Podcasts about Lau

En el día del y la veterinaria argentina, nuestra veterinaria, Lau, nos habla de qué hay en esta profesión detrás de los perritos y gatitos bebés

BOSSes, Anne Ganguzza and Lau Lapides join forces in this episode of the VO Boss Podcast for another installment of their Boss Superpower Series. They tackle a topic often considered taboo in the voice acting industry: voiceover as a hobby. This discussion explores whether pursuing voice acting without the pressure of a full-time income carries a stigma. The episode delves into concerns about hobbyists "taking away" jobs, examines the true meaning of commitment, and highlights how to embrace a voiceover journey for pure creative joy, whether it's a primary career or a cherished passion. Listeners will discover why being a BOSS means defining success on one's own terms. 00:01 - Anne (Host) Hey guys, it's Anne from VO Boss here.  00:03 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO Boss. Vip membership, now with even more benefits.  00:10 - Anne (Host) So not only do you get access to exclusive workshops and industry insights, but with our VIP plus tech tier, you'll enjoy specialized tech support from none other than George himself.  00:21 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best Voice acting. It's tech support tailored for voiceover professionals like you.  00:32 - Anne (Host) Join us guys at VO Boss and let's make your voiceover career soar. Visit voboss.com slash VIP-membership to sign up today.  00:43 - Speaker 3 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.  01:02 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss podcast. I'm your host, Anne Ganguzza, and I am here with the Boss Superpower Series with the one and only Lau Lapides.  01:12 - Lau (Guest) Hey, Anne.  01:13 - Anne (Host) And Lau 01:14 - Lau (Guest) Love being here, as always. Love it, oh, Lau, it's so good to see you. What would a Saturday be without being in the booth with Anne?  01:22 - Anne (Host) Really, I know, right, I mean it would not be a Saturday, I know right it wouldn't, but sometimes on Saturdays I have other hobbies that I like to do, actually, because now it's actually horse show season and every once in a while I have to go out of the studio and go watch my horse shows, because back in the day.  01:39 - Lau (Guest) I used to own a couple of horses and that was like a passion and a love of mine.  01:46 - Anne (Host) Are you a derby girl? Do you get into the Kentucky Derby? I'm not a derby girl, I'm a horse show girl, a jumper. So, yeah, I mean, I can watch a race, but I'm much more enthralled by watching horses jump over things.  01:56 But speaking of hobbies and alternate passions and other passions we talk about voiceover as a full-time career all the time. Passions we talk about voiceover as a full-time career all the time, but there's a taboo topic about voiceover as a hobby. Maybe we should discuss that, laura. How do you feel about that? Is there a stigma around voiceover as a hobby in our industry?  02:19 - Lau (Guest) I think there is and it took me a while to actually let it come to the front of my brain that that was a real thing that people were distancing themselves from the notion of well, I'm in it to win it. I have to do it full time, I have to make a living and I have to do it like now, and the options are really there on the table for you, whether you would call it a full-time or full-time contractor position, whether it's a part-time and fills the holes in your schedule, in between your other lives, or whether it's a hobby, something creative, something joyful, something you love to do, but it's really not about money.  03:01 - Anne (Host) Well, okay, so let's just talk about the elephant in the room, right? Those that do voiceover as a hobby, right, could potentially be seen as taking away jobs from those people who do this for a living. And so those are the people that I think I see other people talk about them in different groups and Facebook groups and forums about how, oh, are you doing voiceover for a career or a hobby? Because if it's a hobby, then poo-poo, and so there's usually kind of a look of disdain upon those people doing it as a hobby. But I like how we're entertaining the thought of it because, I mean, there's lots of reasons why you want to get invested in voiceover, and not all the time is it to make tons of money and pay the mortgage. I mean, sometimes maybe you're in retirement and you just want a creative outlet, or maybe not even retirement, you just want a creative outlet. And do you feel, Lau, that this is taking away jobs from those of us who do it full time? What are your thoughts on that?  04:01 - Lau (Guest) No, in fact I got to be honest with you, Anne that didn't even come to my mind. It didn't come to my mind because I feel like best person wins the game.  04:10 And if you're in the game to win it and you're serious about it, there's going to be work for you, there's going to be jobs for you. To think about people who are not earning money or living as taking away your work to me is very strange, because it's like, well, it's a capitalistic market. It's like I have to train, I have to have my tools in place, I have to have my protocols and etiquette, I have to know everything that I can know to compete. But can I control the market? Can I control who's in the market? No Right, absolutely. That's true of every industry. I mean, how many times? Let's be honest.  04:43 - Anne (Host) And that's a really good point, laura, wait, wait, I got an honest point for you.  04:46 - Lau (Guest) How many times and listeners, be honest with yourself have you had a problem with your light bulb and your Uncle Harry, who's a retired electrician maybe, is going to fix it for you? Okay, well, you say, of course, let him fix it, sure. Well, he said, of course, let him fix it, sure, I don't even have to pay him. That's really great, wonderful. Well, the reality is is he took away a job from an electrician who's on the market right now. Who would love to get that job? Sure. But the reality is it's like we're built on relationships. We're built on the history of knowing people.  05:19 So not everything is going to be about a competitive job.  05:21 - Anne (Host) Such a great point. I mean and we talk about it in casting all the time I mean, sometimes they choose to go a different direction. Well, what is that other direction? Well, maybe their niece or nephew does voiceover, or maybe it's a friend of theirs that wants to give it a shot, and so, in reality, we don't really have control over that aspect of it. As to the decision of the casting, Again it's like who gets the job?  05:46 I mean is it always the best that gets the job? No, not really. No, sometimes it's just the most convenient or the one that's the cheapest.  05:53 And that is not necessarily our decision or under our control, so I love that you brought that up. I'd like to discuss the fact that I've had students who have tried voiceover and they've tried different genres. Of course you know I have specific genres that I work on and they've decided. You know what. I'm not so sure that voiceover is for me because they find out maybe it's not quite as enjoyable as they thought, or maybe I'm given homework, so maybe they're like I don't want to do Anne homework, so you know what I don't think I'm going to do voiceover anymore, but sometimes you don't know until you explore the path of creative journey.  06:29 - Lau (Guest) You just don't know.  06:30 - Anne (Host) And then all of a sudden, it's like you know what? I don't love it as much as I thought I was going to and therefore, maybe they have a great voice and we would be, maybe, as coaches, saying oh my God, you have a fabulous voice and you're natural at it and maybe they're just like you know. Okay, if I get asked to do it, so I mean there are all sorts of reasons.  06:47 - Lau (Guest) It isn't an all or nothing type of a trade. And besides, if you equate it to any other arts that are out there, like, does that mean I can't paint a painting without selling it? Does that mean I can't create a pot without selling the ceramics? Does that mean I can't dance without getting a job at dancing? It sounds kind of silly when you put it that way, but a lot of us consider it not just a trade but an art form. So to do it as an art form for the creative force of strengthening your voice and communicating and doing all the things that we do in voiceover, I think it's a missed opportunity to not do it because you think it is only meant to be a job and make money. It's also an art form.  07:31 - Anne (Host) And again, yeah, I'm a big believer about it's all about the journey, really not about the end point. Sometimes there's a lot of self-discovery in voiceover because it is a creative. Actually, I think all jobs are creative for the most part. Or they can be made creative or they can be thought of as creative. You can construct them as creative if you want, and so some are just a little more. I would say they lean more towards the creative field where you have more freedom of it. But I think a lot of times it's a journey and that's a wonderful journey to be on. I think we all go through some sort of a creative journey in our lives.  08:08 Absolutely and this is one that can really help you get in tune with yourself, because it is something that is directly in tune with ourselves, our voice.  08:17 - Lau (Guest) Yeah, and not only is it a fun challenge, but it is just that it can be just pure fun. If you get in the booth and you're doing, let's say, an animation character and you love character work, you may be doing that for the sheer benefit of doing it, the process of doing it, sharing with others that you've done it, listening back, enjoying the fun factor of it. You may or may not book that, that may or may not be a job for you, but it is part of that. You used the word journey that you can really have in yourself for other things Like what if you're a teacher? What if you're an educator? What?  08:53 if you are someone who is, or a therapist, or even a doctor, well, you would take these pop moments in your life and you can use them as part of your story, to connect with your audience, to connect with your customers, whoever they are.  09:09 - Anne (Host) Absolutely, and you know our journeys as we go along and I talk about this frequently is I use every part of my life experience in voiceover, and so voiceover is also a part of my life experience, and so I can use that in many ways other than just voiceover. I can, just as you mentioned, to be a better communicator, to really learn more about myself and to evolve, and so I really think that voiceover as a hobby is absolutely something we can entertain. And hey look, who's the pot calling the kettle black? Is that the phrase?  09:40 I have lots of different divisions of my business because I follow lots of different passions and that doesn't mean that voiceover is part-time for me. I mean, my main function here is voiceover. But there are lots of passions that I follow and, for example, my little foray into fashion. There's lots of fashion influencers out there that do it full-time. That might think, oh, who's this girl? Every once in a while I see a post from her and she's not really a fashion. I don't even like to say the word influencer. I just say I want to share my passion for fashion and hey, if I can make a little side income that's cool, but if not, it's not a big deal. I love the creative aspect of curating outfits.  10:19 - Lau (Guest) To me, what it comes down to is the gestalt of how much just as human beings, unfortunately we still love labeling.  10:26 We're very much designer in that way. We want to label people. We want to label what they do, what they have, what they are. We want to type them quickly so that it's easy for us to know oh, this is the girl that does that, this is the guy that does that, whatever. And the labeling can be very detrimental to us, because I see this all the time, with new voiceover talent coming in and actors coming in saying, oh, but this coach told me I need to do that and I need to be invested in this way and I need to be put in this net. And I said well, wait a second.  10:57 That is someone's interpretation of what this career is, based on their own subjective frame of reference. It has nothing to do with you. You've got to figure out your life. You've got to figure out your level of commitment, how you feel about it. In copy, we call it point of view. What's your point of view about this? It's sort of like we want to come in and it makes it easy for us if someone can label us. If they can label us, then we can follow the cookie cutter path of what we're supposed to do. But it's not that kind of career. Artistic careers are not that kind of career.  11:33 - Anne (Host) And again along those lines, is there a path to being a part-time voiceover talent? Is it a requirement that they get training, that they get a demo, that they do all of those things? That typically what we would suggest and recommend that they do for full-time?  11:49 - Lau (Guest) I honestly don't think anything is a requirement. I think it's only a requirement if you're trying to reach a particular level of your craft or career, and then you kind of have to do the due diligence of research. Oh well, if I'm going to use this as a career, then I know I need a demo of this kind. But if I'm not, if that's not my objective and I'm honest about that, I feel really good about that I may or may not need that, I may or may not. Right, it's a different level. I mean, a hobbyist has a different level of everything compared to a professional, sure, and the expectations can be very different as well.  12:26 - Anne (Host) Well, I'll tell you something that my level of commitment to back. When I was younger, riding horses right. It wasn't a job for me. I wanted it ultimately someday to be a job.  12:36 - Speaker 2 (Announcement) You loved it, but I loved it.  12:38 - Anne (Host) I followed my passion and I spent hours. I mean hours and hours and hours. I mean thousands of hours, tens of thousands of hours riding and practicing, and so I don't think you can put a label on oh, you're part-time, so it's a DIY demo. They're not training, they're getting their instruction on the internet. I hear a lot of talk like that and it's really it's negative talk. I'd like to say hey, guys, if you want to explore voiceover, if you have other passions that you want to pursue and you just want to do voiceover part-time, it's absolutely okay. There's no straight path to get there. There's no. You have to do this, you must do this to become a part-time voiceover talent. There's only recommendations on what might work for your journey to evolve and to get better.  13:24 - Lau (Guest) Absolutely. I think that's true of probably every profession that's out there. I think it applies to anything that you want to do. It's like as you move up the ladder, as you go level to level, you learn more about what the expectations are, what the industry standards are, what your competition has and utilizes to book work. But to come into it and to have this false or artificial notion of, oh, I should be doing this, I want to be, that Everyone told me I should be doing this. Well, listen, do you want to be in the cool kids group? Do you want to be in the cool clicky? You know everyone is cool or do you want to be true to yourself?  14:04 - Anne (Host) Right Like do you want to be?  14:05 - Lau (Guest) literally true to your own voice is the question. Yeah, absolutely. You can have many experts and professionals helping you along the way, but it's not about being in the cool kids club.  14:15 - Anne (Host) Yeah, and you know, what's so wonderful about that is that it's freeing, right? If I think about my alternative hobbies, that I do, right, I don't care what people think about me when I'm doing my hobby, I mean, and that allows me to experience more joy. I think Sometimes, oh, I've got a dedicated path to a full-time career and therefore here's what I should do in order to achieve that path, and then I can be judged. But when I decide I'm going to just do this for my own fun, for the creative journey of it, guess what? I tend to not think about what other people think of me and that, oh my gosh, as full-time voiceover talent, if we could, as actors, if we could just employ that attitude where you don't necessarily care what other people are saying about you, especially if it's negative, then I think that's a wonderful thing.  15:03 - Lau (Guest) You know, it brings us back to kids being kids, and like I don't mean kids at 10. I mean no, I mean younger, I mean like the under five crowd. It's like they're just not aware of what someone else thinks in regards to their playtime.  15:20 They're so invested in their imagination and their moments in their mind that they can shift and pivot to. I can be a king, I can be a dog, I can be a truck, I can be right, Like the possibilities of the magic. What if right? I can be anything I want to be and I don't have to worry about the outcomes of it, Like we're not into outcomes yet at that stage of the game. If we could have a moment of going back to that and just honestly play and be present and enjoy those moments without worrying about the outcomes, what people are saying, what people are thinking, then you're really going to free yourself to do your best work, yeah.  16:00 - Anne (Host) It just makes me think of like the judgment sometimes that I see that has passed on a part-time voiceover or voiceover people that are not necessarily studying under a coach or they're doing their own demo or they're auditioning for jobs that pay low. And if you're doing it as a hobby and typically if it's a hobby you're not always needing to make money from it. It's really just again, it's your creative expression, it's your enjoyment, your joy. You're not necessarily having to make a huge salary off of it. So then we kind of get to the point where, okay, are they bottom feeding the market? Are they bringing down the value of what it is that we do? Full time Lau.  16:44 - Lau (Guest) I don't know how to answer that, because I think the world is so large. Do full-time Lau? I don't know how to answer that, because I think the world is so large and the compartmentalization of all the different genres, all the different budgets, all the different potential clients are vast. They're huge. So I don't think there's one answer to that.  16:59 One of the biggest problems that I see as a coach is people coming in who are really hobbyists, who are treating it like they're going to make a living at it and really starting to unpeel the onion and decipher. Well, wait a second, can we be honest about this? This is not your career. Why? Because I'm looking at the time you commit, I'm looking at your level of investment, I'm looking at your strategy. I'm looking at your strategy. I'm looking at your talent. I'm looking at all these things that are the pivotal markers of a career person.  17:33 Right, they're not there yet. You're still in hobby mode. Do you realize that? Right, like, well, wait, can't I write this off on my taxes? Can't I get all of that? I said yes, if you work. Yeah, yeah, absolutely yes. If it becomes a business for you, have income against it, right? So I think the bigger issue in my mind not to divert away from your original question, but the bigger issue is that gap in people's minds between what they think they should be doing and want to be doing and what they're actually doing. And what they're actually doing quite oftentimes is what a hobbyist would do.  18:09 - Anne (Host) And then there's a lot of people I know that are like well, I want to be able to pay for my investment. So if they're coaching or if they're, even if they're doing it part-time and they're going to get a demo, they're like, well, I want to work so I can pay for this demo. And that is where I think that gray area is, because it's difficult for people unless they have a certain level of talent that's just innately without coaching or without having a great produced demo, because, you know, I always put my stamp of approval on that, you know, being transparent as a coach and demo producer. But there's a lot of people who don't necessarily. They want to be able to work so that they can pay for their investment in their hobby, because hobbies can be expensive, right, hobbies can be expensive.  18:55 - Lau (Guest) Exactly, exactly. But I asked the question and I always put it in another context because when you're too close to something, you oftentimes can't see it right. So if I say, okay, that makes sense. Now, if you're going to become attorney and you're going to be in Lau school for three or four years, why don't you work as an attorney and make the money so you?  19:14 - Speaker 3 (Announcement) can pay for Lau school. They say well, that's kind of crazy.  19:17 - Speaker 2 (Announcement) They're not going to let me do that.  19:18 - Lau (Guest) I haven't passed the bar. I don't have any credits. I said right, Are you going to work as a dentist as you go through dental? It's the same thing, Exactly.  19:27 - Anne (Host) That mindset, that's a great analogy.  19:29 - Lau (Guest) I'm like this should be easy for me to do. I should be able to get it so I can pay for my coaching. Say no, the investment in the education comes first. Yeah, and then you go out and look for the work, yeah, and it's like any good hobby.  19:41 - Anne (Host) I mean gosh, so many hobbies I had. But when, I think about when I was a young girl riding horses right? Well, I had to pay for my lessons, I had to pay for my own saddle, I had to pay for my riding outfit, I had to pay entry fees into the shows that I was competing in, and so my hobby was competitive. My hobby was I really dove deep and it was expensive, and my parents didn't let me forget that. But, I was so fortunate.  20:08 - Speaker 2 (Announcement) I always tell people.  20:08 - Anne (Host) well, I worked at the stable so I could work off my lessons, and so that took care of maybe a portion of the payment.  20:15 But my parents knew that I was invested because I was like, oh, and I spent all my time at the stables. I mean I shoveled enough manure to get some good background and investment into my passion, yeah. But I mean, in reality, I mean I invested as much, if not more, I think, into my hobby and then kind of knowing, when I got old enough to go to college, well then I had to go study for a real job.  20:39 But times have changed now right A little bit, so it's just gotten to the point where I love that I've always been able to follow my passions. Not everybody is there at a young age or can follow their passions throughout their life. I've always been fortunate, I think, that I've had this kind of gut to follow my passions in lots of different ways and figure out how I can still pay the bills while I do that, but you were very always pragmatic in understanding that you needed a survival job, exactly you needed to be hustling throughout.  21:09 - Lau (Guest) So, whether it was in your field or whether it was something totally unrelated, that was like a given to you. You were taught that you understood the work ethic of that, so that, I think, separates the hobbyists from the professionals in that.  21:22 - Anne (Host) But the good thing is is I feel like I have always been able to follow a passion where the money can help me pay the bills. And so, however, I fixated on that passion, like, for example, I was good at school, right, so I went to college and I studied engineering because people told me I should, right, but then I got into a job where I was designing creative, three-dimensional artificial hip and knee prostheses, and that creative like, oh, I got to be an engineer and that creativity was like it was my passion, right, following a creative, following something that allowed me to be creative and then ultimately getting into teaching.  21:58 After that right, sharing my love of I'm so excited about this, let me share it. And that was following that passion. And then I was able to teach. And so I think there are people at different stages of their life that all of a sudden say, oh, I need a creative outlet. Where they haven't really looked at where is their creative outlet now.  22:18 And I think people always have a creative outlet. They just don't expand upon it if they can or think about it in terms of it being a creative outlet. But at any given stage of life they get to a point where they say I want to be more creative. That's the majority of people that come to me that say they want to learn voiceovers. Gosh, you know, I'm just looking for something. I hate my job or I'm just looking for something that allows me to expand my creativity and that is following a passion. And at whatever stage you're at the passion and at whatever stage you're at, I don't think it matters whether you decide to do that full-time or part-time. It is a journey of creative experience for you.  22:52 - Lau (Guest) Yeah, I just think one of the bigger mistakes that I see happen and it happens all the time as I meet people is that they mistake the idea that they can quit their day job and leave their life and leave everything and just become a full voiceover.  23:06 Talent and as a contractor. It's just not going to happen that way. It really just isn't. It's not going to happen as any kind of a contractor, let alone this kind of. So you really have to be honest about that. And, like I, have a talent who has worked for a company, an insurance company, for like 10 years or a long time as their spokesperson, as their voiceover. She does nothing else. She does nothing else. She does nothing else. She just had a baby. She'll probably have another baby. She aspires to do more, but in my heart of heart I know she won't. I know she won't because when she hits the level of time and energy that it would take to do that, she stops. She can't go past that and I say be happy, be happy, be fulfilled, be okay with that. If that's what you can do and what you want to accomplish, don't keep pushing for the moon and the stars when the reality is is you're not wanting to really do the work to get to the moon and the stars.  24:05 - Anne (Host) I love that you say that, because some people don't realize it. Some people don't realize it that they don't want to do the work and they say they want to and they, but they don't. But they really don't, they really don't. And here's the deal, guys. I mean, I got out of a corporate job, right. I got out of it and you think oh, it's going to be easy.  24:23 Right, this should be easy. Now, if you're performing and you're being the actor and it feels easy to you because I want to make a distinction here and it feels easy, well, you've probably put in the hours and you're definitely in that moment where you are acting and it seems like it's easy. But in reality the amount of hours you had to put in probably to get there may or may not have been easy. That's right. When it becomes easy and it feels good, then you know you're in that creative moment right where you're expressing your creativity. But to get to the moments where you can do that more often than you have to actually run the business because we talk about that's the work.  25:02 A lot of the work that has to go into it is the business aspect of it, which is why we have this podcast right. There's the whole business aspect, which requires more work than I ever put into my corporate job and I put in a lot of work in my corporate job. I worked three jobs, probably overtime, but I put more work into this full-time voice acting gig than I ever put into my corporate job and I put a lot of work in my corporate job.  25:27 - Lau (Guest) Because you love it. Because you love it, there's a passion, there's an honesty about it. You love it, you want to do it right. It's there for you. I got to tell you I'm a little jealous sometimes of the lives lived gone by that I had as well, where we were doing like community theater, we were doing things that had no money involved, no end game involved, other than the actual experience of doing it and just loving it, just like being, and we were rehearsing every night. We would do it for three, four months and then we would do one weekend of shows you know what I mean and I say, oh wow.  26:04 Sometimes I really miss those days, Anne, because that was the most honest, yeah most honest moments of I want to do this, I love doing this, I love being with the people and I'm doing it. That has ever been in many lives. Once we get tainted a little bit with oh, I have to make, money, I have to make money.  26:26 - Anne (Host) We got to pay the bills right. We got to pay the bills. If we didn't have to pay bills in our lifetime, wouldn't it be nice. We've got to pay the bills right, we've got to pay the bills. If we didn't have to pay bills in our lifetime, wouldn't it be nice. What would? Our world look like if we didn't have to pay bills, If we could just do what it was that we felt was our calling and have creative exploration.  26:42 - Lau (Guest) I also think though, if we're being honest, we do use money as a marker.  26:46 - Speaker 2 (Announcement) As a motivator. It's a motivator too it's incentive.  26:49 - Lau (Guest) It also feels really good when you earn money for something you love to do or do. Well, it feels really good. There's a rightness about it. Should it be all about that? Probably not. Yeah, probably not, because I think you can lose the luster very easily of why you came into it in the first place.  27:09 - Anne (Host) Yeah, I feel like the money is a good motivator. And it's interesting because I say to people like for me, I love the business of voiceover, because I love to see how I can make money, like in many different ways. And it's not necessarily that I well, I love money. I can say I love money but it's not important that I have to have a ton of it, but it's the creative challenge of making money. That's a whole other show, Anne. That's a whole—we've got to do a show on that.  27:35 - Speaker 2 (Announcement) How much do you love?  27:36 - Lau (Guest) money, because I'm telling you, this is like one of our top ten taboo lists that we're creating. Yeah, absolutely, the hobbyist on the taboo list Money. It's okay to love money on the taboo list. There's probably other stuff too that we'll think of along the way, but it's like we're trying to dispel this. It's not even a myth. It's true that you are made to feel this way in our society and it's not accurate. You don't have to feel that guilt. You don't have to feel bad about loving to do something and not wanting to make money at it, absolutely.  28:08 - Anne (Host) Or even if you want to make money at it, you don't have to feel bad. And so you guys bosses out there. You don't have to do full-time voiceover to be a boss. You can absolutely pursue part-time voiceover and be a boss and be the best boss that you can. So great conversation, laura.  28:26 - Lau (Guest) I love that we fixed that one.  28:28 - Anne (Host) Yeah right, that was a goodie. I'm going to give a great big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you next week. See you next time.  28:44 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast-to-coast connectivity via IPDTL.   

Nesta edição, Cleber Facchi (@cleberfacchi), Isadora Almeida (@almeidadora) e Renan Guerra (@_renanguerra) recebem Caio Taborda (@caiotaborda), da Gop Tun (@goptun), para conversar sobre o momento dos festivais de música eletrônica no Brasil e no mundo.Apoie a gente: https://apoia.se/podcastvfsmNão Paro De Ouvir➜ Tame Impala  https://tinyurl.com/9suuyu7c➜ Paira https://tinyurl.com/mr3edf5s➜ Fcukers https://tinyurl.com/5n86hby2➜ Lau e Eu https://tinyurl.com/mczsx3vn➜ Cormac https://tinyurl.com/2p9ke3tk➜ DJ co.kr & Deize Tigrona https://tinyurl.com/4bbnyv3y➜ Confidence Man & JADE https://tinyurl.com/2s3a9x9p➜ TOPS https://tinyurl.com/5n8ze5da➜ Wednesday https://tinyurl.com/2a6k8vy8➜ Jeff Tweedy https://tinyurl.com/3spedrn7➜ Freddie Gibbs & The Alchemist https://tinyurl.com/5xvk5pdz➜ Jorja Smith https://tinyurl.com/zcnvpj48➜ Amaarae https://tinyurl.com/2623pw67➜ Deekapz & Luccas Carlos https://tinyurl.com/yc8y5vxp➜ Bike https://tinyurl.com/3jkusken➜ Joca https://tinyurl.com/2nz5837d➜ Janvi https://tinyurl.com/383e2txx➜ The Cigarettes https://tinyurl.com/4kcb8eb8➜ Fever Ray https://tinyurl.com/37avks8w➜ Avalon Emerson https://tinyurl.com/39k93va4➜ Madonna https://tinyurl.com/3p7mzsbzVocê Precisa Ouvir Isso➜ Presença de Anita (Globoplay)➜ Spoorloos, de George Sluizer➜ Apocalipse nos Trópicos (Netflix) ➜ Desastre Total: Mães Detetives (Netflix)Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

Angesichts der humanitären Lage im Gazastreifen steigt der Druck auf Israel. Deutschland, Frankreich und Großbritannien sagen Hilfen zu. Doch reicht das aus? Der Druck auf die israelische Regierung nimmt zu: Frankreich will Palästina als Staat anerkennen. Angesichts der Bilder hungernder Kinder kündigt Donald Trump an, neue Hilfszentren im Gazastreifen einrichten zu wollen. Und auch die deutsche Bundesregierung reagiert. Bundeskanzler Friedrich Merz spricht öffentlich von einer dramatischen Versorgungslage und schickt Flugzeuge für eine Luftbrücke in Kooperation mit Jordanien. Laut den UN herrscht in Gaza inzwischen extreme Hungersnot, kleine Kinder leiden unter schwerer Mangelernährung, viele Menschen sind von der Versorgung abgeschnitten. Immer mehr Staaten fordern deswegen einen Kurswechsel. Zuletzt hatten 26 Länder ein sofortiges Ende des Krieges im Gazastreifen gefordert und das Vorgehen der israelischen Regierung bei den Hilfslieferungen scharf kritisiert. Auch innerhalb Israels wächst die Kritik: Zwei namhafte NGOs beschuldigen die eigene Regierung des Völkermords in Gaza. Gleichzeitig bleibt Israel bei seiner Linie. Ministerpräsident Netanjahu weist Hungervorwürfe zurück, und Finanzminister Smotrich spricht offen von Plänen einer dauerhaften Besetzung des Gazastreifens – mit mehr Siedlungen als vor dem Abzug 2005. Wie aussichtsreich sind die Hilfslieferungen für die hungernde Bevölkerung? Kann dadurch wirklich die eskalierende Hungerkatastrophe aufgehalten werden? Und wer wirkt eigentlich noch auf die israelische Regierung ein? Das bespricht Moderatorin Hannah Grünewald mit Jörg Lau, außenpolitischer Korrespondent der ZEIT. Unsere Sendung sehen Sie immer donnerstags ab 21 Uhr auf zeit.de und auf YouTube. Redaktion & Moderation: Hannah Grünewald Redaktion & Produktion: Ina Rotter, Matthias Giordano, Fish&Clips Postproduktion: Simon Schmalhorst, Matthias Giordano, Fish&Clips Mitarbeit: Iona Young, René Wiesenthal Sprecherin: Poliana Baumgarten Ressortleitung Video: Max Boenke Technisches Konzept: Sven Wolters Videodesign: Fabian Friedrich, Adele Ogiermann, Ulf Stättmayer, Nicolás Grone Musik: Konrad Peschmann, soundskin #gaza #israel #famine #middleeast #trump

Meritxell Ribera i Laura Villa són Mëy & Lau, dues cantautores a qui la música va unir fa uns anys i en fa dos que es van convertir en duet. Recorren el territori per carretera amb els seus instruments per oferir concerts i el proper dimarts 5 d'agost actuaran al Cicle Imprescindibles en el marc del Festival de Terramar. Seran les teloneres de Duncan Dhu i preveuen una actuació plagada de versions i repertori propi, com el tema Duende de la pròpia Meritxell que han interpretat en directe a l'estudi. L'entrada Mëy & Lau, dues cantautores amb ritme de rumba als Imprescindibles ha aparegut primer a Radio Maricel.

Lau, nuestra veterinaria nos trae otra columna sobre animales, esta vez... ¿Cómo perciben el mundo?

Stefan, Laurens en Jim gaan verder. De laatste ochtendpodcast, de laatste voorbeschouwing. Het wordt een ander vooruitblik op de 21e etappe dan gebruikelijk - de winnaar is minder voorspelbaar en ook voor de renners zelf wordt het ook aftasten - deze is niet meer voor de 'bühne'. In hoeverre zit het publiek te wachten op een experiment? Lau is duidelijk, hij zou als renner lobbyen in het peloton: we doen rustig tot de Champs Elysees. En het gaat onweren. Maar veel gedonder en gebliksem zal er niet zijn tussen UAE en Visma - de vrede tussen Jonas en Tadej is getekend.Niet alleen het koersverloop is spannend - ook de Skoda Koersprofeet is onvoorspelbaar. Het staat gelijk tussen de heren, en dus gaat de etappe van vandaag uitmaken wie uiteindelijk die Skoda moet gaan wassen.En hoe zit het nou met de nieuwe Mark Rutte van het peloton?Je hoort het allemaal in de Live Slow Ride Fast podcast.

Stefan, Laurens en Jim gaan verder. De laatste ochtendpodcast, de laatste voorbeschouwing. Het wordt een ander vooruitblik op de 21e etappe dan gebruikelijk - de winnaar is minder voorspelbaar en ook voor de renners zelf wordt het ook aftasten - deze is niet meer voor de 'bühne'. In hoeverre zit het publiek te wachten op een experiment? Lau is duidelijk, hij zou als renner lobbyen in het peloton: we doen rustig tot de Champs Elysees. En het gaat onweren. Maar veel gedonder en gebliksem zal er niet zijn tussen UAE en Visma - de vrede tussen Jonas en Tadej is getekend.Niet alleen het koersverloop is spannend - ook de Skoda Koersprofeet is onvoorspelbaar. Het staat gelijk tussen de heren, en dus gaat de etappe van vandaag uitmaken wie uiteindelijk die Skoda moet gaan wassen.En hoe zit het nou met de nieuwe Mark Rutte van het peloton?Je hoort het allemaal in de Live Slow Ride Fast podcast.

Stefan, Laurens en Jim gaan verder. Er hangt spanning in de lucht - de heren hoog in de emoties. De rit van etappe 19 is ingekort, Lau z'n dagplanning in de soep. Maar belangrijker: er staat hierdoor vrijwel zeker een streep onder de groene trui. En stiekem weet iedereen dat dat ook geldt voor de gele. De witte trui ligt daarentegen nog volledig open. Gaat Roglic zich opofferen voor Lipowitz? Zou Tadej Jonas iets gunnen vandaag, zoals de overwinning? Misschien wordt het wel een dag voor de knechten. We gaan het allemaal beleven.En hoe zit het nou met kansen voor de kopgroep?Je hoort het allemaal in de Live Slow Ride Fast podcast.

Stefan, Laurens en Jim gaan verder. Er hangt spanning in de lucht - de heren hoog in de emoties. De rit van etappe 19 is ingekort, Lau z'n dagplanning in de soep. Maar belangrijker: er staat hierdoor vrijwel zeker een streep onder de groene trui. En stiekem weet iedereen dat dat ook geldt voor de gele. De witte trui ligt daarentegen nog volledig open. Gaat Roglic zich opofferen voor Lipowitz? Zou Tadej Jonas iets gunnen vandaag, zoals de overwinning? Misschien wordt het wel een dag voor de knechten. We gaan het allemaal beleven.En hoe zit het nou met kansen voor de kopgroep?Je hoort het allemaal in de Live Slow Ride Fast podcast.

Elas estão por toda parte, e a cada dia surge uma nova. Estamos falando das associações de pacientes de cannabis, que formam o tripé do acesso à medicina canabinoide no Brasil.No episódio 83 do Cannabis Hoje Pod, a gente mergulhou nesse universo com ninguém mais, ninguém menos que Ladislau Porto, que advoga e advogou para várias delas e é especialista inconteste no tema.Ele nos leva para dar uma volta nos bastidores das associações e traz a sua análise jurídica que nos ajuda a entender esse fenômeno único no mundo.Aperta o play para conhecer a real sobre as associações de pacientes de cannabis!***Encontre o Launo Linkedinhttps://www.linkedin.com/in/ladislau-porto-638370278/no Instahttps://www.instagram.com/ladislauporto/***Lau indicaÍtalo CoelhoNatan DuekClayton MedeirosMurilo GouveiaErik Torquato***MARCAS APOIADORAS DA 4ª TEMPORADAUnyleya: http://unyleya.link/anitakreppUSA Hemp: https://www.usahempbrasil.com/Flora Urbana: https://floraurbana420.com.br/Blis: https://appblis.com.br/aLeda: https://www.instagram.com/aledaoficial/***Essas são marcas que reconhecem o valor da comunicação responsável e do jornalismo de qualidade no processo de desestigmatização da planta, promovendo informação para a normalização do que um dia foi tabu.***Para seguir por dentro dos avanços da cannabis e dos psicodélicosAssine a news: https://cannabishoje.substack.com/Siga no Insta: https://www.instagram.com/cannabishoje/Se inscreva no Youtube: https://www.youtube.com/@cannabishojeAcesse: https://cannabishoje.com.br/

On March 1, 2025, President Trump issued Executive Order 14224 designating English as the official language of the United States and revoking EO 13166, an executive order from 2000 aimed at improving language access. On this episode of the ATA Podcast, co-host Adam Sachs questions Dr. Bill Rivers on the order, its effects on language access, and how it affects language services providers. Dr. Rivers joins us with experience spanning over 30 years of research, advocacy, and work in translation and language access, and this episode thoroughly examines the new EO using his insights and expertise.   Following EO 14224 being issued, six of the nation's leading professional T&I organizations issued a joint statement opposing the order. ATA stands with its members and the communities we serve, and ensuring language access for limited-English-proficient (LEP) individuals is a key part of ATA's mission. Voice your support for language access provisions by contacting your representatives and ensuring that the LEPs you engage with are aware of their language access rights, and listen to the ATA Podcast to stay informed and vigilant about this consequential topic and to hear other ways ATA is pushing back and standing up for language access.   Show Notes: ATA Divisions and SIGs: https://www.atanet.org/member-center/divisions/ ATA's Annual Conference: https://www.atanet.org/ata66/ Executive Order 13166: https://www.whitehouse.gov/presidential-actions/2025/03/designating-english-as-the-official-language-of-the-united-states/ Executive Order 14224: https://www.federalregister.gov/documents/2000/08/16/00-20938/improving-access-to-services-for-persons-with-limited-english-proficiency Joint Statement on the Trump Administration's Executive Order 14224: https://www.atanet.org/advocacy-outreach/leading-language-organizations-oppose-executive-order-14224-warn-of-potential-consequences/ Lau v. Nichols: https://supreme.justia.com/cases/federal/us/414/563/ Meyer v. Nebraska: https://supreme.justia.com/cases/federal/us/262/390/ Title VI, U.S. Constitution: https://www.justice.gov/crt/fcs/TitleVI#:~:text=Title%20VI%2C%2042%20U.S.C.,activities%20receiving%20federal%20financial%20assistance LEP.gov: https://www.lep.gov/   Join ATA: https://www.atanet.org/member-center/join-ata/ The ATA Podcast Archive: https://www.atanet.org/news/the-ata-podcast/ ATA Events Calendar: https://www.atanet.org/ata-events/ ATA Socials: https://linkin.bio/americantranslatorsassn    Please send comments, questions, or requests about this podcast to podcast@atanet.org. Thank you for listening!   Audio Production: Derek Platts | Technical Support: Trenton Morgan, Teresa Kelly

In Pacific Waves today: Ratu Tevita bestowed three chiefly titles in Lau, Fiji; 'Lau province is complete again' - Fijian tutor on historic occasion; Call for national strategy after latest sorcery killing in PNG; Community leaders detail lockdown pain at Covid inquiry. Go to this episode on rnz.co.nz for more details

Stefan, Laurens en Thomas gaan verder. Nadat de heren in de ochtend zelf een rondje hadden getrapt - la belle est vie - zorgden ze dat ze tijdig terug waren om alweer de vierde etappe van de Tour te kijken. Resultaat: een middag vol schreeuwmomenten vanaf de bank. Ze verwachtten vuurwerk vandaag, en het was er. De etappe van Amiens naar Rouen begon als een wedstrijdje armdrukken, maar werd een nucleaire strijd tussen de grootmachten en hun leiders. UAE nam het initiatief, en het plan van UAE om Mathieu zijn ‘benen af te snijden' leek succesvol te zijn. Tadej behaalt z'n honderdste overwinning, Van der Poel blijft in het geel. Wat gaat de etappe van woensdag ons brengen? De heren kunnen niet wachten!En hoe zit het nou met die hypo van Lau?Je hoort het allemaal in de Live Slow Ride Fast podcast.

Stefan, Laurens en Thomas gaan verder. Nadat de heren in de ochtend zelf een rondje hadden getrapt - la belle est vie - zorgden ze dat ze tijdig terug waren om alweer de vierde etappe van de Tour te kijken. Resultaat: een middag vol schreeuwmomenten vanaf de bank. Ze verwachtten vuurwerk vandaag, en het was er. De etappe van Amiens naar Rouen begon als een wedstrijdje armdrukken, maar werd een nucleaire strijd tussen de grootmachten en hun leiders. UAE nam het initiatief, en het plan van UAE om Mathieu zijn ‘benen af te snijden' leek succesvol te zijn. Tadej behaalt z'n honderdste overwinning, Van der Poel blijft in het geel. Wat gaat de etappe van woensdag ons brengen? De heren kunnen niet wachten!En hoe zit het nou met die hypo van Lau?Je hoort het allemaal in de Live Slow Ride Fast podcast.

Stefan, Laurens en Sam gaan verder. De tijd vliegt - het is alweer de laatste podcast met Ons Sam. De voorbeschouwing op etappe 3 van de Tour - wat zijn de verwachtingen? Als er gekeken wordt naar de wind en het parcours, zouden deze voorspellingen ‘t minst stressvolle scenario moeten opleveren, aldus Sam. Stevenen we af op een koninklijke sprint? Hoe gaat de lead out in de laatste meters eruitzien met al die s-bochten? Er worden vraagtekens gezet bij de aankomst. Kortom, veel vragen, en vandaag krijgen de drie mannen antwoorden.En hoe zat het met die bolletjes van Lau?Je hoort het allemaal in de Live Slow Ride Fast podcast.

Stefan, Laurens en Sam gaan verder. De tijd vliegt - het is alweer de laatste podcast met Ons Sam. De voorbeschouwing op etappe 3 van de Tour - wat zijn de verwachtingen? Als er gekeken wordt naar de wind en het parcours, zouden deze voorspellingen ‘t minst stressvolle scenario moeten opleveren, aldus Sam. Stevenen we af op een koninklijke sprint? Hoe gaat de lead out in de laatste meters eruitzien met al die s-bochten? Er worden vraagtekens gezet bij de aankomst. Kortom, veel vragen, en vandaag krijgen de drie mannen antwoorden.En hoe zat het met die bolletjes van Lau?Je hoort het allemaal in de Live Slow Ride Fast podcast.

OPEN HEAVENSMATALA LE LAGI MO LE ASO GAFUA 07 IULAI 2025(tusia e Pastor EA Adeboye) Manatu Autu: Kerisiano moni? (Christian indeed?) Tauloto –  Iakopo 1:25 “A o lē matuā matamata i le tulafono o le sa‘olotoga ‘ua ‘ato‘atoa ‘ona lelei, ma ‘ua tumau i ai o ia, e lē se fa‘alogologo ma le fa‘agalogalo lenā tagata, a o lē ‘ana‘ana i le galuega, e manuia o ia i lona lava ‘ana‘ana.”‭‭Faitauga o le Tusi Paia: Iakopo 1:21-27E iai le eseesega o le taua o se kerisiano ma le avea o se kerisiano moni. E toatele tagata e faapea mai o kerisiano ae lē o atagia Keriso i o latou olaga. O le alu i le lotu, galue i totonu o le lotu, anapogi ma le tatalo, e mafai ona ta'ua ua nā o galuega faalelotu masani pe afai e lē atagia Keriso i lou olaga i aso uma. O le toatele o nisi tagata na tutupu ane i le lotu ma ua masani i galuega a le Ekalesia, peitai o loo latou ola pea i le agasala e pei o tagata lē faatuatua ma lē lolotu. O le auala e iloa ai pe moni e iai Keriso i lou olaga, o le vaaia lea o suiga I lou olaga talu ona e faaolaina. A faapea e maea le lua tausaga e lei suia au amioga mo le lelei i le taitaiga a Agaga Paia, o lona uiga e na o le auai lava i le lotu. E iai tagata e tatalo e faitau itula, peitai e tumau pea le masani o le pepelo. O nisi e tauala mai ai vavega, peitai e iai le loto lē faamagalo i o latou loto. E ui o galuega e pei o le tatalo, anapogi, talai le Talalelei e matua taua, ae aua nei galo le tulaga pito taua, ia tatou faapei o Keriso. O na galuega uma i le Ekalesia e aoga aua le taunuuga ae lē sili atu i lou faapei o Keriso. Fanau a le Atua, afai e fia avea moni oe e pei o Keriso, ia matua faatele lou taimi e suesue ma le filiga le Upu a le Atua. A e suesueina le Tusi Paia, o loo e mafuta vavalalata ma le Atua aua o ia o le Upu (Ioane 1:1). Fai mai le Ioane 17:17 o le faapaiaina, e sau mai le Upu, fai mai le Efeso 5:26 e faamamaina i tatou e le Upu, ae fai mai le Salamo 119:11, e tatou teuina le Upu a le Atua I o tatou loto, e taofia i tatou mai le faia o le agasala i le Atua. O le feliuaina moni e faatoa tupu pe a e mafuta ma le Atua e ala i lana Upu. E faatusa e Iakopo 1:23 le Upu a le Atua i se faata. A tilotilo le till Le tagata i lona ata i le faata, e siaki ona foliga ma mea uma poo lelei ona suia lea oni tulaga faaletonu. A e saili ma suesue i le Upu a le Atua, o lou naunautaiga ia suia e le Atua ou manatunatuga, amioga ma lou tagata e ala i le mana o lana Upu. Afai e masani ona vave lou ita ae e te lei faitauina le Tusi Paia, e mafai e le upu a le Atua ona aveesea lou loto ita ma suia oe i se tagata onosai ma le filemu. Afai na e faanoanoa ma loto mafatia, e tatau ona aveesea e lana Upu le faanoanoa ma le loto faavaivai ae suia i le viiga ma le olioli (Isaia 61:3). Le au pele e, e tatau ona e faatagaina le Upu a le Atua e tupu ma ola i totonu ia te oe ma le poto (Kolose 3:16). TataloTamā, faamolemole fesoasoani mai ia te au ia tumau Lau upu i lo'u loto ma ia ou ola ma savali e tusa ma lou finagalo i taimi uma, i le suafa o Iesu, Amene. 

  BOSSes Anne Ganguzza and Lau Lapides share an inspiring and candid conversation about the challenges and triumphs of leveling up your business. Anne opens up about her personal journey of growth, from small changes in her Pilates class to taking a significant leap in her company, battling the fear and discomfort that often accompany evolution. This episode offers profound insights into navigating change, the vital role of a supportive team, and the power of embracing risk for long-term success. Listeners will gain actionable wisdom on recognizing their own self-imposed limitations, the importance of strategic planning, and understanding that growth, while sometimes terrifying, is essential for avoiding stagnancy.   00:24 - Announcer: It's time to take your business to the next level—the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO Boss. Now, let's welcome your host, Anne Ganguzza. 00:44 - Anne (Host): Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and I am here with Lau Lapides in our Boss Superpower Series. Hey Lau, hey Anne. 00:54 - Lau (Guest): I'm so excited to be back. It's been a while, you know. It seems like it's been forever years. It hasn't been, it's been years, but it feels like that. 01:04 - Anne (Host): I'm going to say a lot has happened, and so I brought props to show you. So I have... actually, I love props. I care my props. I have actually leveled up, okay? So in many ways. So I have my three-pound weight and I have my five-pound weight. So in my Pilates class, I finally leveled up because when they say grab your light weights, I went from three pounds to five pounds. 01:26 - Lau (Guest): You're now a heavyweight. 01:28 - Anne (Host): Well... I don't know if it's heavyweight, but now, right, it's a change. I've leveled up, and while it may not seem like a lot over the long haul, guess what? It's going to mean a whole lot. And I thought it was such a great comparison for our businesses and how we can make simple little changes. And those simple little changes over time are going to make an amazing difference. And I even got like excited, and I wrote, "No sacrifice, no success." And then here's my little boot necklace to like kick myself in the butt to remind myself. 02:00 - Lau (Guest): We all need that, Annie, we all need that. 02:02 - Anne (Host): I love that, to do that, yeah. So I've taken some chances with my business, and I have done some things. I've made some changes, some not so small, but they've been coming for a while. In my head, they were small, and over time they evolved into a kind of, maybe, a bigger idea for a bigger vision for my company. And I thought it would be great to just talk about the process because it's not easy to level up. 02:27 - Lau (Guest): Oh, it's no, it's not the most challenging thing you can do. And it's funny how you have the thought, the imagination, the dream, which has nothing to do with the actual reality of doing it, right? So you're moving through that reality. 02:40 - Anne (Host): I consider the brain, right? My brain steps, my little steps over time, because I've been thinking about how am I evolving, how am I going to level up, how am I going to make these changes? And so in my head, I was making small changes, right? Until finally, I started implementing those small changes, and then kind of as a, I guess maybe a side effect or after effect of those small changes, then I needed to make bigger changes. And so now I have to say that through the process, it's been definitely a learning process, not only for... I like to say I have a clear direction of where I want to go, I know that, but also things have happened that have been, I guess, scary. They've been monumental, like growing challenges for me, but also moments where I've been... Oh, I get it now! 03:31 - Lau (Guest): Yes, let's hear, what are some of those aha discovery moments for you that caught you? 03:31 - Anne (Host): So the aha discovery, right? The aha discovery of evolving your business and always growing, and I'm always talking about that, right? I'm always talking about evolving, and I'm like, "Oh, I got an idea for this, I got an idea for that." I'm a little bit of a serial entrepreneur, but when it comes right down to it, I think that a big aha moment for me was in the process of doing this, is that I've learned a lot about myself, and I've learned where I myself get in my own way, right? I myself get in my own way, right? And I like to think that I don't, and that I'm all confident, and I'm... Yes, we can forge forward and be successful. But yet there's been some times where I'm like, "Well, am I doing the right thing?" And I second-guess myself, and then when I do that, I learn more about myself. Yes, and so it's really been a learning experience about myself and how there are ways in which I hold myself back, and how when it comes to growing your business, the team that you have in place can do a lot to support you. 04:33 - Lau (Guest): Now, before you go on, Annie, I want to know on a scale of one to 10, 10 being the most terrorizing, before you made the move, because a lot of our clients and talent ask us about this, like, "How do I make these really serious and scary moves?" How scared, terrorized, were you at the thought of that kind of change, which is semi-radical, especially when you're working with people for quite a while? How scared were you? 04:59 - Anne (Host): Terrified, terrified. I mean, terrified. It was a 10. It was a 10. Stress level eating, do you know what I mean? 05:05 - Lau (Guest): Well, thank you for being honest, I would agree. 05:07 - Anne (Host): I think it's true. Headache, neck ache. It never gets easier. No, it never gets easier. 05:12 - Lau (Guest): It's always a risk, a huge risk. 05:15 - Anne (Host): And we've talked about this. It's not like uncommon that we've talked about like taking risks and stuff like that. And even before, I was like, "Yeah, we take risks, we're bosses." And this time I took a big risk, and I think that I really challenged myself to take a big risk. And is it completely successful? I don't know yet, you know what I mean? It's evolving. 05:34 - Lau (Guest): And that's the nature of risk. If you knew, it wouldn't be a risk. 05:37 - Anne (Host): Exactly. I mean, I'm evolving with it, I'm growing with it, and I have faith that I'm determined that it will evolve into something successful for me, and so that I have. But the terror along the way has been surprising. 05:53 - Lau (Guest): Yes, yes, because it never gets easier. It never gets better. No, right? It just gets more, higher stakes, and it's funny. The stakes get higher. Yeah, and it's funny, what were the stakes for you this time around? Can you like break it down for the listeners? How did that work? 06:07 - Anne (Host): I'm going to keep going back to here, like right. So we all know my health journey, right? And my health journey took about a year and a half, right? To kind of come to fruition and get the news that, you know, I was not well, healthy, and I needed to do something about it. And then get to work, right? Focus, get to work. And so I was driven. I had a goal. I was driven. I didn't stop until I got to that goal. And then all of a sudden, I got to the goal and I'm like, "Wait, I have more goals." 06:34 - Anne (Host): And so my three-pound weight was always my weight that when the Pilates instructor said, "Go grab your light weights," I said, "Okay, three pounds," right? Three pounds is what? Before it was like one pound, I'm not quite sure if it might've been two pounds. Then I said, "All right, I'm going to graduate to three." But then just this past week I went to a five, and I said, for whatever it was, I had been thinking about it and thinking about it and thinking about it. Similar to my business. Right? I was thinking about the moves, I was stressing, I was nervous, I was like debating, I was researching, I did all the things in my head to evolve, and then finally, I took the leap. And so this past Wednesday, I took the leap, and I went to five pounds. Isn't that great? And it wasn't horrible, and it wasn't horrible. And now I know that there will be days when I'm not going to want to do the five pounds, but I'm going to push myself to do the five pounds. 07:24 - Lau (Guest): You're going to push, but there was something inside of you. 07:26 - Announcer: This is something I think the listeners have to know this. 07:29 - Lau (Guest): There was something inside of you, this little voice, that somehow knew that you could take it on. 07:34 - Anne (Host): And today was the day you could handle it, even though you felt nervous, scared, and with weights, you actually can get hurt, physically hurt, right? 07:44 - Lau (Guest): So of course you're not lifting 150 pounds, but you can still hurt yourself, right? Exactly. Well, let's transfer that now to your business. 07:52 - Anne (Host): Yeah, I mean, and it was funny because I thought about it, thought about it, thought about it, strategized, strategized, said, "Yes, I should. No, I shouldn't. Yes, I should." Today's the day. 08:00 - Lau (Guest): The back and forth, right, Annie? The back and forth. Yes, no. 08:02 - Anne (Host): And then I said, "Today's the day." Today is the day, right? And so literally, that's kind of what happened when I made the decision after I had been thinking about it, researching, going back and forth, "Okay, I'm going to do it," and then I started it, and it was like building a muscle, right? So I'm still in the process of building the muscle of my business and getting through the growth, right? So I'm going to grow my muscle with my five-pound weight. 08:29 - Anne (Host): I'm going to grow my business, right, with my growth strategy, and it's terrifying, it's uncomfortable, right? It's uncomfortable, but there are little successes that I'm seeing along the way, and that makes me happy, and that gives me the confidence to move on and to continue on my journey. And I know in my heart, right, I will make it work for me in the way that it's best. I think the one thing, Lau, which is interesting, is I always have to figure out what's the fallback, right? What's the worst-case scenario, and can I accept the worst-case scenario? 09:02 - Lau (Guest): What is the worst-case scenario? 09:02 - Anne (Host): The worst-case scenario was I'm committed to my growth strategy for a certain amount of time and a large amount of money, to be quite honest with you. 09:09 - Lau (Guest): Well, that's what I was going to say, that you lose a bunch of money that you don't feel you got any return on or any knowledge on. That would be the worst, wouldn't it? Honestly, I can't imagine that happening with you because you're going to squeeze the juice out of everything, but that would be the worst. 09:25 - Anne (Host): The confidence that I have, Lau, and I think that what we've spoken about as well in podcasts before, and I get excited about this, is that I said, "Okay, I have a certain amount of money, I can make a commitment, and I am okay if I lose this money." It's kind of like... it's like gambling. I was just going to say, I don't want to bring up gambling, but I will, because when I go to Vegas, I say, "Okay, I have a certain amount of money. If I decide that I want to gamble..." I don't really gamble a whole lot, like my gambling money is maybe 20 bucks, just to have fun. 09:51 - Lau (Guest): I don't either. 09:51 - Anne (Host): Because I'd rather spend my money on something that I know I'm getting. Like I'm getting a nice facial or a massage. 09:55 - Lau (Guest): I do too, I know. Or dinner. But doesn't that make it harder for you to make those moves because you're not a gambler? 10:05 - Anne (Host): Well, I'm not a gambler, let's say, in Vegas, but I am a gambler with my business in a lot of ways, because I know that if I don't, I will be worse off. If I do not grow, and I've said this before, stagnancy is the death of me. If I do not grow, that is the worst. And I think what was happening is I was at a place where I didn't feel like I was growing anymore, and I wanted to continue the growth. And I'm like, "How can I grow? How can I get more clients? How can I reach these clients?" And when I really researched the answers, it wasn't within my own industry, because I had my own circle already built, which was amazing, and I love my circle. I'm not giving up my circle, but I needed to get beyond the circle to bring in new people, to bring in, right, new clients, and that was, I mean, really, how was I going to reach those clients? 10:54 - Lau (Guest): So what does that translate to for you in terms of this last move that you just made? I know you can't get into too many details before your launch of it, but what did that translate to you in terms of the team you had and were working with, the new team you wanted to be working with, and the new concept that you had moving forward? What were the action steps that you really had to start taking on in order to realize that? 11:22 - Anne (Host): Well, action steps was, first of all, education and research, right, and understanding. And I was actually put in a situation where I needed to get a new team of professionals that could, first of all, handle my website, because the person that I had worked with for many, many years was not able to continue to do that. And so I was looking for more members of the team. And so in doing so, it's hard out there looking for people. I mean, we've discussed this before, like, do they know the industry? Do they not know the industry? What are their skill levels? And, to be honest with you, if people in the voiceover industry knew website development, there are a few people that do, but there's not a lot, right? 12:01 - Anne (Host): So I had to go outside of the industry to look for people that could handle the back end of my websites, because I got a lot going on. I mean, we know that the podcast here, there's a lot of products, there's lots of back-end workings in the website that set up appointments with me, that handle income and inflows and outflows and that sort of thing. So I needed to have someone that was capable in that to take over. And so in doing that was education, research, interviewing, and then also really having a hard look at the budget, because you know, I mean, I have a certain budget. And I think the one thing that sealed it for me—the go, right, the go, and go after thinking and strategizing and education—was having a certain amount of money set aside that I could risk, right, to move forward and know that if it didn't work out, I wasn't confined to a lifetime of it, right, financially or emotionally. I could get out of it if I needed to, right? And what would be the worst thing that could happen? 13:00 - Anne (Host): Well, I would lose that money. So I was just like, if I was going, I have this amount of money that I'm willing to lose, and now I'm ready to gamble. And that's really what it took. And that, just knowing that, having that security and knowing that I had a certain amount of money I was willing to invest and lose completely, completely, if things didn't go the way that I thought they were and I needed to get out, I was okay with that. And so I think that gave me the green light to go ahead and do it. And now, once I'm doing it, right, there's all sorts of like things that are like... I was not anticipating all sorts of obstacles in the path that I did not anticipate. 13:38 - Lau (Guest): Tell us about a few of those obstacles that you ran into. 13:40 - Anne (Host): Well, you know, if you're working with new people, they don't know you, right? They may or may not know your industry. These people did not know my industry, and so they need to be educated so that they can do the best job that they can. The amount of time that I spent educating it's amazing because, you know, I've been in this industry for, I don't know, 17, 18 years, and people that have been working with me have been working with me a long time, so that's a lot of years. Once you work with someone or, you know, you get to know them for that long of time, it's great, because you know the process, you know the industry, you know the person you're working with, you know what they're expecting. When you have new people, it's a whole new relationship, right? And it's like a new client, right, a new voiceover client, where I always loved voiceover because you got in and you got out quick. 14:25 - Anne (Host): A lot of times, yeah, you had a client that kept coming back. You developed a relationship, and typically it was an easy relationship because they've liked what you've done, and they were happy with it, and there was never really, for the most part, you're not having difficult moments within that relationship. This one, I am an owner of my business, right? I need to have it run in a particular way, so it's not like I'm the boss this time, right? Before, my clients, they're the boss, right? I have a skill that I'm providing, and I'm providing audio to them. They like it, they accept it, they pay me. It's great. They come back. Right, they give me new stuff. They like it, they accept it, they pay me. It's great. This, I'm the boss, right? I have to like it, I have to accept it, and I have to say, "This is great. This is moving my business forward." So I have to do a lot of assessment along the way, especially with new people who may not be familiar. 15:12 - Lau (Guest): Now I have a question about that, okay, because we get a lot of questions about this. Folks come in and feel like, "I'm working on a voiceover career or an actor career. If I need to hire people or I need to get a vendor to serve me in a particular service, they come in, they have their expertise. I pay them, they do it." The problem is they're missing the link of how much education and management you have to do when you hire a person, a consultant, a team. It's any person. It is not like, "Here, do my website, and I'm done, and I'll see you in a couple of weeks when it's done," and that's time consuming. Can you take us through, right, can you take us through a little bit of the process of how you are managing this new, brand new team of people who may or may not have the expertise in this industry? How are you managing those people? What does that look like in terms of time and in terms of effort? 16:05 - Anne (Host): Oh, it's a lot, it's a lot of time, it's a lot. It's more time than I anticipated, and I forgot. I mean, because I had gotten almost complacent because people knew me so well, right? I mean, and so now I have to educate new people, a new team, on how I want my business to move forward and who I am and certain things that I expect. And so the amount of time that was required, I did not anticipate. I thought it would be easy, but it's not. And it's interesting because it kind of brought me back to, you know, you think things are just automated and my web girl, I've worked with her for 15 years, she knows me, she knows exactly like what I love, she knows if I say I need something on my website, she could do it. I didn't have to like micromanage at all. Now, all of a sudden, right, there's a lot of time spent educating the new team on, "Here's the practices and the procedures. And this is the way that I like it, because I'm the boss, right?" That amount of time that I'm managing, and I don't like to micromanage. What I like to do is educate enough so that I can say, "Go be creative, do it." It's so funny because, no matter what they do for you, right, they have to know who you are and your brand in order to be able to help you grow your business further. 17:17 - Anne (Host): And I literally went to the boot. Again, I go back to the boot, but I went shopping yesterday. I had a gift card to spend it at this Western store, and I got a cowboy hat. I got a cowboy hat, it's really cool. And the guy branded it for me on the inside of it, and I said, "Well, I love branding." Right, I love branding. "Let's do my initials AG." You know, that's like my website, it's everything. So he has the branding AG. And then I said, "Oh, I like those stars. I'm a star, make me a star." And the way he branded me, he floured it. Like every time he put that branding iron on the hat and he picked it up, it was branded. It was like a big flourish. And I'm like, "I don't care what you do or how many stars you put on it, you're creative. He's like, 'Oh, I'm a creative person, you do your thing, I trust you. You can put as many stars on there as you want, but I'm a star.'" So he's like, "Okay." So I let him like creatively flourish with my brand. But I gave him the specs on, "Here's my AG brand, and I need it to look like this. But now you can flourish and enhance the brand." 18:15 - Anne (Host): It's kind of what I'm doing with my business, right? I'm allowing people to do what they're good at, and that's a big thing. Like to kind of give up the control to allow the people who are experts in what they do, like I'm not a graphic expert, right? I need a graphic expert to create beautiful graphics for my website or a beautiful graphic for my social media, and so that's what they do, right? So I'm like, "Here, here's my guidelines, here's the brand, here's what it looks like for the most part, but put your creative flourish on it," and I love that. That's how I want to be able to manage people. I want to be able to have people that I can say, "Here, here's your baseline, your guidelines for the business. This is how I need it to sound, this is how I want to be represented. Go ahead, put your creative flourish on it." 18:58 - Lau (Guest): Do you feel like, Annie, especially if it's a company that has never worked with someone like you or someone like this brand or even in the genre of the business, do you feel like you can trust them to go off and create? Because there are so many questions that come up about the products and services themselves, do you feel like you can sort of take that step away, or do you feel like in the first couple months you don't? 19:23 - Anne (Host): I do need to be on top of the matter for the first couple, because I, yes, and that's what I'm finding, is that I do have to say, "No, this isn't quite what I need. Let's make adjustments," and they need to be willing to make adjustments while they get to know. It's a mutual, we need to get to know each other. 19:38 - Lau (Guest): Okay, so I have a question about that. How do you determine—this is a common question of all of our talent and clients—how do you determine how to bank hours according to what you're paying your marketing team to bank hours in order to educate, collaborate, go back and forth? How do you negotiate that with your company, not really knowing how much time they're going to need to figure it out? 20:06 - Anne (Host): Well, honestly, like, no sacrifice, no success, right? I am sacrificing a lot of my hours to do all the checking and then making the corrections and saying, "No, this, not this, this." And so for me, it's a sacrifice, right? It's a sacrifice of my time. I have to make sure I allocate time to be able to do that to educate them. But the better I can educate them right in the beginning, the less time I'm going to have to spend later on. That's the way I feel, and the easier it'll be for them to get to know me. I don't think that there's any lack of content about me out there, so, like there's lots of help if people need to know who is Ann Ganguzza. 20:43 - Lau (Guest): But the question is that a lot of people are going to be wondering is what if they want to hire a marketing team? What if they want to have a marketing consultant, right, working on? How do they know how much that investment will be, not just time but money, how much that investment will be based on the kind of education and back and forth that they will need to do with that team? Even if they're in the industry, they're still going to need to do it. 21:07 - Anne (Host): Yeah, it's probably more than you anticipate. You think that you can just say, "Here, create a graphic," or "Make my website." But there's so much that, again, because we are personal brands out there, right, in this industry. We are personal brands, brands out there, right? In this industry, we are personal brands. There's so much of us that is invested in representation and what we look like, what we sound like, how we're being sold, right? There's so much of us that, if we are not able to educate a team on who we are, right, and how we need to be represented, right, you need to be able to allocate that time. So the way that it's working with my team is that services are rendered. I mean, I don't pay for every version of a graphic. They basically do it until it's right, and that's how that works. I pay a blanket fee. 21:53 - Lau (Guest): Do they give you an amount of hours that they're willing to budget in for the month? 21:55 - Anne (Host): Nope, nope, that's great. There's no, yeah, there's no, not in a contract, let's put it that way. And so that was something that actually it's a really great question, because that was something that I wanted to make sure of. I mean, when we went back, right, "Here's what I need. I need to have this, this, this and this. Are you able to provide that, right, and are you able to provide revisions, right, without additional charges?" There's no charges. I'm paying a retainer fee, and so there are no, at least in the contract. There are not, right. There are not. There is a statement of work. There are timeframes. So if I need this to be done on my website, I should expect it to take this long. 22:40 - Lau (Guest): Right. Now, I have a question about that, Annie. If they're doing socials, which they're engaging in SEO, but also an engagement for you, right? They're doing socials in terms of engagement, they're doing graphics. 22:52 - Anne (Host): They're doing some graphics. They're doing graphics. 22:55 - Lau (Guest): But do they actually go on and engage in your voice? 22:57 - Anne (Host): I'm engaging right now. Okay, the question is, though, for people who need help, they would. They would. 23:02 - Lau (Guest): Well, that's the question I have. 23:03 - Anne (Host): If I wanted them to, they would, but I want to engage with the people as long as I have the time. I want to be able. The initial like impression of me and then if there are comments or questions, I like to engage for now, until there are some questions that they can handle on my behalf. But I don't want to misrepresent or people to think that, "Oh, somebody besides Ann is answering." For the most part, I'm interacting with any engagement that happens. They just need to provide the initial wow for the engagement. 23:37 - Lau (Guest): I got you. I got you. 23:38 - Anne (Host): But they would. They said they would, and I actually... We never actually went into that, because that's not what I'm having them do right now. I'm more concerned with them getting the website SEO going, doing some SEO work. They're doing a lot of SEO work for me, which, again, I wanted to be able to expand my reach and to be found outside of the circle that I was in already. 23:57 - Anne (Host): So that requires a lot of keywords. It requires a lot of going back to content that I've produced, creating new graphics for it, creating new titles, creating new words, you know, new content, new descriptions. And so, for the most part, I am approving all of that, and if it needs to go back to the drawing board, I basically correct it and say, "No, let's do this, let's do that." Again, I'll say, "I would never have said this, right, or I would never say this. This is not the proper terminology for this industry." So that's the one thing is that they don't necessarily know the terminology in the industry, nor do they know like, graphically, like, what microphone should I represent? Like, no, do not put a dynamic microphone. 24:39 - Lau (Guest): So you're doing that kind of team, and it's good for our listeners to just know, like, why are you doing this when you could do it yourself? But the expertise of an ad team like this is not only graphics and graphic design, but it's also how to reach your target markets. 24:57 - Anne (Host): Yes, and a different perspective, Lau. That's the other thing that I want to say is, the biggest benefit of this is it's great to have people in the industry, and I still have people in the industry that are doing work for me, but also having a perspective that's outside of the industry, because, again, I need to get outside of the bubble that I'm in, right? And so how do I do that without a different perspective? Right, I want to attract corporate clients. Right, I want to attract corporate clients for my voiceover. How am I going to do that if they're not in my circles already? Right, how am I going to reach outside? 25:28 - Anne (Host): And so a lot of it was to have somebody that does that for all industries to be able to do that for me, and then also, basically, to give me the perspective, like, so that I don't get in my own way, because I've literally had to say, like, "Do you think you should put my face on that graphic right now?" 25:47 - Anne (Host): "Because doesn't that seem too assuming, you know?" And I get all like, here I am getting in my own way, and they're like, "No, no, no, no, because at this stage of the sales funnel, right, they don't know you yet, and so you need to represent your face in that confident way, blah, blah, blah, blah. Later on down in the sales funnel, when they know you, then you don't have to repeat that." So they're experts in that, and basically there's a lot that I'm learning from them, and they're learning a lot about the industry from me. And we're collaborating, and that's the one thing that I do like is that it's in a very collaborative sort of way, and it wasn't without many interviews, by the way, and what's cool about that is they become... 26:31 - Lau (Guest): Yes, you're educating them about the industry and how they need, and people are going to be seeing and thinking about you that are not esoteric, they're not in the industry, they're people that are in the universe. Corporate people, people who might hire me for a voiceover. Yeah, I just want to say, though, that that is a perspective that we all lose along the way. 26:53 - Anne (Host): We do. 26:54 - Lau (Guest): Because we get so involved in the audience that we're currently with, we think everyone is like that. Everyone sees it that way, when really it can be quite opposite to that, that they see you as something totally different than what you think they're seeing you as. 27:07 - Anne (Host): Yeah, and that was the biggest education for me and the biggest takeaway is that it's a growth experience. 27:15 - Anne (Host): Growth is not always fun. Growth is not always fun, growth is not always easy, but growth is to me a sign of moving ahead and moving forward. And so, as long as I can accept that, and I can accept the beatings along the way and the discomfort, and the discomfort, you know, you've got your triumphs and celebrations and exciting moments, but you also have, yeah, you got to work that out. 27:37 - Anne (Host): Work out my stress, work out my stress. I love it. But it's all good, guys, and bosses. I guess this whole discussion today was like really small steps can really mean large growth for you in the long term. And for me, it was a bunch of tiny steps in my head, and then it was just kind of a leap of faith, right, once I said, "What's the worst that could happen?" 27:57 - Anne (Host): Right, I have accepted the worst thing that could happen. And I remember that's so funny, Lau, because in the beginning of time, I feel like in the beginning of time when I graduated college, right, a thousand years ago, a thousand years ago, when I graduated college and I was trying to determine whether I should accept a job in New Jersey, right? Should I move my young butt to New Jersey in a place that I didn't know anybody, all by myself, right, and work for this company? And I said, "You know what? It's scary, but I'll give it a year, and if it doesn't work out in a year, guess what? I can move home." The worst thing is, I don't like it and I move home. 28:31 - Anne (Host): So I did the same thing with my business, and I'll tell you what, Lau, it really puts things in perspective. I said, "Okay, I have a certain amount of money that I can lose, that I'm going to invest, I can lose it, and I'm okay with that, as long as I grow along the way. And if I grow along the way, I have such an education." To me, I'm like, "This is great, now I can move forward." 28:50 - Lau (Guest): I'm with you, totally, I'm with you. Now, one more question: To the people who are not leveling up quite in that way. Maybe they're in an early stage, earlier stage. They say, "I need this, I love this, and I want this, but I don't know if I have the extra money, I don't know if I have the extra capital for this." What do you say to those people that are a little bit tighter on budget, a little bit more worried about paying the rent, a little bit earlier in the game, or maybe they're not, maybe they've been in it for 10, 15 years, but they're still worried about the tight purse strings? What do you say about that? 29:21 - Anne (Host): Well, okay. So tight purse strings are one thing, right? I mean, you either do what you have to do to get the money. You put it in savings, you save for as long, earn it. 29:29 - Lau (Guest): Yeah, you work at Dunkin' Donuts. You know what I mean? Beg, borrow, steal it, as we used to say. Make me my iced coffee at Dunkin' Donuts. 29:35 - Anne (Host): You do whatever you do and you put it away, and then you say, "I've got this amount of money to invest." 29:40 - Lau (Guest): That's if you actually need the cash, right? Yeah. 29:42 - Anne (Host): And if it's not just cash and you just don't want to work, do you know what I mean? Like educate yourself. Like spend the money, invest the money in yourself. If you don't have money, it's time. 29:55 - Lau (Guest): Right. Beg, borrow, steal, right? Don't. I think you're also saying one really important work ethic thing that's a bottom line too, is you got to work harder? 30:00 - Anne (Host): Not only smarter. 30:02 - Lau (Guest): You got to work harder. I don't know why people threw that out the window. "Work smarter, not harder." Well, you kind of have to do both. 30:09 - Anne (Host): You have to do both. You have to work hard and work smart, right? Yeah, you do, and that's actually, I love that you said that. You really do. I mean, people know that I work. I mean, I'm just, I'm working extra hours right now. 30:19 - Lau (Guest): I'm not calling you a slob, but you're a grinder. You know what I mean? You are a grinder. 30:24 - Anne (Host): I always have been, but more so than I really want to. But my ultimate goal is so that I'm not going to have to work so hard in the future. Right? And again, if I were stagnant, right, and I just got kind of complacent, then that's almost worse. 30:37 - Lau (Guest): Yeah, but I know you. I know you. I don't think you're ever going to retire. You're not the type. You'll be on the phone at 98 going, "Wait a second, are you saying this?" I mean, you do have too much love and passion for everything that you're doing, and you know that's what really drives us at the end of the day. It's fun, there's got to be a fun factor. 30:55 - Anne (Host): Well, I think it's like a game. It's a game I play, you know, in a way. 30:59 - Lau (Guest): I mean, there's strategy, you want to win. Exactly, it's a very creative game for me. 31:05 - Anne (Host): So I think that, bosses, we all have to play that creative game. We all have to not just want to win at our performance and be in the booth and do a great job, but also win at our businesses and play the game. I mean, play the game. It's not a bad game to play, it's a fun game if you allow it to be, right, even though I'm telling you, I have discomfort, I'm stressed, but I enjoy the journey. 31:27 - Lau (Guest): I enjoy the journey. And remember what makes it successful, Annie, is that you're the designer of the game. Yes, you get to not only play the game, you get to design it. So don't lose out on the design element. That's the beautiful thing about it, right? 31:37 - Anne (Host): We're designing our own game. 31:39 - Lau (Guest): Our businesses are similar in the industry, but they couldn't be more different in the way they're designed and executed, and that's the beauty of what we do as creatives. Is that, and any industry that you run your own business, no two restaurants are really the same. 31:53 - Announcer: There's different designers. 31:55 - Lau (Guest): So have fun with that. 32:02 - Anne (Host): So guys, do the work, do the work, Make the small changes. 32:04 - Anne (Host): Yeah, Lau it's been amazing. Thank you so much for all your love and encouragement too. You are a big part of my team and I love having encouragement that does help, because you don't feel so all alone and I'm not also like, oh my God, am I doing the right thing? So yeah, guys, I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses, like Lau and myself. Find out more at IPDTLcom Bosses. Have an amazing week and let's go build those muscles. All right, bye, bye. 32:33 - Announcer: Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via1 IPDTL.  

In this episode we discuss why neurodivergent people find transitions (both small and large) so challenging. We discuss the concepts of ADHD task paralysis, sensory issues, executive function, aversion to change and autistic inertia and how all of these elements are at play when transitions are happening in our lives.Here are the key references we mention in the episode:https://reframingautism.org.au/transitioning-autistically-a-case-of-cant-not-wont/Demetriou, E. A., Demayo, M. M., & Guastella, A. J. (2019). Executive function in autism spectrum disorder: History, theoretical models, empirical findings, and potential as an endophenotype. Frontiers in Psychiatry, 10(753). https://doi.org/10.3389/fpsyt.2019.00753Johnston, K., Murray, K., Spain, D., Walker, I., & Russell, A. (2019). Executive function: Cognition and behaviour in adults with autism spectrum disorders (ASD). Journal of Autism and Developmental Disorders, 49, 4181-4192. https://doi.org/10.1007/s10803-019-04133-7“Individuals with ASD reported high levels of dysexecutive symptoms that were functionally impairing in everyday life across behavioural, cognitive and emotional domains” “These findings suggest that EF is an additional important co-occurring condition to consider in ASD”Kirby, A. V., Feldman, K. J. C., Hoffman, J. M., Diener, M. L., & Himle, M. B. (2020). Transition preparation activities and expectations for the transition to adulthood among parents of autistic youth. Research in Autism Spectrum Disorders, 78, 101640. https://doi.org/10.1016/j.rasd.2020.101640Kuo, A. A., Crapnell, T., Lau, L., Anderson, K. A., & Shattuck, P. (2018). Stakeholder perspectives on research and practice in autism and transition. Pediatrics, 141 (Supplement_4), S293-S299. https://doi.org/10.1542/peds.2016-4300FThompson C, Bölte S, Falkmer T, Girdler S (2018) To be understood: Transitioning to adult life for people with Autism Spectrum Disorder. PLoS ONE 13(3): e0194758. https://doi.org/10.1371/journal.pone.0194758

Fifty-one years ago, the United States Supreme Court decided a case that would forever change education for English learners in this country. In the 1974 case Lau v. Nichols, the Court decided that students who do not yet speak fluent English have a right to fully understand what is being taught in their classrooms, and that schools must take steps to make sure students can understand, whether through additional instruction in English as a second language or bilingual education. On this episode of Education Beat, we bring you the story of how this case began and how it changed education, from the perspective of a teacher. Guest: Lucinda Lee Katz, Retired teacher and administrator Read more from EdSource: Q&A: How the 50-year-old case that transformed English learner education began Education Beat is a weekly podcast, hosted by EdSource's Zaidee Stavely and produced by Coby McDonald. Subscribe: Apple, Spotify, SoundCloud, YouTube

El episodio de hoy es una carta abierta sobre la maternidad sin pareja. Lau abre su corazón para contarnos su historia y compartirnos lo que es vivirlo asi.Habla sobre heridas de su infancia que logro ver en su relación y por las cuales decidió dar un paso a un lado, para darle a su hija una experiencia diferente a la que ella vivió. Tambien habla de como después de haberle dicho que quizá no podría tener hijos, esa alma de su hija igual llego a su vida.Un episodio muy bonito, que se que muchas mamas sentirán cerquita, pues es la historia similar de muchas... verlo y atenderlo abre espacio a la sanacion.Gracias por escucharnos!!A Lau la encuentran como @laura.bohoY yo los espero en @andrearestrepos y @seviveladicha Besos!!!

  BOSSes Anne Ganguzza and Lau Lapides dive into how to cultivate hope and resilience in the ever-evolving voiceover industry. Their inspiring conversation explores discovering your strengths, overcoming challenges, and taking action to achieve your dreams. They emphasize the importance of self-love, nurturing your community, and understanding your true purpose to remain joyful and hopeful. Anne and Lau share practical strategies for educating yourself on industry trends, adapting your marketing approaches to reach diverse clients, and even exploring self-production to build your skills and discover new passions. By embracing change and leveraging your entrepreneurial spirit, they empower voice actors to not just survive, but truly thrive and build the best year ever in their careers.   00:02 - Anne (Host) Hey, are you looking to unlock a better you? My Life Transformation Coaching Services are here to help. We'll work together to discover your strengths, overcome your challenges, and achieve your dreams. Let's take that first step towards your best self today. Visit anneganguzza.com to get started. 00:23 - Speaker 2 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO Boss. Now let's welcome your host, Anne Ganguzza. 00:42 - Anne (Host) Hey everyone, welcome to the VO Boss Podcast and the Boss Superpower Series. I'm your host, Anne Ganguzza, and I am here with my absolutely wonderful friend and lovely co-host, Lau Lapides. Hey, Annie. Hello, I'm excited to be back. Hello Lau. I love chit-chatting, and you know what, it's been so long. I know, and we're here at the top of another year. Well, actually, a few months into another year, and I'll tell you what, it's been a little turbulent in a lot of ways. Gosh, I've had a lot of friends who have had some health issues. It's a new administration out there. The voiceover industry is still fighting against synthetic voices and AI, and I think let's talk about what's happening in the industry and what maybe our predictions are for this year, because I am determined and committed to have the best year ever. 01:33 - Lau (Guest) Oh, I love that. I mean, I just went to see a theater show, a professional theater show, in Connecticut. That was a big topic of conversation: how do we have hope? How do we still have hope in what we do as people in the world and also in our professions, and really coming in with that mindset, despite all odds, despite what's happening, despite whatever oppression you're feeling and moving through, how do we find hope in what we do? I'd love to hear, you know, start out with some of those mechanics of like how do I wake up and get hopeful about our profession? I love that. 02:10 - Anne (Host) What a great way to start. I love that. So I think that, now more than ever, we need self-love, right? We need self-love, we need to find the things that we're grateful for in our lives, and we need to have our community, and that, I think, is going to help us continue to have hope. I mean, I feel like those are the three necessary things that I need for me to remain joyful and be hopeful and continue to see progress in everything that I do and have a purpose, right? I really think that understanding what is your true purpose in life, finding your true purpose—which I think might be a lifelong search—but I have a good idea of what I think my purpose is and what I want to do in my lifetime, and I try to keep my eye on that mission, and that keeps me, along with people who I love and who love me, and that keeps me hopeful. 03:06 - Lau (Guest) That's great. I also feel like the next step for me is to start with that and then to take action. Because for me, I'm very much an action-based, execution-based person. So I wouldn't be happy staying in a zone where I have a thought, I'm excited about the thought, or I'm connected to something larger than myself. I'm really investigating that thought, but now I want to do something. 03:34 - Anne (Host) Yeah, and in that action, now you have to execute. Now you have to execute. I love that. I think that's a natural progression for anybody that wants to realize their goals is that you can write them down. All you want, right, but you've got to take steps and have action. You've got to take steps. 03:49 - Lau (Guest) So in our industry, that is the question: how do I go ahead and take a step every single day, whatever is going on in the industry? We see a lot of moves and changes in the industry. How do I take a step every day towards being hopeful and towards being optimistic and towards really something that's action-based? That's the question of the day. 04:12 - Anne (Host) Well, I think number one, if we step back and we take a look and we realize that we are indeed not just creatives, but we are entrepreneurs, we are business builders. First of all, take solace and give yourself props and be prideful in the fact that you are a business entrepreneur. And bar none, if the voiceover industry dropped tomorrow, right, you are an entrepreneur, you are a business owner, you know how to take something from nothing and build it, right? Because that's what you're doing now, building your voice acting career. And wherever you are in the journey, you just have to realize what an entrepreneur you are. And so, no matter what it is that you do, right, you can build your business and move forward in it, or move forward in it. There are always choices. 04:59 And so that's number one: stepping back and looking at it, I think, from the larger perspective and the fact that we have built skills, not just in our voices, not just in acting, but in our business acumen, and that is helpful, right? And so if voice acting kind of takes a dip, right—and I don't honestly, it's not—I really believe that, I don't think that it's going anywhere, I think it's right where it always has been and might even be more important this year. But for whatever reason, we always have to have like what's our plan B? I mean, this is why I always like to have like my different side hustles, side gigs. We've talked about that multiple times. So looking at that picture and there's my hope, right, I've got skills beyond voice acting that can help me to survive no matter what happens, right? 05:46 No matter what happens, no one can take that away from me. No one can take away my education, no one can take away my intelligence, no one can take away my work ethic, right? And that, to me, gives me hope. 06:00 - Lau (Guest) You go, girl. I love that, my resilience. You know, I think you're talking about too, Annie, something that's really important, and that is when we hone in and we GPS into our career. I think we do forget that we're whole people. Yeah, we're whole people that have a lot of skills. 06:16 - Anne (Host) We don't just have one skill. A lot of craft, no, no, no, we can do an awful lot of things. Now. 06:25 - Lau (Guest) We love to call it side hustle, but it may not be a side hustle. It may be an integral part of your life, your business, your world, that makes you feel whole, that makes you feel stabilized. You know, oftentimes with actors, we'll call it a survival job, but it may not be that. It may be something that helps you build your world. So I think that's important. I also think you should be looking at the market. You and I are always like, what's happening? 06:46 What's competition doing? What's this one doing? What's happening here? What are the trends? 06:51 - Anne (Host) Right, very important. 06:53 - Lau (Guest) But what's important about doing that, besides the logistical stuff, is to inspire yourself, sure. 07:01 - Anne (Host) If. 07:01 - Lau (Guest) I can't think of anything else. Like I am really out of thoughts today. I feel burned out, which is very common now. Entrepreneurial burnout. I don't have any more to give. I've been doing this a long time. I don't know what's going on. Ah, let me go into the world and let me see what others are doing to inspire me. 07:17 - Anne (Host) Oh yeah, I love that. Get outside my bubble. 07:19 - Lau (Guest) Goodness, there's. So not to be a copycat, but to feel like there's a lot of options, there's a lot of ways of thinking about what we do. I'm just stuck like a writer. A writer gets writers, they get stuck, writer's block, writer's block, right, and they have no more ideas, or so they think. And then some action gets them unstuck and opens up the floodgates. 07:40 - Anne (Host) Absolutely. Go on a vacation, go people-watch in New York City or, you know, that kind of—I used to do that all the time—to step outside of your bubble, and that will help you to really get that mind going. So I'm going to say that number one, there's so many things that we can do for ourselves to continually see success and find fulfillment in what we do. Continually see success and find fulfillment in what we do, and I think if voice acting is it for you, right, don't forget about continually building up your business skills and don't forget about, like as we just talked about, educating yourself and really going out there and understanding what the trends are. Now there's been a big shift in the administration, right? How is that going to affect sales of companies? How is that going to affect advertising? There's so much we can go out there and learn, right, and we don't know it all right away. I don't know it all right away, but I can certainly see that there's probably going to be trends. 08:34 Now, depending on what we're talking about, in the corporate world, we're going to be talking slightly differently. A few years ago, what was a big trend was DEI, and no matter what you think about DEI—diversity, equity, inclusion—how are people going to be talking about that today? How are people in the energy industry going to be talking? Is it going to be sustainability these days? Is it going to be alternative energy or is it going to be fracking? And again, like I'm saying, understanding—you don't always have to be in agreement with these things—but understanding where the trends are going and how companies are speaking. 09:08 If you want to work in that world, right, you have to at least be educated on how that world wants to talk to its clients or potential clients, because you will be representing that world with your voice. 09:21 And so, again, I'm not suggesting that you have to agree with any of it. But again, that's also like what is your moral compass? Would you work for a company that maybe is no longer concerned about sustainability or that's not in their agenda? I mean, there's so many people going back and forth on different companies that, based upon their policies, right, "Oh, I don't want to buy from this company anymore because they no longer support this particular idea or this particular policy," and so that's okay. I've had so many people are like, "I don't want to look, I can't," and they want to like shy away, but I'm going to tell you, look enough so that you can be educated, right, because you got to survive. You got to survive in this world, and I'm very, very confident that you will be able to survive in this world. But you have to remain educated and informed. 10:04 - Lau (Guest) Great advice, Annie, great advice. And you know, it's interesting, I had a talent I was coaching the other day and she said, "I'm very interested in medical, I want to do medical work, I'm interested in that, I have a background." I said, "Great!" I simply hopped on Google with her. I hopped on Google with her and I looked up and, sure enough, and she said, "I can't get into it. It's very hard to get into. I've been trying to knock down the doors. I don't know how to direct market. I'm stuck." Now. That is not my forte. And I was honest with her. I said that's not my forte. But let's have fun together, let's go on Google. We looked it up and what did we find? We found two sites, sort of like an Indeed ZipRecruiter-type site, specifically for voiceover, for medical narration. And she started in that rabbit hole and she went down. She said, "Oh, my goodness, that was like the simplest thing to do and I had already self-talked myself out of it before I even tried the most basic things." And she got into it and it was a casting site and da-da-da, da-da-da. And then that opened up her whole world to potential clients. 11:08 So why not go for a genre that you want to be going for and take new angles to how you find your information out? Don't go the same route you go every day. Try a new route. That's the feng shui of the soul, isn't it? They say if you drive to work this way, take a new route so that you can feel differently. If you drive to work, or you drive anywhere, take a new route. Well, this is the same thing. If I'm marketing and I tend to do the same thing all the time because I know it and I'm comfortable, go a different route. 11:37 - Anne (Host) And shameless plug, because medical is one of my specialties. There are ways that you've got to be seen by the people who can hire you, people who can hire you, and I do have a VO Boss Blast that has specific lists that can cater just for agencies and companies that work in healthcare and in pharmaceuticals. So there are lots of ways that can help and so just I'm throwing that out there. So if anybody's interested in medical and wants to find out how to market to them, I can absolutely chit-chat about you. 12:03 - Lau (Guest) And right, but I think the point is is like yes, you found a new way, Google. 12:08 - Anne (Host) I love Google, and I'll tell you what. I will be completely—a Chat GPT, sorry, Chat GPT, is a great answer of hey, tell me what's trending, but you have to have a professional version because it's now up to date or it can be as close up to date, so it's becoming a search engine. But Google is wonderful. 12:32 - Lau (Guest) Again, that's why they call me Anne Gang Google. You can Google anything. 12:33 - Anne (Host) I didn't know. They called you that. That's funny, Anne Gang Google, that's great. 12:35 - Lau (Guest) I love it. 12:35 - Anne (Host) So that's a wonderful thing. So, yeah, make sure that you educate yourself and stay informed. Don't stay in your little bubble, because that's going to help you. I mean, long ago, when I worked in technology, it was one of the things that you had to just be out there educating yourself on all different styles of technology, whether you like them or not, or thought they worked or not. It just was something. So it's always good to be more educated. So, so, absolutely, so important. That's the one thing that I have when you say to me, "Okay, Anne, when you've lost all hope, what do you have?" Well, I have my community. Lost all hope. What do you have? Well, I have my community, I have my family, I have love, and I have me, I have my intelligence and I have my desire to want to know more and to learn more, and that nobody can take away from me, right? 13:15 - Lau (Guest) And there's one more thing that's important, and I always bring this up. Mama always brings this up. You got to work your fanny off. Yes, because I'm tired of hearing people whining and complaining and being victims like, "I'm not getting anything and there's enough work." I'm like, no, you're not working hard enough, because there's plenty of work out there. You got to find it, you got to get it. You got to work at it, right, Annie? You have to go after it. They're not going to come after you. You have to go after it. 13:44 - Anne (Host) And the stories you tell yourself also. They're a big deal. "I can't, I just can't. I'm not, I'm not enough, or I'm not good enough, or I don't know where to look, or I can't." All that negative self-talk does not help you at all, believe it or not. I mean? 13:59 - Lau (Guest) And what if you are on Annie Gang Google's search site and you look up voiceover talent in your area or not? Either way is fine, and they are in your range. Maybe they're female, they're in a certain age range, and you look at them and you see what they're doing and you see who their clients are, because you can go right to their websites and you're going to go and you're going to go, "Oh, I want to do that, I want to work in that. I never would have sat here and thought that up on my own, but now I see this fabulous woman that I found somewhere in Texas is doing all the things that I want to do," and then you make a list of all the companies she's worked with, and then you create a fabulous letter for those companies. And then you look up all the email addresses at that company, and then you send that fabulous letter to that company. What are the chances that someone from that company may ping you back and say, "Hey, yeah, we kind of work with voiceover talent. Who are you?" 14:56 - Anne (Host) Absolutely. Well, and I know, marketing is never an easy task, guys. It just isn't, and again, remember. 15:03 Remember, there are multiple ways. How is marketing changing this year, right? And it's funny, because I did a lecture for a college class the other day and I said to them, "How do you like to communicate? If you were in voiceover today and you had a business, how would you like to find your potential clients? Or how would you communicate or reach out to your potential clients?" Not one of them. They said, "Well, we hate email, text." And I'm like, "Okay, that's fine for you and maybe everybody else. 15:28 Your age, however, you got to realize where are these potential clients? Some of them are older than you. Some of them have different methods of communication that they prefer. I mean, ultimately, in 20, 30 years, you'll all be the same age and you'll all—we'll all evolve to that method of communication. 15:43 But right now, if you're trying to get work in the corporate world and you're trying to get in with a company that has someone who might be, you know, in their 60s managing the company, they might prefer email. 15:56 They might prefer a method of communication that's not just text or pick up the phone are something that I think that every voice actor needs to understand and get on board with, that you are dealing with people in business who are very different. 16:15 There's lots of people that, yes, they do a lot of work via text, but a lot of people do work via groups, Microsoft Teams, Zoom meetings. There's so many ways. 16:25 Pick up the phone, talk to somebody, and, really, if you are uncomfortable with one method and you want to work in an area where you might be working with people from all different ages, all different styles, you need to get familiar with those methods and that, I think, is important again for you to stay afloat this year to be able to communicate with all different types of people, with all different styles of communication and hiring, really, and hiring methods, and so that is something that if you're not on board with, if you're like, "Nah, I don't want to email," or "I hate email and I think it's stupid," honestly, there's a bunch of people that still use email quite a bit, and especially now that maybe social media is kind of scattered everywhere. 17:12 Now it may not be as easy now on social media. Remember, we lost TikTok for less than 24 hours and the world panicked, right? All these people who had put all their eggs in one basket. So don't put all your eggs in the texting basket if you're young, right, as a means of communication or getting work, right? There's multiple ways that you can get work, multiple ways you can communicate and make your product known to people. 17:36 - Lau (Guest) That's great advice. It's so client-centered, which I love about it, and I think whole generations of people need to keep that aware of that. The mode of communication you need to keep open, whether it's a telephone, a text, an email, a DM. You need to keep that open and what your client or your rep is comfortable with is ultimately what you have to get comfortable with, and most agents do not want you texting them. They're going to work on email. 18:01 If you don't want to work on email, you're not going to be able to get reps. It's as simple as that, right? If you don't check your email. 18:07 - Anne (Host) You could lose out on jobs. If you don't check your voicemail, believe it or not. I mean, I have people that leave me voicemail still, and it's one of those things. I'm like, "We've gotten so much. We've been bombarded." Email, voicemail, text, and spam, right, because people are trying to get in touch with us, and so make sure you're checking your spam as well to make sure somebody hasn't reached out to you that wants a potential connection to maybe offer you a job, and not only that, but if you don't like email, you're really in trouble, because agents will expect you to answer within a reasonable amount of time, which is a matter of hours, not days, on email, so you can miss out on that job. 18:55 And you have to be adept at utilizing technology when you're submitting auditions. You have to make sure that you understand how to submit an audition. We've run our audition demolition multiple times. I'm running now a scholarship submission where people are like, "I don't know how to submit," and I'm like, "Well, you've got to read the instructions." So, guys, get yourself familiar with all different styles and ways of communicating and handling files and audio and that sort of thing. Now, Lau, we talked about first of all, like making sure that we're educated on different styles, on different trends. What do you think is going to be big this year? Is there a genre that's going to stand out? Are they all going to be similar to how they were last year? What do you think? 19:34 - Lau (Guest) That's a really good question. I think one of the things that I've seen more and more of as a commercial agent is I've seen more and more really fun and creative advertising campaigns that have come in the last, even in the last couple of years, that I would gather are going to come this year as well. Like, for instance, I've seen more animation. I've seen more of that character style come into the commercial world, which is really interesting because it's so oppositional to what we've been saying about be real, be relatable, be this, be that, which is predominantly, yes, still there, but we're also seeing these characters come in. 20:10 Like, if you notice, watch commercials, you'll see a lot of animals, tons and tons and tons and tons of animals. In commercials, the animals typically have personas of people, have personas of people, and whether they're speaking in their natural, everyday voice or whether they're doing a character sound, there's just a lot of it. There's more of it. So what's coming across my desk is just more character and more animation. Even in the pharmaceutical world, we're seeing a lot more exciting, dancey, musical animation, moving stuff, colorful stuff. 20:45 - Anne (Host) They're vying for our attention in the pharmaceutical. They're vying for our attention, so we want actors. 20:50 - Lau (Guest) I'll use that word, actors. We want actors that can shift from just a real, down-to-earth sound to playing that duck or playing that pigeon. 21:00 - Anne (Host) Well, I'm going to say, medically speaking, because medical is one of my favorite genres, is, I also feel like, because there are changes this year with administration and how they're dealing with healthcare funding—a lot of it—and so I think that healthcare companies, which have always been very traditionally corporate America, money-centric, I think, are going to be vying for our business, and so I do feel like there's going to be a lot of competition between hospitals and medical products that are looking to get us as consumers to buy into it, because their funding might be less than it was and I think for a while it's going to make them compete more with each other to get the business and the money that they are used to having. Where they might have gotten some money in funding before, now they might, who knows? I'm not even going to speculate about prices, but I feel like, because it's going to be more competitive, it might work to our advantage for a little bit. It may not be regulated. I mean, I would hope it's somewhat regulated, but as a breast cancer survivor, I will say that I don't love the fact that it's been defunded or that kind of a thing. 22:08 I feel like certain things are important to be funded in this, but without getting political, but just know that, right, I happen to know that is one of the things that I have been hearing, so I'm like, "Okay, so how is that going to affect those companies that ultimately relied on that funding to operate?" 22:25 Right, are they going to now transition into healthcare and so maybe there'll be more demand in hospitals, right, so hospitals can get that money easier? So now maybe the context and the content of what we're going to be talking about will be slightly different or more centric on hospitals versus organizations, slightly different or more centric on hospitals versus organizations. So that's just something to be aware of and to know. And, again, like I say, I try to remain a little bit neutral on it because, again, if you want to work in those genres and you want to work for a company that is going to be in America in the next years, right, figure out how things are changing for them and then figure out how your voice and how their voice brand is going to change and then evolve with that or not. Choose to not evolve with that if you don't agree with it, yeah, and I don't know. 23:11 - Lau (Guest) I can't really predict, Annie, what's going to happen in the pharmaceutical market, because that's a really, really moving and shaking industry right now and everything is being shaken up with that. But there was a time that I remember that it was not legal to advertise on TV pharmaceutical products. 23:27 I remember that when that came in, that that was passed, that it was legal. Suddenly, we saw 24/7 advertising of pharmaceuticals, which is a very controversial issue for many people, but I'm just going to speak on the side of our industry and talent. It was a virtual candy land. It was a Disneyland of opportunities for both actors and voice talent that they were and still are auditioning for pharmaceuticals all the time. Will that change? I don't know. It could. 23:55 - Anne (Host) And will there be more? I mean, in the pharmaceutical side, yes, the commercial aspect of things, that corporate side, but there's also the educational side, right? Again. How is that going to evolve? How is that going to change? And so, keep your eyes open. That's I think my best advice would be for talent, to keep your eyes open and to really be as educated as you can, without suffering consequences of maybe getting too much division or toxicity from your news source or your social media, wherever you get that from, but make sure that you're educated and I think that, honestly, if you can again prove to yourself. It's like when the pandemic hit, right? How did we evolve as businesses? Here we are with another large kind of transition or, you know, maybe change that might be happening that can affect our industry. How can you, as a business, evolve along with that? 24:46 And I think you'll be fine. I mean, I really believe there's still a necessity. Nobody's saying that voiceover is illegal. 24:53 - Speaker 2 (Announcement) I'm just going to say it like voiceover is not illegal, so therefore the opportunities are endless, right? 25:00 - Anne (Host) Just if you step back and kind of look at the humorous part of it. It's not illegal to do voiceover, right? So guess what, the opportunities are what we make of them, right? We can create as many opportunities as we want, right? Again, it's up to us. We are the entrepreneurs, we are the creators of our businesses and of our destiny. I can't lose hope in that. 25:21 - Lau (Guest) And, of course, we're always going to need human beings. We're always going to need human voices. It may shift and pivot in different directions, but the industry does that anyway. It really has done that the whole way through. And I want to throw in one more before we wrap, Annie, I want to talk about self-producing. I think it's very important that people feel empowered to self-produce their own work. Like maybe you say, "I always wanted to do this. I haven't gotten hired." Well, produce your own, write a script, create it, clean it up, throw some music in, put it on YouTube, put it on your channel, make it known that you want to do this work by doing the work, right? That's the power of a demo. The demo is demonstrating the kind of work that you want to do. 26:05 - Anne (Host) But I am going to say, as a demo producer, Lau, that again, you've got to be careful, you've got to be really careful. I mean, yes, you can create samples, you have to be careful. 26:13 - Lau (Guest) But I'm not saying to create a full demo. I'm saying if I want to do animation and I have no work under my belt and no one's going to be looking at me, I want to say, "Hey, I want to do a 15-second spot," and produce that and see what that's like. 26:28 - Anne (Host) But make sure that you have the license for the music, make sure that everything is legal on that end of things, because, again, there's a lot of DIY going on in the animation world and there's a lot of again. Remember, what you do speaks volumes. Yes, right, and yes, DIY is great for education, absolutely. I don't think there's anything wrong with that and I think you can learn a lot by doing that and, as a matter of fact, it's probably a great way to get to know better what you want. Ultimately, when you have the money to invest in a professionally produced sample or demo. 27:06 - Lau (Guest) So if you do it yourself, you know what's involved in it. Yes, and that is so great that you brought that up, because I'm seeing so many talent getting into audiobooks, which is fantastic because it's such a wonderful world, but I see so many talent getting out of audiobooks because, guess what? They're doing it and many of them don't want to do it and they don't realize they don't want to do it until they do it, until they do it. And then others do it and they say, "I have fallen in love, this is it. I didn't even know how wonderful this is." Absolutely, and this is really my calling. So the point is, I think what I'm trying to say is, of course, work under qualified coaches, work with demo teams. Of course, what I'm saying is dabble your toes in water of doing the work to see how you feel about it. 27:47 You know, the idea is different than the reality. 27:50 - Anne (Host) Agreed, agreed, and I don't think there's anything wrong with a DIY that educates you. Yeah, really, always, because, like I always try to learn from when I create videos, I'm trying to learn my video editing software. Does it mean that I'm a video editor for reals? Right, I mean, but I want to be able to know the steps and what's required so that I can direct somebody else that can maybe do it for me, right? 28:11 - Lau (Guest) So yeah, there it is. There it is. There's a plethora of actions you can take and go with the trends and pay attention and see what your competition is doing and see where it leads, but also create your own path. 28:23 - Anne (Host) Pioneer your own way. 28:25 - Lau (Guest) That's the best entrepreneur, isn't it? 28:28 - Anne (Host) The future is bright and I'll tell you what, I'm excited. And again, I am excited for evolving, I'm excited for changing if I need to, and I'm excited to see. I mean, honestly, you have to embrace the change. You have to embrace evolving along with change and allow it to be something that ignites you and excites you. And I have all sorts of positive thoughts about this year and for you guys, for bosses out there, positive thoughts. Absolutely. All right. Thumbs up, big shout out to our sponsor, IPDTL. You too, can connect, network like bosses, and move your businesses forward. Find out more at IPDTL.com. You guys have an amazing week. Lau, thank you so much. We'll see you next week, guys, see you next time. 29:13 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at voboss.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a boss. Redistribution with permission. Coast-to-coast connectivity via IPDTL.

Cette semaine, avec ma co-host invitée Lau to the Rey, on reçoit la sexologue Carina. On aborde la sexologie intersectionnelle et l'importance d'avoir les bons mots pour parler de sexualité avec les ados. Carina partage ses réflexions sur l'influence de la colonisation dans notre rapport à l'intimité, ainsi que les expériences de racisme en milieu professionnel. On termine avec une discussion sur comment aborder ses envies dans une relation de couple. Rejoignez notre Patreon: https://www.patreon.com/damouretdesexe Vous avez des courriers du coeur, des commentaires et des suggestions? Envoyez nous un courriel au damouretdesexepodcast@gmail.com  Suivez nous sur Instagram: https://www.instagram.com/damouretdesexeSuivez nous sur Twitter: https://www.twitter.com/DAEDS_podcastSuivez nous sur Tik Tok: https://www.tiktok.com/@damouretdesexe  

Welcome to the world of Hexagonia 01. Don Diablo, Nelly Furtado - Doing Nothin' (Preview)02. [HEXAGON] Escargot & Snails - House Party03. MOTi - Stay For Me04. Joshwa - GDH05. Chris Lake - Savana06. Discrete - Out Of Sight07. Biesmans - There For You08. Joki - Sirens09. Adelphi Music Factory - Heat From The Fire10. Kevin Kevin - Nothing11. Ookay & Wolfgang Gartner - Past Life12. CeCe Peniston, Lau.ra - Finally13. [DEMODAY TRACK] Nash Hawkins - The Top14. Lil John & The East Side Boyz - Get Low (RELOVA Edit)15. MPH - Raw16. [HΞXHIBITION] Alex Now (ES) Ft. Nancie - Techno Vibes17. [SUB RELIGION] Miirabelle, Stadiumx - Kongobongo Adem Bogoceli X Farenthide Guest Mix 18. Adem Bogoceli x Farenthide - Yimanya19. SuperJazzClub - Wicked (Bensy remix)20. Adem Bogoceli x Farenthide - Ukweli21. K:ENGARDEN - Rising

Kyle, Matthew, and Laura welcome back two of the greatest guests in This Is Rad! History, Ed Greer (@edgreerdestroys) and Klee Wiggins (@kleewigginssf). Klee and Ed have been our sci-fi ambassadors since the earliest days of the show. We reflect on the evolution science fiction in the last decade. Genre fiction is often reflective of our times and we look at what about our modern times might be reflected in sci-fi. Plus, we've all gotten older. We reflect on a decade of doing the show with two of our longest running recurring guests.   Check out Burnside playing video games at https://www.twitch.tv/stayindoorsburnside   Get Kyle Clark's I'm a Person: Director's Cut  You can go to www.kyleclarkcomed.bandcamp.com and pay what you want for the full uncut set from “I'm a Person” which includes 20 mins of unheard material, plus an additional 15 minutes of never released bonus live recordings!   Send Us Stuff! We have a PO Box! This Is Rad! / Kyle Clark PO Box #198 2470 Stearns St Simi Valley, CA 93063   Tales from an Analog Future Get it HERE: https://gumroad.com/analogfuturecomic   Get Kyle's album "Absolute Terror" here: https://smarturl.it/absoluteterror    Go to www.Patreon   .com/thisisrad and subscribe to send in questions for our Listener Questions episodes, to get exclusive bonus episodes, extra content, and access to the This Is Rad Discord server!   Check out our merch!       Also! Check out merch for Kyle's record label Radland Records  https://www.teepublic.com/t-shirt/4109261-radland-logo Also! Lau  r  a started an online store for her art! Go buy all of her stuff!!!  https://www.teepublic.com/stores/lmknight?utm_campaign=8178&utm_medium=affiliate&utm_source=lmknight    Follow us on social media or whatever! Instagram: @thisisradpodcast @kyleclarkisrad @lmknightart @8armedspidey (Frank Gillen TIR's social media!)  @thearcknight (techno lord Adam Cross)    Twitter: @ThisIsRadPod @kyleclarkisrad @MatthewBurnside @LMKnightArt  

OPEN HEAVENSMATALA LE LAGI MO LE ASO LULU 28 ME 2025(tusia e Pastor EA Adeboye) Manatu Autu: Tatalo mo le fanau (Prayers for children) Tauloto –  Isaia 49:25 “Auā o lo‘o fa‘apea ‘ona fetalai mai o le ALI‘I, E faoa lava le tāfeaga a lē ‘ua malosi, e lavea‘iina fo‘i le vete a lē mata‘utia; ‘Ou te finau atu fo‘i a‘u i ē ‘ua finau atu ‘iā te oe, ‘ou te fa‘aolaina fo‘i au tama.”Faitauga - Tusi Paia:  Isaia 8:17-18 TataloFaafetai le Atua e, mo fanau uma I lo'u siomaga. Faafetai Tamā mo le alofa tunoa ua e foai i latou matua e tausia ai i latou.  Tamā ou te tuuina atu fanau uma i lo'u siomaga i lau tausiga. Faamolemole ia siomia fanau uma I lo'u siomaga e au agelu ma puipui iai latou mai soo se mea e lamatia ai.Tamā, faamolemole fesoasoani i fanau uma I lo'u siomaga ia latou maua se feiloaiga faapitoa ma Lau afio ina ia osia ai ni mafutaga mafanafana ma oe e pei o Samuelu.Tamā, faamolemole ia faamanuia i tamaiti uma i lo'u siomaga ia maua le agaga o le lelei atoatoa e pei ona e faia mo Tanielu, i le suafa o Iesu. Tamā, faamolemole faamanuia i tamaiti uma i lo'u siomaga ma foai iai latou le poto ma le meaalofa e iloa ma malamalama ai e sili atu io latou tupulaga ina ia latou faia faaiuga e ō gatasi ma lou finagalo. Tamā, ou te tuuina atu le soifua maloloina lelei o fanau uma I lo'u siomaga I ou aao, faamolemole avatu le malosi i le tino, mafaufau ma le agaga. Faamolemole ia faamanuia iai latou i le soifua manuia mai ia te oe, i le suafa o Iesu. Tamā, faamolemole ia siomia tamaiti uma i lo'u siomaga e uo amio lelei e faaosofia i latou e faia mea lelei ma maoae e maualuga ai le viiga o lou suafa paia. Tamā, faamolemole foai i fanau uma i lo'u siomaga le loto toa ma le malosi e manumalo ai i luitau e oo atu i o latou ala, i le suafa o Iesu. Tamā, faamolemole fesoasoani i tamaiti uma i lo'u siomaga ina ia ausia faamoemoega manuia o latou olaga i le suafa o Iesu. Tamā, faamolemole ia tauave e tamaiti uma I lo'u siomaga lou mamalu ma  ia avea i latou ma faamanuiaga i tagata uma o latalata iai latou, i le suafa o Iesu. Tamā, faamolemole foai ni fanau amio Atua ma soifua maloloina lelei i ulugalii uma i lo'u siomaga o loo faamoemoe atu ia te oe mo ni fanau. Ia aua nei iai seisi i lo'u siomaga e pā, i le suafa o Iesu. Tamā, Ia e faamanuia i fanau uma i lo'u aiga ma le Ekalesia. Ia foai le poto ma le agaga e galulue faamaoni ma le filigā e tautua ai ia te oe, aua se manuia lautele o tagata ma le atunuu, i le suafa o Iesu e tatalo atu ai nei, Amene. 

OPEN HEAVENSMATALA LE LAGI MO LE ASO LUA 27 ME 2025(tusia e Pastor EA Adeboye) Manatu Autu: Vaai lelei Lau fanau (Take charge of your children) Tauloto –  Faataoto 22:6 “A‘oa‘o ia i le tama e tusa ma lona ala; a o‘o ‘ina toeaina lava o ia, e le te‘a ‘ese ai.”Faitauga - Tusi Paia:  Teuteronome 6:1-7  Ina ua faapea mai Farao, “Ou te le tuua Isaraelu e ō”, sa lei talanoa mai e taofia i se nofoaga, sa talanoa mai i se isi ituaiga faapologaina (Esoto 5:2). O tagata e faapologaina i le tulaga o loo talanoa mai ai Farao, e oo  i a latou fanau e le mafai ona latou vaaia ma pulea lelei (Esoto 1:1-22).Afai e faatonu mai e le malo o se atunuu, e lē mafai e matua ona faatonu ma aoaoina a latou fanau i ala o le Alii, e tatau ona latou silafia lelei, e iai se faufauga amioleaga o lo'o i tua atu. O se tulaga pologa ma le saisaitia ma e le tatau ona fa'atagaina e soifua ai. E le tatau i matua ona faalagolago i se malo e a'oa'oina a latou fanau. Ae tatau ona tau solomua ona a'oa'o le malo i taiala mai le Upu a le Atua. Afai e finau pea le malo ma fa'asaina ona a'oa'oina e matua a latou fanau i le Upu moni, e tatau ona o ese mai i lena nofoaga ae o atu ise isi nofoaga e lē pologa ai.E tatau i matua ona latou sa'ilia po'o a mataupu o a'oa'oina ai a latou fanau i le a'oga, ia mautinoa e le o aafia i aoaoga e tetee i le finagalo o le Atua. E tatau foi ona suesue taaloga i masini ma ata komi o lo'o matamata ai le fanau, aua e mafai ona tauala mai ai mea leaga e a'afia ai o latou mafaufau. A fai e te vaaia ma pulea lelei tamaiti ma talavou i lou siomaga, o le a faigata ona aafia i latou e ni fuafuaga amioleaga. Afai o oe o se matua, e tatau ona e fa'atulagaina taimi e te a'oa'oina ai lau fanau i ala o le Atua, ina ia latou iloa ma vavalalata ma le Atua a'o tuputupu a'e. Tuu iai le avanoa e mafuta ai ma isi tagata fa'atuatua, ma faia mea uma e fesosoani ia tutupu ae  ma matutua o ni tagata o le Atua. Ina ua matou siitia e nonofo i le Redemption City ma lo'u aiga, sa mamao le mea e a'o'oga ai la'u fanau, latou te usu i le a'oga ae le'i taina le 6 ile taeao ina ia aua ne'i tuai i le a'oga. Ina ia maua se matou mafutaga ma le fanau, sa matou a'ai faatasi i totonu o le matou ta'avale, pe a foi mai i le a'oga. Ao tuputupu ae, sa ou alu ma ave i matou talaiga o le Tala Lelei. E oo i le taimi ua oo i le Iunivesite, so'o se taimi ou te asia ai, ou te faamautinoaina e maua lelei se taimi matou te mafuta ai. Sa matou savalivali ma talanoa i le Tusi Pa'ia, ma ou ta'ita'ia i latou i poloaiga a le Atua.Matua e, ia outou  vaaia ma pulea lelei a outou fanau, ‘aua nei faatagaina le ti'apolo e manumalo ia i latou. O le a faamasinoina oe e le Atua i le fanau ua ia foa'iina atu, e pei ona ia faia ia Eli(1 Samuelu 2: 27-31).Tulai mai, ma tau'ave le matafāioi o le tausia ma le a'oa'oina lelei o le fanau i ala o le Atua. ‘Aua ne'i tu'ulafoa'ina lau fanau i le ti'apolo i lou toilalo i ni taitaiga a le malo ma le aganuu, i le suafa o Iesu, Amene. 

Lau Kar-Leung meets buddy cop comedy in Tiger on the Beat! Chow Yun-Fat and Conan Lee bicker, banter, and brawl their way through heroin smugglers and a chainsaw duel you won't forget. It's a classic Hong Kong genre mash-and-smashup, mixing slapstick, squib-heavy carnage, and Lau's signature choreography with explosive modern action. With Kenny B and […]

Molėtų kraštas žada smagią ir turiningą vasarą. Vilioja molitu – Molėtų valiuta, kuri radosi nuo vieno pono, išmėčiusio pinigėlių maišą po ežerus, miškus ir žvaigždžių takus.„Nuo zacirkos iki lydekos. Tradiciniai Molėtų krašto patiekalai“. Knygos autorė Anželika Laužikienė rašo, kad receptus rinko iš senųjų gaspadinių pasakojimų ir etnografinės medžiagos. Tai ne tik tradicinis lietuviškas gastronominis paveldas, bet ir žydų bei Molėtų rajone nuo seno gyvenančių sentikių bendruomenės virtuvės patiekalai. Anželika kviečia į beigelių kepimo edukaciją. Molėtų krašto tradicinių amatų centras Mindūnuose.Daiva Kulienė, Molėtų turizmo ir informacijos centro direktorė, prabyla tarmiškai ir pasakoja apie Molėtų pradžią bei šiandieną.Molėtų viešbučio savininkas Stasys Vytas prisiekęs molėtiškis. Į svetimus kraštus važiuoja pasižmonėti, bet niekur geriau neranda...Netoli Videniškių yra Duobužių kaimas, kuriame sodybą puoselėja matematikas Ričardas Kudžma. Labai netikėta, bet matematikai tikri romantikai! Ričardas medituoja ant suolelio prie rožių, žengdamas per slenkstį ranka braukia diemedžio šakelę, mokosi naujų kalbų ir kuria... Kuria matematinius ženklus iš akmenų. Siekia, kad sodyba patektų į Molėtų krašto turizmo žemėlapį.Naktis Molėtuose po žvaigždėtu dangumi! Astronomas, edukatorius Saulius Lovčikas turi teleskopą, važinėja po Lietuvą ir pasakoja apie žvaigždes.Ved. Jolanta Jurkūnienė

Lau Kar-Leung meets buddy cop comedy in Tiger on the Beat! Chow Yun-Fat and Conan Lee bicker, banter, and brawl their way through heroin smugglers and a chainsaw duel you won't forget. It's a classic Hong Kong genre mash-and-smashup, mixing slapstick, squib-heavy carnage, and Lau's signature choreography with explosive modern action. With Kenny B and […]

Was für ein Kanzler wird Friedrich Merz? Mit dieser Frage hat sich die ZEIT-Journalistin Mariam Lau in ihrem Buch „Merz – Auf der Suche nach der verlorenen Mitte“ beschäftigt. Wer ist dieser Friedrich Merz wirklich, der unbedingt Bundeskanzler werden will? Was treibt ihn an? Lau sagt: „Also, die unfreundliche Antwort wäre: einfach der Ehrgeiz – da gehöre ich hin. Die freundlichere Antwort ist, dass er uns, das heißt Deutschland und Europa, wirklich in Gefahr sieht.“Wie kann das schwarz-rote Schuldenpaket der Wirtschaft wirklich helfen? Wir sprechen mit Martin Werding, einem der Wirtschaftsweisen, über die Notwendigkeit von Investitionen und den Bürokratieabbau.Die Statistik für politisch motivierte Gewalttaten zeigt einen Anstieg um 40 Prozent im Vergleich zum Vorjahr. Wir analysieren den Bericht, der von Bundesinnenminister Alexander Dobrindt und BKA-Chef Holger Münch vorgestellt wurde.Table.Briefings - For better informed decisions.Sie entscheiden besser, weil Sie besser informiert sind – das ist das Ziel von Table.Briefings. Wir verschaffen Ihnen mit jedem Professional Briefing, mit jeder Analyse und mit jedem Hintergrundstück einen Informationsvorsprung, am besten sogar einen Wettbewerbsvorteil. Table.Briefings bietet „Deep Journalism“, wir verbinden den Qualitätsanspruch von Leitmedien mit der Tiefenschärfe von Fachinformationen. Alle Informationen zum Trade.Table:https://table.media/aktion/tradetableProfessional Briefings kostenlos kennenlernen: table.media/testen Audio-Werbung Table.Today: jan.puhlmann@table.media Hosted on Acast. See acast.com/privacy for more information.

Starring new music from Jazzy, Fisher, Chris Lake, Jamie Jones, LAU, Alex Wann, Shizma, Baez & Saint, Rezident, Jude & Frank, Zilka & N2N, Rue Jay, AndThen, Steve Angello, Sebastian Ingrosso, Confidence Man and Paige Tomlinson. Upfront electronica for the rave generation, showcasing the very best music and the world's greatest dance music festival. First Friday of every month. @CreamfieldsOfficial@GarethWyn Hosted on Acast. See acast.com/privacy for more information.

Mientras grabábamos este episodio nos enteramos de la trascendencia de Pepe Mújica. A él le dedicamos esta discusión sobre volver a casa.Este episodio es traído a ustedes gracias a Jabonera Don Gato: ¡váyase a bañar! Usa el código delibroenlibro en el "check out" y recibe un descuento chévere. También es traído a ustedes por Lau Adventures: planifica con Lau el viaje de tus sueños. La sección El libro en Puerto Rico es auspiciada por nuestras amigas de Editora Educación Emergente: #LiberaTuLecturaVisita nuestra página web: delibroenlibropr.com y suscríbete a nuestro canal de YouTube.

Laurens en Stefan gaan verder. Weer rode koontjes, want Lau had gefietst, en was eigenlijk nog best wel moe van de premiere van gisteravond - het is en blijft immers Meimaand Filmmaand.Hoe dan ook, over de Giro: de algemene conclusie is dat er veel gebeurt deze Giro, maar er is nog niks gebeurt. Ayuso krijgt een tikkie van Roglic, Roglic vandaag eentje van Ayuso, maar echt groots is het nog niet. Maar toch, het was wel al Grande Casino natuurlijk, de afgelopen dagen: 1,2,3-tjes voor Nederland, Mads die zichzelf aan z'n haren de berg over trekt, Groves die z'n eerste overwinning van het jaar pakt. Heerlijk, maar het wordt allemaal nog veel heerlijker.En hoe zat het ook alweer met die afsnijroute van de Leeuw? Je hoort 't allemaal in de Live Slow Ride Fast podcast!

We're brining Sherry back for anther episode! Maybe she will actually become a recurring guest, or maybe an honorary Lau?? Today we're talking to Rebecca and Sherry about apartment hunting. We go over what are non negotiables are, things to look out for, and best use of your money when furnishing your new place. If you like this episode and want more, subscribe, turn on your notifications, and give us a five star review! Leave us a comment on what you would like to hear from us. Follow us on twitter @laudpodcast to continue the conversation and please share with your friends. It's free and helps us out a lot!

Afgelopen week gingen Chris en Paulien naar meerdere voorstellingen tijdens het eerste Micha Wertheim Festival in Amsterdam. Maar.... ze deden ook mee aan een Gaga dansworkshop. Daar vertellen ze over.Daarnaast hoor het verhaal van Ester de Lau over 'De man met de te lange armen', een aflevering die ChatGPT dacht dat ik al gemaakt had. De donorkindpodcast van Ester heet 'De kwak die kwaakt'Heb je zelf een verhaal bij een van de volgende titels mail me dan op: manmetdemicrofoon@gmail.comDe geit in de liftDe buren ruiken mosterdKaartjes voor het muziektheaterspektel 'Het Pauperparadijs' kun je hier bestellen. Dit is het Instagram-account van Man met de microfoon.Wil je lid worden of een eenmalige donatie doen via petjeaf.com dan kan dat: hierEenmalig overmaken kan ook naar: NL37 INGB 0006 8785 94 van Stichting Man met de microfoon te Amsterdam.Wil je adverteren, dan kun je een mailtje sturen naar: adverteren@dagennacht.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Nesta edição Isadora Almeida (@almeidadora), Renan Guerra (@_renanguerra), Ana Laura Pádua (@nalaurapadua) e Renata Remédios (@renaremed) conversam sobre as trilhas sonoras de novelas em tempos de streaming, debatendo suas mudanças, impacto e relevância. Apoie a gente: https://apoia.se/podcastvfsmNão Paro De Ouvir➜ TOPS https://tinyurl.com/3ddu9dum➜ Nilüfer Yanya https://tinyurl.com/4xdyh7b4➜ BADBADNOTGOOD https://tinyurl.com/bdhvrfs2➜ Jorja Smith https://tinyurl.com/yjtkp45u➜ Orbital Ensemble https://tinyurl.com/mtf8utax➜ Model/Actriz https://tinyurl.com/8r8hedsa➜ Mei Semones https://tinyurl.com/nvz59enr➜ Zé Ibarra https://tinyurl.com/598z78uu➜ Digestivo https://tinyurl.com/4w9af4vf➜ Candy Mel https://tinyurl.com/26xr82c7➜ Lau e Eu https://tinyurl.com/57nzwpaf➜ Debby Friday https://tinyurl.com/4866b7u5➜ Gabriel Ventura https://tinyurl.com/2pvmh8sm➜ Clara Bicho https://tinyurl.com/45ty5jmc➜ Ventura Profana https://tinyurl.com/27ms5xfc➜ Car Seat Headrest https://tinyurl.com/mwr9jsxs➜ Jenny Hval https://tinyurl.com/ycxyh9ew➜ Angel Bat Dawid & Naima Nefertari https://tinyurl.com/5fua3nzsVocê Precisa Ouvir Isso➜ Feira Nacional da Reforma Agrária https://tinyurl.com/5935ua7v➜ Black Mirror - 7ª Temporada (Netflix)Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

Many studies have looked at the effects of new transit infrastructure on housing prices, gentrification, and other neighborhood changes. But how does housing policy — specifically rising rents and worsening affordability — affect transit? Mike Manville takes the guest seat in the first episode of our four-part series on transportation research: Road Scholars.Show NotesManville, M., King, H., Matute, J., & Lau, T. (2024). Neighborhood change and transit ridership: Evidence from Los Angeles and Orange Counties. Journal of Transport Geography, 121, 104048.Three previous episodes discussing why housing supply matters for affordability: Episode 79 of UCLA Housing Voice: Who Pays For Inclusionary Zoning with Shane PhillipsEpisode 83 of UCLA Housing Voice: Local Effects of Upzoning with Simon Büchler and Elena LutzEpisode 5 of UCLA Housing Voice: Market-Rate Development and Neighborhood Rents with Evan Mast

BOSSes Anne Ganguzza and Lau Lapides delve into the expanding role of on-camera presence for voice actors. Their conversation highlights how versatility across different media is increasingly vital in the entertainment industry. They explore the shift from on-camera work being a side hustle to becoming a fundamental aspect of a successful voiceover career. Anne and Lau emphasize the power of authentic connection, both vocally and visually, and discuss the importance of building supportive online communities. They also touch on practical aspects of self-presentation, including beauty, fashion, and the impact of confidence, ultimately encouraging voice actors to embrace their full presence to thrive professionally and personally.   00:02 - Anne (Host) Hey, bosses want to be that well-rounded talent that's always in demand. I offer coaching in a variety of genres, including commercials that grab attention, medical narrations that educate, corporate scripts that inspire and e-learning modules that engage. Find out more at anganguzza.com.  00:24 - Speaker 2 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.  00:43 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast and the Boss Superpower Series. I am here with my lovely host co-host. I don't know Host and co-host. Look at you, Lau, I called you my host.  00:57 - Lau (Guest) I could be called first things. I'll tell you what, right yeah.  01:01 - Anne (Host) I'm here with my lovely co-host, Lau Lapides. So wonderful to see you. It's been a little bit it has.  01:08 - Lau (Guest) It's awesome to be back. I'm excited 2025.  01:11 - Anne (Host) Yeah, I apologize. I was a little bit late, Lau, because, as you know, I had to do the hair and the makeup because we do video things now I'm so glad.  01:20 - Lau (Guest) I'm so glad you finally took the time to look appropriate. I'm so glad.  01:22 - Anne (Host) I'm so glad you finally took the time to look appropriate for camera. I'm always such a slob on camera, oh we're divas.  01:27 - Lau (Guest) You know that we're divas, we're fashionistas.  01:31 - Anne (Host) Well, it did take us five minutes prior to pressing record to finish putting our lipstick on. I think what's so interesting, Lau, is that there's like all sorts of parallel careers with on-camera and influencer marketing that can complement your voice acting career.  01:50 - Lau (Guest) And that is amazing because I never thought of it and I know a lot of listeners may not have thought of it, but you're actually involved with it and this is like something we have to talk about today is your on-camera appeal as a voiceover talent. I think it's been a long time that we haven't really faced that. No pun intended, we really have to face our face.  02:12 - Anne (Host) Yeah, I mean, I agree and I'll tell you what I know.  02:15 We had an episode prior to this where we talked about on-camera and how it was a great additional side hustle, but not really, it's not even really a side hustle, right, there's a lot of agents out there that really look for people that can be on camera as well as do the voice acting, and I think that, besides the traditional on camera, slash, theater, slash voice acting, I think there's also this whole other world of I hate to say, influencer marketing, but there's essentially your presence online that can help to get you and your brand known, and some of it may be influencer, some of it just may be.  02:54 You're creating those videos that other people see, and I'm kind of for this year, because social media is a little bit chaotic and I know there's a lot of people who are kind of fleeing social media, but I think that at some point here's my prediction right my prediction is that people will still form those safe communities, and those safe communities because we've been globally connecting with one another, especially in our industry, right, because we don't have an office, we all go into and meet and talk by the water cooler.  03:23 We are all online, and so I think we're all going to be in our communities wherever they may be, whatever platform they may be, and maybe not even on a platform, maybe just our own Zoom meetings, our Zoom water coolers where we can work with one another and talk with one another and also work with our clients and potential clients, and so I think it's important to talk about what's involved in kind of preparing yourself for this, because for so many years there have been people who want to be voice actors have always thought, well, I don't want to be on camera and that's why I want to be behind the mic, and that's what I love about that. But I think that we really need to kind of open our minds to thinking about our on-camera presence.  04:04 - Lau (Guest) Gosh, there's just so much to unpack about what you just said. We're going to break that up into segments. I think the first one is, of course, as an agent. The first thing I'm thinking about is and I just work with voiceover talent but I'm thinking about do you do on-camera work? Do you also do on-camera work? Because whether you're facing a boutique agency or you're up for representation in one of the bigger hubs, that's one of the first things on their mind is what do you do across the board? Do you do print work? Do you do modeling? Do you do on-camera ads? Do you do, of course, voiceover?  04:36 No longer are we compartmentalized into just being a voiceover talent. Now we're going to work with clients and reps that really want to know wow, could you be the face of this product, like you are? Could you be the model for what we're putting out there? And I'm being unafraid because I hear oftentimes and I know you do too oh, I got a face for radio and you know it isn't even funny anymore, because it's far from truth, it's far from accurate. We don't want you hiding behind a microphone. We don't want to not see you, we want to see you.  05:09 - Anne (Host) Yeah, it also plays into again, guys. I know that, like I said, we covered a lot of this in another episode, but I think it's really relevant and timely that we talk about it again today, because you know, we're talking about people wanting, needing that human connection right Again. We've got chaos right now, social media division everywhere and I think that human connection with like minds and I think that that's so important, that we establish that and on camera, helps that. It totally helps that, that we are representing ourselves as the human beings who have a voice, and not just a voice but a face as well, and we're real. We're real and we want that real connection.  05:53 - Lau (Guest) And we know that in the entertainment industry, seven out of ten jobs are going to go to real people, real looking people, real sounding people, real, authentic personalities Like. We know this for a fact. If you don't believe us, turn on media, go to a movie, listen to the radio, you'll hear what we mean. Right, we just don't hear as many announcers. We don't see as many announcers unless we watch the Super Bowl. So we really want to kind of be aware that, as real people, we're getting a lot more work these days. Real people were getting a lot more work. These days. They're super gorgeous, super model, super of what we think we should be on camera. But that's not accurate. For what today's market?  06:32 - Anne (Host)  Exactly and like even though we kind of were kidding around Lau and talking about putting our lipstick on for you know, for five minutes, that for me it's something that I love, that for me, five minutes, that for me, it's something that I I love, that For me, that's something that I am so passionate about. For myself, anyways, it's certainly not a requirement. I mean, my gosh, look at the celebrities out there that are beautiful without makeup, without the filters. I mean, that's a whole vibe, that's a whole thing.  06:59 So it's not necessarily, guys, that you have to put makeup on it's all about representing yourself and who you are, and I happen to find a very creative artistry in makeup. It's like a newfound passion of mine after so long of when I was behind the mic and not necessarily going out so much, where I didn't really think about it, but now it's like you know what, let me just get a little zhuzhed up for the camera, and I find that I really enjoy it. However, one thing that I have to say, and this is because, guys, I am dabbling a little bit in influencer marketing. I mean, I don't like to call myself an influencer, but I do work with a few brands where I will talk about the brands and put myself on camera and display the product and tell people what I think about that product, and so there's a certain presence and I have to prepare for that. That is something that doesn't come. I'd like to say, it came naturally to me, but there's practice involved and there's preparation time involved in that.  07:58 And it's funny because I do a lot of things Lau and this is like yet another thing on my plate and people are like, well, what are you influencing now? And I'm like, well, not really, I'm just basically doing something I'm passionate about and, yeah, I'm getting paid. I mean, hey, if I can get paid for it, that would be fabulous. And so I am working with a few select brands that I love, and so, because I can be real and human and tell people how much I love them, I can get a little kickback. It's like affiliate marketing. I'm very much on board with that. So I've been doing that and I'm excited to say that I'm on a couple different platforms now. And no, I'm not giving up voice acting. No, I'm not giving up my coaching or demo production business, but it's something I do on the weekends. But Lau, it takes me, like for me to get ready before I present on camera. I mean, it's an event.  08:44 This hair is an event.  08:46 People that have seen me at VO Atlanta. Know, I mean, I love hiring makeup and hair for VIO Atlanta. For me it's like going to the spa, but it is an event, so you have to really put your time in and it's also a different way of marketing yourself. And so there's a whole different world, a whole different way of doing it, and I have to educate myself on how to do that.  09:05 - Lau (Guest) And I'll tell you, you do this brilliantly. I think you need to move yourself forward, whether you're a male or a female, in a very unapologetic way. So if that is part of your jam, and that's what you do, and that's what you love, or that's what you want to get into the fashionista side of our industry, then go for it. There shouldn't be any explanation.  09:25 There shouldn't be any exposition about why you're doing it, or are you leaving, right? You just love it, right? So that's how we're motivating people to be thinking about this. I also want to talk about Annie. I want to talk about the regular people, the real people who get up, they get into their booth, they're behind their mic all day.  09:43 - Anne (Host) I'm a regular person.  09:45 - Lau (Guest) But I mean someone who authentically does not want to be in front of the camera. They don't like dressing up, they don't want to put on makeup. I get that.  10:01 That's probably most people to be honest with you and I'll tell you something. But that's also very real and very engaging and very like. It's like reality TV. Yes, I just want to say a shout out to those people because we love you, we appreciate you, we do. All we're saying is show up as the best you that you can put forward. And if you we just had a conversation about this last night In corporate it's very much the same way.  10:18 If you have a meeting in corporate on WebEx, half the people show up. They don't even turn their videos on in, they don't Show up. Turn on your video, Feel good about the way you look, Feel good about how you're presenting, Own your little square Right. Or if you're going into an office, come in and command the space and feel at home. Feel good about that. That's going to change your physical presence, right. And it's amazing when we look at actors, especially on-camera actors, and we say this actor isn't a particularly aesthetically beautiful person. But boy, are they sexy. Yeah, right, why are they so sexy? In fact, Hollywood always had a name for that. They call it sexy ugly people.  11:01 - Anne (Host) Because they have a confidence.  11:03 - Lau (Guest) They were just real people, regular people, but they were so confident. This is me, you know, yeah absolutely yeah, and they just come in and be like, yeah, this is me and that's you, and I'm excited, we're here, right, let's do some stuff. And that is the beauty of the mind, right? The aesthetics of the spirit that is coming along along with your gorgeous makeup color and your hair, and whatever you choose to do to embellish whether you do that or not, it's got to come from the inside. It's something internal, right?  11:35 - Anne (Host) It's all in how we talk to ourselves, right, it's all in the stories that we tell ourselves. And it's interesting and here's a shameless plug, Lau, I don't know if you're aware, but I did launch a new podcast in January called the Myth of you Self-Awareness in a Digital Age, and we talk about common myths that you might believe about yourself and we talk about the hero's journey. Believe about yourself and we talk about the hero's journey and we talk about how your experiences and how you can learn from your experiences and how you can rewrite your story. You can choose to tell yourself that you're beautiful, whether you feel that or not, and then ultimately really hopefully progress and move forward and be happy, successful.  12:11 All that good stuff and the fact is is that your mind is such a powerful, powerful tool, how you speak to yourself, and we talk a lot about those things. And I'm just so ecstatic to kind of delve more into that area because we've talked about it here as well, because being an actor, being a voice actor, it's very much a mental game, it's very much self-sabotage, the imposter syndrome. All of that is very real and this is such a cool podcast where we really explore that even further. You really need to talk to yourself. And it's funny even in my Pilates class the other day in my head we were doing center and balance class and of course we were on the BOSU ball and I was completely off balance because I feel like I don't know what happened to my balance as I got older.  12:51 But in my head.  12:52 I was going God, I suck at this. And at the time that I said that in my head, I swear to God, my Pilates instructor said now, guys, you may think that you're not good at this, but it's all in what you say in your mind. So remember that if you continually say I suck at something, right, I suck at balance, she goes. Don't say that to yourself. You need to manifest that you're good at balance.  13:13 You're good at center and balance.  13:15 - Lau (Guest) And ultimately your body will follow. And when someone says I don't look good or I'm not excited about getting on camera or I don't really want to offer, you know.  13:26 What are they really saying, like there's a subtext there. Yeah, they're really saying I'm not ready to show up and be present, I'm not ready to put forward who I am, and that's different than what you do. I think a lot of us work so hard and so much, annie, that we self-identify as our work, as our business, which isn't a bad thing, but we lose the sense of the separate self, and a separate self has to feel good about just being and showing up and being present.  13:57 - Anne (Host) Well, how interesting is that? Because when we talk about voice acting right and we're always talking about bringing yourself to your acting, to your read that is really allowing yourself to show up and be present, because, human to human, I connect. Well, I connect to you because of your personality, because of who you are, not because I think you look pretty or I think you sound good. Exactly.  14:15 It's all about bringing your personality, and that's what I try to tell people in. Voice acting it's not so much about how you sound really at all, I mean. How many times can we say that?  14:25 - Lau (Guest) I mean I feel like every coach in the world forevermore will be like voice acting really isn't about how you sound, I mean it's about the connection Right and if you can get out of yourself of your way to the other right to really pay attention and to be curious, to be authentically inquisitive like a child. Like what is that? What is she saying, what is she doing? Why is she? That is what is sexy and attractive and compelling to an audience, is an audience wants to be taken in by curiosity.  15:01 They want to feel that they're interesting. Right, if you can make someone feel that they're interesting because you're interesting. Make someone feel right Make someone feel right.  15:12 - Anne (Host) Isn't that like what it's?  15:12 all about Make someone feel Make someone feel.  15:14 - Lau (Guest) That's the reason why I listen or watch or pay attention to anything, really Okay so, listen, how do we connect this now to this base of your fashion, your branding, your look, your feel? When you get up in the morning, annie, and you think, okay, I'm going to get dressed, I'm going to do my makeup, I'm going to do my hair, I'm going to do my ritual, how do you select, how do you choose where you want to go with that, based on what is going to unfold in your day?  15:40 - Anne (Host) Well, honestly, I mean I just make sure that I get up and do things for myself that are going to make me feel good. Because if I can feel good, right, feel awake, feel healthy, feel alive, yeah, and feel like I've cared for myself, like self-love is not selfish at all, and I've learned that a lot in the past few years, especially because when I had gone through a lot and gained a lot of weight, I'd lost a lot of my confidence. I had a lot of inner dialogue that was not good, and now I said I need to make sure that I make the time to have self-care, because self-care for me really sets the tone, sets the day for everything that happens next, whether I am working with a student, whether I am working with a client. If I feel good about myself, then I can feel good and portray and project that in everything that I do and to everyone that I'm with.  16:38 - Lau (Guest) So, in essence, what you do as your choice, certain things aren't your choice, Like our age, is not our choice. It just happens and that's natural and we move through it. But our choice in everything else we do and how we put ourselves together. Our choice then ricochets and affects other people's choices because their perception of you shifts based on your choice. That's really powerful when you think about that, how much empowerment you have within you, but how much power it has for someone else's potential change for their future, absolutely.  17:14 - Anne (Host) And everything that you say to yourself and do for yourself is a choice. Right, there's always a choice. You always have a choice. Like I just took a great course on happiness. Happiness is a choice. Happiness, joy is a choice. And if you choose joy which I'm always talking about choose joy, do something that makes you joyful, then that will ultimately not only help you but also affect everyone that you are in contact with in every thing that you do, work-wise, personal-wise.  17:42 - Lau (Guest) It's a domino effect.  17:44 It's a domino. So how does someone let's say we take someone who's not accustomed to this way of thinking and just kind of gets up, grabs a coffee and goes to work or does what they need to do, gets up, grabs a coffee and goes to work or does what they need to do? What are some of the steps that we can offer? To revisit and again, I'm not just talking about your business brand, I'm not just talking about your persona in your business, I'm also talking about your personality and persona in your life how do they go about re-envisioning that and making new moves in that direction?  18:17 - Anne (Host) Well, first of all, as we were chatting about earlier, get enough sleep. That's part of self-care right.  18:22 Get enough sleep because.  18:23 I was recently very, very tired I'm kind of recovering from a cold, you can hear that and I had quite a few sleepless nights, while my husband also had a cold and was coughing, and I just was jolted awake multiple times a lot of times because I was worried. But anyways, running on little to no sleep does not help anything when you're trying to start your day out right. So I would say that, and again, it's got to be like how can you start the day? I know a lot of people say this, but I will say honestly what are you grateful for? How can you start your day on a positive note? Because when I was overtired, any little thing could go wrong and I just let it upset me Like I ended up being angry, I ended up crying, I ended up eating more. It was horrible. It was like this cascading sort of trauma.  19:09 - Lau (Guest) Bad choice. Yeah, it was a bad choice fondue.  19:12 - Anne (Host) Yeah, right. So if you can again start the day with figuring out what are you grateful for, what are you happy for? I mean, I know it's been a tough start to the year. I know a lot of people have suffered health issues, it's been chaotic out there in social media and politically, and turbulent in the world, and I think that we need to have our safe spaces where we can still acknowledge and no one can take that away from you by the way.  19:34 - Lau (Guest) I love that, no matter what. I love it.  19:36 - Anne (Host) No one can take your joy away from you. No one can take your inner state right and your choice of joy and gratefulness away from you.  19:46 - Lau (Guest) Yes, yes, amen, sister. And we know this Again my tattoo that says resilience, resilience. So many people live in horrors, yeah, horrors, yeah. So many people live in horrors, horrors, but still make the choice to have joy in their daily life.  19:58 - Anne (Host) Yeah, absolutely Because joy is small.  20:00 - Lau (Guest) It's very, very minute. It's a minutia choice to see things in a joyous way. I'm all for that. I'm going to give a practical and pragmatic one. Sure, okay, in the morning look at your closet. If you have more than one, go to your different closets. Look at your closet and make a concerted effort to choose something you haven't worn in the last six months and it's going to feel very uncomfortable to you because a lot of those clothes in there I guarantee you are for when you get thinner, are for when you feel younger are for that special occasion, or for when you feel younger, or for that special occasion or da-da-da-da-da, but you refuse to get rid of it because you've got some hopes and dreams and memories connected to it.  20:41 - Anne (Host) I have a sparkly shirt, mom, I'm going to challenge you.  20:43 - Lau (Guest) I love it. I'm going to challenge you. I got up and wore the sparkly shirt. Choose one of those. And here's the challenge. If you're not willing to choose it, I need you to give it away.  20:52 - Anne (Host) Oh yeah.  20:53 I need you to give it away I like that Because it's actually holding back your joy.  20:57 - Lau (Guest) It's holding back your beauty. It's holding back your full measure of confidence, Because there's something in there that says oh, someday I'll wear it, Someday I'll look good in it. Someday. It sounds small, doesn't it? But that's like a huge feng shui move. Oh absolutely.  21:11 - Anne (Host) There's like a whole science behind cleaning your closet. A whole science? Yeah, absolutely, and I'm that person that you know. I had clothes of every size in my closet Small for when I lost the weight, and large, and it's funny because after this last round of losing weight, I literally took everything that was sized larger than I was at the time and I said that's it, I'm donating it.  21:35 - Lau (Guest) That's right, let someone else enjoy it, Let someone else live in it and appreciate it and have a life in it, and it's not yours anymore, right?  21:44 - Speaker 2 (Announcement) Annie, it's not yours anymore.  21:45 - Lau (Guest) I got another one. Go to anywhere Go to Sephora, go to Mac, go online, go anywhere you like and get a new palette for yourself of color. It could be makeup, it could be wardrobe I love that. It could be hair accessories, it could be props whatever you want it to be. If you're a man, you might choose something that you're going to carry every day. Whatever. What's important about that is it's fresh, it reflects you today and it's hopeful. There's optimism in that right, that little moment of re-envisioning they used to have. They don't have as many now, but they remember Annie, the days where they had a lot of makeover shows Like every show was the makeover show.  22:26 They don't have as many of those anymore, but I mean, the idea of makeover is something I think internally that as human beings we need a couple times a year. We need to make ourselves re-envision, reinvent, so that we don't get static and held down and stale by the past.  22:44 - Anne (Host) Well, we don't want to talk about my makeup collection.  22:48 - Lau (Guest) I kind of do because you have the best makeup. It is large, I kind of do. It is a large collection. Build-a-beans we want to know, annie. It is a large collection.  22:56 - Anne (Host) Still the beans we want to know, annie, it is a large collection which I actually have to go through because they tell you, you know, after six months you need to dispose of your lipsticks your eyeshadows, tell the truth.  23:03 - Lau (Guest) I have a ton. How many?  23:03 - Anne (Host) closets? Do you have full of makeup? Well, I don't have closets, but I have lots of drawers.  23:12 - Lau (Guest) Wait, let me guess I'm going to say six.  23:15 - Anne (Host) At least three, but they're big drawers. They're big, they're like double-sized drawers. Don't believe her, it's got to be six. But there's a point, though, when you can't have too much and you've got to go purge, and so when you purge, that also is a wonderful feng shui cleansing ritual. But I like the fact that I have every color palette in the world, I feel. But then it's funny, because if I watch somebody like a video on Instagram and I see somebody with a different color, I'm like, ooh, I like that color, and so it's something new. It doesn't even have to be a makeup color. It can be like maybe just like a new product, and the product does not have to be expensive. I kid around about my Chanel lipsticks, but honestly, I have found much more cost-effective lipsticks lately in different colors that are amazing.  23:57 - Lau (Guest) Okay, Now I'm going to come from the real world too, because the real world would say, okay, that's fantastic and those are great products, good quality products too. But let's say I don't want them, I can't afford them, they're not for me. I might go over to the dollar store. Oh, absolutely.  24:11 - Speaker 2 (Announcement) I might go over to CVS In fact I might go over to CVS.  24:12 - Lau (Guest) In fact I might go online, so there's a lot of places you can get very similar.  24:17 - Anne (Host) Just watch your ingredients right, Make sure you don't have allergies that you're going to break out. Oh, there's a brand that I use. That's very drugstore cheap for facial products I mean. I used to buy it. Can you say what it is? Can you tell us ELF, elf.  24:32 - Lau (Guest) We love Elf.  24:33 - Anne (Host) I mean, it's good stuff, and I've been actually I replaced my entire. I do a lot of makeup from them and I also do skincare as well. I love it. I love it, so I'm not spending a ton of money on it either, and so you don't have to spend a lot of money.  24:47 - Lau (Guest) And again, it doesn't have to be makeup, but if it makes you feel good, absolutely I think you need to move it out too within a certain amount of time, just for, like, cleanliness and bacteria. Yeah, absolutely that, if you are using it within what is it, annie? Six to eight months, or something you're supposed to get rid of it?  25:03 And the other thing, too, is we all know don't double dip, right. So get your one-time applicators whether it's your eyes or very sensitive areas Don't double dip, because then all the bacteria is going into your makeup. These are things like that a lot of folks don't think of, they don't know that are so, so helpful, right what?  25:22 - Anne (Host) other tips? What other? Okay, so what sort of tips can we give for people that are not wanting to wear makeup? Let's say, maybe it's not makeup related, All right, I got one.  25:30 - Lau (Guest) I got one. This is for everyone, but men love this and you're seeing this more with aesthetics lines is taking care of your skin. So at any age, it's really important to hydrate, to exfoliate, to stay out of the sun or get a little vitamin D but not too much and really be careful with your skin, not just because of skin cancer and those types of things, but also because you want to have this inner radiant feel. You don't want to feel like a saddlebag, you don't want to feel like you know you've been worn down.  26:01 - Anne (Host) You know what I?  26:02 - Lau (Guest) mean Like someone's going to sit on you on a horse. You know what I mean. Like you want to feel fresh. You know? One of the things I love is I love humidifiers and a manicure pedicure can help anybody, I don't care who you are.  26:15 - Anne (Host) Thank you, can I? Tell you how many times my husband will be like, hey, do you want to come with me? Just to like keep me company. And oh, he'll be like, well, okay, but I know he enjoys it. Are you kidding me? How can you?  26:25 - Lau (Guest) not, I mean it's incredible, you know it's incredible.  26:31 - Anne (Host) What about a facial Massage?  26:33 - Lau (Guest) Oh my gosh, get a massage.  26:35 - Anne (Host) I am a big believer in massage. I feel like it moves fluids and it gets rid of toxins. Big believer in that.  26:42 - Lau (Guest) Now what about changing out one piece of your wardrobe? Because we all get comfortable. We have comfy clothes. We tend to wear them every day. You and I do similar things with the glasses. We tend to switch out our glasses just because we get tired of wearing the same glasses. It's part of the fashion, it's part of how you feel, it's part of how you look on camera. That's a very simple thing to do. To have I wear cheaters. I'm not into prescription just yet. I need the prescription.  27:10 No, I don't mind saying to people, I'll go to the dollar store, I'll get 10 pairs of glasses. I'll put them in all different places that I know I need to use them. I just went up. I think I'm like a 2.0 right now, or 2.5 or whatever it is, and that's enough for me. I don't need any stronger than that. And that way, every time I put them on, I have a slightly different feel, because it maybe matches the outfit or maybe matches the occasion. Maybe it just feels differently to me.  27:36 - Anne (Host) Right, let's see One there. You go Right here in my two. Wait there you go. I have three different pairs of glasses right here, so like I've got a tortoise shell.  27:46 - Lau (Guest) I love and I love your glasses. I've got black. I love your glasses. One more thing I want to mention too. I think I've got a red in here too. Who doesn't? I mean, red is the best, red is a power color.  27:57 - Anne (Host) This is my original boss glasses. They're gorgeous, Gosh.  28:00 - Lau (Guest) I love them. What about? Let's talk about jewelry for a second.  28:03 - Anne (Host) Oh, I love jewelry.  28:04 - Lau (Guest) So now a lot of folks might say I don't wear jewelry or it's too expensive, it breaks. I'm telling you go costume, go costume, oh God yeah. And think about how that jewelry reflects a piece of who you are. For instance, it might be culturally based, it might be a particular designer that you like, where they're from internationally. It might have a symbol that you care about. It might be a locket with a photo in it.  28:33 - Anne (Host) There's so many ways you can wear jewelry right. Amazon has a lot of great costume jewelry.  28:36 - Lau (Guest) That is reasonably priced. Just saying I wear costume a lot more than I wear the real thing.  28:41 - Anne (Host) A lot of this is Amazon costume yeah.  28:45 - Lau (Guest) Yeah, I wear a lot of beads. I really just am in love with beads because they break. You give it a little wish and a prayer and then you go on. I don't worry about it at all. You just don't worry like you'd worry about a very expensive piece. It's just fun. There's a fun in wearing different watches.  29:02 - Anne (Host) Well, it's kind of like I wear a lot of bling and it's funny because a lot of this is like vintage, a lot of it is my mother's and people will be like, well, wow, you're wearing a lot of diamonds there and I'm like, well, here's the deal. If they're not on my finger, they're in a safe and it doesn't make me feel close to my mother.  29:17 It's not that I'm trying to like say, oh, look at all the diamonds or look how sparkly. I mean I just want to feel close to my mother, and so that to me. I made that decision a few years ago. I said you know what? I am not going to the time, annie, with actors.  29:30 - Lau (Guest) Figure out your hair already. You know what I mean. Like a lot of people, are like well, I'm going white and I don't know if I want to go white. I've got red in it and then I'm like listen, it's fun, it's fashion, you can change it. It shouldn't be something that you feel married to or that you hate.  29:53 - Anne (Host) Yeah, I've never felt married to my hair, although lately, I mean, I have long hair. Should I cut?  29:58 - Lau (Guest) it. Can I take your hair? I love your hair. I'd like to see what I look like with long blonde locks.  30:03 - Anne (Host) But it's funny because I for a very long time had very short hair and so it really just depends. Oh, I didn't know that, oh yeah. When I was growing up I had very short hair. I had kind of like that pixie cut, and so I never had long hair until later on when I decided to let it grow and then it was just the thing, and then sometimes a little bit of it fell out when I was sick.  30:26 So then it grows back. Hair does grow back, that's right.  30:29 However, it is just hair and gosh Lau. There's always a wig, I know Right, there's always a wig. I know Right, there's always a wig.  30:37 - Lau (Guest) As we started this conversation by saying most things are choices, most, not all. My age is not my choice. It is what it is and I work with it, but most other things are my choice. My height is not my choice.  30:49 - Anne (Host) right, right, my voice is not my choice either. No, but as you train your voice. Yes, exactly, is not my choice either.  30:56 - Lau (Guest) No, but as you train your voice and you find different ways you can find different shades of your voice, then that's a nice choice to make is what can I do with my voice and where can it go? That does become a choice. So, wow, this conversation could go on and on, couldn't it?  31:09 - Anne (Host) I feel like we need to have more coffee and chit chat about makeup. I know, Bosses believe it or not, this does have a lot of relevance to you and, even though we were talking about fashion and makeup and influencing it, really, guys, get yourself out there because and show your humanness, show who you are in all aspects of your career. Really, I think that's one thing that's going to keep us moving forward in turbulent times and keep joy in our hearts and really, I mean, help us to maybe even propel our businesses.  31:38 - Lau (Guest) I love it and I'll leave everyone on this. Don't forget to smile, because we use that as a technical tool in voiceover but aside from that, it makes you feel good and younger and connected and happy and joyous, and so that is just your little technical tool for the day. And a lot of people say you look nicer, prettier, more warmer, younger, like all those fun stuff we love to hear just by smiling.  32:04 - Anne (Host) Well, great conversation, Lau. Thank you so much. It was wonderful to get back together with you and I'll give a great big shout out to our sponsor, ipdtl. A great big shout out to our sponsor IPDTL. You, too, can connect and chit chat about cool things like makeup and hair and fashion and voiceover and on camera things. Find out more at IPDTLcom. You guys have an amazing week and we'll see you next week. Bye.  32:30 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Podcast Show Notes: Peripheral Vascular Disease in PainManagement Episode Highlights: - Host: Dr. David Rosenblum - Podcast: Pain Exam Podcast - Focus: Peripheral Arterial Disease (PAD) in Pain Management Download the App Key Topics Covered: 1. Peripheral Arterial Disease (PAD) Overview - Definition: Arterial sclerosis condition developing over long term - WHO Definition: Exercise-related pain or ankle-brachial index (ABI) < 0.9 - Prevalence:   * 3-4% in 60-65 year olds   * Increases to 15-20% in 85-90 year olds   * Up to 50% of patients may progress to symptomatic stages 2. Diagnostic Considerations Diagnostic Tests: - Ankle Brachial Index (ABI) - Ultrasound - CT Angiography - Physical examination - Pulse volume recordings - Transcutaneous oximetry ABI Interpretation: - 1.0-1.4: Normal - 0.9-1.0: Acceptable - 0.8-0.9: Some arterial disease - 0.5-0.8: Moderate arterial disease - < 0.5: Severe arterial disease 3. Pain Characteristics Types of Pain: - Intermittent claudication - Chronic limb ischemia - Nociceptive pain - Neuropathic pain - Mixed pain syndrome 4. Pain Management Strategies Pharmacological Approaches: - Mild Pain: Paracetamol, NSAIDs - Neuropathic Pain: Lidocaine patches, gabapentin, duloxetine - Severe Pain: Morphine, fentanyl, ketamine Non-Pharmacological Interventions: - Music therapy - Aromatherapy - Psychotherapy - Massage - Acupuncture - TENS - Intermittent pneumatic compression Upcoming Conferences Mentioned: - ASPN - ASIPP - Pain Week - Latin American Pain Society Additional Resources: - Pain Exam newsletter: painexam.com - Virtual pain fellowship at nrappain.org Disclaimer: Always consult with a healthcare professional for personalized medical advice. Reference Garba Rimamskep Shamaki, Favour Markson, Demilade Soji-Ayoade, Chibuike Charles Agwuegbo, Michael Olaseni Bamgbose, Bob-Manuel Tamunoinemi, Peripheral Artery Disease: A Comprehensive Updated Review, Current Problems in Cardiology, Volume 47, Issue 11, 2022,101082, Maier, J.A.; Andrés, V.; Castiglioni, S.; Giudici, A.; Lau, E.S.; Nemcsik, J.; Seta, F.; Zaninotto, P.; Catalano, M.; Hamburg, N.M. Aging and Vascular Disease: A Multidisciplinary Overview. J. Clin. Med. 2023, 12, 5512. https://doi.org/10.3390/jcm12175512 Maier, J.A.; Andrés, V.; Castiglioni, S.; Giudici, A.; Lau, E.S.; Nemcsik, J.; Seta, F.; Zaninotto, P.; Catalano, M.; Hamburg, N.M. Aging and Vascular Disease: A Multidisciplinary Overview. J. Clin. Med. 2023, 12, 5512. https://doi.org/10.3390/jcm12175512  

Podcast Show Notes: Peripheral Vascular Disease in PainManagement Episode Highlights: - Host: Dr. David Rosenblum - Podcast: Pain Exam Podcast - Focus: Peripheral Arterial Disease (PAD) in Pain Management Download the App Key Topics Covered: 1. Peripheral Arterial Disease (PAD) Overview - Definition: Arterial sclerosis condition developing over long term - WHO Definition: Exercise-related pain or ankle-brachial index (ABI) < 0.9 - Prevalence:   * 3-4% in 60-65 year olds   * Increases to 15-20% in 85-90 year olds   * Up to 50% of patients may progress to symptomatic stages 2. Diagnostic Considerations Diagnostic Tests: - Ankle Brachial Index (ABI) - Ultrasound - CT Angiography - Physical examination - Pulse volume recordings - Transcutaneous oximetry ABI Interpretation: - 1.0-1.4: Normal - 0.9-1.0: Acceptable - 0.8-0.9: Some arterial disease - 0.5-0.8: Moderate arterial disease - < 0.5: Severe arterial disease 3. Pain Characteristics Types of Pain: - Intermittent claudication - Chronic limb ischemia - Nociceptive pain - Neuropathic pain - Mixed pain syndrome 4. Pain Management Strategies Pharmacological Approaches: - Mild Pain: Paracetamol, NSAIDs - Neuropathic Pain: Lidocaine patches, gabapentin, duloxetine - Severe Pain: Morphine, fentanyl, ketamine Non-Pharmacological Interventions: - Music therapy - Aromatherapy - Psychotherapy - Massage - Acupuncture - TENS - Intermittent pneumatic compression Upcoming Conferences Mentioned: - ASPN - ASIPP - Pain Week - Latin American Pain Society Additional Resources: - Pain Exam newsletter: painexam.com - Virtual pain fellowship at nrappain.org Disclaimer: Always consult with a healthcare professional for personalized medical advice. Reference Garba Rimamskep Shamaki, Favour Markson, Demilade Soji-Ayoade, Chibuike Charles Agwuegbo, Michael Olaseni Bamgbose, Bob-Manuel Tamunoinemi, Peripheral Artery Disease: A Comprehensive Updated Review, Current Problems in Cardiology, Volume 47, Issue 11, 2022,101082, Maier, J.A.; Andrés, V.; Castiglioni, S.; Giudici, A.; Lau, E.S.; Nemcsik, J.; Seta, F.; Zaninotto, P.; Catalano, M.; Hamburg, N.M. Aging and Vascular Disease: A Multidisciplinary Overview. J. Clin. Med. 2023, 12, 5512. https://doi.org/10.3390/jcm12175512 Maier, J.A.; Andrés, V.; Castiglioni, S.; Giudici, A.; Lau, E.S.; Nemcsik, J.; Seta, F.; Zaninotto, P.; Catalano, M.; Hamburg, N.M. Aging and Vascular Disease: A Multidisciplinary Overview. J. Clin. Med. 2023, 12, 5512. https://doi.org/10.3390/jcm12175512  

Podcast Show Notes: Peripheral Vascular Disease in PainManagement Episode Highlights: - Host: Dr. David Rosenblum - Podcast: Pain Exam Podcast - Focus: Peripheral Arterial Disease (PAD) in Pain Management Download the App Key Topics Covered: 1. Peripheral Arterial Disease (PAD) Overview - Definition: Arterial sclerosis condition developing over long term - WHO Definition: Exercise-related pain or ankle-brachial index (ABI) < 0.9 - Prevalence:   * 3-4% in 60-65 year olds   * Increases to 15-20% in 85-90 year olds   * Up to 50% of patients may progress to symptomatic stages 2. Diagnostic Considerations Diagnostic Tests: - Ankle Brachial Index (ABI) - Ultrasound - CT Angiography - Physical examination - Pulse volume recordings - Transcutaneous oximetry ABI Interpretation: - 1.0-1.4: Normal - 0.9-1.0: Acceptable - 0.8-0.9: Some arterial disease - 0.5-0.8: Moderate arterial disease - < 0.5: Severe arterial disease 3. Pain Characteristics Types of Pain: - Intermittent claudication - Chronic limb ischemia - Nociceptive pain - Neuropathic pain - Mixed pain syndrome 4. Pain Management Strategies Pharmacological Approaches: - Mild Pain: Paracetamol, NSAIDs - Neuropathic Pain: Lidocaine patches, gabapentin, duloxetine - Severe Pain: Morphine, fentanyl, ketamine Non-Pharmacological Interventions: - Music therapy - Aromatherapy - Psychotherapy - Massage - Acupuncture - TENS - Intermittent pneumatic compression Upcoming Conferences Mentioned: - ASPN - ASIPP - Pain Week - Latin American Pain Society Additional Resources: - Pain Exam newsletter: painexam.com - Virtual pain fellowship at nrappain.org Disclaimer: Always consult with a healthcare professional for personalized medical advice. Reference Garba Rimamskep Shamaki, Favour Markson, Demilade Soji-Ayoade, Chibuike Charles Agwuegbo, Michael Olaseni Bamgbose, Bob-Manuel Tamunoinemi, Peripheral Artery Disease: A Comprehensive Updated Review, Current Problems in Cardiology, Volume 47, Issue 11, 2022,101082, Maier, J.A.; Andrés, V.; Castiglioni, S.; Giudici, A.; Lau, E.S.; Nemcsik, J.; Seta, F.; Zaninotto, P.; Catalano, M.; Hamburg, N.M. Aging and Vascular Disease: A Multidisciplinary Overview. J. Clin. Med. 2023, 12, 5512. https://doi.org/10.3390/jcm12175512 Maier, J.A.; Andrés, V.; Castiglioni, S.; Giudici, A.; Lau, E.S.; Nemcsik, J.; Seta, F.; Zaninotto, P.; Catalano, M.; Hamburg, N.M. Aging and Vascular Disease: A Multidisciplinary Overview. J. Clin. Med. 2023, 12, 5512. https://doi.org/10.3390/jcm12175512  

One rainy day, after Mrs Lau's fishpond has overflowed, Nanny Piggins tells the story of Noah's Ark which she just happens to know all about because Noah was a distant relative of hers.Support the show at https://www.buymeacoffee.com/storiesraspratt If you enjoyed the podcast please like, review and/or subscribe!Support the showFor merchandise use this link... https://www.cafepress.com.au/shop/rasprattTo buy one of my books use this link... https://amzn.to/3sE3Ki2 To buy me a coffee use this link... https://buymeacoffee.com/storiesraspratt To book a ticket to a live show use this link... https://raspratt.com/live-shows/

All our loyal listeners already know that Michelle is stressed, Jason is a middle child, and Rebecca is the best :0 But for our new friends, we dived into whether or not the Lau's fall under birth order stereotypes (tldr: yes but no?).If you like this episode and want more, subscribe, turn on your notifications, and give us a five star review! Leave us a comment on what takes you would like to hear from us. Follow us on twitter @laudpodcast to continue the conversation and please share with your friends. It's free and helps us out a lot!

Welcome to Season 5, Episode 15! When it comes to Supreme Court decisions that impacted the classroom, most people know about Brown v Board of Education. A lesser known landmark decision was also very impactful in schools across the U.S. We're talking about Lau v Nichols… a case that influenced the interpretation of Title VI and how U.S. schools needed to support second language learners to succeed in school. In this episode, we talk about the lead up to Lau v Nichols, what the impact of the Supreme Court decision was, and the lasting legacy of the decision. We also take time to address the rhetoric around the ending of the Department of Education and how it would impact not just Bilingual Education but how students are supported in the U.S. We begin the episode with a LOT of current events including growing anti-miscegenation-like decisions, Janet Yang, Alysa Liu, Caitlyn Chen, Te-hina Paopao, and Jonny Kim. We end with another installment of Weird History where we talk about the decision by Levi Strauss and Company to lean into anti-Chinese labor practices back in the late 1800s. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Intro and Current Events: Janet Yang, Jonny Kim, Kaitlyn Chen, Te-hina PaoPao, Alysa Liu 06:29 The History of Lau v Nichols and Bilingual Education in the U.S. 17:05 Weird History: Levi Strauss and Company and Anti-Chinese Labor

OPEN HEAVENSMATALA LE LAGI MO LE ASO LUA 15 APERILA 2025(tusia e Pastor EA Adeboye)Manatu Autu: O le tulafono o le seleselega (The law of harvest).Tauloto -Tusi Paia–Kalatia 6:7  “Aua ne‘i fa‘asesēina ‘outou, e lē ulagia le Atua auā o le mea e lūlūina e le tagata, o le mea lava lea e seleseleina mai ai e ia.”Faitauga – Tusi Paia – 2 Korinito 9:6-11Sa iai se tasi o ou atalii sa auai i se sauniga, ma sa fetalai iai le Alii e foai se taulaga e $1000, o se tupe tele I lena vaitaimi. Ua ia tali atu, ‘alu i ou tua satani', a ua tali mai le Atua, ‘e lē o satani, o Au lea, ma ou te lē alu ese'. Na ia taumafai e natia le siufofoga o loo ia faalogoina, ae na malosi pea le leo. Na iu ina faia lana faaiuga e foai le $500, I nei mea ane o le Atua. O le vaiaso na sosoo ai, na sau ai se fafine  I lona ofisa ma tuuina ia te ia le $50,000. Na matua fiafia ona o se tupe tele. Ao alu ese le fafine, na toe faliu mai ma faapea mai, ‘Lau susuga, faamalūlū atu, sa tatau ona avatu le $100,000 ae e iai se mea na tupu na toe faaalu ai le $50,000'. Ina ua faalogo atu i lea tala, na vave ona mou lona fiafia. Ua ia iloa, na finagalo le Atua e foai atu ia te ia se seleselega e $100,000, peitai e na o le afa o le fatu na manaomia na lūlū. A itiiti la tatou e lūlū, e itiiti foi seleselega tatou te maua (2 Korinito 9:6, Luka 6:38). O le seleselega a le faifaatoaga na lūlū i le faitau afe o eka o se fanua, e lē faatusaina I se faifaatoaga na lūlū I sina vaega o le fanua i tuāfale. O faifaatoaga popoto, e latou te faasao fatu pito lelei e toe totō ma lūlū aua latou te iloa o le lelei o le fatu e fua iai le lelei o le seleselega fou. E na o ē valelea latou te aai i fatu pito lelei. A faamanuia le Atua ia te oe, e na te tuuina atu ai le falaoa mo le seleselega i le taimi nei faapea fatu mo le seleselega fou I lena faamanuiaga. Ia e iloa fatu mai se faamanuiaga e tatau ona lūlūina. O fatu e mafai ona faavasegaina o mea e faia, auaunaga poo upu. I le 2 Tupu 4:8-10, o le fafine lelei i Sunema na ia lūlūina le fatu o le loto alofa ia Elisaia ona ia maua lea o se seleselega e faateleina. O lana faaiuga e faaavanoa se vaega o lona fale e malolo ai le tagata o le Atua pe a ui ane I lona taulaga, o se fatu na lūlū, ae matuā faateleina seleselega. Muamua, na selesele le fua o le maua o se fanau i le mavae o tausaga e tele o pā. Ona ia maua lea o le seleselega o le toetu, ina ua oti faafuasei lana tama ma toe faatuina mai le oti. Mulimuli, na ia maua le seleselega o se vavega, ina ua toe maua uma ona fanua ma fale na leiloa I le taimi o le oge (2 Tupu 4:8-8:1-6). Ou te folafola atu o au galuega lelei uma o le a maua seleselega e faateleina i le suafa o Iesu. Ia e tōtō se fatu e agalelei ai I se tagata i le asō, i le suafa o Iesu, Amene.  

Amichai Lau-Lavie, co-founder and spiritual leader of Lab/Shul, is a leading voice calling for compassion toward all Palestinians and all Israelis. He joins Dan and Lex for a conversation exploring how the notion of V'ahavta (and you will love) could be channeled more thoroughly in the world -- toward peace and justice for all people. They consider connections between contemporary work for liberation, and the holiday of Passover as well. This conversation is the 9th episode in an ongoing mini-series, exploring American-Jewish discourse about Israel-Palestine.New UnYeshiva mini-courses, beginning just after Passover, are now open for registration! Learn more about Jewish Theology Unbound, Untangling Tselem Elohim, and Moses, Tzipporah and Us (Powerful Interfaith Families, Past and Present) by heading to JudaismUnbound.com/classes.Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here!

00:05 - Anne Ganguzza (Host) Hey guys, Anne Ganguzza here. Imagine a voiceover journey where every step is filled with discovery and growth. That's the path I want to work on with you, through nurturing coaching and creative demo production. Let's unveil the true potential of your voice together. It's not just about the destination, it's about the gorgeous journey getting there. Are you ready to take the first step? Connect with me at Anne Ganguzza.  00:37 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguzza.  00:56 - Anne Ganguzza (Host) Hey everyone, welcome to the VO Boss Podcast and the Boss Superpower Series. I'm here with my lovely, lovely co-host, Lau Lapides. Hi, Lau Lapides, how are you? I'm great, how are you? I am wonderful, wonderful. So, Lau, this week it's funny how many times I usually ask my students for their headshots so that I can help promote their demos that we've just finished and I produced and I like to put them in my YouTube channel, and I like to put a headshot with demo and testimonial. And it amazes me how many voice actors don't really have a good headshot or don't have one. They're like, well, I'm waiting to get my headshots or I haven't thought about getting headshots yet. Or can I just give you this picture, and it's funny because I think headshots are so important for our careers, and so maybe we should talk about why do we need headshots and what goes into a good headshot.  01:51 - Lau Lapides (Host) I love that, annie. It's such a long time coming too, because I hear so many clients and some of my talent actually most of my talent now are really on the headshot wagon for their websites, for their whatever they're doing.  02:03 A lot of them are actors on IMDb, on Actors Access, on Casting Networks, you name it. They're kind of all over the moon, and so one of the things we talk about all the time is you have to have great headshots, not only for your marketing, your PR, for your business, but also it's important if you're ever going to do on-camera work, and some of them do really want to do on-camera work authentically. They're excited about doing industrials or training videos or whatever, and so we have to have industry standard, professional demos. I think one of the biggest problems we see, annie, is people going to their mother's brother's first cousin to shoot their headshots, and it's always bad when they do that, because you're doing that to save money and we have to be careful of that.  02:50 - Anne Ganguzza (Host) Yeah, yeah, I agree. I think that there's a lot to be said for a really good shot on your iPhone, because you know the cameras are getting better and better. However, there's a lot to be said for going to get a professional headshot, and I am a big believer in that, and anybody who just goes to my website or has ever gone to my website knows how much I utilize my headshots in my website for like every other page and it really helps in my marketing, in my branding, I mean.  03:19 - Lau Lapides (Host) And we get so tired. Annie, god bless you. I know you and I, who use our shots all the time. I get so tired of the same shots. Yeah, me too. I myself did three headshot shoots last year alone. I did three and I'm like, oh my gosh, it's like I'm an A-lister. No, I'm just a business owner. I'm a business owner that wants to have different feels, looks, appeals for different kinds of things, yeah, that work for different instances, and I'll tell you what.  03:50 - Anne Ganguzza (Host) So my last headshot right, when we talk about what goes, it may be prepping for your headshot, but what goes into it, because I've been doing this for so long and I have the same headshot photographer that I've had for probably 10 years and she knows me very well and I know her very well. And this last time, when I went, I literally brought at least 10 different changes of clothes and that is kind of excessive. But I knew what I wanted, right, I knew the different types of shots that I wanted and it took me weeks to curate my outfits, but it really worked for me, right, it really worked for me.  04:18 And I got a variety of different shots and literally we shot probably the entire day, which you know it was not necessarily a cheap thing, but I have gotten so much use and so much footage out of these headshots that it's been really incredible, I mean honestly. And she even did video, and the video helped too, because I've got video that's on my website as well. And me in action me behind the mic, me doing different things. So let's talk about first of all. Tell me why you think it's necessary these days to have a good headshot.  04:50 - Lau Lapides (Host) Oh, 100% airtight, you need a headshot. I would even say that if you're not a performer, I would say that if you are working in banking, if you're a real estate person, if you're an attorney, you need excellent even for your LinkedIn Like that's become a big thing shots for your LinkedIn, but still the shots are not great that you're seeing in corporate America. They just really are not great. So I would suggest that you look up you Google or you go to your coaching team and say I need excellent photographers in my area within this radius that are actor headshot photographers, not business photographers, not wedding photographers, not child photographers, but they understand the sensibility of a professional headshot and I need to have that because I'm going to be putting out my photo everywhere, whether I'm doing it in my own advertising, whether I'm working a project and they want me to send them shots for that project.  05:47 I mean, there's so many Social media. Put your great shots on social media. There's so many reasons why you have to have it now right. That's one of the biggest mistakes I see happen. Just to save a few bucks is to go to someone who's inexpensive or go to a family member or try to do it yourself. I think it's very difficult because there's a certain sense that a headshot photographer has about lighting you, about your makeup, about knowing what translates on camera.  06:16 Yeah, I mean it's really everything, and it's the sensibility of making you look like you, not a glamorized version of you, but you on an awesome day.  06:27 - Anne Ganguzza (Host) Well, back in the day, like the Sears or JCPenney.  06:30 - Lau Lapides (Host) Yeah, glamour shots. No that you would just go and they all had the same background.  06:33 - Anne Ganguzza (Host) Yeah, I love those, but they were all very much like a similar style, right, and so I think what we need to do as creatives and entrepreneurs is, no matter who you are actually, I think the more you can showcase your personality through your headshots, the better and more effective they will be, and so, for me, when I was picking out my outfits, I was trying to figure out okay, who am I, what aspects of my personality do I want to showcase, and where am I going to use these headshots? And so I knew that I would use a lot of them for my website.  07:04 I knew that I was going to use a lot of them for social media advertisements about what I do, so of course, I needed props. Right, and props were. I brought every single pair of glasses, by the way, and on my Ann Genguza coaching page you'll see a video shot of me with about 12 different pairs of glasses, because that's just part of my personality, right I?  07:22 love it. And also I'm hoping that some eyewear company will say oh Ann, please be a brand ambassador for us because I love glasses. But I did. I brought like 10 different pairs of glasses.  07:32 It was something I literally had to plan when I was going for my shot and I had to make sure that she knew that I had at least eight different looks that I wanted to shoot and that usually they charge based upon how many looks and then they charge on how many digital.  07:47 Because she gave me all digital shots and because I've known her forever, I'm like just give me all the shots, right, and then I'll pay you to edit the ones that I think I'll use ultimately. And that is a time consuming process, but it was definitely well worth my time and I paid for makeup and hair on the day and I wanted to make sure I had three different hairstyles as well. So that is like okay, when am I going to take the straight hair shot? And then we have to have time to curl my hair and when am I going to take the curled hair headshot? And then what am I going to do? Am I going to keep it all in front of me? Am I going to maybe put half of it back. So there's all sorts of different looks that I was curating for those headshots.  08:25 - Lau Lapides (Host) Absolutely. I think those are all important points, and you're a pro and you've been doing this for years and years and years, and so you're at a point where you're doing really a pro shot. You're doing a pro shoot. That's really also full body shots, and that's something— I did full body shots as well. I think there's a couple steps that I think the early entry person needs to follow so they don't get overwhelmed, and the first one is finding a photographer and finding someone within a geographical distance that you're willing to travel, and finding someone within your budget. So you have to understand what your budget is and what the market rate will bear and put those people by your coaches so that they can okay it for you, so that you're not going to a charlatan or someone who really doesn't have a gallery of actual headshots, but really more of a wedding photographer. You have to be careful of that right. So it's really selecting the right photographer for you and also knowing am I doing headshots only or am I doing full body shots?  09:21 - Anne Ganguzza (Host) as well.  09:22 - Lau Lapides (Host) And that's another decision to make, which will cost you a lot more money to do that.  09:25 - Anne Ganguzza (Host) It's more of an investment to do that and, for the most part, most professional photographers have a website where you can look at their portfolio and see the type of shots that they've taken before and get a cost estimate. And I will say that this is something that you have to prepare for. You have to actually say I am going to make an investment in my headshots because they are important for my business.  09:47 - Lau Lapides (Host) Right, they are important and don't avoid it, don't treat it like the plague, don't say oh.  09:51 I hate it, I don't want to do it. That's not a good start. You want to really discipline your mind to say I need this because I'm reaching out to my audience, I'm reaching out to potential clients and they need to see me, they need to see who I am. So once you select that photographer and you figure out what your budget is and decide am I doing headshot, which is typical, like a bust-up shot, or am I doing a full-body shot? Right, and you can discuss that with your coaching team easily. Now you have to kind of figure out what am I going to bring and I would say for a headshot.  10:23 What you said was not excessive. I say you bring the 5 to 10 tops.  10:28 - Anne Ganguzza (Host) It took me three trips from my car to the studio with all of my stuff oh, it takes a lot of trips and shoes, because I knew I was doing full body shots. I had to do shoes. I had boots and then I had jewelry. I brought my entire jewelry like case. I had packed that because I wanted to switch out jewelry as well. Yes, exactly, and ultimately it was a long day. I was exhausted. However, it was amazing. And then I did another photo shoot with the same photographer. That was a different style. It wasn't four headshots for my website or my business. It was Jerry and I, and it was Jerry and I at the beach. I always wanted to do a shot at the pier with Jerry and so I said well, let's make it a full day. And again, I curated outfits and I actually took photos of myself in the outfits and then got people's opinions or looked at myself, because sometimes what you think looks great and when you take a photograph of it, sometimes it doesn't look the same way.  11:21 And so I highly recommend that, if you can, you can get like a really inexpensive like stand, a really inexpensive set of lights, which I do for a lot of my marketing for brands that I work with for clothing, and your iPhone right, I mean, that's how I do all of my shots for that and a really good editing software that you can have on your phone, which I have all of these things, by the way, linked on anganguzacom in my shop section, because I love them and I feel like for any voice actor it's good. Like the lighting that I have in the studio is important. Lighting is, oh my gosh, almost everything, and you also have to be considerate of where's the studio. Are you going to do it inside or outside? And inside do they do it with natural?  12:06 I think natural light is the very best lighting, and so if they have a studio that has a lot of windows, that you can be facing the windows, because that's your best light on your face, and so you can practice on yourself and take lots of different pictures and figure out what sort of positions, do I have a good side, do I have a bad side, do I have preferences that you can then communicate to your photographer and also, like I said, curate some outfits and take some pictures of yourself in those outfits to see how they look in a photo, and then maybe you can even send, like, here's a look that I was thinking of.  12:40 You can even send those to your photographer ahead of time to see what they think. That's just because I have a really good relationship with mine, but it does help a lot to get their professional opinion and she knows where to go with that camera to get the best picture of me, because she probably took, I think, on that day, maybe a thousand shots and I think I ended up with 500 of them, but I'm using maybe 50. So, but still, that's a lot of shots.  13:06 - Lau Lapides (Host) That's huge. That's a lot of shots, I would say, for folks listening in who are going for their first time, or maybe their second time, but their first time in. It's scary it is. It's a scary. You've got to get comfortable in front of the camera. It can be upsetting, psychologically demanding, to look at yourself and you want that photographer to work with you and show you what they are shooting, as they're shooting it.  13:33 - Anne Ganguzza (Host) Oh, absolutely, and ask to see those photos as they're shooting them, deal with what you see, and that's something that you've got to do.  13:42 - Lau Lapides (Host) Whatever you need to do, meditate, drink water, see a therapist, whatever you need to do, do not unload on the photographer. They're just there to shoot you and make you look great. But the psychological hurdles that you're going to need to overcome with dealing with your age, your weight, your style I'm going to be honest. I'm going to be transparent. Mom is going to tell you the truth. It's going to be hard, it's not going to be easy.  14:08 - Anne Ganguzza (Host) It's like looking in a mirror and it's hard. And if you hate yourself in the mirror?  14:13 - Lau Lapides (Host) Most people do not like it. They do not like the experience, they do not like looking at themselves. So it's just like listening to yourself, right, annie? You have to do it a lot and get used to it and know that that's kind of a necessary part of our industry. I would say start out simple, like, just start out with doing a headshot, having some great tops, layer it, bring in some jackets, some sweaters, right? Nothing busy. Don't make sure you don't have words, sequins, shiny things on your clothes. See what I'm wearing today. It's awesome, but not great for a headshot, because it's too busy looking, unless it's what we call a personality shot. Yes, so a personality shot is not a standard headshot. It is different.  14:54 - Anne Ganguzza (Host) That's what I'm going to talk about. I think the personality shot almost always sometimes looks better.  14:59 - Intro (Announcement) I mean there's a place for each right.  15:01 - Anne Ganguzza (Host) Yeah, the personality shot is like what is it that makes you you? What is it that makes you laugh? What is it that you're passionate about? Like, do you have a hobby that you're passionate about? I mean outside of voiceover. Right, for me it was, you know. I'm just trying to think what I did. I mean because I loved. Well, I did the whole family shot by the ocean, because we love the ocean. I loved horses.  15:20 So you know what I mean. I have different aspects. I have my cowboy boots. I always do a business shot.  15:26 - Lau Lapides (Host) I always do a corporate shot right. There's a mom shot. There's different roles you're thinking about, of what you give off, what you play, whether you're an actor or you're not an actor, like what's your perception of what you give off to the world, and you want to match that for sure. So, starting with the headshot, I think is great, annie, to just start sort of simply like that and thinking about how do I wear my, how do I want to wear my hair? Do I like it down? Do I?  15:49 - Intro (Announcement) like it up.  15:50 - Lau Lapides (Host) How do I like my makeup? You know, having that makeup artist in hair is so important, because you translate so differently on camera than you do in real life.  15:59 - Anne Ganguzza (Host) Now, even for, let's say, guys who are not necessarily wearing makeup, or is that something that they should consider when taking headshots?  16:07 - Lau Lapides (Host) No, honestly, I don't recommend men to have makeup. I just say listen, have a good powder on hand, have some great chapstick.  16:14 - Anne Ganguzza (Host) Yeah, because you don't want the shine.  16:15 - Lau Lapides (Host) Yeah, they can do it in.  16:16 - Anne Ganguzza (Host) Photoshop. I will say something about glasses, because you have to be careful about the angle. So, like right now, you can see as I look up towards the light. You can see the reflection in my glasses. Right, right. So the photographer needs to know the angle right of the lighting that they have in there and that it's not reflecting off the glasses. There are a lot of times you can get frames without any lenses and sometimes this is the best solution Actually the photographer Fig.  16:42 - Lau Lapides (Host) Good, See, this is the difference, you guys Listen up, Between a wedding photographer, a child photographer and an actor photographer. One of my photographers was so pro, he gave me his own glasses, his props, and he popped out the lenses and he said here you go. And I said, really, you don't want the light. He's like no, no, I don't want any reflection, I just need the rims, Because they have to try to get rid of it in the end.  17:05 - Anne Ganguzza (Host) And for me, I need my glasses. I cannot literally read or see without them, and so they are prescription and, the funny thing is, Lau. If you look really closely, you're going to see one of my eyes is bigger than the other, and that's because one of my eyes is much worse than the other and my lens is thicker, so it's magnifying my eye. Now for me.  17:24 - Lau Lapides (Host) I thought you were going to say you have a fake glass eye and you're going to plop it out For me. I was like, oh my God, I didn't know that.  17:30 - Anne Ganguzza (Host) For me, I call my other eye the droopy eye because it looks like it's drooping, like this one looks like it's drooping and now that I've just pointed it out for everybody. But when I do my Teachable Moments videos, I will have days when I'm tired right and my one eye really droops more, and also the angle of the camera has a lot to do with it. So if I'm looking like this, you're not going to notice that this eye is bigger, but if I look this way, you're going to notice this eye is much bigger than this eye. That's fun.  17:53 So it is a thing, and it's only because the lens is thicker, the magnification is thicker, and you know your angles too.  17:59 That's how much I've been on camera and you know you are very aware and that's something you can communicate to your photographer. But even If they're good, they're going to make you look good. They know the angle, they know where to come, they know where to place you within the light. They're going to make you feel good about yourself. So, if you can find Now, I have been all different weights, I've felt all different ways about myself and I've needed headshots, and so she has gone through my lifetime with me. I feel the last 10 years she's been with me through heavier times, thinner times, and always that affects how I feel about myself and how I feel about myself in front of the camera, and she has always. I've trusted her with my life because she's always been able to make me look good or feel good about myself. That, to me, is priceless right, that she is worth every penny because she knows me and she knows how to take a good picture of me.  18:50 - Lau Lapides (Host) So you know, Annie, what you're saying, I think, is so treasurable, because and you may only meet this person once and not see them again or not see them for a long time but how that photography team makes you feel about yourself is so important. You don't want them to be overly critical, you don't want them to be rushing, rushing, rushing, rushing. You don't want that factory approach, you want a personalized approach. So I would say listen, talk to them first. Get a quick Zoom meet, get a quick in-person meet, if you can.  19:20 - Intro (Announcement) Sure, absolutely To get engaged.  19:22 - Lau Lapides (Host) Do they want to spend a little time with you? Are they going to rush you in and out of the door and not care which? A lot of photographers like that too. Right, Annie, you've met them here's the thing right.  19:31 - Anne Ganguzza (Host) I think there's a special skill in smiling right, in smiling for a camera, right, my husband for the life of him. Like every time I tell him to smile, he's like and it's like, really fake. Yeah, it's really fake. Like so many people don't understand how to smile for the camera. Now, it is not a natural thing. I think most people just feel like they have to put on this particular look.  19:51 Now a good photographer and or their assistants are going to be able to make you smile, a natural smile, Because sometimes they'll just say, okay, smile, and you'll be like you know, and that you're not going to like any of your photos because it's not real, so maybe they can tell you a joke and then take multiple pictures while you're laughing Right, and that's usually the good, almost candid shots that I think are always like the award-winning headshots, when you're just like you're like right in the middle of a natural emotion.  20:19 - Lau Lapides (Host) Great minds think alike. That conversation, you know this is so funny. There's so much bridge into what we do as voiceover talent. It's like are you authentically real, Are? You talking to the photographer as a person. Are you having conversations, are you?  20:34 - Anne Ganguzza (Host) talking about life. Can I just say this? This is absolutely parallel to when we tell people to smile when they're reading copy. Right, there's a difference between smiling like hi, I'm Ann and I'm going to read this copy with this fake smile Notice how I have a fake smile and it's a fake smile and it doesn't sound good because my mouth is like in a position that is not making me sound.  20:53 - Lau Lapides (Host) I can see it in your eyes too, your eyes.  20:55 - Anne Ganguzza (Host) Exactly For me. I'm happy and bubbly anyway, so I can just think a smile. I don't always have to form my mouth in a smile, but if I tell some people to smile, it'll make them sound a little less serious. So notice how, if I'm just like oh my God, like Lau, you just made me laugh, right, that's such a better smile. So what we try to tell you in voiceover when we're saying I want you to smile, I want to hear that smile in the copy. I don't want to hear a fake smile, just as in photography. We don't want to see a fake smile. We want to see a real smile. We want to see real emotion. We want your personality, your heart to be shown and your happiness and your joy.  21:29 - Lau Lapides (Host) And I would use hacks like bring in a prop or have like I have my coffee in my hand right now, because my coffee is kind of like connected to me by the hip you know, I always have a water or a coffee in my hand.  21:40 It just makes me feel like a person. It makes me feel like I'm living life. It's just me, right? But what makes you feel that way? Maybe you'll have a little teddy bear in your hand, or you have a little stress squeezer. We're not going to see it on camera, yeah, just like we don't see it in your voiceover, but maybe I need that so that I can make myself laugh or talk to the photographer about you know, I'm kind of nervous, I'm kind of stressed.  22:03 - Anne Ganguzza (Host) A lot of people are, and a good photographer will be able to like either make you laugh or get you to be more natural or more relaxed and comfortable. I can't how many times did we go for those school photos?  22:16 - Lau Lapides (Host) Oh God, I was thinking about school photos. I can't believe you said that, annie. Do you remember the days where we had the little clip-on animals for our collars.  22:24 - Anne Ganguzza (Host) They were a thing.  22:25 - Lau Lapides (Host) So, like my fourth grade shot, I have a clip-on raccoon. It was like yeah, yeah, yeah. Well, we're still kind of doing that when we get in front of a camera. We're still kind of like deer in the headlights. You have to be careful about that.  22:40 - Anne Ganguzza (Host) I would say even warm up, like my husband, who has the best smile ever when he gets in front of the camera. And, by the way, I will tell you my husband, I got him. He's now hired to work alongside me with one of my brands as an influencer. He's hysterical, he's really great on camera. But whenever I say when he wants to pose to do photos, right, I mean they're like okay, now smile and he'll go and it'll be like the most stiff. I'm like no.  23:02 - Intro (Announcement) Jerry, just like say something.  23:04 - Anne Ganguzza (Host) Let me just tell you a joke, Jerry oh my God. Remember the other day when we did this, and then I'll get him in the middle of a smile and it completely changes the photo. Yeah, so it's something that how many times can we do a selfie? Right, we can take selfies, we can practice. You can see what you look like when you fake smile. So really, just practice as well, and it's not a bad idea to get yourself a tripod and a remote control little.  23:30 Blippi, that works via Bluetooth with your iPhone or Android so that you can click a picture when you're standing there right and do a pose and then just do multiple pictures and figure out. Oh okay, I like myself when I'm angled like this or when I smile, I can't lift my head up too high, or if I put my chin down just a little bit, right, you can really learn what works for you and I think there's some valuable information in spending 20 bucks and getting that tripod and getting that little clicker, which I think costs $20, if not less, and connecting up via Bluetooth with your phone and, boom, taking the picture, taking multiple pictures and getting lighting, by the way, which won't cost you more than I'm going to say. The lighting that I have won't cost you more than a hundred bucks.  24:12 - Lau Lapides (Host) Put those on tripods, you could even get just a ring light.  24:15 - Anne Ganguzza (Host) Just get a ring light right, I don't love ring lights because I have glasses and I think the ring lights show like they're very obvious. So I have lighting, like I have in my studio, which are like kind of the soft pillowy LED lights that have the big what do they call those? The big puffy like white coverings over them.  24:33 - Lau Lapides (Host) Yeah, they're like a soft box kind of lighting. Yeah, that's it.  24:37 - Anne Ganguzza (Host) I have a soft box, I have two soft box and I make sure that I'm standing in front of a window, because then you have the three areas of light which and I make sure that I'm standing in front of a window because then you have the three areas of light, which is critical for good lighting.  24:46 - Lau Lapides (Host) Now I get your secret, Annie. Now I know why you look like you're 18. That's your secret. It's good lighting. Why does she look like she's 18?  24:52 - Anne Ganguzza (Host) What is going on with her lighting? Yeah, Awesome. By the way, links. I'll link that in the show notes.  24:57 - Lau Lapides (Host) Love it Eyelines. That's something that know about on-camera actors. Vo talent don't know about that. It's important for you for when you do your photo shoot and that means where my eyes are focused. So in a headshot shoot, they are focused directly at the camera. But the caveat is especially for VO talent, who you're showcasing your business as well. I would suggest you bring to the studio your microphone, your headphones, because they're easy to throw in a bag, you don't have to worry about it and take some of those shots.  25:30 - Anne Ganguzza (Host) Take a cable too. Don't forget the cable, because if you take a photo without the microphone, with a cable, it's very obvious to all of us.  25:37 - Lau Lapides (Host) Unless you're a podcaster and you're sitting down, so that's up to you. But yes, take a cable and be in action, and you may not be looking at the camera. You may be looking at your script, you may be in an action shot, which is really great, but your eyeline is going to give away. Are you directly involved in what you're doing or are you not involved with what you're doing? A headshot for an actor should be direct address to the camera, but for a voiceover talent, you'll have that, but then you'll have. You know, maybe I'm talking, maybe I'm doing this, maybe I'm doing that, and that's kind of cool for people to see you in action you know, Good photographer will be able to tell you where to look.  26:13 - Anne Ganguzza (Host) And what's interesting is, remember we talked about my droopy eye. Okay, so because of my droopy eye, which became so much more noticeable as I needed a thicker lens, my photographer, she's like okay, normally you are looking right in the camera, but I think I need you to look above the camera slightly because you've got that eye and I'm like yeah, so you'll notice. Right now I'm looking at the camera, laura, right?  26:35 - Lau Lapides (Host) I never knew this. This is news to me.  26:36 - Anne Ganguzza (Host) Watch me, now I'm looking at the camera Now I'm going to look slightly above the camera, and it makes a difference, right? Oh my God, that's crazy. Right, it makes a big difference See.  26:45 - Lau Lapides (Host) I have known you for how long? A couple years.  26:47 - Anne Ganguzza (Host) And I never knew that. See, now everybody's going to be looking at my eye. They're going to say, oh, droopy eye, no no, it's because it's a choice.  27:04 - Lau Lapides (Host) It's all your choice. Oh, I love it. Talk about strategy.  27:08 - Anne Ganguzza (Host) And guys, I mean here's the deal. Like I so much put myself in front of the camera every day when I was young and I had a very severe case of lazy eye where I was almost blind, so my eye was in the corner, this bad eye, the one eye that looks bigger, it was very much in the corner, and when I get tired, right still, my good eye does all the work, even with glasses. Oh, how interesting, because it's been trained since the year three yeah, the year three of my life, since I've worn glasses since I was three and so even with glasses, my good eye does all the work.  27:36 So when I get tired this eye, it will tend to kind of go a little bit in the corner, and I notice it all the time. A little bit in the corner and I notice it all the time. I mean, I used to get made fun of it and so you may think I'm completely confident in front of the camera. But I know, like I know okay, my eye will tend to drift if I'm tired or I might have to like really like pay attention to look a little brighter. That's right, but it's good to know yourself.  27:57 It's good to photograph yourself sake of vanity, but for the sake of knowing you and feeling good about yourself in front of the camera. That, I think, has done wonders for me over the years, because before I did a bunch of on camera teachable moments and those sorts of things, stuff that I put out in social media I wasn't on camera a lot and it was something that I had to practice, that to get much better at. And talking to the camera is something that is important for your headshots. Addressing the camera and it's kind of like really thinking about hi guys, you know I'm looking at the camera and like you're really speaking to somebody, just like we do behind the mic. Right, we think about speaking to someone as we're behind the mic. So think about speaking to someone behind the camera and that will engage your face, it will engage your personality, it will engage your heart and it will help you take a better photo. I am convinced of that.  28:48 - Lau Lapides (Host) God, what a great convo this is. I wish I had this convo for myself 30 years ago. One more thing I want to make mention. This is great how you figured out how to like cheat all the insecurities and all that stuff.  29:02 But I do want to say, I do want to say to all the folks that are like, yeah, I don't know how to do that, or I don't know if I'd get over it, or I have this or I have that, we love imperfection. Yeah, we love it. In fact, we look for it, we hire it and we work it. So if you have anything that you consider to be outside of a norm or outside of a convention, whether whatever it's a lazy eye or whether it's this or that, don't feel the need to hide it, don't feel the need to put it aside, shout it from the rooftops.  29:32 Now we're actually looking for people I have droopy eye who have all these so-called imperfections right which are real person stuff.  29:40 - Anne Ganguzza (Host) Yeah, that can be a really great thing it is and hopefully that's relatable to some. I mean, maybe not everybody has droopy eye, but there's so many people are like you're always so together.  29:52 - Lau Lapides (Host) I'm like, really I got a droopy eye.  29:53 - Anne Ganguzza (Host) You know I try to be but I got a droopy eye, but that's okay. Yeah, but they don't care, they don't care, they're attached to it. Here's my imperfections, guys. I mean I don't want to. I don't want to be a picture of something that I can't ever achieve. That kind of thing you don't want. A goal that you can't ever achieve.  30:09 That's a good way of putting it Like let that photograph, let that headshot bring out the best in you, showcase the best in you, because every one of us has a beautiful, beautiful quality, every one of us is beautiful. And have that confidence, like remember you were talking about that?  30:23 Hollywood had a term for it Ugly beautiful people, the beautiful ugly and I don't even think I think everybody's beautiful, I don't even like the word ugly. I think everybody's beautiful. They all have a beautiful quality, everybody has a gorgeous voice. They have a unique quality that connects us together as human beings and connects our hearts together. And so, guys, you are beautiful and you are absolutely a face for photography and a face for a headshot and a face for VO, absolutely.  30:49 - Lau Lapides (Host) And there's many companies out there that really exploit that. They really celebrate that. I can think of an amazing agency in New York Funny Face Talent, real person talent. There's probably a bunch of them out there that they want you to think, oh, I have a weird face or I'm not beautiful looking. Oh well, we're going to get you a lot of work because a lot of people relate to you. Right, there was an actor, annie, who was this actor. He was very big In the early 2000s, he was a heavyset guy and he had this eye condition where his eyes fluttered up and down.  31:25 - Anne Ganguzza (Host) Oh, I'm not sure.  31:26 - Intro (Announcement) And you saw him in a lot.  31:27 - Lau Lapides (Host) He was a regular on X-Files, huh, and he was a fantastic actor and his eyes fluttered up and down. It was amazing to watch him work in different roles and how he utilized that condition to go right into his roles and to sort of infuse the energy in his role. Some of his roles were scary. Some of his roles were demonous. Some of his roles were good. Some of his roles were like fatherly, but he always used it in his favor. He never tried to hide it.  31:57 - Anne Ganguzza (Host) And I thought that was it. I mean, that was cool. Be out there and be confident, guys.  32:02 - Lau Lapides (Host) Just technically. One more thing I want to throw in, and that is when someone shoots you, a professional headshot photographer should be giving you everything they shoot. They'll go ahead and get rid of all the shots that are like the in-between shots, the blurry shots, the shots that really like you're not in position but they really like Annie was saying she's kept 500 shots, maybe they did 1,000 shots.  32:23 - Anne Ganguzza (Host) I keep them.  32:30 - Lau Lapides (Host) I can do a little cropping myself. Yeah, one of the mistakes, annie, I see people make is they'll show me what their shoot looks like and I'll see watermark on everything. And I say be careful of that, because when they shoot you now it's changed they used to own those, they no longer own those. So when they shoot you and you get 200, 300 of your best shots, those are yours, those should be yours. Now, if they're going to edit you and you're going to pay to have them edit which a lot of people do then they're going to charge money for that, as they should at their time. But otherwise, those are your shots and you should be able to keep those shots Absolutely.  33:00 - Anne Ganguzza (Host) Your property and they should be up in color. You don't do black and white anymore. Guys. Make sure you get all the shots if you want them, and they are yours. All right, excellent conversation, La. I loved it. Guys, I'm going to give a great big shout out to IPDTL. You too, can connect and share like bosses, and find out more at IPDTLcom. Have an amazing week, bosses, and go get your headshots, and we'll see you next week. Bye.  33:28 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Lau v. Bondi, No. 21-6623 (2d Cir. Mar. 4, 2025)LPR as arriving alien applicant for admission; INA § 101(a)(13)(C)(v); CIMT; Matter of Valenzuela-Felix; parole Penaranda v. Bondi, No. 23-6584 (2d Cir. Mar. 7, 2025)false testimony, good moral character, and INA § 101(f)(6); Loper Bright and star decisis; Matter of Fernandes; timely assertion of claims processing rule violation; deficient NTA; Wilkinson and non-LPR cancellation of removal Mohammed v. Bondi, No. 24-3649 (6th Cir. Mar. 4, 2025)arson in violation of VA Code § 18.2-77; malice; INA § 101(a)(43)(E)(i) arson aggravated felony; federal accomplice liability; 18 U.S.C. § 2 Laguna Rivera v. U.S. Att'y Gen., No. 23-12398 (11th Cir. Mar. 5, 2025)prior precedent rule; persecution of family members; exhaustion; failure to raise arguments to the BIA; considering support affidavits after adverse credibility; harm in the past; political involvement in Nicaragua Tian v. Bondi, No. 22-6053 (2d Cir. Mar. 5, 2025)political opinion; opposition to China's property confiscation laws; pretextual arrest as persecution; pretextual prosecution; police beating; BIA failure to analyze material evidenceSponsors and friends of the podcast!Kurzban Kurzban Tetzeli and Pratt P.A.Immigration, serious injury, and business lawyers serving clients in Florida, California, and all over the world for over 40 years.Cerenade"Leader in providing smart, secure, and intuitive cloud-based solutions"Click me!The Pen & Sword College (formerly The Clinic at Sharma-Crawford Attorneys at Law) Use Promo Code: ImmReview2025Link to Nonprofit: https://thepen-and-swordkc.org/ Link to books: https://www.rekhasharmacrawford.com/ Stafi"Remote staffing solutions for businesses of all sizes"Promo Code: STAFI2025Click me!Want to become a patron?Click here to check out our Patreon Page!CONTACT INFORMATIONEmail: kgregg@kktplaw.comFacebook: @immigrationreviewInstagram: @immigrationreviewTwitter: @immreviewAbout your hostCase notesFeatured in San Diego VoyagerAll praise to the pod's wonderful editors!Luana Lima SerraYasmin LimaDISCLAIMER & CREDITSSee Eps. 1-200Support the show