American musician and composer
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17 episodes with Stewart Copeland
8 episodes with Stewart Copeland
3 episodes with Stewart Copeland
5 episodes with Stewart Copeland
6 episodes with Stewart Copeland
4 episodes with Stewart Copeland
4 episodes with Stewart Copeland
4 episodes with Stewart Copeland
5 episodes with Stewart Copeland
4 episodes with Stewart Copeland
5 episodes with Stewart Copeland
3 episodes with Stewart Copeland
4 episodes with Stewart Copeland
4 episodes with Stewart Copeland
4 episodes with Stewart Copeland
3 episodes with Stewart Copeland
3 episodes with Stewart Copeland
3 episodes with Stewart Copeland
The Alan Cox ShowSee omnystudio.com/listener for privacy information.
Stewart Copeland needs no introduction. But we'll do one just for funsies. He started playing the drums when he was 12 years old joined the band Curved air in 1974 then started the band the Police in 1977 which went on to sell over 75 million albums, win 6 grammy awards be inducted into the rock and roll hall of fame and be one of the biggest bands in the world. After the Police he started work as a composer creating film scores for Francis Ford Coppola and Oliver Stone. Then he started scoring video games like Spyro. Over the last two years he's been traveling the world telling stories on a spoken word tour called "Have I said Too Much." We condensed about 50 years of absolutely legendary work into three sentences. There are about 5 million other things that could be listed. But Stewart is coming to Florida and before he does he was nice enough to stop by the show! Doc and Stew talk about how the tour compares to his biography, how he structures his show, what kinds of questions the audience asks, recording synchronicity, Sting's musical ability, working with Francis Ford Coppola, stealing a joint from Paul McCartney, creating Oysterhead with Les Claypool and so much more! Meanwhile on the rest of the show Doc draws a deep line in the sand. If you have more than 2 syllables in your name and refuse to be called a nickname...you. are. wrong. Make sure to listen! Introduction: 0:00:24 Birthday Suit 1: 0:13:15 Ripped from the Headlines: 18:14 Shoutouts: 40:51 Stewart Copeland Interview: 46:34 Mike C Top 3: 1:21:54 Birthday Suit 2: 1:36:24 Birthday Suit 3: 1:39:18
Static-X cancel the remainder of their 2026 tour due to serious undisclosed medical issues within the band, Anthrax will release ‘Cursum Perficio' on September 18th, their 12th studio album and first new release in over 10 years, Gene Simmons announces the Rock Legends Expo in Las Vegas featuring Stewart Copeland, Geezer Butler & more special guests, Jack Osbourne confirms that a script has been completed for a Sharon & Ozzy biopic with a possible release date in 2028, and even though The Rolling Stones new album Foreign Tongues is coming out July 10th, Keith Richards confirms that there will be no touring action from the band this year … PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#StaticX #Anthrax #CursumPerficio #RockLegendsExpo #TheRollingStones#Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases
What does it take to be one of rock music's most innovative drummers? Join host Buzz Knight in this riveting episode of takin’ a walk as he welcomes the legendary Stewart Copeland, co-founder of The Police, to share his extraordinary journey through the world of music. With a career that has not only shaped rock music history but also influenced generations of musicians, Stewart Copeland reflects on his unique drumming style, infused with reggae influences that set him apart in the industry. As they chat Buzz and Stuart dive into captivating anecdotes, including a humorous encounter with Mikhail Gorbachev, showcasing the intriguing intersections of music and culture. Stewart's upbringing as a 'diplomatic brat' adds another layer to his artistic perspective, exposing him to diverse musical influences that have enriched his creative journey. This episode of takin’ a walk is not just about drumming; it’s a deep exploration of the artist's life, filled with stories behind albums and insights into the dynamics of band life. Stewart Copeland opens up about his transition from the exhilarating world of rock to the nuanced realm of composing film scores and operas. He discusses the pressures of creating for television and how those experiences have shaped his approach to music. Buzz Knight, the insightful host of this buzz knight podcast, encourages Copeland to share invaluable advice for musicians navigating the complexities of collaboration and harmony within bands, making this a must-listen for aspiring artists. As the conversation flows, Stewart reveals exciting details about his upcoming spoken word tour, "Have I Said Too Much? " and the compelling stories he plans to share with audiences. This episode is a treasure trove of music history insights and inspiring artist interviews, providing a fascinating glimpse into the mind of one of rock's greatest drummers. Whether you're a fan of classic rock history or indie music journeys, takin’ a walk with Buzz Knight and Stewart Copeland is an engaging experience that celebrates the cultural impact of music and the resilience of artists. Don’t miss this opportunity to walk alongside a true music icon and discover the stories behind songs that have defined generations. Tune in to this episode of takin’ a walk and immerse yourself in the inspiring world of music storytelling, only on the iHeart Podcast Network.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
The Metal Breakdown Daily: Wednesday, May 13, 2026 Today on the Metal Breakdown, we look at the legacy of a legend as Iron Maiden drummer Nicko McBrain prepares to tell his full story. Following his emotional 2024 retirement, Harper Nonfiction has announced the release of Nicko's autobiography, "Hello Boys And Girls!" We discuss why the 73-year-old icon felt he could no longer do the Maiden catalog justice after his 2023 stroke and what fans can expect from this deeply personal memoir hitting shelves this October. Next, we head to Sin City where Gene Simmons is launching a rock-and-roll takeover. The "Legends Of Rock Expo" is coming to Westgate Las Vegas this September, and the lineup is a "Who's Who" of rock royalty. From Geezer Butler to Stewart Copeland and a host of KISS alumni, Gene is bringing a spontaneous, "pants-on" party to the desert. We've got the details on the headlining Gene Simmons Band and how you can get onstage with the God of Thunder. Finally, we have an exclusive update on the new Bullet For My Valentine studio album. Drummer Jason Bowld confirms that the "machine" is starting up for a January 2027 release. We break down the musical direction of the new tracks, which Matt Tuck describes as a definitive "mash-up" of the band's most iconic eras. In Today's Episode: [00:15] Nicko McBrain: The "Darkest Hour" and the new book Hello Boys And Girls! [01:10] Gene Simmons' Legends of Rock Expo: Lineup and Vegas residency details. [02:05] Bullet For My Valentine: Recording update and 2027 release window. STAY LOUD: Get the full "Nuclear" breakdown of today's stories at LoadedRadio.com. Download the Free Loaded Radio App for 24/7 hard rock and metal, and follow us on Facebook, X, Instagram, Threads, YouTube and TikTok for exclusive daily content.
What does it take to be one of rock music's most innovative drummers? Join host Buzz Knight in this riveting episode of takin’ a walk as he welcomes the legendary Stewart Copeland, co-founder of The Police, to share his extraordinary journey through the world of music. With a career that has not only shaped rock music history but also influenced generations of musicians, Stewart Copeland reflects on his unique drumming style, infused with reggae influences that set him apart in the industry. As they chat Buzz and Stewartt dive into captivating anecdotes, including a humorous encounter with Mikhail Gorbachev, showcasing the intriguing intersections of music and culture. Stewart's upbringing as a 'diplomatic brat' adds another layer to his artistic perspective, exposing him to diverse musical influences that have enriched his creative journey. This episode of takin’ a walk is not just about drumming; it’s a deep exploration of the artist's life, filled with stories behind albums and insights into the dynamics of band life. Stewart Copeland opens up about his transition from the exhilarating world of rock to the nuanced realm of composing film scores and operas. He discusses the pressures of creating for television and how those experiences have shaped his approach to music. Buzz Knight, the insightful host of this buzz knight podcast, encourages Copeland to share invaluable advice for musicians navigating the complexities of collaboration and harmony within bands, making this a must-listen for aspiring artists. As the conversation flows, Stewart reveals exciting details about his upcoming spoken word tour, "Have I Said Too Much? " and the compelling stories he plans to share with audiences. This episode is a treasure trove of music history insights and inspiring artist interviews, providing a fascinating glimpse into the mind of one of rock's greatest drummers. Whether you're a fan of classic rock history or indie music journeys, takin’ a walk with Buzz Knight and Stewart Copeland is an engaging experience that celebrates the cultural impact of music and the resilience of artists. Don’t miss this opportunity to walk alongside a true music icon and discover the stories behind songs that have defined generations. Tune in to this episode of takin’ a walk and immerse yourself in the inspiring world of music storytelling, only on the iHeart Podcast Network. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
What happens when a legendary musician takes a stroll down memory lane? Join host Buzz Knight in this captivating upcoming episode of takin' a walk, where he sits down with none other than Stewart Copeland, the iconic drummer and composer known for his groundbreaking work with The Police. As Copeland shares his unique insights into the fusion of reggae influences that shaped The Police’s sound, listeners are treated to an intimate glimpse into the creative mind of one of rock's greatest legends. This is an episode promo . Buzz Knight, a seasoned storyteller in his own right, navigates Copeland's musical journey, exploring how the rhythm of walking fuels his creativity. Copeland reveals that music flows through his mind like a river, dismissing the idea of writer's block as he consistently generates ideas, regardless of their quality. This episode is not just a stroll through classic rock history; it’s a vibrant exploration of the emotional healing that music brings, a theme that resonates deeply within the takin' a walk podcast. Listeners will be enthralled by Copeland’s transition from music to storytelling, as he embarks on a spoken word tour, sharing fascinating anecdotes from his illustrious career. From his time with The Police to his current endeavors, this episode is a treasure trove of music history insights and inspiring artist interviews that highlight the cultural impact of music. Whether you're a fan of classic rock, jazz, or indie music journeys, this episode promises to deliver stories behind albums and musician storytelling that will leave you inspired. Buzz Knight and Stewart Copeland delve deep into the music legacy that has influenced generations, making this a must-listen for anyone passionate about the music industryand its legendary artists. Mark your calendars for the full episode release on May 5th, and prepare to be captivated by the rhythm of Copeland’s life and the beats of his stories. Tune in to takin' a walk and experience the magic of music history on foot, where every step reveals the creative journeys of iconic musicians. Don't miss out on this incredible opportunity to walk alongside one of rock's most influential figures, only on the Buzz Knight Podcast, part of the iHeart Podcast Network. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Stewart Copeland, drummer/composer/host extraordinaire and one time member of The Police, spoke with us on Ep 275 about his love for working with orchestras. And he praised the city of Louisville (where The Wolf finds himself after a 4 year European tour) for the quality of the city's orchestra. Because though his days in The Police may be over, his love for the music and performing has not waned. So when he told us he'd be bringing his Police - Deranged for Orchestra performance to The Ville, we knew we had to check it out and tell you what we thought. Asside from the more than 50 members of the Louisville Orchestra and longtime conductor Bob Bernhardt, Copeland brought along singers Amy Keys, Carmel Helene and Ashley Tamar, guitarist Rusty Anderson and bassist Armand Sabal-Lecco (with Stewart on the drums most of the time). While they played the big hits like Roxanne, Every Breath You Take and Every Little Thing She Does is Magic, they also dive deeper in the catalog with tracks like The Bed's Too Big Without You and Murder By Numbers. Some of the songs he stays true to the original song but some are so "deranged" that even the biggest fans can't identify the songs until the vocals begin. It's amazing that he doesn't meet the orchestra until the day of the show and then after 2.5 hours of rehearsal, they put on a killer show. I would also call this a family friendly show so if your town has an orchestra and can host Copeland and his derangements we highly suggest not only seeing the show but bringing the whole family. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILROCKS Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Former drummer of The Police and now on a spoken word tour telling the stories of his life!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Former drummer for The Police and now out on a tour telling stories. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Stewart Copeland, drummer/composer/host extraordinaire and one time member of The Police, spoke with us on Ep 275 about his love for working with orchestras. And he praised the city of Louisville (where The Wolf finds himself after a 4 year European tour) for the quality of the city's orchestra. Because though his days in The Police may be over, his love for the music and performing has not waned. So when he told us he'd be bringing his Police - Deranged for Orchestra performance to The Ville, we knew we had to check it out and tell you what we thought. Asside from the more than 50 members of the Louisville Orchestra and longtime conductor Bob Bernhardt, Copeland brought along singers Amy Keys, Carmel Helene and Ashley Tamar, guitarist Rusty Anderson and bassist Armand Sabal-Lecco (with Stewart on the drums most of the time). While they played the big hits like Roxanne, Every Breath You Take and Every Little Thing She Does is Magic, they also dive deeper in the catalog with tracks like The Bed's Too Big Without You and Murder By Numbers. Some of the songs he stays true to the original song but some are so "deranged" that even the biggest fans can't identify the songs until the vocals begin. It's amazing that he doesn't meet the orchestra until the day of the show and then after 2.5 hours of rehearsal, they put on a killer show. I would also call this a family friendly show so if your town has an orchestra and can host Copeland and his derangements we highly suggest not only seeing the show but bringing the whole family. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILROCKS Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Stewart Copeland from The Police was on 60 Minutes Sunday night! Here are some excerpts of that conversation revealing his current relationship with Sting!
Legendary Drummer Best Known for Work with The Police / Rock Hall Inductee is coming to Carmel, Indiana, August 2nd for his Spoken Word Tour of U.S. & Re-Release – Deluxe Editions of 1985 Solo Album “The Rhythmatist”. Get tickets here! Stewart Copeland: Have I Said Too Much | Allied Solutions Center for the Performing ArtsSee omnystudio.com/listener for privacy information.
Pour partir en week-end, Margaux met à l'honneur "Reggatta de Blanc", le deuxième album de The Police, sorti en 1979. Après le succès du premier disque, le trio britannique devait confirmer, et frappe fort dès l'ouverture avec le tube "Message in a Bottle". L'album dévoile ensuite une palette riche et parfois surprenante, notamment avec le morceau instrumental "Reggatta de Blanc", récompensé par un Grammy Award. Entre punk, new wave et influences reggae, le groupe explore différents terrains, comme sur "Walking on the Moon". Plus expérimental, "Does Everyone Stare" donne l'impression d'une immersion en studio, tandis que "No Time This Time" met en avant l'énergie de Stewart Copeland derrière les fûts. Disque audacieux et libre, "Reggatta de Blanc" s'impose comme un classique intemporel, porté notamment par "Bring On the Night", où les arpèges d'Andy Summers brillent particulièrement, mis à l'honneur sur RTL2. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Complete our listener survey for a chance to win a $50 gift card! What happens when one of rock's greatest drummers dives into one of its most influential albums? Stewart Copeland joins The 500 With Josh Adam Meyers to unpack Cream's Disraeli Gears, from its psychedelic breakthroughs to the riffs that changed rock forever. Follow Stewart on Instagram: https://www.instagram.com/stewart_copeland/ Distrokid Artist of the Week: Yellow Days https://www.youtube.com/watch?v=_84mQZkbdU4 Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow DJ Morty Coyle on Instagram: https://www.instagram.com/djmortycoyle/ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Episodio 8.03 de Las Cosas Que Hay Que Escuchar, en el cual cabalgamos remolinos mientras escuchamos la música de Reincidentes, Shego, Los Rusos Hijos de Puta, Il Maniscalco Maldestro, That Dog, Save Ferris, Sister Carol, Sister Rosetta Tharpe, Laurie Anderson, Vagina Jones, Stewart Copeland, Tomates Asesinos, Einstürzende Neubaten y Morbo & Mambo. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio © Saurio 2026
Here's a clip of our interview with legendary drummer/composer Stewart Copeland of The Police. Hear the whole interview with Stewart about playing the Paralympics, his Police Deranged for Orchestra tour and speaking series here: Stewart Copeland Interview Keep up with Stewart at stewartcopeland.net Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Here's a clip of our interview with legendary drummer/composer Stewart Copeland of The Police. Hear the whole interview with Stewart about playing the Paralympics, his Police Deranged for Orchestra tour and speaking series here: Stewart Copeland Interview Keep up with Stewart at stewartcopeland.net Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Stewart Copeland is so much more than the drummer from The Police. Over the decades he's been in numerous bands, scored films and tv series, written operas, performed with orchestras and engaged folks on his speaking tours. He's lived around the world and toured it as well, while being part of some of the most memorable songs and videos in the early MTV era. As The Wolf and Action Jackson are (grown?) children of the MTV generation, we fulfilled our lifelong dream of speaking with the gregarious American member of our first favorite rock band. Stewart's articulate and energetic personality shines as he talks about his opportunity to play the opening ceremonies of the Paralympic Games in Italy. He regales with stories of when Andy entered the picture and made his life easier while Summers presence meant Sting finally had someone to give his songs the proper harmonies he'd been looking for. Though we loved those Godley & Creme videos from Synchronicity, he said all three of them were completely miserable during the whole experience. But he also talks about finding his love for making music again by working with Francis Ford Coppola while creating movie scores. The long prep with orchestras to perform Police - Deranged for Orchestra shows that he still has a great work ethic (and we look forward to reviewing that performance soon) and he loves the laughs he gets from his Have I Said Too Much speaking tours. His unbridled passion and enthusiasm are evident throughout the interview which two lifelong fans hope you enjoy as much as we did. Keep up with Stewart at stewartcopeland.net Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Stewart Copeland is so much more than the drummer from The Police. Over the decades he's been in numerous bands, scored films and tv series, written operas, performed with orchestras and engaged folks on his speaking tours. He's lived around the world and toured it as well, while being part of some of the most memorable songs and videos in the early MTV era. As The Wolf and Action Jackson are (grown?) children of the MTV generation, we fulfilled our lifelong dream of speaking with the gregarious American member of our first favorite rock band. Stewart's articulate and energetic personality shines as he talks about his opportunity to play the opening ceremonies of the Paralympic Games in Italy. He regales with stories of when Andy entered the picture and made his life easier while Summers presence meant Sting finally had someone to give his songs the proper harmonies he'd been looking for. Though we loved those Godley & Creme videos from Synchronicity, he said all three of them were completely miserable during the whole experience. But he also talks about finding his love for making music again by working with Francis Ford Coppola while creating movie scores. The long prep with orchestras to perform Police - Deranged for Orchestra shows that he still has a great work ethic (and we look forward to reviewing that performance soon) and he loves the laughs he gets from his Have I Said Too Much speaking tours. His unbridled passion and enthusiasm are evident throughout the interview which two lifelong fans hope you enjoy as much as we did. Keep up with Stewart at stewartcopeland.net Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
This week the boys sit down with Steve from Down West and discuss Black Sabbath, the Beatles, Stewart Copeland, Mitch Mitchell, power trios, Superchunk, and much much more!
Theater director, playwright, and multimedia artist Jared Mezzocchi joins Rhett for a conversation about what it means to make ambitious, technology-forward work without losing the human heart of the story. Mezzocchi shares how he's drawn to projects that seem “impossible” on paper—from a pandemic-era play about content moderation, to a site-specific production about the 1944 Hartford circus fire. He explains why impossibility isn't a deterrent, but an opportunity for experimentation. The conversation moves into the emotional reality of creative life: the grief of letting go after opening night, the dangerous pull of people-pleasing, and the long work of strengthening what Mezzocchi calls a “sense of self.” He reflects on losing his father at 19, how that shaped his relationship to theater and film, and why mortality, impermanence, and presence sit at the center of his work. Rhett and Jared also talk about AI, technology anxiety, and why friction between machines and humanity may actually clarify what makes art—and people—matter. Follow Jared @jaredmezzocchi Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer is Kirsten Cluthe, Studio Kairos. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. Watch the podcast on Spotify, and listen wherever you get your podcasts. You can also ask Alexa to play it. Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, Lucinda Williams, Stewart Copeland, Jennifer Egan, Nick Hornby, and more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tim Veekhoven is voorzitter en founding member van dé Belgische Star Wars-fanclub TeeKay 421. Hij stond stand-by voor elke mogelijke aflevering die ik wou maken. Maar deelde me ook een persoonlijke passie binnen de passie: die voor de cartoonreeksen 'Star Wars: Ewoks' en 'Star Wars: Droids' uit de jaren 1980.We hebben het over de goedkeuring van Lucas voor de 'Holiday Special'-cartoon, de visuele stijl van Franse tekenaar Moebius en het aanstekelijke themalied van Stewart Copeland van The Police. Over Anthony Daniels die opnieuw C-3PO inspreekt, de klungelige Duloks als tegenstanders en waarom Lucasfilm 20.000 animatiecellen per aflevering wilde in plaats van de gebruikelijke 9.000.En wist je dat 'Droids' en 'Ewoks' de enige Star Wars-producties zijn waarin muziek van onze planeet aarde te horen is? Dat er een onderscheid is tussen Star Wars Legends en de canon? En dat Tim voor Lucasfilm heeft gewerkt en enkele personages een naam mocht geven?Als ik een liefhebber ben, is Tim de kenner. Heel blij deze aflevering met hem te kunnen maken. Meer over TeeKay 421 vind je hier.
Rodney Crowell, often called a “songwriter's songwriter” and a foundational voice in Americana, joins Rhett for a conversation about intention, craft, and the long game of staying creatively alive. Crowell shares hard-won lessons about process: how spending time on memoir pages puts him in a “workshop of words,” so that when he turns back to the guitar he's already thinking in language. He talks about patience as the difference between forcing a song and letting it reveal itself, his approach to collaboration, the discipline of revision, and how creative confidence is built the unglamorous way: by showing up for the work, again and again. His new album “Airline Highway” is available now. Follow Rodney @rodneyjcrowell Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer is Kirsten Cluthe, Studio Kairos. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. Watch the podcast on Spotify, and listen wherever you get your podcasts. You can also ask Alexa to play it. Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, Lucinda Williams, Stewart Copeland, Jennifer Egan, Nick Hornby, and more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices
Musician and composer joins Frank Mackay on this episode of The Frank Mackay Show!
Musician and composer Stewart Copeland joins Frank Mackay on this episode of The Frank Mackay Show!
Morse code transcription: vvv vvv Serial houseplant killer Heres how to keep them alive New rules make it easier to call up reservists for war Son of UK couple jailed in Iran details unsafe conditions amid protests Six arrested in 300m social housing fraud and bribery probe The Taliban rift at the top of the leadership in Afghanistan Twenty councils in England ask for election delays Sting pays Police bandmates Andy Summers and Stewart Copeland more than 500,000 in royalties UK economy grew by 0.3 in November, beating forecasts Newspaper headlines World on the brink and Trump intent on conquering Greenland Trump says Iran has no plan to execute protesters
Musical Journey Through the Final Week of December: This Week in Music History As the calendar year draws to a close, the week of December 22nd through December 28th stands as a powerful reminder that music history never sleeps—not even during the holidays. In this captivating episode of “This Week in Music History,” hosts Buzz Knight and Harry Jacobs take listeners on an extraordinary journey through decades of musical milestones, tragic losses, and triumphant achievements that have shaped the soundtrack of our lives. The conversation opens with a poignant reflection on the end of another year of exploring music’s rich tapestry. Buzz muses on how, despite covering similar calendar dates year after year, they continue to uncover new stories and perspectives. “When you think about it, you would think, well, if you do it year after year, you’re going to be talking about the same things,” Buzz observes. “And the truth is, we continue to uncover new and different things.” This sentiment perfectly captures the infinite depth of music history and the endless stories waiting to be told. The Clash’s Revolutionary Voice Falls Silent December 22nd marks the anniversary of one of punk rock’s most devastating losses—the death of Joe Strummer in 2002. Born John Meller, the Clash frontman passed away from pneumonia at a time when his influence on music and culture was still reverberating through generations of artists. The Clash represented more than just a band; they were a political and social force that challenged conventions and inspired countless musicians to use their platform for more than entertainment. Strummer’s legacy as a voice for the disenfranchised and his commitment to authentic, passionate rock and roll continues to inspire artists today. A Candle in the Wind That Lost Its Luster The hosts touch on Elton John’s iconic “Candle in the Wind,” originally written about Marilyn Monroe in 1967. While the song initially resonated as a beautiful tribute, its later reworking for Princess Diana’s funeral created what Buzz describes as “overkill.” The constant repetition following Diana’s tragic death in 1997 caused the song to lose some of its original emotional impact for many listeners. This phenomenon speaks to how even the most beautiful pieces of music can become dulled through overexposure, demonstrating the delicate balance between honoring memory and respecting the power of restraint. Cheap Trick’s Complex Family Dynamics A fascinating deep dive into the internal dynamics of Cheap Trick reveals the complicated nature of band relationships and business structures. Rick Nielsen, the legendary guitar player known for his collection of hundreds of guitars—including his famous five-neck Hamer guitar—represents the performative and creative heart of Cheap Trick. The band’s 2016 Rock and Roll Hall of Fame induction marked a peak moment, but beneath the surface lay complex tensions. The departure of bassist Bunny Carlos and the subsequent addition of Rick Nielsen’s son, Dax, initially appeared to follow the pattern of other famous rock family transitions, like Michael Anthony’s replacement by Wolfgang Van Halen in Van Halen. However, the reality proved far more nuanced. Buzz’s research uncovered ongoing strife within the band, though Carlos remains part of the Cheap Trick corporation—a business structure similar to Journey’s arrangement with Steve Perry. This setup ensures that founding members maintain ownership stakes even when they’re no longer actively touring, though it can also create lasting tension and legal complications. The hosts explore the darker side of band politics, touching on stories of sabotage and ego clashes. There are tales of Journey band members allegedly pulling on Steve Perry’s microphone cord during performances to make him trip—petty acts of revenge that reveal the intense pressures and personalities at play in successful rock bands. Yet they also note that time can heal wounds, pointing to Perry and Neal Schon’s apparently warm relationship at the Rock and Roll Hall of Fame induction, despite whatever conflicts may have existed in their past. The Therapeutic Approach: A New Model for Band Longevity In a refreshing counterpoint to tales of band dysfunction, Buzz shares insights from his conversation with The Head and the Heart on his “Music Saved Me” podcast. This indie pop alternative band has taken an innovative approach to managing interpersonal relationships: group therapy. Band members openly discuss how they’ve used professional counseling to navigate the challenges of creative collaboration, life on the road, and the inevitable conflicts that arise when passionate artists work together for years. This revelation prompts fascinating speculation about how many legendary bands might have avoided breakups, lawsuits, and lasting bitterness if they’d embraced therapy earlier. The deeply personal nature of musical creation—leaving your heart exposed in every performance, every recording—makes these relationships particularly vulnerable to conflict. As Harry notes, “even if it’s a drummer or a bass player, it’s still your piece of that performance of that song you left your heart out there.” The music exists forever as a testament to that vulnerability, creating permanent emotional stakes that can intensify disagreements and hurt feelings. Joe Cocker: A Voice That Couldn’t Be Contained The passing of Joe Cocker at age 70 in 2014 brings reflection on an artist whose expressive, explosive performances made him unforgettable. While 70 might not seem particularly old from our current vantage point—as Buzz and Harry, approaching 60 and 70 respectively, can attest—Cocker’s hard-living lifestyle took its toll. His performances were legendary, inspiring John Belushi’s spot-on “Saturday Night Live” impersonation that Cocker himself found hilarious. Cocker’s career highlights include his cover of The Beatles’ “With a Little Help from My Friends,” which became the theme for the television series “The Wonder Years,” and “Up Where We Belong,” his duet with Jennifer Warnes from the film “An Officer and a Gentleman.” The latter song became inextricably linked with that powerful film starring Richard Gere and Lou Gossett Jr., whose portrayal of a drill instructor was genuinely frightening and contributed to one of cinema’s most memorable moments—Gere’s character’s desperate declaration: “I got nowhere else to go.” Eddie Vedder: The Humble Superstar December 23rd celebrates the birthday of Eddie Vedder, born in 1964, whose appreciation for musical history and those who came before him sets him apart in an industry often dominated by ego. The hosts draw parallels to Dave Grohl, noting how both artists exhibit genuine humility and respect for their influences. Vedder’s collaborations with Neil Young, particularly their version of “Rockin’ in the Free World,” helped establish his credibility beyond Pearl Jam circles, while his passionate renditions of The Who’s classics—especially “Love, Reign o’er Me”—have become legendary in their own right. Vedder’s versatility shines through in his cover work, from The Waiting by Tom Petty and the Heartbreakers to The English Beat’s “Save It for Later,” featured in the television series “The Bear.” His interpretation of Tom Petty’s “Room at the Top” particularly resonates, described as “so beautiful” in its delicate handling of Petty’s original composition. The discussion of “The Bear” opens a tangent about the show’s exceptional soundtrack curation, featuring all Tom Petty covers including a barn-burning version of “Runnin’ Down the Dream” by Larkin Poe. Despite Pearl Jam’s reputation for deep cuts and extensive catalogs—which might intimidate casual fans—the hosts acknowledge being captivated whenever they hear Vedder sing anything. His voice and interpretive skills transcend the barrier of familiarity, making even unknown material compelling. The Unsung Guitar Legends of Country Music The conversation shifts to Glen Campbell, whose passing on December 24th prompts reflection on his extraordinary but often underappreciated guitar skills. Campbell represents a generation of country musicians whose technical prowess gets overshadowed by genre stereotypes. Like Roy Clark, Campbell could do virtually anything on guitar, yet many people don’t associate country music with virtuoso instrumentalists. Campbell’s session work tells the story of his versatility—he played on albums by The Monkees, The Beach Boys, Frank Sinatra, and soundtracks for Elvis films and Phil Spector productions. This breadth demonstrates how the Nashville studio system produced some of the most skilled musicians in any genre, even if they didn’t always receive recognition outside country music circles. The discussion of Campbell also touches on Brian Wilson’s 1964 breakdown, a tragic moment that had long-lasting consequences for the Beach Boys and Wilson himself. The psychological damage inflicted by Wilson’s abusive father Murry Wilson—compared to Joe Jackson’s treatment of his children—demonstrates how family trauma can derail even the most talented artists. Brian’s struggles with touring and performing were just the beginning of severe mental health challenges that would plague him throughout his career. The Police: Reunion Done Right In 2007, The Police earned recognition as the year’s highest-grossing tour, thirty years after the band’s inception and 24-25 years after their previous collaboration. The reunion tour, which Buzz witnessed in Las Vegas, comprised over 150 shows worldwide and generated nearly $400 million—not a bad payday for a comeback. This success demonstrated the enduring appeal of Sting, Andy Summers, and Stewart Copeland’s unique blend of rock, reggae, and new wave, proving that some artistic chemistry remains potent even after decades apart.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Deep Cuts: Lost & Found goes out with a BANG on this mid-season finale for season 4, focusing on drums and drummers. Check out acclaimed rhythmatists like Stewart Copeland and Ringo Starr, as well as some lesser-known thumpers like George Hurley and James Gadson. Featuring The Police, New Order, Can, Simple Minds, the Beatles and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
When The Wolf saw that Jason Bonham was bringing his Led Zeppelin Evening to town he was interested but a little skeptical. Though John Bonham's oldest child is now a grandfather himself with four decades of experience, I didn't know what kind of show it would be. Turns out not only has Jason assembled an incredible band that can truly do justice to Led Zeppelin classics but Jason gives us a glimpse into his brief time with his dad. As MC between songs, Bonham helps keep the crowd loose with his laid back persona and sly humor which keeps the fans engaged. Sharing stories about John and also fanboying with Jimmy Page and Robert Plant (they had to limit him to 2 Zeppelin questions a day during the Celebration Day rehearsals) give the audience what they want - direct connection to the men who made this incredible music. And the band are fantastic. James Dylan (Vocals, acoustic) can hit some of those classic Plant notes while Alex Howland provides part of the John Paul Jones roll on keys and acoustic. The other half is Dorian Heartsong on bass/mandolin - all of them are brilliant players. But Jimmy Sakurai has taken on the essence of Jimmy Page with his hair, clothing, movements and equipment. He not only looks the part but he's got the tracks down and it makes for a fun night of Led Zeppelin - a night where they celebrate Physical Graffiti at 50 by playing the whole thing! After Custard Pie and The Rover, they played the songs out of order with Jason dipping in and out to share his own stories of learning to love Led Zeppelin and other music of his generation (Stewart Copeland is way better than you Dad!). During the acoustic set they all sit on the drum riser and Jason tells us why they used to give Bonzo a tambourine for the acoustic Zep sets. From there they build to a crescendo using all the power the 1975 double album had to offer, ending with one John Bonham co-wrote by telling Jimmy dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun. Don't be skeptical - know that this a fun night for Zeppelin fans with great stories to go along with epic music you can't get live anywhere else these days. If you can see them, GO!! Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
When The Wolf saw that Jason Bonham was bringing his Led Zeppelin Evening to town he was interested but a little skeptical. Though John Bonham's oldest child is now a grandfather himself with four decades of experience, I didn't know what kind of show it would be. Turns out not only has Jason assembled an incredible band that can truly do justice to Led Zeppelin classics but Jason gives us a glimpse into his brief time with his dad. As MC between songs, Bonham helps keep the crowd loose with his laid back persona and sly humor which keeps the fans engaged. Sharing stories about John and also fanboying with Jimmy Page and Robert Plant (they had to limit him to 2 Zeppelin questions a day during the Celebration Day rehearsals) give the audience what they want - direct connection to the men who made this incredible music. And the band are fantastic. James Dylan (Vocals, acoustic) can hit some of those classic Plant notes while Alex Howland provides part of the John Paul Jones roll on keys and acoustic. The other half is Dorian Heartsong on bass/mandolin - all of them are brilliant players. But Jimmy Sakurai has taken on the essence of Jimmy Page with his hair, clothing, movements and equipment. He not only looks the part but he's got the tracks down and it makes for a fun night of Led Zeppelin - a night where they celebrate Physical Graffiti at 50 by playing the whole thing! After Custard Pie and The Rover, they played the songs out of order with Jason dipping in and out to share his own stories of learning to love Led Zeppelin and other music of his generation (Stewart Copeland is way better than you Dad!). During the acoustic set they all sit on the drum riser and Jason tells us why they used to give Bonzo a tambourine for the acoustic Zep sets. From there they build to a crescendo using all the power the 1975 double album had to offer, ending with one John Bonham co-wrote by telling Jimmy dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun. Don't be skeptical - know that this a fun night for Zeppelin fans with great stories to go along with epic music you can't get live anywhere else these days. If you can see them, GO!! Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Writer David Fleming joins Rhett to dig into craft, career pivots, and the true story behind A Big Mess in Texas—the wild rise-and-fall of the 1952 Dallas Texans (owned by Rhett's grandfather). Fleming talks about finding meaning in real life, learning to “disappear” as a writer, managing deadlines without losing your mind, and why the work (not the label) is what matters. It's a candid, funny, and generous conversation about storytelling, identity, and doing your best work—whether you call it sports writing or just great writing. David Fleming is a Peabody-nominated correspondent for Meadowlark Media, longtime ESPN senior writer, author of Who's Your Founding Father?; Breaker Boys; Noah's Rainbow; and, A BIG MESS IN TEXAS - The Miraculous, Disastrous 1952 Dallas Texans and The Craziest Untold Story in NFL History. Out now! Listen to Rhett's new album “A lifetime of riding by night” https://rhettmiller.com/ Wheels Off is hosted and produced by Rhett Miller. Executive producer Kirsten Cluthe. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Listen to previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, Stewart Copeland, Lucinda Williams, and many more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now, his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs.. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of Millennial and Zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
Walk into any store or flip on a radio, and you'll probably hear the Police's “Every Breath You Take” sooner or later. Thanks to that ubiquity, the swooning, menacing megahit's songwriter—Sting—is a very wealthy man. Now his former bandmates, Stewart Copeland and Andy Summers, are suing Sting over who deserves to profit from “Breath” and other Police songs. No matter how that dispute turns out, it's a reminder of Sting's uncanny songwriting skill and his charmed life of hitmaking. For more than four decades, Sting seems to resurface every few years with a new earworm, from “Roxanne” to “Russians,” blending New Wave rock with another genre—reggae, jazz, classical, country, even rap and Raï—and in the process, getting sampled by new generations of millennial and zoomer hitmakers. Join Chris Molanphy as he recounts the long, varied, sophisticated, but catchy career of the King of Pain. Whatever he tries, every little thing Sting does is magic. Learn more about your ad choices. Visit megaphone.fm/adchoices
By 1980, The Police were really on a roll. Their first two albums, Outlandos d'Amour and Regatta de Blanc had introduced their punk/reggae stylings to the world and had earned platinum awards on both sides of the Atlantic. Their success meant they were in demand - as a live act around the world and in the studio by A&M records. Also due to their success, they had to record outside of the UK and chose Wisseloord Studio in the Netherlands to work on their third record, Zenyatta Mondatta. However, they had to wrap up the Regatta de Blanc tour, retreat to The Netherlands with whatever they had been writing on the road, run off to Ireland and Milton Keynes for a couple of shows, record and mix the album all in one month before they disembarked for their next tour. Though they were working with Nigel Gray, producer of their first two albums, they didn't have time to explore the songs as much as they just needed to lay them down so they could release the record on time. Still, under all that pressure, they managed to cobble together a fine album that would go double platinum in the US. Thanks in large part to the lead single Don't Stand So Close To Me, an ode to Lolita by Vladimir Nabokov based on Sting's experience as a teacher, which would be the boys first #1 in the UK and first Top 10 in the US. Though the lyrics may have been troubling, the song is an upbeat dance tune - something The Police would master while talking about famine (Driven To Tears), the importance of the words people say (De Doo Doo Doo, De Da Da Da) and the monotony of life on the road (Man In A Suitcase). Of course Sting did most of the writing but Andy Summers contributed the Grammy winning Behind My Camel (instrumental) and Stewart Copeland offered Bombs Away & The Other Way of Stopping. The Police never liked the mix on the record and felt they could have done better. They rerecorded the two singles in an ill-fated reunion attempt in 1986 and Sting would rework Shadows In The Rain on Dream of The Blue Turtles. But for Police fans this does stand the test of time and we celebrate Zenyatta Mondatta as it turns 45. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
By 1980, The Police were really on a roll. Their first two albums, Outlandos d'Amour and Regatta de Blanc had introduced their punk/reggae stylings to the world and had earned platinum awards on both sides of the Atlantic. Their success meant they were in demand - as a live act around the world and in the studio by A&M records. Also due to their success, they had to record outside of the UK and chose Wisseloord Studio in the Netherlands to work on their third record, Zenyatta Mondatta. However, they had to wrap up the Regatta de Blanc tour, retreat to The Netherlands with whatever they had been writing on the road, run off to Ireland and Milton Keynes for a couple of shows, record and mix the album all in one month before they disembarked for their next tour. Though they were working with Nigel Gray, producer of their first two albums, they didn't have time to explore the songs as much as they just needed to lay them down so they could release the record on time. Still, under all that pressure, they managed to cobble together a fine album that would go double platinum in the US. Thanks in large part to the lead single Don't Stand So Close To Me, an ode to Lolita by Vladimir Nabokov based on Sting's experience as a teacher, which would be the boys first #1 in the UK and first Top 10 in the US. Though the lyrics may have been troubling, the song is an upbeat dance tune - something The Police would master while talking about famine (Driven To Tears), the importance of the words people say (De Doo Doo Doo, De Da Da Da) and the monotony of life on the road (Man In A Suitcase). Of course Sting did most of the writing but Andy Summers contributed the Grammy winning Behind My Camel (instrumental) and Stewart Copeland offered Bombs Away & The Other Way of Stopping. The Police never liked the mix on the record and felt they could have done better. They rerecorded the two singles in an ill-fated reunion attempt in 1986 and Sting would rework Shadows In The Rain on Dream of The Blue Turtles. But for Police fans this does stand the test of time and we celebrate Zenyatta Mondatta as it turns 45. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Five albums in six years. 75 million records sold. Then, just like that, The Police walked away leaving us with songs everyone still knows: "Message in a Bottle," "Don't Stand So Close to Me," "Every Breath You Take." You know there are plenty of stories to tell and drummer and founding member of The Police Stewart Copeland is ready to tell them. Dubbed the "accidental archivist," he spent the years of the rise of The Police jotting down the secrets and surprises of the trio he formed with Sting and Andy Summers. Now, after 18 years away, he's coming back to New Zealand with a spoken world tour called Have I Said Too Much? It's an evening that dives into the wild ride of rock superstardom, the creative sparks and disasters fans never knew about, and the twists that took Copeland from punk-reggae anthems to orchestras and operas. The tour lands here in January. Stewart Copeland spoke to Jesse.
In this episode of Dem Vinyl Boyz, we dive into the atmospheric depths and emotional complexities of Synchronicity, the final studio album from The Police. Released in 1983, this Grammy-winning record is a masterclass in new wave, post-punk, and pop rock, showcasing the trio—Sting, Andy Summers, and Stewart Copeland—at the height of their artistic powers and on the verge of implosion. Synchronicity is more than an album—it’s a psychological rollercoaster. Inspired in part by Carl Jung’s theory of meaningful coincidences, the record explores themes of obsession, paranoia, spiritual connection, and disintegration, both personal and societal. From the urgent rhythms of “Synchronicity I” to the eerie unraveling in “Synchronicity II,” and the haunting isolation of “Tea in the Sahara,” the album captures the inner turmoil that mirrored the band’s own fracturing relationships. Of course, we can’t forget the massive hit that defined the '80s—“Every Breath You Take.” Though often mistaken for a love ballad, the song is a chilling meditation on surveillance and control, and it remains one of the most misunderstood and iconic songs in pop history. Recorded at AIR Studios on Montserrat and in Quebec, this was a technological leap for The Police, pushing their sound into more polished, layered production while still capturing the urgency of a band teetering on the edge. Join us as we spin Synchronicity on vinyl, reflect on the legacy of The Police, break down the album track-by-track, and talk about why this might be one of the greatest—and most conflicted—swan songs in rock history.
James McMurtry, hailed as one of our greatest living songwriters, joins Rhett for a candid conversation about the craft of songwriting, life on the road, and the realities of sustaining a career in music. Known for his sharp storytelling and uncompromising perspective, McMurtry opens up about his process, from finding inspiration in small details to shaping lyrics around the musicality of the human voice. They discuss the making of his latest record, Black Dog and the Wandering Boy (New West Records), working with producer Don Dixon, and how the touring life remains both a necessity and a joy. McMurtry reflects on influences like Kris Kristofferson, lessons from decades in the business, and why persistence and endurance matter more than inspiration. Follow James: jamesmcmurtry.com Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer Kirsten Cluthe. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, Lucinda Williams, Stewart Copeland, and more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices
MUSICZoë Kravitz and Harry Styles ignited romance rumors after being seen kissing in London, following a promotional event for Kravitz's new film, Caught Stealing, a source tells People magazine. https://people.com/zoe-kravitz-harry-styles-spotted-kissing-in-london-source-exclusive-11797000 It's two against one in The Police as Andy Summers and Stewart Copeland have reportedly filed a lawsuit against Sting, claiming they are owed millions in royalties. https://www.thesun.co.uk/tvandshowbiz/36421649/sting-sued-royalties-ex-bandmates-the-police/ Chino Moreno feels that the Deftones new album, Private Music, is among their best -- and that it's due in part to his decision to get sober. https://www.nytimes.com/2025/08/20/arts/music/deftones-private-music.html Billy Ray Cyrus shared a snippet of an unreleased single, titled "Secrets," which was penned and performed by Miley featuring Billy's favorite band, Fleetwood Mac. https://www.tmz.com/2025/08/25/billy-ray-cyrus-shares-song-miley-wrote-for-him/ TVDevon Walker is leaving Saturday Night Live after three seasons. https://variety.com/2025/tv/news/devon-walker-exits-snl-1236498152/ MOVING ON INTO MOVIE NEWS:After a successful theatrical run, Marvel Studios' Thunderbolts* hits Disney+ on August 27. https://www.usatoday.com/story/entertainment/movies/2025/08/25/thunderbolts-is-releasing-on-disney-soon-what-to-know/85764624007/ 'Jaws' is returning to theaters over Labor Day weekend to celebrate 50 years of terrifying beachgoers and boaters alike. https://www.aol.com/jaws-returning-theaters-50th-anniversary-222608649.html?guccounter=1&guce_referrer=aHR0cHM6Ly9wcmVwcGx1cy5mdXR1cmltZWRpYS5jb20v&guce_referrer_sig=AQAAAB7OBOgAXtZ8Y3wgzNI4b3b0YLUcVry-6CDCKIrcrV47bnOgRR3BOOOHys5uUNFnYr49tEaqlGCltH6ZfTaerFuOS49c503qouV5Hek5AF4DP0BlIcoPCflk4Gf9jQcUO43xnM_d8bm9P9LxjPwLmwiyGFkHzTAzghXEjnIQvRzgHarrison Ford and Jay Leno aren't super close. But they're close enough that they can help each other out with very specific bathroom issues. https://ew.com/harrison-ford-is-getting-jay-leno-to-3d-print-him-a-toilet-seat-11795643 Would you smoke weed with a celebrity? Seth Rogan recently admitted that he will smoke with fans when they ask him to. During a podcast appearance with Ben Stiller, Seth said, quote, "If it seems like it'll really be special for the person, sometimes I will. I've had moments where I'm like, 'This is a big moment for this person. Least I could do is take a couple hits with them.'" As for Ben, he says people often shout "Focker!" at him, as a nod to his character in "Meet the Parents". Sometimes they ask him to give them the "Blue Steel" look from "Zoolander". . . and he's cool with it. https://ew.com/seth-rogen-says-sometimes-i-will-smoke-weed-with-fans-11795160 AND FINALLYThey tell us we're in the golden age of television, and Collider.com put together a list of the 25 best TV performances of the 21st Century. https://collider.com/best-tv-performances-21st-century-ranked/?utm_source=fark&utm_medium=website&utm_content=link&ICID=ref_fark AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KIn this segment of Notorious Mass Effect, Analytic Dreamz dissects The Police's iconic track “Every Breath You Take,” a 1983 chart-topper often mistaken as a love song but rooted in obsession and surveillance. Analytic Dreamz explores its massive success—1.79B Spotify streams, 16M radio airplays, and 3M global sales—alongside its 2025 royalty dispute, where Andy Summers and Stewart Copeland sue Sting for millions. From Grammy wins to TikTok resurgence, Analytic Dreamz unravels the song's enduring legacy and legal tensions. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
And... Sting’s in trouble with the old band! His former Police bandmates, Stewart Copeland and Andy Summers, are suing him for royalties and songwriting credits on Every Breath You Take — the stalker anthem that’s weirdly become a wedding fave. The beef isn’t new though… these guys have hated each other for decades. Flea even revealed that Stewart used to write “F*** off, you sting” on his drum toms just to bash out his rage. There’s even an urban legend that Phil Collins once had to fill in on drums after Sting and Stewart blew up backstage. Rock’n’roll, baby.See omnystudio.com/listener for privacy information.
Fresh off the release of her new album Paper Doll, guitarist, singer, and songwriter Samantha Fish joins Rhett to discuss balancing life on the road with creative work, the vulnerability of songwriting, and her evolution as a guitarist. She opens up about overcoming shyness and stage anxiety, and reflects on the fine line between challenging yourself and staying true to who you are. Follow Samantha @samanthafishmusic Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer Kirsten Cluthe. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, Stewart Copeland, and more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this very special episode of Lipps Service, Scott sits down with one of the greatest rock ‘n' roll frontmen of all time, who is known for leading the iconic rock band The Cult, his blistering stage presence and voice, legendary songs like “She Sells Sanctuary,” and his time in Southern Death Cult, Death Cult, and The Doors … he is – Ian Astbury! In this new, rare interview with the Lipps Service podcast alumni, Ian talks with his longtime friend Scott about his storied career in this nearly two-hour-long episode. The conversation kicks off with remembering the late, great Ozzy Osbourne, the influence of Black Sabbath, and Ian's take on mortality. They discuss various rock legends throughout, including Billy Duffy, Lars Ulrich, The Beatles, New York Dolls, Sex Pistols, Malcom McLaren, Rick Rubin, and more. They explore Ian's various projects – The Cult, Southern Death Cult, Death Cult, and his early 2000s stint playing with the surviving members of The Doors. He details the making of and songs in the famed Electric album that was famously made with Rick Rubin. And Ian gets into some of his personal life, including his life living in LA, fashion, his favorite films, art, and his take on AI. This loaded interview with one of rock's greatest should not be missed. Tune in for an insightful and wonderful chat with the one and only – Ian Astbury! Get 50% off the Magic Mind offer here: https://magicmind.com/LIPPS50 #magicmind #mentalwealth #mentalperformance CREDITS (Instagram handles)Host @scottlippsProduced by @whitakermarisaEdited by @toastycakesMusic by @robby_hoffRecorded at Third Wheel Podcasts LA 0:00:00 - Start0:00:22 - Billy Duffy 0:01:12 - Favorite band 0:01:57 - Black Sabbath0:03:54 - Meeting Ozzy Osbourne and Lars Ulrich0:04:45 - Mortality0:06:19 - Touring 0:08:49 - LA0:09:35 - Parents and upbringing 0:11:30 - The Beatles, The Rolling Stones, New York Dolls 0:12:30 - Malcolm McLaren 0:14:00 - Opening for The Clash0:16:00 - Southern Death Cult0:21:10 - Is punk back? 0:22:38 - Inspirations today0:24:23 - The Cult and the music business0:28:31 - Meeting Rick Rubin0:31:45 - Rick Rubin and Electric album0:41:40 - Nur monks 0:43:35 - Art 0:51:11 - Michael Monroe 0:52:51 - New The Cult music?0:56:18 - Matt Pinfield 0:56:30 - How bad did it get? 1:00:00 - Looking back on past albums 1:11:00 - Fashion 1:15:00 - Top 5 The Cult songs 1:16:00 - Artists playing their most well-known songs 1:17:00 - Spinal Tap 21:19:15 - Weirdest stage moments 1:20:56 - Favorite films 1:24:00 - The Doors movie 1:26:19 - Playing with The Doors and Stewart Copeland 1:36:44 - NYC and LA guest lists1:40:00 - AI1:47:00 - The Sex Pistols and Iggy Pop
From The Vault: Bully From Ep 263 (4/10/2013) Hello and welcome to How Did I Get Here? From The Vault! Today we go back to episode 263 for a great conversation with Nashville-based, indie-rock band, Bully originally released on April 10, 2013! Below are my original notes form the show. My guests for episode 263 are singer-songwriter and guitarist Alicia Bognanno and drummer Stewart Copeland from Nashville indie-rock band, Bully! Alicia and Stewart came by the apt. during SXSW and we had a great talk about recording, running live sound, being a band, being a woman in the music engineering world and much, much more. I hope you enjoy these conversations as much as I did. Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Send someone the gift of Johnny with Cameo. If you feel so inclined. Venmo: venmo.com/John-Goudie-1 Paypal: paypal.me/johnnygoudie
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