Podcast appearances and mentions of Debra Granik

The 2025 Cannes Film Festival kicks off today...and the question on everyone's mind is: what will be the great movies? Mostly, people look to the Cannes Competition (the films that compete for the Palme d'Or) to find the best films. But it's a lesser-known fact that many amazing films screen in the festival's sidebars. And many of the best films in cinema history have screened in the festival's sidebars. In fact, Chantal Akerman's Jeanne Dielman, which was named the greatest film of all time in the 2022 Sight & Sound poll did not screen in competition! It screened in the Directors' Fortnight. So on today's episode, Alex peels back the curtain on how all the different parts of the Cannes Film Festival work together. And she talks about the amazing films you've heard of (and some you probably haven't) that have screened outside the festival's competition. And she talks about some of the films she's excited for this year. Finally, Alex talks about some of the films she's excited for in this year's competition, and how they were already making fantastic films years ago that were hiding out in the festival's sidebars. *** Become a Seventh Row Insider to stay updated on the best films at Cannes this year and in past years that you might not otherwise stumble upon *** Interested in picking up Seventh Row's ebooks on Lynne Ramsay, Joachim Trier, Joanna Hogg, Debra Granik, or Céline Sciamma? They're available exclusively on Seventh Row. Peruse the collection here: http://seventh-row.com/ebooks Listen to the Women at Cannes Podcast Season Listen to the Women at Cannes episode on Kelly Reichardt For detailed show notes, visit https://seventh-row.com/2025/05/13/ep-171-navigating-cannes-beyond-the-competition/

Send us a textThis week, we are discussing a perfect film. Ree Dolly (Jennifer Lawrence) made Dayton's top 7 Badass women in films list. And we finally get to talk about her. Dayton hosts Disney John and J.P. (with her production deep dive) as they have nothing but good things to say. Twitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7

On this week's episode of Female Gaze: The Film Club, we're joined by returning guest, critic and host of the podcast Target Audience, Ben Miller. Ben and Morgan discuss Debra Granik's 2018 film, "Leave No Trace." You can follow BenLetterboxdBlueskyInstagramWebsite Ice Cream 4 FreaksYou can follow the Target Audience PodcastBlueskyYou can follow Female Gaze: The Film ClubInstagramBlueSky

Wir besprechen auf Markus' Wunsch einen Film passend zur Jahreszeit: Debra Graniks kleine Filmperle „Winter's Bone“. Die Kargheit der Landschaft, die spröde Handlung und die Kälte der meisten Figuren passen perfekt zu winterlichen Temperaturen und Gemütslagen. Wir folgen nicht nur Rees Suche nach Ihrem Vater und besprechen die spärlichen (aber effektiven) Mittel der Inszenierung. Daneben sind vor allem die Figuren und ihre nicht immer ganz klar hervortretenden Beziehungen und Abneigungen zueinander das Hauptthema unserer Besprechung. Auch wenn der Film es einem nicht leicht macht, ihn zu mögen, hatten wir eine gute Diskussion.

THIS IS A PREVIEW PODCAST. NOT THE FULL EPISODE. Please check out the full podcast episode on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2010 retrospective continues with Debra Granik's hit award-winning indie film "Winter's Bone" starring Jennifer Lawrence, John Hawkes, Kevin Breznahan, Dale Dickey, Garret Dillahunt, Sheryl Lee & Tate Taylor. Catapulting Lawrence to a new phase of her career, the film was a hit with critics and audiences, and it would receive four Academy Award nominations, including Best Picture and Best Actress. How do we feel about the dark rural drama all these years later? Please tune in and listen to Ema Sasic, Lauren LaMagna, Dan Bayer, Alyssa Christian, Danilo Castro & Will Mavity, and I discuss our thoughts on the direction, writing, performances, atmosphere, tone, cinematography, its awards season run, and more in our SPOILER-FILLED review. Thank you for all your support, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the show we are joined by our good friend Hillary to talk about Leave No Trace, Debra Granik's drama about a man and his daughter living off the grid. Over the course of our conversation you will hear us talk about Granik's filmmaking being rooted in sociopolitical activism, Ben Foster's performance as a traumatized vet and Thomasin McKenzie's understated brilliance., as well as the fact the general audiences did not respond to this film as well as critics did. We also talk again about PTSD, how state-backed safety nets have flaws, the importance of socialized upbringing of children and how a single visual may be worth more than a scene full of dialogue. Tune in and enjoy! Hosts: Jakub Flasz & Randy Burrows Featuring: Hillary White Intro: Infraction - Cassette Outro: Infraction - Daydream Head over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more! Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Coss Marte created a prison-based workout program in solitary confinement, then turned it into a thriving business called Conbody that employs ex-inmates. Their recidivism rate is zero.Debra Granik, the brilliant Oscar-nominated director of films including Winter's Bone and Leave No Trace, tells the story in Conbody vs Everybody, premiering today at Sundance. Hosted on Acast. See acast.com/privacy for more information.

Tate does the rare thing and purposefully picks a movie that is streaming, Winter's Bone from 2010. We talk about two great performances and break down a lackluster story. This movie was directed by Debra Granik. GD4AM: 55/100 IMDb: 7.1/10 Metacritic: 90/100 Letterboxd: 3.5/10 RT: 94% An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact. NEXT MOVIE REVIEW: Henry V (1989), which is currently streaming on PlutoTV and Tubi.

Par Rafael Wolf et Thomas Gerber -"Hunger Games - La ballade du serpent et de lʹoiseau chanteur" de Francis Lawrence. -"How to have sex" de Molly Manning Walker. -"Le théorème de Marguerite" dʹAnna Novion Conseils : -"Winterʹs Bone" (2010) de Debra Granik, avec Jennifer Lawrence, (en DVD, BluRay et sur certaines plateformes de vod) -"Vincent doit mourir" de Stéphan Castang, (autre sortie de la semaine)

Debra Granik is an American New York City-based independent film and documentary film director and screenwriter. She is most known for 2010's Winter's Bone, which starred Jennifer Lawrence in her breakout performance and for which Granik was nominated for Academy Award for Best Picture and Best Adapted Screenplay, 2004's Down to the Bone, which starred Vera Farmiga, and 2018's Leave No Trace, a film based on the book My Abandonment by Peter Rock. Winter's Bone won Grand Jury Prize: Dramatic film at the 2010 Sundance film festival. 4 Oscar noms for best adapted screenplay, best actress in a lead role, best supporting actor, best picture. Jennifer Lawrence was nominated for Best Actress and Outstanding Leading Actress for the Golden Globes and SAG Awards, respectively. Other projects Granik has in development include a documentary about life after being released from jail and the subject of recidivism in East Baltimore - that was to feature Felicia "Snoop" Pearson from The Wire and elements of her memoir, Grace After Midnight - but is now a documentary about four former inmates in New York City. In this episode, we talk about: • How the production company for Winter's Bone pulled out at the last minute, which gave her and her partner the freedom to choose an unknown actress who was closer to the age range of the character • Recruiting a fixer: how she develops or recruits a trustworthy group of informants to provide realism and honesty to her stories • How she started: graduated college with a documentary project about a guy in Waltham, MA • Meeting her producing partner and working on the feature film of Snake Feed: Down to the Bone • How she deals mentally and emotionally with intense, dark subject matter • How in Europe, they do a great job nurturing short films as opposed to here, it's a calling card • Her journey as an independent filmmaker • How projects get presented to her Guest: IMDb Wikipedia Host: Instagram: @MentorsontheMic @MichelleSimoneMiller Twitter: @MentorsontheMic @MichelleSimoneM Facebook page: https://www.facebook.com/mentorsonthemic Website: www.michellesimonemiller.com Youtube: https://www.youtube.com/user/24mmichelle If you liked this episode, check out Executive Producer Director Jason Ensler Check out your Write your Dream Role Starter Kit by Emily Grace. Full Episode with Emily Grace here

Returning to the podcast today, we have a fan favorite in the form of Mr. Jordan Harper. One of my dearest friends, this podcast's very first guest, and my Pandemic Movie Club, and Game Night crew buddy, Jordan is the Edgar award-winning author of She Rides Shotgun, Love & Other Wounds, The Last King of California - releasing in September in the UK - and Everybody Knows, which will be available everywhere in 2023.Additionally, a screenwriter and producer of such shows as The Mentalist, Gotham, and Hightown, Jordan crafted one of the most beautiful pilots for L.A. Confidential, which CBS stupidly did not pick up, but was so acclaimed he screened and did a virtual panel on the show at the ATX TV Festival. A Missouri native - and yes, that will come up in today's conversation, Jordan currently lives in L.A. along with his talented screenwriter girlfriend Megan Mostyn-Brown, and adorable dog Ellroy.Welcoming Jordan back to celebrate the release of The Last King of California next week in the UK, in this rich, thoughtful, fresh conversation, we explore a trio of films that center on criminal families (of the blood variety), including James Foley's At Close Range, David Michôd's Animal Kingdom, and Debra Granik's Winter's Bone.Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveLogo: KateGabrielle.comOriginally Posted on Patreon (9/14/22) here: https://www.patreon.com/posts/71974209

Jeff is an Emmy Award-winning actor currently recurring on the shows Big Sky and NCIS: LA and General Hospital. Other acting work includes Debra Granik's Leave No Trace, Sully, directed by Clint Eastwood, and many credits over his years in the business. Jeff has been a teacher of Vedic Meditation since 2007, working from his home in Studio City and elsewhere around the globe. He has recently published his book, Embracing Bliss (available at fine online bookstores everywhere), as well as a companion to the book, Embracing Bliss Podcast with Jeff Kober. In his spare time, Jeff makes tintype photographs using the 19 th Century wet plate collodion process.   jeff-kober.com EMBRACING BLISS: 108 Daily Meditations Embracing Bliss podcast Instagram/linktree IG @jeffkobermeditation   ++++++++ MarisaRadha.com Guidance Meditation Album IG @marisaradhaweppner *****Please rate Love Service Wisdom on iTunes.  It helps me to get the guests you want to hear. 

On this episode of the Criterion CULT Film Podcast we talk about the Nicolas Rouge's 1971 film Walkabout. Cult host Jordan tires to leave a trace at the alter of the CULT with Debra Granik's 2018 film Leave No Trace starring Ben Foster and Thomasin McKenzie.

We're finally back this New Year bringing you a taste of J-Law's early work in "Winter's Bone" (2010), written & directed by Debra Granik and based off of the novel by John Woodrell!

To wrap up the year, Morley and Ryan talk about the top 10 things that broadened or changed our perspective about creativity in 2021: Ryan: Independent Film & FIlmmakers (Jim Cummings, Richard Linklater, Chloe Zhao, Gus Van Sant, Quentin Tarantino, Debra Granik, Duplass Brothers, David F. Sandberg, Assem Kroma). Midnight Mass (Limited Series on Netflix, 2021). Folk Music & Musicians (Gregory Alan Isakov, Alexi Murdoch, Bob Dylan & more). Raymond Jacobs (American Photographer). Gone Home (Indie Game, 2013). Morley: Rick Rubin: The Invisibility of Hip Hop's Greatest Producer by Soulr Les Stroud - Survivorman Once Upon a Time in Hollywood Andrew Szeto Switched on Pop Mentions: Broken Record Podcast Casey Neistat Grant Alexander Adam Mackey The Danocracy Justin Mabie What we're putting Into the Spotlight this week: Morley: Tai Verdes on Switched On Pop Ryan: WTF with Marc Maron Where You Can Find Us: Ryan O'Connor: Instagram: @ry.oconnor Twitter: @RyanOConnorCA Medium: @ryan.oc Morley Kert: Instagram: @morleykert YouTube: Morley Kert Collectively: Instagram: @intothespotlightpodcast Twitter: @into_spotlight Youtube: Into The Spotlight

For today's movie review:Vera Farmiga stars as a drug-addicted wife and mother of two, in Debra Granik's Down to the Bone! Hear Adam and Andy's take on this 2004 independent film in this episode!Check out Down to the Bone (2004)Show Notes:Viewer's Question:What are our favorite Jennifer Lawerence movies?Comment/email your answers.Chapters:(~0:00:08) Introduction(~0:00:31) Featured Review(~0:13:24) Viewer's Question(~0:22:04) ClosingLike, comment, or subscribe if you'd want to see more episodes.Feel free to send us a question we can answer on the air to ReelShame@gmail.com or follow us on Instagram @ReelShame.

In this episode of Women Vs Hollywood, Helen O'Hara is joined by film critics Anna Smith, Simran Hans and Rebecca Harrison to discuss the impact of film criticism on the movie industry. You'll hear about our guests' experiences as female film critics, great critics of the past like Pauline Kael, and also how things are slowly beginning to improve for marginalised folks in film criticism. You can find our host, Helen O'Hara (she/her), on Twitter @HelenLOHara.You can also find Helen on The Empire Film Podcast.Comments? Questions? Talk about the show on your social media platform of choice using #WomenVsHollywood.Our Guests This Week Were:Anna Smith (she/her): @annasmithjourno on Twitter Find out more about her work at http://annasmithjourno.com/ Simran Hans (she/her): @heavier_things on TwitterFind out more about her work at https://www.simranhans.com/Rebecca Harrison (she/her): @BeccaEHarrison on TwitterFind out more about her work at http://www.writingonreels.uk/ This week's recommended films were:Leave No Trace (2018), directed by Debra Granik, recommended by Anna SmithWanda (1971), directed by Barbra Louden, recommended by Simran HansYou can purchase Women vs Hollywood in the UK, here: https://uk.bookshop.org/books/women-vs-hollywood-the-fall-and-rise-of-women-in-film/ You can purchase the audiobook of Women vs Hollywood on Audible in the UK, here: https://www.audible.co.uk/pd/Women-vs-Hollywood-Audiobook/ You can purchase the audiobook of Women vs Hollywood on Audible in the US, here: https://www.audible.com/pd/Women-vs-Hollywood-Audiobook/ You can pre-order Women vs Hollywood in the US, here: http://bookshop.org/books/women-vs-hollywood-the-fall-and-rise-of-women-in-film/ Host: Helen O'Hara (she/her)Producer: Maddy Searle (she/her)Executive Producers: Kobi Omenaka (he/him) and Ella Watts (she/her)Artwork: Steve Leard (he/him) Music: Jazz Apricot – Joey Pecoraro; Jazz Mango – Joey Pecoraro; Walk Through The Park – TrackTribe; On Hold For You by Kevin MacLeod - Link: https://incompetech.filmmusic.io/song/6928-on-hold-for-you - License: https://filmmusic.io/standard-license; Members Only – Track Tribe; Night on the Town - Track Tribe SFX: stefan021 via freesound.org Find out more about Stripped Media and our other shows on our website, here: https://stripped.media/our-podcasts/ If you enjoyed this episode, please consider giving us a five star review on iTunes or your Podcatcher of choice, and telling your friends and family about the show. Word of mouth is still the best way to market any podcast, and every little helps! From the whole team at Women vs Hollywood: thank you. See acast.com/privacy for privacy and opt-out information.

Episode 251."Leave No Trace"Author: Pete Rock.Peter Rock was born and raised in Salt Lake City. His most recent novel, The Night Swimmers, was a finalist for the PEN/Faulkner award; it involves open water swimming, fatherhood, psychic photography and the use of isolation tanks as a means to inhabit the past. He is also the author of the novels SPELLS, Klickitat, The Shelter Cycle, My Abandonment, The Bewildered, The Ambidextrist, Carnival Wolves and This Is the Place, as well as a story collection, The Unsettling. Rock attended Deep Springs College, received a BA in English from Yale University, and held a Wallace Stegner Fellowship at Stanford University. He has taught fiction at the University of Pennsylvania, Yale, Deep Springs College, and in the MFA program at San Francisco State University. His stories and freelance writing have both appeared and been anthologized widely, and his books published in various countries and languages. The recipient of a Guggenheim Fellowship, a National Endowment for the Arts Fellowship, an Alex Award and others, he currently lives in Portland, Oregon, where he is a Professor in the English Department of Reed College. Leave No Trace, the film adaptation of My Abandonment, directed by Debra Granik, premiered at Sundance and Cannes and was released to critical acclaim in 2018. Leave No Trace can currently be found on Hulu.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter: @DarekThomas or @mdmcriticWebsite: www.mmcpodcast.comContact: Mondaymorningcritic@gmail.comWelcome, Pete Rock.

"Well, he loved y'all. That's where he went weak." For Episode 173, we kick off our month of Female Filmmakers by talking about the career of Debra Granik. Listen as Brandon and Thomas talk about Granik's ability to cast undiscovered talent and her three fantastic films, including Down to the Bone, Leave No Trace, and Winter's Bone.  Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod Medium: CineNation E-mail: cinenationpodcast@gmail.com

Winter is coming this summer, so Brandon & Tyler are joined by special guest Morgan to discuss Debra Granik's 2010 Drama "Winter's Bone" Follow us on on Twitter, @FilmFoilPodcast, and Facebook Brandon's Twitter: @BrandoV2 Tyler's Twitter: @TylerJRinne Book Bugs Twitter: @BookBugsPodcast Bridges Out of Poverty: Strategies for Professionals and Communities https://www.amazon.com/dp/1929229690/ Music - "Golden Sunrise" by Josh Woodward. Free download: http://joshwoodward.com/ Elevator Music - "Local Forecast - Elevator Music" by Kevin Macleod: http://www.orangefreesounds.com/

For this month's bonus, we discuss Debra Granik's Academy Award-winning film, Winter's Bone. To hear the full episode, visit patreon.com/citizendame and subscribe.

In this week's episode, we focus on Debra Granik's 2010 mystery drama, WINTER'S BONE, starring Jennifer Lawrence and John Hawkes.As with each episode, we discuss general thoughts and observations on the movie through all of our categories: "You Already Know," "Let's Check It Out," "Like a Virgin," "Double Rainbow," "The Good Son-off," and "Parting Shots." "Remake This!" took a break this week because the film is so recent!Films discussed during "Whatcha Been Watching Lately": FUN WITH DICK AND JANE (1977), FREAKY, and THE TRIAL OF THE CHICAGO 7Don't forget to SUBSCRIBE and RATE us wherever you listen (5 stars are always encouraged!) and follow us on Twitter and Instagram (@TRRMoviePodcast) where you can interact with us and comment on how much you love this week's movie!We also now have a website! Visit RamblingRamblers.com to access all of our episodes, check out what movies we'll be covering soon, look back at all of our Remake This! casts from the past, and even read our Parting Shots!- - -Hosts: Justin Gott and Pete ConwayIntro/Outro music by John Butler Trio

This episode is dedicated to female film & TV directors worldwide bringing storytelling greatness and unprecedented representation onscreen and off. Love to Chantal Ackerman, Dee Rees, Kathryn Bigelow, Kasi Lemmons, Ida Lupino, Joanna Hogg, Nicole Holofcener, Sofia Coppola, Isabel Coixet, Kelly Reichardt, Gina Prince-Bythewood, Dorothy Arzner, Phoebe Waller-Bridge, Lulu Wang, Kimberly Reed, Patti Jenkins, Marielle Heller, Regina King, Alice Guy-Blache, Debra Granik, Agnieszka Holland, the Wachowskis, Barbara Kopple, Julie Dash, Yoko Ono, Greta Gerwig, Cheryl Dunye, Jane Campion, Melina Matsoukas, Catherine Hardwicke, Donna Deitch, Ana Lily Amirpour, Lina Wertmuller, Barbara Loden, Lucrecia Martel, Claire Denis, Sarah Polley, Maren Ade, Lisa Cholodenko, Miranda July, Dorota Kędzierzawska, Mary Harron, Barbara Streisand, Julie Taymor, Karyn Kusama, Kimberly Pierce, Alla Nazimova, Leslie Linka Glatter, Sara Driver, Kitty Green, Catherine Breillat, Josephine Decker, Lynne Ramsay, Ava DuVernay, Chloe Zhao, Mira Nair, Andrea Arnold and many more that will grow to many many many more. Brava!

Atendendo aos pedidos dos ouvintes, comentamos três filmes que ainda não haviam sido pauta dos nossos podcasts. O podcast Escolha da Audiência traz nossos comentários sobre filmes pedidos por membros do Cineclube Cinematório! Nesta edição, Renato Silveira e Kel Gomes falam sobre os seguintes títulos: - "Nunca Raramente Às Vezes Sempre" (Never Rarely Sometimes Always, 2020, EUA), de Eliza Hittman, premiado drama sobre uma adolescente que decide interromper uma gravidez não planejada, contando apenas com a ajuda de uma prima para viajar até Nova York e realizar o procedimento em uma clínica. Pedido por Priscila Carvalho; - "Sem Rastros" (Leave no Trace, 2018, EUA), de Debra Granik, elogiado drama que acompanha pai e filha (Ben Foster e Thomasin McKenzie) que vivem acampados em uma reserva ambiental, até que são forçados pelo poder público a deixarem o local e se reintegrarem à sociedade. Pedido por Alana Andrade; - "13 Assassinos" (Jûsan-nin no shikaku, 2010, Japão), de Takashi Miike, filme de ação que acompanha um grupo de guerreiros samurais em sua tentativa de tirar do poder um lorde sádico que tortura e mata por prazer. Pedido por Gustavo Oliveira. Quer fazer um pedido? Torne-se membro do Cineclube Cinematório! Você poderá participar do podcast e ainda recebe conteúdo exclusivo preparado especialmente para você. E o principal: você ajuda a gente a manter o cinematório funcionando! Conheça e junte-se a nós! Quer mandar um e-mail? Escreva para contato@cinematorio.com.br.

Atendendo aos pedidos dos ouvintes, comentamos três filmes que ainda não haviam sido pauta dos nossos podcasts. O podcast Escolha da Audiência traz nossos comentários sobre filmes pedidos por membros do Cineclube Cinematório! Nesta edição, Renato Silveira e Kel Gomes falam sobre os seguintes títulos: - "Nunca Raramente Às Vezes Sempre" (Never Rarely Sometimes Always, 2020, EUA), de Eliza Hittman, premiado drama sobre uma adolescente que decide interromper uma gravidez não planejada, contando apenas com a ajuda de uma prima para viajar até Nova York e realizar o procedimento em uma clínica. Pedido por Priscila Carvalho; - "Sem Rastros" (Leave no Trace, 2018, EUA), de Debra Granik, elogiado drama que acompanha pai e filha (Ben Foster e Thomasin McKenzie) que vivem acampados em uma reserva ambiental, até que são forçados pelo poder público a deixarem o local e se reintegrarem à sociedade. Pedido por Alana Andrade; - "13 Assassinos" (Jûsan-nin no shikaku, 2010, Japão), de Takashi Miike, filme de ação que acompanha um grupo de guerreiros samurais em sua tentativa de tirar do poder um lorde sádico que tortura e mata por prazer. Pedido por Gustavo Oliveira. Quer fazer um pedido? Torne-se membro do Cineclube Cinematório! Você poderá participar do podcast e ainda recebe conteúdo exclusivo preparado especialmente para você. E o principal: você ajuda a gente a manter o cinematório funcionando! Conheça e junte-se a nós! Quer mandar um e-mail? Escreva para contato@cinematorio.com.br.

12/13/2020 On this week's episode we talk about the 2010 movie Winter's Bone by Debra Granik alongside the 1981 John Landis classic American Werewolf in London. Intro Music: "Hale Makame," 1930, Unknown author / Public domain Outro Music: "Fool Me Some More," 1930, Gus Arnheim / Public domain --- Support this podcast: https://anchor.fm/whatsyourdungeon/support

In this episode we compare the new awards bait film Hillbilly Elegy to a more empathetic, politically conscious portrait of a mother struggling with addiction: Debra Granik's 2004 debut, Down to the Bone. This episode features Executive Editor Orla Smith, Associate Editor Brett Pardy, and special guest Lindsay Pugh For detailed show notes, visit: https://seventh-row.com/2020/12/01/ep-68-hillbilly-elegy/ Follow Seventh Row on Twitter, Instagram, and Facebook, and read our articles at seventh-row.com.

Hosts: H. Goff and LB A podcast where one of reads the book, the other watches the movie and then we talk about it. This episode: Winter's Bone written by Daniel Woodrell and Winter's Bone directed by Debra Granik. We discuss writing, cinematography, poverty, and the importance of authenticity. Trigger Warning: Drug use, mentions of sexual assault, and mentions of pedophilia.

Kino Madness: too hot for podcasting This episode pits Debra Granik's 2010 mystery drama "Winter's Bone" versus Benh Zeitlin's 2012 drama "Beasts of the Southern Wild" Go read Vance's writing here: https://film-cred.com/author/vance-osteen/ Subscribe to our feed wherever you get your podcasts at: anchor.fm/s/16ba53cc/podcast/rss Current tourney bracket: https://challonge.com/nu6s6yc8 Featuring Leo https://letterboxd.com/lab_521/ Adam https://letterboxd.com/aschronister/ Nathaniel https://letterboxd.com/nattycboi/ Vance https://letterboxd.com/TheHolyMountain/ and Nicole Americano https://letterboxd.com/nikkia347/

Programa nº 184 de El podcast de Cinoscar & Rarities. 20º podcast especial de verano dedicado a los premios Óscar del S. XXI. Repaso a los Óscar 2018 y a las películas que no fueron nominadas. Además, nuestra compañera Mayra Meza reseña "NO DEJES RASTRO (LEAVE NO TRACE)", de Debra Granik. ¡Gracias por darle al play! Guía del programa: 0' Presentación - 1' Análisis de los Óscar 2018 - 5' Los olvidos de los Óscar 2018 - 9' Reseña de "NO DEJES RASTRO" - 15' Despedida y canción: Suspirium , de "Suspiria" Redes sociales: @CinoscaRarities Blog: https://cachecine.blogspot.com.es/ Correo: cinoscararities@gmail.com Escúchanos en Spotify, Ivoox y Itunes ¡Buscamos colaboradores! ¡Contacta con nosotros!

Clint flies solo in this edition of the podcast and gives you his verdict on HBO Max and whether its worth the monthly price. Also in TV, he gives his final thoughts on FX's THE AMERICANS and whether it deserves to be placed among the all-time great shows and gives his take on the enduring legacy of Cartoon Network's SPACE GHOST COAST TO COAST.In movies, he reviews John Cassavetes's controversial 1976 effort, THE KILLING OF A CHINESE BOOKIE, and Debra Granik's 2018 gem, LEAVE NO TRACE.Email Clint at theclintdavis@gmail.com and Andy at sedlakjournal@gmail.com. Follow them on Instagram @mrclintdavis and @andysedlak. See acast.com/privacy for privacy and opt-out information.

Odcinek podróży czasoprzestrzennych: w kosmos statkiem „Avenue 5” (Armando Iannucci, HBO), do powojennego „Hollywood” (Ryan Murphy, Netflix), do lat 90. na „Ostatni Taniec” z Michael'em Jordan'em (Jason Hehir, Netflix), do wielkiego lasu z bohaterami „Zatrzyj Ślady” (Debra Granik, Bron Studios / Harrison Productions) Foto na okładce © Netlifx

A fun and adventurous episode with the delightful writer and actor Hannah Bos. She’s on the show to discuss the pivotal 1980’s comedy, Adventures in Babysitting. Hannah and April both declare their love for Elisabeth Shue while dissecting the outdated humor of the film. Hannah also talks about her new movie Driveways, co-written with Paul Thureen. She elaborates on the process of getting the film made, working with director Andrew Ahn, and the generosity of the late great Brian Dennehy.You can watch Driveways on VOD now.If you haven’t seen Adventures in Babysitting…it’s great!AND, if you want to check out April’s Staff Pick – watch Debra Granik’s Winter’s BoneWith April Wolfe and Hannah Bos

The Gang is back in the Quarantine Life to talk about Sing Unburied Sing, by Jesmyn Ward; Sackcloth and Ashes, by 16 Horsepower; and Winter's Bone, by Debra Granik.

Lucas and Cole sit down and talk about Winter's Bone (2010), a American mystery drama film directed by Debra Granik and starring Jennifer Lawrence. They talk about the muted colors of the film, the complex characters, and some intense scenes. Afterwards they talk about low-budget films in Hollywood. Other Links Email: movieswithmillennials@gmail.com Twitter: @MwmCast Youtube Page: Movies With Millennials

Hi everyone! One of the commitments for One Movie Punch in Year Three is to feature more microbudget and independent features. We’ve started to receive screeners from a variety of small independent distributors, featuring a wide variety of films. Every Wednesday, we hope to feature an independent and/or microbudget feature, with up to two interviews per month with the filmmakers when schedules allow. Today’s review will cover Irish filmmaker Robbie Walsh’s EDEN, a microbudget drama looking at homelessness in Dublin after a recent economic crash. And it doesn’t get more microbudget than this film, made for just around 600 Euro in 2012, although not completed until 2016. I was lucky enough to sit down and speak with Robbie about the film, along with his film career and his brief MMA career. The full interview will be available at our Patreon page this Sunday, but you’ll hear snippets of the interview throughout today’s review. We’ll also be playing the full trailer audio for EDEN beforehand. Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Today’s movie is EDEN, the Irish microbudget drama written and directed by Robbie Walsh. Set against the dire homelessness crisis in Dublin, Ireland, EDEN follows a day in the life of Adam (Johnny Elliott), a homeless man living his life to the best of his ability. Throughout the day, he encounters a variety of Dubliners, struggling with their own problems, and a few willing to help him with his. No spoilers. I always get a little nervous when filmmakers tackle homelessness. I think the first film I saw that tackled homelessness was John Hughes’ last film, 1991’s CURLY SUE, where Bill Dancer (Jim Belushi) and his companion Curly Sue (Alisan Porter) pull scams to make enough to eat and conning a divorce lawyer into a heartwarming conclusion. The second instance was seeing another Hughes screenplay, 1991’s DUTCH, when Dutch (Ed O’Neill) must transport his girlfriend’s son Doyle (a very young Ethan Embry), and after losing their car, spend a night in a homeless shelter. The overall messaging in both films was positive, but making a comedy out of child homelessness and including a scene of a rich kid slumming it in a shelter cannot help but feel privileged. The same privilege sparked a more complex debate over 2014’s TIME OUT OF MIND, where Richard Gere played a homeless man on the streets of New York, including some method preparation by hanging out on the street. While this kind of effort also feels privileged, because Gere knows at any time he can just catch a cab home, it was also for a drama, which at least gets us moving in the right direction. I’ve seen a new wave of films about homelessness that have gotten better at capturing the real plight, at least in the United States. 2016’s CARDBOARD BOXER saw Thomas Haden Church play a homeless man exploited by rich kids to participate in the atrocious phenomenon known as bum fights. It is a very difficult watch, and has its rough moments, but tackles way more than the tantalizing subject matter. 2018’s LEAVE NO TRACE saw the return of Debra Granik, the genius behind WINTER’S BONE, adapting a book based on the rumored lives of a father/daughter pair living completely off the grid in Oregon. The film not only showed a different side to homelessness, with a special focus on PTSD, but also the very real strains on families living off the grid. And now, as I’ve recently seen in Robbie Walsh’s EDEN, the situation isn’t just limited to the United States. ROBBIE: "The inspiration itself came from a few different areas. At the time, I had recently just left the military and found myself in between jobs and in between homes, essentially. And at the time, I was lucky in that I still had a lot of my military equipment, like sleeping bags and what not, and I had my car, so I had a couple of weeks, and I was too embarrassed to tell my family I didn't have a job at the time, and eventually I did and I had to come back home, which was a huge thing you find with Irish people, especially if they travel overseas. And as we were making the film, our lead actor, Johnny Elliott, fantastic actor, as we were filming, he was literally the same thing, he was between homes and a couple of the actors who would guest, small roles, and a couple of two and unders, two lines and under, you know, one of the guys was my housemate, and he moved into the house with my producer, who we were all living together. We found out he was living in a doorway in the city center in town, in Dublin, and we were like, 'Dude, what are you doing?' And he was a dear friend of my friend Philip's, and he said, 'Yo, come on, come live in the house with us.' We helped get him back on his feet. Our cameraman was in between homes. He'd just been told his rent would be going up in his apartment, and he couldn't afford it, and he was trying to find somewhere else to live. Very, very rampant. One of the girls who was living with us was struggling to pay rent to the point where she didn't have a tv or anything. There was an actress, one of the finest actresses in the country, you know, and nothing. She could barely feed her kids, like, you know? We didn't know this until we were filming, and as we were filming, they were telling, sharing the stories, and telling the stories, you know? And I was just like, 'This is going to get worse before it gets better'." If anyone is going to talk about homelessness in cinema, it should be those folks who have actually experienced homelessness. I’ve been lucky enough to have always had a roof over my head, but I’ve known a few people who’ve spent some time without a home, and the experience affects each person in similar and unique ways. EDEN’s cast and crew all have experienced some form of homelessness, and the authenticity shows in the storytelling and in the character’s portrayals. The hardest part about portraying the homeless is to not fall back on stereotypes, even if sometimes homelessness expresses itself in similar ways. ROBBIE: “and that's where I tried to do as much as possible was to show slow descent into Adam's situation with each interaction, and each person will reflect a stage of life where Adam has probably found himself, and he's chosen to go left or right. Literally through no fault of his own, it's just because work dried up and he couldn't afford to pay the rent.” Every character along Adam’s journey feels authentic, and each serves a unique purpose. Sarah Carroll plays Claire, a mother turning to sex work to make ends meet. Kelly Blaise plays a woman jumping to conclusions about Adam. Robbie Walsh himself gets in front of the camera as a taxi driver who had previously been homeless. And in Robbie’s favorite scene, Kevin O’Brien plays someone who just lost their job. ROBBIE: “My favorite scene is the one where he sits on the park bench, and the guy sits beside him. At times, because of how Kev O'Brien plays this spoiled guy, he gets sympathy, you feel sympathy one second, then he's a sleazebag the next. And the next minute, I can see where people have done that. And then you're like, 'You know what, do you deserve it or don't you?'” One of my favorite parts of speaking with the filmmakers for these special review episodes is that I get a chance to learn more about the process of how the film was made. I think films should be judged similar to how diving is judged at the Olympics; difficulty definitely plays into overall rating. I’m particularly interested in the constraints independent filmmakers are working under, and in the case of EDEN, just how much can be done with very little. ROBBIE: “I filmed it in four days, because I didn't have the money, I had like 600 Euro, which works out at the time about $800, you know. When we finished filming after three days, my editor came to me, he's like, 'Robbie, you know, we need a bit more footage. We need another scene or otherwise we don't get the feature.' I was like, 'You know what, I have this great scene wrote for something else, but I think it might work. Let me see if these two guys are available.' And they were. We went down and shot the last day with just the two of them and a skeleton crew. I say a skeleton crew, it was my crew, my entire crew of four. And we got this wonderful, lovely scene that I really, really love, you know, and that... I don't know if it resonates with me but certainly my favorite scene in the film.” I can’t think of many films that can be made for $800, at least not without a lot of sweat equity and team passion. Knowing this fact made my only concern about the film seem moot, a bit of shaky camera work in some scenes, particularly when Adam is playing with the producer’s dog, Lily. In fact, most of EDEN was shot in 2012, but finished up later on closer to 2016, when it first debuted. It has since been screened around the world, at a few festivals, and in support of the Simon Community in Dublin, which work to fight homelessness. Back to the diving analogy for a bit, this has to be one of the highest difficulties, and as such, EDEN excels well beyond its means. The flipside of talking with the filmmakers is that sometimes you learn things you weren’t quite expecting. One of my favorite aspects of EDEN was the incredible scoring and soundtrack, mostly in the form of instrumental post-rock from an Irish musician named Andrew Mann. I was really excited to find out more about it, but wasn’t quite ready for the story that followed. ROBBIE: “So I went along, and we got talking to this American girl at it, who was going out with an Irish musician, and I'd happen to mention to him that I was looking for music for a film, and his name was Andrew Mann. ROBBIE: “And he went and sent me all of these pieces on, and then when I gave them to the editor, my editor rang me and he was like, 'Look, we can use this piece here, this piece...' He was literally reading my mind. And the closing song is from a friend of mine, a really great band called Keywest. If you guys check them, if you want to check them out, they are a fantastic Irish band, and there's a little bit of music from Richard Geraghty, but Andrew Mann scored mostly the entire film.” ROBBIE: “Unfortunately, Andrew Mann passed away earlier this year. It was a very complicated situation, and it was by his own hands. It was literally two weeks or three weeks after the film had gotten its theatrical release. There was a lot of, a lot of personal... very public, very personal stuff that was really out in the world, and himself and the girl he was with a very long time, had kind of taken their own lives. I can't really talk much more about it because I don't know the intricacies of what happened, you know. Really nice guy. Fantastic musician." Suicide sucks, and that’s coming from someone who suffers from anxiety and depression and has had more than one bout of suicidal thoughts. It also happens at a higher rate among those in poverty and dealing with homelessness. Mental illness isn’t necessarily something someone has but is a situation that can be brought about by the right circumstances. In these tough economic times, it’s easy to slip into that downward spiral. For anyone out there that might be having similar thoughts, please reach out to anyone and seek professional help. On a side note before we wrap up, Robbie Walsh was also an MMA fighter, Ireland’s first MMA title holder by luck of the card. You can hear more about it in the full interview on Sunday, but what’s truly inspiring is how he leveraged that experience for filmmaking. ROBBIE: “Actually, that's how I got my money to make ACES, my short film. I had no money to make it, so I fought in a cage and got some money together and made my short film ACES. I went then to get it into Cannes, and after that, it was pretty stoked about that. It was the first short I had directed, then I went on to do some coaching in boxing. A decent MMA career but I had to hang up the gloves because I was too old, too tired, and too blind." If “filmmaker does cage fighting to fund his craft” isn’t an inspiring story, I don’t know what is. EDEN is a marvelous microbudget drama dealing with homelessness in Dublin, as seen through a day in the life of one man. Constrained by a $800 budget and a quick four day shoot, the cast and crew of EDEN manage to leverage an incredible amount of a value from a very low cost, authentically held together by great acting and an excellent score. Coming in at a tight 76 minutes, EDEN is a quick, but powerful watch recommended for anyone who advocates for the homeless, or to see how great the microbudget scene can be. Rotten Tomatoes: NR Metacritic: NR One Movie Punch: 7.5/10 EDEN (2016) is not rated and is currently playing on Amazon Prime, OPPrime TV, UK Film Channel, and on VOD.

It’s the end of the decade! And though it was a tough task, we’ve narrowed down all the media from the last 10 years to our fave five in literature, film, music, television and gaming. Stroll with us down memory lane as we revisit the titles that made us reflect, made us feel, and maybe even moved the needle on what media has to say about the world around us.Time Stamps:1:07 - Ebony’s Fave FiveBook: An Unkindness of Ghosts (2017) by Rivers SolomonFilm: Winter’s Bone (2010) directed by Debra Granik, story by Daniel WoodrellTV: Heaven Sent (2015) episode of Doctor Who directed by Rachel Talalay, written by Steven MoffatMusic: Hozier (immortal) fae legend and spooky bastard (Runner up - Gary Clark Jr)Game: Donut Country (2018) developed by Ben Esposito11:27 - Caro’s Fave Five(honorable mention) TV: San Junipero (2016) episode of Black Mirror directed by Owen HarrisFilm: Museum Hours (2012) written and directed by Jem CohenTV: Twin Peaks: The Return (2017) developed and written by creators David Lynch and Mark FrostFilm: Call Me by Your Name (2017) directed by Luca GuadagninoGame: Butterfly Soup (2017) developed by Brianna LeiTV: The Americans (2013-2018) created by Joe Weisberg for the FX television network18:59 - Anita’s Fave FiveTV: Halt and Catch Fire (2014-2017) created by Christopher Cantwell and Christopher C. RogersMusic: Lemonade (2016) visual album by BeyoncéBook: Ancillary Justice (2013) by Ann LeckieFilm: Only Lovers Left Alive (2013) written and directed by Jim JarmuschGame(s): Guacamelee! 1 and 2 (2013, 2018) developed by DrinkBox Studios, and Gato Roboto (2019) developed by doinksoft(honorable mentions) Film(s): Phantom Thread (2017) directed by Paul Thomas Anderson, and If Beale Street Could Talk (2018) directed by Barry Jenkins; TV: Brooklyn 99 (2013-present) created by Michael Schur and Dan Goor; Documentary: O.J.: Made in America (2016) directed by Ezra EdelmanPS: This week we are announcing a new initiative to help men go from bystanders (and sometimes enablers) of abuse into allies in the fight for gender justice. If we reach our $25,000 fundraising goal by Dec. 31 we can launch our Male Ally Resources and Education initiative and the Games and Online Harassment Hotline in early 2020, and we’re halfway there. We're fighting for a safer, more equitable gaming culture for everyone. Donate today and with your help we will make it a reality. https://feministfrequency.com/donate/Follow Us:Join our PatreonOur WebsiteSubscribe on Apple PodcastsTwitterInstagramDonate to our End-of-Year Fundraising Campaign

We chat with Supervising Sound Editor, Sound Designer and Re-recording Mixer Damian Volpe to discuss his recent collaboration with visionary Director Robert Eggers and explore his new film, The Lighthouse. Shot in black-and-white, the film follows two lighthouse keepers (portrayed by Willem Dafoe and Robert Pattinson) as they are faced with solitude, but start to lose their sanity and become threatened by their worst nightmares. Damian Volpe is a Brooklyn based sound designer, supervisor, and mixer. He is a founding member of Harbor Sound, and a working partner of ((Audience)), a non- profit group dedicated to presenting music and sound art in new contexts, including specifically the use of movie theaters as concert halls. He has had the good fortune to collaborate over several decades with an amazing cast of directors including Ira Sachs, Debra Granik, Robert Eggers, Dee Rees, Marielle Heller, Ted Melfi, Mira Nair, Peter Hedges, Jim Jarmusch, and Matthew Barney. Damian’s work can be heard in a wide variety of feature films (The Lighthouse, Can You Ever Forgive Me?, Leave No Trace, St. Vincent, Mudbound, Drive, Winter’s Bone, Margin Call, Forty Shades of Blue, Happiness), documentaries (Billy the Kid, Trouble the Waters) and art pieces (Drawing Restraint 9, States of Unbelonging, Last Address). His work can also be heard at the award-winning Gear Platte River Road Archway Monument and at The George Washington Museum and Education Center in Mount Vernon. His sonic interests include susurration, hypnogogia, tintinnabulation, buzz, bottomlessness, and decay.

Debra Granik deserves to be included on any list of the best filmmakers of the 21st century.  That should give you an idea of what we thought of Granik's four films, which include the Oscar nominated Winter's Bone and last year's Leave No Trace. Show Notes/Sources:  https://www.hollywoodreporter.com/news/director-debra-granik-explains-why-been-eight-long-years-between-winters-bone-leave-no-trace-1123551 https://variety.com/2019/film/news/debra-granik-oscar-insider-leave-no-trace-1203101924/ https://tisch.nyu.edu/grad-film/alumni/debra-granik- https://thedissolve.com/features/interview/1087-winters-bone-director-debra-granik-says-the-new-st/ https://podcasts.apple.com/us/podcast/debra-granik-and-jennifer-lawrence-winters-bone/id417057875?i=1000092364504 http://www.shedoespodcast.com/listen/debra-granik https://www.stitcher.com/podcast/turner-podcast-network/filmstruck/e/55203585 https://www.metacritic.com/feature/film-critic-top-ten-lists https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2018 https://www.tiff.net/the-review/tiff-long-take-ep-73-debra-granik-leave-no-trace-breakout https://player.fm/series/indiewires-filmmaker-toolkit/leave-no-trace-director-debra-granik https://www.stitcher.com/podcast/national-public-radio/bullseye-with-jesse-thorn/e/58880875 https://www.indiewire.com/2019/02/debra-granik-marielle-heller-oscars-2019-1202044494/ https://www.nytimes.com/2015/07/03/movies/review-stray-dog-documents-a-complex-veteran.html https://www.indiewire.com/2018/12/jane-campion-debra-granik-oscar-nom-best-director-leave-no-trace-1202029649/

This week on The First Run, Chris and Matt discuss Neil Jordan's latest, the thriller ‘Greta', starring Isabelle Huppert and Chloë Grace Moretz. Huppert plays a woman estranged from her family, looking to make new friends. Desperately. And she's willing to keep them around at all costs. Then we visit one of the best films of 2018 with ‘Leave No Trace', directed by Debra Granik. Nary an Oscar mention, but a 100% Rotten Tomatoes score. An undiscovered gem or is EVERYONE wrong? There's the always-engaging review of the big releases on Blu-Ray & DVD, featuring the Streaming and Straight to DVD Picks of the Week. Then this disturbingly entertaining episode ends with the return of our Oddsmaker game, What Are The Odds. Will Rotten Tomatoes drop its audience score? Has ‘Black Panther' kicked in the door for superhero movies getting Best Picture Nods? We'll fill you in on those odds.00:00-07:53: Intro/Greta07:54-14:32: Blu-Ray & DVD Picks14:33-20:55: Leave No Trace20:56-39:58: What Are The Odds?!?39:59-42:45: Wrap UpTheme music provided by Jamal Malachi Ford-Bey

Is it only acceptable to post images of a disgusting menu item if you've actually imbibed said dish? Andrew thinks so, but there's no way Karl is putting that thing in his mouth. Plus, the discreet charms of the bourgeois Ladies in Black, the gorgeous Leave No Trace, and the delightfully offensive Bald Archy Prize. All in your favourite pop culture podcast from those two blokes in Melbourne, Australia. See omnystudio.com/listener for privacy information.

In episode forty-one of movies imo., Ben, Brandon, and Daniel yell over each other about LEAVE NO TRACE, Debra Granik's long-awaited return to feature filmmaking/the woods. Afterwards they climb up the family tree to discuss three more daddy-daughter stories in Peter Bogdanovich's PAPER MOON, Benh Zeitlan's BEASTS OF THE SOUTHERN WILD, and Maren Ade's TONI ERDMANN. Ben has little to say about the Granik but plenty of love for the way screenwriter Lucy Alibar weaves Hushpuppy's childlike perspective into very adult situations throughout BEASTS, Daniel has trouble remembering the name of Dale Dickey's character in WINTER'S BONE, and Brandon solves the lingering mystery of whatever happened to Woman Driver from LEAN ON PETE. See acast.com/privacy for privacy and opt-out information.

Debra Granik's new movie, ‘Leave No Trace' follows a father and daughter living completely off the grid, in the woods. Granik could have cast a big name to play the daughter, and perhaps gotten a bigger budget, but she says that's not how her style of filmmaking works. Instead, she went with an unknown teenager from New Zealand.

Joanna Robinson talks to Blockers director Kay Cannon, and Richard Lawson talks to Leave No Trace director Debra Granik.

On the last weekend of Cannes, Jake and Damo round up their favourite final watches, including Hirokazu Kore-eda's 'Shoplifters' and Matteo Garrone's 'Dogman'. For discussion on the Semaine Award winning 'Diamantino', Pawel Pawlikowski's 'Cold War' and 'Leave No Trace' - Debra Granik's acclaimed follow up to 'Winter's Bone', go back and listen to our previous episodes of Our Man In Cannes.For some in-depth conversation on the latest releases, check out our latest, full-length episodes on the Camera D'or winning 'Jeune Femme', as well as 'McKellen: Playing the Part', featuring an interview with the great thespian himself.Follow the team on Twitter:@damospandley - Damo@jakehcunningham - JakeProduced and edited by Jake CunninghamMusic supplied by incompetech.com Hosted on Acast. See acast.com/privacy for more information.

Jake and Damo get together again to discuss some of the weekend highlights from La Croisette, including: Lukas Dhont's Un Certain Regard and Camera d'or nominated debut 'Girl', 'Leave No Trace' Debra Granik's follow up to 'Winter's Bone' and 'Diamantino' the giant puppy, football, government conspiracy film you never knew you needed until now. Follow the team on Twitter:@damospandley - Damo@jakehcunningham - JakeProduced and edited by Jake CunninghamMusic supplied by incompetech.com Hosted on Acast. See acast.com/privacy for more information.

"Leave No Trace" is writer/director Debra Granik's first film since her Oscar nominated 2009 hit "Winter's Bone." The film made its debut at this year's Sundance Film Festival to critical acclaim. It stars Ben Foster as a troubled father to his daughter Tom played by Thomasin McKenzie. They are living off of the land in isolated parts of Oregon and while her father can't seem to re-adjust back into society, Tom might just have a chance to do so. I had the opportunity to talk with Thomasin McKenzie about her work on the film, what it was like working with Ben Foster, her background, her future and more.

The International part of the International jury of TFF32. The post Geoff Andrew, Debra Granik, György Pálfi – Torino 32 – International Jury #TFF32 appeared first on Fred Film Radio.

Director Debra Granik discusses her award-winning film, Winter's Bone. [24:16]

Sundance has been good for writer-director Debra Granik (Down to the Bone). She won all three time she competed. Her newest, Winter's Bone, got the Grand Jury Prize this year. It's the importance of film festivals.