Podcasts about Hera

President Zelensky has fired his Commander-in-Chief Oleksandr Syrskyi, bowing to pressure from nationwide protests sparked last week by the controversial sacking of popular Defense Minister Mykhailo Fedorov, who was credited with leading Ukraine's successful drone campaign against Russia. The Ukrainian leader's damage control exposes growing internal rifts over the nation's war-time leadership. Tymofiy Mylovanov is the Ukraine's former minister of economy and he joins the show from Kyiv.  Also on today's show: LaMonika Jones, Director, DC Hunger Solutions; Kathy Baughman, CEO, HERA (NGO that works to protect women in low-income communities from extreme heat)    Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ronald Young Jr. reviews The Odyssey with Rosie Knight…RYJ wonders if Hollywood will learn the right lessons from this massive film or will we just end up with a bunch of sword and sandals derivatives for the next 5 years… RK & RYJ - 4 of 5 starsFind out more about Rosie Knight hereFollow me on IG, TikTok, Threads, Bluesky, and Letterbxd - @ohitsbigronAvailable in theatersStarring Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, and Charlize TheronWritten and Directed by Christopher NolanFor more information about The Odyssey, check out this linkSupport Leaving The Theater on Patreon using this link

July 18, 1999 Meye, Holland

Cast:Brandon Boler as ZeusAnya Clingman as CalliopeElizabeth Ellis as Hera & MedusaTate A. Geborkoff as AresPaige Hauer as PersephoneMiguel Long as GanymedeValerie Lyvers as Athena & DionysusRJW Mays as DemeterShayne Patrick as PoseidonAdam Qutaishat as HermesJulian “joolz” Stroop as AphroditeRyan Tang as Apollo & IcarusMarie Tredway as ArtemisTheo Zucker as EurydiceCrew:Tate A. Geborkoff - Author, ProducerRachel Staelens - Director, ProducerBrandon Boler - ProducerJoe Palermo - Director of SoundRoy Freeman - Musical Director & ComposerDrew Durfee - Podcast ManagerDesiree Stypinski - Marketing Assistant, Social Media Lead

Sarah Hadland will be a familiar face to many, having played numerous roles over the years, but is probably best known for her role as Stevie in the BAFTA-nominated sitcom Miranda. Currently on stage in London's West End, she joins Nuala McGovern to discuss her latest role as Alice in The Truth, a fast-paced comedy of infidelity and duplicity. The second phase of the Southport inquiry will resume in September. It was set up after Bebe King, Elsie Dot Stancombe and Alice da Silva Aguiar were murdered at a dance class in 2024. Its chairman Sir Adrian Fulford wants to find ways to respond to the dangers posed by violence-fixated individuals - individuals who may carry out extreme violence, where ideology is not the primary driver. The government programme Prevent focuses on tackling extremist ideologies that lead to violence and aims to stop people from becoming terrorists or supporting terrorism. Lord Anderson was the Independent Prevent Commissioner from January 2025 to April 2026, who published an independent review 'Lessons for Prevent' which also looked at why Prevent failed to stop the Southport attack. Some are asking whether misogyny should be considered an ideology within government schemes. Nuala discusses with Lord Anderson and Dr Ruth Tulley, a consultant forensic psychologist. We're in the middle of our third heatwave of the year - and temperatures are set to climb again later this week. Scientists say that what makes this year's heatwaves distinct is that right across Europe temperatures have remained high overnight as well as in the day. In June, London alone recorded five consecutive nights over 20 degrees Celcius, what meteorologists call "tropical nights". The temperatures inside many homes will have been much higher. Lots of us are reporting struggling to sleep. Consultant Paediatrician, Dr Guddi Singh and GP, Dr Sarah Jarvis join Nuala to discuss what to do if you are caring for a baby. The author Jennifer Saint has retold some of the best-known stories from Greek literature and mythology through the eyes of women: Ariadne, Atalanta, Electra and Hera. In her latest novel, This Immortal Heart, Jennifer turns to Aphrodite, the ancient Greek goddess of love and reimagines Aphrodites' relationship with Ares, the god of war. Jennifer joins Nuala to talk about how stories that originated over two thousand years ago and their themes can tackle contemporary questions about female agency and identity – and what happens when two seemingly opposite forces – love and war - are drawn irresistibly together.Presented by Nuala McGovern Producer: Louise Corley

Folge 7 ist leider in Zoom verloren gegangen. Hier die Zusammenfassung: Nach der Fertigstellung der Krankenstation und Verbesserungen an der Wasserversorgung bereiteten wir den Angriff auf das Hasenkönigreich vor. Hera erkundete dessen Tunnel, während Lemieux Verbindungen zum verseuchten Fluss grub. Anschließend reisten wir mit Beetus nach Fort Death, einem verfallenen Parkhaus voller benzinverrückter Fahrer. Nach einer ruppigen Begrüßung überzeugten wir Anführerin Lexika von unserem Plan. Um auch ihren Clan zu gewinnen, mussten wir an einem gefährlichen Wettrennen teilnehmen. Trotz eines explodierenden Fahrzeugs siegten Hawking, Beetus und ich spektakulär. Fort Death schloss sich uns an. Beetus blieb als Botschafter zurück, während Laughing Bob uns nach Pegasus begleitete. Damit war die Allianz besiegelt. Und hier Folge 8, unsere Weihnachtsfolge: In den letzten Wochen hat die Enklave viele schwierige Entscheidungen getroffen. Während unsere Helden sich mit diesen Fragen beschäftigten, waren auch die Bewohner besorgt. Strider z. B., der sich eine klare Meinung bildete und in Anbetracht der Veränderungen einige Vorschläge beim Albino machte. In diesen Tagen des Jahresende fallen weiße Flocken vom Himmel. Kein Schnee, sondern leicht graue Asche einer vergangenen Apokalypse. Trotz dieses Zeichens der Vernichtung kehrt eine gewisse, heimelige Stimmung in die Enklave ein. Heute dabei sind: Hawking, gespielt von Manu Und Lemieux 36, gespielt von Simon. Barrett 96, gespielt von Korn Kadmos, gespielt von Niels kommt späte --- Regelsystem: Mutant Year Zero Podcast | Rollenspielpodcast (neomancerrpg.wixsite.com) https://www.patreon.com/1W3Rollenspieler Music by: Tabletop Audio - Ambiences and Music for Tabletop Role Playing Games Intro Music by: Inhuman - Post Apocalyptic, Dark, Ambient; ShadowsAndEchoes Cover by Gemini

Kia ora e te ball bags! Producer Arun here putting together all the best bits you missed from the show today, FYI no Fame today so it might sound a lil different: Storme mixes up Storme’s Diary by doing a show and tell. If Tegan is stressed, look for these signs. Nickson reveals his worst fear. Hera wins a $5,000 travel voucher thanks to Disney’s Moana! Storme is playing silly games at his local pub… Storme reckons he can get any Māori to sing with these songs… The R&B queen that is Ashanti joins us on the show to talk about her tour! Thanks for listening ya mongrels! Lots of love Producer Arun, Producer A-aron, Producer Alonaa, Producer Kanuka, Producer Mah BROTHAH, Bad Boy Alan! xx

Sam, Dylan, and Dark Smith are back to break down: Dark Smith off nicotine and Sam 12 days off "corn," both in a vulnerable state, CERN switching off the Large Hadron Collider for a three-and-a-half-year shutdown and the theory that we've been living in a CERN-created alternate dimension this whole time, the newly released MKUltra files and Whitey Bulger dosed with LSD for five days straight seeing demons, Allen Dulles launching the program under the "China can't beat us to mind control" excuse, Operation Midnight Climax and the CIA's hooker safe houses with two-way mirrors, the yoni-steaming trend taking over social media, the Ark of the Covenant supposedly located via the CIA's Project Sun Streak remote-viewing psychics, Marc Andreessen and the bankers hoarding ancient occult knowledge, the theory that most ancient religion is just sky-god ejaculation myths (the Milky Way as Hera's breast milk), Trump's disclosures showing over $1 billion from crypto and him being the Michael Jordan of corruption, the 60 Minutes segment on the $800 million oil short placed 15 minutes before Trump's Iran ceasefire post, predictive markets like Kalshi and Polymarket weaponized as propaganda, Trump buying Axon stock days before ICE handed them a contract, Trump ripping up the White House floor for Italian marble paid out of the National Parks fund, the handout comparing Trump to Attila the Hun, and a Sports Corner meltdown over Emmanuel Acho saying the WNBA doesn't need Caitlin Clark anymore plus the pitch to fund a pro roller derby league with Sam as commissioner. Happy 250th birthday, America. Subscribe and give us that sweet brown hype.   Grab Tickets To Sam Tripoli's Live Shows At: https://samtripoli.com/events/   Miami, Fl: 7/31-8/1 Lawerence, KS: 9/17-9/19 Tulsa, OK: 10/9-10/10 Dallas, TX: 11/07 New Orleans, LA: 11/13 - 15 Austin, TX: DEC 11th-13th:   Buy Our Merch or Sam Will Fight You: https://conspiracy-social-club-aka-deep-waters.myshopify.com/   Subscribe to the Patreon: https://www.patreon.com/AkaDeepWaters   Check out Dylan's instagram - @dylanpetewrenn   Check out Deep Waters Instagram: @akadeepwaters   Check out Bad Tv podcast: https://bit.ly/3RYuTG0   THANK YOU TO OUR SPONSORS:   BLUECHEW.COM Promo code "DEEP" for 3rd Month FREE + 10% OFF & FREE Shipping

Kämpe ich gegen mich selbst, wenn ich gegen Evil Cora kämpfe? Kann ich überhaupt gewinnen, wenn mein ganzes Volk dem Tod geweiht ist? Jetzt gilt es eine Entscheidung zu treffen.

The Greek gods live high on Mount Olympus, and from time to time - they sing! As the gods celebrate Artemis and Apollo's triumph over the twin giants, they sing their Olympian anthem - "Look for Us!" CHORUS:In the sun, the moon, the starsNo matter where you areKeep us in your heart and look for usKnow that this is always trueAll our stories live in you APOLLO:  In the rising sun, recall my melodies APHRODITE: I live in passion, desire and beautyARTEMIS: See me in the wild, in the light of the moonATHENA: You'll find me in wisdom, and freedom tooCHORUS:We're never far awayIn the sun, the moon, the stars No matter where you are Keep us in your heart and look for us Know that this is always trueAll our stories live in you They live in youLETO: In a mother's love , feel my presence there DIONYSUS: In the frenzy of a party , feel my joy in the air ZEUS: In the midst of a storm hear the power of my thunder HERA: In marriage, see my spirit HERMES: And in mischief know my wonderCHORUS 2:We're never far awayIn the sun, the moon, the stars No matter where you are Keep us in your heart and look for us Know that this is always trueAll our stories live in you We're never far awayJust look for us  Olympus forever!Eric Berryman is Dionysus, Ato Blankson-Wood is Apollo, Jill Frutkin is Aphrodite, Libby King is Athena, Ian Lassiter is Zeus, Christina Liberus is Artemis; Kimberly Marable is Leto, Nedra Marie Taylor is Hera, and André De Shields is Hermes."Look for Us" (and all of Live from Mount Olympus music and songs) was composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett.

Four women, three missions, one artist and a comet parked in space. Inside the Asteroid Day Festival episode of The Lisa Burke Show. For the Asteroid Day Festival in Luxembourg, four remarkable women came into the RTL City studio, three scientists and one artist, each travelling through heat, early flights and long journeys because they care deeply about how we explore, understand and protect ourselves from objects in space. My guests were Dr Stefania Soldini, Associate Professor in Space Engineering at the University of Liverpool and Director of the new Zero-G AstroLab; Sabina Raducan, planetary scientist at Vrije Universiteit Brussel and the Royal Observatory of Belgium; Professor Kathrin Altwegg, Professor Emeritus in Space Research and Planetology at the University of Bern; and Aura Satz, a London based artist working with film, sound, performance and sculpture. What asteroids are, and why we chase something so small and so far away An asteroid, as Stefania Soldini explained, is a small rocky object that never became a planet. That is exactly why it matters. These bodies preserve information from the birth of the Solar System more than 4.5 billion years ago. They may carry clues about planets, water and perhaps even how the building blocks of life came to Earth. “We scientists are interested because they retain some clues of maybe how life has been brought to Earth.” Stefania worked at Japan's Aerospace Exploration Agency, JAXA, on the famous Hayabusa2 mission to asteroid Ryugu. Hayabusa2 is still working and will fly past a new asteroid on 5 July 2026. Sending a spacecraft to a body around one kilometre across, about 100 million kilometres away, with a communication delay of around 40 minutes, is engineering on a scale that is hard to hold in the human mind. Hayabusa2 collected material twice: once from the surface and once from below it after creating a crater. Those samples were then returned to Earth, giving scientists access to material from a world we could never touch with human hands. “When you see the object for the first time, you think, oh wow, it's nothing like we thought it was.” That sentence captures the drama of asteroid exploration. The maths can take you there, the engineering can keep you alive, but the asteroid itself still has the power to surprise you. Hayabusa2 and DART: touching an asteroid, then deliberately hitting one From Hayabusa2, we moved to Sabina Raducan and NASA's DART mission, the Double Asteroid Redirection Test. This was the world's first real attempt to deflect an asteroid by deliberately crashing a spacecraft into it. The target was Dimorphos, a tiny moon around 160 metres across, orbiting the larger asteroid Didymos. The spacecraft was moving at more than six kilometres per second and had to find its target autonomously. The main asteroid became visible only about an hour before impact. The actual target appeared only minutes before the spacecraft hit it. “It was a complete success. So we can all feel safe. So far.” It is an extraordinary thing to hear. Humanity has tested a way to move an asteroid. It was real planetary defence, built on decades of maths, modelling, engineering and international collaboration. “The actual target became visible only a few minutes before the impact.” Hera: the European mission going to inspect the aftermath Because DART was destroyed on impact, we still do not know exactly what happened to Dimorphos. Did it leave a crater? Did it reshape the asteroid? How much material was thrown out? How did that ejecta change the momentum of the system? That is the job of Hera, the European Space Agency mission now on its way to the Didymos system. Both Sabina and Stefania work on Hera, which will inspect the result of DART and help turn a successful test into knowledge we can use if Earth ever needs protecting. “We know the asteroid was not completely destroyed. But we don't know what the crater looks like. If there even is a crater.” Whatever happens in geopolitics, science continues to show what collaboration can look like at its best. Rosetta and the comets: an archaeologist in space Professor Kathrin Altwegg then took us from asteroids to comets. A comet, she said with characteristic humour, is cooler than an asteroid in every sense. It is much colder, around minus 240 degrees, and it contains ices preserved from the early Solar System and beyond. As Principal Investigator for the ROSINA instrument on ESA's Rosetta mission to comet 67P, Kathrin helped analyse some of the most pristine material we have ever encountered. Rosetta found water, gases, organic molecules and amino acids, the building blocks of life. She was very clear: this is prebiotic material, not life itself. But the implication is enormous. “It's archaeology, but with a lot of zeros in the years.” For Kathrin, cometary science reaches into the great questions: where do we come from, where are we going, and are we alone? She explained that some of the material found in comets is older than our Solar System. If it is universal, then what happened here on Earth could have happened elsewhere. Her answer on life beyond Earth was characteristically direct: almost certainly yes, but probably microbes rather than life as we are. “A comet is just a more cool asteroid.” Rosetta was also a lesson in human commitment. This was a mission measured in decades: 10 years of planning, 10 years of building, 10 years of cruise through space, two years of measurements, then many more years of data analysis. When I asked how anyone stays committed for that long, her answer was unforgettable. “You get high on comets.” Apophis in 2029, and an honest answer about the risk In 2029, an asteroid called Apophis, around 300 metres across, will pass extremely close to Earth, at roughly the distance of geostationary satellites. Once considered a possible risk, it has now been ruled out as an impact threat. It will not hit Earth. Still, the conversation gave us an honest and useful way to think about risk. Dinosaur scale impacts are extraordinarily rare. Smaller objects, around 30 metres and under, are usually dealt with by Earth's atmosphere. The objects that deserve real attention are around 100 metres across: big enough to cause serious local damage, but small enough that we may be able to act. “These are the ones that we can do something about.” Kathrin would not offer false comfort for the truly enormous asteroid scenario. Planetary defence is therefore not about panic. It is about seeing early, understanding properly and acting in time, if we can. The artist in the room: how we listen to warnings Aura Satz came into the conversation from a different direction. She is not an asteroid scientist, but her work on sirens, sound and emergency listening felt unexpectedly central to Asteroid Day. Her film Preemptive Listening explores how we hear warnings, how we respond to alarm and whether emergency signals can do more than frighten us. Her work asks a question that belongs in planetary defence too: how do we listen to danger before it is too late? “Does an alarm have to be alarming?” Aura described a siren as a call to attention, something that gives an instruction and points to a possible future. In that sense, an asteroid warning system is also a kind of siren, one aimed not at panic, but at survival. “It points to the possibility of survival.” Her film installation is currently on display as part of the exhibition état bruit at Konschthal Esch in Luxembourg. This is exactly the kind of outreach the scientists said they need. The science is extraordinary, but it has to be heard, understood and felt by the public. Advice for anyone who loves space but fears the maths One of the most encouraging parts of the conversation came when I asked whether there is room in space science for people who are not brilliant mathematicians or engineers. The answer was yes. There is room for communicators, artists, outreach specialists, technicians, geologists, chemists, programmers, observers and people who can help translate difficult science into public understanding. “You don't have to be very good at mathematics. There are ways around it.” From Stefania and Sabina came advice that applies far beyond space: follow your passion, take opportunities when they come and keep going. In missions that last years or decades, perseverance matters as much as brilliance. One last image: a spacecraft parked in space, waiting My favourite image came from Kathrin. The next comet mission, Comet Interceptor, is planned for launch in 2028 or 2029. But it will not fly to a known target. It will park in space and wait, sometimes for years, for a brand new comet entering the inner Solar System for the first time. A spacecraft, waiting patiently in space for a comet that has not yet arrived. A target that does not yet have a name. “It depends on the patience you have. I told you it's a fun mission.” So we will keep watching that little parked spacecraft. We will think of these four women, and of everything they have given to science, space engineering, art and public understanding. Asteroid Day is about rocks in space, yes. But it is also about us: how we listen, how we collaborate, how we imagine the future, and how we learn to defend the only planet we currently call home. Links and further reading Stefania Soldini, Zero-G AstroLab at the University of Liverpool: https://www.liverpool.ac.uk/research/space/space-robotics/ Stefania Soldini on LinkedIn: https://www.linkedin.com/in/dr-stefania-soldini-42524651 Sabina Raducan on LinkedIn: https://www.linkedin.com/in/sabina-raducan-bb511a71/ ESA Hera mission overview: https://www.esa.int/Space_Safety/Hera/Hera_mission_overview Kathrin Altwegg and ESA's Rosetta mission: https://www.esa.int/Science_Exploration/Space_Science/Rosetta Aura Satz: https://aurasatz.com Instagram: @aurasatz Konschthal Esch, Luxembourg: https://www.konschthal.lu

The Plot Begins: Rage and Divine Bargains. Guest: Professor Emily Wilson. The plot of the Iliad is ignited by a clash of egos between Agamemnon and Achilles. When Agamemnon is forced to return his own war prize to appease Apollo, he seizes Achilles' enslaved woman, Briseis, to recoup his lost face. This action causes Achilles to withdraw from the fighting, perversely restoring his honor by demonstrating how much the Greeks suffer without him. This human conflict is mirrored by divine bargaining; for instance, Hera is so intent on destroying Troy that she offers to let Zeus destroy three of her own beloved cities, including Sparta, in exchange for his cooperation. The Greek audience would have recognized the historical weight of these fallen cities. Wilson interprets Agamemnon not as a simple villain, but as a weak and struggling leader who often blames his poor decisions on divine delusion rather than taking personal responsibility. Despite his flaws, the poem illustrates the immense difficulty of maintaining power and making decisions under the influence of manipulative gods. 5

The Gore of Battle and the Sanctity of the Dead. Guest: Professor Emily Wilson. The Iliad features vivid and gory battle scenes that Wilson rendered by consulting with combat veterans to understand the visceral nature of death. Homeremphasizes the specific details of how each man dies, often juxtaposing the brutality of a spear through an eyeball with beautiful similes from the natural world. A major theme is the treatment of the dead; the poem views the corpse as the person, requiring those who loved the warrior to wash, wrap, and lament him. Entire books are dedicated to the struggle of reclaiming a fallen comrade's body, as desecrating a corpse is seen as the ultimate victory over an enemy. Stripping the armor from a victim serves as both an economic prize and a symbol of total dominance. While the gods like Poseidon and Hera intervene to support the Greeks, they also remain distinct from mortals by "bleeding" a substance called ichor. These divine and human elements culminate in the pivotal death of Patroclus, which shifts the direction of the entire war. 6

Zhvillimet kryesore të ditës nga vendi, rajoni dhe bota i gjeni të pasqyruara në edicionet informative të lajmeve në Top Albania Radio. Në këtë hapësirë pasqyrohen lajme dhe ngjarje në kohë reale të përpiluara e përcjella pa anshmëri dhe me objektivitet. Informimi real e profesional është misioni i Top Albania Radios.

Zhvillimet kryesore të ditës nga vendi, rajoni dhe bota i gjeni të pasqyruara në edicionet informative të lajmeve në Top Albania Radio. Në këtë hapësirë pasqyrohen lajme dhe ngjarje në kohë reale të përpiluara e përcjella pa anshmëri dhe me objektivitet. Informimi real e profesional është misioni i Top Albania Radios.

En Hijos de Punta conversamos con Lorna Evans: piloto de avión, médica especializada en medicina aeroespacial e investigadora vinculada a proyectos de la NASA. Actualmente participa del proceso de selección del programa HERA de astronautas análogos y sueña con integrar futuras misiones Artemis.Una charla inspiradora sobre ciencia, tecnología, exploración espacial, el cuerpo humano, la perseverancia y el desafío de convertir un sueño que parece imposible en una realidad paso a paso.

Dormir nos primeiros meses de um bebé devia vir com manual… mas raramente vem, e quase nunca vem com descanso incluído!

When Eris, goddess of discord, crashes the wedding of the mortal Peleus and sea goddess Thetis, she wreaks her usual havoc.  Eris throws a golden apple into the party, which is inscribed “For the goddess who is most fair.” Her mischief sparks a tussle between Athena, Hera and Aphrodite that transforms the entire world. Live from Mount Olympus is produced by the Onassis Foundation. Karen Brooks Hopkins is executive producer. Our series creator and showrunner is Julie Burstein. Live from Mount Olympus is co-produced by the Brooklyn-based theatre collective The TEAM. Our directors are Rachel Chavkin, Josiah Davis, Joan Sergay, and Keenan Tyler Oliphant.Our actors are: Eric Berryman (Dionysus, Pan, Zephrys); Ato Blankson-Wood (Apollo); Josiah Davis (Ganymede); Jill Frutkin (Aphrodite); Joanne Hernandez (Daphne); Adrienne Hopkins (Nymph); Caroline Hopkins (Zoe);  Natalie Hopkins (Nymph); Modesto ‘Flako' Jimenez (Ephialtes); Libby King (Athena); Ian Lassiter (Zeus);  Zhailon Levingston (Announcer); Christina Liberus (Artemis); Nehemiah Luckett (Midas); Kimberly Marable (Leto, Fury); Jake Margolin (Orion); Marcel Isaiah Martinez (Hyacinthus); James Harrison Monaco (Marsyas); Xavier Pacheco (Paris, Otus); Kristen Sieh (Python, Fury); Nedra Marie Taylor (Hera); Ching Valdes-Aran (Delos); Daniel Watts (Eros, Silenus)And André De Shields is Hermes (and in this episode, Eris, goddess of discord!) The TEAM's Producing Director is Emma Orme, and Associate Producer is Diana Khong. We thank the artists and leaders of Epic Theater Ensemble for their continued collaboration! Live from Mount Olympus is written by Nathan Yungerberg with Julie Burstein and Jason Adam Katzenstein. Audio production and mix by John Melillo. Audio editing and sound design by Julie Burstein and David Schulman (E1 and E4). Music and songs composed, arranged and produced by Magdalini Giannikou. Lyrics and vocal production by Malena Marcase. Music performed by Banda Magda. Instrumental music mixed and mastered by Luca Bordonaro. Songs mixed and mastered by Tom Beuchel. Music direction by Magdalini Giannikou and Nehemiah Luckett. Jason Adam Katzenstein created our illustrations and is series humor consultant. Series creative advisors: Dr. Michael Cohen and Richard Nodell. Mandy Boikou is Administrative Director and Sofia Pipa is Program Manager at Onassis USA. Amal Biskin is our production assistant. Live from Mount Olympus was recorded with engineers Roy Hendrickson, Mor Mezrich, Matthew Sullivan, Matthew Soares, Omisha Chaitanya and Elizabeth Scott at The Power Station at Berklee NYC. Press by Grand Communications. Graphic design by Onassis Creative Studio. Live from Mount Olympus is distributed by PRX. Since 1975, the Onassis Foundation has been dedicated to culture, community, and education, with projects that can effectively inspire social change and justice across borders. Learn more at www.onassis.org. 

We are breaking down the entire short-list and ranking, review, and digging into the 2026 Nebula Novel nominees from worst to best. We dive deep into the writing styles, the structure, the highs, the frustratingly bad endings, and reveal exactly who took home the final trophy. Are these books actually masterclasses in modern sci-fi and fantasy, or did the hype train leave the tracks?  Here is our definitive 2026 Nebula breakdown:  7. Death of the Author by Nnedi Okorafor  You should read it if: You love deep-dives into African culture, Ibo and Yoruba roots, and tech concepts like futuristic exoskeleton legs. You shouldn't read it if: You require a persistent central conflict, cohesive subplots, or a "story-within-a-story" that actually goes somewhere. 6. Wearing the Lion by John Wiswell You should read it if: You want a cozy Hercules retelling where Hera calls Zeus a "dipshit" and Heracles tries to befriend mythological monsters instead of fighting them. You shouldn't read it if: You get annoyed by overly preachy or cloying endings, repetitive quest structures, or confusing second-person POV shifts. 5. Katabasis by R. F. Kuang  You should read it if: You are obsessed with dark academia themes, the dangers of academic flow states, and complex, highly allusional world-building. You shouldn't read it if: You need to deeply connect with your protagonists or get easily annoyed by writing that feels a little too self involved. 4. When We Were Real by Daryl Gregory You should read it if: You love quick, humorous POV switches, AGI, simulation theory, and brain emulation concepts. You shouldn't read it if: You are looking for a groundbreaking, deeply unique masterpiece—this one is cute, but a bit unspecial. 3. Sour Cherry by Natalia Theodoridou You should read it if: You like heavy foreshadowing, experimental voice-switching (shifting to 2nd person), and intense meta-narratives. You shouldn't read it if: You hate a massive buildup that doesn't actually come together or stick the landing at the end. 1. (TIED) The Incandescent by Emily Tesh You should read it if: You want adult-oriented cozy fantasy in a magic boarding school featuring a workaholic, middle-aged bisexual teacher and casual, biscuit-eating printer demons. You shouldn't read it if: A rushed, abrupt ending with a thin villain motivation is going to completely sour your overall enjoyment of a great setup. 1. (TIED & WINNER) The Buffalo Hunter Hunter by Stephen Graham Jones You should read it if: You want a beautifully written, highly literary Native American Blackfoot vampire revenge story set in the brutal landscape of the American West. You shouldn't read it if: You get bored by a monotonous middle section where the central premise loses steam and repeats itself. No spoilers anywhere in this episode. Join the Hugonauts book club on discord Or you can watch our episodes on YouTube if you prefer video All the books, plus timestamps: 00:00 Intro  00:46 Death of the Author by Nnedi Okorafor  02:26 Wearing the Lion by John Wiswell  05:29 Katabasis by R. F. Kuang  09:30 When We Were Real by Daryl Gregory  12:57 Sour Cherry by Natalia Theodoridou  16:30 The Incandescent by Emily Tesh  20:08 The Buffalo Hunter Hunter by Stephen Graham Jones

Len and DM are joined by the current Age of Empires II world champion, Hera, to discuss the state of the game in 2026. We try to explain its longevity, examine what it takes to be a top-level esports player, and discuss Hera's streamer invitational tournament, The King's Gauntlet.

Volvemos la mirada al monte Olimpo, y es que viajaremos a la antigua Grecia para conocer su cosmogonía y su teogonía. Será en los Viajes de Aspasia, con Mariajo Noain, que nos dará cuenta de las principales deidades del panteón clásico, desde Zeus a Neptuno, pasando por Apolo o Atenea. Será la primera de dos entregas que no os deberíais perder. Concretamente, hoy hablaremos de Zeus, Hera, Afrodita, Ares y Efesto. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Ever wondered what it's really like to grow up competing for a billionaire media or music empire? Or how the "perfect" family sitcoms of the 90s shaped our real-world sibling expectations?
 Welcome back to the second part of Catherine Carr's conversation with Kemi Alemoru, acclaimed journalist and Head of Editorial Content at Glamour UK.  They are still unpacking the siblings we've watched on TV, in Music, and popular culture. Catherine and Kemi share their mutual love of TV's most toxic family, the Roys  from Succession where the siblings trauma-bond after surviving  a domineering father. They dissect the "eldest boy" syndrome, and the constant, exhausting battle for their parent's affection and empire. They also discuss The Jacksons, and their impact as a family and musical geniuses. Kemi shares how the shiny, aspirational family units presented in classic sitcoms like The Fresh Prince of Bel-Air and My Wife and Kids provided a crucial blueprint for her own upbringing.  And they touch on other cult siblings, the Bennet sisters from Pride and Prejudice and the dysfunctional dynamics of Arrested Development.  This is a sharp, insightful, and totally riveting conversation about the pop culture siblings we love to analyse, and the real-life family roles we can't escape. If this one hit home, share it with your siblings. Subscribe to the Relatively Podcast channel so you never miss an episode. And listen to every episode here: https://pod.link/relatively This is a HERA production recorded at Spotify HQ. Follow and connect with us: Facebook: @Relatively.pc Instagram: @relativelypodcast Website: https://www.relativelypodcast.com #Relatively #Kardashians #FamilyDynamics #PopCultureSiblings #Friends

Bestselling true crime author and investigative journalist Aphrodite Jones returns to Zone 7 with Sheryl McCollum to discuss her book Dog O’ War and the fatal 2001 dog mauling of Diane Whipple in San Francisco. Drawing on her extensive reporting on the case, Aphrodite details the connections to the Aryan Brotherhood, the Presa Canario dogs Bane and Hera, and the attorneys whose relationship with an incarcerated gang member helped bring the dangerous animals into a Pacific Heights apartment building. Sheryl and Aphrodite also discuss the prior warning signs, the legal fight over owner responsibility, and the concept of implied malice murder that became central to Marjorie Knoller’s conviction. Highlights: (0:00) Sheryl McCollum welcomes Aphrodite Jones back to Zone 7 (1:45) Dog O’ War and the unusual connections behind the Diane Whipple case (2:30) Aphrodite introduces Diane Whipple, a 33-year-old woman killed outside her San Francisco apartment (4:15) Sharon Smith’s wrongful death fight and the legal impact of Diane’s death (6:45) Presa Canario dogs, Paul Schneider, and the Aryan Brotherhood dog-breeding scheme (10:00) Janet’s farm, escalating warning signs, and dogs that could not be controlled (13:30) Marjorie Knoller and Robert Noel bring Bane and Hera into their Pacific Heights apartment building (15:45) Prior attacks, ignored warning signs, and the record of dangerous behavior before Diane’s death (21:15) Marjorie Knoller’s response after the attack and the neighbor who called 911 (25:00) 40 reported incidents become key evidence in the dangerous dog hearing (26:00) What prosecutors had to prove to argue implied malice murder (32:45) Sheryl closes with a passage from Aphrodite Jones’ Dog O’ War Enjoying Zone 7? Leave a rating and review where you listen to podcasts. Your feedback helps others find the show and supports the mission to educate, engage, and inspire. Aphrodite Jones is a bestselling true crime author, television personality, and victims’ rights advocate whose work has inspired films and television projects. She created the Investigation Discovery series True Crime with Aphrodite Jones, which ran for six seasons, and has covered major trials, including O.J. Simpson, Casey Anthony, Scott Peterson, Michael Jackson, and El Chapo Guzman. Aphrodite Jones’ book Dog O’ War, about the dog mauling of Diane Whipple, is available now wherever books are sold. Sheryl “Mac” McCollum is an active crime scene investigator for a metro Atlanta police department and the director of the Cold Case Investigative Research Institute, which partners with colleges and universities nationwide. With more than four decades of experience, she has worked on thousands of cold cases using her investigative system, The Last 24/361, which integrates evidence, media, and advanced forensic testing. Her work on high-profile cases, including The Boston Strangler, Natalie Holloway, Tupac Shakur and the Moore’s Ford Bridge lynching, led to her Emmy Award for CSI: Atlanta and induction into the National Law Enforcement Hall of Fame in 2023. Social Links: Email: coldcase2004@gmail.com X: @ColdCaseTips Facebook: @sheryl.mccollum Instagram: @officialzone7podcast TikTok: @Sheryl.McCollum Sheryl’s new book, Swans Don’t Swim in a Sewer: Solving the Cold Case of the Flint River Killer’s Daughter, is available now wherever books are sold. See omnystudio.com/listener for privacy information.

In this episode, we conclude our two-part look at Wonder Woman Historia: The Amazons with a discussion of Books 2 and 3, by Kelly Sue DeConnick, Gene Ha and Nicola Scott, published by DC Black Label! The Amazons accept Hippolyta and other disenfranchised women into their ranks as they continue their mission to hunt down those who abuse and oppress women. But it isn't long before their activities catch the attention of a wrathful Zeus, sparking an all-out war between the Amazons and the gods of Olympus!   What is Hera's long game? Why is there a baby made of sand? And will the Amazons prevail and take their rightful place in that League of Their Own known as … The Comics Canon? Also in This Episode: Curt makes a shocking announcement about A.I. Widow's Bay and Margo's Got Money Troubles on Apple TV Age of Bronze Volume 1: A Thousand Ships Join us in two weeks as we take a hard left turn to discuss … Dave Sim's Cerebus! This is not a drill! Until then:Please consider donating to the Comic Book Legal Defense Fund Impress your friends with our Comics Canon merchandise! Rate us on Apple Podcasts! Send us an email! Hit us up on Facebook or Bluesky! And as always, thanks for listening!

This week on Rise of the Podcast, we recap our trip to Fargo for opening weekend of The Mandalorian and Grogu, including bringing Chopper to the theater, Kara's Hera cosplay, fan interactions, Rebel access cards, and a surprise private screening. We also get into Star Wars questions, soundtrack talk, cosplay plans, convention ideas, giveaways, mini golf, and a big personal update from Jeremy and Kara.. We also reminisce about our favorite Star Wars experiences, ramble on with stories of the good ol' days, nerd out about current and upcoming Star Wars shows, books, and games, and talk a little bit about life. Thank you so much for supporting our channel! We love interacting with all of you! We look forward to talking with you guys every week about Star Wars, gaming, 3D printing, pop culture, movies, and everything else! If you want to show your love, consider sending us an email, joining our Discord, or following us on Twitch! We'll see you again soon! ------------------------------------------------------------------- Twitch: http://www.twitch.tv/riseofthepodcast Discord Server Link: https://discord.gg/DcuBKXVxJs Email us: contact@RiseOfThePodcast.com Facebook: https://www.facebook.com/riseofthepodcast Web: http://www.riseofthepodcast.com Twitter: http://www.twitter.com/rotptweets Instagram: https://www.instagram.com/riseofthepodcast Patreon: https://www.patreon.com/RiseofthePodcast Spotify: https://spoti.fi/3qzOazE iTunes: https://apple.co/3wAfwcI Google Podcasts: https://bit.ly/RotPGoogle Thanks for watching! Rise of the Podcast Episode 356: We're Still Talking About Palpatine Produced and Edited by 8r0wn13 ©2026 All Rights Reserved #Podcast #DuluthMN #StarWars

Vielleicht haben Sie unseren heutigen Gast als Sängerin in Verdis "Troubadour" bei den Opernfestspielen in Südfrankreich gesehen, Anfang der 80er. Oder in Japan. Wahrscheinlicher aber ist, dass Sie (oder jemand, den Sie kennen) eines ihrer Bücher gelesen haben. An die 50 Romane hat sie bislang verkauft, die genaue Zahl kennt wahrscheinlich nicht mal sie. Über 20 Millionen Bücher hat sie bislang verkauft, einige wurden verfilmt. Los ging es für die 1957 in Bielefeld geborene Hera Lind im neunten Monat ihrer ersten Schwangerschaft. "Ein Mann für jede Tonart" wurde zum Bestseller, gleich auch verfilmt – die ja eigentlich hauptberuflich als Konzert- und Opernsängerin arbeitende Frau hatte mit diesem Roman den Zeitgeist und das Frauenbild der 90er getroffen. Und legte nach. Drei weitere Schwangerschaften, jeweils drei weitere Bestseller, an das "Superweib" werden sich nicht nur Veronica Ferres und Sönke Wortmann dankbar erinnern. Dann, im echten Leben, neue Liebe, öffentliche Trennung, böse Boulevard-Headlines, Millionen-Schulden, heute würde man sagen: Cancel Culture. Aber ganz so, wie ihre Romanheldinnen es von ihr erwartet hätten, biss sich Frau Lind stoisch durch und schrieb ihr Leben neu. Mit Tatsachenromanen, also echten Geschichten und wieder: einem Riesenerfolg. Playlist: Max Raabe - Ein Tag wie Gold Francis Poulenc - Flötensonate für Klavier & Flöte, 2. Satz Cantilena Bläck Föös - In unserem Veedel The King Singers - Deconstructing Johann (Toccata in d-Moll) Reinhard Mey - Elternabend The Beatles - In my Life ABBA - The Winner takes it all Trio Klangkunst - Once in a While Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

In this episode, we kick off a two-part look at a book we've had our eyes on for some time with a discussion of Wonder Woman Historia: The Amazons, Book 1, by Kelly Sue DeConnick and Phil Jiminez, published by DC Black Label! Phil Jiminez makes the artistic statement of his career to date with a visually arresting first issue that explores how and why the Greek goddesses (with the notable exception of Hera, Queen of the Olympians) come to create the Amazons, a race of women sworn to find and rescue women enslaved and mistreated by men. Will Zeus redress the wrongs done to women by men throughout history? (Don't hold your breath.) Will Hippolyta escape a band of brutish brigands determined to cut out her tongue? What happened to that little baby girl she sent down the river? And will these maids of might prevail in that Fight Club known as … The Comics Canon? In This Episode: Some complete random nonsense Zeus, God of Manspreading Shaq at the Parthenon The Incandescent by Emily Tesh Swamp Thing 1989 #1 Join us in two weeks as we continue our two-parter with Books 2 and 3, featuring art by Gene Ha and Nicola Scott! Until then:Please consider donating to the Comic Book Legal Defense Fund Impress your friends with our Comics Canon merchandise! Rate us on Apple Podcasts! Send us an email! Hit us up on Facebook or Bluesky! And as always, thanks for listening!

Chapter 6 of Psychopompos - a new mythology brings Icarus and Ganymede to their wedding days. As Psyche helps Icarus get ready for his wedding to Hermes, he grapples with his dangerous position as he yearns for the sea. While Ganymede, still held tight by the spell of Eros' golden arrow, is wed to Zeus before Hera arrives to confront her husband. Content Warning: Dialogue about rape, Explicit Language, ViolenceFor more information about the story and podcast, a full transcript of this episode, or if you like what you heard and want to donate to this project, visit our site - www.psychopomp-cast.com.Cast:Brandon Boler as ZeusAnya Clingman as CalliopeTaylor Dariarow as PsycheElizabeth Ellis as HeraMiguel Long as Ganymede & PanValerie Lyvers as AthenaMandyn Mueller as ErosShayne Patrick as DaedalusAdam Qutaishat as HermesJulian “joolz” Stroop as AphroditeRyan Tang as Apollo & IcarusMarie Tredway as ArtemisCrew:Tate A. Geborkoff - Author, ProducerRachel Staelens - Director, ProducerBrandon Boler - ProducerJoe Palermo - Director of SoundRoy Freeman - Musical Director & ComposerDrew Durfee - Podcast ManagerDesiree Stypinski - Marketing Assistant, Social Media Lead

Devil Wears Prada 2 er ein af stóru myndum vorsins, Hera Guðmundsdóttir, hönnuður og blaðamaður lestarinnar fór að sjá hana á dögunum og fór í kjölfarið að velta fyrir sér tískuprentmiðlum. Myndin er sjálfstætt framhald fyrstu myndarinnar, sem kom út fyrir tveimur áratugum, Devil Wears Prada. Sú mynd byggir á bók sem fyrrum aðstoðarkona Önnu Wintour skrifaði. Hera ræddi við Önnu Clausen sem er listrænn stjórnandi og aðjúnkt við fatahönnunardeild Listaháskólans. Við kíkjum í heimsókn á Grandann, þar eru meðlimir tóma rýmisins í óða önn að koma sér fyrir í nýju húsnæði. Tóma rýmið var áður til húsa í Skerjafirðinum, en starfseminn sprengdi það húsnæði utan af sér. í tóma rýminu eru sviðslistir iðkaðar og er það rekið af sjálfstætt starfandi sviðslistafólki.

What happens when the interviewer becomes the interviewee? To kick off the return of Relatively, the tables are turned as author, poet, and presenter Salma El-Wardany takes over the host's chair momentarily from Catherine Carr. In a special twist, Salma interviews Catherine about her brand new book, Who's the Favourite?, exploring Catherine's own experiences as a middle child separated from her sisters during childhood, and her fascinating analogy of the family being like a constantly moving river. Salma puts Catherine on the spot by asking "Who is the Favourite?" in her family? Halfway through, the two swap seats to explore Salma's own sibling story. Growing up home-educated as the youngest child alongside her older brother, Salma reveals she spent her early years desperately begging her parents for a baby sister. Salma opens up about her exhausting role as the family's "emotional superconductor" and peacekeeper during her parents' divorce, sparking a vital conversation about the emotional labor disproportionately expected of daughters And Salma gives a sneak preview of her upcoming series "Sunday Cervix". Beneath the laughter and the battle for the podcast's coveted badges, the episode dives into the profound, deep relationships we have with our siblings and just how much Catherine has learned making Relatively and writing Who's the Favourite? It is a beautifully honest, funny, and insightful conversation to kick off our series relaunch with the HERA network.

After 60 episodes recorded hunched over a pile of laundry in a spare room, Relatively is heading to Spotify HQ with the HERA network, and Catherine Carr is back, this time digging into some of the longest, messiest, and most meaningful relationships we have: the ones with our siblings. This special four-part mini-series ties in with Catherine's new book Who's the Favourite? and gets into all those sibling dynamics we don't always talk about (but definitely feel). Here's what's coming this season: - Salma El-Wardany, broadcaster and author, turns the tables and interviews Catherine. Is she the favourite? Plus, Salma shares what it's really like being the youngest… and basically the family's emotional support human. @salmaelwardany - Daisy Goodwin, TV producer, screenwriter and author, talks about the pressure of being the eldest daughter, and the moment she found out she'd been unexpectedly cut out of her mother's will. @daisygeorgagoodwin - Lisa Bruton, therapist, explains why more siblings are going to therapy together, and how our relationships with them shape how lovable we think we are. @lisabrutontherapy - And we wrap things up with a bit of fun, breaking down iconic fictional siblings, from the Bennett sisters to Ross and Rachel's unforgettable dance routine. New episodes dropping every week. Subscribe to the Relatively Podcast channel so you never miss an episode: https://www.youtube.com/@relativelypodcast Listen to every episode here: https://pod.link/relatively Find Catherine's book Who's The Favourite? here — Follow and connect with us: Facebook: @Relativelypodcast Instagram: @relativelypodcast Website: https://www.relativelypodcast.com/ #Relatively #SiblingDynamics #FamilyRelationships Hosted on Acast. See acast.com/privacy for more information.

With all the buzz around NASA's Artemis II lunar mission with the Orion spacecraft, we thought now was a great refresher on the Greek Olympian herself- Artemis! The Goddess of the Hunt is the daughter of Zeus and Leto, sister of Apollo, and the maybe lover of Orion!  Learn about her origin story, the Homeric Hymns to Artemis, some of her wrath myths involving Niobe and her involvement in the Trojan War (where we also mention an epic roast by Hera). Of course, we also cover the three different storytelling traditions involving the Goddess and Orion. Stick around for the end when we review some of our ARC's for the month including: “How to Calm a Rain Bull” by Denise Gallagher, “Nell O'Dell Hates Quests” by Emily B. Martin, "Aicha" by Soraya Bouazzaoui and "The Infinite Sadness of Small Appliances" by Glenn Dixon.  Show notes can be found on our website at: www.talesfromtheenchantedforest.com You can also find us on: Bluesky Mastodon Instagram   TikTok

In today's episode of the Atheist Experience, the secular Jesus Christ himself, Secular Rarity, andDr. Darrel Ray rise from the tomb to dismantle biblical prophecies and discuss the necessity of trained secular leadership! From flying goats to religious attachment systems, the hosts put the supernatural under a microscope while navigating the treacherous waters of family deconversion.Steve in OH claims Daniel 8 predicts B-2 bombers via flying goats. Hosts challenge the special pleading and numerology involving football players. If conflicts always match text, does prophecy mean anything?Sean in KS discusses the Institute for Secular Leadership. Dr. Ray notes training prevents church-style guilt and power hoarding in groups. Can professional methods fix the leadership vacuum?RJ in CO argues biblical winds and demographics prove God. Hosts expose his double standards between the Bible and Quran regarding prophecy. Why is ancient myth more reliable than science?Hera in US asks about pushy in-laws. Dr. Ray discusses religious attachment and clear boundaries for partners. Will prioritizing harmony eventually lead to a loss of total autonomy?Big Ern in WA asks why women still suffer original sin. Hosts explore biblical misogyny and leading by example over command. If atonement is finished, why does gendered suffering remain?Michelle in NY compares losing God to a breakup. Hosts identify brain attachment systems and celebrate her personal agency. Can neurological awareness help soothe the wound of lost faith?Thank you for joining us this week! We will see you next time!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-atheist-experience--3254896/support.

Part 2 of our Greek pantheon deep dive explores the gods of love, beauty, and desire: Aphrodite, Eros, and Hera. Love in Greek mythology is complex, layered, and sometimes chaotic.We break down the six Greek types of love, from passionate desire, to deep friendship and long-term commitment, and explore how each deity represents a different aspect of love. You will learn the myths behind Aphrodite's power, Eros' role as both creator and chaos-bringer, and why Hera is far more than just a “jealous wife.”We also explore the shadow sides of love, how these patterns show up in modern relationships, and how to work with each archetype for self-worth, attraction, and lasting partnership.If love has ever felt confusing, this episode will help you see it in a whole new way.Order Molly's book Mundane Magic A Lazy Witch's Guide to Hacking Your Brain, Building a Daily Practice, and Getting Stuff DoneJoin our Patreon for bonus episodes, magical downloads, and unhinged side quests: https://www.patreon.com/demystifymagic

Humor won't cure depression. But it might save your life. That's not a metaphor for Jenny Lawson. It's the hard-won truth of more than two decades of living with treatment-resistant depression, anxiety, and the kind of dark seasons that make getting out of bed feel impossible.Most of us hide when we're struggling. We perform wellness for the world and suffer in silence behind closed doors. Jenny took the opposite approach, writing about her darkest moments with such radical honesty and unexpected humor that thousands of people have written back to say those words kept them alive. This conversation explores how she does it, and what the rest of us can learn about finding light and meaning in the hardest places.Jenny Lawson, known to millions as The Bloggess, is a #1 New York Times bestselling author, humorist, and the owner of Nowhere Bookshop, a beloved indie bookstore and bar in San Antonio, Texas. Her books include Let's Pretend This Never Happened, Furiously Happy, You Are Here, and Broken. Her upcoming book, How To Be Okay When Nothing Is Okay (Tips and Tricks that Kept Me Alive, Happy and Creative In Spite of Myself), arrives March 31, 2026.You'll discover...The single phrase Jenny returns to during every depressive episode that stops her from believing the darkest lies her brain tells herA simple "easy mode" approach to work and daily life that gives you full permission to do less without guilt, and why it often leads to better results for everyoneWhy sharing your struggle honestly can create an unexpected ripple effect of connection and healing for people you've never metA powerful reframe of what success actually means that has nothing to do with money, status, or bestseller listsHow to find "your people" and build real friendship even when you're deeply introverted, anxious, or terrible at texting backIf you're navigating a hard season right now, or you love someone who is, this conversation is full of practical warmth, unexpected humor, and real tools for gettingthrough it. Hit play and let Jenny remind you that you're not alone, and that finding joy in the middle of the mess isn't just possible, it might be the very thing that keeps you going.You can find Jenny at: Website | Instagram | Episode TranscriptNext week, we're sharing a really meaningful conversation with Harvard Business School professor Leslie John. We're diving into the science of disclosure—specifically, why that cringey feeling of 'oversharing' might actually be holding you back from your best relationships. We'll discuss how to find the sweet spot between being a closed book and TMI.Check out our offerings & partners: Join My New Writing Project: Awake at the WheelVisit Our Sponsor Page For Great Resources & Discount Codes Hosted on Acast. See acast.com/privacy for more information.

A Sermon for Palm Sunday Philippians 2:1-11, St. Matthew 21:1-17, and St. Matthew 27:1-54 by William Klock One of the buildings that intrigued me the most when I studied architectural history is the Pantheon in Rome.  It's absolutely massive.  If you're not familiar with it: it's a magnificent round building covered by the world's largest unreinforced concrete dome.  It's so impressive, that until I studied the Pantheon in architectural history, I'd always assumed it had been built during the Renaissance.  But no.  It was built by the Romans in the early Second Century, a testament to their engineering capabilities.  That's what the Pantheon is known for. What doesn't get nearly as much attention is the function of that massive building.  It was a temple for all the gods of Rome, hence the name “Pantheon”, meaning “all the gods”.  It was a temple, full of altars and statues of the gods to which they were dedicated.  And, in this, it came to represent the imperial power of Caesar and his empire, backed and supported by the power and authority gods.  When I read Paul writing about the “principalities and powers” of the present wicked age, I can't help but think of the Pantheon. But in the Year of Our Lord Six-hundred-and-nine, the Christian Emperor Phocas and Boniface IV, the Bishop of Rome, ordered the by then disused Pantheon stripped of its pagan idols and pagan altars.  Twenty-eight cartloads containing the bones Christian martyrs were exhumed from the catacombs and reburied there.  A Christian altar was erected.  And the building was dedicated as a church in honour of those martyrs whom the pagan Romans had murdered in the names of their gods.  To this day, over fourteen-hundred years later, the Church of St. Mary and the Martyrs remains there, a faithful witness to the conquest of Rome by the gospel and of the lordship of Jesus the Messiah.  A testimony to the power of the cross and the blood of Jesus, not only to purify us from our sins and to make us a dwelling place fit for God's Spirit, but to wash creation itself clean from our sins as well.  There is nothing in creation—whether sinful humans or the most pagan of pagan temples—that Jesus cannot purify and redeem and set right for the glory of the living God.  But the Pantheon is also a testimony of how, of the power of gospel virtue—humility, love, grace, mercy—over the raw power and violence of empire and human endeavour. Think back to the beginning of Lent.  We listened as St. Matthew told us the story of Jesus' temptation in the wilderness.  The devil took him off to a very high mountain and showed him all the magnificent kingdoms of the world.  Off on the horizon was Rome.  “I'll give the whole lot to you,” the devil said, “if you will fall down and worship me.” To rule creation was, after all what Jesus had come for.  He was creation's true Lord.  Caesar and all the other kings were pretenders, shams, parodies of who and what Jesus really is.  All of it, from Jerusalem to Rome and beyond belongs to him.  “There is not one square inch in the whole domain of our human existence over which Christ, who is sovereign over all, does not cry, Mine!” to quote Abraham Kuyper.  But this was not the way.  Jesus will not reclaim his creation without also setting it to rights, without dealing with the problems of sin and death.  Without purifying it from idolatry.  without dealing with the very problems that gave us kings in the first place.  To do that requires more than raw power. And so today we hear Matthew again as he tells us of Jesus' triumphal procession into Jerusalem.  When they came near to Jerusalem, and arrived at Bethphage on the Mount of Olives, Jesus sent two of the disciples on ahead.  Go into the village over there and at once you'll find a donkey tied and a foal beside it.  Untie them and bring them to me and if anyone says anything to you, say, “The Lord needs them and he'll send them back right away.”  He sent them off at once.   Jesus was about to act out another one of his prophecies.  This time it was to show and to remind the people what sort of king the Messiah was to be.  They did want a king who would set all to rights, but in their heads, to their way of thinking, that meant leading a revolt against the Romans.  He would be like David, who defeated the Jebusites to take their city Jerusalem as his capital.  He would be like Judas Maccabeus, who defeated the Greeks and established an independent Jewish kingdom under the high priest.  The Messiah would be like that, only better, greater, more powerful, and his kingdom would last forever.  He would raise up Israel and put the gentile kings under their feet.  The day before or maybe even that same day, as Jesus came to Jerusalem from Bethphage, Caesar's governor, Pontius Pilate, was marching into the city from the opposite direction, from his base in Caesarea, at the front of a column of Roman soldiers.  They were there to represent Caesar's might and to keep the peace with threat of violence during Passover.  If Jesus was the Messiah, now was his time—or so a lot of people thought—now was Jesus' time to finally and really be the Messiah, raise up his army, and cast down Pilate and the Romans and take his throne. But violence wasn't the way to the throne any more than bowing down to the devil was.  Matthew says that Jesus did it his way to remind the people of what the Lord had said about the Messiah through the Prophet Zechariah: Tell this to Zion's daughter: Look now! Here comes your King.  He's humble, mounted on a donkey, yes, on a foal, it's young. The king they expected was going to ride into Jerusalem in a chariot or at least on a great warhorse.  But God's king is different.  A great warrior might take care of the Romans and even take his throne.  He could set things to rights in the way of earthly kings like Caesar, but the world would still be subject to sin and death.  So Jesus acted out the prophecy.  The disciples brought the donkey and Jesus humbly rode it into the city.  And the people cheered all along the way.  They spread their cloaks on the road.  Others cut branches form the trees and scattered them on the road.  The crowds who went ahead of him, and those who were following behind shouted, “Hosanna to the son of David!  Blessed is he who comes in the name of the Lord!  Hosanna in the highest!”  And the whole city was gripped with excitement when they came into Jerusalem.  “Who is this!” they were saying.  And the crowds replied, “This is the prophet, Jesus from Nazareth of Galilee.   The humble king, fulfilling the prophecy of Zechariah.  But Jesus wasn't done with his acted-out prophecy.  Matthew says that on entering Jerusalem, Jesus went straight to the temple and when he got there he threw out the people who were buying and selling in the temple.  He upturned the tables of the money-changers and the seats of the dove-sellers.  It is written, he said to them, “My house will be called a house of prayer, but you have made it a brigand's lair!”  The blind and lame came to him in the temple and he healed them.  But when the chief priests and the scribes saw the remarkable things he was doing, and the children shouting, “Hosanna to the son of David!” they were very angry.   The king was fulfilling the words of the prophets.  He came in humility.  And he came announcing that he really was going to set the world to rights.  He was going to set the world to rights in a way that would make the temple obsolete.  Jesus himself would bridge the gulf between God and sinful humans.  Jesus would offer himself as the once-for-all and perfect sacrifice for sin, a sacrifice that would finally purify his people so that in the Spirit, the living God could dwell within them and make them his temple.  So that he could finally give them new hearts full of love for him and love for each other.  They didn't want to hear that.  It was his preaching about the temple that got him arrested. Our long Palm Sunday Gospel today—Matthew 27—vividly depicts the Messiah's humble way to his throne.  Betrayed by his friends, rejected by his people.  Standing humbly before the Roman governor so many people expected him to slay.  Facing trumped up charges made by lying men.  Left condemned to death as the people chose instead that Pilate should free a brutal, violent revolutionary—a man truly guilty of the trumped up charges against Jesus.  Standing humbly as the very people he came to save cried out to Pilate, “Crucify him!”  Standing humbly as he, the king, was rejected by his own people who cried out the unthinkable, “We have no king but Caesar!”  Standing humbly as Roman soldiers mocked him, beat him senseless and scourged him, ripping the skin from his body.  Humbly dragging the very cross on which he would be crucified through the city.  The king, nailed to a cross and hoisted to die between two violent thieves as his own people shouted blasphemies at him, as the chief priests and scribes mocked him shouting, “He rescued others, but he cannot rescue himself.  If he's the king of Israel, let him come down from the cross!  He trusts in God; let God deliver him now if he's really God's son!” For hours Jesus suffered: pulling on those nails driven through his wrists, pushing on the nails driven through his feet, lifting himself to gasp for breath through the pain, while the people gathered around: Jews, Romans, even the spiritual shepherds of his people who claimed to speak for God mocked him and shouted blasphemies.  And despite all that, Luke writes that Jesus prayed for them: Father, forgive them for they know not what they do.  And eventually his body could take no more and Jesus breathed his last breath.  Matthew says, the earth shook.  The great veil that guarded the holy of holies in the temple was torn in two.  And the Roman centurions standing guard, scared out of their wits, announced the very thing Jesus' own people would not: He really was the son of God!   Brothers and Sisters, there can be no Easter without Good Friday.  To set the world to rights—to really set it to rights—not just to take a throne, not just to defeat the Romans—but to defeat sin and death and to reconcile sinful men and women to God required a king willing to let evil rise up to its full height, to let evil concentrate itself all in one place, and to let it do its worst, crashing down on him all at once.  It required a king willing to throw himself into the gears of this fallen, broken, and sinful world to bring them to a stop.  It required a king willing to give his life for his own people even as they mocked and blasphemed him, so that he could rise from that humiliating death to overturn the verdict against him, rise victorious over sin and death and the absolute worst that they could do.  Only that humble king could defeat death and bring life—real and true life—back to God's creation and gather a people forgiven, cleansed by his blood, and filled with his Spirit to become a new temple, a new holy of holies where the nations would—where the nations now—enter the presence of God. It was in that humble king that those Roman centurions saw something they had never seen before.  Their Caesar called himself the son of God, but in Jesus they saw the God of Israel at work in all his glory, in all his love, in all his mercy, in all his faithfulness—like no god they'd ever known—completely unlike any god or goddess honoured in the Pantheon.  Whether they knew it or not, those centurions that first Good Friday announced the defeat of Jupiter and Mars, of Hera and Diana, of Neptune and Vesta and all the others.  And they announced the defeat of Caesar, too.  In less than three centuries, the Emperor of Rome himself would be captivated by the good news about Jesus, the son of God, the great King who was setting the world to rights. But Brothers and Sisters, the good news about Jesus, crucified and risen, didn't go out through the empire and to the nations all on its own.  It was carried, it was stewarded by a people—by a church—that, itself, took on the humility of the Saviour.  The bones of those martyrs buried in the Pantheon are a testimony to the faithful, humble, sacrificial witness of Jesus' people in those early centuries.  They didn't just proclaim a message.  They lived it out as a community—as the vanguard of God's new creation born that first Easter morning.  A people welling over with the humility of Jesus and the love of the Spirit.  In the midst of a world of darkness, of false gods and idolatry, of brutality and immorality hard for us to imagine today, they gave the pagans a glimpse of God's future.  By the way they lived, they lifted the veil and showed the world God's new creation.  It was not only the proclamation of the church, but the very life of the church that showed the world a better way, a way no one before had ever known. Here's the truth of it: The people of the humble king must be humble too or it's all for nought.  This is why Paul, writing to the Philippians, says to them, If our shared life in the king brings any comfort; if love still has the power to make you cheerful; if we really do have a partnership in the Spirit; if your hearts are at all moved with affection and sympathy—then make my joy complete!  Bring your thinking into line with one another.  In other words, if you're going to be a gospel community for all the world to see: Have this mind amongst yourselves!  Here's how to do it.  Hold on to the same love; bring your innermost lives into harmony; fix your minds on the same object.  Never act out of selfish ambition or vanity; instead, regard everyone else as your superior.  Look after each other's best interests, not your own.   And I can hear them asking Pau, “But how?  It seems impossible to be that kind of people.”  And Paul knew that, too.  And so he takes them back to the cross.  Brothers and Sisters, everything goes back to Jesus and the cross!  The cross is the only way a gospel people can be a gospel people.  He writes: This is how you should think amongst yourselves, with the mind that you have because you belong to Jesus the Messiah.  And what does that look like?  Paul quotes what looks like song lyrics—maybe a hymn they sang regularly in their churches—a hymn full of gospel truth that maybe they'd got just a little too used to over the years, truth they needed to be reminded of, to think through, to incorporate into their own lives.  Paul writes: Who, though in God's form, did not regard his equality with God as something he ought to exploit.  Instead, he emptied himself, and received the form of a slave, being born in the likeness of men.  And then, having human appearance, he humbled himself, and became obedient even to death, yes, even death on a cross.  And so God has greatly exalted him, and to him in his favour has given the name which is over all names.  That now at the name of Jesus every knee within heaven shall bow—on earth, too, and under the earth.  And every tongue shall confess that Messiah Jesus is Lord, to the glory of God the Father.   Paul reminds them of the humble king, the son of God who not only took on our flesh, but who gave his life in the most painful and humiliating way possible so that on his way to his throne he might take us with him. Brothers and Sisters, the only way we will ever be faithful in being the people Jesus has called us to be, the only way we will ever be faithful in being the new creation people the Spirit has made us, the only way will ever be faithful stewards of the gospel is to keep the cross of Jesus always before us.  There's a reason why we confess our sins before we come to the Lord's Table.  There is a reason that we repeatedly recall our unworthiness to enter the presence of God on our own merit.  There is a reason why, as we rise in the morning and as we go to bed at night, we confess our sins.  It's so that as we hear the absolution and as we come to the Table, we will remember just how gracious and merciful and loving God has been to us.  It's why we sing songs like “Amazing Grace”.  Amazing grace is such a sweet, sweet sounds, because apart from grace we are such sinful wretches.  And it is inevitable that when we forget this, when we start to think of ourselves as deserving of the gifts God has poured out on us, when we forget the sinfulness of our sin, when we forget that we are the ones who have broken his beloved creation, dear Friends, that's when we forget the true power of the gospel and the true mercy of the cross and the great depth of the love of God for sinners.  When we forget the sinfulness of our sin, we lose sight of the amazingness of God's grace.  Eventually we lose the mind of Jesus the Messiah and we cease to be the community of humble servants that he has made us.  We turn, instead, to self-righteousness, to pride, to violence, to politics, to money, to power to further the kingdom of God.  And our light grows dim.  Our witness fails. We see it happening all around us in the West.  We've stopped talking about sin and we've thought more highly of ourselves than we ought.  We preach a doctrine of cheap grace.  And our light has gone dim.  Our churches have emptied and the culture has claimed them for its own.  In some they preach false gospels of prosperity or the divinity of man or the goodness of sexual immorality.  We setup idols to politics and earthly power in them.  Some are literally gutted, becoming theatres or bars.  Others are little more than tourist attractions: testimonies to the power of the gospel in the days we proclaimed it, but now empty, dead shells.  The culture removes the cross and sets up altars to its idols.  Brothers and Sisters, before it is too late, let us kneel before the cross of Jesus and look up.  Let it fill our vision.  Let us remember that he—the sinless son of God—died the death we deserve.  And let us meditate on the depth and power of his grace that we might share the humble mind of our humble king, that we might be the people he has called us to be, the people he has given his Spirit to make us, the people who will steward his gospel of grace until every knee bows and every tongues confesses that Jesus the Messiah is Lord and gives glory to God the Father. Let's pray: Almighty and everliving God, in your tender love for mankind you sent your Son our Saviour Jesus Christ to take upon him our nature, and to suffer death upon the cross, giving us the example of his great humility:  Mercifully grant that we may walk in the way of his suffering, and also share in his resurrection; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever.  Amen.

Welcome to the first cultural mini series of the season! Cuddle up for story time as we glide gently into the world of Greek Lore – stories that are still alive, symbolic, and deeply human. From Athena and her owl to Zeus, Prometheus, Hera, and Heracles, this episode weaves mythology with personal reflections.Lore doesn't have to be locked away in the past. Rather, it's something still rippling through our language and modern life. Slow down, get curious, and remember that this is only the first chapter of our spiritual exploration… 

What can Greek goddesses teach us about self-love, boundaries and personal power?In this episode of The Infinite Life Podcast, host Katische Haberfield speaks with spiritual writer, mixed-media artist and goddess teacher Isaya Gabriel about the role of divine feminine archetypes in personal growth and healing.Isaya has spent more than twenty years working with the Greek goddess archetypes including Artemis, Aphrodite, Hera, Persephone and Athena. In this conversation she explains how these mythological figures can function as psychological and spiritual archetypes that help women understand emotions, boundaries, self-leadership and embodiment.Through mythology, storytelling and personal experience, Isaya shares how reconnecting with the divine feminine can help women move from disempowerment into self-trust, self-love and personal sovereignty.In this episode• How Greek goddess archetypes can guide emotional healing and personal growth • The deeper meaning behind goddesses like Artemis, Hera, Aphrodite and Persephone • Why mythological archetypes still resonate in modern spiritual practice • How the Persephone myth reflects transformation through life's darker periods • The connection between archetypes, embodiment and personal development • Why self-love must be expressed through practical daily actions • How women can reclaim boundaries, sovereignty and emotional awarenessThis episode is for listeners interested in divine feminine spirituality, goddess archetypes, self-love, women's empowerment and mythological approaches to personal transformation.Support the showFollow Katische on: Facebook, LinkedIn, Goodreads, YouTube and AmazonLove Ancient Rome?Love Ancient Rome? salvēte amīcī! Explore what it meant to be Roman over the centuries. On YouTube and Instagram. 

Hera's in the hotseat and the wolves are closing in during Ahsoka's seventh episode, “Dreams and Madness.” But who has the upper hand, really?This week, we talk through the opposing forces on Peridea and how they are represented by Nature vs. Industrialism. Tragically, Thrawn appears capable of straddling both sides.We also cover the conflicts at the heart of “Ahsoka.” From the Baylan-Shin relationship to Ahsoka's Force call to Sabine, there is a lot to inspect. But as the sweeping vistas and stunning fights rise to a climax, so too do we, and we're chomping at the bit for the finale next week!Want more Growing Up Skywalker? This is a great time to sign up for our Patreon for bonus audio content! Timestamps:00:00:00 Who Are We?00:01:46 Plot Summary00:08:38 Nature vs. Industrialism00:16:51 Baylan and Shin, Parted Forever?00:35:38 Ahsoka's Lightsaber Form00:47:39 Hera and Xiono00:56:34 Bae Watch01:00:42 Closing Thoughts

KUTX’s coverage of SXSW is powered by Rivian and presented by Uber Eats Austin's Anastasia Hera has been blending her brand of rap and R&B for almost fifteen years. In addition to releasing her own solo work, leading her group Anastasia and the Heroes, and putting her mark on various other projects, she's also the founder of […] The post Anastasia Hera: “Ambitions” [Live In Studio 1A] appeared first on KUT & KUTX Studios -- Podcasts.

In this episode, we are joined by Samuel Sweeten to talk about Hera Syndulla Spectre-2. We discuss why we love the character, and why you should be playing them on the table more. Throughout the episode we discuss strategies and play patterns that can improve your play with the character. We end the episode discussing showdown lists we have made to get you started on your Hera journey, and strengths and weaknesses of the different primary pairings. ___________________________________Hello There! is supported by our wonderful patrons on Patreon. If you would like to help the show, and join our discord community, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/hellotherecast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and pledge your support. Hello There! Patrons directly support the show and its growth by helping pay our monthly and annual fees, while contributing to future projects and endeavors.___________________________________Twitch I ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HelloThereCast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter I ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@HelloThereCast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram I ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@HelloThereCast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook I ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HelloThereCast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube I  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HelloThereCast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ l⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ l⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ __________________________________Hello There! is hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jesse Eakin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesTrailers For AllCapitalizing on a week somewhat bereft on big news, several studios offered new and first looks at their upcoming tentpoles, both movies and TV alike; so, let's talk about what stood out:Toy Story 5House of the Dragon Season 3Lee Cronin's The MummyBAFTA Reality, Ope, There Goes GravitySunday night's 79th BAFTA Film Awards saw Paul Thomas Anderson's One Battle After Another dominate with six wins including Best Film and Best Director. Sinners and Frankenstein each took three awards, while the night's biggest surprise came in Best Leading Actor, where Robert Aramayo beat out Timothée Chalamet and Leonardo DiCaprio. Marty Supreme walked away from 11 nominations completely empty-handed, tying the record for most losses in a single year. So, with all that in mind, who got BAF-Ted?Oops Sony Does it AgainSony Pictures confirmed the studio's Spider-Man villain spin-off universe is getting a full reboot with new people and fresh creative direction, following the back-to-back commercial and critical failures of Morbius, Madame Web, and Kraven the Hunter; the last of which topped out at just $62 million worldwide. On a related note, Sony is also moving forward with an animated Venom film, tapping Final Destination: Bloodlines directors Zach Lipovsky and Adam B. Stein to helm the project, with Tom Hardy attached as a producer. No writer or script is in place yet, but a writers room is being assembled at Sony Pictures Animation. With a live-action reboot on the horizon and Venom going animated, is Sony finally ready to stick the landing with its corner of the Spider-Man universe?Coming up in the Lightning Round: The Live-Action Scooby Doo Series Casts Daphne, Ming-Na Wen Joins Percy Jackson's Third Season, Kristen Bell Boards Sonic 4 and more! Don't go anywhere!Spotify PollDo you want Severance spin-offs?Yes - 34%No - 65%Lightning RoundMckenna Grace is joining the “Scooby-Doo” live-action series at Netflix in the role of Daphne, Variety has learned from sources.Kirsten Bell has closed a deal to voice the character Amy Rose in Paramount's Sonic the Hedgehog 4.Ming-Na Wen, Jennifer Beals and Hubert Smielecki have been cast as the Greek gods Hera, Demeter, and Apollo respectively in Season 3 of “Percy Jackson and the Olympians" in guest star roles.Paramount has moved up the release date for Teenage Mutant Ninja Turtles: Mutant Mayhem 2 to August 13, 2027. It was previously slated for Sept. 17, 2027. Winona Ryder has been cast in a guest role in Netflix's Wednesday season 3. The move reunites the Beetlejuice and Edward Scissorhands star with Wednesday director and executive producer Tim Burton, as well as with her Beetlejuice Beetlejuice co-star Jenna Ortega.Ryan Coogler‘s reboot of “The X-Files” is officially moving forward with a pilot order at Hulu. Danielle Deadwyler is officially set to play one of the lead roles in the pilot, while the other lead role has yet to be cast.Netflix has debuted the first teaser trailer for the upcoming six part Pride and Prejudice adaptation series. The series is expected to debut sometime this fall.Tom Hanks will play President Abraham Lincoln in Lincoln in the Bardo, a live-action and stop-motion animation hybrid film based on George Saunders' 2017 Booker Prize-winning novel, marking the actor's first time portraying a U.S. president. The film, directed by Duke Johnson and currently in production in London, centers on Lincoln's relationship with his recently deceased 11-year-old son Willie and explores themes of love, empathy, and grief through an ensemble of living and dead characters.Ed Skrein has been cast as Baldur, the youngest son of Odin, in Prime Video's God of War live-action series currently in pre-production in VancouverMarvel announced the Wolverine game being developed by Insomniac will release September 15, 2026.

In Episode 150, hosts Alyce and Laura celebrate* the 7th Avernersary of Force Toast (and The Mandalorian) but mostly Force Toast. Reminiscing on 7 years of watching and reading Star Wars, doing trivs and learning mad skills, like how to do Star Wars Celebration, how to podcast and how to not drink too much when podcasting. Important life lessons! What do Sam Elliott, sh-tty beer and football have in common? Star Wars at the Super Bowl! Mystifying, or just a small (expensive) part of a grander marketing plan? (article referenced) Speaking of Mando - we call him Mandu now - a new MandUlorian & Grogu trailer is here! Let's discuss!  The article that sparked a million click bait parasites did not actually say what you think it said. Calm down.  We did the math. Jon Favreau isn't going anywhere. Take that, click bait.  Remember Rogue Squadron? The question of whether it will ever come to fruition remains… a question. (via Parade) RIP Admiral Piett actor Kenneth Colley. Sorry DailyMail and the internet made it weird.  Recap on Tap gets dreamy and maddening in Part 7 of Ahsoka: Dreams and Madness! Hera strikes back, Baylan is Batman now, Ahsoka is scary, Morgan does not Yes And any of this, and Every. Single. Reunion on this show is underwhelming.  Thanks for being one of our 80k+ downloads! From Day 1 to Day 2,555 - however long you've been listening to our rambling, we really, really, really appreciate you! Twitter: @forcetoastpod | @sLeiaAllDay | @ShutUp_Laura Instagram: @forcetoastpod Bluesky: forcetoastpod.bsky.social Email: forcetoastpod@gmail.com Website: forcetoastpod.com *This podcast contains a sh!t ton of profanity and boozin. You can find a bleeped version of this podcast absolutely nowhere. Cheers!

https://solvitryggva.is/ Hera Gísladóttir er heilsumarkþjálfi og stjörnuspekingur. Í þættinum ræða Sölvi og Hera um sjálfsábyrgð, heilsu, stjörnuspeki, uppeldi á börnum og margt margt fleira. Þátturinn er í boði; Caveman - https://www.caveman.global/ Nings - https://nings.is/ Myntkaup - https://myntkaup.is/ Mamma veit best - https://mammaveitbest.is/ Mama Reykjavík - https://mama.is/ Smáríkið - https://smarikid.is/ Ingling - https://ingling.is/

What a banger! What a bop! Ahsoka's third episode, “Time to Fly,” isn't just a visual and auditory delight—it also reframes what it means to be Force-sensitive.In our discussion, we parse the ways that Force sensitivity has been treated across Star Wars, from the “anyone could be a Jedi!” spirit of the original trilogy to the introduction of midichlorians. With this episode, Star Wars seems to strike a subtle balance between the two that opens up new realms of possibility.We also talk about Hera being a woman in the workforce, Sabine's lineage of unconventional Jedi masters, and PURRGIL!

Greek Gods | Paranormal Podcast In this Greek gods episode timed with the Winter Olympics, we explore the fascinating world of Greek mythology starting with the origin story of the three most powerful gods—Zeus, Poseidon, and Hades—who were born to the Titan Cronus and his wife Rhea during the Golden Age, though Cronus attempted to eat all his children after a prophecy warned he'd be overthrown by his sons, leading Zeus to eventually free his brothers and defeat their father. We discuss the 12 great Olympians including Zeus (the serial cheater who ruled the sky), Hera (his perpetually angry sister-wife and goddess of marriage), Athena (the brilliant goddess of wisdom who burst fully formed from Zeus's head), Dionysus (the fun-loving god of wine and theater who was gestated in Zeus's thigh after his mother exploded), and several compelling minor gods like Hecate (goddess of magic and crossroads) and Pan (the half-goat satyr god of wilderness). We share captivating myths including Hades kidnapping Persephone with pomegranate seeds that created the seasons, Prometheus stealing fire for humanity and suffering eternal punishment, and the tragic tale of Arachne, who challenged Athena to a weaving contest with devastating consequences.

SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR THESDHOW BEGINS WITH DOUBTS ABOUT THE PURPOSE OF WAR-MAKING AS EXPRESSED MOURNFULLY BY HECTOR'S WIFE ANDROMACHE... SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 APHRODITE, PATROCLUS, AND TROPHY WOMEN Colleague Professor Emily Wilson. Wilson examines Aphrodite's intervention on the battlefield and her representation of baser instincts like lust. The discussion shifts to Briseis, a "trophy" of war, and her relationship with Patroclus, whom Wilson refuses to classify as a "beta male" despite his kindness. Patroclus is described as a brutal killer and Achilles' closest companion. The segment highlights the emotional depth of Achilles, who displays immense vulnerability alongside his capacity for violence. NUMBER 4 AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 THE GORE AND GLORY OF BATTLE Colleague Professor Emily Wilson. Wilson discusses translating the Iliad'svivid violence, drawing on insights from combat veterans regarding the trauma of battlefield death. A central theme is the treatment of corpses; possessing and stripping a dead enemy's armor is the ultimate sign of dominance. The conversation touches on the physical nature of the gods, who bleed "ichor" when wounded, and Poseidon's support for the Greeks in contrast to his brother Zeus. NUMBER 6 THE DEATH OF PATROCLUS AND HECTOR Colleague Professor Emily Wilson. The tragedy culminates with Patroclus ignoring Achilles' warning, leading to his death by Hector and the loss of Achilles' armor. Wilson describes Achilles' terrifying return to battle, equipped with new armor from Hephaestus, and his slaughter of Trojans. The segment covers the final confrontation where Achilles kills Hector and, driven by vengeance, drags his body behind a chariot, denying him burial rights and intending to mutilate him forever. NUMBER 7 GRIEF, GAMES, AND ACCEPTANCE Colleague Professor Emily Wilson. After Hector's death, Achilles finds a form of healing through funeral games, which offer a non-lethal model of competition. He even awards Agamemnon a prize without a contest, possibly as a slight. The poem concludes not with victory, but with a "humanitarian pause" for Hector's funeral. Wilson notes the ending focuses on women's lamentations, emphasizing the Iliad's enduring lesson on the struggle to accept human mortality. NUMBER 8 FEMALE AUTHORSHIP AND THE TROJAN WOMEN Colleague Daisy Dunn. Daisy Dunn discusses the legend of Phantasia, a rumored female source for Homer, and the myth of Leda and the Swan. She argues that the Trojan Warlikely reflects real historical conflicts at the site of Hisarlik. The segment highlights key female figures: Andromache, who offers military advice to Hector, and Briseis, the enslaved woman central to the dispute between Agamemnon and Achilles, illustrating the centrality of women to the epic. NUMBER 9 SAPPHO OF LESBOS Colleague Daisy Dunn. Dunn explores the life of Sappho, debunking myths about her appearance and suicide. She explains that Sappho was exiled due to her family's aristocratic background during a time of political revolution. The conversation covers Sappho's disapproval of her brother's relationship with the courtesan Doricha and her professional jealousy when students left her school for rivals. Weaving is presented as a metaphor for women shaping fate. NUMBER 10 ETRUSCANS AND THE WOMEN OF EARLY ROME Colleague Daisy Dunn. Dunn discusses the Etruscans, noting their advanced dentistry and the shock Greeks felt at Etruscan men and women dining together openly. Transitioning to Rome, they recount the violent founding myth of the Rape of the Sabine Women. The segment details the tragedy of Lucretia, whose rape and subsequent suicide led Brutus to overthrow the monarchy and establish the Roman Republic, making her a paragon of virtue. NUMBER 11 DIDO AND THE FOUNDING OF CARTHAGE Colleague Daisy Dunn. Dunn recounts the story of Dido, the clever founder of Carthage who tricked a local king to secure land. When Aeneas abandons her to fulfill his destiny, Didocurses him, foreshadowing the Punic Wars between Rome and Carthage. The segment explores her tragic suicide on a pyre, noting the societal judgment against her for breaking vows of celibacy, while acknowledging her capacity as a talented ruler and builder of cities. NUMBER 12 CORNELIA AND SERVILIA: MOTHERS OF ROME Colleague Daisy Dunn. This segment focuses on Cornelia, the educated "one-man woman" who raised the reforming Gracchi brothers to challenge the Roman elite. Dunn notes Cornelia's heartbreak as she tried to dissuade her second son from following his assassinated brother's path. The discussion shifts to Servilia, Caesar's long-term mistress and mother of Brutus. Servilia is depicted as a politically astute woman caught between her lover and her son, the future assassin. NUMBER 13 CLEOPATRA AND CAESAR Colleague Daisy Dunn. Dunn describes Cleopatra's dramatic entrance from a rug to meet Caesar and secure her rule in Egypt. Despite her intelligence and linguistic skills, the Romans viewed her with suspicion and distaste, labeling her a "whore queen." Dunn challenges the Hollywood image of Cleopatra's beauty, noting coin portraits show a hooked nose, and argues her power lay in her charisma and voice. She remains a figure of admiration today. NUMBER 14 ANTONY, FULVIA, AND CLEOPATRA'S END Colleague Daisy Dunn. The conversation turns to Mark Antony'sunpopular affair with Cleopatra and his wife Fulvia, who instigated a war in Italy to counter Octavian. Dunn highlights the Roman propensity for public emotion and early marriage. Following Antony's botched suicide, Cleopatra takes her own life to avoid being paraded as a trophy by Octavian. Dunn suggests the "asp" story might be a myth covering a lethal injection or poison. NUMBER 15 THE WOMEN OF THE JULIO-CLAUDIAN DYNASTY Colleague Daisy Dunn. Dunn profiles the powerful women of the Julio-Claudian dynasty. Livia is portrayed as Augustus's essential political partner and diplomat. The segment covers the tragic life of Julia, the lechery of Caligula, and the notorious reputation of Messalina. Finally, Agrippina the Younger is described as a co-emperor to her son Nero before he turned against her. Dunn concludes that Roman politics were bloodier but more politically savvy than the Greeks. NUMBER 16

TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 500 AD ALEXANDRIA AMBROSIAN ILIAD

AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 500 AD AMBROSIAN ILIAD

Tristan Hughes visits his favourite ancient site in Italy; Paestum, an ancient site renowned for its impressive Greek temples dedicated to Poseidon, Athena and Hera. Tristan is guided through Paestum's tumultuous history from the city's Greek origins in 480 BC to its eventual takeover by the Romans, painting a vivid picture of the interactions between the Greeks, Lucan, and the ever-present Romans.MOREFall of the EtruscansListen on AppleListen on SpotifyRoman RoadsListen on AppleListen on SpotifyPresented by Tristan Hughes. Audio editor is Aidan Lonergan, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.