Podcasts about My Bloody Valentine

Let's take 'em back.This week on NO ENCORE we flip the calendar back a couple of decades as Dave and Sonic Architect Adam welcome Evan Flynn, more popularly known as Flynn Johnson, to talk us through his five selections for the best hip-hop albums of the 2000s.THE GREEN BOX THEORY is Flynn Johnson's debut album and is available now to consume via streaming platform of your choice, as well as on vinyl via Spindizzy and Tower Records at the links below.Over on Patreon, you can get a timely dose of Album Club as Adam dissects My Bloody Valentine's m b v, and, forthcoming this Monday, Dave and Andy return with a thorough examination of Keanu Reeves' biblical depiction of Constantine from 2005. Sign up now for these and much more bonus content! Oh, and if you're yet to pick up one of our beautiful enamel pins, you can do so right here. Now– onwards to the show...ACT ONE: The preamble, in which our hosts catch up on the many goings-on of the last week including several gigs and a wedding.ACT TWO (18:07): Flynn Johnson in conversation about THE GREEN BOX THEORYACT THREE (49:41): Liveline update their theme tune to the chagrin of Joe Duffy, touts are on the way out in the UK, AI music tops the charts, a long-awaited return to Kiss Korner and yet more nonsense from Dave Mustaine– it's the news.ACT FOUR (1:14:20): Top 5 2000s Hip-Hop Albums-Follow Flynn Johnson on Instagram / TikTokGet THE GREEN BOX THEORY on vinyl at Spindizzy / Tower Records Hosted on Acast. See acast.com/privacy for more information.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

For our latest Live Listen Closely album listening party chat podcast, we are chiming in with My Bloody Valentine fever as the band prepare to play Dublin for the first time in 33 years this week. Their seminal and definite album Loveless is considered a classic of shoegaze, a totem of the genre. If shoegaze is about building sonic cathedrals, Loveless is the La Sagrada Família of shoegaze. Nialler and Aoife Barry discuss the album's fraught recording process that involved 19 studios, up to 45 engineers, two and a half years and approximately £250,000 of Creation Records for 48 minutes of music. But what music! Kevin Shields glide guitar and open tunings added an otherness to the record, as did the mono mix and the Enforced Method Acting of getting Belinda Butcher to sing after immediately waking up.  Loveless is a nebulous thing - it's more of an ambient wall-of-sound than a guitar rock record at times, that nearly bankrupted the label and turned one label exec's hair white. We discuss it all. This is an addendum podcast to our original 2022 episode about the album. Our next listening party event  is Outkast's Stankonia on Wednesday November 26th. * Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord community Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Alpha Flight #118 (1993)We're packing up and visiting the great land of Canada as we settle in with ALPHA FLIGHT for a spell! The situation is pretty tense up north as government machinations, internal strife and the WRECKING CREW are all making life difficult for Guardian, Puck, Northstar and the rest of the crew.Highlights include:is that…Canadian Spider-Man?!?Hollis from MY BLOODY VALENTINE joins Alpha FlightJim Balent draws GuardianPuck's adult film careerflat-iron your blonde hairineffective armor placementAlso, Shawn and Jen recount their recent purchases from the Rocky Mountain Con!*** PROPER COMIC BOOK DISCUSSION STARTS AT 00:16:41 ***Promo: THE AMAZING SPIDER-MAN FROM THE BEGINNING (https://podcasts.apple.com/us/podcast/the-amazing-spider-man-from-the-beginning/id1750730665) Continue the conversation with Shawn and Jen on Twitter / Instagram / Facebook / Threads / Bluesky or email the show at worstcollectionever@gmail.comAlso, get hip to all of our episodes on YouTube in its own playlist! https://bit.ly/WorstCollectionEverYTDownload the podcast on Spotify, Apple Podcasts and wherever you get your favorite shows. Please rate, review, subscribe and tell a friend!

It's the Dave & Adam Express this week as your two favourite NO ENCORE boys dispense with the 'guest co-host' bit as they explore one of Adam's favourite subjects - the devastating global financial collapse of the late 2000s~! Yes, the world went to hell but we still had tunes, damn it. And so this week's Top 5 finally pays off an oft-glimpsed topic that brings Dave out of retirement with a substantial list of his own as the boys duel it out. Don't miss our related playlists below! Oh, and definitely do not miss out on our beautiful NO ENCORE pins! They are limited edition and flying out the door. Get 'em right here. ACT ONE: A busy preamble talking upcoming plans and projects and such - don't miss out on our Patreon which currently boasts a 90-minute Film Club episode on V for Vendetta, and a forthcoming Album Club on My Bloody Valentine's most recent opus, m b v. ACT TWO (16:15): This week's news section takes in a Zohran Mamdani-related mea culpa, a battery-powered Donald Trump, Rosalia's cancel culture conundrum, Charli XCX's wuthering riposte, the marketability and morals of the upcoming Michael Jackson biopic, Sam Fender being a sound lad, and the undeniable beauty of death metal. ACT THREE (56:07): Top 5 Recession Bangers-Dave's Playlist: TWOTHOUSANDAND8Adam's Playlist: Soundtrack to The Financial Crisis Hosted on Acast. See acast.com/privacy for more information.

Oliver Welter über Naked Lunch und Neuanfänge“Lights and a slight taste of death” ist der nicht gerade kryptische Titel des ersten Naked Lunch Albums seit 12 Jahren. Oliver Welter besuchte uns dazu, und wir sprachen mit ihm darüber, warum dieses Album gerade jetzt das Licht der Welt erblickt hat, welche Krisen und Neuanfänge es brauchte, und warum man sich im kreativen Schaffen nicht zu sehr von Erwartungshaltungen leiten lassen sollte. Bei einer Bandgeschichte von über 35 Jahren, vor allem einer, die kurz davor war weltberühmt zu werden, darf aber auch ein gewisses “Best Of” nicht fehlen, so erzählt uns Oliver auch ein paar Anekdoten aus vergangenen Tagen: von einem Videodreh in Sao Paulo bis zu ihrem “Superstardom-Klischee-Moment” in New York. Herausgekommen ist dabei ein wunderbar aufrichtiges Gespräch mit einem der wohl wichtigsten Musiker Österreichs der letzten 30 Jahre. Bon Appetit.

Devin & James are back in the Den, and they're handing out full-sized candy bars to all the trick or treaters! Friend of the show Casey O'Connor returns to help us celebrate Halloween with a discussion of 1980s stand-alone SLASHER MOVIES that never became sequels or franchises (sorry, Freddy, Jason, Michael, and Chucky). We start by getting aboard the TERROR TRAIN, followed by the weird as hell HAPPY BIRTHDAY TO ME. Next comes the slaughter fest that is PIECES (It's exactly what you think it is!). Then we retreat to the woods with THE BURNING and MADMAN. We discuss the underappreciated debauchery of THE PROWLER, and the surprising longevity of MY BLOODY VALENTINE. Next, we flash some devil horns at TRICK OR TREAT, a heavy metal masterpiece. We end the night with the brutal but unique INTRUDER. In between, we mention several more of our favorite Slashers, as well as some of the one-off hits that came along in the decades after this horror heyday of the 1980s. Please join us for our Slasher Party! We've got all the popcorn and chainsaws you'll need! HAPPY HALLOWEEN!

Première partie de notre plongée dans le slasher, ce genre aussi codé qu'ensanglanté, aussi décrié qu'adoré.Avant les métareflets de Scream, avant que Ghostface ne nous explique les règles du jeu… il y a eu une époque brute. Une ère fondatrice, viscérale, sauvage : l'âge d'or du slasher.On est à la fin des années 70. Le monde découvre Halloween de John Carpenter, et avec lui, la silhouette blanche et muette de Michael Myers. Un mal sans origine, sans émotion. Le genre trouve sa structure : un tueur, une série de meurtres, une "final girl", un suspense étouffant.Puis viennent les années 80. Une vague. Non, un raz-de-marée. Vendredi 13, Terreur sur la ligne, The Burning, My Bloody Valentine, Prom Night, Maniac, Sleepaway Camp… Le slasher devient un phénomène culturel. Il se décline, se copie, se parodie sans même s'en rendre compte. Les budgets sont souvent modestes, les idées parfois recyclées, mais la formule marche : du sang, du sexe, et un tueur qu'on attend autant qu'on redoute.À cette époque, les tueurs sont muets, presque surnaturels, et les victimes souvent jeunes, naïves, coupables de transgression. La punition devient spectacle, le suspense devient une attente du carnage. Et le public en redemande.Mais rapidement, la répétition s'installe. Les suites s'enchaînent, les meurtres deviennent plus grotesques que glaçants. Le genre s'épuise. La fin des années 80 sonne comme une lente agonie du slasher classique. On a l'impression d'avoir tout vu… ou presque.Et puis, en 1996, un film va venir enterrer et ressusciter le genre d'un même coup de couteau. Mais ça… ce sera pour la seconde partie.

This week's Out Now with Aaron and Abe horror special looks for frights in the Great White North. The Brandon Peters Show's Brandon Peters and Flicks For Fans' Jason Coleman join Aaron and Abe to discuss Canadian horror. Following a bit of a history lesson on the genre's role in the country, each member of the group presents their picks for the Canadian horror films that they want to spotlight. It should be noted that David Cronenberg mentions are a bit light, as there's a whole separate show that can be done about Canada's most notable filmmaker; however, hear plenty about werewolves, weird monsters, slashers, screamers, summers, and more. So now, if you've got an hour or so to kill… Get yourself a free audiobook and help out the show at AudibleTrial.com/OutNowPodcast! Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @Brandon4KUHD Check out all of our sites, podcasts, and blogs:  TheCodeIsZeek.substack.com, Why So Blu?, We Live Entertainment, The Brandon Peters Show, Flicks For Fans Some further reading can be found here: What Canadian Horror Tells Us about Our Deepest Fears Today's Scariest Movies Are Canadian The 10 Best Canadian Horror Movies of All Time, Ranked By TFS Next Week: Day of the Dead Commentary Check Out All of Our Horror Specials. Every Film Mentioned: American Mary, Antiviral, Black Christmas, The Brain, Curtains, Ginger Snaps, Ginger Snaps 2: Unleashed, Ginger Snaps Back: The Beginning, Grave Encounters, Grave Encounters 2, My Bloody Valentine, Peelers, Pin, The Pit, Pontypool, Psycho Goreman, Red Rooms, Screamers, Skinamarink, Summer of 84, Terror Train

In this episode we invite the highly entertaining Lisa Verrico to join us from her native Glasgow and talk us through her career from IPC's Vox magazine to The Times. Commencing with her memory of first hearing Prince's 'Little Red Corvette' as a kid on holiday in Spain, our guest recalls her days of raving (and working in radio) before describing how she got her foot in the door at Vox. Hair-raising Mancunian encounters with Happy Mondays and Mark E. Smith serve as preludes to Lisa's hilarious 1994 interview with Oasis. We hear her "bootleg recording" of the Gallagher brothers' competing impersonations of Mick Jagger on the band's impromptu rendition of 'You Can't Always Get What You Want'. A broad discussion of what the '90s meant for pop culture takes in Lisa's memories of Oasis hanger-on Evan Dando and of the altogether different My Bloody Valentine. Clips from a 1989 audio interview with the latter's Kevin Shields and bandmates prompt reflections on MBV's extraordinary sound and their somewhat dysfunctional relationship with Creation's Alan McGee. We return to Lisa's own story by asking her what happened after Vox folded in 1998 — and how she wound up  reviewing (and interviewing) for The Times for 25 years. We also discuss how much the live music experience has changed in that time. Finally, we hear about our guest's 2019 trip to L.A. to interview 17-year-old superstar-in-the-making Billie Eilish. After paying heartfelt tribute to cult neo-soul star D'Angelo — note that news of the death of former KISS guitarist Ace Frehley only reached us after this episode was recorded — Mark quotes from a 1984 interview with jazz giant Wynton Marsalis and Jasper takes us out with his thoughts on Joe Muggs' 2011 interview with the great James Blake. Many thanks to special guest Lisa Verrico. You can find her writing in The Times.  Pieces discussed: Oasis: Shake'n'vac, Evan Dando: Baby I'm Bored, Evan Dando: "I get the feeling I'm being bullshitted", Evan Dando: The Smoker You Drink, The Player You Get, Evan Dando: Different Drum, My Bloody Valentine audio, Billie Eilish, D'Angelo: Soul Asylum, On D'Angelo and the Birth of Neo-Soul, D'Angelo: Black Messiah, Wynton Marsalis: The Hottest Lips in America and James Blake: Point Blake.

Dive deep into the world of Irish-English alternative rock band My Bloody Valentine with author Andrew Perer as he unravels the mystery of their unique sound created by the band's mastermind Kevin Shields.Purchase a copy of Turn My Head Into Sound: A History Of Kevin Shields And My Bloody Valentine15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

The Geekz slash into our 31 Days of Horror marathon with Heart Eyes (2025) — a Valentine's Day killer flick where romance turns deadly. As couples and singles gear up for February 14th, a masked murderer begins staging grisly, heart-themed kills, leaving a trail of clues that point to a ruthless motive buried beneath the roses and chocolates. In our review, we break down the whodunit mystery, tension-filled set pieces, and standout performances from Mason Gooding and Olivia Holt. Does Heart Eyes deliver a new holiday slasher classic in the vein of My Bloody Valentine, or does it miss the mark? We unpack the pacing, kills, twists, and where it lands in the modern slasher wave.

Andrew Perer in conversation with David Eastaugh  https://www.amazon.co.uk/Turn-Head-Into-Sound-Valentine/dp/1916829147 Turn My Head Into Sound: A history of Kevin Shields and My Bloody Valentine tells the story of one of the great sonic innovators of the late twentieth and early twenty-first centuries. My Bloody Valentine have released only three albums in their forty-year career, but each of them has made a seismic impact. Isn't Anything (1988) is often cited as one of the Ur-texts of shoegaze and dream rock; Loveless (1991) is an undisputed masterpiece heralded by many as the best album of the 1990s; m b v (2013) is one of the best-loved comeback albums in recent memory. For those who know Kevin Shields and his work already, he is an indie-rock icon, but by other measures he's still a relatively obscure figure in the musical mainstream, and to date there has been no full-length appraisal of his work or his band's career. Until now. Shields is truly a one-of-a-kind musician, and this book—which fills in the gaps, corrects errors, and takes an objective look at the band's entire career, warts and all—paints the full picture of one of the most revolutionary sonic artists of our time. Turn My Head Into Sound is based on numerous interviews with people who were there (some of them speaking on the record for the first time) as well as an exhaustive archive of band-related material that the author has been assembling since 1990. Longtime fans of the band will find plenty of new information here, including the full story of the tumultuous period at Island Records following the release of Loveless. The lost years that followed would see Shields employed as engineer, producer, and remixer while also becoming an auxiliary member of Primal Scream. This book's analysis of this diverse but lesser-known work offers reader a much fuller picture of the relentless creativity and perfectionism at the center of his process.

As most of us are preparing for the most wonderful time of the year (the Jack-o'-lantern one…not the Bells and Holly one), Spill Your Guts is taking this episode to the day of romance and cupid and dead flowers wrapped up nicely. And there is no horror film more associated with Valentine's Day than “My Bloody Valentine”. This 1981 classic has become seminal title in the pantheon of horror and did for Valentine's Day what John Carpenter's enduring masterpiece “Halloween” and “Friday the 13th” did for the respective dates. My Bloody Valentine has endured the test of time and become regular viewing every Valentine's Day for horror fans. It's also Quentin Tarantino's favorite slasher film. High praise…and well deserved. However, the film faced more than its share of challenges in both production and release and was considered a flop (if it was considered at all). There's a long and compelling story to how “My Bloody Valentine” became the classic it is today with action figures, comics, a novel adaptation and even a board game. Joining me to delve into the film as well as his career as a real journeyman filmmaker is My Bloody Valentine's masterful director, George Mihalka. ★ Support this podcast on Patreon ★

Today, the Spotlight shines On Matt Piucci, founding member and principal guitarist of Rain Parade.Rain Parade helped define LA's Paisley Underground scene in the early '80s, creating music with psychedelic textures with punk energy. Their 1983 debut Emergency Third Rail Power Trip remains a touchstone album of the era, cited as an influence by everyone from My Bloody Valentine to the Stone Roses.Now Matt and the band are revisiting their catalog with deluxe reissues, including the newly expanded Crashing Dream, their so-called "lost double album" from 1985. It's part of an ongoing project that's given Matt a fresh perspective on work that continues to find new audiences decades later.(The musical excerpts heard in the interview are from Rain Parade's album Crashing Dream)–Dig DeeperVisit Rain Parade at rainparadeofficial.comPurchase Rain Parade's Crashing Dream Deluxe Edition from Label 51 Recordings, Bandcamp, or Qobuz and listen on your streaming platform of choiceAlso be sure to check out these other Rain Parade albums: Last Rays of a Dying Sun (2023) and Emergency Third Rail Power Trip(deluxe edition)Steve Wynn of The Dream Syndicate on the Spotlight On podcastDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Matt Piucci, founding member and principal guitarist of Rain Parade.Rain Parade helped define LA's Paisley Underground scene in the early '80s, creating music with psychedelic textures with punk energy. Their 1983 debut Emergency Third Rail Power Trip remains a touchstone album of the era, cited as an influence by everyone from My Bloody Valentine to the Stone Roses.Now Matt and the band are revisiting their catalog with deluxe reissues, including the newly expanded Crashing Dream, their so-called "lost double album" from 1985. It's part of an ongoing project that's given Matt a fresh perspective on work that continues to find new audiences decades later.(The musical excerpts heard in the interview are from Rain Parade's album Crashing Dream)–Dig DeeperVisit Rain Parade at rainparadeofficial.comPurchase Rain Parade's Crashing Dream Deluxe Edition from Label 51 Recordings, Bandcamp, or Qobuz and listen on your streaming platform of choiceAlso be sure to check out these other Rain Parade albums: Last Rays of a Dying Sun (2023) and Emergency Third Rail Power Trip(deluxe edition)Steve Wynn of The Dream Syndicate on the Spotlight On podcastDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Your weekly guide to the music biz and how it all works. In this week's action-packed episode of The Price of Music: a bunch of extremely interesting music biz questions are answered by our intrepid duo...Stu's Big Number is 30,000 and relates to the number of AI-generated songs… but why so many songs and where are they going?Why are Radiohead's fans getting angry about tickets (“that don't exist”)?The Great TPOM Record-Filing Debate continues: do you file Van Morrison under ‘V' or ‘M'? And where does a record by the band 86TVs go?Why has Spotify given paying users lossless music for free (and is ‘Lossless' a long-lost My Bloody Valentine album?Did Steve and Stu cause Morrissey to get so many offers for his Smiths songs that he deleted his email address?How did King Gizzard & the Lizard Wizard fill the entire Top 30 album chart on Bandcamp (and why)?What is the (depressing) reason that Bad Bunny has chosen not to tour in the mainland USA?How much is Bjork's VR album re-master?And in the special post-show lock-in section just for our Patreon Superfans, Steve and Stuart prop themselves at the bar to chat about:The UK's Mercury Prize shortlist has been announced – what do Steve and Stu think of the finalists and why is Steve “flabbergasted” by one specific missing nominee?Steve and Stu's true feelings about lossless audio - is it actually worth it?What is the sole record on Steve's Discogs Want List, and why does he regret not buying it when it came up for sale recently?What is Stu's ideal Christmas gift? And could it possibly be connected to The Black Crowes, much to Steve's amusement?Can you guess Steve's response to Stu saying “I should now give you a lecture on The Black Crowes' ‘Amorica' album”?What is the best song about the fans of The Smiths?As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠See you next week!Steve and Stuart======Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship, email - ⁠⁠joe@musically.com

The Sponsors We want to thank Underground Printing for starting this and making it possible—stop by and pick up some gear, check them out at ugpmichiganapparel.com, or check out our selection of shirts on the MGoBlogStore.com. And let's not forget our associate sponsors: Peak Wealth Management, Matt Demorest - Realtor and Lender, Ann Arbor Elder Law, Michigan Law Grad, Human Element, Sharon's Heating & Air Conditioning, The Sklar Brothers, Winewood Organics, Community Pest Solutions, Radecki Oral Surgery, Long Road Distillers, and SignalWire where we are recording this. Featured Musician: Jim Cherewick THE VIDEO: [After THE JUMP: Things discussable.]  --------------------- 1. CMU Preview: Offense starts at noon They rotate a LOT. Get ready for two offensive lines, three quarterbacks, and a lot of Iowa from the former Army OL coach whose YouTube clinics have been a staple of my learning diet. Fullbacks! 2. CMU Preview: Defense starts around 15:02 MAC version of Hutch, or a poor man's Braden McGregor is Holdman, the SDE who has to play B-gaps because they don't have the size. They're in a 404 Tite and they're aggressive, so expect something like the Army 2019 game. 3. Oklahoma After Review: Offense starts around 26:10 What it looked like on first watch. Frustrating that we don't have answers for Dantonio stuff. Felt like Hoke era offense. OL was okay save for Zack Marshall; he wasn't ready and we missed Marlin Klein. RBs were not pressing gaps, Haynes missed blocks in pass pro. 4. Oklahoma After Review: Defense starts at 44:43 Couldn't fit the QB run game. A lot of that was unbalanced, and Michigan didn't use the same response to that as usual, probably because Jayden Sanders was at corner and they didn't want him to be the free safety. Some Dammit Wink but I expect Guy to chip. Weirdly bad games from Benny, Guy, Moore. A little worried that Tre Williams still thinks he's a Clemson d-tackle.  Featured Artist: Jim Cherewick A local artist, writer, and musician, Jim Cherewick has been involved in a lot of projects around town—Gymsee, False Figures, Best Exes, Piner, Wicker Chairs, and Congress. I discovered him because I liked his watercolors, and then saw he's playing at the Pig with Cattywampus in October so I started checking out his stuff and have been writing to it all week. It's all indie but all sounds different—the best way I can describe it is you start with a guy and a Fender and add a My Bloody Valentine slider that goes all the way up (Congress) or down (Wicker Chairs). I chose a spread to show what I mean. I'm still in discovery mode here but hope you'll join me. Songs: "Death Wagon"—Jim Cherewick "Urgency"—Wicker Chairs "Pile of Me"—Congress Also because Across 110th Street will get our Youtubes taken down, the opener and outro: “The Employee is Not Afraid”—Bear vs. Shark “Ruska Vodka”—Motorboat

Takeshi and Santos return to review Netflix's K-Pop Demon Hunters—a wild mix of pop stardom and demon battles—before diving into the shoegaze classic Loveless by My Bloody Valentine. With their mix of humor and insight, they balance lighthearted pop culture fun with deep music appreciation.

In June, New York City based indie rock band, Hotline TNT released their third album of what many are calling "American Shoegaze" indie rock, Raspberry Moon (Third Man Records). After two Hotline albums where frontman and songwriter Will Anderson did most of the recording by himself, album number three finds him welcoming in his bandmates (Haylen Trammel, Lucky Hunter, and Mike Ralston) and producer Amos Pitsch (Tenement) to collaborate more fully.  Anderson is here to explain how the band and the new album came together.   The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

Bob Mould, whose records with Hüsker Dü had such impact on Nirvana and Pixies, is back on tour again, both solo and with a band. “I've built this tiny soap box - and if you don't like it, it's been nice knowing you!” He talks to us from San Francisco about … … March 30 1979: “the day that changed my life” … over-refreshment on the bus to see Rush and Aerosmith, aged 16 … the influence of Hüsker Dü on Nirvana, Pixies and My Bloody Valentine – “it's a game of hot potato. YOU take this sound now!” … seeing the Ramones opening for Iggy Pop – “simplistic on the surface but I got all their ‘60s pop references” … the art of the three-song set-opener … playing Buzzcocks and Ventures covers in ‘three-two' bars … opening for the Foo Fighters, playing for 100,00 people – and for crowds wearing masks during Covid … “the more the production, the less the spontaneity” … visual clues playing solo to let the audience know where the beat is … “I'm one of those others”: inter-song riffs about politics, protest and oppression Order Bob Mould tickets here: https://bobmould.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bob Mould, whose records with Hüsker Dü had such impact on Nirvana and Pixies, is back on tour again, both solo and with a band. “I've built this tiny soap box - and if you don't like it, it's been nice knowing you!” He talks to us from San Francisco about … … March 30 1979: “the day that changed my life” … over-refreshment on the bus to see Rush and Aerosmith, aged 16 … the influence of Hüsker Dü on Nirvana, Pixies and My Bloody Valentine – “it's a game of hot potato. YOU take this sound now!” … seeing the Ramones opening for Iggy Pop – “simplistic on the surface but I got all their ‘60s pop references” … the art of the three-song set-opener … playing Buzzcocks and Ventures covers in ‘three-two' bars … opening for the Foo Fighters, playing for 100,00 people – and for crowds wearing masks during Covid … “the more the production, the less the spontaneity” … visual clues playing solo to let the audience know where the beat is … “I'm one of those others”: inter-song riffs about politics, protest and oppression Order Bob Mould tickets here: https://bobmould.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bob Mould, whose records with Hüsker Dü had such impact on Nirvana and Pixies, is back on tour again, both solo and with a band. “I've built this tiny soap box - and if you don't like it, it's been nice knowing you!” He talks to us from San Francisco about … … March 30 1979: “the day that changed my life” … over-refreshment on the bus to see Rush and Aerosmith, aged 16 … the influence of Hüsker Dü on Nirvana, Pixies and My Bloody Valentine – “it's a game of hot potato. YOU take this sound now!” … seeing the Ramones opening for Iggy Pop – “simplistic on the surface but I got all their ‘60s pop references” … the art of the three-song set-opener … playing Buzzcocks and Ventures covers in ‘three-two' bars … opening for the Foo Fighters, playing for 100,00 people – and for crowds wearing masks during Covid … “the more the production, the less the spontaneity” … visual clues playing solo to let the audience know where the beat is … “I'm one of those others”: inter-song riffs about politics, protest and oppression Order Bob Mould tickets here: https://bobmould.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

vanillajamie says "Skate 4, my boy." Slap City picks: "Sprinter" by Dave & Central Cee, "P.O.V." by Clipse ft. Tyler, The Creator. Listen to our playlist here Join us in 2 weeks when we'll discuss our next pick, My Bloody Valentine's Loveless!

We three Wild Women of Podcasting are back again but before we get started, I have a little surprise for everyone. Unfortunately it does involve me singing (sorry). But Carla from Ok, Real Quick! and Erin from It's a Fandom Thing are back and together we're getting wild for a rom-com horror movie that we all have heart eyes for, Heart Eyes. From rom-com and horror movie tropes to bad kissing, role reversal, and more, we share the love we have for this movie.    Spoiler warning for My Bloody Valentine (2009).   Thanks for listening and Keep Streaming!   Find, follow, support the pod → https://linktr.ee/mystreamingbubble     Don't forget about Twin It to Win It → https://linktr.ee/twinittowinitpod  

Love bites and so does Famine! Join hosts Krissy Lenz and Nate McWhortor from Mesa's Neighborhood Comedy Theater as they dive into one of Supernatural's most disturbing Valentine's Day episodes. This chunky episode serves up body horror with a side of burgers as the Winchester brothers face off against the Horseman Famine in a tale that makes cannibalism look like romance gone wrong.The Feast of FamineOur hosts break down how Famine's hunger-inducing powers affect everyone differently—from couples literally consuming each other to Castiel's newfound obsession with hamburgers. The episode brilliantly shows Dean's emotional emptiness through his immunity to Famine's effects, while Sam's demon blood addiction becomes the key to victory. It's a masterclass in character development disguised as monster-of-the-week horror.Drinking Game CarnageThis episode proved to be a heavy drinking game with rules including drinks for "Smooch City" moments, Dean's drinking, deaths (double if named), demon smoke, Cupid hugs, Sam questioning Dean, the word "hungry," and every time Castiel eats. The hosts hilariously disagreed on counts, with Krissy tallying 18 instances of "hungry/hunger" compared to Nate's 8, proving this episode was as packed with content as Famine's victims were with food.Other Topics Covered:Russell and Alice's disturbing opening sceneOffice romance gone murderous with Jimbo, Brad, and JaniceDr. Corman's memorable performance and tragic endCupid's emotional breakdown and revelation about the Winchester parentsThe grotesque Biggerson's restaurant massacreSam's demon blood relapse and heroic demon exorcismDean's existential crisis about his inner emptinessCastiel's burger addiction and raw hamburger consumptionNext Episode Preview: Season 7 Episode 19 "Of Grave Importance" featuring Bobby as a ghost with drinking rules for ghost appearances, Swayze references, and Bobby's signature phrases.Find Gank That Drank wherever podcasts are downloaded, and catch Krissy and Nate live at the Neighborhood Comedy Theater in downtown Mesa, Arizona! ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

Deb Googe in conversation with David Eastaugh  https://dagoogie.bandcamp.com/album/the-golden-thread https://www.dagoogie.com/ English musician, who achieved international fame as the bassist for the band My Bloody Valentine. Their studio albums Isn't Anything (1988) and Loveless (1991) established Googe as a pioneering figure in the shoegaze genre. She has also worked with Snowpony, Primal Scream and Thurston Moore.  

On this week's Talkhouse Podcast, we've got an absolute legend of the punk and indie-rock worlds in conversation with a relatively newer voice who's making some great music, too: Bob Mould and Will Anderson. Bob Mould got his start in the late 1970s with the Minneapolis-born punk / post-punk band Husker Du, a trio that was at the tip of the spear of incredible new sounds. After that band ran out of jet fuel in the late 1980s, Mould embarked on a solo career and also created the band Sugar, itself a touchstone outfit. Mould has released a total of 15 solo albums over the years, and there's not a dud in the bunch. His latest is a tuneful, melodic set of ragers called Here We Go Crazy, which he once again made with his ace rhythm section, Jon Wurster and Jason Narducy. He's toured a bunch in support of the record with those guys, but his next set of dates—in August and September, check bobmould.com for details—will find him playing solo-electric, which is also a powerful way to experience these songs. Check out the title track of Here We Go Crazy right here. The other half of today's conversation is Will Anderson, who's been making music for the past few years under the name Hotline TNT—sometimes by himself, sometimes with a rotating band of players. His first album under the name, Nineteen in Love, was recorded by himself during COVID, all in GarageBand. His third—and second for Jack White's Third Man Records—feels much more like a full-band affair: It's more fleshed out and expansive. Hotline TNT has frequently been called a shoegaze band, but it's a tag that Anderson is quick to refute, at least a little bit: In this conversation, he says that his shoegaze knowledge pretty much begins and ends with My Bloody Valentine. Whatever you call it, its swirls and layers feel pretty damn good right now. Check out a little bit of “Julia's War” from the latest Hotline TNT album, Raspberry Moon. In this great chat, Bob and Will talk about Bob's recent commencement speech at his alma mater and they also chat about the proper construction of an album, playing overseas for the first time, Bob's Super Bowl appearance and much more. Enjoy! Thanks for listening to the Talkhouse Podcast, and thanks to Will Anderson and Bob Mould for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

rWotD Episode 2996: Astral (band) Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Thursday, 17 July 2025, is Astral (band).Astral is a shoegaze group based in San Francisco, California, United States. Astral was formed by singer-guitarist Dave Han and drummer Shawn in 1999; bassist Amy Rosenoff joined them in 2001. Their vocals are frequently compared to those of The Cure; other influences include My Bloody Valentine and Joy Division. Their music is of an ethereal, melodic nature; this ambient sound is created largely by heavy use of distortion and feedback effects in Han's guitar. Astral are also notable for incorporating improvisation into their live performances. In 2002, Astral released a self-produced EP, "Only Sometimes". In 2003, Astral released an LP, entitled "Orchids". Two songs from that album, "Raining Down" and the title-track instrumental, were preloaded in the Rio Carbon MP3 Players. In 2008 the band released their second album Sleepwalker.This recording reflects the Wikipedia text as of 00:47 UTC on Thursday, 17 July 2025.For the full current version of the article, see Astral (band) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kendra.

Raquel Palomino (voz), Lluisen Capafons (batería y voz), Mauro Llopis (bajo), Adrián Camáñez (guitarra y sintes) y Alba Raja (guitarra y sintes) forman Gazella, una banda nacida en Valencia que bebe de diferentes influencias que van desde el shoegaze y el dream pop de principios de los 90 hasta el indie y el rock alternativo. Así, en su marco de referentes podemos encontrar a artistas y bandas como Slowdive, My Bloody Valentine o Radiohead, pero también referencias más electrónicas como Bicep o Floating Points. Su sonido se caracteriza por generar instrumentales basadas en texturas y atmósferas que se fusionan con la voz de Raquel Palomino, cantante de la banda, que se convierte en una capa más en su entramado sonoro.Escuchar audio

On this week's episode of Artist Friendly, Joel Madden is joined by Josh Carter of Phantogram. Since their formation in the late 2000s, Phantogram have always created the music that they wanted to hear, drawing from Outkast as freely as My Bloody Valentine. Their fifth studio album, 2024's Memory of a Day, is no different, offering up dusky psychedelia, floor-filling beats, and a potent chemistry between two longtime friends while contemplating the nature of time. In a conversation with Madden, Carter opens up about how trying too hard can be the death of the art, his special relationship with his bandmate, Sarah Barthel, and their upcoming summer tour with Deftones. Listen to their conversation on Artist Friendly wherever you listen to podcasts. You can also watch the episode over at ⁠⁠⁠⁠⁠⁠Veeps⁠⁠⁠⁠⁠⁠.  ------- Host: Joel Madden, @joelmadden Executive Producers: Joel Madden, Benji Madden, Jillian King Producers: Josh Madden, Joey Simmrin, Janice Leary Visual Producer/Editor: Ryan Schaefer Audio Producer/Composer: Nick Gray Music/Theme Composer: Nick Gray Cover Art/Design: Ryan Schaefer Additional Contributors: Anna Zanes, Neville Hardman Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Eric and Josh are joined by Eric's niece Abby, in honour of her 16th birthday! They discuss: student films, high school grades, Little Shop Of Horrors, Killer Book Club, Eli, movie trailers, My Bloody Valentine, A Nice Indian Boy, King Kong, and more! They also mention the movies screening the week of Friday June 13 - Thursday June 19: Jane Austen Wrecked My Life, Jason Goes To Hell: The Final Friday, Cowboy Bebop: The Movie, Saturday Night Sinema, and Gazer. They neglect to mention Friendship, which got held over for a 2nd week after we recorded. You can always find movie listings and coming soon info at mayfairtheatre.ca!

Cherry and Kat discuss Supernatural, poorly aged 3D, and the international steel trade in 2009's My Bloody Valentine. Spoilers ahead! Music by Creeper_Cillier78 under the Creative Commons License. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit kiccakpodcast.substack.com

This next guest is known for the ease in which he might move from different styles of movies: from drama, to action to comedy in bother theatrical features and television, in English and French.He has do many things, miniseries, films, television movies that have been honoured with over 50 nominations and awards in the US, Canada & all around the world. Our audience wiill know him from his 1981 film “My Bloody Valentine”, but let's welcome George Mihalka!George MihalkaIMDB: https://www.imdb.com/name/nm0586198/Crazy Train RadioFacebook: facebook.com/realctradioInstagram: @crazytrainradioX/Twitter: @realctradioBlueSky:  @crazytrainradio.bsky.socialWebsite: crazytrainradio.usYouTube: youtube.com/crazytrainradio

We are joined by Ron for this episode as we watched the two My Bloody Valentine movies and compared them to each other. Did you know the first one was a Canadian movie? We didn't when we first watched it, and boy does that sure explain some things.

On the show this time, it's the dynamic experimental music of Japanese band MONO. MONO has been making music together since 1999. Their sound is guitar-driven, and anchored by a propulsive, hypnotic rhythm section. The music has the harmonic richness of film scores, and they have played with orchestras over the years. Other influences include minimalism, Sonic Youth style noise, My Bloody Valentine’s shoegaze, and the true-to-the-sound-in-the-room aesthetic of engineer Steve Albini. They consistently remind us that music can convey meaning, without words, so all these labels and comparisons are reductive. When they play, and you listen, you will understand. Any true MONO fan will tell you - you have to see them live. Their latest is OATH, out now through Temporary Residence Records. Recorded December 16, 2024 Run On Hear The Wind Sing We All Shine On Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it's the dynamic experimental music of Japanese band MONO. MONO has been making music together since 1999. Their sound is guitar-driven, and anchored by a propulsive, hypnotic rhythm section. The music has the harmonic richness of film scores, and they have played with orchestras over the years. Other influences include minimalism, Sonic Youth style noise, My Bloody Valentine’s shoegaze, and the true-to-the-sound-in-the-room aesthetic of engineer Steve Albini. They consistently remind us that music can convey meaning, without words, so all these labels and comparisons are reductive. When they play, and you listen, you will understand. Any true MONO fan will tell you - you have to see them live. Their latest is OATH, out now through Temporary Residence Records. Recorded December 16, 2025 Run On Hear The Wind Sing We All Shine On Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Trepid is a band that was only born ten months ago. Members May May Bryant (vocalist), Turner Chastain (rhythm guitar), J. Ben Turk (lead guitar), John Bellerjeau (bass), and Ethan Houseman (drums) talk about how a magical meeting brought them together — and why they knew Athens was the right place to shape their own sound and technique within the 80s and 90s shoegaze genre. With bands like My Bloody Valentine, Jesus and The Mary Chain, Slowdive, and Catherine Wheel laying the foundation, Trepid took what they could from those influences and left the rest behind, replacing it with their own multi-layered, melodic, and boisterous vocals that push through the instrumental side of their message.I was surprised — and honestly impressed — when I talked with these young musicians. Take a hard listen to May May, Turner, and J. Ben. They'll let you in, if you do.Thank you for listening to AthCastMusic. Consider following me on Spotify, Apple podcasts or any other podcast platform. Any reviews would be great as well.Show AthCastMusic (©): The Music of Athens Georgia, Now and Then.SEASON: 4. Episode 36Length: 42:53PUBLISHED: May 16, 2025Updated Weekly on ThursdayRecording Engineer: Kayla DoverRecorded at Tweed Recording Audio Production Schoolhttps://tweedrecording.comProduced by The Lightroom Athens.Photo and Camera: Morena BuenoExecutive Producers: Guillermo Zouain and Wendy MuñizTheLightroom-ATH.comhello@thelightroom-ath.comCONTACT FOR ATHCASTMUSIC:marlene@athcastmusic.comInstagram: AthCastMusicFacebook: https://www.facebook.com/profile.php?id=61550294283019Trepidddd@gmail.com

“There was always a way that music could speak to me,” says Youth Lagoon's Trevor Powers. “I was really shy as a kid and I had a lot on my mind that I didn't know how to get out. And music felt like one of those cheat codes where I felt like what I could say through one song was a lifetime worth of what was in my brain that I couldn't say any other way.” I was instantly captivated by Youth Lagoon's music when I first heard it more than a decade ago: Trevor Powers' plaintive, childlike voice, the dreaminess and heady sonic textures of his music, the candor in his storytelling. In the years since the Boise, Idaho artist's 2011 debut album, he has continually deepened his ability to make music that soothes and haunts at the same time. His latest album, Rarely Do I Dream, is his best yet, and one of my favorite LPs of 2025 so far. In the conversation in episode 121, Trevor talks about how discovering a trove of old home movies helped inspire the new album, and remind him of the importance of finding the true feeling at the center of a memory. He also discusses growing up hearing artists like Elvis and The Beach Boys and John Denver while being homeschooled, before finally being exposed to bands like Korn and the Offspring and Blink-182 when he eventually attended high school, and later discovering artists like My Bloody Valentine and Oingo Boingo thanks to his uncle introducing him to more cutting edge music. “There's always something that's coming in that's changing not only my thought process, but there's something internally that's awakening my spirit in these new ways and pushing me in all these different directions,” he says. “There could be an endless amount of lifetimes and I can't get it all out, what's up here.”Trevor also shares why he decided to "kill off" the Youth Lagoon Project several years ago, and to instead record under his own name for awhile, and why he chose to resurrect the moniker back in 2022. Youth Lagoon is on tour in the U.S. until mid-May. Get more info here.

Demon Wind (1990) synopsis: “With the need to investigate the mysterious death of his grandparents, Cory and his friends assemble back to the old farm where it all began, sixty years earlier.”Starring: Eric Larson, Francine Lapensée, Sherry Leigh, and Stephen QuadrosDirector: Charles Philip MooreThis week on Podcasting After Dark, Zak and Corey breakdown and review Demon Wind! Sure the movie is low-budget and pretty darn silly, but it has a lot of charm, the effects are great, and Dell (played by Bobby Johnston) is a goddamn beefcake! Demon Wind is the perfect movie to watch with friends while kicking back some beers and burning some joints! What more do you want from a video store cult classic?A huge THANK YOU to Crystal for suggesting we review Demon Wind via our Patreon page! Her previews picks were Christmas Bloody Christmas, Deathstalker, My Bloody Valentine, Intruder, and The Monster Squad!— SUPPORT PODCASTING AFTER DARK —PATREON - Two extra shows a month including Wrap-Up After Dark and The Carpenter Factor, plus other exclusive content!MERCH STORE - We have a fully dedicated merch store at TeePublic with multiple designs and products!INSTAGRAM / FACEBOOK / LETTERBOXD - Follow us on social media for updates and announcements!This podcast is part of the BFOP Network

“Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. This week, I'm pleased to have Deb Googe on the podcast. She's probably most well known for being the bassist in My Bloody Valentine but is back now with a new project with Cara Tivey called da Googie. Today, Deb tells us about a pivotal moment in her life, reminding us that not all pivotal moments are things we recognize in the moment but sometimes the smallest thing can lead you down a path you didn't know even existed.  Music credits: Blue Dot Sessions "Dumb" da Googie Deb's Site Be sure to look out for my books, "Lived Through That" and "80s Redux" where ever you buy your books! You can find out more about my work and the 80s and 90s books at my website ⁠here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian and Shelly discuss 2000s slashers including My Bloody Valentine, Behind the Mask and Death Proof

Holiday films are themselves a subgenre of slasher films. For St. Valentine's Day, we've had a few examples including VALENTINE (2001) and MY BLOODY VALENTINE (1989 and 2009). Now in 2025, we have a brand new one entitled HEART EYES.From IMDB: For the past several years, the “Heart Eyes Killer” has wreaked havoc on Valentine's Day by stalking and murdering romantic couples. This Valentine's Day, no couple is safe.The film is directed by Josh Ruben and written by Philip Murphy, Christopher Landon, and Michael Kennedy. The cast includes Olivia Holt and Mason Gooding. Released on February 7th, 2025, the movie has received phenomenal reviews. Your co-hosts take a look at the movie and give their thoughts.

Send us a textFor the past several years, the "Trick or Treat Radio Killers" have wreaked havoc on listeners ears with their unique brand of auditory assault. This episode is no different than the previous 659, no one is safe. On Episode 660 of Trick or Treat Radio we discuss the film Heart Eyes from director Josh Ruben! We also talk about the new Toxic Avenger teaser, some of our favorite romantic horror flicks, and when movies don't toe the line between genres enough. So grab your extending cupid arrows, make sure not to have public displays of affection on Valentines Day, and strap on for the world's most dangerous podcast!Stuff we talk about: Stephen King, living in Maine, Joe Hill, King Sorrow, Darren Aronofsky, Cujo, Mother, The Wrestler, Requiem For A Dream, The Omen III: The Final Conflict, The Funhouse, Tobe Hooper, Herschel Gordon Lewis, 2000 Maniacs, Holly Hunter, Sam Raimi, Tom Towles, Sam Neill, Basic Instinct, Fanboys, Vice Squad, RIP Wings Hauser, John Carpenter, My Bloody Valentine, April Fool's Day, Valentine, Shaun of the Dead, Edgar Wright, Lisa Frankenstein, Crimson Peak, Only Lovers Left Alive, The Shape of Water, Spontaneous, Brian Duffield, May, Spring, Fresh, Warm Bodies, Last Night in Soho, Sgt. Rock, Colin Farrell, Penguin, Toxic Avenger teaser, Poultrygeist, Peter Dinklage, Luisa Guerreiro, Eastbound and Down, the AED gimmick, Jizzam, Heart Eyes, Josh Ruben, Jordana Brewster, Devon Sawa, Mason Gooding, Cobra Kai, Olivia Holt, the weather in Seattle in February, Valentines Day, RomComHorror, investing in the cat box, Patreon Takeover, Creepygirl, Milk and Serial, All You Need is Blood, Chuck, FU Dean Cain, Superman, Ubermensch, Queen of the Ring, Ash Avildsen, The Karate Kid, Rocky, John Avildsen, Talk is Jericho, William Zabka, Arrivedici DOGEbags, Dink Days Don't Come Cheap, Second Hand Luke, and the sinking cinematic cinderblock.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Kyle and Amy are very excited about this week's film, a delightful rom-com in the grand tradition of My Bloody Valentine, Josh Ruben's Heart Eyes!   Spookin' On: Amy – Fist of the North Star (1986) Kyle – The ravages of age   Next Week's Tape: Iced (1989) Now available on Shudder!   Follow us on Twitter/Instagram (and Jen on TikTok!)  Show: @PodScary (Twitter), @everythingisscarypodcast (Instagram) Jen: @JenSaunderson Kyle: @kyleclarkisrad Amy: @gutterbutterfly (Instagram) Frankie G: @8armedspidey (Instagram) (co-host of The Graveyard Shift and our social media guru)   Get Kyle Clark's I'm a Person: Director's Cut You can go to kyleclarkcomedy.bandcamp.com and pay what you want for the full uncut set from “I'm a Person” which includes 20 mins of unheard material, plus an additional 15 minutes of never released bonus live recordings!   Check out Kyle's album "Absolute Terror" https://smarturl.it/absoluteterror    Send Us Stuff! We have a PO Box!  (It's under Kyle's name but anything you send for Jen and Amy will 100% make it to them unless it's snacks and then the average drops to about 80%-ish. But don't let that deter you!)

In this week's episode, Joey, Aaron, John, Bob, and Steve go to the movies to fly and fight alongside Captain America: Brave New World, fall in love with My Bloody Valentine, and discover what's in THE GORGE! We've also got plenty of comic books, giant bugs, djinns, Night Agents, and more!Books: Standstill #6-7, Question: All Along the Watchtower #2-3, One World Under Doom #1, Amazing Spider-Man #62-67, Racc Pack 2: The Prince and the Pawper OGN, Bug Wars #1, The Moon is Following Us #6, Silverlake, Shubeik Lubeik OGNOther Stuff: Captain America: Brave New World, The Night Agent Season 2, The Recruit, THE GORGE, My Bloody Valentine (1981), My Bloody Valentine (2009), The Saint Valentine's Day Massacre (1967)DISCORD LINK: https://discord.gg/3Ff9z84kIMPORTANT: Please consider donating to our GoFundMe for Bob Reyer. Details are in the campaign post. Thank you for your generosity and consideration: https://www.gofundme.com/f/support-bob-reyer-a-hero-in-need?attribution_id=sl:4ad67348-52ea-427b-a50f-0441686ea721&utm_campaign=natman_sharesheet_dash&utm_medium=customer&utm_source=copy_linkThe Comic Book Podcast is brought to you by Talking Comics (www.talkingcomicbooks.com). The podcast is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, Chris Ceary, and John Burkle, who weekly dissect everything comics-related, from breaking news to new releases. Our Instagram handle is @TalkingComicsPodcast, and you can email us at podcast@talkingcomicbooks.com.

This week we're celebrating Valentine's Day at the theater with Heart Eyes (2025). We assess the film's approach to a holiday slasher, break down the chemistry of its cast, and unpack its blend of romantic comedy and horror. This episode contains spoilers, beginning at 19:32. Mentioned in the Episode Watch the Movie Heart Eyes (2025) Main Episode Olivia Holt Says Filming ‘Heart Eyes' Included an Incredibly Awkward Icebreaker ‘Friday the 13th: Jason Lives' Was ‘Heart Eyes' Director Josh Ruben's North Star on Slasher Rom-Com 83: My Bloody Valentine (1981 vs 2009) 141: Valentine (2001) 317: Lover's Lane (2000) Support the Show We've launched our Patreon to have a place for listener support to help keep our show going. We are accepting support in the form of small monthly donations from our audience. The proceeds we gain from Patreon are put towards ongoing website fees, funding for new content, and equipment upgrades. In return, our patrons enjoy bonus content, early access, live streams, and exclusive channels in our Discord server. Support the Show on Patreon We're building a community where our listeners and horror fans as a whole can connect and share the ideas, movies, games, experiences, and stories they are most passionate about. Our community is completely free and powered by Discord, which you can access from both a web browser and mobile app. We're looking forward to your arrival! Join our Discord Server Contact Us You can connect with us by creepin' on us on Facebook, Twitter or Instagram, @HackorSlash. You can also share your opinions with us by leaving us an audio message on our website, hackorslash.live. Special Thanks We want to give a special thanks to these patrons for continuing to make this show possible Music Credits "Hack or Slash" by Daniel Stapleton

On the 432nd episode of Piecing It Together, we are LIVE from Downtown Cinemas in Las Vegas with guests Michael Keene, Tia Bean & William-Patrick Coleman to talk about Heart Eyes! Josh Ruben's new slasher is a horror-romantic-comedy, just in time for Valentine's Day! Puzzle pieces include Scream, Lover's Lane, My Bloody Valentine and My Bloody Valentine 3D.As always, SPOILER ALERT for Heart Eyes and the movies we discuss!Written by Phillip Murphy, Christopher Landon and Michael KennedyDirected by Josh RubenStarring Olivia Holt, Mason Gooding, Gigi Zumbado, Michaela Watkins, Devon Sawa, Jordana BrewsterSony Pictureshttps://www.sonypictures.com/movies/hearteyesMichael Keene is a filmmaker and hosts a YouTube film review channel.Check out Michael's website at https://www.manateepartyfilms.com/And Follow Michael on Twitter @MichaelKeeneTia Bean is an actress and podcaster.Her podcast My Weird Little Podcast can be found at https://podcasts.apple.com/us/podcast/my-weird-little-podcast/id1588837738And you can find out about the shows Tia is in by following her on Instagram at @tiaisthecoolestWilliam-Patrick Coleman is the host of the FILMBUFF YouTube channel.Check out FILMBUFF at https://www.youtube.com/channel/UCrku_45HWx_zSx6mCSdxMkQAnd follow William on Instagram @filmbuff_showMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Begin Again" which you can watch at https://www.youtube.com/watch?v=hkb2VsJlH6sThe song at the end of the episode is "Blind Malice Theme" from the horror film score I released last year Blind Malice.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group,