Podcasts about dan b

Dan B

”Pădurea Băneasa este în pericol! Deschiderea circulației auto prin pădure va avea consecințe grave asupra celei mai mari zone naturale a Bucureștiului”. Semnalul de alarmă vine de la zeci de organizații de mediu, care critică un acord între Direcția Silvică Ilfov și Federația Greenfield Băneasa, care le-ar permite locuitorilor din complexul respectiv să folosească drumul forestier din pădure. Invitați la emisiunea Planeta Verde au fost Dan Bărbulescu, director executiv la Asociația Parcul Natural Văcărești și Alex Oprița, coordonator de advocacy la ONG-ul amintit.Care vor fi consecințele deschiderii circulației auto pe un drum forestier din Pădurea Băneasa?Ce alternativă există la soluția propusă de autorități?Cine e de vină pentru întreaga situație?Ce se poate face pe viitor pentru a se evita situații similare?Ce mai pot face acum ONG-urile de mediu?Cât contează mobilizarea organizațiilor neguvernamentale și a mișcărilor civice, când vine vorba de abuzuri de mediu?

Archive: The Atlantic Group Tuesday Night Speaker Meeting December 13, 2016 Main Speaker: Dan B. Welcome to the Atlantic Group Podcast. Our 7th  tradition states, “Every A.A. group ought to be fully self-supporting declining outside contributions.” Your contribution covers the expenses of our group, this podcast, and also that of our AA service structure. If you are an AA member who finds this podcast helpful, you can contribute using Venmo @AGTradition7 or Zelle at AGNYCINFO@gmail.com. Under what's it for, please write AG Podcast. Thank you for your support. For any questions, please e-mail: TuesdayAGNYC@gmail.com

CELÝ ROZHOVOR V DÉLCE 60 MIN. JEN NA ⁠HTTPS://HEROHERO.CO/CESTMIR⁠⁠⁠⁠ A ⁠HTTPS://FORENDORS.CZ/CESTMIRMít playback je podle něj hanba. Správné je zpívat živě, a nejlépe to, co si o světě myslí, popisuje zpěvák a milovník přírody Dan Bárta. Sám si nepřipouštěl, že by mu takový přístup mohl přinést nějaké nevýhody, ale zároveň nikdy neuvažoval nad tím, že by svůj život vzal za špatný konec. V hudebním světě i dnes nachází mladé muzikanty, kteří hrají tak, jak on podle svých slov už nikdy hrát nebude. „Zjistil jsem ale, že muzika existuje objektivně, jako matematika – tři plus tři je v ní šest,“ říká muzikant o tom, jak se při společném vystupování „propojil“ s americkým hudebníkem Bobbym McFerrinem, se kterým měl možnost si zahrát v roce 2010. V nové dokumentární sérii Krajina Dana Bárty hudebník a přírodovědec upozorňuje na to, co lidé kolem sebe často přehlížejí. „Člověk je často sebestředný. V přírodě vnímá jen to, jak ovlivní jeho vlastní prostředí. Zda bude mít jedovatou mrkev, nebo nebude mít kde sportovat,“ kritizuje vystudovaný ekolog, ale zároveň si myslí, že strašit lidi alarmistickými titulky nemá smysl. Bárta v rozhovoru vysvětluje, že když má člověk děti, jeho pohled na budoucnost se „rozplizne“ a začne přemýšlet i nad tím, aby svým potomkům sám nepřidělal práci. Jak se vyrovnává se stárnutím? Jak vnímá ekologické aktivisty a proč se svět nedokáže domluvit na společných krocích k ochraně přírody? Poslechněte si.

Jeho uskupení Illustratosphere funguje už pětadvacet let. Hudba je podle něj jeden z nejjednodušších způsobů, jak ze sebe dostat emoce. Je taky milovníkem přírody. „Chtěli jsme ukázat, že změny v krajině jsou intenzivní a viditelné pouhým okem,“ říká ve Vizitce k seriálu Krajina Dana Bárty. Kdy přesedlal z brouků na vážky? A jak vzpomíná na cestování na přelomu analogové a digitální doby? Ptá se Karolína Koubová.Všechny díly podcastu Vizitka můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Jeho uskupení Illustratosphere funguje už pětadvacet let. Hudba je podle něj jeden z nejjednodušších způsobů, jak ze sebe dostat emoce. Je taky milovníkem přírody. „Chtěli jsme ukázat, že změny v krajině jsou intenzivní a viditelné pouhým okem,“ říká ve Vizitce k seriálu Krajina Dana Bárty. Kdy přesedlal z brouků na vážky? A jak vzpomíná na cestování na přelomu analogové a digitální doby? Ptá se Karolína Koubová.

Dan Bárta není jen hudebníkem s nezaměnitelným hlasem, ale také vášnivým přírodovědcem, který svou lásku k přírodě přenesl i na televizní obrazovky. Ve svém novém pořadu Krajina Dana Bárty poukazuje na alarmující změny české krajiny, která se kvůli intenzivnímu zemědělství a klimatickým změnám mění v nehostinnou pustinu. V rozhovoru na Frekvenci 1 prozradil, co ho přivedlo k ochraně přírody, jak se snaží hledat řešení a proč je důležité nezůstávat jen u teorie. Zároveň zavzpomínal na své první nahrávky a prozradil, jaká byla jeho první špatná známka. To vše a mnohem více odhaluje Dan Bárta v rozhovoru na Frekvenci 1.

V novém dokumentárním seriálu České televize se Dan Bárta sžívá s biorytmem včel, stopuje invazní druhy, vlky i příklady dobré praxe, kterou člověk krajině přispívá. „Jednak bychom viděli něco, co funguje, jednak si myslím, že hlubinně psychologicky je každý z nás nastavený tak, že pokud prochází krajinou, která kvete, žije a je šťavnatá, tak se cítí dobře,“ popisuje zpěvák vytváření oáz divočiny. Jak si představuje ideální správu krajiny? A jak vnímá svou roli v síti života?Všechny díly podcastu Host Lucie Výborné můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Né à Tokyo de parents franco-japonais, Dan nous présente ses différentes activités regroupées au sein de son entreprise Ilyfunet : le centre culturel Espace Japon à Paris, qui regroupe une cantine / salon de thé / izakaya, des cours de japonais ou encore des ateliers culturels divers ; la publication des journaux mensuels Zoom Japon et OVNI, en français et en japonais.

It's iFanboy 20/25 -- 20 years of podcasting and 25 years of iFanboy! If you've seen the news, you probably know Los Angeles resident Conor Kilpatrick is going through some stuff. But the balm of the show works its magic on he and Josh Flanagan once again. Thank goodness it was also a strong week of comic book releases. Note: Time codes are estimates due to dynamic ad insertion by the distributor. Running Time: 01:03:45 Pick of the Week: 00:01:58 - Absolute Batman #4 Comics: 00:09:31 - DC vs. Vampires: World War V #6 00:17:59 - Those Not Afraid #1 00:22:39 - Aquaman #1 00:31:09 - Welcome to the Maynard #2 00:34:39 - Magik #1 00:37:20 - Transformers #16 00:42:05 - Batman: Dark Patterns #2 Patron Pick: 00:44:15 - The Lucky Devils #1 Patron Thanks: 00:50:45 - Chris Listener Mail: 00:52:38 - Dan B. wonders under what circumstances these books get read. Brought To You By: • Better Help – This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/ifanboy and get on your way to being your best self. • iFanboy Patrons - Become one today for as little as $3/month! Or join for a full year and get a discount! You can also make a one time donation of any amount! • iFanboy T-Shirts and Merch - Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got SEVEN BRAND NEW DESIGNS -- twenty in all! Music: "Dancing for Rain" Rise Against Listen to Conor, Josh, and Ron discuss The Crow (1994) on Cradle to the Grave. Listen to Conor discuss Swingers on Movie of the Year: 1996. Listen to Conor discuss Ghostbusters on Movie of the Year: 1984. Learn more about your ad choices. Visit megaphone.fm/adchoices

Here is a bit about Dan B in his own words:  I grew up in a nuclear family filled with addicts and alcoholics.  In 1995, I began a long term relationship with an alcoholic and sex addict.  That relationship and eventual marriage led me on a journey with stops in many forms of institutions and hospitals.  By the grace of God, I attended my first Al Anon meeting on July 19, 2004 and my first S-Anon meeting on January 13, 2010.  In 2023,  for a reason I don't yet see, my S-Anon friends named me Yodanon.  I am proud of being named after the wisest (non conference approved) Jedi knight.  Finding my voice through public speaking and serving others helps me earn my emotional sobriety, one day at a time.  In this Reco12 Speaker Meeting, Dan speaks with us about making 9th step amends with himself and with his Higher Power.  Reco12 is all about exploring the common threads of addiction and sharing tools and hope from those on a similar path. We gather from diverse backgrounds, faiths, and places to learn and support one another. Our speakers are members of various fellowships, addictions, and afflictions, thus showing the common threads of recovery, no matter our addiction or affliction.   As this is the final Reco12 Speaker meeting of the year 2024, I just want to thank you all for another wonderful year, and wish you all a very happy holidays and a happy new year.  Reco12 values your support in carrying out our 12th Step mission, providing essential resources for addicts and their loved ones. We welcome contributions to cover Zoom, podcast, web hosting, and administrative costs. Become a Reco12 Spearhead by becoming a monthly donor at https://www.reco12.com/support. For one-time donations, you can use PayPal at https://www.paypal.me/reco12 or Venmo at @Reco-Twelve or with Patreon at https://www.patreon.com/Reco12Spearheads  Your support makes a meaningful impact – thank you!Resources from this meeting:Al-AnonS-AnonSAChristmas Carol by Charles DickensOutro music is "Just Can't Do this On My Own" written by James Carrington, Thomas Barkmeijer and Paul Freeman and performed by James Carrington and used with full permission of James Carrington.  To learn more about this music and performer, please visit https://www.jamescarrington.net/ and https://m.facebook.com/jamescarringtonmusic ."Support the showPrivate Facebook GroupInstagram PageBecome a Reco12 Spearhead (Monthly Supporter)PatreonPayPalVenmo: @Reco-TwelveYouTube ChannelReco12 WebsiteEmail: reco12pod@gmail.com to join WhatsApp GroupReco12 Shares PodcastReco12 Shares Record a Share LinkReco12 Noodle It Out with Nikki M PodcastReco12 Big Book Roundtable Podcast

The battle has begun! For a long time, scholars have said that Jesus nullified all the former Jewish laws about which foods were okay to eat and which were impure, and therefore not fit for consumption. The main passage that they used to justify this idea comes from Mark 7. Well this week our guest is going to blow your mind. Hint: your stomach might be more powerful than you knew! Logan Williams has just written a paper [you can find it here] that could totally change how scholars view this passage. What does his argument hinge on? Syntax and grammar! Rejoice, ye language nerds, for we're taking a deep-dive into the murky depths of participles, cases, and other complex aspects of ancient Greek. For non-nerds, just enjoy Dan B trying to keep afloat on this complicated but actually fascinating sea of linguistic parsing. For early access to an ad-free version of every episode of Data Over Dogma, exclusive content, and the opportunity to support our work, please consider becoming a monthly patron at: https://www.patreon.com/DataOverDogma      Follow us on the various social media places: https://www.facebook.com/DataOverDogmaPod https://www.twitter.com/data_over_dogma Hey! Don't forget to pre-order Dan McClellan's upcoming book The Bible Says So https://static.macmillan.com/static/smp/bible-says-so-9781250347466/?fbclid=IwY2xjawGLTkpleHRuA2FlbQIxMAABHQY4Ahs0Hi289IcnsQMh_0OAVf3oGefyUsWkLjhfB8OF8nio1fmroJbXxA_aem_v_4sISp8Zt43zsKfDjx1aA This episode was sponsored by BetterHelp Learn more about your ad choices. Visit megaphone.fm/adchoices

Donald Trump gør comeback i Det Hvide Hus. Skal vi nu igen forberede os på en præsident, der har tænkt sig at hælde den grønne omstilling ned ad brættet og bygge en toldmur omkring USA? Eller er panikken overdreven? Bundlinjen stiller skarpt på valgets konsekvenser for de danske virksomheder. I studiet: Erhvervskommentator Henrik Ørholst. Ledelsesrådgiver Lars Sander Matjeka. Virksomhedsredaktør Søren Linding. Vært: Rasmus Bendtsen, nyhedsredaktør på Finans. Produceret af: Kasper Søegaard, podcastredaktør på Finans.See omnystudio.com/listener for privacy information.

In this episode of A Load of BS on Sport, we sit down with Shaun Edwards, the legendary defence coach of the French national rugby team and a former playing great who has shaped the careers of countless athletes, including our very own Dan Biggar.We dive deep into Shaun's coaching philosophy, the cultural nuances of rugby and the secrets behind building a winning mentality. Show notes:Coaching StyleShaun emphasises clarity and simplicity in coaching, advocating concise communication Cultural DifferencesShaun notes the strong work ethic and commitment of French players, challenging stereotypes about their approach to the gamePlayer InsightsDan B shares his perspective on Shaun as a coach, highlighting his commitment to improving players and fostering a strong team cultureEmphasis on importance of personal connections and understanding players' motivationsTeam DynamicsThe importance of conflict and differing opinions in creating a successful team environmentLegacy and InfluenceShaun reflects on his impact as a coach and the importance of being approachable and relatable to playersDan B acknowledges Shaun's ability to make defence engaging, fostering a culture of pride in defensive performancePlayer DevelopmentDesire for Improvement: Shaun values players who show a willingness to improve and engage with the coaching process. He appreciates when players have opinions and ask questions, indicating their investment in the gameIndividualised Feedback: He focuses on giving targeted, actionable feedback to players, allowing them to see specific areas for improvement and reinforcing what they do wellCoaching and LegacyImpact Beyond Defense: Shaun expresses his desire to be seen as a coach who cares deeply about his players' overall development, not just their defensive skills. He aims to be remembered for creating a positive environment where players feel valued and understoodLearning from Experience: Both Shaun and Dan B reflect on the importance of learning from past experiences and failures, shaping their approach to coaching and playingPersonal InsightsSelf-Doubt and Humility: Shaun acknowledges that even successful coaches experience self-doubt and emphasises the need for humility in leadership rolesPlease leave a review if you like the podcast; and share with friends. Your support makes us very happy! Get the podcast in your inbox every week by subscribing here Find out more on our website Follow the podcast on LinkedIn Follow Dan R on LinkedIn Follow Dan R on Twitter Follow Dan B on LinkedIn Podcast music: Tamsin Waley-Cohen's Mendelssohn's violin concerto

This week, the two Dans welcome their Rugby hero Jonny Wilkinson to the pod. You will be hard pressed to find a more eloquent, thoughtful and deep thinking sportsman than Jonny.In this episode, we discuss:- Dan B's and Jonny's French grammar tips- Reputation from youngster to oldie- Jonny's bizarre sense of humour- Jonny's 3 personality archetypes: warrior, saviour & martyr- Finding balance in life and sport: Jonny discusses how the constant search for balance — between effort and relaxation, discipline and freedom — has shaped his life and career- Embracing vulnerability and humiliation as powerful tools for growth, both on and off the rugby field- Reframing success: rather than being defined by his 2003 World Cup success, Jonny emphasises focusing on the present and future, seeing past glories as one part of an ongoing journey- Jonny shares his thoughts on pressure, highlighting that it's often a mental construct we can choose to engage with or let go ofPlease leave a review if you like the podcast; and share with friends. Your support makes us very happy! Get the podcast in your inbox every week by subscribing here Find out more on our website Follow the podcast on LinkedIn Follow Dan R on LinkedIn Follow Dan R on Twitter Follow Dan B on LinkedIn Podcast music: Tamsin Waley-Cohen's Mendelssohn's violin concerto

Ingvild returnerer fra Forsvarets årlige indoktrinering av diverse Stortingsrepresentanter for å snakke sykelønn, reality-TV og den viktige balansen mellom dyrevern og opprustning. Kristin har vært på vestkanten, Sveinung har snikskrytt på Instagram og samtlige etterlyser renessansen til Dan Børge Akerø i monitor. Vi rakk ikke å snakke om ordføreren i Stavanger, men spoiler: det kommer neste uke.

Je možné překročit hranice poznání toho, zda Bůh je nebo není? A může tomu napomoci schopnost zastavit se a pozorovat? Také o tom, co se děje, když pozoruje vážky, mluví v Zákoutí zpěvák a entomolog Dan Bárta.

Zpěvák Dan Bárta nebo spisovatel Jan Štifter. I tyto dvě osobnosti budou letos součástí kytarového festivalu v Českých Budějovicích. Říkáte si, že mají skrytý talent, o kterém jste dosud nevěděli? Zajímá vás, jak se zapojí do festivalu Na dvanácti strunách? Poslechněte si rozhovor s kytaristou a zakladatelem akce Pavlem Steffalem v kulturním magazínu Kavárna.Všechny díly podcastu Kavárna můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Conor's back! But for how long? Plus, somehow a listener question about double-page spreads leads to a deep rabbit hole about old TV watching. Note: Time codes are subject to change depending on dynamic ad insertion by the distributor. Running Time: 01:07:40 Pick of the Week: 00:02:27 – The Amazing Spider-Man #940 Comics: 00:12:36 – Ultimate Spider-Man #3 00:16:25 – Duke #4 00:20:06 – The Goon: Them That Don't Stay Dead #1 00:29:46 – G.O.D.S. #6 00:32:39 – Thunderbolts #4 00:35:15 – Newburn #16 00:38:25 – Alan Scott: The Green Lantern #5 Patron Pick: 00:40:48 – Batman: Dark Age, Book One Patron Thanks: 00:46:59 – Don Mynack Audience Questions: 00:49:21 – Dan B. has a big problem with digital double-page spreads. 00:57:03 – Ben H. makes a Booksplode request. Brought To You By: • iFanboy Patrons – Become one today for as little as $3/month! Or make a one time donation of any amount! • iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got thirteen designs! Music: “Centerfield” John Fogerty Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we are joined by author Dan B. Fierce as we discuss the Hoia Baciu Forest in Romania. We also talk Dan and my's days at a Westport (in Kansas City) eatery called Lucille's. We also talk Krysta, a recent injury and her metatarsil ductis and so much more as we look into the Bermuda Triangle of Romania (but what should more appropriately be called the Skinwalker Ranch of Romania) in this nostalgic, feel good, man the world is just plain weird sometimes episode of the Family Plot Podcast.

À la tête de cet événement se tient Dan Béran, le visionnaire qui a su transformer une simple compétition en une expérience inoubliable. Son engagement indéfectible envers la Coupe de Noël a fait de cet événement une tradition chère au cœur de Genève, unissant les habitants dans une camaraderie chaleureuse et festive année après année. Plongez-vous dans l'histoire captivante de Dan Béran et de la Coupe de Noël sur le lac Léman en écoutant notre dernier podcast. Découvrez les coulisses de cet événement emblématique, les défis surmontés et les moments inoubliables partagés par la communauté genevoise.

EP51 - Your First Solo What's it like to solo? Ben, Brian and Ted discuss their flight training and their respective first solo flights.  We respond to listener feedback from Dan B. who asked about dealing with the jitters and doubts that inevitably pop up in every pilots journey. Brian's solo vid: https://youtu.be.com/A7ma6pvmwxM Ted's solo vid: https://youtu.be/L5EPZzUshHw OG Chris Moran's solo vid: https://www.youtu.be/0e5tfl_DpRc OG Chris Moran choosing not to fly: https://www.youtu.be/zoFxLpcd7og EP16, what are you most afraid of in flying? https://podcasters.spotify.com/pod/show/midlifepilot/episodes/EP16---What-Are-You-Most-Afraid-of-in-Flying-e1joodd The surprise and startle responses in flying: https://skybrary.aero/articles/surprise buy merch! https://store.midlifepilotpodcast.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/midlifepilot/message Support this podcast: https://podcasters.spotify.com/pod/show/midlifepilot/support

#music #podcast #guitarsolo The Cacophony Sessions are back with their thoughts on greatest guitar solos of all time. Joining Dan Whitell on this episode are Alex, Tom and Martyn; each with two pics for a discussion on what makes a guitar solo work - and what doesn't. The playlist containing all of our picks (including Dan B's and Jim's in spite of their absence from this episode) can be found on Apple Music and Spotify:https://music.apple.com/gb/playlist/shredders-revenge-or-just-axin-questions/pl.u-xlyNBoltkJxKX8https://open.spotify.com/playlist/2Vg5tA1SbXXB6HWNImQL7LIn this episode we spend a good thirty minutes or so going through some of the comments we've had on the subject as well, meaning that we cover a lot of different songs in this one. Also discover the two reasons Tom hates guitar solos (feat. science), Alex's latest band name, Baphomet's penchant for gran turismo, carnival metal and one of us channels our inner Dennis Reynolds.From this point on, all of our episodes will be available for free in full on both audio platforms and the YouTube channel. If you are interested in supporting our Patreon we will now be making monthly Q&A videos so sign up to have your questions answered by a member of the Cacophony Sessions team! As always, make sure you follow us on social media, and please like and subscribe to keep this Cac train rolling.Thanks for watching, see you in December for our overrated episode!Stay Funkyhttps://cacophonysessions.com/https://www.patreon.com/TheCacophonySessionsSupport the show

Hot dog talk leads to contention but you can still rely on the Jamokes and Dr. Haupt to help you ketchup on this week's comics! Note: Time codes are subject to change depending on dynamic ad insertion by the distributor. Running Time: 01:17:59 Pick of the Week: 00:02:33 – Marvel Age #1000 Comics: 00:20:14 – Batman/Catwoman: The Gotham War – Battle Lines #1 00:26:21 – Ms. Marvel: The New Mutant #1 00:34:17 – Local Man: Gold 00:38:20 – Action Comics Presents: Doomsday Special #1 00:41:37 – The Hunger and the Dusk #2 00:44:42 – Blade #2 Patron Pick: 00:48:07 – Marvel Age #1000 Patron Thanks: 00:50:30 – Kenneth Derrick Audience Questions: 00:53:31 – Mike H. from Buffalo, New York wants to know how noisy the Green Lantern Corps is? 00:59:29 – Dan B. pits the nerds against the jocks asking which type of trivia is more useless? 01:05:54 – Pete B. asks how the Jamokes would run a Metropolis-based hot dog cart. Brought To You By: • Better Help – This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/ifanboy and get on your way to being your best self. • iFanboy Patrons – Become one today for as little as $3/month! Or make a one time donation of any amount! • iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got twelve designs! Music: “Margaritaville” Jimmy Buffett Learn more about your ad choices. Visit megaphone.fm/adchoices

Je zpěvákem známým tím, že fotí vážky. „Měl jsem spolužáka a zajímala nás zvířata. Zvrtlo se to ve chvíli, kdy jsme si sehnali knížku o preparaci hmyzu. Myslím, že je to v člověku odmala,“ uvažuje. Které kapely poslouchal jako kluk? Kolik zemí navštívil a je nějaké místo, kde by chtěl žít? Existuje vážka, kterou ještě nevyfotil? Jak vypadá jeho současný život zpěváka? O čem bude seriál pro ČT o české krajině?Všechny díly podcastu Blízká setkání můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Je zpěvákem známým tím, že fotí vážky. „Měl jsem spolužáka a zajímala nás zvířata. Zvrtlo se to ve chvíli, kdy jsme si sehnali knížku o preparaci hmyzu. Myslím, že je to v člověku odmala,“ uvažuje. Které kapely poslouchal jako kluk? Kolik zemí navštívil a je nějaké místo, kde by chtěl žít? Existuje vážka, kterou ještě nevyfotil? Jak vypadá jeho současný život zpěváka? O čem bude seriál pro ČT o české krajině?

The second part of The Cacophony Sessions'  discussion of all 25 Bond themes continues in 'You Only Bang Twice', in which Dan Whitell, Tom, Dan B and Alex critique the Bond themes of the 1980s to the present. If you missed the first part, you can listen to the audio or watch the video to catch up on the scores so far. A playlist of all the themes in chronological order can be found on Apple Music (curated by Dan) and Spotify.As this is a bonus episode, it's not quite as long as some of our previous episodes so we've made the entire thing available over on the YouTube channel for free this month! That doesn't mean we'll be getting straight to the point though - everyone ends up having a go on Does It Slap and we end up covering bands that would suck at Bond themes, a few acts that should have been given the chance and there are way too many Limp Bizkit references. Dan throws some Prince mentions out there for good measure and tries his hand at his worst chart rundown voice.We'll be moving away from Bond in August and will be presenting the Top 15 Songs of 2003 next so make sure you keep yourself notified by subscribing to our YouTube channel and reading our blog, where you can find a summary of all our scoring as well as links to other articles and further information about us. As mentioned we're on Instagram now too, as well as Facebook, Twitter and Patreon. If you can't give £5 a month to support us (and see every episode just as you can with this one), please leave a review on Apple Podcasts or give us a like or even a comment on any of our various social media accounts.Don't forget you can check out our exclusive interview with The Scribes and we'll have a Wham Slammin' Seven and a brand new CAC News coming at your senses in the next couple of weeks too!Stay Funky, Cacophants.Support the show

Dan Bøhler   26.07.2023 22:41 Hvert døgn publiserer Document mellom 40 og 60 saker du sjelden eller aldri finner i hovedstrømsmediene. Document beskriver ting som de er, ikke slik myndighetene vil de skal være! Se Kortnytt og andre produksjoner på vår nye YouTube-kanal. Kortnytt er et forsøk på å nå ut til enda flere lesere og seere som ikke kjenner til oss fra før. Flere lesere og seere vil gi oss mer muskler, flere abonnenter og med det kanskje gjøre oss i stand til å vekke flere fra Tornerose-søvnen så mange lider under.

Do yo think you know your apostles? Can you name the original twelve? Is that even a thing that can actually be done? It seems like it should be a simple task, but this week the Dans dive in to the apostolic deep end, and find a total mess waiting. First, it's "what's in a name?" when Dan B can't figure out who is who. Fortunately, Dan M is there to step in and explain all the name-changes, the translations and transliterations, and possible substitutions in the original apostle roster. Then, it's "whatever happened to baby Junia?" We look at Paul's epistle to the Romans, and ask... did he just mention a woman apostle? 'Cause it seems like he just mentioned a woman apostle! If you want to support our work, please consider becoming a monthly patron at: https://www.patreon.com/DataOverDogma Also, follow us on the various social media places: https://www.facebook.com/DataOverDogmaPod  https://www.twitter.com/data_over_dogma Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the first episode of Null Signal Station, the official NSG podcast! Join Ed, Ginevra and Sanjay as they catch you up on all the goings on in the Netrunner Community. This episode: Meet the Team! Ed and Sanjay take a look at recent and upcoming events The hosts catch up with NSG marketing lead DanB Part 1 of The Rules Desk, where special guest Cephalopod Wizard takes a look at Formicary Music - StevieMac Art - Jakuza, Spencer Dub Editing - Ben P (edited)

Are you ready for our TWO PART James Bond Theme Special? You'd better be! Part One of The Cacophony Sessions Season 4 Episode 4 is here and features Dan Whitell with Alex, Dan B, Tom and Martyn as they chronologically rate each of the main themes from every James Bond movie. This part begins with the original 007 film Dr No from 1962 and takes us up to the end of the seventies, ending with 1979's Moonraker.Part Two of this episode will be coming shortly containing the remaining movies. The only way to cover it comprehensively was to record two full-length episodes so consider that a bonus!If you think this means we are going to rush through without our usual brand of subjective butt-hurt ranting, we're glad to disappoint as in this part we take some time to respond to YouTube comments, bang on about Run-DMC for a bit, contemplate becoming Den with ven and use the Factchecker 3000's blindspots to spout questionable facts about football. As always, the language is very sweary and this time, Dan has a wonky green screen which will undoubtedly ruin his bid to be the next Bond.Thanks for listening, and if you weren't aware a large taster of every episode is uploaded in video format to our YouTube channel. We also post other videos, such as CAC News, where we give you a rundown of the latest goings on in music every couple of months, and Dan's recent interview with Bristol hip-hop trio The Scribes! Become a Cacophant by joining our Patreon for just £5 a month to gain access to the video link to each episode in full. You can hurl abuse at us over on Twitter or Facebook and now, you can follow us on TikTok and Instagram where we'll be posting various shorts from the episodes and other music-related pictures and videos. This is all detailed over at our hub of operations - the Cacophony Sessions Blog.Oh, and we encourage you to all have a go at our cardigans or other opinions. Leave us a review if you like. Cardigan or content, either is helpful.Support the show

Matt, Dan0, and Stormraige are back! We've got Twist news! We've got Twist Salt! We've got a Twist patron thank you! A special thank you to Dan B. and ElectricSheepCity this week! The Gaming BlenderEver wanted to design a video game?Listen on: Apple Podcasts SpotifySupport the showContact: http://linktr.ee/squelchcast

Nick, Johnny, and Eric sat down in the most Reverb-filled room in all of Massachusetts to chat with Dan B, the Marketing Lead for Null Signal Games and Tournament Organizer for the Rhode Island Area. If you like this content, consider joining our Patron or leaving a donation towards gear upgrades: https://www.patreon.com/neonstatic https://www.buymeacoffee.com/neonstatic Links discussed in the episode: - US East Coast Nationals is happening on July 29th and 30th at Redcap's corner in Philadelphia, PA. Tickets are on sale now! ⁠⁠⁠https://www.redcapscorner.com/event/netrunner-national-championships-2023/⁠⁠⁠ - There is a mentorship program for US East Coast Nationals to help players looking to make the jump into standard. More information on that can be found on the NEH page: ⁠⁠⁠https://www.nearearthhub.net/us-east-coast-nationals⁠⁠⁠ - Sunday, July 30th will be a startup side event tournament, alongside a fun achievement list (which can also be found on NEH). - ⁠Netrunner on Billions⁠ - ⁠Buy a Neon Static T-Shirt!⁠ - ⁠WMUR News Segment covering a break in at our game store⁠ - you can see Netrunner Cards being shuffled on News! - ⁠Organizer Downloads from Null Signal Games⁠ - ⁠Eric's github fork of dodgepong's card overlay tool⁠ -------------------------------------------------------------------------------------------------------------- Join the New Hampshire Netrunners Discord Server: ⁠⁠⁠https://discord.gg/SHbcRsgJ6T⁠⁠⁠ Join the New England Netrunners Discord Server: ⁠⁠⁠https://discord.gg/q9DVvBXAwx⁠⁠⁠ Join the Green Level Clearance (Global Null Signal Games) Discord server: ⁠⁠⁠https://discord.gg/glc⁠⁠⁠⁠Buy a Neon Static T-shirt! ⁠ Reach out to us with questions and feedback via: Email: neonstaticpod@gmail.com Mastodon/Instagram: @neonstaticpod --- Send in a voice message: https://podcasters.spotify.com/pod/show/neon-static/message

Krucipüsk, Sto zvířat, Piráti Baltiku, Circus Brothers, Vasilův Rubáš, Holki, Buty, Kamil Střihavka, Dan Bárta, Dara Rolins ... ještě nedozněl Všudybud a už se na Českolipsko valí další kapely. Pokud chcete komornější věci, tak živo bude i v hudebních klubech či na usedlosti Hockehof. Do programu v regionu několikrát přispěje i naše škola v Oknech. --- Send in a voice message: https://podcasters.spotify.com/pod/show/milan-brta/message

This week, Dan B looks to the book of Revelation to explain why UPC bar codes and covid vaccines are bad. But Dan M steps in with his decoder ring, and with just a little sleuthing, they finally solve the mystery of the mark of the beast (hint: it was old man Caruthers, the spooky mansion's caretaker, and he would've gotten away with it too, if it hadn't been for those meddling kids!) Then, Dan M digs into his dissertation grab-bag and pulls out Prototype Theory. And somehow in the process, he manages to ruin dictionaries for everyone.   If you want to support our work, please consider becoming a monthly patron at www.patreon.com/DataOverDogma   Also, follow us on the various social media places:  facebook.com/DataOverDogmaPod twitter.com/data_over_dogma Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Laura, Krysta and Dean are joined by author Dan B. Fierce as they discuss the Piasa. The Piasa is a strange creature that the Cahokia painted on walls in Alton, Illinois. But first, we check in with Krysta who use her corner to talk her girlfriend before we discuss the Cahokia Kingdom, the possibility that the native American legend of the underwater panther may be a representation of a bull shark, plus special birthday messages for Krysta's upcoming 14th birthday and so much more on this special episode of the Family Plot Podcast!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4670465/advertisement

A friendly wholesome conversation with LSPC's friends John H, Stan B, Jean-Marie D, Mike H, Randez W, Chris F, Justin R, Nick M, Jim M, Fred R, Johan H, Dan B, Simon K, Carlos M, Dan D, and Darrell P where we talk about Life, Love, and Leica's (C) [The IXVI Network]. --- Support this podcast: https://podcasters.spotify.com/pod/show/lspcricky/support

What does success look like, as a writer? And is it crucial to stay within one genre or is it safe to consider other stories?Guest: Dan B. FiercePromo: Nameless MonstersDisclaimer: Dean, Family Plot PodcastMusic: Jake Pierle -- https://jakepierle.bandcamp.com/Ignorance Was Bliss online: https://linktr.ee/iwbpodcastSponsor: Bath By Bex (code CBDkate for 15% off)

An old friend who is now over 100 days alcohol-free and is thriving more than ever. https://stan.store/Teetotaltrainer

Hva var det som fikk Dan Børge til å brekke seg under TV aksjonen i 2008? Vi diskuterer også myter om HJL, og får besøk av Steinar Sagen og Ahmed Mamow. Hør episoden i appen NRK Radio

On this episode of the Loveonaroll podcast A Conversation with my friend Dan B . Thank you all so much for your love and support and don't forget to check out loveonaroll on Instagram Facebook tick-tock and check out our online store! And my tick-tock and my medium Page too. https://loveonaroll.secure-decoration.com/shop https://linktr.ee/Loveonaroll https://www.youtube.com/watch?v=uJr4wGcLNsA https://podcasts.apple.com/us/podcast/solo-the-single-persons-guide-to-a-remarkable-life/id1493565823 Look it up wherever you listen to your podcasts https://justinterabledthings.com/ https://www.etsy.com/shop/justinterabledthings https://medium.com/@gmayersohn/you-are-not-alone-even-if-you-are-not-in-a-relationship-date-yourself-6ba0e206d6a4 Until next time remember Love will save the world and peace out! loveonaroll@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Armenian News Network/Groong: Current Topics with the Mayor of Glendale - July 14, 2022A Conversation with Ardy KassakhianTopics:- Mayor and Councilman of Glendale- June 2022 Elections- US National Politics- Armenian-American Political Advocacy- Turkish-Armenian “Normalization”- Relations between Glendale and ArmeniaGuest: Ardashes ‘Ardy' Kassakhian is a Glendale City Councilman and the current mayor of Glendale.Hosts:Asbed Bedrossian TW/@qubriqHovik Manucharyan TW/@hovikyerevanEpisode 147 | Recorded on Wednesday, July 13, 2022Show notes: https://groong.org/podcasts/CoG-20220714.html

Sign up for our brand new 14-day Credit Hero Challenge.Hey everybody!Today's episode is a super-important one. If you have any money whatsoever in a bank account, then you HAVE TO check out this episode!Because today, we want to show you how you can protect you and your family's money from evil scams that are plaguing our networks.I'm joined by finance expert Dan B. Dan is here to tell us his own experiences with scam artists, including how one close family member of his lost more than a six-figure sum to a scammer.We're gonna talk about what active steps you can take to be more aware of this, and keep you and your family safe!Make sure you check it out!Key Takeaways:Intro (00:00)Dan's family experience (02:01)How one of our close friends lost money (13:20)How these scams are so common (18:24)What to do when something is too good to be true (21:07)The best tips on protecting yourself (24:08)Episode wrap-up (25:08)Additional Resources:- Get a free trial to Credit Repair Cloud- Get my free credit repair training - Check out our Credit Repair Academy!Make sure to subscribe so you stay up to date with our latest episodes!

Der er store ændringer på vej i det danske uddannelsessystem, hvis det står til den reformkommission, regeringen nedsatte i 2020. Blandt andet skal man kunne blive kandidat på fire i stedet for fem år, optagelsessystemet skal ændres, så karakterræset bliver mindre. Og så skal de studerende selv betale for SU'en på kandidaten. Vi dykker ned i kommissionens forslag, får reaktionerne og spørger, om det overhovedet kan blive en realitet, når den siddende regering allerede har afvist flere dele af kommissionens forslag. Flere af de største virksomheder i Danmark er i gang med at afvikle eller deaktivere deres aktiviteter i Rusland. Det gælder for bryggerigiganten Carlsberg, som i sidste uge meddelte, at man sætter sine russiske bryggerier til salg og forlader landet. Arla, som i denne uge meddelte, at virksomheden sætter aktiviteterne på pause. Og Vestas, som i går på sin generalforsamling meddelte, at man følger trop og stopper produktionen på to fabrikker, og sætter fire vindmølleprojekter på pause. Men der er også nogle virksomheder, som fastholder at blive, heriblandt isoleringsgiganten Rockwool, som har fire fabrikker i landet. Vi spørger, hvad der kan få en virksomhed til at blive i et land, andre virksomheder fjerner sig fra. Mette Vibe Utzon og Søren Carlsen er dagens værter, Tine Linde er dagens redaktør. www.dr.dk/orientering

Today I'm joined by Brandon McEachern and Marcus Allen, the co-founders of Broccoli City. The music festival makes its return to Washington D.C. on May 7-8 with a stacked lineup that includes Gunna, Summer Walker, Wale, and plenty more stars from the world of hip-hop and R&B. The black-owned promotion had not one, but two events canceled in the past two years. During the forced downtime, festival co-founders Marcus Allen and Brandon McEachern made a conscious decision to not just return for 2022, but come back better than ever. Specifically, the two wanted to leverage the Broccoli City platform to create black change. Since starting in 2013, the festival has always catered to black people first and foremost. But in 2022, it's aiming to give its fans better resources well beyond the music grounds. The duo is accomplishing that in the form of an expo that'll feature job/internship opportunities, health/wellness tools, financial support for small businesses, and forums on criminal justice issues, amongst other things. The expo is one component of what the festival organizers are calling BLK Change Weekend. The world and the music festival industry have transformed plenty since Broccoli City's last show in 2019. However, Brandon and Marcus are not just changing with the times — they're creating it with new initiatives too. Here's what we covered in this episode of the Trapital podcast: [0:00] Broccoli City Returns For 2022[3:10] The Optics Of Bringing Back Broccoli City After Two Years Of Cancellation [6:34] Artists Charging More For One-Off Festival Than Tour Event [12:25] Managing Egos When Creating Festival Flyers [14:31] Changing Nature Of Agents With Talents[19:05] Broccoli City's Biggest Advantage Over Other Festivals[23:15] Measuring Success For The Festival[25:25] Anticipating Whether An Event Will Succeed Or Won't [27:15] How Loyal Are Customers To Certain Festivals? [29:01] Ongoing Challenges Of Being Black Execs In Music Festival Scene[31:15] Influence Of The Live Nation Partnership [34:47] Lining Up The Festival With BLK Change Weekend[41:39] What's In Store For The 2022 Event?Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Marcus Allen, Brandon McEachern This week's sponsor is ​1-800-NUMBER, a creative agency that produces iconic moments for brand and artists. The studio has collaborated with Lil' Uzi Vert, Future, Isaiah Rashad, 24KGoldn, Nike, Sony, Universal Music Group, TDE, and more. Want to hear how 1-800-NUMBER can help your next project? Book a free 30-min intro chat. Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. ______TranscriptionMarcus Allen 00:00Ain't no better feeling to know coming into the event is going down like that, feeling that morning. Those mornings be like the best mornings because you really, there's two times it's the day you drop in in the morning of the festival that is just there's nothing like those two days coming into that time, and those are moments that you really appreciate and you cherish and we've had mornings that have felt good like that. And we may have some mornings and then feel bad because we always walked into the festival that morning, knowing it was about to be a win.Dan Runcie 00:40Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more who are taking hip hop culture to the next level. Today's episode is with Brandon McKay Hearn and Marcus Allen. They're the founders of Broccoli City. It's a two-day music festival that's based in DC that has headliners, Annie Lenox, Summer Walker, they have Lil Durk, Gunna, and great lineup of some of the biggest names in hip hop and R&B. This festival is focused on celebrating Black culture more broadly with the entire weekend they have planned with the BLK change weekend, they have a 5K. And they have other community events that really speak to maybe the topics that be branded and Mark is talking about on this episode, we talk about what it was like for them to get this festival off the ground, given some of the challenges the past two years and how COVID set them back. We also talked about some of the challenges dealing with particular artists. Some of you may remember, there was a pretty public complaint from Wale. He was one of the artists that was frustrated, but they were able to navigate some things with him. So we talked about what it's like dealing with artists, some of their pushback, but also we talked a little bit about the broader Asia landscape. If you've been following Trapital, you know, I've talked about examples of the NBA, where you have an agent like a Rich Paul and Klutch Sports and the influence that they've had making things happen for their stars, while the same thing happens in the music industry with some of these powerful agents that are trying to convince themselves and others that their stars deserve to have headlining spots everywhere. So we talked a little bit about that. We also talked about what it's like for black music festival promoters, and how they are not just pushing this, but also some of the challenges they may have in this industry. We also talked about some of the other economics some of the decisions and what Brandon and Marcus are most excited for and how all that stays afloat. If you are interested at all in the music festival space, what it takes to put one on this is definitely the conversation for you. It was a great chat, it was great to reconnect with them both. Here's my chat with Brandon and Marcus. All right, we got Brandon, Marcus co-founders of broccoli city, y'all are back. COVID set y'all back for a couple of years via y'all like “Nah, we're gonna be here. We're gonna make this happen.” So how does it feel?Brandon McEachern 03:10Man, it feels good. It feels good to be back. Happy that the world is opening up. You know, for a minute, dead. Damn, we thought that we was gonna be able to come back for 2021. But you know, COVID and the variant had a different plan in mind. You know what I mean? So, so that's what we're happy. We're back this year, though. 2020 to two days. You know, we outside so it's a good look.Dan Runcie 03:32Yeah, I mean, I feel like it must have been stressful because 2021, once everyone got vaccinated, I'm sure you probably thought the rest of the year was green light, right? Go Let's go. But no, Mari I came through with that touch.Brandon McEachern 03:46And a couple other festivals got off. You know what I mean? So that was the thing to kind of had to like, dang, you know, like Lollapalooza, the biggest festival, one of the best festivals out, shout out to them. They actually, “Oh, rolling loud.” Got to do this. Shout out to Matt Tyree like saying, “Yeah, we just got the short end of the stick on that side. But it's all good.”Marcus Allen 04:04Yeah, I mean, I think the other part too, is is that of the festivals that got off, we were the only ones that was focusing in on people of color, right? And so there was a certain optic that was in the air that was like, as our people was the most effective. It was a decision like, you know, do we put all of our people in jeopardy, right? Do we create a big spreader event? And will the world accept this having a big spreader of like, how he makes up somebody else? And like Brandon and I've just decided it just weren't worth it. It wasn't worth the risk on anybody's part.Dan Runcie 04:33So walk me through the steps of being able to put this back on right because I'm sure some of those same questions you're talking about Marcus some of that trade off? Are people going to be comfortable if there's a super spreader event when we're putting this on? What was that decision process like?Brandon McEachern 04:47Man so um, I think it number one it was we decided we're gonna push through like we came in at ‘22 saying it's gonna take the world to pretty much be shut down for us not to come back right so I think that was number one. We got on the same page with our partners at Live Nation just in terms of what their plan was for COVID one to 22. And once they gave us the “Hey, listen, we're all full steam ahead. We support and you guys fully. We were locked in.” Brandon, everybody affiliated and connected says Book and talent started booking talent. Man probably back in what November. And it took probably longer than it ever took us to book talent because so many shows were rescheduled for 22. So many people wanted to get back on tour, venues were booked and double booked. And so this year was everything about this year was very much different than what we ever ever had.Dan Runcie 05:41And on the side of trying to put the talent you mentioned, it took much longer than ever, what were some of those conversations, like, because I'm sure you had interest but was there more hesitancy because of their own discomfort about COVID or was it just their own uncertainty about their schedules? What was that like?Brandon McEachern 05:58I think that the COVID, the COVID side of it wasn't necessarily the conversation. It was more so the busy runway, like everybody knew that everybody was coming back. So you may want to book artists, but they got to a four or five-city tour that they're trying to push out, you know what I mean? So at the time, they not necessarily thinking about a festival, they trying to do their own, you know, single tour, so it was just having those conversations with agents. And obviously management as well say, hey, you know, this could be a part of your tour day, or whatever the case may be, but I think it was yet again, it really was just a runway, it was just so packed. It was so bad.Dan Runcie 06:34That makes sense. And I'm curious, what was it like from the price perspective? Because when you're dealing with agents when you're dealing with folks, whether it's the artist or even the venue's like where people item or what was there where they try to be like Fat Joe with the yesterday's price is not today's price. Brandon McEachern 06:50Yesterday's price, today's price you got to meet. So I don't know if everybody was just trying to get a bread back from what they had last previously. You don't I mean, those years that we were all, but yeah, prices have definitely went up like the game is crazy, especially when you say that F word. You know, I mean, as soon as you say festival, it changes the dichotomy of the other conversation you didn't mean.Marcus Allen 07:11Agents was talking about inflation is like what was inflated in the price of people themselves? Like what I don't get, how could there be inflation connected with booking talent? Brandon McEachern 07:20You know, is it true? Is it true? You know, that's the cost of playdough, D. That's what you got to do. You know what I mean? That's the cost to play in this game. You know what I'm saying? It's a big cost to so tell my young festival people about to get into this festival game. Just know, these cats is crazy out here.Dan Runcie 07:36You can you talk a bit more about that PC mention where once you make good Festival, the prices go up, or people's eyes light up, you're freaked out, like why is that? And how much higher are we talking?Brandon McEachern 07:48Yeah. Now granted, all this stuff has happened like pre-Marcus and Brandon, right? Like we are, I would say we were Allen Iverson before he got into organized ball. You know what I mean? Like, that was us for the longest time. We were independent. I mean, we actually still kind of are independent. But a club show that's different than you know, than a festival day. You know what I mean? A one-off is different yet again, from a festival date. Because I think personally, they start looking at your pockets too.Marcus Allen  08:16Well, you know, what it is, is the most festivals, in a lot of cases, while there is a capacity, once you reach capacity, that number's so big. That is crazy, right? So they're thinking about hard cap. So you go play a film, or I can say specifically, we're going to sell 1,500 tickets. When you're in a festival ground, that's 100,000 square feet, I might be able to sell 20,000 I might be able to sell 50,000 So they plan for that margin, is he gonna sell 20? Or is he gonna sell 50 they trying to get money like you're gonna pay for 50? You know, I'm saying even if you know, you only got to sell to 20. But they ain't trying to hear that.Dan Runcie 08:52That's real. Because even some of these tours that take place in a theaters or outside venues, there's still a capacity there. But I think people see the flexibility there. But then people obviously see when there's too much flexibility. And there's there could be logistical issues and things like that. The other piece that is a factor of festivals that I would assume is probably part of it, too, is because it's more of a one-off event as opposed to touring. People want to up the price for that event, right. It's almost like paying someone a per diem rate even though that per diem rate would never be their salary for if you normalize it out over a set period, right?Brandon McEachern 09:29I like the way you broke that down, D. Yeah, yeah, we get and they are, they're in demand. So they can say what I mean, if you got a good album, if you pop in, you can kind of say whatever, you know, and to be honest, a lot of promoters have paid these artists that hefty hefty bag. So they like yo I'm not going back regardless of what your festival may mean to the community or whatever the case may be, you know, so get again you get you got to pay to play.Marcus Allen 09:56And then the other part of that too is is that in the festival scene is so competitive with the big boys, that they need certain names to be able to headline those festivals. And so they really created a housing bubble. That's really what we end right now. Right? There's literally a bubble. And for only way for it to burst is that as a collective, the Live Nations, the AGs, they got to just simply say to the agents, nah, we not paying it no more, but they keep paying it. They keep paying it. Every time when an agent come with a wild number, somebody is paying it. So it's really in the body…Brandon McEachern 10:34you make this clear that we're not anti paying people what they were, you know, I mean, let me just say that right now. Like, it's all good, we get it, you know what I mean? Your talents that God gave you that gift, you know, I just got through listening to you, whatever the case may be, I know what this money is doing for your family. You know what I mean? Because at the end of the day, a lot of these artists are getting a lot of a bread from shows, you know, me, I don't know what the streaming stuff is, and all that. But we do understand that these festivals are a bulk of a lot of these artists' income or whatever the case may be. So we definitely adhere to that. And we pay all of our artists very well. You know what I mean? I don't think nobody would say Oh, broccoli city shortchanged us or anything of that nature, never at all. Never. Dan Runcie 11:16That housing market analogy, I think makes perfect sense, right? Because we're seated now across the America, you have people with well-paying jobs do their thing. And then someone else giving out $100,000 above asking price cash off to go buy…Brandon McEachern 11:30you in the bay, you know what it is?Dan Runcie 11:32Exactly, exactly. And it's like, I'm sure you probably see that well, where it's like, even if you may not think and artists market rate, is it more than what you're willing to give? Not like you said not they're trying to shortchange everyone, but there's a market for everyone, for sure. But then, if another festival just is willing to put everything behind it, that is the market and then it's like, alright, well, you know, even if I may not agree with where that is, someone is willing to pay that price. So it does reset things. So I'm sure that's probably difficult to some perspective to deal with. But I think another thing too, and maybe part of this is navigating artist' emotions, or artist feelings is Ivan here. And more recently, there's some artists that have started to complain about how be their David's on that music festival poster or what font size they have and stuff like that. How much do y'all deal with that? Or how much did you deal with that either past years, or this year was brought. Brandon McEachern  12:25Man, we've actually never dealt with it before until this year, who dealt with it with somebody and much respect to that somebody as well. But you know, honestly, and it's funny, because he had, again, these conversations weren't had as much as they were had this year, just in terms of the billing placement. And I don't know yet again, if that was something that happened during COVID. And folks was like, hey, you know, when I come back into this game, I want to make sure my joint is bigger than everybody's name, whatever the case may be. But it's actually something that's done when we put the offer out, and we're going back and forth with the agent, you know, they'll say things or management, they'll say, you know, top-line billing or, you know, I mean, like, they'll make it a conversation piece, you know, and usually, we match our eye on that. And it's not a problem that then sometimes the artists may not have been in communication with the management or the agent, and then certain things happen. And I don't know, Dan, if you could put a clip up of what we talked about. Yeah, you know, saying, but definitely, to that tea.Dan Runcie 13:25Yeah. And I think on that front, you know, I know you're not trying to put anybody on blast by any means. But I'm curious, though, is there some type of trade-off there where there's an artist that is frustrated about something, they're not communicating to you? They just want to put it out on Twitter, and then all of the blog aggregators that say, oh, you know, so and so is upset with Broccoli City, on one hand, it may be a negative thing, but on the other hand, now, you'll have a bunch of press out there. It's like, oh, yeah, well, Broccoli City's back this year, let me go check that out. What was that? Like? Did you notice a bump in sales after that.Brandon McEachern 13:59Sales, to be honest with you, the sales is already in a very good place. But just in terms of the attention to your point, we definitely got a lot of tension off that. And it became a conversation outside of just our particular event, which I thought was super dope did at least cause conversation between folks in the industry is that to the third, and I think I could have swore I seen somebody else actually just do this. Like yesterday, a particular artist just got mad, I think at Lollapalooza, something about something. So yeah, I mean, they're becoming really vocal about it. But we respect this. Marcus Allen 14:31The other thing too, Dan B's has a more personal connection with the agents, right. So just as an outside person, to my degree, right, because I don't really talk to him, but I get firsthand information. I see the emails, a part of it, I believe, is agents positioning themselves because the industry is changing. Right? COVID really made artists readdress how to teams in their business restructure right. You sit down, you've been paying people all this money, you had two years off a year and a half off, you now get a chance to really look at your books, you now get a chance to think about what are you paying people? What are they doing to be paid? And so I believe that folks tightened up their teams, which made a lot of agents on the outside. So obviously, cream rises, right. So the best agents are gonna still be the best agents, but they have to still show value, right? And we may all everybody may be still paying you agents gonna get you your fee, for the most part. So if you get in 100,000, you get 100,000. But if I'm an agent, and I say to you, Dan, listen, I'm gonna get you your bag. But I'm gonna also make sure you get topline billing on every festival. Now, you might know in your heart, hey, no topline billing. But if an agent tell me I can get you top line billing, and 200,000, who you gonna go with? That's the new game, right? It's about the value proposition of what the business is around these artists and how they're thinking about it and the value proposition of each part of their business. You know, I mean, what's the role of everybody? What are you bringing to the table for this fee? I'm paying you.Dan Runcie 16:13So this is fascinating, but it's not surprising. And I say that because I think about what we see in the NBA, right? There's been plenty polarizing opinions about the impact of Rich Paul and what he's been doing with Klutch Sports. And you can literally insert Ben Simmons in the example that you just brought up, right. But the NBA is a bit more transparent about these things. People either love or hate what Rich Paul is doing. And it's been very actively talked about. I don't know if people outside of the industry music know that dynamic as much with regards to people in music, like who the agent is, that is the equivalent of the Rich Paul or the Klutch Sports in that way, where the client goes there because the client is like, hey, my way or the highway, we are getting you to the Los Angeles Lakers. Watch me do this, right, like, but I'm sure that even though those things aren't public, that's the kind of shit that y'all handling. Yeah, on that front with the headliner piece. You talked about that as well. I know that you've had different headliners each year. But is that something where that does become at least a conversation where let's say you are dealing with a agent who had promised this to their artists, but you're like, hey, we either don't want to have that person as the headliner, or B, we already have it set. Does that, do those conversations stop? Is there continued negotiation there at least for you all, what is that piece of it been like?Brandon McEachern  17:42Usually Dan, if a person is a headliner, we want them as a headliner, like everybody know that they gonna be the headliner, you know, what I'm saying? Now, I will say for this year, was a little different, because we went the route of having two black women, headliners and Annie Lennox, and Summer Walker issue that we had with a particular somebody, it was a matter of who was more important in a particular area, particular city. It was longevity versus right now impact, right? He's like that kind of deal. You know, I mean, it's like I've been running this race longer. But in the short term, you're bigger.Dan Runcie 18:19Right. And I mentioned that piece is probably interesting, too. I know conversations we've had offline about this, just given that you are very much wanting to have and celebrate an event that is pushing or promoting black music for black people, and that it doesn't necessarily always 100% line up with festivals that are hip hop festivals that may be happening, although the artists themselves may be black. They aren't necessarily selling or having guests there, or attendees who are black. I think we've seen plenty of examples of that. How does that dynamic and curation shape not just who you reach out to for headliners and others, but also how you think that shapes the makeup and the target audience for the festival?Brandon McEachern  19:05I mean, I think that I think we don't necessarily go for what's trendy, if that makes sense in terms on the booking side, because we actually do, we do know the culture, right? So if you look at Broccoli sitting in 2016, you know, we had Anderson Paak, you know what I mean? Like if you look at what was that March 2015. You know, we had Kaytranada you know what I mean? And this is yet again years before they become who they become because one of the things that we try to make sure that we do is we listen to the streets, listen to Little Sisters, listen to nieces, listen to… Marcus Allen 19:38Even better, go look at the 2020 Grammys, and then go look at the 2020 Brockton city festival lineup that got canceled.Brandon McEachern  19:46Yeah, you know, LS who does a cat was you know what I mean? We are a new dozer was and then as soon as I'm not gonna say as soon as we booked her, but you know, everybody's starting to see her value. But we saw that way back I heard the streets Definitely like our rules. I knew what time it was with that young lady. And I think that that's one of the things that broccoli city does a hell of a job at, you know, is just really listening and finding that talent early and being able to give them a shot before everybody kind of hops on the bandwagon of that particular person.Dan Runcie 20:17So that piece there listening, finding the talent and having a year before the mainstream does, how was that piece of change? Because, you know, y'all been doing this for a few years now. In 2015 16, there was no Tiktok, and there wasn't some of these other things, but how has that played a factor in what you're noticing or what you're trying to pick up on where things are heading?Brandon McEachern  20:38I think it's still the same. I think it's still listening to the youth, you know what I mean? And we do know, when Tiktoks on that, you know, hours and hours and all that and we got money, you know, but he's at the festival. So I think it's just different avenues. At one point, it was all SoundCloud. You know what I mean? And that was kind of like your avenue to the music. So I think it's really just kind of just staying above and making sure that you got an ear to the streets and and not thinking that you know, at all, I think sometimes we get in a space where we think like, oh, we know this, that to the third like no, there's a 13, 14, 15, 16 year old, that's way cooler than you. And that's what you need to be listed.Marcus Allen 21:14I think also to some of it is time into right, because this is one thing to know the right artists, but if you book them off-season, you hustling backwards, right? So like in this example, we booked a lineup in 28, I guess in November, but we got Durk. Durk was out cycle in 2020. But right i mean 2021. But right now, he's crazy. It looked we looked crazy. I was on a call listening to be talked to somebody and they asked him be How did you know? How did you know it was Durk? Because if you look at the festivals Durk do we know only festival that marks a major name right? And so we look be looking like, you know, like he like he perfect for dictate the future. But it was really just understanding that he was coming. Right and just believing that Durk is a strong artist, and he's coming.Dan Runcie 22:02Yeah, I think so much of that insight is key, right? That is your job. At the end of the day, you're trying to have these you want to create the memories for fans to be like, oh, yeah, remember, they were on Durk early, we have that. Because then that obviously builds audience and the people that come back year after year after year on that front. And that is something that I've begun to, especially with a festival like yours. Do you have stats or anything on how many of the people are repeat purchasers or the folks that come back as opposed to be able to try to bring the new audience in? And what is that? What are those two groups look like? Let's take a quick break to hear a word from this week's sponsor.Marcus Allen 22:41We got a super high super high turnover rate. And I will say not only the super high turnover rate of people who attend the one tear connection to people who went right. So like, Oh, I saw my cousin went two years ago. Now I want to go right. And so I think it's very close to that as well. Like, it's almost like I wasn't ready for it three years ago. Now. I'm ready right now I get it.Dan Runcie 23:03Right. That makes sense. That makes sense. And for both y'all. What does success look like? So when you're looking back after the festival, of course, there's things like tickets and revenue, but from a high level, what does success look like?Brandon McEachern  23:15I mean, for me and get again, Marcus, I probably have a different answer because I connect to the world a little different than he does. But for me, it's the stories. It's the stories, obviously, bottom line stuff, right, we'll make sure we hit on my bottom line and chip was good financially, but it's the stories man, like when I hear the stories of be me and my home girl was out there. And did it look like to me that or another thing that is artists having a good time, too. You know what I mean? Like going back to Anderson Paak story, Fox story, I remember him saying that this was the first time he performed in front of this many black people, you know what I mean? Which I thought was crazy and dope at the same time. So it was those type of things for me, they've really claim success on myself. Marcus Allen 23:57And I love markets.Brandon McEachern 23:59Now, I mean, it ain't no better feeling like the money always got to be right. Let's just be clear, right? Like, I mean, that's what we're here for Dan, we're here to make money. But it ain't no better feeling to know, coming into the event is going down like that feeling that morning. Those mornings be like the best mornings because you really, there's two times it's the day you drop it in the morning of the festival. That is just there's nothing like those two days coming into that time. And those are moments that you really appreciate and you cherish and we've had mornings that have felt good like that. And we have some mornings that and feel bad because we always walked into the festival that morning, knowing it was about to be a win. So when you know it's gonna be a win, you really, really appreciate that you really appreciate it. And then once everybody get home safely, and you get back to that hotel, you can look at your partner in the eye and be like, Yeah, that's a great feeling, man. That's it is a great show.Dan Runcie 24:58That's special. I hear that. Can you talk more about that, actually. So those mornings that for past festivals where maybe you woke up and you weren't sure how it was going to go where you had less certainty? What was it about the planning or leading up to it that made you feel that? And then on the flip side, what is it about those festivals where you're like, Yes, this is going to be the best one yet? What was it about that feeling the morning that made you have that memory. Marcus Allen 25:25So this is wild, Dan, because, and Brandon, you might even feel differently about this. But after doing it for enough years, either the people want it or they don't, there's not much that you can do to market it to a sellout. You can make sure it stays in front of people, but when they want it, and if they don't, they don't. And so you spend four months, five months, just talking about what the flyer gonna look like the names gonna be on it. So it's like somebody dropping an album, you know, I'm saying and cats ain't messing with it. That's like, it's hard to accept it. Because you don't like so and slow and slow and slow. Just kidding me, right? And you like, man, we go put these marketing plans together, we're gonna do this, we're gonna do that. But then you get to the point where you realize they just ain't messing with it. They just ain't messing with it. And so it's like, you know, when you see somebody drop an album, they sell 100,000, the first week, and the second week, they sold 5,000 10,000. Because that nobody wanted to tell nobody, people wasn't talking about it. And so it just dies off.Dan Runcie 26:25Hmm, that makes sense. Brandon, anything you want to add?Brandon McEachern 26:28No, I think he hit it right on the head. You gotta mean like, you put a lot of time and effort in this thing. But they don't want it. They don't want it. You got to eat that. You got to eat. Dan Runcie 26:39it's fascinating. Because obviously, so much of that is dependent on the line of that you have and how people are feeling about the lineup. And I'm sure this affects every festival people buy tickets because they want to see them. But I'm sure you probably have people that will go to Broccoli City regardless because they just enjoy the vibe of it. And in your opinion, do you think any festival in the country has that benefit where it is if they have whoever is the headliner, just because it's that name? And just because it's that vibe, they will have a dedicated audience or do you think this is something that every festival promoter has to navigate?Brandon McEachern 27:15I mean, I personally think that there are some festivals out there that just have that right like yet again, the Lollapalooza the world, possibly even like the bottle rocks, you know what I'm saying? Like, and if you notice, I'm not naming any, any urban land festivals, you don't say black land festivals, I would love to see more of that within our communities, in all honesty, like, you know, just kind of loyal to the work that you know, your people are putting in to kind of put something together but you know, that's you just cry. You know, I mean, you preaching to the choir at that point. Right. So it is what it is. But I do think that there are some staple brands, like I said, the Lollapalooza of the world, BottleRock, Marc, I'm pretty sure you got some. Marcus Allen 27:54Maybe in terms of black maybe, Only Essence. Oh, yeah, that's for sure. I think it's probably Only Essence that I would say from a black perspective, actually has real draw.Brandon McEachern 28:05Yeah, yeah. Yeah. And that's something that we working on, right. Like you want to keep giving people you know, it's like, man, we've been doing this for 10 years. Are you gonna trust us? At some point? You know what I mean? So, yeah, but it's just an interesting thing, Dan, just in terms of the urban saw.Dan Runcie 28:18Yeah, definitely. I feel like essence definitely has that annual Black homecoming vibe to it, that makes it the search for the draw it is. And I think for you, what a lot of your peers who are also black festival promoters in urban music are also in that same boat wanting to build that up as well. And, Brad, I know, we talked a little bit about this, but what has it been like from your perspective? Because obviously, you see that so much of the music from this community is what is making these festivals that money, but you as a both the all as black promoters in this space are likely still experiencing challenges pushing so much of this even though it is your music that is making this entire ecosystem what it is, Brandon McEachern 29:01Yeah, no, I mean, it's really just a trip. And at the end of the day, you know, shout out to folks like you, right, that give us somewhat of a platform to kind of, you know, just speak so people just kind of know what we got, I don't even think that people leaving, they don't even think about it, you know, like, maybe those who are in kind of a creative space. Think about it, but I know there's been people who have, you know, man talk shit to me or something at some point, right? But then they start planning something big, and they'll text me like, you know what, be my bad bro. My bad man cuz now I see what you were going through. When I thought that it was just kind of a walleye kind of thing. You know what I'm saying? But it takes a lot of hard work. And it's interesting yet again, going back to dealing with agents from our side on the urban side, and how they may treat me versus how they may treat you know, Jordan and those folks from governors ball you don't I mean, like the tone of the voice. You know, we talked about this a little bit earlier. They're not saying they talk to you crazy, but I don't have some wild conversations with some of these agents. You got to me even going back to the artists, right, and our particular artists that we were speaking of my question is, I wonder what the comrade, I wonder, would he have done that on another festival? You get what I'm saying? Do you feel like you can do that? Because we're so close in terms of camaraderie. It's like, you know how your friends treat you versus somebody who don't know you treat you if that makes sense. Dan Runcie 30:24It's a fair question, right? Like, because I'm sure you probably wondered, oh, would they have done that if it was Coachella, one and two, how would people respond? If they were trying to say something about? Yeah, on festival like Coachella, Brandon McEachern 30:39It may be as forgiving. I suppose you know what I mean? Or try to get to the bottom of the issue or just snip you. You know, I think we saw that last year, or the year before last with artists saying a certain thing and every festival followed suit, and snip snip,Dan Runcie 30:54right. It doesn't take much for Word to travel and people to just see how the dynamic is. I know one of the changes for you over the years with this festival has been the partnership with Live Nation urban and what you've been able to do with them. How has it been working with them? And what influence have they had for you all in the more recent years with the festival?Brandon McEachern 31:13More, more, want to take that? Marcus Allen 31:15Yeah, I mean, I mean, I think the number one thing that they've been able to do is take some of the financial risk off of Brandon and I to be able to operate the festival in much more of a business and not a annual, write with every year, we got to figure out how to get back in position to raise capital to find an investor to you know, me, it's just like a consistent cycle. You can't grow a brand, having to do that every single year, because you're starting from scratch every time. Right. And when you're doing that one loss is devastated. You know, me as devastated and as independent. Where, I mean, you think they think they've been in a Lollapalooza been going on for 25, 40, 30 years, you know, I mean, you think they don't want every year, you know, I'm saying like, it's an ebb and flow, like you're gonna lose some years. And so that's what Live Nation gives you the ability to do is have some years to just be normal, right? And not make $2 million at the gate, right? Like, just be normal. Like, yo, we lost money this time. Alright, we're gonna be back next year, and we know we gonna be back. So that's huge.Brandon McEachern 32:21And I would say, you know, shout out to our partner, Shan Ji, who is, you know, who's been in the game, you know what I mean? And it's rare that you meet, you know, other people that's been through what you've been through, you know, what I mean? So just big shout out to him and his vision and everything that he's built…Marcus Allen 32:35And let us working to. He lay his work, yeah, let me let us work he don't play to you know, micromanage, he let us work. He wants to see stuff when it goes out. He want to make sure he got some merch, you know, I mean, he want to know who the lineup is he want to help add value in terms of setting the right talent, you know, I mean, he want to make it easy for us, and use his experience, you know, to make it easier for us, you know, as we navigate through this whole thing,Brandon McEachern 32:59on top of relationships as well, because yet again, this industry is superduper small and like a Dan, right? Like, we know, Dan already from from from back in the day a little bit, even though it was like a year, and I'm trying to go but just imagine Sean and the relationships that he built over the years and to be able to introduce markets into markets and nine to different folds that, you know, makes sense that he has, you know, strong relationships with and then us doing the same, because his folks on the street is different events that he don't know about that maybe we introduced him to. So it's been a fantastic relationship.Dan Runcie 33:31Yeah, it makes perfect sense. Because at the end of the day, most festivals, even the ones that are household names today lose money in the first few years. So when you're starting from scratch, so much of it depends on who you could get money from investors, how you can get secured, you know, deals in place for all of these things. And unfortunately, it can be harder for folks that look like you to be able to do that here and in this country, right. So when you look at that being able to have the support of a company that has gone through to the fact that they have a division geared towards this, the partnership makes perfect sense. It gives you all the room to do what you could do to build this up, because you know that something is here. And I think that if we just let's say it like it wasn't there, if we just let the festivals that can maintain get to where they are, then there's so much left as an opportunity or not even as an opportunity. There's so much left that isn't given the opportunity because of that. So it's one of those partnerships that I do think makes a ton of sense, at least from the outside for my perspective.Marcus Allen 34:31for sure. So shout out to Ellen, you for sure. Yeah. Dan Runcie 34:35The other thing too, with this year, you lined it up with the blockchain, we get that I know that was part of the promotional push for this. How has that shaped your event planning and what you hope is in store for this weekend?Brandon McEachern 34:47Yeah, I mean, we're kind of we've always kind of been on that. Right, Dan? So when we talk about when we talk about broccoli city as a whole, right, you know, to say that broccoli City is a music festival. It's kind of disrespectful, right? When you think about Everything that we have done leading up into this point like in 2017, US launching, you know, Broccoli cod, you know, like, I don't know, any other festivals that you can go to that you have a networking opportunity, a chance to maybe hear a Dan talk or hear Bosman St. John talk, you know what I mean? Like, I don't know, no other festivals with that. And if I do, I know them after we started the whole conference outlook, right? And then when you think about a 5k, ruin, right, like, I don't know, any other festivals that's doing 5k. But I think they are something to do do that stuff now. But yet again, it was always a black chain weekend, we think about it, you know what I mean? And yet again, I know that we're one of the only festivals if you think about on a wide scale of them all that gears, the talent, gears, the experience, the host, the music, the all that geared with African Americans, black people of color in mind, first, you know what I'm saying? Like, our people aren't the afterthought, which I think is some of these other events. We may be the afterthought, you know, So yet again, with Blackshades weekend, and really just kind of putting that word out there, it really hasn't changed much of what we already have been doing. And honestly, I think it was important for us to put a name to it, though. So I'm glad that you mentioned that, Dan. And Marc, I don't know if you have any statements on that, please. Marcus Allen 36:15Yeah. Now just gonna say that it was important for us to say what it is right, like coming out of COVID, we made a conscious decision that we wanted to use our platform that are right. And at the core, what that meant was we wanted to create black change for black folks. We knew we had corporate partners, we knew we had different folks who've been looking to touch this demo with our sponsorship and partners have always been strong. But now it was time to say like, alright, well, you've been cutting broccoli city a check, how can we do a better job of providing resources opportunities to these attendees? Oh, you want a better platform to do? So you need an expo? Okay, we're going to add an expo to the conference. You know, I mean, like, Oh, you want to talk about health and wellness? Okay, we're gonna add another component to the five cake. Right. So I think, for us, it was always there. But we needed to be attentional going in between to about that.Brandon McEachern 37:09And to add on the Marcus's point, Dan, not afraid to say black, right. Like, I think a lot of us get to a certain level. And I even said it earlier, right? Like POC like people of color, like, you know, I mean, which is cool, don't get me wrong. But Marcus and I wasn't afraid to say Yo, we really want to do this for black folks. And I don't think it's nothing wrong with that at all. You know what I mean? Like there are specific festivals that may be geared toward the Hispanic consumer, which is completely fine. I don't mean, you'll see no black person there.Marcus Allen 37:37But I think the key about black the conversation around black chains is that for black chains to happen, it takes more than black people. Right? So let's be clear, right, like black chains happens internally with black people. But you need some white folks, some Spanish folks, some Asian folks to participate right? In some change happening. So this isn't necessarily just a black event. It's just that we focus in on creating change for black people. Dan Runcie 38:03That's an important distinction. And I think that to your point, right, there is a great opportunity to celebrate this and not be afraid to call it what it is and have that there are many festivals that hit different groups for that reason, but the fact that you all know your audience know the opportunity you're going to create and in the region that you're doing it it makes perfect sense.Marcus Allen 38:23Absolutely. Absolutely. And you know what to think on that even if we check out if everybody checks out the quest love documentary to summer soul, and you know what I mean? Everybody didn't get us on that. But it's like, Yo, this shit going on right now too. So, come to broccoli city is see somewhere solid? Actually, there's well, you know,Dan Runcie 38:41exactly, exactly. Alright, well, before we let you go for the listeners, give us a sense of how you're feeling now going into it. Of course the festivals coming up and you talked a little bit about some of those years. You're feeling good some of those years you're not How are you feeling right now?Brandon McEachern 38:57feel great. I feel good. You know, say I'm pretty sure Marcus feels great too. I mean, it's lit up you know, I mean, everything from whiz kid to summer Walker to Tim's to Rico nasty to Young Jeezy to snow man like Don Oliver, like what the fuck are we talking about? You know what I mean? Like is split up 2121 dirt? I mean, come on mate, Gunner like come on man. And on top of that, there's so many things going on that weekend black chains weekend and it's in DC I'm feeling Mac you know what I mean? Like it's phenomenal. So I'm super excited. I don't know Mark got anything to add.Marcus Allen 39:31I feel super excited. It's funny because not that BS job is done. But the bulk of his core ship is on the front end. So now like he like do my job you know me, “What's up now” like so now it's like I'm all back to back production calls experience call venue calls and so speak.Brandon McEachern 39:52On that though it, me and Marc have had this conversation. It's one of the things that I respect about my partner so much is that Marc hates it when we go somewhere. We're at an event No, like, Oh, this is okay for black of it. You know what I mean? Like, and I love for you to just speak on how you trying to heighten our experience and how you know me, like how you heighten the experience. He's already heightened experience for other LNU properties as well.Marcus Allen 40:14Honestly, Dan made me you know what it is right? We met at probably one of the most immaculate fundraisers of person could go to, right? Like, let's be honest, right? Like, we saw some stuff right there front of us that was like, Oh, is this happening in real life, like, I gotta go back and watch the video to confirm, I'm watching this with my own eyes. And at the end of the day, like, there's a stigma out there that if you just have the talent, that's enough, and in a love, Coachella spin to $10 million little art, that's more than that's more than festivals hold talent budgets. But that's why to our conversation earlier, why they dropped that lineup with no names, and it'd be sold out. Because people know that there's an experience value associated with that brand. And a lot of our people aren't willing to invest that $10 million, because it may not come back to you year one, that's an amortized cost over 10 years, for you to see that value in that art to spending. And so I think that's what we're getting into now. Right. And that's what the partner show ln gives us the ability to do is to go spend big money on experience, right? And push partners to say, like, “Nah, you can't do that little 10 by 10 Cent,” na, na, if you want to be on site with us, you got to step it up. You got to get your agency's up, like you got to get it right.Brandon McEachern 41:39And we want to give that experience to our people. Yet again, if this is Black change weekend, it needs to be beautiful. We aren't a culture, we you know what I mean? So even if there's any sponsors, listen to this, any, you know what I mean? Like, get at us. So we can make this experience great, because these are the same people that make your products what it is, these are the same people that make whatever artist that is on top. It was Sinead good to Nika and Rahim that made that artists pot, period, period, you know what I mean? And those are the folks that go to broccoli city, you know what I mean? Even if we talk about ticket prices and things of that nature, Dan, like, come on, bro. We give him folks. 10, 12 phenomenal acts, and our prices ain't nowhere near anyway, I don't even want to get there. That's a whole nother conversation. And we've done that by choice because we want to make sure that we give our people the experience. I had a girl tell me one time, the, I never been to Disney World. But I've been to Broccoli City, though. And I appreciate you for that. You know what I mean? Because we the only festival that maybe she can afford, you know, so I don't know is this such a bigger conversation than what we can do in this 30 to 40 minutes, but it's a real thing. And yet again, I just commend I commend my partner Republican in front of the whole whoever listening, you know, to me for really sticking on that shit, like, not be like, we got to make sure this shit right, bro. And I respect that wholeheartedly because anybody can book artists, if you got the bread, you can go out there and get them. That's fine. You know, now I do hop through hoops to sit and do what I do, you know, I mean, to give myself a pat on the shoulder. But factors, in what way in terms of what we try to do for this experiences is key. And we just want our people to have a magnificent time. So anyway, shout out to that today's experience.Dan Runcie 43:21So it's a perfect way to complement both your skill sets where you see the space. And yeah, I mean, Marc, I hear you be already has his work done. He could get excited about stuff. And I know you got a lot on your plate. But I think that you have it in store, you have the partners and like you said, you know, there's an opportunity here, we're no different than a company investing in a startup or investing in artists, many of these festivals did that, you know, level of support do and I think that's where it can happen, especially with something that has the proven audience that you all do, for sure.Marcus Allen 43:52For sure. Now, a lot have you got a ticket now even be in DC because we got these VIPs on the ice for you waiting when you get here?Dan Runcie 43:59For sure, John, appreciate y'all. Thank you.Brandon McEachern 44:02And yet again, Dan, thank you, D man for highlighting what's going on on this side. You know what I mean? From the Chitlin Circuit there right now, you know what I mean? Like, it's been a whole bunch of us pushing and curating our culture and making sure that that we are responsible for getting our artists out there and getting their music out there. You know, I mean, and yet again, I don't want to keep tooting my own horn. But I mean, we had to Willow and Jaden back in the day, you know, I'm saying like we had come over the salons isn't like, tattoos gotta stop. It's me. No, you know what I mean? All these cats that a lot of people were just taking note too, like, we've been pushing these folks out and not for any other reason. And they've been using their gifts, and we want to make sure that we use our platform to get their gifts to the world. You know if that makes sense. So it's a blessing. Appreciate you.Dan Runcie 44:50A 100%, 100%. Alright, then yeah, anyone else that is listening, you already know about the concert. Make sure go to the website. Y'all want to give a quick plug. Make sure that People listening nowhere to go check it out.Brandon McEachern 45:01Man go to BCfestival.com. Broccoli City. I'm pretty sure you heard of it. Your cousin heard of it, you know, so make sure you out there. Yeah, make sure you out there because you don't want to see them pitches. You don't want to be on Instagram that day you're not there. That's just not something you want to do.Marcus Allen 45:18For sure, man, appreciate you again. Damn it. It's love man. This is great. Just to connect with you. Big fan of the podcast. Stay on the Twitter. I'll be back to comment on some of your stuff. But I'd be like yeah, let me chill you know me some of them comments be crazy. But nice is love though. I really appreciate this man. I love the growth that you build in the USA with your platform it and the brand growth man stay down. Anything we could do, man you already know. Brandon McEachern 45:44And yet again, and I sorry, do you know me? I'm gonna go on a tangent, but we let go. But that's the ecosystem, right? Yeah. Right. Black Journalists, right? Black curated events, like we all you know what I mean? So we have to do a way better job black executives that you've interviewed before, black agents that you've interviewed before, we got to find a way to make it work, because they're finding out a way to make it work. In all due respect. You know what I mean? So we got to figure it out. But pretty say to Brother, I'm gonna get off my shoeDan Runcie 46:12For sure. No, that's a great note to end on. Appreciate you both man.Marcus Allen 46:17Appreciate you man.Dan Runcie 46:20If you enjoyed this podcast, go ahead and share with a friend. Copy the link, text it to a friend, post it in your group chat, post it in your Slack groups. Wherever you and your people talk, spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple Podcast, go ahead, rate the podcast. Give it a high rating and leave a review, tell people why you like the podcast that helps more people discover the show. Thank you in advance. Talk to you next week.Advertising Inquiries: https://redcircle.com/brands

Lögreglan á höfuðborgarsvæðinu rannsakar nú alvarlega líkamsárás í Borgarholtsskóla. Sex voru fluttir á slysadeild. Árásarmennirnir voru vopnaðir hnífum og hafnaboltakylfum. Höskuldur Kári Schram sagði frá og talaði við Ársæl Guðmundsson, skólameistara Þingmenn í fulltrúadeild Bandaríkjaþings greiða atkvæði í kvöld um hvort ákæra skuli Donald Trump forseta til embættismissis. Allt bendir til þess að ákæran verði samþykkt. Ásgeir Tómasson sagði frá. Svandís Svavarsdóttir, heilbrigðisráðherra hefur ákveðið að fresta því að skimun fyrir brjóstakrabbameini miðist við 50 ára aldur en ekki 40. Anna Lára Magnúsdóttir greindist fertug með brjóstakrabbamein fyrir níu árum í skimun. Hún telur að myndatakan hafi bjargað lífi sínu. Þórólfur Guðnason sóttvarnalæknir segir að það hafi ekki áhrif á mögulega rannsókn lyfjaframleiðandans Pfizer hér á landi á áhrifum kórónuveirubóluefnis þó að hluti þjóðarinnar hafi fengið bóluefni frá öðrum framleiðanda, svo framarlega að rannsóknin hefjist innan tíðar. Anna Lilja Þórisdóttir ræddi við hann. Vinnsla í frystihúsi Síldarvinnslunnar á Seyðisfirði hófst í morgun í fyrsta sinn eftir að aurskriða féll á bæinn skömmu fyrir jól. Ómar Bogason, rekstrarstjóri segir afar ánægjulegt að sjá að lífið sé aftur að færast í fyrra horf í bænum. Óðinn Svan Óðinsson talaði við hann. Fólk sem Bjarni Rúnarsson hitti í ræktinni og bumbubolta var afar glatt að komast í spriklið ; rætt við Maríu Kristjánsdóttur, Grétu Bentsdóttur, Guðjón Hólm Gunnarsson, Magnús Dan Bárðarson og Flosa Helgason. ------------- Matarpakkar handa efnalitlum barnafjölskyldum voru breskt deilumál í haust og eru það aftur nú þegar Covid heldur landinu í heljargreipum. Sigrún Davíðsdóttir sagði frá. Heyrist í Marcus Rashford,fótboltamanni, Boris Johnson forsætisráðherra og Chris Whitty landlækni. Í desemberi lagði Bankasýsla ríkisins til við fjármálaráðherra að ríkið seldi eignarhluti í Íslandsbanka og stefndi á skráningu hluta í bankanum á verðbréfamarkaði innanlands eftir almennt útboð. Fjármálaráðherra stefnir að sölu í sumar. Sýnist sitt hverjum um sölu á hlut ríkisins, Willum Þór Þórsson, (B) formaður Fjárlaganefndar er henni hlynntur en Logi Einarsson, formaður Samfylkingarinnar hefur efasemdir um tímasetningu og væntanlega kaupendur. Anna Kristín Jónsdóttir ræðir við þá. Umsjón: Anna Kristín Jónsdóttir. Tæknimaður: Gísli Kjaran Kristjánsson. Stjórn útsendingar fréttahluta: Björg Guðlaugsdóttir.

Will factories in space enable us to become a “multi-planetary species?” Yes, according to Aaron Kemmer, founder of Made in Space. In 2014 the company’s Zero-G printer was launched from Cape Canaveral and went on to successfully print the first ever part manufactured in space. Kemmer talks about space manufacturing, a moon base, and a potential trip to Mars. TRANSCRIPT: Intro: 0:01 Inventors and their inventions. Welcome to Radio Cade the podcast from the Cade Museum for Creativity and Invention in Gainesville, Florida. The museum is named after James Robert Cade, who invented Gatorade in 1965. My name is Richard Miles. We’ll introduce you to inventors and the things that motivate them, we’ll learn about their personal stories, how their inventions work and how their ideas get from the laboratory to the marketplace. Richard Miles: 0:40 Will factories in space enable us to become a multi-planetary species. Welcome to Radio Cade . I’m your host Richard Miles today. We’ll be talking to Aaron Kemmer founder and chairman of Made in Space. Joining us from the Philippines. Welcome to Radio Cade Aaron. Aaron Kemmer: 0:54 Thanks for having me, Richard. I appreciate it. Richard Miles: 0:56 So before we get into the details of Made in Space, the company you founded, I got to ask why space is this something that fascinated you when you were a kid? Are you a science fiction fan or just something that sounded interesting? Aaron Kemmer: 1:09 Yeah, really , really good question. I think ever since I was a little kid, I’ve definitely been fascinated with space. Like many kids. I wanted to be an astronaut. And I think when I was five years old, I would tell a lot of people this, but I was playing with a toy space shuttle and jumping up and down on my bed. It was stainless steel, like a little metal hot wheel, but a space shuttle. And I flew off the bed. Didn’t want to let go of my space shuttle. And it like slammed into my skull. And I still got a scar, like a little Harry Potter scar right in my forehead with the giant line down the middle. And that reminds me ever since then, I’ve wanted to go to space. I grew up in Florida. So watching space, shuttles launch, it was kind of inspiring to me growing up, Richard Miles: 1:47 You founded, Made in Space in 2010. And I think by any measure, you had an extraordinary run in the early years, probably way more success than other startups do. So you founded the company in 2010, you created a 3D printing lab at NASA in 2011, you were awarded a grant to design a 3D printer for the international space station. And then that was launched. That mission was launched in September, 2014. And then a couple of months later in November, you successfully printed the first ever part manufactured in space. So that’s really a stunning record. Walk us through sort of the early months from the concept. When you came up with the idea of 3D printing as a viable concept that you wanted to work on to that moment in 2014, when you saw the part being printed in the space station, what was that like ? Let’s start with who came up with the idea and then how did it develop after that? Aaron Kemmer: 2:37 Really great question. Early back in 2010, when we started the company, there, wasn’t a lot of space startups and we’re kind of seeing a renaissance now, which is super exciting, but there was companies like SpaceX and Blue Origin and Virgin Galactic, but the general mindset was the way you become a millionaire in the space industry is you start out as a billionaire. You know , you have to be a billionaire to even play the game. So I think from the beginning, we were always maybe cautiously optimistic, but realistic that, Hey, maybe this, we really hard to get a space startup can off the ground. I think the reason we had like a good run of success was we had amazing kind of team, good team of co-founders there’s four of us. And then also just our founding employees early on, who were passionate about the mission. For me, the journey and to starting Made in Space started personally when, when I did my own like deep dive exploration on where is humanity today and where are we going to be in like 500 years? And w hen I thought about what we would be in 500 years is really clear that we’re going to be like a spacefaring civilization b ar and we don’t kill ourselves or something like that 500 years, w e’ll probably be on the moon, Mars, many moons of Jupiter and beyond, and really throughout the whole solar system. And I looked back o nto l ike that would probably start to happen a lot more in my lifetime. And I really just wanted to kind of be a part of that. And then when I met my co-founders, we started to l ike, look at the problem of what is it going to take to really journey out into space and have humans live all throughout the solar system and through talking to astronauts and people w ho’ve been to the space station like D an B arry t hree-time a stronaut. It was clear that manufacturing is something that’s going to be required. When humans, people came to America to live, they didn’t bring their house and everything with them, they built that stuff there. They just b rought the tools. And so starting with 3D printing seemed like a natural choice through talking to people like Dan B arry, having a 3D printer on the space station. He was on a space station three times would be an immediate effective, helpful t his for the astronauts building tools and stuff for them there. So I was pretty clear that that’s a good place to start. And so we just pick that and started working on it, to be honest. Richard Miles: 4:39 So I’ve got to mention it’s a little bit harder than just working idea and then calling up NASA, Hey , uh , my name’s Aaron , I’ve got a great idea. What do you think you obviously had some in some connection to NASA or what was that like getting your idea before the decision-makers there that eventually ended up on the space station? Aaron Kemmer: 4:56 Yeah, half of me is like, yeah that kinda is what happened. We did kinda just call up NASA and say, here’s our idea now that wasn’t like, okay, well here’s a contract . Let’s go. It was a multi-year process where we were communicating with NASA. We were fortunate enough to know the director of NASA Ames through a program that we went to a Singularity University, which was at NASA Ames. And he offered us a kind of free lab at NASA Ames. They have a research park where companies can set up labs and it was almost like the startup story of you’re in your garage. But we were in a NASA Ames garage, just tinkering with 3D printers, learning how they work playing around what might or might not work in microgravity because essentially like our first year and then the second year, because of the work that we did the first year, we were able to get a unpaid NASA contract to fly on the vomit comet with the 3D printer. And so we had to front the money. We actually were able to get sponsorships through some corporations, as well as I put it a little bit of cash. And that second year with the main milestone was testing these 3D printers in microgravity . And then through that, we were able to get the third year, like a small SBIR, small business innovation research contract to actually start developing a concept for a 3D printer that would go to the space station. And then the fourth year, because we had that small contract, we were able to get the larger contracts, actually put a 3D printer on the space station, which ended up happening in the fourth year. So basically each year it was like one small milestone after another, that led to the big one actually kind of happening. Richard Miles: 6:28 So for the wannabe startup CEOs , listening to the podcast, how much of this would you look back and say, well, actually that was a lucky break. And how much was result of following a plan that you already had a strategic plan? I mean, did you have step one, get the SBR grants step two and so on, or how much of this just sort of fell in your lap? Aaron Kemmer: 6:47 Hmm. Such a great question. Definitely like I think with any success, very mixed. I think we did have good fortuitous timing right around when we started the company was when NASA started to push under the Obama administration, if a startup or a company can do it, let’s try to have a contract with them, particularly around like 2012. I remember when we were negotiating the contract, there was some people within NASA that kind of wanted them to do it all on themselves. Others were like, no, we’re going to start trying to enable startups now. And that was very lucky timing that if we would’ve started at 10 years earlier, it would have been a lot harder. I would add the other thing. It’s easy doing multiple startups right now. It’s like very easy to overestimate what you can get done in like one year. So, one of my favorite Bill Gates quotes, and I really believe it “You can overestimate we can get done in one year, but really underestimate what you can get done in like a decade” during those years, it just felt so slow. It’s like, Oh man, in 2010, all we ‘d d one is played with 3D printers in a g arage. 2011, all we’ve done is like flown on a few planes with some 3D printers on 2 012, all we ‘d d one is designed a 3D printer in C AD. If you go to each year, it seems a little bit like slow, but over time it leads to bigger and bigger things. And now we’re designing and building and it g oing to be very soon manufacturing, large parts of satellites in space. It took a decade of work and we’ve been working on that for de cades. Ma ke t he same thing, goes for like SpaceX. We often call them a success. But I think the biggest success is they’ve been able to have two decades straight of just working on an idea and it’ s ex citing things can kind of happen. Yeah. Richard Miles: 8:17 Essentially for 2014, you just wanted to prove that you could print something, anything right in space. And now what, six years later you said you’re printing pretty large stuff. What is the immediate use of the technology that you have right now? And is there an upper limit to this? I mean, in theory, could you print almost anything that you wanted to, or that a , let’s say a moon base would need in space or is there some sort of limitation past which there has to be some sort of breakthrough at an engineering or physical level before you could print something or manufacture something there? Aaron Kemmer: 8:46 Really good question. So the first printer was basic abs plastic. And then since then we’ve launched several others, which has more complex aerospace grade plastics with those printers. We’ve actually done several different things. What are some basic tools like we printed a basic plastic wrench or experiments or games, for astronauts or education. The students have done programs where they could digitally launch hardware to space. And generally it takes a couple years to design and launch something to the space station like we did when we did it in those first couple of years, it was actually considered really fast. I think we broke a lot of records, but now with the 3D printers up there, you can get stuff up there and days design apart and digitally launch it by printing it. We’re now working on metal manufacturing machines that aren’t necessarily 3D printers, but are combined additive and subtractive manufacturing. We’ve actually manufactured with lunar dirt or dust taking that lunar basically and making bricks or roads or landing pads or eventually houses, I definitely think is feasible today. Getting to the point where you have a machine in space that can make everything you’d ever want and you don’t need anything else, but just the raw material feasible in our lifetimes. Probably not right now, but feasible. I’d say within the next couple of decades, when it will become useful. Yeah. Richard Miles: 10:04 Let’s get in the realm of speculation here. Now there’s a lot of enthusiasm right now because it’s success of things like Blue Origins and the SpaceX and other companies in this renaissance of space exploration. And from my very limited reading of what’s going on right now, it seems like maybe there were three strategic goals that I see bandied about. One of the main efforts is to actually make things in space that are g onna improve life here on earth. Something like a improved GPS systems or solar r ays that are g oing t o beam energy back to earth, that sort of stuff essentially doing in space stuff that will help us out on earth. Then a second one, not mutually exclusive s eems to be like, we want to go back to the moon. We want to establish a moon base. And on the moon base, we’re going to learn, we’re going to do research. We’re going to figure out how to actually sustain life on another planetary piece of earth. Right? And then the third one is sort of the most futuristic, right. Is l ike, wow, we’re going to build a moon base so we can go to Mars. So based on the experience that you’ve had over the last decade or so one, is that an accurate description of what you think the industry public private is heading towards one of those three goals? And then what is the realistic probability that for instance, we’re going to see a moon base in the next 10 years. Aaron Kemmer: 11:13 Really, really great, great description, Richard, on, I think the multiple aspects people are working on in space, I’ll start with the middle one. I’ve always been like a moon first guy for people in t he space industry. There’s often a debate. Now the m oon i s not really valuable. It doesn’t have an atmosphere it’s you never want to settle millions of people t here. Mar, we can terraform eventually and turn it into our second kind of earth. A nd which I agree. Mars is really, really exciting. And if you go into the future a few thousand years, probably definitely within the next 10,000 years, we’ll have a second or a foreign that we don’t blow ourselves up or something, but the mo on j ust ad d s o much value and it s p roximity of being able to iterate the technologies for whether it’s la unch t echnologies or like the SpaceX and Blue Origin rockets th at t h ey’re b uilding today, like St arship o r landing technologies or the technologies that Made in Space is building to sustain to build off the land. And so I definitely think that the moon allows us to kind of iterate and give us kind of speed to test things out. Th en i t kind of ties in a little bit into the first one. So one of the big reasons I t h ink SpaceX decided to do Starlink one is as a big business Starlinks the ir in ternet that kind of helps humans down here in ea rth, internet from space. But the other reason is because they have Sta rlink, i t gives them a real reason to launch a lot of rockets. By launching more rockets, you get to test out the technology more and iterate and kind of improve and faster iterations. Again is im portant for a t e chnology to drop costs, which for people like me and you to go to space, Richard, we’re going to need to see a couple orders of magnitude cost dro pped in there. So the internet in space communications in sp ace, a hundred billion dollar market today, things like satellite radio GPS, et cetera. I think we’ll continue to see that expand where more and more space is, i s helping people down here on ea rth. Especially the further out tha t we go. Eventually we’ll be mining asteroids for raw materials and not needing to do large scale industrialization down here on earth within the environment. Richard Miles: 13:10 Very interesting to me, because I think the last few nights I’ve been watching the Netflix series on the challenge. I don’t know if you’ve seen that at all, but it’s a four part series and it talks about the loss of the Space Shuttle Challenger in 1986. But what’s really interesting. It gives background where the space program was by the mid eighties. And one of the interesting points i t makes is that the public by and large was almost bored because they got so used to seeing the space shuttle go up and the space shuttle come back and it didn’t have the same sort of g lamor of say the Apollo program o f, of launching and putting people on the moon. So that one of the reasons why challenger disaster happened is because NA SA w as under so much pressure to show results. But then another part of the show talks about the results we re a ctually kind of thin in terms of what they’re able to accomplish on th e s pace shuttle missions. I mean, th ey’re a ble to do research and so on. So from a pu blic p erspective, you face a real conundrum with the space program is th at p art of this is y ou have to get people excited about it in almost a romantic way, right? Like the idea of exploration of doing things that no one has ever done before being first, right? Be cause t hat really gets people motivated. But on the other hand, you’ve got this real practical need to demonstrate results, right? To justify all the millions and billions of dollars that are going into this putting people’s lives at risk and so on. So how do you see that part of it, t he public relations, but also sor t of the popular view of space exploration playing out. Have you seen any indications that what we’re seeing now is more than just a nerdy engineer thing where we just love watching rockets land in the middle of the ocean on a little platform? Is that it, or do you think there’s a broader base of public support for the whole concept of really making a serious effort to build the infrastructure, to build the industry like what you’re doing? Right. So you’re creating now, not just three or four ginormous companies run by billionaires, but a whole ecosystem of hundreds of suppliers and companies that are all producing parts of the space program in an open market. They’re all not just working for NASA, but they’re working various competitors. So I know it’s a big unwieldy question with a lot of parts in it, but rea lly be fa s cinated be c ause yo u really joined or you st arted your company, right. As you said, jus t pi vot moment where all of a sudden people rea lized li ke, wow, the private sector can really contribute here in a way that just wasn’t possible even 20 years ago. Aaron Kemmer: 15:26 Yeah. It’s great. Merging essentially your Silicon Valley move fast mindset with a generally kind of slow moving industry in terms of public support. I mean, I’m definitely speculating here, Richard, but I do think it’s important to think a little bit more longer term than a single or dual election cycles for this. I think there’s obvious benefits to a nation going into space in terms of like defense and military reasons, you know, space is kind of the high ground. So to speak from a defense kind of standpoint, I think that that’s kind of important to the nation, but I think the much broader scope of building out the future for humanity and technologies , you build out in space, help people down here on earth. A lot like GPS is a great example. I mean , most people use GPS every day or at least every week. Another example you can have offshoot technologies, like did we develop a lot of technology and Made in Space that actually would be great. And we have helped people down here on earth through partnerships with like Lowe’s for instance. And it kind of in the past more larger scale things people know about is like memory foam that was kind of designed for the space station. And now it’s down here on earth and people’s like mattresses, right? Comfortable. I think like there’s a great opportunity here. And I applaud the public industry for supporting and thinking ahead, and that those that do. I travel all around the world a lot, normally not doing that now, but everywhere I go, no matter what country, I always spot people with like NASA t-shirts on. I think the reason that is, is because NASA and the work they’re doing and now private industry SpaceX, Blue Origin is just very inspiring. It shows that there’s not really a limit to humanity’s imagination going and landing on the moon when computers were basically the size of the Cade Museum is pretty cool to kind of think about thinking about like a future where like when you look up in the sky and you see a little twinkle on the moon and that twinkle is though city that’s kind of on there and it’s showing that we can expand and help and become a multi-planetary species. It’s really exciting kind of future. When I think about it and something that I’m just glad to be helping out and be a part of in some way, Richard Miles: 17:25 Last question, I’m sure you’ve probably been asked at least once, if five years from now NASA or a private company says, Hey, we need to build a big 3D printing factory on the moon and we really need people know what they’re doing and you’re offered the chance to go for a couple of years or even six months. Would you go? Aaron Kemmer: 17:42 Absolutely. Yeah. I mean, very scary and dangerous being attached to a rocket as an astronaut and launching, I mean, you’re watching the Challenger series . So , you know, it’s a very risky job, but given the opportunity, no doubt. I wanted to go to space my whole life. And I really hope that maybe it will happen in five years, but hopefully within the next 30 I’ll get an opportunity to go. Any people who have been to space made astronauts, you look down at earth and you see that there’s no fake lines in the sand that that’s all made up by humans and they get what they call the overview effect. And you realize that we’re all like one group humans and can add more empathy for others and understanding t his fake division that we all l ike create, call it fake, but it’s real, but it’s created by us. That overview effect i s really exciting. And I think the more we go to space, it’d be cool to have people experience that. Richard Miles: 18:30 Looking forward to doing a podcast with you on the moon in five or 10 years, if you can go to the moon and do a podcast on the moon, Aaron , thank you for joining us. You’ve had a phenomenal line of success with Made in Space and whatever you’re continuing to do now in that arena, I’m sure we’ll probably be successful. You join the renaissance at a very opportune time, but really look forward to seeing you succeed and thank you very much for being on Radio Cade. Aaron Kemmer: 18:52 Thank you, Richard. Yeah. And I’m looking forward to visiting the lunar Cade Museum in a couple of decades, Cade Museum 2.0 on the moon. Richard Miles: 18:58 As we can build it with 3D parts for cheap we’re in. Aaron Kemmer: 19:00 Alright we’ll help you with that. Richard Miles: 19:02 Look forward to that very much, Aaron, thank you . Outro: 19:08 Radio Cade is produced by the Cade Museum for Creativity and Invention located in Gainesville, Florida . Richard Miles is the podcast host and Ellie Thom coordinates inventor interviews, podcasts are recorded at Heartwood Soundstage and edited and mixed by Bob McPeak . The Radio Cade theme song was produced and performed by Tracy Collins and features violinists Jacob Lawson.

Fanscotian Sports Editor Matt Levine and co-host Noah Levy return from their two-week hiatus to talk with New York Times Best-Selling Author Jeff Pearlman about his new book "Three-Ring Circus" - available everywhere Tuesday, Sept. 22. They then are joined by Matt's dad and a friend of Jeff's to talk about their time at the University of Delaware together. For more information see here: jeffpearlman.com

In this episode we talk to Dan B. our recruiter here at 2158, and we talk with James V. about what its like to come to an orientation day.