Podcasts about movie critics

A brilliant painter facing the worst creative block of her life turns to anything she can to complete her masterpiece. In an attempt to complete her work before her gallery opening she spirals into a hallucinatory hell-scape of drugs, sex, and murder in the sleazy underbelly of Los Angeles. On this week's episode… Join the crew as we discuss blood orgies, how hard art is, and the pains of addiction in Joe Begos' neon soaked film, Bliss (2019).     Show Notes: Housekeeping (4:50) Back of the Box/Recommendations (11:55) Spoiler Warning/Full Review: (20:20) Rotten Tomatoes (63:50) Cooter of the Week (70:58) What We've Been Watching (79:46) Hotline Scream: (89:45)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

By 2016, the Star Wars galaxy was splintered. Disney had bought the keys to the kingdom, and The Force Awakens had opened the floodgates of nostalgia; fans were debating whether the magic still remained. Enter Rogue One, a gritty, grounded war film that not only connected the dots between trilogies but also reminded us what sacrifice actually looks like in a galaxy far, far away. Our Rogue One (2016) Review could be our boldest Star Wars exploration yet. Listen to find out.On this week's Born to Watch, the team rallies on Yavin 4 to break down the boldest entry in Disney's Star Wars canon. Whitey brings the heat with tales of midnight screenings and family rewatches, calling Rogue One the "Everest" of modern Star Wars. Damo, initially underwhelmed, admits it took a second viewing to appreciate the depth and daring of this standalone story. And Bones? Let's just say he came armed with more trivia than a Death Star databank, from K-2SO's comic origins to what Chirrut Îmwe's staff is really made of.The episode begins with the squad sharing their first impressions, ranging from faulty cinema projectors to kids ditching mid-movie, before diving into the film's iconic trailer. Vader's breath. The Rogue One theme. Mon Mothma's icy resolve. It still rocks. The boys dissect what made the trailer work and laugh at the glaringly absent "I rebel" line that somehow vanished between teaser and final cut.Naturally, the Born to Watch crew doesn't just scratch the surface. They dive deep into what makes Rogue One so special: a fresh cast of characters who aren't chosen ones or lightsaber prodigies, but ordinary rebels making impossible choices. Jyn Erso (Felicity Jones) gets major love for her no-frills attitude, while Diego Luna's Cassian Andor earns newfound respect thanks to the phenomenal Andor series, which Whitey all but begs Damo to finally watch.And then there's K-2SO, the sardonic droid voiced by Alan Tudyk (aka "Two Dicks”, don't ask, just listen). Easily one of the funniest characters in the franchise, K-2 delivers punchlines and gut-punches with equal finesse. The same goes for Donnie Yen's Chirrut and Wen Jiang's Baze, a dynamic duo who bring martial arts, mysticism, and machine guns to the battlefield.Ben Mendelsohn's Director Krennic gets the Aussie shoutout treatment, with the team praising his imperial smugness and exquisite cape work. Forest Whitaker's Saw Gerrera? A source of debate, gasps, and conspiracy theories, is he a Vader prototype? A puffed-up Darth Hipster? Either way, "Bo Gullet" lives rent-free in everyone's head, even if no one quite understands what he's doing there.And then comes the scene. You know the one. The Vader hallway massacre. It's cinematic perfection, a horror movie, action flick, and fan fantasy rolled into one red lightsaber ignition. The team agrees: it might be the greatest single moment in Star Wars history. Period.From there, it's time for Good, Bad, and Ugly, where the sets, the new worlds (Scarif, Jedha), and the grounded stakes all get high praise. The team relishes how Rogue One finally explains the Death Star's ridiculous design flaw, praises its minimal use of nostalgia, and wonders how Jyn Erso climbs that 500-metre tower without even puffing.Legacy-wise, Rogue One is a billion-dollar box office hit that somehow still feels underrated. No Skywalkers. No prophecy. Just a desperate, beautiful mission and a finale that dares to kill every single lead. The episode wraps with laughs, trivia, a tease of a Star Wars Trivial Pursuit rematch, and a reminder that Rogue One is the rare Disney-era film that actually elevates what came before.JOIN THE CONVERSATIONIs Rogue One the best Star Wars movie since the original trilogy?Would you rather pilot an X-Wing or be one with the Force like Chirrut? Is K-2SO the most underrated droid in the galaxy?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.Don't forget to LIKE, SUBSCRIBE, and click the bell to stay updated on all things Born to Watch, your weekly fix of nostalgia, nonsense, and no-holds-barred movie breakdowns.#RogueOne #StarWars #BornToWatch #MoviePodcast #CassianAndor #K2SO #DarthVader #FilmReview

A fisherman and his crew are targeted by a killer whale seeking vengeance for the death of its mate. On this week's episode… Join the crew as we discuss super smart fish, revenge thrillers, and the Jaws rip-off, Orca (1977).    Show Notes: Housekeeping (4:15) Back of the Box/Recommendations (9:15) Spoiler Warning/Full Review: (16:00) Rotten Tomatoes (62:10) Trivia (70:30) Cooter of the Week (78:15) What We've Been Watching (83:35) Hotline Scream: (93:55)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

1985 was the year Sylvester Stallone went from Hollywood heavyweight to undisputed box office king. With Rocky IV on one side and Rambo: First Blood Part II on the other, he wasn't just riding the wave of 80s action; he was the wave. And while First Blood had been a surprisingly thoughtful thriller about trauma, alienation, and a veteran's struggle to reintegrate into society, its sequel shed all subtlety like a spent shell casing. What we got instead was a high-octane, Reagan-era fever dream of exploding arrows, shirtless jungle warfare, and a hero who could take down entire armies with little more than a knife, a bow, and a steely stare. Strap into your parachutr and prepare for our Rambo: First Blood Part II ReviewOn this week's Born to Watch, the boys dive into Stallone's red-bandanaed return to Vietnam. Whitey sets the scene: this isn't just a movie, it's the beginning of the "one-man war" subgenre that would dominate until Die Hard flipped the script in 1988. Damo admits he's barely watched it compared to the rest of the team, just four times, making him the weakest link in the Rambo chain, while Dan fondly recalls a childhood of VHS replays and backyard re-enactments, complete with shirtless flexing and imaginary M-60s.The episode kicks off with laughs about the film's working title, "Second Blood," which the team insists is far better than what we ended up with. From there, the conversation barrels through the film's unforgettable trailer, essentially a three-minute version of the movie that gives away every major set piece. But then again, in 1985, you weren't dissecting trailers on YouTube; you were catching glimpses of them before Back to the Future or in the lobby of Hoyts.As always, Colonel Trautman gets his share of love. Richard Crenna's grizzled commander was the heart of First Blood, but here the boys agree he's been badly sidelined, emasculated by slimy bureaucrats and robbed of his best lines. Whitey argues that Stallone intentionally clipped Trautman's wings to keep the spotlight on himself, before realising by Rambo III that the series needed more Crenna.Villains are in no short supply: Charles Napier's Murdoch oozes bureaucratic slime, Steven Berkoff delivers Cold War menace as a sneering Russian general (forehead mole and all), and Martin Kove, fresh off The Karate Kid, simmers in the background as a mercenary who doesn't get nearly enough to do. And then there's Julia Nickson as Co, whose accent is so gloriously bad it's become immortal. Her "What mean expendable?" line sends the boys into hysterics, though they're quick to admit she's stunning on screen and essential to Rambo's fleeting attempt at love.The set pieces get the full treatment too: Rambo parachuting into the jungle, the bamboo cage of leeches, the patrol boat ambush, and the climactic showdown with a hulking Russian gunship that feels like the final boss in a video game. Logic rarely applies, Rambo seems oddly immune to electrocution and, at one point, appears in what the boys can only describe as a "ceremonial Vietnamese G-string", but that's half the fun. Unlike Cobra, which the podcast tore apart in a recent episode, First Blood Part II manages to be outrageous without ever becoming dull.The team also dives into the film's legacy. Box office juggernaut? Absolutely, $300 million worldwide on a $44 million budget. Awards darling? Not quite. While it picked up an Oscar nomination for sound editing, it swept the Razzies, winning for Worst Picture, Worst Actor, and even Worst Original Song. That song, Peace in Our Life, penned by Frank Stallone, gets roasted at length—described as "mesmerisingly bad" and “patriotic cheese that makes Bon Jovi sound poetic.”But for all its flaws, there's an undeniable joy in watching Rambo: First Blood Part II. Whitey compares it to the Avengers: Endgame of 1985, pure crowd-pleasing cinema where audiences would've cheered out loud when Rambo vaporised a guard with an explosive arrow. The film may be ridiculous, but it's never boring.As always, there are detours into Mad Max Beyond Thunderdome (unanimously despised), A View to a Kill (fondly remembered for Roger Moore inventing snowboarding to the Beach Boys), and Corey Haim's werewolf flick Silver Bullet. There's also a spirited listener voicemail from loyal fan Chupperz, who demands a proper definition of "cameo" for Film School for FW, and a reminder that even when the team is tearing something apart, it's always done with affection.By the time they hit The Good, The Bad, and The Ugly, the verdict is clear: Stallone's hair deserves its own credit, Trautman deserves better, and Rambo: First Blood Part II is the kind of dumb, overblown, endlessly rewatchable 80s action that Born to Watch was made for.So if you love muscle-bound mayhem, Cold War villains, or just want to hear a bunch of Aussie legends laugh, argue, and celebrate a truly explosive piece of cinema history, this is the episode for you.JOIN THE CONVERSATIONIs Rambo: First Blood Part II a misunderstood classic or just overblown propaganda? Would you rather ride shotgun in the gunship or sneak through the jungle with the bow and arrow? Does this sequel outshine First Blood, or did Stallone lose something when subtlety gave way to spectacle? Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#Rambo #FirstBloodPartII #SylvesterStallone #80sAction #CultClassic #MoviePodcast #BornToWatch #FilmReview #ActionMovies #RetroCinema

Bill Frost (CityWeekly.net, X96 Radio From Hell) and Tommy Milagro (SlamWrestling.net) talk Devo: The Documentary, Mission: Impossible: The Final Reckoning, The Twisted Tale of Amanda Knox, Peacemaker, Superman, Long Story Short, Invasion … still a show?, Dexter: Resurrection, SJP vs. And Just Like That haters, The Last of Us & Joey Pants, (no) Better Call Saul comeback, Rasslin' News, Tarantino vs. Movie Critics, The Real Housewives of … London?, Twisted Metal (watch hard!), King of the Hill (watch harder!), Alien: Earth (watch hardest!), and more.Drinking: Bottled In Bond Bourbon from OFFICIAL TV Tan sponsor Outlaw Distillery.Yell at us (or order a TV Tan T-shirt) @TVTanPodcast on Threads, Bluesky, Facebook, Instagram, or Gmail.Rate us and comment: Substack, Spotify, Apple Podcasts, YouTube Music, YouTube, Amazon Podcasts, Audible, TuneIn Radio, etc. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tvtanpodcast.substack.com

Greetings from the graveyard! You may or may not have heard on a recent episode of Death By DVD that your favorite show will unfortunately be taking a break to move. The bad news is there will not be new episodes for a while but the good news is that Death By DVD studios is getting an upgrade so we can bring you bigger and better shows. Hear this new episode updating you on what's going on with Death By DVD as well as some shout outs to friends of the show that have sent us some wonderful supportive messages. DEATH BY DVD WILL B.R.B! BE RIGHT BACK!!!Follow Mr D's Movies on Instagram : https://www.instagram.com/mrdsmovies/Watch AND NOW FOR SOMETHING A LITTLE BIT DIFFERENT hosted by John Horgan here : https://www.youtube.com/@johnhorgan1713If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Ban Certain Beach Wear? Morons in the News. Opie.   The People’s Movie Critic: “Weapons” Everyone Needs a Laugh. Don’t Trust ChatGPT.   Talkback Callers. Can You Believe This? More Chat About “Weapons”   The Zippy Zodiac. From the Vault.

Join the Reverend inside Pam's Coffy, for his first ever sit down with Mr. Quentin Tarantino, as they discuss the cancellation of "The Movie Critic," the origin of "The Adventure's of Cliff Booth," what his next project is going to be, why "Kill Bill: The Whole Bloody Affair" is still unavailable to the public, the brilliance of the late great Michael Madsen and so much more, including the question he's been dying to ask for over 2 and a half years: "What ever happened to the Untitled TV Series?" This is a must listen for true Tarantino fans.Become a member of The Church of Tarantino:Follow us on our Socials:Facebook / Instagram / Threads / Blue Sky & Letterboxd: @ChurchOfQTPodEmail: ⁠⁠⁠TheChurchOfTarantino@gmail.com⁠⁠⁠We're also on the Rabbit Hole Podcast Network: ⁠⁠⁠https://rabbitholepodcasts.com/the-church-of-tarantino/

When all but one child from the same class mysteriously vanish on the same night at the exact same time, a community is left wondering who or what is behind their disappearance. On this week's episode… Join the crew as we discuss Julia Garner, Josh Brolin, and Zach Cregger's sophomore feature film, Weapons (2025).    Show Notes: Housekeeping (4:17) Back of the Box/Recommendations (8:50) Spoiler Warning/Full Review: (12:25) Rotten Tomatoes (77:20) Trivia (88:33) Cooter of the Week (90:52) What We've Been Watching (1:40:15) Hotline Scream: (1:51:30)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Lock, load, and prepare for a ballistic ride. This week, the Born to Watch crew take on the movie that brought Keanu Reeves roaring back into the action spotlight and set a new standard for gun-fu carnage with their John Wick (2014) Review.Whitey, G Man, Damo, and returning guest Bones gather in the "Red Circle Russian Baths" to break down this lean, mean revenge machine. The premise is simple: they killed his puppy, they stole his car, and now John Wick is going to kill absolutely everyone. What follows is 101 minutes of exquisitely choreographed violence, ruthless headshots, and underworld world-building that's as fascinating as it is stylish.The boys kick things off with an "overs and unders" rewatch count, Bones leading the charge with a double-digit tally, Damo admitting he was late to the Wick party, and G Man revealing this was only his second full viewing. Whitey takes us back to his last days running a video shop in 2014, when he first discovered the movie on DVD and immediately knew it was something special.From there, it's a high-calibre conversation covering the sequels (John Wick 2 gets big love, John Wick 3 cops a length warning, and John Wick 4 is called out for testing bladders at nearly three hours). They crunch the numbers on the original film's body count, 84 kills for Wick alone, and swap favourite takedowns, from the Red Circle massacre to the infamous knife-to-the-chest finisher.But John Wick isn't just about spraying bullets. The team dive into what makes it different: the cool, calculated underworld mythology of The Continental, the gold coin economy, and the assassin's code that adds sophistication to the chaos. They agree that the "no business on Continental grounds" rule is a masterstroke, and that Ian McShane's Winston brings the perfect mix of charm and menace.Keanu Reeves' career gets its own spotlight, with nods to Point Break, Speed, The Matrix, and even the roles he almost played (Platoon, Starship Troopers). Supporting cast members also get their flowers: Michael Nyqvist's quietly menacing Viggo, Alfie Allen's punchable rich-kid villainy, Willem Dafoe's sniper guardian angel, and a surprise cameo from wrestling giant Kevin Nash.In true Born to Watch fashion, the chat spirals into side quests: hot takes on Taken's influence on modern revenge films, debates over whether Russians are cinema's ultimate gangsters, and an oddly passionate discussion on Japanese onsens and Russian bathhouses (including the etiquette of washing before soaking with strangers).They also unpack critical reception, David Stratton's dismissive "all gun battles" take versus The New York Times' praise for its style, wit, and box office performance, noting how word of mouth turned a modest $86 million return into the launchpad for a billion-dollar franchise.Signature segments return in force:Hit, Sleeper, Dud, Swinger – with Interstellar and Edge of Tomorrow as hits, Frank as the sleeper, Dumb and Dumber To as the dud, and Pompeii roasted as a "swinger" that belongs in cinematic ash.Snobs Report Special – veering gloriously off-topic to Alexandra Daddario's career-making scene in True Detective.Question Time – covering everything from the realism of Wick's "magic pills" to whether Iosef's death was anticlimactic, and what exactly makes a headshot so satisfying.Through it all, the crew's affection for John Wick is undeniable. They celebrate its stripped-back storytelling, grounded stunt work, and unrelenting pace, while acknowledging its few stumbles. It's the perfect mix of 80s-style simplicity and modern fight choreography, proof that a revenge story, told well, never goes out of style.If you're a fan of tight, furious action films with a killer lead, a colourful rogues' gallery, and a fictional criminal underworld you want to explore (but not live in), this is the Born to Watch episode for you.JOIN THE CONVERSATIONIs John Wick the best modern action franchise or just a stylish headshot marathon?Which kill in the Red Circle nightclub is your all-time favourite?Is killing the puppy the single most effective way to make an audience cheer for revenge?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#JohnWick #KeanuReeves #MoviePodcast #ActionMovies #BornToWatch #GunFu #RevengeMovies #CultAction #FilmReview #PopCulture #borntowatchpodcast

Send us a textKathy, Burk and Ramesh discuss the sequel to "Once Upon a Time in Hollywood" that is in development, with David Fincher directing and Quentin Tarantino writing the script. Shooting has begun in Los Angeles with sets being designed for a 1970s time period. Burk is on the scene with exclusive photos (thank you, Lisa Fancher!) and video. Brad Pitt is set to reprise his role as Cliff Booth and it is rumored to be a spin-off focusing on Cliff Booth's past. The script is reportedly based on a shelved Tarantino project called "The Movie Critic," according to The Playlist.Support the show

On this episode of Remainders, we watch the 90s cult classic Joe Versus the Volcano. An often overlooked movie in Tom Hanks early career, Joe Versus the Volcano is a classic Hollywood screwball comedy that rightfully has gained a cult following since its release. With themes of death, mortality, and the meaning of life, the heady vibes will continue to garner new fans for years.Other topics include Tom Hanks, Meg Ryan, director John Patrick Shanley, Flashback Horror Weekend in Chicago, Joe Dante, the new Naked Gun movie, the original Naked Gun trilogy, and classic 80s movies that shaped our childhood. Songs of the WeekHey Julie by Fountains of WayneMidnight Rider by Allman Brothers BandSeed of Memory by Terry ReidRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Three high school friends gain superpowers after making an incredible discovery underground. Soon they find their lives spinning out of control and their bond tested as they embrace their darker side. On this week's episode… Join the crew as we discuss found footage horror movies, super villain origins, and the surprise hit film, Chronicle (2012).     Show Notes: Housekeeping (4:05) Back of the Box/Recommendations (12:10) Spoiler Warning/Full Review: (18:55) Rotten Tomatoes (66:50) Trivia (76:00) Cooter of the Week (83:35) What We've Been Watching (91:35) Hotline Scream: (97:50)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

This week on Born to Watch, the boys dive sunglasses-first into their Cobra (1986) Review, Sylvester Stallone's 80s fever dream of fascist fashion, cult chaos, and cheeseball one-liners. In a time when Sly was king of the box office, rocking Rambo and Rocky, he went rogue and gave us… Marion Cobretti. Part cop, part Terminator, all denim.Whitey, G-Man, and Morgz try to unpack this absurd Dirty Harry knockoff that's equal parts vanity project and testosterone overdose. From the opening monologue's completely made-up crime stats to the gratuitous axe-wielding cult, nothing about Cobra makes sense, and that's half the fun.But it's not all bullets and bravado. The team takes a hard look at Stallone's creative control (spoiler: he shouldn't have had any), the film's bizarre product placement (Pepsi, anyone?), and a montage that includes Brigitte Nielsen posing with robots to a Robert Tepper deep cut. Seriously.Gow marvels at the buckle boots and slasher absurdities, Dan questions why Cobra opens a warm beer just to throw it, and Whitey can't believe this was supposed to be the start of a franchise. There's praise for the poster, grief for the editing, and unfiltered confusion about the serial killer cult that clinks axes in an abandoned pool.Also in this episode:An explosive “Good, Bad, and Ugly” segment where “ugly” takes on new meaningA wild tangent into Canadian trailer parks and Gow's legendary exploits as the “Ten Slayer”A bonus voicemail from our mate XR8 Chupperz, who wants answers about Canadian bar fights and Gow's taste in trailer park womenAs the crew reflects on Cobra's place in 1986 cinema, surrounded by giants like Top Gun, Aliens, and Platoon, they ask the big questions: Could this have been good with a different cut? Did anyone actually direct this thing? And is “You're a disease, and I'm the cure” the greatest dumb action line ever written?Spoiler alert: Cobra ends with 41 confirmed kills. Stallone doesn't just clean up crime; he clears the census.So if you love muscle-bound madness, slashers in stocking masks, or just want to laugh at a movie that takes itself way too seriously, this episode is for you.JOIN THE CONVERSATIONIs Cobra a misunderstood action gem or just a flaming dumpster fire of denim and ego?Would you ride shotgun with Cobretti or run from his gun with the custom Cobra logo? Who's scarier—the Night Slasher or that robot photo shoot montage?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#Cobra #SylvesterStallone #BornToWatch #MoviePodcast #80sAction #CultClassic #BadMoviesWeLove #BrigitteNielsen #PepsiPlacement #GunWithALogo

Bands That Hate Their Biggest Hits. Morons in the News. Please Don’t Walk on Lava.   The People’s Movie Critic: “Happy Gilmore 2” The People’s Movie Critic: “The Fantastic Four” Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? Bad Tinder Chats.   The Zippy Zodiac. From the Vault.

Strap on your goggles and hoist the sails, this week on Born to Watch, the crew dives into a post-apocalyptic puddle with their Waterworld (1995) Review, Kevin Costner's legendary aquatic epic that soaked Universal Studios in ambition, cash, and controversy. Whitey, G Man, and Damo reunite to wade through the waves of cinematic history, revisiting a film as infamous for its behind-the-scenes chaos as it is for its soggy storytelling.From the jump, the team questions Waterworld's place in pop culture infamy. Once touted as the most expensive movie ever made, this maritime Mad Max-on-water starred Costner at the peak of his fame, but was it his creative apex or the beginning of his soggy descent? The guys don't pull punches, balancing deep dives into production lore with their trademark irreverent humour.Whitey sets the tone by confronting the bloated ambition of the project: “Has any Hollywood star become so famous with a catalogue with so many peaks and troughs?” Cue a wide-ranging Costner retrospective, comparing the golden days of Field of Dreams and The Untouchables to the indulgent excesses of The Postman and yes, Waterworld. The verdict? Costner might've been drinking his own Kool-Aid, filtered through a urine distillation machine, of course.G Man leads the crew through the absurd plot, where the Earth is drowned, the polar caps are melted, and dry land is a mythic memory. Costner plays the Mariner, a grim, gilled loner with webbed feet and a personality drier than the lost continent he's searching for. The podcast doesn't shy away from the film's narrative flaws: characters with no backstory, Mad Max rip-offs, and a complete lack of chemistry between the leads, most notably between Costner and Jeannie Triplehorn, affectionately known as “Jeannie Triple Blurter” by the team.Speaking of performances, Dennis Hopper's turn as the Deacon is eviscerated with delight. Compared to his electric villain in Speed just a year prior, Hopper here is an oily cartoon, piloting a rust-bucket Exxon Valdez filled with chain-smoking goons. “It's a bad Beyond Thunderdome,” declares Whitey, and the panel doesn't disagree.The gang revels in the film's infamous production disasters: hurricanes, a constantly rewritten script, Costner's massive creative control, and his falling out with director Kevin Reynolds. G Man reminds us of the legendary quote about Costner directing himself: “Now he gets to work with his favourite actor and his favourite director.” Ouch.Despite the floundering script, there are moments that the Born to Watch crew appreciates. The practical effects, like the massive floating Atoll set and Costner's tricked-out trimaran, get nods of approval, even if the action sequences are undercut by choppy editing and goofy stunts. And the team can't help but laugh at the iconic “pee filtration scene,” the rope-assisted bungee jump climax, and the infamous underwater city reveal, which defies all logic and basic physics.One of the episode's standout sections is “Question Time,” where the trio tackles the film's most baffling plot points: How does the Mariner's boat outrun jet skis? How does dry land remain uninhabited? And why, oh why, would someone spend their life searching for paradise only to leave it five minutes after finding it?The boys also pay tribute to the lesser-known cast and crew: a young Jack Black in a blink-and-miss-it role, Tina Majorino (aka the Enola of Napoleon Dynamite fame), and the brilliant yet misfiring score from James Newton Howard. “He dialled it in harder than Dennis Hopper did,” quips Damo.By the end, the Born to Watch gang reaches a consensus: Waterworld is a cinematic curiosity, too ambitious to dismiss outright, too flawed to celebrate, and just insane enough to warrant a watch. Maybe once.So whether you're a fan of ‘90s action epics or just here to marvel at cinematic misfires, this Waterworld deep dive is a splash of nostalgic chaos you won't want to miss.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Waterworld an underrated cult classic or a floating disaster?Would you survive in a world covered by the ocean? And seriously, how does that boat outrun jet skis?#BornToWatch #Waterworld #KevinCostner #MoviePodcast #90sMovies #PostApocalyptic #DennisHopper #JeanneTripplehorn #CultClassic #MadMaxOnWater #MovieReview #PodcastLife

The Coldplay Incident. Ozzy’s Final Show. Morons in the News.   The People’s Movie Critic. R.I.P. Hulk Hogan. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? The Origins of Crackers.   The Zippy Zodiac. From the Vault.

In this week's Born to Watch, the lads swing for the fences with their deep dive Moneyball (2011) Review. Whitey, Dan on the Land, and Will “The Worky” take to the mound to dissect why this unconventional baseball flick, starring Brad Pitt and Jonah Hill, continues to resonate over a decade later.From the get-go, it's clear this isn't your typical sports movie review. The team kicks off with backyard renovations, foot fetish tangents, and a laugh-out-loud discussion on the bizarre world of Japanese vending machines, classic Born to Watch territory. But once they find their groove, it's all baseball, banter, and brilliance.Moneyball, based on the true story of Oakland A's GM Billy Beane, gets the full pod treatment. The trio wax lyrical about Pitt's understated performance, Hill's against-type turn as the socially awkward numbers guy, and Philip Seymour Hoffman's quietly simmering portrayal of sceptical coach Art Howe. Whitey makes the case for this being one of Pitt's finest performances, yes, even better than his Oscar-winning turn in Once Upon a Time in Hollywood. Dan and Will aren't far behind in their praise, though they're quick to point out the poetic license the film takes with some of its real-life counterparts.Of course, it wouldn't be Born to Watch without the gang tackling the “overs and unders.” Will throws a curveball with a surprisingly low watch count, while Whitey admits he's clocked in over 40 viewings. Dan, as always, brings the analytical fire, no surprise for a man who appreciates Michael Lewis' storytelling DNA, also behind The Big Short.The trio also tackles one of the episode's core questions: Why are baseball movies so damn good? Is it the history? The romance? The slower pace that allows for actual acting? Whatever the formula, it works. From The Natural and Field of Dreams to Major League and Bull Durham, the guys rattle off their favourites with the kind of passion you only get from true movie lovers.There's also an appreciation for the film's dry, cerebral tone. Unlike other sports flicks that rely on big plays and locker room speeches, Moneyball thrives on boardroom tension, Excel spreadsheets, and quiet moments of doubt. Yet somehow, it's riveting. It's a film about math, risk, and the emotional cost of change, and yet it's as compelling as any game-winning homer.Listeners are treated to the usual podcast hallmarks: mock trailers, roast reviews (with one critic thoroughly torn apart), and a beautifully read back-of-the-DVD synopsis that outshines the studio blurb. Whitey's disdain for the critic who panned the movie is particularly entertaining, while Dan gives a thoughtful defence of Moneyball's cinematic liberties.The episode also veers into classic BTW chaos. There's a spirited debate on the merits of Jack and Jill (spoiler: there are none), a nostalgic dive into The Inbetweeners as a sleeper hit of 2011, and an epic sidetrack into surfing journalism and Jonah Hill's transformation from comedy darling to surf-culture punching bag. It's podcast whiplash in the best possible way.As always, the “Ordinary People” segment stands out, offering a nuanced examination of the film's characters and the performances that bring them to life. The pod pays homage to Philip Seymour Hoffman, laments Jonah Hill's real-life reputation despite his on-screen brilliance, and even finds time to praise an uncredited Spike Jonze cameo that nearly steals the film.In the end, Moneyball gets the respect it deserves, a deeply human story wrapped in a sports movie shell. For the Born to Watch crew, it's not just about baseball; it's about challenging the system, betting on the misfits, and finding magic in the margins.So whether you're a sabermetrics savant or just love a good underdog story, this episode is a must-listen.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Moneyball the smartest sports movie ever made?Could you build a winning team with just data?And is Brad Pitt's Billy Beane his most underrated role?#BornToWatch #Moneyball #BradPitt #JonahHill #BaseballMovies #Sabermetrics #SportsMovies #FilmPodcast #AaronSorkin #MichaelLewis #PhilipSeymourHoffman #UnderdogStory #MovieNight

Justin and Andy discuss everything they watched at the Bucheon International Film Festival!   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Home-Run-athon. Morons in the News. Casual Friday.   The People’s Movie Critic: “Superman” Superman Audition. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? Attempted Murder.   The Zippy Zodiac. From the Vault.

In a violent future in Detroit, murdered police officer Alex Murphy is resurrected as Robocop, a powerful cyborg law enforcer. As he fights crime he begins to uncover memories of his past and seeks revenge on those that murdered him. On this week's episode… Join the crew as we discuss Reaganomics, privatized police forces, and Paul Verhoeven's, Robocop (1987).   Show Notes: Housekeeping (4:45) Back of the Box/Recommendations (12:00) Spoiler Warning/Full Review: (20:15) Rotten Tomatoes (75:55) Trivia (82:15) Cooter of the Week (91:40) What We've Been Watching (99:02)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Grab your cricket bat, raid the fridge for a cold one, and head to the Winchester, because this week, the Born to Watch crew are diving deep into one of the smartest and most beloved horror-comedies of all time with their Shaun of the Dead (2004) review.With G-Man MIA (probably off playing Tekken in the shed), Matt and Sir Dimmy hold the fort to break down Edgar Wright's 2004 cult classic that reanimated the zombie genre and redefined the zombie flick with a pint of bitter and a dash of British wit.In this week's episode, the lads explore how Shaun of the Dead walks the tightrope between gore and giggles, creating a film that works just as well as a slacker comedy as it does a horror satire. Damo admits to confusing it with The World's End (don't worry, he's new here), while Matt reveals he's seen the film nearly 20 times and could watch it on loop, especially with a packet of pork crackle and a Pepsi Max.From the iconic walk to the shop (twice), to the Queen-backed zombie beatdown in the Winchester, the boys dissect every major scene with the kind of reverence usually reserved for Tarantino or Scorsese. They also dig into Simon Pegg's breakout role as the titular Shaun, Nick Frost's glorious (and infuriating) turn as Ed, and the supporting cast of Britcom legends including Lucy Davis, Dylan Moran, and the ever-reliable Bill Nighy.They ask all the important questions:Is Shaun actually a zombie at the start of the film, who awakens into humanity?Could a pub really be the best place to ride out the apocalypse?And how the hell did Shaun survive that crowd of flesh-eaters outside the Winchester?Damo goes full philosopher, questioning the human condition in the age of smartphones (spoiler: we're all zombies), while Matt wonders why anyone would throw priceless vinyl at the undead.But it's not all jokes and Queen sing-alongs, the episode also touches on the emotional beats of the film, like Shaun's relationship with his mum and stepdad, the heartbreak of watching loved ones turn, and the surprisingly poignant ending that still manages to sneak in one last gag.The boys also fire off rapid takes in “The Good, The Bad and The Ugly,” with highlights like:The perfect pacing and editing of the dual morning walk sequencesThe underappreciated brilliance of the bizarro “mirror crew” sceneAnd Ed's ability to be the most annoying – yet somehow still likeable – flatmate in cinema historyThrow in some choice reviews from critics (both good and hilariously bad), box office trivia, and the revelation that director Edgar Wright used just $4 million to craft a film that grossed over $30 million and launched a thousand pub-themed Halloween costumes, and you've got yourself one hell of a breakdown.Oh, and yes, the team briefly wonders why cricket bats are now over $1,000, a real horror show.So whether you're a diehard fan of the Cornetto Trilogy or new to the undead scene, this episode is a must-listen.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Shaun of the Dead the best zombie comedy ever made?Would you ride out the apocalypse in a pub? And what's the best record to throw at a zombie?#BornToWatch #ShaunoftheDead #EdgarWright #SimonPegg #ZombieComedy #BritishHumour #HorrorComedy #NickFrost #CornettoTrilogy #MoviePodcast

On this fresh from the grave episode we celebrate 16 years of DEATH BY DVD.Founded in July of 2009, Death By DVD has produced hundreds of episodes in the 16 years of its existence and to celebrate our 16th anniversary we have a special announcement to make concerning the fate and future of this very show.If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades and I truly hope you click play and hear what we have to say.Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

Tonight, Born to Watch delves deep into the dusty, desolate West Texas badlands to dissect a modern masterpiece: the Coen Brothers' haunting 2007 thriller, No Country for Old Men. It's a film that sidesteps genre conventions, delivering existential dread with a bolt gun and cowboy boots. The full Born to Watch crew is in session, and from the moment Whitey's epic intro begins, you know this episode is going to be as layered and unpredictable as Anton Chigurh himself.Right from the start, the boys are firing, rattling off 2007's Oscar lineup, debating Juno's place in film history, and showering praise on Daniel Day-Lewis' oil-thirsty turn in There Will Be Blood. But tonight belongs to a different kind of monster: Javier Bardem's Anton Chigurh. Is he cinema's most terrifying villain? Whitey thinks he's second only to Darth Vader, and with that hair, maybe even scarier.As the team recalls first viewings and rewatch counts (shoutout to G Man's 15 and counting), the discussion spirals into tales of obsessive fans, including a local surfboard shaper who watched the movie weekly and theorised on every nuanced frame. This isn't just a movie, it's a layered riddle that demands attention, multiple viewings, and, apparently, a decent video store rental policy.Each Born to Watch host brings their own flavour to the conversation. Damo labels it a “one watcher” for its grim tone, while Dan declares it a regular “downtime” favourite on the land, fitting for a film that captures so much dusty silence and moral ambiguity. G Man and Whitey, meanwhile, dig into the deeper layers, noting how every watch reveals something new.The cast gets a well-deserved spotlight, with special attention paid to Javier Bardem's quietly horrifying performance. Gow dives into Bardem's rugby-playing past (yes, really) and his reluctance toward violent roles, ironic, considering Chigurh is basically Death with a pageboy cut. Josh Brolin's understated turn as Llewelyn Moss also gets love, as does Tommy Lee Jones' weary, philosophical sheriff. The gang reflects on Woody Harrelson's all-too-brief but memorable role and Kelly Macdonald's heartbreaking final scene.And in true Born to Watch fashion, the episode isn't just about highbrow film theory; it's a ride. Expect detours into Aussie weather patterns, rogue toasties, and the quality of Diane Lane's 2010s filmography. There are tangents on Baywatch, Peter Phelps' acting career, and even a debate on the New Yorker's most pretentious film review ever written. Trust us, you won't want to miss Whitey translating the nonsense of a critic who thinks name-dropping Elmore Leonard makes a hot take.As always, the team weighs in on whether the film cracks the Rank Bank. But the real joy is in the journey: Gow's taglines, Dan's literary deep dives, and Damo's reluctant respect all add up to a collective conclusion: No Country for Old Men might just be the smartest film to ever feature a cattle gun.So, if you love Oscar-winning nihilism, coin toss-induced dread, or just want to hear a bunch of Aussie legends unravel one of the Coens' most unnerving films, this is the episode for you.JOIN THE CONVERSATION Is No Country for Old Men the Coens' bleakest brilliance or just a beautifully shot nightmare? Would you call it heads or tails… or just run for the hills? Is Anton Chigurh cinema's most chilling villain or just a man with a bad haircut and worse manners?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.Don't forget to LIKE, SUBSCRIBE, and click the

Diddy Verdict. Morons in the News. Mayo Slices.   Everyone Needs a Laugh. Back to the Future Anniversary. The People’s Movie Critic: “Poop Cruise”   Talkback Callers. Can You Believe This?   The Zippy Zodiac. Eating at the Cookout.

This week on Born to Watch, we're heading to the desert planet of Arrakis to break down one of the biggest sci-fi epics of recent memory in Denis Villeneuve's Dune: Part One Review. Join Whitey and Sir Dimmy of the House Cockburn as they unpack a film that's equal parts galactic power struggle, political thriller, and interstellar fever dream.Villeneuve's Dune had a lot riding on it. Announced in 2017 and delayed by the COVID-19 pandemic, it finally arrived in 2021 with both cinema and HBO Max releases. But did it live up to the hype? Was the spice worth the squeeze? Whitey and Sir Dimmy get stuck into the sandstorm of ambition, adaptation, and a whole lot of Zimmer.From the very start, the duo agree, this film demands the big screen. Whitey confesses to watching it via a sneaky early online drop and instantly regretting not experiencing it in the cinema. For Dimmy, it was love at first IMAX. There's a reverence for the visuals, the grandeur, and the world-building that marks Dune as a rare modern blockbuster that dares to go deep.But this isn't a dry academic analysis. This is Born to Watch, where film critique meets pub banter. That means serious praise for Hans Zimmer's thunderous, Oscar-winning score, though we do wonder if the music sometimes overshadows the movie. The team marvels at the film's scale: the ornithopters, the wormsign, the sand-soaked vistas. Arrakis feels real. The political scheming feels Shakespearean. The voice feels like Jedi mind tricks on steroids.Naturally, the cast gets a full once-over. Timothée Chalamet is dubbed a “scrawny action hero” who somehow works as Paul Atreides. Rebecca Ferguson as Lady Jessica earns the nickname “Freckles Ferguson” and delivers the emotional heft of the film, tears, telepathy, and total commitment. Jason Momoa's Duncan Idaho is everyone's space-dad crush, and Stellan Skarsgård's floating, grotesque Baron Harkonnen might just be the scariest slug in cinema history.And then there's Zendaya. Or… is there? While her face is plastered across posters, trailers, and marketing campaigns, she's in the actual film for about 10 minutes, and that's being generous. Sir Dimmy and Whitey don't hold back, calling it one of the greatest bait-and-switches in recent memory. She's Paul's “blue-eyed wet dream,” more vision than character, and it all but guarantees the necessity of a sequel.The discussion also gets into the film's legacy. Is Dune the sci-fi blueprint that inspired Star Wars? Without question. From the Force-like Voice to desert-dwelling mystics and chosen one arcs, Herbert's fingerprints are all over modern sci-fi. Villeneuve's version just finally gives the novel the serious treatment it deserves, after the messy (but charmingly weird) David Lynch version in 1984 and a forgettable miniseries.Of course, Born to Watch being Born to Watch, there are plenty of detours. There's debate over whether Duncan Idaho could survive in the Game of Thrones universe. There's talk of Dutch ovens, nose jobs, and the possibility of casting Mr. T as the Reverend Mother. At one point, the podcast veers into a philosophical wormhole involving one-name celebrities like Sting, Prince, and, of course, Zendaya. The House Cockburn coat of arms even gets a shoutout, shielded by fire, flanked by two swords in the shape of appendages. You really had to be there.Despite a few gripes, underexplained lore, a traitorous doctor's paper-thin logic, and the slightly sluggish pacing, Whitey and Sir Dimmy are all in on Dune. It's a film that dares to take itself seriously. No snark, no winks. Just grand, immersive sci-fi storytelling. It may not be everyone's flavour of spice, but it's a feast for those who want their blockbusters with brains.As the credits roll and the sand settles, one thing is clear: this is only part one. And Born to Watch will be there when part two drops, with fresher takes, deeper dives, and possibly more Zendaya.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation: Is Dune a sci-fi masterpiece or a high-concept snooze? Was Zendaya's screen time the greatest bait-and-switch ever? Would YOU ride a sandworm into battle?Please drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #Dune2021 #DenisVilleneuve #TimotheeChalamet #SpiceMustFlow #MoviePodcast #FilmReview #SciFiCinema #Zendaya #HansZimmer #MovieNerds #FilmTalk #PopCultureBreakdown #HouseCockburn #BlueEyedWetDreams #JasonMomoa #RebeccaFerguson

The Dog Gets a Name. Jeff Bezos. Morons in the News.   The People’s Movie Critic: “How to Train Your Dragon” Everyone Needs a Laugh. Cooking with Lamar.   Talkback Callers. Can You Believe This? Highway Bear Fight!   The Zippy Zodiac. From the Vault. Talkback Callers.

In Episode 5 of I'm in This Movie, Chelsea speaks plainly about her transgender identity and why she loves How to Train Your Dragon so much. CenterPeace Podcast on Apple Podcasts - interview with Chelsea coming soon! CenterPeace is an organization focused on creating community and belonging for LGBTQ+ Christians and their families. Contact Chelsea Instagram - @ChelseaLeeH17 Letterboxd An American Workplace | A Retrospective The Office Podcast Crossroads of Destiny | An Avatar: TLA Universe Podcast Cinescope Instagram - @cinescopepodcast YouTube Website Email thecinescopepodcast@gmail.com

On this episode of Remainders we watch the 2005 film A History of Violence. David Cronenberg adapts the graphic novel by John Wagner about a small town family man who becomes a local hero after killing two men during an armed robbery. This gets the attention of a mob boss who believes Tom is a man with a violent past. Beast mode performances by Viggo Mortenson, Ed Harris, and William Hurt elevate A History of Violence into epic territory.Other topics include Viggo's career post-Lord of the Rings, Cronenberg's filmography, best Ed Harris and William Hurt performances, Brad Pitt and sports movies, plus Ripley and the history of the character from Patricia Highsmith's novel.Songs of the WeekVoicemail by Meat WaveSave Me by Aimee MannDear John by Aimee MannRemainders Podcast Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

A group of survivors of the rage virus live on a secluded island. When one of the group leaves the island on a mission to the mainland he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors. On this week's episode… Join the crew as we discuss worm eating zombies, pregnant zombies, and Alpha zombies in Danny Boyle's, 28 Years Later (2025).   Show Notes: Housekeeping (3:55) Back of the Box/Recommendations (12:08) Spoiler Warning/Full Review: (16:05) Rotten Tomatoes (69:20) Trivia (76:30) Cooter of the Week (84:10) Hotline Scream: (91:27)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

The heat is back on as the Born to Watch crew heads back to Beverly Hills for some high-octane hijinks, fast-talking cons, and serious shoulder-padded style. In this week's episode, Whitey, G-Man, and Dan on the Land revisit the 1987 sequel that turned up the dial on Eddie Murphy's star power with their Beverly Hills Cop II Review, directed by the ever-slick Tony Scott.From the moment Axel Foley slides behind the wheel of a Ferrari to the final shootout at the oil fields, the team breaks down why this neon-soaked action-comedy remains an ‘80s icon. They revel in Murphy's unmatched charisma, dissect the film's bold visual flair, and relive the glory of Harold Faltermeyer's synth-driven score and Bob Seger's anthemic “Shakedown.”Whitey goes deep on Tony Scott's signature aesthetic, the burnished orange hues, the stylized action, the hyper-stylized masculinity, while G-Man keeps it grounded with sharp takes on the film's functional but fun villainy and the lovable duo of Rosewood and Taggart. Meanwhile, Dan (pizza in hand) dishes on Eddie's behind-the-scenes power moves and the rise of “Eddie Murphy Productions,” proving this was the moment Axel Foley became Eddie Murphy's true alter ego.The boys aren't afraid to poke fun, either. From the inexplicable countdown robberies and oddly muscular strippers to baffling wardrobe coincidences (how did that blazer fit Taggart so well?), this episode's got more questions than an alphabet heist. And don't get them started on the extra at the Playboy Mansion doing an interpretive dance; he's earned a permanent spot in the Bad Running Ripley Hall of Fame.They also tip their hats to the era: the coke-fueled Simpson/Bruckheimer production madness, the bafflingly low Rotten Tomatoes scores despite the film being the second biggest box office hit of 1987, and the sheer power of a good montage scored by Seger. It's a masterclass in style-over-substance, but sometimes style is the substance.And of course, it wouldn't be a Born to Watch episode without diversions into North Shore memories, Magnum P.I. comparisons, and the origin story of Dan's legendary mustard shirt. If you know, you know.So, whether you're an ‘80s kid raised on VHS or just discovering that Beverly Hills had a crime problem solvable only by Detroit's finest, this episode is a full-throttle celebration of a sequel that doesn't just play the hits, it cranks them.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Beverly Hills Cop II better than the original? Does Tony Scott's style elevate the film or overshadow it? Which song hits harder: “Shakedown” or “The Heat Is On”?Leave us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #BeverlyHillsCopII #EddieMurphy #TonyScott #80sMovies #ActionComedy #MoviePodcast #BobSeger #Shakedown #CultClassics #BeverlyHillsCop2

CHRISTOPHER BICKEL, underground filmmaker, punk rocker and artist joins Death By DVD to discuss their most recent film PATER NOSTER AND THE MISSION OF LIGHT, why they make movies, art and MORE on this fresh from the grave episode celebrating all things Christopher Bickel. We have been very luck to have had Mr. Bickel on Death By DVD previously, and now they are back for a ghoulish interview I think you'll enjoy! Well, at least I hope you enjoy it. We discuss the films of Christopher Bickel and what makes them tick as an artist, how they create art and of course we discuss who they are as an artist. Strap in and get ready, this is an action packed episode filled with laughter and joy. I hope you click play and hear it today. Would you like to see a behind the scenes video with footage from the recording of this interview? TAP HERE or copy and paste the link : https://www.patreon.com/posts/death-by-dvd-at-131273256Wanna hear my first interview with Christopher Bickel? TAP HERE or copy and paste the link : https://listentodeathbydvd.transistor.fm/episodes/death-by-dvd-presents-six-feet-under-the-underground-art-of-christopher-bickelWatch PATER NOSTER AND THE MISSION OF LIGHT ON NIGHT FLIGHT. TAP HERE or copy and paste the link : https://www.nightflightplus.com/videos/pater-noster-and-the-mission-of-light/670d3d1a2d57b50001a4f878Learn all about Christopher Bickel's new film PATER NOSTER AND THE MISSION OF LIGHT HERE : Https://www.paternostermovie.comChristopher Bickel on IMDb : https://www.imdb.com/name/nm3355435/PATER NOSTER AND THE MISSION OF LIGHT ON IMDb : https://m.imdb.com/title/tt33064297/WATCH BAD GIRLS BY CHRISTOPHER BICKEL ON AMAZON : https://www.amazon.com/Bad-Girls-Morgan-Shaley-Renew/dp/B09LQ42SX3WATCH THE THETA GIRL BY CHRISTOPHER BICKEL ON AMAZON : https://www.amazon.com/Theta-Girl-Victoria-Elizabeth-Donofrio/dp/B07HSMHVDLSUPPORT CHRISTOPHER BICKEL BY SHOPPING PAPA JAZZ RECORD SHOPPE : https://www.papajazz.com/Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

Ozzie's DNA. Happy Summer Solstice! Morons in the News.   The People's Movie Critic. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? 5 Books Better Than the Movies.   Talkback Callers. From the Vault.

Today's Oddcast - Talking Lamar - You Still Need A Bigger Boat (Airdate 6/20/2025)   The People's Movie Critic is celebrating the 50th anniversary of one of the greatest movies of our lifetime, Jaws.   The Bob & Sheri Oddcast: Everything We Don’t, Can’t, Won’t, and Definitely Shouldn’t Do on the Show!

On this week's show, Mikey and Bob discuss their May pick-ups including several new releases, a Scream Factory sale, and VHS tapes.    Connect with us: Website Instagram Twitter

Step back into the Hyborian Age as the Born to Watch team revisits the sword-swinging, snake-worshipping, bass-drum-thumping fantasy epic that turned Arnold Schwarzenegger from a musclebound oddity into a bona fide cinematic icon. In this week's episode, Matt, Damo, and Will the Worky unsheath their mics and tackle John Milius' 1982 cult classic in our Conan the Barbarian (1982) Review, a film where dialogue is sparse, but biceps and barbarism are abundant.From the first clang of steel to the last decapitated villain, the team dissects how Conan carved a path for modern sword-and-sorcery flicks. They marvel at Basil Poledouris' thunderous score, which practically carries the film on its symphonic shoulders, because let's face it, Arnie wasn't hired for his monologues (all 76 words of them). The music, paired with breathtaking cinematography and operatic violence, sets a tone so grand it makes modern blockbusters feel like children's theatre.Matt reminisces about watching Conan far too young, the kind of early exposure to gore and magic that forges lifelong genre fans, or scars. Damo is surprised by how little he remembered and how much more there was to appreciate in the rewatch, especially the high fantasy structure and iconic character archetypes. Meanwhile, while watching it for the first time, Will finds joy in the bizarre mix of stoic barbarism and pseudo-philosophy, and even draws connections to his favourite cult flicks.The team dives deep into the lore, from Nietzsche quotes (anachronistically inserted, of course) to the Riddle of Steel, and unpacks Conan's journey from orphaned child to vengeful demigod. They salute James Earl Jones' haunting performance as Thulsa Doom, complete with snake eyes and an even more chilling voice and appreciate how he lends gravitas to a film otherwise packed with loincloths and camo body paint.There's plenty of laughs, too. From the bizarrely tame “orgy” scene (more twister than temptation) to the ineptitude of Thulsa Doom's guards who fall like dominoes, no absurdity is safe. The guys revel in the moments where the film leans into camp, noting that sometimes a little cheese makes the fantasy feast even better.But it's not all satire and side-eyes. They pay proper homage to the movie's impact on pop culture and its clear influence on everything from Game of Thrones to Willow. There's admiration for the throwback practical effects, the majestic (if questionably choreographed) sword fights, and the sheer cinematic ambition that poured from every dust-covered frame.Of course, no Born to Watch episode would be complete without some detours into the ridiculous. You'll hear about suspiciously hygienic cave-dwellers, the logistics of snake cult recruitment, and even a story involving an orgy, a wall, and a very confident swinger. Yep, it's that kind of episode. So, whether you're a lifelong Conan fan or just now discovering that sword and sorcery can be both epic and unintentionally hilarious, this episode is a glorious deep-dive into a film that helped define 1980s fantasy cinema and the Born to Watch crew wouldn't have it any other way.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Conan the most iconic role of Arnold's career?Does Basil Poledouris' score make this an all-time great?What's the most badass moment in the film?Please drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #ConanTheBarbarian #ArnoldSchwarzenegger #SwordAndSorcery #80sMovies #FantasyEpic #MoviePodcast #BasilPoledouris #JamesEarlJones #CultClassics

Talkback Caller. Morons in the News. Wash Your Beard.   The People’s Movie Critic: “Ballerina” Everyone Needs a Laugh.    

Gigantic alligators swarm around a young woman and her father as floodwaters engulf their home. On this week's episode… Join the crew as we discuss how to properly wrestle a gator, what caliber bullet is best to shoot at a hurricane, and how the University of Florida really does prepare you for anything in Alex Aja's creature feature, Crawl (2019).   Show Notes: Housekeeping (5:05) Back of the Box/Recommendations (15:05) Spoiler Warning/Full Review: (20:45) Rotten Tomatoes (62:15) Trivia (70:45) Cooter of the Week (80:25) What We've Been Watching (84:25)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

This week on Born to Watch, we lace up our Asics, slap on a second singlet, and head to the sun-soaked courts of Venice Beach as we rewind to 1992 with our White Men Can't Jump Review, a film that might be the most gloriously nineties thing we've ever reviewed. From hypercolor hats to bike shorts over trackies, this movie is a time capsule of an era when trash talk was an art form and hustling was a full-time job.Whitey and G Man go deep on this cult classic, remembering their own basketball glory days and how this film shaped their approach to trash talk on and off the court. More than just a sports movie, White Men Can't Jump is a gritty, witty, and surprisingly layered look at addiction, betrayal, and self-destruction, with a side of slam dunks and “yo mama” jokes.Woody Harrelson's Billy Hoyle is the kind of guy who can't get out of his own way, while Wesley Snipes' Sidney Deane has charm, ambition, and just enough hustle to burn his own mates. Together, they're magic on the court, but it's off the court where their flaws truly shine. Gloria, played by Rosie Perez, may be one of the most annoying characters in cinematic history, but she's also a vital part of the film's emotional punch, and maybe, just maybe, part of Billy's downfall.The boys ask the big questions: Is this actually a comedy? Or is it a cleverly disguised tragedy about two men who can't get out of their own way? Is Gloria the real villain? And why does Sidney wear a cycling cap to play basketball? There are critical breakdowns of the basketball action (which holds up surprisingly well), deep dives into the fashion, and stories of real-life trash talk glory from the Narrabeen Fitness Camp days.We cover everything from the impeccable chemistry between Harrelson and Snipes to the deeper themes that still resonate today. And yes, we've got the stats: box office, critical reception, director Ron Shelton's sporting film pedigree, and why this movie may be more about green than black or white.So grab your Gatorade, stretch out like Billy on the sideline, and settle in for a Born to Watch deep cut that'll take you back to a simpler time—when all you needed was a ball, a dream, and someone to hustle.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Billy Hoyle the most frustrating character in sports movie history?Was Gloria's Jeopardy obsession genius or just plain annoying?Who had the better game—Billy or Sydney?Please drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #WhiteMenCantJump #WesleySnipes #WoodyHarrelson #RosiePerez #90sBasketball #MovieHustle #TrashTalkLegends #RonShelton #MoviePodcast

Backflip Gone Wrong. Irish Butter. Morons in the News.   The People's Movie Critic. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This?   The Zippy Zoiac. From the Vault.

A brother and sister uncover a terrifying ritual at the secluded home of their new foster mother. On this week's episode… Join the crew as we discuss Sally Hawkins, Australian horror, and the Philippou brothers' sophomore feature, Bring Her Back (2025).   Show Notes: Housekeeping (5:45) Back of the Box/Recommendations (13:55) Spoiler Warning/Full Review: (20:15) Rotten Tomatoes (82:57) Cooter of the Week (92:15)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Little Girl Sings for Delayed Flight. Narco Sub. Morons in the News.   The People’s Movie Critic: “MI-8” Everyone Needs a Laugh. “The Office” Spinoff is Coming!   Talkback Callers. Can You Believe This? The Offline Club.   The Zippy Zodiac. From the Vault.

In Episode 4 of I'm in This Movie, Chelsea talks about representation, binary choices, and finding community as she explores herself through the lens of The Muppets! What the Hype?! Podcast on Apple Podcasts What the Hype?! Podcast on YouTube Contact Chelsea Instagram - @ChelseaLeeH17 Letterboxd An American Workplace | A Retrospective The Office Podcast Crossroads of Destiny | An Avatar: TLA Universe Podcast Cinescope Instagram - @cinescopepodcast YouTube Website Email thecinescopepodcast@gmail.com

Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. On this week's episode… The crew is joined by Caitlin from Plug It Up to discuss 12 bar blues, how to properly fry catfish, and Ryan Coogler's smash hit vampire flick, Sinners (2025).   Show Notes: Housekeeping (5:33) Back of the Box/Recommendations (11:38) Spoiler Warning/Full Review: (15:48) Rotten Tomatoes (80:30) Trivia (87:05) Cooter of the Week (96:55) What We've Been Watching (103:35) Hotline Scream: (110:15)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Diddy Update. Found Treasure. Morons in the News.   The People's Movie Critic: "Fred & Rose" Everyone Needs a Laugh.   Talkback Callers. Can You Believe This?   The Zippy Zodiac. From the Vault.

Tootsie Roll. Morons in the News. Australian Soda.   The People’s Movie Critic: “Your Friends and Neighbors” Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? G’Mas Snuff.   The Zippy Zodiac. From the Vault.

Smokey Robinson. Chewy. Morons in the News.   The People’s Movie Critic: “Thunderbolts” Everyone Needs a Laugh. The Pigs Sell Themselves.   Talkback Callers. Can You Believe This? Mozz Sticks!   The Zippy Zodiac. From the Vault.

Pee Wee Herman. Protein in Everything? Morons in the News.   The People’s Movie Critic: “Bad Influence” Lamar Should Serve the Bacon. Everyone Needs a Laugh.   Talkback Callers. Sheri and the Scammer. Can You Believe This?   The Zippy Zodiac. From the Vault.

You Should Watch the New Titanic Documentary. Morons in the News. Tik Tok Rallies to Help Elderly Waitress.   The People’s Movie Critic: “Sinners” Everyone Needs a Laugh. Lab-Grown Chicken Nuggets.   Talkback Callers. Pope Selfies? Can You Believe This?   The Zippy Zodiac. From the Vault.