; 2 Kings 13:1-18:8; Philippians 2:12-30“Therefore, my beloved, as you have always obeyed, so now, not only as in my presence but much more in my absence, work out your own salvation with fear and trembling, for it is God who works in you, both to will and to work for his good pleasure.” (Philippians 2:12-13)In the Name + of Jesus. Amen.Good works get a bad rap in the Lutheran church. We proudly confess that we are saved by grace and not by good works. And that's correct; I'm not about to undo 500+ years of good Lutheran teaching. However, we can't just throw good works out entirely, and St. Paul's writing to the Philippians says as much. He charges the church to continue obeying God's will and Paul's teaching. He explains that God works through them to accomplish good works according to His will. Paul wants the Philippians to live out their Christian lives faithfully, which means being obedient to the Lord. In saying, “work out your own salvation with fear and trembling,” Paul does not mean for the people to work hard enough with enough reverence to earn salvation. For one thing, that opposes what he teaches and what Christ teaches, and for another thing, it's impossible for us to accomplish, hence the need for Jesus in the first place. To work out your own salvation really means to work outwardly from your salvation towards others. It is a command to do good works, not because that is how you earn salvation, but because it is by those works that God's will is done among us. And as baptized children of God, having been made new, from the inside out, we are now to live as Christians. Paul is not giving the Philippians a mandate to earn their salvation. He is encouraging them and reminding them of what Christians do: good works for the sake of others. God worked the ultimate good through the sacrifice of Christ Jesus on the cross, by Whose death and resurrection we are made right with God Almighty, and the benefits thereof are given freely to you in the waters of Baptism, the Body and Blood of Communion, and the words of Absolution. Your good works do not and cannot gain you salvation. Salvation is the free Gift of God. Rather, the good works you do flow outwardly from the salvation you have been given. So go forth, good and faithful servant, knowing that God has prepared work for you so that you might bless others because of the love of Christ Jesus.In the Name + of Jesus. Amen.O Spirit, who didst once restore thy Church that it might be again the bringer of good news to men, breathe on thy cloven church once more, that in these grey and latter days there may be those whose life is praise, each life a high doxology to Father, Son, and unto Thee. (LSB 834:4)Deac. Emma Heinz, registrar for Higher Things.Audio Reflections Speaker: Pastor Jonathan Lackey is the pastor at Grace Lutheran Church, Vine Grove, KY.Join author R. Reed Lessing helps with this chapter-by-chapter exploration of the Book of Numbers in Hope in the Wilderness. With helpful maps, diagrams, and connections to the rest of the Bible, you'll be able to understand the beauty of Numbers.

In this episode, we're joined by James Dean, the creative mind behind indie horror projects like XXXMas, Absolution, and more. We dive into his journey in film, the raw realities of indie filmmaking, and what it takes to carve out original stories in a genre overflowing with classics. From balancing vision with resources to pushing boundaries with bold storytelling, James shares his experiences and the passion that drives his work.At Monster Kid Productions, the mission is to deliver high-quality original content that both honors their horror influences and fearlessly pushes the genre forward. They're a boundary-breaking distribution and production company built on practical FX, buckets of gore, and the kind of movies your mom definitely didn't want you renting from the video store.This conversation is for every horror fan who believes indie film is where the real blood flows.

August 23, 2025Today's Reading: Introit for Pentecost 11 - Psalm 117; antiphon: Psalm 96:6a; 115:18Daily Lectionary: 1 Kings 3:1-15; 1 Kings 3:16-4:34; 2 Corinthians 1:1-22“The faithfulness of the Lord endures forever.”  (Psalm 117:2)In the Name + of Jesus. Amen.These words are easily said, but not so easily believed. God's faithfulness endures… forever? Forever is a long time. A lot can happen in that timespan. Whatever good things have happened and will happen, plus whatever bad things have happened and will happen, all that is included in “forever.” That's a lot of good and evil, a lot of laughter and a lot of tears, a lot of triumph and a lot of sickening loss. It is not easy to believe that God's faithfulness endures forever. Especially when you're on the receiving end of sorrow, grief, shame, hurt, addiction, loss, or any other affliction of body and soul, possessions, and reputation. Where is God's faithfulness then?But to be honest, faith in God's love and faithfulness to what He has promised in the Gospel is never easy. Instead, faith would be impossible if it were up to you. In good times, you would not think that you needed to trust in God's faithfulness. You would simply expect it, as you expect the light to turn on when you flick a switch. And in bad times, you would despair that God has forgotten to be faithful. You would hurt in your soul, thinking that God decided to forget you and leave you to figure your mess out for yourself. Neither attitude would foster saving faith in the heart.The good thing is, God's faithfulness endures forever for you, in Christ. In Jesus' cross, you see the epicenter of God's faithfulness for you, forever. In every time and circumstance, God's faithfulness in Jesus remains. What if you are smug and content, thinking little of Jesus' salvation and focused on other things more? Nonetheless, God's faithfulness remains in Christ. He calls you to repent, but His love for you remains. Jesus' blood redeems even those lost in apathy. And what if you despair of salvation? Even then, God's faithfulness remains in Christ. See the Lamb of God who takes away the sin of the world. And if He has taken away your sin by His death, there is nothing more that can condemn you.The Holy Spirit creates faith in Christ for you. This is not the believer's responsibility! This is the work of the Holy Spirit. Saving faith is what He does. We even know where the Holy Spirit works: the preaching of the pure Gospel, the Absolution, Baptism, the Lord's Supper, in the context of the liturgy. Since the Holy Spirit and not you is responsible for saving faith, it is much easier to believe in God's faithfulness, even when things are bad. Just be in the Word! The Holy Spirit will take care of the rest.In the Name + of Jesus. Amen.Bane and blessing, pain and pleasure By the cross are sanctified. Peace is there that knows no measure, Joys that through all time abide. (LSB 427:4)Rev. Robert Mayes, pastor at Immanuel Lutheran Church and Zion St. John Lutheran Church, Beemer and Wisner, NE.Audio Reflections Speaker: Pastor Jonathan Lackey is the pastor at Grace Lutheran Church, Vine Grove, KY.Study the early Church Fathers, Scripture, and Christian history alongside FLAME's conversational voice to see for yourself why their teachings from Scripture are important to study, and live out, today.

Draw the shades, cut the wick, the night is past the hour long. For when I die, I pray it's quick, and someone sits to sing my song. Content warnings include: themes of death // desecration of a corpse // gore // misophonia // religious undertones // mentions of blood // complex family dynamics // depictions of mental illness // depictions of vomiting // depictions of disease // disordered eating // class inequality // depictions of spirits & the undead // allusions to suicide // mutilationThank you for joining us through the full meal of this series. The service has completed, all dishes devoured. We hope you feel sated, for now. Sin Eater: Absolution is performed by Jess Lupini and Adam Lucas. Special thanks to our campaign artist, Cenzi, who you can find as @cenzi03 on Instagram. Music and effects by Epidemic Sound and the brilliantly talented Si Rutherford. For more stories, come follow us everywhere at @blackwaterdnd, and make sure to check out our Main Campaign on Monday nights at 8pm PST at twitch.tv/blackwaterdnd. This show is made possible by our sponsors who support us and allow us to tell the stories we want to share. We are grateful to be sponsored by Hero Forge, who offer fully customizable miniatures made with their online 3D character creator! Head on over and design your own Sin Eater, and get them printed in a variety of materials, including colour printing options! With new content added each week, check out www.heroforge.com to start bringing your character to life! We would also like to thank our sponsor Hunter's Entertainment. Hunter's Entertainment is a premier purveyor of tabletop RPGs and board games, providing amazing alternative systems for whatever setting or scenario you want to bring to the table. With titles like Kids on Bikes, Alice is Missing, God's of Metal: Ragnarok, and of course, Sin Eater, Hunter's brings beautifully written & designed books to dive into with your players. Check them out at huntersentertainment.com and sink your teeth into something new. Finally, we're thankful for our Patrons for joining us on our first adventure within Shura. You too can come join us on Patreon, where you can check out behind the scenes info, our talkback show Chatwater, as well as exclusive Sin Eater bonus content and so much more. Head on over to patreon.com/blackwaterdnd for all the info. Thank you for listening, stay hungry and be safe. 

The Notes: Cleaning your ears with joy! The 3 Worst Times to Fall Asleep! Fame, do we want to live forever!? Family, or new, undiscovered islands!? You're their immortal great-great-grandpa, they have to invite you to the cookout! The trip-me-ups and pitfalls of immortality! Bill Shavehole! Good advice for mortal and immortal alike! Kids, always have a clean, new identity on you! Once again we spit on the grave our fallen adversary! The fatal flaw of Applebee's! A top notch frame-up! There are better ways to get rid of grease! There are very few accidental war crimes! The only war crimes our listeners have committed are ones that can be legitimately explained away, and yes we realize that's the excuse of a lot of war criminals! @SpicyBeefGaus's experience handling alleged war criminals! Leave us a detailed message cataloguing your war crime deets! While we don't condone war crimes, we are shockingly popular amongst war criminals! Don't look at us, in re: that war criminal discount, that was a third-party discount! The path from ICC prison to courtroom is one Double Deuce long! Let's take that shit to the Hague! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider, Amber Fraley, Nate Copt, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!  

August 16, 2025Today's Reading: Introit for Pentecost 10 - Psalm 55:1, 12-14, 16; antiphon: Psalm 55:22Daily Lectionary: 2 Samuel 6:1-19; 1 Corinthians 9:1-23“Give ear to my prayer, O God, and hide not yourself from my plea for mercy!” (Psalm 55:1)In the Name + of Jesus. Amen. Isn't it a gift? In the lowest moments we have, the hardest experiences we struggle through, the long nights, and tear-stained memories - we get to cry out to God.I'll be honest, living through hurt, trauma, loss, brokenness, and betrayal are not situations I have usually considered ‘gifts' while going through them. Sin breaks all that God calls good. And yet, there is hope in those broken moments. Suffering is a mark of a Christian life. Struggling with sin, living life with and among sinners, and feeling wholly inadequate with your own shortcomings are daily difficulties; yet, suffering is a reality of life and a gift. You are never alone in those moments. In your Baptism, you are given the Holy Spirit, who creates faith in you to cling to the hope we have in Jesus. Indeed, Jesus became man and came into the mess and death of this sinful world and defeated our enemies for us. In the prayer that Jesus teaches us, we are taught to come to Him, to be reminded of all that God has done for us, and to ask for what we need—not because God isn't sure or doesn't remember, but so we can be refocused on the Giver of all that we need. Indeed, our lives are marred with sin, but we are not without hope. In moments of great pain and weakness, cry out to God. Ask for His attention and His mercy; be reminded and reassured that He is the One Who created you, redeemed you, sustains you, and is with you even now. Turn to God in the moments of disorder and pain; cling to and remember the promises that He has made. Go to the Divine Service, confess your sins and brokenness, and receive Absolution. Know that your guilt and shame are gone. Hear God's Word proclaimed and preached to you. Receive Jesus' Body and Blood in your mouth. Make the sign of the cross. Jesus' mercy is for you. He hears your cries, He counts your tears, He holds you within His hand. It is a gift to cry out for mercy and know that He Who is faithful will continue to give it. In the Name + of Jesus. Amen.Evening and morning, Sunset and dawning, Wealth, peace, and gladness, Comfort in sadness: These are Thy works; all the glory be Thine! Times without number, Awake or in slumber, Thine eye observes us, From danger preserves us, Causing Thy mercy upon us to shine. (LSB 726:1)Deac. Sarah Longmire, Bible study editor for Higher Things.Audio Reflections Speaker: Pastor Jonathan Lackey is the pastor at Grace Lutheran Church, Vine Grove, KY.Study the early Church Fathers, Scripture, and Christian history alongside FLAME's conversational voice to see for yourself why their teachings from Scripture are important to study, and live out, today.

August 12, 2025Today's Reading: Hebrews 11:1-16Daily Lectionary: 1 Samuel 28:3-25; 1 Samuel 29:1-30:31; 1 Corinthians 6:1-20“And without faith it is impossible to please him, for whoever would draw near to God must believe that he exists and that he rewards those who seek him.” (Hebrews 11:6)In the Name + of Jesus. Amen. These words are a great reminder. God is not impressed by works. We can't trick Him into being pleased with us by holding up shiny works that we ‘curated ourselves.' Nope. It is impossible to please Him…without faith.So what is this ‘so important' faith? And as a sinner, how can I get it alllll for myself? The first verse of this chapter gives us a definition of faith: “it is assurance of things hoped for and the conviction of things not seen.” This still seems fuzzy. I want faith to be something I can put in my pocket and look at, or hold up before God as proof. I want to measure it and control its enoughness. Lord, have mercy on me, a sinner. We know from other parts of Scripture, and as it is simply explained in the Small Catechism, that we cannot come to God on our own. We cannot have faith created out of our own reason, understanding, or strength. So, how can I get this necessary faith? How can I please God? How can I get rewards? This verse points to the multitude of Gifts that God gives to His people. It is God Who creates and sustains faith in His people. In Baptism, He drowns the hard-hearted, dead sinner, and creates a New Man who then receives the Holy Spirit. It is God Who, before the foundation of the world, had a plan for the world's salvation in and through Jesus' Death and Resurrection. The faith given in your Baptism is what clings to the promises of God and is what receives the overflowing Gifts and rewards that He gives. We don't work to please God to “get rewards.” Instead, we receive faith, God is pleased with us, and He gives all that we need. Indeed, without faith, we cannot come before God and please Him. And yet, God had a plan. God saved you in the waters of your Baptism. The Holy Spirit within you clings to Jesus' Death and Resurrection for you. In the words of Absolution, Jesus' Body and Blood in the Lord's Supper, and through the proclamation of the Gospel, you receive the rewards that God gives to those who have faith. He lovingly created you, redeemed you, gives you faith, and feeds and sustains you. God be praised for His perfect plan for our salvation, redemption, and the faithful hope you have unto eternal life. In the Name + of Jesus. Amen.Firmly to our soul's salvation Witnesses Your Spirit, Lord, In Your Sacraments and Word. There He sends true consolation, Giving us the gift of faith That we fear not hell nor death. (LSB 559:3) Deac. Sarah Longmire, Bible study editor for Higher Things.Audio Reflections Speaker: Pastor Jonathan Lackey is the pastor at Grace Lutheran Church, Vine Grove, KY.Study the early Church Fathers, Scripture, and Christian history alongside FLAME's conversational voice to see for yourself why their teachings from Scripture are important to study, and live out, today.

August 11, 2025Today's Reading: Genesis 15:1-6Daily Lectionary: 1 Samuel 26:1-25; 1 Samuel 27:1-28:2; 1 Corinthians 5:1-13“But Abram said, ‘O Lord GOD, what will you give me, for I continue childless, and the heir of my house is Eliezer of Damascus?'” (Genesis 15:2)In the Name + of Jesus. Amen. These verses in Genesis are amazing promises that God gives to Abram: “I am your shield; your reward shall be very great; number the stars…so shall your offspring be.” This is miraculous! The old, barren couple will indeed have a child and will have an abundance of offspring! And yet, Abram can't help but be skeptical. “But God….”Can you see yourself in this skeptical response? I can. Here's the thing about sinners—we like fast results and we like control. We want what we want when we want it, and that's it. I don't want to wait. I don't want to trust. I want to control the timeline, the process, and the outcome. Lord, forgive me, a sinner. Incredibly, God is more patient than we are impatient. God is more merciful, gracious, loving, and forgiving than we can even fathom. In this exchange with Abram, God hears Abram's concerns and meets them with promises. God assures Abram that He will take care of Abram and his family. God has a plan, and it will come to fruition. In the same way, He hears our prayers. We come to Him, forgetting all that He has done, and protest about waiting or about not getting what we want. We come to Him with our sins and burdens, our complaints and our hurts, and He hears us. He WANTS to hear from us. Amazing. He answers us with mercy and grace. He reminds us that in Christ, all that we need has been fulfilled and provided. In Baptism, He took a dead, sinful thing and made it alive and new. In the Lord's Supper, He gives us the Body and Blood of His Holy and Precious Son for our nourishment and forgiveness. In the Divine Service, He gives us Absolution and His Word—His promises of salvation, grace, and love. And, just like Abram, who “believed the LORD, and he counted it to him as righteousness,” we, too, are credited with the faith that believes. The Holy Spirit works in and through us, and yet God is delighted with us! Repent of your skepticism and cling to the promises of God. He loves you, forgives you, mercies you, and meets your every need. He has paid for your sins by Jesus' Death and Resurrection; you get to rest in hope and His perfect care of you. In the Name + of Jesus. Amen.Amen, that is, so shall it be. Make strong our faith in You, that we May doubt not but with trust believe That what we ask we shall receive. Thus in Your name and at Your Word We say, “Amen, O hear us, Lord!” (LSB 766:9) Deac. Sarah Longmire, Bible study editor for Higher Things.Audio Reflections Speaker: Pastor Jonathan Lackey is the pastor at Grace Lutheran Church, Vine Grove, KY.Study the early Church Fathers, Scripture, and Christian history alongside FLAME's conversational voice to see for yourself why their teachings from Scripture are important to study, and live out, today.

For the first time in a long time we record in person with a large group old school AIW podcast style to review "Absolution 18" to discuss the good, bad, and everything in between with the day. 

August 10, 2025 Today's Reading: Luke 12:22-34 (35-40)Daily Lectionary: 1 Samuel 25:23-44; 1 Corinthians 4:1-21“Fear not, little flock, for it is your Father's good pleasure to give you the kingdom.” (Luke 12:32)In the Name + of Jesus. Amen. These verses speak about anxiety. Yikes. Guilty—party of one. And often, when I read them, I immediately become anxious about how anxious I am and how I am not trusting…because I am anxious. Lord, forgive me, a sinner. Look at these words, though: “fear not…it is your Father's good pleasure to give you the kingdom.” Fear not; deep breath. In my anxiety, I am afraid. I'm afraid to fail, afraid to be hurt, afraid I'm not enough, afraid that I don't have control…afraid. And yet, Jesus tells us to fear not. And here's the thing—Jesus is trustworthy. He can and does back up that directive. He has the answers to all my fears. Failure, hurt, enoughness, control…all of these flow out of my sinful, selfish nature. The Law shows me that I am a failure, hurtful, inadequate, out-of-control sinner. And yet, Jesus can and does tell me not to fear because He has paid for all of that; He has covered my shame and guilt. It is His now, and He has left it in the tomb—forever gone and buried. Fear not. And now, I can joyfully receive the Father's good pleasure! I can receive His Kingdom with peace and certainty! In my Baptism, Jesus takes my anxiety and gives me peace. It is through His work that I am right before God and safely found within His Father's House. Perhaps you, too, struggle with anxiety. Perhaps you, too, know that you are a sinner and worry about it. Make the sign of the cross, dear Baptized child of God. Remember that it is Jesus Who takes your sin and shame, and it is Jesus Who defeated it for you. Go to the Divine Service and hear the words of Absolution announced to you. Take Jesus' Body and Blood for the forgiveness of your sins. Hear God's Word and be strengthened by His promises. You may still struggle with anxiety, but it does not define you. You are Baptized; you are named as one who belongs to Christ, and you can truly fear not. In the Name + of Jesus. Amen.Almighty and merciful God, it is by Your grace that we live as Your people who offer acceptable service. Grant that we may walk by faith, and not by sight, in the way that leads to eternal life; through Jesus Christ, Your Son, our Lord, who lives and reigns with You and the Holy Spirit, one God, now and forever. Amen (LSB, Collect of the Day)Deac. Sarah Longmire, Bible study editor for Higher Things.Audio Reflections Speaker: Pastor Jonathan Lackey is the pastor at Grace Lutheran Church, Vine Grove, KY.Study the early Church Fathers, Scripture, and Christian history alongside FLAME's conversational voice to see for yourself why their teachings from Scripture are important to study, and live out, today.

You came from nothing, and you have amounted to nothing. No one will remember you.Content warnings include: themes of death // desecration of a corpse // gore // misophonia // religious undertones // mentions of blood // complex family dynamics // depictions of mental illness // depictions of vomiting // depictions of disease // disordered eating // class inequality // depictions of spirits & the undead // allusions to suicide // mutilationSin Eater: Absolution is performed by Jess Lupini and Adam Lucas. Special thanks to our campaign artist, Cenzi, who you can find as @cenzi03 on Instagram. Music and effects by Epidemic Sound and Si Rutherford. For more stories, come follow us everywhere at @blackwaterdnd, and make sure to check out our Main Campaign on Monday nights at 8pm PST at twitch.tv/blackwaterdnd. This show is made possible by our sponsors who support us and allow us to tell the stories we want to share. We are grateful to be sponsored by Hero Forge, who offer fully customizable miniatures made with their online 3D character creator! Head on over and design your own Sin Eater, and get them printed in a variety of materials, including colour printing options! With new content added each week, check out www.heroforge.com to start bringing your character to life! We would also like to thank our sponsor Hunter's Entertainment. Hunter's Entertainment is a premier purveyor of tabletop RPGs and board games, providing amazing alternative systems for whatever setting or scenario you want to bring to the table. With titles like Kids on Bikes, Alice is Missing, God's of Metal: Ragnarok, and of course, Sin Eater, Hunter's brings beautifully written & designed books to dive into with your players. Check them out at huntersentertainment.com and sink your teeth into something new. Finally, we're thankful for our Patrons for joining us on our first adventure within Shura. You too can come join us on Patreon, where you can check out behind the scenes info, our talkback show Chatwater, as well as exclusive Sin Eater bonus content and so much more. Head on over to patreon.com/blackwaterdnd for all the info. Thank you for listening, stay hungry and be safe. 

This Week your hosts Hall of fame ref. JHawk, JGold & Charly Butters discuss Jgolds Summerslam weekend with the main event network boys, Jhawk talks about his Baseball weekend, Live reactions of the Joey Ryan Portland wrestling announcement, Butters "depressing" birthday weekend. Then they review Absolute Intense Wrestling's "Absolution 18" Event

In this episode of the Reformed Journal Podcast, the poetry edition, Rose Postma talks with Lila Robinett Tindall about her poem “On Absolution.” Lila is a poet from East Texas whose work concerns issues of femininity, faith, and domesticity. She has been published in Ekstasis Magazine, Five South, Bicoastal Review, and elsewhere.

David "DB" Andry returns to the podcast for a 4th time to discuss RED VECTOR coming out August 27th from Mad Cave Studios. (FOC is August 4th). The series is written by David and frequent collaborator Tim Daniel, illustrated by Chris Evenhuis, colored by Sjan Weijers, and lettered by friend of the podcast Buddy Beaudoin. David talks about how Red Vector is influenced by Star Wars, The Last Starfighter, and Enemy Mine, the importance of keeping the characters' motivations nebulous to keep the reader asking questions, his excitement at getting to work with Evenhuis and Weijers, and he answers the age-old question first posited by comic book philosopher Grant Stoye, "Where do your ideas come from?". David also talks about what readers can expect from the end of Crush Depth. It's always a good time chatting with David! 

Today Fr. Mitch reflects on the life of our beloved Fr. Benedict Groeschel and the reason for his Isaiah series. Join us for Open Line Wednesday.

Today Fr. Mitch reflects on the life of our beloved Fr. Benedict Groeschel and the reason for his Isaiah series. Join us for Open Line Wednesday.

Tonight I am sharing a conversation that took place recently with a chap named Barry who was born and raised in the Cheshire area. Barry has experienced an ongoing fight between good and evil and he shares that in a very emotive interview. Become a supporter of this podcast: https://www.spreaker.com/podcast/deborah-hatswell-bbr-investigations-cryptids-paranormal-unexplained-events--2840337/support.

This week we give you a double episode as we deep dive into the "Absolution 18" card and take a look back and some of the historic matches that have happened on this show over the years! This one is clocking it right around 2 hours! 

Legend of the Bones is a hybrid of dark fantasy audio drama and old school solo Dungeons & Dragons.  A story where the roll of the bones determines all.  None shall escape the destiny of bone... Into the mountains... Audio credits: Intro & Main Theme: Cold Northern Stars by imaginerum https://tunetank.com/tracks/2290-cold-northern-stars   Part 1: This Too Shall Pass by Scott Buckley https://www.scottbuckley.com.au/library/this-too-shall-pass Released under CC-BY 4.0   Part 2a: Decoherence by Scott Buckley https://www.scottbuckley.com.au/library/decoherence Released under CC-BY 4.0   Part 2b: Red Sun by Victor Wayne https://tunetank.com/track/3016-red-sun/ Released under CC-BY 4.0   Part 3a: Red by Scott Buckley https://www.scottbuckley.com.au/library/red Released under CC-BY 4.0   Part 3b: Absolution by Scott Buckley https://www.scottbuckley.com.au/library/absolution Released under CC-BY 4.0   Part 4: Path Through the Mountains by Scott Buckley https://www.scottbuckley.com.au/library/path-through-the-mountains Released under CC-BY 4.0   Behind the Screen: Moving Picture Atmosphere 014 https://soundcloud.com/royaltyfreebackgroundmusic/creative-commons-music-4099/sets   Incidental sound effects sourced from www.freesound.org & www.freesfx.co.uk & www.zapsplat.com & https://tabletopaudio.com/   Voice Actors   Post Roll Promo Fantasy Pants   Resources https://legendofthebones.blogspot.com Transcript

Absolution or Accountability? Navigating Racial Justice in Christian Spaces... yeah, it's a very Pass The Mic type of episode this week. In this thought-provoking episode of Pass The Mic, Dr. Jemar Tisby and Pastor G. Tyler Burns dive deep into the complicated dynamics of Black Christians being expected to offer absolution to white Christians in the face of racism. They explore how some Black Christian leaders have been pressured — or at times have chosen — to position themselves as brokers of racial reconciliation, often using the role to build platforms rather than pursuing genuine, hard truths about justice. Learn more about your ad choices. Visit megaphone.fm/adchoices