Podcast appearances and mentions of Sam Fogarino

Special guest, Sam Fogarino, drummer with New York indie-rock legends Interpol speaks with us today about the 1990 banger Jacob's Ladder. Plus we get into his introduction to horror movies, the church & a ton of stuff about the Interpol, Kiss and The Normal as well. It was a pleasure.Sam Fogarino Interpol Spotify

For this BONUS 'Mixtape Episode', we invited drummer Sam Fogarino (Interpol) to curate a mixtape and dug into his selections. Sam's mixtape: 1.Auf Wiedersehen - Cheap Trick 2.Smash It Up - The Damned 3.Panorama - The Cars 4.Mustopha Dance - The Clash 5.Chessboards - Killing Joke 6.Disappearer - Sonic Youth  7.Carry The Zero - Built To Spill 8.Lullaby - Low 9.Dos Galaxias  - El Mato a Un Policia Motorizado 10.Rock Music - Pixies 11.Only The Strong - Midnight Oil 12.Girl Loves Me - David Bowie *Other songs featured in this episode: PDA (live, Sydney Australia 2008), Toni, Gran Hotel - Interpol; March Of The Pigs - Nine Inch Nails; Ca Plane Pour Moi - Plastic Bertrand Spotify playlist: https://open.spotify.com/playlist/3wVVi4w6ZBHnTCjDm7V6L0?si=fa958cceedfb40a2 **episode artwork: Cori Elba (On PlanetWeird)

Con motivo del lanzamiento de su séptimo disco "The Other Side Of make Believe", me reuní con Sam Fogarino, baterista de la legendaria banda de Nueva York que además está cumpliendo 25 años para platicar de música, su historia, anécdotas, aniversarios, memorias y del proceso de grabación de este nuevo disco que gracias a la colaboración en la producción junto con Alan Moulder y Flood, los lleva a crecer sustancialmente, sin perder su esencia. Mi relación con el grupo data de 1997 cuando trabajaba en una famosa estación de rock de la Ciudad de México y en donde tuve el placer de compartir por primera vez PDA, que venía incluida en un ep. De ahí en adelante he seguido la carrera del grupo, desde haber asistido a su primer y legendario concierto en el WTC, (concierto que ellos mismo recuerdan como algo parteaguas por la cantidad de gente que llegó), hasta haber organizado su primera firma de autógrafos mundial por el lanzamiento de "a Fine Mess", que para quien no lo sepa fue también en México. No había tenido oportunidad de entrevistarlos, solo de agradecerles por su música cuando vinieron a tocar el disco Marauder en el Teatro de La Ciudad, ya entenderán mi emoción por realizar esta entrevista, que hoy les comparto con muchísima emoción y esperando que disfruten el recorrido, tanto como yo. Si es así, no se te olvide suscribirte, recomendar y reseñar este podcast, y hasta el próximo episodio. Lucila Zetina Instagram: @TheBasementConLucila @LucilaLocutora Twitter: @lucilazetina Tik Tok @lucilazeta Facebook @lucilalocutora --- Send in a voice message: https://podcasters.spotify.com/pod/show/lucila-zetina1/message

The powerful precision, swing, rhythmic and melodic inventiveness of Sam Fogarino, drummer with the mighty Interpol, sets him apart from most drummers. I feel truly privileged to have been able to talk to Sam ahead of Interpol's show at Primavera Barcelona and ahead of the release of Interpol's 7th studio album since the seminal Turn On The Bright Lights, called The Other Side of Make-Believe. If the singles released so far are anything to go by, we're gonna see a further evolution of their ability to create gigantic soundscapes that are somehow familiar, yet unfamiliar.In this convo, we get into some of the stuff Sam doesn't often get to talk about - his formative childhood influences, finding his people, the incredible support of his mum, avoiding the rate race, humility, the importance of emotional intelligence, taking risks and self belief. Dig in!I Wanna Jump Like Dee Dee is a music podcast that does music interviews differently. I'm Giles Sibbald and I'm talking to extraordinary musicians, DJ's and producers about how they use an experimental mindset in their lives to amplify their own creativity, pursue new challenges, overcome fears and bounce back from mistakes.- brought to you by Hey Sunday, the mothership of the experimental mindset™.- podcast logo and art by Tide Adesanya, Coppie and Paste.

OUR BIGGEST EPISODE YET!Following the recent death of Foo Fighter Taylor Hawkins, The Cacophony Sessions Podcast decided it would be an appropriate time to discuss our fifteen favourite drummers of all time according to tonight's panel. Banging on about drums for over three hours this time around are Dan Whitell, Dan B, Alex, Martyn and Tom each with three nominations.We cover a lot of different aspects of drumming, from both a technical standpoint as well as from a more casual perspective. Hopefully we can help you to develop a newfound passion for these purveyors of percussion. If not, we still have all our usual swearing, fighting and outlandish opinions, with a new segment called 'Does It Slap?' (complete with a shit jingle), rock's greatest sneeze, posing for photos with Daniel Day-Lewis lookalikes and all the latest new releases that have caught our attention.As mentioned in this episode, please hit us up on Twitter or Our Blog for the latest CSP news and ask us your burning questions with a view to our future plans for Patreon Q&A specials. Leave us a review on Apple Music and subscribe where you can. Thanks to our friends at Chart Music and The Simon Says Music Podcast as well; please go and support them and we'll see you all next month for The Cacophony Sessions Goes Pop USA!Stay Funky.All music courtesy of Dan Whitell and Martyn Ley.

Old friend - and former bandmate - Sam Fogarino (Interpol) returns with a record that briefly set the world on fire but ultimately fell victim to a somewhat unfair backlash: The Knack's multi-platinum debut "Get The Knack"! As power-pop records go it's a masterclass in super-catchy - if at times lyrically problematic - songwriting and dynamically energetic playing, and it provided a partial blueprint for young Sam's own powerfully precise drumming. Turn it up!! Spotify episode playlist: https://open.spotify.com/playlist/1uPOPwShugVEZKdZqo70c8?si=ff54333b5c564a29

Following the horrific events of September 11th, 2001, New York was a scarred city that was determined to move on and rebuild. Members of Interpol had watched the scene unfold from the rooftops of their buildings and through the surreal spectacle of 24 hour news coverage. A strange atmosphere had taken over the city: unusually high levels of mutual kindness between strangers gave way to a new sense of clarity. Sam Fogarino recalls: “It was weird in the band, too. For a short period of time, it felt like, ‘Let's just shake hands and move on. We're not doing a record.' Everything seemed so trivial.” The band kicked off the recording process just over a month later, opting for the home studio of producer Peter Katis, far away in Bridgeport, Connecticut: an isolated location, removed from the social and narcotic distractions of New York. Turn On The Bright Lightsmarked the beginning of a longstanding relationship between Interpol and Katis – an accomplished, Grammy-winning engineer who would also record seven albums with indie-rock darlings, The National. Read more about your favourite albums here: classicalbumsundays.com

Following the horrific events of September 11th, 2001, New York was a scarred city that was determined to move on and rebuild. Members of Interpol had watched the scene unfold from the rooftops of their buildings and through the surreal spectacle of 24 hour news coverage. A strange atmosphere had taken over the city: unusually high levels of mutual kindness between strangers gave way to a new sense of clarity. Sam Fogarino recalls: “It was weird in the band, too. For a short period of time, it felt like, ‘Let's just shake hands and move on. We're not doing a record.' Everything seemed so trivial.” The band kicked off the recording process just over a month later, opting for the home studio of producer Peter Katis, far away in Bridgeport, Connecticut: an isolated location, removed from the social and narcotic distractions of New York. Turn On The Bright Lightsmarked the beginning of a longstanding relationship between Interpol and Katis – an accomplished, Grammy-winning engineer who would also record seven albums with indie-rock darlings, The National. Read more about your favourite albums here: classicalbumsundays.com

Sam Fogarino of Interpol discloses—for the first time publicly—the brain aneurysm he had last summer, talks about his recovery, the new material Interpol is working on, his origins in the band the Holy Terrors, our shared love of the Terrors' founder Rob Elba's songwriting, his near-miss with Marilyn Manson, the time he first met David Bowie, the Interpol songs he likes the most and least, the intensity of their LA and Dublin fans, and much more!

Paul Banks, Daniel Kessler y Sam Fogarino conforman la banda formada en Nueva York en el 97, con una propuesta post-punk que nos llega a recordar a la legendaria banda inglesa Joy division aunque con un sello propio lograron conquistar las listas de popularidad y las críticas positivas con su primer disco de estudio, el cual fue solo una carta de presentación y el inicio de carrera exitosa que lleva mas de dos décadas, mismas que recorremos a lo largo de este episodio donde abordamos la discografía de la banda y los detalles interesantes que los rodean.

Interpol es una de las bandas precursoras del rock revival de principios de siglo. Hoy revisitamos la discografía de unos de los abanderados del nuevo sonido de guitarras y repasamos las claves de su éxito, que no son más que las figuras de Paul Banks, Daniel Kessler, Sam Fogarino y, en su momento, Carlos Dengler. Además, descubrimos el proyecto de María Blaya, una joven compositora autodidacta que acaba de publicar su EP debut "Silencio". ¡Play!

Last week's guest becomes this week's subject in a clever sleight-of-hand made possible by Rob and his good friend Sam Fogarino, Interpol drummer of 20 years, Swervedriver fan – and musical collaborator with Adam Franklin. Mezcal Head is a euphoric masterpiece of guitar orchestration, melodic bliss, and flat out kick ass rock. If you haven't heard it, you should, and we'll try and convince you in our own "special" way. Please support our podcast on Patreon: https://www.patreon.com/join/TRGMH/

Philadelphia born and longtime Atlanta resident Sam Fogarino is here to serve the music. Fogarino, like all of us, is a work in progress and although he’s been in an extremely successful band for years, he’s had to learn over the years to check his ego at the door. The openness and acceptance of constructive […] The post 463 – Sam Fogarino (Interpol): Check your ego at the door appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..

Mike and Mike discuss Interpol's Sam Fogarino, how to play authentic reggae grooves, and more. The post MD Podcast Episode 175: Interpol's Sam Fogarino, Reggae 101, Amedia Cymbals, and More appeared first on Modern Drummer Magazine.

Interpol stood out amongst the bands coming out of New York City in the early 2000s. They were going left while everyone else was going straight. The sounds made you feel something special and the beats...Well the beats sounded open, with groove flowing through them and when the time was right, straight ahead. Sam Fogarino knows how to be original without reinventing the wheel. After writing drums on the classic "Turn on the Bright Lights" Sam and Interpol have been on my radar as a special group and hold a special place in my memory and in my heart for a thousand reasons. 

The North Georgia country side doesn't normally evoke the thought of rock stars. However Interpol drummer, Sam Fogarino, doesn't particularly care to live up to stereotypes. He's experienced the city life and finds himself quite comfortable living miles away from the rat race. Recently Sam invited me to his home and we set up shop in his guest house turned studio. We discussed the local music scene and his recent move just before the mics were turned on. Once we began our conversation flowed freely and easily. Sam discussed growing up in west Philadelphia and how he started playing drums. He navigates through his learning process and how his curiosity and spirit of investigation led him during his formative years. After several relocations Sam took a chance and moved to New York City with the hopes of finding like minded musicians to form a new band. While working in a clothing store (which sold vinyl as well) and contemplating the woes of the music business he was invited to watch a friend's band play. Ultimately it was the start of his relationship with Daniel Kessler and Paul Banks from Interpol. During a first for the DWG Phil and Sam listen to the Interpol song, "Obstacle 1" while Sam analyzes the song in real time! Listen closely to really get inside the creation and recording of this Interpol favorite. From there Sam tells us about a day in the life of an Interpol tour, his gear, the upcoming album release and tour, and the band's appearance on the Late Show with Stephen Colbert (Friday, June 8th). Finally we finish the show with a run through the gauntlet that is the DWG Rorschach Test. You can visit Sam and Interpol at their website: www.interpolnyc.com Join us every Monday for brand new episodes. You can subscribe to the show in Itunes, Google Play Podcasts, Stitcher and everywhere you listen to your favorite podcasts. Please visit our website at www.drummersweeklygroovecast.com. There you'll find every episode, all our videos, manage your subscription, access our social media, and contact us through our email form. Please share our show with your friend and co-performers! Also, if you subscribe in Itunes please take a moment and review our show with five stars. We'd greatly appreciate it!

This week we explore the melancholic soundscapes of Interpol's debut album Turn On The Bright Lights. The emotional punch that this album packs is the perfect mix of somber and powerfully passionate in a way that, beyond their red ties and sleek haircuts, made Interpol stand out amongst the slew of bands from that era. Between the angular guitars of Daniel Kessler, the baritone attack of Paul Bank's vocals, and the one-two punch of Carlos D. on bass and Sam Fogarino on drums - Interpol delivers one of the most memorable releases to come out of the New York post-punk revival of the early 2000s. For more info, check out our show notes: https://www.nofillerpodcast.com/episode/music-review-interpol-turn-on-the-bright-lights

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our 87th episode, our guest is Carlos Dengler. Here is his biography: “In 1998 I co-founded the band Interpol with Daniel Kessler and Paul Banks. Sam Fogarino joined in 2000, and over the next decade we went on to release four studio albums and tour the world three times, playing numerous festivals, live radio shows and late night TV. Interpol's first two albums have gone Gold in the United States and the band is regarded as a seminal indie rock band of the early millennium. “In 2007, I began experiencing personal and creative differences with my bandmates and the music industry. In 2009, the band entered group therapy to try to find a way to resolve those differences. Despite our best collective efforts over the course of a year, we could not do so, and I wasn't able to stay. I left the band just before New Year's Day 2010. “Actor training became my new focus. For the next five years I spent virtually all of my time within the privacy of conservatory classrooms, around other young students who were undergoing a similar process of discovery. In 2012, I was fortunate to be accepted to New York University Graduate Acting and received a Master of Fine Arts degree in the spring of 2015. “I made my professional acting debut in the summer of 2015 at the Dorset Theatre Festival, in the regional premiere of Katie Forgette's very funny 'Sherlock Holmes and the Case of the Jersey Lily,' playing two roles – Professor Moriarty's lackey, John Smythe and chief attendant to Queen Victoria, Abdul Karim. “I've also begun working on an essayistic memoir. I'm quite excited by some of the directions the work is taking so far. I've started soliciting publishers. It's very early in the process and I will continue to update as things progress. “In late March 2016 I had the honor of performing with the 8G Band, the house band on 'Late Night with Seth Meyers.' It truly was a special experience to play bass guitar with such incredible musicians on such a fun and exciting show. “I was very excited to have presented my solo show, 'Homo Sapiens Interruptus,' at The New York International Fringe Festival in August 2016. The show was created while I was at NYU and had been developing and workshopping it consistently since it began.” You can catch Carlos this week as he stars in “A Proust Sonata,” a “multimedia concert-theater work conceived and directed by Sarah Rothenberg, artistic and general director of Da Camera. The production is inspired by Marcel Proust's early 20th century masterpiece 'In Search of Lost Time' and interweaves text, music, and image into an innovative multi-media performance.” Performances start at 8 p.m. Thursday, Friday and Saturday at the Lois Chiles Studio Theater at the Moody Center for the Arts at Rice University, 6100 Main St., Houston, Texas. For tickets and more information call 713-348-ARTS or visit their website at https://moody.rice.edu/events/proust-sonata. If you enjoy this podcast, there are several ways to support it. I have a Patreon account, which can be found at www.patreon.com/robburgessshowpatreon. I hope you'll consider supporting in any amount. Also please make sure to comment, follow, like, subscribe, share, rate and review everywhere the podcast is available, including iTunes, YouTube, SoundCloud, Stitcher, Google Play Music, Facebook, Twitter, Internet Archive, TuneIn and RSS. The official website for the podcast is www.therobburgessshow.com. You can find more about me by visiting my website, www.thisburgess.com. Until next time.

Sam Fogarino of Interpol joins Cash and Ryan in the Kindercore studio to discuss life on the bus, the persuasive powers of Josh from Queens of the Stone Age, and being in the presence of David Bowie.

In this bonus mini-episode, Joe and Interpol's Sam Fogarino trade culinary tips and discuss the sometimes annoying foodie culture. Check out Sam's full-length episode at thetrapset.net (Past Episodes) or on iTunes.

Sam Fogarino was a productive, adult member of society before he gained notoriety as the drummer of Interpol. He talks to Joe about his creative role in the band, parenthood, the nature of ambition in the Indie scene, and drinking Vodka from the bottle with Josh Homme.

Sam Fogarino, the drummer for Interpol and avid cook, chats with Jen about his grandmother's pizza, making fettucini from scratch, and some Brooklyn restaurant tips. [March 2003, Providence, RI]