Small Screen Star Wars

Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.

It's hard to believe that 'Rogue One' premiered nearly a decade ago. At the time, it was fairly well received, considered to be a decent first step into the standalone Star Wars movies, if not a bit messy. As the years passed, we learned more about the production. Gareth Edwards, who retained sole directing credit, was assisted by Tony Gilroy to "fix" the project. Tony went so far as to call it a "corpse" when he came aboard for rewrites and reshoots. It was Tony's inclusion that brought us some of the movies most memorable moments, and ultimately led him to leading the charge on 'Andor', a prequel project that flew under the radar as hits like 'The Mandalorian' hogged the spotlight. With 'Andor' now complete, considered by many to be a masterpiece in storytelling, not just in Star Wars but on television in general, now is the most appropriate time to reexamine the movie that spawned the Cassian-centered prequel series with fresh eyes. 'Andor', which leads directly into the events of 'Rogue One' recontextualizes much of the film, creating a unique viewing experience that pays off a multitude of threads that are brilliantly laid over the two seasons of 'Andor'. It takes the movie, which was already pretty good, and makes it great. Now existing as part of a whole that weaves a cohesive narrative from the nascent moments of the Rebellion all the way through to the destruction of the Death Star in 1977 (the seed that begat ALL Star Wars, and what we appropriately align our Star Wars BBY calendars to). It all feels wholistic and considered when viewed from the broader perspective - an accomplishment that should set a shining example of what Star Wars can and should aspire to.

After only 4 weeks - the blink of an eye - it's all over. The best Star Wars story since the Original Trilogy has graced our screens and left us in awe. These final three episodes weren't able to reach the emotional highs of last week's arc, but that wasn't the goal. Instead, it provides time to look back at what brought us here, and sets the stage for the climax of the story to take place not in this moment, but within the now recontextualized film that birthed all of this in the first place, 'Rogue One'. And while the show may carry Cassian's name on the title screen, it's been the cast of characters we've met along the way that truly elevated this experience. Not to pick favourites, but in particular, Luthen and Kleya, who get an episode all to themselves this week are the standouts. And what an episode it was, as their story which shepherded much of the series came to an end, as we all expected it would have to. Embracing those feelings of closure, in the final moments of the series, as Cassian flies off into 'Rogue One', we are treated to our last glimpses of our heroes and villains. From Dedra to Vel and even Perrin, we are left to consider their fates as the story marches with inevitability into what begat all of this way back in 1977. Will we ever see Kleya, Vel, Wilmon, or Bix again? One can only hope - and rebellions? Well, they're built on hope.

When dealing in the world of prequels, it's impossible to escape the inevitable - Anakin will fall, Han will win the Falcon, Cassian will die on Scarif. Somehow, in the midst of some of the most thrilling episodes of television ever put to screen, Tony Gilroy and his team found a way to address that impending doom and weaponize it against the audience to induce some of the most gut wrenching and heart breaking moments we've yet to see on ‘Andor' - “There's some place he needs to be”. At a larger scale, the show continues to outdo itself on a weekly basis, proving that the Star Wars galaxy provides a colour pallet of some of the richest hues from which to paint bold and personal stories. Proving you can go beyond the larger than life stories of heroics and grandeur to human stories of loss and pain and everything in between. That's without mentioning the deft touch in pulling in themes that resonates with the contemporary while remaining timeless - a feeling that is a staple of Star Wars. Every detail is considered, every character is deep and interesting. There isn't much more that can be said about such a powerful piece of art, except that not even the audience can escape the inevitable - only one week remains of this masterpiece.

Show Notes'Star Wars: Episode III – Revenge of the Sith' 20th Anniversary Poster from Matt FergusonAndor Season 2's Ghorman Language Sounds Familiar For A ReasonAndor Season 2 Finally Explains Why Saw Gerrera Needs His Breathing Device In Rogue One

It's been a long time since Cassian Andor and his band of Rebel compatriots has graced our TV screens. A long hiatus, no doubt, but when you look into WHY this second season took so long the reason becomes clear - they were dotting every "i" and crossing every "t" (along with dealing with the writers and actors strikes, growing and harvesting ancient grains, hand stitching wedding dresses, the list goes on...) to make sure that this isn't just good Star Wars, but indeed the maybe the BEST Star Wars (I'm partially convinced that it may be the best we may ever get actually). Season 2 roars to life in it's first of four, 3-episode drops (essentially a movie a week for a month), not wasting any time picking up with our characters a year after the events of season 1. The sheer scale, scope, and commitment to its heavy themes is laudable, but when combined with the masterful set design, costuming, writing, and acting, you can't help but to stare, mouth agape, at this singular piece bold storytelling, that will likely go down as Tony Gilroy's largest contribution to popular culture, and deservedly so. Join Julian and Rachel as they unpack it all. It's going to be one hell of a ride!

Well that's all folks! Well possibly anyway. We don't yet have official word on whether Disney and Lucasfilm will bring back 'Skeleton Crew' for another season. So as it stands, this is the story. Overall pretty great, and while we can gripe a bit about the lack of an epilogue to really tie up loose ends, on the whole this finale was satisfying. All four of the kids had an arch that felt complete and inclusion of the parents helped put a bow on that (despite Wendle largely still being an idiot). The episode had strong pacing, as none of the character centric moments felt rushed, though again, it could have maybe done with a few more minutes of run time to make sure that everyone got a fair shake. KB, for instance, got short shrift. The ending itself leaves a lot of story left to be told, and thankfully given it's placement in the timeline, even if we don't get a second season, there should be plenty of opportunity to pick up on some of the loose threads in future Star Wars projects. All in all, 'Skeleton Crew' is one of the strongest outings from Lucasfilm in awhile and it's our sincere hope that it represents a sign of what's to come from the recently maligned studio.

Penultimate; everyone's favourite TV word. When it came to 'Game of Thrones', we became accustomed to this next-to-final episodes being a big splash, before a relatively calm finale. That tradition has carried forward into all sorts of different series but Star Wars has never been one to follow the trends. So here we are, 'Skeleton Crew' now only has one episode remaining, and the big question is, did this week's lead-up do enough work setup a satisfying conclusion. In our humble opinions, yes, but that's largely on the back of what is, standing alone, a pretty amazing 30 minutes of Star Wars fun. This episode is full of twists and unexpected turns that left us genuinely surprised. The big factor here though is of course Jod (Jude Law), who has now gone full heel, which has us concerned whether the show has the balls to commit to this turn or unwind it all in the last few moments. Either way, not knowing is part of the fun and as they proved this week there are certainly a lot of ways this show can go to stick the landing. Time will tell!

After a very strong outing last week (maybe the best of the season!), which revealed the pirate lair and cracked the mystery wide open, 'Skeleton Crew' follows that up with the shortest episode so far, which provides neither much plot progression nor anything beyond overly simplistic character beats. Despite that, there is at least one extremely interesting reveal, that begs the question, "why wait this long to reveal this?". With now two episodes left to close out the season, and especially with this week really feeling like it was dedicated to setting up a bombastic finale, we can look forward to the kids meeting the pirate hoard back on At Attin very soon! And from all of us here at the show, we want to wish a Happy New Year to everyone in a Galaxy Far Far Away (do they celebrate galactic new year?), and to all the Small Screen Star Wars and Tower of Babble fans all around the globe. Here's to a much better year in 2025!

After a fairly odd WWII/French resistance inspired episode last week, we turn the page to something almost as weird - a luxury spa built on top of a pirate haven. Starting smartly with some needed character work and lore building, the episode then turns into a fairly wacky romp that draws similarities to the Canto Bight side quest from 'The Last Jedi', complete with alien species and visual easter-eggs aplenty. But what really works here is the humour. They seemed to have nailed a tone that allows for effortless comedy, while when needed, are able to ratchet up the tension effectively. Speaking of which, while we thought last week's heel turn from 33 was good, it doesn't hold a candle to this week's finish, surpassing it in every way. We couldn't be more excited to see what happens next!

Halfway through the season and 'Skeleton Crew' maintains its strong momentum, even if this fourth episode isn't necessarily a home run. The kids find themselves on a dark mirror-like version of At Attin that has been ravaged by generations of war. Unfortunately, this solid story idea is undercut by being executed slightly too simplistically, even for a kids show. That being said, there are some great moments here. The world-building, was interesting and a we get a few satisfying twists in the larger adventure, including a terrifying final moment. Of course we can't forget about Neel, who finally gets the attention he deserves, sieving upon the opportunity and becoming the internets new favourite adorable Star Wars character (at least until Grogu shows up again).

With the two-episode premiere out of the way, 'Skeleton Crew' can start finding its groove, and while this episode is enjoyable, the show might need to keep searching for what exactly that groove is for at least another week. Despite getting to spend a full, though somewhat short, episode with Jude Law, it's the kids (and especially Nick Frost's SM 33) that continue to steal the show. It's probably just a matter of time, but Jod (Jude Law) has yet to fully land as a character. A handful of charming scenes gets him going in the right direction though. Overall, this is a relatively safe step along the path for a show that has yet to get into the meaty parts of the adventure. Our prediction? Things really pick up in earnest next week. Stay tuned!

Ahoy me mateys! Star Wars is back on TV and this time it's pirate themed baby! Julian and Rachel return to recap and review this two-part series premiere, and are happy to report that the show is off to a great start. Star Wars has been in a difficult place as of late. Something that has been discussed a lot as of late. Each new piece of content announced or released is under a microscope, and probably rightfully so, considering the mixed levels of quality we've been getting from Lucasfilm of late. Amongst all that angst, 'Skeleton Crew' was not at the top of a lot of fans wish-lists, but sometimes low expectations can do wonders. Despite a somewhat slow first episode, the series seems to quickly figure out what it wants to be (Treasure Island in space basically) and hits it's stride through it's second episode. The child cast is charming with great chemistry, but it's Nick Frost's droid character that really steals the spotlight so far. Be warned shipmates, thar be full spoilers ahead!

Following the cancellation of ‘The Acolyte', many fans are taking a step back and asking questions about the state of the franchise. And rightly so, considering the confused state that many have been left in. Especially considering that Lucasfilm continues to leave us in the dark, with no official word following the recent cancellation. They've also done very little to inspire trust in their current creative process given the number of high profile project announcements that have never come to fruition. Meanwhile, the fandom is imploding on itself. Creators and influencers in the community are pitted against each other, seemingly in a fight for influence over control of the narrative surrounding each new project. Debates over what is or isn't "Star Wars" wage on the internet as fans dodge bad-faith landmines across their social feeds. Julian and Rachel look at where things stand with Star Wars today, how we got here, and what the future might hold.

With the decision to go with another flashback episode last week, ‘The Acolyte' season finale had a lot of work to do to wrap up all the loose threads left dangling. Unfortunately, the series largely didn't leave itself enough time to conclude those plotlines in a satisfying way. Yes, the lightsaber combat continues to be amazing, and despite some very good character work in episode 6, the series continues to lack the patience (and runtime) to give the major emotional beats time to breath. The finale was no better, as it blew through some pretty big character moments, especially for Osha, without take a moment to really let them sink in. Despite that, there are still some standout moments here and some intriguing breadcrumbs to follow into a possible season 2 (which has not yet been confirmed). Julian and Rachel unpack every revelation, head-scratcher, and character cameo as they break it all down scene-by-scene.

Unfortunately, the flashback format worked against this episode from the start. Not enough interesting new information was revealed to justify breaking the momentum the show had leading into this week. After an incredible action episode, 'The Acolyte' followed that up with a great character episode that teased a fascinating finish, despite there still being many threads left dangling. Due to the decision to place this second flashback episode, this time from the Jedi's perspective, in this penultimate slot in the season, we're now left with only one episode left to wrap everything up. The episode itself does feature some beautiful shots and some intriguing ideas, but it's a little too shaggy, given how much weight was put into these reveals earlier in this season, to ultimately feel satisfying. With a steep hill yet to climb, plot-wise, it'll be interesting to see if the show can stick the landing.

After last week's action-heavy episode left our jaws on the floor from the sheer spectacle and shocking character deaths, 'The Acolyte' uses this follow-up episode to give us a breather. With the main characters now split between three different plotlines, we spend our time jumping between a series of one-on-one conversations, reminiscent of 'Game of Thrones' when it was at it's best. The most interesting of which is Osha and The Stranger/Qimir, as we see the beginnings of the temptation to the dark side. Never before has the Star Wars leaned into the "from a certain point of view" concept more in live action than in this episode. We finally start exploring that "Sith" perspective that has been teased by the creators. Some may call this "filler", but for our money, this is some of the best Star Wars you can get. Listen as Julian and Rachel unpack every nuanced line of dialogue and character beat in this week's Small Screen Star Wars podcast!

Star Wars fans rejoice! ‘The Acolyte' has delivered some of the best lightsaber action we've seen in many years. Unfortunately, the good comes with the bad. At least for the characters on the show. As expected, with The Master/The Stranger fully entering the story, it meant that some Jedi weren't long for this world. That proved to be true more than I think anyone expected. However, as Jecki herself said only last week, “It's always an honor to get to witness anything or anyone transform into the Force”. Though I'm not sure she meant so soon. This episode was chock full of brutal and surprising deaths and deep cut lore references, that I'm sure satisfied even the nerdiest of Star Wars fans. And despite a character reveal we all saw coming, many interesting questions remain unanswered as we head into the final three episodes of the season. Julian and Rachel break it all down, and predict what role the Sith have yet to play in this story.

After a bit of a detour last week, spending an entire episode in flashback, we return to the main adventure. This week's episode, "Day", is largely a positive step forward for the series, bringing fun (if sparse) lightsaber action, improved character development, and an enhanced sense of place, as they spend less time in cramped sets and more time shooting on location. That all being said, it's the big finish that will leave the biggest impression. Unfortunately, the decision to cut things off right when the action was ramping up felt like a bit of a cheat. With a relatively short run time this week, and a story that really felt like it was hitting it's stride as we got closer to the end of the episode, the choice to not follow through on that momentum with a satisfying finish, instead using a cliffhanger, comes across as a means to brag about an extra episode in the season, as opposed to serving the story in the moment. Oh, there was also some very cool cameos this week. Listen as Julian and Rachel unpack it all!

After starting off the series with a series of Jedi murders to set the tone, with episode 3 we flash back 16 years to Osha and Mae's secret origin. Which just happens to feature a coven of witches, Jedi space cops testing Padawans, and large force related questions about the twin's parentage. All under twin moons in eclipse. Though not perfect from an acting and pacing perspective, the intrigue offered by the force related mysticism, and what exactly happened that night that "Mae set a fire", helps keep up the shows momentum. It's hard to predict where we are going next, and that's a refreshing thing when we're talking about a prequel in a galaxy far, far away. Listen as Julian and Rachel unpack it all... after a short negativity cleanse.

After a very short hiatus (RIP ‘The Bad Batch', we already miss thee), Small Screen Star Wars is back to cover the latest Star Wars series on Disney+. After a heavy dose of animation, we return to live action. Our last taste being ‘Ahsoka' late last year, which was met with mixed reviews. However, that's about where the similarities with recent live action Star Wars end, as ‘The Acolyte' takes us to an entirely new era. Back nearly 100 years BBY to the age of the High Republic, where Jedi are a dime a dozen, and the Sith have been presumed extinct for a millennia. This is all framing for a dramatic murder mystery as we're introduced to a new intrepid bunch of Jedi playing detective as they try to figure out who is training force user assassins in secret. As is tradition it seems, the first two episodes were dropped as part of the premiere and Julian and Rachel are here to break it all down and recap every scene as they look ahead and try to piece together the mystery as it unfolds.

Last year on Star Wars Day (May the 4th), Lucasfilm Animation surprised us with 'Tales of the Jedi' a mini-series of shorts dedicated to showing some untold stories from before the fall of the Jedi. This seems to have become somewhat of a tradition, as this year, on the same day, we got 'Tales of the Empire'. A darker twist on the same concept. This time though, it was bit more focused. Two stories, told in three parts each, for a total of six shorts. The first story follows Morgan Elsbeth and her journey of revenge, which begins with her as a young girl on Dathomir to where we fist met her in 'The Mandalorian' season three. Unfortunately, despite another noticeable step forward in animation quality throughout, this first story-arch leaves a lot to be desired. While 'Tales of the Jedi' revealed secrets of Jedi's pasts, Morgan's doesn't really provide the audience with any new information. Instead, just expanding on a lot of which we already knew or could have inferred. The second half of 'Tales of the Empire' however does pack more of a punch. We follow Barriss Offee, a young Jedi Padawan we had not seen since she framed Ahsoka for the Temple bombing in 'The Clone Wars', as she's recruited to become an Imperial Inquisitor. These final three episodes are filled with fascinating glimpses into the Inquisitorius Program, insightful dialogue into the psyche of the fallen Jedi that make up their order, and some genuine twists that keep you guessing throughout. Listen as Julian and Rachel unpack each mini-episode, and discuss the package as a whole.

Congrats to Ray Mills for some great selections on our Death Pool. Thank you to everyone who participated. Good riddance Hemlock, Scorch, Rampart, and many other terrible Imperials.

REMINDER: Don't forget to participate in our Bad Batch Death Pool! With no characters biting the dust in this week's episode, there's still time to place your predictions for who comes out of the series still breathing. It's easy, just follow this link and place your picks: https://forms.gle/vcBCTsH2eeHykYE87

As we close in on the series finale, you'd like to see episodes with longer runtimes. The concern being that we might run out of time to effectively wrap up all the story threads before the series wraps up. Despite only coming in at 26 minutes this week (about average for the series), "Into the Breach" gets a pass on this nitpick for two main reasons. Firstly, the pacing is near perfect. There isn't an ounce of fat in this episode, and the momentum caring the viewer into some extremely tense final moments is masterful. Secondly, they nailed the Star Wars tone here. Despite extremely high stakes, the general sense of adventure is maintained, and Rampart's humorous interjections keep things from getting too dark. As a whole the episode feels exactly as long as it needs to be and is an extremely compelling installment in the Star Wars saga. If you can't find yourself investing in these characters after these nail biting moments I'd recommend checking your pulse.

After this week, 'The Bad Batch' is only left with three more episodes before the series wraps up entirely. Last week's two-parter set the stage for a clear endgame - The Batch need to find Tantiss Base and rescue Omega. With that in mind, this week sets up an intriguing idea off the jump - perhaps the former Admiral, now prisoner, Rampart, knows the location. Unfortunately, the episode spins it's wheels with a "mission of the week" format without really moving the plot along in any significant way, and uses information the audience already knows as if it's a big reveal. This would have been a great episode in the middle of the season, but not for the fourth from last episode. The action and visual fidelity were top notch as always, but at this point in the series that's not enough to carry the story at this critical stage.

This final season of 'The Bad Batch' is coming at us fast. It was less than a month ago that we were treated to a dramatic two-part episode that left the team reeling, and now again this week another two-part episode drops, and it's another doozy. First, with "Identity Crises" we spend time back on Tantiss with Doctor Emerie Karr as she takes over for Nala Se on Project Necromancer. It's the first time a current or former member of The Batch doesn't appear on screen, as we instead spend the entire episode on Tantiss learning more about the insidious work being done there. It's gripping dramatic television. Next, with "Point of No Return", the stakes ramp up to 1000 as the Empire strikes out against Pabu in an attempt to recapture Omega. The action here is stunning and where the episode leaves off sets up a thrilling final few episodes as we lead into the series finale.

The trailer for this final season of 'The Bad Batch' teased the return of a fan favourite character from 'The Clone Wars'. A Sith assassin who has been part of Star Wars since the Tartakovsky animated shorts, who seemingly died in a novel adapted from an unused story from an animated series, only to return in all her glory as neither Sith nor Jedi. That's right folks Asaj Ventress returns to the screen as the titular "harbinger" of bad news. Julian and Rachel discuss Asaj's big return, what the information she delivers about the "m-count experiments" means for Omega, and whether we think this is the last we see of this assassin turned bounty hunter.

After an exciting two-parter last week, where the larger clone conspiracy plotline was brought to the fore, we return to something a bit more quaint. This week's episode falls more into the "mission of week" type format. Something we got pretty used to from seasons 1 and 2, but haven't seen much of this season. That is likely due to the fact that this is the final season, and there just isn't as much time to spend on episodes that don't really drive plot or character development. This week's A and B plot format attempted to tackle both of those tasks, but largely fell short of being a satisfying enough on either level. We see Hunter and Wrecker working with fan favourite bounty hunter, Fennec Shand, as they look for clues on the Empire's "M-Count experiments". Meanwhile, Omega tries to help Crosshair heal is hand tremors. Julian and Rachel unpack the episode scene by scene as well as discuss the first trailer for 'The Acolyte'.

The larger clone struggle returns to center stage with the return of some fan favorites, in what feels like a sequel to the stellar “Clone Conspiracy” episode from season 2. This two-part episode ramps up tension quickly and then relieves it with exciting action set pieces framed by gorgeous scenery. Crosshair and Omega continue to play a vital role at the center of the plot, and with the assassin clones becoming a larger part of the mystery, we are eager to learn more about how everything ties together. These episodes do a great job of clarifying the stakes for the remainder of the season while also planting seeds for things we know are still coming.

The exciting escape last week left us with the unresolved conflict between Crosshair and the rest of his former squad. In the podcast we discussed how it would be a good idea for the show to slow down for a moment and let Crosshair hash things out with Hunter and Wrecker before jumping back into a larger plot driven narrative. Fortunately it seems like the folks over at Lucasfilm Animation were way ahead of us, as they did just that this week. With a return to Pabu for a reset, the team meets up with Echo to gather additional intel on the whereabouts of Tantiss. The mission takes Crosshair back to the events of "The Outpost" for a spiritual sequel, which feels more than appropriate considering where Crosshair is now in his character arc. Julian and Rachel break down every moment of discord whilst Crosshair does the difficult work of earning back trust.

With the extra large premiere out of the way, Julian and Rachel can settle back into the traditional weekly cadence. Unfortunately life finds a way to disrupt well laid plans. As such, this podcast drops a day later than usual - apologies. The episode itself was high stakes and thrilling from the jump, and had a potent finish that gave us a good reset for the rest of the season. We got to explore a new planet, Lau, which is already under a heavy Imperial presence and ruled by the iron fist of Captain Mann, a greasy Imperial leader who is out to enrich himself while stationed on a backwater world. The setting makes for an intriguing backdrop as Omega, Crosshair, and Batcher look for a way off the planet.

Smell that regs? That's the smell of fresh Star Wars animation - breath it in. 'The Bad Batch' dropped it's hotly anticipated 3-part premiere this week and your Small Screen Star Wars hosts are back to unpack each beautifully crafted moment from "Confined", "Paths Unknown", and "Shadows of Tantiss" . Buckle up, as the three episodes come in around 90 minutes in total, which means you are in for a full 2.5 hour recap and review from Julian and Rachel, as the melancholy journey toward the series finale begins. Fortunately each step (episode) on that journey so far has been up to standard. This premiere brings back the gorgeous look and feel from Lucasfilm Animation and the consistently strong storytelling to setup what looks to be an exciting final season. With the board now set it's time to tune in each week to see how this all comes together. We're betting it'll end with a well deserved bang. You know Wrecker wouldn't have it any other way.

Maybe time works differently in the Star Wars universe because it feels like it was just yesterday that we were flipping over the calendar from 2022 to 2023. We were so young and naive. We didn't know a Hollywood strike would bring production of all our most anticipated projects to a grinding halt, and we hadn't yet learned to never trust a movie announcement from Lucasfilm, or that Mando S3 would land with such a thud. But here we are, a year later, looking ahead at another year of Star Wars. We are still waiting for the next movie in the franchise, while some of the best animated content is about to come to an end with the final season of 'The Bad Batch'. Plus, some intriguing new live action shows are just around the corner in 'The Acolyte' and 'Skeleton Crew', though we still don't know much about either one. It's a tumultuous time, so to kick things off on the right foot, Julian and Rachel take a moment to enjoy their Star Wars themed Christmas gifts before diving back into the nitty gritty.

There it is folks. The big finale for Dave Filoni's first full season of live action Star Wars. Though it was a little bumpy at times, most can probably agree that 'Ahsoka' brought it in the parts that matter most. Characters and emotional through-lines were strong, the plot satisfying, the action thrilling, and most importantly they were able to stick the landing. Sure, there's still plenty of unanswered mysteries, and with no clear understanding of how the story will continue (we have yet to hear of an announcement for a season 2) all fans can do right now is unpack the story so far. And in that regard, you're in luck, because that's exactly what Julian and Rachel are here to do. The pair of hosts do a scene-by-scene dissection of the entire episode, look back at the season as a whole, and do their best to predict where things might go from here (which turned out to be surprisingly hard to do).

It never ceases to surprise me how quickly 8-episode seasons of TV fly by. Here we are, already at the penultimate episode of the season (everyone's favourite TV related word, maybe only next to "titular"). With only the season finale left to rap things up, there's some anxiety amongst the fandom that there won't be enough time in only one episode to provide a satisfying finish to what has largely been a very successful season of TV. Both in terms of quality of storytelling but also fan reception. Time will tell how 'Ahsoka' will tie off it's loose ends, but with a "Heir to the Empire" movie on the horizon, it may not need to neatly wrap everything up. In terms of 'Part Seven' itself, it does the necessary job of moving all the pieces into place for a big finish next week while also providing some exciting action set pieces framed with strategy sessions with Thrawn. It had this tick-tack-toe feeling to it, as Thrawn, commanding his forces remotely, faced off and was forced to adapt as Ahsoka and our heroes responded to his moves. It made for a interesting dynamic that filled most of the episode. Oh, and we got a fun cameo as we checked back in with Hera and the New Republic. Next week is the big finale. We all hope it's got a long runtime as it has quite a bit to do, and as Thrawn said this week, the season lost the only thing it couldn't afford to lose, time.

As the title implies, we're finally in another galaxy. The "enemy" has arrived on Peridea and with it we get the resplendent return of Grand Admiral Thrawn, and his first appearance in live action. Like an old shoe, Thrawn slips right into the narrative like he's always been there (Most impressive!). We also get our first real look at another character that's been teased since the first episode, but unfortunately the emotions of that scene don't really hold a candle to the effectively bombastic entrance of the blue man. This episode, by it's nature, does a lot of work tying up loose ends, and squashing fan theories, leaving only a small handful of mysteries left to be revealed. The most intriguing of which being whatever it is that Baylon is after. His character continues to be one of, if not the most compelling on the show so far, and with Ahsoka set to make her appearance on Peridea next week, I expect things will heat up even further.

After the final moments of last week's episode, many fans were left to wonder about the fate of the titular character, now that she found herself back within the "world between worlds". Dave Filoni stepping back into the director's role (as well as the special theatrical screenings), signaled that we may be in store for something BIG. "Part Five: Shadow Warrior" did not disappoint as it reunites Ahsoka with her former Master (who also happens to be dead, but who's counting), Anakin Skywalker, as he attempts to complete her training while she stares down death's door. Fortunately, it's more than just a nostalgia play, as the action is largely motivated by character, allowing for a satisfying "rebirth" of Ahsoka as she faces her demons. Unfortunately however, the back half of the episode lacks much of that early momentum. Although it does neatly setup the final 3 episodes, which remain a mystery, as we've still yet to see the big bad, Thrawn. Things should really heat up next week as we take out first steps into a new Star Wars galaxy (presumably).

Despite being only a few minutes longer than last week's episode, "Part Four" of 'Ahsoka' manages to feel much grander and expansive. It not only packs a heavy action punch, with plenty of lightsabers, it also manages to expand on a lot of the most interesting character dynamics and plot points as well. Character through action is always appreciated and this episode brings that in spades. That's without even mentioning the bold and surprising turns that Dave Filoni is able to pull off here, leaving the heroes in a very tricky spot heading into episode 5, which by all accounts is supposed to be banger. There's plenty of chatter online about where this episode sits in terms of the pantheon of "The best Star Wars TV", which means it certainly holds it's own against the some of best Star Wars installments we've ever seen. Join Julian and Rachel as they break it all down, scene by scene, and make your own assessment.

With Julian out in the woods (literally), dialing in remotely with Rachel, and dealing with some technical difficulties (and a few bears), it's a low-tech episode this week. The pair discuss Part 3 of 'Ahsoka', which despite it's surprisingly short runtime, still manages to pickup on the "will she - won't she" story thread with Sabine and the Force. It also features an exciting dog-fighting sequence, which are always very welcome in a Star Wars story. Unfortunately, it doesn't have time for much else, relegating Hera's appearance to a single short scene (which at least had a few surprises of it's own). Next week, we're back in the studio and with it the return of a more "normal" production quality.

After only a short 4-months since ‘The Mandalorian' season 3, Small Screen Star Wars returns with more reviews and breakdowns. After having to (fairly) bow out of covering the season finale of Mando, Rachel returns to the podcast chair, alongside Julian, to unpack the two-part series premiere of ‘Ahsoka'. With these episodes coming in at nearly two full hours combined, there's a lot of lore, character and details to sift through, so buckle up for a comprehensive exploration of every action-packed moment in this overstuffed exploration of the latest Star Wars story! (which just so happens to basically be a semi-sequel to ‘Rebels')

'The Mandalorian' brought it's third season to close with a climactic battle for Mandalor, capping off a rocky eight episodes that have left some fans disappointed after what was such a stellar conclusion to season two. "The Return" ties up many of the loose ends from this season and the action set-pieces alone are worth the price of admission (more jetpack heavy battle sequences please) but taking a step back, we're left with a feeling of emptiness, as we may have a worse understanding of our lead characters psyches than we did coming into the season. With so much to do in the finale, and only 39-minutes to do it in, there just isn't any time left to hear what anyone thinks about the major events that just took place. It's plot in absence of character, and it's a real shame. It's not that the show is now bad, it's just that it certainly took a step back this season in pacing, plotting, character development and probably even musically with the absence of Ludwig. The hope being that it can learn from it's mistakes and course-correct going into season four. Julian recaps all of it, beat-by-beat, all by himself, as Rachel has had her baby (Congrats!) and as such was not able to join, for obvious and very much appropriate reasons. We'll be back with more Small Screen Star Wars very soon, but before that we'll be taking a short break. Make sure to check out the main feed for 'The Tower of Babble Podcast' in the meantime to stay up to date with all things nerdy. May the Force be with you!

As this season closes in on it's finale next week, there have been a lot of questions about this season's direction, or lack there of. Including on this very show. This penultimate episode for season 3 does a lot to answer those questions and it does so with tons of style. There's plenty of exciting action set pieces this week to sink your teeth into, which are satisfying in there own way, but it's the focus on driving the plot forward, the interesting world building, and the some deeper exploration of key characters like Bo Katan, that take this episode to the next level. That being said, it's not perfect, with a few pacing issues and the odd inclusion of another giant monster that feels ham-fisted. Overall though, the return of one of the shows best villains does a lot of heavy lifting, and certainly sets the stakes quite high for next week's finale. Programming Note: Rachel may not be available to record next week due to having a baby. We'll update the Discord and Twitter with news on this as we know more. Thank you for your understanding. 

Most people seem to agree that season 3 of 'The Mandalorian' seems to be a bit lost in the woods. Despite strong episodes, like last week's "Pirates", overall the larger plot seems to be a bit directionless at times. It's a cloud that is hanging over the show and seems to be casting a primarily negative shadow on it's reception this year. This week's episode unfortunately continues that trend, but it also continues the trend of having extremely entertaining side missions, with the inspiration-de-jour being a 'CSI' or 'Law and Order' style procedural/neo-noir detective caper. With cameo's a plenty from well known actors, an extremely jovial escapade to a new outer rim planet that is actually wealthy for once, and plenty of Clone Wars era callbacks, it's hard not to be entertained. Thankfully, the final moments of the episode tie us back into the larger plot (in a pretty clunky way if we're being honest), and setup the last 2 episodes of the season. Which are complete mysteries at this point. Plus, Rachel and Julian discuss the three new Star Wars movie projects announced at 'Star Wars Celebration Europe 2023', and dive into the brand new 'Ahsoka' trailer.

Just as Din seemed to be fairly aimless since his bath in the living waters, so to did the show itself. Wandering from plot point to plot point with no regard for pacing or sense of direction. That largely changed this week as Din is recruited to rescue Nevarro at the behest of an unlikely ally, all with the possibility of using the opportunity to create a new home for his cohorts. The threat of pirates brought many dangling plot threads together and helped establish a new purpose for our heroes, with the mystery of a reemerging threat lingering in darkness. That's without even mentioning some absolutely stellar action sequences realized with top tier visual effects, adding a much needed sense of quality to the whole affair that has felt oddly absent as of late. Oh, and don't forget about our boy Zeb!

It's a rare thing to get a season finale that hits as hard as this two-part season 2 capper of 'The Bad Batch'. Lucasfilm Animation was firing on all cylinders for much of this season, with gorgeous animation, top tier performances, and scoring from Kevin Kiner that is as good as anything you'd get in a feature film. Yet somehow they took it to another level with "The Summit", and then somehow found yet another gear for the heart-wrenching "Plan 99". For which it's episode title alone now carries more emotional weight than probably any scene from 'The Rise of Skywalker'. For our money, Star Wars doesn't get much better than this folks. There probably isn't much more to be said about how great these episodes were but Julian and Rachel dedicate the entirety of this nearly 2.5 hour podcast to Clone Force 99 and it's well deserved. Look for coverage of Mando later this week, because since when "have we ever followed orders".

A big reveal accompanied by a nice surprise are the highlights of this week's episode of 'The Mandalorian', that otherwise felt mostly inconsequential. Not quite a bottle episode (but close), we spend much of the relatively short runtime with the Mandalorian covert as they attempt to rescue a child from what is essentially a dragon. Meanwhile, over on 'The Bad Batch' we are treated to one of the best episodes of the entire series. Table setting for a finale has never been this exciting or engaging. Between prison breaks, escape attempts, and political intrigue, there isn't much more you can ask for from this show. Superb! Note: the audio in the first 10 minutes of the podcast is less than optimal after having to do some recovery to get it back. The remainder of the episode is back to the usual high audio standard we strive for. Note 2: the review/recap of this week's episode of 'The Bad Batch' had to be cut short. The plan is to pick up where we left off next week as a lead into the coverage of the season finale. The logistics of next week's podcasts are still up in the air but rest assured both shows will be covered in one way or another.

After a massive bombshell at the end of last week's episode of 'The Mandalorian', we take a sharp left turn into a completely different part of the galaxy and largely leave the Mythosaur thread to dangle... for now. The shift to concentrate on Dr. Pershing and his attempt to reintegrate into a post-war society, though surprising, was actually chalk-full of deep world building and does the leg work to set up a fascinating mystery. The Mando bookends featuring some stellar dog-fighting, and a surprisingly quick resolution to the whole "redemption" arch, were appreciated for their ability to keep the central story moving forward. On 'The Bad Batch' front, the season put the pause on things as it took our heroes on a short vacation that reminded us of what was actually at stake. It was slower, but intentionally so, and took the time to let us just "live" with the characters for a moment. Unsurprisingly, it didn't take nearly as long to unbox this episode compared to Mando.

Coming out of a lackluster premiere, 'The Mandalorian' steps things up in a big way with "The Mines of Mandalore". They waste no time in getting to the meat of the larger story, with a much better mix of lore to chew on with very exciting action (did someone say slice and dice?). Meanwhile on 'The Bad Batch' side, Lucasfilm animation outdoes themselves yet again with another top tier episode of Star Wars animation (unfortunately it's another one without the show's titular characters). In "The Outpost" we catch up with Crosshair as he's sent on what appears to be one of the few remaining military missions left for the Clones now that they're being retired. It's full of moody character work that culminates in what feels like something long overdue. What a time to be a Star Wars fan when we get two stories of this caliber released on the same day. This double-feature experience will continue for the next 4 weeks, so buckle up!

The big brains at Disney have decided that for the next 4 weeks, Wednesdays will be Star Wars double-header day, with episodes of season 3 of "The Mandalorian" premiering alongside the ongoing season 2 of "The Bad Batch". It certainly makes for a very fun double-feature for Star Wars fans, but also makes covering those shows on the podcast slightly more complicated. As such, Julian and Rachel will be reviewing both series simultaneously. So look for more 2-part episodes of "Small Screen Star Wars" over the next few weeks. The episodes themselves lacked much of any connecting through-lines (except the inclusion of large space monsters). Mando kicks off with a reset episodes that brings some fun adventure, and The Batch is seemingly back on track with an "Alien" inspired episode that starts the process of looping the main cast back into the wider story.