Podcasts about you wrote

Holly Jean Jackson is a speaker, author, and holistic coach. This means she gives you three in one - a health coach, life coach, and a business coach. In this episode we are focusing on the value of relaunching your book. You put so much blood, sweat, tears, and hair-pulling into publishing a book. But what happens a few years later? Your publisher did their part, you did the signings, the promotions, and then crickets? Let's hope not. You may even be working on your next book, but you still really love your earlier works. There may be a few places that could use an update or a new version done as an audiobook. Have you done all that? Doing an audio version gives you the opportunity for updates. What about the kindle version? Can you update that? What a great way to reopen conversations with fans, clients, and prospects. Holly and Susan talk about the need for an actual marketing plan to relaunch what you did so well the first time. There is always a new way to do it better, and some elements that should be updated.  Listen to this episode of Rooted in Revenue, "You Wrote a Book, Is It Time to Relaunch It?" ----more---- Links from this episode: Holly's Mastermind chat: https://businessnetworkchat.as.me/?appointmentType=38896056 Learn about the Mastermind: https://rb.gy/sj1mry   Follow Holly: https://hollyjeanjackson.com/ https://www.linkedin.com/in/hollyjjackson/ https://www.instagram.com/coachhollyjeanjackson/ https://www.facebook.com/hollyjeanjackson Inspiration Contagion Podcast Inspiration Contagion Book on Amazon TEDx Talk   Follow Susan: https://susanfinch.com/ https://linkedin.com/in/susanmfinch/ Rooted in Revenue on Apple Podcasts DMANC courses on podcasting taught by Susan Finch:    About Holly Jean Jackson: Holly Jean Jackson is a Holistic Business Coach, Speaker, Podcast Host, Author, and founder of Business Builder Throw Down. Her career spans technology to communications, organizational change, public relations, and content strategy. She has dedicated over 12 years helping business leaders get their groove back physically, mentally, and emotionally. She's led a Local to Global Policy Initiative to influence future leaders' impact on communities. Fun Fact: Played in Carnegie Hall's first chair clarinet and is a Black belt in karate.

This week, we get fast and a little more furious with the F&F spinoff, Hobbs & Shaw! Join Aaron and Leyla as we talk about the Hattie Shaw-Uchiha standalone spy flick that could have been, Idris Elba being a little sexy and evil (like we all should be), and the unhinged sexual tension between two large and strong men.  Omegaverse: What is A/B/O? - https://www.youtube.com/watch?v=VLoDTQ6B7cc Avatar: The Way of Water | Official Trailer - https://youtu.be/d9MyW72ELq0 You Wrote it Gay: Why Gendered Conflict is Queering Up Your Narrative - https://ko-fi.com/post/You-Wrote-it-Gay-Why-Gendered-Conflict-is-Queerin-I3I06O1RL ---  Twitter: @MortifiedPod Hosts' Twitters: @aaronsxl / @leylses Hotline: ‪(775) 573-8882 Sign up for our monthly newsletter, which has additional content and our personal recs. Our theme song is "Obsolete" by Keshco, from the album "Filmmaker's Reference Kit Volume 2." Our other projects: Aaron's TTRPGs Aaron's TTRPG Reviews The Bible Boys Astral Heart

This week, we make history as we talk about the 2016 gay ice skating anime, "Yuri on Ice!" We cover media without homophobia, "Slavic Brutalism," and the experience of being turned on by food. You Wrote it Gay: Why Gendered Conflict and Stunted Character Development for Female Leads Makes Your Project a Homoerotic Romp Whether You Like it or Not You've Got to Try Collaborative Worldbuilding For Your Next Campaign Follow us @MortifiedPod on twitter. Sign Up for our monthly Newsletter! Our theme song is "Obsolete" by Keshco, from the album "Filmmaker's Reference Kit Volume 2." Find more of their music here. Aaron: Twitter: @aaronsxl Bible Boys: @TheBibleBoys Leyla: Twitter/Tumblr/Instagram Astral Heart: @_astralheart

This week, Leyla and I continued our Toonami Sampler by rewatching Teen Titans and Yu Yu Hakusho. We'll talk about Hi Hi Puffy Ami Yumi nostalgia, the ethics of beating up teens, and, as is contractually obligated, go on a Naruto rant.Leyla's "You Wrote it Gay" essay- https://leylamamedova.com/blog/2020/7/20/you-wrote-it-gay-why-gendered-conflict-and-stunted-character-development-for-female-leads-makes-your-project-a-homoerotic-romp-whether-you-like-it-or-not Utada Hikaru ft Sheena Ringo - Nijikan Dake no Vacance: https://youtu.be/UPdlfIhzPEoFollow us @MortifiedPod on twitter (http://twitter.com/MortifiedPod).Sign Up for our monthly Newsletter: http://eepurl.com/g7jjj5Our theme song is "Obsolete" by Keshco, from the album "Filmmaker's Reference Kit Volume 2." Find more of their music at: https://keshco.bandcamp.com/Aaron: Twitter: @aaronsxl (http://twitter.com/aaronsxl)My Brother, My Brother's Friend and Me: @MbMbfandMe (http://twitter.com/MbMbfandMe)Leyla: Twitter/Tumblr/Instagram: @leylses (http://twitter.com/leylses, http://leylses.tumblr.com) Astral Heart: @_astralheart (http://twitter.com/_astralheart), http://astralheartcomic.com

FREE GUIDE LINK: https://songwritertheory.com/freeguide/Website: https://songwritertheory.com/Follow Me on Twitter: @josephNVadala Episode Writeup:1. You Used ClichesIf I hear one more song talk about “never getting older” I'm gonna punch my computer screen. For frame of reference, the screen cost me about $200. Worth it.Guess what? Something can be cold without being compared to ice. Also, things besides knives cut. I don't want to hear about being “cut like a knife”. Stop it.If you're on your knees, get up. Save the knees for your proposal. And not everything happens “tonight”. Just because you work all day during the week doesn't mean the daytime doesn't have some experiences to offer.Stop it. Stop. The. Cliches.2. You had Nothing New To SayWe don't need another basic breakup song. We've been “blessed” with Taylor Swift for years and years and years of that crap. Heartbreak is a great subject but have something new to bring to the table.It needs to be genuine to your experience, if you try to water it down so everyone can relate to every line, the magic is gone and you have reduced your song to “nothing new to say”.Translation: You made your song suck. Stop it.3. You Forced a RhymeLet me guess. The reason some lyrics make no sense whatsoever is that you felt you “need to rhyme”. Well, congratulations, you made your song suck. Stop forcing the rhyme. No one notices if it rhymes and no one cares.You know what they do care about? How much your song sucks after forcing the rhyme. Stop it.4. You Forced the Second VerseReally? You took all those months to write your song. You spent hours dwelling on 2 different interval options for some random riff no one cares about.And yet your second verse is a miserable hunk of junk that has enough metaphorical duct tape on it to surround the earth.Stop it. Rewrite and revise that verse until it's actually good. Not just “a bunch of words that vaguely fit the theme, syllables, and rhyme scheme of the first verse”.5. You Wrote a Vanilla and Forgettable MelodyDo you even remember your own melody? If it's never been a tune you desired to hum in the shower, why would anyone else want to? Do you have emotion? Good, then show it with your melodies.Dang. Nothing wrong with a little passion. In fact, if you have no passion, get out of music and stop ruining it.6. You Wrote a Chorus that Doesn't ShineYou know the sun? What does that do? It shines. If your chorus doesn't shine, no one wants any part of this song.Your chorus being a let down is like killing the main character in the first combat sequence. Does Batman die the first fight he has with the Joker? Nope. So, be a bro, save Batman, and write a chorus that shines.7. You Didn't Bother To Make Sure the Lyrics FlowedAre your lyrics more awkward than your first dance with someone you liked? Do the lyrics step on toes and not know whether to look at your partner or the wall? Do they even know if they should keep arm distance or come in tight?Stop it. The lyrics should flow. Not only should syllables be more or less the same, but the emphasis the melody puts on words or parts of words should make sense.8. Your Instrumentation Is ForgettableYou just had to just do block piano chords didn't you? Not that there's anything wrong with that per se. But having a riff once in a while wouldn't kill you. In fact, it would make your songs suck less.You know what's better than a full band making your song better? Your song kicking metaphorical butt with just you and your instrument tearing it up.9. You Tried Too Hard to Make the Song Something It Isn'tLet the song be the song. Don't force it to be a rock song because you're a “rock guy” and think you're too cool to write a song sans electric guitars turned up to 11. If you usually have a poppy and catchy chorus, but this song is about despair, DON'T FORCE IT TO BE A CONFUSING HAPPY SOUNDING CHORUS WITH DEPRESSING LYRICS.Stop. It.Let the song live. Let the song be what it needs to be.10. You Stopped at “Good Enough”You lazy bum. How dare you stop at “good enough”. Edit it AGAIN. Rework that guitar riff. Change up the chords a bit. Make the piano part shine.Don't settle.

FREE GUIDE LINK: https://songwritertheory.com/freeguide/Website: https://songwritertheory.com/Follow Me on Twitter: @josephNVadala Episode Writeup:1. You Used ClichesIf I hear one more song talk about “never getting older” I’m gonna punch my computer screen. For frame of reference, the screen cost me about $200. Worth it.Guess what? Something can be cold without being compared to ice. Also, things besides knives cut. I don’t want to hear about being “cut like a knife”. Stop it.If you’re on your knees, get up. Save the knees for your proposal. And not everything happens “tonight”. Just because you work all day during the week doesn’t mean the daytime doesn’t have some experiences to offer.Stop it. Stop. The. Cliches.2. You had Nothing New To SayWe don’t need another basic breakup song. We’ve been “blessed” with Taylor Swift for years and years and years of that crap. Heartbreak is a great subject but have something new to bring to the table.It needs to be genuine to your experience, if you try to water it down so everyone can relate to every line, the magic is gone and you have reduced your song to “nothing new to say”.Translation: You made your song suck. Stop it.3. You Forced a RhymeLet me guess. The reason some lyrics make no sense whatsoever is that you felt you “need to rhyme”. Well, congratulations, you made your song suck. Stop forcing the rhyme. No one notices if it rhymes and no one cares.You know what they do care about? How much your song sucks after forcing the rhyme. Stop it.4. You Forced the Second VerseReally? You took all those months to write your song. You spent hours dwelling on 2 different interval options for some random riff no one cares about.And yet your second verse is a miserable hunk of junk that has enough metaphorical duct tape on it to surround the earth.Stop it. Rewrite and revise that verse until it’s actually good. Not just “a bunch of words that vaguely fit the theme, syllables, and rhyme scheme of the first verse”.5. You Wrote a Vanilla and Forgettable MelodyDo you even remember your own melody? If it’s never been a tune you desired to hum in the shower, why would anyone else want to? Do you have emotion? Good, then show it with your melodies.Dang. Nothing wrong with a little passion. In fact, if you have no passion, get out of music and stop ruining it.6. You Wrote a Chorus that Doesn’t ShineYou know the sun? What does that do? It shines. If your chorus doesn’t shine, no one wants any part of this song.Your chorus being a let down is like killing the main character in the first combat sequence. Does Batman die the first fight he has with the Joker? Nope. So, be a bro, save Batman, and write a chorus that shines.7. You Didn’t Bother To Make Sure the Lyrics FlowedAre your lyrics more awkward than your first dance with someone you liked? Do the lyrics step on toes and not know whether to look at your partner or the wall? Do they even know if they should keep arm distance or come in tight?Stop it. The lyrics should flow. Not only should syllables be more or less the same, but the emphasis the melody puts on words or parts of words should make sense.8. Your Instrumentation Is ForgettableYou just had to just do block piano chords didn’t you? Not that there’s anything wrong with that per se. But having a riff once in a while wouldn’t kill you. In fact, it would make your songs suck less.You know what’s better than a full band making your song better? Your song kicking metaphorical butt with just you and your instrument tearing it up.9. You Tried Too Hard to Make the Song Something It Isn’tLet the song be the song. Don’t force it to be a rock song because you’re a “rock guy” and think you’re too cool to write a song sans electric guitars turned up to 11. If you usually have a poppy and catchy chorus, but this song is about despair, DON’T FORCE IT TO BE A CONFUSING HAPPY SOUNDING CHORUS WITH DEPRESSING LYRICS.Stop. It.Let the song live. Let the song be what it needs to be.10. You Stopped at “Good Enough”You lazy bum. How dare you stop at “good enough”. Edit it AGAIN. Rework that guitar riff. Change up the chords a bit. Make the piano part shine.Don’t settle. 

  I’m calling this one “You Wrote the Show!”, because in this episode we take on a bunch of your questions and do our best to rapid-fire… Read more "Episode 16: You Wrote the Show!"

Hello and welcome back to You Wrote the Book, and occasional podcast with Simon Savidge where he is joined by a special guest author to discuss their life as a writer and as a reader. This episode Simon’s special guest for this episode is the author Jung Yun, whose debut novel Shelter is a slice […]

Hello and welcome back to You Wrote the Book, with Simon Savidge. Each fortnight Simon is joined by a special guest author to discuss their life as a writer and as a reader. This episode Simon’s special guest the author Kit de Waal, whose debut novel My Name is Leon is a book that you […]

Hello and welcome back to You Wrote the Book, with Simon Savidge. Each fortnight Simon is joined by a special guest author to discuss their life as a writer and as a reader. This episode Simon’s special guest the author Charlotte Wood, whose latest novel The Natural Way of Things he managed to get his […]

Hello and welcome back to You Wrote the Book, with Simon Savidge. Each fortnight Simon is joined by a special guest author to discuss their life as a writer and as a reader. This episode Simon’s special guest is Dr. Suzanne O’Sullivan, whose first book It’s All In Your Head has just been crowned the […]

  Hello and welcome back to You Wrote the Book, with Simon Savidge. Each fortnight Simon is joined by a special guest author to discuss their life as a writer and as a reader. This episode Simon’s special guest is Garth Greenwell, whose debut novel What Belongs To You is getting rave reviews around the world.  On […]

Hello and welcome back to You Wrote the Book, with Simon Savidge. Each fortnight Simon is joined by a special guest author to discuss their life as a writer and as a reader. This episode Simon’s special guest is Joanna Cannon, whose debut novel The Trouble With Goats and Sheep Simon havs described on many […]

Hello and welcome back to You Wrote the Book, with Simon Savidge. Each fortnight Simon is joined by a special guest author to discuss their life as a writer and as a reader. This episode Simon’s special guest is the author Ruth Ware, who’s turned her hand to crime, figuratively speaking, with her latest novel […]

Hello and welcome back to You Wrote the Book, with Simon Savidge. Each fortnight Simon is joined by a special guest author to discuss their life as a writer and as a reader. This episode Simon’s special guest is the author, Michel Faber, whose novels such as Under The Skin and The Crimson Petal and […]

Hello and welcome back to You Wrote the Book, with Simon Savidge. Each fortnight Simon is joined by a special guest author to discuss their life as a writer and as a reader. This episode Simon’s special guest is the author Paul McVeigh, whose main character in his debut novel The Good Son will entertain […]

Hello and welcome back to You Wrote the Book, with Simon Savidge. Each fortnight Simon is joined by a special guest author to discuss their life as a writer and as a reader. After a small hiatus Simon is back and his guest for this episode is the Helen Macdonald. Unless you have been on […]