Podcasts about coppie

Rebecca Schiffman recently released her 4th album called Before The Future and it starts with a 9 minute song - which is remarkable in its own right especially these day -  but, in my opinion, it could have gone for another 9 minutes and not felt too long, such is the prowess of her ability to write captivating, enthralling slices of life that are at once nostalgic for the past and nostalgic for the future. The entire album is beautifully rich in unhurried harmonies and melodies and is like peering deep into the creases of her memories to produce an introspective meditation on, well, moving through the multi-stages of everyday living. It could be set to a 16mm flickering home movie of a William Eggleston pastiche. Ok, well, having probably humiliated myself with that self-indulgent twaddle, I'd better let you crack on with this excellent and very open conversation.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

The last song on Violencia's album Viviendo Tiempos Aún Mas Oscuros is called El Exito Es La Droga del Futuro – Success Is The Drug Of The Future. For me, the nerd, this is interesting as I've often thought about how the words we use can take on specific meanings – appropriated oftentimes – I literally heard one just now – “Joy Is Resistance” started and often used by black women is now being appropriated by a bunch of white women. And there are times, where other equally valid meanings are ignored or treated with less importance. Take the words El Exito or Success and today, the majority of society will think of success in terms of material achievements. Are you climbing the career ladder, what awards have you won, have you bought that new shiny kitchen, oooh, is that a new car on the drive, how many followers do you have, did you manage to get your blue Instagram tick? It appears that there is little place for success being equated with just, well, human things, like, I dunno, raising amazing children or pets, helping someone in need to cross the road, or showing some empathy for your fellow human beings. Of course, yes, forced ultra-capitalism does this to the world and, as Joe Strummer once said “It's time to take humanity back into the ring”. Ever more now.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

In questo articolo affrontiamo un argomento che fa tremare le ginocchia anche agli studenti più coraggiosi: quelle coppie di parole italiane che sembrano gemelli identici ma che in realtà hanno significati e usi molto diversi! Attenzione a Queste Parole Problematiche 1. GIÀ vs ANCORA: La Battaglia del Tempo Iniziamo con una coppia che crea più confusione di un GPS che ha perso il segnale! GIÀ = Azione Completata nel Passato Significato: indica che un'azione è stata completata prima del momento attuale Esempi pratici: "Ho già mangiato" (l'azione del mangiare è finita) "Sei già qui?" (sei arrivato prima di quanto pensassi) "È già finito il film?" (il film è terminato) ANCORA = Continuità o Aspettativa Significato: indica che un'azione continua o non è ancora avvenuta Esempi pratici: "Sto ancora mangiando" (continuo a mangiare) "Non è ancora arrivato" (aspetto che arrivi) "Vuoi ancora del caffè?" (un'altra tazza di caffè) Trucco della nonna: GIÀ = l'azione è finita! ANCORA = l'azione continua o deve ancora succedere! 2. ORMAI vs ORA: Il Presente e la Rassegnazione Questa coppia è subdola come un gatto che finge di dormire! ORMAI = Rassegnazione e Inevitabilità Significato: indica che qualcosa è inevitabile o che non si può più cambiare Tonalità emotiva: spesso con sfumatura di rassegnazione Esempi con contesto: "Ormai è troppo tardi" (non possiamo più cambiare la situazione) "Ormai sei grande" (il tempo è passato, sei cresciuto) "Ormai lo sanno tutti" (la notizia si è diffusa, non si può più nascondere) ORA = Momento Presente Immediato Significato: indica il momento attuale, senza altre sfumature emotive Tonalità: neutro, semplice indicazione temporale Esempi chiari: "Ora devo andare" (in questo momento devo partire) "Che ora è?" (che orario segna l'orologio?) "Ora capisco!" (in questo momento ho compreso) Segreto per ricordare: ORMAI ha sempre una sfumatura di "non si può più tornare indietro", mentre ORA è neutro, indica solo il presente. 3. PRESTO vs PRONTO: La Velocità e la Preparazione Attenzione: questa coppia può creare malintesi epici, soprattutto se la tua prima lingua è lo spagnolo. PRESTO = Tempo e Velocità Significato: indica velocità di azione o un momento futuro vicino Si usa per: tempo, velocità, orari Esempi dettagliati: "Arrivo presto" (arrivo in poco tempo / arrivo la mattina presto) "Corri più presto!" (aumenta la velocità) "A presto!" (ci vediamo tra poco tempo) "È ancora presto" (l'orario è mattutino) PRONTO = Stato di Preparazione Significato: indica che qualcosa o qualcuno è preparato, completato Si usa per: preparazione, disponibilità Esempi con spiegazione: "Sono pronto per partire" (ho finito di prepararmi) "La cena è pronta" (la cena è stata preparata) "Pronto?" (risposta al telefono - "sono qui ad ascoltare") "Pronto soccorso" (servizio sempre preparato per l'emergenza) Approfondimento culturale: "Pronto" al telefono è una particolarità italiana! In altri Paesi si risponde diversamente, ma noi italiani chiediamo sempre se l'altro è "pronto" ad ascoltare. Che gentili che siamo! 4. NON ANCORA vs NON PIÙ: Il Tempo che Cambia Direzione Questa è la coppia che manda in crisi esistenziale anche i madrelingua! NON ANCORA = Aspettativa Non Realizzata Significato: qualcosa che dovrebbe succedere ma non è ancora successo Direzione temporale: dal presente verso il futuro Esempi con aspettative: "Non ho ancora finito" (devo ancora completare) "Non è ancora ora" (dobbiamo aspettare) "Non ho ancora capito" (spero di capire presto) "Non ha ancora chiamato" (mi aspetto che chiami) NON PIÙ = Interruzione di una Continuità Significato completo: NON PIÙ indica l'interruzione di un'abitudine, di una situazione o di un'azione ricorrente,

I'm very excited and deeply honoured to talk to my guest today. Joy Guidry is a classically trained bassoonist - and, the first bassoonist on my podcast – who, with each record released (and there are three now), is showing a level of thinking and creativity that is, excuse the pun, a joy to witness. She brings experimentation, improvisation, the radical, the avant garde and deep reflection whilst always being connected to Black ancestry and sound traditions. Her latest album, Five Prayers, moved into a territory of solitude, refuge, peace, discovery and gratitude. It's a really stunning piece of work. I reconnected with the cello after many years of disinterest. The pull and push tension between what I learned and remembered from a classical framework and, I guess, where I want to go which is bringing in more experimentation & improvisation is something that I'm exploring. It's a slow process where I'm having to unlearn things and I'd hold Joy up as an example to anyone of the power of our mind to create music that takes a traditionally classical instrument out of that classical context and also to take you into the innermost sanctum of your humanity.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

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You know those times when you're ambling along – disconnected from the real world with your headphones on as is the norm these days – trying to ignore the gazillion things that run through your brain every minute, forgetting to look both ways, behind you, above you, before you cross the road, and then some music comes on and stops you dead in your tracks – hopefully when you've crossed the road! – well, that's Emma Swift's upcoming album, The Resurrection Game – out on 12 September from all good record shops and all of the very mundane   - but important! - streaming platforms. No exaggeration, it's stunning songwriting, musicianship and arranging. Anyway, in the press notes there was a quote from Emma about the experiences that motivated the record that stuck out for me  was her saying “I'm a big believe of the redemptive power of art.” Me too. I really identify. Music, design, painting, poetry, sculpture, whatever creativity you're drawn to, is absolutely 100% redemptive from your trauma, from your pain, your rage, your anguish. Making art is such a powerful means of expression, sometimes saying the things you have no words for. I'm delighted to welcome Emma to talk about this unique record, her own experiences and how she's used her mindset to navigate through not only an incredibly traumatic period in her life but also how it's helped to shape her into who she is today.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

It's fascinating to look at the entire creative evolution of an artist - how they started and where they are now. Of course, looking at what's been going on in their life, can feel quite invasive and voyeuristic, like prying into the inner sanctum of life, but hey, all in the name of research! Music and art (although I'm by no means an expert) often feels subjective and open to interpretation and honestly, for me, I love it when I'm challenged to think about what it means to me. This brings me on to relatability. Perhaps it's now an overused word that has been diluted of its relevance and meaning. But is it important for an artist to create work that its audience will find relatable in some way? Will it help the audience make their own interpretations if they can relate to it? Or is speaking with truth and honesty equally or more important? And what about good old fashioned escapism? What does that connection between artist and audience look like? I don't know why the work of my guest today makes me ask these questions! Maybe it's because his work often feels like it is accessing what's in the back of his mind but created in a way that feeds my own interpretations and connects in a way that tunes into my own empathy.His art was described as “loose and raw that straightaway imprints itself on the human imagination”. This is interesting because it is the consistency of that rawness - and honesty - that also runs through his music which again gets my imagination fired up. I hope you enjoy this fascinating chat with James Johnston, who came to prominence in the early 90's with Gallon Drunk and has also played with PJ Harvey, The Bad Seeds, Faust and Lydia Lunch as well as releasing solo and collaborative work of his own. He started painting in 2017 which is just going from strength to strength.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

4 trappole invisibili che logorano le COPPIE (senza che te ne accorga)Alcune relazioni non finiscono all'improvviso. Si consumano piano, giorno dopo giorno, dentro dinamiche che sembrano innocue — o addirittura normali — ma che col tempo diventano vere e proprie trappole emotive.In questo episodio ti parlo di 4 trappole invisibili che logorano le coppie senza fare rumore. Le ho vissute tutte, e oggi le racconto per aiutarti a riconoscerle, metterle a fuoco, e — se lo desideri — cominciare a cambiarle.Parliamo di:• invalidazione emotiva: quando ciò che provi viene sminuito, risolto o ignorato• colpa e deresponsabilizzazione: il gioco pericoloso del “è sempre colpa tua”• competizione e senso d'inadeguatezza: quando i successi dell'altro diventano un problema• evitamento del conflitto: perché il silenzio non è mai la soluzione

4 trappole invisibili che logorano le COPPIE (senza che te ne accorga)Alcune relazioni non finiscono all'improvviso. Si consumano piano, giorno dopo giorno, dentro dinamiche che sembrano innocue — o addirittura normali — ma che col tempo diventano vere e proprie trappole emotive.In questo episodio ti parlo di 4 trappole invisibili che logorano le coppie senza fare rumore. Le ho vissute tutte, e oggi le racconto per aiutarti a riconoscerle, metterle a fuoco, e — se lo desideri — cominciare a cambiarle.Parliamo di:• invalidazione emotiva: quando ciò che provi viene sminuito, risolto o ignorato• colpa e deresponsabilizzazione: il gioco pericoloso del “è sempre colpa tua”• competizione e senso d'inadeguatezza: quando i successi dell'altro diventano un problema• evitamento del conflitto: perché il silenzio non è mai la soluzione

https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Il prezzo del cibo potrebbe aver determinato alcune delle recenti elezioni, dice una ricerca della Banca centrale europea. Ad esempio, in Giappone il prezzo del riso è stato al centro del dibattito politico di tutte le ultime elezioni. Anche in Italia, le coppie omogenitoriali avranno diritto al congedo parentale per entrambi i genitori, dice una sentenza della Consulta. Sono 24 i ministri degli esteri che hanno scritto una lettera congiunta in cui chiedono un cessate il fuoco a Gaza, con molti europei, tra cui l'Italia ma non la Germania. Intanto, ci sono stati di nuovo sabotaggi gravissimi alla nave della Freedom Flotilla Coalition. Serena Giacomin, meteorologa, ci racconta di come le ondate di calore stiano diventando l'occasione per i media di fare una inutile corsa al record shock – e non concentrarsi sulle cause e sulle soluzioni. Puoi scriverci a podcast@lifegate.it e trovare tutte le notizie su www.lifegate.it. 

I think gravitas is a rare but really important attribute to have, especially when the world is so fucked up, chaotic, volatile, reactionary. Gravitas. Presence. I wanna be around people that have the ability to give off positive energy in this way.Scott Osment is one of the most blistering, powerful and accurate drummers I have seen. I've seen him in two very different bands – Deaf Club and Glassing – and I've yet to see him in Planet B – maybe in 2026??!! Each band has their own style and his adaptability to their styles blows me away. For me, Scott also has that presence that I was talking about earlier. You always feel that whatever the situation, obstacles, whatever, he will find a way – fuck it, let's try this, nah, we're good, let's go, yeah, I'm up for that. That willingness to try and if it doesn't work out, so what? Try something else. Again, I just think the ability to show calm and level headedness is kinda a superpower.I mean, I even put away my own insecurities when I asked him if he wanted to do this podcast – no mean feat - cos I really did think he would say yes. And he did!Enjoy!https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Coppie inconsapevoli nella stella del partner.

Nel nuovo episodio parliamo delle coppie reali delle serie tv, gli amori nati sul set.

Dodicesimo episodio di Coppie. Oggi siamo con Carola e Mauro. Attraverso domande estratte parleranno della progressione del loro rapporto, dei punti di forza, delle necessità e delle loro esperienze insieme. FACCIAMOLO (FCCML) di Livio Ricciardi x Est Radio.instagram.com/livioricciardiinstagram.com/est_radiotiktok.com/@livioricciardi3tiktok.com/@est_radio#coppie #intimità #relazioni #coppia #fidanzati

Nostalgia is something that I ponder a lot as I get older – I've got way too much time on my hands. But it's such a layered emotion of experiences, some vivid, some half-forgotten and some probably embellished. The band you never got to see live. A long-lost lover. How good you didn't look in that army surplus jacket. Summer road trips. Friends lost. That gig that ended in a riot. I'm gonna read out some lyrics from a song by the Buzzcocks called ……..”Nostalgia”“About the future I only can reminisceFor what I've had is what I'll never getAnd although this may sound strangeMy future and my past are presently disarrangedAnd I'm surfing on a wave of nostalgia for an age yet to come”Nostalgia for today, knowing that it won't last forever. Future nostalgia. Seeing a band for the first time in a small basement, buying the t-shirt and anticipating that a future generation is going to do the same.I think I'm of a generation where I'm seeing music cycles reinvent themselves, come full circle, younger generations liking the same music I liked when I was their age, whatever you wanna call it. So I'm seeing this connection with my past memories, some good, some horrible (that'll be Britpop). Only kidding, but there are some songs I can't play because the memories are too hard. But that's life and that's the beautiful power of music.The songs of Jeanines make me feel like I'm flicking through a photo album of my life. Their songs very infrequently clock in over the 1 minute 30 second mark (which totally works for me) and makes it all the more remarkable that they fit in such addictive, poignant melodies and harmonies to perfectly craft their songs. Check out their upcoming, third album, How Long Can It Last, for a perfect 13.It was a pleasure to have Alicia and Jed from the band with me.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Undicesimo episodio di Coppie. Oggi siamo con Ilenia e Nicola, entrambi single. Attraverso domande estratte si conosceremmo parlando delle loro visioni, dei loro desideri, delle loro caratteristiche e delle varie disposizioni all'amore. FACCIAMOLO (FCCML) di Livio Ricciardi x Est Radio.instagram.com/livioricciardiinstagram.com/est_radiotiktok.com/@livioricciardi3tiktok.com/@est_radio#coppie #intimità #relazioni #coppia #fidanzati

Over the last 10 years, I've been undergoing a - for me at least - massive transformation and I've been thinking a lot about what identity means – the identity that I present to the public, the identity that I present to my friends and family and the identity that I present to myself. With that comes a need to face yourself if you are going to find freedom. Our brains like to compartmentalise things and I think this is why we often get defined by society by our work or what we do. I mean, who hasn't felt their blood run cold at the question “So, what do you do?”… “well, I'm an accountant and I'm also a grindcore enthusiast”. Whaaaaat?? The reaction of horror! And we start to believe how we get defined, it gets normalised.And it's the same for music genres – it's easier to compartmentalise - they're hip hop, they're prog, they're folk, but it's so reductive.So the whole definition of oneself becomes an inhibiting self fulfilling prophecyI know for me it took courage to be comfortable with self-evolution, to transform myself according to what my body and mind is telling me and to ignore the voices of society to whom I had presented versions of myself. And only when we all have that fluidity, that freedom in ourselves, can we get to a world where the destructive forces subside and we make progress. The music of Dalila Kayros is like an evolutionary odyssey…from the beginning to the end of a song, of an album and, when I think about it, an entire catalogue. For me, Khthonie - the latest album - achieves a remarkable portrayal of perhaps what it's like to be in a world that is transforming and equally what it's like for oneself to be transforming  – moments of turbulence and tenderness, it feels like I'm on a precipice staring down into a black hole, there's the mysticism, the beauty, the fantasy, the malevolence, the fear and the euphoria. I want to pick one track - Corpus Sonorum – which closes the album and, for me, sonically depicts the knife edge on which we live, how quickly and easily we can descend into hell. Or are already on our descent into hell. From a spiritual perspective, it feels like the soundtrack of Kali Yuga and a manifestation moral decline and self-destruction. Maybe you'll feel differently, but it really is a remarkable piece of work - as is the whole album.This entire conversation with Dalila and her long term collaborator, Danilo Casti, is an education on improvisation, experimentation and dealing with being outsiders. https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

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So here's a couple of questions for y'all…how much do you think improvisation, self-consciousness and self-belief are connected? How do you get into that flow state where inhibitions are shed? And can an improv state of mind be a skill that can be learned?I'm asking this with a bit of self interest as I have two practices that I've approached from completely different directions – cello and graphic design. And I am, as usual, probably overthinking things, but I do wonder how these work alongside my natural instincts.Karl Bielik makes art and music, both of which, to me at least, feel rooted in a mind where lawlessness, turbulence and spontaneity rule. I really enjoy the feeling of dislocation and uncertainty and surprise from listening to his music and it feels like improvisation and experimentation plays a strong part in his work.Earlier this year, his music project, Lark, released its first album for 7 years. It's called Be Still and it's another beautifully unpredictable, unnerving collection of ideas and inventiveness that, like the rest of the catalogue, displaces me, yet draws me back in.This is a really fun and enlightening chat and I hope you learn as much from Karl as I did.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Decimo episodio di Coppie. Oggi siamo con Ilaria e Giacomo. Attraverso domande estratte parleranno delle loro caratteristiche, delle vicendevoli ispirazioni e della loro complementarietà. FACCIAMOLO (FCCML) di Livio Ricciardi x Est Radio.instagram.com/livioricciardiinstagram.com/est_radiotiktok.com/@livioricciardi3tiktok.com/@est_radio#coppie #intimità #relazioni #coppia #fidanzati

Secondo la Corte costituzionale, è illegale impedire il riconoscimento a entrambe le madri di un figlio ottenuto in procreazione assistita. C'è stato un attentato a Washington DC: un uomo ha sparato e ucciso due giovani diplomatici israeliani di 26 e 30 anni, rivendicando poi l'attentato con il grido “Palestina libera”. In Colombia, la regione delle Mesetas – fino a pochi anni fa in mezzo alla guerra - è diventata una zona di turismo grazie alla sua ricca biodiversità e alle attività di birdwatching. Caterina Sarfatti, esperta di transizione nelle città, ci racconta di quanto sia pericoloso amministrare in alcune zone del mondo, dopo l'assassinio in pieno giorno della segretaria della sindaca di Città del Messico. Puoi scriverci a podcast@lifegate.it e trovare tutte le notizie su www.lifegate.it.  Rassegna stampa: Guerra del Vietnam, voci delle donne della resistenza che non portano rancore, Lucia Bellinello   

It's fascinating to look back at the catalogue of band like Crocodiles , not that there are too many bands like Crocodiles. There's the consistency – the tunes, the hooks, the harmonies, the feeling of escapismThere's the unexpected – the sonic departures, the reinvention, how they make a new Crocodiles record always sound…just kinda Crocodiles… how they throw you an entire record of covers that blows you to the moon and then deliver something that confounds you but doesn't in a kind of “how the fuck do they do it?” kinda way..…they hit you with Upside Down In Heaven, which, for me where I am in my life now, is my favourite.Anyway, Brandon Welchez is now also getting stuck into a new project –  Psychic Pigs  – and it's this adaptability to doing new things, working with different people and in ways that are possibly a little bit alien, getting out of your comfort zone, this open mindedness to take on new challenges that really interests me and I hope you'll really get stuck into what Brandon has to say.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

TENNIS, GLI INTERNAZIONALI D'ITALIA – Oggi si disputa la finale maschile con Jannik Sinner. Ieri, Jasmine Paolini ha conquistato la vittoria nel torneo femminile. Ne parliamo con il nostro Massimo Caputi. Salute e prevenzione – La Fondazione ARTET di Bergamo approfondisce la ricerca sul sangue. Ogni anno si registrano 544 mila decessi legati alla trombosi. In diretta con noi la prof.ssa Anna Falanga, coordinatrice scientifica della Fondazione ARTET. Spazio Eurovision – In collegamento Gianni Sibilla, direttore del Master in Comunicazione Musicale dell'Università Cattolica di Milano e giornalista di Rockol. Ha trattato Eurovision anche nel suo libro L'industria della canzone (Laterza). Il diario del Giro d'Italia – I nostri inviati Paolo Pacchioni e Valentina Iannicelli ci aggiornano sulla corsa, di cui RTL 102.5 è radio partner, e ci accompagnano alla scoperta delle eccellenze nazionali. Per la sezione sportiva, ci colleghiamo con Paolo Pacchioni. Messa di insediamento di Papa Leone XIV – Alle 10, in Piazza San Pietro, si terrà la cerimonia di insediamento del nuovo pontefice, a cui parteciperanno migliaia di persone, inclusi leader mondiali, dal vicepresidente americano Vance all'argentino Milei. Sarà anche l'occasione per un discorso programmatico del Papa. Ne parliamo con Massimiliano Menichetti, direttore di Radio Vaticana e Vatican News.

Nono episodio di Coppie. Oggi siamo con Giulia e Pietro. Attraverso domande estratte parleranno della loro relazione, di come si vedevano e pensavano e di ciò che li ha così tanto legati. FACCIAMOLO (FCCML) di Livio Ricciardi x Est Radio.instagram.com/livioricciardiinstagram.com/est_radiotiktok.com/@livioricciardi3tiktok.com/@est_radio#coppie #intimità #relazioni #coppia #fidanzati

The opening paragraph of Justin Pearson's first book “From The Graveyard of the Arousal Industry” tells a story of how, when his mother had just given birth to him, that another new mother asked if she wanted to swap babies – her Frank for Justin. I'm not sure that JP himself is sure of the truth of that story, but hey, we live in a world where fewer and fewer people, certainly in government, media and other esteemed corporations, give fewer fucks about whether they tell the truth, so I kinda feel that it's my turn to say that doesn't matter if this story is true or not. Whatever…it almost feels like it could have been a pre-cursor or metaphor for his life where weird shit – good, bad, absurd and indifferent and everything else you can define as weird - often finds a way to his front door.There are just way too many stories for even my brain to compute, but I guarantee that reading each of his four books will make you look at your own life, and, afterwards, perhaps the temptation to buy that latest AI infested fridge freezer appliance might be met with a little less enthusiasm. Or perhaps you'll just think Fuck That and crack on and buy it. Who knows, the world is very unpredictable. Talking of which, for me it's the unpredictability of what's gonna emerge from Justin's open-minded creativity that gives him such a unique, positive energy. You can't predict what he'll be cooking up next and who with – maybe he can't either perhaps because that creativity comes from instinct - but you know that it's going to be exciting and you know that you will want to experience it, be part of it, whatever. Dig in to this with one of the world's most subversive creatives and wonderful humans.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I remember starting an Arts Lab a few years ago – just before Covid started actually - with a group of people here in London, based roughly around the counter-culture arts labs of the 1960's – Jim Haynes was the main guy behind that movement. The idea was to bring together people who wanted to challenge the corporitisation of the arts, draw, socialise, talk about culture, put on cultural events or fuck around.I wanted to be a part of it but I didn't know why. I mean had terrible insecurities about my ability to draw, sketch or paint…even as a classically trained cellist I had terrible imposter syndrome about being a musician. Probably explains why I petulantly packed it in…At the first Arts Lab meeting, It was Youth from Killing Joke who said something that has always stuck with me and that was “the first thing you need to do is call yourself an artist, forget everything else”. I struggled with this – particularly with the whole identity of who I was. I certainly didn't feel like a creative. Even now doing my own graphic design, I feel like a bit of a fake – especially when I compare myself to others - but I am getting better.Of course, Youth was right. Allowing yourself that self-affirmation is really the start of your self-belief journey.Neeraj Kane is so synonymous with, and important to, the hardcore scene and I was excited to find out if he has faced these issues and how he has navigated them through his life.His musical footprint can't be overstated. Every band he's been in - like The Hope Conspiracy, The Suicide File, Hesitation Wounds, Godcollider - has produced music that is so incredibly potent and addictive in its structure and melody and the absolute precision of its attack. https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Ansa - di Veronica Andrea Sauchelli.Nei giorni scorsi la Corte di Cassazione ha dato ragione ad una coppia di mamme che ha portato in tribunale il decreto dell'ex Ministro dell'Interno Matteo Salvini, secondo cui sulla carta d'identità dei minori le uniche diciture ammesse fossero “padre” e “madre”, facendo fare all'Italia un passo indietro sull'utilizzo del termine più inclusivo di “genitore”. 

Quarto Oggiaro, 2017 - Andrea La Rosa, ex calciatore e dirigente sportivo, scompare dopo un incontro con Raffaele Rullo, suo conoscente. Poco tempo dopo si scoprirà che dietro la sua sparizione si nascondeva un omicidio premeditato orchestrato da Rullo e da sua madre, Antonietta Biancaniello, spinti proprio da motivi economici. La vittima, infatti, aveva prestato a Raffaele Rullo ingenti somme che non intendeva restituire. Ma la vicenda si complica ulteriormente quando emerge un altro oscuro episodio: il tentato omicidio di Valentina Angotti, la moglie di Rullo, che si trova coinvolta in un gioco di inganni e vendetta. La tragica fine di La Rosa e la drammatica vicenda della Angotti pongono domande inquietanti sulle deviazioni che può assumere un rapporto madre-figlio quando ci si trova di fronte a crimini così efferati… Ma chi sono davvero Raffaele Rullo e Antonietta Biancaniello? Proviamo a scoprirlo insieme all'autrice del podcast di cronaca nera “Casi Umani”. Iscriviti al gruppo Telegram per interagire con noi e per non perderti nessuna delle novità in anteprima e degli approfondimenti sulle puntate: https://t.me/LucePodcast Se vuoi ascoltarci senza filtri e sostenere il nostro lavoro, da oggi è possibile abbonarsi al nostro canale Patreon e accedere a contenuti bonus esclusivi tramite questo link: patreon.com/LucePodcast

Send us a textCiao a tutti e benvenuti al nostro video dedicato a “60 coppie di contrari ed esempi di frasi” in italiano!

Allen Saunders was an American writer and cartoonist who once said “Life is what happens to us while we are making other plans”.It was later popularised by John Lennon in his song, Beautiful Boy.Saunders first said this in 1957 and I guess how I see this is that many of us still spend time planning ahead, creating goals and objectives, trying to weed out uncertainty, only for that uncertainty to keep coming back, those unexpected things to happen which can derail our plans – either for better or for worse. If I think of a few things that have really changed my life (outside of my kids), they came about by chance, I couldn't have predicted them or planned for them. They just happened.Like when I first discovered punk rock – when I was 11 or 12, my mum and dad's neighbour, with no real prompting, handed me a compilation with Judy Is A Punk on it and that was it – the Ramones changed my life….and not always for the good my dad would have saidOr how my parents starting to get ill a few years ago was a completely unexpected catalyst for me to get back into playing the cello. Never thought it would happen.Serendipity, synchronicity, karma, energy…. how these things work together to open our mind to new things, to new ways of doing things, to new people, new ideas, really interests me, and only makes me firmer in the belief that our mindset is the most important asset we have for grasping these encounters and shaping who we are.So, with their excellent second album as Venamoris imminent – it's called To Cross or To Burn - I was thrilled to welcome Paula and Dave Lombardo and they very kindly indulged me in my incoherent ramblings. This is a really beautiful chat about their own tales of taking chances, the unexpected, self-belief, instinct, and their life journeys both individually and together.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Whilst conducting my meticulous research for Gail….I was taken back to 1980 - my year of transition that was painful, perplexing, exciting, scary – a tussle between my heavily Top of The Pops Top 40 oriented collection, my classical cello playing and a new, emerging, Through The Looking Glass world of punk, post-punk and hardcore. Not easy bedfellows for 12 year old me, I can tell you.One of the songs in that struggle was Xanadu by Olivia Newton-John and Electric Light Orchestra. I think that the new punk crowd that I was gravitating towards would have sent me much further than Coventry had they known that this record was in my collection, such were the no cross-genre rules.  So what does this rather tedious story have with today's episode? Well, it's as tenuous as you'll have come to expect. After growing up adoring her music, Gail  holds the accolade of and standing on stage with Olivia Newton-John and a huge orchestra playing Xanadu in front of thousands of genuine fans. This connection, however tenuous, feels in some way serendipitous, and actually rather glorious in a way that only music can be. This is just one part of an incredible, pioneering – and I don't use that word loosely - life journey that's led to three solo albums and a whole raft of collaborations with people like Lenny Kravitz, Gwen Stefani, Tears For Fears, Gang of Four, Boy George, The The and, of course…. David Bowie. Gail Ann Dorsey - a wonderful songwriter, composer, bass player with a voice to die for and wonderful human.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Before I started this podcast, I was kinda rudderless. Didn't know what I was doing with my life. When this idea came up, the feeling was “Who will want to listen to me talking about mindset, about my worldview, blah blah blah”… I was dragged into doing it…my self-confidence and self-belief were pretty low. I've talked to amazing artists, many of whom, with incredible bravery, bare the inner sanctuary of their own mind through their music and, in particular, their lyrics. So, here we are: 4 years into this podcast and I've learnt so much about myself.  it's been incredibly cathartic for me to have these conversations, not least it's helped me face my fears and it's forced me to face myself. There are still those moments when the self-belief looks at me and goes “Really?'. I think that the world is incredibly complex, uncertain and volatile. Definitive answers are so much harder to come by, reality is challenged, answers to big questions cannot be condensed into one sentence soundbites, which is what our feudal tech overlords demand from us. I know that there may never be answers to some questions, where things are out of my control, where I need to challenge an outdated definition of perfection, yet accepting this in how I live my life can be challenging, especially as I get older and I become more risk averse in some aspects of my life, yet paradoxically willing to take more risk in other aspects. As I write this, Sophie Jamieson is about to release her second and utterly beautiful album called I STILL WANT TO SHARE, which, to me, captures this complexity and uncertainty of our world and pitches it against our innate human needs for simplicity and certainty. Our chat here about her album and her life raises some fascinating observations.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Over the last few years, I've been heavily influenced by some of the work that my partner has been doing around decolonisation, particularly in the field of yoga. It's led me to think about how this applies to music and my own relationship to music. I've realised that my own classical cello training from way back when, the exams I did, the framework that I was expected to adhere to, were a western, colonised version of what the instrument represents. Whilst it gave me a lot of technical abilities that have stayed with me through years of inactivity with the instrument, the restrictions of this approach has actually followed me through life and it has had some detrimental effects and I noticed this when I picked it up again a few years ago. I'm still thinking within the confines of that framework. But, when I first heard the music of cellists like Abel Selaocoe and the music of Tashi Dorji, I heard an unrestricted redefinition of their instruments and what their music can represent and a mind that's free from so much of the colonised, capitalistic world. It felt like their stream of consciousness was washing over me. They have been inspirational for me to try harder to overcome the obstacles that I have with reconnecting with the cello and make it into an instrument that works for me, not for the establishment. https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

When I got into thinking how mindset and, in particular, how an experimental mindset was fundamental to navigating a complex and volatile world, I was intrigued with the way scientists approached their work – for example, not being tied to goals, or pre-determined outcomes and analysing the data from their experiments – and how this could be the blueprint for our own life journey – living your life as a series of experiments, using the findings from these experiments or experiences to take to the next experience. This then led me to thinking that musicians have long lived with that uncertainty and volatility that many more people with hitherto linear lives are now facing, so I should explore the role that all the characteristics of an experimental mindset has played in their lives. And here we are with this podcast!Ok, so what's the link to Simonne Jones? Well, she is a musician, producer, composer, scientific researcher, humanitarian, visual artist, multi-instrumentalist, public speaker, and since 2021, a Sneaker Pimp (I wish I'd been a Ramone but, hey, wrong time, wrong place and all that. I'm not bitter).To me, this is a fascinating, multi-hyphenate, polymathic approach to living life, one very much in keeping with the multi-stage, multi-experience lives that we are now seeing much more of, effectively usurping the traditional three stage lives of education, work, retirement. It was a privilege to listen to Simonne's amazing journey and fascinating take on the world through the lens of all her experiences and attributes.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I'm always trying to work out why certain artists hit me as soon as I hear them. There are some that are a mystery as to why the fuck I like them. Like, why am I still in love with Anastasia's Welcome To My Truth after all these years?  But I can tell you what I love about N8NOFACE's  @N8NOFACE music – it's primal, raw, subversive, underground, heavy, manic, chaotic, stuttering, exciting, surprising, and propelled massively by so many influences and musical styles that you could easily spend a day amusing yourself reading all these descriptions of his music like synth punk, techno punk, punk-hop, cyber chiptune punk, rave punk, fucking psychosomatic firestarter punk, I dunno. I made up a lot of those. Maybe being so clear about what it is that I adore about his music will help me understand why adore it. I mean, I have a few ideas….His LP, L's Up, is 20 minutes and 10 tracks worth of all of the above and more. I think it's his best yet of what is an enormous output, particularly over the last 7 years or so.NOTE: Since we recorded this episode, he has released Crime Partner….and boy, is that another scintillating piece of work, again showing another departure from previous soundsHis story, to me, is one of never giving up, of the power of just putting your stuff out there, no matter how long it takes you to do it, of just giving it a go and keeping on fucking trying to find your niche, find your tribe of people who love what you do. Doesn't take a genius to work out that Nate is one of those artists that just hit me and I'm really excited to try to understand what's made him the person he is and how he navigates through the world.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I'm really into this notion of music being your friend for life and how certain songs represent a particular point in your life, good or bad. There's one song that sticks in my mind which represents such a dark time in my life. And now, looking back at it, I can see how much I've changed and sometimes it's hard to play that song. I've played and sang other composer's songs in front of people - let's just say that it was a few years ago – and I know that if I sang them now, it would be like getting into a time transporter, but the part I'm missing is writing those songs and how I'd feel if I'd written them and gone through the massive personal evolution and identity shifts of the last few years? The other thing I've found about shifting identity is presenting your new self, presenting things you've not done before, stuff you've not talked about before. It's interesting how some people will be used to the “old” version of you and how they react to the “new” version of you – or perhaps that should read the “real” version of you. And whether the people, whose reaction to all of these things we fear, do actually give a fuck and how we are perceived is all in our mind. Moreover, why should I care? I went through all of this when I started doing this podcast, started writing, started doing graphic design…ok, so I basically get this whenever I start anything new!Jennifer Clavin has written and released music over the last 20 years or so, with Mika Miko and Bleached, that is raw, beautifully exhilarating and has that ability to take you to your own time and place – I find this so powerful - and is now steadily releasing a bunch self-recorded, stripped down, incredibly personal, lo-fi songs as “dear francis”, the latest evolution in an emotional musical story.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

One of the pages on Leigh Heggarty's website is called “Me Me Me, it's all about me”. A cursory look through this and the other pages would most clearly identify someone who has lived a substantial part of his life very much NOT promoting Me Me Me, rather being very self deprecating and perhaps uncomfortable talking about himself or what he has achieved in life. This all sounds very familiar to me, I've often used self deprecating “humour” to lighten situations where I've felt I'm a bit of an imposter. I'm tons better but it's a battle…. And it is a battle, but a battle for what? It makes me wonder about all the characteristics that make up our very unique personality and why some traits are stigmatised and others – like confidence, self-belief - are seen as the symbol of success, whereas others such a shyness even introversion are not. Is society at large's definition of success fucked up? Please write your answer in no more than 8,000 chapters or just one word. Anyway, you wouldn't notice any of the shyness of childhood when he steps on stage to pick up his guitar - well, perhaps a slightly bashful smile and wave to the crowd - to play with Ruts DC, a band that has already secured a most wonderful legacy and continues to do so with each gig they play and each piece of music that they release.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

As someone who has played the cello in my much more youthful days and is ineffectively trying to resurrect past glory, I fully appreciate Kishi Bashi's love of the violin and the way he uses that instrument in his compositions. You can literally hear it cascading through every release he has done – from the Room for Dream EP to the epic music and soundtrack for his film Omoiyari.  He is an epic multi-hyphenate - songwriter, singer, multi-instrumentalist, film maker, father, husband who has used his creativity, his energy and whole being to produce art that, well, makes you pay attention through the exquisiteness and purity of the songwriting and its humanity.  There have been so many things that have fascinated me, intrigued me, filled me with respect and admiration, not least the ever-present authenticity in his work but also how that work conjures such strong emotions in me. Even though I find myself getting emotional at the smallest things these days – it's getting ridiculous quite frankly – and even more so with some of the horrific acts of prejudice, greed and narcissism that structurally pervade our society - there are still only a few songwriters that can do this. Now, he's back with what I think is his musically most diverse (and that's saying something) LP to follow up the stunning Omoiyari. It's called Kantos and it was really exciting to hear about it all and to delve into some of the mindset topics that I've noticed present in his work, like emotional intelligence, curiosity, resilience and adaptability.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I've long thought about our individual persona or personas and this idea of ever evolving identities …for example, people who have work and non-work personas: the arsehole in work, nice as pie out of work; the surprising competitive aggression at the work social bowling alley do, the extroverted party goer (ok, so there might be some substance impact for that one) – kinda like Henry the mild mannered janitor morphing into Hong Kong Phooey (does anyone remembers that show?!)What does this mean for the authentic you? Who actually are you?I think I've come to the conclusion that the times I've felt uncomfortable with the way I was behaving, was more to do with dissatisfaction with the environment and company I was keeping rather than myself and my identities, so eventually I've taken action to change them.This led me to start thinking about why, for example, institutions, companies, communities, social networks seem to exhibit their own personality and employees, members or whatever can start to take on that personality and behaviours, which might be at loggerheads with their own individuality. How malleable is our individuality? How do we unearth that authenticity, when we strip away the masks and show ourselves devoid of external influences? And do these scenarios exist in bands? And especially in artistic or creative collaborations, which is really the very essence of individuality coming together, how do we as collaborators come together to achieve common goals?Neil Cowley has just released his first record (although it hadn't been released when we recorded this) with his two longstanding friends and cohorts who had so much acclaim as The Neil Cowley Trio prior to its hiatus 7 years ago. Their reunion and reconnection, and the making of this record, perhaps provides some answers to my most mind churning questions!https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Over the last few years, I've been trying to work out why certain things in my life have turned out the way they have. Friendships has been a particular thing that's been on my mind, in particular why I've tended to let some slide. I've had occasions where I've reconnected with lost friends and family and realised just how important they are. Having said that, I do think that the way we handle friendships is kinda different to that of my parents generation, when it was definitely friendships for life. More people live a nomadic life these days, so community is less of a thing, and also I'm much more aware of my own identity shifting as I get older and what's important to me changing and I think this impacts who comes on our own journey with us. I think it makes you realise how powerful your real friendships are.Nicolette Vilar has dedicated her life to the creative arts as a fabulous graphic and visual arts designer and also the singer in Go Betty Go where her close, tight friendships with the band members have been forever, endured the rocky road of life and have, I think, been instrumental in the band reforming and recording their soon to be released EP called Black and Blue. The title hints at the bruises, yet it's self-care, time, friendships – and our old, great mate, music - that help you heal. #musicpodcast #experimentalmindset https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

One of the things that I was looking at about 7-8 years ago was the growth of the term ‘multi-hyphenate' and how, with us living longer lives (well, that was the case up to 2019, I think Covid has probably affected that a little), more people – and across all ages - were moving away from the stable job, linear career trajectory and into a more multi-hyphenate way of working which involves doing more than one thing, often 3/4/5/6/7/8 different things. It struck me that many creatives, particularly musicians, have always had so many aspects – roles if you want - to their lives – songwriting, playing, producing, poetry, art, promotion, DJ'ing, band management, tour management, running a label, marketing – and that if you're gonna hold up an example of what a multi-hyphenate life looks like, musicians would be it. It's the DIY ethic that blew up when punk started and has filtered into a whole way of being for future generations.You can't really talk about a multi-hyphen life without talking to Tara Rez. She's doing all of the above and more and more, including her own band, The Duel, inspired by punk rock, free of any clichés, rules, boundaries and 100% free spirited.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

So, as hopefully my faithful and long suffering subscribers will know after 120 + episodes, the whole idea behind this podcast is about the importance of mindset and specifically how an experimental mindset can help us to navigate the world today, a world that is becoming more complex, more volatile, full of more and more contradictions and where outcomes are less and less predictable or certain. Within our mindset, I really believe that emotional intelligence is one of the most important attributes that we need. I still find it hard to believe that it's not part of our education systems – well, I don't find it hard to believe actually, because once you start to teach empathy, self awareness, that kind of stuff… the divide and conquer tactics of the ruling elite start to become less effective and their power starts to be eroded. I do believe that it should be taught to kids as soon as they are born, but I realise that there are a whole load of structural, systemic things that need to be worked out. X-Raided. His lifestory is as big a headfuck that you can get.He served a total of 26 years, five months, and 26 days in prison starting in 1992. He's always been very clear and honest about what he did not do on that lifechanging morning and also very clear and honest about what he did do, about the bad choices he made – but it needs to be said, because this shit still goes on around the world, that the foundation of the case built to convict him back in 1992 was constructed on the systemic prejudice against black people and people of colour that had been pumped through the veins of the US through government operations like CoinTelPro with all its nefarious, community damaging tactics based on lies and manipulation. This was the longest consecutive sentence served by any musician ever and just six months less than the time Nelson Mandela served.Whilst he was inside, he produced 12 albums give or take and he continued to create his music when he was released in 2018. Last year's A Prayer in Hell was truly outstanding and as we were recording this episode, his latest, the huge 24 track A Sin In Heaven, was about to be released and it's another hypnotic masterclass in how old school can evolve into the present. It's powerful, distinguished and full of heart and soul.I always like to take a moment to remember that music is always there for you, it will always come with you on your journey and it will always be your friend.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste