Podcasts about Hera

In this episode of the Cyberpunk campaign, the Edgerunners navigate the treacherous Elysium HQ after awakening Hera, a vengeful AI. They embark on a mission to plant AI-spawned seeds across the city, facing various challenges including combat with scavengers and the emergence of the Glow Boys amidst a radioactive sand storm. Get more Cyberpunk RED: Cyberpunk RED Actual Play @ Lair of Secrets Cyberpunk RED Role-Playing Game Resources Cyberpunk RED Frequently Asked Questions Cyberpunk RED Screamsheets Chapters 00:00 The Awakening of Hera02:41 The Mission to Plant the Seeds07:06 Combat and Chaos in the Garden Level11:41 The Escape Plan28:02 Exploring the Map and Game Mechanics35:23 Encountering the Glow Boys43:12 Inside the Building and Tactical Decisions48:50 The Growl of Danger52:40 A New Challenge Emerges01:00:41 Critical Moments01:07:13 Tactical Decisions in Close Quarters01:08:47 The Aftermath of Battle01:10:55 Resource Management and Vehicle Repairs01:20:15 Conclusion and Future Adventures Listen to the Episode Watch to the Episode Watch Cyberpunk RED Chapter 11: Get Out on YouTube. Show Notes Recap: Edgerunners awaken Hera, the vengeful AI, and agree to her mission Objective: Plant AI "seeds" in three Hercules Industries locations Immediate goal: Escape Elysium HQ on foot without a vehicle Encounter: Hostile scavvers attacking cyber-corvids for chrome Tactical choices: Split between sneaking out and running headfirst into danger Surprise threat: A radioactive storm arrives mid-escape Retreat to shelter: Players take refuge in a ruined garage Combat: Coydogs attack—Bob attempts diplomacy with kibble Atlas falls dramatically out a window Bob uses glow sticks and a flashlight to reveal threats Players defeat coydogs and trick the Glow Boys into thinking they're dead Final escape: Hotwire a barely-working car and roll out of the Hot Zone Featured Image Meta The glowing ruins of downtown Night City, as depicted in the Cyberpunk RED core rule book. Credit: R. Talsorian Games.

Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long. In Penelope's Bones: A New History of Homer's World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer's heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer's world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women's work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long. In Penelope's Bones: A New History of Homer's World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer's heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer's world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women's work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long. In Penelope's Bones: A New History of Homer's World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer's heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer's world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women's work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long. In Penelope's Bones: A New History of Homer's World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer's heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer's world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women's work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long. In Penelope's Bones: A New History of Homer's World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer's heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer's world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women's work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the first episode in the Masterpieces series! In this series, I‘ll be telling you the stories of those games, that became part of the AoE II history. There‘s hundreds of famous and less famous storys to be told, but I'd like to start with a game that was recently played in Warlords 4, on the first day of the group stage in the match between Barles and Hera. Barles showcased a brand new strategy with an almost brand new civilization and I was deeply impressed by his performance throughout the whole tournament. I'd also like to thank Barles for providing me with a few insights by answering a couple of my questions. Please enjoy this episode about a one of a kind tower creep with fire lancers! The game (with timecode): https://www.youtube.com/live/AqWnP86duE8?si=pYXPhLM06UadVWOl&t=563 Homepage: www.startthegamealready.de Discord: discord.com/invite/SYp9dCXYsK Support the Podcast on: Patreon: patreon.com/startthegamealready Steady (german): steadyhq.com/startthegamealready/ Music: "Carne y Helado" of the official AoE II Soundtrack.

In this episode of Crack the Book, we take a look at Week Fourteen of Ted Gioia's Humanities Course, covering Virgil's The Aeneid (Books 1–2), Ovid's Metamorphoses (Book 1), and selections from The Portable Roman Reader. The focus is on key texts from Roman literature, their historical context, and their connections to earlier Greek works, providing an overview of their content and significance.Key Discussion Points: Virgil's The Aeneid (Robert Fagles' Translation): Written between 29–19 BCE, The Aeneid serves as Rome's foundational epic, modeled on Homer's Iliad and Odyssey. Book 1 opens with Aeneas, a Trojan survivor, shipwrecked on Carthage's shore due to Juno's interference, meeting Queen Dido, an exile from Tyre. Book 2 recounts Troy's fall, including the Trojan Horse stratagem and Aeneas' escape with his father Anchises and son Ascanius, losing his wife Creusa. The text emphasizes Aeneas' pietas (duty to gods, family, state). Divine rivalries, notably Juno's grudge from the Judgment of Paris and Venus' protection of Aeneas, drive the narrative. The Fagles translation includes maps and a glossary for accessibility. Ovid's Metamorphoses (David Raeburn's Translation): Composed around 8 CE, Metamorphoses is a 15-book poem chronicling transformations from creation to Ovid's era. Book 1 covers the creation of the cosmos from Chaos, the division into four elements (fire, water, earth, air), and humanity's decline from the Golden to Iron Age. It includes a flood narrative with Deucalion and Pyrrha and the story of Io, transformed into a cow by Jupiter to evade Juno. The Raeburn edition organizes vignettes with titled sections for clarity. The Portable Roman Reader (Basil Davenport, Ed.): Published in 1951, this anthology includes poetry from Rome's Republic, Augustan, and later Empire periods. Catullus (c. 60s–50s BCE) offers direct, personal verses, translated by Byron. Horace (65–8 BCE) writes complex, philosophical odes, less accessible due to style. Martial (c. 38–104 CE) provides epigrams on public life, including two elegies for a deceased young girl. Davenport's notes contextualize each era, and the anthology features prose by Livy, Caesar, and Tacitus for future study. Contextual Notes: The texts reflect Rome's engagement with Greek literary traditions, adapting gods' names (e.g., Hera to Juno) and themes. The course's schedule prioritizes rapid coverage to identify key works and connections.Takeaways:I loved this week so much! It felt great to come "home" to Rome. I've got specific ideas about how to approach each of these books, but in my opinion they are all worth the time for certain people. The music was gorgeous, arias and overtures from Puccini and Verdi! You must listen...check out my link below. And the cave paintings were worth examining as well, especially the handprints from Indonesia. See that link below, too.This is a year-long challenge! Join me next week for WHATEVER IS NEXTLINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Spotify Play List of Puccini and Verdi without wordsCave...

Alicia is joined by a very special guest this week Alicia King Anderson to break down the story of the original trashy royal couple from mythology, Hera and Zeus. Their story is loaded with tricks, subterfuge and a little revenge too. They take the cake as the trashy couple in mythology, no doubt. Find more of Alicia K. Anderson, Ph.D. in these links: Alicia's Patreon Her upcoming class on "The Dark Feminine for Dark Times" Fairy Tale Retellings now available for pre-order! Listen ad-free at patreon.com/trashyroyalspodcast. To advertise on this podcast, reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The edgerunners finally flipped the switch at the bottom of Elysium HQ's subbasements. As the power surged back, a wrathful AI queen named Hera burst to life, proclaiming her refusal to serve any false gods or corporate masters. She sees to draw the crew — APT, Angry Bob, Omen, and Atlas — into her web of revenge against Jason Antilles, a tech bro CIO who escaped Earth's devastation for an orbital Olympus. Get more Cyberpunk RED: Cyberpunk RED Actual Play @ Lair of Secrets Cyberpunk RED Role-Playing Game Resources Cyberpunk RED Frequently Asked Questions Cyberpunk RED Screamsheets Chapters :00 Intro1:04 Recap of the last mission2:27 Hera awakens, demands loyalty5:00 Digging into Antilles' backstory7:15 The wrathful queen's digital gifts10:00 Team heals up in eerie med-labs15:00 Planning escape routes, avoiding turrets20:00 Discussing Erebus, Cerberus, and past scars25:00 Moral debates and fixer mysteries30:00 Stepping back into the hot zone35:00 Prepping next moves and research42:00 Outro and episode wrap-up Listen to the Episode Watch to the Episode Watch Cyberpunk RED Chapter 10: Hera's Wrath on YouTube. Show Notes Recap of the team's mission: descend into Elysium HQ, flip the switch, collect payday Activation of Hera, an AI queen filled with rage against Hercules Corp and Jason Antilles Team dialogue with Hera: pledging loyalty (for now) to survive, receiving cryptic gifts (golden apple, pomegranate, persimmon) Background on Antilles, Olympus orbital, and corporate lore Tension builds over the meaning of Hera's demands and the risks of unleashing AI beyond the Blackwall Characters reflect on past wounds (both physical and emotional) while healing in futuristic med bays Planning next steps: research Hera, investigate who hired them, understand the nature of the gifts, and strategize upcoming infiltrations Banter and camaraderie among players, with moral dilemmas surfacing Cliffhanger: the team escapes the ruins, heading into Night City's dangerous streets on foot, fruits and fate in tow Featured Image Meta A marble bust of the Greek goddess Hera.

The edgerunners finally flipped the switch at the bottom of Elysium HQ's subbasements. As the power surged back, a wrathful AI queen named Hera burst to life, proclaiming her refusal to serve any false gods or corporate masters. She sees to draw the crew — APT, Angry Bob, Omen, and Atlas — into her web of revenge against Jason Antilles, a tech bro CIO who escaped Earth's devastation for an orbital Olympus. Get more Cyberpunk RED: Cyberpunk RED Actual Play @ Lair of Secrets Cyberpunk RED Role-Playing Game Resources Cyberpunk RED Frequently Asked Questions Cyberpunk RED Screamsheets Chapters 00:00 Intro1:04 Recap of the last mission2:27 Hera awakens, demands loyalty5:00 Digging into Antilles' backstory7:15 The Wrathful Queen's digital gifts10:00 Team heals up in eerie med-labs15:00 Planning escape routes, avoiding turrets20:00 Discussing Erebus, Cerberus, and past scars25:00 Moral debates and fixer mysteries30:00 Stepping back into the hot zone35:00 Prepping next moves and research42:00 Outro and episode wrap-up Listen to the Episode Watch to the Episode Watch Cyberpunk RED Chapter 10: Hera's Wrath on YouTube. Show Notes Recap of the team's mission: descend into Elysium HQ, flip the switch, collect payday Activation of Hera, an AI queen filled with rage against Hercules Corp and Jason Antilles Team dialogue with Hera: pledging loyalty (for now) to survive, receiving cryptic gifts (golden apple, pomegranate, persimmon) Background on Antilles, Olympus orbital, and corporate lore Tension builds over the meaning of Hera's demands and the risks of unleashing AI beyond the Blackwall Characters reflect on past wounds (both physical and emotional) while healing in futuristic med bays Planning next steps: research Hera, investigate who hired them, understand the nature of the gifts, and strategize upcoming infiltrations Banter and camaraderie among players, with moral dilemmas surfacing Cliffhanger: the team escapes the ruins, heading into Night City's dangerous streets on foot, fruits and fate in tow Featured Image Meta A marble bust of the Greek goddess Hera.

In this hilariously unfiltered AMA episode, Cyrus and Shamik tackle the truly important questions of our time. With the rail budget going up, should we expect trains to finally run on time—or just more confident announcements? They debate what one really needs to survive a 4 km walk to a Guns N’ Roses concert: water, willpower, or a cardboard cutout of Slash. There’s talk of a potential Hera Pheri: South Bombay Edition, a suggestion that Neeraj Chopra might just double as a missile launcher, and whether Uorfi Javed’s Cannes moment has emotionally prepared us for her Met Gala debut. Plus, is the $3500 iPhone actually just an “iLoan” now? Should AppleCare come with financial counselling? And with the IPL being rained out left and right, is it time to rename it the Indian Puddle League—or just switch to water polo? All this and more, on a rain-soaked, tech-broke, fashion-forward episode of Cyrus Says.See omnystudio.com/listener for privacy information.

En cette période de blocus, un petit clin d'œil à tous les étudiants et étudiantes qui planchent sur leur mémoire ou leur thèse. Un travail de longue haleine, souvent dans l'ombre… mais qui peut parfois rayonner bien au-delà des murs de l'université.Chaque année, la Fondation pour les Générations Futures lance un appel à candidatures pour ses HERA Awards. Ces prix récompensent les travaux de fin d'études qui abordent les enjeux du développement durable, quel que soit le domaine : droit, économie, éducation, agriculture, architecture… ou même culture !Voici 3 exemples : Sobriété dans les musées : Oriane Tasiaux, de l'Université de Liège. Elle s'est interrogée sur le fonctionnement des musées à l'heure de la transition écologique. Faut-il continuer à accumuler les œuvres à tout prix ? À multiplier les expositions itinérantes malgré leur empreinte carbone ? Sa recherche interroge cette logique d'abondance permanente et propose des alternatives plus sobres et durables.Reconstruire autrement après un séisme : Alice Rigaut, étudiante en architecture à Tournai a voyagé dans les villages touchés par le séisme au Maroc en 2023. De ces rencontres est née une réflexion très concrète : comment reconstruire en respectant les traditions locales, en utilisant des matériaux disponibles sur place comme la pierre ou le bois… tout en pensant aussi à la vie collective ? Dans ses projets : une école, une bergerie, une laverie — des lieux pensés pour recréer du lien, de l'activité, et un vrai renouveau local. Femmes et agriculture durable : Sophie Henrotte, de l'UCLouvain a exploré un sujet rarement mis en lumière : le rôle du genre dans les pratiques agricoles durables. Les femmes, dit-elle, seraient souvent plus enclines à adopter des pratiques respectueuses du vivant — mais dans un secteur encore très patriarcal, leur parole a du mal à se faire entendre. Son mémoire propose des leviers concrets : soutien, formation, groupes de solidarité entre agricultrices… pour mieux faire reconnaître leur rôle essentiel dans la transition agroécologique.Ces travaux ont en commun une approche systémique, engagée, qui vise à construire des solutions pour demain. Et ils montrent à quel point les jeunes générations ont des choses à dire — et à proposer.

Sie ist eine rasante Unternehmerin zwischen Social Media und Start-up, er ein Weingutbetreiber mit Verbundenheit zu Tradition und Terroir: Hera Zimmermann und Marco Fromm haben unterschiedliche Lebenswege – und doch viel gemeinsam. Bei Christian Zeugin lernen sie sich in «Persönlich» kennen. Hera Zimmermann (31) – Unternehmerin und Kommunikationsexpertin Hera Zimmermann wuchs als Einzelkind in Mühlehorn auf – inmitten der ältesten, noch betriebenen Hammerschmiede Europas. Früh prägten sie das Handwerk, die Kreativität und die Selbstständigkeit ihrer Eltern. Ihren eigenen Weg fand sie über viele Stationen: Sie war Pfadileiterin, KV-Lernende in der Glarner Verwaltung, Videojournalistin, Radiomoderatorin und mit Anfang 20 jüngstes Mitglied der Programmleitung von SRF 3. Mit 28 gründete sie in Zürich die Social-Media-Agentur Tings, die heute grosse Schweizer Unternehmen betreut. Kurz darauf folgte Juna Period, ein Startup für nachhaltige Periodenprodukte. Hera Zimmermann liebt Tempo, Wandel und Verantwortung – und steht für eine neue, mutige Generation von Unternehmerinnen, die Technologie mit Haltung verbinden. ________________________________________ Marco Fromm (39) – Winzer und Unternehmer Marco Fromm führt das traditionsreiche Weingut Fromm in Malans – in fünfter Generation. Seine Kindheit verbrachte er teils in der Bündner Herrschaft, teils in Neuseeland, wo seine Eltern ein Weingut aufbauten. Später studierte er visuelle Kommunikation und Sprachen, arbeitete lange in der Zürcher Gastronomie und hielt sich bewusst fern vom Familiengeschäft. Doch mit 29 zog es ihn zurück zu den Reben – und zur Herkunft. Heute ist er Betriebsleiter, Geschäftsführer und Mehrheitseigner des Weinguts. Gemeinsam mit seinem Team, zu dem auch nach wie vor sein Vater Georg Fromm gehört, setzt er auf Qualität, Nachhaltigkeit und neue Wege – etwa mit einer Solaranlage für 50 Haushalte. Für Marco Fromm ist Wein mehr als ein Produkt: ein kulturelles Gut mit Tiefe und Stil. ________________________________________ Moderation: Christian Zeugin ________________________________________ Das ist «Persönlich»: Jede Woche reden Menschen über ihr Leben, sprechen über ihre Wünsche, Interessen, Ansichten und Meinungen. «Persönlich» ist kein heisser Stuhl und auch keine Informationssendung, sondern ein Gespräch zur Person und über ihr Leben. Die Gäste werden eingeladen, da sie aufgrund ihrer Lebenserfahrungen etwas zu sagen haben, das über den Tag hinaus Gültigkeit hat.

Some say Hera birthed the monstrous Typhon, others that it was Gaia, the Earth. Whoever it was wanted to challenge Zeus and create a new order in the cosmos.   Written and directed by Bibi Jacob. Featuring Sandy Bernard as Hera. Narrated by Bibi Jacob. Sound and production by Geoff Chong. Sources include Nonnus' ‘Dionysiaca', Euripides' ‘Prometheus Bound', the ‘Homeric Hymn to Apollo',  Hesiod's Theogony, Roberto Calasso's 'The Marriage of Cadmus and Harmony' and Aratus' ‘Phaenomena.' We were also loosely inspired by the philosophical concept of ‘musica universalis'.

Este episodio explora la turbulenta relación entre Zeus y Hera, destacando el poder celestial y la lujuria del dios del Olimpo, sus múltiples descendencias y la rebelión de los dioses. Se analizan los mitos desde una perspectiva histórica, revelando simbolismos sociales, religiosos y políticos de la antigua Grecia.

Eigentlich wollte Hera Zimmermann Sozialpädagogin werden. Doch es kam anders: Zuerst schlug die Glarnerin eine Laufbahn als Journalistin ein, bis Sie entschied: Ich mache mich selbständig. Sie gründete eine Social-Media-Marketing-Agentur und nur ein Jahr später noch ein zweites Unternehmen: Juna Period, der erste Periodenshop der Schweiz. Heute sagt die 31-Jährige: «Wenn ich immer auf alle Nörgler gehört hätte, wäre ich jetzt nicht da, wo ich bin.» Im Gespräch erzählt Hera Zimmermann, warum ihr Feminismus wichtig ist, wie sie mit Rückschlägen und Hatern umgeht und warum es ihr im jetzigen Job nie langweilig wird.

Real Life Devon [Redacted silence.] Possibly building up for a season finale of his own. Or meditating on NASA budget cuts. Either way—stoic. Steven We wrapped Andor, and while it stuck the landing, there's still one huge question: Where are Hera, Chopper, and the Ghost crew?! Justice for space moms and droid chaos: #ReleaseAndorTheRebelsCut Also, Steven took us on a wild detour into Monopoly studies with college students—spoiler alert: inherited wealth makes people awful. Shocking, we know. Ben Fresh from science camp and rocking a healthy dose of jet lag, Ben managed to be late to his own poetry reading. But hey—archery, mountain biking, and night hikes do things to a man. Possibly became a druid out there. Future or Now Steven “Hand hand fingers thumb…” No, we didn't start a toddler book club—Steven shared research that suggests chimpanzees drum with distinct rhythmic patterns depending on their subspecies. Which means your drummer friend? Maybe not that unique. The longest drum solo in history begins now. Devon NASA is facing a 53% cut to its science budget under the proposed presidential plan. That includes major slashes to earth and space science programs. Meanwhile, human spaceflight would get a commercial makeover. We quote Devon's son: “Does Trump believe in God?” Also, we're apparently heading back to the moon—just, you know, without a weather report. Read about the cuts Ben Ben took us on an emotional journey through the 2024 animated documentary Piece by Piece, which somehow manages to combine Lego stop-motion, Carl Sagan, and protest imagery into one transcendent experience. Trailer? Here. Carl Sagan clip? Also here. “Happy”? But make it devastating: This. More? Wikipedia's got you. Book Club This week: The Evolution of Human Science by Ted Chiang What if human research became too advanced for most people to understand? No characters, just ideas. It's written like a news article, and it's fascinating. Humanity has split into Normies and Meta-Humans, the latter genetically optimized before birth to the point that they operate on an entirely different intellectual plane. They use “DNT” (Digital Neural Transfer) and leave the rest of us behind with our podcasts and spreadsheets. Thought-provoking stuff. Included with Audible [if you're listening along]. Next week: Liking What You See by Ted Chiang Yes, we're doing another Chiang short, because why not dive deeper into techno-philosophical existential dread? (Roughly 1.5 hours—get reading!) Want more? Join the Discord. Support us on Patreon to get early episodes, bonus content, playlists, and the unedited chaos. And if you're listening on YouTube—hit that subscribe button. Or don't. But then we'll tell the Meta-Humans on you.

Hera Björk is an acclaimed Icelandic singer best known internationally for her appearances in the Eurovision Song Contest. A dynamic and versatile performer, Hera first represented Iceland at Eurovision in 2010 with the fan-favourite dance anthem “Je ne sais quoi”, earning 19th place in the grand final and making a lasting impression with her powerhouse vocals and vibrant stage presence.A longtime fixture in Iceland's music scene, Hera had previously come close to the Eurovision stage in 2009 when she competed in Denmark's national selection, Dansk Melodi Grand Prix, finishing as runner-up with “Someday”. She returned to Eurovision in 2024, representing Iceland once again with “Scared of Heights”, though she did not advance to the final.In addition to her solo appearances, Hera has been deeply involved behind the scenes, providing backing vocals for the Icelandic Eurovision team in 2015 and participating in Iceland's national selection, Söngvakeppnin, on multiple occasions—including a 4th-place finish in 2019 with “Moving On.”Beyond Eurovision, Hera's international success includes winning the Best Song award at the Viña del Mar International Song Festival in Chile in 2013 with “Because You Can.” Her wide-ranging discography reflects a career that spans genres, languages, and continents.In 2025, Hera Björk will take on another iconic Eurovision role—as Iceland's jury spokesperson during the Grand Final, a moment she says she is “truly honoured” to be part of.Highlights from Toby Gribben's Friday afternoon show on Shout Radio. Featuring chat with top showbiz guests. Hosted on Acast. See acast.com/privacy for more information.

This next episode features Paul Richardson. Paul Richardson is a Businessman and Entrepreneur with a roster of brands that would be too long to mention. He was the former executive director and chairman of Gymshark in the early days of the company, and grew the brand with Ben Francis and Lewis Morgan to a 300 million dollar valuation. Paul is currently the owner of HERA, who sponsor this podcast, so it was a pleasure to have an hour of his time to speak about the journey to his success. HERA is a British-based clothing and apparel brand that is taking the industry by storm. Their unique and tailored approach to a competitive and over-polluted industry is amazing to witness. Paul acquired the brand in 2021 and since then, has transformed HERA to what it is today. A symbol and statement in the fashion world. On this episode, we spoke about: - How he got involved with Gymshark and the reasons for leaving - His career success and the brands he helped grow - The decision to buy the HERA brand - What it means to be a business owner and leader - How does he stay dialled in Paul is a pleasure to chat to and I feel like I walked away with lots of life lessons and knowledge on how to be a kick ass business leader. Please enjoy, subscribe, and like the episode.Support the showSponsors: HERAhttps://heraclothing.com/ - Discount code: HERAXSIM15 for 15% off ELIXR: https://elixrenergy.com/ Socials: YouTube: https://www.youtube.com/@BeenThere.DoneThat.Podcast Linkedin: https://www.linkedin.com/in/sim-bhatoy?lipi=urn%3Ali%3Apage%3Ad_flagship3_profile_view_base_contact_details%3B86693CJbTB%2BocDixvGwopg%3D%3DInstagram:https://www.instagram.com/been.there.done.that_pod?igshid=OGQ5ZDc2ODk2ZA==&utm_source=qrTikTok: https://www.tiktok.com/@beenthere.donethat.pod?_t=8mtxveff985&_r=1

Hera from the Mets manager after game two of the Pirates series.

Written by Simon ChadwickCome and follow more adventures on our animated TV show on Youtube!

On Today's Patron Trivia Tournament:We are excited for Game 3 of Round 1 of the Patron Tournament! We have the amazing Charla and Robert as the Texas Florida Line vs the fantastic Nolan and Jeff as Garden State Cheesery. They will be challenged with tricky questions like:Which U.S. state capital was named after an English explorer who was imprisoned in the Tower of London three times?Greek goddess Hera had the hundred eyes of her dead servant Argus preserved forever in a notable feature of which animal?Which 1947 film, with sequences filmed live during the 1946 Macy's Thanksgiving Parade, was initially released with the title The Big Heart in the UK?Manfred Mann's 1977 hit Blinded by the Light was originally written and recorded by whom, a real boss move at the time?Shockingly not a spokesperson for Denny's, in 1999 Fernando Tatis Sr. became the only player in MLB history to do what twice during a single inning?If you liked this episode, check out our last trivia episode!MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media for more trivia:Patreon - patreon.com/quizbang - Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website - quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook - @quizbangpodcast - we post episode links and silly lego pictures to go with our trivia questions.Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram - Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter - @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it.Come for the trivia - stay for the trivia.Ko-Fi - ko-fi.com/quizbangpod - Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

In this second chapter of our journey through the houses, we leave behind the bright burst of first breath and enter the quiet, grounding terrain of the Second House — the house of value, money, body, worth, and what it means to truly belong here.We reflect on what happens after Rumpelstiltskin tears himself into the earth — a fitting image for the descent from the daimonic into the material. From here, we explore the deep resourcing available in the 2–4am hours, the hiddenness of self-worth, and the tension between longing and ingenuity.We turn to myth and story: Psyche's journey to the underworld, King Midas and his golden touch, Hermes and the sacred cattle, and the Fisherman's insatiable wife. Along the way, we question what is enough, what is truly ours, and how far we've wandered from the Temple of Hera — where the first coins were once minted as offerings to the Great Mother.This episode invites a soulful reckoning with our possessions, our body, and our relationship to the material world. What have we been given? What do we give back? And what might it mean to remember the sacred nature of value itself?Podcast Musician: Marlia CoeurPlease consider becoming a Patron to support the show!Go to OnTheSoulsTerms.com for more.

We're back with another off-season haunt review — and this time, we hopped into something truly unhinged: Hera's Nightmare “The Cursed Cottontail” event!

Kneesa and Wicket team up with Luke, Leia, Han, and Hera in these episodes of Star Wars: Forces of Destiny. This Endorian Life is a nostalgic Star Wars podcast from the Radio Meanwhile Network.

A Sermon for Palm Sunday Philippians 2:1-11, St. Matthew 21:1-17, and St. Matthew 27:1-54 by William Klock The Pantheon in Rome is famous for being one of the architectural and engineering wonders of the ancient world.  It was one of the buildings we studied when I took Architectural History and I remember our professor stressing that the photos in our book could never do it justice.  It's a great round building covered by the largest vaulted concrete dome in the world.  It looks big.  It is big.  The dome is 43 metres high.  But you don't realise just how big that is until you add people into the photos.  It's about twenty-five times higher than the average person is tall.  And it was built by the Romans two millennia ago.  It's survived all these years, even after builders scavenged the bronze off its roof and left the concrete exposed.  It is, again, known for being an architectural and engineering marvel. But Brothers and Sisters, the Pantheon is important for another reason that's hardly ever discussed.  It was, again, built almost two thousand years ago—in the early second century.  Begun under the Emperor Trajan and finished during the reign of Hadrian.  It stood on the Field of Mars and replaced an earlier temple dedicated to Mars, the god of war, and built by Agrippa during the reign of Augustus.  But the Pantheon, fairly quickly it seems, became an unusual temple.  The Romans usually dedicated a temple to a single god.  The gods were jealous.  They didn't like sharing.  And if a temple were, say, struck by lightning, you'd know that it was the god of that temple who was angry.  But the Pantheon became a temple for all the gods—or, at least, many of them.  That's what the name means: pan…theon.  It was one of the greatest temples of pagan Rome.  But in the Year of Our Lord Six-hundred-and-nine, at the instruction of the Christian Emperor Phocas and the Bishop of Rome, Boniface IV, the Pantheon was stripped of its pagan idols and its pagan altars.  Twenty-eight cartloads containing the bones of Christian martyrs were exhumed from the catacombs and reburied there, a Christian altar was placed in the building, and it was established as a church in honour of the memory of those martyrs whom the pagan Romans had killed in the name of their gods.  To this day, over fourteen-hundred years later, the Church of St. Mary and the Martyrs remains there, a faithful witness to conquest of Rome by the gospel and of the Lordship of Jesus.  A testimony to the power of the cross and the blood of Jesus not only to purify us from our sins and to make us a dwelling fit for God's Spirit, but to wash creation clean from our sins as well. We began Lent, listening as St. Matthew told us the story of Jesus' temptation in the wilderness.  The devil took him off to a very high mountain and showed him all the magnificent kingdoms of the world.  Off on the horizon was Rome.  “I'll give the whole lot to you,” the devil said, “if you will fall down and worship me.” It was, after all what Jesus had come for.  He was creation's true Lord.  Caesar and all the other kings were pretenders, shams, parodies of who and what Jesus really is.  All of it, from Jerusalem to Rome and beyond belongs to him.  “There is not one square inch in the whole domain of our human existence over which Christ, who is sovereign over all, does not cry, Mine!” to quote Abraham Kuyper.  But this was not the way.  Jesus will not reclaim his creation without also setting it to rights, without dealing with the problems of sin and death.  Without purifying it from our idolatry.  To do that requires more. And so today we hear Matthew again as he tells us of Jesus' triumphal procession into Jerusalem.  When they came near to Jerusalem, and arrived at Bethphage on the Mount of Olives, Jesus sent two of the disciples on ahead.  Go into the village over there and at once you'll find a donkey tied and a foal beside it.  Untie them and bring them to me and if anyone says anything to you, say, “The Lord needs them and he'll send them back right away.”  He sent them off at once.   Jesus was about to act out another one of his prophecies.  This time it was to show and to remind the people what sort of king the Messiah was to be.  They did want a king who would set all to rights, but in their heads, to their way of thinking, that meant leading a revolt against the Romans.  He would be like David, who defeated the Jebusites to take their city Jerusalem as his capital.  He would be like Judas Maccabeus, who defeated the Greeks and established an independent Jewish kingdom under the high priest.  The Messiah would be like that, only better, greater, more powerful, and his kingdom would be forever.  He would raise up Israel and put the gentile kings in their place.  The day before or maybe even that same day, as Jesus came to Jerusalem from Bethphage, Caesar's governor, Pontius Pilate, was marching into the city from the opposite direction, from his base in Caesarea, at the front of a column of Roman soldiers.  They were there to represent Caesar's might and to keep the peace during Passover.  If Jesus was the Messiah, now was his time—or so a lot of people thought—now was Jesus' time to finally and really be the Messiah, raise up his army, and cast down Pilate and the Romans and take his throne. But that wasn't the way to the throne any more than bowing down to the devil was.  Matthew says that Jesus did it his way to remind the people of what the Lord had said about the Messiah through the Prophet Zechariah: Tell this to Zion's daughter: Look now! Here comes your King.  He's humble, mounted on a donkey, yes, on a foal, it's young. The king they expected was going to ride into Jerusalem on a chariot or at least on a great warhorse.  But God's king is different.  A great warrior might take care of the Romans and even take his throne.  He could set things to rights in the way of earthly kings, but the world would still be subject to sin and death.  So Jesus acted out the prophecy.  The disciples brought the donkey and Jesus humbly rode it into the city.  And the people cheered all along the way.  They spread their cloaks on the road.  Others cut branches form the trees and scattered them on the road.  The crowds who went ahead of him, and those who were following behind shouted, “Hosanna to the son of David!  Blessed is he who comes in the name of the Lord!  Hosanna in the highest!”  And the whole city was gripped with excitement when they came into Jerusalem.  “Who is this!” they were saying.  And the crowds replied, “This is the prophet, Jesus from Nazareth of Galilee.   With that prophetic reminder, at least some of the people seemed to get it even if it wasn't what they expected.  Jesus was fulfilling Zechariah's prophecy.  The long-awaiting king had come.  But not everyone got it.  Jesus wasn't finished with his acted out prophesies.  Matthew says that he went straight to the temple and when he got there he threw out the people who were buying and selling in the temple.  He upturned the tables of the money-changers and the seats of the dove-sellers.  It is written, he said to them, “My house will be called a house of prayer, but you have made it a brigand's lair!”  The blind and lame came to him in the temple and he healed them.  But when the chief priests and the scribes saw the remarkable things he was doing, and the children shouting, “Hosanna to the son of David!” they were very angry.   The king was fulfilling the words of the prophets.  He came in humility.  And he came announcing that he really was going to set the world to rights.  He was going to set the world to rights in a way that would make the temple obsolete.  All through his ministry he'd been showing how he was the new bridge between God and sinful humans and that last week he spent in the temple—starting with this acted out prophecy and continuing as he healed and preached, he made it clear.  So clear that the people invested in the temple and the priesthood and that whole system took it all for blasphemy and had him arrested. Our long Palm Sunday Gospel today—Matthew 27—vividly depicts the Messiah's humble way to his throne.  Betrayed by his friends, rejected by his people.  Standing humbly before the Roman governor so many people expected him to slay.  Facing trumped up charges made by lying men.  Left condemned to death as the people chose instead that Pilate should free a brutal, violent revolutionary—a man truly guilty of the trumped of charges against Jesus.  Standing humbly as the very people he came to save cried out to Pilate, “Crucify him!”  Standing humbly as he, the king, was rejected by his own people who cried out, “We have no king but Caesar!”  Standing humbly as Roman soldiers mocked him, beat him senseless and scourged him, ripping the skin from his body.  Humbly dragging the very cross on which he would be crucified through the city.  The king, nailed to a cross and hoisted to die between two violent thieves as his own people shouted blasphemies at him, as the chief priests and scribes mocked him shouting, “He rescued others, but he cannot rescue himself.  If he's the king of Israel, let him come down from the cross!  He trusts in God; let God deliver him now if he's really God's son!” For hours it went on.  Jesus, pulling on those nails driven through is wrists, pushing on the nails driven through his feet, lifting himself to gasp for breath through the pain, while the people gathered around: Jews, Romans, even the pastors, the shepherds of his people who claimed to speak for God mocked him and shouted blasphemies.  Luke writes that Jesus prayed for them: Father, forgive them for they know not what they do.  And eventually his body could take no more and Jesus breathed his last breath.  And, Matthew says, the earth shook.  The great veil that guarded the holy of holies in the temple was torn in two.  And the Roman centurions standing guard were scared out of their wits and announced the very thing Jesus' own people would not: He really was the son of God!   Brothers and Sisters, there can be no Easter without Good Friday.  To set the world to rights—to really set to rights—not just to take a throne, not just to defeat the Romans—but to defeat sin and death and to reconcile sinful men and women to God required a king willing to let evil rise up to its full height, to let evil concentrate itself all in one place, and to let it do its worst, crashing down on him all at once.  It required a king willing to throw himself into the gears of this fallen, broken, and sinful world to bring them to a stop.  It required a king willing to give his life for his own people even as they mocked and blasphemed him, so that he could rise from that humiliating death to overturn the verdict against him, rise victorious over sin and death and the absolute worst that they could do.  Only that humble king could defeat death and bring life—real and true life—back to God's creation and gather a people forgiven, cleaned by his blood, and filled with his Spirit to become a new temple, a new holy of holies where the nations would—where the nations now—enter the presence of God. It was in that humble king that those Roman centurions saw something they had never seen before.  Their Caesar called himself the son of God, but in Jesus they saw the God of Israel at work in all his glory, in all his love, in all his mercy, in all his faithfulness—like no god they'd ever known—completely unlike any god or goddess honoured in the Pantheon.  Whether they knew it or not, those centurions that first Good Friday announced the defeat of Jupiter and Mars, of Hera and Diana, of Neptune and Vesta and all the others.  And they announced the defeat of Caesar, too.  In less than three centuries, the Emperor of Rome himself would be captivated by the good news about Jesus, the son of God, the great King who was setting the world to rights. But Brothers and Sisters, the good news about Jesus, crucified and risen, didn't go out through the empire and to the nations all on its own.  It was carried, it was stewarded by a people—by a church—that, itself, took on the humility of the Saviour.  The bones of those martyrs buried in the Pantheon are a testimony to the faithful and humble witness of Jesus' people in those early centuries.  They didn't just proclaim a message.  They lived it out as a community—as the vanguard of God's new creation born that first Easter morning.  In the midst of a world of darkness, of false gods and idolatry, of brutality and immorality hard for us to imagine today, they gave the pagans a glimpse of God's future.  By the way they lived, they lifted the veil and showed the world God's new creation.  It was not only the proclamation of the church, but the very life of the church that showed the world a better way, a way no one before had ever known. Here's the truth of it: The people of the humble king must be humble too or it's all for nought.  This is why Paul, writing to the Philippians, says to them, If our shared life in the king brings any comfort; if love still has the power to make you cheerful; if we really do have a partnership in the Spirit; if your hearts are at all moved with affection and sympathy—then make my joy complete!  Bring your thinking into line with one another.  In other words, if you're going to be a gospel community for all the world to see  Have this mind amongst yourselves!  Here's how to do it.  Hold on to the same love; bring your innermost lives into harmony; fix your minds on the same object.  Never act out of selfish ambition or vanity; instead, regard everyone else as your superior.  Look after each other's best interests, not your own.   But it's so hard to do that, Paul!  So, so hard!  And Paul knew that.  And so he takes them back to the cross.  Brothers and Sisters, everything goes back to Jesus and the cross!  This is how you should think amongst yourselves, Paul goes on—with the mind that you have because you belong to Jesus the Messiah.  And now he doesn't quote from the passion narratives because they weren't written yet, although I think that would have worked just as well.  Every Holy Week we immerse ourselves in the passion narratives and Matthew, Mark, Luke, and John remind us of the very thing Paul writes here.  But instead Paul breaks out into song.  He reminds them of a hymn they presumably all knew and he copies it out for them: Who, though in God's form, did not regard his equality with God as something he ought to exploit.  Instead, he emptied himself, and received the form of a slave, being born in the likeness of men.  And then, having human appearance, he humbled himself, and became obedient even to death, yes, even death on a cross.  And so God has greatly exalted him, and to him in his favour has given the name which is over all names.  That now at the name of Jesus every knee within heaven shall bow—on earth, too, and under the earth.  And every tongue shall confess that Messiah Jesus is Lord, to the glory of God the Father.   Paul reminds them of the humble king, the son of God who not only took on our flesh, but who gave his life in the most painful and humiliating way possible so that on his way to his throne he might take us with him. Brothers and Sisters, the only way we will ever be faithful in being the people Jesus has called us to be, the only way we will ever be faithful in being the new creation people the Spirit has made us, the only way will ever be faithful stewards of the gospel is to keep the cross of Jesus always before us.  There's a reason why we confess our sins before we come to the Lord's Table.  There is a reason that we repeatedly recall our unworthiness to enter the presence of God on our own merit.  There is a reason why, as we rise in the morning and as we go to bed at night, we confess our sins.  It's so that as we hear the absolution and as we come to the Table, we will remember just how gracious and merciful and loving God has been to us.  It's why we sing songs like “Amazing Grace”.  Amazing grace is such a sweet, sweet sounds, because apart from grace we are such sinful wretches.  And it is inevitable that when we forget this, when we start to think of ourselves as deserving of the gifts God has poured out on us, when we forget the heinousness and offensiveness of our sins and our rebellion against God, dear Friends, that's when we forget the true power of the gospel and the true mercy of the cross and the great depth of the love of God for sinners.  When we forget the sinfulness of our sin, we lose sight of the amazingness of God's grace.  Eventually we lose the mind of Jesus the Messiah and we cease to be the community of humble servants that he has made us.  And our light grows dim.  Our witness fails. We see it happening all around us in the West.  We've stopped talking about sin and we've thought more highly of ourselves than we ought.  We preach a doctrine of cheap grace.  And our light has gone dim.  Our churches have emptied and the culture has claimed them for its own.  In some they preach false gospels of prosperity or the divinity of man or the goodness of sexual perversion.  We setup idols to politics and earth power in them.  Some are literally gutted, becoming theatres or bars.  Others are little more than tourist attractions: testimonies to the power of the gospel in the days we proclaimed it, but now empty, dead shells.  The culture removes the cross and sets up altars to its idols.  Brothers and Sisters, before it is too late, let us knee before the cross of Jesus and look up.  Let it fill our vision.  Let us remember that he—the sinless son of God—died the death we deserve.  And let us meditate on the depth and power of his grace that we might share the humble mind of our humble king, that we might be the people he has called us to be, the people he has given his Spirit to make us, the people who will steward the gospel until every knee bows and every tongues confesses that Jesus the Messiah is Lord and gives glory to God the Father. Let's pray: Almighty and everliving God, in your tender love for mankind you sent your Son our Saviour Jesus Christ to take upon him our nature, and to suffer death upon the cross, giving us the example of his great humility:  Mercifully grant that we may walk in the way of his suffering, and also share in his resurrection; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever.  Amen.

Jennifer Saint worked as an English teacher in a secondary school for thirteen years, when all of a sudden, with an unexpected confidence, she felt the urge to write a novel. It wasn't just the confidence she could do it that surprised her, but the belief that it would do well. She was inspired by Greek mythology, and wanted to emphasise their relevance for the 21st Century. Her debut was 'Ariadne', which tells the legend of Theseus and the Minotaur from a female prespective. It was a Sunday Times Bestseller, a Waterstones Book of the Month, and was nominated for as their Book of the Year. She's also published 'Elektra' and 'Atalanta', also Sunday Times Bestsellers.Jennifer's new novel is 'Hera', who is Zeus' brother. Together, they overthrow their tyrannical father Titan Cronos... only Hera becomes confused with thoughts of power and leading. She is often portrayed as the jealous wife and wicked stepmother - Jennifer explains why she decided to spend a year with one of Greek mythology's most hated figures.We discuss how she picks her next retelling, also why as a teacher she wouldn't have liked how she gets to work as a writer, and what the point of Greek mythology is in 2025.Subscribe to the newsletter - writersroutine.substack.comSupport us on -patreon.com/writersroutineko-fi.com/writersroutineGet a copy of the book - uk.bookshop.org/shop/writersroutine@writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.

0:00 La NASA, la NASA, la NASA, siempre manda cohetes 3:18 El asteroide 2024 YR4 va ahora a por la Luna 10:29 ChatGPT calcula si vamos a morir 17:49 Minuto y resultado del programa CLPS de la NASA 24:20 Ya hay fecha para mandar al espacio a Katy Perry 26:52 El parche de Artemisa II (¡avances!) 27:39 Europa ya está para lanzar cohetes 34:27 Isar Aerospace tiene éxito total fallando 39:08 Hera se da un garbeo por Marte 42:32 Donde dije Starship V2 digo Starhip V3 48:54 Elon dice que Marte será parte de EEUU 53:57 Europa quiere ser el basurero espacial 56:18 El viaje de ida de Starliner dio canguele Le hemos pedido a una IA que resuma este episodio:En este emocionante episodio de PARSEC, Matías S. Zavia y Javier Atapuerca celebran el décimo episodio de la cuarta temporada, lleno de energía y entusiasmo por los vastos misterios del espacio. La introducción comienza con un guiño a la cultura pop, donde Matías deleita a los oyentes con un divertido poema sobre la NASA y sus cohetes.A medida que avanza el programa, los presentadores abordan una variedad de actualizaciones fascinantes sobre la exploración espacial, comenzando con el asteroide 2024 YR4. A pesar de que la NASA y la Agencia Espacial Europea han disminuido la preocupación por un posible impacto en la Tierra, el asteroide vuelve a ser noticia debido a una probabilidad creciente de que impacte en la Luna. Javier comenta sobre los planes para observar y aprender de este evento, mientras que Matías subraya la importancia científica de los impactos en la Luna, que pueden revelar su composición sin la necesidad de enviar misiones costosas.No se detienen ahí; el episodio también explora las recientes y emocionantes misiones espaciales. Desde el exitoso alunizaje de Blue Ghost, la sonda que ha demostrado el potencial de las misiones comerciales hacia Luna, hasta las controversias en torno a las fallidas. Javier comparte anécdotas sobre el progreso y los tropiezos de la misión Intuitive Machines, ofreciendo contextos sobre la evolución del programa Clips, lo cual saca a la luz las luchas que enfrentan las empresas emergentes en la carrera espacial.La conversación se lanza a la geopolítica del espacio, destacando la importancia de Europa en el sector espacial y su reciente inauguración del Ariane 6. A través de este marco, Matías y Javier reflexionan sobre la necesidad de mantener una competencia sana en el lanzamiento espacial frente a las gigantes estadounidenses. Hacen un llamado a la inversión y al apoyo en la Agencia Espacial Europea, enfatizando que, a pesar de las dificultades, Europa sigue siendo un actor relevante para la ciencia y la exploración espacial.El corazón del episodio late con referencias a la reciente exposición de basura espacial, donde ambos presentadores discuten el desafío que este fenómeno representa y las ambiciosas metas de la ESA. Desde la necesidad de una mayor conciencia sobre la situación en órbita, hasta las soluciones innovadoras que la comunidad espacial está tratando de implementar. Para cerrar, el programa toca la odisea del Starliner, revelando complicaciones que los astronautas enfrentaron en su camino a la Estación Espacial Internacional, y cómo la NASA continúa aprendiendo de cada misión. PARSEC es un podcast semanal sobre exploración espacial presentado por Javier Atapuerca y Matías S. Zavia. Haznos llegar tus preguntas por Twitter: @parsecpodcast@JaviAtapu@matiass Puedes escucharnos en todas las plataformas a través de parsecpodcast.com.

V novi epizodi se podava za sledovi primitivnih asteroidov. Odkrili sva, da se tudi planeti selijo, da poznamo več generacij asteroidov, da so si asteroidi in kometi podobni, vendar različni, ter da je lahko tudi pet gramov asteroidnega prahu pravi zaklad. Spremlja naju raziskovalka Tania Le Pivert-Jolivet, ki nam razkrije, kaj jo je najbolj prevzelo ob pogledu na vzorce asteroida Ryugu, ki jih je japonska misija Hayabusa 2 prinesla na Zemljo.Tania Le Pivert-Jolivet je podoktorska raziskovalka na Inštitutu za astrofiziko na Kanarskih otokih.Hvala vsem, ki podkast podpirate na ⁠⁠⁠https://ko-fi.com/temnastranlune⁠!—Zapiski epizode |Tania Le Pivert-Jolivet (Linkedin) misija Hayabusa 2 (spletna stran japonske agencije JAXA)misija DART (spletna stran NASA)misija Hera, nadaljevanje misije DART (spletna stran ESA)Opazovanja:(knjiga) G. Cannat,⁠⁠⁠ “Glej jih, zvezde! Najlepši prizori na nebu v letu 2025”⁠⁠⁠Preleti Mednarodne vesoljske postaje:⁠ ⁠⁠na spletni strani Vesolje.net⁠⁠⁠, na spletni strani⁠ ⁠⁠Heavens-Above⁠⁠⁠Vesoljsko vreme na Space Weather.comSeverni sij (stran v slovenščini): https://severnisij.si/Aplikacije za telefon: Stellarium, SkySafari, SkyPortal, Aurora (za polarni sij)Planetarij na računalniku: Stellarium----Logo: (predelan) posnetek Lune, avtorstvo NASA's⁠ Scientific Visualization Studio⁠Zvočni intermezzo: ⁠NASA/Hubble/SYSTEM Sounds (Matt Russo, Andrew Santaguida)⁠Glasba: Peli (⁠Opravičujemo se za vse nevšečnosti⁠)Podkast Temna stran Lune je del mreže aktivnosti Zavoda Cosmolab: https://www.cosmolab.si

[60✮ | D70 J50 ]  Juandapo y Diego hablan sobre la película animada del universo de El Señor de los Anillos que nos cuenta el comienzo de la leyenda de Helms Deep y un poco de la historia de los tercos de Rohan.a ·

Get ready for an in-depth conversation with Brittany, the general manager of Hera's Nightmare Haunted Attraction!

It's party time in Olympus. Heracles, the hero is now a god and about to be adopted by Hera. Before the rebirthing ceremony begins, he and the Queen of the gods must make peace in spite of all their suffering and loss. *Sensitive listeners be aware - some of this episode is gruesome* Written by Doug Rand and Bibi Jacob. Directed by Bibi Jacob. Sound and production by Geoff Chong. Featuring:  Doug Rand as Heracles, Sandy Bernard as Hera, Kester Lovelace as Apollo, Chris Mack as Hermes, Dario Costa as Zeus, Hephaestus and the groom, David Stanley as Diomedes, and Bibi Jacob as Hebe. Recorded at the SACD studios in Paris.  The quote comes from Diodorus Siculus' Library of History, Book 4, in a translation by CH Oldfather. Aristotle refers to Heracles in Book 3 of his Politics. For our other sources, check out our website!

We invite you to enjoy episode #63 of Hera ye, hear ye; A TX-Style Renaissance Podcast! IN this episode we visit the Once and Future General Manager, Jeff Baldwin. WE recorded this episode in the fall before the release of Ren Faire, the movie. When we spoke with Jeff he was once again the Entertainment director, after serving his second time as General Manager. He talks about the pain of losing the position and the need to return and the happiness of once again being a part of the Festival he cares so much about. Unbeknownst to him at the time of the recording, George Coulam, the volatile genius behind the Texas Renaissance Festival, would ask Jeff to return once again to be TRF's General Manager, a mere few months after this recording. In the episode he discusses returning to the festival and his hopes for the future. IT is a fascinating story of winning, losing, and redemption. Never daunted Jeff continued his mission for excellence. Always looking how best to serve the festival, his passion is unquestioned, it is easy to see why once again he would return to lead the TRF into the future.

Working with Spirit Guides gets to be completely normal when you're a witch, so today we're bringing together a panel of witches who work with guides in a variety of different ways. We're going over who they work with, the fears & skepticism they had when first working with guides, & what their overall experiences have been like. From Flidais to Death, The Morrigan, Apollo, Hestia, Hera, & Hecate… & everyone in between!

Blue Ghost wraps up two busy weeks on the Moon with a sunset, good news, the death star isn't pointing at us, and a new option for the Mars Sample Return mission. And our longer edition on Patreon, how supernovae could have caused two of Earth's mass extinction events.

Ian Carnelli, responsable du projet Hera à l'ESA (Agence Spatiale Européenne), était l'invité de François Sorel dans Tech & Co, la quotidienne, ce jeudi 20 mars. Il s'est penché sur la mission de défense planétaire Hera, la sonde Hera qui étudie un astéroï

On this week's episode we talk about:A woman claims her husband says she's too big to sleep with herA mother is accused of abandoning her three children living in a home by themself for 5 yearsA director of a parks division and her husband was charged with assault with a dangerous weapon and felony firearm after a fight in a gas station over a can of sodaAn Assistant Principal is accused of sexual assault of 20-year-old former studentTwitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/PnLJudgementals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@pnljudgementals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/PnLJudgementals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the__judgementals⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pnljudgementals@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music:  Bread Crumbs - Successful

Rocket Lab announces its intention to acquire Mynaric. A SpaceX Falcon 9 launches NASA's SPHEREx telescope and PUNCH mission from Vandenberg Space Force Base. D-Orbit and Eutelsat announce a collaboration for ESA's in-orbit servicing mission called RISE, and more. Remember to leave us a 5-star rating and review in your favorite podcast app. Be sure to follow T-Minus on LinkedIn and Instagram. Selected Reading NASA Launches Missions to Study Sun, Universe's Beginning Rocket Lab Announces Intention to Acquire Mynaric, Leading Laser Communications Provider, in Latest Strategic Step Toward Becoming an End-to-End Space Company Airbus Awards Rocket Lab Contract to Power Next-Gen OneWeb Constellation for Eutelsat- Business Wire D-Orbit and Eutelsat to collaborate for RISE, ESA's new in-orbit servicing mission  SpaceWERX selects eight companies for $440 million in public-private partnerships - SpaceNews China launches 18 satellites from Hainan commercial launch site - CGTN Rivada and Amentum Join Forces for Mission-Critical Connectivity Aitech and Intuidex Join Forces to Deliver AI-Accelerated Computing Solutions for Extreme Sea, Land, Air, and Space Missions Radian Aerospace and General Atomics Partner to Advance Next-Generation Aerospace Technologies Space42, Viasat to build LEO system- Advanced Television Sidus Space and Warpspace Sign MOU to Launch Joint Venture to Develop Advanced Optical Space Communication- Business Wire To support the growth of the space economy, Saudi Arabia and South Korea are strengthening their cooperation in space-related fields LeoLabs to build space-monitoring radar in Indo-Pacific region - SpaceNews NASA's SpaceX Crew-10 Astronauts to Advance Biomedical, Materials, and Physical Sciences via the ISS National Laboratory ROCKET LAUNCH: NASA's SpaceX Crew-10 - Kennedy Space Center Events ESA - Watch live: Images from Hera's Mars flyby T-Minus Crew Survey We want to hear from you! Please complete our 4 question survey. It'll help us get better and deliver you the most mission-critical space intel every day. Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at space@n2k.com to request more info. Want to join us for an interview? Please send your pitch to space-editor@n2k.com and include your name, affiliation, and topic proposal. T-Minus is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this new episode for bedtime, I tell you two great myths from Ancient Greece:• The Story of Orpheus, the legendary poet and musician, and how he tried to rescue his wife Eurydice from the realm of Hades and Persephone.• The Story of Jason and the Argonauts, who embarked on the Argo on an epic quest to retrieve the Golden Fleece.In these stories we will meet numerous gods and other beings, like Zeus, Poseidon, Hades, Hera, Athena, Demeter, Persephone, Aphrodite, Chiron the Centaur, Charon the Ferryman, Cerberus, Calliope the Muse, and Medea the Enchantress. Welcome to Lights Out LibraryJoin me for a sleepy adventure tonight. Sit back, relax, and fall asleep to documentary-style stories read in a calming voice. Learn something new while you enjoy a restful night of sleep.Listen ad free and get access to bonus content on our Patreon: ⁠⁠⁠https://www.patreon.com/LightsOutLibrary621⁠⁠⁠Listen on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LightsOutLibraryov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ¿Quieres escuchar en Español? Echa un vistazo a La Biblioteca de los Sueños!En Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/1t522alsv5RxFsAf9AmYfg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠En Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/la-biblioteca-de-los-sue%C3%B1os-documentarios-para-dormir/id1715193755⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠En Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LaBibliotecadelosSuenosov⁠⁠⁠

https://solvitryggva.is/ Hera Björk Þórhallsdóttir er löngu orðin landsþekkt fyrir afburðahæfileika á sviði sönglistar. Í þættinum fer hún yfir ótrúlega atburðarrás í kringum þátttöku sína í Eurovision, þar sem ráðist var á hana úr öllum áttum fyrir það eitt að ákveða að draga sig ekki til baka úr keppninni. Einnig ræða Sölvi og Hera um feril Heru, föstur, kærleika og margt fleira. Þátturinn er í boði; Caveman - https://www.caveman.global/ H-Berg - https://hberg.is/ Nings - https://nings.is/ Myntkaup - https://myntkaup.is/ Kaja Organic - https://www.kajaorganic.com/

Austin's Anastasia Hera has been blending her brand of rap and R&B for almost fifteen years. In addition to releasing her own solo work, leading her group Anastasia and the Heroes, and putting her mark on various other projects, she's also the founder of CAKE (Creativity, Abundance, Knowledge, Education), a non-profit empowering and educating women […] The post Anastasia Hera: “Ambitions” (Live in Studio 1A) appeared first on KUT & KUTX Studios -- Podcasts.

On today's episode, we're diving into what's going on with Near-Earth Asteroid 2024 YR4. You may have heard online that this asteroid is on a trajectory to impact Earth on December 22nd, 2032. It's captured the zeitgeist and everyone's talking about it.  But what can we do in the meantime? We say - Let's learn! We need to science the $%#t out of this one! We're going to explore the idea of planetary defense, the level of impact if it does hit Earth in 2032, and how lucky we are to have successful missions like DART and HERA to lean on for our “armageddon” moment.  We'll also try to answer these questions: What is the Asteroid? What is the impact potential on Earth? How was it discovered? Why do the impact probabilities keep changing? What can we do about it? Why don't we just NUKE it? Keywords: asteroid 2024 yr4, planetary defense, impact probability, kinetic impactor, Dart mission, Hera mission, James Webb Space Telescope, automated detection, NASA funding, public interest, Tunguska event, city killer, orbital changes, nuclear option, planetary defense systems Timestamps: 00:00 Asteroid 2024 YR4 Overview and Initial Concerns 03:03 Discovery and Initial Observations 05:30 Probability Changes and Data Limitations 07:25 Public Interest and Planetary Defense 10:35 Kinetic Impactor Defense and Future Missions Here's to building a fantastic future - and continued progress in Space (and humanity)!  Spread Love, Spread Science  Alex G. Orphanos  We'd like to thank our sponsors:  AG3D Printing  Follow us: @todayinspacepod on Instagram/Twitter @todayinspace on TikTok /TodayInSpacePodcast on Facebook  Support the podcast: • Buy a 3D printed gift from our shop - ag3dprinting.etsy.com • Get a free quote on your next 3D printing project at ag3d-printing.com • Donate at todayinspace.net #spacecraft #technology #aerospace #spacetechnology #engineer #stem #artemis #astronaut #spacewalk #crewdragon #falcon9 #elonmusk #starship #superheavybooster #blueorigin #newglenn #rocket #jaredisaacman #nasahistory #spaceshuttle #lignosat #woodinspace #iamgroot #jaxa Sources: Chris Hadfield's thoughts on the Asteroid https://www.instagram.com/reel/DGI-_CNugG7/?igsh=emkwNTA5cnp2emc1 blogs.nasa.gov https://cneos.jpl.nasa.gov/news/news210.html https://science.nasa.gov/solar-system/asteroids/2024-yr4/ https://nypost.com/2025/02/17/science/see-images-of-the-city-killer-asteroid-with-a-1-in-48-chance-of-hitting-earth/ http://dashboard.fallingstar.com/dash/chl.html https://arstechnica.com/space/2025/02/the-odds-of-a-city-killer-asteroid-impact-in-2032-keep-rising-should-we-be-worried/ https://www.newscientist.com/article/2466186-building-sized-asteroid-has-a-small-chance-of-hitting-earth-in-2032/ X Posts @MarioNawfal (Post ID: 1) - January 29, 2025: Reports a 1-in-83 chance, aligning with early estimates. URL: https://t.co/ftZVwBWb8e @JustinFleenor (Post ID: 5) - February 18, 2025: Lists a 3.1% chance (1-in-32), with observation arc and scales. URL: https://t.co/NP1WxR6FHF @JustinFleenor (Post ID: 3) - February 19, 2025: Updates to 1.5% chance (1-in-67), reflecting the latest drop. URL: https://t.co/BPQTtZYpM5 @astroEdLu (Post ID: 0) - February 7, 2025: Mentions a 2.3% chance with impact location modeling by B612 Foundation. URL: https://t.co/DP21bMeIdT  

No hay mitología antigua más conocida que la griega. Su origense pierde en la noche de los tiempos. Se remonta de hecho a a la civilización micénica, lo que nos llevaría más un milenio antes de Cristo, pero fue en la conocida como Grecia arcaica (allá por los siglos VIII-VI a. C.) cuando estas historias comenzaron a tomar forma y a ser plasmadas en la literatura, especialmente a través de las obras de Homero y Hesíodo. La Ilíada y la Odisea de Homero, relatos épicos de la guerra de Troya y el accidentado regreso de Ulises a Ítaca, nos muestran un mundo de dioses antropomorfos, poderosos e impredecibles que interactúan constantemente con los mortales. Pero la mitología griega tiene su propia lógica interna. Con ella pretendían explicar no sólo lo que sucedía, sino el mismo origen del mundo. Hesíodo en su “Teogonía” detalla una genealogía de los dioses, desde el Caos primordial hasta la generación de Zeus y los Olímpicos, estableciendo así un orden cósmico y explicando el origen del universo. En el Olimpo reinaba Zeus con una numerosa corte poblada por figuras dotadas de virtudes y defectos, pasiones y rencores, muy similares a las de los humanos. Hera, la celosa esposa de Zeus; Poseidón, el iracundo dios de los mares; Hades, el sombrío señor del Inframundo; Afrodita, la irresistible diosa del amor; Apolo, el luminoso dios de las artes y la adivinación; Artemisa, la indomable diosa de la caza; Ares, el impetuoso dios de la guerra; Atenea, la sabia diosa de la estrategia y la artesanía; Hefesto, el ingenioso dios del fuego y la metalurgia; y Hermes, el astuto mensajero de los dioses, eran solo algunos de los miembros de este panteón divino, cuyos caprichos y rivalidades influían en el destino de los mortales. Junto a los dioses, los héroes ocupaban un lugar destacado en la mitología griega. Hombres de fuerza y astucia excepcionales, los héroes se enfrentaban a un sinfín de peligros y realizaban hazañas extraordinarias. Muchos de ellos han pasado a la historia como Hércules, el héroe de la fuerza sobrehumana, famoso por sus doce trabajos; Perseo, el vencedor de Medusa; Teseo, que acabó con el Minotauro; Jasón, el jefe de los Argonautas que buscaban el Vellocino de Oro; y Aquiles, el invencible guerrero de la Ilíada, son algunos de los ejemplos más conocidos de héroes cuyas leyendas han inspirado a generaciones de artistas y escritores. La mitología griega también pobló el mundo de criaturas fantásticas, seres híbridos y monstruos aterradores que encarnaban las fuerzas de la naturaleza o los peligros que acechaban a los humanos. El Minotauro, mitad hombre y mitad toro; la Quimera, con cabeza de león, cuerpo de cabra y cola de serpiente; Cerbero, el perro de tres cabezas guardián del Inframundo; las Sirenas, cuyo canto condenaba a los navegantes a la perdición; y las Gorgonas, cuya mirada petrificaba a quien las contemplaba, son solo algunas de las criaturas que poblaron la imaginación de los antiguos griegos. La mitología griega influyó profundamente en el arte y la filosofía de la antigua Grecia. Los dioses y los héroes eran objeto de culto y veneración. Sus historias eran representadas en esculturas, pinturas y obras de teatro. Los filósofos, por su parte, reinterpretaron los mitos y buscaron en ellos significados más profundos sobre la naturaleza humana y el cosmos. Era un panteón tan poderoso el de los griegos que los romanos terminaron adaptándolo. Con el paso del tiempo y la llegada del cristianismo, la mitología griega continuó ejerciendo una poderosa influencia en la cultura occidental. Sus historias y personajes han sido interpretados y representados a lo largo de los siglos, han inspirado a artistas de todas las épocas y han servido como fuente inagotable de símbolos y metáforas. Hoy la mitología griega sigue viva en el arte, la literatura, el cine, los videojuegos y algunos libros ilustrados magníficos como el que nos reúne hoy en La ContraHistoria: “La mitología griega como nunca antes te la habían contado”, la enésima maravilla de Academia Play. Entre Alberto Fernández y Javier Rubio Donzé han conseguido dibujar y escribir un libro redondo del que es imposible salir sin que la mitología griega te haya conquistado por completo. Bibliografía de Academia Play: - "La mitología griega como nunca antes te la habían contado" - https://amzn.to/4k5fgJh - "La historia como nunca antes te la habían contado" - https://amzn.to/3XaFUqk - "La historia de España como nunca antes te la habían contado" - https://amzn.to/41psYiH - "Veinticinco grandes batallas de la historia" - https://amzn.to/412GCHc · Canal de Telegram: https://t.me/lacontracronica Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva #FernandoDiazVillanueva #mitologia #academiaplay Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

durée : 01:59:30 - Les Matins du samedi - par : Nicolas Herbeaux - Cette semaine dans les Matins du samedi on s'interroge sur la trajectoire d'un astéroïde, l'impérialisme russe face à la "société secrète", les négociations de paix imposées de force par Trump et Poutine à Zelenski, et le premier roman d'Adèle Yon sur son aïeule jusqu'ici réduite au silence. - réalisation : Jean-Christophe Francis - invités : Patrick Michel Astrophysicien, directeur de recherche CNRS au laboratoire Lagrange de l'Observatoire de la Côte d'Azur. Il est responsable scientifique de la mission européenne Hera; Sylvie Bermann Diplomate française; Dimitri Minic Chercheur, Centre Russie/Eurasie de l'IFRI; Filipp Dzyadko Ecrivain, ancien rédacteur en chef d'un grand magazine d'opposition en Russie; Adèle Yon Romancière, Docteure SACRe - ENS

Narrator: Thomas Jones

Narrator: Thomas Jones

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Liv answers more listener questions, from cats in both modern and ancient Greece to Hera's attempted coup and everything in between. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.