Podcasts about coppie

Aggiungere una piccola sillaba davanti a un verbo italiano può cambiarne completamente il significato. Con questo articolo imparerai qualcosa di fondamentale per capire davvero l'italiano: come un prefisso — cioè una piccola parte che si aggiunge all'inizio di un verbo — può trasformarne il senso, aiutandoti a leggere, ascoltare e parlare con più precisione e naturalezza. Prefissi Italiani: Come una Sillaba TRASFORMA il Significato dei Verbi Cosa Sono i Prefissi? Un prefisso è una piccola sillaba o gruppo di sillabe che si aggiunge davanti a una parola per modificarne il significato. In italiano esistono numerosi prefissi: ri-, pre-, tra-, per-, con-, es-, dis-, in-, sor-, s-, ol-... e molti altri ancora. La cosa interessante — e al tempo stesso impegnativa — è che anche partendo dallo stesso verbo di base, prefissi diversi creano significati completamente diversi. La forma rimane la stessa, ma il senso cambia in modo sostanziale. Di seguito analizzeremo 10 coppie di verbi che condividono la stessa radice ma hanno prefissi (e significati) diversi, con esempi pratici e chiari per ciascuna coppia. CoppiaVerbo 1Verbo 2Radice comune1PRESCRIVERETRASCRIVERE-scrivere2RINCORREREPERCORRERE-correre3RINVENIRECONVENIRE-venire4ESPORREDISPORRE-porre5RIMANDARETRAMANDARE-mandare6ASSALIRETRASALIRE-salire7INTRAVEDEREPREVEDERE-vedere8SORPASSAREOLTREPASSARE-passare9COINVOLGERESCONVOLGERE-volgere10RICADERESCADERE-cadere 1. PRESCRIVERE vs. TRASCRIVERE La radice comune è -scrivere = mettere per iscritto, tracciare segni su una superficie per comunicare qualcosa. PRESCRIVERE Significato: ordinare, raccomandare ufficialmente qualcosa. Si usa soprattutto in ambito medico o legale. Il prefisso pre- indica qualcosa che viene prima o che stabilisce una regola in anticipo. "Il medico mi ha prescritto degli antibiotici." "La legge prescrive che tutti paghino le tasse." TRASCRIVERE Significato: copiare per iscritto qualcosa, riportare esattamente le parole di qualcuno o qualcosa. Il prefisso tra- (o trans-) indica un passaggio, un trasferimento — in questo caso, trasferire qualcosa dalla voce o da un audio alla scrittura. "Ho trascritto tutta la lezione sul quaderno." "Il giornalista ha trascritto l'intervista parola per parola." 2. RINCORRERE vs. PERCORRERE La radice comune è -correre = spostarsi velocemente, muoversi rapidamente da un punto all'altro. RINCORRERE Significato: correre dietro a qualcuno o qualcosa, inseguire. Il prefisso rin- è una forma alternativa di ri- e aggiunge l'idea di un'azione rivolta con insistenza verso qualcuno o qualcosa. "Il cane rincorreva la palla nel parco." "La mamma rincorreva il bambino per dargli il cappotto." PERCORRERE Significato: attraversare una distanza o un percorso dall'inizio alla fine. Il prefisso per- indica completezza, l'idea di fare qualcosa interamente, da cima a fondo. "Ogni giorno percorro 10 km in bicicletta." "Abbiamo percorso tutta la Penisola Italiana in macchina." 3. RINVENIRE vs. CONVENIRE La radice comune è -venire = spostarsi verso un luogo o una persona, arrivare da qualche parte. RINVENIRE Significato: questo verbo ha tre significati distinti: trovare qualcosa dopo averlo cercato; riprendere conoscenza dopo un mancamento; reidratarsi (in cucina), tornare morbido dopo essere stato secco. Il prefisso rin- dà in tutti e tre i casi l'idea di un "ritorno" — ritrovare qualcosa, tornare in sé, o tornare alla consistenza originale. "La polizia ha rinvenuto il documento scomparso." "Dopo lo svenimento, la ragazza è rinvenuta dopo pochi minuti." "Fai rinvenire i funghi secchi in acqua tiepida per venti minuti." CONVENIRE Significato: anche questo verbo ha più accezioni: essere vantaggioso, conveniente; essere d'accordo su qualcosa; riunirsi in un luogo (uso formale). Il prefisso con- suggerisce l'idea di venire insieme, convergere — fisicamente o metaforicamente. "Conviene comprare il biglietto online, è più economico." "Tutti convennero che era la scelta migliore." "Gli studenti convennero in aula per l'assemblea." 4. ESPORRE vs. DISPORRE La radice comune è -porre = collocare, mettere qualcosa in un determinato posto o posizione. ESPORRE Significato: mostrare al pubblico qualcosa; spiegare un argomento; mettere in una posizione vulnerabile. Il prefisso es- (o ex-) indica movimento verso l'esterno — portare qualcosa fuori, alla luce. "Il museo espone dipinti del Rinascimento." "Il professore ha esposto la teoria con molta chiarezza." "Non esporti al sole per troppo tempo." DISPORRE Significato: organizzare, sistemare; avere a disposizione qualcosa; stabilire con un'ordinanza. Il prefisso dis- indica separazione, distribuzione — dividere o organizzare le cose in modo diverso. "Ho disposto i mobili in modo da avere più spazio." "Dispongo di poco tempo oggi." "La legge dispone che i minorenni non possano votare." 5. RIMANDARE vs. TRAMANDARE La radice comune è -mandare = inviare qualcuno o qualcosa verso una destinazione. RIMANDARE Significato: posticipare qualcosa a un momento futuro; oppure rimandare indietro qualcuno o qualcosa. Il prefisso ri- indica ripetizione o movimento all'indietro. "Ho rimandato la riunione a venerdì." "Il professore ha rimandato lo studente a settembre." TRAMANDARE Significato: trasmettere qualcosa di generazione in generazione, preservare nel tempo. Il prefisso tra- indica un passaggio attraverso il tempo o da una persona all'altra. È un verbo ricco di significato culturale, che riflette il valore che la cultura italiana attribuisce alle tradizioni e alla memoria storica. "I nonni tramandano le tradizioni ai nipoti." "Questa ricetta viene tramandata da secoli nella nostra famiglia." 6. ASSALIRE vs. TRASALIRE La radice comune è -salire = muoversi verso l'alto, spostarsi con slancio. ASSALIRE Significato: attaccare qualcuno con violenza o con forza; ma anche essere colpiti improvvisamente da un'emozione. Il prefisso as- (variante di ad-, verso) suggerisce movimento verso qualcuno con forza. "Il ladro ha assalito il passante per strada." "Mi ha assalito un dubbio all'ultimo momento." TRASALIRE Significato: sobbalzare, avere un brivido improvviso per uno spavento o una sorpresa. Il prefisso tra- suggerisce qualcosa che attraversa il corpo dall'interno. "Ho trasalito quando ho sentito quel rumore forte." "La notizia l'ha fatta trasalire." 7. INTRAVEDERE vs. PREVEDERE La radice comune è -vedere = percepire con gli occhi, avere la capacità visiva di osservare qualcosa. INTRAVEDERE Significato: vedere qualcosa solo parzialmente, in modo confuso o rapido; ma anche percepire una possibilità o una speranza. Il prefisso intra- significa letteralmente "all'interno", e in intravedere dà l'idea di una visione incompleta, come se la vista rimanesse dentro un'ombra senza mai essere del tutto nitida. "Ho intravisto qualcosa muoversi nell'ombra." "Si intravede finalmente una soluzione al problema." PREVEDERE Significato: anticipare quello che accadrà; ma anche stabilire qualcosa per il futuro (come in legge o pianificazione). Il prefisso pre- indica qualcosa che avviene prima — vedere in anticipo rispetto agli eventi. "Le previsioni prevedono pioggia per domani." "Il contratto prevede due settimane di ferie." 8. SORPASSARE vs. OLTREPASSARE La radice comune è -passare = spostarsi attraverso o oltre un punto, transitare da un luogo all'altro. SORPASSARE Significato: superare qualcuno o qualcosa, andare davanti; essere superiore a qualcuno. Il prefisso sor- deriva dal latino e porta l'idea di andare oltre, al di sopra di qualcosa. Si usa prevalentemente per velocità o abilità. "Quella macchina ci ha sorpassato in autostrada." "Le sue capacità sorpassano di gran lunga quelle dei colleghi." OLTREPASSARE Significato: andare oltre un limite, superare una soglia fisica o figurata. Il prefisso oltre- indica chiaramente il trovarsi al di là di qualcosa. Si usa prevalentemente per confini fisici o figurati, non per veicoli in movimento. "Non oltrepassare la linea gialla." "Con quel comportamento hai oltrepassato ogni limite." 9. COINVOLGERE vs. SCONVOLGERE La radice comune è -volgere = girare, ruotare, avvolgere qualcosa intorno a qualcosa d'altro. COINVOLGERE Significato: includere qualcuno in qualcosa, rendere partecipe. Il prefisso co- (variante di con-) significa insieme — portare qualcuno con te in qualcosa. Ha una connotazione generalmente positiva. "Voglio coinvolgere tutti nelle decisioni del gruppo." "Il progetto coinvolge studenti di tutta Europa." SCONVOLGERE Significato: turbare profondamente, sconvolgere l'ordine delle cose, provocare un forte impatto emotivo. Il prefisso s- ha spesso un valore negativo o intensivo in italiano — in questo caso amplifica il significato della radice fino al caos. "La notizia della sua morte ci ha sconvolti." "Il terremoto ha sconvolto l'intera regione." 10. RICADERE vs. SCADERE La radice comune è -cadere = scendere verso il basso per effetto della gravità, perdere l'equilibrio. RICADERE Significato: cadere di nuovo; tornare in uno stato negativo da cui ci si era ripresi; ricadere sotto la responsabilità di qualcuno. Il prefisso ri- indica ripetizione: cadere ancora. "Dopo la dieta, sono ricaduto nelle vecchie abitudini." "Il bambino era guarito, ma si è ammalato di nuovo, ha avuto una ricaduta." "Questa responsabilità ricade su di te." SCADERE Significato: arrivare alla data limite; perdere qualità o valore nel tempo. Il prefisso s- indica una discesa, un degrado progressivo — in qualità o nel tempo. ...

I admire and respect Richard Jobson's contributions to the arts and civic life enormously. From where I sit, there's a fearlessness and determination to evolve, to try new things, to experiment, to challenge the sometimes narrow, traditional notions of what it means to be artistic, to resist those whose purpose in life is to sit in judgement and to redefine success and failure with more comradeship and less derision. To me, it's clear that his respect for the past is genuine and forthright, yet the present and the future have always been where the opportunities lie for a fulfilling life.My opinion was cemented having been able to spend some time around him when the Au Pairs recently supported The Skids on their Absolute Game tour. I have to say a massive thank you to Richard, The Skids and Paul Aspey for their welcome, friendship and professionalism from the off.It's pretty wild to think that when The Skids, one of the cohorts of the early punk scene that remains hugely influential, broke up he was just 21 years old. This is such a great chat to try and delve into how Richard has navigated through the world.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Una preghiera speciale dedicata a tutte le giovani coppie che stanno per unirsi in matrimonio. Che il Signore guidi il loro cammino e benedica la loro futura casa. #preghiera #matrimonio #giovanicoppie #amorecristiano

No introduction needed for John Wardle aka Jah Wobble.This is a massive conversation with John about life. It's funny, personal, intense, a full learning experience. All the things that you want and need from conversations these days. https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I only met Jem Doulton a couple of months ago and have had the privilege of watching him play several times with the Au Pairs whilst they've been out on tour supporting the Skids and also doing their own headline shows. Jem's predominantly a percussionist and drummer, but is also partial to the odd bit of crooning now and again. Now, getting together a list of his bands, projects and all that good stuff is where my research gets dodgy, but fuck it here we go with what's probably a partial list:  Thurston Moore, The Au Pairs obviously, Heckle Chamber, Grimm Grimm, The DNA Test, Melos Kalpa, Pando Pando to name but a few - I thought putting out a podcast once a week was pretty prolific, so that'll teach me - as well as recording a bunch of solo records, the latter of which was 2024's hugely imaginative and kaleidoscopic Deal of The Century. I think the collaborators on these releases shows the esteem in which Jem is held as a musician and person. So here's the interesting change in music at least from where I sit – multiple collaborations – if you want to call it that - have become perhaps the default way to be a musician these days - it's way more common to find musicians working on several projects – and often diverse projects. I don't know if this self-development buzzword “multi-hyphenate” - as it applies to doing a few different things in addition to your core job - originated from the music biz but whatever, it feels like this profile is a proper feature of the way that many, many more of us are living now.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I recently read a blog post of mine from 2019, not long after I'd quit my job and it was clear that I was riddled with self-doubt, some fear, some excitement at this new liminal space I was going into. And also worrying about what people think. What the actual fuck? I look back and think why?? Most people were excited for me and those that were sniffy, well, I thought I didn't give a fuck about them. But they still snuck into my brain rent free.The self doubt lasted a good while into doing my new stuff – managing a short-lived band (the short lived part had nothing to do with me, honest!), this podcast, graphic design for the zine. It's definitely eased up, so much so that I've started doing some video work and just recently I've redesigned a band's website. Ultimately, the thrill of doing this kinda stuff was too powerful a draw for the self-doubt to be the winner, although it wasn't fucking plain sailing.I first met my amazing friend and today's guest Lars Wolfshield when they were, amongst other things, managing the experimental punk band Pleasure Venom. We've become close friends since then and done some amazing trips together here in the UK, Europe and their current city, Austin. When Lars told me that the calling to actually create music instead of managing musicians was getting so strong, I realised there was a fair bit of symmetry to our journeys – reigniting our classical training, having some creative calling, uncertainty, anxieties. Yet, for me, returning to play my cello in front of people seems light years away, whereas Lars has gone full throttle into their new venture called Jet Cemetery with their partner and my good mate TaSz Trebuchet. Jet Cemetery's debut album The Canary will be out in the world by the time you listen to this episode – in fact it's out the day after we are recording this, but it's a wonderful – I'm gonna call it handbook for today's world lives where we are subjected to almost endless liminality, and one that explores the dystopia of the world today and brings together the light and dark, hope and hopeless, the soothing and the unnerving. Lars' celestial voice is layered alongside TaSz's subversively tender beats and synths as well as exquisitely saturated and distressed visuals. If you haven't checked it out yet, just go for it.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I started writing a book during Covid which in a spur of the moment I called A Re-Design for Life. I bet you can't guess what album I'd been listening to…... The reason for starting, apart from being able to satisfy some boredom and ego, was to try convey my belief that the most important asset we all possess is our self, especially as more and more of us are living multi stage lives and in a world that is so fucking complex and volatile, that the old rules are redundant. Much of society is so conditioned towards materiality - to think that the most important assets we should aspire to are material and have a monetary value – cash in the bank, house, blah blah blah  - but I think that that thinking overlooks the fact that our own intangibles – like curiosity, imagination, adaptability, resilience, instinct, critical ignoring and one of my favourites, emotional intelligence – are some of the most needed things.. I realise that this would some of the medieval politicians rolling their eyes, but fuck them. Not that they'd be listening to something as classy as this podcast.Back to emotional intelligence, I've often banged on that emotional intelligence should be an integral part of our learning from when we are first born. Empathy, social skills, self regulation and self awareness are so, so important for existing and thriving where we have such emotionally unintelligent “leaders” that seek to divide and conquer with a delinquent lack of empathy and self-awareness. Now, here's the typically amateurish segue into Miki Berenyi. If you haven't read her autobiography - called Fingers Crossed – How Music Saved Me From Success which came out in 2022  - then you really should, because that self-awareness and empathy that I just mentioned is all over this book. It really is a rollercoaster of a read and reinforces even more my belief of the importance of these weird intangibles. It's one of only a few recent books that has captivated me and left me with a lot to think about. And, of course, her music. In each stage of her musical life, she's written songs that can one minute haunt me, the next uplift me. I just find her songwriting breathtaking.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Sei pronto a metterti alla prova? Fai subito il QUIZ: https://bit.ly/40BAKF7In italiano basta una lettera per cambiare completamente il significato di una parola. Per questo molti studenti si confondono!In questo podcast scoprirai 9 coppie di parole molto simili, come: pena / penna, casa / cassa, stazione / stagione, filo / figlio, banca / panca, fiume / fumo.Impara a riconoscere queste differenze e evita errori comuni quando parli italiano.Capitoli del podcast:0:00 - Introduzione1:37 - pena/penna2:38 - casa/cassa4:39 - stazione/stagione5:11 - imparare/insegnare6:43 - filo/figlio7:16 - porta/porto7:40 - lente/lento8:05 - banca/panca8:32 - fiume/fumo8:58 - Conclusione

Atef and I go way back - almost 6 entire months! We met on a balmy end of summer night at the Shacklewell Arms in London and Crocodiles were playing one of the sweatiest and most perfect gigs I've been to. At the end of the night I said “See you in Spain in September” to rousing sniggers of “yeah right” from everyone - only kidding, they were delightful but, y'know, bold promises are often made when the euphoria of adrenaline is rushing. But, sure enough, I appeared in Murcia to take in some shows with them around Spain which was one of the most unforgettable road trips I've been on. I do think those times of shared experiences of wonderful people that you meet along the way, travel with and spend time with are when you make great friendships. It kinda helps when the music is as good as Crocodiles.I've thought a lot about what role music has these days in our society and I think it's always had this power to connect and bring people together, it's the shared language. I just think this is SO much more important these days when it seems like there is so much more to divide us.So here we are! Not only does Atef play bass with Crocodiles, he also composes, plays guitar and sings with his other band, the wonderfully named Hermetic Delight, who recently released their third album, the equally wonderful and wonderfully named, Vagabond Melodies and runs his own label. And I'm sure there is plenty more stuff that he's dabbling in!https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

In molti casi gestire una separazione senza che sia mai stato celebrato il matrimonio è ancora più complicato. Ne parliamo con Marzia Sperandeo, avvocata matrimonialista, che viene a trovarci in studio.

con Denise Cicchitti e Giuliano Gomez

When I was a kid in the 80's, I used to listen to a local radio show called On The Wire, presented by Steve Barker. Steve and John Peel were single handedly responsible for me finding bands and artists like African Headcharge, Sonic Youth, Tackhead, Test Dept, Cabaret Voltaire, Mark Stewart and The Mafia, Keith Le Blanc, Red Lorry Yellow Lorry and so many others. It was so, so thrilling to discover these new artists. And the show is still going, Steve is still going (albeit on Mixcloud because the BBC unceremoniously turfed him off the radio in favour of some shit pretentious show that'll have the listeners running for the hills.Anyway, he tags his shows with the magnificent term of “Undefinable” which makes me just love him even more because I loathe the whole way that genres are used to stereotype and pigeonhole.And this is where – in a long winded way -  my guest, David Roush and his wonderful band Ecce Shnak fit in. Undefinable. Going back to the release of Letter to German Vasquez Rubio around 13/14 years ago to their latest single Katy's Wart from their LP Joke Oso. They are a fascinating kaleidoscope of creative fertility and imagination which I think is one of the most important characteristics to have in the world today and I'm really excited to talk to David about his mindset and how this has helped to shape who he is today.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

L'italiano ama metterci alla prova con parole che sembrano gemelle ma sono cugine lontane. In questo articolo imparerete a distinguere e utilizzare correttamente 14 coppie di parole italiane che creano spesso confusione tra gli stranieri che studiano la nostra lingua.Padroneggiare queste distinzioni vi farà parlare italiano in modo più naturale e preciso, e vi eviterà qualche figuraccia imbarazzante! 30 Parole che Creano Confusione in Italiano 1. VIAGGIO - GITA Cominciamo con viaggio e gita, due parole legate al tema degli spostamenti. Entrambe significano che vi muovete da qualche parte, ma c'è una bella differenza! VIAGGIO si riferisce a uno spostamento generalmente lungo, che può durare diversi giorni o addirittura settimane. È un termine più formale e generico. Pensate a un viaggio come a qualcosa di importante, magari con valigie, prenotazioni d'hotel. GITA, invece, indica un'escursione breve, solitamente di un solo giorno, spesso con scopo ricreativo o educativo. La gita è sempre qualcosa di leggero e piacevole! Differenze Chiave tra Viaggio e Gita Il viaggio è lungo, la gita è breve Il viaggio può essere per lavoro o piacere, la gita è quasi sempre per divertimento Si dice "viaggio d'affari", ma "gita scolastica" Aspetto economico: un viaggio richiede generalmente un budget più alto con hotel, voli, ristoranti, mentre una gita è più economica Pianificazione: il viaggio richiede pianificazione anticipata (prenotazioni, itinerari), la gita può essere anche spontanea, decisa all'ultimo momento Bagagli: per un viaggio servono valigie pesanti e tanti vestiti, per una gita basta uno zaino leggero! Esempi pratici di utilizzo Viaggio: "Quest'estate farò un viaggio in Giappone di tre settimane." "Il viaggio in treno da Roma a Milano dura circa 3 ore." Gita: "Domenica organizziamo una gita al lago con i bambini." "La scuola ha organizzato una gita al museo di arte moderna." 2. TERRA - SUOLO - PAVIMENTO Ecco tre parole che si riferiscono tutte a "quello che calpestiamo", ma con differenze importanti! Preparatevi, perché qui le cose si fanno interessanti. TERRA indica il pianeta Terra, il terreno naturale fatto di rocce, sabbia, erba, o anche il suolo su cui si coltiva. È la parola più generale e versatile. SUOLO è un termine più tecnico e formale che si riferisce alla superficie terrestre o al terreno, soprattutto in contesti scientifici, agricoli o geografici. PAVIMENTO è la superficie artificiale che si trova all'interno degli edifici, fatta di piastrelle, legno, marmo e via dicendo. Come Distinguere Terra, Suolo e Pavimento Terra = naturale, all'esterno Suolo = termine tecnico per il terreno Pavimento = artificiale, all'interno Contesto d'uso: "Terra" si usa anche in tante espressioni idiomatiche come "avere i piedi per terra" (essere realisti), "cadere a terra", "toccare terra", mentre "suolo" e "pavimento" non hanno questi usi figurati Pulizia: Solo il pavimento si "lava" o "pulisce" con il mocio! La terra e il suolo non si puliscono (semmai si pulisce qualcosa "dal" pavimento) Esempi pratici di utilizzo Terra: "Gli astronauti sono tornati sulla Terra dopo sei mesi nello spazio." "Il bambino gioca con la terra in giardino." "Devi essere più realista e avere i piedi per terra!" (Espressione idiomatica!) Suolo: "Il suolo di questa regione è molto fertile e adatto alla coltivazione del grano." Pavimento: "Ho pulito il pavimento della cucina con il mocio." "Attento! Ho appena lavato il pavimento, è ancora bagnato!" 3. MURO - PARETE Queste due parole possono sembrare sinonimi perfetti, ma non lo sono! È una delle distinzioni che confondono anche qualche italiano, quindi non sentitevi male. MURO è una struttura esterna, spessa e robusta, fatta generalmente di mattoni, pietra o cemento. I muri separano edifici diversi o delimitano spazi esterni. Pensate ai muri come a qualcosa di solido e massiccio, difficile da buttare giù! PARETE è una struttura interna, più sottile, che divide le stanze all'interno di un edificio. Le pareti sono generalmente intonacate e dipinte, magari di un bel colore che avete scelto con cura. Differenze Fondamentali tra Muro e Parete Muro = esterno, spesso, strutturale Parete = interna, più sottile, divisoria Funzione strutturale: il muro è quasi sempre portante, cioè sostiene il peso dell'edificio, mentre la parete può essere solo divisoria, non strutturale Materiale: i muri sono sempre in muratura solida (mattoni, pietra, cemento), le pareti interne possono essere anche in cartongesso o altri materiali leggeri Demolizione: abbattere un muro richiede permessi edilizi perché è strutturale, spostare una parete divisoria è molto più semplice e spesso non serve nemmeno il permesso! Esempi pratici di utilizzo Muro: "Il muro di cinta del giardino è alto tre metri." "Il muro di Berlino fu abbattuto nel 1989." "Prima di abbattere quel muro, devi chiedere il permesso al comune perché è portante." Parete: "Voglio appendere questo quadro alla parete del soggiorno." "Le pareti di questa casa sono sottili, si sente tutto dai vicini!" 4. CONGELARE - SURGELARE Entrambe queste parole hanno a che fare con il freddo estremo, ma attenzione: NON sono intercambiabili! CONGELARE significa portare qualcosa a una temperatura molto bassa fino a quando diventa ghiaccio o si solidifica. Si usa anche in senso figurato quando avete così tanto freddo che vi sentite trasformare in un ghiacciolo umano! SURGELARE è un processo industriale specifico che porta gli alimenti a temperature bassissime molto rapidamente per conservarli a lungo mantenendo qualità e nutrienti. I prodotti surgelati sono quelli che trovate al supermercato nel reparto freezer. Differenze Principali tra Congelare e Surgelare Congelare = processo generico, può essere casalingo (anche voi stessi quando fa freddo) Surgelare = processo industriale specifico per alimenti (quello professionale) Temperatura: la surgelazione raggiunge temperature molto più basse (almeno -18°C) e molto rapidamente, mentre il congelamento casalingo è più lento e può essere meno freddo Cristalli di ghiaccio: la surgelazione rapida crea cristalli di ghiaccio molto più piccoli che preservano meglio la struttura, il sapore e i nutrienti dell'alimento. Il congelamento lento crea cristalli più grandi che possono danneggiare le cellule del cibo Uso casalingo vs industriale: a casa, nel vostro freezer, voi "congelate" gli alimenti. In fabbrica, con macchinari speciali, si "surgela" Esempi pratici di utilizzo Congelare: "L'acqua della fontana si è congelata a causa del freddo." "Sto congelando! Possiamo accendere il riscaldamento?" "Ho congelato gli avanzi della cena nel freezer." (Processo casalingo) Surgelare: "I piselli surgelati mantengono meglio le vitamine di quelli in scatola." "Quando faccio la spesa, compro sempre verdure surgelate perché sono più comode e durano di più." 5. SENTIRE - ASCOLTARE Qui abbiamo una distinzione fondamentale tra un'azione passiva e una attiva! È un po' come la differenza tra guardare passivamente la TV e veramente prestare attenzione a quello che succede. SENTIRE è un verbo che indica la percezione involontaria di suoni attraverso l'orecchio. Non richiede concentrazione o volontà. ASCOLTARE significa prestare attenzione volontariamente a qualcosa che si sente. Richiede concentrazione e interesse. È quello che fate quando mettete le cuffie e vi concentrate sulla vostra canzone preferita. Differenze Essenziali tra Sentire e Ascoltare Sentire = passivo, involontario Ascoltare = attivo, volontario Con altri sensi: "Sentire" si usa anche per l'olfatto ("sento un buon profumo di caffè"), il gusto ("sento un sapore strano") e le sensazioni fisiche ("sento caldo", "sento freddo", "sento dolore"). "Ascoltare" invece funziona SOLO con l'udito! Attenzione paradossale: potete ascoltare anche senza sentire bene (se il volume è troppo basso o c'è rumore), oppure sentire senza ascoltare (quando qualcuno vi parla ma voi state ignorando volontariamente quello che dice) Espressioni comuni: si dice "sentirsi male/bene" per indicare uno stato fisico o emotivo, ma non si dice mai "ascoltarsi male"! Altre espressioni possono essere: "sentire la mancanza di qualcuno", "non sentirsi apprezzato" Esempi pratici di utilizzo Sentire: "Ho sentito un rumore strano in giardino." "Sento la musica dei vicini, è troppo alta!" (La percepisco, anche se preferirei non farlo) "Sento un profumo delizioso! Cosa stai cucinando?" (Olfatto) "Non mi sento bene, ho mal di testa." (Stato fisico) Ascoltare: "Ogni sera ascolto un podcast in italiano per migliorare la lingua." "Ascoltami quando ti parlo!" "Ti ascolto, dimmi tutto!" (Sto prestando attenzione volontariamente) 6. SCONTRINO - RICEVUTA - FATTURA I documenti fiscali italiani rappresentano una delle aree più complesse della lingua, creando confusione anche tra i parlanti nativi. Comprendere le differenze tra questi tre termini è fondamentale per gestire correttamente le transazioni commerciali e amministrative. Vediamo le distinzioni nel dettaglio. SCONTRINO è il documento fiscale che ricevete quando fate un acquisto in un negozio, bar o ristorante. Viene stampato dalla cassa e contiene informazioni minime: prezzo, data, nome del negozio. RICEVUTA è un documento più dettagliato dello scontrino, che conferma il pagamento in modo più formale. Contiene più informazioni e può essere chiesta specificatamente quando lo scontrino non basta. FATTURA è il documento fiscale più completo e formale, obbligatorio per le aziende e i professionisti. Contiene tutti i dati fiscali del venditore e del compratore (nome, cognome, indirizzo,

In 1987, the US Army War College coined the acronym of VUCA in 1987 to describe a world that was expected to become more difficult to navigate as the end of the Cold War started to become a reality – VUCA stands for volatile, uncertain, complex and ambiguous.Aside from it being kinda ironic, with what's happening right now, that the US Army coined this acronym, it's struck me that musicians have been working in an industry that has breathed this sort of uncertainty and volatility, whilst those in paid employment are now much more exposed to it after decades of living a much more three stage life of study, work, retire.So, it's always a joy and an education for me to meet younger musicians and chat about their life and music and how they are navigating through everything, so I'll just get on with it and invite you to listen to this brilliant conversation with Idyl, an amazing artist who recently released her first single Illusion in November. https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I thought long and hard about what I wanted to say in the introduction today. I've felt quite rattled with some of what's been in the news, especially these last few weeks, let alone years, and it's kind of taken over my brain. But, I recalled a few words from Joe Strummer many years ago saying "People are out there doing bad things to each other. It's because they're being dehumanised. It's time to take humanity back into the centre of the ring and follow that for a time."  Music has always been there for me. It's always been my friend and I'm pretty sure it always will be. It's the one constant and I think as humans we need some constants in our lives when we live in what feels like endless uncertainty and volatility. I often wonder what role music has to play today and I think this is one of them, whether you are a musician, creator, listener, whatever. That ability to connect and be relatable.  I'm delighted to have Dani Larkin with me today, a songwriter who embodies that humanity, that connection and blends the old school with the new school in songwriting and arrangement that are as individualistic as they are beautiful. https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Prima puntata del 2026 con ospite - e chi, se no? - Nonna Carmela, che ci dà consigli di coppia. Secondo voi, in queste due storie, chi è la

In the last few 6 or 7 years – and bear with me here - I've become much more interested in the nature of the relationship between humans and other species, forces or whatever – animals, birds, trees, plants, the elements… nature, I guess. I think the genesis was when I listened to a conversation with the novelist Richard Powers and he was talking about his book The Overstory and how we should think of ourselves as being part of life itself, not think of living in terms of “our life” – a subtle distinction – but his conclusion was that it would help us all live more harmoniously. But the human obsession with domination, together with our selfishness I guess - and we're going back centuries here – has led us down a very different path where anything non-human is deemed as being there to serve us. That doesn't make any sense to me, it just feels destructive.It also made me think of our relationship with our senses – hearing, seeing, smell, taste and touch and, as hearing is the first sense that we experience in the womb, about how we listen to music – is it about pleasurable listening or is there more? Should we be going back further into times past to re-evaluate our relationship with sound? When I think of Guido of Arezzo, the monk who first started creating “music” by plotting notes on a page, was that when music first became objectified as a score on a piece of paper, almost imprisoned on the page? Should music really be more about a creative act of improvisation where it shapeshifts and changes each time you perform it? Is that how it keeps its energy? How do we listen with more intention?I'm getting to the point, you'll be glad to know! OK, well, Massimo Pupillo has just unleashed an absolute beast of a record with his band Zu. It's called Ferrum Sidereum (cosmic iron – yes, it sounds better in Latin) and it's one of the most phenomenal pieces of music that I've heard in a long time. One hour 20 minutes of incredible energy that bridges that gap between its creators, the vitality and energy of the natural world and me the listener. I once read music described as “our umbilical cord to mother nature”. This record feels like that. https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

One thing I'm aware of in myself and others is a shortening attention span and fierce competition for our attention with the sheer amount of information we have to process. If ever there was “it was never like this in the good old days” moment, here you are. As an aside, I actually heard that screenwriters are being told by production companies, distributors or whatever that they need to write scripts that assume the viewer will also be scrolling on their phone whilst watching their show. And like most things in the world today, it feels like an overwhelming problem to solve – and I think it is a problem – but we can all do our bit to try and reign in the relentless assault on our behaviours and art definitely helps. I even try to do it with the way I write my zine – deliberately scruffy and distressed so readers can't just have a cursory flick through it. I mean it's more layered than that, but you get my point. So…..here's the link – as tenuous as ever! - to my guest, Mélanie Pain, whom you'll of course know through her incredible work with Nouvelle Vague and her equally brilliant solo work.  Mélanie has just released her 4th solo album called How and Why and the final single that she released prior to the album launch is called Dreamloop and the song in its own right is truly beautiful, hypnotic and very unhurried. When you listen to the song with the video, you are transported into a world where the ordinary is anything but ordinary and it acquires implications through the camera loops and repeated scenes.  It demands you take your time and immerse yourself in what feels like a William Eggleston pastiche through a saturated looking glass. Sit back and let your attention span heal. The whole album is wonderful – enigmatic, sometimes optimistic, sometimes forlorn and always giving space for reflection. Look no further than Colours in the Dark – it is just sublime.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

The genesis of this podcast was a thesis that I did about 8 years ago around the sort of skills and attributes that we will need for the future. I used a horrible term – human capital - to describe the value that these things give us because that was the terminology that was understood in the academic circles that I was submitting to. I now see it as quite a derogatory term, but the premis still stands – that our self, our own talent is our most important resource that we need to protect, nurture and adapt. It's all part of a massive shift in how we live our lives – from a linear 3 stage life to a multi-stage lifeOne of the big mega trends influencing these shifts continues to be technology – particularly the transition from the 4th Industrial Revolution of high automation into the 5th Industrial Revolution where the relationship between technology and humans takes on much greater importance.I'm saying all of this because my guest today, Halina Rice, is wholly immersed in using sound and visual technology for her live and recorded experiences where music, art, humans and technology  intersect. Her latest album, Unreality, and the accompanying visuals, is groundbreaking stuff.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

New York has always been – bold statement coming up – my favourite music city. No question that it's connected to my life changing discovery of the Ramones way back when. I still can't walk past the Guild Hall in my hometown of Preston without a couple of nostalgic tears forming for when I first saw them play there  – I tried my best not to wash off the water that Joey threw over me when things were getting a little hot. But getting back on track… all those New York musicians over the years – infinitely different stylistically, but almost always identifiable as a New York “sound”. I don't know what it is – and hindsight's a glorious thing to have – but could the Ramones, Blondie, Public Enemy, Roxanne Shante, Lou Reed, Talking Heads, Swans, Sonic Youth, Yeah Yeah Yeahs, Nas, have existed anywhere else and created their own distinctive sound yet is still a New York sound? Jesse Hartman's, Laptop, goes back to the late 90's – such a divisive decade. I really feel Laptop were ahead of their time and this is perhaps part of what makes New York New York – that ability to be ahead of the pack so often . They had the cinematic monologues, the rebellion, the self deprecation, the love, the heartbreak, the nostalgia and an ability to cross generations. I say that because I'm 20-odd years older and their second coming is here and I'm still hooked.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

When I started out with this podcast, one of the things that I was – still am - interested in is the uncertainty of living today and how it takes us into living with liminality.  “In the middle of the journey of our life I came to myself within a dark wood where the straight way was lost.” The Divine Comedy – Dante  It makes me wonder if life always been woven together with paths of liminality. I guess it has. And perhaps what was liminal to someone in the 14th Century would not feel liminal to us now. I shudder to think what those folk would feel about the world today. Mind you, I imagine the 14th Century was pretty brutal. Not medieval for nothing. But how do we traverse the anxiety, turbulence and exhaustion that living with liminality can give, especially these days when the world feels so, SO fucked up. The feelings can be so very strong. I've also pondered (as I do – we all have our faults!) what the role of music is these days. I read a post by a musician friend of mine and he was expressing his exhaustion at living in this world. Is music and art the medicine that we need, either as creators or consumers to retain sanity, connection and community or to access our subconscious? Is it still as dangerous to the establishment as it once was?  This and other existential questions relating to our existence and how we move through the world might be pondered in today's episode with a songwriter, producer and musician who has such an extensive and rich musical history with some exceptional artists (one of whom, Debbie Harry, is unquestionably a legend) and has just released his latest solo album called 'Stories From The Borderlines', 11 beautifully crafted songs that brood with their imagination, poignancy, turmoil and hopefulness. I think it's a great representation of the world today and the wildly diverse emotions that I often feel.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

La pronuncia italiana rappresenta uno degli aspetti più affascinanti e al tempo stesso una sfida per chi studia la lingua di Dante. Spesso gli studenti si chiedono: "Devo eliminare completamente il mio accento?" La risposta è semplice: gli accenti sono belli e naturali. In questa guida completa, però, scoprirai tecniche pratiche e immediate per perfezionare la tua pronuncia italiana, dalla gestione delle doppie consonanti alle particolarità delle parole straniere adattate alla nostra lingua. Guida Completa alla Pronuncia Italiana: Consigli Pratici per Parlare come un Nativo La Regola d'Oro: Pronunciare Tutte le Lettere Il primo e più importante consiglio per migliorare istantaneamente la tua pronuncia italiana è semplice ma fondamentale: pronuncia tutte le lettere. A differenza di molte lingue, l'italiano non presenta suoni silenziosi (eccetto la H iniziale che è sempre muta). Ogni singola lettera scritta deve essere articolata con chiarezza. Prendiamo alcuni esempi pratici: Giardino: si pronuncia GIAR-DI-NO, con ogni sillaba ben distinta Finestra: FI-NE-STRA, senza mai "mangiare" le lettere finali Ombrello: OM-BREL-LO, prestando particolare attenzione alla parte finale Particolarmente importante è la pronuncia delle vocali consecutive, che rappresentano una sfida per molti studenti. In italiano, anche quando ci sono più vocali di seguito, ognuna mantiene il suo suono distintivo: Paura: PA-U-RA (tre sillabe distinte, non "pàra") Tuoi: TU-O-I (tre sillabe complete) Aiuola: A-IU-O-LA (quattro sillabe ben separate) Questo principio si applica anche alle parole più lunghe e complesse. Per esempio, in "acquario" (AC-QUA-RI-O) ogni lettera deve risuonare chiaramente, creando quella musicalità tipica della lingua italiana. Esercitarsi a scandire lentamente le parole, sillaba per sillaba, aiuta a sviluppare questa consapevolezza articolatoria che poi diventerà naturale anche nel parlato veloce. Le Doppie Consonanti: Il Cuore della Pronuncia Italiana Le doppie consonanti rappresentano probabilmente l'aspetto più caratteristico e distintivo della pronuncia italiana. La loro corretta esecuzione è cruciale perché sbagliare una doppia può cambiare completamente il significato di una parola, creando situazioni imbarazzanti o fraintendimenti. Il segreto tecnico per pronunciare correttamente le doppie è questo: rendi più corta la vocale che precede la doppia consonante. La consonante doppia stessa deve essere "tenuta" più a lungo, creando una breve pausa nella pronuncia. Coppie di Parole che Cambiano Significato Analizziamo alcune coppie di parole dove l'unica differenza sta nella doppia consonante: Consonante SempliceSignificatoConsonante DoppiaSignificatoCaro (cáro - A lunga)Costoso o amatoCarro (càrro - A corta)Veicolo con ruotePala (pála - A lunga)Attrezzo per scavarePalla (pàlla - A corta)Oggetto sfericoPene (péne - E lunga)Dolore, sofferenzaPenne (pènne - E corta)Tipo di pastaPapa (pápa - A lunga)Il padrePappa (pàppa - A corta)Cibo per bambiniSete (séte - E lunga)Bisogno di bereSette (sètte - E corta)Il numero 7Nono (nóno - O lunga)Nono di numeroNonno (nònno - O corta)Padre dei genitori Come potete vedere dalla tabella, un errore di pronuncia può trasformare "Mi piacciono le penne al pomodoro" in una frase piuttosto imbarazzante! Ecco perché prestare attenzione alle doppie è fondamentale non solo per l'accuratezza fonetica, ma anche per evitare malintesi. Le Doppie nei Verbi: Futuro vs Condizionale Le doppie consonanti sono particolarmente importanti nella coniugazione verbale, dove distinguono tempi diversi. Un esempio classico è la differenza tra futuro e condizionale presente della prima persona plurale: Noi partiremo (partirémo - I lunga) = Futuro semplice, indica un'azione che avverrà Noi partiremmo (partirèmmo - I corta) = Condizionale presente, indica un'ipotesi Altri esempi verbali significativi: "Andremo" (futuro) vs "Andremmo" (condizionale) "Vedremo" (futuro) vs "Vedremmo" (condizionale) "Usciremo" (futuro) vs "Usciremmo" (condizionale) Per padroneggiare le doppie, è utile esercitarsi regolarmente con coppie minime (parole che differiscono solo per un suono). Registra te stesso pronunciando queste coppie e confronta con parlanti nativi. Con il tempo e la pratica costante, la corretta esecuzione delle doppie diventerà automatica e naturale. La N Finale di NON, IN, CON: La Regola della Trasformazione Esiste una regola fonetica fondamentale ma spesso trascurata che riguarda le parole NON, IN e CON. Quando queste parole sono seguite da una parola che inizia con B (come Bologna) o P, la N finale si trasforma in M per facilitare la pronuncia e rendere il discorso più fluido. Questa trasformazione, chiamata assimilazione consonantica, avviene perché pronunciare una N seguita immediatamente da una B o P richiede uno sforzo articolatorio innaturale. La bocca, infatti, deve passare rapidamente da una posizione nasale (N) a una posizione bilabiale (B o P), e questo passaggio è molto più facile se anche la consonante nasale diventa bilabiale (M). Esempi Pratici della Trasformazione N → M Scrittura StandardPronuncia CorrettaSpiegazioneIo non parlo moltoIo nom parlo moltoNON + P diventa NOMAbito in periferiaAbito im periferiaIN + P diventa IMVengo con BarbaraVengo com BarbaraCON + B diventa COMNon bevo caffèNom bevo caffèNON + B diventa NOMLavoro in bancaLavoro im bancaIN + B diventa IMStudio con PaoloStudio com PaoloCON + P diventa COM Provate a pronunciare queste frasi ad alta voce: noterete immediatamente che la versione con la M suona molto più naturale e fluida rispetto a quella con la N. Questa è una delle caratteristiche che distingue un parlante nativo da uno studente, perché i nativi applicano questa regola istintivamente, senza pensarci. È importante sottolineare che questa è una regola puramente fonetica: nella scrittura formale si continua a usare la N, ma nella pronuncia effettiva la trasformazione in M è la norma tra i parlanti nativi. Applicare questa regola renderà il vostro italiano più naturale e scorrevole, e soprattutto più facile da pronunciare. I Pronomi Doppi: Dove Cade l'Accento? I pronomi doppi (combinazioni di pronomi come "te lo", "gliela", "ce li", "ve ne") rappresentano una sfida particolare non tanto per la loro pronuncia, quanto per la posizione dell'accento tonico, specialmente quando sono attaccati all'imperativo. Quando i pronomi doppi sono usati con forme verbali normali (indicativo, congiuntivo, ecc.), rimangono separati dal verbo e non creano problemi particolari: "Te lo regalo" - tre parole separate "Gliela mando" - due parole separate "Ce li portano" - tre parole separate Il problema sorge con l'imperativo, perché in questo caso i pronomi si attaccano alla fine del verbo formando un'unica parola. Ed è qui che molti studenti commettono l'errore di spostare l'accento sui pronomi. La Regola dell'Accento Immutabile La regola fondamentale è questa: l'accento rimane sempre sulla stessa sillaba del verbo, indipendentemente da quanti pronomi aggiungiamo alla fine. Non importa se aggiungiamo uno, due o anche tre pronomi: la posizione dell'accento non cambia mai. Imperativo BaseCon PronomiPronuncia CorrettaErrore ComuneDàmmiDàmmeloAccento su DA❌ DamméloRaccontamiRaccontàmeloAccento su TA❌ RaccontaméloCómpraCòmprateloAccento su COM❌ CompratéloScrìviScrìvigliAccento su VI❌ ScrivígliPòrtaPòrtaglieloAccento su POR❌ PortagliéloDìciDìcimeloAccento su DI❌ Dicimélo Un caso particolarmente interessante è il verbo riflessivo "andarsene" con i pronomi: "Vàttene!" (vai via). Anche qui l'accento rimane sul verbo: VÀttene, non Vatténe. E quando aggiungiamo ancora più complessità: "Andàndosene" (gerundio), l'accento resta su ANDAN. Questo principio vale anche per forme più complesse come: "Rèstituiscimelo" (accento su STI, non su CI o ME) "Pòrtagliene" (accento su POR) "Spiègatecela" (accento su GA) Per padroneggiare questa regola, esercitati prima pronunciando il verbo da solo, individuando dove cade l'accento naturalmente. Poi aggiungi i pronomi mantenendo l'accento esattamente nello stesso punto. Con la pratica, questa diventerà un'abitudine naturale e il tuo italiano suonerà immediatamente più autentico. Il Suono Z: Sorda o Sonora? La lettera Z italiana rappresenta una delle sfide più insidiose per gli studenti stranieri perché, a differenza di molte altre lingue, in italiano la Z ha due pronunce completamente diverse: la Z sorda e la Z sonora. E purtroppo non esiste una regola fissa universale per sapere quale usare! La Z Sorda (come TS) La Z sorda si pronuncia come i suoni "T" e "S" pronunciati rapidamente insieme, come se fossero un'unica consonante. È il suono che sentite in parole come "pizza" - che non si pronuncia "piza" ma "pitsa". Esempi di parole con Z sorda: Zucchero (tsucchero) - lo zucchero che metti nel caffè Grazie (gratsie) - la parola di ringraziamento più usata Pazzo (patso) - aggettivo che indica follia Stazione (statsione) - dove arrivano treni e autobus Azione (atsione) - un'attività o un movimento Pezzo (petso) - una parte di qualcosa Piazza (piatsa) - lo spazio pubblico aperto Tazza (tatsa) - il contenitore per il caffè La Z Sonora (come DS) La Z sonora si pronuncia come i suoni "D" e "S" pronunciati insieme velocemente. È il suono di "zero", che non si pronuncia "tsero" ma "dsero". Esempi di parole con Z sonora: Zaino (dsaino) - la borsa per la scuola Romanzo (romandso) - un libro narrativo lungo Mezzo (medso) - metà o veicolo di trasporto Azzurro (adsurro) - il colore blu chiaro Zanzara (dsandsara) - l'insetto fastidioso Zona (dsona) - un'area o territorio Pranzo (prandso) - il pasto di mezzogiorno Linee Guida (Non Regole Assolute) Anche se non esistono regole ferree,

I think relatability has become one of those words that has become overused and, as is usual with these things, the importance of what it means to be relatable has tended to become a bit diluted….it's unfairly become a target for the old eye rolling emoji. But, I think being able to relate to other people is such a powerful tool to have in our box in whatever way we communicate – through words, action or our art – especially when we seem to be such a divided world and seem to have little desire for even tolerating or even understanding different perspectives.It's not the only tool we need I should stress, but when we pair it with imagination and curiosity for example, I think it becomes very powerful for opening our minds to different ideas, ways of doing things, cultures.  I've asked musicians what they think the role of music is these days and views do differ – from getting strong political messages across to being a bit of fun to an escape from reality and to the deeply personal and cathartic. Anyway, whatever my pseudo-intellectual musings, it feels to me like music – certainly the music that I come across - is so much more personal these days.I recorded this episode on the day that Jessie Kilguss released her 6th solo album and it's called They Have A Howard Johnson's There, six beautifully crafted songs that are wonderfully evocative of life topped off by cover art that is resplendent in its 1970's hotel vibes. In fact, I remember my parents having one of those wood/mustard upholstery combo sitting chairs.So there you go, there's your relatability!https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

When Segs and I were messaging trying to organise this podcast, Segs wrote something like “we've got lots to talk about…the world is changing what feels like day by day”. Now with my meticulous research – OK, it was just by luck! -  I was reading back at an interview Segs, Ruffy and me did a couple of years ago just after they'd done their first tour of Spain. And we were talking about movements getting big and Segs said “The bigger the movement gets it has to get okayed by the government and the it becomes “you can demonstrate here and here and here between this time and that time, don't make too much noise and we won't kettle you”.And that was when Sunak – a Tory - was Prime Minister.Fast forward to now and talk about speed of change - we have a Labour government who are now probably more aggressive in shutting down dissent and protest than anyone in my memory. So, talking about the speed of change in the world, there you go…..Segs and Ruts DC are producing some of the most passionate and accomplished music that's entirely in tune with the groundbreaking music from The Ruts and just as relevant as The Ruts music was and still is.  Having them around, producing great music, taking a stand against the injustices, governments and corporations that blight our world, and doing it all with an unflinching, unwavering message of “people unite … never surrender” is, I think, one of life's victories that we should honour.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

One area of my being that I've been working on is not feeling the necessity to be ultra-prepared for things. Things like my podcast episodes. I've been able to trace this back to when I was a kid – long story which I won't bore you with. I think this is tied into this obsession that a lot of society has with perfectionism – don't make a mistake, be ready for all angles, get it right first time – when really, human beings are far from perfect and we don't need to dig too far into the newspaper headlines to see many examples of this. So, I took the very brave (for me) step of doing something that's really important for so many reasons – getting out of my comfort zone. So, I have avoided any research on my guest today, other than he is a co-founder of the band Afrodream who have recently released their second and totally inspiring album called Guiss Guiss, a beautifully uplifting, diverse and rich mix of rhythms, instrumentation and vocals at the core. It's really, really special. This conversation with one of the founders of Afrodream, Luca Vergano, was perfect - fun, informative and inspiring. https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

La padronanza dell'italiano formale e informale rappresenta una competenza fondamentale per chiunque desideri comunicare efficacemente in contesti diversi. Se state chiacchierando con i vostri amici, probabilmente non volete parlare in modo troppo formale - sarebbe come andare in spiaggia con giacca e cravatta! Però se siete all'università e parlate con un professore, o in una riunione di lavoro con i colleghi, o in circostanze professionali, allora dovete tirare fuori il vostro italiano più elegante. Italiano FORMALE vs INFORMALE: 20 Coppie di Parole che Cambieranno il Vostro Modo di Comunicare PRIMA PARTE 1. AIUTARE / ASSISTERE La differenza tra "aiutare" e "assistere" è sostanziale nel registro comunicativo italiano. Mentre "aiutare" appartiene al linguaggio quotidiano e colloquiale, "assistere" conferisce un tono professionale e rispettoso alla conversazione. Esempio informale: "Mi puoi aiutare con questo compito?" Esempio formale: "Potrebbe assistermi con questa mansione?" Se parlate con il vostro migliore amico direte "Dai, aiutami!" Ma se siete in ufficio con il vostro capo, la formula corretta sarà: "Scusi, potrebbe assistermi?" Notate come cambia completamente l'approccio e il livello di cortesia espresso. 2. DARE / FORNIRE Il verbo "fornire" rappresenta l'alternativa formale del verbo "dare" ed è particolarmente utilizzato in contesti aziendali, accademici e istituzionali. Esempio informale: "Marco mi ha dato le informazioni" Esempio formale: "Il dottor Bianchi mi ha fornito le informazioni necessarie" Attenzione importante: il verbo "fornire" richiede spesso una preposizione specifica! Le costruzioni corrette sono: "fornire qualcosa a qualcuno" oppure "fornire qualcuno di qualcosa". Questa particolarità grammaticale è fondamentale per un uso corretto del verbo in contesti formali. 3. AVERE BISOGNO (DI) / RICHIEDERE Quando si esprime una necessità in contesto professionale, "richiedere" sostituisce efficacemente l'espressione informale "avere bisogno". Questo cambiamento lessicale trasforma radicalmente il tono della comunicazione. Esempio informale: "Ho bisogno di più tempo per finire il lavoro" Esempio formale: "Richiedo tempo aggiuntivo per completare l'incarico" Osservate la trasformazione completa della frase: Versione informale: "Ho bisogno di più tempo per finire il lavoro" Versione formale: "Richiedo tempo aggiuntivo per completare l'incarico" Notate come anche le parole circostanti cambiano: "più" diventa "aggiuntivo", "finire" diventa "completare", e "lavoro" diventa "incarico". L'intera struttura della frase si eleva a un registro professionale. 4. DIRE / INFORMARE Il verbo "informare" è la scelta ideale quando si comunica in contesti formali, sostituendo il semplice "dire" con una formula più rispettosa e professionale. Esempio informale: "Ti dirò tutto dell'evento più tardi" Esempio formale: "La informerò riguardo all'evento successivamente" Curiosità linguistica: In italiano formale usiamo spesso la formula "La informo che..." - è la nostra versione elegante di "ti dico che...". Questa costruzione è estremamente comune nella corrispondenza aziendale e nelle comunicazioni ufficiali. 5. GRATIS / OMAGGIO Quando qualcosa viene offerto senza costo, la parola "omaggio" conferisce maggiore eleganza rispetto al colloquiale "gratis". Esempio informale: "Le bevande erano gratis alla festa" Esempio formale: "Le bevande erano in omaggio all'evento" Nel linguaggio commerciale e aziendale, l'espressione "in omaggio" è preferita perché trasmette un senso di cortesia e generosità da parte dell'offerente, piuttosto che semplicemente l'assenza di un costo. 6. PENSARE / CONSIDERARE Il verbo "considerare" eleva immediatamente il registro della conversazione, trasformando un semplice pensiero in una riflessione ponderata. Esempio informale: "Penserò a quello che hai detto"

I do think of my formative years a lot – and I think this started to happen more when my parents died in 2022. Music started to become huge for me around 1976 when I was 8 and started playing the cello…but I did have some music differences of opinion let's say as I got a bit older and started to  listen to “bang and thump music” as my dad used to call it  – I really struggled to reconcile what I now know is a beautiful instrument with the Ramones, who were changing my life and pulling me in the other direction – it was like I had an alter ego. I mean, it's not a big deal in the whole scheme of things, but you know, each to their own.  Anyway, I just devoured more and more music – bands like Killing Joke, Siouxsie, Au Pairs, Minutemen, Husker Du - and as I found more and more stuff through, mainly listening to Peel and other local radio – like Steve Barker's On The Wire and Tony Michaelides on Piccadilly or just taking a chance based on whether I liked the sleeve, I started to get into more of the avant garde, off kilter, skrunky, weird – Neubauten, Alien Sex Fiend, Bush Tetras, The Fall, Butthole Surfers and then there was a bit of a lightbox moment with Tackhead's Hard Left around 86, I think before Public Enemy came along and changed things again. There was also another band who completely flummoxed, intrigued and excited me - and that was Fini Tribe. There was the underground and there was Fini Tribe. I had no idea how to describe them. They didn't sound like anyone else. I had no idea what they looked like. And I didn't know much about them. And I had no idea what to expect. And of course, we lived in an age of genre obsession – still do - so they were real genre party poopers. So, by the time I was listening to Splash Care or Detestimony, there were frequent shouts of “turn that shit off”. I was very used to this. Especially from the fella that liked Dire Straits. But Fini Tribe awakened an excitement in me – listening to them was like Alice Through The Looking Glass stepping into another world that felt as distant and exciting to me as when I got those first Killing Joke records… I never got to see them live so to now have a wonderful compilation of their 1982-1987 years called The Sheer Action of Fini Tribe, diligently and lovingly brought to life by the band with tracks I've never heard before including some live tracks, well, it's well worth the wait. This is such an exhilarating and fascinating insight with Christopher Connelly and Davie Miller.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

As we were recording this episode, Natalie Hoffmann was a week or so away from releasing a third album with her band Optic Sink called Lucky Number and you're in for a treat. It's like a modern day film noir on the rainy, lonely streets - well, the streets were definitely rainy where I grew up – trying to discover who you are. After all these years, I'm still taken aback with how music evokes strong feelings of time and place. It makes me wonder if we are more receptive to songs or parts of songs - whether they be riffs, synth flourishes, percussion or whatever - when we feel particularly connected - with that time or place. I wonder if we are also, y'know, wired to be nostalgic to an extent. I guess we are and our brain is always looking for reference points so it can make its decisions.That line in The Buzzcocks' Nostalgia:“I guess it's just the music that brings on nostalgia for an age yet to come”….it brings up such an interesting way to think about nostalgia. Future nostalgia - not the Dua Lipa album - but situations where you are nostalgic now when you know you are going to lose something or someone in the future but r where you will be nostalgic at some stage in the future for what's happening now.So, the big question is: will I be nostalgic in 20 years time about the music Natalie is creating today – I'd be pretty confident in my answer but check back in 20 years time in a podcast from the future...https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Antonella Cilento"Strane coppie. Ascoltatori selvaggi"anteprima a Milano – 16 ottobresabato 18 ottobre – Museo Nitsch, Napolidomenica 26 ottobre – Opificio Puca, Sant'ArpinoCosa significa ascoltare davvero un'opera, scritta, suonata, dipinta, fotografata, scolpita o filmata? Cosa significa farsi attraversare dall'esperienza, lasciarsi sconvolgere, spostare, cambiare?Eventi che sembrano flussi e che simulano lo scorrere delle parole, come l'omaggio a Elsa Morante che sarà una lettura integrale de Lo scialle andaluso che s'intervalla con la musica e con l'ascolto selvaggio dell'opera di Morante realizzata in diretta con la partecipazione di Antonella Cilento, Laura Bosio, Giuseppe Montesano, Marta Morazzoni.Tra ascolti sospesi e stanze sonore, una stanza della Sibilla dove un'operatrice segna il destino degli spettatori coi tarocchi indicando le destinazioni degli spettatori lungo il percorso. Installazioni teatrali continue e con il cinema come protagonista. Altri ospiti saranno Luigi Pingitore, Leopoldo Siano e Josè Vicente Quirante Rives.Al Museo Nitsch di Napoli ci saranno installazioni, eventi e conferenze: ASCOLTATORI SELVAGGI, la Lectio magistralis dello scrittore e critico letterario Giuseppe Montesano in dialogo con Leopoldo Siano.Sulla terrazza del Museo si potrà respirare e praticare l'ascolto profondo, scalzi e in silenzio, in uno spazio nomade abitato da tracce di suono, luce e segno, durante la performance e l'Installazione di e con Iole Cilento, NADABRAHMA/ LA YURTA DEL RESPIRO.Una lettura sull'ascolto epico che evoca un fiume scomparso di Napoli: Install'Azione SEPEITHOS. Il fiume scomparso di Napoli, a cura del theatrum phonosophicum, con Leopoldo Siano & Shushan Hyusnunts.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Over the years, I've been spending a lot of time thinking about Emotional Intelligence and how it fits in to how many people live their lives now, lives which, for many, are much more multi-hyphenate, multi-stage.With that comes much more uncertainty. I've read a lot by Daniel Goleman, who argues unequivocally that EI (or EQ) is as important as IQ for success in all elements of your life, especially how you navigate your working life, private life, relationships and physical and mental wellbeing. I'd also argue that society collectively benefits from investing in its emotional intelligence learning. Dr Goleman talked about the Dalai Lama addressing a group of gatherers in India: "Like physical education, learning emotional hygiene is in great need today.” I'd definitely agree with that as capitalism and all its symptoms – racism, fear, inequality, intolerance – becomes much more visible in everything we do. So, Emotional Intelligence covers things like empathy, self management, self awareness, social skills….and I must admit that, with some of the horrible shit going on in the world, I've found it harder and harder to maintain particularly empathy and self management towards others that are displaying some of the most toxic behaviour at the level where I want them to be. But, I was reminded when the good old Instagram algorithm worked and showed me an interview with a woman reaffirming just how important empathy is – even when we feel at our most desolate - if we are going to tackle the divisions that the world faces. And I think that affirmation was what I needed, I guess to believe again. So, with my little piece of self-righteousness over, it's time to clumsily segue into introducing Iris Gold who is the most wonderful singer, songwriter, artist and, dare I say it, fashion icon. I really love the energy, creativity, vitality and honesty in her music.When I thought about how I would describe her, the one phrase that comes to my mind is from Toi Derricotte's poem The Telly Cycle and that is….. “Joy Is An Act Of Resistance” https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Ep. 736 - Il Genoa ha una delle coppie di terzini più interessanti d'Italia

One of my interests that started well before I started this podcast - so we're talking maybe 8/9 years ago - was what sort of characteristics and attributes do we need as people to get stuff done in a world that was becoming more complex, uncertain, volatile and ambiguous. Fast forward 7 or 8 years to now and that world has changed at a pace that I'm not sure many predicted. One aspect of music that always intrigued me was how bands evolve. I'm not really talking about whether they evolve from one genre to another (although everyone knows that I really hate the notion of genres), but what they need as a band and as people to evolve. And I think curiosity has a big role to play here. That beautiful thing we're born with – you know, like when the next question from a small kid is always gonna be “but why?” - and gets kicked out of us at an early age by the establishment, cos hey, who in the establishment wants curious, challenging thinkers? Brian Amalfitano is with a band that I love dearly and epitomizes curiosity for new ideas, for new ways of doing things and one which in my opinion has a unique open mindedness for experimenting with sound and performance. Their recordings and live performances push sonic boundaries with as much significance as the early output of bands like Cabaret Voltaire, The Pop Group and early PIL in the late 70s / early 80s.And I have to say that they have a particularly unique ability to create an observant and prescient soundtrack that's scarily representative of a decaying world, in a similar vein to what The Dead Kennedys were able to create back in the 80's. In short. Listen to Deaf Club!https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Rebecca Schiffman recently released her 4th album called Before The Future and it starts with a 9 minute song - which is remarkable in its own right especially these day -  but, in my opinion, it could have gone for another 9 minutes and not felt too long, such is the prowess of her ability to write captivating, enthralling slices of life that are at once nostalgic for the past and nostalgic for the future. The entire album is beautifully rich in unhurried harmonies and melodies and is like peering deep into the creases of her memories to produce an introspective meditation on, well, moving through the multi-stages of everyday living. It could be set to a 16mm flickering home movie of a William Eggleston pastiche. Ok, well, having probably humiliated myself with that self-indulgent twaddle, I'd better let you crack on with this excellent and very open conversation.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

The last song on Violencia's album Viviendo Tiempos Aún Mas Oscuros is called El Exito Es La Droga del Futuro – Success Is The Drug Of The Future. For me, the nerd, this is interesting as I've often thought about how the words we use can take on specific meanings – appropriated oftentimes – I literally heard one just now – “Joy Is Resistance” started and often used by black women is now being appropriated by a bunch of white women. And there are times, where other equally valid meanings are ignored or treated with less importance. Take the words El Exito or Success and today, the majority of society will think of success in terms of material achievements. Are you climbing the career ladder, what awards have you won, have you bought that new shiny kitchen, oooh, is that a new car on the drive, how many followers do you have, did you manage to get your blue Instagram tick? It appears that there is little place for success being equated with just, well, human things, like, I dunno, raising amazing children or pets, helping someone in need to cross the road, or showing some empathy for your fellow human beings. Of course, yes, forced ultra-capitalism does this to the world and, as Joe Strummer once said “It's time to take humanity back into the ring”. Ever more now.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

In questo articolo affrontiamo un argomento che fa tremare le ginocchia anche agli studenti più coraggiosi: quelle coppie di parole italiane che sembrano gemelli identici ma che in realtà hanno significati e usi molto diversi! Attenzione a Queste Parole Problematiche 1. GIÀ vs ANCORA: La Battaglia del Tempo Iniziamo con una coppia che crea più confusione di un GPS che ha perso il segnale! GIÀ = Azione Completata nel Passato Significato: indica che un'azione è stata completata prima del momento attuale Esempi pratici: "Ho già mangiato" (l'azione del mangiare è finita) "Sei già qui?" (sei arrivato prima di quanto pensassi) "È già finito il film?" (il film è terminato) ANCORA = Continuità o Aspettativa Significato: indica che un'azione continua o non è ancora avvenuta Esempi pratici: "Sto ancora mangiando" (continuo a mangiare) "Non è ancora arrivato" (aspetto che arrivi) "Vuoi ancora del caffè?" (un'altra tazza di caffè) Trucco della nonna: GIÀ = l'azione è finita! ANCORA = l'azione continua o deve ancora succedere! 2. ORMAI vs ORA: Il Presente e la Rassegnazione Questa coppia è subdola come un gatto che finge di dormire! ORMAI = Rassegnazione e Inevitabilità Significato: indica che qualcosa è inevitabile o che non si può più cambiare Tonalità emotiva: spesso con sfumatura di rassegnazione Esempi con contesto: "Ormai è troppo tardi" (non possiamo più cambiare la situazione) "Ormai sei grande" (il tempo è passato, sei cresciuto) "Ormai lo sanno tutti" (la notizia si è diffusa, non si può più nascondere) ORA = Momento Presente Immediato Significato: indica il momento attuale, senza altre sfumature emotive Tonalità: neutro, semplice indicazione temporale Esempi chiari: "Ora devo andare" (in questo momento devo partire) "Che ora è?" (che orario segna l'orologio?) "Ora capisco!" (in questo momento ho compreso) Segreto per ricordare: ORMAI ha sempre una sfumatura di "non si può più tornare indietro", mentre ORA è neutro, indica solo il presente. 3. PRESTO vs PRONTO: La Velocità e la Preparazione Attenzione: questa coppia può creare malintesi epici, soprattutto se la tua prima lingua è lo spagnolo. PRESTO = Tempo e Velocità Significato: indica velocità di azione o un momento futuro vicino Si usa per: tempo, velocità, orari Esempi dettagliati: "Arrivo presto" (arrivo in poco tempo / arrivo la mattina presto) "Corri più presto!" (aumenta la velocità) "A presto!" (ci vediamo tra poco tempo) "È ancora presto" (l'orario è mattutino) PRONTO = Stato di Preparazione Significato: indica che qualcosa o qualcuno è preparato, completato Si usa per: preparazione, disponibilità Esempi con spiegazione: "Sono pronto per partire" (ho finito di prepararmi) "La cena è pronta" (la cena è stata preparata) "Pronto?" (risposta al telefono - "sono qui ad ascoltare") "Pronto soccorso" (servizio sempre preparato per l'emergenza) Approfondimento culturale: "Pronto" al telefono è una particolarità italiana! In altri Paesi si risponde diversamente, ma noi italiani chiediamo sempre se l'altro è "pronto" ad ascoltare. Che gentili che siamo! 4. NON ANCORA vs NON PIÙ: Il Tempo che Cambia Direzione Questa è la coppia che manda in crisi esistenziale anche i madrelingua! NON ANCORA = Aspettativa Non Realizzata Significato: qualcosa che dovrebbe succedere ma non è ancora successo Direzione temporale: dal presente verso il futuro Esempi con aspettative: "Non ho ancora finito" (devo ancora completare) "Non è ancora ora" (dobbiamo aspettare) "Non ho ancora capito" (spero di capire presto) "Non ha ancora chiamato" (mi aspetto che chiami) NON PIÙ = Interruzione di una Continuità Significato completo: NON PIÙ indica l'interruzione di un'abitudine, di una situazione o di un'azione ricorrente,

I'm very excited and deeply honoured to talk to my guest today. Joy Guidry is a classically trained bassoonist - and, the first bassoonist on my podcast – who, with each record released (and there are three now), is showing a level of thinking and creativity that is, excuse the pun, a joy to witness. She brings experimentation, improvisation, the radical, the avant garde and deep reflection whilst always being connected to Black ancestry and sound traditions. Her latest album, Five Prayers, moved into a territory of solitude, refuge, peace, discovery and gratitude. It's a really stunning piece of work. I reconnected with the cello after many years of disinterest. The pull and push tension between what I learned and remembered from a classical framework and, I guess, where I want to go which is bringing in more experimentation & improvisation is something that I'm exploring. It's a slow process where I'm having to unlearn things and I'd hold Joy up as an example to anyone of the power of our mind to create music that takes a traditionally classical instrument out of that classical context and also to take you into the innermost sanctum of your humanity.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

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You know those times when you're ambling along – disconnected from the real world with your headphones on as is the norm these days – trying to ignore the gazillion things that run through your brain every minute, forgetting to look both ways, behind you, above you, before you cross the road, and then some music comes on and stops you dead in your tracks – hopefully when you've crossed the road! – well, that's Emma Swift's upcoming album, The Resurrection Game – out on 12 September from all good record shops and all of the very mundane   - but important! - streaming platforms. No exaggeration, it's stunning songwriting, musicianship and arranging. Anyway, in the press notes there was a quote from Emma about the experiences that motivated the record that stuck out for me  was her saying “I'm a big believe of the redemptive power of art.” Me too. I really identify. Music, design, painting, poetry, sculpture, whatever creativity you're drawn to, is absolutely 100% redemptive from your trauma, from your pain, your rage, your anguish. Making art is such a powerful means of expression, sometimes saying the things you have no words for. I'm delighted to welcome Emma to talk about this unique record, her own experiences and how she's used her mindset to navigate through not only an incredibly traumatic period in her life but also how it's helped to shape her into who she is today.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

It's fascinating to look at the entire creative evolution of an artist - how they started and where they are now. Of course, looking at what's been going on in their life, can feel quite invasive and voyeuristic, like prying into the inner sanctum of life, but hey, all in the name of research! Music and art (although I'm by no means an expert) often feels subjective and open to interpretation and honestly, for me, I love it when I'm challenged to think about what it means to me. This brings me on to relatability. Perhaps it's now an overused word that has been diluted of its relevance and meaning. But is it important for an artist to create work that its audience will find relatable in some way? Will it help the audience make their own interpretations if they can relate to it? Or is speaking with truth and honesty equally or more important? And what about good old fashioned escapism? What does that connection between artist and audience look like? I don't know why the work of my guest today makes me ask these questions! Maybe it's because his work often feels like it is accessing what's in the back of his mind but created in a way that feeds my own interpretations and connects in a way that tunes into my own empathy.His art was described as “loose and raw that straightaway imprints itself on the human imagination”. This is interesting because it is the consistency of that rawness - and honesty - that also runs through his music which again gets my imagination fired up. I hope you enjoy this fascinating chat with James Johnston, who came to prominence in the early 90's with Gallon Drunk and has also played with PJ Harvey, The Bad Seeds, Faust and Lydia Lunch as well as releasing solo and collaborative work of his own. He started painting in 2017 which is just going from strength to strength.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

4 trappole invisibili che logorano le COPPIE (senza che te ne accorga)Alcune relazioni non finiscono all'improvviso. Si consumano piano, giorno dopo giorno, dentro dinamiche che sembrano innocue — o addirittura normali — ma che col tempo diventano vere e proprie trappole emotive.In questo episodio ti parlo di 4 trappole invisibili che logorano le coppie senza fare rumore. Le ho vissute tutte, e oggi le racconto per aiutarti a riconoscerle, metterle a fuoco, e — se lo desideri — cominciare a cambiarle.Parliamo di:• invalidazione emotiva: quando ciò che provi viene sminuito, risolto o ignorato• colpa e deresponsabilizzazione: il gioco pericoloso del “è sempre colpa tua”• competizione e senso d'inadeguatezza: quando i successi dell'altro diventano un problema• evitamento del conflitto: perché il silenzio non è mai la soluzione

https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I think gravitas is a rare but really important attribute to have, especially when the world is so fucked up, chaotic, volatile, reactionary. Gravitas. Presence. I wanna be around people that have the ability to give off positive energy in this way.Scott Osment is one of the most blistering, powerful and accurate drummers I have seen. I've seen him in two very different bands – Deaf Club and Glassing – and I've yet to see him in Planet B – maybe in 2026??!! Each band has their own style and his adaptability to their styles blows me away. For me, Scott also has that presence that I was talking about earlier. You always feel that whatever the situation, obstacles, whatever, he will find a way – fuck it, let's try this, nah, we're good, let's go, yeah, I'm up for that. That willingness to try and if it doesn't work out, so what? Try something else. Again, I just think the ability to show calm and level headedness is kinda a superpower.I mean, I even put away my own insecurities when I asked him if he wanted to do this podcast – no mean feat - cos I really did think he would say yes. And he did!Enjoy!https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Nostalgia is something that I ponder a lot as I get older – I've got way too much time on my hands. But it's such a layered emotion of experiences, some vivid, some half-forgotten and some probably embellished. The band you never got to see live. A long-lost lover. How good you didn't look in that army surplus jacket. Summer road trips. Friends lost. That gig that ended in a riot. I'm gonna read out some lyrics from a song by the Buzzcocks called ……..”Nostalgia”“About the future I only can reminisceFor what I've had is what I'll never getAnd although this may sound strangeMy future and my past are presently disarrangedAnd I'm surfing on a wave of nostalgia for an age yet to come”Nostalgia for today, knowing that it won't last forever. Future nostalgia. Seeing a band for the first time in a small basement, buying the t-shirt and anticipating that a future generation is going to do the same.I think I'm of a generation where I'm seeing music cycles reinvent themselves, come full circle, younger generations liking the same music I liked when I was their age, whatever you wanna call it. So I'm seeing this connection with my past memories, some good, some horrible (that'll be Britpop). Only kidding, but there are some songs I can't play because the memories are too hard. But that's life and that's the beautiful power of music.The songs of Jeanines make me feel like I'm flicking through a photo album of my life. Their songs very infrequently clock in over the 1 minute 30 second mark (which totally works for me) and makes it all the more remarkable that they fit in such addictive, poignant melodies and harmonies to perfectly craft their songs. Check out their upcoming, third album, How Long Can It Last, for a perfect 13.It was a pleasure to have Alicia and Jed from the band with me.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Over the last 10 years, I've been undergoing a - for me at least - massive transformation and I've been thinking a lot about what identity means – the identity that I present to the public, the identity that I present to my friends and family and the identity that I present to myself. With that comes a need to face yourself if you are going to find freedom. Our brains like to compartmentalise things and I think this is why we often get defined by society by our work or what we do. I mean, who hasn't felt their blood run cold at the question “So, what do you do?”… “well, I'm an accountant and I'm also a grindcore enthusiast”. Whaaaaat?? The reaction of horror! And we start to believe how we get defined, it gets normalised.And it's the same for music genres – it's easier to compartmentalise - they're hip hop, they're prog, they're folk, but it's so reductive.So the whole definition of oneself becomes an inhibiting self fulfilling prophecyI know for me it took courage to be comfortable with self-evolution, to transform myself according to what my body and mind is telling me and to ignore the voices of society to whom I had presented versions of myself. And only when we all have that fluidity, that freedom in ourselves, can we get to a world where the destructive forces subside and we make progress. The music of Dalila Kayros is like an evolutionary odyssey…from the beginning to the end of a song, of an album and, when I think about it, an entire catalogue. For me, Khthonie - the latest album - achieves a remarkable portrayal of perhaps what it's like to be in a world that is transforming and equally what it's like for oneself to be transforming  – moments of turbulence and tenderness, it feels like I'm on a precipice staring down into a black hole, there's the mysticism, the beauty, the fantasy, the malevolence, the fear and the euphoria. I want to pick one track - Corpus Sonorum – which closes the album and, for me, sonically depicts the knife edge on which we live, how quickly and easily we can descend into hell. Or are already on our descent into hell. From a spiritual perspective, it feels like the soundtrack of Kali Yuga and a manifestation moral decline and self-destruction. Maybe you'll feel differently, but it really is a remarkable piece of work - as is the whole album.This entire conversation with Dalila and her long term collaborator, Danilo Casti, is an education on improvisation, experimentation and dealing with being outsiders. https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

So here's a couple of questions for y'all…how much do you think improvisation, self-consciousness and self-belief are connected? How do you get into that flow state where inhibitions are shed? And can an improv state of mind be a skill that can be learned?I'm asking this with a bit of self interest as I have two practices that I've approached from completely different directions – cello and graphic design. And I am, as usual, probably overthinking things, but I do wonder how these work alongside my natural instincts.Karl Bielik makes art and music, both of which, to me at least, feel rooted in a mind where lawlessness, turbulence and spontaneity rule. I really enjoy the feeling of dislocation and uncertainty and surprise from listening to his music and it feels like improvisation and experimentation plays a strong part in his work.Earlier this year, his music project, Lark, released its first album for 7 years. It's called Be Still and it's another beautifully unpredictable, unnerving collection of ideas and inventiveness that, like the rest of the catalogue, displaces me, yet draws me back in.This is a really fun and enlightening chat and I hope you learn as much from Karl as I did.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

It's fascinating to look back at the catalogue of band like Crocodiles , not that there are too many bands like Crocodiles. There's the consistency – the tunes, the hooks, the harmonies, the feeling of escapismThere's the unexpected – the sonic departures, the reinvention, how they make a new Crocodiles record always sound…just kinda Crocodiles… how they throw you an entire record of covers that blows you to the moon and then deliver something that confounds you but doesn't in a kind of “how the fuck do they do it?” kinda way..…they hit you with Upside Down In Heaven, which, for me where I am in my life now, is my favourite.Anyway, Brandon Welchez is now also getting stuck into a new project –  Psychic Pigs  – and it's this adaptability to doing new things, working with different people and in ways that are possibly a little bit alien, getting out of your comfort zone, this open mindedness to take on new challenges that really interests me and I hope you'll really get stuck into what Brandon has to say.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

The opening paragraph of Justin Pearson's first book “From The Graveyard of the Arousal Industry” tells a story of how, when his mother had just given birth to him, that another new mother asked if she wanted to swap babies – her Frank for Justin. I'm not sure that JP himself is sure of the truth of that story, but hey, we live in a world where fewer and fewer people, certainly in government, media and other esteemed corporations, give fewer fucks about whether they tell the truth, so I kinda feel that it's my turn to say that doesn't matter if this story is true or not. Whatever…it almost feels like it could have been a pre-cursor or metaphor for his life where weird shit – good, bad, absurd and indifferent and everything else you can define as weird - often finds a way to his front door.There are just way too many stories for even my brain to compute, but I guarantee that reading each of his four books will make you look at your own life, and, afterwards, perhaps the temptation to buy that latest AI infested fridge freezer appliance might be met with a little less enthusiasm. Or perhaps you'll just think Fuck That and crack on and buy it. Who knows, the world is very unpredictable. Talking of which, for me it's the unpredictability of what's gonna emerge from Justin's open-minded creativity that gives him such a unique, positive energy. You can't predict what he'll be cooking up next and who with – maybe he can't either perhaps because that creativity comes from instinct - but you know that it's going to be exciting and you know that you will want to experience it, be part of it, whatever. Dig in to this with one of the world's most subversive creatives and wonderful humans.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- swirl logo and art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste