Podcast appearances and mentions of Rose Mountain

Chris sits down with tattoo artist friend Elisa Rose Mountain to discuss Grateful Dead culture, her tattooing career, artistic side hustles and projects, the various art styles they've both experimented with, Elisa's healing modalities and spiritual path, her journeys to the south for purging, the importance of observing societal events with compassion and the potential impacts of AI and EMF on future generations. IG: @elisarosemountain Links: https://linktr.ee/elisarosemountain https://www.etsy.com/shop/ElisaRoseMountain https://laceylightnin.bigcartel.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/chris-dyer8/support

Hell hath no fury like a woman scorned! 2022 is the year of the tiger, and we've decided this week to celebrate the TIGRESSES! The gender with the most attitude, will power, courage, and pure ferocity. Piss off a man; you can fight it out and then go have a pint at the pub. Piss off a woman, and you will pay for it 10-fold… In this episode, we focus on women that truly rock! Ladies that play loud and heavy with attitude, grit, and that rasp. What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. These ladies bring it, and you owe to yourself to check them out! We hope we turn you on to something new!Songs this week include:Tijuana Sweetheart – “Fallout” from Under The Gun (2012)Lee Aaron – “Metal Queen” from Metal Queen (1984)Screaming Females – “Ripe” from Rose Mountain (2015)Betty Blowtorch – “Hell On Wheels” from Are You Man Enough? (2001)Crucified Barbara – “In Distortion We Trust” from In Distortion We Trust (2006)Smashed Gladys – “Cast Of Nasties” from Social Intercourse (1988)Elastica – “See That Animal” from Elastica (1995)Hellcats – “Now Is My Time” from Warrior Princess (2014)Check out the Betty Blowtorch documentary here: https://www.amazon.com/Betty-Blowtorch-Anthony-Scarpa/dp/B002UXABWMPlease subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Hilary talks with Marissa Paternoster about paring down gear and the cognitive dissonance of growing up with Bikini Kill AND Pantera. Plus, five hiring tips! MARISSA'S BIO Marissa Paternoster is an artist, singer, and guitarist originally from New Brunswick, New Jersey. She is the lead singer and guitarist in the bands Screaming Females and Noun. Screaming Females is a 3-piece DIY, punk rock 'n' roll band signed to Don Giovanni Records. The band has been featured on NPR, Last Call with Carson Daly, and MTV. They have played with bands such as Garbage, Throwing Muses, Dinosaur Jr., The Dead Weather, Arctic Monkeys, Ted Leo & The Pharmacists and The Breeders. The band has 7 full-length albums: Baby Teeth, What If Someone Is Watching their T.V.?, Power Move, Castle Talk, Ugly, Rose Mountain and All At Once. Paternoster was listed the 77th greatest guitarist of all time by Spin magazine. BRANDS/SHOPS MENTIONED Boss / Electro-Harmonix / Jim Dunlop / Digitech / Sunn / Slinger Straps BANDS/ARTISTS MENTIONED Angie Boylan / Sleater-Kinney / Huggybear / Bikini Kill / Bratmobile / Pantera / Team Dresch / Thursday / Thou / Hirs Collective / Garbage / Patti Smith OTHER MENTIONS Lakehouse Studios / Don Giovanni Records / Joe Steinhardt / Salinas Records / Stupid Bad Records / NAMM / She Shreds MARISSA'S LINKS https://screamingfemales.com/ (Screaming Females Website) http://instagram.com/official_screamales/ (Screaming Females Instagram) http://www.facebook.com/screamingfemales (Screaming Females Facebook) https://twitter.com/Screamales (Screaming Females Twitter) https://nounmusic.bandcamp.com/ (Noun Bandcamp) https://pitchfork.com/news/screaming-females-marissa-paternoster-illustrates-new-graphic-novel/ (Merriment Kickstarter) MID-RIFF LINKS http://hilarybjones.com/midriffpodcast (Website) http://instagram.com/midriffpodcast (Instagram) http://facebook.com/midriffpodcast (Facebook) https://www.hilarybjones.com/gender-music-gear-survey (Gender and Music Gear Survey) CREDITS Marissa's Bumper Track: “I'll Make You Sorry” by https://www.youtube.com/watch?v=LhJ0n5G5jCo (Screaming Females) Theme Music: "Hedonism" by https://towanda.bandcamp.com/ (Towanda) Artwork by https://www.juliagualtieri.com/ (Julia Gualtieri)

Panel: Charles Max Wood Dave Kimura Eric Berry David Richards In this episode, the Ruby Rogues panel discuss Strings and Encodings in Ruby with Aaron Lasseigne. Aaron has been a Ruby developer for over a decade and is the author of Mastering Ruby: Strings and Encodings. Also, Aaron talks about his recent work on a service object Gem called Active Interaction. This is a great episode on learning about Strings and Encodings. In particular, we dive pretty deep on:  Discussion Points (contributed by guests and hosts): •Why is it so important to understand strings? ◦“The internet is powered by multimillion-dollar string manipulation machines. We put strings in a box, and get new strings out. While there’s plenty of mathy things that can happen in the middle, there is no denying the importance of strings in today’s world.” - Schneems ◦They’re the only data structure that lies to you. You can see the exact contents of an array or hash but strings mask what’s happening. That’s why you can get situations when a single character has a length of 2. •What are character sets? ◦A character set defines a group of characters, their order, and it assigns each an identifier (a code point). ▪Unicode is a character set. ◦What are code points? ▪Unique identifiers within the character set. ◦UTF-8, UTF-16, and UTF-32 are implementations of the Unicode character set ▪Each has its own benefits •Normalization forms ◦Different representations of the same character. We can represent “é” as a single character or as an “e” and a combining mark (2 characters). Normalization forms allow us to change between forms. ◦There are 4 forms, NFC, NFD, NFKC, and NFKD and they all do slightly different things. ▪They can be switched between with `String#unicode_normalize`. •Sorting ◦Easy for English only but can be quite difficult with other languages. Sorting “e” and “é” can be tricky. •Security ◦Identical characters, similar characters, and invisible characters can all be used to spoof user names. ▪https://www.huffingtonpost.com/entry/how-to-avoid-downloading-a-fake-app_us_5a147d40e4b0f401dfa7eafb ▪https://www.reddit.com/r/Android/comments/7ahujw/psa_two_different_developers_under_the_same_name/ •The current state of Unicode support in Ruby. It was improved in 2.4 when methods like `upcase` started working with Unicode characters. •The addition of grapheme support in Ruby 2.5. •Freezing strings with `String#freeze` and with the special comment at the top of a file. ◦Immutable strings may still make it into Ruby 3 as the default. •Character set expressions (a term I made up) for use with methods like `String#count` and `String#delete`. ◦They’re like the inside of a regular expression character set (e.g. `[a-z]`) •Tofu and mojibake ◦Tofu are those white boxes you see when a character doesn’t exist on your computer. ◦Mojibake is when the characters show up but they don’t make sense because you’re using the wrong encoding or they were misencoded somewhere along the way. •Fixing bad characters ◦Strings can be checked with `valid_encoding?`. ◦`String#scrub` lets you replace invalid bytes with a single character which is the replacement character by default (that black diamond with a question mark in it). ◦`String#encode` also does replacement work and will let you swap out characters if you go from something like UTF-8 to ASCII. ▪You can even change out newline types with it. ◦`Encoding::Converter` is an even more powerful way to convert but it’s a tool for when things go seriously wrong. Links:  https://aaronlasseigne.com https://github.com/AaronLasseigne @AaronLasseigne Mastering Ruby: Strings and Encodings Active Interaction Picks: Eric The Secret of Luck  Do Things That Don’t Scale  Girls Dave FireFox Quantum  David chris.com https://juliasilge.com/blog/tidy-word-vectors/ Charles slack.com Visual Studio Code Sharing Podcast for React And View Aaron devdoc.io Rose Mountain The Dollop    

Panel: Charles Max Wood Dave Kimura Eric Berry David Richards In this episode, the Ruby Rogues panel discuss Strings and Encodings in Ruby with Aaron Lasseigne. Aaron has been a Ruby developer for over a decade and is the author of Mastering Ruby: Strings and Encodings. Also, Aaron talks about his recent work on a service object Gem called Active Interaction. This is a great episode on learning about Strings and Encodings. In particular, we dive pretty deep on:  Discussion Points (contributed by guests and hosts): •Why is it so important to understand strings? ◦“The internet is powered by multimillion-dollar string manipulation machines. We put strings in a box, and get new strings out. While there’s plenty of mathy things that can happen in the middle, there is no denying the importance of strings in today’s world.” - Schneems ◦They’re the only data structure that lies to you. You can see the exact contents of an array or hash but strings mask what’s happening. That’s why you can get situations when a single character has a length of 2. •What are character sets? ◦A character set defines a group of characters, their order, and it assigns each an identifier (a code point). ▪Unicode is a character set. ◦What are code points? ▪Unique identifiers within the character set. ◦UTF-8, UTF-16, and UTF-32 are implementations of the Unicode character set ▪Each has its own benefits •Normalization forms ◦Different representations of the same character. We can represent “é” as a single character or as an “e” and a combining mark (2 characters). Normalization forms allow us to change between forms. ◦There are 4 forms, NFC, NFD, NFKC, and NFKD and they all do slightly different things. ▪They can be switched between with `String#unicode_normalize`. •Sorting ◦Easy for English only but can be quite difficult with other languages. Sorting “e” and “é” can be tricky. •Security ◦Identical characters, similar characters, and invisible characters can all be used to spoof user names. ▪https://www.huffingtonpost.com/entry/how-to-avoid-downloading-a-fake-app_us_5a147d40e4b0f401dfa7eafb ▪https://www.reddit.com/r/Android/comments/7ahujw/psa_two_different_developers_under_the_same_name/ •The current state of Unicode support in Ruby. It was improved in 2.4 when methods like `upcase` started working with Unicode characters. •The addition of grapheme support in Ruby 2.5. •Freezing strings with `String#freeze` and with the special comment at the top of a file. ◦Immutable strings may still make it into Ruby 3 as the default. •Character set expressions (a term I made up) for use with methods like `String#count` and `String#delete`. ◦They’re like the inside of a regular expression character set (e.g. `[a-z]`) •Tofu and mojibake ◦Tofu are those white boxes you see when a character doesn’t exist on your computer. ◦Mojibake is when the characters show up but they don’t make sense because you’re using the wrong encoding or they were misencoded somewhere along the way. •Fixing bad characters ◦Strings can be checked with `valid_encoding?`. ◦`String#scrub` lets you replace invalid bytes with a single character which is the replacement character by default (that black diamond with a question mark in it). ◦`String#encode` also does replacement work and will let you swap out characters if you go from something like UTF-8 to ASCII. ▪You can even change out newline types with it. ◦`Encoding::Converter` is an even more powerful way to convert but it’s a tool for when things go seriously wrong. Links:  https://aaronlasseigne.com https://github.com/AaronLasseigne @AaronLasseigne Mastering Ruby: Strings and Encodings Active Interaction Picks: Eric The Secret of Luck  Do Things That Don’t Scale  Girls Dave FireFox Quantum  David chris.com https://juliasilge.com/blog/tidy-word-vectors/ Charles slack.com Visual Studio Code Sharing Podcast for React And View Aaron devdoc.io Rose Mountain The Dollop    

Panel: Charles Max Wood Dave Kimura Eric Berry David Richards In this episode, the Ruby Rogues panel discuss Strings and Encodings in Ruby with Aaron Lasseigne. Aaron has been a Ruby developer for over a decade and is the author of Mastering Ruby: Strings and Encodings. Also, Aaron talks about his recent work on a service object Gem called Active Interaction. This is a great episode on learning about Strings and Encodings. In particular, we dive pretty deep on:  Discussion Points (contributed by guests and hosts): •Why is it so important to understand strings? ◦“The internet is powered by multimillion-dollar string manipulation machines. We put strings in a box, and get new strings out. While there’s plenty of mathy things that can happen in the middle, there is no denying the importance of strings in today’s world.” - Schneems ◦They’re the only data structure that lies to you. You can see the exact contents of an array or hash but strings mask what’s happening. That’s why you can get situations when a single character has a length of 2. •What are character sets? ◦A character set defines a group of characters, their order, and it assigns each an identifier (a code point). ▪Unicode is a character set. ◦What are code points? ▪Unique identifiers within the character set. ◦UTF-8, UTF-16, and UTF-32 are implementations of the Unicode character set ▪Each has its own benefits •Normalization forms ◦Different representations of the same character. We can represent “é” as a single character or as an “e” and a combining mark (2 characters). Normalization forms allow us to change between forms. ◦There are 4 forms, NFC, NFD, NFKC, and NFKD and they all do slightly different things. ▪They can be switched between with `String#unicode_normalize`. •Sorting ◦Easy for English only but can be quite difficult with other languages. Sorting “e” and “é” can be tricky. •Security ◦Identical characters, similar characters, and invisible characters can all be used to spoof user names. ▪https://www.huffingtonpost.com/entry/how-to-avoid-downloading-a-fake-app_us_5a147d40e4b0f401dfa7eafb ▪https://www.reddit.com/r/Android/comments/7ahujw/psa_two_different_developers_under_the_same_name/ •The current state of Unicode support in Ruby. It was improved in 2.4 when methods like `upcase` started working with Unicode characters. •The addition of grapheme support in Ruby 2.5. •Freezing strings with `String#freeze` and with the special comment at the top of a file. ◦Immutable strings may still make it into Ruby 3 as the default. •Character set expressions (a term I made up) for use with methods like `String#count` and `String#delete`. ◦They’re like the inside of a regular expression character set (e.g. `[a-z]`) •Tofu and mojibake ◦Tofu are those white boxes you see when a character doesn’t exist on your computer. ◦Mojibake is when the characters show up but they don’t make sense because you’re using the wrong encoding or they were misencoded somewhere along the way. •Fixing bad characters ◦Strings can be checked with `valid_encoding?`. ◦`String#scrub` lets you replace invalid bytes with a single character which is the replacement character by default (that black diamond with a question mark in it). ◦`String#encode` also does replacement work and will let you swap out characters if you go from something like UTF-8 to ASCII. ▪You can even change out newline types with it. ◦`Encoding::Converter` is an even more powerful way to convert but it’s a tool for when things go seriously wrong. Links:  https://aaronlasseigne.com https://github.com/AaronLasseigne @AaronLasseigne Mastering Ruby: Strings and Encodings Active Interaction Picks: Eric The Secret of Luck  Do Things That Don’t Scale  Girls Dave FireFox Quantum  David chris.com https://juliasilge.com/blog/tidy-word-vectors/ Charles slack.com Visual Studio Code Sharing Podcast for React And View Aaron devdoc.io Rose Mountain The Dollop    

Infinite Void: Infinite Void's name might have you thinking black metal, but the Melbourne quartet are firmly planted in atmospheric punk and post-punk, taking cues as much from the members' past punk bands as from the smudged sonics of My Bloody Valentine, Joy Division and Pornography-era Cure. They released their debut self-titled album through Poison City Records in 2012 and had Steven Smith from Scul Hazzards manning the desk for the sessions, and since them have released some very rare split 7” records to keep the ball rolling. Recorded live at the Oxford Art Factory in Sydney on the 17th of February, 2016. Recorded & mixed by Harvey O’Sullivan. Screaming Females: Mixing equal parts Dinosaur Jr. and Sleater-Kinney, the Brunswick trio of Marissa Paternoster (guitar/vocals), Michael Abbate (bass), and Jarrett Dougherty (drums) strives to embody the spirit of indie rock in its purest form; Screaming Females book their own shows and self-released many of their own records to bring their guitar-driven rock to the people without compromise. In 2007 the band fired its opening shot, self-releasing its debut full-length, Baby Teeth. The band quickly followed up with its sophomore album, What If Someone Is Watching Their T.V.?, which was self-released and later reissued by Don Giovanni Records, with whom the band has enjoyed a good relationship. Between 2010 and 2012, Screaming Females released their fourth album, Castle Talk, and followed up with their fifth album, the Steve Albini-engineered Ugly, in 2012. The band teamed up with producer Matt Bayles to record its 2015 studio effort, Rose Mountain and embarked on a tour that saw them travel to Australia for the first time, from which the set you’re about to hear derives from. Recorded live at the PBS FM Studios in Melbourne on the 8th of August 2016. Engineered by Jeremy Smith. Airing details: Originally via Zed Digital, 7-8pm, Sunday 6th of November 2016. Show production and engineering: Branko Cosic.

Episode 23! M.J.! Here's your chance, do your dance at the Space Jam! Endless Bummer gets renamed Talkin' Poop! Two extreme special guests. 2 Xtreme 4 Functioning. Clare O'Kane was a delight! We talk about how comedy house shows can work (and not work), how she got to write a few episodes of Spongebob Squarepants, and finding your comedy "voice". Deep stuff! Follow Clare on Twitter! @babysfirstgun Watch Flophouse on Viceland! Screaming Females absolutely rocked the fuck out Hardywood Brewery and I got to interview them beforehand. We talk about poop. A lot. So much so that Marissa suggested I change the name of my podcast to Talkin' Poop (although pooping IS kind of an Endless Bummer in its own way depending on your diet). We also delve deep into The New Alternative Music Festival, Zach Morris, Zach Hill, and debunking the fact that SPIN's Top 100 Guitarists of All Time list is bullshit. They didn't even include Moby. The song is "Ripe" by Screaming Females from their album, Rose Mountain! Get it now! http://www.screamingfemales.com/ Follow them on Twitter @Screamales and catch 'em on tour! I messed up the RIP interview, but please go their event at GWARbar on Saturday, May 28 at 10 p.m.! https://www.facebook.com/events/276479782694815/

A live concert recording of the New Brunswick band's earth-shaking performance, rolling through songs that span their musical career (including tunes from their 2015 album, Rose Mountain) at the multimedia event Primal Screams on March 15, 2016. read more

In this episode of For the Record, we discuss New Jersey trio Screaming Females' powerful new album "Rose Mountain."

In this episode of For the Record, we discuss New Jersey trio Screaming Females' powerful new album "Rose Mountain."

On this week’s podcast it might get loud when we review new albums from rock and roll powerhouses Screaming Females and “New York’s loudest band” A Place To Bury Strangers. Plus!! Kevin, Paul and Patrick discuss the pros and cons of the secondary ticket market, reveal why no matter how you slice it stealing gas to do your tour DIY style is some really big BS, and then take a moment to reflect on this week’s announcement that Condè Nast has named our home Washington, DC the number one city for music lovers in America! Time to turn it up, it’s Episode 104 of ChunkyGlasses: The Podcast! See acast.com/privacy for privacy and opt-out information.

How does this band keep getting better? The Screaming Females discuss their killer new album “Rose Mountain,” and recount the band’s early days. Billboard’s Chris Payne does some New Jersey bonding with the punk trio, who talk Don Giovanni Records, New Jersey Transit, and their upcoming tour plans. See acast.com/privacy for privacy and opt-out information.

On this episode of the podcast, we interview Jarrett Dougherty, drummer of the Screaming Females, about his band's new album "Rose Mountain," touring, and DIy culture. On this episode: "Because The Night" - Garbage/Screaming Females "Wishing Well" and "Criminal Image" from Rose Mountain by Screaming Females "Rotten Apple" from Ugly by Screaming Females "Cortez The Killer" and "I Do" from Singles from Screaming Females