Podcasts about Hera

In the fourth episode of Season 24 of Star Wars: In a Galaxy, Eli and Jacob discuss the sixth, seventh, and eighth episodes of Season 4 of Star Wars: Rebels, "Crawler Commandeers", "Rebel Assault", and... yeah, "Jedi Night".Among their discussion:– Imperial environmental destruction.– Jacob is a big fan of diegetic music.– SEEVOR. – Hera tries to convince Rebel Command to send forces to Lothal.– X-wings in Star Wars: Rebels! Finally!– A defiant assault turned into a crushing defeat. – DUME foreshadowing. – More Mart Mattin!– ...we know what's coming. – Hera... under the influence, let's say.– Superhero Kanan!– This sucks. We hate this. You know what we're talking about. Why did we do this? We hate this so much (in the best way, to be clear).The next episode of Star Wars: In a Galaxy will release on March 6, 2026.Follow us on BlueSky, Instagram, and Threads: @InaGalaxyPod/@inagalaxypod.bsky.appFollow our spinoff trivia show on BlueSky: @inagalaxytrivia.bsky.socialFollow Eli everywhere: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/_ochifan327⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave us a 5-star rating and review on Apple and Spotify! It really helps!You can email us at swinagalaxy@gmail.com

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesTrailers For AllCapitalizing on a week somewhat bereft on big news, several studios offered new and first looks at their upcoming tentpoles, both movies and TV alike; so, let's talk about what stood out:Toy Story 5House of the Dragon Season 3Lee Cronin's The MummyBAFTA Reality, Ope, There Goes GravitySunday night's 79th BAFTA Film Awards saw Paul Thomas Anderson's One Battle After Another dominate with six wins including Best Film and Best Director. Sinners and Frankenstein each took three awards, while the night's biggest surprise came in Best Leading Actor, where Robert Aramayo beat out Timothée Chalamet and Leonardo DiCaprio. Marty Supreme walked away from 11 nominations completely empty-handed, tying the record for most losses in a single year. So, with all that in mind, who got BAF-Ted?Oops Sony Does it AgainSony Pictures confirmed the studio's Spider-Man villain spin-off universe is getting a full reboot with new people and fresh creative direction, following the back-to-back commercial and critical failures of Morbius, Madame Web, and Kraven the Hunter; the last of which topped out at just $62 million worldwide. On a related note, Sony is also moving forward with an animated Venom film, tapping Final Destination: Bloodlines directors Zach Lipovsky and Adam B. Stein to helm the project, with Tom Hardy attached as a producer. No writer or script is in place yet, but a writers room is being assembled at Sony Pictures Animation. With a live-action reboot on the horizon and Venom going animated, is Sony finally ready to stick the landing with its corner of the Spider-Man universe?Coming up in the Lightning Round: The Live-Action Scooby Doo Series Casts Daphne, Ming-Na Wen Joins Percy Jackson's Third Season, Kristen Bell Boards Sonic 4 and more! Don't go anywhere!Spotify PollDo you want Severance spin-offs?Yes - 34%No - 65%Lightning RoundMckenna Grace is joining the “Scooby-Doo” live-action series at Netflix in the role of Daphne, Variety has learned from sources.Kirsten Bell has closed a deal to voice the character Amy Rose in Paramount's Sonic the Hedgehog 4.Ming-Na Wen, Jennifer Beals and Hubert Smielecki have been cast as the Greek gods Hera, Demeter, and Apollo respectively in Season 3 of “Percy Jackson and the Olympians" in guest star roles.Paramount has moved up the release date for Teenage Mutant Ninja Turtles: Mutant Mayhem 2 to August 13, 2027. It was previously slated for Sept. 17, 2027. Winona Ryder has been cast in a guest role in Netflix's Wednesday season 3. The move reunites the Beetlejuice and Edward Scissorhands star with Wednesday director and executive producer Tim Burton, as well as with her Beetlejuice Beetlejuice co-star Jenna Ortega.Ryan Coogler‘s reboot of “The X-Files” is officially moving forward with a pilot order at Hulu. Danielle Deadwyler is officially set to play one of the lead roles in the pilot, while the other lead role has yet to be cast.Netflix has debuted the first teaser trailer for the upcoming six part Pride and Prejudice adaptation series. The series is expected to debut sometime this fall.Tom Hanks will play President Abraham Lincoln in Lincoln in the Bardo, a live-action and stop-motion animation hybrid film based on George Saunders' 2017 Booker Prize-winning novel, marking the actor's first time portraying a U.S. president. The film, directed by Duke Johnson and currently in production in London, centers on Lincoln's relationship with his recently deceased 11-year-old son Willie and explores themes of love, empathy, and grief through an ensemble of living and dead characters.Ed Skrein has been cast as Baldur, the youngest son of Odin, in Prime Video's God of War live-action series currently in pre-production in VancouverMarvel announced the Wolverine game being developed by Insomniac will release September 15, 2026.

In Episode 150, hosts Alyce and Laura celebrate* the 7th Avernersary of Force Toast (and The Mandalorian) but mostly Force Toast. Reminiscing on 7 years of watching and reading Star Wars, doing trivs and learning mad skills, like how to do Star Wars Celebration, how to podcast and how to not drink too much when podcasting. Important life lessons! What do Sam Elliott, sh-tty beer and football have in common? Star Wars at the Super Bowl! Mystifying, or just a small (expensive) part of a grander marketing plan? (article referenced) Speaking of Mando - we call him Mandu now - a new MandUlorian & Grogu trailer is here! Let's discuss!  The article that sparked a million click bait parasites did not actually say what you think it said. Calm down.  We did the math. Jon Favreau isn't going anywhere. Take that, click bait.  Remember Rogue Squadron? The question of whether it will ever come to fruition remains… a question. (via Parade) RIP Admiral Piett actor Kenneth Colley. Sorry DailyMail and the internet made it weird.  Recap on Tap gets dreamy and maddening in Part 7 of Ahsoka: Dreams and Madness! Hera strikes back, Baylan is Batman now, Ahsoka is scary, Morgan does not Yes And any of this, and Every. Single. Reunion on this show is underwhelming.  Thanks for being one of our 80k+ downloads! From Day 1 to Day 2,555 - however long you've been listening to our rambling, we really, really, really appreciate you! Twitter: @forcetoastpod | @sLeiaAllDay | @ShutUp_Laura Instagram: @forcetoastpod Bluesky: forcetoastpod.bsky.social Email: forcetoastpod@gmail.com Website: forcetoastpod.com *This podcast contains a sh!t ton of profanity and boozin. You can find a bleeped version of this podcast absolutely nowhere. Cheers!

https://solvitryggva.is/ Hera Gísladóttir er heilsumarkþjálfi og stjörnuspekingur. Í þættinum ræða Sölvi og Hera um sjálfsábyrgð, heilsu, stjörnuspeki, uppeldi á börnum og margt margt fleira. Þátturinn er í boði; Caveman - https://www.caveman.global/ Nings - https://nings.is/ Myntkaup - https://myntkaup.is/ Mamma veit best - https://mammaveitbest.is/ Mama Reykjavík - https://mama.is/ Smáríkið - https://smarikid.is/ Ingling - https://ingling.is/

AAD PARTE 1: ASPACE, la Asociación de Ayuda a Personas con Parálisis Cerebral, lleva 62 años trabajando con este colectivo y con sus familias. Conoceremos a fondo su actividad y, en especial, el nuevo edificio que están a punto de inaugurar en Llatores, incluyendo una residencia para mayores de 50 años. José Manuel Álvarez, presidente Aspace Asturias, Sebastien Wambercue, director de Atención Temprana, Susana de la Hera, directora del Centro Educativo, Neus Verdú, directora del CAI, Nuria Alvargonzález, directora del Centro Residencial. AAD PARTE 2: Eleven People es un estudio de fabricación y diseño de productos de aromatización creado en 2019. Afincados actualmente en Asturies, y concretamente en Santalla d'Ozcos, han formado una empresa con conciencia ecológica que trata de minimizar su impacto medioambiental, con un empaquetado sostenible, envases reciclables y materiales de envío con la menor cantidad de plástico posible. Nicolás García, cofundador de Eleven People y Carlos Martínez, cofundador de Eleven People. AAD PARTE 3: Ángel Mato publica “El cartelismo en Asturias 1940-1970” dentro de su colección “Puro Asturias”. Ángel Mato, historiador, autor de “El cartelismo en Asturias 1940-1970”.

We're back! In the third episode of Season 24 of Star Wars: In a Galaxy, Eli and Jacob discuss the third, fourth, and fifth episodes of Season 4 of Star Wars: Rebels, "The Occupation", "Flight of the Defender", and "Kindred".Among their discussion:– Lothal under Imperial occupation, and what that means.– Season 4 as Season 1 with more narrative tension– Reunion with Jai Kell!– More FiloniWatch!– "Fighter Flight"'s Pokémon Max Evolution.– The return of the Grand Admiral. – Explaining DUME...– Further exploration of the Force and nature. – Rukh. – Hera and Kanan seal the deal!– "This is good. When it gets weird like this, it's good!" – Garazeb Orrelios, 1 BBY. – Closing in on the ending of Rebels...The next episode of Star Wars: In a Galaxy will release on February 27, 2026.Follow us on BlueSky, Instagram, and Threads: @InaGalaxyPod/@inagalaxypod.bsky.appFollow our spinoff trivia show on BlueSky: @inagalaxytrivia.bsky.socialFollow Eli everywhere: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/_ochifan327⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave us a 5-star rating and review on Apple and Spotify! It really helps!You can email us at swinagalaxy@gmail.com

What a banger! What a bop! Ahsoka's third episode, “Time to Fly,” isn't just a visual and auditory delight—it also reframes what it means to be Force-sensitive.In our discussion, we parse the ways that Force sensitivity has been treated across Star Wars, from the “anyone could be a Jedi!” spirit of the original trilogy to the introduction of midichlorians. With this episode, Star Wars seems to strike a subtle balance between the two that opens up new realms of possibility.We also talk about Hera being a woman in the workforce, Sabine's lineage of unconventional Jedi masters, and PURRGIL!

https://escuelatribux.com/awaq Conoce este curso para diseñar una app real con IA.No te pierdas este episodio donde entrevisto al equipo de
la ONGD de “Awaq” que nos cuenta el maravilloso proyecto de desarrollo que hay detrás de Awaq Bio-Tech (ABT) que se ha convertido en un modelo de innovación reconocido la Organización de las Naciones Unidas (ONU).Hablaremos sobre cómo están integrando la inteligencia artificial para analizar problemáticas de biodiversidad de un territorio concreto y generar datos a través de biomonitoreos, inventarios de flora y fauna para el análisis del estado de los ecosistemas en Colombia, en el Amazonas y otras zonas de LATAM.También de la nueva colaboración entre tribUX y Awaq a través de nuestro programa de Grupo de trabajo del que ya te he hablado en otros episodios.>> Conoce el programa de Awaq con tribUX. Un curso de casi 5 meses donde diseñaremos su app de Agromo.Nos acompañan la Directora Regional en LATAM (Angélica Lozano),  la Vicepresidenta de Innovación Tecnológica (Begoña de la Hera) y José Serna que es el Presidente Awaq ONGD. >> Ir al congreso.somosawaq.org>> Ir al artículo relacionado

But God! Ephesians 2:1-10 by William Klock Earlier this week Veronica and I watched an episode of the X Files that unintentionally had some pretty sound theology embedded in the story.  Agents Mulder and Scully were called to investigate some strange goings-on in a small town—as usual.  As it turned out, a guy cleaning out an abandoned storage locker found a genie.  And the genie gave him three wishes.  As you would expect, it didn't go well.  He wished to be able to make himself invisible so that he could spy on people.  And not being terribly bright, he prompted got killed crossing the street, because he was…invisible.  His brother claimed the genie and didn't fare any better.  His wish ended up blowing up his house with him in it.  And so Mulder ended up, unexpectedly, with the genie and three wishes.  And he asked the genie why the wishing thing always ends in disaster and the genie told him that it's because people are stupid and selfish.  So Mulder thought long and hard and in his best effort at altruism, he wished for world peace.  St. Paul would call it shalom.  And he went outside to discover that he was the only person left on earth.  Because the genie knew fallen human nature and getting rid of all of us was the only way to bring world peace.  Thankfully, Mulder had two more wishes so he could undo the first and set the genie free with the third. And I thought that St. Paul would probably have a bit of a chuckle at that.  Because Paul knew the same thing the genie knew: we are all sinners, idolaters who worship anything and everything but the God who created us and loves us.  And, like Agent Mulder, but unlike the genie, Paul also knew that there is no shalom without human beings in our rightful place.  Creation groans in eager longing for the day God will finally set us to rights, he says in Romans, Creation waits for the day when God restores us to our position as his stewards, to rule creation and to serve him in his temple.  That, Brothers and Sisters, is shalom, peace.  Creation can never be complete without us in our proper place—filling the vocation God created us for in the first place.  That's why God doesn't just “Deal with evil” like so many people want him to.  Like the genie, he'd just have to remove us all from creation—and that's not how creation is supposed to be.  This is why Paul practically shouts out ho de Theos, at the beginning of Ephesians 2:4: “But God!”  Because he knew that in setting creation to rights, God can and will, first, set us and our fallen, sinful hearts to rights—something no genie could ever do. And so far, in Ephesians 1, Paul has begun with a great shout of praise for what God has done in Jesus the Messiah and then he's told the Ephesians how he prays for them—that they would know, that they would understand this great story of redemption, the power behind it to renew creation, so that they can be part of this story that ends with the knowledge of the glory of God filling the earth.  Remember at the end of chapter one, closing his prayer for them, he wrote about the church, united with Jesus and full of the Spirit being the “fullness of the one who fills all in all.”  It's a prayer that God, that Jesus, that the Spirit, that the scriptures would form and shape them and truly make them the church.  And while we might miss the significance of Paul's language of filling and fullness and being all in all, it was not lost on the Ephesians.  This was temple language. It's the language of God coming to dwell with his people.  The way he did with Adam and Eve in the garden.  The story ever since has pointing in that direction.  The restoration of God's temple, the return of his presence, and God dwelling with his people forever.  This is what the Exodus was all about.  God rescued and created a people, he gave them a law to make and to keep them pure and holy, so that he could take up his residence in their midst—so that he could tabernacle with them.  It wasn't perfect.  The people needed to offer sacrifices repeatedly so that they could be purified by that blood.  A veil separated them from the direct presence of the Almighty.  But this model of new creation pointed forward to the day when God would set his people and his creation fully to rights.  The long exile, first from the promised land and the temple, then from the presence of God, primed Israel with hope for that coming day.  And now Paul's ready to explain to the church that they—that we—are the beginning of that fulfilment.  In us, God has established a new temple.  By the blood of Jesus he has purified us.  Through the gift of his Spirit he has taken up his dwelling in us.  He has begun the work of setting our hearts to rights.  And in that, he has made us the working model of his new creation and stewards of his good news—that we might, to use the language he used with Adam and Eve, that we might be fruitful and multiply, spreading the gospel, until the earth is filled with the knowledge of his glory. Brothers and Sisters, this is the story we need to inhabit.  Too often Christians have got it backwards.  We think the gospel story is a story of escape from creation—that in Jesus, God forgives our sins, so that someday he can take us away from earth and up to heaven to live with him.  But it's really just the opposite.  Through the blood of Jesus he has purified us and made us fit to be his holy temple, so that he can dwell with us.  Jesus is the model, Immanuel, God with us.  This is the story Paul wants to get across in Ephesians 2.  Ideally we'd cover the whole chapter all at once, but we'll have to break it into two halves.  This temple story will jump out at us in the second half.  The first half begins with our sin problem. How did these mostly Gentile Christians in Ephesus find themselves in this oh so Jewish story?  He writes beginning at verse 1, “Well, you were dead because of your offenses and sins in which you used to walk, keeping in step with the world's ‘present age'; in step, too, with the ruler of the power of the air, the spirit who is, even now, amongst the children of disobedience.” “You”—he's addressing them as Gentiles.  In verse 3 he'll link them with “us”—the Jews.  You were dead.  Because you walked—there's that great word peripateo again—you walked, you lived a life of offense and sin against God.  And we can't hear these two words sin and death together without it taking us back to Genesis.  And if we go back to Genesis 3 and Adam and Eve's choice to listen to the serpent's lie, not just to disobey God, but to reject their vocation as priests of God's temple and to try to become gods themselves, if go way back to the beginning of the story there, we should understand that sin and death aren't about God just setting up a bunch of rules and then condemning the people who disobey them.  Sin, and especially “offence”, are what we call it when human beings, created to bear God's image—that means to be his priests and his representatives in the temple, in creation—sin and offence are what we call it when we reject that vocation.  When we try to take the temple for ourselves.  And death is not an arbitrary punishment, but the natural result of turning away from the God who is the source of life.  That's why the wages of sin is death. And, of course, once humanity chose that path of disobedience and death it just snowballed.  Human culture and even those unseen powers that God had put in place to oversee the nations went horribly wrong.  The Jews called it the present evil age, because they lived in hope of the age to come when God would set creation to rights.  But the Gentiles had no hope.  They just went with the sinful flow.  We see it today as the world rejects Christianity.  Jeffrey Epstein and his cabal of degenerate, paedophile friends would have been right at home in pagan Greece or Rome and they're exactly what you get when a people rejects God.  The devil didn't just tempt the man and woman to reject God.  He and his cronies continue to steer and influence fallen humanity.  Paul will have more to say about this later when he writes about “principalities and powers”.  In our baptismal rite, we put this in terms of the temptations of the world, the flesh, and the devil. All these forces work together to keep humanity lost in idolatry and sin.  And so far as this goes, Paul is just restating the standard Jewish analysis of the Gentiles.  But then in verse 3 Paul goes on and writes, “We all used to live this way, in the passions of our flesh, carrying out the desires of flesh and mind.  We, too—he means he and his fellow Jews—were by nature children of wrath, just like everyone else.”  Paul recognised that even though his own people had the torah, God's law, and were trying to live by it, they were suffering the same problem as the Gentiles.  The corrupt desires of flesh and mind had just as much a grip on Israel as they did the peoples of the nations.  The whole world, all of humanity was mired in darkness, Jew and gentile alike. And this where, at the beginning of verse 4 Paul interjects this powerful, earth shattering: “But God!”  Into the darkness, into the hopelessness, into the condemnation, into the death, God intervenes to bring light, to bring hope, to bring deliverance, to bring life.  “But God,” Paul writes, who is rich in mercy, because of the great love with which he loved us, he took us at the very point where we were dead through our offenses, and made us alive together with the Messiah.  Yes, by grace you are saved!” Israel knew about God's mercy and love.  The story they told of their history with God was full of mercy and grace.  And occasionally some gentile would hear that story and be drawn to it, because the God of Israel was unlike any of the other gods.  Zeus and Poseidon and Hades, Aphrodite and Artemis, people might believe all sorts of things about them, but no one ever believed that the gods loved them.  The gods served themselves.  If they sometimes showed favour to this person or to that city, it wasn't because of love; it was to further their own schemes and ambitions.  No Greek or Roman—no Egyptian or Persian, for that matter—would have ever said of their gods anything even remotely like what Paul says here of the God of Israel: that he is rich in mercy, that he loves us with a great love, or that he has shown us kindness.  Zeus and Hera, Osiris and Isis, they were all purely transactional.  If you did something good for them and you were lucky, they might do something nice for you.  We need to be careful, because Christians can fall into the same pagan way of thinking about God—making deals with him or treating him like a divine vending machine.  But Paul makes it clear that the God of Israel isn't like that.  Instead, he's full of mercy and love and kindness.  Yes, his purpose is to fill the earth with his glory, but he is glorious precisely because he is unlike the gods humans dream up.  He is full of mercy and love. And Paul reminds the Ephesians: By his grace, God has taken what he did for Jesus when he raised him from death, and has made it true of us.  If we are “in the Messiah”, then we are alive together with him.  He goes on in verse 6: “He raised us up with him and made us sit with him, in the heavenly places in Messiah Jesus.  This was so that in the ages to come he could show just how unbelievably rich his grace is, the kindness he has shown us in Messiah Jesus.”  This is how God reveals his glory.  Not merely with a show of strength or power, but by showing his grace. Again, what is true of Jesus is true of the church—of the Ephesians Christians, and of us.  And it's not just Jesus' resurrection, his being made alive again.  Paul has said that before.  But here he also stresses that Jesus' ascension is somehow true of us too.  God didn't just make us alive with Jesus the King; he's made us alive in order to sit us with the Messiah, with the King in the heavenly places.  So Jesus ascended to sit at the right hand of his Father.  He's the King and that's what kings do: they take their thrones and they rule.  But Paul is saying that if we are “in the Messiah”, then we're right there with him. The resurrection part of that, the being made alive with Jesus probably isn't too hard for us to wrap our heads around.  In Jesus, God has made us a promise.  Even though we'll die, because we are in the Messiah, he will raise us to life again just as he did with Jesus.  If we have any doubts, Paul would remind us that God has filled us with his Spirit to give us a taste of and downpayment on resurrection life with him.  That part I think we can pretty well wrap our heads around.  But what does it mean to be seated with him in the heavenlies? This is where we need to make sure we've got the story right.  Because if we understand the climax of the story as someday escaping from earth, as escaping our bodies, to live a sort of disembodied spiritual life forever in heaven, we're going to miss Paul's point.  Again, the story isn't about us going up; it's about God making us fit, through the death and resurrection of Jesus, to be his temple—so that he can come down—to us. Consider: Jesus has already done this.  Remember the end of Chapter 1, where Paul said that Jesus is the one in whom heaven and earth—all of creation—are summed up, are brought together, are unified, the way it was in the beginning: heaven and earth overlapping, God and human beings dwelling together.  That's how it began and that's the ending towards which God is taking history—to set his broken, sin-sundered creation to rights.  Jesus is the prototype, the signpost who points us to, who shows us what God's future will be like.  In him, God has joined our nature to his own.  In him, heaven and earth have been brought back together.  Think of that great Ascension Day hymns, “See the Conqueror Mounts in Triumph”: He has raised our human nature, on the clouds to God's right hand; there we sit in heavenly places, there with him in glory stand.”  Brothers and Sisters, Jesus is the temple in person.  And Jesus is the whole of creation—heaven and earth—in miniature. And what is true of him is equally true of those who are united with him by God's grace.  As we'll see in the second half of the chapter, the church—the Ephesian Christians and you and me—we are also that temple and if we have any doubts, all we need to remember is that God has come to dwell in us in the person of his Spirit.  And remember the goal, the one promised by the prophets so long before, the goal is for the knowledge of the glory of God to fill the earth.  The church is his means of making that happen.  He didn't just send his son to be the on-earth-as-in-heaven man, through his son and through his Spirit he has created a whole community of on-earth-as-in-heaven people to do just that: to live out in our lives, in our relationships, in our community heaven on earth—to be a people who show the world God's love and mercy and grace and kindness.  To be a working model of his new creation and to give the world a taste of that future right now.  To reveal the glory and the beauty and goodness of God in our lives and in our own proclamation so that everyone around us will know his glory and be drawn to him. This is then what Paul gets at in verses 8-10.  He writes, “For you have been saved by grace, through faith. This is not of your own doing; it is God's gift.  It isn't on the basis of works, so no one is able to boast.  You see, we are his workmanship, created in Messiah Jesus for the good works that he prepared, ahead of time, so that we should walk in them.”  What does he mean?  Well, Paul's reminding them that there was a time when Jews and gentiles were separated by the law, by torah.  God poured out his grace on Israel, set them apart with his law as a way to teach them how to love him and to love their neighbours, so that they could be a light to the gentiles—so they could make his glory known in the earth.  Israel failed in that mission, but God acted in grace again.  He gave his son to be the faithful Israelite and in Jesus, Israel's mission to witness the grace and glory of God was fulfilled.  And now these gentile Ephesians who have encountered the risen Jesus, who have heard the gospel, and been filled with God's Spirit—they've been united together with faithful Jews in Messiah Jesus.  In them, God's promises—all the way back to Abraham and even to Adam—are being fulfilled.  In them, God's glory is on display before the nations.  And there is no longer a need for the division that had been given by torah.  Now the Spirit is teaching them and enabling them to love God and to love each other for all the world to see.  In Jesus and the Spirit, God has made them a people who are fulfilling the very thing that torah was meant to do, not just because we keep a set of rules or live according to a certain moral code—there's a sense in which we actually do do that—but because, through Jesus and the Spirit we actually live out and put on display the new creation, God's future that is breaking into the world in the midst of the old. Paul puts it beautifully, but in a way we might miss in English translation, when he says that we—the church—are God's “workmanship”.  The Greek word is poiema.  We get our word “poem” from it.  The Greek word doesn't mean “poem”—maybe we could almost say it means “artwork”.  In the Old Testament it's often used to describe the creative work of God.  In other places it's used to describe things that are carefully and meticulously crafted for his use, like the garments of the priests or the vessels of the tabernacle.  Brothers and Sisters, we—the church—are God's carefully, purposefully, and wonderfully created masterpiece.  He's given his son and he's given his Spirit to craft, to create, to work us into something good—to restore his broken creation in us.  And, Paul sums up, God has done this work in us so that in our own lives and in the life of the church together, we can do such good work too.  Not doing good works to please him or to earn his favour.  That would be like going back to the pagan world of people doing things to manipulate the gods.  God is pleased by our good works, but he's created and enabled us to do good works as a way of showing his new creation to the world, a way of fulfilling the law he had given to Israel, as a way of loving him and loving each other—ultimately as a way to restore us to that vocation as his image bearers, to be the priests of his temple who steward his goodness and his good rule for the sake of creation. Brothers and Sisters, this is the story that God has written for us.  The story of our priesthood, reject and lost, but now restored through Jesus and the Spirit, a story of renewal and a story of hope—as it points us toward the day when God finishes his great work of bringing heaven and earth back together, of the day when he will return to dwell with us as he did in the beginning.  This the story that reminds what Jesus and the Spirit have made us.  It's the story that reminds us of our vocation as the church—that we're not just the people who long for things to be on earth as they are in heaven; we're the people who find our very identity in Jesus, the heaven-and-earth Messiah, and who are, ourselves, called to be the heaven-on-earth people—a people who reflect back to the world God's love and grace, his justice and goodness, who are by our very redemption witnesses of his faithfulness and, above all, his glory.  We are his workmanship.  May the world, by God's grace, see his glory in us and in our life together. Let's pray: Heavenly Father, our Collect today reminded us that without love, nothing we do is worth anything.  Fill us with your grace, that we might truly love.  Love you.  Love our neighbours.  Making us the heaven-on-earth people you intend for us to be, so that the world may see your glory on display in your church.  Through Jesus we pray.  Amen.

Zeus will Gaia von der Last der Menschen befreien. Um die Menschheit zu dezimieren, plant er einen großen Krieg. Paris wird zum trojanischen Prinzen. Oinone sitzt weinend am Fluss. Der Wald wird abgeholzt. Das Übel nimmt seinen Lauf und Kassandra kann es nicht verhindern. Personen: Zeus, Gaia, Momos, Helena, Paris (Alexander / Alexandros), Menelaos, Hermione, Tyndareus, Oinone, Priamos, Hekabe, Agelaos, Hektor, Deiphobos, Kassandra, Apollon, Aphrodite, Hera, Athene, Thetis, Peleus, Aeneas, Anchises, Eros, Iris, Agamemnon, Krateus, Kolluthos, Hermes, Chariten, Horen. Orte: Troja (Ilion), Sparta, Mykene, Berg Ida, Kreta, Sidon, Eurotas, Hellespont Sonstiges: Trojanischer Krieg, Epischer Zyklus, Kypria, Leichenspiele, Urteil des Paris, Schwur der Freier, Raub der Helena, trojanische Flotte, Orakel, Prophezeiung, Apollons Fluch, Zankapfel, Steady-Extra: Hymnus an Aphrodite LINKS https://linktr.ee/daschaosundseinekinder STAMMBÄUME u. SCHAUBILDER https://steady.page/de/chaoskinder/posts/9476fd9d-75cd-475b-88b1-d320569b23f0?utm_source=chatgpt.com LITERATUR https://steadyhq.com/de/chaoskinder/posts/b59d1093-cdff-4158-8dca-bc0ac992d47c MUSIK https://www.youtube.com/watch?v=zfnRMIFHHrE FR „Le Chaos et ses enfants“ https://podcasters.spotify.com/pod/show/lechaosetsesenfants?utm_source=chatgpt.com MASTODON @daschaosundseinekinder https://mastodon.social/@daschaosundseinekinder INSTAGRAM @chaos.kinder https://www.instagram.com/chaos.kinder/?utm_source=chatgpt.com MAIL chaoskinderkontakt@gmail.com STEADY https://steadyhq.com/de/chaoskinder/about PAYPAL https://www.paypal.com/donate/?hosted_button_id=VB2QKC88H9NYJ CHAOS-SHOP https://chaoskind.myshopify.com/

Hi everyone, it's Tate A. Geborkoff, author, creator and one of the actors in Psychopompos - a new mythology. I'm here to welcome you to Gamelion, the holy month of Hera. You may have already heard, we just released our newest episode, Chapter 4: The Road to Great Olympus on February 2.This episode begins to shift the story's focus towards Hera, and her fight to reclaim her position as Queen of Olympus. Underlining her story is her complicated relationship with her now ex-husband, Zeus, and her strained relationship with her trio of sons: Ares, Hermes and Hephaestus. We thought the best way to honor her was to release a new episode during her holy month.Back to Gamelion though. We are currently raising funds for the last episodes of the first season. All funds raised go right back into the podcast, with the majority of it going towards the stipends of the artists involved in the piece. This is a way to get money into the hands of artists during a time in which the arts are under threat and constant attack by our government. This arc of Psychopompos is all about resistance and fighting against tyranny and fascism.Your donation is one small way you can contribute. Your donation will uplift queer, trans, and women's voices to tell the stories of people who have always been there, but are rarely heard. And in the times we find ourselves in, it's all the more reason to do so.More information about Gamelion, the fundraising, and the link to donate can be found at psychopomp-cast.com/gamelionLooking forward to spending more time with you in our little slice of Greece.

Ukraiņu skeltonists Vladislavs Heraškevičs, kam Starptautiskā Olimpiskā komiteja aizliegusi sacensībās lietot ķiveri ar karā nogalināto sportistu un citu civiliedzīvotāju attēliem, joprojām plāno sacensībās šo ķiveri izmantot, un nemaz nepieļauj alternatīvas. Heraškēvičs, kas ir arī Ukrainas delegācijas karognesējs, to apliecināja Latvijas Radio korespondentam Kortīnā Mārtiņam Kļaveniekam, pastāstot par fotouzņēmumos redzamajiem cilvēkiem. Ukraiņu skeletonists stāstīja, ka uz viņa ķiveres attēloti Ukrainas sportisti, kuri nogalināti pēdējo četru gadu laikā. Uz ķiveres ir daiļslidotāja Dmitro Šarpara, boksera Pavlo Iščenko, hokejista Oleksija Loginova un citu sportistu attēli. Kā teica Heraskevičs, daļa no viņiem tika nogalināti frontē un vismaz viens tika nogalināts, kad mēģināja piegādāt palīdzību citiem ukraiņiem.

Greek Gods | Paranormal Podcast In this Greek gods episode timed with the Winter Olympics, we explore the fascinating world of Greek mythology starting with the origin story of the three most powerful gods—Zeus, Poseidon, and Hades—who were born to the Titan Cronus and his wife Rhea during the Golden Age, though Cronus attempted to eat all his children after a prophecy warned he'd be overthrown by his sons, leading Zeus to eventually free his brothers and defeat their father. We discuss the 12 great Olympians including Zeus (the serial cheater who ruled the sky), Hera (his perpetually angry sister-wife and goddess of marriage), Athena (the brilliant goddess of wisdom who burst fully formed from Zeus's head), Dionysus (the fun-loving god of wine and theater who was gestated in Zeus's thigh after his mother exploded), and several compelling minor gods like Hecate (goddess of magic and crossroads) and Pan (the half-goat satyr god of wilderness). We share captivating myths including Hades kidnapping Persephone with pomegranate seeds that created the seasons, Prometheus stealing fire for humanity and suffering eternal punishment, and the tragic tale of Arachne, who challenged Athena to a weaving contest with devastating consequences.

Masmorra and Hera address the Viper/GL situation.Mbl joins later to discuss his qualification to the RedBull main event.

You are cordially invited to a gathering of the Olympians.In the next chapter of Psychopompos - a new mythology, Zeus has invited the family over for a party no one will ever forget.Content Warning: Explicit Language, Violence.For more information about the story and podcast, a full transcript of this episode, or if you like what you heard and want to donate to this project, visit our site:www.psychopomp-cast.com.Cast:-Brandon Boler as Zeus-Anya Clingman as Calliope-Elizabeth Ellis as Hera & Chorus-Dave Fink as Hephaestus & Chorus-Tate A. Geborkoff as Ares, Thanatos & Chorus-Miguel Long as Ganymede & Chorus-Valerie Lyvers as Athena, Dionysus, Triplicate Voice & Chorus-RjW Mays as Demeter & Chorus-Shayne Patrick as Poseidon & Chorus-Adam Qutaishat as Hermes & Chorus-Julian “joolz” Stroop as Aphrodite, Nyx & Chorus-Ryan Tang as Apollo & Chorus-Marie Tredway as Artemis & Chorus-Theo Zucker as ErisCrew:-Tate A. Geborkoff - Author, Producer-Rachel Staelens - Director, Producer-Brandon Boler - Producer-Joe Palermo - Director of Sound-Roy Freeman - Musical Director & Composer

Psychopompos - a new mythology continues in The Oread, Calliope's retelling of the myth of Ekho, an oread, who despite Pan's warnings, helps hide Zeus's infidelity from Hera. Using her gifted voice to distract, she tests the limits of Hera's patience, while desperately seeking the adoration of the King of Gods.Content Warning: Explicit Language, Violence.For more information about the story and podcast, a full transcript of this episode, or if you like what you heard and want to donate to this project, visit our site:www.psychopomp-cast.com.Cast:-Brandon Boler as Zeus-Anya Clingman as Calliope-Elizabeth Ellis as Hera-Miguel Long as Pan-RjW Mays as EkhoCrew:-Tate A. Geborkoff - Author & Producer-Rachel Staelens - Director & Producer-Joe Palermo - Director of Sound-Roy Freeman - Musical Director & Composer

Chapter 1 of Psychopompos - a new mythology opens in Oblivion, where Phanes' World Egg hatches, setting the stage for violence, vengeance and a war for the throne of the gods.As Zeus surprises two of his children, Athena and Apollo, with a sudden plan to exile Hera and put a mortal he just met in her place; Hera, meanwhile, throws a bridal shower for Persephone and Eurydice, whose upcoming wedding is hoped to calm tensions on Olympus. In the center of it all is Aphrodite, the shape-shifting Goddexx of Love, who seemingly comes as both an antagonistic flirt and powerful puppeteer.Content Warning: Explicit Language, Violence.For more information about the story and podcast, a full transcript of this episode, or if you like what you heard and want to donate to this project, visit our site:www.psychopomp-cast.com.Cast:-Brandon Boler as Zeus-Anya Clingman as Calliope-Elizabeth Ellis as Hera-Paige Hauer as Persephone-Miguel Long as Ganymede-Valerie Lyvers as Athena & Dionysus-RjW Mays as Demeter-Julian “joolz” Stroop as Aphrodite & Nyx-Ryan Tang as Apollo-Marie Tredway as Artemis-Theo Zucker as EurydiceCrew:-Tate A. Geborkoff - Author & Producer-Rachel Staelens - Director & Producer-Joe Palermo - Director of Sound-Roy Freeman - Musical Director & Composer

Nálgast má þáttinn í heild sinni inn á; https://solvitryggva.is/ Hera Gísladóttir er heilsumarkþjálfi og stjörnuspekingur. Í þættinum ræða Sölvi og Hera um sjálfsábyrgð, heilsu, stjörnuspeki, uppeldi á börnum og margt margt fleira. Þátturinn er í boði; Caveman - https://www.caveman.global/ Nings - https://nings.is/ Myntkaup - https://myntkaup.is/ Mamma veit best - https://mammaveitbest.is/ Mama Reykjavík - https://mama.is/ Smáríkið - https://smarikid.is/ Ingling - https://ingling.is/  

Bridget, Caitlin, and Hilda discuss "Tender Cruelty," book 9 in Katee Robert's Dark Olympus series. Longtime listeners know Hilda's feelings on this series, but what do Bridget and Caitlin think? Did this book live up to what they were hoping for? Well, listen now and find out.  Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe

Heute genießen wir Döner aus der Dose und trainieren den Weihnachtsspeck in einem kaputten Fitnessstudio wieder ab. Obendrein gibt es noch Serien-Empfehlungen für euch. Learn more about your ad choices. Visit megaphone.fm/adchoices

La guerra de Troya fue el principal pilar sobre el cual se construyó la identidad cultural, ética y política de la antigua Grecia. Este conflicto, ubicado históricamente entre los siglos XIII y XII a. C., marcó la transición entre la era de los héroes y el mundo de los mortales. A través de las epopeyas de Homero, la civilización griega encontró un espejo para proyectar sus dilemas morales y su sistema educativo, la “paideia”, que moldeó el pensamiento occidental durante milenios. Este ciclo mítico es mucho más que una una crónica de batallas, es un tratado sobre la condición humana y la relación de los hombres con lo divino. En la cosmovisión griega, esta guerra no fue obra de los hombres, sino una orquestación divina que partió del mismo Zeus para reequilibrar el cosmos y reducir la población de semidioses. El conflicto se originó en las nupcias de Peleo y Tetis donde la diosa Eris sembró la discordia con una manzana dorada. El posterior juicio de Paris, en el que el príncipe troyano eligió el amor de Helena sobre el poder de Hera o la sabiduría de Atenea, desencadenó el rapto de la reina de Esparta y activó el Juramento de Tindáreo, que unió a los reinos aqueos en una coalición liderada por el poderoso Agamenón de Micenas. La expedición griega reunió a figuras que personifican diversos ideales del heroísmo helénico: Aquiles, el guerrero que busca la gloria eterna a costa de una vida breve; Ulises, símbolo de la astucia, la estrategia y la inteligencia; Áyax, la encarnación de la fuerza y Agamenón, cuya autoridad se ve constantemente empañada por su propia soberbia y falta de tacto diplomático. Los preparativos de la contienda estuvieron marcados por la tragedia del sacrificio de Ifigenia, un episodio oscuro que ahonda en los límites de la ambición política frente a los vínculos familiares y la implacable voluntad de los dioses. La Ilíada narra tan sólo un breve periodo del último año de la guerra de Troya. Se centra esencialmente en la cólera de Aquiles tras ser humillado por Agamenón. Este relato nos habla de la tensión entre la autoridad de los reyes y el mérito individual basado en la excelencia. Tras la muerte de Patroclo, su compañero más querido, Aquiles regresa al combate poseído por una furia ciega para matar a Héctor, el noble defensor de Troya. Pero la epopeya no concluye con violencia, sino con un acto de profunda humanidad: el encuentro secreto entre Aquiles y el anciano rey Príamo, donde ambos reconocen su sufrimiento compartido y la fragilidad de la vida humana bajo el peso del destino. La guerra se libró simultáneamente en el plano humano y el divino. Los dioses del Olimpo intervinieron activamente y llegaron a sufrir incluso heridas en el combate, lo que demuestra la estrecha unión entre ambos mundos en esta mitología arcaica. Finalmente, la ciudad no cayó por la fuerza bruta, sino por la “metis”, la astucia de Ulises y su ingeniosa estratagema del caballo de madera. El saqueo de la ciudad, el accidentado regreso de los héroes, el asesinato de Agamenón a manos de su esposa o la larga travesía de diez años de Ulises, simbolizan el fin definitivo de la era heroica y el comienzo de un nuevo mundo. Más allá del mito, la Guerra de Troya funcionó como el motor de la unidad griega frente a lo no griego, lo bárbaro. Muchos siglos después se encontró la verdadera Troya. El arqueólogo alemán que dio con ella, Heinrich Schliemann, descubrió que no era una, sino varias. Hoy en día el relato mítico de Troya se mantiene como una síntesis de todo aquello que nos hace humanos: el amor, el poder, la muerte y el honor. También es la historia de cómo un pueblo antiguo construyó su identidad a través de un relato épico que aconteció en un momento histórico convulso, el del final de la edad del bronce. Para tratar este tema vuelve hoy a La ContraHistoria Carlos Pérez Simancas, que acaba de publicar “Mitomancia”, una lectura histórica de los mitos griegos en clave contemporánea. En el libro el ciclo troyano es omnipresente y va mucho más allá de la mitología. - “Mitomancia” de Carlos Pérez Simancas - https://amzn.to/3LklAQF Colección de grandes autores de RBA: literaturagredos.com · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK #FernandoDiazVillanueva #troya #iliada Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In Episode 148, hosts Alyce and Laura are* impatient for Starfighter, for Ahsoka and for the Mando movie. The theme of the episode is WE'RE SICK OF WAITING!It's the first episode of the 2,026th year of when humans started counting yearsAlyce shares thoughts on the Stranger Things finale. Also she's an influencer now. You have been influenced. Who gives a sh-t about Tom Cruise, can we talk about how there's gonna be lightsabers in Star Wars: Starfighter?! (NYT via Variety)Will Season 2 of Ahsoka drop in 2026 after all? We don't know sh-t about Marvel anymore. We used to, but now we need someone to brief us on the last 3 years of content.This Mando movie poster came out back in September, but we missed it then, so we're gonna make fun of it nowThere's a new image featuring Sassy Din™ from the upcoming film, The Mandalorian and Grogu. But will the movie be worth the wait? We're bringing our Ahsoka Again segment into 2026 with our rewatch recap of Part 5: Shadow Warrior! Be advised this segment contains spoilers for the entire first season of Ahsoka.Teeth and war: Ahsoka Tano's legacyHimbo Anakin is annoyed that everyone is still mad about him turning evil and terrorizing the galaxy for 2 decades. He just wants Ahsoka and everyone to get over it, is that too much to ask? Twitter: @forcetoastpod | @sLeiaAllDay | @ShutUp_LauraInstagram: @forcetoastpodBluesky: forcetoastpod.bsky.socialEmail: forcetoastpod@gmail.comWebsite: forcetoastpod.com*This podcast contains a sh!t ton of profanity and boozin. You can find a bleeped version of this podcast absolutely nowhere. Cheers!

Hera is running from The Empire for the first time, with Chopper at her side! She's gonna have to get used to it. In this episode of Dark Side Divas we discuss the Star Wars - The Bad Batch episode "Rescue on Ryloth" (s1e12). Clone Force 99 gets a call for help from Hera, because Omega hooked her up with her personal cell number. Will Hunter be able to help Hera save her family from the clutches of The Empire? Listen to this episode to hear what Stef and Chris have to say. Warning: We do discuss a lot of real world politics in this episode. Stef and Chris have a lot to say, and if you are looking for an escape from the horrors of the world, you may want to skip this episode.

Our critical review of The Secrets of Greek Mysticism by George Lizos, and why this book is so problematic in its ideologies, from starseed propaganda to Mr. Lizos's rejection of scholarship.Why have online “influencers” promoted this book to their audiences? Many of their critiques focus on surface-level issues, such as the absence of Hades or Hekate, Xenia and Dionysus while missing the far more serious problem: this book aligns itself with New Age propaganda and ancient alien beliefs, ultimately leading people astray in their understanding of ancient Greek history, mythology, and ancient Greek religion.Chapters:(00:00) Why are we doing this?(08:04) The starseed propaganda(18:55) Claims all scholars are wrong?(29:35) Greek gods are love and light?(36:03) Zeus isn't a monarch, ascension and soul contracts?(41:35) Misogynistic view on goddesses(44:50) Artemis is “control”?(49:41) Hera is the maiden, mother and crone?(53:12) Hestia is boring and blasé?(58:24) The apple of discord and his theology?(1:00:14) Where is the “mysticism”?(1:09:15) Calling out the “influencers” that promoted this bookCalling all devotees to Styx and Bones that are content creators! Join the Styx and Bones Temple new affiliate marketing program: https://www.crystalmoonclarity.com/affiliate-marketing Check out our Patreon, Styx and Bones Temple's Store, Blogs and more! ⁠⁠⁠https://beacons.ai/styxandboness⁠FOLLOW STYX AND BONES ON SOCIAL MEDIAhttps://www.instagram.com/styxandbonespodcast⁠⁠⁠FOLLOW HIGH PRIESTESS CHELSEA⁠https://www.instagram.com/highpriestesschelsea⁠⁠⁠FOLLOW DR. K⁠⁠⁠https://www.instagram.com/dirtdiaries_⁠⁠⁠

Þátturinn er í boði Maarud, Fjarþjálfun.is, Krónunnar, Laugar SPA, Subway, Nóa Síríus, Nuun og Blush.is

Thirty-three-year-old lacrosse coach Diane Whipple was attacked and killed just steps from her apartment door in San Francisco. Two massive Presa Canario dogs, Bane and Hera, mauled her in the hallway of her building while neighbors desperately tried to help. She never made it outside.This was not a random dog attack. The dogs belonged to attorneys Marjorie Knoller and Robert Noel, who had taken them in despite repeated warnings about their aggression. The animals had been bred for guarding and linked to a prison-based dog breeding operation run by Aryan Brotherhood inmate Paul Schneider. Neighbors had reported dangerous behavior long before Diane was killed.Prosecutors argued that Knoller and Noel knew the dogs posed a serious risk and chose to ignore it. Knoller was convicted of second-degree murder. Noel was convicted of involuntary manslaughter. The case marked a legal turning point, establishing that knowingly creating a dangerous situation can carry the same consequences as direct violence.Diane's partner, Sharon Smith, also made history by filing California's first same-sex wrongful death lawsuit. The case left a lasting impact on criminal law, civil liability, and how society defines responsibility when warnings go unheeded.

De Verenigde Staten bespreken actief de mogelijkheid om Groenland aan te kopen, waarbij zowel diplomatieke oplossingen als militair ingrijpen worden overwogen. Europa reageert bezorgd en werkt aan een gezamenlijke strategie, met Duitsland, Frankrijk en Polen die mogelijke scenario's voorbereiden. ‘Het internationaal recht is eigenlijk failliet verklaard door de Verenigde Staten', zegt Europa-correspondent Stefan de Vries.Winterweer leidt opnieuw tot overlast, met code geel voor gladheid en nieuwe sneeuwval in het noorden van het land. Met temperaturen die dit weekend tot 15 graden onder nul kunnen dalen, lopen meerdere gemeenten tegen een zouttekort aan. Ook in het openbaar vervoer en de luchtvaart zijn nog steeds verstoringen, maar op Schiphol zijn vandaag geen annuleringen voorzien.De European Space Agency, ESA, presenteert vandaag haar plannen voor 2026, met onder meer de lancering van de vernieuwde Ariane 6-raket en missies naar het ISS en de maan. Ruimtevaartdeskundige Rob van den Berg noemt vooral de Hera-missie, bedoeld om de impact van een eerdere Amerikaanse planetoïde-botsing te onderzoeken, een van de highlights van het jaar.Deze omschrijving is met AI gemaakt en gecontroleerd door een BNR-redacteur.Over deze podcastBNR Nieuws Vandaag is de podcast met daarin BNR Ochtendnieuws en BNR Avondnieuws. Je krijgt 's ochtends vroeg en aan het einde van de werkdag in 20 minuten het belangrijkste nieuws van de dag. Abonneer je via bnr.nl/podcast/bnrnieuwsvandaag, de BNR-app, Spotify en Apple Podcasts. Of luister elke dag live via bnr.nl/live.See omnystudio.com/listener for privacy information.

Jay drops in to wish everyone a Happy New Year and remind everyone of our current episode plans, then she introduces a random replay of an old episode where we discuss Rebels.   In this fully armed and operational episode of Podcast Stardust, we discuss: Our current plans to return to recording new episodes (coming soon! We promise!), The return of Hondo Ohnaka and Azmorigan in "The Wynkahthu Job," Ezra's willingness to trust Hondo when Kanan and Hera are suspicious, Exploring the derelict ship at Wynkahthu, The activation of the droids on the transport, The Dark Trooper influence of the droids, and The escape from the transport. Thanks for joining us for another episode! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts.   Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram.   Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.

This week I talk with Julia Pennington, founder of Hera the Dog Vodka, who transformed her approach to animal activism after discovering criminal abuse at a Nashville animal shelter in high school, leading her to devote 25 years to Los Angeles rescue work before realizing traditional methods weren't addressing root causes. To create sustainable funding beyond donor fatigue, Julia developed a premium vodka using organic Italian wheat base from spent pasta grain, operating as a social benefit corporation that donates 50% of profits (currently 6% of sales) to local animal rescues in the same cities where the vodka is sold. The company has donated $70,000 plus 16,000 pounds of pet food, is expanding to Colorado, and is developing an online platform where customers will be able to choose which rescue receives their donation, with Julia emphasizing transparency and welcoming non-drinkers to support the mission by donating directly to featured rescues. To learn more about Hera the Dog, as long as you are 21 or older, check out www.herathedogvodka.com or follow them on social media @herathedogvodka.Sponsor:LIX - check out www.lixpetwellness.com to learn more about CBD for pets. Use code Rescuepod20 for 20% off your first order! Thanks for listening! If you liked what you heard, please rate, review, and subscribe. If you have ideas for future guests please email me at theanimalrescuepodcast@gmail.com or follow me @theanimalrescuepod on Instagram. You can also learn more about the organizations I interview and how to listen/watch at www.theanimalrescuepodcast.my.canva.site

00:00 Новий 2026 рік! 00:49 Артеміда 2 01:36 Джаред Айзекман як голова NASA 03:23 Starship V3 05:54 Тяньвень-2 зустрінеться з астероїдом 06:41 Прибуття місії Hera 07:52 Запуск місії MMX від JAXA 08:57 Місячні місії 09:18 Комерційні космічні станції 10:08 Повноцінна робота телескопа ім. Вєри Рубін 11:07 З новим роком

In a dusty village named Hakimpur, meet an old blind woman whose sightless eyes see deeper than most. Desperate for a cure, she turns to the greediest hakim in town.But when greed blinds the healer… who will truly see the light? Tune in for this clever folktale of wit, deception, and sweet revenge.

TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 500 AD ALEXANDRIA AMBROSIAN ILIAD

AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 500 AD AMBROSIAN ILIAD

SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR THESDHOW BEGINS WITH DOUBTS ABOUT THE PURPOSE OF WAR-MAKING AS EXPRESSED MOURNFULLY BY HECTOR'S WIFE ANDROMACHE... SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 APHRODITE, PATROCLUS, AND TROPHY WOMEN Colleague Professor Emily Wilson. Wilson examines Aphrodite's intervention on the battlefield and her representation of baser instincts like lust. The discussion shifts to Briseis, a "trophy" of war, and her relationship with Patroclus, whom Wilson refuses to classify as a "beta male" despite his kindness. Patroclus is described as a brutal killer and Achilles' closest companion. The segment highlights the emotional depth of Achilles, who displays immense vulnerability alongside his capacity for violence. NUMBER 4 AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 THE GORE AND GLORY OF BATTLE Colleague Professor Emily Wilson. Wilson discusses translating the Iliad'svivid violence, drawing on insights from combat veterans regarding the trauma of battlefield death. A central theme is the treatment of corpses; possessing and stripping a dead enemy's armor is the ultimate sign of dominance. The conversation touches on the physical nature of the gods, who bleed "ichor" when wounded, and Poseidon's support for the Greeks in contrast to his brother Zeus. NUMBER 6 THE DEATH OF PATROCLUS AND HECTOR Colleague Professor Emily Wilson. The tragedy culminates with Patroclus ignoring Achilles' warning, leading to his death by Hector and the loss of Achilles' armor. Wilson describes Achilles' terrifying return to battle, equipped with new armor from Hephaestus, and his slaughter of Trojans. The segment covers the final confrontation where Achilles kills Hector and, driven by vengeance, drags his body behind a chariot, denying him burial rights and intending to mutilate him forever. NUMBER 7 GRIEF, GAMES, AND ACCEPTANCE Colleague Professor Emily Wilson. After Hector's death, Achilles finds a form of healing through funeral games, which offer a non-lethal model of competition. He even awards Agamemnon a prize without a contest, possibly as a slight. The poem concludes not with victory, but with a "humanitarian pause" for Hector's funeral. Wilson notes the ending focuses on women's lamentations, emphasizing the Iliad's enduring lesson on the struggle to accept human mortality. NUMBER 8 FEMALE AUTHORSHIP AND THE TROJAN WOMEN Colleague Daisy Dunn. Daisy Dunn discusses the legend of Phantasia, a rumored female source for Homer, and the myth of Leda and the Swan. She argues that the Trojan Warlikely reflects real historical conflicts at the site of Hisarlik. The segment highlights key female figures: Andromache, who offers military advice to Hector, and Briseis, the enslaved woman central to the dispute between Agamemnon and Achilles, illustrating the centrality of women to the epic. NUMBER 9 SAPPHO OF LESBOS Colleague Daisy Dunn. Dunn explores the life of Sappho, debunking myths about her appearance and suicide. She explains that Sappho was exiled due to her family's aristocratic background during a time of political revolution. The conversation covers Sappho's disapproval of her brother's relationship with the courtesan Doricha and her professional jealousy when students left her school for rivals. Weaving is presented as a metaphor for women shaping fate. NUMBER 10 ETRUSCANS AND THE WOMEN OF EARLY ROME Colleague Daisy Dunn. Dunn discusses the Etruscans, noting their advanced dentistry and the shock Greeks felt at Etruscan men and women dining together openly. Transitioning to Rome, they recount the violent founding myth of the Rape of the Sabine Women. The segment details the tragedy of Lucretia, whose rape and subsequent suicide led Brutus to overthrow the monarchy and establish the Roman Republic, making her a paragon of virtue. NUMBER 11 DIDO AND THE FOUNDING OF CARTHAGE Colleague Daisy Dunn. Dunn recounts the story of Dido, the clever founder of Carthage who tricked a local king to secure land. When Aeneas abandons her to fulfill his destiny, Didocurses him, foreshadowing the Punic Wars between Rome and Carthage. The segment explores her tragic suicide on a pyre, noting the societal judgment against her for breaking vows of celibacy, while acknowledging her capacity as a talented ruler and builder of cities. NUMBER 12 CORNELIA AND SERVILIA: MOTHERS OF ROME Colleague Daisy Dunn. This segment focuses on Cornelia, the educated "one-man woman" who raised the reforming Gracchi brothers to challenge the Roman elite. Dunn notes Cornelia's heartbreak as she tried to dissuade her second son from following his assassinated brother's path. The discussion shifts to Servilia, Caesar's long-term mistress and mother of Brutus. Servilia is depicted as a politically astute woman caught between her lover and her son, the future assassin. NUMBER 13 CLEOPATRA AND CAESAR Colleague Daisy Dunn. Dunn describes Cleopatra's dramatic entrance from a rug to meet Caesar and secure her rule in Egypt. Despite her intelligence and linguistic skills, the Romans viewed her with suspicion and distaste, labeling her a "whore queen." Dunn challenges the Hollywood image of Cleopatra's beauty, noting coin portraits show a hooked nose, and argues her power lay in her charisma and voice. She remains a figure of admiration today. NUMBER 14 ANTONY, FULVIA, AND CLEOPATRA'S END Colleague Daisy Dunn. The conversation turns to Mark Antony'sunpopular affair with Cleopatra and his wife Fulvia, who instigated a war in Italy to counter Octavian. Dunn highlights the Roman propensity for public emotion and early marriage. Following Antony's botched suicide, Cleopatra takes her own life to avoid being paraded as a trophy by Octavian. Dunn suggests the "asp" story might be a myth covering a lethal injection or poison. NUMBER 15 THE WOMEN OF THE JULIO-CLAUDIAN DYNASTY Colleague Daisy Dunn. Dunn profiles the powerful women of the Julio-Claudian dynasty. Livia is portrayed as Augustus's essential political partner and diplomat. The segment covers the tragic life of Julia, the lechery of Caligula, and the notorious reputation of Messalina. Finally, Agrippina the Younger is described as a co-emperor to her son Nero before he turned against her. Dunn concludes that Roman politics were bloodier but more politically savvy than the Greeks. NUMBER 16

In der neuen Folge machen wir das, was wir immer am Jahresende machen. Wir schauen auf das neue Jahr und erzählen, auf was wir uns aus wissenschaftlicher Sicht freuen. Das sind 2026 u.a. das Nancy Grace Roman Space Telescope, der Besuch von Hera bei einem Asteroiden und der Film “Der Astronaut”. Es gibt aber noch viel mehr zu erzählen, was wir bei Sekt, Schokolade und Keksen getan haben. Wenn ihr uns unterstützen wollt, könnt ihr das hier tun: https://www.paypal.com/paypalme/PodcastDasUniversum Oder hier: https://steadyhq.com/de/dasuniversum Oder hier: https://www.patreon.com/dasuniversum

Sal and Lizzy talk the Star Wars Rebels episodes Vision of Hope and Call to Action!Growing up with Star Wars Rebels!Gall Trayvis Senator in exile!Ezra and Hera love podcasts!Tyranny in a galaxy far, far away and here too...Comms tower assault!Ezra's message⁠⁠⁠⁠⁠⁠Check out the Rogue Rebels Rebels Spotify playlist!⁠⁠⁠⁠⁠⁠Follow us EVERYWHERE!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheRogueRebels on Bluesky!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheRogueRebels on TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IG: @TheRogueRebels ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Rogue Rebels on FB⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

By way of Lithuania to Australia to the Garden, comes Kristina Dryza. She's a master of archetypes and mythology with a new age flair. Of course, new age is really just ancient age. Dryza helps us with our goddesses. Especially, those of Greece and Egypt. We discuss Hera and Athena. A bit about Demeter and Aphrodite. A touch of Artemis. Toss in a little Romanization too.We go across that pond and visit Hathor and Isis. Then we make stops at Inanna and some others.But we really explore archetypal themes rather than textbook definitions and descriptions. It's another far ranging and fun conversation with a new friend.

Today's MacGuffin is a Kalikori.

Tristan Hughes visits his favourite ancient site in Italy; Paestum, an ancient site renowned for its impressive Greek temples dedicated to Poseidon, Athena and Hera. Tristan is guided through Paestum's tumultuous history from the city's Greek origins in 480 BC to its eventual takeover by the Romans, painting a vivid picture of the interactions between the Greeks, Lucan, and the ever-present Romans.MOREFall of the EtruscansListen on AppleListen on SpotifyRoman RoadsListen on AppleListen on SpotifyPresented by Tristan Hughes. Audio editor is Aidan Lonergan, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

This week's episode of Tapped In is a special one, as Nick is joined by two of Georgia's top women's wrestlers — Angelica Risk and Hyena Hera — for a powerful, honest, and wide-ranging conversation about the state of women's wrestling in Georgia and across the country.These two have battled each other across the state, including their ongoing rivalry at One Fall Wrestling, but today they come together to talk about the business, their journeys, and the evolution of the women's division — both inside and outside the ring.

This week on History Rage, host Paul Bavill welcomes the brilliant mythologist and author Natalie Haynes, to unravel the tangled web of Greek mythology and challenge the male-centric narratives that often dominate our understanding of these ancient tales.Myth vs. Reality: Natalie passionately argues that the stories from ancient Greece are not as male-dominated as they are often portrayed. She encourages listeners to reconsider the powerful roles women play in these myths, particularly through figures like Medea and Hera, who defy the traditional expectations of their time.The Argo and Its Heroes: Dive into the legendary quest for the Golden Fleece as Natalie dissects the dynamics of the Argonauts. Are they truly a cohesive unit or merely a collection of egos? Discover the complexities of their relationships and the conflicts that arise as they embark on their perilous journey.Women in Mythology: Explore the surprising strength and agency of female characters in Greek mythology. Natalie highlights how goddesses like Athena and Artemis offer a stark contrast to the often flawed male heroes, challenging the notion that women were merely passive figures in these ancient stories.Hollywood's Take: The conversation takes a critical turn as Natalie examines the portrayal of Greek myths in popular culture, particularly in films like Jason and the Argonauts and Disney's Hercules. She reveals how these adaptations often strip away the complexity and richness of the original tales, reducing powerful female figures to mere side characters.Support History Rage on Patreon for exclusive content and early episode access at www.patreon.com/historyrage.Follow History Rage on Social Media:Facebook: https://www.facebook.com/HistoryRageTwitter: https://twitter.com/HistoryRageInstagram: https://www.instagram.com/historyrage/Buy the Book: No Friend to this House: https://uk.bookshop.org/a/10120/9781529061543Listen to Natalie Haynes Stands Up For the Classics: https://www.bbc.co.uk/programmes/b077x8pc/episodes/playerFollow NatalieInstagram: @nataliehaynesauthorTwitter: @officialnhaynesBluesky: @nataliehaynes.bsky.social Stay Angry, Stay Informed - History Rage Hosted on Acast. See acast.com/privacy for more information.

Mortal Tragedies and Divine Manipulations: Colleague Emily Wilson explores key character dynamics, including Helen's weaving as a metaphor for poetry and her strained relationship with Paris, analyzing the tragic parting of Hector and Andromache, the rage of Hecuba, and the role of gods like Thetis and Hera in manipulating mortal fates through prayers and bargains. 1545 AD TROJAN WAR

Agamemnon's Quarrel and Divine Politics: Colleague Emily Wilson explains the catalyst for the Iliad's plot: the quarrel between Agamemnon and Achilles over a "prize" woman, leading to Achilles' withdrawal, discussing the divine politics between Zeus and Hera that seal Troy's fate and analyzing Agamemnon's flawed, burdened leadership amidst the pressure of holding the Greek forces together. SACK OF TROY

Send us a textIn this cozy Yule edition of the Magick Kitchen Podcast, Leandra Witchwood and Elyse Welles gather around the stove for a heartwarming, fully intuitive simmer pot ritual. Together they explore how scent, memory, and elemental magic weave into one of witchcraft's simplest yet most profound seasonal practices.Join them as they build two simmer pots — one on the stove and one in a tiny cast-iron cauldron — sharing the magical correspondences of rosemary, alfalfa, apple, clove, motherwort, lavender, bay, nutmeg, and more. Along the way, they reflect on the blessings of the past year, the lineage of their craft, the art of releasing what no longer serves, and the nourishment that kitchen witchery offers in the dark months.This is an episode filled with warmth, laughter, history, and heartfelt magic — a perfect way to honor the turning of the year and welcome the returning light.✨ Want to dive deeper into seasonal kitchen magic? Join Leandra's free two-day Kitchen Witchery Event on December 18–19, where you'll learn to create teas, salts, simmer pots, and more. 

Austin R&B and hip-hop artist Anastasia Hera is busy lady. This year alone, she released her album Way Outside; played our Scholz Garten show during SXSW; and her deft lyrics, sultry vocals, and smooth, earwormy beats led her to become our February Artist of the Month. All while running her non-profit CAKE (Creativity, Abundance, Knowledge, […] The post Anastasia Hera: “Ambitions” [Live In Studio 1A] appeared first on KUT & KUTX Studios -- Podcasts.

(WATCH THIS EPISODE ON YOUTUBE) ***CONTENT WARNING: GRAPHIC DESCRIPTIONS OF VIOLENT DEATH*** By the time police arrived, there was little that could be done for her. A medical examiner testified that the only parts of her body that were spared were the "top of her head" and the "soles of her feet." ... This is the story of two lawyers. But more importantly, this is Diane Whipple's story. *** REBUTTAL POD MERCH WILL BE LIVE ON 12/4/25 AT THIS LINK!!!!!!!!! *** ⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to PREORDER Reb's book: The Book They Throw At You—A Sarcastic Lawyer's Guide* To The Unholy Chaos of Our Legal System, *God No, Not Actual Legal Advice *** Follow @RebuttalPod on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Follow @Rebmasel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! *** 0:00 - Intro / Content Warning 0:21 - Case Begins 1:35 - Somehow it gets more horrific 3:13 - Witness accounts 13:03 - Diane Whipple is everything and more 19:06 - Autopsy report 20:30 - Bane, Hera, and the worst people imaginable 24:32 - NOEL MILLER AND MARJORIE KNOLLER 32:36 - Murder and manslaughter trials & (kind of confusing) appeals 38:23 - Where are they now? 38:37 - Sharon Smith, the angel to carry Diane's memory 48:46 - Reb's Rebuttal Learn more about your ad choices. Visit megaphone.fm/adchoices

How to talk to the Vengeful Martyr, Evasive Expert, Divisive Immortal, Hungry Shapeshifter, Righteous Bully, and The NothingIn this second part of the “Communicating with Villains” series, Kristina and Anna get very practical about how to actually talk to people who are running these archetypes, including when you are the one in the villain seat.They move from real stories about teeth, genetics, and breast health into concrete language, strategies, and “do not do this” warnings for each villain.This is the “how to handle them in real life” episode.In this episodeKristina and Anna explore:How the Vengeful Martyr shows up in health, caregiving, and self neglectWhy dental and breast health can become a mirror for martyrdomThe role of Divisive Immortal catastrophizing in medical decisions and safetyHow to make choices that are logical, not fear based, even around cancer riskHow to actually talk to:Evasive ExpertDivisive ImmortalHungry ShapeshifterRighteous BullyThe Nothing / Invisible DestroyerThey also name the difference between doing “self work” on your villain and learning to stay in relationship with someone else's.The Vengeful Martyr: health, teeth, and breast tissueAnna shares:How her “Vengeful Martyr era” lined up with sleep deprivation, breastfeeding, and her first major dental issuesThe realization that she invests in visible hygiene and beauty, while neglecting things no one sees, like gums, pap smears, and internal healthA concrete shift: flossing, water picking, changing dentists, and choosing a provider who does not shame herA genetic test that revealed increased risk for breast cancer and skin cancer, and her decision to act now rather than “martyr” herself by ignoring itWhy she is seriously considering prophylactic bilateral mastectomies as an act of self nourishment, not fearKristina reflects on:The symbolism of breasts as sources of nourishment and pleasure, and what it means to “retire” the functional side of them in order to care for the selfHow the Nourisher legend of the Vengeful Martyr is “drink while you pour,” and how that plays out in real bodies and real choicesThe overlap between Vengeful Martyr and Divisive Immortal when it comes to health, anxiety, and medical systemsDivisive Immortal: fear, loyalty, and catastropheThey unpack:How the Divisive Immortal can show up as catastrophizing doctors, shaming providers, and rigid ideas about safetyThe Enneagram 6 “loyal skeptic” flavor, and how loyalty plus fear becomes rigidityThe difference between making a logical preventive decision and making a fear based decisionHow two people can face the same medical risk but be activated in different villains, one in Vengeful Martyr, one in Divisive ImmortalCommunication tips for Divisive Immortal:Avoid “us versus them” language and triangulationEmphasize “you and me versus the problem”Reassure safety and solidaritySay things like:“I feel the fear you are feeling, and I understand it”“I am not your enemy, we are on the same team”“Our relationship is bigger than this argument”Evasive Expert: logic, avoidance, and emotional shutdownFor the Evasive Expert, Kristina and Anna cover:How they over rely on logic and under express emotion, or explode when emotion finally leaks outClassic tells: “I do not know how I feel,” or answering questions with cerebral analysisWhy approaching them with pure emotion makes them disappearCommunication tips for Evasive Expert:Lead with logic, not dramaPresent the impact as a logical chain: “A and B happened, which led to C and D, can you see why I might be upset”Use “logic puzzles” to pierce the emotional shellIn full blow up mode, give them time to process, then return with calm, structured reasoningHungry Shapeshifter: attention, performance, and multiplicityFor the Hungry Shapeshifter, they discuss:The need for attention, lightness, and performanceHow calling out their shifting identities can feel humiliating, not helpfulWhy dramatic outbursts are often releases, not always indicators of deep relational ruptureCommunication tips for Hungry Shapeshifter:Let them perform, be the audience rather than the critic in the momentNotice patterns over time, not just one dramatic sceneWhen they are calm and grounded, take them more seriously than in full performance modeInvite coherence by asking, “Which part of you feels most true right now”Righteous Bully: conviction, protection, and curiosityFor the Righteous Bully, Anna shares how working this arc has changed what even triggers her, and why things that used to set her off no longer land.They cover:The intensity and danger of the Righteous Bully when they have reached their limitHow they will burn things down to protect what they love or believe inThe shift from externalized bullying to internalized self criticismCommunication tips for Righteous Bully:Be deeply curious, not defensiveReflect their point of view back accurately so they feel heardUse permissive language:“Would you be open to hearing my perspective”“My love for you is bigger than this disagreement”Do not try to tell them they are wrong in the heat of the moment, it only adds fuelLater, you decide whether you want a Righteous Bully in your life, even a more integrated oneThe Nothing / Invisible Destroyer: avoidance, presence, and tiny actionsFor The Nothing, they highlight:Question deflection, disappearing into thought, and vanishing from shared spacesDeep sensitivity to rejection and criticismDifficulty taking action, even when they intellectually understand the issueCommunication tips for The Nothing:Name and value their presence: “It means so much just having you in the room with me”Invite tiny actions, “Can we take one small step toward this together”Use humor and embodiment practices to bring them back into their bodiesUse the compliment–criticism–compliment “sandwich” if feedback is neededWhen they disappear after a big top, lure them back with low pressure, body doubling, and no heavy processing at firstAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 146, hosts Alyce and Laura find a few Star Wars news breadcrumbs and discuss* all the things they don't remember about the Ahsoka series (it's a lot of things).Thanksgiving rewiiiiiiiiiiiiiiiiiindWe never really thought about it, but it turns out The Volume technology isn't exclusive to Star WarsHot take: Star Wars: Starfighter will be as well received or better received by general audiences as Attack of the Clones“One of us! One of us!” is what was going through our heads as we read Henry Gilroy's recent comments about Sabine's Jedi turn in the Ahsoka series (via SWNN)Likely not news, but it's news to us: there are 2 new Star Wars books coming out next yearShawn Levy lets us all know that he's still having fun making his Star War and hasn't quit the movie (via Vanity Fair)Recap on Tap: Ahsoka Again! We're back for Part 3: Time to Filler, I mean, Time to Fly! We discuss the highs and lows, what worked and what didn't, live-action Jacen, Hera losing her cool, squabbles with senators, space walks, space whales and more!Wait, was Qui-Gon Jinn a racist boomer? Twitter: @forcetoastpod | @sLeiaAllDay | @ShutUp_LauraInstagram: @forcetoastpodBluesky: forcetoastpod.bsky.socialEmail: forcetoastpod@gmail.comWebsite: forcetoastpod.com*This podcast contains a sh!t ton of profanity and boozin. You can find a bleeped version of this podcast absolutely nowhere. Cheers!

Send us a textA university president tells faculty to “keep doing what you're doing” on DEI and critical race theory—just don't get caught. That's the moment Dr. Rick Adante, a cognitive neuroscientist and NASA analog mission lead, decided to blow the whistle. What follows is a rare, unvarnished look at how policy theatre and word swaps can allegedly shield millions in federal and state funds while undermining the very laws and standards meant to protect students, researchers, and the public.We walk through Rick's path from a turbulent childhood to leading-edge work with NASA's HERA and NEEMO missions, where merit and team performance are non-negotiable. He explains how DEI shifted from stopping discrimination to empowering it, why “diversity of what?” is the only honest starting point, and how institutions can weaponize language—changing course titles and catalogs—while preserving the same outcomes in practice. With Supreme Court rulings narrowing race-based admissions and executive orders tying compliance to funding, the stakes are no longer theoretical. They are legal, operational, and ethical.You'll hear the mechanics of an alleged “comply in secret” plan, the risks of decoupling selection from merit, and the downstream impact on defense research, GI Bill dollars, and military training. Rick describes refusing hush money, losing his tenured position, and gaining momentum as donors, journalists, and policymakers take notice. His message is blunt and hopeful: enforce the law, audit for real compliance, define diversity in terms that improve performance, and reward excellence with transparency. Courage is a muscle; use it daily so it's strong when it counts.If this conversation challenged you—or clarified the stakes—share it with a colleague, leave a review, and subscribe for more candid, evidence-driven episodes. Your voice helps bring sunlight to the places that need it most.The stories and opinions shared on Stories of Service are told in each guest's own words. They reflect personal experiences, memories, and perspectives. While every effort is made to present these stories respectfully and authentically, Stories of Service does not verify the accuracy or completeness of every statement. The views expressed do not necessarily represent those of the host, pSupport the showVisit my website: https://thehello.llc/THERESACARPENTERRead my writings on my blog: https://www.theresatapestries.com/Listen to other episodes on my podcast: https://storiesofservice.buzzsprout.comWatch episodes of my podcast:https://www.youtube.com/c/TheresaCarpenter76

In Episode 145, hosts Alyce and Laura take* a look back at Halloweens of yore and bring back their new segment: Ahsoka Again! Please be advised: temporary tattoos should not go on your faceHo phase and college days! Alyce had the best group Halloween costume back in the day.Shoutout to Mandoverse Updates on socials, we love your updates (Follow them on Bluesky)A brief discussion on The Mandalorian and Grogu: budget, Sigorney's role and more (via Inside the Magic)Shawn Levy REALLY wants you to know one key thing about Starfighter (via EW)If you're a Matt Smith fan, he gave a really long interview here, where he gave an update on his upcoming role in Star Wars: Starfighter.Pour one out for Star Wars Insider magazine (via starwars.com)In this episode's Recap on Tap: Ahsoka Again, we revisit Ahsoka Season 1, Part 2: Toil and Trouble. “Dark Jedi” are a thing according to AI, Hera gets messy, human women in Star Wars prove enormously talented at surviving stab wounds, and Sabine is Mary Poppins, y'all!Twitter: @forcetoastpod | @sLeiaAllDay | @ShutUp_LauraInstagram: @forcetoastpodBluesky: forcetoastpod.bsky.socialEmail: forcetoastpod@gmail.comWebsite: forcetoastpod.com*This podcast contains a sh!t ton of profanity and boozin. You can find a bleeped version of this podcast absolutely nowhere. Cheers!