For the Record With GG and Adam

The Convenience make a hard pivot to a new, guitar-driven, dissonant but catchy sound on their second album, "Like Cartoon Vampires." We discuss it in-depth on episode #233 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

The Osees' John Dwyer and prolific new wave drummer David Barbarossa join forces in a new supergroup, Chime Oblivion, delivering 12 songs of dense, anarchic, delightful proto-punk. We discuss their self-titled debut on episode #232 "For the Record."

On their third album, L.A. quartet Mamalarky perfect their distinct flavor of quirky indie-pop into a record that's both weird and catchy. We discuss "Hex Key" on episode #231 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.

The debut album from British quartet Divorce is a catchy, emotional rollercoaster ride that you can sing along to in the car with the windows down. We discuss "Drive to Goldenhammer" on episode #230 of "For the Record."

After Tik Tok fame, many singles, and years of touring, Annie diRusso's debut album is a polished powerhouse that captures all the ways people found her irresistible to begin with. We discuss "Super Pedestrian" in-depth on episode #229 of "For the Record.

Singer-songwriter Geneviève Beaudoin of the Maine-based project Dead Gowns has been making music all her life, but this is the band's first full-length record. We discuss "It's Summer, I Love You, and I'm Surrounded by Snow" on episode #228

Jasmine.4.t's Boygenius-produced debut album is a dazzlingly varied, emotional, and beautiful journey. We discuss "You Are the Morning" in detail on episode #227 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

Brighton-based Lambrini Girls mix righteous punk fury with a strong helping of humor and self-awareness. We discuss their debut album, "Who Let the Dogs Out" on episode #226 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

On their dreamy, dizzyingly varied fourth album, L.A.-based Peel Dream Magazine wrap their listeners in childhood nostalgia for New York City. We discuss "Rose Main Reading Room" on episode #225 of "For the Record."

On their third LP, Irish six-piece Silverbacks break new ground with complex indie rock that embraces a variety of sounds. We discuss "Easy Being a Winner" on episode #224 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

On his third solo album, Swedish artist Henrik Appel conveys earnest emotion by combining energetic garage rock and jazzy improvisation. We discuss "Shadows" on episode #223 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.

36 years after Pixies released “Surfer Rosa,” indie rock icon Kim Deal has come out with her first solo record, “Nobody Loves You More.” We discuss it in-depth in episode #222 of “For the Record.”

Montreal-based PYPY's second album, 10 years after their first, is an exhilarating blend of psych rock and new wave, with virtuosic instrumentals and otherworldly vocals. We discuss “Sacred Times” on Episode #221 of For the Record.

L.A. singer-songwriter Marina Allen breaks through with her clarion voice and beautiful Laurel Canyon sound on her third album, "Eight Pointed Star." We discuss it in depth on episode #220 of "For the Record."

Oakland trio Fake Fruit's second album faces an uncertain world with blistering guitars, off-kilter rhythms, and an appealing blend of earnestness and humor. We discuss “Mucho Mistrust” on episode #219 of “For the Record.”

Welsh duo The Bug Club combine high-energy, melodic garage rock with absurd, witty lyrics on their Sub Pop debut, "On the Intricate Inner Workings of the System." We discuss it in-depth in episode #218 of “For the Record.”

Wishy's debut album is filled with hooky, melodic rock that sounds like it's been beamed through time from your favorite 1990s alternative radio station, while somehow still sounding fresh.

Themes of loss and grief lend an intensity and urgency to the debut album from the Bay Area's own Sour Widows. We discuss "Revival of a Friend" in-depth in episode #216 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com. 

Detroit singer-songwriter Odie Leigh fuses indie pop, folk, and Americana in her charming debut album, "Carrier Pigeon." We discuss it in-depth in episode #215 of “For the Record.”

After decades in bands like Wolf Parade, The Arcade Fire, Handsome Furs, Divine Fits, and Operators, Dan Boeckner has released his first solo album. We discuss "Boeckner!" on episode #214 of “For the Record.”

Montreal trio Cola was born out of the ashes of post-punk band Ought, but they bring a more melodic, jazzy feel to songs that still maintain the undercurrent of dissonance and anxiety that was Ought's calling card.

The sophomore album from Ducks Ltd. brings sunny, jangle-pop melodies with layered production that mask lyrical themes of anxiety and depression. We discuss "Harm's Way" on episode #212 of “For the Record.”

Middle Kids are a trio from Sydney, Australia who swing for the fences on their third album, with glossy pop that has stadium-filling energy. We discuss “Faith Crisis Pt. 1” on episode 211 of “For the Record.”

On their second album, Brooklyn's Gustaf expertly balance art-punk ambition with danceable beats and a playful sense of humor. We discuss “Package Pt. 2” on episode 210 of “For the Record.”

Vampire Weekend's fifth album is their best yet, and may end up being one of the best records of 2024. We discuss "Only God Was Above Us" on on episode #209 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com. 

San Francisco's own Bad Tiger craft charming, introspective indie pop with emotive vocals and thoughtful instrumentation. We discuss their second full-length, “Bliss,” on episode #208 of “For the Record.”

Guitar legend Mary Timony is back with her first solo album in almost two decades, exploring a range of styles in songs that are as intricately-crafted as they are catchy. We discuss "Untame the Tiger" on on episode #207 of “For the Record.”

On her debut LP, Oakland-based Sarah Coolidge combines clever, evocative lyrics and powerful, Americana-influenced rock. We discuss “Call Me When You Get There” on episode #206 of “For the Record.”

SPRINTS are the latest exports from Dublin's burgeoning punk and garage rock scene. We discuss their ferocious debut album "Letter to Self" in-depth on episode #205 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.

Sleater-Kinney's 11th record finds the now-duo pushing their sound forward while staying true to what made the band great. We discuss "Little Rope" in-depth on episode #204 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

Slow Pulp pushes all of our 90s nostalgia buttons while keeping their sound fresh with emotive vocals and electronic touches. We discuss their second album, "Yard," in-depth on episode #203 of "For the Record."

San Francisco-based Grooblen brings an eclectic mix of jazzy, psychedelic pop songs on their second album, "A Wormhole is a Freeway to the Stars." We discuss it in-depth on episode #202 of "For the Record."

On their second album, Kansas-based duo Sweeping Promises craft lo-fi, danceable new wave songs with a critique of late capitalism at once both biting and joyful. We discuss "Good Living is Coming For You" on episode #201 of "For the Record." For all the

Guitar virtuoso Marnie Stern comes roaring back with her first album in 10 years, and the good news is, she still shreds. We discuss "The Comeback Kid" on episode #200 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

Husbands make upbeat indie pop that washes over you and takes you to a sunnier place -- a perfect listen as we start descending into winter. We discuss their fourth album, "Cuatro," on episode #199 of "For the Record."

Milliseconds, a new trio with two members of The Dismemberment Plan, deliver a debut album of energetic, intricate songs confronting alienation and despair. We discuss "So This is How it Happens" on episode #198 of "For the Record."

With their second album, Brooklyn 5-piece Geese take an ambitious swing into new territory that combines classic rock, funky basslines, and over-the-top vocals. We discuss "3D Country" in episode #197 of "For the Record."

Australian singer-songwriter Alex Lahey has taken a major leap forward with her third album, bringing a more sonically expansive approach to her smart, catchy power pop. We discuss "The Answer is Always Yes" in episode #196 of "For the Record."

On their ninth record, Islands confront the absurdity of life with energy, humor, and rich, re-listenable production. We discuss "And That's Why Dolphins Lost Their Legs" in episode #195 of "For the Record."

On her new album, Margaret Glaspy pairs powerhouse vocals with emotive guitar and a stripped-down sound. We discuss "Echo the Diamond" in episode #194 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.

Palehound's fourth album journeys through the emotional territory of a breakup with a lot of big riffs. We discuss "Eye on the Bat" in-depth in episode #193 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com. 

On her second LP, Miya Folick blends powerful, emotive vocals with polished pop production to take the listener on an emotional journey. We discuss "ROACH" in-depth in episode #192 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.

On their impressive debut LP, Sir Chloe blend aggressive rock and sweet pop into fresh, varied, and extremely re-listenable songs. We discuss "I Am The Dog" in-depth in episode #191 of "For the Record."

Chicago band Stuck's second album is an indictment of late-stage capitalism that doesn't take itself too seriously. "Freak Frequency" is full of energetic post-punk that's both playful and driving. We discuss it in-depth in episode #190 of "For the Record

Superviolet is the new project from Steve Ciolek, lead songwriter of Ohio cult favorite band The Sidekicks, who put out their last album in 2018 and announced their dissolution last year.

Eyelids are a Portland quintent made up entirely of indie rock veterans, which shows in their breadth of influences and humble approach to songwriting. We discuss their fourth album, "A Colossal Waste of Light," in-depth on episode #188 of "For the Record

Scottish singer-songwriter Hamish Hawk was one of our favorite discoveries from SXSW this year, and his new album "Angel Numbers" combines a warm, soulful voice with wry lyrics and sing-along choruses. We discuss it in-depth on episode #187 of FTR.

Five years after the relesae of their much-acclaimed EP, supergroup Boygenius, consisting of singer-songwriters Lucy Dacus, Phoebe Bridgers, and Julien Baker, are finally back with a full album, titled simply, "The Record."

In episode #185 of “For the Record,” we depart from our usual format to discuss some of our favorite discoveries from the 2023 South by Southwest music conference in Austin, Texas.

After a 10-year hiatus, veteran Portland duo Quasi, half of which is rock's greatest drummer, Janet Weiss, are back with a 10th album of weird, joyful chaos. We discuss "Breaking the Balls of History" on episode #184 of "For the Record."

In episode #183 of "For the Record" we discuss the debut album from The Band Ends, R.E.M. drummer Bill Berry's first band since he "retired" in the late 90s. It's a supergroup of Athens, Georgia music veterans.