Podcast appearances and mentions of Justin Hurwitz

The Fall Winter 2025 women's and men's collection unfolds as a synergy of past, present, and future, accompanied by a live orchestra with an original score by the multi-award-winning composer and conductor Justin Hurwitz.Music composed and conducted by Justin Hurwitz. 

The live-action musical La La Land was primed to take over the 89th Academy Awards as the frontrunner for Best Picture, and its chances of winning multiple awards included Best Original Song, where two tunes from the movie were nominated. On this episode, learn more about the men who created those songs -- Justin Hurwitz, Benj Pasek, and Justin Paul -- and the writers of the other three nominated songs. Lin-Manuel Miranda earned his first Oscar nomination that year, as did Justin Timberlake for the most popular song of 2016.

Le film a d'abord été un court-métrage avant d'être le long-métrage que l'on connaît et qui a remporté, parmi la quarantaine d'autres récompenses internationales, trois Oscars en 2014. C'est grâce à ce film, dont le nom fait référence au morceau "Whiplash" de Hank Levy, que Damien Chazelle est entré dans la cour des grands réalisateurs et que l'acteur J.K. Simmons a vu sa carrière relancée.Le personnage principal du film, c'est le jazz. Il sert de toile de fond aux houleuses relations entre Terence Fletcher, professeur tyrannique et intransigeant et son élève, Andrew Neiman.La bande originale a été composée par Justin Hurwitz (qui signera également la BO de "La la Land") et il est intéressant de voir combien les musiques renforcent la tension narrative de l'histoire.Entrons dans l'ambiance survoltée d'une performance musicale intense de ce film dont on ne sort pas tout à fait indemne. Crédits musique :- Intoit - Stan Getz- Caravan - John Wasson- Opening - Justin Hurwitz- First Nassau Band Rehearsal - Tim Simonec- Extrait "What's your name ?" - Damien Chazelle

Padre no hay más que uno cuatro, la nueva entrega de esta saga familiar dirigida por Santiago Segura, llega a su cita estival. Santiago Segura y Toni Acosta nos visitan para hablar de esta comedia con la que las risas están garantizadas.Viajamos hasta el décimo octavo Festival Internacional de Música de Cine dónde nos espera uno de los platos fuertes de la programación, la clase magistral de Justin Hurwitz. Con este gran compositor y guionista estadounidense hablamos, así como con el director del Festival Diego Navarro.Viajamos en el Barco del amor, la nueva comedia romántica del director Bruno Podalydès, protagonizada por el propio director junto a su hermano Denis Podalydès y dos caras conocidas del cine francés, Daniel Auteuil y Sandrine Kiberlain, una cinta que nos va hacer reír y pensar. Tenemos Nuestro momento perfecto como el título de la ópera prima de la actriz alemana Aylin Tezel, una cinta con la que explora el amor en el sentido más amplio de la palabra, es nuestra colaboradora Ángeles González Sinde quien nos la acerca.Nos detenemos en la película de terror, De naturaleza violenta, la ópera prima de Chris Nash con los ingredientes necesarios para pasar 94 minutos terroríficos: cabañas aisladas en el bosque, aliens y Un Zombi.Todo esto además del resto de la cartelera entre las películas que destacamos Twisters una revisión no secuela de la de 1996, las secciones habituales y las noticias cinematográficas más destacadas.Escuchar audio

Padre no hay más que uno cuatro, la nueva entrega de esta saga familiar dirigida por Santiago Segura, llega a su cita estival. Santiago Segura y Toni Acosta nos visitan para hablar de esta comedia con la que las risas están garantizadas.Viajamos hasta el decimo octavo Festival Internacional de Música de Cine dónde nos espera uno de los platos fuertes de la programación, la clase magistral de Justin Hurwitz. Con este gran compositor y guionista estadounidense hablamos, así como con el director del Festival Diego Navarro.Viajamos en el Barco del amor, la nueva comedia romántica del director Bruno Podalydès, protagonizada por el propio director junto a su hermano Denis Podalydès y dos caras conocidas del cine francés, Daniel Auteuil y Sandrine Kiberlain, una cinta que nos va hacer reír y pensar. Tenemos Nuestro momento perfecto como el título de la ópera prima de la actriz alemana Aylin Tezel, una cinta con la que explora el amor en el sentido más amplio de la palabra, es nuestra colaboradora Ángeles Gonzalez Sinde quien nos la acerca. Nos detenemos en la película de terror, De naturaleza violenta, la ópera prima de Chris Nash con los ingredientes necesarios para pasar 94 minutos terroríficos: cabañas aisladas en el bosque, aliens y Un Zombi.Todo esto además del resto de la cartelera entre las películas que destacamos Twisters una revisión no secuela de la de 1996, las secciones habituales y las noticias cinematográficas más destacadas.Escuchar audio

Repasamos la cartelera de la semana, donde encontramos estrenos como Padre no hay más que uno 4, Twister, El barco del amor y muchos más. Hablamos con el oscarizado Justin Hurwitz, compositor de la banda sonora de La la land. Escuchar audio

Zeit und Ruhe für dich, um aus der Mitte heraus neue Kraft zu schöpfen. Diese Musikstücke hast Du in der Folge gehört: Katie Melua – "Dreams On Fire" // Justin Hurwitz – "Docking Waltz" // Manu Katché – "She Is" // Joseph Joachim Raff – "Cellokonzert, Larghetto" // Sufjan Stevens – "Casimir Pulaski Day" // Den Podcast "SCHOENHOLTZ - Der Orchester-Podcast" von BR-Klassik findest du hier: https://www.ardaudiothek.de/sendung/schoenholtz-der-orchester-podcast/10630943/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

(00:00:46) Seuls 7 pays de la planète respectent les limites de l'OMS sur les particules fines (00:06:27) Reportage: l'armée allemande dans les écoles (00:11:18) «Même dans la tristesse et la douleur, on trouve de la beauté»: interview du compositeur de La La Land, Justin Hurwitz

Min 4: POBRES CRIATURAS + NOMINACIONES OSCARS 2024 “O la amas o la odias”. Es la frase definitoria que avanza Alberto Luchini para resumir el poso que deja el visionado de una de las pelis más extrañas y esperadas del año. “Pobres criaturas” llega a las salas con 11 nominaciones bajo el brazo y desempolva el debate en torno al cineasta griego Yorgos Lanthimos. ¿Genio o director indescifrable? Nuestros críticos nos sacan de dudas y dan los mejores consejos para afrontar uno de los títulos clave de este 2024. Valoramos también su éxito en la lista final de favoritas a los Oscar y el mal presagio (casi inapelable) que rodea a la nominada "La sociedad de la Nieve". Min 17: LOS TRES MOSQUETEROS: MILADY Pero “Pobres criaturas” y su aspecto grotesco y transgresor va a tener un duro rival en la superproducción francesa que vuelve a reavivar el legado de Alejandro Dumas. Concebida como la segunda parte de “Los Tres Mosqueteros: D'Artagnan”, Martin Bourboulon nos propone una nueva zambullida en la convulsa Francia de esos años y pone el foco en “Milady”, la mujer que da título a esta secuela y a la que encarna la siempre convincente Eva Green. Min 22. UN MAL DÍA LO TIENE CUALQUIERA El cine español pide un hueco en el reparto de novedades de la semana con el debú en la dirección de la conocida humorista Eva Hache. Aunque su aspecto es de comedia feminista y desenfadada, “Un mal día lo tiene cualquiera” esconde trazas de drama y de humor negro que pueden chocar al espectador que busque algo más ligero. Según Alberto Luchini, cualquier parecido con “Jo, ¡qué noche!” de Scorsese, es mera coincidencia y, al menos tras la cámara, la directora Hache “Necesita Mejorar”. Min 28. MIller's Girl Pocas veces hemos escuchado a Raquel Hernández argumentar un veredicto tan duro y tajante como el que le ha arrancado la película “Miller's Girl”. Aunque la cinta que protagonizan Martin Freeman (“El Hobbit”) y la joven y efervescente Jena Ortega (“Miércoles”) se antoja un homenaje al proceso creativo en la literatura y a las míticas relaciones profesor-alumno, esta “Chica de Miller” se convierte en un despropósito erótico que ha indignado a nuestra experta de “Hobby Consolas”. Min 32: FARO También se queda a varias brazadas de la orilla la película de terror de la semana. Se trata de una producción española dirigida por Ángeles Hernández y que coloca a Hugo Silva y a Zoe Arnao en las entrañas de un Faro alejado en el que la sombra de la mujer que la muerte les ha arrebatado parece poner en riesgo la intención terapéutica de su huida del dolor. Min 37: ESPECIAL BSO “WHIPLASS”, LO MEJOR DE “SUNDANCE” Si coincidiendo con el 40 aniversario del “Festival Sundance” los 500 profesionales que lo hacen posible han elegido a “Whiplash” como la mejor película estrenada en el gran evento auspiciado por Robert Redford, es que la película que Damien Chazelle dirigió antes de “La La Land” se merece ocupar el trono musical de Estamos de Cine para celebrarlo a lo grande. Con Ángel Luque te contamos porqué la genuina e impecable banda sonora de Justin Hurwitz tiene parte de culpa de que “Whiplash”, en su décimo aniversario, sea hay para muchos una de las pelis de culto de este siglo

“I found myself humming an Olivia Rodrigo song...” Oscar-winning composer Justin Hurwitz discusses his nearly two-decade career composing alongside director Damien Chazelle. This interview was hosted at the 2023 Venice Film Festival, in collaboration with Cartier.

durée : 02:05:25 - Musique matin du mardi 07 novembre 2023 - par : Gabrielle Oliveira-Guyon - Compositeur attitré du cinéaste Damien Chazelle, le chef Justin Hurwitz fait l'événement en venant diriger le Yellow Socks Orchestra en France pour une série de ciné-concerts du film "La La Land", pour lequel il a été doublement oscarisé. Rencontre inédite avec un maestro proche de la perfection. - réalisé par : Yassine Bouzar

Estamos en permanente evolución. Es nuestra naturaleza. Nos adaptamos al medio o, si no podemos adaptarnos, tratamos de modificarlo. En la música sucede lo mismo. Los estilos van cambiando, interaccionan y se fusionan, surgen nuevas maneras de hacer música; nos la inventamos. A lo largo de la Historia de la Música ha habido compositores o bandas que marcaron un hito, que hicieron el giro y marcaron el camino a seguir, hasta que llegó un nuevo compositor o una nueva banda que estaba en busca de algo más. Frore, Jackson Frost, Adrián Berenguer, Edouard Ferlet, Ash Ra Tempel, Rémi Orts Project, David Cañas del Mazo, Robert Rich, Luca Fomentini, Stanislav Barantsov, The Midnight, Justin Hurwitz. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1011.

On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO PODCAST, Erik Woods presents music from some of his favourite scores written in 2022. This is part three of a four-part series. Today, you'll hear selections by such composers as Diego Navarro, Justin Hurwitz, Philippe Rombi, Michael Giacchino and Evan Call. Part four will be online in a few days! Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

En este episodio conversamos sobre la película del año 2014, “Whiplash” del director Damien Chazelle, protagonizada por Miles Teller, J.K. Simmons, Melissa Benoist y Paul Reiser.

CINEMATES host Michael is joined by the cinemaze boys, Nick Stillone and Angus Newell, as they discuss Damien Chazelle's Oscar-winning musical, La La Land, starring Ryan Gosling and Emma Stone. While drinking some BrewDog Shandy Shacks and Tiramisu Tyranny Stouts, they chat about Gosling and Stone's versatile talent, Justin Hurwitz's amazing score and the film's iconic, final sequence----------This episode is brought to you by our exclusive beer partner, BrewDog. They're the world's first carbon negative brewery, born out of Scotland and now serving craft beers across UK, US, EU and down under. In Australia, their main brewery is in Brisbane with 3 BrewDog bars located in Brisbane, Melbourne and Sydney. You can check out their amazing line-up of sustainable beers and other drinks on their website below. Remember to drink responsibly (18yrs+).Discount Code: FREE4CINEMAZE (for free delivery in Australia)https://www.brewdog.com/au----------Hosts: Michael Cistulli, Angus Newell and Nick StilloneProducer: Nick StilloneDrinks: BrewDog Shandy Shack and Tiramisu Tyranny IPA's----------Join the CINEMATES Podcast Discussion Group on Facebook where you can share your passion for cinema, debate new and old releases, and everything in between. Also, please us know what you want to hear about in future episodes by sending us a DM on Instagram or TikTok.In the spirit of reconciliation, we acknowledge Australia's first nations people as the traditional owners and custodians of the land, and pay respect to the Cammeraygal people of the Eora nation, upon whose country cinemaze is based. We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia. Also, in the spirit of chatting with mates, remember it's always important to check in with those around you. Whether it's friends, family or colleagues, sometimes they may be going through a hard time and chatting with them may reassure them that they aren't alone. If you or anyone you know is ever struggling, call Lifeline on 13 11 14. Hosted on Acast. See acast.com/privacy for more information.

On this episode of ISOS: Brandon brings in a piece about the devolution of Hip-Hop Media and Ryan brings an interview with film composer Justin Hurwitz. They also begin the Pod recognising the recent deluge of Media layoffs.ARTICLES & TIMESTAMPS:Brandon's Pick - (19:33) "How Did Hip-Hop Media Get So Bad?" By Israel DaramolaRyan's Pick - (40:49) "Justin Hurwitz Gives Everything to His Movie Scores, and He's Not Going to Stop" by Katey RichThanks for listening! Be sure to help support the show by sharing, rating, reviewing and reading the pieces talked about. Support the writers & everyone that helps make this show possible. If you're an independent writer and would like your own work featured on the show, send it to us to read via the CS/5E Socials below! We appreciate you joining us as we continue in our search for sauce.Central Sauce (Twitter) - @Central_SauceThe 5th Element (Twitter) - @The5thElementUKMusic - "Fxck Shit Up" By BasstiChillHop MusicOther Podcasts Under The 5EPN:"What's Good?" W/ Charlie TaylorBlack Women Watch...5EPN RadioDiggin' In The DigitsThe Beauty Of Independence

"Babylon" no funcionó como se esperaba pero si algo destaca de la película de Damien Chazelle es la banda sonora de Justin Hurwitz, candidata al Oscar 2023 a la mejor música, que muestra el ambiente festivo y desaforado del Hollywood de los años 20. Iker González Urresti no podía dejar de comentarla en La Música Clásica De Nuestro Tiempo. Este reportaje pertenece al programa “El Cine de LoQueYoTeDiga” nº 400 (14x34) y fue emitido el 22 de Abril de 2023.

Bienvenidos al programa 400 del podcast “El Cine de LoQueYoTeDiga”. Para celebrarlo, y coincidiendo con los 55 años de su estreno, toca irnos a “El guateque” con Blake Edwards y Peter Sellers y el conjunto de catastróficas desdichas que ocurren en esa fiesta de lujo, caos e ingenio. Además se cumplen los 40 años del Oscar de “Volver a empezar” de José Luis Garci, la primera estatuilla para el cine español y también recordamos con Mary Carmen Rodríguez (también editora del podcast) esa histórica efemérides que hay que poner en el lugar que merece. En La Música Clásica De Nuestro Tiempo con Iker González Urresti la BSO de “Babylon” de Justin Hurwitz en su nueva y exitosa colaboración con Damien Chazelle. Estrenos, recomendaciones en Colgados de la plataforma y la crítica de las favoritas “Los tres mosqueteros: D’Artagnan” y “Scarlet”. ¡Muchas gracias por escucharnos!

¡EXPERIMENTO 626 está de regreso! Podrán seguir escuchando este pódcast en su plataforma de podcasting favorita y a partir de ahora VERLO EN VIDEO en el canal de YouTube de Diana Su.Episodio 6: La película de Babylon ya está en plataformas digitales y para celebrarlo platiqué en exclusiva con Diego Calva sobre anécdotas del rodaje, escenas eliminadas, su amistad con Flea de los Red Hot Chili Peppers y más experiencias increíbles que ha tenido.

C'est parti pour l'année 2023 dans 24FPS, le podcast ciné avec ou sans spoiler ! Voici la liste des 17 films évoqués sans spoiler par Julien et Jérôme : The Pale Blue Eye de Scott Cooper (à partir de 0:02:41) Mayday de Jean-François Richet (à partir de 0:08:23) Terrifier 2 de Damien Leone (à partir de 0:13:28) Le Pire Voisin Au Monde de Marc Forster (à partir de 0:28:56) Jung_E de Sang-Ho Yeon (à partir de 0:35:40) Alice, Darling de Mary Nighy (à partir de 0:42:12) Astérix Et Obélix : l'Empire Du Milieu (à partir de 0:45:23) Close de Lukas Dhont (à partir de 1:13:10) Lupin III vs Cat's Eye de Kobun Shizuno et Hiroyuki Seshita (à partir de 1:16:38) Missing : Disparition Inquiétante de Will Merrick et Nicholas D. Johnson (à partir de 1:21:36) Ant-Man Et La Guêpe - Quantumania de Peyton Reed (à partir de 1:28:20) Infinity Pool de Brandon Cronenberg (à partir de 1:54:05) Tár de Todd Field (à partir de 2:03:43) The Fabelmans de Steven Spielberg (à partir de 2:10:22) Women Talking de Sarah Polley (à partir de 2:47:42) Babylon de Damien Chazelle (à partir de 2:53:45) Knock At The Cabin de M. Night Shyamalan (à partir de 3:47:18) Et ils reviennent sur Knock At The Cabin, cette fois avec spoilers, à partir de 3:58:30 Bonne écoute, et n'hésitez pas à nous dire ce que vous avez pensé des Oscars ! Crédits musicaux : The Fabelmans de John Williams, issu de l'album The Fabelmans - Original Motion Picture Soundtrack (2022), et Finale de Justin Hurwitz, issu de l'album Babylon - Music From The Motion Picture (2022) Retrouvez 24FPS sur Facebook https://www.facebook.com/24fpspodcast/ et Twitter https://twitter.com/24fpspodcastSur Twitter, suivre Jérôme https://twitter.com/dravenardrok et Julien https://twitter.com/rhaitz 24FPS est un podcast du label PodShows

Dos dies abans de l'entrega dels Premis Oscar 2023, el programa de bandes sonores de Catalunya R

This week's episode of the Empire Podcast sees another onslaught of incredible guests, as Ian Freer chats with Babylon's director-composer duo of Damien Chazelle and Justin Hurwitz about their working relationship and long friendship, and Chris Hewitt talks scary VHS covers with We Have A Ghost director Christopher Landon, and stepping into the directorial breach with Creed III star (and shot caller), Michael B. Jordan. Then, in the podbooth, Helen O'Hara hosts this week, and she's joined by James Dyer and Amon Warmann to discuss movies with small casts, the week's movie news (such as it is), and review Creed III, Close, The Strays, and The Independent. Enjoy.

Damien Chazelle's "Babylon" was one of 2022's largest and most ambitious films. It's fair to say it split everyone who saw it down the middle with their opinions. But an area most could agree on was the film's technical craft. Two frequent Chazelle collaborators, composer Justin Hurwitz and costume designer Mary Zophres were kind enough to spend some time going in-depth on their work for Chazelle's latest. First up is my interview with Hurwitz, where he breaks down the extensive layering of the score, how the film pushed him out of his comfort zone to try new things, if he's open to working with anyone outside Damien Chazelle, and more. Then we have Zoe Rose Bryant's interview with Mary Zophres, where she breaks down the film's elaborate costumes, working with all the different department heads on this massive project, her reaction to some of the criticisms thrown at the film's anachronisms, and more. You do not want to miss listening to these before the Oscars! Please take a listen to them down below and enjoy. Thank you! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

With 2022 over, The Film Scorer covers some of the best and most notable film scores released from the last three months of the year. These include scores like Babylon by Justin Hurwitz, All Quiet on the Western Front by Volker Bertelmann, and many more. A breadth of film music awaits! The episode opens with some awards season coverage, recorded prior to the BAFTA awards ceremony, and so predicts a Hurwitz win even though Volker Bertelmann ended up winning. Keep your eye on The Film Scorer website for reviews and articles covering some of these scores and see below for articles covering some of my favorite scores for the following months, including detailed writeups and lists: October: https://thefilmscorer.com/the-best-film-scores-of-october-2022/

Kelsi and Trey are joined by Academy Award Winning Composer Justin Hurwitz. We explore his career, collaborations with Damien Chazelle, and his recent Oscar nominated score from 'Babylon'.Send requests, questions, and thoughts to our email: extracreditspod@gmail.comPlease rate and review us on your podcast platform!Apple PodcastsSpotifyFollow our Tik Tok: The Extra CreditsFollow our Instagram: @extracreditspodFollow our Letterboxd: The Extra CreditsFollow our Twitter: @theextracredits

Oscar-nominated “The Banshees of Inisherin” actor Colin Farrell talks about that film, as well as what's next on the docket: playing the Penguin for a TV spinoff of “The Batman.” Also on this episode, a chat with Oscar-nominated composer Justin Hurwitz (“Babylon”). But first, on the Awards Circuit roundtable, we go deep into the Andrea Riseborough Oscar nomination controversy, and the Academy's decision not to rescind her nod.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Damien Chazelle burst onto the scene with 2014’s Whiplash, a perfect film and one of the most memorable theater experiences of all time. Two incredible movies followed: La La Land and First Man....

Fresh off the back of its huge success at the Golden Globes - and multiple BAFTA nominations - we're delighted to welcome The Banshees Of Inisherin composer Carter Burwell back to Soundtracking. Little did we know when we recorded this interview at the end of last year that the film would win best picture in a musical or comedy AND best screenplay for Martin McDonagh, as well as a best actor gong for Colin Farrell. Carter was pipped in the Best Score category by our last guest on Soundtracking, Justin Hurwitz, but that takes nothing away from the excellence of his work on the project

Min 5: FILTRANDO EN BABILONIA Ahora sí, el Cine entra en su etapa más estimulante del año y empiezan a llegar a las salas los títulos llamados a ser protagonistas en los próximos Oscar. Seis años después de encandilarnos con “La La Land”, el talentoso Damien Chazelle vuelve a apostar por su amor al cine colocando su mirada frente al incipiente Hollywood de los años 20. Ambición, alcohol, corrupción, sexo y excesos conforman un arriesgado collage cinematográfico de más de tres horas que ha dividido a la crítica. Todos coinciden en que el director de “Wiplash” ha querido trascender con un ambicioso proyecto preñado de luces y sombras. Nos cuentan las virtudes y defectos de “Babylon” nuestros críticos Alberto Luchini y Raquel Hernández, que además ponderan otras novedades que han aterrizado en cartelera como la comedia británica “Una herencia de muerte”, el magistral drama coreano “Decision to Leave”, la despedida de Bruce Willis en “Detective Knight: Redention” o la película animada para toda la familia “El asombroso Mauricio”. Min 40: ESPECIAL BSO BABYLON Y si el resultado final de “Babylon” deja ese sabor a exceso de metraje y de sobrecarga visual, la música compuesta por Justin Hurwitz contribuye a dar al film esa sensación de catarsis jazzística. Pero con Ángel Luque descubrimos que, en los temas menos excesivos, se respira y se aprecia la magia y el talento del compositor de la oscarizada La La Land. De momento, Hurwitz, pese al resultado irregular de la película, ya ha conseguido el Globo de Oro de este año por su genuina banda sonora. ¿Lo volverá a conseguir en los Oscar? Lo veremos y lo escucharemos. Feliz escucha.

With the current release of Justin Hurwitz's new score for 'Babylon' in cinemas, Matthew Sweet looks at the theme of decadence in the movies through examples of its music. The programme includes notes by Debbie Wiseman for 'Wilde', Jen Anderson for 'Pandora's Box'; 'Caligula' by Bruno Nicolai, Nino Rota's 'La Dolce Vita', Jonny Greenwood's 'Inherent Vice' and Dustin O'Halloran's 'Marie Antoinette'. Philippe Sarde scores with 'La Grande Bouffe' and Craig Armstrong with 'The Great Gatsby'. The programme also features music by John Barry and Georgio Moroder, and the Classic Score of the week is Jerry Goldsmith's 'LA Confidential'. To round things off, a decadent helping of 'Babylon'.

We have a bonus episode for you today, as two friends of the podcast return (separately, we should say) to discuss their work together on the extraordinary Babylon. Director Damien Chazelle and composer Justin Hurwitz have worked their magic once again, bringing to life a tale of decadence, depravity, and outrageous excess in 1920s Hollywood. What we do is share the interview with Justin first, as that goes into great detail about the music; then we'll get an overview from Damien about the score and the movie as a whole.

This week John, Dave, and Jeff discuss Babylon (2022), the film by writer/director Damien Chazelle that reminds us why we love going to see 3 1/2-hour long movies filled with extravagance and debauchery in the theater at Christmas. Critics have been split, audiences gave it a shrug… was it really that bad?  Intro/Gripes: 0:00 BABYLON: 14:00 What've You Been Watching: 50:30 Additional Cast/Crew: Brad Pitt, Margot Robbie, Justin Hurwitz, Diego Calva, Jean Smart, Phoebe Tonkin, Olivia Wilde, Jovan Adepo, Flea, Jimmy Ortega. Find all of our Socials at: https://linktr.ee/theloveofcinema Hosts: Dave Green, Jeff Ostermueller, John Say. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer  

Alex and Zach immediately react to the 2023 Golden Globe Awards. They rate the actual production of the show's return and grade the wide swath of winners, including a dissection of Austin Butler's still baffling use of his Elvis voice. Plus, Alex and Zach talk quickly about the television winners and how the film winners will play into the Oscars.TIME STAMPS: 0:28 - Discussion of the Show 12:01 - Grading the Film Winners 23:26 - Dissecting Austin Butler's Elvis Voice (and his win) 28:39 - Continuing the Film Winners/Show Elements 41:00 - TV Awards 48:30 - Final Thoughts/Projecting Towards Oscars 52:41 - Outro/Listener Question Follow us on Instagram @a.z_moviereview. Follow us on Twitter @a_z_moviereview.

The new cinematic epic from the director of La La Land. 

Get a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastDaniel, Shahbaz, & Anthony review Damien Chazelle's BABYLON, an original epic set in 1920s Los Angeles. The film traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood. Babylon stars Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, P.J. Byrne, Lukas Haas, Olivia Hamilton, Tobey Maguire, Max Minghella, Rory Scovel, Katherine Waterston, Flea, Jeff Garlin, Eric Roberts, Ethan Suplee, Samara Weaving, and Olivia Wilde. Babylon releases exclusively in theatres December 23, 2022 by Paramount Pictures.Listen to The Movie Podcast review now on all podcast feeds, YouTube, and TheMoviePodcast.caContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

Special Episode! Oscar-winning director Damien Chazelle sits down with his composer Justin Hurwitz ahead of their new film, BABYLON. Why Chazelle involves his composer long before his script is "final," and how he uses it to create storyboards. How the music of WHIPLASH and LA LA LAND were informed by music, and the challenges of bringing to life the 1920s-era BABYLON with all its brilliant, raucous and cacophonous musical splendor. Interview by Robert Kraft and Matt Schrader.

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First Man discussion with director Damien Chazelle, writer Josh Singer, composer Justin Hurwitz, sound designer/supervising Sound Editor/Re-Recording Mixer Ai-Ling Lee, and actors Ryan Gosling and Claire Foy on October 13, 2018 at the Samuel Goldwyn Theater. Moderated by John Horn.

انقلاب 1789 فرانسه آنطور که معروف است برخلاف برخی اظهار نظرها واقعا کبیر بود، هم خودِ انقلاب و هم اثرات دامنه‌داری که شعارهای آزادی، برابری و برادری در جهان گذاشت و هم اتفاقات بعد از انقلاب، مثل دوران وحشت و به قدرت رسیدن ناپلئون که مثل دومینو بر جهان تاثیر گذاشت. یکی از تاثیرات این انقلاب و البته دوران ترور و وحشت ظهور چهره‌ای است در عالم سیاست که به یکی از مهم‌ترین چهره‌های مروج لیبرالیسم تبدیل شد، این شخص کسی نبود جز آلکسی دو توکویل. لینک‌های پشتیبانی از پادکست برای دوستان خارج کشور از طریق واریز به حساب پی‌پل برای دوستان ساکن ایران از طریق درگاه زرین پال ممنون از اینکه کمک می‌کنین تا ما بهتر و بیشتر پادکست تولید کنیم. کانال یوتیوب پادکست مشخصات کتاب عنوان: اندیشه توکویل نویسنده: لری سیدنتاپ مترجم(ان): حسن کامشاد ناشر(ان): فرهنگ جاوید تعداد صفحات: 225   موسیقی‌های پادکست قطعه Falling Together از Chad Lawson. قطعه  Mia and Sebastians Theme از Justin Hurwitz متعلق به فیلم La la land. قطعه Leda Swims ساخته Dickon Hinchliffe متعلق به فیلم The Lost Daughter. اجرای گیتار قطعه رومئو و ژولیت. قطعه Sorrow Never Ends از PerfectParadox. قطعه The Night King ساخته رامین جوادی از موسیقی سریال Game Of Thrones.

Jess and Stephen find out what's going on as the Vue cinema chain says it didn't cancel screenings of the new horror film Dashcam due to its content, and find out why La La Land's Oscar winning composer Justin Hurwitz is taking the talent agency WME to court. Follow the show on Twitter @SMTM_podcast Follow Jess on Twitter @JessieRobinson Follow Stephen on Twitter @StephenFollows If you have a question you'd like answered on the show, email showmethemoneypod@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

With the arrival of the much anticipated sequel to Top Gun' with us, Matthew turns his thoughts to film music that explores our skyborne aspirations. As well as a cue from the new score for 'Top Gun Maverick' by Lorne Balfe and Hans Zimmer, the programme features music from 'Birdman', 'Carnival Row', ''Hook', 'Captain Marvel', 'Avatar', Danny Elfman's score for 'Dumbo', 'E.T - the Extra-Terrestrial', 'The Aeronauts', 'The First Of The Few', 'Brewster McLeod', 'Amelia' and Justin Hurwitz's 'First Man', the Classic Score of the Week is Franz Waxman's music for 'The Spirit of St Louis'.

Musique Mécanique par le Théâtre Électrique ::"La La Land" by Justin Hurwitz ::

In the podcast finale, we take a look at the entire journey across all five seasons and reflect on key take-home messages and memorable words from my guests and co-hosts. We wrap up with acknowledgments, a dedication, and final words and prayers.Link to A Way Beyond the Rainbow bookBackground music used in the episode:(0:39-4:14) Now We Are Free (theme from Gladiator), 2CELLOS(4:14-7:39) River Flows in You, Yiruma(7:39-13:51) Adagio in G Minor (Albinoni), HAUSER with the Zagreb Philharmonic Orchestra(13:51-17:21) The Lonely Shepherd (Georghe Zamfir and James Last), HAUSER with the London Symphony Orchestra(17:22-23:04) My Heart Will Go On (theme from Titanic by James Horner), 2CELLOS(23:05-31:00) A Way of Life (theme from The Last Samurai), Hans Zimmer(31:01-33:53) Once Upon a Time in the West (Ennio Morricone), HAUSER(33:54-37:31) Tennessee (theme from Pearl Harbor), Hans Zimmer(37:32-39:28) La Valse d'Amélie (Version orchestre), Yann Tiersen(39:28-44:26) Never Too Late, Yanni(44:27-48:56) Playing by Heart, Yanni(48:57-51:45) House of Cards, Audiomachine(51:54-57:45) Guardians at the Gate, Audiomachine (extended)(57:46-1:01:12) Song of the Caged Bird, Lindsey Stirling(1:01:13-1:07:29) Farewell - In His Purest Form, Yanni(1:07:30-1:10:23) Breath and Life, Audiomachine (extended)(1:10:24-1:13:07) Above and Beyond, Audiomachine(1:13:08-1:17:07) In the Mirror, Yanni(1:17:08-1:20:04) Almost a Whisper (Seléna's Theme), Yanni(1:20:45-1:25:20) Chopin's Nocturne in C Sharp Minor (Frédéric Chopin), HAUSER with the London Symphony Orchestra(1:25:25-1:28:41) Mia and Sebastian's Theme (theme from La La Land by Justin Hurwitz), HAUSER with the Zagreb Philharmonic Orchestra(1:28:43-1:31:31) Valerie (theme from V for Vendetta), Dario Marianelli

Writer/director Damien Chazelle & composer Justin Hurwitz

Alex and Fernando discuss six great film composers, including John Williams, Justin Hurwitz, Elmer Bernstein, Joe Hisaishi, and Ennio Morricone! 

This week's guest brings welcome dissent to one of the best, least controversial, yet most controversial films of the 2010s. Kathryn Borel and Graydon talk about La La Land.

In episode fifty-five of movies imo., Ben, Brandon, and Daniel yell over each other about Damien Chazelle's rumination on death on Earth via Neil Armstrong's adventure on the Moon in FIRST MAN before moving on to staples of the NASA space movie: APOLLO 13, THE RIGHT STUFF, and ARMAGEDDON. Ben reveres the Sirkian qualities of Michael Bay's hyperbolic patriotism, Daniel fights the fascists, and Brandon flies to the Moon on a billowy cloud listening to Justin Hurwitz's stirring score. See acast.com/privacy for privacy and opt-out information.

Justin Hurwitz has in a short amount of time, through his collaborations with Damien Chazelle on "La La Land" and "First Man," made a huge impact on the cinematic landscape with his memorable film scores for both movies. An Oscar-winner for the former and now, recently shortlisted for this year's Oscar for the later, the 33 year old composer was kind enough to chat with us about his work on "First Man" and take us into his creative process behind one of the year's most celebrated film scores. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @nextbestpicturepodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2 Spotify - open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at www.patreon.com/NextBestPicture