Podcast appearances and mentions of dickon hinchliffe

انقلاب 1789 فرانسه آنطور که معروف است برخلاف برخی اظهار نظرها واقعا کبیر بود، هم خودِ انقلاب و هم اثرات دامنه‌داری که شعارهای آزادی، برابری و برادری در جهان گذاشت و هم اتفاقات بعد از انقلاب، مثل دوران وحشت و به قدرت رسیدن ناپلئون که مثل دومینو بر جهان تاثیر گذاشت. یکی از تاثیرات این انقلاب و البته دوران ترور و وحشت ظهور چهره‌ای است در عالم سیاست که به یکی از مهم‌ترین چهره‌های مروج لیبرالیسم تبدیل شد، این شخص کسی نبود جز آلکسی دو توکویل. لینک‌های پشتیبانی از پادکست برای دوستان خارج کشور از طریق واریز به حساب پی‌پل برای دوستان ساکن ایران از طریق درگاه زرین پال ممنون از اینکه کمک می‌کنین تا ما بهتر و بیشتر پادکست تولید کنیم. کانال یوتیوب پادکست مشخصات کتاب عنوان: اندیشه توکویل نویسنده: لری سیدنتاپ مترجم(ان): حسن کامشاد ناشر(ان): فرهنگ جاوید تعداد صفحات: 225   موسیقی‌های پادکست قطعه Falling Together از Chad Lawson. قطعه  Mia and Sebastians Theme از Justin Hurwitz متعلق به فیلم La la land. قطعه Leda Swims ساخته Dickon Hinchliffe متعلق به فیلم The Lost Daughter. اجرای گیتار قطعه رومئو و ژولیت. قطعه Sorrow Never Ends از PerfectParadox. قطعه The Night King ساخته رامین جوادی از موسیقی سریال Game Of Thrones.

Ley's eleventh FILMIC episode on THE CINEMATIC SOUND RADIO PODCAST is another eclectic mix of old and new scores featuring the work of Oleska Lozochuk, Carter Burwell, Jonny Greenwood, Clare Manchon, Olivier Manchon, Donovan Colton, John Barry, Grant Kirkhope, Isobel Waller-Bridge, Dickon Hinchliffe, Quincy Jones, Thomas Wander, Harald Kloser, Thaman S, George Fenton and John Williams. Check out the playlist at cinematicsound.net for the full rundown! —— This episode is brought to you by APM Music. APM is a top-tier music source for production and creative needs - consistently adding new music and new genres, offering an unmatched catalog via simple licensing. Visit APM Music at apmmuisic.com —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin and Marcu Ioachim. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Our latest guests on Soundtracking are actor and now writer/director Maggie Gyllenhaal and composer Dickon Hinchliffe, who join us to discuss their collaboration on The Lost Daughter. Available on Netflix, The Lost Daughter stars Olivia Coleman, Dakota Johnson and Jessie Buckly, and is - among many other things - a genuinely powerful meditation on the trials and tribulations of motherhood. We absolutely love it - and can guarantee music lovers will LOVE this conversation.

Dickon Hinchliffe schreef de muziek voor de Netflix-film The Lost Daughter van regisseur Maggie Gyllenhaal. The Lost Daughter is een psychologisch drama naar de gelijknamige en beklemmende novelle van de Italiaanse schrijfster Elena Ferrante. Het verhaal gaat over de 48-jarige literatuurprofessor Leda Caruso. Tijdens werkvakantie op Grieks eiland doen een jonge moeder en haar dochtertje denken aan haar eigen moederschap, herinneringen aan de verwarring en intensiteit van het vroege moederschap, waar Leda het duidelijk heel erg moeilijk mee heeft. Dickon Hinchliffe is een van de oprichters van de Engelse band Tindersticks; hij schreef voor tientallen films de muziek. De regisseur van de film wist al meteen dat de muziek als het ware een eigen personage moest vormen in de film, en ze wilde ook graag dat de muziek een vintage sfeer en geluid zou hebben, als een per ongeluk gevonden grammofoonplaat. Dat effect wist Hinchliffe te bereiken door invloeden te benutten uit oude filmmuziek, jazz en pop uit de jaren '50 en '60, en door gebruik te maken van oude apparatuur uit de Abbey Road studio's.

This week, we're looking at Netflix's latest awards contender, The Lost Daughter, the directorial debut of Maggie Gyllenhaal and starring Olivia Colman, Dakota Johnson, Jessie Buckley, and Ed Harris. Based on the 2006 novella of the same name by Elena Ferrante, the film follows a middle-aged literature professor named Leda (Colman) as she attempts to spend a relaxing summer holiday on a Greek island. But her stay is interrupted by anxieties from both the present and past, as her connection with a young mother also on vacation (Johnson) brings back bad memories of her own past as a parent.   It's a scintillatingly hazy character study, aided by Gyllenhaal's deliberately disorienting direction and career-best performances from Colman and Buckley (as a younger version of Leda). But in keeping with that sense of airy time, composer Dickon Hinchliffe (Leave No Trace, Winter's Bone) called upon a '60s, '70s pop sound that plays with and contrasts with Leda's brittle, brutal honesty. Starting from a lush, Motown-esque title theme for its main character and crawling through moments of unnerving tension with double bass and strained strings, it's a perfectly appropriate score for a film about a woman trying (and failing) to escape her own emotional chaos.   A multi-instrumentalist and founding member of the British band Tindersticks, Hinchliffe started his composing career when Claire Denis tapped the band to score her film Vendredi Soir. From there, he's scored nearly 40 films and episodes of television, bringing a deeply textured, mysterious sound to each project. Together, we talk about his transition from pop to film composing, the vintage '60s instruments he used for his latest score, and finding the true sound for The Lost Daughter's mercurial protagonist.   You can find Dickon Hinchliffe at his official website here.   The Lost Daughter is currently streaming on Netflix. You can also listen to the score for The Lost Daughter on your preferred music streaming service courtesy of Maisie Music Publishing.

01 - Annette Focks - Night Train to Lisbon     5 36 02 - Frankie extraits   Dickon Hinchliffe   0 50 03 - Annette Focks - Night Train to Lisbon Raimund     5 42 04 - Tabou Cosi Come Viene (Conjunto Oliveira Muge)   2 59 05 - Annette Focks - Night Train to Lisbon Credits     5 37 06 - Religieuse Portugaise - Aldina Duarte Nao Vou 07 - Colin Stetson Color Out of Space  Reservoir   7 33 08 - Religieuse Portugaise - Camané  Ser Aquele    3 29 09 - F Schubert  Moment Musical Op94 D780 No2 in A flat Major  Alfred Brendel   6 03 10 - Misterios de Lisboa Mystères de Lisbonne  Disco Film    3 50 11 - Fond Ossos 1997  dir Pedro Costa   3 38 12 - José Afonso ao vivo no Coliseu 1983  Grândola Vila Morena  2 25 13 - Fond Ossos - Vitor Os Saburas  Carro Bedjo    5 06 14 - Volver Carlos Gardel   2 41 15 - Madredeus - Lisbon Story - Viagens Interditas   2 50 16 - Dans la ville blanche Générique  Jean-Luc Barbier    1 29 17 - Fond Street of No Return  Générique Début    3 22 18 - Dans la ville blanche Chanson Générique FIn    Jean-Luc Barbier    1 41 19 - Fond Belarmino  Manuel Jorge Velos     5 53 20 - Saltimbancos (1952)   2 36 21 - Fond Vertes années  Manuel Paredes       5 58

01 - Annette Focks - Night Train to Lisbon     5 36 02 - Frankie extraits   Dickon Hinchliffe   0 50 03 - Annette Focks - Night Train to Lisbon Raimund     5 42 04 - Tabou Cosi Come Viene (Conjunto Oliveira Muge)   2 59 05 - Annette Focks - Night Train to Lisbon Credits     5 37 06 - Religieuse Portugaise - Aldina Duarte Nao Vou 07 - Colin Stetson Color Out of Space  Reservoir   7 33 08 - Religieuse Portugaise - Camané  Ser Aquele    3 29 09 - F Schubert  Moment Musical Op94 D780 No2 in A flat Major  Alfred Brendel   6 03 10 - Misterios de Lisboa Mystères de Lisbonne  Disco Film    3 50 11 - Fond Ossos 1997  dir Pedro Costa   3 38 12 - José Afonso ao vivo no Coliseu 1983  Grândola Vila Morena  2 25 13 - Fond Ossos - Vitor Os Saburas  Carro Bedjo    5 06 14 - Volver Carlos Gardel   2 41 15 - Madredeus - Lisbon Story - Viagens Interditas   2 50 16 - Dans la ville blanche Générique  Jean-Luc Barbier    1 29 17 - Fond Street of No Return  Générique Début    3 22 18 - Dans la ville blanche Chanson Générique FIn    Jean-Luc Barbier    1 41 19 - Fond Belarmino  Manuel Jorge Velos     5 53 20 - Saltimbancos (1952)   2 36 21 - Fond Vertes années  Manuel Paredes       5 58

Vi nærmer os de mørke måneder, og derfor er det altid godt med en overraskelse! Derfor fremhæver vi i denne episode en række overraskelser, som har fået humøret til at stige frem mod mørke, coronaeskalering og en mulig anden præsidentperiode til en torskedum appelsin med storhedsvanvid. Nej vent, Anders har valgt at se en Darren Starr-serie, som sendte smilet den anden vej. Men derudover er det positivt. Det er også episoden, hvor Peter i slutfasen ikke kan finde ud af at lukke et almindeligt vindue samt manøvrere et up and down-gardin. Vi høres på åen. Forresten... Vi er på Twitter - og Instagram: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere gardiner, Peter ikke kan håndtere. Yderligere informationer Citat fra film: Origins: The Journey of Humankind (Asylum Entertainment, National Geographic, Disney+), One Strange Rock (Nutopia, National Geographic, Disney+ / Composers: Daniel Pemberton, Simon Ashdown, Will Slater, Zedd), Bosch (Amazon Studios, Fabrik Entertainment, Amazon Prime Video), Peaky Blinders (BBC Studios, Caryn Mandabach Productions, Tiger Aspect Productions, Screen Yorkshire, BBC, Netflix / Composers: Nick Cave and the Bad Seeds, Martin Phipps, Paul Hartnoll, Dickon Hinchliffe, Antony Glenn, Martin Slattery, Anna Calvi), The Trial of the Chicago 7 (DreamWorks Pictures, Cross Creek Pictures, Alibaba Pictures, Marc Platt Productions, Amblin Partners, Netflix / Composer: Daniel Pemberton)

Our latest guest on Soundtracking is the wonderful Philippa Lowthorpe, a director with an award-winning track record in film and television, with credits including Call The Midwife, Swallows & Amazons, The Crown and Three Girls. Her latest film is Misbehaviour. Featuring a fantastic cast, the narrative follows events surrounding the 1970 Miss World Contest, which not only saw the first black competitor crowned but also the stage flour-bombed by women's liberation activists during the event. Suffice to say, host Bob Hope was not amused, and we highly recommend you google the footage if you haven't seen it already.  The score, meanwhile, was provided by former guest on this show, Dickon Hinchliffe.

Tu t'appelles Flan, tu te retrouves sur ce podcast un peu par hasard parce que, apparemment, ça parle du fameux festival de films "2300 Plan 9". D'abord tu es dubitatif, puis tu entends l'introduction et tu te sens tout de suite à la maison. Cet épisode est dédié à tous les aficionados de ce festival et du cinéma en général. Si tu as raté des soirées ou si tu veux juste savoir ce que c'est, alors tu es au bon endroit. Un épisode garanti 100% amour et authenticité, le tout en près de deux heures d'émission, pas mal hein ? Partagez si ça vous plaît (ou *te* plaît), bisous, Arthur et Noé Aussi disponibles sur Apple Podcasts ! Musiques utilisées: 00:00 : Mark Knopfler - What it is 05:33 : T.M.Revolution - Invoke 06:53 : Fabio Frizzi - Puppet Master: The Littlest Reich OST 15:33 : The Smiths - A Rush And A Push And the Land Is Ours 25:36 : Dickon Hinchliffe ft Kendra Smith - Moon Boat 34:53 : Alt 236 ft AL9000 - Second Coming 38:11 : Cigarettes After Sex - Please Don't Cry 48:44 : Alain Souchon - Foule Sentimentale 01:02:02 : Jason Trost (maybe) - FP2 OST 01:09:35 : Perséphone - Retro Funky (Sundance remix) 01:27:00 : AC/DC - Rock n' Roll Train 01:31:22 : Le Matos - Summer Of 84' 01:32:42 : Le Matos - Operation Mack Attack 01:39:50 : Le Matos - Turbo Kid OST

Our latest guest on Soundtracking is a composer who cut his teeth as a founder member of Tindersticks, with whom he wrote orchestral arrangements, recorded numerous albums and toured worldwide. Dickon Hinchliffe then turned his hand to scoring films when French director Claire Denis asked the band to write the music for her film Nénette et Boni. Dickon hasn't looked back since, providing the sonic backdrop to films as diverse as Winter's Bone, Project Nim and Leave No Trace. His latest project is Idris Elba's directorial debut, Yardie, which required compositions that complimented not only the narrative but also the fabulous soundtrack.

Should you abandon everything and go see this film? Audio snippets of Leave No Trace and episode logo background taken from the following trailer: https://youtu.be/_07ktacEGo8 Movie music snippets taken from "Forest Park" by Dickon Hinchliffe from Leave No Trace (Original Motion Picture Soundtrack): https://open.spotify.com/album/4GGU8Q2tXFCRUaqgapDMcR?si=Ejw68L4FRoGO-AN6dDtBeQ Contact the podcast: Email movieminutespodcast@gmail.com Twitter @movieminutespod Instagram @movieminutespod Web http://movieminutes.simplecast.fm Contact host Jacob Jarecki: Twitter @hexalspace Instagram @hexalspace Youtube https://www.youtube.com/c/JacobJarecki Web https://hexal.space/

This is probably the best edited episode so far. I tried to reduce the clicks and other sounds to a minimum. At least the ones that are not a part of the music ;-) Tracks have been edited seperately to sound crisp and clear. We also have a third microphone now so that all three of us get roughly the same air time.In this episode we present the soundtrack to the 2013 Steven Knight film "Locke" by Dickon Hinchliffe as well as the soundtrack to the Cavia video game "Nier" from 2010 composed by Keiichi Okabe, Kakeru Ishihama, Keigo Hoashi, and Takafumi Nishimura. The two scores are quite different in style which should make for an entertaining and diversified listening experience. download

Tom Hardy speelt de sterren van de hemel in de solo-act Locke over een man die gewapend (met een telefoon) per BMW (handsfree!) zijn hele leven kapotrijdt én moet repareren tegelijk. Kunnen de MovieInsiders een carpoolrit adviseren? En eindelijk zagen ze het ruim drie uur durende Turkse Winter Sleep. Hamvraag: hoe krijg je mensen zover dit ook te doen? 00:00 Introductie 01:30 Recensie: Locke 15:39 Filmmuziek: Locke (componist Dickon Hinchliffe) 19:19 Jee of Nee 21:00 Recensie: Kis Uykusu / Winter Sleep 38:08 Filmmuziek: The Ice Storm (componist Mychael Danna) 41:35 Top 5: Beperkte locaties 68:15 Vooruitblik en Filmmuziek: The Thing '82 (componist Ennio Morricone)

Dickon is a founding member of Tindersticks, the seminal UK band for which he composed music, played violin, guitar and keyboards. His orchestral arrangements were one of Tindersticks' most distinctive features. From 1993 to 2005, Dickon was involved in ten of their releases including their self-titled debut which was Melody Maker's album of the year. Dickon began scoring films when French director Claire Denis approached Tindersticks to write the score to her films like Trouble Every Day, starring Vincent Gallo, and the film Friday Night. Dickon has scored several other films including Forty Shades of Blue, directed by Ira Sachs, which won the Grand Jury Prize at Sundance in 2005. Dickon has composed music for a range of films from Married Life, Last Chance Harvey, Cold Souls, and Red Riding: In the Year of Our Lord 1980 for James Marsh.More recently, Dickon scored Debra Granik's multiple award winning feature film Winter's Bone, Passion Play for Mitch Glazer and the award winning documentary, Project Nim, again for James Marsh.